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# | Start | End | Original | Translated |
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1 | 00:00:01,370 | 00:00:02,830 | WANDA: Previously on WandaVision... | WANDA: Previously on WandaVision... |
2 | 00:00:02,920 | 00:00:05,040 | You've gone through the boundary twice already. | You've gone through the boundary twice already. |
3 | 00:00:05,130 | 00:00:06,380 | (GASPS) | (GASPS) |
4 | 00:00:06,460 | 00:00:10,800 | The energy inside has re-written your cells on a molecular level twice. | The energy inside has re-written your cells on a molecular level twice. |
5 | 00:00:10,880 | 00:00:14,430 | I know what Wanda's feeling and I won't stop until I help her. | I know what Wanda's feeling and I won't stop until I help her. |
6 | 00:00:14,510 | 00:00:15,760 | (GASPS) | (GASPS) |
7 | 00:00:15,840 | 00:00:19,470 | It is my intention to reach those outside of Westview | It is my intention to reach those outside of Westview |
8 | 00:00:19,560 | 00:00:21,140 | and make sense of our situation. | and make sense of our situation. |
9 | 00:00:21,600 | 00:00:22,600 | (GROANS) | (GROANS) |
10 | 00:00:22,680 | 00:00:24,440 | The people need help. | The people need help. |
11 | 00:00:27,810 | 00:00:28,940 | Mom! Mom! | Mom! Mom! |
12 | 00:00:29,020 | 00:00:30,110 | What? What is it, Billy? | What? What is it, Billy? |
13 | 00:00:30,190 | 00:00:32,150 | I hear Dad. He's in trouble. | I hear Dad. He's in trouble. |
14 | 00:00:32,240 | 00:00:34,360 | It's not like your dead husband can die twice. | It's not like your dead husband can die twice. |
15 | 00:00:34,450 | 00:00:35,700 | -(GRUNTS) -(YELPS) | -(GRUNTS) -(YELPS) |
16 | 00:00:38,490 | 00:00:40,540 | Maximoff was never gonna negotiate with us. | Maximoff was never gonna negotiate with us. |
17 | 00:00:40,620 | 00:00:42,040 | MONICA: We can't outgun her. | MONICA: We can't outgun her. |
18 | 00:00:42,120 | 00:00:45,870 | And clearly antagonizing her is only making things worse. | And clearly antagonizing her is only making things worse. |
19 | 00:00:45,960 | 00:00:49,960 | If Wanda is the problem, she has to be our solution. | If Wanda is the problem, she has to be our solution. |
20 | 00:00:57,510 | 00:00:59,560 | Oh, fudge! | Oh, fudge! |
21 | 00:01:01,560 | 00:01:17,560 | - Sync and corrections by Nipan_Grilli - www.opensubtitles.org - Colored HI by GoldBerg_44 | - Sync and corrections by Nipan_Grilli - www.opensubtitles.org - Colored HI by GoldBerg_44 |
22 | 00:01:37,380 | 00:01:39,010 | (LIGHT MUSIC PLAYING) | (LIGHT MUSIC PLAYING) |
23 | 00:01:46,890 | 00:01:49,190 | Look, we've all been there, right? (CHUCKLES) | Look, we've all been there, right? (CHUCKLES) |
24 | 00:01:49,730 | 00:01:52,150 | Letting our fear and anger get the best of us, | Letting our fear and anger get the best of us, |
25 | 00:01:52,230 | 00:01:55,650 | intentionally expanding the borders of the false world we created. | intentionally expanding the borders of the false world we created. |
26 | 00:01:55,740 | 00:01:57,570 | (SOLDIERS SHOUTING) | (SOLDIERS SHOUTING) |
27 | 00:01:57,650 | 00:01:58,740 | Move it! Move it! | Move it! Move it! |
28 | 00:02:02,740 | 00:02:03,950 | (SIGHS) | (SIGHS) |
29 | 00:02:06,250 | 00:02:07,920 | Mom, are you coming down soon? | Mom, are you coming down soon? |
30 | 00:02:08,000 | 00:02:10,000 | Mom, our game is freaking out. | Mom, our game is freaking out. |
31 | 00:02:11,540 | 00:02:12,670 | (CRACKLE) | (CRACKLE) |
32 | 00:02:17,170 | 00:02:19,840 | CHILD ON TV: Mom, peanut butter and jelly again? | CHILD ON TV: Mom, peanut butter and jelly again? |
33 | 00:02:19,930 | 00:02:20,930 | (LAUGHTER ON TV) | (LAUGHTER ON TV) |
34 | 00:02:21,640 | 00:02:23,060 | Is she asleep? | Is she asleep? |
35 | 00:02:23,140 | 00:02:25,100 | WANDA: (MUFFLED) Mommy's not sleeping, honey. | WANDA: (MUFFLED) Mommy's not sleeping, honey. |
36 | 00:02:25,180 | 00:02:28,060 | She's just resting her eyes. | She's just resting her eyes. |
37 | 00:02:28,140 | 00:02:30,400 | Mom, my head feels weird. | Mom, my head feels weird. |
38 | 00:02:31,060 | 00:02:32,520 | It's, like, really noisy. | It's, like, really noisy. |
39 | 00:02:33,360 | 00:02:34,780 | I don't like it. | I don't like it. |
40 | 00:02:34,860 | 00:02:37,820 | (SOFTLY) Resting her eyes. | (SOFTLY) Resting her eyes. |
41 | 00:02:39,400 | 00:02:41,620 | As punishment for my reckless evening, | As punishment for my reckless evening, |
42 | 00:02:41,700 | 00:02:44,200 | I plan on taking a quarantine-style staycation. | I plan on taking a quarantine-style staycation. |
43 | 00:02:45,540 | 00:02:46,750 | A whole day... | A whole day... |
44 | 00:02:48,000 | 00:02:49,040 | just to myself. | just to myself. |
45 | 00:02:50,870 | 00:02:52,250 | That'll show me. | That'll show me. |
46 | 00:02:52,330 | 00:02:53,960 | (SIGHS HEAVILY) | (SIGHS HEAVILY) |
47 | 00:02:54,670 | 00:02:56,550 | (MELLOW COMICAL MUSIC PLAYING) | (MELLOW COMICAL MUSIC PLAYING) |
48 | 00:03:00,470 | 00:03:01,470 | (SOFTLY) Oh. | (SOFTLY) Oh. |
49 | 00:03:02,850 | 00:03:05,180 | -I got to it first! -(BOTH GRUNTING) | -I got to it first! -(BOTH GRUNTING) |
50 | 00:03:05,260 | 00:03:07,430 | You always get to it first! | You always get to it first! |
51 | 00:03:07,520 | 00:03:09,060 | (FOOTSTEPS APPROACHING) | (FOOTSTEPS APPROACHING) |
52 | 00:03:25,780 | 00:03:28,870 | RJ: Good morning, Westviewians. Thanks for tuning in to W.N.D.A. | RJ: Good morning, Westviewians. Thanks for tuning in to W.N.D.A. |
53 | 00:03:35,710 | 00:03:38,170 | Not a thing weighing heavily on your conscience. | Not a thing weighing heavily on your conscience. |
54 | 00:03:38,260 | 00:03:40,880 | I hope your little ghosts arrived home safe last night. | I hope your little ghosts arrived home safe last night. |
55 | 00:03:40,970 | 00:03:44,600 | It's always such a treat to see those creepy kiddos out and about once a year. | It's always such a treat to see those creepy kiddos out and about once a year. |
56 | 00:03:44,680 | 00:03:46,350 | Later on, we'll hear some tips | Later on, we'll hear some tips |
57 | 00:03:46,430 | 00:03:49,140 | on how to resist the temptation of all that leftover candy. | on how to resist the temptation of all that leftover candy. |
58 | 00:03:49,220 | 00:03:50,770 | -(SNIFFS) -Or just eat it all? | -(SNIFFS) -Or just eat it all? |
59 | 00:03:52,390 | 00:03:55,060 | Yeah, I'm not sure what that's about. | Yeah, I'm not sure what that's about. |
60 | 00:03:56,320 | 00:03:58,860 | It's probably just a case of the Mondays. (CHUCKLES) | It's probably just a case of the Mondays. (CHUCKLES) |
61 | 00:03:58,940 | 00:04:00,240 | Am I right? | Am I right? |
62 | 00:04:01,860 | 00:04:04,030 | (MELLOW ELECTRONIC MUSIC PLAYING) | (MELLOW ELECTRONIC MUSIC PLAYING) |
63 | 00:04:28,260 | 00:04:30,970 | (INDISTINCT CHATTER) | (INDISTINCT CHATTER) |
64 | 00:04:40,440 | 00:04:42,400 | Lucky for us, she pumped the brakes. | Lucky for us, she pumped the brakes. |
65 | 00:04:42,490 | 00:04:44,110 | (CHUCKLES) Yeah. I feel very lucky. | (CHUCKLES) Yeah. I feel very lucky. |
66 | 00:04:44,910 | 00:04:46,660 | What's happening with the broadcast? | What's happening with the broadcast? |
67 | 00:04:46,740 | 00:04:49,240 | Dead air. The signal's gone. | Dead air. The signal's gone. |
68 | 00:04:50,700 | 00:04:52,540 | Make sure the team has everything they need. | Make sure the team has everything they need. |
69 | 00:04:52,620 | 00:04:54,000 | We launch today. | We launch today. |
70 | 00:04:54,080 | 00:04:55,210 | Yes, sir. | Yes, sir. |
71 | 00:05:05,010 | 00:05:06,590 | (FAINT CHATTERING) | (FAINT CHATTERING) |
72 | 00:05:08,220 | 00:05:09,720 | (CHATTER GROWS LOUDER) | (CHATTER GROWS LOUDER) |
73 | 00:05:18,610 | 00:05:20,270 | (MAN WHOOPS) | (MAN WHOOPS) |
74 | 00:05:23,280 | 00:05:24,700 | (PARTY HORN TOOTING) | (PARTY HORN TOOTING) |
75 | 00:05:30,780 | 00:05:31,910 | You're the new clown? | You're the new clown? |
76 | 00:05:32,620 | 00:05:34,200 | At least you're already in makeup. | At least you're already in makeup. |
77 | 00:05:34,290 | 00:05:37,040 | You're late for rehearsal with the escape artist. | You're late for rehearsal with the escape artist. |
78 | 00:05:37,120 | 00:05:38,130 | Come on. | Come on. |
79 | 00:05:42,130 | 00:05:44,630 | Yeah, I'm not great at this gig, I gotta be honest. | Yeah, I'm not great at this gig, I gotta be honest. |
80 | 00:05:44,720 | 00:05:46,880 | It doesn't really speak to my skill set. | It doesn't really speak to my skill set. |
81 | 00:05:47,720 | 00:05:49,970 | I put in for the bearded lady, | I put in for the bearded lady, |
82 | 00:05:50,050 | 00:05:53,060 | but this alabaster complexion wasn't fooling anyone. | but this alabaster complexion wasn't fooling anyone. |
83 | 00:05:53,140 | 00:05:54,680 | (MOUTHING) | (MOUTHING) |
84 | 00:05:55,600 | 00:05:57,480 | Can I help you, creeper? | Can I help you, creeper? |
85 | 00:05:57,560 | 00:05:59,810 | You don't remember me from last night? | You don't remember me from last night? |
86 | 00:06:01,690 | 00:06:06,030 | We locked eyes. There was a unspoken understanding. | We locked eyes. There was a unspoken understanding. |
87 | 00:06:06,740 | 00:06:08,860 | Um, hard pass. | Um, hard pass. |
88 | 00:06:11,070 | 00:06:13,450 | No, wait. Wait up. | No, wait. Wait up. |
89 | 00:06:14,160 | 00:06:15,160 | Have you seen your dad? | Have you seen your dad? |
90 | 00:06:15,250 | 00:06:16,330 | Um, no. | Um, no. |
91 | 00:06:17,000 | 00:06:18,460 | Do you wanna go look for him? | Do you wanna go look for him? |
92 | 00:06:18,540 | 00:06:21,670 | Well, if he doesn't wanna be here, there's nothing I can do about it. | Well, if he doesn't wanna be here, there's nothing I can do about it. |
93 | 00:06:24,460 | 00:06:30,090 | Hey, Mom, last night, Uncle P said that thing about re-killing Dad? | Hey, Mom, last night, Uncle P said that thing about re-killing Dad? |
94 | 00:06:30,180 | 00:06:33,260 | Don't believe anything that man said. He is not your uncle. | Don't believe anything that man said. He is not your uncle. |
95 | 00:06:33,810 | 00:06:34,810 | Who is he? | Who is he? |
96 | 00:06:37,270 | 00:06:38,390 | (CHUCKLES DRYLY) | (CHUCKLES DRYLY) |
97 | 00:06:39,350 | 00:06:40,520 | Here's the thing, boys. | Here's the thing, boys. |
98 | 00:06:41,230 | 00:06:42,650 | (TENDER MUSIC PLAYING) | (TENDER MUSIC PLAYING) |
99 | 00:06:45,150 | 00:06:46,690 | I'm your mom. | I'm your mom. |
100 | 00:06:46,780 | 00:06:52,240 | And as such, you were counting on me to have all the answers, right? (CHUCKLES) | And as such, you were counting on me to have all the answers, right? (CHUCKLES) |
101 | 00:06:53,580 | 00:06:54,660 | Well, I don't. | Well, I don't. |
102 | 00:06:55,490 | 00:06:56,830 | I have... | I have... |
103 | 00:06:57,620 | 00:06:59,330 | no answers. (CHUCKLES) | no answers. (CHUCKLES) |
104 | 00:06:59,410 | 00:07:00,960 | Zip. Zero. Zilch. | Zip. Zero. Zilch. |
105 | 00:07:01,790 | 00:07:03,250 | Nada. Niente. (CHUCKLES) | Nada. Niente. (CHUCKLES) |
106 | 00:07:04,800 | 00:07:09,470 | I'm starting to believe | I'm starting to believe |
107 | 00:07:09,550 | 00:07:12,140 | that everything is... | that everything is... |
108 | 00:07:13,100 | 00:07:14,760 | meaningless. | meaningless. |
109 | 00:07:16,220 | 00:07:18,560 | You're welcome to draw your own conclusions, | You're welcome to draw your own conclusions, |
110 | 00:07:18,640 | 00:07:21,230 | but that's just where I'm at. (CHUCKLES) | but that's just where I'm at. (CHUCKLES) |
111 | 00:07:22,730 | 00:07:24,440 | So maybe I went a little too dark there, | So maybe I went a little too dark there, |
112 | 00:07:24,520 | 00:07:26,190 | but they'll be fine. | but they'll be fine. |
113 | 00:07:26,280 | 00:07:30,200 | Vision is made of vibranium. They literally inherited tough skin. | Vision is made of vibranium. They literally inherited tough skin. |
114 | 00:07:30,400 | 00:07:31,820 | (LAUGHTER ON TV) | (LAUGHTER ON TV) |
115 | 00:07:32,070 | 00:07:33,070 | (KNOCK ON DOOR) | (KNOCK ON DOOR) |
116 | 00:07:35,490 | 00:07:37,540 | Hi, Agnes. Come on in. | Hi, Agnes. Come on in. |
117 | 00:07:37,620 | 00:07:41,420 | I'd get up, but I just don't want to. (LAUGHING) | I'd get up, but I just don't want to. (LAUGHING) |
118 | 00:07:43,630 | 00:07:44,630 | (WANDA SIGHS) | (WANDA SIGHS) |
119 | 00:07:44,710 | 00:07:46,920 | But I think I got there in the nick of time | But I think I got there in the nick of time |
120 | 00:07:47,000 | 00:07:50,380 | 'cause she was one split end away from cutting her own bangs. | 'cause she was one split end away from cutting her own bangs. |
121 | 00:07:51,380 | 00:07:53,800 | Hey, boys, why don't we give your mom some me time? | Hey, boys, why don't we give your mom some me time? |
122 | 00:07:53,890 | 00:07:55,300 | (GASPS) | (GASPS) |
123 | 00:07:55,390 | 00:07:56,930 | (SOFTLY) Agnes, are you sure? | (SOFTLY) Agnes, are you sure? |
124 | 00:07:57,010 | 00:07:59,020 | Oh, abso-positively. | Oh, abso-positively. |
125 | 00:07:59,180 | 00:08:01,520 | -Come on, let's go, guys. -TOMMY: Do we have to, Mom? | -Come on, let's go, guys. -TOMMY: Do we have to, Mom? |
126 | 00:08:01,600 | 00:08:02,600 | Mm-hmm. | Mm-hmm. |
127 | 00:08:02,690 | 00:08:04,900 | Someone needs to be here to take care of you. | Someone needs to be here to take care of you. |
128 | 00:08:04,980 | 00:08:09,280 | -Aw! -Boys, I'll be fine. Just go with Agnes. | -Aw! -Boys, I'll be fine. Just go with Agnes. |
129 | 00:08:09,360 | 00:08:11,700 | (CHUCKLES) I promise I won't bite. | (CHUCKLES) I promise I won't bite. |
130 | 00:08:11,780 | 00:08:12,780 | WANDA: Mm. | WANDA: Mm. |
131 | 00:08:13,360 | 00:08:14,950 | I actually did bite a kid once. | I actually did bite a kid once. |
132 | 00:08:17,160 | 00:08:20,200 | -Agnes, you are a life-saver. -AGNES: Aw. | -Agnes, you are a life-saver. -AGNES: Aw. |
133 | 00:08:20,290 | 00:08:22,460 | -Is there anything I can do for you? -AGNES: You know what? | -Is there anything I can do for you? -AGNES: You know what? |
134 | 00:08:22,540 | 00:08:27,380 | I do have a suspicious mole on my back that I just can't see. | I do have a suspicious mole on my back that I just can't see. |
135 | 00:08:28,250 | 00:08:31,300 | Ah. Boundaries. I get it. | Ah. Boundaries. I get it. |
136 | 00:08:31,380 | 00:08:33,340 | Say no more. (CHUCKLES) | Say no more. (CHUCKLES) |
137 | 00:08:33,430 | 00:08:35,260 | All right, gentlemen, let's keep it moving. | All right, gentlemen, let's keep it moving. |
138 | 00:08:35,340 | 00:08:37,760 | You know what? If one of you two could take a quick look, | You know what? If one of you two could take a quick look, |
139 | 00:08:37,850 | 00:08:40,270 | I'd appreciate it. It's right here above my... | I'd appreciate it. It's right here above my... |
140 | 00:08:40,350 | 00:08:41,480 | (DOOR CLOSES) | (DOOR CLOSES) |
141 | 00:08:44,350 | 00:08:46,560 | (INDISTINCTLY CHATTER ON TV) | (INDISTINCTLY CHATTER ON TV) |
142 | 00:08:51,320 | 00:08:53,280 | (RUSTLING) | (RUSTLING) |
143 | 00:09:02,250 | 00:09:04,960 | MAN: ...delivering flawless offensive plays right out of the gate. | MAN: ...delivering flawless offensive plays right out of the gate. |
144 | 00:09:05,040 | 00:09:06,920 | The final goal scored with a remark... | The final goal scored with a remark... |
145 | 00:09:09,380 | 00:09:14,090 | (CHUCKLING) I'm fine. I'm fine. I'm fine. I'm fine. | (CHUCKLING) I'm fine. I'm fine. I'm fine. I'm fine. |
146 | 00:09:14,840 | 00:09:15,930 | I'm fine. | I'm fine. |
147 | 00:09:17,850 | 00:09:18,930 | I'm fine. | I'm fine. |
148 | 00:09:26,140 | 00:09:29,190 | (SCOFFS) Darcy made it through that last firewall, all right. | (SCOFFS) Darcy made it through that last firewall, all right. |
149 | 00:09:29,270 | 00:09:30,360 | Oh, what'd she find? | Oh, what'd she find? |
150 | 00:09:30,440 | 00:09:34,070 | R and D reports. All on the same project. | R and D reports. All on the same project. |
151 | 00:09:34,150 | 00:09:35,610 | Code name, Cataract. | Code name, Cataract. |
152 | 00:09:38,700 | 00:09:41,370 | (SCOFFS) Hayward wasn't decommissioning Vision. | (SCOFFS) Hayward wasn't decommissioning Vision. |
153 | 00:09:41,450 | 00:09:45,120 | He was trying to bring him back online. Nothing worked until... | He was trying to bring him back online. Nothing worked until... |
154 | 00:09:45,210 | 00:09:46,920 | Wanda stole Vision's body. | Wanda stole Vision's body. |
155 | 00:09:47,000 | 00:09:50,710 | That's why he was so focused on tracking Vision inside the Hex. | That's why he was so focused on tracking Vision inside the Hex. |
156 | 00:09:50,790 | 00:09:53,210 | Hayward wants his sentient weapon back. | Hayward wants his sentient weapon back. |
157 | 00:09:53,300 | 00:09:55,090 | Someone has to tell Wanda. | Someone has to tell Wanda. |
158 | 00:09:58,180 | 00:10:00,180 | Look. There they are. | Look. There they are. |
159 | 00:10:08,900 | 00:10:10,980 | (ELECTRICAL WARBLING) | (ELECTRICAL WARBLING) |
160 | 00:10:21,950 | 00:10:24,290 | -Major Goodner. -Captain Rambeau. | -Major Goodner. -Captain Rambeau. |
161 | 00:10:24,370 | 00:10:25,870 | This is Agent Woo. | This is Agent Woo. |
162 | 00:10:26,410 | 00:10:27,410 | Nice to meet you. | Nice to meet you. |
163 | 00:10:27,500 | 00:10:31,130 | Thank you so much for coming. My mother would appreciate your loyalty. | Thank you so much for coming. My mother would appreciate your loyalty. |
164 | 00:10:31,250 | 00:10:33,590 | She's not the only one we're loyal to, Captain. | She's not the only one we're loyal to, Captain. |
165 | 00:10:35,050 | 00:10:36,880 | Let me show you what we brought you. | Let me show you what we brought you. |
166 | 00:10:55,570 | 00:10:57,440 | Did we get your specs right? | Did we get your specs right? |
167 | 00:11:02,910 | 00:11:04,370 | She's perfect. | She's perfect. |
168 | 00:11:08,370 | 00:11:10,370 | (FOLKISH MUSIC PLAYING) | (FOLKISH MUSIC PLAYING) |
169 | 00:11:10,460 | 00:11:11,830 | (INDISTINCT CHATTER) | (INDISTINCT CHATTER) |
170 | 00:11:17,510 | 00:11:22,680 | VISION: Hello? Excuse me. Uh, you tried to help me. | VISION: Hello? Excuse me. Uh, you tried to help me. |
171 | 00:11:22,760 | 00:11:24,560 | Doubtful. I'm notoriously self-involved. | Doubtful. I'm notoriously self-involved. |
172 | 00:11:24,640 | 00:11:27,390 | No, no, no. Please. Just hear me out. | No, no, no. Please. Just hear me out. |
173 | 00:11:27,470 | 00:11:30,560 | All right. I believe that you were part of a team | All right. I believe that you were part of a team |
174 | 00:11:30,640 | 00:11:33,060 | monitoring a supernatural anomaly. And now... | monitoring a supernatural anomaly. And now... |
175 | 00:11:34,230 | 00:11:35,440 | Well, you're in it. | Well, you're in it. |
176 | 00:11:36,440 | 00:11:40,150 | (SIGHS) Fine. I'll go out with you, but I'm ordering the lobster. | (SIGHS) Fine. I'll go out with you, but I'm ordering the lobster. |
177 | 00:11:41,030 | 00:11:42,280 | (SIGHS) | (SIGHS) |
178 | 00:11:42,360 | 00:11:45,530 | Oh, no. Look, that mime... His tray is getting too heavy. | Oh, no. Look, that mime... His tray is getting too heavy. |
179 | 00:11:45,620 | 00:11:46,740 | Oh, your bad back! | Oh, your bad back! |
180 | 00:11:48,500 | 00:11:49,660 | Ooh. | Ooh. |
181 | 00:11:49,750 | 00:11:51,750 | Whoa! Okay. Ooh. | Whoa! Okay. Ooh. |
182 | 00:11:51,830 | 00:11:52,830 | Whew. | Whew. |
183 | 00:11:52,920 | 00:11:55,000 | -Awake? -Ooh, uh, yeah. | -Awake? -Ooh, uh, yeah. |
184 | 00:11:55,090 | 00:11:56,340 | -All right? -Ooh. | -All right? -Ooh. |
185 | 00:11:56,420 | 00:11:57,800 | Oh, hello, self. | Oh, hello, self. |
186 | 00:11:58,880 | 00:12:01,970 | You know, part of me secretly wanted a guest spot on the show, | You know, part of me secretly wanted a guest spot on the show, |
187 | 00:12:02,050 | 00:12:03,930 | but seriously, that sucked. | but seriously, that sucked. |
188 | 00:12:04,010 | 00:12:06,680 | Look, uh, what is your name? Your real name? | Look, uh, what is your name? Your real name? |
189 | 00:12:06,760 | 00:12:08,140 | Darcy Lewis. | Darcy Lewis. |
190 | 00:12:08,770 | 00:12:12,100 | Dr. Darcy Lewis. I intercepted a communication regarding your work. | Dr. Darcy Lewis. I intercepted a communication regarding your work. |
191 | 00:12:12,190 | 00:12:15,110 | Hey, the lions just got off stage. You're up. | Hey, the lions just got off stage. You're up. |
192 | 00:12:15,190 | 00:12:16,570 | Dr. Lewis, I have questions. | Dr. Lewis, I have questions. |
193 | 00:12:16,650 | 00:12:18,110 | I have answers. Uh... | I have answers. Uh... |
194 | 00:12:18,190 | 00:12:20,190 | Ooh, should we take this convo on the road? | Ooh, should we take this convo on the road? |
195 | 00:12:20,280 | 00:12:22,320 | -VISION: Excellent. -You two are up. | -VISION: Excellent. -You two are up. |
196 | 00:12:22,400 | 00:12:26,120 | No, I'm so sorry. Doctor and I have a prior engagement. | No, I'm so sorry. Doctor and I have a prior engagement. |
197 | 00:12:26,200 | 00:12:27,530 | She's not goin' anywhere. | She's not goin' anywhere. |
198 | 00:12:27,620 | 00:12:28,990 | -(GRUNTS) -(GROANS) | -(GRUNTS) -(GROANS) |
199 | 00:12:29,080 | 00:12:30,370 | VISION: Oh, no! | VISION: Oh, no! |
200 | 00:12:30,450 | 00:12:31,620 | My nose! | My nose! |
201 | 00:12:31,710 | 00:12:32,960 | -Sorry. -Come on. | -Sorry. -Come on. |
202 | 00:12:33,790 | 00:12:36,540 | -DARCY: Oh. Excuse me. -Where do you think you're going? | -DARCY: Oh. Excuse me. -Where do you think you're going? |
203 | 00:12:36,630 | 00:12:37,920 | Get back here! | Get back here! |
204 | 00:12:39,000 | 00:12:40,630 | To your house, I assume? | To your house, I assume? |
205 | 00:12:41,300 | 00:12:44,720 | Dr. Lewis, my questions, are my children safe? | Dr. Lewis, my questions, are my children safe? |
206 | 00:12:44,800 | 00:12:45,840 | That I don't know. | That I don't know. |
207 | 00:12:45,930 | 00:12:47,180 | Who is that imposter, Pietro? | Who is that imposter, Pietro? |
208 | 00:12:47,260 | 00:12:48,260 | Beats me. | Beats me. |
209 | 00:12:48,970 | 00:12:49,970 | A-ha! | A-ha! |
210 | 00:12:50,600 | 00:12:52,520 | -Let's roll. -Great. | -Let's roll. -Great. |
211 | 00:12:52,940 | 00:12:53,940 | (SCREAMS) | (SCREAMS) |
212 | 00:12:54,020 | 00:12:56,480 | -Get out of there. -VISION: Sorry. Can't hear you. | -Get out of there. -VISION: Sorry. Can't hear you. |
213 | 00:12:56,560 | 00:12:57,690 | -What? -Drive! | -What? -Drive! |
214 | 00:12:59,190 | 00:13:02,950 | VISION: I'm so sorry. We were double-booked by the agents. | VISION: I'm so sorry. We were double-booked by the agents. |
215 | 00:13:03,030 | 00:13:04,150 | MAN: You got to be on stage. | MAN: You got to be on stage. |
216 | 00:13:04,240 | 00:13:06,030 | VISION: Step on it, Darcy! MAN: What are you doing? | VISION: Step on it, Darcy! MAN: What are you doing? |
217 | 00:13:06,110 | 00:13:07,450 | VISION: I can't hear you. | VISION: I can't hear you. |
218 | 00:13:07,530 | 00:13:10,040 | -MAN: You get back here! I need you! -(HORN HONKING) | -MAN: You get back here! I need you! -(HORN HONKING) |
219 | 00:13:11,700 | 00:13:12,830 | (SIGHS SOFTLY) | (SIGHS SOFTLY) |
220 | 00:13:16,670 | 00:13:18,460 | -(ELECTRICITY CRACKLING) -(GASPS) | -(ELECTRICITY CRACKLING) -(GASPS) |
221 | 00:13:22,010 | 00:13:23,090 | (GASPS) | (GASPS) |
222 | 00:13:31,600 | 00:13:32,850 | (BIRD SCREECHING) | (BIRD SCREECHING) |
223 | 00:13:34,640 | 00:13:36,310 | (GASPS) | (GASPS) |
224 | 00:13:39,650 | 00:13:41,780 | I don't understand what's happening. | I don't understand what's happening. |
225 | 00:13:42,990 | 00:13:44,150 | Why it's... | Why it's... |
226 | 00:13:45,070 | 00:13:47,910 | Why it's all falling apart and why... | Why it's all falling apart and why... |
227 | 00:13:49,030 | 00:13:50,740 | I can't fix it. | I can't fix it. |
228 | 00:13:52,240 | 00:13:55,080 | INTERVIEWER: Do you think maybe this is what you deserve? | INTERVIEWER: Do you think maybe this is what you deserve? |
229 | 00:13:56,370 | 00:13:57,370 | What? | What? |
230 | 00:14:00,880 | 00:14:02,670 | You're not supposed to talk. | You're not supposed to talk. |
231 | 00:14:06,050 | 00:14:07,380 | (LAUGHTER) | (LAUGHTER) |
232 | 00:14:07,470 | 00:14:09,050 | NARRATOR: Feeling depressed? | NARRATOR: Feeling depressed? |
233 | 00:14:09,140 | 00:14:10,510 | (RUMBLING) | (RUMBLING) |
234 | 00:14:10,600 | 00:14:12,810 | Like the world goes on without you? | Like the world goes on without you? |
235 | 00:14:14,180 | 00:14:16,600 | Do you just want to be left alone? | Do you just want to be left alone? |
236 | 00:14:17,310 | 00:14:19,610 | Ask your doctor about Nexus. | Ask your doctor about Nexus. |
237 | 00:14:20,520 | 00:14:24,690 | A unique anti-depressant that works to anchor you back to your reality. | A unique anti-depressant that works to anchor you back to your reality. |
238 | 00:14:25,440 | 00:14:27,240 | Or the reality of your choice. | Or the reality of your choice. |
239 | 00:14:28,160 | 00:14:30,780 | Side effects include feeling your feelings, | Side effects include feeling your feelings, |
240 | 00:14:30,870 | 00:14:32,950 | confronting your truth, seizing your destiny, | confronting your truth, seizing your destiny, |
241 | 00:14:33,040 | 00:14:34,700 | and possibly, more depression. | and possibly, more depression. |
242 | 00:14:34,790 | 00:14:35,950 | You should not take Nexus | You should not take Nexus |
243 | 00:14:36,040 | 00:14:39,080 | unless your doctor has cleared you to move on with your life. | unless your doctor has cleared you to move on with your life. |
244 | 00:14:39,170 | 00:14:43,380 | Nexus, because the world doesn't revolve around you. | Nexus, because the world doesn't revolve around you. |
245 | 00:14:43,460 | 00:14:44,460 | (SIGHS) | (SIGHS) |
246 | 00:14:44,550 | 00:14:45,590 | Or does it? | Or does it? |
247 | 00:14:47,840 | 00:14:48,970 | BOY ON TV: Hey, Sammy. | BOY ON TV: Hey, Sammy. |
248 | 00:14:49,680 | 00:14:51,600 | AGNES: Okay, who's thirsty? | AGNES: Okay, who's thirsty? |
249 | 00:14:51,680 | 00:14:53,930 | Some bevs. (SIGHS) | Some bevs. (SIGHS) |
250 | 00:14:54,010 | 00:14:55,890 | (INDISTINCT CHATTER ON TV) | (INDISTINCT CHATTER ON TV) |
251 | 00:14:55,970 | 00:14:57,100 | (AGNES SIGHS) | (AGNES SIGHS) |
252 | 00:14:59,140 | 00:15:00,650 | Penny for your thoughts. | Penny for your thoughts. |
253 | 00:15:02,940 | 00:15:04,400 | I like it here. | I like it here. |
254 | 00:15:05,690 | 00:15:06,860 | Oh, good. | Oh, good. |
255 | 00:15:08,280 | 00:15:11,530 | Is it because Señor Scratchy is such a good listener? | Is it because Señor Scratchy is such a good listener? |
256 | 00:15:11,620 | 00:15:12,620 | No. | No. |
257 | 00:15:14,330 | 00:15:15,660 | It's because it's quiet. | It's because it's quiet. |
258 | 00:15:19,410 | 00:15:20,790 | You're quiet, Agnes. | You're quiet, Agnes. |
259 | 00:15:23,840 | 00:15:25,130 | On the inside. | On the inside. |
260 | 00:15:29,050 | 00:15:30,720 | Do you think our mom is okay? | Do you think our mom is okay? |
261 | 00:15:36,930 | 00:15:38,600 | Oh, for sure! | Oh, for sure! |
262 | 00:15:39,940 | 00:15:43,810 | Oh, you don't have to worry about your mom. | Oh, you don't have to worry about your mom. |
263 | 00:15:43,900 | 00:15:48,650 | Your mom can do anything. She's supermom. (CHUCKLES) | Your mom can do anything. She's supermom. (CHUCKLES) |
264 | 00:15:52,030 | 00:15:54,700 | Ralph says I sugarcoat things. | Ralph says I sugarcoat things. |
265 | 00:15:54,780 | 00:15:58,750 | But you try telling a 10-year-old that his mother is cuckoo for Cocoa Puffs. | But you try telling a 10-year-old that his mother is cuckoo for Cocoa Puffs. |
266 | 00:16:01,330 | 00:16:02,790 | MAJOR GOODNER: Final checks. | MAJOR GOODNER: Final checks. |
267 | 00:16:12,550 | 00:16:14,220 | We're all set, Captain. | We're all set, Captain. |
268 | 00:16:14,930 | 00:16:16,010 | Thank you. | Thank you. |
269 | 00:16:17,010 | 00:16:19,350 | Darcy's not here to give her stamp of approval. | Darcy's not here to give her stamp of approval. |
270 | 00:16:20,020 | 00:16:21,230 | I know. | I know. |
271 | 00:16:21,310 | 00:16:25,190 | She's in there and I'm gonna go get her out. | She's in there and I'm gonna go get her out. |
272 | 00:16:27,440 | 00:16:29,070 | It's our last shot, Jimmy. | It's our last shot, Jimmy. |
273 | 00:16:34,530 | 00:16:36,070 | Godspeed, Captain. | Godspeed, Captain. |
274 | 00:16:49,420 | 00:16:51,340 | How much faith you have in this thing? | How much faith you have in this thing? |
275 | 00:16:51,920 | 00:16:53,760 | It's our most heavily-armored space rover. | It's our most heavily-armored space rover. |
276 | 00:16:53,840 | 00:16:56,050 | She's gonna sail right through. Unharmed. | She's gonna sail right through. Unharmed. |
277 | 00:17:05,940 | 00:17:07,150 | Capcom, check. | Capcom, check. |
278 | 00:17:11,990 | 00:17:13,280 | (ENGINE REVVING) | (ENGINE REVVING) |
279 | 00:17:13,360 | 00:17:14,360 | Good, check. | Good, check. |
280 | 00:17:15,070 | 00:17:16,410 | On your order, Captain. | On your order, Captain. |
281 | 00:17:18,620 | 00:17:19,910 | Moving out. | Moving out. |
282 | 00:17:35,430 | 00:17:39,600 | Contact in five, four, three... | Contact in five, four, three... |
283 | 00:17:40,640 | 00:17:42,930 | -two, one. -(MONICA GRUNTS) | -two, one. -(MONICA GRUNTS) |
284 | 00:17:43,020 | 00:17:44,890 | (GASPING) | (GASPING) |
285 | 00:17:51,320 | 00:17:53,190 | What happened to sailing right through? | What happened to sailing right through? |
286 | 00:17:53,280 | 00:17:55,030 | The density is matching her. | The density is matching her. |
287 | 00:17:55,110 | 00:17:57,240 | I'm close. It's gonna give! | I'm close. It's gonna give! |
288 | 00:18:00,160 | 00:18:01,540 | (ELECTRICITY CRACKLING) | (ELECTRICITY CRACKLING) |
289 | 00:18:03,000 | 00:18:04,000 | (YELPS) | (YELPS) |
290 | 00:18:12,920 | 00:18:14,590 | The structural integrity is failing. | The structural integrity is failing. |
291 | 00:18:14,670 | 00:18:16,050 | It's disintegrating. | It's disintegrating. |
292 | 00:18:16,130 | 00:18:17,220 | No, it's being rewritten. | No, it's being rewritten. |
293 | 00:18:17,300 | 00:18:19,260 | Monica, get out of there! | Monica, get out of there! |
294 | 00:18:21,560 | 00:18:24,270 | Do you copy, Monica? | Do you copy, Monica? |
295 | 00:18:25,270 | 00:18:26,890 | Monica! Get out of there! | Monica! Get out of there! |
296 | 00:18:26,980 | 00:18:28,690 | (GRUNTING) | (GRUNTING) |
297 | 00:18:28,770 | 00:18:30,270 | -Monica! -(YELLS) | -Monica! -(YELLS) |
298 | 00:18:34,030 | 00:18:35,740 | (YELPING) | (YELPING) |
299 | 00:18:35,820 | 00:18:37,570 | Get a medevac, now! | Get a medevac, now! |
300 | 00:18:39,070 | 00:18:40,370 | (GASPS) | (GASPS) |
301 | 00:18:44,830 | 00:18:45,830 | Watch out! | Watch out! |
302 | 00:18:51,290 | 00:18:52,380 | (GASP) | (GASP) |
303 | 00:18:55,670 | 00:18:57,630 | -(ELECTRICAL WARBLING) -(PANTS) | -(ELECTRICAL WARBLING) -(PANTS) |
304 | 00:18:59,970 | 00:19:01,260 | No. No. | No. No. |
305 | 00:19:01,350 | 00:19:02,930 | I can get through. | I can get through. |
306 | 00:19:04,430 | 00:19:06,020 | Monica! No! | Monica! No! |
307 | 00:19:09,600 | 00:19:10,940 | (GRUNTING) | (GRUNTING) |
308 | 00:19:14,110 | 00:19:15,190 | (YELLS) | (YELLS) |
309 | 00:19:17,070 | 00:19:18,070 | (GASPING) | (GASPING) |
310 | 00:19:18,150 | 00:19:19,400 | (STRAINING) | (STRAINING) |
311 | 00:19:19,490 | 00:19:22,280 | MARIA: No, I can't. I can't leave Monica. | MARIA: No, I can't. I can't leave Monica. |
312 | 00:19:23,700 | 00:19:26,660 | YOUNG MONICA: Mommy, it's okay. I can stay with Grandma and Pop-Pop. | YOUNG MONICA: Mommy, it's okay. I can stay with Grandma and Pop-Pop. |
313 | 00:19:27,910 | 00:19:30,750 | MARIA: (CHUCKLES) There's no way I'm going, baby. It's too dangerous. | MARIA: (CHUCKLES) There's no way I'm going, baby. It's too dangerous. |
314 | 00:19:30,830 | 00:19:35,340 | YOUNG MONICA: Mom, maybe I could fly up and meet you halfway? | YOUNG MONICA: Mom, maybe I could fly up and meet you halfway? |
315 | 00:19:35,420 | 00:19:37,920 | FURY: Only if you learn to glow like your Aunt Carol. | FURY: Only if you learn to glow like your Aunt Carol. |
316 | 00:19:38,510 | 00:19:41,220 | MARIA: And you were the most powerful person I knew. | MARIA: And you were the most powerful person I knew. |
317 | 00:19:41,300 | 00:19:43,350 | DR. HARLEY: Your mom, she died, honey. | DR. HARLEY: Your mom, she died, honey. |
318 | 00:19:43,430 | 00:19:45,010 | WOO: She was truly an inspiration. | WOO: She was truly an inspiration. |
319 | 00:19:45,100 | 00:19:46,430 | -Sorry. -No! | -Sorry. -No! |
320 | 00:19:47,180 | 00:19:48,480 | CAROL: Your mom's lucky. | CAROL: Your mom's lucky. |
321 | 00:19:49,270 | 00:19:52,020 | When they were handing out kids, they gave her the toughest one. | When they were handing out kids, they gave her the toughest one. |
322 | 00:19:52,520 | 00:19:53,770 | (GRUNTING) | (GRUNTING) |
323 | 00:20:02,700 | 00:20:03,990 | (PANTING) | (PANTING) |
324 | 00:20:18,800 | 00:20:20,220 | (ELECTRICITY CRACKLING) | (ELECTRICITY CRACKLING) |
325 | 00:20:37,270 | 00:20:39,230 | (WHIMSICAL MUSIC PLAYING) | (WHIMSICAL MUSIC PLAYING) |
326 | 00:20:39,940 | 00:20:41,200 | (VISION SMACKS LIPS) | (VISION SMACKS LIPS) |
327 | 00:20:41,280 | 00:20:44,110 | So, Wanda killed me? | So, Wanda killed me? |
328 | 00:20:45,070 | 00:20:49,490 | Yes, but it's not that simple. You asked her to do it. | Yes, but it's not that simple. You asked her to do it. |
329 | 00:20:49,580 | 00:20:51,290 | Why would I have done that? | Why would I have done that? |
330 | 00:20:51,370 | 00:20:53,370 | To save the universe. | To save the universe. |
331 | 00:20:53,460 | 00:20:54,830 | Well, half of it. | Well, half of it. |
332 | 00:20:55,960 | 00:20:57,210 | Did it work? | Did it work? |
333 | 00:20:57,290 | 00:20:58,750 | It did. | It did. |
334 | 00:20:59,880 | 00:21:02,880 | Until the bad guy rewound time and killed you himself. | Until the bad guy rewound time and killed you himself. |
335 | 00:21:02,970 | 00:21:06,800 | There are a few extra steps, but to set up the context... | There are a few extra steps, but to set up the context... |
336 | 00:21:06,890 | 00:21:08,260 | I came back and died again. | I came back and died again. |
337 | 00:21:08,350 | 00:21:09,850 | And she had to watch. | And she had to watch. |
338 | 00:21:13,100 | 00:21:15,560 | Oh, man, another red light? | Oh, man, another red light? |
339 | 00:21:16,650 | 00:21:19,400 | It's kinda overkill out in the sticks here, don't you think? | It's kinda overkill out in the sticks here, don't you think? |
340 | 00:21:20,480 | 00:21:21,530 | Yes. | Yes. |
341 | 00:21:25,490 | 00:21:29,790 | I believe... I think that Wanda is creating | I believe... I think that Wanda is creating |
342 | 00:21:29,870 | 00:21:33,790 | these impediments to stop me returning home. | these impediments to stop me returning home. |
343 | 00:21:35,540 | 00:21:38,250 | Also, it never rains in Westview, right? | Also, it never rains in Westview, right? |
344 | 00:21:38,880 | 00:21:40,000 | Whoa! | Whoa! |
345 | 00:21:40,090 | 00:21:41,840 | (INDISTINCT CHATTER) | (INDISTINCT CHATTER) |
346 | 00:21:44,340 | 00:21:45,550 | (SCOFFS) | (SCOFFS) |
347 | 00:21:48,390 | 00:21:49,470 | (SCOFFS) | (SCOFFS) |
348 | 00:21:52,390 | 00:21:53,770 | I'm not amused. | I'm not amused. |
349 | 00:21:54,600 | 00:21:56,060 | (WORKERS CHATTERING INDISTINCTLY) | (WORKERS CHATTERING INDISTINCTLY) |
350 | 00:21:57,860 | 00:22:01,610 | Yeah, great. Just take your time, fellas. | Yeah, great. Just take your time, fellas. |
351 | 00:22:01,690 | 00:22:03,690 | So if I understand correctly, | So if I understand correctly, |
352 | 00:22:04,610 | 00:22:08,950 | my original code dates back to an AI called Jarvis? | my original code dates back to an AI called Jarvis? |
353 | 00:22:10,660 | 00:22:16,670 | But my corporeal form was born of Ultron's plan for global genocide? | But my corporeal form was born of Ultron's plan for global genocide? |
354 | 00:22:17,580 | 00:22:18,880 | Correct-o. | Correct-o. |
355 | 00:22:21,090 | 00:22:22,420 | What am I now? | What am I now? |
356 | 00:22:25,170 | 00:22:27,300 | (SIGHS) Honestly, I'm a STEM type of lady, | (SIGHS) Honestly, I'm a STEM type of lady, |
357 | 00:22:27,380 | 00:22:30,140 | so I thought she just flipped a switch on your head | so I thought she just flipped a switch on your head |
358 | 00:22:30,220 | 00:22:31,470 | and brought you back to life, | and brought you back to life, |
359 | 00:22:33,180 | 00:22:35,770 | but what I don't get is why you can't leave the Hex. | but what I don't get is why you can't leave the Hex. |
360 | 00:22:42,020 | 00:22:46,320 | What I do know is I've been watching WandaVision for the past week. | What I do know is I've been watching WandaVision for the past week. |
361 | 00:22:46,400 | 00:22:48,820 | And the love you two have is real. | And the love you two have is real. |
362 | 00:22:52,660 | 00:22:54,120 | You belong together. | You belong together. |
363 | 00:22:58,750 | 00:23:00,330 | (LIGHT MUSIC PLAYING) | (LIGHT MUSIC PLAYING) |
364 | 00:23:03,800 | 00:23:05,210 | (PANTING) | (PANTING) |
365 | 00:23:06,300 | 00:23:07,630 | (PILLS RATTLE) | (PILLS RATTLE) |
366 | 00:23:12,050 | 00:23:15,350 | Wanda? Wanda! | Wanda? Wanda! |
367 | 00:23:15,430 | 00:23:16,480 | What are you doing? | What are you doing? |
368 | 00:23:16,560 | 00:23:17,980 | -Wanda... -How did you get in here? | -Wanda... -How did you get in here? |
369 | 00:23:18,060 | 00:23:19,940 | Listen to me. This whole thing is about Vision. | Listen to me. This whole thing is about Vision. |
370 | 00:23:20,020 | 00:23:22,610 | -Get out of my house. -Hayward was trying to bring him... | -Get out of my house. -Hayward was trying to bring him... |
371 | 00:23:22,690 | 00:23:25,730 | Don't talk to me about that. I don't wanna hear about it. | Don't talk to me about that. I don't wanna hear about it. |
372 | 00:23:26,860 | 00:23:30,410 | -(SCREAMS) -The drones, the missiles. Pietro? | -(SCREAMS) -The drones, the missiles. Pietro? |
373 | 00:23:30,490 | 00:23:32,780 | No, wait, Pietro, no, no, no, that wasn't us. | No, wait, Pietro, no, no, no, that wasn't us. |
374 | 00:23:32,870 | 00:23:34,950 | All you do is lie! | All you do is lie! |
375 | 00:23:35,370 | 00:23:36,910 | (GASPS) | (GASPS) |
376 | 00:23:37,000 | 00:23:38,290 | (PANTS) | (PANTS) |
377 | 00:23:41,880 | 00:23:42,920 | (GASPS SOFTLY) | (GASPS SOFTLY) |
378 | 00:23:43,880 | 00:23:47,630 | The only lies I've told are the ones you put in my mouth. | The only lies I've told are the ones you put in my mouth. |
379 | 00:23:47,710 | 00:23:50,470 | Careful what you say to me. | Careful what you say to me. |
380 | 00:23:53,470 | 00:23:54,720 | Do it, then. | Do it, then. |
381 | 00:23:57,770 | 00:23:58,770 | Take me out. | Take me out. |
382 | 00:23:59,480 | 00:24:01,020 | (BREATHING HEAVILY) | (BREATHING HEAVILY) |
383 | 00:24:03,270 | 00:24:05,980 | See, see? That's where you and Hayward differ. | See, see? That's where you and Hayward differ. |
384 | 00:24:06,070 | 00:24:08,990 | He's gonna burn Westview to the ground just to get what he wants. | He's gonna burn Westview to the ground just to get what he wants. |
385 | 00:24:09,070 | 00:24:11,150 | Don't let him make you the villain. | Don't let him make you the villain. |
386 | 00:24:13,030 | 00:24:14,450 | Maybe I already am. | Maybe I already am. |
387 | 00:24:22,500 | 00:24:24,040 | I'm not afraid of you, Wanda. | I'm not afraid of you, Wanda. |
388 | 00:24:25,380 | 00:24:28,210 | I lost the person closest to me, too. | I lost the person closest to me, too. |
389 | 00:24:28,960 | 00:24:32,930 | The worst thing I can think of has already happened to me | The worst thing I can think of has already happened to me |
390 | 00:24:33,010 | 00:24:35,550 | and I can't change it. I can't undo it. | and I can't change it. I can't undo it. |
391 | 00:24:35,640 | 00:24:38,140 | I can't control this pain anymore. | I can't control this pain anymore. |
392 | 00:24:38,220 | 00:24:42,560 | And I don't think I want to, because it's my truth. | And I don't think I want to, because it's my truth. |
393 | 00:24:47,190 | 00:24:48,320 | Wanda, you have to... | Wanda, you have to... |
394 | 00:24:48,400 | 00:24:51,530 | Young lady, I think you overstayed your welcome. | Young lady, I think you overstayed your welcome. |
395 | 00:24:52,820 | 00:24:54,320 | Poor Wanda's been through enough. | Poor Wanda's been through enough. |
396 | 00:24:54,910 | 00:24:58,160 | This doesn't concern you. Wanda... | This doesn't concern you. Wanda... |
397 | 00:24:58,240 | 00:24:59,660 | Run along, dear. | Run along, dear. |
398 | 00:25:02,250 | 00:25:05,000 | -Wanda, you have to take it down. -No. | -Wanda, you have to take it down. -No. |
399 | 00:25:06,340 | 00:25:08,630 | -Don't make me hurt you. -All right. | -Don't make me hurt you. -All right. |
400 | 00:25:22,020 | 00:25:24,390 | MAN: Okay, let's wrap it up. | MAN: Okay, let's wrap it up. |
401 | 00:25:24,480 | 00:25:26,480 | Yes, finally. | Yes, finally. |
402 | 00:25:28,820 | 00:25:30,400 | (BLOWS WHISTLE) | (BLOWS WHISTLE) |
403 | 00:25:30,480 | 00:25:32,490 | Oh, come on! | Oh, come on! |
404 | 00:25:32,570 | 00:25:34,910 | -(KIDS CHATTERING) -WOMAN: Come on, kids. | -(KIDS CHATTERING) -WOMAN: Come on, kids. |
405 | 00:25:36,910 | 00:25:40,740 | Kids? What's next, puppies? | Kids? What's next, puppies? |
406 | 00:25:40,830 | 00:25:44,460 | I had no idea how much Wanda had endured before coming to Westview, | I had no idea how much Wanda had endured before coming to Westview, |
407 | 00:25:44,540 | 00:25:46,380 | how much we both had, I guess. | how much we both had, I guess. |
408 | 00:25:47,000 | 00:25:48,290 | Though I can't remember it. | Though I can't remember it. |
409 | 00:25:49,250 | 00:25:52,170 | For me, it feels like it happened to someone else, you know? | For me, it feels like it happened to someone else, you know? |
410 | 00:25:52,260 | 00:25:53,550 | But for her... | But for her... |
411 | 00:25:54,680 | 00:25:56,010 | It's mere weeks ago. | It's mere weeks ago. |
412 | 00:26:00,010 | 00:26:04,810 | What am I doing here, sitting, talking to you when I should... | What am I doing here, sitting, talking to you when I should... |
413 | 00:26:04,890 | 00:26:08,650 | This is... This is absurd. I need to get to my wife. | This is... This is absurd. I need to get to my wife. |
414 | 00:26:10,320 | 00:26:11,570 | (KIDS CHATTERING) | (KIDS CHATTERING) |
415 | 00:26:16,820 | 00:26:18,620 | So I'll just meet you there, then? | So I'll just meet you there, then? |
416 | 00:26:20,080 | 00:26:21,870 | Oh, here. | Oh, here. |
417 | 00:26:22,620 | 00:26:24,790 | Would you like a cup of tea, hon? | Would you like a cup of tea, hon? |
418 | 00:26:24,870 | 00:26:26,250 | -Sure. Thank you, Agnes. -Okay. | -Sure. Thank you, Agnes. -Okay. |
419 | 00:26:27,080 | 00:26:30,170 | Sit down. Be right back with that. | Sit down. Be right back with that. |
420 | 00:26:30,250 | 00:26:32,090 | Aw. Ay, ay, ay. | Aw. Ay, ay, ay. |
421 | 00:26:32,750 | 00:26:33,760 | (SIGHS) | (SIGHS) |
422 | 00:26:33,840 | 00:26:35,130 | (INDISTINCT TV CHATTER) | (INDISTINCT TV CHATTER) |
423 | 00:26:35,260 | 00:26:39,260 | KIDS' VOICES ON TV: Jump! Jump! Jump! | KIDS' VOICES ON TV: Jump! Jump! Jump! |
424 | 00:26:40,050 | 00:26:42,430 | (SINGING) Jumpy, jump, jump, jump, jump | (SINGING) Jumpy, jump, jump, jump, jump |
425 | 00:26:43,020 | 00:26:45,140 | Jumpy, jump, jump, jump, jump, jump | Jumpy, jump, jump, jump, jump, jump |
426 | 00:26:45,230 | 00:26:47,310 | Jumpy, jump, jump, jump, jump | Jumpy, jump, jump, jump, jump |
427 | 00:26:47,390 | 00:26:49,520 | Jumpy, jump, jump, jump, jump, jump | Jumpy, jump, jump, jump, jump, jump |
428 | 00:26:51,980 | 00:26:53,980 | (SINISTER MUSIC PLAYING) | (SINISTER MUSIC PLAYING) |
429 | 00:27:03,410 | 00:27:04,870 | Where are the twins? | Where are the twins? |
430 | 00:27:06,460 | 00:27:09,370 | Oh, they're probably just playing in the basement. | Oh, they're probably just playing in the basement. |
431 | 00:27:21,430 | 00:27:22,930 | (DOOR CREAKS) | (DOOR CREAKS) |
432 | 00:27:25,720 | 00:27:26,890 | Boys? | Boys? |
433 | 00:27:52,500 | 00:27:53,750 | Tommy? | Tommy? |
434 | 00:27:57,550 | 00:27:58,840 | Billy? | Billy? |
435 | 00:28:35,420 | 00:28:36,750 | (METALLIC THUD) | (METALLIC THUD) |
436 | 00:28:37,710 | 00:28:39,670 | AGNES: Wanda, Wanda. | AGNES: Wanda, Wanda. |
437 | 00:28:40,970 | 00:28:44,850 | You didn't think you were the only magical girl in town, did you? | You didn't think you were the only magical girl in town, did you? |
438 | 00:28:46,760 | 00:28:48,020 | (METALLIC THUD) | (METALLIC THUD) |
439 | 00:28:50,270 | 00:28:55,020 | The name's Agatha Harkness. Lovely to finally meet you, dear. | The name's Agatha Harkness. Lovely to finally meet you, dear. |
440 | 00:29:01,490 | 00:29:03,490 | (PEPPY MUSIC PLAYING) | (PEPPY MUSIC PLAYING) |
441 | 00:29:07,740 | 00:29:10,500 | MALE CHORUS: (SINGING) Who's been messing up everything? | MALE CHORUS: (SINGING) Who's been messing up everything? |
442 | 00:29:10,580 | 00:29:13,460 | WOMAN: It's been Agatha all along | WOMAN: It's been Agatha all along |
443 | 00:29:16,130 | 00:29:18,670 | MALE CHORUS: Who's been pulling every evil string? | MALE CHORUS: Who's been pulling every evil string? |
444 | 00:29:18,750 | 00:29:21,920 | WOMAN: It's been Agatha all along | WOMAN: It's been Agatha all along |
445 | 00:29:24,180 | 00:29:27,890 | MALE CHORUS: She's insidious WOMAN: Ha-ha! | MALE CHORUS: She's insidious WOMAN: Ha-ha! |
446 | 00:29:27,970 | 00:29:32,940 | MALE CHORUS: So perfidious That you haven't even noticed | MALE CHORUS: So perfidious That you haven't even noticed |
447 | 00:29:33,060 | 00:29:35,520 | -And the pity is -MAN: The pity is | -And the pity is -MAN: The pity is |
448 | 00:29:35,600 | 00:29:37,980 | Pity, pity, pity, pity | Pity, pity, pity, pity |
449 | 00:29:40,360 | 00:29:43,070 | MALE CHORUS: It's too late to fix anything | MALE CHORUS: It's too late to fix anything |
450 | 00:29:43,150 | 00:29:46,320 | Now that everything has gone wrong | Now that everything has gone wrong |
451 | 00:29:46,410 | 00:29:47,990 | -Thanks to Agatha -WOMAN: Ha! | -Thanks to Agatha -WOMAN: Ha! |
452 | 00:29:48,080 | 00:29:49,540 | MALE CHORUS: Naughty Agatha | MALE CHORUS: Naughty Agatha |
453 | 00:29:49,620 | 00:29:52,290 | WOMAN: It's been Agatha all along | WOMAN: It's been Agatha all along |
454 | 00:29:52,830 | 00:29:55,370 | (GASPS) And I killed Sparky, too. | (GASPS) And I killed Sparky, too. |
455 | 00:29:56,170 | 00:29:58,040 | (LAUGHING WICKEDLY) | (LAUGHING WICKEDLY) |
456 | 00:30:02,710 | 00:30:04,300 | (STIRRING MUSIC PLAYING) | (STIRRING MUSIC PLAYING) |
457 | 00:32:02,330 | 00:32:03,340 | (GRUNTS) | (GRUNTS) |
458 | 00:32:03,420 | 00:32:04,550 | (GASPS) | (GASPS) |
459 | 00:32:07,880 | 00:32:08,880 | Snooper's gonna snoop. | Snooper's gonna snoop. |
460 | 00:32:08,970 | 00:32:09,970 | (GASPS) | (GASPS) |
461 | 00:32:10,050 | 00:32:12,050 | (MUSIC PLAYING) | (MUSIC PLAYING) |
462 | 00:32:12,050 | 00:32:27,050 | - Sync and corrections by Nipan_Grilli - www.opensubtitles.org - Colored HI by GoldBerg_44 | - Sync and corrections by Nipan_Grilli - www.opensubtitles.org - Colored HI by GoldBerg_44 |