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1 | 00:00:04,592 | 00:00:09,592 | Subtitles by explosiveskull www.OpenSubtitles.org M_I_SForEver | Subtitles by explosiveskull www.OpenSubtitles.org M_I_SForEver |
2 | 00:00:21,780 | 00:00:24,740 | -What's so funny? -You are. | -What's so funny? -You are. |
3 | 00:00:24,900 | 00:00:28,820 | You think I'm funny? Finally someone believes it! | You think I'm funny? Finally someone believes it! |
4 | 00:00:40,420 | 00:00:43,420 | Do we have the video or not? | Do we have the video or not? |
5 | 00:00:43,580 | 00:00:45,940 | I don't get what's going on tonight. | I don't get what's going on tonight. |
6 | 00:00:46,100 | 00:00:49,660 | You're making them nervous. Oh, here we go. | You're making them nervous. Oh, here we go. |
7 | 00:00:49,820 | 00:00:51,460 | Your son's awake. | Your son's awake. |
8 | 00:00:51,620 | 00:00:55,060 | Did you feel this feminine when you were a man? | Did you feel this feminine when you were a man? |
9 | 00:00:55,220 | 00:00:57,340 | Yes, exactly the same. | Yes, exactly the same. |
10 | 00:00:57,500 | 00:01:01,740 | -Since when do you feel like a woman? -Since I was born. | -Since when do you feel like a woman? -Since I was born. |
11 | 00:01:01,900 | 00:01:04,420 | I used to dress up in my mother's clothes. | I used to dress up in my mother's clothes. |
12 | 00:01:04,580 | 00:01:07,140 | -So you were sure about it then? -Completely sure. | -So you were sure about it then? -Completely sure. |
13 | 00:01:07,300 | 00:01:10,940 | -But the village where I grew up... -Hey, what're you doing up? | -But the village where I grew up... -Hey, what're you doing up? |
14 | 00:01:11,100 | 00:01:13,660 | -You have school tomorrow. -didn't understand this, | -You have school tomorrow. -didn't understand this, |
15 | 00:01:13,820 | 00:01:17,060 | so I moved to Madrid, where I made a good friend, | so I moved to Madrid, where I made a good friend, |
16 | 00:01:17,220 | 00:01:19,580 | and that's when I said: "Let's do this". | and that's when I said: "Let's do this". |
17 | 00:01:20,020 | 00:01:21,860 | THIS STORY IS BASED ON THE MEMOIR WRITTEN | THIS STORY IS BASED ON THE MEMOIR WRITTEN |
18 | 00:01:22,020 | 00:01:23,660 | BY CRISTINA ORTIZ, LA VENENO, | BY CRISTINA ORTIZ, LA VENENO, |
19 | 00:01:23,820 | 00:01:28,020 | AND ON THE ACCOUNTS OF THE PEOPLE WHOSE LIVES SHE CHANGED. | AND ON THE ACCOUNTS OF THE PEOPLE WHOSE LIVES SHE CHANGED. |
20 | 00:01:28,180 | 00:01:33,780 | AS A STORY PRODUCT OF THE MEMORY, IT HAS A BIT OF REALITY AND FICTION. | AS A STORY PRODUCT OF THE MEMORY, IT HAS A BIT OF REALITY AND FICTION. |
21 | 00:01:33,940 | 00:01:38,420 | AND, AS IN ALL FICTIONAL STORIES, IT HAS SOMETHING PROFOUNDLY TRUE. | AND, AS IN ALL FICTIONAL STORIES, IT HAS SOMETHING PROFOUNDLY TRUE. |
22 | 00:01:41,420 | 00:01:42,780 | Oh! Man. | Oh! Man. |
23 | 00:01:46,540 | 00:01:50,380 | -Aw man, I lost again! -Here, lemme try, it's my turn. | -Aw man, I lost again! -Here, lemme try, it's my turn. |
24 | 00:01:50,540 | 00:01:52,700 | No. I wanna go again, my finger just slipped. | No. I wanna go again, my finger just slipped. |
25 | 00:01:52,860 | 00:01:55,940 | You are totally addicted, Amparo. | You are totally addicted, Amparo. |
26 | 00:01:56,100 | 00:01:58,140 | -Addicted? -Yeah. | -Addicted? -Yeah. |
27 | 00:01:58,300 | 00:02:00,660 | You're addicted to weed, and I don't say anything, Rubén. | You're addicted to weed, and I don't say anything, Rubén. |
28 | 00:02:00,820 | 00:02:02,660 | Yes you do, every day. | Yes you do, every day. |
29 | 00:02:04,220 | 00:02:05,980 | Come on, gimme a turn. | Come on, gimme a turn. |
30 | 00:02:07,380 | 00:02:08,860 | -Here. -Thanks. | -Here. -Thanks. |
31 | 00:02:16,220 | 00:02:18,580 | -Hey, Rubén. -What? | -Hey, Rubén. -What? |
32 | 00:02:18,740 | 00:02:21,220 | Have you ever noticed that this game is like life? | Have you ever noticed that this game is like life? |
33 | 00:02:21,380 | 00:02:25,100 | -What are you saying? -It is, totally. Check it out. | -What are you saying? -It is, totally. Check it out. |
34 | 00:02:25,260 | 00:02:27,300 | You start out small, | You start out small, |
35 | 00:02:27,460 | 00:02:29,860 | but the more you eat, the bigger you get. | but the more you eat, the bigger you get. |
36 | 00:02:30,020 | 00:02:33,620 | And the bigger you get, the harder things get, | And the bigger you get, the harder things get, |
37 | 00:02:33,780 | 00:02:36,620 | because the space doesn't change, | because the space doesn't change, |
38 | 00:02:36,780 | 00:02:38,900 | it's always the same four walls. | it's always the same four walls. |
39 | 00:02:39,060 | 00:02:43,860 | And suddenly one day, you notice that you've changed, | And suddenly one day, you notice that you've changed, |
40 | 00:02:45,060 | 00:02:48,580 | you're completely different, and you don't fit anymore. | you're completely different, and you don't fit anymore. |
41 | 00:02:48,740 | 00:02:53,020 | Until your ass smacks you in the face, and then you die. | Until your ass smacks you in the face, and then you die. |
42 | 00:02:54,300 | 00:02:57,620 | -Geez, you're making me all paranoid. -Why wouldn't you be paranoid? | -Geez, you're making me all paranoid. -Why wouldn't you be paranoid? |
43 | 00:02:57,780 | 00:03:00,940 | Life is rough, Rubén. You have to think sometimes. | Life is rough, Rubén. You have to think sometimes. |
44 | 00:03:02,420 | 00:03:05,100 | -Hey, honey. Got a light? -He does. | -Hey, honey. Got a light? -He does. |
45 | 00:03:19,780 | 00:03:21,900 | Whoa! Nice schlong. | Whoa! Nice schlong. |
46 | 00:03:22,060 | 00:03:23,860 | -I can tell you mean business. -No. | -I can tell you mean business. -No. |
47 | 00:03:24,020 | 00:03:25,820 | Thanks, bad boy. | Thanks, bad boy. |
48 | 00:03:25,980 | 00:03:29,780 | Do you know who that was? Did you see? No way! | Do you know who that was? Did you see? No way! |
49 | 00:03:29,940 | 00:03:32,740 | -Did you see...? -Excuse me. You... | -Did you see...? -Excuse me. You... |
50 | 00:03:32,900 | 00:03:35,740 | -You're La Veneno. -Of course I'm La Veneno, honey. | -You're La Veneno. -Of course I'm La Veneno, honey. |
51 | 00:03:35,900 | 00:03:38,100 | World famous. | World famous. |
52 | 00:03:38,260 | 00:03:41,220 | -What're you doing in Valencia? -I've got some gigs. | -What're you doing in Valencia? -I've got some gigs. |
53 | 00:03:41,380 | 00:03:42,700 | Awesome! | Awesome! |
54 | 00:03:50,220 | 00:03:53,740 | -You saw her grab my dick, right? -Of course she did! | -You saw her grab my dick, right? -Of course she did! |
55 | 00:03:53,900 | 00:03:57,260 | It was the least she could do, Rubén. Do you know who that was? | It was the least she could do, Rubén. Do you know who that was? |
56 | 00:04:13,620 | 00:04:16,180 | GUESS WHO I JUST SAW | GUESS WHO I JUST SAW |
57 | 00:04:16,340 | 00:04:17,660 | URGENT | URGENT |
58 | 00:04:17,820 | 00:04:19,140 | WHO, BITCH? | WHO, BITCH? |
59 | 00:04:23,380 | 00:04:24,700 | INCREDIBLE! | INCREDIBLE! |
60 | 00:04:25,660 | 00:04:26,980 | WHO? | WHO? |
61 | 00:04:31,620 | 00:04:32,940 | LA VENENO! | LA VENENO! |
62 | 00:04:59,220 | 00:05:04,420 | CHAPTER 1 THE NIGHT WE CROSSED THE MISSISSIPPI | CHAPTER 1 THE NIGHT WE CROSSED THE MISSISSIPPI |
63 | 00:05:04,580 | 00:05:06,340 | With this bombshell of a woman, | With this bombshell of a woman, |
64 | 00:05:06,500 | 00:05:09,820 | "Being young" is another look at the dark side of the American dream. | "Being young" is another look at the dark side of the American dream. |
65 | 00:05:09,980 | 00:05:12,900 | Are we in the presence of a new talent or not? | Are we in the presence of a new talent or not? |
66 | 00:05:13,060 | 00:05:18,100 | The truth is when it comes to looks, they aren't always deceiving. | The truth is when it comes to looks, they aren't always deceiving. |
67 | 00:05:27,980 | 00:05:29,340 | -Hey girl! -Hi. | -Hey girl! -Hi. |
68 | 00:05:29,500 | 00:05:31,500 | -What're you doing here? -Just visiting. | -What're you doing here? -Just visiting. |
69 | 00:05:31,660 | 00:05:33,620 | What a surprise. If you'd let us know, | What a surprise. If you'd let us know, |
70 | 00:05:33,780 | 00:05:36,060 | -we'd have brought you a little gift. -No, it's fine. | -we'd have brought you a little gift. -No, it's fine. |
71 | 00:05:36,220 | 00:05:37,860 | -Hey, congratulations. -Thank you. | -Hey, congratulations. -Thank you. |
72 | 00:05:38,020 | 00:05:40,740 | -ETA continues to kill. -Love you. | -ETA continues to kill. -Love you. |
73 | 00:05:42,220 | 00:05:44,060 | -Sonia. -Hey girl! | -Sonia. -Hey girl! |
74 | 00:05:44,220 | 00:05:48,060 | How are you, sweetie? Lemme see. You look great. | How are you, sweetie? Lemme see. You look great. |
75 | 00:05:48,220 | 00:05:50,860 | I can't wait to meet your baby. I'm sorry I couldn't come visit. | I can't wait to meet your baby. I'm sorry I couldn't come visit. |
76 | 00:05:51,020 | 00:05:52,980 | -I sleep all morning. -No worries. | -I sleep all morning. -No worries. |
77 | 00:05:53,140 | 00:05:55,260 | It's hard work at night. I just can't wake up. | It's hard work at night. I just can't wake up. |
78 | 00:05:55,420 | 00:05:57,580 | -Don't worry. -I have to tell you about Romario. | -Don't worry. -I have to tell you about Romario. |
79 | 00:05:57,740 | 00:05:59,620 | -What happened? -Sonia Monroy, first call. | -What happened? -Sonia Monroy, first call. |
80 | 00:05:59,780 | 00:06:03,820 | -Really? -Yep... Look who's here. No way. | -Really? -Yep... Look who's here. No way. |
81 | 00:06:05,540 | 00:06:10,140 | No, no. Look, I even have a video. I'm willing to tell you everything. | No, no. Look, I even have a video. I'm willing to tell you everything. |
82 | 00:06:10,300 | 00:06:13,460 | -Absolutely everything! -Keep your voice down. | -Absolutely everything! -Keep your voice down. |
83 | 00:06:13,620 | 00:06:17,100 | -Faela, what're you doing here? -Mari! | -Faela, what're you doing here? -Mari! |
84 | 00:06:17,260 | 00:06:20,660 | -I'm so happy to see you. -How are you? | -I'm so happy to see you. -How are you? |
85 | 00:06:20,820 | 00:06:22,700 | -Come with me. -How's it going? | -Come with me. -How's it going? |
86 | 00:06:22,860 | 00:06:25,500 | I've beem the last two hours in the dressing room with Mario Conde. | I've beem the last two hours in the dressing room with Mario Conde. |
87 | 00:06:25,660 | 00:06:27,980 | Looks like he wants to sing with one of Los Brincos. | Looks like he wants to sing with one of Los Brincos. |
88 | 00:06:28,140 | 00:06:30,900 | Out of the blue, and with the mess he's in. | Out of the blue, and with the mess he's in. |
89 | 00:06:31,060 | 00:06:34,340 | -I tell you, this place... -No, no, I'm following you guys. | -I tell you, this place... -No, no, I'm following you guys. |
90 | 00:06:34,500 | 00:06:37,860 | -And it's really turning out... -It's good, yeah. | -And it's really turning out... -It's good, yeah. |
91 | 00:06:38,020 | 00:06:40,980 | You shoulda seen Carlotti yesterday with two huge cured hams, | You shoulda seen Carlotti yesterday with two huge cured hams, |
92 | 00:06:41,140 | 00:06:44,740 | coming through the crowd to greet us. Listen, I've to go. | coming through the crowd to greet us. Listen, I've to go. |
93 | 00:06:44,900 | 00:06:47,380 | Hey, how's the new girl? | Hey, how's the new girl? |
94 | 00:06:47,540 | 00:06:49,260 | Machús? | Machús? |
95 | 00:06:49,420 | 00:06:51,780 | She's OK, but not like you. | She's OK, but not like you. |
96 | 00:06:51,940 | 00:06:53,260 | See you. | See you. |
97 | 00:07:04,420 | 00:07:05,740 | You jerk! | You jerk! |
98 | 00:07:06,820 | 00:07:09,780 | -What's up? -I can't stand her. | -What's up? -I can't stand her. |
99 | 00:07:09,940 | 00:07:13,300 | -She'd put Judas to shame. -Video's up in 15 seconds. | -She'd put Judas to shame. -Video's up in 15 seconds. |
100 | 00:07:13,460 | 00:07:16,900 | Let's go to the story. Cut to camera. Hurry up, guys. | Let's go to the story. Cut to camera. Hurry up, guys. |
101 | 00:07:17,060 | 00:07:21,220 | -Have you seen her segments? -She's not a journalist. | -Have you seen her segments? -She's not a journalist. |
102 | 00:07:21,380 | 00:07:22,780 | Of course she's not. | Of course she's not. |
103 | 00:07:22,940 | 00:07:26,260 | She's like Mama Chicho or something, but she's no journalist. | She's like Mama Chicho or something, but she's no journalist. |
104 | 00:07:26,420 | 00:07:30,060 | And now, let's hear it for Machús Osinaga. | And now, let's hear it for Machús Osinaga. |
105 | 00:07:30,220 | 00:07:33,180 | -What? -The ones upstairs want her onscreen. | -What? -The ones upstairs want her onscreen. |
106 | 00:07:33,340 | 00:07:35,940 | The girl's easy on the eyes, so... | The girl's easy on the eyes, so... |
107 | 00:07:39,740 | 00:07:41,300 | What've you got today? | What've you got today? |
108 | 00:07:41,460 | 00:07:45,260 | Well, today I've got a man with a Super Dick! | Well, today I've got a man with a Super Dick! |
109 | 00:07:46,620 | 00:07:50,220 | -Yep, that's right. -We'll have to wait a few minutes, | -Yep, that's right. -We'll have to wait a few minutes, |
110 | 00:07:50,380 | 00:07:52,300 | we've gotta cut to commercial. | we've gotta cut to commercial. |
111 | 00:07:52,460 | 00:07:54,740 | Then, Juan Ignacio Blanco with new passwords. | Then, Juan Ignacio Blanco with new passwords. |
112 | 00:07:54,900 | 00:07:56,780 | Don't touch that dial. | Don't touch that dial. |
113 | 00:08:00,700 | 00:08:03,180 | And, we're out. Juan Ignacio, first call. | And, we're out. Juan Ignacio, first call. |
114 | 00:08:03,340 | 00:08:04,660 | Makeup please. | Makeup please. |
115 | 00:08:08,980 | 00:08:12,500 | -Faela! What're you doing here? -I wanted to see you. | -Faela! What're you doing here? -I wanted to see you. |
116 | 00:08:14,620 | 00:08:17,380 | I can't stay locked up in my house all day, right? | I can't stay locked up in my house all day, right? |
117 | 00:08:17,540 | 00:08:20,380 | -I want to talk about... -I'm listening. | -I want to talk about... -I'm listening. |
118 | 00:08:21,620 | 00:08:24,660 | -Let me introduce you. -How's it going? Nice to meet you. | -Let me introduce you. -How's it going? Nice to meet you. |
119 | 00:08:24,820 | 00:08:27,900 | Yeah, we've already... Pleasure. Great. | Yeah, we've already... Pleasure. Great. |
120 | 00:08:28,060 | 00:08:31,420 | How amazing, right? Man, it's gotta be incredible. | How amazing, right? Man, it's gotta be incredible. |
121 | 00:08:31,580 | 00:08:33,180 | What? | What? |
122 | 00:08:33,340 | 00:08:35,460 | -Being a mom. -Oh, yeah, it's incredible. | -Being a mom. -Oh, yeah, it's incredible. |
123 | 00:08:35,620 | 00:08:39,140 | -And a surprise, right? -Could we have a moment, please? | -And a surprise, right? -Could we have a moment, please? |
124 | 00:08:39,300 | 00:08:41,260 | Yeah sure, of course. | Yeah sure, of course. |
125 | 00:08:41,420 | 00:08:42,820 | Two minutes, guys. | Two minutes, guys. |
126 | 00:08:42,980 | 00:08:45,100 | -What? -Reporters on set? | -What? -Reporters on set? |
127 | 00:08:45,260 | 00:08:46,860 | Since when? | Since when? |
128 | 00:08:47,020 | 00:08:49,740 | I can see that motherhood suits you. | I can see that motherhood suits you. |
129 | 00:08:49,900 | 00:08:53,580 | Tell me about it. No, seriously. The new girl on set? | Tell me about it. No, seriously. The new girl on set? |
130 | 00:08:53,740 | 00:08:56,740 | -Anything you'd like to share? -Yes, Faela. | -Anything you'd like to share? -Yes, Faela. |
131 | 00:08:56,900 | 00:09:00,220 | We've got a show every single day and we need to try new things. | We've got a show every single day and we need to try new things. |
132 | 00:09:00,380 | 00:09:04,900 | Next time I'll run it by you so you can give me the OK. | Next time I'll run it by you so you can give me the OK. |
133 | 00:09:05,060 | 00:09:09,020 | Alright, we're coming up on the end of the break. | Alright, we're coming up on the end of the break. |
134 | 00:09:09,180 | 00:09:11,540 | -Places, everyone. -Faela. | -Places, everyone. -Faela. |
135 | 00:09:13,540 | 00:09:14,860 | Faela. | Faela. |
136 | 00:09:15,820 | 00:09:18,620 | Good seeing you, I miss you. | Good seeing you, I miss you. |
137 | 00:09:20,060 | 00:09:22,300 | -Here, sweetie. -Alright, and in... | -Here, sweetie. -Alright, and in... |
138 | 00:09:23,780 | 00:09:27,180 | -Five, four... -Hey, I'm on my way, OK? | -Five, four... -Hey, I'm on my way, OK? |
139 | 00:09:27,340 | 00:09:29,220 | Great. | Great. |
140 | 00:09:29,380 | 00:09:30,780 | How's Lucas? | How's Lucas? |
141 | 00:09:34,100 | 00:09:35,500 | Alright. | Alright. |
142 | 00:09:35,660 | 00:09:37,220 | Is he sleeping? | Is he sleeping? |
143 | 00:09:38,900 | 00:09:41,340 | Great, that's perfect. | Great, that's perfect. |
144 | 00:09:41,500 | 00:09:42,860 | Hey, Mom? | Hey, Mom? |
145 | 00:09:45,340 | 00:09:46,700 | Thank you. | Thank you. |
146 | 00:09:56,980 | 00:09:59,340 | Look out, bitch! You almost run me over! | Look out, bitch! You almost run me over! |
147 | 00:09:59,500 | 00:10:01,980 | -What's your deal? -Sorry, I'm sorry. | -What's your deal? -Sorry, I'm sorry. |
148 | 00:10:03,860 | 00:10:06,820 | Look, I'm sorry. I didn't see you. | Look, I'm sorry. I didn't see you. |
149 | 00:11:13,820 | 00:11:17,580 | In her book "The Spiral of Silence", Elisabeth Noelle-Neumann | In her book "The Spiral of Silence", Elisabeth Noelle-Neumann |
150 | 00:11:17,740 | 00:11:20,500 | examines public opinion as a form of social control | examines public opinion as a form of social control |
151 | 00:11:20,660 | 00:11:24,660 | in which individuals shape their behavior to the prevailing | in which individuals shape their behavior to the prevailing |
152 | 00:11:24,820 | 00:11:27,660 | attitudes about what is acceptable and what is not. | attitudes about what is acceptable and what is not. |
153 | 00:11:27,820 | 00:11:32,300 | Neumann theorizes that society threatens individuals with isolation | Neumann theorizes that society threatens individuals with isolation |
154 | 00:11:32,460 | 00:11:35,060 | if they express positions that stand in contrast to the majority. | if they express positions that stand in contrast to the majority. |
155 | 00:11:35,220 | 00:11:37,620 | Let me clarify so you all understand. | Let me clarify so you all understand. |
156 | 00:11:37,780 | 00:11:40,740 | As individuals, we are trained to perceive | As individuals, we are trained to perceive |
157 | 00:11:40,900 | 00:11:43,460 | the dominant climate of opinion, | the dominant climate of opinion, |
158 | 00:11:43,620 | 00:11:45,700 | and we base our responses on that climate. | and we base our responses on that climate. |
159 | 00:11:47,940 | 00:11:50,820 | U SURE IT WAS HER? | U SURE IT WAS HER? |
160 | 00:11:50,980 | 00:11:53,380 | TOTALLY! | TOTALLY! |
161 | 00:11:53,540 | 00:11:56,100 | U HAFTA TELL ME EVERYTHING | U HAFTA TELL ME EVERYTHING |
162 | 00:11:56,260 | 00:11:59,780 | There is a theory in the book, that it's wonderful. | There is a theory in the book, that it's wonderful. |
163 | 00:11:59,940 | 00:12:02,500 | SURE, COME WHEN YOU WANT. | SURE, COME WHEN YOU WANT. |
164 | 00:12:02,660 | 00:12:03,980 | OK! | OK! |
165 | 00:12:04,140 | 00:12:05,780 | C U, LUV | C U, LUV |
166 | 00:12:07,460 | 00:12:08,780 | Sorry. | Sorry. |
167 | 00:12:11,700 | 00:12:14,340 | -It's just my friend saw La Veneno. -Who? | -It's just my friend saw La Veneno. -Who? |
168 | 00:12:14,500 | 00:12:17,780 | Cristina, La Veneno. Here, in Valencia. I'm freaking out. | Cristina, La Veneno. Here, in Valencia. I'm freaking out. |
169 | 00:12:17,940 | 00:12:20,820 | What're you talking about? Who cares? We're in class. | What're you talking about? Who cares? We're in class. |
170 | 00:12:20,980 | 00:12:23,900 | Silence please, if you would. Thank you. | Silence please, if you would. Thank you. |
171 | 00:12:25,220 | 00:12:28,020 | Just a minute, listen up. | Just a minute, listen up. |
172 | 00:12:28,180 | 00:12:31,300 | This book is an extremely important sociological keystone. | This book is an extremely important sociological keystone. |
173 | 00:12:31,460 | 00:12:34,380 | It poses an essential question for you, as journalists. | It poses an essential question for you, as journalists. |
174 | 00:12:34,540 | 00:12:37,900 | Just a moment! There is a question here that is really important, | Just a moment! There is a question here that is really important, |
175 | 00:12:38,060 | 00:12:42,180 | about the role that the media plays in our society. | about the role that the media plays in our society. |
176 | 00:12:42,340 | 00:12:45,300 | Read the book and write an outline for next week. | Read the book and write an outline for next week. |
177 | 00:12:45,460 | 00:12:49,140 | A journalistic one, I don't want it simple. | A journalistic one, I don't want it simple. |
178 | 00:12:49,300 | 00:12:51,340 | Don't make it boring, alright? | Don't make it boring, alright? |
179 | 00:12:51,500 | 00:12:53,580 | That's it, you're free to go. | That's it, you're free to go. |
180 | 00:12:55,220 | 00:12:58,180 | -What's she like? -Enjoy, guys. | -What's she like? -Enjoy, guys. |
181 | 00:12:58,340 | 00:13:02,300 | Fat, but beautiful. She was fat, but so beautiful. | Fat, but beautiful. She was fat, but so beautiful. |
182 | 00:13:02,460 | 00:13:05,780 | Like a cross between a superhero and a virgin. | Like a cross between a superhero and a virgin. |
183 | 00:13:05,940 | 00:13:10,220 | -Come on, girl, a virgin... -Like an apparition of the Virgin. | -Come on, girl, a virgin... -Like an apparition of the Virgin. |
184 | 00:13:10,380 | 00:13:14,260 | And lemme tell you, she has gigantic tits. | And lemme tell you, she has gigantic tits. |
185 | 00:13:14,420 | 00:13:16,740 | Oh my god, Cristina, La Veneno. | Oh my god, Cristina, La Veneno. |
186 | 00:13:16,900 | 00:13:18,820 | -But she was in jail. -Yeah. | -But she was in jail. -Yeah. |
187 | 00:13:18,980 | 00:13:21,580 | -La Veneno? From TV? -One and the same. | -La Veneno? From TV? -One and the same. |
188 | 00:13:21,740 | 00:13:23,620 | That's right, from TV. | That's right, from TV. |
189 | 00:13:23,780 | 00:13:28,620 | I ran straight into her. We're this close, like you and me. | I ran straight into her. We're this close, like you and me. |
190 | 00:13:28,780 | 00:13:30,940 | What's she doing here, Amparo? I don't get it. | What's she doing here, Amparo? I don't get it. |
191 | 00:13:31,100 | 00:13:33,700 | -She said she had some gigs. -Gigs? | -She said she had some gigs. -Gigs? |
192 | 00:13:33,860 | 00:13:35,700 | Gigs? No way. | Gigs? No way. |
193 | 00:13:35,860 | 00:13:37,900 | -She's with the La Fe girls. -The what now? | -She's with the La Fe girls. -The what now? |
194 | 00:13:38,060 | 00:13:40,140 | -The girls from the Hospital. -Those hookers? | -The girls from the Hospital. -Those hookers? |
195 | 00:13:40,300 | 00:13:42,100 | Hey, who asked you? | Hey, who asked you? |
196 | 00:13:42,260 | 00:13:44,580 | Just because she's trans, you assume she's a prostitute? | Just because she's trans, you assume she's a prostitute? |
197 | 00:13:44,740 | 00:13:49,740 | -She's had lots of gigs in Valencia. -Honey, I live around there, | -She's had lots of gigs in Valencia. -Honey, I live around there, |
198 | 00:13:49,900 | 00:13:53,260 | and she's always stopping cars. | and she's always stopping cars. |
199 | 00:13:53,420 | 00:13:55,660 | But I'm a big fan, I love her. | But I'm a big fan, I love her. |
200 | 00:13:58,340 | 00:14:00,380 | Peace out! See ya. | Peace out! See ya. |
201 | 00:14:00,540 | 00:14:04,220 | Geez, I knew he was gay. I just knew it. | Geez, I knew he was gay. I just knew it. |
202 | 00:14:04,380 | 00:14:06,340 | If his mom finds out, she'll have a heart attack. | If his mom finds out, she'll have a heart attack. |
203 | 00:14:06,500 | 00:14:08,780 | Complete gay. You know, like you. | Complete gay. You know, like you. |
204 | 00:14:08,940 | 00:14:10,540 | -Amparo. -What? | -Amparo. -What? |
205 | 00:14:10,700 | 00:14:12,060 | Can we go to hospital? | Can we go to hospital? |
206 | 00:14:12,220 | 00:14:15,780 | -Why all the screaming? -They're supposed to be here by now! | -Why all the screaming? -They're supposed to be here by now! |
207 | 00:14:15,940 | 00:14:19,300 | We've been here since 6:00 and they're still not here. | We've been here since 6:00 and they're still not here. |
208 | 00:14:19,460 | 00:14:21,860 | -Who's still not here? -Take That. | -Who's still not here? -Take That. |
209 | 00:14:22,020 | 00:14:26,260 | If they're not coming, then they should just say so. | If they're not coming, then they should just say so. |
210 | 00:14:26,420 | 00:14:29,340 | -Right. Why all the tears? -I'm fed up! | -Right. Why all the tears? -I'm fed up! |
211 | 00:14:29,500 | 00:14:31,020 | My nerves are shot. | My nerves are shot. |
212 | 00:14:34,180 | 00:14:36,700 | All running around: "They're coming this way". | All running around: "They're coming this way". |
213 | 00:14:36,860 | 00:14:38,940 | "No, over here". Stepping all over each other, | "No, over here". Stepping all over each other, |
214 | 00:14:39,100 | 00:14:41,660 | -dropping their purses... -I think they'll be here soon. | -dropping their purses... -I think they'll be here soon. |
215 | 00:14:41,820 | 00:14:45,340 | -And what if they're not? -I'll just kill myself, cause... | -And what if they're not? -I'll just kill myself, cause... |
216 | 00:14:45,500 | 00:14:48,420 | -No... -Aren't we enough fans form them? | -No... -Aren't we enough fans form them? |
217 | 00:14:55,020 | 00:14:57,420 | Gary, I love you! | Gary, I love you! |
218 | 00:14:57,580 | 00:14:59,580 | They're fucking crazy. | They're fucking crazy. |
219 | 00:14:59,740 | 00:15:03,820 | Some came with their moms, and they were worse than the girls. | Some came with their moms, and they were worse than the girls. |
220 | 00:15:03,980 | 00:15:06,020 | -Incredible. -I can't even, honestly. | -Incredible. -I can't even, honestly. |
221 | 00:15:06,180 | 00:15:08,140 | -Great job, Machús. -Thanks. | -Great job, Machús. -Thanks. |
222 | 00:15:08,300 | 00:15:10,340 | -We'll edit it and use it tonight. -Great. | -We'll edit it and use it tonight. -Great. |
223 | 00:15:10,500 | 00:15:14,460 | We'll put it between Tristán Braker, from the Vallecas scandal, | We'll put it between Tristán Braker, from the Vallecas scandal, |
224 | 00:15:14,620 | 00:15:16,580 | -and Beatriz Rico. -OK. | -and Beatriz Rico. -OK. |
225 | 00:15:16,740 | 00:15:19,260 | And tonight we've also got "The Half Lemon". | And tonight we've also got "The Half Lemon". |
226 | 00:15:20,780 | 00:15:23,260 | How many lemons is that now? | How many lemons is that now? |
227 | 00:15:23,420 | 00:15:26,740 | For those of you who don't know, Faela, our supermommy | For those of you who don't know, Faela, our supermommy |
228 | 00:15:26,900 | 00:15:29,620 | is back early from her maternity leave. | is back early from her maternity leave. |
229 | 00:15:29,780 | 00:15:31,460 | Welcome back! | Welcome back! |
230 | 00:15:32,940 | 00:15:35,860 | You take your time and when you've got a story, let us know. | You take your time and when you've got a story, let us know. |
231 | 00:15:36,020 | 00:15:38,580 | -I've already got a story. -Is that right? | -I've already got a story. -Is that right? |
232 | 00:15:38,740 | 00:15:40,660 | Well, I don't know if... | Well, I don't know if... |
233 | 00:15:40,820 | 00:15:44,100 | Well, I've got a source in Lavapiés who does whatever I want. | Well, I've got a source in Lavapiés who does whatever I want. |
234 | 00:15:44,260 | 00:15:47,580 | One of these weirdo sex workers. We'll spend the day together, | One of these weirdo sex workers. We'll spend the day together, |
235 | 00:15:47,740 | 00:15:50,540 | -and I'll report on the experience. -Machús did that a few days ago. | -and I'll report on the experience. -Machús did that a few days ago. |
236 | 00:15:50,700 | 00:15:52,860 | -Yeah, but... -At the Sex Fair, in Barcelona. | -Yeah, but... -At the Sex Fair, in Barcelona. |
237 | 00:15:53,020 | 00:15:55,580 | But it wouldn't be organized and clean like that. | But it wouldn't be organized and clean like that. |
238 | 00:15:55,740 | 00:15:58,220 | Faela, we need some new stuff. What else do we have? | Faela, we need some new stuff. What else do we have? |
239 | 00:15:58,380 | 00:16:02,020 | -Can we have the mime on tomorrow? -No, not the mime. No. | -Can we have the mime on tomorrow? -No, not the mime. No. |
240 | 00:16:02,180 | 00:16:04,780 | He does that bit you like about Felipe González | He does that bit you like about Felipe González |
241 | 00:16:04,940 | 00:16:07,700 | -and the English classes. -No, please, not the mime. | -and the English classes. -No, please, not the mime. |
242 | 00:16:07,860 | 00:16:11,340 | And we'll compare Felipe González's dick to Bill Clinton's. | And we'll compare Felipe González's dick to Bill Clinton's. |
243 | 00:16:11,500 | 00:16:13,220 | -No. -The police in Galicia | -No. -The police in Galicia |
244 | 00:16:13,380 | 00:16:16,900 | are looking into some satanic rituals in an abandoned church. | are looking into some satanic rituals in an abandoned church. |
245 | 00:16:17,060 | 00:16:18,380 | No. Doesn't anybody...? | No. Doesn't anybody...? |
246 | 00:16:18,540 | 00:16:22,860 | We have a father and daughter who think they were abducted and... | We have a father and daughter who think they were abducted and... |
247 | 00:16:23,020 | 00:16:26,780 | -Don't we have anything...? -I think I've got something... | -Don't we have anything...? -I think I've got something... |
248 | 00:16:26,940 | 00:16:28,260 | for Faela. | for Faela. |
249 | 00:16:29,340 | 00:16:32,220 | I've two lesbian friends who have got a bar in Chueca | I've two lesbian friends who have got a bar in Chueca |
250 | 00:16:32,380 | 00:16:35,180 | and they're having a protest wedding. Tonight. | and they're having a protest wedding. Tonight. |
251 | 00:16:35,340 | 00:16:38,500 | We've got the "Barb Wire" premiere, and we've got Pamela, | We've got the "Barb Wire" premiere, and we've got Pamela, |
252 | 00:16:38,660 | 00:16:40,220 | -so I can't go. -Yeah, but that's... | -so I can't go. -Yeah, but that's... |
253 | 00:16:40,380 | 00:16:44,140 | You take it, Faela, OK? I think that'll do it, right, Mari? | You take it, Faela, OK? I think that'll do it, right, Mari? |
254 | 00:16:44,300 | 00:16:45,620 | Yes, it's done. | Yes, it's done. |
255 | 00:16:45,780 | 00:16:50,500 | And come in prepared tomorrow, cause today was a bit dull, OK? | And come in prepared tomorrow, cause today was a bit dull, OK? |
256 | 00:16:56,420 | 00:16:59,660 | -Pepe, the auditions. -Hope you called in some good ones. | -Pepe, the auditions. -Hope you called in some good ones. |
257 | 00:16:59,820 | 00:17:02,460 | -Pepe, more lesbians? Really? -Yes. | -Pepe, more lesbians? Really? -Yes. |
258 | 00:17:02,620 | 00:17:04,220 | What's so special about them? | What's so special about them? |
259 | 00:17:04,380 | 00:17:07,900 | You just said we need something new. Jesus, my sister is a lesbian. | You just said we need something new. Jesus, my sister is a lesbian. |
260 | 00:17:08,060 | 00:17:09,940 | -But it's a wedding. -It's just a sham. | -But it's a wedding. -It's just a sham. |
261 | 00:17:10,100 | 00:17:14,460 | -You should've stayed home. I'm not gonna do a shitty story. | -You should've stayed home. I'm not gonna do a shitty story. |
262 | 00:17:14,620 | 00:17:17,260 | -I have lots of ideas. -I haven't slept in three days. | -I have lots of ideas. -I haven't slept in three days. |
263 | 00:17:17,420 | 00:17:19,260 | Your kid might be perfect, but mine isn't. | Your kid might be perfect, but mine isn't. |
264 | 00:17:19,420 | 00:17:23,860 | I've gotta watch 2000 auditions tapes and I'm starting to get tired. | I've gotta watch 2000 auditions tapes and I'm starting to get tired. |
265 | 00:17:24,020 | 00:17:26,460 | -You sure you're ready to come back? -Yes. | -You sure you're ready to come back? -Yes. |
266 | 00:17:26,620 | 00:17:30,020 | Then you're doing the lesbian wedding, my friend. | Then you're doing the lesbian wedding, my friend. |
267 | 00:17:30,180 | 00:17:31,860 | Now if you don't mind. | Now if you don't mind. |
268 | 00:18:02,620 | 00:18:05,900 | -We're drawing attention. -My boyfrind likes this music. | -We're drawing attention. -My boyfrind likes this music. |
269 | 00:18:06,060 | 00:18:09,820 | -Turn the music off. -Don't touch anything, it's a mess. | -Turn the music off. -Don't touch anything, it's a mess. |
270 | 00:18:09,980 | 00:18:13,580 | You push that button, it starts to smoke, then it starts flashing. | You push that button, it starts to smoke, then it starts flashing. |
271 | 00:18:13,740 | 00:18:16,140 | Quite a place, isn't it? Jesus | Quite a place, isn't it? Jesus |
272 | 00:18:19,220 | 00:18:20,820 | -This is it. -Here? | -This is it. -Here? |
273 | 00:18:21,940 | 00:18:23,260 | Look, look, look. | Look, look, look. |
274 | 00:18:27,020 | 00:18:30,460 | -Do you think they're all trans? -I don't know. | -Do you think they're all trans? -I don't know. |
275 | 00:18:30,620 | 00:18:34,060 | I'll go ask them, if you like. Geez... | I'll go ask them, if you like. Geez... |
276 | 00:19:02,940 | 00:19:07,060 | Who are these little hotties? Newbies to the back of the line. | Who are these little hotties? Newbies to the back of the line. |
277 | 00:19:07,220 | 00:19:10,020 | And if you don't have boobs yet, go with the transformers. | And if you don't have boobs yet, go with the transformers. |
278 | 00:19:10,180 | 00:19:13,500 | The internet is fucking up our entire business. | The internet is fucking up our entire business. |
279 | 00:19:13,660 | 00:19:16,020 | Here we go again, you're so annoying. | Here we go again, you're so annoying. |
280 | 00:19:16,180 | 00:19:18,540 | Go up and down, and stop cars. | Go up and down, and stop cars. |
281 | 00:19:18,700 | 00:19:20,020 | -Hey. -Hi. | -Hey. -Hi. |
282 | 00:19:24,660 | 00:19:26,940 | -What you want? -We're looking for Cristina. | -What you want? -We're looking for Cristina. |
283 | 00:19:27,100 | 00:19:29,380 | -From Huelva? -No, La Veneno. | -From Huelva? -No, La Veneno. |
284 | 00:19:31,620 | 00:19:33,580 | Paca knows about that. | Paca knows about that. |
285 | 00:19:33,740 | 00:19:35,860 | -Chesca! -What? | -Chesca! -What? |
286 | 00:19:36,020 | 00:19:38,180 | +-Where's Paca? -The Piranha? | +-Where's Paca? -The Piranha? |
287 | 00:19:38,340 | 00:19:40,620 | -Yeah. -She's tied up. | -Yeah. -She's tied up. |
288 | 00:19:40,780 | 00:19:43,220 | -Yeah, she's busy. -OK, well... | -Yeah, she's busy. -OK, well... |
289 | 00:19:43,380 | 00:19:45,540 | -Thanks anyway. -Just wait. | -Thanks anyway. -Just wait. |
290 | 00:19:45,700 | 00:19:47,900 | She'll be right back. Just relax. | She'll be right back. Just relax. |
291 | 00:19:48,060 | 00:19:50,460 | What's the big hurry? We don't bite. | What's the big hurry? We don't bite. |
292 | 00:19:50,620 | 00:19:53,180 | So what was I saying? Leave your nails alone. | So what was I saying? Leave your nails alone. |
293 | 00:19:53,340 | 00:19:56,260 | -Oh my God... -Have you read the book "The Secret"? | -Oh my God... -Have you read the book "The Secret"? |
294 | 00:19:56,420 | 00:20:00,740 | -The secret of your coochie maybe. -Hats, chips, beer, Coca-Cola... | -The secret of your coochie maybe. -Hats, chips, beer, Coca-Cola... |
295 | 00:20:00,900 | 00:20:03,740 | Manolito, you look like a Christmas tree. Cutie! | Manolito, you look like a Christmas tree. Cutie! |
296 | 00:20:06,260 | 00:20:09,180 | -He's adorable. -I can't believe him. | -He's adorable. -I can't believe him. |
297 | 00:20:13,300 | 00:20:16,020 | -What're you staring at? Want a picture or what? | -What're you staring at? Want a picture or what? |
298 | 00:20:16,180 | 00:20:17,660 | No. Sorry... | No. Sorry... |
299 | 00:20:18,980 | 00:20:21,420 | -I love your bag. -Oh yeah? It's "TELVA". | -I love your bag. -Oh yeah? It's "TELVA". |
300 | 00:20:21,580 | 00:20:24,500 | -"TELVA"? -Look, "TELVA". | -"TELVA"? -Look, "TELVA". |
301 | 00:20:24,660 | 00:20:29,060 | It's perfect for two condoms, four wipes, two lipsticks... | It's perfect for two condoms, four wipes, two lipsticks... |
302 | 00:20:29,220 | 00:20:30,900 | Just leave your nails alone! | Just leave your nails alone! |
303 | 00:20:31,060 | 00:20:35,260 | -You're driving me crazy. -Vane, here comes Paca. | -You're driving me crazy. -Vane, here comes Paca. |
304 | 00:20:35,420 | 00:20:36,740 | Paca! | Paca! |
305 | 00:20:38,060 | 00:20:41,900 | -What? -They're looking for La Veneno. | -What? -They're looking for La Veneno. |
306 | 00:20:42,060 | 00:20:43,380 | I'm coming. | I'm coming. |
307 | 00:20:55,660 | 00:20:58,020 | -Look. -Who are these outsiders? | -Look. -Who are these outsiders? |
308 | 00:20:58,180 | 00:20:59,780 | -I don't know. -Hello. | -I don't know. -Hello. |
309 | 00:20:59,940 | 00:21:02,740 | Hello. Good evening. Who are you looking for? | Hello. Good evening. Who are you looking for? |
310 | 00:21:02,900 | 00:21:06,500 | -We wanted to meet La Veneno. -Oh honey, there's no Veneno here. | -We wanted to meet La Veneno. -Oh honey, there's no Veneno here. |
311 | 00:21:06,660 | 00:21:09,300 | -Who told you she was here? -I saw her the other day. | -Who told you she was here? -I saw her the other day. |
312 | 00:21:09,460 | 00:21:13,340 | The other day? You must been drunk, ain't no Veneno here. | The other day? You must been drunk, ain't no Veneno here. |
313 | 00:21:13,500 | 00:21:16,460 | -Of course I saw her, man. -"Man"? Got my pussy in the back, | -Of course I saw her, man. -"Man"? Got my pussy in the back, |
314 | 00:21:16,620 | 00:21:20,060 | but take a look at my rack. Now get outta here. | but take a look at my rack. Now get outta here. |
315 | 00:21:20,220 | 00:21:23,860 | -I swear to God I saw her. -Amparo, let it go. | -I swear to God I saw her. -Amparo, let it go. |
316 | 00:21:24,020 | 00:21:27,380 | Good night now. Take care and drive safe. | Good night now. Take care and drive safe. |
317 | 00:21:27,540 | 00:21:31,220 | -Who are them? Is there a fight? -They're... No, honey. | -Who are them? Is there a fight? -They're... No, honey. |
318 | 00:21:31,380 | 00:21:34,140 | -Fight! Fight! -Listen here. | -Fight! Fight! -Listen here. |
319 | 00:21:34,300 | 00:21:37,700 | The things I have to put up with. Stop with the nails! | The things I have to put up with. Stop with the nails! |
320 | 00:21:37,860 | 00:21:39,300 | Fine, geez. | Fine, geez. |
321 | 00:21:41,340 | 00:21:44,260 | -You didn't say anything, right? -I didn't make a peep. | -You didn't say anything, right? -I didn't make a peep. |
322 | 00:21:44,420 | 00:21:48,980 | I hope so. If they come asking about La Veneno, she's not here. | I hope so. If they come asking about La Veneno, she's not here. |
323 | 00:21:50,340 | 00:21:53,260 | I'm gonna deliver her cigarettes and her magazine. | I'm gonna deliver her cigarettes and her magazine. |
324 | 00:21:53,420 | 00:21:55,580 | -Girl smokes like a chimney. -May God bless you. | -Girl smokes like a chimney. -May God bless you. |
325 | 00:21:55,740 | 00:21:58,700 | If those two come back, silence. Over and out. | If those two come back, silence. Over and out. |
326 | 00:22:02,140 | 00:22:04,540 | -Ugh, forget it. -The bar's closed. | -Ugh, forget it. -The bar's closed. |
327 | 00:22:04,700 | 00:22:07,820 | I know girls like this. You have no idea. | I know girls like this. You have no idea. |
328 | 00:22:08,860 | 00:22:11,780 | -Dykes can be really intense. -No, come on, Machús. | -Dykes can be really intense. -No, come on, Machús. |
329 | 00:22:11,940 | 00:22:14,340 | I'm talking about Machús. She's yanking my chain, | I'm talking about Machús. She's yanking my chain, |
330 | 00:22:14,500 | 00:22:17,540 | this whole thing is a set-up. Know who I saw her with today? | this whole thing is a set-up. Know who I saw her with today? |
331 | 00:22:17,700 | 00:22:19,900 | -Who? -Rober. | -Who? -Rober. |
332 | 00:22:20,060 | 00:22:23,620 | -And what were they up to? -Don't you know the story? | -And what were they up to? -Don't you know the story? |
333 | 00:22:23,780 | 00:22:27,100 | There once was an actress so dumb, she hooked up with the writer. | There once was an actress so dumb, she hooked up with the writer. |
334 | 00:22:27,260 | 00:22:28,580 | Really? | Really? |
335 | 00:22:29,260 | 00:22:33,780 | -What're you doing? Smoking? -I've already had my baby. | -What're you doing? Smoking? -I've already had my baby. |
336 | 00:22:33,940 | 00:22:35,540 | True. | True. |
337 | 00:22:35,700 | 00:22:38,780 | What do we do? Want a drink? A beer or two? | What do we do? Want a drink? A beer or two? |
338 | 00:22:38,940 | 00:22:42,020 | No, forget it. I need... I need a story. | No, forget it. I need... I need a story. |
339 | 00:22:45,060 | 00:22:47,700 | -Well, you're the boss. -Come on. | -Well, you're the boss. -Come on. |
340 | 00:22:48,940 | 00:22:50,260 | Come on, let's go. | Come on, let's go. |
341 | 00:22:54,540 | 00:22:56,540 | I know that face. | I know that face. |
342 | 00:23:00,300 | 00:23:03,660 | -No, Faela, we can't record here. -Why not? | -No, Faela, we can't record here. -Why not? |
343 | 00:23:03,820 | 00:23:06,500 | Not even the cops come here. | Not even the cops come here. |
344 | 00:23:12,340 | 00:23:13,660 | Oh my god. | Oh my god. |
345 | 00:23:16,860 | 00:23:19,580 | -Let's go. -For crying out loud. | -Let's go. -For crying out loud. |
346 | 00:23:30,940 | 00:23:32,860 | Oh shit, the mic. Here. | Oh shit, the mic. Here. |
347 | 00:23:34,340 | 00:23:36,380 | The camera, someone's coming. | The camera, someone's coming. |
348 | 00:23:36,540 | 00:23:39,460 | Sound check. Everything OK? Turn it on, turn it on. | Sound check. Everything OK? Turn it on, turn it on. |
349 | 00:23:39,620 | 00:23:42,300 | Hello. Excuse me. Stop, please. | Hello. Excuse me. Stop, please. |
350 | 00:23:42,460 | 00:23:46,380 | Good evening. Are you hoping to hire a prostitute? | Good evening. Are you hoping to hire a prostitute? |
351 | 00:23:46,540 | 00:23:49,860 | Do you know what kind of prostitution goes on here, sir? | Do you know what kind of prostitution goes on here, sir? |
352 | 00:23:52,220 | 00:23:53,540 | Let's go. | Let's go. |
353 | 00:23:53,700 | 00:23:58,060 | -We're not gonna get anything. -Wait, wait. We got this, come on. | -We're not gonna get anything. -Wait, wait. We got this, come on. |
354 | 00:23:58,220 | 00:24:00,100 | -Hello. -Don't film me! | -Hello. -Don't film me! |
355 | 00:24:00,260 | 00:24:03,860 | -Don't go. You look amazing. -Fuck off. | -Don't go. You look amazing. -Fuck off. |
356 | 00:24:04,020 | 00:24:05,900 | -And you look like shit. -Wow. | -And you look like shit. -Wow. |
357 | 00:24:07,940 | 00:24:11,820 | -No one's gonna talk. -Wait. Look, look. | -No one's gonna talk. -Wait. Look, look. |
358 | 00:24:11,980 | 00:24:13,540 | Stop, stop, stop! | Stop, stop, stop! |
359 | 00:24:14,540 | 00:24:16,780 | What a jerk. | What a jerk. |
360 | 00:24:16,940 | 00:24:19,540 | -Faela, let's go. That's enough. -Just a second. | -Faela, let's go. That's enough. -Just a second. |
361 | 00:24:19,700 | 00:24:24,100 | Do you know what time it is? It's dangerous around here. | Do you know what time it is? It's dangerous around here. |
362 | 00:24:24,260 | 00:24:26,020 | People get killed. | People get killed. |
363 | 00:24:26,180 | 00:24:28,940 | Please. Do you want that to happen to us? | Please. Do you want that to happen to us? |
364 | 00:24:30,580 | 00:24:32,580 | Calm down, please. | Calm down, please. |
365 | 00:24:35,220 | 00:24:37,780 | -Pablo. -No, stop ignoring me. | -Pablo. -No, stop ignoring me. |
366 | 00:24:37,940 | 00:24:40,060 | Ever since you got back, I was excited to see you, | Ever since you got back, I was excited to see you, |
367 | 00:24:40,220 | 00:24:43,580 | -but you're being impossible. -Pablo, will you look? | -but you're being impossible. -Pablo, will you look? |
368 | 00:24:45,100 | 00:24:46,420 | Jesus! | Jesus! |
369 | 00:24:49,860 | 00:24:51,660 | Roll. | Roll. |
370 | 00:24:51,820 | 00:24:55,620 | -Hello. Mind if we ask some questions? -Of course not, honey. | -Hello. Mind if we ask some questions? -Of course not, honey. |
371 | 00:24:55,780 | 00:24:58,020 | -Go ahead and ask. -You look amazing. | -Go ahead and ask. -You look amazing. |
372 | 00:24:58,180 | 00:25:01,300 | Well, I like the good life, high fashion. | Well, I like the good life, high fashion. |
373 | 00:25:01,460 | 00:25:06,060 | -Different outfit every night? -Yes, like the bombshell I am. | -Different outfit every night? -Yes, like the bombshell I am. |
374 | 00:25:06,220 | 00:25:08,780 | -What are you: a man or a woman? -What am I? | -What are you: a man or a woman? -What am I? |
375 | 00:25:08,940 | 00:25:11,100 | -I'm a blinking light, honey. -Ahat are you dressed as? | -I'm a blinking light, honey. -Ahat are you dressed as? |
376 | 00:25:11,260 | 00:25:13,700 | -A sultan? -I dunno what I am, honestly. | -A sultan? -I dunno what I am, honestly. |
377 | 00:25:13,860 | 00:25:17,980 | Sultan, courtesan, Indian... Like Pocahontas, | Sultan, courtesan, Indian... Like Pocahontas, |
378 | 00:25:18,140 | 00:25:21,180 | -but with a shark. -What's this about a shark? | -but with a shark. -What's this about a shark? |
379 | 00:25:21,340 | 00:25:22,940 | What's the shark? | What's the shark? |
380 | 00:25:23,100 | 00:25:26,700 | The shark is coming. | The shark is coming. |
381 | 00:25:26,860 | 00:25:30,020 | It's what's between my legs. What else would the shark be? | It's what's between my legs. What else would the shark be? |
382 | 00:25:30,180 | 00:25:31,940 | -How much? -I'm expensive. | -How much? -I'm expensive. |
383 | 00:25:32,100 | 00:25:35,180 | I don't even wanna say, cause... | I don't even wanna say, cause... |
384 | 00:25:35,340 | 00:25:37,020 | Hang on, sweetie. | Hang on, sweetie. |
385 | 00:25:37,180 | 00:25:38,980 | -Get the car. -On it. | -Get the car. -On it. |
386 | 00:25:41,460 | 00:25:43,900 | It's 10,000. Wadda you say, honey? | It's 10,000. Wadda you say, honey? |
387 | 00:25:45,500 | 00:25:49,260 | -Well fuck you very much. -How much did that tightwad offer? | -Well fuck you very much. -How much did that tightwad offer? |
388 | 00:25:49,420 | 00:25:52,780 | 5,000. 5,000 for a BJ, I'm worth way more than that. | 5,000. 5,000 for a BJ, I'm worth way more than that. |
389 | 00:25:52,940 | 00:25:55,660 | -What's a BJ? -You don't know what a BJ is? | -What's a BJ? -You don't know what a BJ is? |
390 | 00:25:57,060 | 00:25:58,660 | It's pretty intense. | It's pretty intense. |
391 | 00:25:58,820 | 00:26:00,500 | -How about going bareback? -No. | -How about going bareback? -No. |
392 | 00:26:00,660 | 00:26:01,980 | You're clueless. | You're clueless. |
393 | 00:26:02,140 | 00:26:04,380 | Well imagine | Well imagine |
394 | 00:26:04,540 | 00:26:07,660 | this is a spicy lollypop. | this is a spicy lollypop. |
395 | 00:26:07,820 | 00:26:11,140 | So you put on the condom | So you put on the condom |
396 | 00:26:11,300 | 00:26:14,380 | so you don't spill, so everything stays inside. | so you don't spill, so everything stays inside. |
397 | 00:26:14,540 | 00:26:18,100 | -And then where do you put it? -Where do I put it? | -And then where do you put it? -Where do I put it? |
398 | 00:26:18,260 | 00:26:20,940 | In my pussy. Clear as day. | In my pussy. Clear as day. |
399 | 00:26:21,100 | 00:26:22,620 | Hang on a sec. | Hang on a sec. |
400 | 00:26:22,780 | 00:26:24,780 | -What do I do? -Roll, roll. | -What do I do? -Roll, roll. |
401 | 00:26:26,580 | 00:26:27,980 | You wanna do it? | You wanna do it? |
402 | 00:26:29,900 | 00:26:33,020 | -She's leaving. -See ya, sweetie. | -She's leaving. -See ya, sweetie. |
403 | 00:26:33,180 | 00:26:36,700 | And practice your BJ, it's gonna change your life. | And practice your BJ, it's gonna change your life. |
404 | 00:26:38,580 | 00:26:42,060 | -That was amazing. -Unbelievable. | -That was amazing. -Unbelievable. |
405 | 00:26:43,220 | 00:26:46,860 | -Let's get some b-roll, c'mon. -I cannot believe this. | -Let's get some b-roll, c'mon. -I cannot believe this. |
406 | 00:26:47,020 | 00:26:48,700 | -How about here? -This is good. | -How about here? -This is good. |
407 | 00:26:48,860 | 00:26:50,580 | -But all these cars... -Hurry. | -But all these cars... -Hurry. |
408 | 00:26:51,700 | 00:26:53,900 | -You say the word. -I got you. Whenever you're ready. | -You say the word. -I got you. Whenever you're ready. |
409 | 00:26:54,060 | 00:26:55,780 | -We're... -Rolling. | -We're... -Rolling. |
410 | 00:26:55,940 | 00:27:00,460 | We're standing in Madrid's West Side Park, | We're standing in Madrid's West Side Park, |
411 | 00:27:00,620 | 00:27:05,300 | where every night things happen that no one ever talks about. | where every night things happen that no one ever talks about. |
412 | 00:27:05,460 | 00:27:07,860 | Wait. Keep rolling, just in case. | Wait. Keep rolling, just in case. |
413 | 00:27:08,020 | 00:27:09,460 | -Turn that off. -Calm down. | -Turn that off. -Calm down. |
414 | 00:27:09,620 | 00:27:11,940 | -Turn that off! -Careful with the camera! | -Turn that off! -Careful with the camera! |
415 | 00:27:12,100 | 00:27:14,780 | -Hey, get Norma. Tamara! -What's wrong? | -Hey, get Norma. Tamara! -What's wrong? |
416 | 00:27:14,940 | 00:27:16,860 | -Go get Manuela. -What happens? | -Go get Manuela. -What happens? |
417 | 00:27:17,020 | 00:27:19,220 | -Gimme the tape. -It's just b-roll. | -Gimme the tape. -It's just b-roll. |
418 | 00:27:19,380 | 00:27:22,340 | -Don't touch the camera. -What b-roll you fucking bitch? | -Don't touch the camera. -What b-roll you fucking bitch? |
419 | 00:27:22,500 | 00:27:26,180 | We're all shopping our pussies off so you can come laugh at us? | We're all shopping our pussies off so you can come laugh at us? |
420 | 00:27:26,340 | 00:27:29,340 | -We're working too, just like you. -Just calm down, OK? | -We're working too, just like you. -Just calm down, OK? |
421 | 00:27:29,500 | 00:27:33,460 | -What is this? Gimme the tape. -We're not recording you. | -What is this? Gimme the tape. -We're not recording you. |
422 | 00:27:33,620 | 00:27:37,180 | -It's just about the park. -We'll give you the tape. | -It's just about the park. -We'll give you the tape. |
423 | 00:27:37,340 | 00:27:39,780 | -Give it to her now! -Dude, gimme the tape. | -Give it to her now! -Dude, gimme the tape. |
424 | 00:27:39,940 | 00:27:43,020 | -But what're you doing? -Don't, you'll make it worse. | -But what're you doing? -Don't, you'll make it worse. |
425 | 00:27:43,180 | 00:27:47,900 | -You're making me do this. -What? What's going on? | -You're making me do this. -What? What's going on? |
426 | 00:27:48,060 | 00:27:51,500 | -This bitch is recording us. -What're you doing here? | -This bitch is recording us. -What're you doing here? |
427 | 00:27:51,660 | 00:27:54,180 | What are you, deaf? Fuck you all to hell. | What are you, deaf? Fuck you all to hell. |
428 | 00:27:54,340 | 00:27:56,940 | I'm gonna kick your ass. -Hey! | I'm gonna kick your ass. -Hey! |
429 | 00:27:57,100 | 00:27:59,140 | -You shut your mouth. Hey! | -You shut your mouth. Hey! |
430 | 00:27:59,300 | 00:28:02,100 | Wadda you mean, "hey"? Now gimme the tape | Wadda you mean, "hey"? Now gimme the tape |
431 | 00:28:02,260 | 00:28:04,500 | -or I'll tear your eyes out. -What's going on here? | -or I'll tear your eyes out. -What's going on here? |
432 | 00:28:04,660 | 00:28:07,140 | -They're filming all of us. -What're you doing here? | -They're filming all of us. -What're you doing here? |
433 | 00:28:07,300 | 00:28:10,180 | -We weren't filming them. -Then what were you recording? | -We weren't filming them. -Then what were you recording? |
434 | 00:28:10,340 | 00:28:13,980 | -You can't film here. We're working. -Give her the tape and let's go. | -You can't film here. We're working. -Give her the tape and let's go. |
435 | 00:28:14,140 | 00:28:16,940 | -Yeah, give it and leave -Give it to her, Jesus. | -Yeah, give it and leave -Give it to her, Jesus. |
436 | 00:28:18,300 | 00:28:20,260 | -Go get Tito. -That's right, get Tito. | -Go get Tito. -That's right, get Tito. |
437 | 00:28:20,420 | 00:28:23,620 | -Tito! Tito! -Wait, Tito's coming. | -Tito! Tito! -Wait, Tito's coming. |
438 | 00:28:23,780 | 00:28:26,380 | -Let's see the tape. -You can't film here. | -Let's see the tape. -You can't film here. |
439 | 00:28:26,540 | 00:28:29,860 | -Let me have her, I'll kill her! -Here comes Tito. | -Let me have her, I'll kill her! -Here comes Tito. |
440 | 00:28:30,020 | 00:28:33,140 | -Gimme the tape. -You'll pay for this, you bitch. | -Gimme the tape. -You'll pay for this, you bitch. |
441 | 00:28:33,300 | 00:28:37,140 | Give us the tape or you're gonna regret it. | Give us the tape or you're gonna regret it. |
442 | 00:28:38,460 | 00:28:40,020 | What the fuck is going on? | What the fuck is going on? |
443 | 00:28:40,180 | 00:28:44,220 | Tito, they were filming us, they're gonna play it on TV. | Tito, they were filming us, they're gonna play it on TV. |
444 | 00:28:44,380 | 00:28:46,500 | What're you recording? | What're you recording? |
445 | 00:28:46,660 | 00:28:49,300 | -We weren't filming them. -Liar! | -We weren't filming them. -Liar! |
446 | 00:28:49,460 | 00:28:53,020 | -They filmed us, and La Veneno. -We didn't record them. | -They filmed us, and La Veneno. -We didn't record them. |
447 | 00:28:53,180 | 00:28:55,100 | -What did you record then? -The park. | -What did you record then? -The park. |
448 | 00:28:55,260 | 00:28:58,700 | -It's better to give him the tape. -Gimme the tape. | -It's better to give him the tape. -Gimme the tape. |
449 | 00:29:00,420 | 00:29:02,500 | I'm sorry, but I can't. | I'm sorry, but I can't. |
450 | 00:29:05,140 | 00:29:06,740 | -You can't? -Give him the tape. | -You can't? -Give him the tape. |
451 | 00:29:06,900 | 00:29:09,100 | -Gimme the fucking tape. -Faela! | -Gimme the fucking tape. -Faela! |
452 | 00:29:09,260 | 00:29:12,740 | .-OK, fine. -Give him the tape and let's go | .-OK, fine. -Give him the tape and let's go |
453 | 00:29:12,900 | 00:29:16,460 | Fine, fine, I'll give it to you. Just calm down, please. | Fine, fine, I'll give it to you. Just calm down, please. |
454 | 00:29:16,620 | 00:29:20,780 | -Get down on your knees. -OK, OK, give him the tape. | -Get down on your knees. -OK, OK, give him the tape. |
455 | 00:29:21,820 | 00:29:26,140 | There's the tape. Let him go. Let him go, we're leaving. | There's the tape. Let him go. Let him go, we're leaving. |
456 | 00:29:26,300 | 00:29:27,620 | Smash it! | Smash it! |
457 | 00:29:29,260 | 00:29:32,860 | -We're leaving. -My wife works down there, | -We're leaving. -My wife works down there, |
458 | 00:29:33,020 | 00:29:34,900 | and nobody films her. | and nobody films her. |
459 | 00:29:35,060 | 00:29:38,220 | Tito, not your wife or anyone else, alright? | Tito, not your wife or anyone else, alright? |
460 | 00:29:39,460 | 00:29:42,740 | -We're leaving. -Oh, you're leaving? | -We're leaving. -Oh, you're leaving? |
461 | 00:29:42,900 | 00:29:45,580 | -You're not going anywhere. -No! No, please. | -You're not going anywhere. -No! No, please. |
462 | 00:29:45,740 | 00:29:48,020 | -Come here, slut! -No. | -Come here, slut! -No. |
463 | 00:29:48,180 | 00:29:51,420 | -No, not in the car! Ow! -Here we go. | -No, not in the car! Ow! -Here we go. |
464 | 00:29:51,580 | 00:29:53,740 | -Fuck her up. -Bitch. | -Fuck her up. -Bitch. |
465 | 00:29:53,900 | 00:29:57,540 | I'm in charge here, you hear me? And no one films my wife! | I'm in charge here, you hear me? And no one films my wife! |
466 | 00:29:57,700 | 00:30:01,100 | Wait, just listen, I'm begging you. Listen to me. | Wait, just listen, I'm begging you. Listen to me. |
467 | 00:30:01,260 | 00:30:03,780 | Please, listen to me. | Please, listen to me. |
468 | 00:30:03,940 | 00:30:06,820 | We're leaving. I have a baby at home. | We're leaving. I have a baby at home. |
469 | 00:30:06,980 | 00:30:11,540 | Please, don't kill me, I beg you. I am so freaked out. | Please, don't kill me, I beg you. I am so freaked out. |
470 | 00:30:12,740 | 00:30:15,660 | -Let her go, come on. -Let her go, Tito. | -Let her go, come on. -Let her go, Tito. |
471 | 00:30:15,820 | 00:30:18,700 | If I ever see you again, or this asshole over here, | If I ever see you again, or this asshole over here, |
472 | 00:30:18,860 | 00:30:23,140 | -I'll kill you both, you hear me? -Tito, Jesus, let her go. | -I'll kill you both, you hear me? -Tito, Jesus, let her go. |
473 | 00:30:23,300 | 00:30:26,140 | -I'm going, I'm going, come on. -That's enough now. | -I'm going, I'm going, come on. -That's enough now. |
474 | 00:30:26,300 | 00:30:28,700 | -Let go of her. Now leave. -Go on now, faggot. | -Let go of her. Now leave. -Go on now, faggot. |
475 | 00:30:28,860 | 00:30:32,380 | -Go on, bitch. -Get out of here! Fuck you! | -Go on, bitch. -Get out of here! Fuck you! |
476 | 00:30:32,540 | 00:30:36,380 | -And everyone you know! -Come on, back to work. | -And everyone you know! -Come on, back to work. |
477 | 00:30:36,540 | 00:30:38,100 | Forget about her. | Forget about her. |
478 | 00:30:38,260 | 00:30:39,740 | Holy shit! | Holy shit! |
479 | 00:30:41,620 | 00:30:43,220 | Mother fucker. | Mother fucker. |
480 | 00:30:44,780 | 00:30:48,060 | Are you OK? Jesus Christ, I'm shaking. | Are you OK? Jesus Christ, I'm shaking. |
481 | 00:30:49,500 | 00:30:53,980 | Come on, let's go. You alright? Let's go. | Come on, let's go. You alright? Let's go. |
482 | 00:30:54,140 | 00:30:55,460 | -Look. -What? | -Look. -What? |
483 | 00:30:56,700 | 00:30:58,700 | -What's that? -The tape, asshole. | -What's that? -The tape, asshole. |
484 | 00:30:59,820 | 00:31:01,460 | Jesus Christ... | Jesus Christ... |
485 | 00:31:01,620 | 00:31:03,180 | Let's go now! | Let's go now! |
486 | 00:31:04,420 | 00:31:07,860 | For the love of god. What're you waiting for? | For the love of god. What're you waiting for? |
487 | 00:31:09,860 | 00:31:13,660 | AMPARO- U HOME YET? IT WAS CRAZY | AMPARO- U HOME YET? IT WAS CRAZY |
488 | 00:31:13,820 | 00:31:17,180 | I BOUGHT THE TELVA BAG | I BOUGHT THE TELVA BAG |
489 | 00:31:17,340 | 00:31:19,780 | COMES IN YELLOW TOO, HAHA | COMES IN YELLOW TOO, HAHA |
490 | 00:31:26,860 | 00:31:28,620 | SO CRAZY, GIRL | SO CRAZY, GIRL |
491 | 00:31:30,020 | 00:31:31,340 | HOW R U? | HOW R U? |
492 | 00:32:04,260 | 00:32:07,300 | WADDA U C WHEN U LOOK AT ME? | WADDA U C WHEN U LOOK AT ME? |
493 | 00:32:13,740 | 00:32:15,740 | DUNNO, I C U | DUNNO, I C U |
494 | 00:32:25,020 | 00:32:27,420 | Pepe, I'm sorry, | Pepe, I'm sorry, |
495 | 00:32:27,580 | 00:32:30,500 | but we don't have anything ready to go. | but we don't have anything ready to go. |
496 | 00:32:30,660 | 00:32:34,340 | -Something you must have. -Llast night was complicated. | -Something you must have. -Llast night was complicated. |
497 | 00:32:34,500 | 00:32:37,900 | -The Chueca story didn't work out. -I know, I'm sorry. | -The Chueca story didn't work out. -I know, I'm sorry. |
498 | 00:32:38,060 | 00:32:41,540 | So all we've got is this, but it's pretty rough. | So all we've got is this, but it's pretty rough. |
499 | 00:32:42,780 | 00:32:45,380 | -Well let's see what you got. -Well this is great. | -Well let's see what you got. -Well this is great. |
500 | 00:32:54,060 | 00:32:55,620 | Know who I saw her with today? | Know who I saw her with today? |
501 | 00:32:55,780 | 00:32:57,100 | -Who? -Rober. | -Who? -Rober. |
502 | 00:32:57,260 | 00:32:59,260 | -And what were they up to? -Don't you know this story? | -And what were they up to? -Don't you know this story? |
503 | 00:32:59,420 | 00:33:02,060 | There once was an actress so dumb she hooked up with the writer. | There once was an actress so dumb she hooked up with the writer. |
504 | 00:33:02,220 | 00:33:05,140 | Fast forward, fast forward the tape. | Fast forward, fast forward the tape. |
505 | 00:33:09,220 | 00:33:12,020 | Wait a second. Look, look. | Wait a second. Look, look. |
506 | 00:33:12,180 | 00:33:15,260 | Stop, stop, stop! | Stop, stop, stop! |
507 | 00:33:15,420 | 00:33:20,020 | -Hi! Mind if we ask some questions? -Of course not, honey. | -Hi! Mind if we ask some questions? -Of course not, honey. |
508 | 00:33:20,180 | 00:33:21,620 | You look amazing. | You look amazing. |
509 | 00:33:21,780 | 00:33:24,860 | Well I like the good life, high fashion. | Well I like the good life, high fashion. |
510 | 00:33:25,020 | 00:33:29,180 | -Different outfit every night? -Yes, like the bombshell I am. | -Different outfit every night? -Yes, like the bombshell I am. |
511 | 00:33:29,340 | 00:33:31,620 | See? This part... | See? This part... |
512 | 00:33:31,780 | 00:33:33,980 | What am I? I'm a blinking light, honey. | What am I? I'm a blinking light, honey. |
513 | 00:33:34,140 | 00:33:37,860 | -What're you dressed as, a sultan? -I dunno what I am, honestly. | -What're you dressed as, a sultan? -I dunno what I am, honestly. |
514 | 00:33:38,020 | 00:33:42,100 | Sultan, courtesan, Indian... Like Pocahontas, | Sultan, courtesan, Indian... Like Pocahontas, |
515 | 00:33:42,260 | 00:33:45,260 | -but with a shark. -What's this about a shark? | -but with a shark. -What's this about a shark? |
516 | 00:33:45,420 | 00:33:47,060 | What's the shark? | What's the shark? |
517 | 00:33:47,220 | 00:33:50,860 | The shark is coming. | The shark is coming. |
518 | 00:33:51,020 | 00:33:54,180 | It's what's between my legs. What else would the shark be? | It's what's between my legs. What else would the shark be? |
519 | 00:33:54,340 | 00:33:56,060 | -How much? -I'm expensive. | -How much? -I'm expensive. |
520 | 00:33:56,220 | 00:33:58,380 | I don't even wanna say, cause... | I don't even wanna say, cause... |
521 | 00:33:59,460 | 00:34:00,780 | Hang on, sweetie. | Hang on, sweetie. |
522 | 00:34:02,540 | 00:34:06,820 | Hats off, Faela, this is exactly what I've been looking for. | Hats off, Faela, this is exactly what I've been looking for. |
523 | 00:34:06,980 | 00:34:09,140 | I knew you'd come through. | I knew you'd come through. |
524 | 00:34:09,300 | 00:34:11,260 | Thank you. Really. | Thank you. Really. |
525 | 00:34:11,420 | 00:34:14,620 | -Great, so this runs tonight. -Perfect. | -Great, so this runs tonight. -Perfect. |
526 | 00:34:14,780 | 00:34:17,540 | -And tomorrow I want her here. -What? | -And tomorrow I want her here. -What? |
527 | 00:34:17,700 | 00:34:20,700 | Go back to the park, and bring her on the show. | Go back to the park, and bring her on the show. |
528 | 00:34:20,860 | 00:34:23,340 | Pepe, you have no idea how dangerous it is there. | Pepe, you have no idea how dangerous it is there. |
529 | 00:34:23,500 | 00:34:27,900 | I reported from Iran. Take Pablo. He'll protect you. | I reported from Iran. Take Pablo. He'll protect you. |
530 | 00:34:28,060 | 00:34:29,540 | Who, me? | Who, me? |
531 | 00:34:29,700 | 00:34:33,580 | -I can't. I'll be on set. -Can't you switch with someone? | -I can't. I'll be on set. -Can't you switch with someone? |
532 | 00:34:33,740 | 00:34:35,100 | No. | No. |
533 | 00:34:35,260 | 00:34:37,460 | I'll go with her. | I'll go with her. |
534 | 00:34:37,620 | 00:34:40,220 | I love you girls together. | I love you girls together. |
535 | 00:34:40,380 | 00:34:42,060 | You'll go as a pair. | You'll go as a pair. |
536 | 00:34:42,220 | 00:34:47,860 | Faela, you never shoulda crossed the Mississippi, pilgrim. | Faela, you never shoulda crossed the Mississippi, pilgrim. |
537 | 00:34:48,020 | 00:34:49,660 | -Alright, let's go. -That's right... | -Alright, let's go. -That's right... |
538 | 00:34:49,820 | 00:34:51,300 | -Have you had breakfast? -No. | -Have you had breakfast? -No. |
539 | 00:34:53,980 | 00:34:55,300 | Let's see. | Let's see. |
540 | 00:34:59,980 | 00:35:01,300 | Faela. | Faela. |
541 | 00:35:02,500 | 00:35:06,020 | What? What the fuck do you want? | What? What the fuck do you want? |
542 | 00:35:06,180 | 00:35:08,140 | I'm sorry for what happened yesterday. | I'm sorry for what happened yesterday. |
543 | 00:35:08,300 | 00:35:10,420 | I got the day wrong, I already told Pepe. | I got the day wrong, I already told Pepe. |
544 | 00:35:10,580 | 00:35:14,860 | Look, Machús, you can't fool me, OK? | Look, Machús, you can't fool me, OK? |
545 | 00:35:16,020 | 00:35:17,700 | Yesterday you screwed me. | Yesterday you screwed me. |
546 | 00:35:17,860 | 00:35:20,620 | And now you wanna come with me to take the credit. | And now you wanna come with me to take the credit. |
547 | 00:35:20,780 | 00:35:24,860 | I don't mind if you wanna come, but you can cut the shit. | I don't mind if you wanna come, but you can cut the shit. |
548 | 00:35:25,020 | 00:35:27,220 | -You're totally wrong about me. -I don't think so. | -You're totally wrong about me. -I don't think so. |
549 | 00:35:27,380 | 00:35:28,700 | You are. | You are. |
550 | 00:35:29,900 | 00:35:32,660 | You don't remember me, right? | You don't remember me, right? |
551 | 00:35:32,820 | 00:35:37,180 | I was an intern on "Todo va bien" a couple of months before it ended. | I was an intern on "Todo va bien" a couple of months before it ended. |
552 | 00:35:37,340 | 00:35:39,860 | I really wanted to work with you. | I really wanted to work with you. |
553 | 00:35:40,900 | 00:35:43,500 | Because I've always been a big fan. | Because I've always been a big fan. |
554 | 00:35:45,420 | 00:35:46,740 | Yoy might be right. | Yoy might be right. |
555 | 00:35:46,900 | 00:35:50,580 | I'm so stupid that I've fallen in love with the writer. | I'm so stupid that I've fallen in love with the writer. |
556 | 00:35:50,740 | 00:35:54,980 | But it is what it is. I worked hard to get where I am. | But it is what it is. I worked hard to get where I am. |
557 | 00:35:55,140 | 00:35:59,100 | And if you don't believe it, that's your problem. | And if you don't believe it, that's your problem. |
558 | 00:35:59,260 | 00:36:02,060 | Rocío Jurado's health is getting worse and worse. | Rocío Jurado's health is getting worse and worse. |
559 | 00:36:02,220 | 00:36:04,980 | She is always accompanied by her husband, | She is always accompanied by her husband, |
560 | 00:36:05,140 | 00:36:08,100 | the bullfighter José Ortega Cano, and their daughter, Rocío Carrasco. | the bullfighter José Ortega Cano, and their daughter, Rocío Carrasco. |
561 | 00:36:08,260 | 00:36:11,900 | And now La Veneno, Spain's most famous prostitute. | And now La Veneno, Spain's most famous prostitute. |
562 | 00:36:12,060 | 00:36:13,940 | Mom, could you turn that up? | Mom, could you turn that up? |
563 | 00:36:14,100 | 00:36:16,620 | ...on the darkest of nights, she is back. | ...on the darkest of nights, she is back. |
564 | 00:36:16,780 | 00:36:18,940 | Her image, so different from 10 years ago, | Her image, so different from 10 years ago, |
565 | 00:36:19,100 | 00:36:21,980 | and her time behind bars has left us perplexed." | and her time behind bars has left us perplexed." |
566 | 00:36:22,140 | 00:36:24,660 | -Hey, that's Valencia. -Looks like the new part. | -Hey, that's Valencia. -Looks like the new part. |
567 | 00:36:24,820 | 00:36:27,180 | ...leaving behind a life of ups and downs. | ...leaving behind a life of ups and downs. |
568 | 00:36:27,340 | 00:36:29,180 | Is La Veneno from here? | Is La Veneno from here? |
569 | 00:36:30,220 | 00:36:32,500 | -Where are you going? -I have to run, Mom. | -Where are you going? -I have to run, Mom. |
570 | 00:36:32,660 | 00:36:35,340 | -Will you be home for dinner? -I don't know. | -Will you be home for dinner? -I don't know. |
571 | 00:36:35,500 | 00:36:37,380 | Take your key. | Take your key. |
572 | 00:36:37,540 | 00:36:41,340 | I finally get a day off, and here we are like tourists in Valencia. | I finally get a day off, and here we are like tourists in Valencia. |
573 | 00:36:41,500 | 00:36:46,140 | I'd have preferred the City of Arts and Sciences, not Marchalenes. | I'd have preferred the City of Arts and Sciences, not Marchalenes. |
574 | 00:36:46,300 | 00:36:51,380 | - I know where we are. -I've only been here once before. | - I know where we are. -I've only been here once before. |
575 | 00:36:51,540 | 00:36:53,620 | It was a party. | It was a party. |
576 | 00:36:53,780 | 00:36:57,100 | -You can imagine. -Wait. Hang on a sec. | -You can imagine. -Wait. Hang on a sec. |
577 | 00:36:59,580 | 00:37:02,140 | -It has to be one of these. -Right. One of these. | -It has to be one of these. -Right. One of these. |
578 | 00:37:02,300 | 00:37:04,860 | Or one of those, or those. There are tons of buildings! | Or one of those, or those. There are tons of buildings! |
579 | 00:37:05,020 | 00:37:09,380 | Amparo, if you wanna leave, then go, but stop complaining. | Amparo, if you wanna leave, then go, but stop complaining. |
580 | 00:37:09,540 | 00:37:12,300 | No, I wanna help. I wanna be here with you. | No, I wanna help. I wanna be here with you. |
581 | 00:37:12,460 | 00:37:14,340 | But we've been walking around for the last two hours. | But we've been walking around for the last two hours. |
582 | 00:37:14,500 | 00:37:16,020 | I know that, Amparo. | I know that, Amparo. |
583 | 00:37:16,180 | 00:37:19,260 | Well I honestly don't know how we're gonna find her. | Well I honestly don't know how we're gonna find her. |
584 | 00:37:34,380 | 00:37:36,380 | -Good afternoon. -Hello. | -Good afternoon. -Hello. |
585 | 00:37:40,100 | 00:37:41,420 | Excuse me. | Excuse me. |
586 | 00:37:42,460 | 00:37:46,060 | -Do you know where La Veneno lives? -Second floor on the left. | -Do you know where La Veneno lives? -Second floor on the left. |
587 | 00:37:47,940 | 00:37:49,260 | Thank you. | Thank you. |
588 | 00:37:52,580 | 00:37:55,260 | -Come on, let's do this. | -Come on, let's do this. |
589 | 00:37:55,420 | 00:37:56,740 | Let's go. | Let's go. |
590 | 00:38:00,380 | 00:38:02,380 | -Yes? -Hello. | -Yes? -Hello. |
591 | 00:38:02,540 | 00:38:05,820 | -Hello. Who's there? -We're looking for La Veneno. | -Hello. Who's there? -We're looking for La Veneno. |
592 | 00:38:05,980 | 00:38:09,460 | La Veneno? No, honey, this is Paqui the Piranha's house. | La Veneno? No, honey, this is Paqui the Piranha's house. |
593 | 00:38:09,620 | 00:38:13,100 | -We were told she lived here. -No, you were told wrong. | -We were told she lived here. -No, you were told wrong. |
594 | 00:38:13,260 | 00:38:14,940 | I'm sorry, who's calling? | I'm sorry, who's calling? |
595 | 00:38:16,660 | 00:38:18,900 | -We're fans of hers. -Oh, fans. | -We're fans of hers. -Oh, fans. |
596 | 00:38:19,060 | 00:38:23,220 | Well, she doesn't live here, alright? | Well, she doesn't live here, alright? |
597 | 00:38:23,380 | 00:38:26,740 | -OK, bye now. -Goodbye. | -OK, bye now. -Goodbye. |
598 | 00:38:26,900 | 00:38:31,540 | -Bye. -Fuck her and her fucking fans. | -Bye. -Fuck her and her fucking fans. |
599 | 00:38:31,700 | 00:38:35,460 | -Who was it, Paca? -Nobody, hon. | -Who was it, Paca? -Nobody, hon. |
600 | 00:38:35,620 | 00:38:39,460 | -No need to know every little thing. -Nobody? Musta been somebody. | -No need to know every little thing. -Nobody? Musta been somebody. |
601 | 00:38:39,620 | 00:38:43,780 | It was just one of my clients but I told him I'm not available, | It was just one of my clients but I told him I'm not available, |
602 | 00:38:43,940 | 00:38:48,140 | -told him to come back later. -Don't lie, I heard you. | -told him to come back later. -Don't lie, I heard you. |
603 | 00:38:48,300 | 00:38:51,020 | Then look, I'm gonna tell you. | Then look, I'm gonna tell you. |
604 | 00:38:51,180 | 00:38:54,940 | They said: "We're fans of La Veneno". | They said: "We're fans of La Veneno". |
605 | 00:38:55,100 | 00:38:57,780 | -What do you mean, fans? -That's right, fans of La Veneno. | -What do you mean, fans? -That's right, fans of La Veneno. |
606 | 00:38:57,940 | 00:38:59,500 | -My fans? -Fans of La Veneno. | -My fans? -Fans of La Veneno. |
607 | 00:38:59,660 | 00:39:02,740 | -And you didn't say anything? -I told them you weren't here. | -And you didn't say anything? -I told them you weren't here. |
608 | 00:39:02,900 | 00:39:06,820 | Where are you going? I told them you don't live here. | Where are you going? I told them you don't live here. |
609 | 00:39:06,980 | 00:39:09,340 | C'mere, what are you, nuts? | C'mere, what are you, nuts? |
610 | 00:39:12,260 | 00:39:14,180 | Hey, are you my fan? | Hey, are you my fan? |
611 | 00:39:21,700 | 00:39:23,020 | I am. | I am. |
612 | 00:39:27,660 | 00:39:28,980 | Come on up. | Come on up. |
613 | 00:39:31,340 | 00:39:32,660 | Let's go. | Let's go. |
614 | 00:39:35,620 | 00:39:37,980 | -Are you trans? -No, I'm goth. | -Are you trans? -No, I'm goth. |
615 | 00:39:44,700 | 00:39:46,020 | Come on up. | Come on up. |
616 | 00:39:47,380 | 00:39:49,220 | Paca, Paca. | Paca, Paca. |
617 | 00:39:50,380 | 00:39:51,860 | -Look. -Who is it? | -Look. -Who is it? |
618 | 00:39:52,020 | 00:39:53,380 | -My fans. -Hello. | -My fans. -Hello. |
619 | 00:39:53,540 | 00:39:55,820 | -Well how are you? -Hi. | -Well how are you? -Hi. |
620 | 00:39:55,980 | 00:39:58,380 | I know these two, from the other night. | I know these two, from the other night. |
621 | 00:39:58,540 | 00:40:02,220 | I saw them on the street when I went to buy your cigarettes. | I saw them on the street when I went to buy your cigarettes. |
622 | 00:40:02,380 | 00:40:06,020 | -They were asking about you. -Why don't you fix something? | -They were asking about you. -Why don't you fix something? |
623 | 00:40:06,180 | 00:40:10,340 | Do you want some coffee or...? Want a pastry, you sweet thing? | Do you want some coffee or...? Want a pastry, you sweet thing? |
624 | 00:40:10,500 | 00:40:12,380 | -I do. -Look at her. | -I do. -Look at her. |
625 | 00:40:12,540 | 00:40:14,820 | She looks like that girl from "Star Wars". | She looks like that girl from "Star Wars". |
626 | 00:40:14,980 | 00:40:19,460 | -That one that looks like Chenoa. -Go on now, fix us something. | -That one that looks like Chenoa. -Go on now, fix us something. |
627 | 00:40:19,620 | 00:40:21,300 | Oh calm down, I'm going. | Oh calm down, I'm going. |
628 | 00:40:21,460 | 00:40:24,660 | -So you're fans of mine? -Ever since I can remember. | -So you're fans of mine? -Ever since I can remember. |
629 | 00:40:24,820 | 00:40:27,580 | I'm a little overweight now, but I'm slimming down. | I'm a little overweight now, but I'm slimming down. |
630 | 00:40:27,740 | 00:40:31,660 | -Oh stop, you look great. -And you still have that essence. | -Oh stop, you look great. -And you still have that essence. |
631 | 00:40:31,820 | 00:40:35,140 | Before I got locked up, I weighed 63 kilos. | Before I got locked up, I weighed 63 kilos. |
632 | 00:40:35,300 | 00:40:36,940 | I was like a doll with perky little tits. | I was like a doll with perky little tits. |
633 | 00:40:37,100 | 00:40:39,580 | -Right, Paca? -Look, let's be honest. | -Right, Paca? -Look, let's be honest. |
634 | 00:40:39,740 | 00:40:42,940 | She had a wasp-waist, looked just like Betty Boop. | She had a wasp-waist, looked just like Betty Boop. |
635 | 00:40:43,100 | 00:40:45,260 | But now looks like the bride of King Kong. | But now looks like the bride of King Kong. |
636 | 00:40:45,420 | 00:40:48,300 | Oh shut up, stop it. Get out the picture albums. | Oh shut up, stop it. Get out the picture albums. |
637 | 00:40:48,460 | 00:40:52,260 | Look how happy you are now, with your long drooling face. | Look how happy you are now, with your long drooling face. |
638 | 00:40:52,420 | 00:40:55,940 | You're about to see what the Spanish bombshell was like. | You're about to see what the Spanish bombshell was like. |
639 | 00:40:56,100 | 00:40:59,380 | More like a stink bomb. Ugh, this one. | More like a stink bomb. Ugh, this one. |
640 | 00:40:59,540 | 00:41:03,100 | Here, sweetie, look at these gorgeous pics. | Here, sweetie, look at these gorgeous pics. |
641 | 00:41:04,420 | 00:41:06,940 | -Look, look how scandalous. -Gorgeous! | -Look, look how scandalous. -Gorgeous! |
642 | 00:41:07,100 | 00:41:10,380 | Look at that face, that body. And those boobs! | Look at that face, that body. And those boobs! |
643 | 00:41:10,540 | 00:41:14,780 | That dress is by Pepe Rubio, he made me scandalous outfits. | That dress is by Pepe Rubio, he made me scandalous outfits. |
644 | 00:41:14,940 | 00:41:17,820 | -And here, Marilyn Monroe. -That was at the Joy Eslava, | -And here, Marilyn Monroe. -That was at the Joy Eslava, |
645 | 00:41:17,980 | 00:41:22,060 | they put on a fashion show for me and it was crawling with press. | they put on a fashion show for me and it was crawling with press. |
646 | 00:41:22,220 | 00:41:26,140 | -Gorgeous. -Here you look like a supermodel. | -Gorgeous. -Here you look like a supermodel. |
647 | 00:41:26,300 | 00:41:27,980 | That was at the Illa Fantasía, | That was at the Illa Fantasía, |
648 | 00:41:28,140 | 00:41:31,420 | on the same night Ricky Martin played there. | on the same night Ricky Martin played there. |
649 | 00:41:31,580 | 00:41:34,380 | -Really? -My pussy was pretty happy. | -Really? -My pussy was pretty happy. |
650 | 00:41:34,540 | 00:41:38,380 | -Here comes the dirty stories. -You're just jealous, Paca. | -Here comes the dirty stories. -You're just jealous, Paca. |
651 | 00:41:38,540 | 00:41:43,100 | Jealous of what? My type is more that Jean Claude Van Damme guy. | Jealous of what? My type is more that Jean Claude Van Damme guy. |
652 | 00:41:43,260 | 00:41:45,900 | -Look. -You're a total goddess. | -Look. -You're a total goddess. |
653 | 00:41:46,060 | 00:41:48,060 | I was on hormones for three months there. | I was on hormones for three months there. |
654 | 00:41:48,220 | 00:41:50,140 | -Look at those tits. -Just three months? | -Look at those tits. -Just three months? |
655 | 00:41:50,300 | 00:41:52,380 | Yes, and look how gorgeous. | Yes, and look how gorgeous. |
656 | 00:41:53,900 | 00:41:55,220 | And you? | And you? |
657 | 00:41:56,620 | 00:41:58,660 | -What about me? -When do you start? | -What about me? -When do you start? |
658 | 00:41:58,820 | 00:42:01,460 | -Start what? -It's good to talk about things. | -Start what? -It's good to talk about things. |
659 | 00:42:01,620 | 00:42:04,500 | He's still young, don't fill his head with that. | He's still young, don't fill his head with that. |
660 | 00:42:04,660 | 00:42:07,540 | -I'm lost. What's going on? -Wadda you think? | -I'm lost. What's going on? -Wadda you think? |
661 | 00:42:07,700 | 00:42:11,220 | Your friend here has a secret. And the cops aren't stupid. | Your friend here has a secret. And the cops aren't stupid. |
662 | 00:42:11,380 | 00:42:12,940 | He's one of us. | He's one of us. |
663 | 00:42:14,260 | 00:42:17,220 | I just don't know when the right moment would be. | I just don't know when the right moment would be. |
664 | 00:42:17,380 | 00:42:21,540 | Look, listen to me, I became a woman at the age of 30. | Look, listen to me, I became a woman at the age of 30. |
665 | 00:42:21,700 | 00:42:23,940 | That's when I became a bombshell. | That's when I became a bombshell. |
666 | 00:42:24,100 | 00:42:26,260 | You take your time, | You take your time, |
667 | 00:42:26,420 | 00:42:30,100 | and when the time is right, go for it. | and when the time is right, go for it. |
668 | 00:42:30,260 | 00:42:33,900 | You'll leave everyone slack-jawed. Because if this is who you are, | You'll leave everyone slack-jawed. Because if this is who you are, |
669 | 00:42:34,060 | 00:42:37,740 | it's who you'll always be, baby. Understand? Always. | it's who you'll always be, baby. Understand? Always. |
670 | 00:42:37,900 | 00:42:40,900 | It's something you carry inside from the time you're born. | It's something you carry inside from the time you're born. |
671 | 00:42:41,060 | 00:42:44,860 | Now, you take your time, and choose a spectacular name. | Now, you take your time, and choose a spectacular name. |
672 | 00:42:45,020 | 00:42:47,700 | Vanessa, Penelope... | Vanessa, Penelope... |
673 | 00:42:47,860 | 00:42:50,980 | -Victoria. -Or you could go with Natasha. | -Victoria. -Or you could go with Natasha. |
674 | 00:42:51,140 | 00:42:53,820 | -Or Scheherezade. -Whatever you want, honey, | -Or Scheherezade. -Whatever you want, honey, |
675 | 00:42:53,980 | 00:42:57,900 | but don't forget who you are, if you do, you'll lose your beauty. | but don't forget who you are, if you do, you'll lose your beauty. |
676 | 00:42:58,060 | 00:43:02,980 | Like Marta from Asturias, who looked like the father from "Pocahontas". | Like Marta from Asturias, who looked like the father from "Pocahontas". |
677 | 00:43:03,140 | 00:43:05,780 | Sweetie, stop it, don't go on about that stuff. | Sweetie, stop it, don't go on about that stuff. |
678 | 00:43:05,940 | 00:43:09,060 | -What're you talking about? -Let her do whatever she wants. | -What're you talking about? -Let her do whatever she wants. |
679 | 00:43:09,220 | 00:43:13,020 | How can you even argue with that face? She can't go wrong. | How can you even argue with that face? She can't go wrong. |
680 | 00:43:13,180 | 00:43:16,580 | You're so tall and so beautiful, you could be like Vanessa Estilo. | You're so tall and so beautiful, you could be like Vanessa Estilo. |
681 | 00:43:16,740 | 00:43:20,060 | -Vanessa Estilo? -Poor thing, may she rest in peace. | -Vanessa Estilo? -Poor thing, may she rest in peace. |
682 | 00:43:20,220 | 00:43:22,980 | -Honey, she got killed by a client. -Get the other albums, | -Honey, she got killed by a client. -Get the other albums, |
683 | 00:43:23,140 | 00:43:26,540 | -where I'm working on the street. -Will you cool it with the albums, | -where I'm working on the street. -Will you cool it with the albums, |
684 | 00:43:26,700 | 00:43:28,820 | -finish that one up first. -You like that one? | -finish that one up first. -You like that one? |
685 | 00:43:28,980 | 00:43:30,300 | I love it. | I love it. |
686 | 00:43:32,260 | 00:43:35,500 | -Here honey, this one's for you. -Thank you so much. | -Here honey, this one's for you. -Thank you so much. |
687 | 00:43:40,180 | 00:43:43,860 | -Very inconspicuous. -This way I'll blend in, right? | -Very inconspicuous. -This way I'll blend in, right? |
688 | 00:43:44,020 | 00:43:46,300 | You're something else, Machús. | You're something else, Machús. |
689 | 00:43:50,060 | 00:43:53,140 | Now listen to me good, alright? | Now listen to me good, alright? |
690 | 00:43:53,300 | 00:43:56,460 | If get out of, they'll kill me, so when you I see her, I'll say: | If get out of, they'll kill me, so when you I see her, I'll say: |
691 | 00:43:56,620 | 00:44:01,180 | "That one". Then you jump out and get her in the car super fast, OK? | "That one". Then you jump out and get her in the car super fast, OK? |
692 | 00:44:01,340 | 00:44:03,940 | Super fast. Got it? | Super fast. Got it? |
693 | 00:44:04,100 | 00:44:06,980 | Machús, this is really dangerous. | Machús, this is really dangerous. |
694 | 00:44:07,140 | 00:44:09,900 | Machús, get back in the car right now! | Machús, get back in the car right now! |
695 | 00:44:11,420 | 00:44:12,740 | Are you crazy? | Are you crazy? |
696 | 00:44:16,260 | 00:44:18,780 | Jesus Christ, I can't believe this. | Jesus Christ, I can't believe this. |
697 | 00:44:20,260 | 00:44:23,060 | Hey lover, how are you? So happy to see you. | Hey lover, how are you? So happy to see you. |
698 | 00:44:23,220 | 00:44:26,220 | -Who's that? -Me. La Machús, who do you think? | -Who's that? -Me. La Machús, who do you think? |
699 | 00:44:27,300 | 00:44:31,260 | -I know I owe you 2,000 pesetas. -Well come on. | -I know I owe you 2,000 pesetas. -Well come on. |
700 | 00:44:31,420 | 00:44:33,500 | -You look gorgeous. -Hey there. | -You look gorgeous. -Hey there. |
701 | 00:44:35,100 | 00:44:38,500 | Good evening, gentlemen. How are you tonight, good? | Good evening, gentlemen. How are you tonight, good? |
702 | 00:44:38,660 | 00:44:40,820 | See you later. | See you later. |
703 | 00:44:40,980 | 00:44:42,300 | Chiqui. | Chiqui. |
704 | 00:44:43,660 | 00:44:46,740 | Listen, quick question. I'm looking for this tall girl... | Listen, quick question. I'm looking for this tall girl... |
705 | 00:44:46,900 | 00:44:48,460 | Son of a bitch. | Son of a bitch. |
706 | 00:44:50,220 | 00:44:53,420 | Hey, gorgeous. What sounds good for dinner? | Hey, gorgeous. What sounds good for dinner? |
707 | 00:44:53,580 | 00:44:54,900 | -No, no. -A threesome? | -No, no. -A threesome? |
708 | 00:44:55,060 | 00:44:58,340 | -Dynamic lesbian duo, you and me? -No, really, no. | -Dynamic lesbian duo, you and me? -No, really, no. |
709 | 00:44:58,500 | 00:45:01,940 | If you change your mind, I'm at your service, beautiful. | If you change your mind, I'm at your service, beautiful. |
710 | 00:45:07,660 | 00:45:09,380 | I cannot believe this. | I cannot believe this. |
711 | 00:45:11,460 | 00:45:14,620 | -Can't you see I'm peeing here? -Sorry. | -Can't you see I'm peeing here? -Sorry. |
712 | 00:45:16,740 | 00:45:21,540 | -Machús, Machús, that's her! -Why am I on TV? | -Machús, Machús, that's her! -Why am I on TV? |
713 | 00:45:21,700 | 00:45:24,660 | -I just wanna talk to you. -But your friend | -I just wanna talk to you. -But your friend |
714 | 00:45:24,820 | 00:45:27,860 | -from yesterday put me on TV. -But I'm not gonna do that. | -from yesterday put me on TV. -But I'm not gonna do that. |
715 | 00:45:28,020 | 00:45:32,580 | -What would you think if... -Cristina, isn't that the reporter? | -What would you think if... -Cristina, isn't that the reporter? |
716 | 00:45:33,900 | 00:45:37,740 | -That's her. You bitch, c'mere. -Cristina. | -That's her. You bitch, c'mere. -Cristina. |
717 | 00:45:37,900 | 00:45:40,580 | -Show your face. -Please, just calm down. | -Show your face. -Please, just calm down. |
718 | 00:45:40,740 | 00:45:43,700 | -You little bitch. -I'm just here to talk to you. | -You little bitch. -I'm just here to talk to you. |
719 | 00:45:43,860 | 00:45:46,860 | -Cristina, please, calm down. -What? What? | -Cristina, please, calm down. -What? What? |
720 | 00:45:47,020 | 00:45:48,980 | -Veneno, I saw you on TV. -What? | -Veneno, I saw you on TV. -What? |
721 | 00:45:49,140 | 00:45:52,220 | And I saw you on Roots, you fag. Step aside. | And I saw you on Roots, you fag. Step aside. |
722 | 00:45:52,380 | 00:45:54,820 | -Faela! -You ruined my life! | -Faela! -You ruined my life! |
723 | 00:45:54,980 | 00:45:56,860 | -You bitch! -I just want to talk! | -You bitch! -I just want to talk! |
724 | 00:45:57,020 | 00:45:59,900 | Can you get in the car so we can talk? | Can you get in the car so we can talk? |
725 | 00:46:00,060 | 00:46:02,580 | -Hey you, from the TV! -Who's that? | -Hey you, from the TV! -Who's that? |
726 | 00:46:02,740 | 00:46:05,580 | -What you want?! -Come on, let's go! | -What you want?! -Come on, let's go! |
727 | 00:46:05,740 | 00:46:07,340 | Are you kidnapping me? | Are you kidnapping me? |
728 | 00:46:07,500 | 00:46:09,700 | I told you never to show your face here again! | I told you never to show your face here again! |
729 | 00:46:09,860 | 00:46:12,140 | -Go, just go! -Stop the car. | -Go, just go! -Stop the car. |
730 | 00:46:13,140 | 00:46:16,580 | -Why the screaming? -Go, Jesus! | -Why the screaming? -Go, Jesus! |
731 | 00:46:16,740 | 00:46:20,340 | -Which way do I go? -Tito, they took her! | -Which way do I go? -Tito, they took her! |
732 | 00:46:20,500 | 00:46:22,540 | -Stop that car! | -Stop that car! |
733 | 00:46:22,700 | 00:46:26,420 | -I'll have your heads! -Where are you taking me? | -I'll have your heads! -Where are you taking me? |
734 | 00:46:26,580 | 00:46:28,460 | Tito, they're getting away! | Tito, they're getting away! |
735 | 00:46:31,300 | 00:46:33,620 | -Veneno, listen to me. -Stop saying my name! | -Veneno, listen to me. -Stop saying my name! |
736 | 00:46:33,780 | 00:46:35,820 | What is going on here? You ruined my life! | What is going on here? You ruined my life! |
737 | 00:46:35,980 | 00:46:39,260 | Ever since you put me on TV, little boys ask for my autograph. | Ever since you put me on TV, little boys ask for my autograph. |
738 | 00:46:39,420 | 00:46:41,860 | Pepe Navarro wants you to work on his show, "Mississippi". | Pepe Navarro wants you to work on his show, "Mississippi". |
739 | 00:46:42,020 | 00:46:43,540 | -I'm not gonna... -Oh, baby! | -I'm not gonna... -Oh, baby! |
740 | 00:46:43,700 | 00:46:46,940 | -What a scandal, the "Mississippi". -Just leave me alone. | -What a scandal, the "Mississippi". -Just leave me alone. |
741 | 00:46:47,100 | 00:46:50,660 | -Why wouldn't you want to? -It's my turf and I call the shots. | -Why wouldn't you want to? -It's my turf and I call the shots. |
742 | 00:46:50,820 | 00:46:52,380 | -Veneno. -What? | -Veneno. -What? |
743 | 00:46:52,540 | 00:46:53,940 | -How much do you charge? -A lot. | -How much do you charge? -A lot. |
744 | 00:46:54,100 | 00:46:56,340 | -How much? Tell me. -More than 50,000 a night. | -How much? Tell me. -More than 50,000 a night. |
745 | 00:46:56,500 | 00:46:58,660 | Fine, on TV you'll be making more than 100,000. | Fine, on TV you'll be making more than 100,000. |
746 | 00:46:58,820 | 00:47:01,900 | And if you do both, you can make 200,000, come on! | And if you do both, you can make 200,000, come on! |
747 | 00:47:02,060 | 00:47:05,820 | -That's a whole mess of money! -And what do I want with a mess? | -That's a whole mess of money! -And what do I want with a mess? |
748 | 00:47:05,980 | 00:47:08,420 | Now will you just pull over and let me be! | Now will you just pull over and let me be! |
749 | 00:47:08,580 | 00:47:10,620 | -Stop the car! -Fine, OK, I'm stopping! | -Stop the car! -Fine, OK, I'm stopping! |
750 | 00:47:22,380 | 00:47:25,340 | -It's alright, don't worry. -I suck at this. | -It's alright, don't worry. -I suck at this. |
751 | 00:47:25,500 | 00:47:28,700 | No, that's not true, you're doing fine. | No, that's not true, you're doing fine. |
752 | 00:47:28,860 | 00:47:32,020 | Come on now, Camille. | Come on now, Camille. |
753 | 00:47:32,180 | 00:47:35,540 | Honey, you didn't do anything wrong, you just plowed on through | Honey, you didn't do anything wrong, you just plowed on through |
754 | 00:47:35,700 | 00:47:38,460 | like we're all animals you're looking at on safari. | like we're all animals you're looking at on safari. |
755 | 00:47:38,620 | 00:47:40,660 | You didn't even introduce yourselves. | You didn't even introduce yourselves. |
756 | 00:47:40,820 | 00:47:43,660 | I'm Paca The Piranha, close friend of La Veneno. | I'm Paca The Piranha, close friend of La Veneno. |
757 | 00:47:43,820 | 00:47:46,380 | You didn't introduce yourselves, you just bulldozed your way in, | You didn't introduce yourselves, you just bulldozed your way in, |
758 | 00:47:46,540 | 00:47:49,660 | driving off the clients. Of course she got mad, | driving off the clients. Of course she got mad, |
759 | 00:47:49,820 | 00:47:52,820 | of course the other day Tito came close to killing you. | of course the other day Tito came close to killing you. |
760 | 00:47:54,260 | 00:47:58,100 | Gimme some paper. Come on, a piece of paper. | Gimme some paper. Come on, a piece of paper. |
761 | 00:47:59,220 | 00:48:01,260 | -Some paper, bitch. -There. | -Some paper, bitch. -There. |
762 | 00:48:03,500 | 00:48:04,820 | And here's a pen. | And here's a pen. |
763 | 00:48:05,860 | 00:48:07,340 | No, I've got my own pen. | No, I've got my own pen. |
764 | 00:48:09,940 | 00:48:14,460 | I mean, honestly. You really made a mess of things. | I mean, honestly. You really made a mess of things. |
765 | 00:48:15,620 | 00:48:19,940 | Here, this is Cristina's address, you can speak with her in peace. | Here, this is Cristina's address, you can speak with her in peace. |
766 | 00:48:20,100 | 00:48:22,380 | And please, next time a little more tact. | And please, next time a little more tact. |
767 | 00:48:22,540 | 00:48:23,900 | -I promise. -Thank you. | -I promise. -Thank you. |
768 | 00:48:24,060 | 00:48:25,500 | -Good night. -Thanks. | -Good night. -Thanks. |
769 | 00:48:29,660 | 00:48:32,860 | Come here! Come here. | Come here! Come here. |
770 | 00:48:33,020 | 00:48:36,020 | -We did it, girl! -Jesus. | -We did it, girl! -Jesus. |
771 | 00:48:37,020 | 00:48:39,260 | -Come on! -Come on, let's go. | -Come on! -Come on, let's go. |
772 | 00:48:40,580 | 00:48:45,380 | Hey there, you feel like doing it? Wanna spend some time together? | Hey there, you feel like doing it? Wanna spend some time together? |
773 | 00:48:45,540 | 00:48:49,780 | Come on then, you're gonna bring out the beast inside of me. | Come on then, you're gonna bring out the beast inside of me. |
774 | 00:48:49,940 | 00:48:52,820 | Paca, what happened? I was taking a shit. | Paca, what happened? I was taking a shit. |
775 | 00:48:52,980 | 00:48:55,500 | Our little girl is gonna be a star. | Our little girl is gonna be a star. |
776 | 00:48:56,580 | 00:48:59,340 | I knew it, honey, I always knew she would. | I knew it, honey, I always knew she would. |
777 | 00:49:04,340 | 00:49:07,660 | -You like it, hon? -I love it. Rocío Jurado. | -You like it, hon? -I love it. Rocío Jurado. |
778 | 00:49:07,820 | 00:49:09,660 | It's a pretty altar, right? | It's a pretty altar, right? |
779 | 00:49:09,820 | 00:49:11,980 | I set it all up, because she's been sick, | I set it all up, because she's been sick, |
780 | 00:49:12,140 | 00:49:15,980 | so the Lord will heal her. I do her, you know? | so the Lord will heal her. I do her, you know? |
781 | 00:49:16,140 | 00:49:19,020 | -I do a really good Rocío Jurado. -She's the best. | -I do a really good Rocío Jurado. -She's the best. |
782 | 00:49:19,180 | 00:49:21,460 | I'm a huge fan, her biggest fan. | I'm a huge fan, her biggest fan. |
783 | 00:49:21,620 | 00:49:24,780 | -Should we go? -You're not staying for dinner? | -Should we go? -You're not staying for dinner? |
784 | 00:49:24,940 | 00:49:27,420 | No, they can't stay. I don't have enough food. | No, they can't stay. I don't have enough food. |
785 | 00:49:27,580 | 00:49:29,940 | I've got enough for her, but that's it. | I've got enough for her, but that's it. |
786 | 00:49:30,100 | 00:49:32,620 | -Then come back another day. -Tomorrow I'll run to the market. | -Then come back another day. -Tomorrow I'll run to the market. |
787 | 00:49:32,780 | 00:49:35,180 | -OK. -It was a pleasure. | -OK. -It was a pleasure. |
788 | 00:49:35,340 | 00:49:39,580 | -I know. We'll see you soon. -Come back again, | -I know. We'll see you soon. -Come back again, |
789 | 00:49:39,740 | 00:49:43,540 | -I've got tons of photo albums. -See you, Princess Sheila. | -I've got tons of photo albums. -See you, Princess Sheila. |
790 | 00:49:43,700 | 00:49:45,220 | Chenoa. -Bye. | Chenoa. -Bye. |
791 | 00:49:45,380 | 00:49:47,980 | Be careful out there with the bad guys. | Be careful out there with the bad guys. |
792 | 00:49:54,580 | 00:49:56,820 | She can really talk, can't she? | She can really talk, can't she? |
793 | 00:49:58,140 | 00:50:01,020 | -She talked non-stop. -She does talk a lot. | -She talked non-stop. -She does talk a lot. |
794 | 00:50:02,220 | 00:50:04,460 | A little too much, if you ask me. | A little too much, if you ask me. |
795 | 00:50:17,140 | 00:50:19,220 | I'm gonna get going. | I'm gonna get going. |
796 | 00:50:19,380 | 00:50:22,460 | I've got a paper to write. I'll be up all night working on it. | I've got a paper to write. I'll be up all night working on it. |
797 | 00:50:22,620 | 00:50:25,020 | -I'll text you when I get home. -OK. | -I'll text you when I get home. -OK. |
798 | 00:50:42,900 | 00:50:44,740 | A really smart girl. | A really smart girl. |
799 | 00:50:45,740 | 00:50:47,300 | What? | What? |
800 | 00:50:47,460 | 00:50:49,620 | That's what I see when I look at you. | That's what I see when I look at you. |
801 | 00:50:49,780 | 00:50:51,660 | A really smart girl. | A really smart girl. |
802 | 00:50:52,860 | 00:50:55,100 | You do? Yeah. | You do? Yeah. |
803 | 00:50:56,140 | 00:50:59,100 | Look, I'm like the snake in my game, | Look, I'm like the snake in my game, |
804 | 00:50:59,260 | 00:51:01,260 | locked up inside four walls. | locked up inside four walls. |
805 | 00:51:01,420 | 00:51:04,260 | I go out through one door, and come back in through another. | I go out through one door, and come back in through another. |
806 | 00:51:04,420 | 00:51:07,380 | And I keep going til I've eaten so much I can't fit. | And I keep going til I've eaten so much I can't fit. |
807 | 00:51:07,540 | 00:51:09,100 | But not you. | But not you. |
808 | 00:51:09,260 | 00:51:13,020 | One day, you'll go out through a door but youwon't come back. | One day, you'll go out through a door but youwon't come back. |
809 | 00:51:13,180 | 00:51:15,620 | And I'm gonna miss you so much, | And I'm gonna miss you so much, |
810 | 00:51:16,940 | 00:51:20,380 | but you're so much bigger than these four walls. | but you're so much bigger than these four walls. |
811 | 00:51:20,540 | 00:51:22,700 | Because your game hasn't been invented yet. | Because your game hasn't been invented yet. |
812 | 00:51:22,860 | 00:51:25,540 | Because your game is the coolest ever. | Because your game is the coolest ever. |
813 | 00:51:25,700 | 00:51:27,820 | -Amparo. -What? | -Amparo. -What? |
814 | 00:51:27,980 | 00:51:31,460 | -You're addicted. -I'm totally addicted. | -You're addicted. -I'm totally addicted. |
815 | 00:51:31,620 | 00:51:32,940 | But anyway... | But anyway... |
816 | 00:51:33,740 | 00:51:36,620 | Gotta run, girl. | Gotta run, girl. |
817 | 00:51:36,780 | 00:51:38,940 | I love you so much, and I'll text you tonight, OK? | I love you so much, and I'll text you tonight, OK? |
818 | 00:51:39,100 | 00:51:40,420 | OK. Love you. | OK. Love you. |
819 | 00:51:57,940 | 00:51:59,620 | Fortunately or unfortunately, | Fortunately or unfortunately, |
820 | 00:51:59,780 | 00:52:02,620 | I didn't meet Cristina in the mid-90s. | I didn't meet Cristina in the mid-90s. |
821 | 00:52:05,940 | 00:52:09,460 | I mean, I knew her like everyone else in my generation | I mean, I knew her like everyone else in my generation |
822 | 00:52:09,620 | 00:52:12,260 | whose parents sent them to bed at midnight | whose parents sent them to bed at midnight |
823 | 00:52:12,420 | 00:52:14,580 | when it was time for Mississippi. | when it was time for Mississippi. |
824 | 00:52:15,740 | 00:52:18,540 | I'm trans? Yes, I am. | I'm trans? Yes, I am. |
825 | 00:52:18,700 | 00:52:21,380 | A prostitute? That too. But I've got quite a pair. | A prostitute? That too. But I've got quite a pair. |
826 | 00:52:21,540 | 00:52:24,580 | And we were dying to see that impressive woman, | And we were dying to see that impressive woman, |
827 | 00:52:24,740 | 00:52:27,100 | who was something from another planet. | who was something from another planet. |
828 | 00:52:27,260 | 00:52:28,900 | -She's funny. -I know, right? | -She's funny. -I know, right? |
829 | 00:52:29,060 | 00:52:30,860 | -And she's gorgeous too. -Beautiful. | -And she's gorgeous too. -Beautiful. |
830 | 00:52:31,020 | 00:52:33,900 | Nocturnal and treacherous, she entered into our homes | Nocturnal and treacherous, she entered into our homes |
831 | 00:52:34,060 | 00:52:37,940 | to give voice and body to a subject that, up until then | to give voice and body to a subject that, up until then |
832 | 00:52:38,100 | 00:52:39,780 | had been a huge taboo. | had been a huge taboo. |
833 | 00:52:42,100 | 00:52:46,660 | A reality that society had decided to look away from. | A reality that society had decided to look away from. |
834 | 00:52:49,940 | 00:52:51,900 | That was a rough start. | That was a rough start. |
835 | 00:52:52,060 | 00:52:55,220 | My name is Faela Sainz and I work at "Mississippi". | My name is Faela Sainz and I work at "Mississippi". |
836 | 00:52:55,380 | 00:52:58,260 | I had a baby recently, | I had a baby recently, |
837 | 00:52:58,420 | 00:53:01,220 | and I need to prove I'm still good at my job. | and I need to prove I'm still good at my job. |
838 | 00:53:01,380 | 00:53:03,740 | I'd love it if you'd come with me. | I'd love it if you'd come with me. |
839 | 00:53:03,900 | 00:53:06,740 | And I think it could be an incredible opportunity for you. | And I think it could be an incredible opportunity for you. |
840 | 00:53:06,900 | 00:53:09,980 | If I didn't, I wouldn't say so, I swear. | If I didn't, I wouldn't say so, I swear. |
841 | 00:53:10,140 | 00:53:12,740 | It's nice to meet you, Faela. | It's nice to meet you, Faela. |
842 | 00:53:12,900 | 00:53:15,420 | But I can't be on TV. | But I can't be on TV. |
843 | 00:53:15,580 | 00:53:16,900 | Why not? | Why not? |
844 | 00:53:18,740 | 00:53:21,580 | Because my mother has never seen me like this. | Because my mother has never seen me like this. |
845 | 00:53:21,740 | 00:53:23,940 | -Like what? -Like... | -Like what? -Like... |
846 | 00:53:24,100 | 00:53:27,020 | As a woman. She doesn't know me. | As a woman. She doesn't know me. |
847 | 00:53:28,460 | 00:53:32,260 | She doesn't know who I am now. | She doesn't know who I am now. |
848 | 00:53:32,420 | 00:53:33,900 | Do you understand? | Do you understand? |
849 | 00:53:35,140 | 00:53:36,460 | Completely. | Completely. |
850 | 00:53:40,460 | 00:53:43,100 | In case you change your mind. | In case you change your mind. |
851 | 00:53:45,260 | 00:53:48,220 | -Thank you. -No, thank you. | -Thank you. -No, thank you. |
852 | 00:53:48,380 | 00:53:49,780 | -Bye, Faela. -Bye. | -Bye, Faela. -Bye. |
853 | 00:53:52,140 | 00:53:54,780 | It was clear that Cristina wasn't perfect, | It was clear that Cristina wasn't perfect, |
854 | 00:53:54,940 | 00:53:56,940 | but then, who is? | but then, who is? |
855 | 00:53:57,100 | 00:53:58,540 | Is the TV perfect? | Is the TV perfect? |
856 | 00:53:58,700 | 00:54:01,780 | -No, I said I'm not going on TV. -Is that your final answer? | -No, I said I'm not going on TV. -Is that your final answer? |
857 | 00:54:01,940 | 00:54:03,260 | -Yes. -Fine. | -Yes. -Fine. |
858 | 00:54:03,420 | 00:54:06,780 | I'm not gonna fight with you anymore, it's not worth it. | I'm not gonna fight with you anymore, it's not worth it. |
859 | 00:54:06,940 | 00:54:10,460 | You just keep suffering, living in the past for your mother. | You just keep suffering, living in the past for your mother. |
860 | 00:54:10,620 | 00:54:13,660 | Keep doing what you've always done. It's working for you. | Keep doing what you've always done. It's working for you. |
861 | 00:54:13,820 | 00:54:16,980 | But this is a huge opportunity that's gonna pass you by, | But this is a huge opportunity that's gonna pass you by, |
862 | 00:54:17,140 | 00:54:20,780 | just because you care about someone who doesn't care about you. | just because you care about someone who doesn't care about you. |
863 | 00:54:27,060 | 00:54:30,020 | Rocío Jurado passed away at 5:15 this morning. | Rocío Jurado passed away at 5:15 this morning. |
864 | 00:54:30,180 | 00:54:32,900 | Oh, my Rocío, such a shame. | Oh, my Rocío, such a shame. |
865 | 00:54:33,060 | 00:54:35,380 | Next time those girls come, | Next time those girls come, |
866 | 00:54:35,540 | 00:54:38,940 | I'm gonna show them all the gowns I've got in there. | I'm gonna show them all the gowns I've got in there. |
867 | 00:54:39,100 | 00:54:41,260 | The black one, the polka dots, | The black one, the polka dots, |
868 | 00:54:42,380 | 00:54:45,260 | the red one... They won't believe their eyes. | the red one... They won't believe their eyes. |
869 | 00:54:45,420 | 00:54:48,020 | My sweet Cristina, | My sweet Cristina, |
870 | 00:54:48,180 | 00:54:50,500 | you were so relaxed... | you were so relaxed... |
871 | 00:54:50,660 | 00:54:53,220 | -You're just jealous. -No, not jealous. | -You're just jealous. -No, not jealous. |
872 | 00:54:53,380 | 00:54:56,140 | But I've seen that look in your eyes before. | But I've seen that look in your eyes before. |
873 | 00:54:56,300 | 00:54:58,380 | And it never led to anything good. | And it never led to anything good. |
874 | 00:54:58,540 | 00:55:00,340 | And now that I've lost my Rocío Jurado, | And now that I've lost my Rocío Jurado, |
875 | 00:55:00,500 | 00:55:04,260 | I don't want anything to happen to you, hon. | I don't want anything to happen to you, hon. |
876 | 00:55:04,420 | 00:55:06,820 | Did those shows take advantage of her vulnerability | Did those shows take advantage of her vulnerability |
877 | 00:55:06,980 | 00:55:10,140 | just so they could turn her drama into higher ratings? | just so they could turn her drama into higher ratings? |
878 | 00:55:10,300 | 00:55:13,260 | Profession: prostitute. Price: more than 100,000 per night. | Profession: prostitute. Price: more than 100,000 per night. |
879 | 00:55:13,420 | 00:55:17,420 | Or did they save her, by giving her the opportunity of a lifetime?" | Or did they save her, by giving her the opportunity of a lifetime?" |
880 | 00:55:17,580 | 00:55:22,860 | Ladies and gentlemen, here with us tonight, live, | Ladies and gentlemen, here with us tonight, live, |
881 | 00:55:23,020 | 00:55:25,300 | it's Cristina, La Veneno. | it's Cristina, La Veneno. |
882 | 00:55:34,260 | 00:55:37,700 | Elisabeth Noelle-Neumann argues in "The Spiral of Silence" | Elisabeth Noelle-Neumann argues in "The Spiral of Silence" |
883 | 00:55:37,860 | 00:55:40,580 | that the responsibility lies with the media, | that the responsibility lies with the media, |
884 | 00:55:40,740 | 00:55:42,100 | because they draw the line between | because they draw the line between |
885 | 00:55:42,260 | 00:55:44,860 | what's socially accepted and what's not. | what's socially accepted and what's not. |
886 | 00:55:46,220 | 00:55:48,500 | Because they can transform prejudice | Because they can transform prejudice |
887 | 00:55:51,820 | 00:55:53,140 | into empathy. | into empathy. |
888 | 00:55:57,140 | 00:55:58,460 | Darkness | Darkness |
889 | 00:56:01,860 | 00:56:03,460 | into light. | into light. |
890 | 00:56:07,140 | 00:56:09,500 | And make visible what is invisible. | And make visible what is invisible. |
891 | 00:56:09,660 | 00:56:12,620 | -Should I call you Cristina? -Yes, call me Cristina, | -Should I call you Cristina? -Yes, call me Cristina, |
892 | 00:56:12,780 | 00:56:15,540 | because La Veneno is just a nickname. | because La Veneno is just a nickname. |
893 | 00:56:15,700 | 00:56:18,980 | -Is it because you're deadly? -No, no... | -Is it because you're deadly? -No, no... |
894 | 00:56:19,140 | 00:56:20,500 | -Great job. -Thank you. | -Great job. -Thank you. |
895 | 00:56:21,500 | 00:56:23,500 | What do you have for tomorrow? | What do you have for tomorrow? |
896 | 00:56:29,020 | 00:56:30,340 | Nothing. | Nothing. |
897 | 00:56:34,300 | 00:56:36,740 | I'm gonna finish my maternity leave. | I'm gonna finish my maternity leave. |
898 | 00:56:37,740 | 00:56:40,140 | I wanna spend time with my son. | I wanna spend time with my son. |
899 | 00:56:41,580 | 00:56:43,660 | What will we do without you? | What will we do without you? |
900 | 00:56:43,820 | 00:56:47,900 | You've got Machús, she's an excellent reporter. | You've got Machús, she's an excellent reporter. |
901 | 00:56:48,060 | 00:56:50,820 | -I'm laughing at you. -Oh, you're laughing at me? | -I'm laughing at you. -Oh, you're laughing at me? |
902 | 00:56:50,980 | 00:56:54,340 | Finally, someone who laughs at what I don't say. | Finally, someone who laughs at what I don't say. |
903 | 00:56:55,820 | 00:56:59,500 | -You've always been like this? -She's special. | -You've always been like this? -She's special. |
904 | 00:57:00,900 | 00:57:02,540 | Of course she is. | Of course she is. |
905 | 00:57:13,500 | 00:57:15,380 | Nobody's perfect, | Nobody's perfect, |
906 | 00:57:15,540 | 00:57:18,140 | but if Cristina hadn't appeared on TV, | but if Cristina hadn't appeared on TV, |
907 | 00:57:18,300 | 00:57:21,940 | many others might have remained in the shadows. | many others might have remained in the shadows. |
908 | 00:57:22,100 | 00:57:25,220 | What you don't talk about it, doesn't exist. | What you don't talk about it, doesn't exist. |
909 | 00:57:25,380 | 00:57:29,260 | And what doesn't exist, is marginalized. | And what doesn't exist, is marginalized. |
910 | 00:57:29,420 | 00:57:30,740 | Hello. | Hello. |
911 | 00:57:32,420 | 00:57:33,940 | This is not an outline. | This is not an outline. |
912 | 00:57:34,100 | 00:57:38,380 | -I didn't know what approach to take. -It's better than an outline. | -I didn't know what approach to take. -It's better than an outline. |
913 | 00:57:39,580 | 00:57:40,900 | Really? | Really? |
914 | 00:57:44,260 | 00:57:47,060 | -Did you really meet her? -Yes. | -Did you really meet her? -Yes. |
915 | 00:57:51,900 | 00:57:54,100 | -I've made up my mind. -About what? | -I've made up my mind. -About what? |
916 | 00:57:54,260 | 00:57:55,580 | My name. | My name. |
917 | 00:57:56,540 | 00:57:57,860 | Valeria. | Valeria. |
918 | 00:58:01,220 | 00:58:04,780 | Come on in. Paca, Paca, her name's Valeria. | Come on in. Paca, Paca, her name's Valeria. |
919 | 00:58:06,340 | 00:58:09,180 | There's no doubt she saved me. | There's no doubt she saved me. |
920 | 00:58:11,780 | 00:58:14,460 | Because she made me see I wasn't alone. | Because she made me see I wasn't alone. |
921 | 00:58:14,620 | 00:58:19,140 | And meeting her was the beginning of the adventure of a lifetime. | And meeting her was the beginning of the adventure of a lifetime. |
922 | 00:58:20,900 | 00:58:23,860 | Have you ever thought about writing a book? | Have you ever thought about writing a book? |
923 | 00:58:25,620 | 00:58:29,060 | -A book? -Yes. A book. | -A book? -Yes. A book. |
924 | 00:58:32,777 | 00:58:37,777 | Subtitles by explosiveskull www.OpenSubtitles.org | Subtitles by explosiveskull www.OpenSubtitles.org |