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| # | Start | End | Original | Translated |
|---|---|---|---|---|
| 1 | 00:00:42,961 | 00:00:46,965 | [ Static ] | [ Static ] |
| 2 | 00:00:49,634 | 00:00:53,054 | ♪♪ [ Electronic ] | ♪♪ [ Electronic ] |
| 3 | 00:00:55,974 | 00:00:57,892 | [ Announcer ] Civic TV... | [ Announcer ] Civic TV... |
| 4 | 00:00:57,976 | 00:01:00,061 | the one you take to bed with you. | the one you take to bed with you. |
| 5 | 00:01:00,145 | 00:01:03,940 | Max, it's that time again: | Max, it's that time again: |
| 6 | 00:01:04,023 | 00:01:09,612 | time to slowly, painfully ease yourself back into consciousness. | time to slowly, painfully ease yourself back into consciousness. |
| 7 | 00:01:09,696 | 00:01:11,740 | No, I'm not a dream... | No, I'm not a dream... |
| 8 | 00:01:11,823 | 00:01:14,200 | although I've been told I'm a vision of loveliness. | although I've been told I'm a vision of loveliness. |
| 9 | 00:01:14,284 | 00:01:16,303 | - [ Chuckles ] - [ Man Chuckles ] Who told you that? | - [ Chuckles ] - [ Man Chuckles ] Who told you that? |
| 10 | 00:01:16,327 | 00:01:20,081 | I'm nothing less than your faithful Girl Friday, Bridey James... | I'm nothing less than your faithful Girl Friday, Bridey James... |
| 11 | 00:01:20,165 | 00:01:24,669 | here with your wake-up call of today, which is Wednesday the 23rd. | here with your wake-up call of today, which is Wednesday the 23rd. |
| 12 | 00:01:24,753 | 00:01:26,671 | You got that? | You got that? |
| 13 | 00:01:26,755 | 00:01:29,966 | Wednesday the 23rd. | Wednesday the 23rd. |
| 14 | 00:01:31,092 | 00:01:32,969 | And I have a message. | And I have a message. |
| 15 | 00:01:33,052 | 00:01:35,764 | Remember your meeting this morning at 6:30... | Remember your meeting this morning at 6:30... |
| 16 | 00:01:35,847 | 00:01:39,142 | with Shinji Kuraki of Hiroshima Video. | with Shinji Kuraki of Hiroshima Video. |
| 17 | 00:01:39,225 | 00:01:40,935 | This meeting is to take place... | This meeting is to take place... |
| 18 | 00:01:41,019 | 00:01:45,148 | at the Classic Hotel, suite 17. | at the Classic Hotel, suite 17. |
| 19 | 00:01:45,231 | 00:01:48,401 | And needless to say, it's your first of the day. | And needless to say, it's your first of the day. |
| 20 | 00:01:48,485 | 00:01:51,279 | Don't you know anyone who works 9:00 to 5:00? | Don't you know anyone who works 9:00 to 5:00? |
| 21 | 00:01:52,989 | 00:01:54,741 | Over and out, Commander. | Over and out, Commander. |
| 22 | 00:01:56,534 | 00:02:00,038 | [ Announcer ] Civic TV, the one you take to bed with you. | [ Announcer ] Civic TV, the one you take to bed with you. |
| 23 | 00:02:01,039 | 00:02:04,709 | [ Ticking ] | [ Ticking ] |
| 24 | 00:02:09,214 | 00:02:11,549 | [ Tape Player Clicks ] | [ Tape Player Clicks ] |
| 25 | 00:02:12,717 | 00:02:15,136 | [ Sighs ] | [ Sighs ] |
| 26 | 00:02:24,646 | 00:02:26,606 | [ Moans ] | [ Moans ] |
| 27 | 00:03:18,449 | 00:03:21,703 | - [ Man ] Cindy, open the door, will ya? - [ Woman ] Go away. | - [ Man ] Cindy, open the door, will ya? - [ Woman ] Go away. |
| 28 | 00:03:21,786 | 00:03:23,705 | Come on. You know I love ya. | Come on. You know I love ya. |
| 29 | 00:03:23,788 | 00:03:26,040 | - Get outta here! - Will you open the door? | - Get outta here! - Will you open the door? |
| 30 | 00:03:26,124 | 00:03:28,042 | For fuck's sake, open the door! | For fuck's sake, open the door! |
| 31 | 00:03:28,126 | 00:03:32,380 | - [ Baby Crying ] - I want you out of this place! | - [ Baby Crying ] - I want you out of this place! |
| 32 | 00:03:32,463 | 00:03:36,050 | For fuck's sake, open the door! | For fuck's sake, open the door! |
| 33 | 00:03:36,134 | 00:03:38,761 | [ Man, Woman Arguing ] | [ Man, Woman Arguing ] |
| 34 | 00:03:38,845 | 00:03:41,389 | You just gotta open the fucking door! | You just gotta open the fucking door! |
| 35 | 00:03:41,472 | 00:03:44,559 | Well, I looked over the stills. | Well, I looked over the stills. |
| 36 | 00:03:44,642 | 00:03:46,561 | I am interested a little bit. | I am interested a little bit. |
| 37 | 00:03:46,644 | 00:03:48,605 | - How many shows you got? - Thirteen. | - How many shows you got? - Thirteen. |
| 38 | 00:03:48,688 | 00:03:51,900 | With a possibility of another six if the sales go well. | With a possibility of another six if the sales go well. |
| 39 | 00:03:51,983 | 00:03:53,902 | - You got cassettes? - Of course. | - You got cassettes? - Of course. |
| 40 | 00:03:53,985 | 00:03:55,820 | [ Both Laughing ] | [ Both Laughing ] |
| 41 | 00:04:02,952 | 00:04:05,955 | No, hold it. Uh, show me the last one. | No, hold it. Uh, show me the last one. |
| 42 | 00:04:06,039 | 00:04:08,249 | - [ Speaking Japanese ] - Number 13. | - [ Speaking Japanese ] - Number 13. |
| 43 | 00:04:08,333 | 00:04:11,961 | But you won't understand anything. Everything is set up in the first two. | But you won't understand anything. Everything is set up in the first two. |
| 44 | 00:04:12,045 | 00:04:15,590 | My audience ain't gonna see the first two shows. Show me the last one. | My audience ain't gonna see the first two shows. Show me the last one. |
| 45 | 00:04:16,966 | 00:04:20,470 | ♪♪ [ Japanese ] | ♪♪ [ Japanese ] |
| 46 | 00:05:17,235 | 00:05:19,654 | What do you think? | What do you think? |
| 47 | 00:05:19,737 | 00:05:24,158 | Can we get away with it? Do we wanna get away with it? | Can we get away with it? Do we wanna get away with it? |
| 48 | 00:05:24,242 | 00:05:26,786 | I think Oriental sex is a natural. | I think Oriental sex is a natural. |
| 49 | 00:05:26,869 | 00:05:29,872 | I think it'll get us an audience we've never had before. | I think it'll get us an audience we've never had before. |
| 50 | 00:05:30,999 | 00:05:34,043 | I don't like it. It's not tacky enough. | I don't like it. It's not tacky enough. |
| 51 | 00:05:34,127 | 00:05:37,380 | - Not tacky enough for what? - Tacky enough to turn me on. | - Not tacky enough for what? - Tacky enough to turn me on. |
| 52 | 00:05:38,381 | 00:05:40,299 | Too much class. Bad for sex. | Too much class. Bad for sex. |
| 53 | 00:05:41,551 | 00:05:43,678 | Maybe. | Maybe. |
| 54 | 00:05:43,761 | 00:05:46,347 | I don't know. [ Exhales ] | I don't know. [ Exhales ] |
| 55 | 00:05:46,431 | 00:05:48,349 | It's soft. | It's soft. |
| 56 | 00:05:48,433 | 00:05:50,685 | Something too... | Something too... |
| 57 | 00:05:50,768 | 00:05:52,895 | soft about it. | soft about it. |
| 58 | 00:05:54,897 | 00:05:58,651 | I'm lookin' for something that'll break through, you know? Something... | I'm lookin' for something that'll break through, you know? Something... |
| 59 | 00:05:58,735 | 00:06:01,070 | tough. | tough. |
| 60 | 00:06:10,246 | 00:06:15,126 | [ Motor Hums ] | [ Motor Hums ] |
| 61 | 00:06:47,867 | 00:06:50,411 | Hey, Harlan, uh — Huh? | Hey, Harlan, uh — Huh? |
| 62 | 00:06:50,495 | 00:06:53,206 | Oh. Okay. | Oh. Okay. |
| 63 | 00:06:53,289 | 00:06:55,416 | Here we go. | Here we go. |
| 64 | 00:06:55,500 | 00:06:57,418 | [ Clicking Switches ] | [ Clicking Switches ] |
| 65 | 00:06:57,502 | 00:07:00,588 | Now, it'll come through on that. | Now, it'll come through on that. |
| 66 | 00:07:00,671 | 00:07:05,134 | Now, we only got about 53 seconds, so keep your eyes open. | Now, we only got about 53 seconds, so keep your eyes open. |
| 67 | 00:07:05,218 | 00:07:10,139 | They've got an unscrambler scrambler, if you know what I mean. | They've got an unscrambler scrambler, if you know what I mean. |
| 68 | 00:07:10,223 | 00:07:12,058 | It sensed that we were unscrambling... | It sensed that we were unscrambling... |
| 69 | 00:07:12,141 | 00:07:16,270 | and, uh, automatically changed its code on us. | and, uh, automatically changed its code on us. |
| 70 | 00:07:16,354 | 00:07:18,272 | What satellite is it coming from? | What satellite is it coming from? |
| 71 | 00:07:18,356 | 00:07:20,274 | - Snooker, I think. - Country of origin? | - Snooker, I think. - Country of origin? |
| 72 | 00:07:20,358 | 00:07:22,276 | Uh, let me see. Uh — | Uh, let me see. Uh — |
| 73 | 00:07:22,360 | 00:07:25,947 | Assuming 53 seconds represents the period of delay... | Assuming 53 seconds represents the period of delay... |
| 74 | 00:07:26,030 | 00:07:28,783 | I'd say somewhere, uh... | I'd say somewhere, uh... |
| 75 | 00:07:28,866 | 00:07:30,910 | in Malaysia? | in Malaysia? |
| 76 | 00:07:31,994 | 00:07:35,456 | - [ Hums ] - Okay, here we go. | - [ Hums ] - Okay, here we go. |
| 77 | 00:07:35,540 | 00:07:37,500 | This is it. | This is it. |
| 78 | 00:07:38,918 | 00:07:41,796 | [ Woman Moaning ] | [ Woman Moaning ] |
| 79 | 00:07:45,758 | 00:07:49,011 | [ Moaning Continues ] | [ Moaning Continues ] |
| 80 | 00:07:51,347 | 00:07:54,934 | What is that wall behind her? What is that, clay? | What is that wall behind her? What is that, clay? |
| 81 | 00:07:55,017 | 00:07:57,520 | - Yeah. Wet clay. - [ Sobbing, Moaning ] | - Yeah. Wet clay. - [ Sobbing, Moaning ] |
| 82 | 00:07:57,603 | 00:07:59,564 | I think it's electrified. | I think it's electrified. |
| 83 | 00:08:01,190 | 00:08:05,111 | - [ Moaning Continues ] - [ Static Crackling ] | - [ Moaning Continues ] - [ Static Crackling ] |
| 84 | 00:08:05,194 | 00:08:07,738 | [ Woman Moans, Screams ] | [ Woman Moans, Screams ] |
| 85 | 00:08:10,241 | 00:08:15,371 | [ Moaning Continues ] | [ Moaning Continues ] |
| 86 | 00:08:18,207 | 00:08:21,711 | [ Static Crackling Loudly ] | [ Static Crackling Loudly ] |
| 87 | 00:08:24,589 | 00:08:26,632 | - [ Tape Ejects ] - That's it? | - [ Tape Ejects ] - That's it? |
| 88 | 00:08:26,716 | 00:08:29,010 | That's it. | That's it. |
| 89 | 00:08:29,093 | 00:08:32,388 | - [ Sighs ] - Grotesque, as promised. | - [ Sighs ] - Grotesque, as promised. |
| 90 | 00:08:32,471 | 00:08:34,849 | Okay. Can you hang a search on it next time it — | Okay. Can you hang a search on it next time it — |
| 91 | 00:08:34,932 | 00:08:37,185 | Already workin' on it. | Already workin' on it. |
| 92 | 00:08:37,268 | 00:08:40,688 | I was pretty insulted when it just shrugged us off in less than a minute. | I was pretty insulted when it just shrugged us off in less than a minute. |
| 93 | 00:08:40,771 | 00:08:44,108 | Well, patrón, interested? | Well, patrón, interested? |
| 94 | 00:08:45,443 | 00:08:48,779 | Yeah. Harlan, can you do something about these labels? | Yeah. Harlan, can you do something about these labels? |
| 95 | 00:08:48,863 | 00:08:53,826 | I mean, uh, this is supposed to be a clandestine operation, you know? | I mean, uh, this is supposed to be a clandestine operation, you know? |
| 96 | 00:08:53,910 | 00:08:55,870 | Sí, patrón. | Sí, patrón. |
| 97 | 00:09:05,254 | 00:09:07,632 | You always find yourself getting nervous... | You always find yourself getting nervous... |
| 98 | 00:09:07,715 | 00:09:10,384 | even if you've been doing it all your life, don't you think? | even if you've been doing it all your life, don't you think? |
| 99 | 00:09:10,468 | 00:09:12,386 | [ Woman ] Oh, yeah. Oh, for sure. | [ Woman ] Oh, yeah. Oh, for sure. |
| 100 | 00:09:12,470 | 00:09:15,806 | - Course, that's part of the excitement of it. - Mm-hmm. | - Course, that's part of the excitement of it. - Mm-hmm. |
| 101 | 00:09:18,142 | 00:09:20,144 | Want a smoke? | Want a smoke? |
| 102 | 00:09:22,146 | 00:09:23,814 | No, thanks. | No, thanks. |
| 103 | 00:09:27,526 | 00:09:30,863 | - Max, just relax. - Okay. | - Max, just relax. - Okay. |
| 104 | 00:09:30,947 | 00:09:35,243 | [ Announcer ] And now here it is: The Rena King Show. | [ Announcer ] And now here it is: The Rena King Show. |
| 105 | 00:09:35,326 | 00:09:37,286 | And this afternoon, Rena's guests are Max Renn... | And this afternoon, Rena's guests are Max Renn... |
| 106 | 00:09:37,370 | 00:09:42,041 | controversial president of Channel 83, radio personality Nicki Brand... | controversial president of Channel 83, radio personality Nicki Brand... |
| 107 | 00:09:42,124 | 00:09:44,669 | and media prophet Professor Brian O'Blivion. | and media prophet Professor Brian O'Blivion. |
| 108 | 00:09:44,752 | 00:09:47,129 | Take it away, Rena. | Take it away, Rena. |
| 109 | 00:09:47,213 | 00:09:49,507 | - [ Max Exhales ] - Max Renn... | - [ Max Exhales ] - Max Renn... |
| 110 | 00:09:49,590 | 00:09:51,759 | your television station offers its viewers... | your television station offers its viewers... |
| 111 | 00:09:51,842 | 00:09:54,053 | everything from soft-core pornography... | everything from soft-core pornography... |
| 112 | 00:09:54,136 | 00:09:56,138 | to hard-core violence. | to hard-core violence. |
| 113 | 00:09:56,222 | 00:09:59,267 | - Why? - Well, it's a matter of economics, Rena. | - Why? - Well, it's a matter of economics, Rena. |
| 114 | 00:09:59,350 | 00:10:01,269 | We're, uh, small. | We're, uh, small. |
| 115 | 00:10:01,352 | 00:10:05,189 | In order to survive, we have to give people something they can't get anywhere else... | In order to survive, we have to give people something they can't get anywhere else... |
| 116 | 00:10:05,273 | 00:10:07,441 | and, uh — and we do that. | and, uh — and we do that. |
| 117 | 00:10:08,442 | 00:10:10,611 | But don't you feel such shows contribute... | But don't you feel such shows contribute... |
| 118 | 00:10:10,695 | 00:10:14,448 | to a social climate of violence and sexual malaise? | to a social climate of violence and sexual malaise? |
| 119 | 00:10:14,532 | 00:10:17,451 | - And do you care? - Certainly, I care. [ Chuckles ] | - And do you care? - Certainly, I care. [ Chuckles ] |
| 120 | 00:10:17,535 | 00:10:20,746 | I care enough, in fact, to give my viewers a — | I care enough, in fact, to give my viewers a — |
| 121 | 00:10:20,830 | 00:10:24,375 | a harmless outlet for their fantasies and their frustrations. | a harmless outlet for their fantasies and their frustrations. |
| 122 | 00:10:24,458 | 00:10:28,296 | As far as I'm concerned, that's a socially positive act. | As far as I'm concerned, that's a socially positive act. |
| 123 | 00:10:28,379 | 00:10:32,133 | What about it, Nicki? Is it socially positive? | What about it, Nicki? Is it socially positive? |
| 124 | 00:10:32,216 | 00:10:34,719 | Well, I think we live in overstimulated times. | Well, I think we live in overstimulated times. |
| 125 | 00:10:34,802 | 00:10:36,762 | We crave stimulation for its own sake. | We crave stimulation for its own sake. |
| 126 | 00:10:36,846 | 00:10:39,140 | We gorge ourselves on it. | We gorge ourselves on it. |
| 127 | 00:10:39,223 | 00:10:43,853 | We always want more, whether it's tactile, emotional or sexual... | We always want more, whether it's tactile, emotional or sexual... |
| 128 | 00:10:43,936 | 00:10:45,438 | and I think that's bad. | and I think that's bad. |
| 129 | 00:10:45,521 | 00:10:48,482 | Then why did you wear that dress? | Then why did you wear that dress? |
| 130 | 00:10:48,566 | 00:10:52,153 | - Sorry? - That dress. | - Sorry? - That dress. |
| 131 | 00:10:52,236 | 00:10:56,449 | [ Chuckles ] It's very stimulating, and — and it's red. | [ Chuckles ] It's very stimulating, and — and it's red. |
| 132 | 00:10:57,950 | 00:11:00,661 | You know what Freud would have said about that dress. | You know what Freud would have said about that dress. |
| 133 | 00:11:00,745 | 00:11:03,873 | And he would've been right. I admit it. | And he would've been right. I admit it. |
| 134 | 00:11:03,956 | 00:11:06,834 | I live in a highly excited state of overstimulation. | I live in a highly excited state of overstimulation. |
| 135 | 00:11:08,336 | 00:11:10,838 | Listen, I'd really like to take you out to dinner tonight. | Listen, I'd really like to take you out to dinner tonight. |
| 136 | 00:11:11,839 | 00:11:14,342 | - Professor O'Blivion. - [ Max ] What do you think? | - Professor O'Blivion. - [ Max ] What do you think? |
| 137 | 00:11:14,425 | 00:11:17,678 | Do you think erotic TV shows and violent TV shows... | Do you think erotic TV shows and violent TV shows... |
| 138 | 00:11:17,762 | 00:11:20,056 | lead to desensitization... | lead to desensitization... |
| 139 | 00:11:20,139 | 00:11:22,058 | to dehumanization? | to dehumanization? |
| 140 | 00:11:22,141 | 00:11:24,060 | [ Max, Nicki Murmuring ] | [ Max, Nicki Murmuring ] |
| 141 | 00:11:24,143 | 00:11:29,190 | The television screen has become the retina of the mind's eye. | The television screen has become the retina of the mind's eye. |
| 142 | 00:11:29,273 | 00:11:32,026 | - [ Murmuring Continues ] - Yes. | - [ Murmuring Continues ] - Yes. |
| 143 | 00:11:32,109 | 00:11:35,112 | That's why I refuse to appear on television... | That's why I refuse to appear on television... |
| 144 | 00:11:35,196 | 00:11:37,615 | except on television. | except on television. |
| 145 | 00:11:37,698 | 00:11:40,368 | Of course, O'Blivion is not the name I was born with. | Of course, O'Blivion is not the name I was born with. |
| 146 | 00:11:40,451 | 00:11:42,995 | That's my television name. | That's my television name. |
| 147 | 00:11:43,079 | 00:11:46,540 | Soon all of us will have special names... | Soon all of us will have special names... |
| 148 | 00:11:46,624 | 00:11:51,045 | names designed to cause the cathode ray tube to resonate. | names designed to cause the cathode ray tube to resonate. |
| 149 | 00:11:51,128 | 00:11:53,756 | - Yes. - [ Max ] Yes, I am. Very interested. | - Yes. - [ Max ] Yes, I am. Very interested. |
| 150 | 00:11:53,839 | 00:11:58,052 | Nicki, is Max Renn a menace to society? | Nicki, is Max Renn a menace to society? |
| 151 | 00:11:58,135 | 00:12:00,554 | I'm not sure. | I'm not sure. |
| 152 | 00:12:00,638 | 00:12:03,265 | He's certainly a menace to me. | He's certainly a menace to me. |
| 153 | 00:12:04,975 | 00:12:08,646 | - [ Screaming ] - [ Static ] | - [ Screaming ] - [ Static ] |
| 154 | 00:12:08,729 | 00:12:11,023 | [ Max ] When does the plot, uh, start to unravel here? | [ Max ] When does the plot, uh, start to unravel here? |
| 155 | 00:12:11,107 | 00:12:14,110 | I mean, who is this black guy? Is he a political prisoner? | I mean, who is this black guy? Is he a political prisoner? |
| 156 | 00:12:15,486 | 00:12:17,571 | - There's no plot. - [ Man Moaning ] | - There's no plot. - [ Man Moaning ] |
| 157 | 00:12:17,655 | 00:12:20,074 | It just goes on like that for an hour. | It just goes on like that for an hour. |
| 158 | 00:12:20,157 | 00:12:23,202 | - Goes on like what? - Like that. | - Goes on like what? - Like that. |
| 159 | 00:12:23,285 | 00:12:26,539 | - Torture, murder... - [ Air Hisses ] | - Torture, murder... - [ Air Hisses ] |
| 160 | 00:12:27,540 | 00:12:29,458 | mutilation. | mutilation. |
| 161 | 00:12:29,542 | 00:12:32,711 | - We never leave that room? - Nope. | - We never leave that room? - Nope. |
| 162 | 00:12:32,795 | 00:12:35,256 | - It's a real sicko. - Brilliant. | - It's a real sicko. - Brilliant. |
| 163 | 00:12:35,339 | 00:12:37,259 | - For perverts only. - It's absolutely brilliant. | - For perverts only. - It's absolutely brilliant. |
| 164 | 00:12:37,341 | 00:12:40,261 | I mean, look, there's almost no production costs. | I mean, look, there's almost no production costs. |
| 165 | 00:12:40,344 | 00:12:43,264 | You can't take your eyes off it. It's incredibly realistic. | You can't take your eyes off it. It's incredibly realistic. |
| 166 | 00:12:43,347 | 00:12:45,266 | Where do they get actors who can do this? | Where do they get actors who can do this? |
| 167 | 00:12:45,349 | 00:12:47,476 | - Oh, help me. I think he wants it. - Come on. | - Oh, help me. I think he wants it. - Come on. |
| 168 | 00:12:47,560 | 00:12:50,271 | It's worth checking out. | It's worth checking out. |
| 169 | 00:12:50,354 | 00:12:52,606 | Did you have any trouble locking onto it this time? | Did you have any trouble locking onto it this time? |
| 170 | 00:12:52,690 | 00:12:56,193 | Not after I realized the Malaysia delay was a plant. | Not after I realized the Malaysia delay was a plant. |
| 171 | 00:12:57,236 | 00:13:01,323 | - It's not coming from Malaysia? - You can't fool the Prince of Pirates for long. | - It's not coming from Malaysia? - You can't fool the Prince of Pirates for long. |
| 172 | 00:13:01,407 | 00:13:04,702 | Har — Harlan, where is it coming from? | Har — Harlan, where is it coming from? |
| 173 | 00:13:05,911 | 00:13:09,415 | Pittsburgh. That's in the U.S.A. | Pittsburgh. That's in the U.S.A. |
| 174 | 00:13:10,458 | 00:13:12,376 | Pittsburgh? | Pittsburgh? |
| 175 | 00:13:13,419 | 00:13:16,297 | - [ Screaming Continues ] - Pittsburgh. | - [ Screaming Continues ] - Pittsburgh. |
| 176 | 00:13:16,380 | 00:13:19,133 | [ Nicki ] Get professional help. | [ Nicki ] Get professional help. |
| 177 | 00:13:19,216 | 00:13:21,802 | [ Woman Caller ] But it's not me. It's my sister. | [ Woman Caller ] But it's not me. It's my sister. |
| 178 | 00:13:21,886 | 00:13:25,055 | It's not your sister. It's you, lover. | It's not your sister. It's you, lover. |
| 179 | 00:13:25,139 | 00:13:29,059 | Can't you tell? Isn't that why you called me? | Can't you tell? Isn't that why you called me? |
| 180 | 00:13:29,143 | 00:13:32,188 | You want help. You need help. | You want help. You need help. |
| 181 | 00:13:32,271 | 00:13:36,484 | You're going insane. I can hear you disintegrating while you talk to me. | You're going insane. I can hear you disintegrating while you talk to me. |
| 182 | 00:13:38,402 | 00:13:42,323 | - I've got your number, haven't I? - [ Woman Sobbing ] | - I've got your number, haven't I? - [ Woman Sobbing ] |
| 183 | 00:13:42,406 | 00:13:45,117 | I hate my sister. [ Sobbing ] | I hate my sister. [ Sobbing ] |
| 184 | 00:13:47,161 | 00:13:50,414 | I don't want to. It's ripping me up inside. | I don't want to. It's ripping me up inside. |
| 185 | 00:13:50,498 | 00:13:54,210 | [ Sniffs ] But I do. I do. | [ Sniffs ] But I do. I do. |
| 186 | 00:13:54,293 | 00:13:56,378 | - [ Sniffles ] - Will you call our Distress Center? | - [ Sniffles ] - Will you call our Distress Center? |
| 187 | 00:13:56,462 | 00:14:00,132 | Will you call the CRAM Distress Center? | Will you call the CRAM Distress Center? |
| 188 | 00:14:00,216 | 00:14:02,510 | They'll tell you where to get help, lover. | They'll tell you where to get help, lover. |
| 189 | 00:14:02,593 | 00:14:05,513 | And you need it. You need it now. | And you need it. You need it now. |
| 190 | 00:14:05,596 | 00:14:08,390 | [ Sobbing ] I will. I will. Oh, thank you, Nicki. | [ Sobbing ] I will. I will. Oh, thank you, Nicki. |
| 191 | 00:14:09,600 | 00:14:11,519 | [ Hangs Up ] | [ Hangs Up ] |
| 192 | 00:14:11,602 | 00:14:13,521 | [ Announcer ] We'll return to Nicki Brand... | [ Announcer ] We'll return to Nicki Brand... |
| 193 | 00:14:13,604 | 00:14:16,524 | and the Emotional Rescue show in just a moment. | and the Emotional Rescue show in just a moment. |
| 194 | 00:14:16,607 | 00:14:20,694 | This is CRAM in Toronto, and we've got the weather for you. | This is CRAM in Toronto, and we've got the weather for you. |
| 195 | 00:14:23,280 | 00:14:25,908 | - Got any porno? - You serious? | - Got any porno? - You serious? |
| 196 | 00:14:25,991 | 00:14:28,619 | Yeah. Gets me in the mood. | Yeah. Gets me in the mood. |
| 197 | 00:14:32,665 | 00:14:34,708 | What's this? "Videodrome." | What's this? "Videodrome." |
| 198 | 00:14:34,792 | 00:14:37,002 | - Torture, murder. - [ Chuckles ] | - Torture, murder. - [ Chuckles ] |
| 199 | 00:14:37,086 | 00:14:39,004 | Sounds great. | Sounds great. |
| 200 | 00:14:39,088 | 00:14:41,465 | Ain't exactly sex. | Ain't exactly sex. |
| 201 | 00:14:42,508 | 00:14:44,301 | Says who? | Says who? |
| 202 | 00:14:48,597 | 00:14:52,017 | [ Water Splashing ] | [ Water Splashing ] |
| 203 | 00:14:52,101 | 00:14:56,105 | [ Screaming ] | [ Screaming ] |
| 204 | 00:14:56,188 | 00:14:59,108 | - God, I can't believe it. - I'll turn it off. | - God, I can't believe it. - I'll turn it off. |
| 205 | 00:14:59,191 | 00:15:02,069 | No, no, no. It's okay. I can take it. | No, no, no. It's okay. I can take it. |
| 206 | 00:15:02,152 | 00:15:04,655 | - [ Flogging Continues ] - [ Woman Sobbing ] | - [ Flogging Continues ] - [ Woman Sobbing ] |
| 207 | 00:15:06,115 | 00:15:08,409 | Can you get it any clearer? | Can you get it any clearer? |
| 208 | 00:15:08,492 | 00:15:11,245 | It's a pirate tape. They scramble it. | It's a pirate tape. They scramble it. |
| 209 | 00:15:11,328 | 00:15:14,373 | - [ Moaning Continues ] - I like it. | - [ Moaning Continues ] - I like it. |
| 210 | 00:15:14,456 | 00:15:18,002 | - Yeah? - Yeah, it turns me on. | - Yeah? - Yeah, it turns me on. |
| 211 | 00:15:20,337 | 00:15:23,299 | Take out your Swiss Army knife and cut me here... | Take out your Swiss Army knife and cut me here... |
| 212 | 00:15:23,382 | 00:15:25,301 | just — just a little. | just — just a little. |
| 213 | 00:15:25,384 | 00:15:27,720 | Looks like somebody's beat me to it. | Looks like somebody's beat me to it. |
| 214 | 00:15:29,513 | 00:15:32,182 | [ Woman Grunting, Screaming ] | [ Woman Grunting, Screaming ] |
| 215 | 00:15:34,685 | 00:15:37,354 | I wonder how you get to be a contestant on this show. | I wonder how you get to be a contestant on this show. |
| 216 | 00:15:38,355 | 00:15:42,192 | I don't know. Nobody ever seems to come back next week. | I don't know. Nobody ever seems to come back next week. |
| 217 | 00:15:42,276 | 00:15:44,695 | What did you say happened to your shoulder? | What did you say happened to your shoulder? |
| 218 | 00:15:45,696 | 00:15:48,699 | A friend. I think he'd like Videodrome. | A friend. I think he'd like Videodrome. |
| 219 | 00:15:50,200 | 00:15:53,454 | - You let somebody cut you? - Uh-huh. | - You let somebody cut you? - Uh-huh. |
| 220 | 00:15:53,537 | 00:15:56,790 | - [ Moaning, Screaming Continue ] - What do you think? | - [ Moaning, Screaming Continue ] - What do you think? |
| 221 | 00:15:57,875 | 00:16:00,461 | Well, I-I don't know. | Well, I-I don't know. |
| 222 | 00:16:00,544 | 00:16:03,714 | You wanna try a few things? | You wanna try a few things? |
| 223 | 00:16:15,893 | 00:16:17,978 | [ Nicki Exhales ] | [ Nicki Exhales ] |
| 224 | 00:16:19,688 | 00:16:21,690 | [ Nicki Sighing ] | [ Nicki Sighing ] |
| 225 | 00:16:39,958 | 00:16:41,919 | Oh. | Oh. |
| 226 | 00:16:47,257 | 00:16:49,301 | Oh. | Oh. |
| 227 | 00:17:18,288 | 00:17:20,541 | [ Moaning ] | [ Moaning ] |
| 228 | 00:17:47,151 | 00:17:49,319 | [ Sighs ] | [ Sighs ] |
| 229 | 00:17:51,655 | 00:17:53,907 | [ Chuckles ] | [ Chuckles ] |
| 230 | 00:18:06,879 | 00:18:11,049 | [ Nicki Moaning ] | [ Nicki Moaning ] |
| 231 | 00:18:12,843 | 00:18:15,554 | [ Max Moaning ] | [ Max Moaning ] |
| 232 | 00:18:56,428 | 00:19:01,391 | [ Chattering On TVs In Various Languages ] | [ Chattering On TVs In Various Languages ] |
| 233 | 00:19:07,397 | 00:19:11,151 | Max, thank God. Masha Borowczyk has been in your office for an hour. | Max, thank God. Masha Borowczyk has been in your office for an hour. |
| 234 | 00:19:11,235 | 00:19:13,153 | - Masha. - What were you doing last night? | - Masha. - What were you doing last night? |
| 235 | 00:19:13,237 | 00:19:15,715 | - Didn't you get my message? - I don't think I'm ready for this. | - Didn't you get my message? - I don't think I'm ready for this. |
| 236 | 00:19:15,739 | 00:19:19,493 | - Coffee. Cigarette. Office. Masha. Go. - All right. Masha. | - Coffee. Cigarette. Office. Masha. Go. - All right. Masha. |
| 237 | 00:19:19,576 | 00:19:22,830 | - She's hot to trot. - [ Chattering On TVs Continues ] | - She's hot to trot. - [ Chattering On TVs Continues ] |
| 238 | 00:19:24,540 | 00:19:26,834 | [ Masha ] I call it... | [ Masha ] I call it... |
| 239 | 00:19:26,917 | 00:19:29,586 | Apollo and Dionysus. | Apollo and Dionysus. |
| 240 | 00:19:33,757 | 00:19:36,009 | [ Max ] Masha, does it ever get good? | [ Max ] Masha, does it ever get good? |
| 241 | 00:19:36,093 | 00:19:39,012 | It's all good. | It's all good. |
| 242 | 00:19:39,096 | 00:19:41,473 | - [ Man, Woman Laughing ] - Darling... | - [ Man, Woman Laughing ] - Darling... |
| 243 | 00:19:41,557 | 00:19:44,852 | I am looking for something a lot more... | I am looking for something a lot more... |
| 244 | 00:19:44,935 | 00:19:47,145 | contemporary. | contemporary. |
| 245 | 00:19:47,229 | 00:19:51,400 | I want something that's gonna show people what's really goin' on under the sheets. | I want something that's gonna show people what's really goin' on under the sheets. |
| 246 | 00:19:51,483 | 00:19:54,695 | This stuff is too — It's too naïve. | This stuff is too — It's too naïve. |
| 247 | 00:19:54,778 | 00:19:56,905 | It's too sweet, like you, darling. | It's too sweet, like you, darling. |
| 248 | 00:20:03,912 | 00:20:07,374 | Well, it's your market. | Well, it's your market. |
| 249 | 00:20:10,377 | 00:20:12,838 | Do you know a show called Videodrome? | Do you know a show called Videodrome? |
| 250 | 00:20:12,921 | 00:20:15,716 | - Video-what? - D-R-O-M-E. | - Video-what? - D-R-O-M-E. |
| 251 | 00:20:15,799 | 00:20:18,886 | Videodrome, like video circus, video arena. | Videodrome, like video circus, video arena. |
| 252 | 00:20:18,969 | 00:20:21,680 | - You know it? - No. | - You know it? - No. |
| 253 | 00:20:21,763 | 00:20:23,682 | It's just torture and murder. | It's just torture and murder. |
| 254 | 00:20:23,765 | 00:20:27,603 | No plot, no characters. Very, very realistic. | No plot, no characters. Very, very realistic. |
| 255 | 00:20:27,686 | 00:20:30,606 | I think it's what's next. | I think it's what's next. |
| 256 | 00:20:30,689 | 00:20:32,608 | Then God help us. | Then God help us. |
| 257 | 00:20:32,691 | 00:20:35,903 | - [ Knocking At Door ] - Better on TV than on the street. | - [ Knocking At Door ] - Better on TV than on the street. |
| 258 | 00:20:39,072 | 00:20:41,074 | Arnold on line three. | Arnold on line three. |
| 259 | 00:20:41,158 | 00:20:43,452 | You interested in, uh, tracking it down for me? | You interested in, uh, tracking it down for me? |
| 260 | 00:20:43,535 | 00:20:45,579 | I'll see that you get the agent's commission. | I'll see that you get the agent's commission. |
| 261 | 00:20:45,662 | 00:20:49,207 | I'm interested. Let me try. | I'm interested. Let me try. |
| 262 | 00:20:51,168 | 00:20:53,587 | Max... | Max... |
| 263 | 00:20:53,670 | 00:20:55,756 | did you ever think... | did you ever think... |
| 264 | 00:20:55,839 | 00:20:57,925 | of producing your own show? | of producing your own show? |
| 265 | 00:20:58,008 | 00:21:00,052 | Right here? | Right here? |
| 266 | 00:21:01,261 | 00:21:03,263 | I could be your agent... | I could be your agent... |
| 267 | 00:21:03,347 | 00:21:05,265 | worldwide. | worldwide. |
| 268 | 00:21:05,349 | 00:21:08,810 | I could sell subterranean for you everywhere. | I could sell subterranean for you everywhere. |
| 269 | 00:21:08,894 | 00:21:12,147 | - No, I don't have the temperament. - But if you did... | - No, I don't have the temperament. - But if you did... |
| 270 | 00:21:13,649 | 00:21:16,151 | what kind of show would you do? | what kind of show would you do? |
| 271 | 00:21:16,234 | 00:21:19,988 | I mean, for the subterranean market. | I mean, for the subterranean market. |
| 272 | 00:21:20,072 | 00:21:23,992 | Would you do... Videodrome? | Would you do... Videodrome? |
| 273 | 00:21:25,327 | 00:21:27,287 | [ Nicki ] Max. | [ Nicki ] Max. |
| 274 | 00:21:27,371 | 00:21:31,500 | - Mm-hmm. - I'm goin' away tomorrow for two weeks... | - Mm-hmm. - I'm goin' away tomorrow for two weeks... |
| 275 | 00:21:31,583 | 00:21:33,710 | on assignment. | on assignment. |
| 276 | 00:21:34,711 | 00:21:37,339 | Guess where? | Guess where? |
| 277 | 00:21:37,422 | 00:21:39,633 | L.A. | L.A. |
| 278 | 00:21:39,716 | 00:21:43,011 | - Pittsburgh. - [ Chuckles ] Fabulous. | - Pittsburgh. - [ Chuckles ] Fabulous. |
| 279 | 00:21:43,095 | 00:21:47,265 | Don't stay in the sun too long. I hear it's bad for the skin. | Don't stay in the sun too long. I hear it's bad for the skin. |
| 280 | 00:21:47,349 | 00:21:50,352 | Oh, come on. Isn't that where they make Videodrome? | Oh, come on. Isn't that where they make Videodrome? |
| 281 | 00:21:50,435 | 00:21:52,980 | Yeah. Why? | Yeah. Why? |
| 282 | 00:21:54,398 | 00:21:56,566 | I'm gonna audition. | I'm gonna audition. |
| 283 | 00:21:58,151 | 00:22:00,112 | I was made for that show. | I was made for that show. |
| 284 | 00:22:00,195 | 00:22:03,115 | Nobody on earth was made for that show. | Nobody on earth was made for that show. |
| 285 | 00:22:05,283 | 00:22:08,078 | Hey. Listen to me. | Hey. Listen to me. |
| 286 | 00:22:11,081 | 00:22:12,749 | - Listen to me. - What? | - Listen to me. - What? |
| 287 | 00:22:12,833 | 00:22:14,501 | I want you to stay away from it. | I want you to stay away from it. |
| 288 | 00:22:14,584 | 00:22:17,212 | Those mondo weirdo video guys, they've got unsavory connections. | Those mondo weirdo video guys, they've got unsavory connections. |
| 289 | 00:22:17,295 | 00:22:20,424 | They play rough, rougher than even Nicki Brand wants to play. | They play rough, rougher than even Nicki Brand wants to play. |
| 290 | 00:22:20,507 | 00:22:22,551 | Do you understand me? | Do you understand me? |
| 291 | 00:22:22,634 | 00:22:24,594 | Sounds like a challenge. | Sounds like a challenge. |
| 292 | 00:22:33,979 | 00:22:35,647 | Got a cigarette? | Got a cigarette? |
| 293 | 00:22:38,233 | 00:22:39,901 | It's not a challenge. | It's not a challenge. |
| 294 | 00:22:40,902 | 00:22:44,531 | I swear. You know, in Brazil, Central America, those kinds of places... | I swear. You know, in Brazil, Central America, those kinds of places... |
| 295 | 00:22:44,614 | 00:22:49,077 | making underground video is considered a subversive act. | making underground video is considered a subversive act. |
| 296 | 00:22:49,161 | 00:22:52,706 | They execute people for it. In Pittsburgh, who knows? | They execute people for it. In Pittsburgh, who knows? |
| 297 | 00:22:58,211 | 00:23:00,130 | [ Liquor Pouring ] | [ Liquor Pouring ] |
| 298 | 00:23:02,132 | 00:23:04,217 | Max. | Max. |
| 299 | 00:23:12,642 | 00:23:15,228 | Nicki, don't! | Nicki, don't! |
| 300 | 00:23:30,077 | 00:23:31,995 | Nicki, don't. | Nicki, don't. |
| 301 | 00:23:37,084 | 00:23:39,252 | Don't. | Don't. |
| 302 | 00:23:50,180 | 00:23:53,892 | ♪♪ [ Percussion ] | ♪♪ [ Percussion ] |
| 303 | 00:23:53,975 | 00:23:56,937 | ♪♪ [ Middle Eastern ] | ♪♪ [ Middle Eastern ] |
| 304 | 00:24:21,878 | 00:24:24,923 | ♪♪ [ Continues ] | ♪♪ [ Continues ] |
| 305 | 00:24:32,639 | 00:24:37,602 | - Do you have a hangover? - No. Stayed up late watching TV. | - Do you have a hangover? - No. Stayed up late watching TV. |
| 306 | 00:24:38,770 | 00:24:41,648 | Did you get in touch with our friends in Pittsburgh? | Did you get in touch with our friends in Pittsburgh? |
| 307 | 00:24:41,731 | 00:24:45,152 | In a way. At a distance. | In a way. At a distance. |
| 308 | 00:24:45,235 | 00:24:47,195 | - Subterranean grapevine. - And? | - Subterranean grapevine. - And? |
| 309 | 00:24:48,822 | 00:24:50,949 | Max... | Max... |
| 310 | 00:24:51,032 | 00:24:54,494 | Videodrome is something for you to leave alone. | Videodrome is something for you to leave alone. |
| 311 | 00:24:54,578 | 00:24:58,707 | It is definitely not for public consumption. | It is definitely not for public consumption. |
| 312 | 00:24:58,790 | 00:25:03,170 | [ Chuckles ] Channel 83 is a little small to be considered public. | [ Chuckles ] Channel 83 is a little small to be considered public. |
| 313 | 00:25:03,253 | 00:25:05,505 | It is still too public. | It is still too public. |
| 314 | 00:25:05,589 | 00:25:08,466 | - Do you understand me? - No. What's the punch line? | - Do you understand me? - No. What's the punch line? |
| 315 | 00:25:09,467 | 00:25:12,345 | I think it's dangerous, Max, Videodrome. | I think it's dangerous, Max, Videodrome. |
| 316 | 00:25:12,429 | 00:25:15,599 | - Why? It's Mafia? They do business. - No, no. | - Why? It's Mafia? They do business. - No, no. |
| 317 | 00:25:15,682 | 00:25:19,561 | It's more, um — How can I say? | It's more, um — How can I say? |
| 318 | 00:25:19,644 | 00:25:21,605 | More political than that. | More political than that. |
| 319 | 00:25:22,898 | 00:25:26,860 | - Come on, Masha. What are we talkin' about? - Videodrome. | - Come on, Masha. What are we talkin' about? - Videodrome. |
| 320 | 00:25:26,943 | 00:25:29,446 | What you see on that show... | What you see on that show... |
| 321 | 00:25:29,529 | 00:25:31,281 | it's for real. | it's for real. |
| 322 | 00:25:31,364 | 00:25:35,869 | It's not acting. It's snuff TV. | It's not acting. It's snuff TV. |
| 323 | 00:25:35,952 | 00:25:37,579 | I don't believe it. | I don't believe it. |
| 324 | 00:25:37,662 | 00:25:40,373 | - ♪♪ [ Stops ] - [ Whistling ] | - ♪♪ [ Stops ] - [ Whistling ] |
| 325 | 00:25:40,457 | 00:25:44,085 | So don't believe. | So don't believe. |
| 326 | 00:25:44,169 | 00:25:45,879 | Why do it for real? | Why do it for real? |
| 327 | 00:25:45,962 | 00:25:49,174 | It's easier and safer to fake it. | It's easier and safer to fake it. |
| 328 | 00:25:49,257 | 00:25:51,718 | Because it has something... | Because it has something... |
| 329 | 00:25:51,801 | 00:25:54,221 | that you don't have, Max. | that you don't have, Max. |
| 330 | 00:25:54,304 | 00:25:56,056 | It has a philosophy... | It has a philosophy... |
| 331 | 00:25:56,139 | 00:26:00,477 | - and that is what makes it dangerous. - Whose philosophy? | - and that is what makes it dangerous. - Whose philosophy? |
| 332 | 00:26:02,604 | 00:26:05,232 | There must be a name. | There must be a name. |
| 333 | 00:26:05,315 | 00:26:09,027 | Give me a name I can talk to. Masha, Masha, you know me. | Give me a name I can talk to. Masha, Masha, you know me. |
| 334 | 00:26:09,110 | 00:26:11,613 | I stay away from the scary stuff. | I stay away from the scary stuff. |
| 335 | 00:26:15,659 | 00:26:17,661 | Max... | Max... |
| 336 | 00:26:17,744 | 00:26:21,248 | you are going to have to be nice to me for this. | you are going to have to be nice to me for this. |
| 337 | 00:26:21,331 | 00:26:25,460 | We can take a shower together, anytime you say. | We can take a shower together, anytime you say. |
| 338 | 00:26:25,543 | 00:26:28,255 | [ Chuckling ] | [ Chuckling ] |
| 339 | 00:26:28,338 | 00:26:32,759 | I'm sure you would be very beautiful... | I'm sure you would be very beautiful... |
| 340 | 00:26:32,842 | 00:26:37,138 | but, uh, you're a little older than I prefer. | but, uh, you're a little older than I prefer. |
| 341 | 00:26:38,139 | 00:26:40,267 | Thank you... | Thank you... |
| 342 | 00:26:40,350 | 00:26:43,019 | so much. | so much. |
| 343 | 00:26:49,025 | 00:26:50,944 | Sell me a name... | Sell me a name... |
| 344 | 00:26:51,027 | 00:26:53,488 | and I'll make Apollo and Dionysus part of the package. | and I'll make Apollo and Dionysus part of the package. |
| 345 | 00:26:53,571 | 00:26:56,324 | [ Sighs ] | [ Sighs ] |
| 346 | 00:26:56,408 | 00:26:58,785 | That hurts me, Max. | That hurts me, Max. |
| 347 | 00:26:58,868 | 00:27:01,329 | Hey, the world's a shithole, ain't it? | Hey, the world's a shithole, ain't it? |
| 348 | 00:27:04,541 | 00:27:06,334 | Yes, Max. | Yes, Max. |
| 349 | 00:27:06,418 | 00:27:08,378 | It is. | It is. |
| 350 | 00:27:13,925 | 00:27:16,469 | Brian O'Blivion. | Brian O'Blivion. |
| 351 | 00:27:16,553 | 00:27:19,014 | That is the only name I have to give. | That is the only name I have to give. |
| 352 | 00:27:19,097 | 00:27:23,101 | Professor Brian O'Blivion. | Professor Brian O'Blivion. |
| 353 | 00:27:28,106 | 00:27:30,066 | [ Woman ] Wait, where you goin'? Come back here. | [ Woman ] Wait, where you goin'? Come back here. |
| 354 | 00:27:30,150 | 00:27:32,569 | Hey. Hey, buddy. Got a fag? | Hey. Hey, buddy. Got a fag? |
| 355 | 00:27:32,652 | 00:27:35,572 | - [ Man ] Are they goin' in now? - Got a cigarette? | - [ Man ] Are they goin' in now? - Got a cigarette? |
| 356 | 00:27:35,655 | 00:27:39,659 | [ Indistinct Muttering ] | [ Indistinct Muttering ] |
| 357 | 00:27:39,743 | 00:27:42,704 | - Gotta have a smoke and a cup of coffee. - [ Woman ] Wait a minute. | - Gotta have a smoke and a cup of coffee. - [ Woman ] Wait a minute. |
| 358 | 00:27:42,787 | 00:27:46,082 | [ Woman ] They don't serve coffee there. They just serve piss water. | [ Woman ] They don't serve coffee there. They just serve piss water. |
| 359 | 00:27:46,166 | 00:27:51,671 | [ Muttering ] I don't need to put up with this shit. I'm a young woman. | [ Muttering ] I don't need to put up with this shit. I'm a young woman. |
| 360 | 00:27:51,755 | 00:27:56,468 | Take a good look at me. I'm a good-lookin' woman. I got nice tits. | Take a good look at me. I'm a good-lookin' woman. I got nice tits. |
| 361 | 00:27:56,551 | 00:27:58,470 | [ Man ] Let's go. | [ Man ] Let's go. |
| 362 | 00:27:58,553 | 00:28:01,431 | [ Muttering Continues ] | [ Muttering Continues ] |
| 363 | 00:28:01,514 | 00:28:04,434 | [ TV Noise, Indistinct ] | [ TV Noise, Indistinct ] |
| 364 | 00:28:04,517 | 00:28:07,437 | [ Woman Greeter ] Hello. Move along. | [ Woman Greeter ] Hello. Move along. |
| 365 | 00:28:07,520 | 00:28:10,440 | [ Greeter Continues, Indistinct ] | [ Greeter Continues, Indistinct ] |
| 366 | 00:28:14,110 | 00:28:16,529 | [ Female Derelict ] Move out of my way! | [ Female Derelict ] Move out of my way! |
| 367 | 00:28:16,613 | 00:28:19,532 | Hello. Straight down the hallway. | Hello. Straight down the hallway. |
| 368 | 00:28:22,911 | 00:28:25,830 | Keep on. Straight down the hallway. | Keep on. Straight down the hallway. |
| 369 | 00:28:25,914 | 00:28:28,833 | Keep going, keep going. | Keep going, keep going. |
| 370 | 00:28:30,460 | 00:28:33,088 | Come on. Step along. | Come on. Step along. |
| 371 | 00:29:13,545 | 00:29:15,463 | - Bianca O'Blivion? - Yes. | - Bianca O'Blivion? - Yes. |
| 372 | 00:29:15,547 | 00:29:18,758 | I'm Max Renn. I, uh — I run Civic TV. | I'm Max Renn. I, uh — I run Civic TV. |
| 373 | 00:29:18,842 | 00:29:22,637 | I did a panel show with Prof. O'Blivion. The Rena King Show. | I did a panel show with Prof. O'Blivion. The Rena King Show. |
| 374 | 00:29:22,720 | 00:29:25,640 | Oh, yes. You said some very superficial things. | Oh, yes. You said some very superficial things. |
| 375 | 00:29:25,723 | 00:29:28,101 | Violence, sex, imagination, catharsis. | Violence, sex, imagination, catharsis. |
| 376 | 00:29:28,184 | 00:29:30,228 | - My exact words. - What do you want? | - My exact words. - What do you want? |
| 377 | 00:29:30,311 | 00:29:32,605 | I wanna talk with your father... | I wanna talk with your father... |
| 378 | 00:29:32,689 | 00:29:35,984 | about a new twist in video that he may not be aware of. | about a new twist in video that he may not be aware of. |
| 379 | 00:29:57,589 | 00:30:00,091 | I love the view. | I love the view. |
| 380 | 00:30:00,175 | 00:30:04,012 | You look like them, like one of Father's derelicts. | You look like them, like one of Father's derelicts. |
| 381 | 00:30:04,095 | 00:30:06,806 | [ Chuckles ] Think it's a style that's coming back. | [ Chuckles ] Think it's a style that's coming back. |
| 382 | 00:30:06,890 | 00:30:10,351 | In their case, Mr. Renn, it's not a style. | In their case, Mr. Renn, it's not a style. |
| 383 | 00:30:10,435 | 00:30:14,689 | It's a disease forced on them by their lack of access to the cathode ray tube. | It's a disease forced on them by their lack of access to the cathode ray tube. |
| 384 | 00:30:14,772 | 00:30:17,108 | You think a few doses of TV are gonna help them? | You think a few doses of TV are gonna help them? |
| 385 | 00:30:17,192 | 00:30:22,030 | Watching TV will help patch them back into the world's mixing board. | Watching TV will help patch them back into the world's mixing board. |
| 386 | 00:30:22,113 | 00:30:24,157 | Absolutely. | Absolutely. |
| 387 | 00:30:26,075 | 00:30:30,205 | And I guess you encourage Father's derelicts to make home movies? | And I guess you encourage Father's derelicts to make home movies? |
| 388 | 00:30:30,288 | 00:30:32,290 | The world's mixing board? | The world's mixing board? |
| 389 | 00:30:32,373 | 00:30:35,668 | Professor O'Blivion sends video letters all over the world. | Professor O'Blivion sends video letters all over the world. |
| 390 | 00:30:35,752 | 00:30:39,506 | - Is the Professor here? - I am my father's screen. | - Is the Professor here? - I am my father's screen. |
| 391 | 00:30:47,597 | 00:30:52,352 | Once you've told me what this visit is all about, he may choose to send you a cassette. | Once you've told me what this visit is all about, he may choose to send you a cassette. |
| 392 | 00:30:52,435 | 00:30:54,687 | If he does, which format would you like? | If he does, which format would you like? |
| 393 | 00:30:54,771 | 00:30:57,440 | If he does, it's gonna make conversation a little difficult. | If he does, it's gonna make conversation a little difficult. |
| 394 | 00:30:58,441 | 00:31:02,237 | My father has not engaged in conversation for at least 20 years. | My father has not engaged in conversation for at least 20 years. |
| 395 | 00:31:02,320 | 00:31:05,782 | The monologue is his preferred mode of discourse. | The monologue is his preferred mode of discourse. |
| 396 | 00:31:06,991 | 00:31:08,952 | Format. | Format. |
| 397 | 00:31:10,578 | 00:31:12,705 | Videodrome. | Videodrome. |
| 398 | 00:31:12,789 | 00:31:15,333 | Is that a Japanese configuration? | Is that a Japanese configuration? |
| 399 | 00:31:17,669 | 00:31:19,837 | - You've never heard of it? - No. | - You've never heard of it? - No. |
| 400 | 00:31:19,921 | 00:31:23,216 | Then there have been serious gaps in your education. | Then there have been serious gaps in your education. |
| 401 | 00:31:23,299 | 00:31:25,718 | - Videodrome. - ♪♪ [ Clock Chiming ] | - Videodrome. - ♪♪ [ Clock Chiming ] |
| 402 | 00:31:25,802 | 00:31:29,889 | Mention it to your father. He may want to have a conversation. | Mention it to your father. He may want to have a conversation. |
| 403 | 00:31:29,973 | 00:31:33,893 | [ Chuckling ] I love the view. | [ Chuckling ] I love the view. |
| 404 | 00:31:38,731 | 00:31:40,692 | [ Door Closes ] | [ Door Closes ] |
| 405 | 00:31:48,783 | 00:31:52,579 | [ Harlan ] Torture, murder, mutilation. | [ Harlan ] Torture, murder, mutilation. |
| 406 | 00:31:52,662 | 00:31:54,831 | [ Masha ] Videodrome. | [ Masha ] Videodrome. |
| 407 | 00:31:54,914 | 00:31:57,584 | What you see on that show... | What you see on that show... |
| 408 | 00:31:57,667 | 00:31:59,711 | it's for real. | it's for real. |
| 409 | 00:31:59,794 | 00:32:01,921 | [ Nicki ] I'm gonna audition. | [ Nicki ] I'm gonna audition. |
| 410 | 00:32:02,005 | 00:32:04,090 | I was made for that show. | I was made for that show. |
| 411 | 00:32:04,173 | 00:32:09,512 | [ Masha ] It has something that you don't have, Max. | [ Masha ] It has something that you don't have, Max. |
| 412 | 00:32:09,596 | 00:32:14,225 | It has a philosophy, and that is what makes it dangerous. | It has a philosophy, and that is what makes it dangerous. |
| 413 | 00:32:37,790 | 00:32:39,876 | [ Knocking At Door ] | [ Knocking At Door ] |
| 414 | 00:32:57,352 | 00:33:00,855 | Hi. This is your wake-up cassette... | Hi. This is your wake-up cassette... |
| 415 | 00:33:00,938 | 00:33:03,483 | and this came to the office for you by courier. | and this came to the office for you by courier. |
| 416 | 00:33:03,566 | 00:33:06,319 | - What did they say at CRAM? - They said that Nicki Brand... | - What did they say at CRAM? - They said that Nicki Brand... |
| 417 | 00:33:06,402 | 00:33:08,696 | is definitely not on assignment for them. | is definitely not on assignment for them. |
| 418 | 00:33:08,780 | 00:33:11,157 | She had a month off coming. She decided to take it now... | She had a month off coming. She decided to take it now... |
| 419 | 00:33:11,240 | 00:33:13,242 | Don't touch that! | Don't touch that! |
| 420 | 00:33:15,370 | 00:33:17,163 | [ Grunts ] | [ Grunts ] |
| 421 | 00:33:17,246 | 00:33:19,540 | [ Grunts ] | [ Grunts ] |
| 422 | 00:33:19,624 | 00:33:22,126 | Jesus, Max, you scared me. | Jesus, Max, you scared me. |
| 423 | 00:33:25,672 | 00:33:28,007 | What the hell's wrong with you? | What the hell's wrong with you? |
| 424 | 00:33:28,091 | 00:33:31,344 | I don't know, man. I think I'm gettin', like, a rash or somethin'. | I don't know, man. I think I'm gettin', like, a rash or somethin'. |
| 425 | 00:33:31,427 | 00:33:34,681 | - Uh — - What? | - Uh — - What? |
| 426 | 00:33:34,764 | 00:33:38,059 | Are you all right? Bridey, I didn't mean to hit you. | Are you all right? Bridey, I didn't mean to hit you. |
| 427 | 00:33:38,142 | 00:33:40,103 | Hit me? | Hit me? |
| 428 | 00:33:41,104 | 00:33:42,980 | You didn't hit me. | You didn't hit me. |
| 429 | 00:33:43,064 | 00:33:47,318 | No? No. No, I know I didn't hit you. I meant — | No? No. No, I know I didn't hit you. I meant — |
| 430 | 00:33:48,945 | 00:33:51,864 | - [ Exhales ] - Do you want me to stay here? | - [ Exhales ] - Do you want me to stay here? |
| 431 | 00:33:52,949 | 00:33:55,868 | - Uh — - You look awful. | - Uh — - You look awful. |
| 432 | 00:33:55,952 | 00:33:58,371 | - Can I get you something? - Uh, no, uh — | - Can I get you something? - Uh, no, uh — |
| 433 | 00:33:58,454 | 00:34:00,873 | No, I'm just, uh — | No, I'm just, uh — |
| 434 | 00:34:00,957 | 00:34:03,501 | Uh, I'm — | Uh, I'm — |
| 435 | 00:34:03,584 | 00:34:07,630 | [ Exhales ] I'm exhausted. I was in a deep sleep when you knocked... | [ Exhales ] I'm exhausted. I was in a deep sleep when you knocked... |
| 436 | 00:34:07,714 | 00:34:10,049 | and I guess I'm still not out of it. | and I guess I'm still not out of it. |
| 437 | 00:34:10,133 | 00:34:12,051 | I'll remember to set the timer. Don't worry. | I'll remember to set the timer. Don't worry. |
| 438 | 00:34:12,135 | 00:34:14,053 | - You're sure? Are you sure? - I'm sure. Yeah. | - You're sure? Are you sure? - I'm sure. Yeah. |
| 439 | 00:34:14,137 | 00:34:16,055 | Thanks, Bridey. Tomorrow. | Thanks, Bridey. Tomorrow. |
| 440 | 00:34:16,139 | 00:34:18,641 | Max, that other cassette is from the office of Brian O'Blivion. | Max, that other cassette is from the office of Brian O'Blivion. |
| 441 | 00:34:18,725 | 00:34:22,395 | I promised I'd hand-deliver it directly to you. | I promised I'd hand-deliver it directly to you. |
| 442 | 00:34:22,478 | 00:34:25,064 | Will you call me if you need me? | Will you call me if you need me? |
| 443 | 00:34:39,996 | 00:34:41,581 | - [ Sighs ] - [ Gasps ] | - [ Sighs ] - [ Gasps ] |
| 444 | 00:35:18,618 | 00:35:22,205 | [ Tape Loads, Clicks ] | [ Tape Loads, Clicks ] |
| 445 | 00:35:23,623 | 00:35:26,292 | The battle for the mind of North America... | The battle for the mind of North America... |
| 446 | 00:35:26,375 | 00:35:29,170 | will be fought in the video arena: | will be fought in the video arena: |
| 447 | 00:35:29,253 | 00:35:31,172 | the Videodrome. | the Videodrome. |
| 448 | 00:35:31,255 | 00:35:36,302 | The television screen is the retina of the mind's eye. | The television screen is the retina of the mind's eye. |
| 449 | 00:35:36,385 | 00:35:40,932 | Therefore, the television screen is part of the physical structure of the brain. | Therefore, the television screen is part of the physical structure of the brain. |
| 450 | 00:35:41,015 | 00:35:45,937 | Therefore, whatever appears on the television screen... | Therefore, whatever appears on the television screen... |
| 451 | 00:35:46,020 | 00:35:50,608 | emerges as raw experience for those who watch it. | emerges as raw experience for those who watch it. |
| 452 | 00:35:50,691 | 00:35:54,445 | Therefore, television is reality... | Therefore, television is reality... |
| 453 | 00:35:54,529 | 00:35:57,824 | and reality is less than television. | and reality is less than television. |
| 454 | 00:35:57,907 | 00:36:00,618 | - [ Chuckles ] - Max. | - [ Chuckles ] - Max. |
| 455 | 00:36:00,701 | 00:36:04,956 | I'm so glad you came to me. | I'm so glad you came to me. |
| 456 | 00:36:05,039 | 00:36:07,750 | I've been through it all myself, you see. | I've been through it all myself, you see. |
| 457 | 00:36:09,168 | 00:36:14,173 | Your reality is already half video hallucination. | Your reality is already half video hallucination. |
| 458 | 00:36:14,257 | 00:36:18,845 | If you're not careful, it will become total hallucination. | If you're not careful, it will become total hallucination. |
| 459 | 00:36:18,928 | 00:36:24,100 | You'll have to learn to live in a very strange new world. | You'll have to learn to live in a very strange new world. |
| 460 | 00:36:24,183 | 00:36:26,185 | I had a brain tumor... | I had a brain tumor... |
| 461 | 00:36:26,269 | 00:36:28,271 | and I had visions. | and I had visions. |
| 462 | 00:36:29,730 | 00:36:33,025 | I believed the visions caused the tumor... | I believed the visions caused the tumor... |
| 463 | 00:36:33,109 | 00:36:35,528 | and not the reverse. | and not the reverse. |
| 464 | 00:36:35,611 | 00:36:41,409 | I could feel the visions coalesce and become flesh. | I could feel the visions coalesce and become flesh. |
| 465 | 00:36:41,492 | 00:36:44,662 | Uncontrollable flesh. | Uncontrollable flesh. |
| 466 | 00:36:45,955 | 00:36:48,124 | But when they removed the tumor... | But when they removed the tumor... |
| 467 | 00:36:49,125 | 00:36:51,752 | it was called Videodrome. | it was called Videodrome. |
| 468 | 00:36:53,462 | 00:36:55,381 | I was the — | I was the — |
| 469 | 00:36:55,464 | 00:36:57,884 | [ Choking ] I — I... | [ Choking ] I — I... |
| 470 | 00:36:57,967 | 00:37:00,928 | was Videodrome's... | was Videodrome's... |
| 471 | 00:37:01,012 | 00:37:03,890 | first victim. | first victim. |
| 472 | 00:37:04,891 | 00:37:07,018 | But who's behind it? What do they want? | But who's behind it? What do they want? |
| 473 | 00:37:08,978 | 00:37:11,105 | I want you, Max. | I want you, Max. |
| 474 | 00:37:12,440 | 00:37:14,859 | You. | You. |
| 475 | 00:37:17,653 | 00:37:19,614 | Come to me. | Come to me. |
| 476 | 00:37:21,157 | 00:37:23,326 | Come to Nicki. | Come to Nicki. |
| 477 | 00:37:24,702 | 00:37:26,621 | Come on. | Come on. |
| 478 | 00:37:26,704 | 00:37:29,582 | Don't make me wait. | Don't make me wait. |
| 479 | 00:37:33,544 | 00:37:35,755 | Please. | Please. |
| 480 | 00:37:40,176 | 00:37:44,221 | [ Breathing ] | [ Breathing ] |
| 481 | 00:37:50,019 | 00:37:52,480 | [ Nicki Moaning ] | [ Nicki Moaning ] |
| 482 | 00:37:56,859 | 00:38:00,696 | [ Breathing Deeply ] | [ Breathing Deeply ] |
| 483 | 00:38:05,576 | 00:38:09,705 | [ Nicki Moans ] I want you, Max. | [ Nicki Moans ] I want you, Max. |
| 484 | 00:38:09,789 | 00:38:11,707 | You. | You. |
| 485 | 00:38:13,918 | 00:38:15,962 | Come on. | Come on. |
| 486 | 00:38:17,213 | 00:38:20,257 | - Come on. - [ Breathing Continues ] | - Come on. - [ Breathing Continues ] |
| 487 | 00:38:25,096 | 00:38:27,431 | Come to me now. | Come to me now. |
| 488 | 00:38:28,557 | 00:38:30,851 | Come to Nicki. | Come to Nicki. |
| 489 | 00:38:30,935 | 00:38:34,689 | - [ Breathing Continues ] - Don't keep me waiting. | - [ Breathing Continues ] - Don't keep me waiting. |
| 490 | 00:38:34,772 | 00:38:36,774 | Please. | Please. |
| 491 | 00:38:40,736 | 00:38:42,738 | Please. | Please. |
| 492 | 00:38:55,418 | 00:38:58,379 | [ Siren Wails ] | [ Siren Wails ] |
| 493 | 00:38:58,462 | 00:39:00,673 | ♪♪ | ♪♪ |
| 494 | 00:39:00,756 | 00:39:04,719 | [ Announcer ] Today Lady Luck may smile on these four players... | [ Announcer ] Today Lady Luck may smile on these four players... |
| 495 | 00:39:04,802 | 00:39:07,221 | and start them on the road to $12,000 — | and start them on the road to $12,000 — |
| 496 | 00:39:07,304 | 00:39:09,544 | We have a new group of people coming in this afternoon... | We have a new group of people coming in this afternoon... |
| 497 | 00:39:09,598 | 00:39:12,685 | - so tell the staff about that. - All right. Good. | - so tell the staff about that. - All right. Good. |
| 498 | 00:39:12,768 | 00:39:14,729 | [ Audience On TV Cheering ] | [ Audience On TV Cheering ] |
| 499 | 00:39:14,854 | 00:39:17,481 | [ TV Noise Continues ] | [ TV Noise Continues ] |
| 500 | 00:39:24,321 | 00:39:27,491 | Exciting. Very lively. | Exciting. Very lively. |
| 501 | 00:39:27,575 | 00:39:29,994 | Careful. It bites. | Careful. It bites. |
| 502 | 00:39:35,958 | 00:39:38,127 | - You watched the cassette? - Yeah. | - You watched the cassette? - Yeah. |
| 503 | 00:39:38,210 | 00:39:39,837 | - And? - It changed my life. | - And? - It changed my life. |
| 504 | 00:39:39,920 | 00:39:42,298 | I'm not surprised. It's dangerous, you know. | I'm not surprised. It's dangerous, you know. |
| 505 | 00:39:42,381 | 00:39:45,801 | Because your father admits he's somehow involved with Videodrome? | Because your father admits he's somehow involved with Videodrome? |
| 506 | 00:39:45,885 | 00:39:50,347 | More than that. It bites. Isn't that what you said? | More than that. It bites. Isn't that what you said? |
| 507 | 00:39:50,431 | 00:39:52,349 | What kind of teeth do you think it has? | What kind of teeth do you think it has? |
| 508 | 00:39:52,433 | 00:39:56,312 | It triggered off a series of hallucinations. I woke up with a headache. | It triggered off a series of hallucinations. I woke up with a headache. |
| 509 | 00:39:56,395 | 00:39:59,899 | - First time ever? - No, I-I've been hallucinating for a while... | - First time ever? - No, I-I've been hallucinating for a while... |
| 510 | 00:39:59,982 | 00:40:01,942 | - ever since — - What? | - ever since — - What? |
| 511 | 00:40:04,779 | 00:40:07,615 | Since I first saw Videodrome. | Since I first saw Videodrome. |
| 512 | 00:40:09,492 | 00:40:11,494 | How did you come to be exposed to it? | How did you come to be exposed to it? |
| 513 | 00:40:11,577 | 00:40:14,622 | Pirate satellite dish. | Pirate satellite dish. |
| 514 | 00:40:14,705 | 00:40:17,958 | A-An accident. | A-An accident. |
| 515 | 00:40:18,042 | 00:40:20,044 | I made some tapes. | I made some tapes. |
| 516 | 00:40:20,127 | 00:40:22,046 | This is part of my own Videodrome collection. | This is part of my own Videodrome collection. |
| 517 | 00:40:22,129 | 00:40:24,882 | But that tape is just your father sitting at his desk. | But that tape is just your father sitting at his desk. |
| 518 | 00:40:24,965 | 00:40:30,805 | The tone of the hallucinations is determined by the tone of the tape's imagery. | The tone of the hallucinations is determined by the tone of the tape's imagery. |
| 519 | 00:40:30,888 | 00:40:34,183 | But the Videodrome signal, the one that does the damage... | But the Videodrome signal, the one that does the damage... |
| 520 | 00:40:34,266 | 00:40:38,062 | it can be delivered under a test pattern, anything. | it can be delivered under a test pattern, anything. |
| 521 | 00:40:38,145 | 00:40:40,064 | Mmm. | Mmm. |
| 522 | 00:40:42,525 | 00:40:44,443 | Damage? | Damage? |
| 523 | 00:40:44,527 | 00:40:47,780 | The signal induces a brain tumor in the viewer. | The signal induces a brain tumor in the viewer. |
| 524 | 00:40:48,781 | 00:40:51,283 | It's the tumor that creates the hallucinations. | It's the tumor that creates the hallucinations. |
| 525 | 00:40:51,367 | 00:40:53,702 | You let me watch it? | You let me watch it? |
| 526 | 00:40:53,786 | 00:40:57,915 | I expect them to come to me eventually to hurt me. I thought it might be you. | I expect them to come to me eventually to hurt me. I thought it might be you. |
| 527 | 00:40:59,208 | 00:41:01,794 | Now I realize you're just another victim... | Now I realize you're just another victim... |
| 528 | 00:41:01,877 | 00:41:03,879 | like Father was. | like Father was. |
| 529 | 00:41:03,963 | 00:41:08,259 | Where is your father? I think I'd better talk to him. | Where is your father? I think I'd better talk to him. |
| 530 | 00:41:08,342 | 00:41:10,845 | He's in there. | He's in there. |
| 531 | 00:41:12,138 | 00:41:14,515 | ♪♪ [ Clock Chiming ] | ♪♪ [ Clock Chiming ] |
| 532 | 00:41:14,598 | 00:41:17,184 | I'm afraid he'll disappoint you. | I'm afraid he'll disappoint you. |
| 533 | 00:41:22,940 | 00:41:25,109 | This is him. | This is him. |
| 534 | 00:41:25,192 | 00:41:28,404 | - This is all that's left. - What are you talking about? | - This is all that's left. - What are you talking about? |
| 535 | 00:41:28,487 | 00:41:33,450 | Brian O'Blivion died quietly on an operating table 11 months ago. | Brian O'Blivion died quietly on an operating table 11 months ago. |
| 536 | 00:41:33,534 | 00:41:37,830 | - The brain problem? - The Videodrome problem. | - The brain problem? - The Videodrome problem. |
| 537 | 00:41:37,913 | 00:41:42,084 | - You have it too. - But he was on that panel show with me. | - You have it too. - But he was on that panel show with me. |
| 538 | 00:41:42,168 | 00:41:44,837 | On tape. He made thousands of them. | On tape. He made thousands of them. |
| 539 | 00:41:44,920 | 00:41:47,631 | Sometimes three or four a day. | Sometimes three or four a day. |
| 540 | 00:41:47,715 | 00:41:50,009 | I keep him alive as best I can. | I keep him alive as best I can. |
| 541 | 00:41:50,092 | 00:41:52,136 | He had so much to offer. | He had so much to offer. |
| 542 | 00:41:52,219 | 00:41:55,264 | My father helped to create Videodrome. | My father helped to create Videodrome. |
| 543 | 00:41:55,347 | 00:42:00,144 | He saw it as the next phase in the evolution of man as a technological animal. | He saw it as the next phase in the evolution of man as a technological animal. |
| 544 | 00:42:00,227 | 00:42:03,355 | When he realized what his partners were going to use it for... | When he realized what his partners were going to use it for... |
| 545 | 00:42:03,439 | 00:42:05,399 | he tried to take it away from them. | he tried to take it away from them. |
| 546 | 00:42:05,482 | 00:42:09,445 | And they killed him. Quietly. | And they killed him. Quietly. |
| 547 | 00:42:09,528 | 00:42:12,740 | At the end, he was convinced that public life on television... | At the end, he was convinced that public life on television... |
| 548 | 00:42:12,823 | 00:42:16,493 | was more real than private life in the flesh. | was more real than private life in the flesh. |
| 549 | 00:42:16,577 | 00:42:19,371 | He wasn't afraid to let his body die. | He wasn't afraid to let his body die. |
| 550 | 00:42:21,248 | 00:42:23,209 | [ Sighs ] | [ Sighs ] |
| 551 | 00:42:24,919 | 00:42:27,254 | Tell me about my Videodrome problem. | Tell me about my Videodrome problem. |
| 552 | 00:42:28,255 | 00:42:31,133 | My father knows much more about it than I do. | My father knows much more about it than I do. |
| 553 | 00:42:31,217 | 00:42:33,135 | Listen to him. | Listen to him. |
| 554 | 00:42:39,725 | 00:42:42,019 | Where's Harlan? He's not in the lab. | Where's Harlan? He's not in the lab. |
| 555 | 00:42:42,102 | 00:42:45,731 | - I think he's up in V.T.R. Max — - Not now. | - I think he's up in V.T.R. Max — - Not now. |
| 556 | 00:42:48,609 | 00:42:50,861 | - Harlan. - Sí, patrón. | - Harlan. - Sí, patrón. |
| 557 | 00:42:50,945 | 00:42:53,781 | Have you been hallucinating lately? | Have you been hallucinating lately? |
| 558 | 00:42:53,864 | 00:42:56,033 | No. | No. |
| 559 | 00:42:56,116 | 00:42:58,994 | - Should I be? - Yes. | - Should I be? - Yes. |
| 560 | 00:42:59,078 | 00:43:00,996 | You should be. | You should be. |
| 561 | 00:43:04,416 | 00:43:06,377 | I believe... | I believe... |
| 562 | 00:43:06,460 | 00:43:09,463 | that the growth in my head — | that the growth in my head — |
| 563 | 00:43:09,546 | 00:43:13,509 | this head, this one right here — | this head, this one right here — |
| 564 | 00:43:13,592 | 00:43:17,346 | I think that it is not really a tumor... | I think that it is not really a tumor... |
| 565 | 00:43:17,429 | 00:43:21,850 | not an uncontrolled, undirected little bubbling pot of flesh... | not an uncontrolled, undirected little bubbling pot of flesh... |
| 566 | 00:43:21,934 | 00:43:24,895 | but that it is in fact... | but that it is in fact... |
| 567 | 00:43:24,979 | 00:43:27,439 | a new organ... | a new organ... |
| 568 | 00:43:27,523 | 00:43:30,109 | a new part of the brain. | a new part of the brain. |
| 569 | 00:43:30,192 | 00:43:34,530 | I think that massive doses of Videodrome signal... | I think that massive doses of Videodrome signal... |
| 570 | 00:43:34,613 | 00:43:38,575 | will ultimately create a new outgrowth... | will ultimately create a new outgrowth... |
| 571 | 00:43:38,659 | 00:43:41,245 | of the human brain... | of the human brain... |
| 572 | 00:43:41,328 | 00:43:45,124 | which will produce and control hallucination... | which will produce and control hallucination... |
| 573 | 00:43:45,207 | 00:43:49,169 | to the point that it will change human reality. | to the point that it will change human reality. |
| 574 | 00:43:49,253 | 00:43:52,131 | After all, there is nothing real... | After all, there is nothing real... |
| 575 | 00:43:52,214 | 00:43:55,592 | outside our perception of reality... | outside our perception of reality... |
| 576 | 00:43:55,676 | 00:43:57,594 | is there? | is there? |
| 577 | 00:43:57,678 | 00:43:59,596 | [ Chuckling ] | [ Chuckling ] |
| 578 | 00:43:59,680 | 00:44:02,558 | You can see that, can't you? | You can see that, can't you? |
| 579 | 00:45:38,237 | 00:45:40,572 | [ Phone Rings ] | [ Phone Rings ] |
| 580 | 00:45:43,992 | 00:45:45,953 | [ Rings ] | [ Rings ] |
| 581 | 00:45:46,995 | 00:45:49,164 | - [ Man ] Max Renn? - Yes. | - [ Man ] Max Renn? - Yes. |
| 582 | 00:45:49,248 | 00:45:50,874 | Who is this? | Who is this? |
| 583 | 00:45:50,958 | 00:45:54,378 | Barry Convex would like to talk to you about Videodrome. | Barry Convex would like to talk to you about Videodrome. |
| 584 | 00:45:54,461 | 00:45:57,131 | I've got a car waiting downstairs for you, sir. | I've got a car waiting downstairs for you, sir. |
| 585 | 00:46:35,878 | 00:46:40,090 | Please direct your attention to the television set in front of you, Mr. Renn. | Please direct your attention to the television set in front of you, Mr. Renn. |
| 586 | 00:46:40,174 | 00:46:44,136 | Mr. Convex has recorded a little introduction for you. | Mr. Convex has recorded a little introduction for you. |
| 587 | 00:46:44,219 | 00:46:46,221 | [ Tape Clicks ] | [ Tape Clicks ] |
| 588 | 00:46:46,305 | 00:46:49,475 | ♪♪ [ Electronic ] | ♪♪ [ Electronic ] |
| 589 | 00:46:55,481 | 00:46:59,735 | Hi, I'm Barry Convex, Chief of Special Programs... | Hi, I'm Barry Convex, Chief of Special Programs... |
| 590 | 00:46:59,818 | 00:47:03,739 | and I'd like to invite you into the world of Spectacular Optical... | and I'd like to invite you into the world of Spectacular Optical... |
| 591 | 00:47:03,822 | 00:47:07,117 | an enthusiastic global corporate citizen. | an enthusiastic global corporate citizen. |
| 592 | 00:47:08,118 | 00:47:10,162 | We make inexpensive glasses for the Third World... | We make inexpensive glasses for the Third World... |
| 593 | 00:47:10,245 | 00:47:12,581 | and missile guidance systems for NATO. | and missile guidance systems for NATO. |
| 594 | 00:47:14,208 | 00:47:16,126 | We also make Videodrome, Max... | We also make Videodrome, Max... |
| 595 | 00:47:16,210 | 00:47:18,253 | and as I'm sure you know... | and as I'm sure you know... |
| 596 | 00:47:18,337 | 00:47:22,424 | when it's ready for the marketplace, things will never be quite the same again. | when it's ready for the marketplace, things will never be quite the same again. |
| 597 | 00:47:23,425 | 00:47:27,721 | It can be a giant hallucination machine and much, much more. | It can be a giant hallucination machine and much, much more. |
| 598 | 00:47:27,804 | 00:47:32,976 | But it's not ready. Those were test transmissions you picked up. | But it's not ready. Those were test transmissions you picked up. |
| 599 | 00:47:33,060 | 00:47:35,103 | We thought nobody could tap into them. | We thought nobody could tap into them. |
| 600 | 00:47:35,187 | 00:47:39,483 | He's good, that Harlan. Good pirate. | He's good, that Harlan. Good pirate. |
| 601 | 00:47:40,526 | 00:47:42,778 | Well, now that you have... | Well, now that you have... |
| 602 | 00:47:42,861 | 00:47:45,822 | I think we oughta have a little talk, don't you? | I think we oughta have a little talk, don't you? |
| 603 | 00:47:45,906 | 00:47:48,909 | I thought maybe... my place? | I thought maybe... my place? |
| 604 | 00:48:58,979 | 00:49:00,480 | [ Chuckles ] | [ Chuckles ] |
| 605 | 00:49:00,564 | 00:49:03,191 | [ Convex ] I hope you realize you're playing with dynamite. | [ Convex ] I hope you realize you're playing with dynamite. |
| 606 | 00:49:04,318 | 00:49:07,738 | That's our spring line. Top secret stuff. | That's our spring line. Top secret stuff. |
| 607 | 00:49:07,821 | 00:49:12,409 | I brought it with me for a trade show here in town later this week. | I brought it with me for a trade show here in town later this week. |
| 608 | 00:49:12,492 | 00:49:15,704 | Max Renn, I'm Barry Convex. | Max Renn, I'm Barry Convex. |
| 609 | 00:49:18,790 | 00:49:20,709 | I — | I — |
| 610 | 00:49:20,792 | 00:49:22,753 | I think that machinery you're wearing is... | I think that machinery you're wearing is... |
| 611 | 00:49:22,836 | 00:49:24,921 | too much for the shape of your face. | too much for the shape of your face. |
| 612 | 00:49:25,005 | 00:49:26,923 | Overwhelms you. | Overwhelms you. |
| 613 | 00:49:27,007 | 00:49:30,469 | Try something more, uh, spidery... | Try something more, uh, spidery... |
| 614 | 00:49:30,552 | 00:49:32,554 | more delicate. | more delicate. |
| 615 | 00:49:35,849 | 00:49:39,102 | Here she is. This is our prototype. | Here she is. This is our prototype. |
| 616 | 00:49:39,186 | 00:49:43,106 | This is the little number that started it all. | This is the little number that started it all. |
| 617 | 00:49:44,483 | 00:49:46,526 | Max... | Max... |
| 618 | 00:49:46,610 | 00:49:50,447 | I would like you to try this on for size. | I would like you to try this on for size. |
| 619 | 00:49:50,530 | 00:49:55,786 | I would like to use this machine to record one of your hallucinations now. | I would like to use this machine to record one of your hallucinations now. |
| 620 | 00:49:55,869 | 00:49:59,956 | Then I would like to take that tape back with me to home base for analysis. | Then I would like to take that tape back with me to home base for analysis. |
| 621 | 00:50:01,333 | 00:50:03,251 | Do I get to keep the copyright? | Do I get to keep the copyright? |
| 622 | 00:50:03,335 | 00:50:07,464 | I mean, I'd hate to see it show up as a Movie of the Week and not get paid for it. | I mean, I'd hate to see it show up as a Movie of the Week and not get paid for it. |
| 623 | 00:50:07,547 | 00:50:09,466 | Max, I'm trying to help you. | Max, I'm trying to help you. |
| 624 | 00:50:09,549 | 00:50:11,802 | What makes you think I need help, Barry? | What makes you think I need help, Barry? |
| 625 | 00:50:11,885 | 00:50:17,391 | None of our test subjects has returned to... normality. | None of our test subjects has returned to... normality. |
| 626 | 00:50:17,474 | 00:50:20,185 | They're all in need of intensive psychiatric care. | They're all in need of intensive psychiatric care. |
| 627 | 00:50:21,687 | 00:50:24,564 | Now, you seem to be functioning reasonably well... | Now, you seem to be functioning reasonably well... |
| 628 | 00:50:24,648 | 00:50:26,566 | so far. | so far. |
| 629 | 00:50:26,650 | 00:50:29,277 | I'd like to find out why... | I'd like to find out why... |
| 630 | 00:50:29,361 | 00:50:31,738 | and I think an analysis of one of your hallucinations... | and I think an analysis of one of your hallucinations... |
| 631 | 00:50:31,822 | 00:50:34,658 | would be the right place to start. | would be the right place to start. |
| 632 | 00:50:37,994 | 00:50:39,913 | Will it hurt? | Will it hurt? |
| 633 | 00:50:39,996 | 00:50:42,124 | It won't hurt you. | It won't hurt you. |
| 634 | 00:50:42,207 | 00:50:44,292 | You might catch yourself sliding in and out... | You might catch yourself sliding in and out... |
| 635 | 00:50:44,376 | 00:50:46,503 | of a hallucinatory state after this is all over. | of a hallucinatory state after this is all over. |
| 636 | 00:50:46,586 | 00:50:50,507 | If you do, just relax and enjoy it. It'll soon go away. | If you do, just relax and enjoy it. It'll soon go away. |
| 637 | 00:50:50,590 | 00:50:54,177 | But for now, I think that you'll find a little S-and-M... | But for now, I think that you'll find a little S-and-M... |
| 638 | 00:50:54,261 | 00:50:58,807 | will be necessary to trigger off a good, healthy series of hallucinations. | will be necessary to trigger off a good, healthy series of hallucinations. |
| 639 | 00:50:58,890 | 00:51:02,561 | - [ Beeping ] - That's why our Videodrome show is so strange. | - [ Beeping ] - That's why our Videodrome show is so strange. |
| 640 | 00:51:02,644 | 00:51:06,732 | Something to do with the effects of exposure to violence on the nervous system. | Something to do with the effects of exposure to violence on the nervous system. |
| 641 | 00:51:06,815 | 00:51:09,317 | It opens up receptors in the brain and the spine... | It opens up receptors in the brain and the spine... |
| 642 | 00:51:09,401 | 00:51:12,028 | and that allows the Videodrome signal to sink in. | and that allows the Videodrome signal to sink in. |
| 643 | 00:51:12,112 | 00:51:14,364 | You mean I'm gonna have to hurt you, Barry? | You mean I'm gonna have to hurt you, Barry? |
| 644 | 00:51:14,448 | 00:51:17,659 | 'Fraid not. You don't have to actually hurt anybody. | 'Fraid not. You don't have to actually hurt anybody. |
| 645 | 00:51:17,743 | 00:51:19,953 | You just have to think about it. | You just have to think about it. |
| 646 | 00:51:20,036 | 00:51:22,873 | [ Humming ] | [ Humming ] |
| 647 | 00:51:26,334 | 00:51:28,587 | [ Humming Loudly ] | [ Humming Loudly ] |
| 648 | 00:51:28,670 | 00:51:30,714 | Wha-a-a — That's too bright! I can't take it! | Wha-a-a — That's too bright! I can't take it! |
| 649 | 00:51:30,797 | 00:51:33,258 | - Yes! I forgot! Sorry! How's that? - Shit. | - Yes! I forgot! Sorry! How's that? - Shit. |
| 650 | 00:51:33,341 | 00:51:36,595 | - [ Humming ] - [ Max ] Yeah. Yeah. Yeah, that's fine. | - [ Humming ] - [ Max ] Yeah. Yeah. Yeah, that's fine. |
| 651 | 00:51:42,559 | 00:51:45,270 | Okay, we're rolling. | Okay, we're rolling. |
| 652 | 00:51:45,353 | 00:51:47,647 | The taping mechanism is all self-contained. | The taping mechanism is all self-contained. |
| 653 | 00:51:47,731 | 00:51:50,984 | You don't have to do anything now but hallucinate. | You don't have to do anything now but hallucinate. |
| 654 | 00:51:51,067 | 00:51:52,986 | Yeah. Yeah. Okay. | Yeah. Yeah. Okay. |
| 655 | 00:51:57,491 | 00:51:59,451 | I'll come back for you later. | I'll come back for you later. |
| 656 | 00:52:01,912 | 00:52:06,041 | You'll forgive me if I don't stay around to watch. | You'll forgive me if I don't stay around to watch. |
| 657 | 00:52:06,124 | 00:52:09,044 | I just can't cope with the freaky stuff. | I just can't cope with the freaky stuff. |
| 658 | 00:52:57,717 | 00:52:59,719 | [ Max ] Nicki? | [ Max ] Nicki? |
| 659 | 00:53:01,555 | 00:53:07,143 | - Nicki. - Well, here we are at last... | - Nicki. - Well, here we are at last... |
| 660 | 00:53:07,227 | 00:53:10,272 | right where we oughta be: | right where we oughta be: |
| 661 | 00:53:10,355 | 00:53:12,524 | on Videodrome. | on Videodrome. |
| 662 | 00:53:25,954 | 00:53:28,874 | What are you waiting for, lover? | What are you waiting for, lover? |
| 663 | 00:53:28,957 | 00:53:31,001 | Let's perform. | Let's perform. |
| 664 | 00:53:31,084 | 00:53:33,795 | Let's open those neural floodgates. | Let's open those neural floodgates. |
| 665 | 00:53:41,553 | 00:53:45,265 | [ Breathing Heavily, Moaning ] | [ Breathing Heavily, Moaning ] |
| 666 | 00:53:53,440 | 00:53:55,567 | [ Nicki Gasps ] | [ Nicki Gasps ] |
| 667 | 00:53:59,112 | 00:54:01,072 | Aah! | Aah! |
| 668 | 00:54:04,200 | 00:54:06,119 | Aah! | Aah! |
| 669 | 00:54:09,289 | 00:54:11,291 | [ Shouts ] | [ Shouts ] |
| 670 | 00:54:15,337 | 00:54:19,841 | [ Moaning ] | [ Moaning ] |
| 671 | 00:54:19,925 | 00:54:22,260 | Aah! | Aah! |
| 672 | 00:54:22,344 | 00:54:25,096 | [ Gasping ] | [ Gasping ] |
| 673 | 00:54:25,180 | 00:54:27,557 | Aah! | Aah! |
| 674 | 00:54:27,641 | 00:54:29,601 | [ Gasping ] | [ Gasping ] |
| 675 | 00:54:32,979 | 00:54:35,565 | - Aah! - [ Panting ] | - Aah! - [ Panting ] |
| 676 | 00:54:47,827 | 00:54:50,956 | What's going on, Professor O'Blivion? [ Chuckles ] | What's going on, Professor O'Blivion? [ Chuckles ] |
| 677 | 00:54:51,039 | 00:54:53,083 | I mean, really. | I mean, really. |
| 678 | 00:54:53,166 | 00:54:55,460 | Oh. | Oh. |
| 679 | 00:55:10,475 | 00:55:13,061 | [ Gasps ] | [ Gasps ] |
| 680 | 00:55:24,823 | 00:55:27,033 | Oh, Masha. | Oh, Masha. |
| 681 | 00:55:35,834 | 00:55:37,836 | [ Exhales ] | [ Exhales ] |
| 682 | 00:56:00,900 | 00:56:02,819 | Harlan... | Harlan... |
| 683 | 00:56:02,902 | 00:56:04,821 | it's Max. | it's Max. |
| 684 | 00:56:04,904 | 00:56:07,991 | Can you come over to my apartment? Right away. | Can you come over to my apartment? Right away. |
| 685 | 00:56:08,074 | 00:56:09,993 | Yeah, I'm serious. | Yeah, I'm serious. |
| 686 | 00:56:11,369 | 00:56:14,330 | - Come on in. - Well, here I am, patrón. | - Come on in. - Well, here I am, patrón. |
| 687 | 00:56:14,414 | 00:56:17,876 | Camera. Flashgun. What's up? You wanna be a centerfold? | Camera. Flashgun. What's up? You wanna be a centerfold? |
| 688 | 00:56:17,959 | 00:56:19,878 | I want you to go into my bedroom... | I want you to go into my bedroom... |
| 689 | 00:56:19,961 | 00:56:22,172 | and I want you to take a look at what's in my bed. | and I want you to take a look at what's in my bed. |
| 690 | 00:56:22,255 | 00:56:24,758 | Uncover it. Don't be shy. I want pictures. | Uncover it. Don't be shy. I want pictures. |
| 691 | 00:56:27,802 | 00:56:30,805 | - Pictures of what's in your bed? - Yeah. Do it. | - Pictures of what's in your bed? - Yeah. Do it. |
| 692 | 00:56:32,599 | 00:56:34,934 | Sure. Okay. | Sure. Okay. |
| 693 | 00:56:37,604 | 00:56:39,564 | Oh, God. | Oh, God. |
| 694 | 00:56:53,620 | 00:56:55,997 | [ Exhales ] | [ Exhales ] |
| 695 | 00:56:56,081 | 00:56:57,749 | Well? | Well? |
| 696 | 00:57:01,336 | 00:57:03,296 | Max. | Max. |
| 697 | 00:57:06,716 | 00:57:08,635 | I don't see anything. | I don't see anything. |
| 698 | 00:57:09,719 | 00:57:13,056 | You didn't just want me to shoot your bed, pillows, sheets... | You didn't just want me to shoot your bed, pillows, sheets... |
| 699 | 00:57:13,139 | 00:57:15,642 | did you? | did you? |
| 700 | 00:57:24,984 | 00:57:28,446 | - It's disa — - Max, are you in some kind of drug warp? | - It's disa — - Max, are you in some kind of drug warp? |
| 701 | 00:57:29,447 | 00:57:33,243 | I've got friends who can help. Bridey said she came by a couple of days ago. You were — | I've got friends who can help. Bridey said she came by a couple of days ago. You were — |
| 702 | 00:57:33,326 | 00:57:35,537 | Did you tape Videodrome last night? | Did you tape Videodrome last night? |
| 703 | 00:57:35,620 | 00:57:37,598 | If it was transmitted, the machine would've caught it. | If it was transmitted, the machine would've caught it. |
| 704 | 00:57:37,622 | 00:57:39,683 | I'll meet you in the lab in one hour. I wanna see it. | I'll meet you in the lab in one hour. I wanna see it. |
| 705 | 00:57:39,707 | 00:57:43,753 | - Jeez, it's not even 7:00 a.m. - I'm not fucking around! Do you understand? | - Jeez, it's not even 7:00 a.m. - I'm not fucking around! Do you understand? |
| 706 | 00:57:43,837 | 00:57:47,423 | Well, fuck you. I'm not some fucking servomechanism you can switch on. | Well, fuck you. I'm not some fucking servomechanism you can switch on. |
| 707 | 00:57:47,507 | 00:57:51,386 | You want me to run around like an asshole, tell me what I'm doing it for. | You want me to run around like an asshole, tell me what I'm doing it for. |
| 708 | 00:57:51,469 | 00:57:53,447 | Otherwise, I'll see you during office hours, patrón. | Otherwise, I'll see you during office hours, patrón. |
| 709 | 00:57:53,471 | 00:57:56,432 | Harlan... you're right. | Harlan... you're right. |
| 710 | 00:57:56,516 | 00:58:00,270 | It's momentum. I'm runnin' like an express train here. I don't know how to stop. | It's momentum. I'm runnin' like an express train here. I don't know how to stop. |
| 711 | 00:58:00,353 | 00:58:02,814 | Look, I'll meet you in the lab in one hour. | Look, I'll meet you in the lab in one hour. |
| 712 | 00:58:02,897 | 00:58:06,401 | Okay? And then we'll see if we pulled in any Videodrome last night... | Okay? And then we'll see if we pulled in any Videodrome last night... |
| 713 | 00:58:06,484 | 00:58:08,403 | and I'll tell you what's going on. | and I'll tell you what's going on. |
| 714 | 00:58:08,486 | 00:58:11,239 | Everything. I promise. Okay? | Everything. I promise. Okay? |
| 715 | 00:58:11,322 | 00:58:14,951 | Okay. I'm sorry if I freaked out on you. | Okay. I'm sorry if I freaked out on you. |
| 716 | 00:58:15,034 | 00:58:18,413 | - I don't work with you for the money. - I know that. | - I don't work with you for the money. - I know that. |
| 717 | 00:58:18,496 | 00:58:20,957 | With pirates, it's never just for the money, is it? | With pirates, it's never just for the money, is it? |
| 718 | 00:58:21,040 | 00:58:25,461 | You want a cup of cof — No, look. I'll meet you in the lab in an hour. | You want a cup of cof — No, look. I'll meet you in the lab in an hour. |
| 719 | 00:59:06,502 | 00:59:08,421 | Come on in. | Come on in. |
| 720 | 00:59:09,589 | 00:59:13,343 | - [ Door Closes ] - Did you look at the tape? | - [ Door Closes ] - Did you look at the tape? |
| 721 | 00:59:13,426 | 00:59:17,805 | - Did you see me on Videodrome? - There was no tape. | - Did you see me on Videodrome? - There was no tape. |
| 722 | 00:59:17,889 | 00:59:20,558 | There was no Videodrome transmission last night? | There was no Videodrome transmission last night? |
| 723 | 00:59:20,642 | 00:59:22,560 | Not last night. | Not last night. |
| 724 | 00:59:22,644 | 00:59:25,146 | - Aw, fuck! - Not ever. | - Aw, fuck! - Not ever. |
| 725 | 00:59:27,607 | 00:59:29,567 | What — What are you talking about? | What — What are you talking about? |
| 726 | 00:59:30,568 | 00:59:32,487 | [ Knocking At Door ] | [ Knocking At Door ] |
| 727 | 00:59:34,030 | 00:59:36,532 | I'm out of my depth now, patrón. | I'm out of my depth now, patrón. |
| 728 | 00:59:36,616 | 00:59:39,244 | I had to bring in the reinforcements. | I had to bring in the reinforcements. |
| 729 | 00:59:48,294 | 00:59:50,088 | Max. | Max. |
| 730 | 00:59:51,798 | 00:59:55,426 | An intriguing combination. Very interesting. | An intriguing combination. Very interesting. |
| 731 | 00:59:56,427 | 00:59:59,347 | - Don't let me interrupt. - I think I was saying something like... | - Don't let me interrupt. - I think I was saying something like... |
| 732 | 00:59:59,430 | 01:00:02,183 | "What are you talking about?" | "What are you talking about?" |
| 733 | 01:00:02,267 | 01:00:04,185 | I was playing you tapes, Max. | I was playing you tapes, Max. |
| 734 | 01:00:05,228 | 01:00:06,896 | Prerecorded cassettes. | Prerecorded cassettes. |
| 735 | 01:00:08,648 | 01:00:12,402 | Videodrome has never been transmitted on an open broadcast circuit. | Videodrome has never been transmitted on an open broadcast circuit. |
| 736 | 01:00:12,485 | 01:00:14,404 | Not yet. | Not yet. |
| 737 | 01:00:14,487 | 01:00:17,073 | I guess Barry sent you here, what, two years ago? | I guess Barry sent you here, what, two years ago? |
| 738 | 01:00:17,156 | 01:00:21,744 | It has been... two years, hasn't it, Harlan? | It has been... two years, hasn't it, Harlan? |
| 739 | 01:00:21,828 | 01:00:25,581 | Two. Two wonderful years. | Two. Two wonderful years. |
| 740 | 01:00:25,665 | 01:00:27,875 | Why? | Why? |
| 741 | 01:00:30,628 | 01:00:32,755 | [ Exhales ] | [ Exhales ] |
| 742 | 01:00:32,839 | 01:00:35,174 | To get you involved. | To get you involved. |
| 743 | 01:00:36,759 | 01:00:39,095 | To expose you to the Videodrome signal. | To expose you to the Videodrome signal. |
| 744 | 01:00:40,763 | 01:00:43,266 | It didn't affect you because you never watched it! | It didn't affect you because you never watched it! |
| 745 | 01:00:45,351 | 01:00:47,937 | You knew what was there. You didn't have to see it. | You knew what was there. You didn't have to see it. |
| 746 | 01:00:48,021 | 01:00:52,775 | [ Chuckles ] It really does work on just about anybody. | [ Chuckles ] It really does work on just about anybody. |
| 747 | 01:00:52,859 | 01:00:55,069 | Anybody who watches it, Max. | Anybody who watches it, Max. |
| 748 | 01:00:56,070 | 01:00:58,031 | But why would anybody watch it? | But why would anybody watch it? |
| 749 | 01:00:59,574 | 01:01:03,536 | Why would anybody watch a scum show like Videodrome? | Why would anybody watch a scum show like Videodrome? |
| 750 | 01:01:04,746 | 01:01:06,956 | Why did you watch it, Max? | Why did you watch it, Max? |
| 751 | 01:01:07,040 | 01:01:11,711 | - Business reasons. - Sure. Sure. | - Business reasons. - Sure. Sure. |
| 752 | 01:01:13,129 | 01:01:15,298 | What about the other reasons? | What about the other reasons? |
| 753 | 01:01:15,381 | 01:01:19,302 | Why deny you get your kicks out of watching torture and murder? | Why deny you get your kicks out of watching torture and murder? |
| 754 | 01:01:19,385 | 01:01:22,138 | You murdered Brian O'Blivion, didn't you, you freak? | You murdered Brian O'Blivion, didn't you, you freak? |
| 755 | 01:01:22,221 | 01:01:24,599 | Did you enjoy that? | Did you enjoy that? |
| 756 | 01:01:32,648 | 01:01:35,151 | North America's getting soft, patrón. | North America's getting soft, patrón. |
| 757 | 01:01:35,234 | 01:01:38,613 | And the rest of the world is getting tough. | And the rest of the world is getting tough. |
| 758 | 01:01:38,696 | 01:01:40,615 | Very, very tough. | Very, very tough. |
| 759 | 01:01:41,783 | 01:01:44,494 | We're entering savage new times... | We're entering savage new times... |
| 760 | 01:01:44,577 | 01:01:47,747 | and we're going to have to be pure... | and we're going to have to be pure... |
| 761 | 01:01:47,830 | 01:01:49,874 | and direct... | and direct... |
| 762 | 01:01:49,957 | 01:01:52,460 | and strong... | and strong... |
| 763 | 01:01:52,543 | 01:01:54,462 | if we're gonna survive them. | if we're gonna survive them. |
| 764 | 01:01:54,545 | 01:01:57,173 | Now, you and this, uh... | Now, you and this, uh... |
| 765 | 01:01:59,425 | 01:02:03,179 | cesspool you call a television station... | cesspool you call a television station... |
| 766 | 01:02:03,262 | 01:02:06,015 | and, uh, your people who wallow around in it... | and, uh, your people who wallow around in it... |
| 767 | 01:02:06,099 | 01:02:08,935 | and, uh, your viewers... | and, uh, your viewers... |
| 768 | 01:02:09,018 | 01:02:11,020 | who watch you do it — | who watch you do it — |
| 769 | 01:02:12,355 | 01:02:15,358 | you're rotting us away from the inside. | you're rotting us away from the inside. |
| 770 | 01:02:17,151 | 01:02:19,404 | We intend to stop that rot. | We intend to stop that rot. |
| 771 | 01:02:19,487 | 01:02:22,615 | We're gonna start with Channel 83, Max. | We're gonna start with Channel 83, Max. |
| 772 | 01:02:22,698 | 01:02:26,869 | We're gonna use it for our first authentic transmissions of Videodrome. | We're gonna use it for our first authentic transmissions of Videodrome. |
| 773 | 01:02:26,953 | 01:02:30,998 | I have a hunch it's gonna be very popular... for a while. | I have a hunch it's gonna be very popular... for a while. |
| 774 | 01:02:31,082 | 01:02:33,501 | I've gotta be hallucinating now, right? | I've gotta be hallucinating now, right? |
| 775 | 01:02:33,584 | 01:02:36,087 | I mean... | I mean... |
| 776 | 01:02:36,170 | 01:02:38,297 | you two can't possibly be for real. | you two can't possibly be for real. |
| 777 | 01:02:39,966 | 01:02:42,718 | Ah, we did record your hallucinations, Max... | Ah, we did record your hallucinations, Max... |
| 778 | 01:02:42,802 | 01:02:44,804 | as I said we would. | as I said we would. |
| 779 | 01:02:46,431 | 01:02:48,433 | And we did analyze them. | And we did analyze them. |
| 780 | 01:02:50,560 | 01:02:52,728 | You're ready for something new. | You're ready for something new. |
| 781 | 01:02:52,812 | 01:02:54,647 | That's terrific. | That's terrific. |
| 782 | 01:02:56,941 | 01:02:59,902 | [ Breathing ] | [ Breathing ] |
| 783 | 01:03:02,071 | 01:03:05,450 | What do you, uh — What do you want from me? | What do you, uh — What do you want from me? |
| 784 | 01:03:05,533 | 01:03:07,743 | I want you to open up, Max. | I want you to open up, Max. |
| 785 | 01:03:07,827 | 01:03:09,829 | Open up to me. | Open up to me. |
| 786 | 01:03:11,998 | 01:03:14,876 | [ Breathing Continues ] | [ Breathing Continues ] |
| 787 | 01:03:24,218 | 01:03:26,137 | I've got something I want to play for you. | I've got something I want to play for you. |
| 788 | 01:03:26,220 | 01:03:29,182 | [ Breathing Continues ] | [ Breathing Continues ] |
| 789 | 01:03:30,391 | 01:03:32,393 | Oh, my God! | Oh, my God! |
| 790 | 01:03:50,203 | 01:03:52,163 | [ Coughs ] | [ Coughs ] |
| 791 | 01:03:59,670 | 01:04:02,465 | [ Convex ] We want Channel 83, Max. | [ Convex ] We want Channel 83, Max. |
| 792 | 01:04:02,548 | 01:04:05,134 | - [ Grunting ] - Give it to us. | - [ Grunting ] - Give it to us. |
| 793 | 01:04:05,218 | 01:04:09,305 | Give us Channel 83. | Give us Channel 83. |
| 794 | 01:04:09,388 | 01:04:11,849 | Kill your partners. | Kill your partners. |
| 795 | 01:04:11,933 | 01:04:13,976 | Kill them. | Kill them. |
| 796 | 01:04:14,060 | 01:04:18,064 | Kill your partners and give us Channel 83. | Kill your partners and give us Channel 83. |
| 797 | 01:04:18,147 | 01:04:20,650 | [ Grunts, Exhales ] | [ Grunts, Exhales ] |
| 798 | 01:04:28,074 | 01:04:31,202 | [ Grunting ] | [ Grunting ] |
| 799 | 01:04:37,041 | 01:04:38,834 | Aah. | Aah. |
| 800 | 01:04:49,387 | 01:04:51,847 | [ Squishing ] | [ Squishing ] |
| 801 | 01:05:07,446 | 01:05:09,699 | [ Gasps ] | [ Gasps ] |
| 802 | 01:05:57,496 | 01:06:00,249 | [ Convex ] Give us Channel 83. | [ Convex ] Give us Channel 83. |
| 803 | 01:06:00,333 | 01:06:02,585 | Kill your partners. | Kill your partners. |
| 804 | 01:06:02,668 | 01:06:04,587 | Kill them. | Kill them. |
| 805 | 01:06:04,670 | 01:06:09,300 | Kill your partners and give us Channel 83. | Kill your partners and give us Channel 83. |
| 806 | 01:06:09,383 | 01:06:11,427 | [ TV Noise ] | [ TV Noise ] |
| 807 | 01:06:11,510 | 01:06:13,471 | Hello, Max. | Hello, Max. |
| 808 | 01:06:15,848 | 01:06:18,017 | [ Office Workers Chattering ] | [ Office Workers Chattering ] |
| 809 | 01:06:24,023 | 01:06:25,983 | [ Man ] How ya doin', Max? | [ Man ] How ya doin', Max? |
| 810 | 01:06:34,950 | 01:06:36,869 | Where's Moses? | Where's Moses? |
| 811 | 01:06:37,870 | 01:06:41,749 | He's in a meeting with Rafe. I'll tell him you want him. | He's in a meeting with Rafe. I'll tell him you want him. |
| 812 | 01:06:42,833 | 01:06:44,752 | Don't. | Don't. |
| 813 | 01:06:44,835 | 01:06:47,046 | [ TV Noise Continues ] | [ TV Noise Continues ] |
| 814 | 01:06:51,384 | 01:06:54,470 | [ Phone Rings ] | [ Phone Rings ] |
| 815 | 01:06:54,553 | 01:06:57,765 | [ Man ] We dub in a funny track. Gentle comedy. | [ Man ] We dub in a funny track. Gentle comedy. |
| 816 | 01:06:57,848 | 01:07:01,602 | Mm-hmm. And you'd be the one to write it? | Mm-hmm. And you'd be the one to write it? |
| 817 | 01:07:01,686 | 01:07:05,856 | Yeah. Yeah, I would. I used to write in high school, then I lost it. | Yeah. Yeah, I would. I used to write in high school, then I lost it. |
| 818 | 01:07:05,940 | 01:07:08,150 | Hi, Max. | Hi, Max. |
| 819 | 01:07:08,234 | 01:07:11,445 | You're just in time to throw some light on an interesting problem. | You're just in time to throw some light on an interesting problem. |
| 820 | 01:07:15,074 | 01:07:16,867 | Don't. | Don't. |
| 821 | 01:07:25,918 | 01:07:28,003 | Max. | Max. |
| 822 | 01:07:28,087 | 01:07:31,048 | What the fuck? | What the fuck? |
| 823 | 01:07:33,926 | 01:07:36,971 | [ Man ] Jesus! | [ Man ] Jesus! |
| 824 | 01:07:37,054 | 01:07:38,973 | [ Man #2 ] It was from the boardroom! | [ Man #2 ] It was from the boardroom! |
| 825 | 01:07:39,056 | 01:07:40,975 | Max, what happened? Are you hurt? | Max, what happened? Are you hurt? |
| 826 | 01:07:41,058 | 01:07:43,018 | - They killed — They — - [ Gasps ] What happened? | - They killed — They — - [ Gasps ] What happened? |
| 827 | 01:07:43,102 | 01:07:46,522 | - They killed us! - What happened? | - They killed us! - What happened? |
| 828 | 01:07:46,605 | 01:07:49,316 | - Jesus! Look out! - [ Woman Screams ] | - Jesus! Look out! - [ Woman Screams ] |
| 829 | 01:07:49,400 | 01:07:52,194 | [ Woman ] Help! | [ Woman ] Help! |
| 830 | 01:07:52,278 | 01:07:54,697 | In here! In here! | In here! In here! |
| 831 | 01:07:54,780 | 01:07:56,907 | Get out! Just clear outta here! | Get out! Just clear outta here! |
| 832 | 01:07:56,991 | 01:07:59,618 | Come — Get out! | Come — Get out! |
| 833 | 01:07:59,702 | 01:08:01,871 | Let me see. | Let me see. |
| 834 | 01:08:01,954 | 01:08:04,707 | [ Office Workers Shouting, Screaming ] | [ Office Workers Shouting, Screaming ] |
| 835 | 01:08:04,790 | 01:08:06,876 | Max! | Max! |
| 836 | 01:08:06,959 | 01:08:08,919 | Max. | Max. |
| 837 | 01:08:51,504 | 01:08:54,256 | [ Convex ] Kill Bianca O'Blivion. | [ Convex ] Kill Bianca O'Blivion. |
| 838 | 01:08:54,340 | 01:08:57,009 | She knows too much. | She knows too much. |
| 839 | 01:08:57,092 | 01:08:59,678 | She can hurt us. | She can hurt us. |
| 840 | 01:08:59,762 | 01:09:01,806 | Don't let her hurt us, Max. | Don't let her hurt us, Max. |
| 841 | 01:09:02,807 | 01:09:06,811 | Kill her. Kill Bianca O'Blivion. | Kill her. Kill Bianca O'Blivion. |
| 842 | 01:09:06,894 | 01:09:11,398 | [ Airplane Passes ] | [ Airplane Passes ] |
| 843 | 01:09:59,530 | 01:10:01,490 | [ Lock Unlatches ] | [ Lock Unlatches ] |
| 844 | 01:10:01,574 | 01:10:03,659 | - ♪♪ [ Clock Chiming ] - [ Door Closes ] | - ♪♪ [ Clock Chiming ] - [ Door Closes ] |
| 845 | 01:10:03,742 | 01:10:06,412 | [ Footsteps ] | [ Footsteps ] |
| 846 | 01:10:12,626 | 01:10:14,920 | Bianca O'Blivion. | Bianca O'Blivion. |
| 847 | 01:10:15,921 | 01:10:18,924 | I run Civic TV. | I run Civic TV. |
| 848 | 01:10:19,008 | 01:10:21,176 | I was on a talk show with your father. | I was on a talk show with your father. |
| 849 | 01:10:22,177 | 01:10:25,097 | So it was to be you after all. | So it was to be you after all. |
| 850 | 01:10:25,180 | 01:10:27,099 | You've come to kill me. | You've come to kill me. |
| 851 | 01:10:27,182 | 01:10:31,645 | No. No, I'm Max Renn. I run Civic TV. I don't — | No. No, I'm Max Renn. I run Civic TV. I don't — |
| 852 | 01:10:36,275 | 01:10:39,695 | - I don't kill people. - Oh, but you do. | - I don't kill people. - Oh, but you do. |
| 853 | 01:10:39,778 | 01:10:42,781 | You're an assassin now for Videodrome. | You're an assassin now for Videodrome. |
| 854 | 01:10:44,158 | 01:10:46,368 | They can program you. | They can program you. |
| 855 | 01:10:46,452 | 01:10:49,371 | They can play you like a videotape recorder. | They can play you like a videotape recorder. |
| 856 | 01:10:49,455 | 01:10:52,499 | They can make you do what they want... | They can make you do what they want... |
| 857 | 01:10:52,583 | 01:10:56,211 | and they want you to destroy whatever is left of Brian O'Blivion. | and they want you to destroy whatever is left of Brian O'Blivion. |
| 858 | 01:10:57,212 | 01:10:59,214 | They want you to destroy me. | They want you to destroy me. |
| 859 | 01:10:59,298 | 01:11:01,759 | Destroy you? | Destroy you? |
| 860 | 01:11:17,274 | 01:11:22,696 | [ Tape Cassette Loads, Player Clicking ] | [ Tape Cassette Loads, Player Clicking ] |
| 861 | 01:11:30,329 | 01:11:34,667 | [ Bianca ] They killed her, Max. They killed Nicki Brand. | [ Bianca ] They killed her, Max. They killed Nicki Brand. |
| 862 | 01:11:37,628 | 01:11:40,381 | She died on Videodrome. | She died on Videodrome. |
| 863 | 01:11:40,464 | 01:11:44,218 | They used her image to seduce you, but she was already dead. | They used her image to seduce you, but she was already dead. |
| 864 | 01:11:45,594 | 01:11:47,721 | Don't back away. | Don't back away. |
| 865 | 01:11:47,805 | 01:11:50,975 | I stole it from them just for you to see. | I stole it from them just for you to see. |
| 866 | 01:11:51,058 | 01:11:53,102 | [ Tape Player Clicking ] | [ Tape Player Clicking ] |
| 867 | 01:11:55,688 | 01:11:58,816 | Videodrome is death. | Videodrome is death. |
| 868 | 01:12:10,202 | 01:12:12,788 | [ Gunshots ] | [ Gunshots ] |
| 869 | 01:12:20,713 | 01:12:23,424 | That's better. | That's better. |
| 870 | 01:12:23,507 | 01:12:26,593 | So much better. | So much better. |
| 871 | 01:12:29,596 | 01:12:33,017 | It's always painful to remove the cassette... | It's always painful to remove the cassette... |
| 872 | 01:12:34,018 | 01:12:35,936 | to change the program. | to change the program. |
| 873 | 01:12:38,063 | 01:12:40,441 | But now that we have... | But now that we have... |
| 874 | 01:12:40,524 | 01:12:44,111 | you'll see that you've become something quite different from what you were. | you'll see that you've become something quite different from what you were. |
| 875 | 01:12:45,320 | 01:12:48,532 | You've become the video word made flesh. | You've become the video word made flesh. |
| 876 | 01:12:49,950 | 01:12:52,870 | [ Exhales ] I am the video word made flesh. | [ Exhales ] I am the video word made flesh. |
| 877 | 01:12:53,912 | 01:12:57,499 | And now that you are the video word made flesh... | And now that you are the video word made flesh... |
| 878 | 01:12:58,625 | 01:13:00,586 | you know what you have to do. | you know what you have to do. |
| 879 | 01:13:02,755 | 01:13:05,674 | You turn against Videodrome. | You turn against Videodrome. |
| 880 | 01:13:05,758 | 01:13:08,761 | You use the weapons they've given you to destroy them. | You use the weapons they've given you to destroy them. |
| 881 | 01:13:10,763 | 01:13:13,015 | Death to Videodrome. | Death to Videodrome. |
| 882 | 01:13:14,099 | 01:13:16,643 | Long live the new flesh. | Long live the new flesh. |
| 883 | 01:13:17,770 | 01:13:19,772 | Death to Videodrome. | Death to Videodrome. |
| 884 | 01:13:24,109 | 01:13:26,278 | Long live the new flesh. | Long live the new flesh. |
| 885 | 01:13:38,791 | 01:13:42,127 | [ TV Reporter ] It was only 26 hours ago in the building you see behind me... | [ TV Reporter ] It was only 26 hours ago in the building you see behind me... |
| 886 | 01:13:42,211 | 01:13:44,797 | that a bizarre, apparently motiveless shooting occurred... | that a bizarre, apparently motiveless shooting occurred... |
| 887 | 01:13:44,880 | 01:13:48,175 | which has triggered off an intensive manhunt by Metro Police. | which has triggered off an intensive manhunt by Metro Police. |
| 888 | 01:13:48,258 | 01:13:50,945 | Thirty-four-year-old Max Renn, president of the Civic TV Corporation... | Thirty-four-year-old Max Renn, president of the Civic TV Corporation... |
| 889 | 01:13:50,969 | 01:13:53,209 | is being sought in connection with the shooting deaths... | is being sought in connection with the shooting deaths... |
| 890 | 01:13:53,263 | 01:13:55,182 | of two executives at Channel 83 — | of two executives at Channel 83 — |
| 891 | 01:13:55,265 | 01:13:58,018 | You wanna see the monkey dance, you pay the piper. | You wanna see the monkey dance, you pay the piper. |
| 892 | 01:13:58,102 | 01:14:01,522 | See what I'm sayin', Teddy? You know how much my monkey's batteries cost? | See what I'm sayin', Teddy? You know how much my monkey's batteries cost? |
| 893 | 01:14:01,605 | 01:14:04,525 | They don't last in the cold. The cold knocks 'em right out. | They don't last in the cold. The cold knocks 'em right out. |
| 894 | 01:14:04,608 | 01:14:07,111 | I can't dance. I would if I could. | I can't dance. I would if I could. |
| 895 | 01:14:07,194 | 01:14:08,987 | But, uh, I can't, so — | But, uh, I can't, so — |
| 896 | 01:14:09,071 | 01:14:13,242 | You got some change, Teddy? You got somethin'. Half a buck. Teddy, yeah. | You got some change, Teddy? You got somethin'. Half a buck. Teddy, yeah. |
| 897 | 01:14:13,325 | 01:14:17,371 | - A quarter. You got somethin', Teddy. - [ Bus Rumbling ] | - A quarter. You got somethin', Teddy. - [ Bus Rumbling ] |
| 898 | 01:14:17,454 | 01:14:19,790 | Can't ya put somethin' in, Teddy? | Can't ya put somethin' in, Teddy? |
| 899 | 01:15:04,334 | 01:15:06,253 | Well, hello, sport. | Well, hello, sport. |
| 900 | 01:15:06,336 | 01:15:09,381 | They call me Brolley. How can I help you, sir? | They call me Brolley. How can I help you, sir? |
| 901 | 01:15:09,464 | 01:15:12,009 | - Just looking. - [ Chuckles ] Yeah, man. | - Just looking. - [ Chuckles ] Yeah, man. |
| 902 | 01:15:12,092 | 01:15:14,052 | Well, that's a good one. | Well, that's a good one. |
| 903 | 01:15:14,136 | 01:15:17,431 | There ain't much to see here, but take your time and have a good look anyway. | There ain't much to see here, but take your time and have a good look anyway. |
| 904 | 01:15:17,514 | 01:15:19,474 | Ah, what this? | Ah, what this? |
| 905 | 01:15:19,558 | 01:15:23,770 | Yeah, this is one hell of a scrip you got here. | Yeah, this is one hell of a scrip you got here. |
| 906 | 01:15:23,854 | 01:15:25,939 | Very tricky grind. | Very tricky grind. |
| 907 | 01:15:26,023 | 01:15:29,484 | Can't imagine you'd see things too clear without them, you know. | Can't imagine you'd see things too clear without them, you know. |
| 908 | 01:15:29,568 | 01:15:33,614 | Well, don't worry at all. I'm gonna get you fixed up in no time flat. | Well, don't worry at all. I'm gonna get you fixed up in no time flat. |
| 909 | 01:15:33,697 | 01:15:36,116 | [ Tape Unpeeling ] | [ Tape Unpeeling ] |
| 910 | 01:15:47,002 | 01:15:49,504 | [ Exhales ] Where's Convex? | [ Exhales ] Where's Convex? |
| 911 | 01:15:49,588 | 01:15:51,840 | Oh, setting up his trade show. | Oh, setting up his trade show. |
| 912 | 01:15:51,924 | 01:15:54,676 | - Oh. - Gotta introduce the spring line. | - Oh. - Gotta introduce the spring line. |
| 913 | 01:15:54,760 | 01:15:57,512 | - What's in the box? - Your head. | - What's in the box? - Your head. |
| 914 | 01:15:57,596 | 01:15:59,848 | - [ Chuckling ] - [ Chuckles ] | - [ Chuckling ] - [ Chuckles ] |
| 915 | 01:15:59,932 | 01:16:02,851 | - Got your head in this box. - [ Both Laughing ] | - Got your head in this box. - [ Both Laughing ] |
| 916 | 01:16:02,935 | 01:16:04,853 | Ah. | Ah. |
| 917 | 01:16:04,937 | 01:16:07,356 | You've been busy, Max. | You've been busy, Max. |
| 918 | 01:16:07,439 | 01:16:09,441 | Been readin' about you in the papers. | Been readin' about you in the papers. |
| 919 | 01:16:11,068 | 01:16:12,986 | Have you been to see Bianca O'Blivion? | Have you been to see Bianca O'Blivion? |
| 920 | 01:16:13,070 | 01:16:15,530 | - I saw her. - And she give you any trouble? | - I saw her. - And she give you any trouble? |
| 921 | 01:16:15,614 | 01:16:17,532 | No. | No. |
| 922 | 01:16:17,616 | 01:16:19,993 | Well, that's good. | Well, that's good. |
| 923 | 01:16:22,246 | 01:16:24,831 | Maybe you'd like to visit somebody else now. | Maybe you'd like to visit somebody else now. |
| 924 | 01:16:24,915 | 01:16:27,751 | - Is that why you're here? - Maybe. | - Is that why you're here? - Maybe. |
| 925 | 01:16:30,462 | 01:16:32,464 | You've been very useful to us, Max. | You've been very useful to us, Max. |
| 926 | 01:16:32,547 | 01:16:35,050 | We'd like to keep using you until you're all gone. | We'd like to keep using you until you're all gone. |
| 927 | 01:16:35,133 | 01:16:37,552 | [ Tape Breathing ] | [ Tape Breathing ] |
| 928 | 01:16:38,887 | 01:16:40,806 | Open up to me. | Open up to me. |
| 929 | 01:16:46,270 | 01:16:50,023 | [ Breathing Continues ] | [ Breathing Continues ] |
| 930 | 01:16:51,024 | 01:16:53,360 | Got something I wanna play for you. | Got something I wanna play for you. |
| 931 | 01:16:53,443 | 01:16:56,530 | [ Breathing Continues ] | [ Breathing Continues ] |
| 932 | 01:16:56,613 | 01:16:58,615 | - [ Gasps ] - [ Squishing ] | - [ Gasps ] - [ Squishing ] |
| 933 | 01:17:13,463 | 01:17:18,427 | - [ Screams ] - [ Ticking ] | - [ Screams ] - [ Ticking ] |
| 934 | 01:17:22,139 | 01:17:26,560 | [ Shuddering ] | [ Shuddering ] |
| 935 | 01:17:26,643 | 01:17:29,396 | [ Whimpering ] | [ Whimpering ] |
| 936 | 01:17:29,479 | 01:17:32,774 | - [ Ticking ] - [ Screaming ] | - [ Ticking ] - [ Screaming ] |
| 937 | 01:17:37,696 | 01:17:40,115 | See ya in Pittsburgh. | See ya in Pittsburgh. |
| 938 | 01:17:40,198 | 01:17:43,076 | [ Screams ] | [ Screams ] |
| 939 | 01:17:47,331 | 01:17:50,042 | [ Dog Barking ] | [ Dog Barking ] |
| 940 | 01:17:50,125 | 01:17:54,046 | [ Child ] Mommy, look at the big ka-boom! | [ Child ] Mommy, look at the big ka-boom! |
| 941 | 01:17:54,129 | 01:17:56,048 | Tracey, come back here! | Tracey, come back here! |
| 942 | 01:17:56,131 | 01:17:58,467 | - Stay with Mommy. - I want — I wanna see it. | - Stay with Mommy. - I want — I wanna see it. |
| 943 | 01:17:58,550 | 01:18:00,469 | You come with me. | You come with me. |
| 944 | 01:18:00,552 | 01:18:02,679 | Come on. We're going home now. | Come on. We're going home now. |
| 945 | 01:18:05,557 | 01:18:07,726 | [ Crowd Chattering ] | [ Crowd Chattering ] |
| 946 | 01:18:09,561 | 01:18:14,066 | - ♪♪ [ Baroque On Synthesizer ] - [ Chattering Continues ] | - ♪♪ [ Baroque On Synthesizer ] - [ Chattering Continues ] |
| 947 | 01:18:25,911 | 01:18:29,539 | ♪♪ [ Continues ] | ♪♪ [ Continues ] |
| 948 | 01:18:46,264 | 01:18:49,810 | ♪♪ [ Continues, Big Band ] | ♪♪ [ Continues, Big Band ] |
| 949 | 01:19:20,424 | 01:19:23,301 | - ♪♪ [ Stops ] - [ Applause ] | - ♪♪ [ Stops ] - [ Applause ] |
| 950 | 01:19:25,303 | 01:19:27,305 | [ Applause Continues ] | [ Applause Continues ] |
| 951 | 01:19:32,811 | 01:19:35,480 | Well, you know me. | Well, you know me. |
| 952 | 01:19:35,564 | 01:19:38,525 | - [ Man ] Yeah, we know you. - And I sure know you. | - [ Man ] Yeah, we know you. - And I sure know you. |
| 953 | 01:19:38,608 | 01:19:41,820 | - Every one of you! - [ Applause ] | - Every one of you! - [ Applause ] |
| 954 | 01:19:45,490 | 01:19:49,703 | We're here to celebrate the arrival of our spring collection... | We're here to celebrate the arrival of our spring collection... |
| 955 | 01:19:49,786 | 01:19:51,705 | the Medici line... | the Medici line... |
| 956 | 01:19:51,788 | 01:19:56,251 | and our theme for this year is based on two quotes... | and our theme for this year is based on two quotes... |
| 957 | 01:19:56,334 | 01:20:00,172 | from the famous Renaissance statesman and patron of the arts... | from the famous Renaissance statesman and patron of the arts... |
| 958 | 01:20:00,255 | 01:20:02,632 | Lorenzo de Medici. | Lorenzo de Medici. |
| 959 | 01:20:02,716 | 01:20:04,718 | "Love comes in at the eye," | "Love comes in at the eye," |
| 960 | 01:20:04,801 | 01:20:07,137 | and "The eye is the window of the soul." | and "The eye is the window of the soul." |
| 961 | 01:20:07,220 | 01:20:10,765 | Now, I think that even Pete... | Now, I think that even Pete... |
| 962 | 01:20:10,849 | 01:20:16,396 | oughta be able to sell the hell out of a classy campaign like that. | oughta be able to sell the hell out of a classy campaign like that. |
| 963 | 01:20:16,480 | 01:20:20,442 | [ Applause ] | [ Applause ] |
| 964 | 01:20:21,985 | 01:20:23,695 | [ Gasps ] | [ Gasps ] |
| 965 | 01:20:25,530 | 01:20:28,783 | [ Panting ] Oh, God! | [ Panting ] Oh, God! |
| 966 | 01:20:28,867 | 01:20:32,120 | - [ Crowd Chattering ] - [ Gasping ] No! | - [ Crowd Chattering ] - [ Gasping ] No! |
| 967 | 01:20:33,371 | 01:20:36,500 | - [ Gunshots ] - [ Grunting ] | - [ Gunshots ] - [ Grunting ] |
| 968 | 01:20:36,583 | 01:20:38,793 | - [ Woman Screams ] - [ Gunshot ] | - [ Woman Screams ] - [ Gunshot ] |
| 969 | 01:20:38,877 | 01:20:42,923 | - [ Audience Screaming ] - [ Gagging, Choking ] | - [ Audience Screaming ] - [ Gagging, Choking ] |
| 970 | 01:20:43,006 | 01:20:45,967 | Death to Videodrome! Long live the new flesh! | Death to Videodrome! Long live the new flesh! |
| 971 | 01:20:46,051 | 01:20:49,429 | - [ Feedback ] - [ Gagging Continues ] | - [ Feedback ] - [ Gagging Continues ] |
| 972 | 01:20:56,686 | 01:20:59,314 | [ Feedback Continues ] | [ Feedback Continues ] |
| 973 | 01:21:06,071 | 01:21:08,490 | [ P.A.: Convex Gagging ] | [ P.A.: Convex Gagging ] |
| 974 | 01:22:26,818 | 01:22:29,321 | [ Water Dripping ] | [ Water Dripping ] |
| 975 | 01:23:47,941 | 01:23:50,110 | I was hoping you'd be back. | I was hoping you'd be back. |
| 976 | 01:23:50,193 | 01:23:52,987 | I'm here to guide you, Max. | I'm here to guide you, Max. |
| 977 | 01:23:53,071 | 01:23:55,990 | I've learned a lot since I last saw you. | I've learned a lot since I last saw you. |
| 978 | 01:23:56,074 | 01:23:58,952 | I've learned that death is not the end. | I've learned that death is not the end. |
| 979 | 01:23:59,035 | 01:24:00,954 | I can help you. | I can help you. |
| 980 | 01:24:02,247 | 01:24:04,499 | I don't know where I am now. | I don't know where I am now. |
| 981 | 01:24:04,582 | 01:24:07,335 | I'm having trouble... | I'm having trouble... |
| 982 | 01:24:07,419 | 01:24:09,337 | finding my way around. | finding my way around. |
| 983 | 01:24:09,421 | 01:24:14,509 | That's because you've gone just about as far as you can with the way things are. | That's because you've gone just about as far as you can with the way things are. |
| 984 | 01:24:14,592 | 01:24:19,597 | Videodrome still exists. It's very big, very complex. | Videodrome still exists. It's very big, very complex. |
| 985 | 01:24:19,681 | 01:24:23,101 | You've hurt them, but you haven't destroyed them. | You've hurt them, but you haven't destroyed them. |
| 986 | 01:24:23,184 | 01:24:25,937 | To do that, you have to go on to the next phase. | To do that, you have to go on to the next phase. |
| 987 | 01:24:27,188 | 01:24:28,690 | What phase is that? | What phase is that? |
| 988 | 01:24:28,773 | 01:24:32,068 | Your body has already done a lot of changing... | Your body has already done a lot of changing... |
| 989 | 01:24:32,152 | 01:24:34,070 | but that's only the beginning — | but that's only the beginning — |
| 990 | 01:24:34,154 | 01:24:38,199 | the beginning of the new flesh. | the beginning of the new flesh. |
| 991 | 01:24:38,283 | 01:24:40,660 | You have to go all the way now — | You have to go all the way now — |
| 992 | 01:24:40,744 | 01:24:43,580 | a total transformation. | a total transformation. |
| 993 | 01:24:43,663 | 01:24:45,623 | Do you think you're ready? | Do you think you're ready? |
| 994 | 01:24:47,959 | 01:24:50,754 | I guess I am. | I guess I am. |
| 995 | 01:24:50,837 | 01:24:52,797 | How do we do it? | How do we do it? |
| 996 | 01:24:53,840 | 01:24:57,635 | To become the new flesh, you first have to kill the old flesh. | To become the new flesh, you first have to kill the old flesh. |
| 997 | 01:24:58,678 | 01:25:01,055 | But don't be afraid. | But don't be afraid. |
| 998 | 01:25:01,139 | 01:25:04,392 | Don't be afraid to let your body die. | Don't be afraid to let your body die. |
| 999 | 01:25:05,393 | 01:25:07,353 | Just come to me, Max. | Just come to me, Max. |
| 1000 | 01:25:07,437 | 01:25:09,439 | Come to Nicki. | Come to Nicki. |
| 1001 | 01:25:10,440 | 01:25:13,526 | Watch. I'll show you how. | Watch. I'll show you how. |
| 1002 | 01:25:13,610 | 01:25:15,528 | It's easy. | It's easy. |
| 1003 | 01:25:43,681 | 01:25:45,642 | Long live the new flesh. | Long live the new flesh. |
| 1004 | 01:26:09,040 | 01:26:11,042 | [ Jacket Unzips ] | [ Jacket Unzips ] |
| 1005 | 01:26:35,733 | 01:26:38,111 | Long live the new flesh. | Long live the new flesh. |
| 1006 | 01:26:38,194 | 01:26:40,947 | [ Gunshot ] | [ Gunshot ] |