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| # | Start | End | Original | Translated |
|---|---|---|---|---|
| 1 | 00:00:00,063 | 00:00:02,750 | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver |
| 2 | 00:00:02,829 | 00:00:12,837 | ♪ | ♪ |
| 3 | 00:00:12,869 | 00:00:22,879 | ♪ | ♪ |
| 4 | 00:00:22,912 | 00:00:32,854 | ♪ | ♪ |
| 5 | 00:00:32,887 | 00:00:43,898 | ♪ | ♪ |
| 6 | 00:00:45,566 | 00:00:46,867 | MY NAME IS TOM MURPHY. | MY NAME IS TOM MURPHY. |
| 7 | 00:00:46,901 | 00:00:48,537 | LIKE MY PARENTS AND MY GRANDPARENTS | LIKE MY PARENTS AND MY GRANDPARENTS |
| 8 | 00:00:48,569 | 00:00:50,905 | I'VE LIVED IN CLEVELAND, OHIO MY ENTIRE LIFE. | I'VE LIVED IN CLEVELAND, OHIO MY ENTIRE LIFE. |
| 9 | 00:00:50,938 | 00:00:52,640 | I'VE BEEN IN THE PAINTER'S UNION | I'VE BEEN IN THE PAINTER'S UNION |
| 10 | 00:00:52,673 | 00:00:54,541 | EVER SINCE I GRADUATED HIGH SCHOOL. | EVER SINCE I GRADUATED HIGH SCHOOL. |
| 11 | 00:00:54,574 | 00:00:57,445 | YEAH, I'M YOU'RE TYPICAL CLEVELAND IRISH WORKING MAN. | YEAH, I'M YOU'RE TYPICAL CLEVELAND IRISH WORKING MAN. |
| 12 | 00:00:58,978 | 00:01:00,748 | YOU'RE SO STRONG! | YOU'RE SO STRONG! |
| 13 | 00:01:01,648 | 00:01:03,050 | I'M A MEAT AND POTATOES MAN. | I'M A MEAT AND POTATOES MAN. |
| 14 | 00:01:03,082 | 00:01:05,019 | I SPEND MY WEEKENDS AT THE LAKE ERIE ISLANDS. | I SPEND MY WEEKENDS AT THE LAKE ERIE ISLANDS. |
| 15 | 00:01:05,785 | 00:01:07,353 | AND DURING THE WEEK | AND DURING THE WEEK |
| 16 | 00:01:07,387 | 00:01:08,787 | I ALWAYS VISIT THE ROCK AND ROLL HALL OF FAME | I ALWAYS VISIT THE ROCK AND ROLL HALL OF FAME |
| 17 | 00:01:08,820 | 00:01:10,390 | TO SEE THE U2 EXHIBIT. | TO SEE THE U2 EXHIBIT. |
| 18 | 00:01:11,456 | 00:01:15,828 | ♪ | ♪ |
| 19 | 00:01:16,962 | 00:01:18,529 | TIME TO MEET COLLEEN, MY IRISH GIRL. | TIME TO MEET COLLEEN, MY IRISH GIRL. |
| 20 | 00:01:18,562 | 00:01:20,565 | AT LEAST I THINK SHE'S IRISH, I DON'T KNOW. | AT LEAST I THINK SHE'S IRISH, I DON'T KNOW. |
| 21 | 00:01:20,598 | 00:01:21,999 | SHE DOESN'T LIKE TO TALK A WHOLE LOT, | SHE DOESN'T LIKE TO TALK A WHOLE LOT, |
| 22 | 00:01:22,033 | 00:01:23,669 | BUT AT LEAST MY MOTHER'S HAPPY. | BUT AT LEAST MY MOTHER'S HAPPY. |
| 23 | 00:01:23,702 | 00:01:25,837 | NOTHING IS STRONGER THAN AN IRISH MOTHER'S LOVE. | NOTHING IS STRONGER THAN AN IRISH MOTHER'S LOVE. |
| 24 | 00:01:25,871 | 00:01:27,405 | THROW IN A LITTLE CATHOLIC GUILT | THROW IN A LITTLE CATHOLIC GUILT |
| 25 | 00:01:27,438 | 00:01:28,807 | AND YOU ARE POWERLESS. | AND YOU ARE POWERLESS. |
| 26 | 00:01:29,741 | 00:01:41,119 | ♪ | ♪ |
| 27 | 00:01:41,151 | 00:01:42,885 | ♪♪ | ♪♪ |
| 28 | 00:01:48,123 | 00:01:48,891 | HEY. | HEY. |
| 29 | 00:01:48,924 | 00:01:49,792 | HEY. | HEY. |
| 30 | 00:01:49,825 | 00:01:50,659 | WHAT'S WRONG? | WHAT'S WRONG? |
| 31 | 00:01:50,694 | 00:01:52,662 | LEMME GUESS... THE U2 EXHIBIT AGAIN? | LEMME GUESS... THE U2 EXHIBIT AGAIN? |
| 32 | 00:01:52,694 | 00:01:53,996 | HAPPY ANNIVERSARY! | HAPPY ANNIVERSARY! |
| 33 | 00:01:54,029 | 00:01:55,464 | THAT'S RIGHT. | THAT'S RIGHT. |
| 34 | 00:01:55,497 | 00:01:56,766 | IT'S SO AWESOME. | IT'S SO AWESOME. |
| 35 | 00:01:56,798 | 00:01:58,733 | THEY GOT A BUNCH OF NEW STUFF FROM THE LAST TOUR. | THEY GOT A BUNCH OF NEW STUFF FROM THE LAST TOUR. |
| 36 | 00:01:58,766 | 00:02:01,036 | IT'S OVER, TOM. | IT'S OVER, TOM. |
| 37 | 00:02:02,036 | 00:02:03,738 | COLLEEN, IT'S OUR ANNIVERSARY. | COLLEEN, IT'S OUR ANNIVERSARY. |
| 38 | 00:02:03,772 | 00:02:05,508 | THIS IS THE PLACE WE WENT ON OUR FIRST DATE. | THIS IS THE PLACE WE WENT ON OUR FIRST DATE. |
| 39 | 00:02:05,540 | 00:02:06,607 | AND OUR SECOND DATE, | AND OUR SECOND DATE, |
| 40 | 00:02:06,640 | 00:02:08,475 | AND OUR THIRD, AND OUR FIFTIETH. | AND OUR THIRD, AND OUR FIFTIETH. |
| 41 | 00:02:08,509 | 00:02:09,476 | STOP WITH THE MATH! | STOP WITH THE MATH! |
| 42 | 00:02:09,509 | 00:02:10,544 | I HATE U2. | I HATE U2. |
| 43 | 00:02:10,577 | 00:02:11,879 | WHAT? | WHAT? |
| 44 | 00:02:11,913 | 00:02:13,382 | I DO, I HATE U2. | I DO, I HATE U2. |
| 45 | 00:02:14,481 | 00:02:16,884 | YOU COME IN HERE DRESSED LIKE A LEPRECHAUN, | YOU COME IN HERE DRESSED LIKE A LEPRECHAUN, |
| 46 | 00:02:16,918 | 00:02:18,818 | AND YOU HATE U2? | AND YOU HATE U2? |
| 47 | 00:02:19,786 | 00:02:21,021 | I HAD A PICTURE OF YOUR RING | I HAD A PICTURE OF YOUR RING |
| 48 | 00:02:21,054 | 00:02:22,522 | I WAS GONNA GIVE YOU IN THIS. | I WAS GONNA GIVE YOU IN THIS. |
| 49 | 00:02:22,556 | 00:02:26,160 | IF YOU COULD DELETE MY PHOTOS OFF YOUR CAMERA. | IF YOU COULD DELETE MY PHOTOS OFF YOUR CAMERA. |
| 50 | 00:02:27,461 | 00:02:28,929 | EVEN THE ONES WHERE YOU HAVE CLOTHES ON? | EVEN THE ONES WHERE YOU HAVE CLOTHES ON? |
| 51 | 00:02:28,961 | 00:02:30,862 | ALL OF THEM. | ALL OF THEM. |
| 52 | 00:02:30,895 | 00:02:33,666 | ALL RIGHT, IT SHALL BE DONE. | ALL RIGHT, IT SHALL BE DONE. |
| 53 | 00:02:40,872 | 00:02:43,142 | [sighs] | [sighs] |
| 54 | 00:02:44,209 | 00:02:45,644 | EXCUSE ME, SIR, WHAT ARE YOU DOING? | EXCUSE ME, SIR, WHAT ARE YOU DOING? |
| 55 | 00:02:45,677 | 00:02:47,112 | OH, RIGHT ON TIME. | OH, RIGHT ON TIME. |
| 56 | 00:02:47,144 | 00:02:49,147 | OKAY, I'M A CURATOR FOR THE HALL, SIR, | OKAY, I'M A CURATOR FOR THE HALL, SIR, |
| 57 | 00:02:49,179 | 00:02:51,048 | AND YOU ARE STRICTLY PROHIBITED FROM SITTING | AND YOU ARE STRICTLY PROHIBITED FROM SITTING |
| 58 | 00:02:51,082 | 00:02:51,949 | ON THOSE DRUMS! | ON THOSE DRUMS! |
| 59 | 00:02:51,983 | 00:02:53,118 | THAT'S A GOOD RULE. | THAT'S A GOOD RULE. |
| 60 | 00:02:53,150 | 00:02:54,485 | [cymbal clashes] | [cymbal clashes] |
| 61 | 00:02:56,987 | 00:02:58,489 | [camera clicks] | [camera clicks] |
| 62 | 00:02:58,522 | 00:02:59,957 | OOPS. | OOPS. |
| 63 | 00:02:59,989 | 00:03:00,924 | SORRY ABOUT THAT. | SORRY ABOUT THAT. |
| 64 | 00:03:00,958 | 00:03:03,727 | IT'S SET TO LANDSCAPE MODE FOR MOUNTAINS SO... | IT'S SET TO LANDSCAPE MODE FOR MOUNTAINS SO... |
| 65 | 00:03:03,760 | 00:03:05,463 | ALL RIGHT. | ALL RIGHT. |
| 66 | 00:03:05,495 | 00:03:06,229 | ...IT'S A COMPLIMENT. | ...IT'S A COMPLIMENT. |
| 67 | 00:03:06,262 | 00:03:08,598 | I NEED ASSISTANCE IN THE LOBBY. | I NEED ASSISTANCE IN THE LOBBY. |
| 68 | 00:03:08,630 | 00:03:11,200 | WE'VE GOT A PERVERT TAKING PICTURES AND SITTING ON DRUMS. | WE'VE GOT A PERVERT TAKING PICTURES AND SITTING ON DRUMS. |
| 69 | 00:03:11,234 | 00:03:13,202 | THERE'S NOT ENOUGH CHAIRS IN HERE. | THERE'S NOT ENOUGH CHAIRS IN HERE. |
| 70 | 00:03:13,236 | 00:03:14,703 | YOU KNOW, YOU'RE REALLY SICK! | YOU KNOW, YOU'RE REALLY SICK! |
| 71 | 00:03:15,938 | 00:03:18,073 | OH, GREAT, AM I GONNA GET A PRIVATE TOUR NOW? | OH, GREAT, AM I GONNA GET A PRIVATE TOUR NOW? |
| 72 | 00:03:18,105 | 00:03:19,574 | OH, YEAH. | OH, YEAH. |
| 73 | 00:03:20,509 | 00:03:21,844 | YOU'RE GONNA GET A PRIVATE TOUR. | YOU'RE GONNA GET A PRIVATE TOUR. |
| 74 | 00:03:21,877 | 00:03:23,112 | GET 'IM OUTTA HERE. | GET 'IM OUTTA HERE. |
| 75 | 00:03:25,013 | 00:03:29,684 | [boss] ANOTHER TUCHUS ON THOSE SACRED BASS DRUMS? | [boss] ANOTHER TUCHUS ON THOSE SACRED BASS DRUMS? |
| 76 | 00:03:29,718 | 00:03:30,885 | YOU'RE FIRED! | YOU'RE FIRED! |
| 77 | 00:03:31,784 | 00:03:33,554 | MR. FIGLER... | MR. FIGLER... |
| 78 | 00:03:33,586 | 00:03:35,121 | I PROMISE I WON'T DO IT AGAIN. | I PROMISE I WON'T DO IT AGAIN. |
| 79 | 00:03:35,155 | 00:03:36,090 | PLEASE, JUST... | PLEASE, JUST... |
| 80 | 00:03:36,122 | 00:03:37,625 | WHA... | WHA... |
| 81 | 00:03:39,693 | 00:03:42,596 | THAT JERK, GOD, IDIOT! | THAT JERK, GOD, IDIOT! |
| 82 | 00:03:42,628 | 00:03:44,731 | ONE-TWO-THREE-FOUR! | ONE-TWO-THREE-FOUR! |
| 83 | 00:03:44,763 | 00:03:47,666 | [Irish music begins to play] | [Irish music begins to play] |
| 84 | 00:03:47,699 | 00:03:50,002 | (Tom) MY HIGH SCHOOL BUDDIES AND I HAVE BEEN GOING TO THE HARP PUB | (Tom) MY HIGH SCHOOL BUDDIES AND I HAVE BEEN GOING TO THE HARP PUB |
| 85 | 00:03:50,036 | 00:03:51,271 | SINCE WE WERE IN GRADE SCHOOL | SINCE WE WERE IN GRADE SCHOOL |
| 86 | 00:03:51,304 | 00:03:56,275 | ♪ | ♪ |
| 87 | 00:03:56,308 | 00:03:58,143 | AND NOW, ONE OF US WAS COMING HOME. | AND NOW, ONE OF US WAS COMING HOME. |
| 88 | 00:03:58,175 | 00:03:59,845 | YOU KNOW, WE'RE ALL DIFFERENT | YOU KNOW, WE'RE ALL DIFFERENT |
| 89 | 00:03:59,877 | 00:04:02,113 | BUT YOU NEVER FORGET THE GUYS YOU GREW UP WITH. | BUT YOU NEVER FORGET THE GUYS YOU GREW UP WITH. |
| 90 | 00:04:02,915 | 00:04:04,016 | FREDDIE! HOW ARE YA, MAN? | FREDDIE! HOW ARE YA, MAN? |
| 91 | 00:04:04,048 | 00:04:04,883 | TOMMY! | TOMMY! |
| 92 | 00:04:04,917 | 00:04:06,084 | HOW ARE YOU, MAN? | HOW ARE YOU, MAN? |
| 93 | 00:04:06,117 | 00:04:06,950 | WHERE YOU BEEN? | WHERE YOU BEEN? |
| 94 | 00:04:06,984 | 00:04:08,852 | I'M SORRY, MAN, I'VE BEEN WORKING A LOT. | I'M SORRY, MAN, I'VE BEEN WORKING A LOT. |
| 95 | 00:04:08,885 | 00:04:10,522 | YOU KNOW, THIS WHOLE GLOBAL WARMING THING, | YOU KNOW, THIS WHOLE GLOBAL WARMING THING, |
| 96 | 00:04:10,555 | 00:04:11,656 | IS KINDA GETTING ME DOWN. | IS KINDA GETTING ME DOWN. |
| 97 | 00:04:11,688 | 00:04:12,789 | YEAH, I'D FREAK OUT. | YEAH, I'D FREAK OUT. |
| 98 | 00:04:12,824 | 00:04:15,293 | I THINK WE'RE GONNA BURN UP IN A FIERY BALL OF FIRE. | I THINK WE'RE GONNA BURN UP IN A FIERY BALL OF FIRE. |
| 99 | 00:04:15,325 | 00:04:16,293 | WORDS ON A SCREEN. | WORDS ON A SCREEN. |
| 100 | 00:04:16,327 | 00:04:17,661 | BUT LISTEN, YOU LOOK GOOD. | BUT LISTEN, YOU LOOK GOOD. |
| 101 | 00:04:17,695 | 00:04:18,862 | BOY, THOSE STOMACH STAPLES | BOY, THOSE STOMACH STAPLES |
| 102 | 00:04:18,894 | 00:04:20,029 | ARE WORKING OUT FOR YOU, RIGHT? | ARE WORKING OUT FOR YOU, RIGHT? |
| 103 | 00:04:20,062 | 00:04:20,764 | YEAH, YEAH, YEAH. | YEAH, YEAH, YEAH. |
| 104 | 00:04:20,797 | 00:04:22,900 | JUST, YOU KNOW, PORTION CONTROL. | JUST, YOU KNOW, PORTION CONTROL. |
| 105 | 00:04:22,932 | 00:04:24,567 | I'LL EAT A SESAME SEED | I'LL EAT A SESAME SEED |
| 106 | 00:04:24,600 | 00:04:25,569 | AND I'M FULL. | AND I'M FULL. |
| 107 | 00:04:25,602 | 00:04:26,703 | YOU GONNA PUKE ON ME? | YOU GONNA PUKE ON ME? |
| 108 | 00:04:26,735 | 00:04:27,570 | HA-HA-HA. | HA-HA-HA. |
| 109 | 00:04:27,603 | 00:04:29,005 | NO, NOT THIS YEAR. | NO, NOT THIS YEAR. |
| 110 | 00:04:29,038 | 00:04:29,938 | GOOD SEEING YOU, BRO. | GOOD SEEING YOU, BRO. |
| 111 | 00:04:30,940 | 00:04:31,774 | HEY! | HEY! |
| 112 | 00:04:31,806 | 00:04:32,641 | THERE HE IS. | THERE HE IS. |
| 113 | 00:04:32,674 | 00:04:33,308 | HOW ARE YOU? | HOW ARE YOU? |
| 114 | 00:04:33,342 | 00:04:34,577 | I KNEW I'D FIND YOU HERE. | I KNEW I'D FIND YOU HERE. |
| 115 | 00:04:34,609 | 00:04:35,645 | WELCOME BACK TO THE STATES, BUDDY. | WELCOME BACK TO THE STATES, BUDDY. |
| 116 | 00:04:35,678 | 00:04:36,245 | THANKS. | THANKS. |
| 117 | 00:04:36,277 | 00:04:37,313 | THIS IS BERNIE. | THIS IS BERNIE. |
| 118 | 00:04:37,346 | 00:04:39,749 | AND I MET HER IN DUBLIN WHILE I WAS WORKING THERE. | AND I MET HER IN DUBLIN WHILE I WAS WORKING THERE. |
| 119 | 00:04:39,782 | 00:04:41,082 | A REAL IRISH GIRL? | A REAL IRISH GIRL? |
| 120 | 00:04:41,116 | 00:04:42,817 | YES, THEY DON'T MAKE 'EM FAKE ANYMORE. | YES, THEY DON'T MAKE 'EM FAKE ANYMORE. |
| 121 | 00:04:43,785 | 00:04:45,052 | GOD, BERNIE... | GOD, BERNIE... |
| 122 | 00:04:45,086 | 00:04:46,687 | IT'S SO NICE TO MEET YOU. | IT'S SO NICE TO MEET YOU. |
| 123 | 00:04:46,721 | 00:04:48,156 | LOVELY TO MEET YA, TOM. | LOVELY TO MEET YA, TOM. |
| 124 | 00:04:48,189 | 00:04:49,958 | I'VE HEARD SO MANY WONDERFUL THINGS ABOUT YOU. | I'VE HEARD SO MANY WONDERFUL THINGS ABOUT YOU. |
| 125 | 00:04:49,990 | 00:04:51,659 | AH, I HOPE SOME OF THEM ARE GOOD. | AH, I HOPE SOME OF THEM ARE GOOD. |
| 126 | 00:04:51,692 | 00:04:52,760 | [chuckling] | [chuckling] |
| 127 | 00:04:52,793 | 00:04:53,793 | THEY'RE ALL GOOD. | THEY'RE ALL GOOD. |
| 128 | 00:04:53,826 | 00:04:54,727 | ME MARTY LOVE YA. | ME MARTY LOVE YA. |
| 129 | 00:04:54,761 | 00:04:56,130 | "YOUR" MARTY? | "YOUR" MARTY? |
| 130 | 00:04:56,162 | 00:04:58,198 | YEAH, IT'S GETTING A LITTLE POSSESSIVE NOW. | YEAH, IT'S GETTING A LITTLE POSSESSIVE NOW. |
| 131 | 00:04:58,230 | 00:04:59,633 | HER MARTY. | HER MARTY. |
| 132 | 00:05:00,232 | 00:05:01,568 | AYE, TEE-TEE-TEE. | AYE, TEE-TEE-TEE. |
| 133 | 00:05:02,835 | 00:05:03,905 | WAIT'LL YOU HEAR, MAN. | WAIT'LL YOU HEAR, MAN. |
| 134 | 00:05:04,972 | 00:05:06,873 | WAIT'LL I HEAR WHAT? | WAIT'LL I HEAR WHAT? |
| 135 | 00:05:08,207 | 00:05:09,541 | LADIES AND GENTLEMAN, IF I COULD HAVE YOUR ATTENTION. | LADIES AND GENTLEMAN, IF I COULD HAVE YOUR ATTENTION. |
| 136 | 00:05:09,574 | 00:05:12,144 | MY GIRLFRIEND BERNIE AND I HAVE A LITTLE ANNOUNCEMENT TO MAKE. | MY GIRLFRIEND BERNIE AND I HAVE A LITTLE ANNOUNCEMENT TO MAKE. |
| 137 | 00:05:12,178 | 00:05:13,680 | UH-OH. | UH-OH. |
| 138 | 00:05:13,712 | 00:05:14,647 | WE'RE GETTING MARRIED. | WE'RE GETTING MARRIED. |
| 139 | 00:05:14,680 | 00:05:15,615 | [cheering] | [cheering] |
| 140 | 00:05:15,647 | 00:05:16,849 | WHAT? | WHAT? |
| 141 | 00:05:16,882 | 00:05:18,884 | [cheering] | [cheering] |
| 142 | 00:05:18,917 | 00:05:20,018 | TO PUT THE CHERRY ON TOP OF THAT... | TO PUT THE CHERRY ON TOP OF THAT... |
| 143 | 00:05:20,052 | 00:05:24,056 | WE'RE GETTING MARRIED IN BERNIE'S HOMETOWN IN IRELAND, | WE'RE GETTING MARRIED IN BERNIE'S HOMETOWN IN IRELAND, |
| 144 | 00:05:24,088 | 00:05:26,158 | SO... BOOK YOUR TRAVEL TICKETS 'CAUSE WE'RE | SO... BOOK YOUR TRAVEL TICKETS 'CAUSE WE'RE |
| 145 | 00:05:26,191 | 00:05:27,859 | GOING ACROSS THE POND. | GOING ACROSS THE POND. |
| 146 | 00:05:27,891 | 00:05:29,726 | [cheering] | [cheering] |
| 147 | 00:05:29,760 | 00:05:30,861 | HOLY CRAP, WE'RE GOING... | HOLY CRAP, WE'RE GOING... |
| 148 | 00:05:30,894 | 00:05:32,630 | CONGRATULATIONS. | CONGRATULATIONS. |
| 149 | 00:05:32,662 | 00:05:34,631 | A LITTLE FAR. | A LITTLE FAR. |
| 150 | 00:05:34,664 | 00:05:36,366 | WHERE EXACTLY IS IRELAND? | WHERE EXACTLY IS IRELAND? |
| 151 | 00:05:36,399 | 00:05:38,702 | IF YOU LOOK AT A GLOBAL IMAGING MAP, | IF YOU LOOK AT A GLOBAL IMAGING MAP, |
| 152 | 00:05:38,736 | 00:05:40,036 | IT'S 53 DEGREES LONGITUDE, | IT'S 53 DEGREES LONGITUDE, |
| 153 | 00:05:40,070 | 00:05:41,272 | YOU'LL START TO DRIFT. | YOU'LL START TO DRIFT. |
| 154 | 00:05:41,305 | 00:05:42,772 | ABOUT 6 DEGREES LATITUDE ACROSS... | ABOUT 6 DEGREES LATITUDE ACROSS... |
| 155 | 00:05:42,805 | 00:05:45,242 | LA-LA-LA, JUST FOLLOW THE SOUR CREAM BOAT.. | LA-LA-LA, JUST FOLLOW THE SOUR CREAM BOAT.. |
| 156 | 00:05:46,175 | 00:05:46,977 | IF I'M GOING, YOU'RE GOING. | IF I'M GOING, YOU'RE GOING. |
| 157 | 00:05:48,177 | 00:05:49,179 | UH... | UH... |
| 158 | 00:05:49,211 | 00:05:50,813 | AND YOU AND FREDDIE. | AND YOU AND FREDDIE. |
| 159 | 00:05:50,846 | 00:05:51,947 | I GOT THE NEED, | I GOT THE NEED, |
| 160 | 00:05:51,980 | 00:05:53,115 | I GOT THE NEED FOR TWEED. | I GOT THE NEED FOR TWEED. |
| 161 | 00:05:53,148 | 00:05:54,082 | ALL RIGHT! | ALL RIGHT! |
| 162 | 00:05:54,116 | 00:05:55,717 | WE'RE ALL GOING TO IRELAND! | WE'RE ALL GOING TO IRELAND! |
| 163 | 00:05:57,184 | 00:06:00,021 | WE'RE GONNA NEED CONVERTERS FOR OUR HOTEL ROOMS. | WE'RE GONNA NEED CONVERTERS FOR OUR HOTEL ROOMS. |
| 164 | 00:06:00,054 | 00:06:01,256 | IT'S A DIFFERENT ELECTRICAL SYSTEM. | IT'S A DIFFERENT ELECTRICAL SYSTEM. |
| 165 | 00:06:01,289 | 00:06:03,125 | WE'RE GONNA HAVE TO PACK SOME STUFF INDIVIDUALLY | WE'RE GONNA HAVE TO PACK SOME STUFF INDIVIDUALLY |
| 166 | 00:06:03,157 | 00:06:04,893 | THEN WE'RE GONNA REGROUP ONCE WE GET OVER THERE. | THEN WE'RE GONNA REGROUP ONCE WE GET OVER THERE. |
| 167 | 00:06:04,926 | 00:06:06,327 | BUNGEE CORD, COMPRESSION SOCKS. | BUNGEE CORD, COMPRESSION SOCKS. |
| 168 | 00:06:06,360 | 00:06:08,363 | MAYBE SOME IODINE TABLETS. | MAYBE SOME IODINE TABLETS. |
| 169 | 00:06:08,396 | 00:06:10,264 | SHUT UP, NERD! | SHUT UP, NERD! |
| 170 | 00:06:10,296 | 00:06:11,666 | I'M JUST KIDDING. | I'M JUST KIDDING. |
| 171 | 00:06:14,334 | 00:06:17,838 | (Tom) MY DAD PETER MURPHY'S HALFWAY TO ST. PATRICK'S DAY PARTY. | (Tom) MY DAD PETER MURPHY'S HALFWAY TO ST. PATRICK'S DAY PARTY. |
| 172 | 00:06:17,871 | 00:06:21,308 | ONLY 182 DAYS UNTIL GREEN BEER, | ONLY 182 DAYS UNTIL GREEN BEER, |
| 173 | 00:06:21,340 | 00:06:23,643 | IRISH MUSIC AND CORNED BEEF. | IRISH MUSIC AND CORNED BEEF. |
| 174 | 00:06:23,677 | 00:06:25,244 | AND HOW DO WE CELEBRATE? | AND HOW DO WE CELEBRATE? |
| 175 | 00:06:25,278 | 00:06:28,948 | PRACTICING WITH GREEN BEER, IRISH MUSIC AND CORNED BEEF. | PRACTICING WITH GREEN BEER, IRISH MUSIC AND CORNED BEEF. |
| 176 | 00:06:28,982 | 00:06:38,791 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 177 | 00:06:38,824 | 00:06:40,026 | ♪ THERE'S A GHOST BESIDE MY SHOULDER ♪ | ♪ THERE'S A GHOST BESIDE MY SHOULDER ♪ |
| 178 | 00:06:40,058 | 00:06:41,426 | ♪ THERE'S A GHOST BESIDE MY BED ♪ | ♪ THERE'S A GHOST BESIDE MY BED ♪ |
| 179 | 00:06:41,459 | 00:06:43,093 | ♪ WHAT I LEAVE BEHIND STAYS IN MY MIND ♪ | ♪ WHAT I LEAVE BEHIND STAYS IN MY MIND ♪ |
| 180 | 00:06:43,127 | 00:06:44,963 | ♪ WITH THE GHOSTS INSIDE MY HEAD ♪ | ♪ WITH THE GHOSTS INSIDE MY HEAD ♪ |
| 181 | 00:06:44,995 | 00:06:46,697 | ♪ I LIFT MY LOAD, LOOK DOWN THE ROAD ♪ | ♪ I LIFT MY LOAD, LOOK DOWN THE ROAD ♪ |
| 182 | 00:06:46,730 | 00:06:47,998 | ♪ AND AHEAD, BEHIND'S THE SAME ♪ | ♪ AND AHEAD, BEHIND'S THE SAME ♪ |
| 183 | 00:06:48,031 | 00:06:48,932 | ♪ WHEN I START TO RUN ♪ | ♪ WHEN I START TO RUN ♪ |
| 184 | 00:06:48,966 | 00:06:51,368 | ♪ I'VE JUST BEGUN TO GO THE WAY I CAME ♪ | ♪ I'VE JUST BEGUN TO GO THE WAY I CAME ♪ |
| 185 | 00:06:51,401 | 00:06:53,070 | ♪ AT HALF-PAST-FOUR THEY BAR THE DOOR... ♪ | ♪ AT HALF-PAST-FOUR THEY BAR THE DOOR... ♪ |
| 186 | 00:06:53,103 | 00:06:55,171 | TOMMY! LOOK AT THE TIME! | TOMMY! LOOK AT THE TIME! |
| 187 | 00:06:55,205 | 00:06:56,907 | THERE'S ONLY SIX MONTHS LEFT! | THERE'S ONLY SIX MONTHS LEFT! |
| 188 | 00:06:56,940 | 00:06:59,343 | HIGH HOLY DAY, WHERE'VE YOU BEEN? | HIGH HOLY DAY, WHERE'VE YOU BEEN? |
| 189 | 00:06:59,376 | 00:07:01,779 | PITTSBURGH, MASSACHUSETTS? | PITTSBURGH, MASSACHUSETTS? |
| 190 | 00:07:01,811 | 00:07:05,114 | OH, PROHIBITION, PROHIBITION. | OH, PROHIBITION, PROHIBITION. |
| 191 | 00:07:05,147 | 00:07:06,748 | [John Wayne impersonation] 'SCUSE ME, BARKEEP, | [John Wayne impersonation] 'SCUSE ME, BARKEEP, |
| 192 | 00:07:06,781 | 00:07:08,250 | HOW 'BOUT ONE OF THEM BLACK BEERS? | HOW 'BOUT ONE OF THEM BLACK BEERS? |
| 193 | 00:07:08,283 | 00:07:09,384 | AH... | AH... |
| 194 | 00:07:09,418 | 00:07:10,619 | NOW RIGHT THERE, | NOW RIGHT THERE, |
| 195 | 00:07:10,653 | 00:07:14,123 | THAT IS THE WORST JOHN WAYNE IMPERSONATION I HAVE EVER HEARD. | THAT IS THE WORST JOHN WAYNE IMPERSONATION I HAVE EVER HEARD. |
| 196 | 00:07:14,156 | 00:07:15,290 | THAT WAS TERRIBLE. | THAT WAS TERRIBLE. |
| 197 | 00:07:15,324 | 00:07:16,959 | PLEASE DON'T EVER DO THAT AGAIN, SON. | PLEASE DON'T EVER DO THAT AGAIN, SON. |
| 198 | 00:07:16,992 | 00:07:18,360 | OH, MY GOD, PLEASE... | OH, MY GOD, PLEASE... |
| 199 | 00:07:18,393 | 00:07:20,195 | LET ME HANDLE THIS, UNCLE ANTHONY. | LET ME HANDLE THIS, UNCLE ANTHONY. |
| 200 | 00:07:20,227 | 00:07:22,698 | ON TOP OF THAT, YOU WERE TWO HOURS LATE! | ON TOP OF THAT, YOU WERE TWO HOURS LATE! |
| 201 | 00:07:22,730 | 00:07:24,231 | SORRY, DAD, I JUST GOT DELAYED. | SORRY, DAD, I JUST GOT DELAYED. |
| 202 | 00:07:24,265 | 00:07:25,866 | BUT YOU MISSED ALL THE FUN. | BUT YOU MISSED ALL THE FUN. |
| 203 | 00:07:25,900 | 00:07:27,869 | UNCLE ANDY SHOWED OFF HIS SHILLELAGH TATTOO. | UNCLE ANDY SHOWED OFF HIS SHILLELAGH TATTOO. |
| 204 | 00:07:27,902 | 00:07:30,103 | AND THE REST OF US WERE RECALLING OUR FINEST | AND THE REST OF US WERE RECALLING OUR FINEST |
| 205 | 00:07:30,137 | 00:07:31,272 | CHILDHOOD BEATINGS. | CHILDHOOD BEATINGS. |
| 206 | 00:07:31,305 | 00:07:33,107 | AH, THE GOOD OLD DAYS. | AH, THE GOOD OLD DAYS. |
| 207 | 00:07:33,139 | 00:07:34,108 | THE GOOD OLD DAYS INDEED. | THE GOOD OLD DAYS INDEED. |
| 208 | 00:07:34,140 | 00:07:35,975 | WELL, IT WAS EITHER THAT OR A SWEARING CONTEST, | WELL, IT WAS EITHER THAT OR A SWEARING CONTEST, |
| 209 | 00:07:36,009 | 00:07:37,378 | AND UNCLE ANTHONY ALWAYS WINS. | AND UNCLE ANTHONY ALWAYS WINS. |
| 210 | 00:07:37,411 | 00:07:38,411 | HE WAS A TEAMSTER. | HE WAS A TEAMSTER. |
| 211 | 00:07:38,445 | 00:07:39,947 | HA-HA-HA! | HA-HA-HA! |
| 212 | 00:07:39,979 | 00:07:40,947 | SO WHERE'VE YOU BEEN? | SO WHERE'VE YOU BEEN? |
| 213 | 00:07:40,981 | 00:07:43,249 | WELL, I MET THE GANG DOWN AT THE HARP AND... | WELL, I MET THE GANG DOWN AT THE HARP AND... |
| 214 | 00:07:43,282 | 00:07:47,454 | MARTY FLYNN AND HIS IRISH GIRLFRIEND BERNIE ANNOUNCED | MARTY FLYNN AND HIS IRISH GIRLFRIEND BERNIE ANNOUNCED |
| 215 | 00:07:47,487 | 00:07:49,289 | THEY'RE GETTING MARRIED. | THEY'RE GETTING MARRIED. |
| 216 | 00:07:49,321 | 00:07:50,456 | YOU DON'T SAY? | YOU DON'T SAY? |
| 217 | 00:07:50,489 | 00:07:52,458 | HE'S A GOOD MAN, THAT MARTY FLYNN. | HE'S A GOOD MAN, THAT MARTY FLYNN. |
| 218 | 00:07:52,492 | 00:07:53,492 | PRINCE OF A FELLOW. | PRINCE OF A FELLOW. |
| 219 | 00:07:53,525 | 00:07:55,094 | IRISH GIRLFRIEND. | IRISH GIRLFRIEND. |
| 220 | 00:07:55,126 | 00:07:57,496 | WELL, IF THE HOMELY MARTY FLYNN CAN FIND ONE | WELL, IF THE HOMELY MARTY FLYNN CAN FIND ONE |
| 221 | 00:07:57,529 | 00:07:59,197 | YOU CERTAINLY CAN FIND ONE, TOO! | YOU CERTAINLY CAN FIND ONE, TOO! |
| 222 | 00:07:59,231 | 00:08:01,701 | WELL, MAYBE I WILL, WHEN I'M OVER THERE. | WELL, MAYBE I WILL, WHEN I'M OVER THERE. |
| 223 | 00:08:03,068 | 00:08:04,169 | WHAT DO YOU MEAN, "OVER THERE"? | WHAT DO YOU MEAN, "OVER THERE"? |
| 224 | 00:08:04,202 | 00:08:05,137 | OVER WHERE? | OVER WHERE? |
| 225 | 00:08:06,002 | 00:08:07,771 | MARTY AND BERNIE ARE GETTING MARRIED | MARTY AND BERNIE ARE GETTING MARRIED |
| 226 | 00:08:07,805 | 00:08:09,807 | IN BERNIE'S HOMETOWN IN IRELAND. | IN BERNIE'S HOMETOWN IN IRELAND. |
| 227 | 00:08:09,839 | 00:08:12,109 | AND THEY WANT ME TO BE THE BEST MAN AND... | AND THEY WANT ME TO BE THE BEST MAN AND... |
| 228 | 00:08:12,143 | 00:08:13,311 | I'M GOING TO IRELAND. | I'M GOING TO IRELAND. |
| 229 | 00:08:15,011 | 00:08:16,012 | MY SON IS GOING | MY SON IS GOING |
| 230 | 00:08:16,045 | 00:08:17,314 | TO IRELAND. | TO IRELAND. |
| 231 | 00:08:17,348 | 00:08:20,417 | [cheering] | [cheering] |
| 232 | 00:08:20,450 | 00:08:22,119 | ALL THAT WATER TO FLY OVER. | ALL THAT WATER TO FLY OVER. |
| 233 | 00:08:22,152 | 00:08:23,886 | I THINK I'M GONNA CRY. | I THINK I'M GONNA CRY. |
| 234 | 00:08:25,255 | 00:08:27,357 | TOMMY IS GOING TO MECCA. | TOMMY IS GOING TO MECCA. |
| 235 | 00:08:28,357 | 00:08:30,793 | WELL, ROUND 'EM UP AND HEAD 'EM OUT. | WELL, ROUND 'EM UP AND HEAD 'EM OUT. |
| 236 | 00:08:31,994 | 00:08:33,829 | FIVE! FOUR! THREE! | FIVE! FOUR! THREE! |
| 237 | 00:08:33,861 | 00:08:35,798 | TWO! ONE! | TWO! ONE! |
| 238 | 00:08:35,831 | 00:08:37,832 | [bell dings] | [bell dings] |
| 239 | 00:08:37,865 | 00:08:39,367 | [cheering and whistling] | [cheering and whistling] |
| 240 | 00:08:41,135 | 00:08:41,903 | WHOO! | WHOO! |
| 241 | 00:08:41,936 | 00:08:43,205 | I'M NOT GETTING ANYTHING IN THERE. | I'M NOT GETTING ANYTHING IN THERE. |
| 242 | 00:08:44,305 | 00:08:45,507 | IT'S PROBABLY ON A GOAT'S NUT SACK. | IT'S PROBABLY ON A GOAT'S NUT SACK. |
| 243 | 00:08:45,539 | 00:08:47,307 | [squealing] CONGRATULATIONS, SWEETIE! | [squealing] CONGRATULATIONS, SWEETIE! |
| 244 | 00:08:47,340 | 00:08:48,342 | CONGRATULATIONS. | CONGRATULATIONS. |
| 245 | 00:08:48,375 | 00:08:50,043 | OH, SO HAPPY FOR YOU GUYS. | OH, SO HAPPY FOR YOU GUYS. |
| 246 | 00:08:50,076 | 00:08:51,311 | THAT'S SO EXCITING! | THAT'S SO EXCITING! |
| 247 | 00:08:51,345 | 00:08:52,314 | I KNOW! | I KNOW! |
| 248 | 00:08:53,181 | 00:08:54,180 | UH-OH. | UH-OH. |
| 249 | 00:08:54,214 | 00:08:55,082 | YOU! | YOU! |
| 250 | 00:08:55,114 | 00:08:56,849 | I SEE YOU'VE MET TOM. | I SEE YOU'VE MET TOM. |
| 251 | 00:08:56,882 | 00:08:58,017 | YEAH, SHE HAD ME THROWN OUT | YEAH, SHE HAD ME THROWN OUT |
| 252 | 00:08:58,051 | 00:08:59,118 | OF THE ROCK AND ROLL HALL OF FAME TODAY. | OF THE ROCK AND ROLL HALL OF FAME TODAY. |
| 253 | 00:08:59,152 | 00:09:01,555 | I LOST MY JOB 'CAUSE HE WAS SITTING ON THE BASS DRUM! | I LOST MY JOB 'CAUSE HE WAS SITTING ON THE BASS DRUM! |
| 254 | 00:09:01,588 | 00:09:02,790 | NO, I WASN'T! | NO, I WASN'T! |
| 255 | 00:09:02,823 | 00:09:03,524 | YES, YOU WERE. | YES, YOU WERE. |
| 256 | 00:09:03,556 | 00:09:04,358 | WAIT, WAIT, WAIT, WHAT HAPPENED? | WAIT, WAIT, WAIT, WHAT HAPPENED? |
| 257 | 00:09:04,391 | 00:09:06,359 | OKAY, I WAS AT THE ROCK HALL, OKAY? | OKAY, I WAS AT THE ROCK HALL, OKAY? |
| 258 | 00:09:06,391 | 00:09:07,526 | THERE'S NO PLACE TO SIT. | THERE'S NO PLACE TO SIT. |
| 259 | 00:09:07,559 | 00:09:09,060 | I SAT DOWN ON THE BASS DRUM. | I SAT DOWN ON THE BASS DRUM. |
| 260 | 00:09:09,093 | 00:09:09,927 | THERE WAS NAKED PICTURES, I WAS TAKING... | THERE WAS NAKED PICTURES, I WAS TAKING... |
| 261 | 00:09:09,962 | 00:09:11,564 | HE WAS TAKING PICTURES OF MY... HMM-MMM. | HE WAS TAKING PICTURES OF MY... HMM-MMM. |
| 262 | 00:09:11,597 | 00:09:12,832 | AND THEN I GOT FIRED. | AND THEN I GOT FIRED. |
| 263 | 00:09:12,864 | 00:09:14,099 | MY THUMB GOT STUCK ON THE... | MY THUMB GOT STUCK ON THE... |
| 264 | 00:09:14,132 | 00:09:15,934 | [Marty] OKAY, OKAY... | [Marty] OKAY, OKAY... |
| 265 | 00:09:15,968 | 00:09:16,836 | WAIT. | WAIT. |
| 266 | 00:09:16,868 | 00:09:18,068 | I DON'T KNOW WHAT THE HISTORY IS HERE. | I DON'T KNOW WHAT THE HISTORY IS HERE. |
| 267 | 00:09:18,102 | 00:09:18,970 | I DON'T CARE. | I DON'T CARE. |
| 268 | 00:09:19,002 | 00:09:20,472 | BUT WHAT I DO KNOW IS THIS... | BUT WHAT I DO KNOW IS THIS... |
| 269 | 00:09:20,505 | 00:09:23,341 | BOTH OF YOU ARE STANDING UP FOR BERNIE AND ME IN IRELAND. | BOTH OF YOU ARE STANDING UP FOR BERNIE AND ME IN IRELAND. |
| 270 | 00:09:23,374 | 00:09:25,177 | WHAT DO YOU MEAN? | WHAT DO YOU MEAN? |
| 271 | 00:09:25,209 | 00:09:26,544 | YEAH, WHAT DO YOU MEAN? | YEAH, WHAT DO YOU MEAN? |
| 272 | 00:09:26,578 | 00:09:30,880 | OKAY, UHM, WHAT I MEAN TO SAY IS YOU'RE MY BEST MAN, | OKAY, UHM, WHAT I MEAN TO SAY IS YOU'RE MY BEST MAN, |
| 273 | 00:09:30,913 | 00:09:31,881 | AND SHE'S... | AND SHE'S... |
| 274 | 00:09:31,914 | 00:09:33,918 | IS ME MAID OF HONOR. | IS ME MAID OF HONOR. |
| 275 | 00:09:33,951 | 00:09:35,119 | OH, GOD. | OH, GOD. |
| 276 | 00:09:40,557 | 00:09:41,523 | MARTY AND BERNIE... | MARTY AND BERNIE... |
| 277 | 00:09:41,556 | 00:09:43,359 | LOOKING REAL GOOD. | LOOKING REAL GOOD. |
| 278 | 00:09:45,094 | 00:09:48,898 | OKAY, WE COULD PROBABLY JUST SIT HERE ALL NIGHT | OKAY, WE COULD PROBABLY JUST SIT HERE ALL NIGHT |
| 279 | 00:09:48,931 | 00:09:50,166 | AND NOT SAY A WORD TO EACH OTHER | AND NOT SAY A WORD TO EACH OTHER |
| 280 | 00:09:50,199 | 00:09:51,400 | BUT YOU KNOW, | BUT YOU KNOW, |
| 281 | 00:09:51,433 | 00:09:53,935 | WE'RE THE TWO MOST IMPORTANT PEOPLE IN THEIR WEDDING PARTY, | WE'RE THE TWO MOST IMPORTANT PEOPLE IN THEIR WEDDING PARTY, |
| 282 | 00:09:53,969 | 00:09:57,339 | SO WE'RE PROBABLY GONNA BE SPENDING | SO WE'RE PROBABLY GONNA BE SPENDING |
| 283 | 00:09:57,372 | 00:09:58,440 | A LOT OF TIME WITH EACH OTHER. | A LOT OF TIME WITH EACH OTHER. |
| 284 | 00:09:58,473 | 00:09:59,974 | DON'T REMIND ME. | DON'T REMIND ME. |
| 285 | 00:10:01,408 | 00:10:04,445 | ALL RIGHT, SO, WE PROBABLY NEED TO TALK. | ALL RIGHT, SO, WE PROBABLY NEED TO TALK. |
| 286 | 00:10:04,478 | 00:10:07,180 | LET'S START FROM SCRATCH. | LET'S START FROM SCRATCH. |
| 287 | 00:10:07,213 | 00:10:09,916 | COMPLETELY WIPE THE SLATE CLEAN. | COMPLETELY WIPE THE SLATE CLEAN. |
| 288 | 00:10:09,949 | 00:10:13,554 | WELL, SORRY ABOUT WHAT HAPPENED AT THE HALL OF FAME TODAY. | WELL, SORRY ABOUT WHAT HAPPENED AT THE HALL OF FAME TODAY. |
| 289 | 00:10:13,587 | 00:10:15,489 | THERE! THAT'S BETTER. | THERE! THAT'S BETTER. |
| 290 | 00:10:15,521 | 00:10:17,324 | THAT'S IT? | THAT'S IT? |
| 291 | 00:10:17,357 | 00:10:18,625 | WHAT? | WHAT? |
| 292 | 00:10:18,658 | 00:10:20,927 | I SAY "I'M SORRY", YOU SAY, "THAT'S BETTER"? | I SAY "I'M SORRY", YOU SAY, "THAT'S BETTER"? |
| 293 | 00:10:20,959 | 00:10:22,962 | WELL, WHAT AM I SUPPOSED TO SAY? | WELL, WHAT AM I SUPPOSED TO SAY? |
| 294 | 00:10:22,996 | 00:10:24,597 | OH, NO, TELL ME, PLEASE, | OH, NO, TELL ME, PLEASE, |
| 295 | 00:10:24,630 | 00:10:26,433 | BECAUSE INVARIABLY I'M GONNA SAY THE WRONG THING | BECAUSE INVARIABLY I'M GONNA SAY THE WRONG THING |
| 296 | 00:10:26,466 | 00:10:27,634 | SO TELL ME. | SO TELL ME. |
| 297 | 00:10:27,667 | 00:10:29,535 | WELL, YOU COULD SAY THAT YOU'RE SORRY I LOST MY JOB. | WELL, YOU COULD SAY THAT YOU'RE SORRY I LOST MY JOB. |
| 298 | 00:10:32,303 | 00:10:33,304 | OKAY... | OKAY... |
| 299 | 00:10:33,337 | 00:10:35,573 | I'M SORRY YOU LOST YOUR JOB. | I'M SORRY YOU LOST YOUR JOB. |
| 300 | 00:10:35,606 | 00:10:36,641 | I REALLY AM. | I REALLY AM. |
| 301 | 00:10:36,674 | 00:10:40,311 | BUT I WASN'T TAKING PICTURES OF, OF YOU, YOUR... | BUT I WASN'T TAKING PICTURES OF, OF YOU, YOUR... |
| 302 | 00:10:40,345 | 00:10:42,113 | I WASN'T, HONESTLY. | I WASN'T, HONESTLY. |
| 303 | 00:10:42,146 | 00:10:43,281 | I JUST BROKE UP WITH MY GIRLFRIEND. | I JUST BROKE UP WITH MY GIRLFRIEND. |
| 304 | 00:10:43,314 | 00:10:44,482 | YOU WANNA SEE A PICTURE OF HER? | YOU WANNA SEE A PICTURE OF HER? |
| 305 | 00:10:44,514 | 00:10:45,515 | NUH-UH. | NUH-UH. |
| 306 | 00:10:45,550 | 00:10:47,085 | NO, REALLY, I COULD SHOW YOU A PICTURE OF HER. | NO, REALLY, I COULD SHOW YOU A PICTURE OF HER. |
| 307 | 00:10:47,118 | 00:10:48,152 | SHE'S REALLY PRETTY. | SHE'S REALLY PRETTY. |
| 308 | 00:10:50,287 | 00:10:52,890 | I DON'T HAVE ANY ONES WHERE SHE'S GOT | I DON'T HAVE ANY ONES WHERE SHE'S GOT |
| 309 | 00:10:52,923 | 00:10:53,923 | CLOTHING ON. | CLOTHING ON. |
| 310 | 00:10:54,925 | 00:10:56,526 | SO UH... HOW'D YOU MEET BERNIE? | SO UH... HOW'D YOU MEET BERNIE? |
| 311 | 00:10:56,559 | 00:10:58,929 | HER BROTHER WAS IN THE BAND OF POGUES. | HER BROTHER WAS IN THE BAND OF POGUES. |
| 312 | 00:10:58,962 | 00:11:01,231 | WE BECAME GREAT FRIENDS WHEN I LIVED IN DUBLIN. | WE BECAME GREAT FRIENDS WHEN I LIVED IN DUBLIN. |
| 313 | 00:11:01,263 | 00:11:02,431 | DUBLIN? | DUBLIN? |
| 314 | 00:11:02,464 | 00:11:06,334 | WOW, IT'S SO INFAMOUS FOR POETS | WOW, IT'S SO INFAMOUS FOR POETS |
| 315 | 00:11:06,367 | 00:11:07,669 | AND THE GUINNESS FACTORY. | AND THE GUINNESS FACTORY. |
| 316 | 00:11:07,703 | 00:11:10,539 | IS THAT ALL YOU DO IS DRINK, | IS THAT ALL YOU DO IS DRINK, |
| 317 | 00:11:10,572 | 00:11:11,607 | ALL YOU IRISH GUYS? | ALL YOU IRISH GUYS? |
| 318 | 00:11:11,640 | 00:11:13,242 | AND DRINK THAT STUFF THAT LOOKS LIKE I SHOULD BE | AND DRINK THAT STUFF THAT LOOKS LIKE I SHOULD BE |
| 319 | 00:11:13,275 | 00:11:14,543 | FUNNELING IT DOWN MY CAR ENGINE? | FUNNELING IT DOWN MY CAR ENGINE? |
| 320 | 00:11:14,575 | 00:11:15,543 | YEAH, THAT'S ALL WE DO. | YEAH, THAT'S ALL WE DO. |
| 321 | 00:11:15,577 | 00:11:18,113 | WE JUST, UH, YOU KNOW, WE WRITE LONG SPEECHES | WE JUST, UH, YOU KNOW, WE WRITE LONG SPEECHES |
| 322 | 00:11:18,145 | 00:11:19,546 | AND TELL BAD JOKES | AND TELL BAD JOKES |
| 323 | 00:11:19,579 | 00:11:21,115 | AND YOU KNOW, WE RUN FOR CONGRESS. | AND YOU KNOW, WE RUN FOR CONGRESS. |
| 324 | 00:11:21,149 | 00:11:22,616 | THEN WE HAVE CORNED BEEF SANDWICHES. | THEN WE HAVE CORNED BEEF SANDWICHES. |
| 325 | 00:11:22,649 | 00:11:23,651 | THAT'S RIGHT. | THAT'S RIGHT. |
| 326 | 00:11:23,684 | 00:11:25,085 | THEN WE WASH IT ALL DOWN | THEN WE WASH IT ALL DOWN |
| 327 | 00:11:25,119 | 00:11:27,623 | WITH A 20 OUNCE GLASS OF MOTOR OIL. | WITH A 20 OUNCE GLASS OF MOTOR OIL. |
| 328 | 00:11:28,423 | 00:11:29,956 | ♪ I GOT A GUITAR ♪ | ♪ I GOT A GUITAR ♪ |
| 329 | 00:11:29,990 | 00:11:31,591 | ♪ IT'S A WEAPON ♪ | ♪ IT'S A WEAPON ♪ |
| 330 | 00:11:31,624 | 00:11:33,660 | (Tom) THE WEDDING PARTY DECIDED TO GET IN SHAPE FOR IRELAND | (Tom) THE WEDDING PARTY DECIDED TO GET IN SHAPE FOR IRELAND |
| 331 | 00:11:33,693 | 00:11:36,029 | AND WHAT BETTER WAY THAN A LOCAL CHARITY RUN? | AND WHAT BETTER WAY THAN A LOCAL CHARITY RUN? |
| 332 | 00:11:36,062 | 00:11:37,297 | JUST CARBING UP A LITTLE. | JUST CARBING UP A LITTLE. |
| 333 | 00:11:37,331 | 00:11:40,234 | ♪ AS LONG AS I CAN FIND A HEAVEN ♪ | ♪ AS LONG AS I CAN FIND A HEAVEN ♪ |
| 334 | 00:11:40,267 | 00:11:41,634 | ♪ | ♪ |
| 335 | 00:11:41,666 | 00:11:44,303 | ♪ THERE IS NO CLOSER I WOULD BE ♪ | ♪ THERE IS NO CLOSER I WOULD BE ♪ |
| 336 | 00:11:44,336 | 00:11:46,338 | ♪ | ♪ |
| 337 | 00:11:46,372 | 00:11:49,609 | ♪ AND WHEN I SAY IT'S A DESTROYER ♪ | ♪ AND WHEN I SAY IT'S A DESTROYER ♪ |
| 338 | 00:11:49,642 | 00:11:52,145 | ♪ YOU KNOW I MEAN ♪ | ♪ YOU KNOW I MEAN ♪ |
| 339 | 00:11:52,177 | 00:11:53,278 | AH! | AH! |
| 340 | 00:11:53,310 | 00:11:54,946 | ♪ THE LOVING KIND ♪ | ♪ THE LOVING KIND ♪ |
| 341 | 00:11:54,979 | 00:11:55,914 | ♪ | ♪ |
| 342 | 00:11:55,948 | 00:12:00,018 | ♪ NO NEED FOR GUNS, NO NEED FOR LAWYER ♪ | ♪ NO NEED FOR GUNS, NO NEED FOR LAWYER ♪ |
| 343 | 00:12:00,050 | 00:12:04,388 | ♪ AS LONG AS I CAN FIND A HEAVEN ♪ | ♪ AS LONG AS I CAN FIND A HEAVEN ♪ |
| 344 | 00:12:04,421 | 00:12:07,592 | ♪ THERE IS NO CLOSER I WOULD BE ♪♪ | ♪ THERE IS NO CLOSER I WOULD BE ♪♪ |
| 345 | 00:12:09,559 | 00:12:11,161 | [bowling pins falling] | [bowling pins falling] |
| 346 | 00:12:13,163 | 00:12:15,033 | THAT POCKET'S YOURS, BABY! | THAT POCKET'S YOURS, BABY! |
| 347 | 00:12:16,333 | 00:12:17,366 | YEAH, BABY! | YEAH, BABY! |
| 348 | 00:12:19,601 | 00:12:21,004 | ALL RIGHT, YOU GOT ONE! | ALL RIGHT, YOU GOT ONE! |
| 349 | 00:12:21,437 | 00:12:22,371 | WE GOT ONE! | WE GOT ONE! |
| 350 | 00:12:22,404 | 00:12:23,673 | NINE MORE AND THAT WOULD HAVE BEEN A STRIKE. | NINE MORE AND THAT WOULD HAVE BEEN A STRIKE. |
| 351 | 00:12:23,706 | 00:12:25,008 | THAT WOULD HAVE BEEN... | THAT WOULD HAVE BEEN... |
| 352 | 00:12:25,040 | 00:12:26,275 | [squealing] | [squealing] |
| 353 | 00:12:26,308 | 00:12:28,377 | SORRY I'M LATE, I HAD THE DAY SHIFT. | SORRY I'M LATE, I HAD THE DAY SHIFT. |
| 354 | 00:12:28,410 | 00:12:29,344 | OH... | OH... |
| 355 | 00:12:30,244 | 00:12:31,145 | RACK 'EM. | RACK 'EM. |
| 356 | 00:12:31,178 | 00:12:32,213 | SEE WHAT YOU GOT. | SEE WHAT YOU GOT. |
| 357 | 00:12:33,215 | 00:12:34,115 | "RACK 'EM"? | "RACK 'EM"? |
| 358 | 00:12:36,384 | 00:12:38,754 | ALL RIGHT, LADIES, I WANT YOU TO WATCH PERFECTION. | ALL RIGHT, LADIES, I WANT YOU TO WATCH PERFECTION. |
| 359 | 00:12:38,787 | 00:12:40,055 | I WANT YOU TO WATCH THE STYLE. | I WANT YOU TO WATCH THE STYLE. |
| 360 | 00:12:40,087 | 00:12:41,189 | SLIGHT BEND OF THE KNEES. | SLIGHT BEND OF THE KNEES. |
| 361 | 00:12:42,022 | 00:12:43,423 | BACK... STIFF AS A BOARD. | BACK... STIFF AS A BOARD. |
| 362 | 00:12:43,456 | 00:12:44,391 | HERE WE GO. | HERE WE GO. |
| 363 | 00:12:44,425 | 00:12:46,227 | WATCH THE CURVE OF THE BALL, WATCH THE STYLE. | WATCH THE CURVE OF THE BALL, WATCH THE STYLE. |
| 364 | 00:12:46,259 | 00:12:47,561 | WE'RE SHAKING HANDS WITH THE HEAD PIN. | WE'RE SHAKING HANDS WITH THE HEAD PIN. |
| 365 | 00:12:47,594 | 00:12:48,430 | HERE IT IS! | HERE IT IS! |
| 366 | 00:12:51,364 | 00:12:53,632 | YAY! [applause] | YAY! [applause] |
| 367 | 00:12:53,665 | 00:12:55,234 | MOCK APPLAUSE, IT'S VERY CUTE. | MOCK APPLAUSE, IT'S VERY CUTE. |
| 368 | 00:12:57,737 | 00:13:00,373 | SPEAKING OF LOOKIN' GOOD, WHAT'D YOU THINK OF TOMMY? | SPEAKING OF LOOKIN' GOOD, WHAT'D YOU THINK OF TOMMY? |
| 369 | 00:13:00,406 | 00:13:03,075 | HE'S YOUR BEST MAN, NOT MINE. | HE'S YOUR BEST MAN, NOT MINE. |
| 370 | 00:13:03,108 | 00:13:04,243 | YOU DON'T LIKE HIM? | YOU DON'T LIKE HIM? |
| 371 | 00:13:05,210 | 00:13:06,745 | I MEAN, HE'S OKAY, I GUESS. | I MEAN, HE'S OKAY, I GUESS. |
| 372 | 00:13:06,779 | 00:13:09,582 | YOU'RE A LIFE-LONG FRIEND SO I PROMISE | YOU'RE A LIFE-LONG FRIEND SO I PROMISE |
| 373 | 00:13:09,615 | 00:13:10,649 | TO GET ALONG WITH HIM. | TO GET ALONG WITH HIM. |
| 374 | 00:13:10,682 | 00:13:11,484 | PROMISE. | PROMISE. |
| 375 | 00:13:11,516 | 00:13:12,617 | I PROMISE. | I PROMISE. |
| 376 | 00:13:12,650 | 00:13:13,585 | I PROMISE JUST FOR YOU, | I PROMISE JUST FOR YOU, |
| 377 | 00:13:13,618 | 00:13:15,520 | ONLY FOR YOU AM I GONNA GET ALONG WITH HIM. | ONLY FOR YOU AM I GONNA GET ALONG WITH HIM. |
| 378 | 00:13:15,554 | 00:13:16,288 | GOOD. | GOOD. |
| 379 | 00:13:16,322 | 00:13:17,522 | WELL, THAT'S GOOD BECAUSE UH... | WELL, THAT'S GOOD BECAUSE UH... |
| 380 | 00:13:17,554 | 00:13:20,024 | WE'RE ALL GOING TO HIS PARENTS' HOUSE TOMORROW NIGHT. | WE'RE ALL GOING TO HIS PARENTS' HOUSE TOMORROW NIGHT. |
| 381 | 00:13:20,058 | 00:13:21,058 | WAIT, WHAT? | WAIT, WHAT? |
| 382 | 00:13:21,091 | 00:13:22,327 | NO, COME ON, WHY? | NO, COME ON, WHY? |
| 383 | 00:13:22,360 | 00:13:26,431 | LOOK, IT'S THEIR ANNUAL IRELAND VS. ITALY WORLD CUP PARTY | LOOK, IT'S THEIR ANNUAL IRELAND VS. ITALY WORLD CUP PARTY |
| 384 | 00:13:26,463 | 00:13:29,166 | AND THEY WANT TO SEE ME AND THEY WANT TO MEET BERNIE | AND THEY WANT TO SEE ME AND THEY WANT TO MEET BERNIE |
| 385 | 00:13:29,199 | 00:13:30,701 | AND IT'LL BE FUN, YOU SHOULD GO. | AND IT'LL BE FUN, YOU SHOULD GO. |
| 386 | 00:13:31,768 | 00:13:33,237 | ALL RIGHT, ISN'T THE WORLD CUP OVER? | ALL RIGHT, ISN'T THE WORLD CUP OVER? |
| 387 | 00:13:34,071 | 00:13:35,339 | YEAH. | YEAH. |
| 388 | 00:13:35,373 | 00:13:38,675 | OKAY, SO WHEN DID IRELAND AND ITALY PLAY EACH OTHER THEN? | OKAY, SO WHEN DID IRELAND AND ITALY PLAY EACH OTHER THEN? |
| 389 | 00:13:38,707 | 00:13:40,376 | 1994. | 1994. |
| 390 | 00:13:40,409 | 00:13:42,244 | SO THEY'RE HAVING A PARTY | SO THEY'RE HAVING A PARTY |
| 391 | 00:13:42,277 | 00:13:43,245 | FOR A SOCCER GAME | FOR A SOCCER GAME |
| 392 | 00:13:43,278 | 00:13:44,480 | THAT HAPPENED IN 1994? | THAT HAPPENED IN 1994? |
| 393 | 00:13:45,347 | 00:13:46,749 | LOOK, THEY'RE IRISH. | LOOK, THEY'RE IRISH. |
| 394 | 00:13:46,781 | 00:13:49,352 | THEY CELEBRATE ANYTHING AND EVERYTHING IRISH. | THEY CELEBRATE ANYTHING AND EVERYTHING IRISH. |
| 395 | 00:13:49,384 | 00:13:51,620 | OKAY, JUST A LITTLE WEIRD, I'M JUST SAYIN'. | OKAY, JUST A LITTLE WEIRD, I'M JUST SAYIN'. |
| 396 | 00:13:51,653 | 00:13:52,487 | ALL RIGHT. | ALL RIGHT. |
| 397 | 00:13:52,521 | 00:13:53,321 | YOU'RE UP. | YOU'RE UP. |
| 398 | 00:13:53,353 | 00:13:55,089 | I'VE HEARD A LOT ABOUT YOUR GAME, GIRL. | I'VE HEARD A LOT ABOUT YOUR GAME, GIRL. |
| 399 | 00:13:55,122 | 00:13:56,224 | LET'S SEE WHAT YOU GOT. | LET'S SEE WHAT YOU GOT. |
| 400 | 00:13:57,425 | 00:13:58,593 | LEMME SHOW YOU HOW IT'S DONE. | LEMME SHOW YOU HOW IT'S DONE. |
| 401 | 00:13:58,626 | 00:13:59,728 | ALL RIGHT, ALL RIGHT. | ALL RIGHT, ALL RIGHT. |
| 402 | 00:13:59,761 | 00:14:00,728 | YOUR FORM'S AWFUL. | YOUR FORM'S AWFUL. |
| 403 | 00:14:00,761 | 00:14:02,064 | MY FORM'S FINE, STOP IT! | MY FORM'S FINE, STOP IT! |
| 404 | 00:14:02,097 | 00:14:03,298 | OKAY, ALL RIGHT, HERE WE GO! | OKAY, ALL RIGHT, HERE WE GO! |
| 405 | 00:14:03,330 | 00:14:04,532 | HERE WE GO, HERE WE GO! | HERE WE GO, HERE WE GO! |
| 406 | 00:14:04,565 | 00:14:05,699 | OH, MY...! | OH, MY...! |
| 407 | 00:14:09,102 | 00:14:10,637 | [squealing] | [squealing] |
| 408 | 00:14:13,573 | 00:14:15,141 | (Tommy) THE WORLD CUP 1994, | (Tommy) THE WORLD CUP 1994, |
| 409 | 00:14:15,174 | 00:14:16,810 | JACK CHARLTON AND HIS UNDERDOG IRISH TEAM | JACK CHARLTON AND HIS UNDERDOG IRISH TEAM |
| 410 | 00:14:16,843 | 00:14:19,511 | DEFEATED THE HEAVILY-FAVORED ITALIAN TEAM ONE TO NOTHING. | DEFEATED THE HEAVILY-FAVORED ITALIAN TEAM ONE TO NOTHING. |
| 411 | 00:14:19,544 | 00:14:20,779 | MY PARENTS WERE SO MOVED, | MY PARENTS WERE SO MOVED, |
| 412 | 00:14:20,812 | 00:14:22,682 | THEY WENT OUT AND RENEWED THEIR VOWS. | THEY WENT OUT AND RENEWED THEIR VOWS. |
| 413 | 00:14:22,715 | 00:14:25,652 | I LET MY MOM KNOW I WAS THROWN OUT OF THE U2 EXHIBIT | I LET MY MOM KNOW I WAS THROWN OUT OF THE U2 EXHIBIT |
| 414 | 00:14:25,684 | 00:14:28,187 | BY THE CURATOR, WHO'S COMING OVER RIGHT NOW | BY THE CURATOR, WHO'S COMING OVER RIGHT NOW |
| 415 | 00:14:28,221 | 00:14:31,290 | AND IS IN THE WEDDING, AND IS REALLY PRETTY, | AND IS IN THE WEDDING, AND IS REALLY PRETTY, |
| 416 | 00:14:31,322 | 00:14:33,658 | AND SHE'S GREEK... OH, BOY. | AND SHE'S GREEK... OH, BOY. |
| 417 | 00:14:34,593 | 00:14:35,661 | (Aunt Mary) LOOK WHO'S HERE. | (Aunt Mary) LOOK WHO'S HERE. |
| 418 | 00:14:35,694 | 00:14:38,564 | IT'S THE HOMELY MARTY FLYNN. | IT'S THE HOMELY MARTY FLYNN. |
| 419 | 00:14:38,596 | 00:14:40,499 | AUNT MARY. GOOD TO SEE YOU. | AUNT MARY. GOOD TO SEE YOU. |
| 420 | 00:14:40,532 | 00:14:42,266 | "HOMELY" MARTY FLYNN? | "HOMELY" MARTY FLYNN? |
| 421 | 00:14:42,299 | 00:14:44,135 | WELL, THAT'S WHAT THEY CALL ME AROUND HERE. | WELL, THAT'S WHAT THEY CALL ME AROUND HERE. |
| 422 | 00:14:44,167 | 00:14:46,103 | AUNT MARY, THIS IS BERNIE. | AUNT MARY, THIS IS BERNIE. |
| 423 | 00:14:46,137 | 00:14:47,438 | LOVELY TO MEET YOU. | LOVELY TO MEET YOU. |
| 424 | 00:14:47,470 | 00:14:48,438 | AND YOU TOO! | AND YOU TOO! |
| 425 | 00:14:48,472 | 00:14:50,275 | AND VANESSA. | AND VANESSA. |
| 426 | 00:14:50,840 | 00:14:51,608 | HI. | HI. |
| 427 | 00:14:51,642 | 00:14:52,810 | VANESSA. | VANESSA. |
| 428 | 00:14:52,843 | 00:14:56,713 | OH, IS THIS THE GREEK GIRL YOU'VE BEEN TELLING US ABOUT? | OH, IS THIS THE GREEK GIRL YOU'VE BEEN TELLING US ABOUT? |
| 429 | 00:14:56,746 | 00:14:59,348 | I DIDN'T SAY ANYTHING ABOUT A GREEK GIRL. | I DIDN'T SAY ANYTHING ABOUT A GREEK GIRL. |
| 430 | 00:14:59,381 | 00:15:01,251 | YOU BEEN TALKING ABOUT ME, HUH? | YOU BEEN TALKING ABOUT ME, HUH? |
| 431 | 00:15:01,284 | 00:15:03,687 | YEAH, HE TOLD US ALL ABOUT YOU. | YEAH, HE TOLD US ALL ABOUT YOU. |
| 432 | 00:15:03,719 | 00:15:07,255 | ANNIE, COME AND MEET THE GREEK GIRL. | ANNIE, COME AND MEET THE GREEK GIRL. |
| 433 | 00:15:07,289 | 00:15:09,859 | AND, THIS IS MY HUSBAND, ANTHONY. | AND, THIS IS MY HUSBAND, ANTHONY. |
| 434 | 00:15:09,891 | 00:15:11,193 | HI. | HI. |
| 435 | 00:15:11,226 | 00:15:12,794 | WHERE'S YOUR TROJAN HORSE? | WHERE'S YOUR TROJAN HORSE? |
| 436 | 00:15:12,827 | 00:15:14,262 | IN THE STABLES. | IN THE STABLES. |
| 437 | 00:15:14,295 | 00:15:15,730 | THEY'RE STILL LOADING THE SOLDIERS. | THEY'RE STILL LOADING THE SOLDIERS. |
| 438 | 00:15:15,764 | 00:15:17,264 | [laughing] | [laughing] |
| 439 | 00:15:17,298 | 00:15:18,832 | SHE'S FUNNY, I LIKE HER! | SHE'S FUNNY, I LIKE HER! |
| 440 | 00:15:18,865 | 00:15:21,702 | WELL, HELLO, HOW ARE YOU? | WELL, HELLO, HOW ARE YOU? |
| 441 | 00:15:21,735 | 00:15:23,605 | THIS IS MY BRIDE-TO-BE. | THIS IS MY BRIDE-TO-BE. |
| 442 | 00:15:23,638 | 00:15:25,139 | CHARMED, I'M SURE. | CHARMED, I'M SURE. |
| 443 | 00:15:25,173 | 00:15:26,041 | WELL, WELL, WELL. | WELL, WELL, WELL. |
| 444 | 00:15:26,073 | 00:15:28,543 | I SEE YOU'VE ALREADY MET UNCLE TIMBER LEG. | I SEE YOU'VE ALREADY MET UNCLE TIMBER LEG. |
| 445 | 00:15:28,576 | 00:15:31,311 | I'M PETER MURPHY, TOM'S DAD. | I'M PETER MURPHY, TOM'S DAD. |
| 446 | 00:15:31,344 | 00:15:33,412 | ANNIE! THE GREEK GIRL IS HERE! | ANNIE! THE GREEK GIRL IS HERE! |
| 447 | 00:15:33,446 | 00:15:34,348 | HI. | HI. |
| 448 | 00:15:34,380 | 00:15:35,581 | NICE TO MEET YOU. | NICE TO MEET YOU. |
| 449 | 00:15:35,614 | 00:15:36,549 | CHARMED. | CHARMED. |
| 450 | 00:15:36,582 | 00:15:38,251 | DID YOU SAY TIMBER LEG? | DID YOU SAY TIMBER LEG? |
| 451 | 00:15:38,285 | 00:15:40,287 | YEAH, WE WERE GONNA CALL HIM TONY | YEAH, WE WERE GONNA CALL HIM TONY |
| 452 | 00:15:40,320 | 00:15:41,387 | INSTEAD OF ANTHONY | INSTEAD OF ANTHONY |
| 453 | 00:15:41,420 | 00:15:43,156 | BUT HE HAD HIS TOES AMPUTATED, | BUT HE HAD HIS TOES AMPUTATED, |
| 454 | 00:15:43,189 | 00:15:44,891 | SO HE COULD STAND CLOSER TO THE BAR. | SO HE COULD STAND CLOSER TO THE BAR. |
| 455 | 00:15:44,924 | 00:15:47,827 | PLUS, CALLING HIM TONY IS VERY, UH... | PLUS, CALLING HIM TONY IS VERY, UH... |
| 456 | 00:15:47,859 | 00:15:49,262 | ITALIAN, | ITALIAN, |
| 457 | 00:15:49,295 | 00:15:50,329 | AND THERE'S NOTHING ITALIAN IN THIS HOUSE | AND THERE'S NOTHING ITALIAN IN THIS HOUSE |
| 458 | 00:15:50,363 | 00:15:53,265 | BUT YOUR MOTHER'S FAMOUS HOMEMADE SPAGHETTI SAUCE. | BUT YOUR MOTHER'S FAMOUS HOMEMADE SPAGHETTI SAUCE. |
| 459 | 00:15:53,298 | 00:15:54,833 | SO GLAD YOU COULD COME. | SO GLAD YOU COULD COME. |
| 460 | 00:15:54,866 | 00:15:56,668 | ANNIE, COME MEET THE GREEK GIRL. | ANNIE, COME MEET THE GREEK GIRL. |
| 461 | 00:15:58,236 | 00:15:59,136 | THANKS FOR HAVING ME. | THANKS FOR HAVING ME. |
| 462 | 00:16:00,169 | 00:16:00,804 | IT'S SO INTERESTING TO BE AROUND A FAMILY | IT'S SO INTERESTING TO BE AROUND A FAMILY |
| 463 | 00:16:00,838 | 00:16:02,540 | SO FOND OF THE PAST. | SO FOND OF THE PAST. |
| 464 | 00:16:02,573 | 00:16:04,342 | OH-HO, I COULD TELL YOU A STORY. | OH-HO, I COULD TELL YOU A STORY. |
| 465 | 00:16:04,375 | 00:16:05,709 | I GOT A SCAR HERE, | I GOT A SCAR HERE, |
| 466 | 00:16:05,741 | 00:16:07,211 | I WAS STANDING AT A ROULETTE TABLE | I WAS STANDING AT A ROULETTE TABLE |
| 467 | 00:16:07,244 | 00:16:08,712 | IN THE HOLY ROSARY CHURCH | IN THE HOLY ROSARY CHURCH |
| 468 | 00:16:08,745 | 00:16:10,548 | DURING THE FEAST OF ASSUMPTION. | DURING THE FEAST OF ASSUMPTION. |
| 469 | 00:16:10,581 | 00:16:12,316 | IT WAS 1973... | IT WAS 1973... |
| 470 | 00:16:12,348 | 00:16:13,917 | SAY HELLO. | SAY HELLO. |
| 471 | 00:16:13,951 | 00:16:16,687 | UH, VANESSA, THIS IS MY MOTHER ANNIE. | UH, VANESSA, THIS IS MY MOTHER ANNIE. |
| 472 | 00:16:16,720 | 00:16:18,821 | HI, PLEASURE TO MEET YOU. | HI, PLEASURE TO MEET YOU. |
| 473 | 00:16:19,788 | 00:16:22,192 | WELCOME TO OUR HOME. | WELCOME TO OUR HOME. |
| 474 | 00:16:22,225 | 00:16:25,894 | YOU LOOK LIKE YOU'RE GREEK. | YOU LOOK LIKE YOU'RE GREEK. |
| 475 | 00:16:25,927 | 00:16:27,563 | I'M A HUNDRED PERCENT. | I'M A HUNDRED PERCENT. |
| 476 | 00:16:27,596 | 00:16:29,431 | ACTUALLY MY PARENTS ARE FROM A LITTLE VILLAGE | ACTUALLY MY PARENTS ARE FROM A LITTLE VILLAGE |
| 477 | 00:16:29,464 | 00:16:30,766 | CALLED PALEOPANAGIA, | CALLED PALEOPANAGIA, |
| 478 | 00:16:30,798 | 00:16:32,500 | RIGHT OUTSIDE OF SPARTA, GREECE. | RIGHT OUTSIDE OF SPARTA, GREECE. |
| 479 | 00:16:32,533 | 00:16:34,535 | THAT IS SO CUTE. | THAT IS SO CUTE. |
| 480 | 00:16:34,569 | 00:16:36,371 | YEAH, I LOVE IT, I LOVE BEING GREEK. | YEAH, I LOVE IT, I LOVE BEING GREEK. |
| 481 | 00:16:36,403 | 00:16:38,206 | AND YOU'RE IRISH. | AND YOU'RE IRISH. |
| 482 | 00:16:38,239 | 00:16:39,774 | ONE HUNDRED PERCENT. | ONE HUNDRED PERCENT. |
| 483 | 00:16:39,807 | 00:16:41,374 | THAT'S SO CUTE. | THAT'S SO CUTE. |
| 484 | 00:16:41,407 | 00:16:42,643 | IS IT? | IS IT? |
| 485 | 00:16:43,710 | 00:16:46,479 | WOULD YOU LIKE SOME | WOULD YOU LIKE SOME |
| 486 | 00:16:46,512 | 00:16:48,281 | MEATBALLS AND SODA BREAD? | MEATBALLS AND SODA BREAD? |
| 487 | 00:16:48,315 | 00:16:49,650 | UH... | UH... |
| 488 | 00:16:49,683 | 00:16:50,851 | OH, I AM SO SORRY. | OH, I AM SO SORRY. |
| 489 | 00:16:50,883 | 00:16:52,586 | I DON'T HAVE ANY CUCUMBER SAUCE. | I DON'T HAVE ANY CUCUMBER SAUCE. |
| 490 | 00:16:53,486 | 00:16:55,288 | OH, YOU MEAN TZATZIKI SAUCE. | OH, YOU MEAN TZATZIKI SAUCE. |
| 491 | 00:16:55,320 | 00:16:56,822 | [laughing] | [laughing] |
| 492 | 00:16:57,790 | 00:16:59,459 | UH, EXCUSE ME, EVERYBODY, | UH, EXCUSE ME, EVERYBODY, |
| 493 | 00:16:59,491 | 00:17:00,793 | MY MOM NEEDS SOME HELP | MY MOM NEEDS SOME HELP |
| 494 | 00:17:00,827 | 00:17:02,529 | IN THE BACK MAKING SOME ICE CUBES. | IN THE BACK MAKING SOME ICE CUBES. |
| 495 | 00:17:02,561 | 00:17:04,630 | UH, STEVEN, COULD YOU GET EVERYONE SOME DRINKS? | UH, STEVEN, COULD YOU GET EVERYONE SOME DRINKS? |
| 496 | 00:17:05,529 | 00:17:06,933 | I DO LOVE YOUR ARCHITECTURE. | I DO LOVE YOUR ARCHITECTURE. |
| 497 | 00:17:08,900 | 00:17:11,804 | ALL RIGHT, LET'S GET THE BRIDE-TO-BE A DRINK, HUH? | ALL RIGHT, LET'S GET THE BRIDE-TO-BE A DRINK, HUH? |
| 498 | 00:17:14,839 | 00:17:16,241 | (Tom) MOM, WHAT ARE YOU DOING? | (Tom) MOM, WHAT ARE YOU DOING? |
| 499 | 00:17:16,275 | 00:17:17,542 | THAT'S MARTY AND BERNIE'S FRIEND! | THAT'S MARTY AND BERNIE'S FRIEND! |
| 500 | 00:17:18,675 | 00:17:19,610 | I DON'T KNOW WHAT YOU'RE TALKING ABOUT, | I DON'T KNOW WHAT YOU'RE TALKING ABOUT, |
| 501 | 00:17:19,643 | 00:17:20,944 | BUT PROMISE ME, THOMAS, | BUT PROMISE ME, THOMAS, |
| 502 | 00:17:20,978 | 00:17:22,913 | YOU WILL NOT GET INVOLVED WITH A GREEK GIRL. | YOU WILL NOT GET INVOLVED WITH A GREEK GIRL. |
| 503 | 00:17:22,947 | 00:17:24,749 | I PROMISE, THAT'S NOT GONNA HAPPEN. | I PROMISE, THAT'S NOT GONNA HAPPEN. |
| 504 | 00:17:25,583 | 00:17:26,884 | I'LL TELL YOU ONE THING... | I'LL TELL YOU ONE THING... |
| 505 | 00:17:26,916 | 00:17:29,352 | IF YOU HAVE ANY THOUGHTS OF THAT, JUST REMEMBER, | IF YOU HAVE ANY THOUGHTS OF THAT, JUST REMEMBER, |
| 506 | 00:17:29,385 | 00:17:31,520 | A GREEK GIRL'S LOYALTY IS TO HER FATHER, | A GREEK GIRL'S LOYALTY IS TO HER FATHER, |
| 507 | 00:17:31,554 | 00:17:33,990 | AND MAKING SURE EVERYBODY SEATED HAS MENUS | AND MAKING SURE EVERYBODY SEATED HAS MENUS |
| 508 | 00:17:34,024 | 00:17:36,026 | AND IS FAMILIAR WITH TODAY'S SPECIALS. | AND IS FAMILIAR WITH TODAY'S SPECIALS. |
| 509 | 00:17:36,058 | 00:17:38,295 | WE DON'T KNOW IF SHE'S LIKE THAT. | WE DON'T KNOW IF SHE'S LIKE THAT. |
| 510 | 00:17:38,327 | 00:17:40,796 | MARK MY WORDS, YOU'LL FIND OUT. | MARK MY WORDS, YOU'LL FIND OUT. |
| 511 | 00:17:40,829 | 00:17:45,634 | [all] FIVE-FOUR-THREE-TWO-ONE... | [all] FIVE-FOUR-THREE-TWO-ONE... |
| 512 | 00:17:45,668 | 00:17:48,571 | YAY! | YAY! |
| 513 | 00:17:48,603 | 00:17:51,039 | [whistling and cheering] | [whistling and cheering] |
| 514 | 00:17:51,073 | 00:17:52,940 | [cell phone ringing] | [cell phone ringing] |
| 515 | 00:17:52,974 | 00:17:57,012 | [cheering continues] | [cheering continues] |
| 516 | 00:17:59,580 | 00:18:01,483 | WELL, IRELAND WON AGAIN. | WELL, IRELAND WON AGAIN. |
| 517 | 00:18:02,617 | 00:18:04,452 | I HAVE TO GET GOING. | I HAVE TO GET GOING. |
| 518 | 00:18:04,485 | 00:18:06,954 | THANK YOU SO MUCH FOR YOUR HOSPITALITY. | THANK YOU SO MUCH FOR YOUR HOSPITALITY. |
| 519 | 00:18:06,986 | 00:18:09,622 | OH, WELL, YOU'RE QUITE WELCOME. | OH, WELL, YOU'RE QUITE WELCOME. |
| 520 | 00:18:09,656 | 00:18:10,823 | I HAD A REALLY NICE TIME. | I HAD A REALLY NICE TIME. |
| 521 | 00:18:10,857 | 00:18:12,059 | I'M GLAD. | I'M GLAD. |
| 522 | 00:18:12,091 | 00:18:13,360 | THANKS. | THANKS. |
| 523 | 00:18:14,026 | 00:18:16,330 | 'BYE! | 'BYE! |
| 524 | 00:18:16,362 | 00:18:18,464 | (Tom) I GUESS MY MOM WAS RIGHT ABOUT GREEK GIRLS AND THEIR FATHERS. | (Tom) I GUESS MY MOM WAS RIGHT ABOUT GREEK GIRLS AND THEIR FATHERS. |
| 525 | 00:18:18,496 | 00:18:21,600 | WELL, I GUESS IT'S THE SAME WITH IRISH BOYS AND THEIR MOTHERS. | WELL, I GUESS IT'S THE SAME WITH IRISH BOYS AND THEIR MOTHERS. |
| 526 | 00:18:21,634 | 00:18:23,336 | WHOO-WHOO-WHOO! | WHOO-WHOO-WHOO! |
| 527 | 00:18:23,369 | 00:18:25,370 | WHO WANTS TO SEE THIS ONE MORE TIME? | WHO WANTS TO SEE THIS ONE MORE TIME? |
| 528 | 00:18:25,404 | 00:18:27,374 | [cheering] | [cheering] |
| 529 | 00:18:28,674 | 00:18:31,310 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 530 | 00:18:31,342 | 00:18:34,445 | ♪ | ♪ |
| 531 | 00:18:34,478 | 00:18:35,880 | I SWEAR TO GOD, PETER, | I SWEAR TO GOD, PETER, |
| 532 | 00:18:35,914 | 00:18:37,549 | HE IS GONNA MAKE ME GO GRAY BEFORE MY TIME. | HE IS GONNA MAKE ME GO GRAY BEFORE MY TIME. |
| 533 | 00:18:37,581 | 00:18:38,315 | NO, NO, NO, | NO, NO, NO, |
| 534 | 00:18:38,349 | 00:18:40,017 | ALL IN ALL, IT WAS A NICE EVENING. | ALL IN ALL, IT WAS A NICE EVENING. |
| 535 | 00:18:40,051 | 00:18:41,519 | DID I NOTICE A LITTLE FRICTION | DID I NOTICE A LITTLE FRICTION |
| 536 | 00:18:41,551 | 00:18:42,319 | BETWEEN YOU AND VANESSA? | BETWEEN YOU AND VANESSA? |
| 537 | 00:18:42,352 | 00:18:43,620 | ABSOLUTELY, ARE YOU KIDDING ME? | ABSOLUTELY, ARE YOU KIDDING ME? |
| 538 | 00:18:43,654 | 00:18:44,755 | I THINK SHE INSULTED ME! | I THINK SHE INSULTED ME! |
| 539 | 00:18:44,788 | 00:18:45,955 | ABSOLUTELY! | ABSOLUTELY! |
| 540 | 00:18:45,989 | 00:18:47,491 | SHE DIDN'T WANT TO HAVE ANYTHING TO DO | SHE DIDN'T WANT TO HAVE ANYTHING TO DO |
| 541 | 00:18:47,523 | 00:18:49,327 | WITH MY SODA BREAD AND MY MEATBALLS. | WITH MY SODA BREAD AND MY MEATBALLS. |
| 542 | 00:18:49,359 | 00:18:50,794 | AND I AM A VERY GOOD COOK! | AND I AM A VERY GOOD COOK! |
| 543 | 00:18:50,828 | 00:18:52,096 | MY MOTHER TAUGHT ME. | MY MOTHER TAUGHT ME. |
| 544 | 00:18:52,128 | 00:18:53,629 | HERE'S THE PROBLEM WITH TOM. | HERE'S THE PROBLEM WITH TOM. |
| 545 | 00:18:53,663 | 00:18:55,632 | HE'S THINKING WORLDWIDE. | HE'S THINKING WORLDWIDE. |
| 546 | 00:18:55,664 | 00:18:57,733 | WE'VE GOT TO GET HIM FOCUSED ON IRELAND. | WE'VE GOT TO GET HIM FOCUSED ON IRELAND. |
| 547 | 00:18:57,767 | 00:18:58,768 | AND THIS IS NOT HELPING. | AND THIS IS NOT HELPING. |
| 548 | 00:18:58,800 | 00:19:00,337 | WHAT DO YOU MEAN? | WHAT DO YOU MEAN? |
| 549 | 00:19:00,369 | 00:19:01,304 | THIS IS ITALIAN FOOD. | THIS IS ITALIAN FOOD. |
| 550 | 00:19:01,337 | 00:19:03,606 | FROM NOW ON, NO FOREIGN FOODS IN THIS KITCHEN | FROM NOW ON, NO FOREIGN FOODS IN THIS KITCHEN |
| 551 | 00:19:03,638 | 00:19:04,640 | UNTIL HE LEAVES. | UNTIL HE LEAVES. |
| 552 | 00:19:04,674 | 00:19:06,808 | AND I WANNA STRESS IRISH CULTURE. | AND I WANNA STRESS IRISH CULTURE. |
| 553 | 00:19:06,842 | 00:19:08,911 | I'M GONNA TAKE HIM OUT ON A LITTLE WALK TO THE IRISH GARDENS. | I'M GONNA TAKE HIM OUT ON A LITTLE WALK TO THE IRISH GARDENS. |
| 554 | 00:19:08,943 | 00:19:10,111 | OH, THAT WOULD BE GOOD. | OH, THAT WOULD BE GOOD. |
| 555 | 00:19:10,144 | 00:19:11,879 | I WISH I KNEW MORE IRISH HISTORY. | I WISH I KNEW MORE IRISH HISTORY. |
| 556 | 00:19:11,913 | 00:19:13,449 | BUT HE KNOWS LESS THAN I DO. | BUT HE KNOWS LESS THAN I DO. |
| 557 | 00:19:14,615 | 00:19:16,352 | WATCH YOUR STEP, SON. | WATCH YOUR STEP, SON. |
| 558 | 00:19:16,384 | 00:19:17,184 | ALL RIGHT, DAD. | ALL RIGHT, DAD. |
| 559 | 00:19:17,218 | 00:19:18,686 | I WANT YOU TO SEE THIS AMAZING PLACE. | I WANT YOU TO SEE THIS AMAZING PLACE. |
| 560 | 00:19:18,719 | 00:19:20,421 | WOW, IT'S PRETTY. | WOW, IT'S PRETTY. |
| 561 | 00:19:20,453 | 00:19:21,922 | I DON'T THINK I'VE EVER BEEN HERE BEFORE. | I DON'T THINK I'VE EVER BEEN HERE BEFORE. |
| 562 | 00:19:21,956 | 00:19:23,358 | WELL, IT'S JUST BEEN REFURBISHED. | WELL, IT'S JUST BEEN REFURBISHED. |
| 563 | 00:19:23,391 | 00:19:25,093 | BUT LET ME TELL YOU, EVERY NATIONALITY | BUT LET ME TELL YOU, EVERY NATIONALITY |
| 564 | 00:19:25,125 | 00:19:27,461 | HAS A GARDEN ON THIS STREET. | HAS A GARDEN ON THIS STREET. |
| 565 | 00:19:27,495 | 00:19:28,496 | THIS ONE IS IRISH. | THIS ONE IS IRISH. |
| 566 | 00:19:28,528 | 00:19:30,363 | IT'S VERY SPECIAL. | IT'S VERY SPECIAL. |
| 567 | 00:19:30,396 | 00:19:32,598 | IT'S A MONUMENT TO ALL THE GREAT IRISH POETS, | IT'S A MONUMENT TO ALL THE GREAT IRISH POETS, |
| 568 | 00:19:32,632 | 00:19:35,568 | PLAYWRIGHTS. CLEVELAND SETTLERS, | PLAYWRIGHTS. CLEVELAND SETTLERS, |
| 569 | 00:19:35,602 | 00:19:39,840 | WHO CAME ACROSS ON THE NINA, THE PINTA AND THE GOOD TIMES III. | WHO CAME ACROSS ON THE NINA, THE PINTA AND THE GOOD TIMES III. |
| 570 | 00:19:39,873 | 00:19:41,974 | THAT'S RIGHT, THE GOOD TIMES III. | THAT'S RIGHT, THE GOOD TIMES III. |
| 571 | 00:19:42,006 | 00:19:43,843 | GOOD TIMES I AND II WENT DOWN IN HEAVY SEAS. | GOOD TIMES I AND II WENT DOWN IN HEAVY SEAS. |
| 572 | 00:19:43,875 | 00:19:45,811 | BUT THEY WENT DOWN HAVING FUN. | BUT THEY WENT DOWN HAVING FUN. |
| 573 | 00:19:46,512 | 00:19:48,047 | LAKE ERIE'S TOUGH. | LAKE ERIE'S TOUGH. |
| 574 | 00:19:48,080 | 00:19:49,615 | ESPECIALLY THE CROSSING FROM TORONTO. | ESPECIALLY THE CROSSING FROM TORONTO. |
| 575 | 00:19:50,916 | 00:19:52,385 | SAMUEL BECKETT. | SAMUEL BECKETT. |
| 576 | 00:19:52,418 | 00:19:54,686 | HE WROTE WAITING FOR GODOT. | HE WROTE WAITING FOR GODOT. |
| 577 | 00:19:54,718 | 00:19:56,053 | IT'S CONSIDERED THE MODERN BIBLE | IT'S CONSIDERED THE MODERN BIBLE |
| 578 | 00:19:56,086 | 00:19:58,122 | FOR THE HUNTING OF FEMALE DEER. | FOR THE HUNTING OF FEMALE DEER. |
| 579 | 00:19:58,156 | 00:20:01,126 | A CRUEL AND SENSELESS SPORT. | A CRUEL AND SENSELESS SPORT. |
| 580 | 00:20:01,159 | 00:20:03,361 | THE VON TRAPP FAMILY SANG ABOUT IT. | THE VON TRAPP FAMILY SANG ABOUT IT. |
| 581 | 00:20:04,528 | 00:20:06,028 | JAMES JOYCE WROTE | JAMES JOYCE WROTE |
| 582 | 00:20:06,062 | 00:20:08,399 | ULYSSES, A DAY IN THE LIFE OF ULYSSES S. GRANT, THE GREAT GENERAL. | ULYSSES, A DAY IN THE LIFE OF ULYSSES S. GRANT, THE GREAT GENERAL. |
| 583 | 00:20:09,131 | 00:20:11,067 | WILL WE EVER SEE THE END OF WAR? | WILL WE EVER SEE THE END OF WAR? |
| 584 | 00:20:12,802 | 00:20:14,638 | HE WAS GOING TO BUILD A CASINO IN ATLANTA | HE WAS GOING TO BUILD A CASINO IN ATLANTA |
| 585 | 00:20:14,670 | 00:20:16,639 | BEFORE SHERMAN BURNED THE PLACE DOWN. | BEFORE SHERMAN BURNED THE PLACE DOWN. |
| 586 | 00:20:17,807 | 00:20:19,142 | GEORGE BERNARD SHAW. | GEORGE BERNARD SHAW. |
| 587 | 00:20:19,175 | 00:20:23,646 | HE WAS MUCH LAUDED FOR HIS WORK WITH PYGMIES. | HE WAS MUCH LAUDED FOR HIS WORK WITH PYGMIES. |
| 588 | 00:20:25,180 | 00:20:28,650 | HE WAS REFERRED TO BY SOME AS THE JANE GOODALL OF DUBLIN. | HE WAS REFERRED TO BY SOME AS THE JANE GOODALL OF DUBLIN. |
| 589 | 00:20:28,684 | 00:20:30,085 | HE WAS A GOOD MAN. | HE WAS A GOOD MAN. |
| 590 | 00:20:30,118 | 00:20:32,553 | VERY GOOD, THEY WERE ALL GOOD FINE FOLK, | VERY GOOD, THEY WERE ALL GOOD FINE FOLK, |
| 591 | 00:20:32,587 | 00:20:37,658 | BUT YOU DON'T HEAR A LOT ABOUT MANY OF THE FINE CLEVELAND IRISH FOLKS. | BUT YOU DON'T HEAR A LOT ABOUT MANY OF THE FINE CLEVELAND IRISH FOLKS. |
| 592 | 00:20:37,692 | 00:20:39,728 | SUCH AS, CHEF BOYLE O'DEE. | SUCH AS, CHEF BOYLE O'DEE. |
| 593 | 00:20:39,761 | 00:20:44,131 | THE CHEF WHO CREATED THE TECHNIQUE OF COOKING CALLED BOILING. | THE CHEF WHO CREATED THE TECHNIQUE OF COOKING CALLED BOILING. |
| 594 | 00:20:44,164 | 00:20:44,999 | HAVE YOU HEARD OF THAT? | HAVE YOU HEARD OF THAT? |
| 595 | 00:20:45,031 | 00:20:46,000 | OH, I SURE HAVE. | OH, I SURE HAVE. |
| 596 | 00:20:46,032 | 00:20:46,900 | YOU SHOULD. | YOU SHOULD. |
| 597 | 00:20:46,934 | 00:20:49,771 | IT HELPED MICHAEL SYMON BECOME IRON CHEF. | IT HELPED MICHAEL SYMON BECOME IRON CHEF. |
| 598 | 00:20:51,238 | 00:20:52,706 | AND PADDY "PAINT STROKES" | AND PADDY "PAINT STROKES" |
| 599 | 00:20:52,739 | 00:20:53,873 | MCGINTY. | MCGINTY. |
| 600 | 00:20:53,905 | 00:20:55,808 | HE PAINTED THE FIRST SIGN THAT READ: | HE PAINTED THE FIRST SIGN THAT READ: |
| 601 | 00:20:55,841 | 00:20:57,810 | IRISH NO NEED APPLY. | IRISH NO NEED APPLY. |
| 602 | 00:20:57,844 | 00:20:59,913 | HE WAS GOOD WITH A PAINT BRUSH. | HE WAS GOOD WITH A PAINT BRUSH. |
| 603 | 00:20:59,945 | 00:21:02,115 | NOT TOO GOOD WITH STRUCTURING A SENTENCE. | NOT TOO GOOD WITH STRUCTURING A SENTENCE. |
| 604 | 00:21:02,147 | 00:21:05,616 | DO YOU KNOW WHAT ALL THESE FINE FOLK HAVE IN COMMON? | DO YOU KNOW WHAT ALL THESE FINE FOLK HAVE IN COMMON? |
| 605 | 00:21:05,650 | 00:21:06,886 | THEY'RE ALL DEAD? | THEY'RE ALL DEAD? |
| 606 | 00:21:07,786 | 00:21:10,721 | WELL, UH, LET'S HOPE SO. | WELL, UH, LET'S HOPE SO. |
| 607 | 00:21:10,755 | 00:21:12,558 | BUT MORE IMPORTANT, | BUT MORE IMPORTANT, |
| 608 | 00:21:12,590 | 00:21:14,992 | THEY ALL HAD A GOOD, STRONG WOMAN AT THEIR SIDE. | THEY ALL HAD A GOOD, STRONG WOMAN AT THEIR SIDE. |
| 609 | 00:21:15,026 | 00:21:16,528 | ALL RIGHT, ALL RIGHT, DAD, I GET IT. | ALL RIGHT, ALL RIGHT, DAD, I GET IT. |
| 610 | 00:21:17,193 | 00:21:18,462 | EXCEPT OSCAR WILDE. | EXCEPT OSCAR WILDE. |
| 611 | 00:21:18,496 | 00:21:19,897 | HE INVENTED THE HOT DOG. | HE INVENTED THE HOT DOG. |
| 612 | 00:21:19,930 | 00:21:21,798 | I DON'T THINK HE WAS EVEN IRISH. | I DON'T THINK HE WAS EVEN IRISH. |
| 613 | 00:21:21,832 | 00:21:24,502 | LET'S TAKE A WANDER OVER TO THE WISHING WELL. | LET'S TAKE A WANDER OVER TO THE WISHING WELL. |
| 614 | 00:21:25,736 | 00:21:27,472 | I WANT YOU TO MAKE A WISH HERE, SON. | I WANT YOU TO MAKE A WISH HERE, SON. |
| 615 | 00:21:27,505 | 00:21:29,139 | DO YOU HAVE A COIN? | DO YOU HAVE A COIN? |
| 616 | 00:21:29,171 | 00:21:30,606 | I THINK I DO. | I THINK I DO. |
| 617 | 00:21:31,240 | 00:21:33,542 | GOT A LUCKY PENNY, DAD. | GOT A LUCKY PENNY, DAD. |
| 618 | 00:21:33,575 | 00:21:35,211 | OH, A PENNY, CAN'T BE TOO LUCKY. | OH, A PENNY, CAN'T BE TOO LUCKY. |
| 619 | 00:21:35,245 | 00:21:37,647 | I WANT YOU TO TOSS IT IN AND MAKE A WISH. | I WANT YOU TO TOSS IT IN AND MAKE A WISH. |
| 620 | 00:21:37,680 | 00:21:40,748 | WISH THAT YOU FIND A NICE, STRONG IRISH WOMAN | WISH THAT YOU FIND A NICE, STRONG IRISH WOMAN |
| 621 | 00:21:40,782 | 00:21:42,051 | WHO'LL STAND BEHIND YOU, | WHO'LL STAND BEHIND YOU, |
| 622 | 00:21:42,083 | 00:21:43,885 | ESPECIALLY AFTER YOU'VE BEEN DRINKING. | ESPECIALLY AFTER YOU'VE BEEN DRINKING. |
| 623 | 00:21:43,919 | 00:21:45,621 | GIVE IT A PITCH. | GIVE IT A PITCH. |
| 624 | 00:21:49,024 | 00:21:50,525 | NOW LET'S GO GET SOMETHING TO EAT. | NOW LET'S GO GET SOMETHING TO EAT. |
| 625 | 00:21:50,558 | 00:21:51,693 | YOUR MOM'S BOILING A TURKEY. | YOUR MOM'S BOILING A TURKEY. |
| 626 | 00:21:51,727 | 00:21:52,761 | YUM. | YUM. |
| 627 | 00:21:54,128 | 00:21:55,496 | (Tom) WHILE I WAS GETTING MY PASSPORT, | (Tom) WHILE I WAS GETTING MY PASSPORT, |
| 628 | 00:21:55,530 | 00:21:56,798 | DAD DECIDED TO JOIN THE FELLOWS | DAD DECIDED TO JOIN THE FELLOWS |
| 629 | 00:21:56,831 | 00:21:58,632 | FOR SOME AUTHENTIC IRISH CORNED BEEF. | FOR SOME AUTHENTIC IRISH CORNED BEEF. |
| 630 | 00:21:59,566 | 00:22:00,701 | THIS IS IRISH CORNED BEEF? | THIS IS IRISH CORNED BEEF? |
| 631 | 00:22:00,735 | 00:22:02,637 | (Tom) HE HAD TO DO SOMETHING | (Tom) HE HAD TO DO SOMETHING |
| 632 | 00:22:02,669 | 00:22:04,037 | TO GET THE TASTE OF BOILED TURKEY OUT OF HIS MOUTH. | TO GET THE TASTE OF BOILED TURKEY OUT OF HIS MOUTH. |
| 633 | 00:22:04,071 | 00:22:05,739 | YOUR FIRST TIME GOING OVERSEAS. | YOUR FIRST TIME GOING OVERSEAS. |
| 634 | 00:22:05,772 | 00:22:07,608 | FIRST TIME ACROSS THE ATLANTIC, MR. MURPHY. | FIRST TIME ACROSS THE ATLANTIC, MR. MURPHY. |
| 635 | 00:22:07,640 | 00:22:09,109 | IT TOOK ME 30 DAYS | IT TOOK ME 30 DAYS |
| 636 | 00:22:09,141 | 00:22:10,811 | JUST TO GET MY PASSPORT APPROVED, | JUST TO GET MY PASSPORT APPROVED, |
| 637 | 00:22:10,843 | 00:22:11,911 | SO I'M WORRIED ABOUT THE PROCEDURES | SO I'M WORRIED ABOUT THE PROCEDURES |
| 638 | 00:22:11,945 | 00:22:14,047 | ONCE WE FLY OUT OF NEW YORK TO CROSS THE ATLANTIC. | ONCE WE FLY OUT OF NEW YORK TO CROSS THE ATLANTIC. |
| 639 | 00:22:14,080 | 00:22:15,282 | WHAT PROCEDURES IS THAT? | WHAT PROCEDURES IS THAT? |
| 640 | 00:22:15,314 | 00:22:16,882 | YOU JUST GET ON A PLANE AND YOU SIT. | YOU JUST GET ON A PLANE AND YOU SIT. |
| 641 | 00:22:16,916 | 00:22:17,750 | WELL, NOT ANYMORE. | WELL, NOT ANYMORE. |
| 642 | 00:22:17,782 | 00:22:18,818 | YOU GO THROUGH CUSTOMS, | YOU GO THROUGH CUSTOMS, |
| 643 | 00:22:18,850 | 00:22:20,218 | THEN THEY HAVE THIS THING WHERE YOU STAND STRAIGHT | THEN THEY HAVE THIS THING WHERE YOU STAND STRAIGHT |
| 644 | 00:22:20,252 | 00:22:21,153 | WITH YOUR HANDS UP, | WITH YOUR HANDS UP, |
| 645 | 00:22:21,186 | 00:22:23,255 | AND THEN A SCANNER GOES IN FRONT OF YOU, | AND THEN A SCANNER GOES IN FRONT OF YOU, |
| 646 | 00:22:23,289 | 00:22:24,123 | ALL THE WAY AROUND. | ALL THE WAY AROUND. |
| 647 | 00:22:24,157 | 00:22:25,758 | THEY SEE YOUR NAUGHTY BITS THROUGH THERE. | THEY SEE YOUR NAUGHTY BITS THROUGH THERE. |
| 648 | 00:22:25,791 | 00:22:26,625 | IS THAT WHAT'S HAPPENING? | IS THAT WHAT'S HAPPENING? |
| 649 | 00:22:26,658 | 00:22:28,628 | AND YOU CAN GET A PHOTO OF IT BACK, | AND YOU CAN GET A PHOTO OF IT BACK, |
| 650 | 00:22:28,659 | 00:22:29,960 | YOU KNOW, AN EIGHT-BY-TEN, IF YOU WANT IT. | YOU KNOW, AN EIGHT-BY-TEN, IF YOU WANT IT. |
| 651 | 00:22:29,993 | 00:22:31,562 | YOU CAN HANG IT ON YOUR WALL. | YOU CAN HANG IT ON YOUR WALL. |
| 652 | 00:22:31,596 | 00:22:34,598 | THEY SPEAK UH... ENGLISH THERE, DON'T THEY? | THEY SPEAK UH... ENGLISH THERE, DON'T THEY? |
| 653 | 00:22:34,631 | 00:22:36,700 | AND GAELIC, MR. MURPHY, GAELIC. | AND GAELIC, MR. MURPHY, GAELIC. |
| 654 | 00:22:36,733 | 00:22:37,836 | DO YOU UNDERSTAND GAELIC? | DO YOU UNDERSTAND GAELIC? |
| 655 | 00:22:37,868 | 00:22:38,936 | A LITTLE BIT. | A LITTLE BIT. |
| 656 | 00:22:38,970 | 00:22:40,005 | I'VE BEEN RESEARCHING IT FOR THIS TRIP. | I'VE BEEN RESEARCHING IT FOR THIS TRIP. |
| 657 | 00:22:40,038 | 00:22:42,606 | I'LL THROW SOME ON YOU, YOU TELL ME WHAT IT MEANS. | I'LL THROW SOME ON YOU, YOU TELL ME WHAT IT MEANS. |
| 658 | 00:22:42,638 | 00:22:43,640 | ALL RIGHT. | ALL RIGHT. |
| 659 | 00:22:43,674 | 00:22:50,681 | [speaking foreign language] | [speaking foreign language] |
| 660 | 00:22:50,713 | 00:22:51,848 | YOU SOUND A LITTLE GERMAN THERE. | YOU SOUND A LITTLE GERMAN THERE. |
| 661 | 00:22:51,882 | 00:22:53,149 | I'M STARTING TO SLIP. | I'M STARTING TO SLIP. |
| 662 | 00:22:53,182 | 00:22:54,884 | I DIDN'T HEAR ANY ACHTUNG IN THERE. | I DIDN'T HEAR ANY ACHTUNG IN THERE. |
| 663 | 00:22:54,916 | 00:22:56,285 | ACHTUNG! | ACHTUNG! |
| 664 | 00:22:56,318 | 00:22:58,221 | DID IT GO WELL AT THE CULTURAL GARDENS WITH TOMMY? | DID IT GO WELL AT THE CULTURAL GARDENS WITH TOMMY? |
| 665 | 00:22:58,253 | 00:23:01,089 | I THINK I MADE SOME BIG HEADWAY THERE. | I THINK I MADE SOME BIG HEADWAY THERE. |
| 666 | 00:23:01,123 | 00:23:02,825 | HE SEEMED QUITE IMPRESSED. | HE SEEMED QUITE IMPRESSED. |
| 667 | 00:23:02,857 | 00:23:05,793 | YOU KNOW, I'M A LITTLE FLIMSY ON MY IRISH HISTORY. | YOU KNOW, I'M A LITTLE FLIMSY ON MY IRISH HISTORY. |
| 668 | 00:23:05,826 | 00:23:08,763 | BUT I PULLED THINGS FROM, I DON'T KNOW WHERE. | BUT I PULLED THINGS FROM, I DON'T KNOW WHERE. |
| 669 | 00:23:08,797 | 00:23:10,665 | AND IT'S A BEAUTIFUL SPOT. | AND IT'S A BEAUTIFUL SPOT. |
| 670 | 00:23:10,699 | 00:23:11,900 | HAVE ANY OF YOU BEEN THERE? | HAVE ANY OF YOU BEEN THERE? |
| 671 | 00:23:11,932 | 00:23:13,902 | THEY GOT JAMES JOYCE. | THEY GOT JAMES JOYCE. |
| 672 | 00:23:13,934 | 00:23:16,304 | NOW I'M NOT SURE IF THEY WERE BORN HERE IN CLEVELAND OR NOT, | NOW I'M NOT SURE IF THEY WERE BORN HERE IN CLEVELAND OR NOT, |
| 673 | 00:23:16,337 | 00:23:18,338 | BUT THEY GOT THE BEAUTIFUL MARKERS THERE, | BUT THEY GOT THE BEAUTIFUL MARKERS THERE, |
| 674 | 00:23:18,372 | 00:23:20,041 | AND WHEN I FIRST GOT THERE I THOUGHT, | AND WHEN I FIRST GOT THERE I THOUGHT, |
| 675 | 00:23:20,074 | 00:23:21,942 | GOOD LORD, ARE THESE PEOPLE BURIED HERE? | GOOD LORD, ARE THESE PEOPLE BURIED HERE? |
| 676 | 00:23:21,976 | 00:23:23,643 | BUT I DON'T THINK THEY ARE. | BUT I DON'T THINK THEY ARE. |
| 677 | 00:23:23,677 | 00:23:25,112 | I DON'T KNOW IF ANYONE IS BURIED THERE. | I DON'T KNOW IF ANYONE IS BURIED THERE. |
| 678 | 00:23:25,144 | 00:23:27,981 | YOU KNOW AT YANKEE STADIUM, THE MEMORIAL GARDEN? | YOU KNOW AT YANKEE STADIUM, THE MEMORIAL GARDEN? |
| 679 | 00:23:28,015 | 00:23:28,882 | OH, SURE. | OH, SURE. |
| 680 | 00:23:28,914 | 00:23:29,815 | I, AS A KID, I THOUGHT | I, AS A KID, I THOUGHT |
| 681 | 00:23:29,850 | 00:23:32,151 | LOU GEHRIG AND BABE RUTH WERE BURIED THERE. | LOU GEHRIG AND BABE RUTH WERE BURIED THERE. |
| 682 | 00:23:32,185 | 00:23:34,721 | AND I SAID, THAT MUST BE A GREAT PLACE TO BE BURIED. | AND I SAID, THAT MUST BE A GREAT PLACE TO BE BURIED. |
| 683 | 00:23:34,754 | 00:23:36,256 | OUT IN CENTERFIELD. | OUT IN CENTERFIELD. |
| 684 | 00:23:37,189 | 00:23:39,159 | NO, IT'D BE HARD TO REST THERE. | NO, IT'D BE HARD TO REST THERE. |
| 685 | 00:23:40,758 | 00:23:44,963 | THE RIVER LIFFEY PRETTY MUCH BISECTS THE CITY OF DUBLIN. | THE RIVER LIFFEY PRETTY MUCH BISECTS THE CITY OF DUBLIN. |
| 686 | 00:23:44,996 | 00:23:46,164 | CAN YOU SWIM IN THAT RIVER? | CAN YOU SWIM IN THAT RIVER? |
| 687 | 00:23:46,198 | 00:23:47,865 | WELL, PEOPLE HAVE BEEN KNOWN TO DO THAT. | WELL, PEOPLE HAVE BEEN KNOWN TO DO THAT. |
| 688 | 00:23:47,899 | 00:23:49,702 | THERE'S AN OLD TRADITION WHERE YOU GET IN, | THERE'S AN OLD TRADITION WHERE YOU GET IN, |
| 689 | 00:23:49,735 | 00:23:52,036 | IF YOU CAN SWIM TO THE OTHER SIDE OF THE BRIDGE NEAR TRINITY, | IF YOU CAN SWIM TO THE OTHER SIDE OF THE BRIDGE NEAR TRINITY, |
| 690 | 00:23:52,070 | 00:23:54,038 | YOU MIGHT HAVE A SHOT THAT SEMESTER. | YOU MIGHT HAVE A SHOT THAT SEMESTER. |
| 691 | 00:23:54,071 | 00:23:56,341 | A LOT OF TRADITIONS ON THE CAMPUS AT THE UNIVERSITY. | A LOT OF TRADITIONS ON THE CAMPUS AT THE UNIVERSITY. |
| 692 | 00:23:56,373 | 00:23:58,308 | THE BOOK OF KELLS? | THE BOOK OF KELLS? |
| 693 | 00:23:58,341 | 00:23:59,744 | THAT'S WHERE THE BOOK OF KELLS IS KEPT. | THAT'S WHERE THE BOOK OF KELLS IS KEPT. |
| 694 | 00:23:59,776 | 00:24:01,946 | WHAT IS YOUR LEAST-FAVORITE WORD? | WHAT IS YOUR LEAST-FAVORITE WORD? |
| 695 | 00:24:01,978 | 00:24:05,815 | MY LEAST FAVORITE WORD IS UNFORTUNATELY. | MY LEAST FAVORITE WORD IS UNFORTUNATELY. |
| 696 | 00:24:05,849 | 00:24:08,752 | MY FAVORITE IS CONGRATULATIONS. | MY FAVORITE IS CONGRATULATIONS. |
| 697 | 00:24:08,784 | 00:24:12,622 | ANOTHER LEAST-FAVORITE WORD IS DUCK! | ANOTHER LEAST-FAVORITE WORD IS DUCK! |
| 698 | 00:24:12,656 | 00:24:16,892 | WHAT ARE THE THREE THINGS IF YOU HAD TO IMPART ON THIS SCHMUCK | WHAT ARE THE THREE THINGS IF YOU HAD TO IMPART ON THIS SCHMUCK |
| 699 | 00:24:16,925 | 00:24:19,294 | WHO'S ABOUT TO GO DOWN THE AISLE OVER IN IRELAND, | WHO'S ABOUT TO GO DOWN THE AISLE OVER IN IRELAND, |
| 700 | 00:24:19,328 | 00:24:22,197 | WHAT ARE THE THREE THINGS HE HAS TO WALK AWAY WITH, HANDS DOWN? | WHAT ARE THE THREE THINGS HE HAS TO WALK AWAY WITH, HANDS DOWN? |
| 701 | 00:24:22,231 | 00:24:24,767 | WELL, OUR MARRIAGE STARTED OFF TERRIFIC. | WELL, OUR MARRIAGE STARTED OFF TERRIFIC. |
| 702 | 00:24:25,833 | 00:24:27,302 | THEN AS WE WERE LEAVING THE CHURCH, | THEN AS WE WERE LEAVING THE CHURCH, |
| 703 | 00:24:28,869 | 00:24:30,738 | I GUESS I SAID THE WRONG THING. | I GUESS I SAID THE WRONG THING. |
| 704 | 00:24:30,771 | 00:24:32,807 | AND YOU KNOW SOMETHING ELSE | AND YOU KNOW SOMETHING ELSE |
| 705 | 00:24:32,839 | 00:24:35,209 | YOU HAVE TO TAKE PHILOSOPHICALLY IN YOUR MARRIAGE... | YOU HAVE TO TAKE PHILOSOPHICALLY IN YOUR MARRIAGE... |
| 706 | 00:24:35,242 | 00:24:37,378 | IF YOU WEREN'T MARRIED YOU WOULDN'T KNOW | IF YOU WEREN'T MARRIED YOU WOULDN'T KNOW |
| 707 | 00:24:37,412 | 00:24:38,847 | WHAT THE HELL YOU WERE DOING WRONG. | WHAT THE HELL YOU WERE DOING WRONG. |
| 708 | 00:24:38,879 | 00:24:40,880 | THAT'S WHAT A GOOD WOMAN DOES, | THAT'S WHAT A GOOD WOMAN DOES, |
| 709 | 00:24:40,914 | 00:24:42,750 | TO POINT OUT WHAT YOU DID WRONG. | TO POINT OUT WHAT YOU DID WRONG. |
| 710 | 00:24:42,782 | 00:24:44,251 | I USED TO BE A SNAPPY DRESSER, | I USED TO BE A SNAPPY DRESSER, |
| 711 | 00:24:44,283 | 00:24:46,352 | BUT NOW ALL I HEAR IS | BUT NOW ALL I HEAR IS |
| 712 | 00:24:46,385 | 00:24:48,154 | YOU'RE NOT GOING OUT IN THAT ARE YA? | YOU'RE NOT GOING OUT IN THAT ARE YA? |
| 713 | 00:24:49,088 | 00:24:51,090 | YOU LOOK GOOD TODAY. | YOU LOOK GOOD TODAY. |
| 714 | 00:24:51,124 | 00:24:51,991 | THANK YOU. | THANK YOU. |
| 715 | 00:24:52,024 | 00:24:53,425 | SLÁINTE. | SLÁINTE. |
| 716 | 00:24:53,459 | 00:24:55,195 | SLÁINTE, SLÁINTE. | SLÁINTE, SLÁINTE. |
| 717 | 00:24:56,194 | 00:24:57,797 | THE WATER'S LO-CAL, TOO. | THE WATER'S LO-CAL, TOO. |
| 718 | 00:24:58,897 | 00:25:00,298 | YOU ALL PACKED, STEVEN? | YOU ALL PACKED, STEVEN? |
| 719 | 00:25:00,332 | 00:25:02,736 | YEP, I THINK I'M READY TO GO. | YEP, I THINK I'M READY TO GO. |
| 720 | 00:25:03,836 | 00:25:05,871 | I'VE BEEN READING UP ON THE IRISH HISTORY. | I'VE BEEN READING UP ON THE IRISH HISTORY. |
| 721 | 00:25:05,903 | 00:25:06,805 | HAVE YOU BEEN? | HAVE YOU BEEN? |
| 722 | 00:25:06,838 | 00:25:09,674 | GETTING READY FOR THE METRIC SYSTEM, BOYS. | GETTING READY FOR THE METRIC SYSTEM, BOYS. |
| 723 | 00:25:10,408 | 00:25:11,777 | ALSO, DID YOU KNOW IN IRELAND | ALSO, DID YOU KNOW IN IRELAND |
| 724 | 00:25:11,809 | 00:25:15,446 | THEY DON'T USE MILES, THEY USE KILOMETERS. | THEY DON'T USE MILES, THEY USE KILOMETERS. |
| 725 | 00:25:15,479 | 00:25:16,980 | YOU NEED ME. | YOU NEED ME. |
| 726 | 00:25:17,014 | 00:25:18,115 | YEAH. | YEAH. |
| 727 | 00:25:18,148 | 00:25:20,017 | I'M A CONVERTER, HUMAN CONVERTER. | I'M A CONVERTER, HUMAN CONVERTER. |
| 728 | 00:25:20,049 | 00:25:21,885 | I'M STILL GONNA DO MILES. | I'M STILL GONNA DO MILES. |
| 729 | 00:25:21,919 | 00:25:23,054 | (Tom) ME, TOO. | (Tom) ME, TOO. |
| 730 | 00:25:23,086 | 00:25:23,787 | (Steven) YOU HAVE TO DO KILOMETERS. | (Steven) YOU HAVE TO DO KILOMETERS. |
| 731 | 00:25:23,821 | 00:25:26,690 | [slurping] | [slurping] |
| 732 | 00:25:26,724 | 00:25:28,992 | (Tom) ALL RIGHT, BUDDY. | (Tom) ALL RIGHT, BUDDY. |
| 733 | 00:25:29,025 | 00:25:30,325 | COME ON, DON'T DO THIS. | COME ON, DON'T DO THIS. |
| 734 | 00:25:30,359 | 00:25:31,795 | STEVE! | STEVE! |
| 735 | 00:25:31,827 | 00:25:33,162 | LOOK AT HIM! | LOOK AT HIM! |
| 736 | 00:25:33,196 | 00:25:35,799 | STEVEN, YOU'RE GONNA WET YOUR PANTS AGAIN. | STEVEN, YOU'RE GONNA WET YOUR PANTS AGAIN. |
| 737 | 00:25:35,832 | 00:25:36,966 | YEAH. | YEAH. |
| 738 | 00:25:36,998 | 00:25:38,367 | [belches] | [belches] |
| 739 | 00:25:38,400 | 00:25:39,803 | THAT'S BAD, THAT'S NOT GOOD. | THAT'S BAD, THAT'S NOT GOOD. |
| 740 | 00:25:39,835 | 00:25:42,036 | YOU'VE GOT A LONG FLIGHT. | YOU'VE GOT A LONG FLIGHT. |
| 741 | 00:25:42,070 | 00:25:43,405 | I DON'T THINK I CAN GO, YOU GUYS. | I DON'T THINK I CAN GO, YOU GUYS. |
| 742 | 00:25:43,438 | 00:25:44,806 | DON'T FREAK OUT. | DON'T FREAK OUT. |
| 743 | 00:25:44,840 | 00:25:45,941 | IT'S TOO MUCH. | IT'S TOO MUCH. |
| 744 | 00:25:45,974 | 00:25:47,743 | I'VE NEVER BEEN OUT OF OHIO. | I'VE NEVER BEEN OUT OF OHIO. |
| 745 | 00:25:47,775 | 00:25:49,477 | HEY, COME ON, COME ON, COME ON, COME ON, WHAT ARE YOU... | HEY, COME ON, COME ON, COME ON, COME ON, WHAT ARE YOU... |
| 746 | 00:25:49,511 | 00:25:51,180 | WE WERE GONNA GO TO MICHIGAN FOR A TRIP. | WE WERE GONNA GO TO MICHIGAN FOR A TRIP. |
| 747 | 00:25:51,213 | 00:25:53,081 | BUT I HAD TO GET SOME VACCINATIONS, | BUT I HAD TO GET SOME VACCINATIONS, |
| 748 | 00:25:53,113 | 00:25:54,248 | AND EVERYTHING FELL APART. | AND EVERYTHING FELL APART. |
| 749 | 00:25:55,381 | 00:25:56,750 | HOW 'BOUT YOURSELF, YOU ALL PACKED? | HOW 'BOUT YOURSELF, YOU ALL PACKED? |
| 750 | 00:25:56,783 | 00:25:59,786 | YEAH, ALL PACKED. HERE WE GO. | YEAH, ALL PACKED. HERE WE GO. |
| 751 | 00:25:59,820 | 00:26:01,489 | OH, WHAT IS THAT? | OH, WHAT IS THAT? |
| 752 | 00:26:01,522 | 00:26:03,256 | THIS IS MY LUGGAGE. | THIS IS MY LUGGAGE. |
| 753 | 00:26:03,290 | 00:26:04,023 | YOUR WHAT? | YOUR WHAT? |
| 754 | 00:26:04,058 | 00:26:05,459 | YOU'RE TAKING THAT TO THE AIRPORT? | YOU'RE TAKING THAT TO THE AIRPORT? |
| 755 | 00:26:05,492 | 00:26:06,694 | YEAH. | YEAH. |
| 756 | 00:26:07,827 | 00:26:08,929 | I GOT ALL THE ESSENTIALS IN HERE. | I GOT ALL THE ESSENTIALS IN HERE. |
| 757 | 00:26:08,962 | 00:26:10,297 | THIS RIGHT HERE... | THIS RIGHT HERE... |
| 758 | 00:26:10,330 | 00:26:12,131 | A PIANO TIE? | A PIANO TIE? |
| 759 | 00:26:12,165 | 00:26:13,300 | ...THAT GETS THE CHICKS. | ...THAT GETS THE CHICKS. |
| 760 | 00:26:13,332 | 00:26:14,967 | SHOWS 'EM YOU'RE ARTISTIC. | SHOWS 'EM YOU'RE ARTISTIC. |
| 761 | 00:26:15,001 | 00:26:16,903 | YEAH, YOU'RE LIKE, FUN. | YEAH, YOU'RE LIKE, FUN. |
| 762 | 00:26:18,837 | 00:26:20,973 | DIRECT LINE TO THE OLD MAN. | DIRECT LINE TO THE OLD MAN. |
| 763 | 00:26:21,005 | 00:26:23,408 | UH, RIGHT, THAT'S, I COULD PROBABLY USE THAT. | UH, RIGHT, THAT'S, I COULD PROBABLY USE THAT. |
| 764 | 00:26:23,442 | 00:26:25,077 | AND I GOT A FOOTBALL FOR THE PLANE, | AND I GOT A FOOTBALL FOR THE PLANE, |
| 765 | 00:26:25,109 | 00:26:26,344 | TOSS THAT AROUND. | TOSS THAT AROUND. |
| 766 | 00:26:26,377 | 00:26:28,012 | THAT'LL BE FUN. | THAT'LL BE FUN. |
| 767 | 00:26:28,046 | 00:26:29,748 | I GOT THIS. | I GOT THIS. |
| 768 | 00:26:29,780 | 00:26:31,883 | I DON'T WANT TO TALK ABOUT THAT. | I DON'T WANT TO TALK ABOUT THAT. |
| 769 | 00:26:31,915 | 00:26:33,217 | I'M READY FOR IRELAND, BOYS. | I'M READY FOR IRELAND, BOYS. |
| 770 | 00:26:34,184 | 00:26:35,286 | LET'S HAVE A TOAST. | LET'S HAVE A TOAST. |
| 771 | 00:26:35,318 | 00:26:37,454 | [glasses clink] | [glasses clink] |
| 772 | 00:26:37,488 | 00:26:38,155 | ALL RIGHT. | ALL RIGHT. |
| 773 | 00:26:39,490 | 00:26:41,024 | ALL RIGHT, I GOTTA GET GOING. | ALL RIGHT, I GOTTA GET GOING. |
| 774 | 00:26:41,057 | 00:26:42,492 | I'M OFF TO THE AIRPORT. | I'M OFF TO THE AIRPORT. |
| 775 | 00:26:42,526 | 00:26:44,128 | ALL RIGHT, SEE YA THERE. | ALL RIGHT, SEE YA THERE. |
| 776 | 00:26:44,161 | 00:26:44,962 | ALL RIGHT. | ALL RIGHT. |
| 777 | 00:26:44,994 | 00:26:46,829 | WE'RE GOING TO IRELAND! | WE'RE GOING TO IRELAND! |
| 778 | 00:26:46,863 | 00:26:48,231 | WE'RE GOING TO, WE'RE GOING TO IRELAND! | WE'RE GOING TO, WE'RE GOING TO IRELAND! |
| 779 | 00:26:50,400 | 00:26:51,969 | WE'RE NOT GONNA MAKE IT. | WE'RE NOT GONNA MAKE IT. |
| 780 | 00:26:52,001 | 00:26:53,168 | WE'RE NOT, THERE'S NO WAY. | WE'RE NOT, THERE'S NO WAY. |
| 781 | 00:26:54,202 | 00:26:56,538 | [indistinct overhead announcement] | [indistinct overhead announcement] |
| 782 | 00:26:56,572 | 00:26:58,808 | THOMAS, TOMMY, I AM SO GLAD WE CAUGHT YOU. | THOMAS, TOMMY, I AM SO GLAD WE CAUGHT YOU. |
| 783 | 00:26:58,841 | 00:26:59,842 | WHAT ARE YOU GUYS DOING HERE? | WHAT ARE YOU GUYS DOING HERE? |
| 784 | 00:26:59,874 | 00:27:01,143 | SON, I AM PROUD OF YOU. | SON, I AM PROUD OF YOU. |
| 785 | 00:27:01,176 | 00:27:02,844 | WE BOTH ARE, AM I RIGHT, ANNIE? | WE BOTH ARE, AM I RIGHT, ANNIE? |
| 786 | 00:27:02,877 | 00:27:04,279 | WAS THAT THE GREEK GIRL I SAW | WAS THAT THE GREEK GIRL I SAW |
| 787 | 00:27:04,313 | 00:27:05,479 | GETTING OFF THE SHUTTLE WITH YOU? | GETTING OFF THE SHUTTLE WITH YOU? |
| 788 | 00:27:05,512 | 00:27:07,281 | (Tom) SHE'S NOT WITH ME, HONESTLY. | (Tom) SHE'S NOT WITH ME, HONESTLY. |
| 789 | 00:27:07,315 | 00:27:08,883 | WE WERE ON THE SAME SHUTTLE BUS TOGETHER. | WE WERE ON THE SAME SHUTTLE BUS TOGETHER. |
| 790 | 00:27:08,917 | 00:27:10,118 | YOU STEER CLEAR OF HER. | YOU STEER CLEAR OF HER. |
| 791 | 00:27:10,151 | 00:27:12,420 | SHE'S NO GOOD, TOM, NO GOOD, I TELL YOU. | SHE'S NO GOOD, TOM, NO GOOD, I TELL YOU. |
| 792 | 00:27:12,452 | 00:27:14,088 | MOM, TAKE IT EASY. | MOM, TAKE IT EASY. |
| 793 | 00:27:14,122 | 00:27:15,524 | YOU SOUND LIKE BARBARA STANWYCK. | YOU SOUND LIKE BARBARA STANWYCK. |
| 794 | 00:27:15,556 | 00:27:17,958 | WELL, I DON'T WANT HER TO SPOIL THIS CHANCE FOR YOU. | WELL, I DON'T WANT HER TO SPOIL THIS CHANCE FOR YOU. |
| 795 | 00:27:17,990 | 00:27:19,160 | WHAT CHANCE? | WHAT CHANCE? |
| 796 | 00:27:19,192 | 00:27:21,427 | TOM, WHAT YOUR MOTHER MEANS TO SAY IS, | TOM, WHAT YOUR MOTHER MEANS TO SAY IS, |
| 797 | 00:27:21,460 | 00:27:24,798 | YOU'RE THE FIRST MURPHY SINCE MY GREAT GRANDFATHER | YOU'RE THE FIRST MURPHY SINCE MY GREAT GRANDFATHER |
| 798 | 00:27:24,832 | 00:27:27,301 | WHO IMMIGRATED TO AMERICA IN THE 1880S... | WHO IMMIGRATED TO AMERICA IN THE 1880S... |
| 799 | 00:27:27,334 | 00:27:29,201 | TO GO BACK TO IRELAND. | TO GO BACK TO IRELAND. |
| 800 | 00:27:29,235 | 00:27:32,938 | IT'S YOUR ONLY CHANCE TO FIND A REAL IRISH GIRL. | IT'S YOUR ONLY CHANCE TO FIND A REAL IRISH GIRL. |
| 801 | 00:27:32,971 | 00:27:34,406 | (Peter) MAKE US PROUD. | (Peter) MAKE US PROUD. |
| 802 | 00:27:34,439 | 00:27:36,508 | YOU'RE GONNA MEET A LOT OF LOVELY IRISH LASSES. | YOU'RE GONNA MEET A LOT OF LOVELY IRISH LASSES. |
| 803 | 00:27:36,542 | 00:27:38,178 | SAVE ONE FOR ME. | SAVE ONE FOR ME. |
| 804 | 00:27:38,210 | 00:27:39,878 | I MEAN, FOR BOTH OF US. | I MEAN, FOR BOTH OF US. |
| 805 | 00:27:39,911 | 00:27:41,546 | UH, FOR CONVERSATION. | UH, FOR CONVERSATION. |
| 806 | 00:27:41,580 | 00:27:43,381 | I HAVE A DISTANT RELATIVE | I HAVE A DISTANT RELATIVE |
| 807 | 00:27:43,415 | 00:27:45,517 | IN A PLACE CALLED MILLTOWN MALBAY, COUNTY CLARE. | IN A PLACE CALLED MILLTOWN MALBAY, COUNTY CLARE. |
| 808 | 00:27:45,550 | 00:27:48,854 | IT'S THE ONLY ROOTS I HAVE LEFT IN IRELAND. | IT'S THE ONLY ROOTS I HAVE LEFT IN IRELAND. |
| 809 | 00:27:48,887 | 00:27:50,856 | HIS NAME IS FINTAN MCGUIRE. | HIS NAME IS FINTAN MCGUIRE. |
| 810 | 00:27:50,889 | 00:27:54,257 | YOU WANT ME TO LOOK UP THIS ONE PERSON IN IRELAND? | YOU WANT ME TO LOOK UP THIS ONE PERSON IN IRELAND? |
| 811 | 00:27:54,291 | 00:27:55,927 | YOU'RE REPRESENTING THE MURPHYS. | YOU'RE REPRESENTING THE MURPHYS. |
| 812 | 00:27:55,959 | 00:27:57,894 | DO US PROUD. | DO US PROUD. |
| 813 | 00:27:57,927 | 00:28:00,097 | AND SINCE YOU'RE THERE, LOOK UP MY RELATIONS, TOO. | AND SINCE YOU'RE THERE, LOOK UP MY RELATIONS, TOO. |
| 814 | 00:28:00,129 | 00:28:01,131 | COME ON, DAD. | COME ON, DAD. |
| 815 | 00:28:01,165 | 00:28:02,399 | THEY'VE GOT THE ONLY BARBERSHOP | THEY'VE GOT THE ONLY BARBERSHOP |
| 816 | 00:28:02,433 | 00:28:04,501 | IN A LITTLE TOWN CALLED BRUMFORMENA. | IN A LITTLE TOWN CALLED BRUMFORMENA. |
| 817 | 00:28:04,533 | 00:28:06,368 | IT'S... SOMEWHERE IN THE MIDDLE. | IT'S... SOMEWHERE IN THE MIDDLE. |
| 818 | 00:28:06,401 | 00:28:07,603 | SOMEWHERE IN THE MIDDLE. | SOMEWHERE IN THE MIDDLE. |
| 819 | 00:28:07,637 | 00:28:09,339 | THAT NARROWS IT DOWN. | THAT NARROWS IT DOWN. |
| 820 | 00:28:09,371 | 00:28:11,908 | PLEASE, TOM, THEY'RE ALL I HAVE LEFT. | PLEASE, TOM, THEY'RE ALL I HAVE LEFT. |
| 821 | 00:28:13,076 | 00:28:14,344 | ALL RIGHT, ALL RIGHT, DAD, KNOCK IT OFF. | ALL RIGHT, ALL RIGHT, DAD, KNOCK IT OFF. |
| 822 | 00:28:14,377 | 00:28:15,611 | THE OSCARS ARE OVER. | THE OSCARS ARE OVER. |
| 823 | 00:28:15,645 | 00:28:17,179 | I'LL DO MY BEST. | I'LL DO MY BEST. |
| 824 | 00:28:17,212 | 00:28:18,213 | THERE'S A GOOD BOY. | THERE'S A GOOD BOY. |
| 825 | 00:28:18,246 | 00:28:21,115 | AND REMEMBER TO KISS THE BLARNEY STONE FOR ME. | AND REMEMBER TO KISS THE BLARNEY STONE FOR ME. |
| 826 | 00:28:21,148 | 00:28:24,553 | UH, DAD, I THINK THE LOCALS PEE ON IT. | UH, DAD, I THINK THE LOCALS PEE ON IT. |
| 827 | 00:28:26,221 | 00:28:28,022 | BRUSH YOUR TEETH AFTER. | BRUSH YOUR TEETH AFTER. |
| 828 | 00:28:28,056 | 00:28:29,257 | NOW GO ON, MOVE YOUR ASS. | NOW GO ON, MOVE YOUR ASS. |
| 829 | 00:28:29,289 | 00:28:30,924 | I LOVE YOU GUYS. | I LOVE YOU GUYS. |
| 830 | 00:28:30,958 | 00:28:32,127 | I'LL MAKE YOU PROUD. | I'LL MAKE YOU PROUD. |
| 831 | 00:28:35,328 | 00:28:38,299 | (Tom) FINALLY, NEXT STOP DUBLIN, IRELAND. | (Tom) FINALLY, NEXT STOP DUBLIN, IRELAND. |
| 832 | 00:28:38,331 | 00:28:40,433 | HOPEFULLY I'LL SIT NEXT TO SOMEBODY FAMOUS | HOPEFULLY I'LL SIT NEXT TO SOMEBODY FAMOUS |
| 833 | 00:28:40,467 | 00:28:42,502 | LIKE SINEAD O'CONNOR, COLIN FARRELL, | LIKE SINEAD O'CONNOR, COLIN FARRELL, |
| 834 | 00:28:42,535 | 00:28:44,038 | OR EVEN CARROT TOP. | OR EVEN CARROT TOP. |
| 835 | 00:28:48,105 | 00:28:49,142 | EXCUSE ME, COULD I GET A DIFFERENT SEAT, | EXCUSE ME, COULD I GET A DIFFERENT SEAT, |
| 836 | 00:28:49,174 | 00:28:50,210 | OR MAYBE TRADE WITH SOMEBODY? | OR MAYBE TRADE WITH SOMEBODY? |
| 837 | 00:28:50,242 | 00:28:51,944 | OH, THIS FLIGHT IS FULL. | OH, THIS FLIGHT IS FULL. |
| 838 | 00:28:51,978 | 00:28:54,046 | [chuckling] ANOTHER SEAT, I LOVE IT! | [chuckling] ANOTHER SEAT, I LOVE IT! |
| 839 | 00:28:58,116 | 00:28:59,652 | EXCUSE ME, I'M RIGHT NEXT TO YOU. | EXCUSE ME, I'M RIGHT NEXT TO YOU. |
| 840 | 00:28:59,684 | 00:29:01,486 | LUCKY YOU, YOU GOT ME. | LUCKY YOU, YOU GOT ME. |
| 841 | 00:29:01,519 | 00:29:03,623 | DON'T WORRY, I'M A FREQUENT BATHER. | DON'T WORRY, I'M A FREQUENT BATHER. |
| 842 | 00:29:03,655 | 00:29:05,556 | WHAT, WHAT ARE YOU DOING? | WHAT, WHAT ARE YOU DOING? |
| 843 | 00:29:05,590 | 00:29:07,092 | TAKING MY SEAT. | TAKING MY SEAT. |
| 844 | 00:29:07,124 | 00:29:08,125 | NOT HERE. | NOT HERE. |
| 845 | 00:29:08,159 | 00:29:09,294 | YES, HERE. | YES, HERE. |
| 846 | 00:29:09,326 | 00:29:10,527 | CAN'T YOU SIT SOMEWHERE ELSE? | CAN'T YOU SIT SOMEWHERE ELSE? |
| 847 | 00:29:10,561 | 00:29:13,331 | NO, I CAN'T, THIS IS MY SEAT, I PAID FOR IT. | NO, I CAN'T, THIS IS MY SEAT, I PAID FOR IT. |
| 848 | 00:29:13,363 | 00:29:15,433 | YOU'VE GOT TO BE KIDDING! | YOU'VE GOT TO BE KIDDING! |
| 849 | 00:29:16,499 | 00:29:17,968 | [call button dings] | [call button dings] |
| 850 | 00:29:19,102 | 00:29:20,170 | YES. | YES. |
| 851 | 00:29:20,202 | 00:29:22,939 | HI, IS THERE ANYWHERE ELSE I CAN SIT ON THE PLANE? | HI, IS THERE ANYWHERE ELSE I CAN SIT ON THE PLANE? |
| 852 | 00:29:22,972 | 00:29:25,975 | OH, SURE, I'VE GOT A REALLY NICE SEAT FOR YOU. | OH, SURE, I'VE GOT A REALLY NICE SEAT FOR YOU. |
| 853 | 00:29:26,008 | 00:29:27,510 | RIGHT OUT ON THE WING. | RIGHT OUT ON THE WING. |
| 854 | 00:29:27,544 | 00:29:28,611 | [laughing] | [laughing] |
| 855 | 00:29:28,643 | 00:29:30,412 | SCOOCH IN, DOLL, I GOTTA GET THROUGH. | SCOOCH IN, DOLL, I GOTTA GET THROUGH. |
| 856 | 00:29:34,150 | 00:29:35,919 | MOVE OVER, CABBAGE BREATH. | MOVE OVER, CABBAGE BREATH. |
| 857 | 00:29:35,951 | 00:29:36,652 | GET OUT OF MY WAY. | GET OUT OF MY WAY. |
| 858 | 00:29:36,686 | 00:29:37,520 | FINE. | FINE. |
| 859 | 00:29:41,956 | 00:29:43,457 | YOU! | YOU! |
| 860 | 00:29:43,491 | 00:29:44,593 | TAKE YOUR SEAT! | TAKE YOUR SEAT! |
| 861 | 00:29:44,626 | 00:29:46,061 | AH! | AH! |
| 862 | 00:29:55,002 | 00:29:56,637 | JUST DON'T CROSS THIS LINE, OKAY? | JUST DON'T CROSS THIS LINE, OKAY? |
| 863 | 00:29:56,669 | 00:29:58,205 | JUST DON'T TALK TO ME, DON'T LOOK AT ME. | JUST DON'T TALK TO ME, DON'T LOOK AT ME. |
| 864 | 00:29:58,237 | 00:29:59,273 | JUST LEAVE ME ALONE! | JUST LEAVE ME ALONE! |
| 865 | 00:29:59,305 | 00:30:01,542 | FINE, FINE, DON'T BREATHE IN MY AIR SPACE, OKAY? | FINE, FINE, DON'T BREATHE IN MY AIR SPACE, OKAY? |
| 866 | 00:30:01,574 | 00:30:02,375 | FINE! | FINE! |
| 867 | 00:30:02,408 | 00:30:03,276 | FINE. | FINE. |
| 868 | 00:30:03,310 | 00:30:04,277 | I'LL JUST HAVE A DRINK. | I'LL JUST HAVE A DRINK. |
| 869 | 00:30:04,310 | 00:30:06,212 | GET LIVER DISEASE LIKE YOU IRISH PEOPLE DO. | GET LIVER DISEASE LIKE YOU IRISH PEOPLE DO. |
| 870 | 00:30:06,244 | 00:30:07,045 | HA! | HA! |
| 871 | 00:30:07,079 | 00:30:09,416 | DID A LITTLE WORK... TIME FOR A NAP. | DID A LITTLE WORK... TIME FOR A NAP. |
| 872 | 00:30:09,448 | 00:30:11,250 | THAT'S A GREAT IDEA. | THAT'S A GREAT IDEA. |
| 873 | 00:30:11,283 | 00:30:13,152 | YOU TAKE A NAP AND YOU LEAVE ME ALONE! | YOU TAKE A NAP AND YOU LEAVE ME ALONE! |
| 874 | 00:30:13,185 | 00:30:14,154 | DON'T TOUCH ME. | DON'T TOUCH ME. |
| 875 | 00:30:14,186 | 00:30:15,688 | [slap] | [slap] |
| 876 | 00:30:16,722 | 00:30:17,990 | [mumbling] A DISASTER. | [mumbling] A DISASTER. |
| 877 | 00:30:18,991 | 00:30:23,561 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 878 | 00:30:23,595 | 00:30:27,232 | [jet engine whines] | [jet engine whines] |
| 879 | 00:30:29,232 | 00:30:31,502 | [siren blares] | [siren blares] |
| 880 | 00:30:33,370 | 00:30:34,371 | [siren blares] | [siren blares] |
| 881 | 00:30:35,439 | 00:30:36,374 | OH. | OH. |
| 882 | 00:30:36,406 | 00:30:38,141 | 'SCUSE ME, GUYS, WHAT ARE YOU DOING OUT HERE? | 'SCUSE ME, GUYS, WHAT ARE YOU DOING OUT HERE? |
| 883 | 00:30:38,174 | 00:30:39,577 | THIS A RESTRICTED AREA. | THIS A RESTRICTED AREA. |
| 884 | 00:30:39,609 | 00:30:41,677 | OH, SORRY, THERE'S A PERFECT EXPLANATION. | OH, SORRY, THERE'S A PERFECT EXPLANATION. |
| 885 | 00:30:41,711 | 00:30:43,413 | OUR SON IS GOING TO IRELAND. | OUR SON IS GOING TO IRELAND. |
| 886 | 00:30:43,445 | 00:30:45,682 | YES, YES, IT'S THE FIRST TIME FOR ANY OF US. | YES, YES, IT'S THE FIRST TIME FOR ANY OF US. |
| 887 | 00:30:45,714 | 00:30:46,849 | HE'S OUR ONLY ONE. [chuckling] | HE'S OUR ONLY ONE. [chuckling] |
| 888 | 00:30:46,883 | 00:30:49,219 | YOU GUYS CAN'T BE OUT HERE, THIS IS A RESTRICTED AREA. | YOU GUYS CAN'T BE OUT HERE, THIS IS A RESTRICTED AREA. |
| 889 | 00:30:49,251 | 00:30:51,587 | OH, THERE'S A LITTLE HOLE IN THE FENCE THERE. | OH, THERE'S A LITTLE HOLE IN THE FENCE THERE. |
| 890 | 00:30:51,621 | 00:30:53,989 | IT LOOKED SO INVITING. [chuckling] | IT LOOKED SO INVITING. [chuckling] |
| 891 | 00:30:54,023 | 00:30:55,425 | IS THERE A GOOD PLACE TO EAT? | IS THERE A GOOD PLACE TO EAT? |
| 892 | 00:31:05,065 | 00:31:08,303 | SO... WHEN'S THE LAST TIME YOU WENT TO IRELAND? | SO... WHEN'S THE LAST TIME YOU WENT TO IRELAND? |
| 893 | 00:31:08,335 | 00:31:10,404 | ACTUALLY THIS IS MY FIRST TIME. | ACTUALLY THIS IS MY FIRST TIME. |
| 894 | 00:31:10,438 | 00:31:11,739 | WAIT... WHAT? | WAIT... WHAT? |
| 895 | 00:31:12,707 | 00:31:15,310 | [laughing] | [laughing] |
| 896 | 00:31:15,343 | 00:31:17,410 | RAH-RAH BOY'S NEVER BEEN TO IRELAND? | RAH-RAH BOY'S NEVER BEEN TO IRELAND? |
| 897 | 00:31:17,444 | 00:31:19,179 | YOU MEAN, YOUR MOMMY NEVER TOOK YOU? | YOU MEAN, YOUR MOMMY NEVER TOOK YOU? |
| 898 | 00:31:19,211 | 00:31:21,214 | NOPE, THEY DIDN'T. | NOPE, THEY DIDN'T. |
| 899 | 00:31:21,247 | 00:31:22,382 | OH, MY GOD... | OH, MY GOD... |
| 900 | 00:31:22,416 | 00:31:24,551 | WELL, I WENT A COUPLE OF YEARS AGO. | WELL, I WENT A COUPLE OF YEARS AGO. |
| 901 | 00:31:24,583 | 00:31:28,286 | I WENT THERE TO GET OVER A GUY I HAD JUST BROKEN UP WITH. | I WENT THERE TO GET OVER A GUY I HAD JUST BROKEN UP WITH. |
| 902 | 00:31:28,320 | 00:31:29,421 | REALLY? | REALLY? |
| 903 | 00:31:29,455 | 00:31:32,524 | I KNOW, I LET A GUY HAVE THAT BIG OF AN EFFECT ON ME | I KNOW, I LET A GUY HAVE THAT BIG OF AN EFFECT ON ME |
| 904 | 00:31:32,557 | 00:31:34,426 | THAT I HAD TO LEAVE THE COUNTRY TO GET OVER HIM. | THAT I HAD TO LEAVE THE COUNTRY TO GET OVER HIM. |
| 905 | 00:31:34,459 | 00:31:36,261 | BUT THAT WILL NEVER HAPPEN AGAIN, | BUT THAT WILL NEVER HAPPEN AGAIN, |
| 906 | 00:31:36,294 | 00:31:37,563 | NO SIR. | NO SIR. |
| 907 | 00:31:37,595 | 00:31:39,564 | BECAUSE NO MAN IS WORTH THAT, | BECAUSE NO MAN IS WORTH THAT, |
| 908 | 00:31:39,598 | 00:31:42,466 | NOT EVEN A GREEK ORTHOPEDIC SURGEON. | NOT EVEN A GREEK ORTHOPEDIC SURGEON. |
| 909 | 00:31:42,500 | 00:31:45,404 | SO, WITH THAT BEING SAID, | SO, WITH THAT BEING SAID, |
| 910 | 00:31:45,437 | 00:31:48,240 | MY LIFE IS NOT SUBJECT TO YOUR APPROVAL | MY LIFE IS NOT SUBJECT TO YOUR APPROVAL |
| 911 | 00:31:48,273 | 00:31:50,743 | OR ANYONE ELSE'S APPROVAL, YOU GOT THAT? | OR ANYONE ELSE'S APPROVAL, YOU GOT THAT? |
| 912 | 00:31:51,443 | 00:31:52,743 | GOT IT. | GOT IT. |
| 913 | 00:31:52,775 | 00:31:53,744 | GOOD. | GOOD. |
| 914 | 00:31:55,178 | 00:31:56,580 | MOSQUITO BITE. | MOSQUITO BITE. |
| 915 | 00:31:57,481 | 00:31:59,050 | WHAT IS THAT? | WHAT IS THAT? |
| 916 | 00:31:59,082 | 00:32:00,618 | IT'S A SHAMROCK. | IT'S A SHAMROCK. |
| 917 | 00:32:00,650 | 00:32:01,584 | I GOT IT FOR THE TRIP. | I GOT IT FOR THE TRIP. |
| 918 | 00:32:01,618 | 00:32:02,753 | NO, IT'S NOT. | NO, IT'S NOT. |
| 919 | 00:32:02,785 | 00:32:03,720 | YES, IT IS. | YES, IT IS. |
| 920 | 00:32:03,753 | 00:32:05,288 | NO, IT'S NOT. | NO, IT'S NOT. |
| 921 | 00:32:05,320 | 00:32:06,155 | YES, IT IS. | YES, IT IS. |
| 922 | 00:32:06,188 | 00:32:08,358 | HONEY, A SHAMROCK HAS THREE LEAVES. | HONEY, A SHAMROCK HAS THREE LEAVES. |
| 923 | 00:32:08,390 | 00:32:09,625 | NUH-... | NUH-... |
| 924 | 00:32:09,658 | 00:32:11,060 | [laughing] | [laughing] |
| 925 | 00:32:11,094 | 00:32:12,729 | SHIT. | SHIT. |
| 926 | 00:32:12,762 | 00:32:14,263 | ARE YOU SERIOUS? | ARE YOU SERIOUS? |
| 927 | 00:32:14,297 | 00:32:17,499 | THE IRISH BOY DOESN'T KNOW WHAT A SHAMROCK IS? | THE IRISH BOY DOESN'T KNOW WHAT A SHAMROCK IS? |
| 928 | 00:32:17,531 | 00:32:18,533 | YOU'RE WACKED. | YOU'RE WACKED. |
| 929 | 00:32:18,567 | 00:32:20,102 | CAN SOMEBODY GET HER A GYRO? | CAN SOMEBODY GET HER A GYRO? |
| 930 | 00:32:20,801 | 00:32:26,442 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 931 | 00:32:26,474 | 00:32:36,451 | ♪ | ♪ |
| 932 | 00:32:36,483 | 00:32:43,823 | ♪ | ♪ |
| 933 | 00:32:43,856 | 00:32:46,425 | EXCUSE ME, SIR, WE'RE LANDING. | EXCUSE ME, SIR, WE'RE LANDING. |
| 934 | 00:32:46,459 | 00:32:47,795 | PUT YOUR SEAT BACKS UP. | PUT YOUR SEAT BACKS UP. |
| 935 | 00:32:55,601 | 00:32:58,771 | (Tom) IT'S 7 A.M. IRISH TIME, OR ABOUT 2 A.M. BACK HOME, | (Tom) IT'S 7 A.M. IRISH TIME, OR ABOUT 2 A.M. BACK HOME, |
| 936 | 00:32:58,804 | 00:33:00,573 | BUT I'M NOT TIRED AT ALL. | BUT I'M NOT TIRED AT ALL. |
| 937 | 00:33:00,605 | 00:33:01,640 | MAN, I'M SO EXCITED. | MAN, I'M SO EXCITED. |
| 938 | 00:33:01,672 | 00:33:02,708 | WE'RE FINALLY IN IRELAND. | WE'RE FINALLY IN IRELAND. |
| 939 | 00:33:02,740 | 00:33:03,541 | WE'RE HERE! | WE'RE HERE! |
| 940 | 00:33:03,575 | 00:33:05,276 | YEAH! MY CAR'S THIS WAY, | YEAH! MY CAR'S THIS WAY, |
| 941 | 00:33:05,308 | 00:33:06,443 | I GOT A SPECIAL SURPRISE FOR YOU. | I GOT A SPECIAL SURPRISE FOR YOU. |
| 942 | 00:33:06,477 | 00:33:07,278 | OKAY. | OKAY. |
| 943 | 00:33:07,911 | 00:33:17,888 | ♪ | ♪ |
| 944 | 00:33:17,920 | 00:33:27,397 | ♪ | ♪ |
| 945 | 00:33:27,429 | 00:33:37,439 | ♪ [majestic music plays] ♪ | ♪ [majestic music plays] ♪ |
| 946 | 00:33:37,473 | 00:33:45,280 | ♪ [majestic music plays] ♪ | ♪ [majestic music plays] ♪ |
| 947 | 00:33:45,312 | 00:33:46,680 | IT'S THE GRAVITY BAR! | IT'S THE GRAVITY BAR! |
| 948 | 00:33:46,714 | 00:33:51,820 | ♪ | ♪ |
| 949 | 00:33:51,852 | 00:33:53,153 | WHOO-HOO! | WHOO-HOO! |
| 950 | 00:33:53,186 | 00:33:54,354 | COME ON, YOU GUYS! | COME ON, YOU GUYS! |
| 951 | 00:33:54,387 | 00:33:56,323 | IT'S THE GRAVITY BAR! | IT'S THE GRAVITY BAR! |
| 952 | 00:33:58,224 | 00:34:00,261 | (Fred) ALL RIGHT. | (Fred) ALL RIGHT. |
| 953 | 00:34:00,293 | 00:34:03,330 | THAT IS GUINNESS FACTORY, | THAT IS GUINNESS FACTORY, |
| 954 | 00:34:03,362 | 00:34:04,930 | ONE OFF THE BUCKET LIST. | ONE OFF THE BUCKET LIST. |
| 955 | 00:34:04,964 | 00:34:05,798 | MMM-HMMM. | MMM-HMMM. |
| 956 | 00:34:05,830 | 00:34:06,832 | AND WHAT'S NEXT, FRED? | AND WHAT'S NEXT, FRED? |
| 957 | 00:34:06,865 | 00:34:08,267 | DATE A COUGAR. | DATE A COUGAR. |
| 958 | 00:34:08,301 | 00:34:09,802 | DATE A COUGAR? | DATE A COUGAR? |
| 959 | 00:34:09,834 | 00:34:11,637 | YOU REALLY SET THE BAR HIGH WITH THAT ONE. | YOU REALLY SET THE BAR HIGH WITH THAT ONE. |
| 960 | 00:34:11,671 | 00:34:12,605 | THANK YOU. | THANK YOU. |
| 961 | 00:34:12,638 | 00:34:13,673 | WHAT'S AFTER THAT ONE? | WHAT'S AFTER THAT ONE? |
| 962 | 00:34:13,705 | 00:34:15,541 | I'M GONNA SWIM ACROSS LAKE ERIE, | I'M GONNA SWIM ACROSS LAKE ERIE, |
| 963 | 00:34:15,575 | 00:34:17,576 | AND THEN I'M GONNA TAKE BALLET LESSONS. | AND THEN I'M GONNA TAKE BALLET LESSONS. |
| 964 | 00:34:17,608 | 00:34:19,377 | UH, WHAT? WHAT DID YOU SAY? | UH, WHAT? WHAT DID YOU SAY? |
| 965 | 00:34:19,411 | 00:34:21,346 | IT HELPS WITH SPORTS, OKAY? | IT HELPS WITH SPORTS, OKAY? |
| 966 | 00:34:21,378 | 00:34:22,681 | WHICH SPORTS WOULD THAT BE? | WHICH SPORTS WOULD THAT BE? |
| 967 | 00:34:22,713 | 00:34:24,449 | ONES THAT ARE... YOU KNOW... | ONES THAT ARE... YOU KNOW... |
| 968 | 00:34:24,481 | 00:34:26,851 | I ALSO WANT TO PLAY BEACH VOLLEYBALL. | I ALSO WANT TO PLAY BEACH VOLLEYBALL. |
| 969 | 00:34:26,884 | 00:34:30,554 | I ALSO WANT TO WIN A CHICKEN WING EATING CONTEST, | I ALSO WANT TO WIN A CHICKEN WING EATING CONTEST, |
| 970 | 00:34:30,587 | 00:34:31,488 | THAT WOULD BE COOL, RIGHT? | THAT WOULD BE COOL, RIGHT? |
| 971 | 00:34:31,522 | 00:34:32,790 | SWIM WITH THE DOLPHINS. | SWIM WITH THE DOLPHINS. |
| 972 | 00:34:32,823 | 00:34:36,194 | AND MAKE MY OWN LUXE CAPACITOR. | AND MAKE MY OWN LUXE CAPACITOR. |
| 973 | 00:34:36,227 | 00:34:37,627 | WE TALKED ABOUT THIS, FRED. | WE TALKED ABOUT THIS, FRED. |
| 974 | 00:34:37,660 | 00:34:38,928 | THAT'S A MOVIE. | THAT'S A MOVIE. |
| 975 | 00:34:38,962 | 00:34:42,532 | AND YOU REALIZE THAT ALL OF YOUR GOALS ARE FAIRLY ATTAINABLE. | AND YOU REALIZE THAT ALL OF YOUR GOALS ARE FAIRLY ATTAINABLE. |
| 976 | 00:34:42,565 | 00:34:43,800 | EXCEPT FOR THE CHICKEN WING THING. | EXCEPT FOR THE CHICKEN WING THING. |
| 977 | 00:34:43,833 | 00:34:44,934 | NO, I CAN DO THAT. | NO, I CAN DO THAT. |
| 978 | 00:34:44,967 | 00:34:45,768 | NO. | NO. |
| 979 | 00:34:45,802 | 00:34:46,635 | I CAN DO THAT. | I CAN DO THAT. |
| 980 | 00:34:46,670 | 00:34:48,271 | THIS IS AWESOME, WE'RE AT GUINNESS, MAN. | THIS IS AWESOME, WE'RE AT GUINNESS, MAN. |
| 981 | 00:34:48,304 | 00:34:49,372 | WE'RE AT GUINNESS. | WE'RE AT GUINNESS. |
| 982 | 00:34:49,405 | 00:34:51,240 | WE'RE DRINKING IN THE MORNING. | WE'RE DRINKING IN THE MORNING. |
| 983 | 00:34:51,273 | 00:34:52,841 | [laughing] | [laughing] |
| 984 | 00:34:52,873 | 00:34:54,276 | THEY GOT A BUNCH OF OOMPA-LOOMPAS | THEY GOT A BUNCH OF OOMPA-LOOMPAS |
| 985 | 00:34:54,308 | 00:34:55,577 | THAT ARE STIRRING A GUINNESS. | THAT ARE STIRRING A GUINNESS. |
| 986 | 00:34:55,611 | 00:34:56,679 | [laughing] | [laughing] |
| 987 | 00:34:56,712 | 00:34:58,380 | AGAIN, THAT'S A MOVIE, THAT'S THE WORLD OF MOVIES. | AGAIN, THAT'S A MOVIE, THAT'S THE WORLD OF MOVIES. |
| 988 | 00:34:58,413 | 00:34:59,248 | I KNOW. | I KNOW. |
| 989 | 00:34:59,281 | 00:35:00,416 | BESIDES IT'S CREEPY. | BESIDES IT'S CREEPY. |
| 990 | 00:35:00,448 | 00:35:02,684 | YOU'RE GONNA SLEEP IN THE SAME BED AS YOUR GRANDPARENTS. | YOU'RE GONNA SLEEP IN THE SAME BED AS YOUR GRANDPARENTS. |
| 991 | 00:35:02,718 | 00:35:03,219 | NO. | NO. |
| 992 | 00:35:03,252 | 00:35:04,785 | THAT WAS KINDA WEIRD. | THAT WAS KINDA WEIRD. |
| 993 | 00:35:04,818 | 00:35:08,655 | YOU KNOW, ARTHUR GUINNESS ACTUALLY SIGNED A 9,000 YEAR LEASE ON THE PLACE. | YOU KNOW, ARTHUR GUINNESS ACTUALLY SIGNED A 9,000 YEAR LEASE ON THE PLACE. |
| 994 | 00:35:08,688 | 00:35:10,457 | WOW... I HOPE THEY RENEW IT. | WOW... I HOPE THEY RENEW IT. |
| 995 | 00:35:10,490 | 00:35:11,726 | I THINK THEY'LL BE OKAY. | I THINK THEY'LL BE OKAY. |
| 996 | 00:35:11,758 | 00:35:12,726 | ALL RIGHT, LET'S GET ANOTHER ONE. | ALL RIGHT, LET'S GET ANOTHER ONE. |
| 997 | 00:35:12,760 | 00:35:13,595 | YEAH. | YEAH. |
| 998 | 00:35:13,628 | 00:35:14,528 | I'M READY. | I'M READY. |
| 999 | 00:35:14,561 | 00:35:16,362 | UH, WE ONLY GET ONE, GUYS. | UH, WE ONLY GET ONE, GUYS. |
| 1000 | 00:35:17,630 | 00:35:18,832 | [pen clatters on floor] | [pen clatters on floor] |
| 1001 | 00:35:20,466 | 00:35:21,200 | WHAT? | WHAT? |
| 1002 | 00:35:22,969 | 00:35:24,404 | THE FIRST ONE'S FREE, BUT THEN | THE FIRST ONE'S FREE, BUT THEN |
| 1003 | 00:35:24,437 | 00:35:25,471 | WE'VE GOT TO GET OUT | WE'VE GOT TO GET OUT |
| 1004 | 00:35:25,504 | 00:35:26,640 | SO THEY CAN BRING IN OTHER PEOPLE. | SO THEY CAN BRING IN OTHER PEOPLE. |
| 1005 | 00:35:26,672 | 00:35:27,808 | I MEAN, THEY'RE BRINGING UP PEOPLE ALL DAY, | I MEAN, THEY'RE BRINGING UP PEOPLE ALL DAY, |
| 1006 | 00:35:27,841 | 00:35:28,975 | SO WE GOTTA GO. | SO WE GOTTA GO. |
| 1007 | 00:35:29,008 | 00:35:30,576 | WHAT DID HE SAY? | WHAT DID HE SAY? |
| 1008 | 00:35:30,608 | 00:35:31,376 | IT'S OKAY, FRED. | IT'S OKAY, FRED. |
| 1009 | 00:35:31,410 | 00:35:33,913 | NO, I THOUGHT I HEARD HIM SAY ONE. | NO, I THOUGHT I HEARD HIM SAY ONE. |
| 1010 | 00:35:33,945 | 00:35:34,913 | WE HAVE A FULL DAY IN THE CITY. | WE HAVE A FULL DAY IN THE CITY. |
| 1011 | 00:35:34,947 | 00:35:35,648 | NO! | NO! |
| 1012 | 00:35:35,680 | 00:35:36,916 | WE HAVE A LOT OF THINGS TO DO. | WE HAVE A LOT OF THINGS TO DO. |
| 1013 | 00:35:36,948 | 00:35:38,283 | NO! THAT'S NOT RIGHT! NO! | NO! THAT'S NOT RIGHT! NO! |
| 1014 | 00:35:38,950 | 00:35:39,917 | NO! | NO! |
| 1015 | 00:35:39,951 | 00:35:40,885 | TALK TO MR. GUINNESS! | TALK TO MR. GUINNESS! |
| 1016 | 00:35:40,918 | 00:35:41,652 | NOT ONE! | NOT ONE! |
| 1017 | 00:35:41,685 | 00:35:43,020 | I WOULD HAVE ORDERED A PITCHER. | I WOULD HAVE ORDERED A PITCHER. |
| 1018 | 00:35:43,054 | 00:35:44,856 | YOU CAN'T GET A PITCHER, THAT'S MY POINT. | YOU CAN'T GET A PITCHER, THAT'S MY POINT. |
| 1019 | 00:35:44,889 | 00:35:45,991 | WE HAVE TO GO... | WE HAVE TO GO... |
| 1020 | 00:35:46,023 | 00:35:47,659 | I'LL GO BUY US A ROUND. | I'LL GO BUY US A ROUND. |
| 1021 | 00:35:47,692 | 00:35:48,827 | THE FIRST ROUND'S ON ME, GUYS. | THE FIRST ROUND'S ON ME, GUYS. |
| 1022 | 00:35:48,860 | 00:35:49,661 | LOOK WHAT YOU DID. | LOOK WHAT YOU DID. |
| 1023 | 00:35:49,694 | 00:35:52,296 | I COME HERE ALL THE WAY FROM CLEVELAND | I COME HERE ALL THE WAY FROM CLEVELAND |
| 1024 | 00:35:52,329 | 00:35:54,365 | TO GET MORE THAN ONE... YOU GIVE ME ONE? | TO GET MORE THAN ONE... YOU GIVE ME ONE? |
| 1025 | 00:35:54,397 | 00:35:54,964 | IT'S OKAY. | IT'S OKAY. |
| 1026 | 00:35:54,997 | 00:35:55,832 | (Fred) SHUT UP. | (Fred) SHUT UP. |
| 1027 | 00:35:55,865 | 00:35:56,466 | GO TO YOUR HAPPY PLACE. | GO TO YOUR HAPPY PLACE. |
| 1028 | 00:35:56,499 | 00:35:57,667 | REMEMBER YOUR HAPPY PLACE? | REMEMBER YOUR HAPPY PLACE? |
| 1029 | 00:35:57,700 | 00:35:58,501 | THERE IS NO GOD. | THERE IS NO GOD. |
| 1030 | 00:35:58,535 | 00:35:59,536 | REMEMBER... | REMEMBER... |
| 1031 | 00:35:59,568 | 00:36:00,570 | THERE'S NO HAPPY PLACE. | THERE'S NO HAPPY PLACE. |
| 1032 | 00:36:00,604 | 00:36:01,538 | ...EDGEWATER PARK? | ...EDGEWATER PARK? |
| 1033 | 00:36:01,571 | 00:36:02,740 | A BIG OL' THING OF POPCORN. | A BIG OL' THING OF POPCORN. |
| 1034 | 00:36:02,772 | 00:36:03,606 | NO. | NO. |
| 1035 | 00:36:03,640 | 00:36:04,741 | AND THERE'S SEAGULLS. | AND THERE'S SEAGULLS. |
| 1036 | 00:36:04,773 | 00:36:05,507 | LOOK AT THE SEAGULLS, FREDDIE. | LOOK AT THE SEAGULLS, FREDDIE. |
| 1037 | 00:36:05,541 | 00:36:06,842 | (Fred) I'M GONNA KILL SOMEBODY. | (Fred) I'M GONNA KILL SOMEBODY. |
| 1038 | 00:36:06,875 | 00:36:07,810 | [Steven cawing] | [Steven cawing] |
| 1039 | 00:36:08,978 | 00:36:10,280 | (Tom) IT'S MY FIRST DAY IN IRELAND, | (Tom) IT'S MY FIRST DAY IN IRELAND, |
| 1040 | 00:36:10,313 | 00:36:11,814 | NO SLEEP, BUT IT'S WORTH IT. | NO SLEEP, BUT IT'S WORTH IT. |
| 1041 | 00:36:11,846 | 00:36:13,882 | ONE OF MY DREAMS JUST CAME TRUE. | ONE OF MY DREAMS JUST CAME TRUE. |
| 1042 | 00:36:13,916 | 00:36:15,318 | THANKS. | THANKS. |
| 1043 | 00:36:15,351 | 00:36:16,551 | SEE YOU AT THE REHEARSAL, MAN. | SEE YOU AT THE REHEARSAL, MAN. |
| 1044 | 00:36:16,584 | 00:36:17,452 | SOUNDS GOOD. | SOUNDS GOOD. |
| 1045 | 00:36:17,484 | 00:36:18,653 | GET SOME REST. | GET SOME REST. |
| 1046 | 00:36:18,687 | 00:36:20,355 | (Tom) NOW IT'S TIME TO RELAX | (Tom) NOW IT'S TIME TO RELAX |
| 1047 | 00:36:20,388 | 00:36:22,658 | IN THE COMFORTS OF A CHARMING BED AND BREAKFAST. | IN THE COMFORTS OF A CHARMING BED AND BREAKFAST. |
| 1048 | 00:36:22,691 | 00:36:25,761 | YOU KNOW, MAYBE I'LL GET A SPA TREATMENT OR A MASSAGE | YOU KNOW, MAYBE I'LL GET A SPA TREATMENT OR A MASSAGE |
| 1049 | 00:36:25,794 | 00:36:26,962 | SET UP WITH THE CONCIERGE. | SET UP WITH THE CONCIERGE. |
| 1050 | 00:36:28,461 | 00:36:30,664 | HI, I'M WITH THE FLYNN WEDDING PARTY. | HI, I'M WITH THE FLYNN WEDDING PARTY. |
| 1051 | 00:36:30,697 | 00:36:31,565 | I'M JUST CHECKING IN. | I'M JUST CHECKING IN. |
| 1052 | 00:36:31,597 | 00:36:32,733 | YES, YOU ARE. | YES, YOU ARE. |
| 1053 | 00:36:32,766 | 00:36:33,968 | [speaking Gaelic] CEAD MILE FAILTE. | [speaking Gaelic] CEAD MILE FAILTE. |
| 1054 | 00:36:34,001 | 00:36:35,336 | WE'VE BEEN EXPECTING YOU | WE'VE BEEN EXPECTING YOU |
| 1055 | 00:36:35,369 | 00:36:36,370 | SINCE SUPPERTIME. | SINCE SUPPERTIME. |
| 1056 | 00:36:36,402 | 00:36:37,437 | SUPPER... | SUPPER... |
| 1057 | 00:36:37,470 | 00:36:39,739 | UHM, YESTERDAY, I'M PRETTY SURE | UHM, YESTERDAY, I'M PRETTY SURE |
| 1058 | 00:36:39,773 | 00:36:41,040 | I SAID I'D BE ARRIVING TODAY. | I SAID I'D BE ARRIVING TODAY. |
| 1059 | 00:36:41,073 | 00:36:44,743 | WE EAT OUR SUPPER AT 1 P.M. SHARP EVERY DAY! | WE EAT OUR SUPPER AT 1 P.M. SHARP EVERY DAY! |
| 1060 | 00:36:44,776 | 00:36:46,979 | ONE P.M.? UHM... | ONE P.M.? UHM... |
| 1061 | 00:36:47,013 | 00:36:48,815 | WHAT TIME'S THE LATE LATE SHOW ON? | WHAT TIME'S THE LATE LATE SHOW ON? |
| 1062 | 00:36:48,848 | 00:36:49,949 | 3:30? [chuckling] | 3:30? [chuckling] |
| 1063 | 00:36:49,982 | 00:36:50,951 | FOLLOW ME! | FOLLOW ME! |
| 1064 | 00:36:53,517 | 00:36:57,389 | BREAKFAST IS AT 7:30 A.M. SHARP. | BREAKFAST IS AT 7:30 A.M. SHARP. |
| 1065 | 00:36:57,421 | 00:36:59,757 | SUPPER AND DINNER, YOU'RE ON YOUR OWN. | SUPPER AND DINNER, YOU'RE ON YOUR OWN. |
| 1066 | 00:36:59,791 | 00:37:02,026 | I'M LILLY O'SHEA. | I'M LILLY O'SHEA. |
| 1067 | 00:37:02,059 | 00:37:03,628 | AND THIS GOBSHITE HERE, | AND THIS GOBSHITE HERE, |
| 1068 | 00:37:03,662 | 00:37:05,029 | WITH THE SPILLED TEA ON HIS TROUSERS, | WITH THE SPILLED TEA ON HIS TROUSERS, |
| 1069 | 00:37:05,062 | 00:37:07,498 | IT LEAST I HOPE IT'S SPILLED TEA, IS MR. O'SHEA. | IT LEAST I HOPE IT'S SPILLED TEA, IS MR. O'SHEA. |
| 1070 | 00:37:08,632 | 00:37:11,703 | I'M TOM MURPHY, I'M FROM THE STATES. | I'M TOM MURPHY, I'M FROM THE STATES. |
| 1071 | 00:37:11,736 | 00:37:13,337 | OH, A YANK! | OH, A YANK! |
| 1072 | 00:37:13,370 | 00:37:15,639 | ALL THE WAY FROM THE STATES! | ALL THE WAY FROM THE STATES! |
| 1073 | 00:37:15,672 | 00:37:17,740 | I HAVEN'T HAD ONE OF THOSE IN QUITE SOME TIME NOW, | I HAVEN'T HAD ONE OF THOSE IN QUITE SOME TIME NOW, |
| 1074 | 00:37:17,773 | 00:37:21,511 | IT'S MOSTLY GERMANS OR UHM, ITALIANS. | IT'S MOSTLY GERMANS OR UHM, ITALIANS. |
| 1075 | 00:37:22,945 | 00:37:24,581 | HERE YOU GO. | HERE YOU GO. |
| 1076 | 00:37:24,613 | 00:37:26,048 | THIS IS THE KEY TO THE FRONT DOOR, | THIS IS THE KEY TO THE FRONT DOOR, |
| 1077 | 00:37:26,081 | 00:37:28,083 | AND THAT'S THE KEY TO YOUR BEDROOM. | AND THAT'S THE KEY TO YOUR BEDROOM. |
| 1078 | 00:37:29,618 | 00:37:31,453 | THANK YOU, MA'AM, I REALLY APPRECIATE THAT. | THANK YOU, MA'AM, I REALLY APPRECIATE THAT. |
| 1079 | 00:37:31,487 | 00:37:33,122 | NOW... MR. O'SHEA | NOW... MR. O'SHEA |
| 1080 | 00:37:33,154 | 00:37:35,590 | IS ON HIS HEART MEDICINE, SO NO NOISE | IS ON HIS HEART MEDICINE, SO NO NOISE |
| 1081 | 00:37:35,623 | 00:37:38,727 | AFTER THE CHAT SHOWS WHICH IS 10 P.M. SHARP. | AFTER THE CHAT SHOWS WHICH IS 10 P.M. SHARP. |
| 1082 | 00:37:38,761 | 00:37:39,728 | DON'T WORRY ABOUT IT. | DON'T WORRY ABOUT IT. |
| 1083 | 00:37:39,760 | 00:37:41,495 | YOU'RE PROBABLY NEVER EVER GONNA EVEN SEE ME. | YOU'RE PROBABLY NEVER EVER GONNA EVEN SEE ME. |
| 1084 | 00:37:41,528 | 00:37:42,629 | I'M JUST HERE FOR THE WEDDING. | I'M JUST HERE FOR THE WEDDING. |
| 1085 | 00:37:42,662 | 00:37:44,099 | I'M JUST GONNA PRETTY MUCH SLEEP HERE. | I'M JUST GONNA PRETTY MUCH SLEEP HERE. |
| 1086 | 00:37:44,131 | 00:37:46,434 | OH, NO, NO, NO, WE'D LIKE TO SEE A LITTLE BIT OF YOU, LAD. | OH, NO, NO, NO, WE'D LIKE TO SEE A LITTLE BIT OF YOU, LAD. |
| 1087 | 00:37:46,466 | 00:37:50,972 | MY SON, EUGENE, HAS BEEN GONE FOR SOME TIME NOW. | MY SON, EUGENE, HAS BEEN GONE FOR SOME TIME NOW. |
| 1088 | 00:37:51,004 | 00:37:53,107 | OH, I'M SO SORRY. | OH, I'M SO SORRY. |
| 1089 | 00:37:53,139 | 00:37:56,777 | COMPUTER PROGRAMMER IN CORK CITY. | COMPUTER PROGRAMMER IN CORK CITY. |
| 1090 | 00:37:56,810 | 00:37:57,710 | OH. | OH. |
| 1091 | 00:37:57,744 | 00:37:59,146 | OH, WE MISS HIM SO MUCH. | OH, WE MISS HIM SO MUCH. |
| 1092 | 00:37:59,179 | 00:38:00,881 | THE HOUSE HASN'T BEEN THE SAME WITHOUT HIM. | THE HOUSE HASN'T BEEN THE SAME WITHOUT HIM. |
| 1093 | 00:38:01,882 | 00:38:05,051 | MR. O'SHEA TALKS TO THE SEAGULLS NOW. | MR. O'SHEA TALKS TO THE SEAGULLS NOW. |
| 1094 | 00:38:05,084 | 00:38:07,687 | AND I THINK THEY LISTEN. | AND I THINK THEY LISTEN. |
| 1095 | 00:38:09,020 | 00:38:10,423 | OKAY... | OKAY... |
| 1096 | 00:38:10,455 | 00:38:11,591 | YOU KNOW... | YOU KNOW... |
| 1097 | 00:38:11,624 | 00:38:14,560 | MAYBE WE CAN HAVE A CUP OF TEA SOMETIME. | MAYBE WE CAN HAVE A CUP OF TEA SOMETIME. |
| 1098 | 00:38:14,593 | 00:38:15,794 | OH, YOU DON'T MEAN IT! | OH, YOU DON'T MEAN IT! |
| 1099 | 00:38:15,826 | 00:38:17,094 | GO GET THE BELLEEK OUT. | GO GET THE BELLEEK OUT. |
| 1100 | 00:38:17,128 | 00:38:19,897 | I HAVE SOME FRESH SCONES MADE AND MARMALADE AND A CUP O' TEA. | I HAVE SOME FRESH SCONES MADE AND MARMALADE AND A CUP O' TEA. |
| 1101 | 00:38:19,931 | 00:38:20,865 | WOULD YOU LIKE A CUP O' TEA? | WOULD YOU LIKE A CUP O' TEA? |
| 1102 | 00:38:20,898 | 00:38:21,900 | UH, NO, GOD, NO. | UH, NO, GOD, NO. |
| 1103 | 00:38:21,933 | 00:38:22,934 | RIGHT NOW, I'M JET LAGGED. | RIGHT NOW, I'M JET LAGGED. |
| 1104 | 00:38:22,967 | 00:38:24,102 | I JUST WENT TO THE GUINNESS FACTORY. | I JUST WENT TO THE GUINNESS FACTORY. |
| 1105 | 00:38:24,135 | 00:38:26,505 | OH, YOU DID, ALL RIGHT, THEN YOU NEED TO GET SOME REST. | OH, YOU DID, ALL RIGHT, THEN YOU NEED TO GET SOME REST. |
| 1106 | 00:38:26,538 | 00:38:27,371 | YEAH, WORKING HARD. | YEAH, WORKING HARD. |
| 1107 | 00:38:27,405 | 00:38:29,073 | GO ON IN THERE AND HAVE A NICE REST. | GO ON IN THERE AND HAVE A NICE REST. |
| 1108 | 00:38:29,105 | 00:38:30,174 | THAT'S A GOOD LAD. | THAT'S A GOOD LAD. |
| 1109 | 00:38:30,207 | 00:38:31,741 | THANK YOU SO MUCH. | THANK YOU SO MUCH. |
| 1110 | 00:38:31,774 | 00:38:33,843 | I'LL BE RIGHT OUT HERE IF YOU NEED ANYTHING. | I'LL BE RIGHT OUT HERE IF YOU NEED ANYTHING. |
| 1111 | 00:38:33,877 | 00:38:34,879 | THAT'S REASSURING, THANK YOU. | THAT'S REASSURING, THANK YOU. |
| 1112 | 00:38:34,912 | 00:38:35,946 | ANYTHING AT ALL. | ANYTHING AT ALL. |
| 1113 | 00:38:37,980 | 00:38:41,650 | HE'S A NICE YOUNG LAD, FOR A YANK. | HE'S A NICE YOUNG LAD, FOR A YANK. |
| 1114 | 00:38:41,684 | 00:38:42,886 | HE'S A BOLLOCKS. | HE'S A BOLLOCKS. |
| 1115 | 00:38:45,021 | 00:38:47,624 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1116 | 00:38:47,657 | 00:38:51,628 | (Bernie) MR. MURPHY, MR. FRED, AND MR. RICARDO, | (Bernie) MR. MURPHY, MR. FRED, AND MR. RICARDO, |
| 1117 | 00:38:51,661 | 00:38:53,995 | WELCOME TO THE PUB I GREW UP IN. | WELCOME TO THE PUB I GREW UP IN. |
| 1118 | 00:38:54,029 | 00:38:56,832 | I HAD ME FIRST DRINK RIGHT HERE. | I HAD ME FIRST DRINK RIGHT HERE. |
| 1119 | 00:38:56,864 | 00:38:59,167 | AND HOPEFULLY HER LAST FOR THE EVENING. | AND HOPEFULLY HER LAST FOR THE EVENING. |
| 1120 | 00:38:59,201 | 00:38:59,968 | NO. | NO. |
| 1121 | 00:39:00,000 | 00:39:00,801 | [laughter] | [laughter] |
| 1122 | 00:39:00,835 | 00:39:02,737 | I'LL TAKE CARE OF HER, DON'T WORRY. | I'LL TAKE CARE OF HER, DON'T WORRY. |
| 1123 | 00:39:03,638 | 00:39:04,872 | COME MEET THE IN-LAWS. | COME MEET THE IN-LAWS. |
| 1124 | 00:39:04,905 | 00:39:06,140 | MY PARENTS-TO-BE. | MY PARENTS-TO-BE. |
| 1125 | 00:39:06,173 | 00:39:07,608 | WISH ME LUCK ON THIS ONE, FELLOWS. | WISH ME LUCK ON THIS ONE, FELLOWS. |
| 1126 | 00:39:07,640 | 00:39:08,474 | YEAH, GOOD LUCK. | YEAH, GOOD LUCK. |
| 1127 | 00:39:08,508 | 00:39:10,744 | TOM, I WANT YOU TO MEET ME PARENTS. | TOM, I WANT YOU TO MEET ME PARENTS. |
| 1128 | 00:39:10,778 | 00:39:13,147 | THIS IS MARY AND HUGH FITZGERALD. | THIS IS MARY AND HUGH FITZGERALD. |
| 1129 | 00:39:13,180 | 00:39:14,014 | HI, HOW ARE YOU? | HI, HOW ARE YOU? |
| 1130 | 00:39:14,048 | 00:39:16,183 | CONGRATULATIONS, THANK YOU FOR HAVING US. | CONGRATULATIONS, THANK YOU FOR HAVING US. |
| 1131 | 00:39:16,216 | 00:39:16,949 | HOW ARE YOU? | HOW ARE YOU? |
| 1132 | 00:39:16,984 | 00:39:18,518 | GREAT DAUGHTER, SHE'S REALLY NICE. | GREAT DAUGHTER, SHE'S REALLY NICE. |
| 1133 | 00:39:18,551 | 00:39:19,719 | YOU WOULDN'T HAPPEN TO BE | YOU WOULDN'T HAPPEN TO BE |
| 1134 | 00:39:19,752 | 00:39:21,020 | A WANKING BANKER NOW, WOULD YOU? | A WANKING BANKER NOW, WOULD YOU? |
| 1135 | 00:39:21,054 | 00:39:22,055 | UH... | UH... |
| 1136 | 00:39:22,087 | 00:39:23,756 | OH, NO. | OH, NO. |
| 1137 | 00:39:23,790 | 00:39:24,925 | I'M ONLY CODDING. | I'M ONLY CODDING. |
| 1138 | 00:39:24,958 | 00:39:28,127 | DON'T YOU PAY ANY ATTENTION TO HIMSELF. | DON'T YOU PAY ANY ATTENTION TO HIMSELF. |
| 1139 | 00:39:29,528 | 00:39:32,731 | HE'S JUST MAD THE DUBS LOST TO CLARE AT CROKE PARK. | HE'S JUST MAD THE DUBS LOST TO CLARE AT CROKE PARK. |
| 1140 | 00:39:32,763 | 00:39:34,800 | OH, I GET IT, I'M INTO SPORTS, TOO. | OH, I GET IT, I'M INTO SPORTS, TOO. |
| 1141 | 00:39:34,832 | 00:39:36,734 | WELCOME TO OUR HOME. | WELCOME TO OUR HOME. |
| 1142 | 00:39:36,767 | 00:39:38,537 | THANK YOU SO MUCH FOR HAVING ME. | THANK YOU SO MUCH FOR HAVING ME. |
| 1143 | 00:39:39,171 | 00:39:42,639 | WE HEARD SO MUCH ABOUT YOU. | WE HEARD SO MUCH ABOUT YOU. |
| 1144 | 00:39:42,672 | 00:39:43,908 | OH, HE'S TWITCHING NOW. | OH, HE'S TWITCHING NOW. |
| 1145 | 00:39:45,009 | 00:39:46,878 | [laughing] | [laughing] |
| 1146 | 00:39:46,911 | 00:39:49,113 | THEY LURED ME IN. | THEY LURED ME IN. |
| 1147 | 00:39:49,145 | 00:39:50,747 | [laughing] | [laughing] |
| 1148 | 00:39:50,781 | 00:39:52,015 | YOU'RE SO NICE! | YOU'RE SO NICE! |
| 1149 | 00:39:52,048 | 00:39:53,651 | A HUGGER, TOO. | A HUGGER, TOO. |
| 1150 | 00:39:54,917 | 00:39:59,022 | ♪ [Irish music plays in background] ♪ | ♪ [Irish music plays in background] ♪ |
| 1151 | 00:40:02,292 | 00:40:10,099 | ♪ | ♪ |
| 1152 | 00:40:10,132 | 00:40:13,668 | [Tom snoring] | [Tom snoring] |
| 1153 | 00:40:13,701 | 00:40:14,703 | [knock on door] | [knock on door] |
| 1154 | 00:40:14,737 | 00:40:16,104 | (Mrs. O'Shea) THOMAS! | (Mrs. O'Shea) THOMAS! |
| 1155 | 00:40:16,136 | 00:40:18,205 | THOMAS MURPHY! | THOMAS MURPHY! |
| 1156 | 00:40:18,238 | 00:40:20,908 | MR. MURPHY, GET UP OUT OF THAT BED! | MR. MURPHY, GET UP OUT OF THAT BED! |
| 1157 | 00:40:20,941 | 00:40:22,142 | HALF THE DAY IS OVER! | HALF THE DAY IS OVER! |
| 1158 | 00:40:22,176 | 00:40:23,211 | WHAT TIME IS IT? | WHAT TIME IS IT? |
| 1159 | 00:40:23,243 | 00:40:24,778 | IT'S VERY LATE! | IT'S VERY LATE! |
| 1160 | 00:40:24,812 | 00:40:26,080 | IT'S SIX A.M. | IT'S SIX A.M. |
| 1161 | 00:40:26,113 | 00:40:27,249 | SIX A.M.? | SIX A.M.? |
| 1162 | 00:40:27,281 | 00:40:28,949 | WHAT ARE WE, AMISH? | WHAT ARE WE, AMISH? |
| 1163 | 00:40:28,981 | 00:40:30,784 | WHAT DO YOU MEAN, WHAT ARE WE, AMISH? | WHAT DO YOU MEAN, WHAT ARE WE, AMISH? |
| 1164 | 00:40:30,816 | 00:40:31,518 | WHAT IS THAT? | WHAT IS THAT? |
| 1165 | 00:40:31,550 | 00:40:32,251 | IS THAT A RASH OR SOMETHING? | IS THAT A RASH OR SOMETHING? |
| 1166 | 00:40:32,284 | 00:40:33,853 | COME ON, GET UP OUT OF THAT BED! | COME ON, GET UP OUT OF THAT BED! |
| 1167 | 00:40:33,887 | 00:40:34,822 | COME ON! | COME ON! |
| 1168 | 00:40:35,556 | 00:40:36,923 | WHAT'S THAT SMELL? | WHAT'S THAT SMELL? |
| 1169 | 00:40:36,956 | 00:40:37,790 | WHAT? | WHAT? |
| 1170 | 00:40:37,824 | 00:40:39,159 | WHERE'S THE CAT? | WHERE'S THE CAT? |
| 1171 | 00:40:39,191 | 00:40:40,959 | WHAT... WHAT CAT? | WHAT... WHAT CAT? |
| 1172 | 00:40:40,993 | 00:40:43,997 | THE CAT THAT TOOK A SHITE IN YOUR MOUTH! | THE CAT THAT TOOK A SHITE IN YOUR MOUTH! |
| 1173 | 00:40:44,029 | 00:40:45,765 | HOLY MARY, MOTHER OF GOD! | HOLY MARY, MOTHER OF GOD! |
| 1174 | 00:40:45,797 | 00:40:47,566 | WOULD YOU GET UP, MR. BOG BREATH! | WOULD YOU GET UP, MR. BOG BREATH! |
| 1175 | 00:40:47,600 | 00:40:48,835 | JAYSUS... | JAYSUS... |
| 1176 | 00:40:48,868 | 00:40:50,170 | [muttering] | [muttering] |
| 1177 | 00:40:51,303 | 00:40:53,070 | (Mrs. O'Shea) HERE YOU GO, YANK. | (Mrs. O'Shea) HERE YOU GO, YANK. |
| 1178 | 00:40:53,104 | 00:40:55,107 | YOUR FIRST IRISH BREAKFAST. | YOUR FIRST IRISH BREAKFAST. |
| 1179 | 00:40:55,139 | 00:40:56,941 | "YANK"? | "YANK"? |
| 1180 | 00:40:59,276 | 00:41:00,646 | QUICK QUESTION... | QUICK QUESTION... |
| 1181 | 00:41:00,679 | 00:41:02,581 | WHAT IS THIS? | WHAT IS THIS? |
| 1182 | 00:41:02,613 | 00:41:04,614 | DID YOU HEAR THAT, MR. O'SHEA? | DID YOU HEAR THAT, MR. O'SHEA? |
| 1183 | 00:41:04,647 | 00:41:06,650 | DO WHAT YOU'RE TOLD, YANK. | DO WHAT YOU'RE TOLD, YANK. |
| 1184 | 00:41:06,683 | 00:41:11,555 | THIS, FOR YOUR INFORMATION, IS A TRADITIONAL IRISH BREAKFAST | THIS, FOR YOUR INFORMATION, IS A TRADITIONAL IRISH BREAKFAST |
| 1185 | 00:41:11,589 | 00:41:13,558 | OF RASHERS, SAUSAGES, | OF RASHERS, SAUSAGES, |
| 1186 | 00:41:13,591 | 00:41:16,892 | EGGS PARTIALLY SUNNYSIDE UP WITH A CHANCE OF RAIN, | EGGS PARTIALLY SUNNYSIDE UP WITH A CHANCE OF RAIN, |
| 1187 | 00:41:16,925 | 00:41:19,562 | BLACK AND WHITE PUDDING AND FRIED TOMATO, | BLACK AND WHITE PUDDING AND FRIED TOMATO, |
| 1188 | 00:41:19,595 | 00:41:21,664 | SO YOU CAN EITHER EAT UP OR SHUT UP. | SO YOU CAN EITHER EAT UP OR SHUT UP. |
| 1189 | 00:41:25,602 | 00:41:28,003 | OKAY... I APPRECIATE IT, THANK YOU. | OKAY... I APPRECIATE IT, THANK YOU. |
| 1190 | 00:41:29,938 | 00:41:31,641 | [sighs] | [sighs] |
| 1191 | 00:41:37,112 | 00:41:39,081 | HMM, THIS IS PRETTY GOOD. | HMM, THIS IS PRETTY GOOD. |
| 1192 | 00:41:39,114 | 00:41:40,848 | WHAT'S IN IT? | WHAT'S IN IT? |
| 1193 | 00:41:40,881 | 00:41:43,218 | BLOOD AND INTESTINES. | BLOOD AND INTESTINES. |
| 1194 | 00:41:45,218 | 00:41:46,820 | [silverware clatters] | [silverware clatters] |
| 1195 | 00:41:49,089 | 00:41:50,758 | [takes a deep breath] | [takes a deep breath] |
| 1196 | 00:41:52,925 | 00:41:54,828 | [exhales] | [exhales] |
| 1197 | 00:41:54,860 | 00:41:58,297 | WHOO! ALL DONE! | WHOO! ALL DONE! |
| 1198 | 00:41:58,331 | 00:41:59,866 | THAT WAS DELICIOUS. | THAT WAS DELICIOUS. |
| 1199 | 00:41:59,898 | 00:42:01,768 | BUT YOU'VE HARDLY TOUCHED IT. | BUT YOU'VE HARDLY TOUCHED IT. |
| 1200 | 00:42:01,800 | 00:42:04,102 | I DID, I'M A LIGHT EATER. | I DID, I'M A LIGHT EATER. |
| 1201 | 00:42:04,136 | 00:42:05,904 | WELL, YOU DON'T LOOK LIKE A LIGHT EATER. | WELL, YOU DON'T LOOK LIKE A LIGHT EATER. |
| 1202 | 00:42:05,937 | 00:42:07,138 | I EAT A LOT OF SALADS. | I EAT A LOT OF SALADS. |
| 1203 | 00:42:07,171 | 00:42:08,840 | OKAY... | OKAY... |
| 1204 | 00:42:08,874 | 00:42:10,042 | DO YOU HAVE THE INTERNET? | DO YOU HAVE THE INTERNET? |
| 1205 | 00:42:12,977 | 00:42:16,080 | (Tom) AFTER GETTING MY FILL OF BLOOD SAUSAGE AND RUNNY EGGS | (Tom) AFTER GETTING MY FILL OF BLOOD SAUSAGE AND RUNNY EGGS |
| 1206 | 00:42:16,114 | 00:42:18,182 | IT WAS TIME TO BURN OFF THOSE EXCESS CARBS | IT WAS TIME TO BURN OFF THOSE EXCESS CARBS |
| 1207 | 00:42:18,215 | 00:42:19,717 | AND SEE THE SIGHTS OF DUBLIN. | AND SEE THE SIGHTS OF DUBLIN. |
| 1208 | 00:42:19,751 | 00:42:23,021 | DUBLIN IS AN AMAZING METROPOLITAN CITY. | DUBLIN IS AN AMAZING METROPOLITAN CITY. |
| 1209 | 00:42:23,054 | 00:42:25,090 | IT WAS NOTHING LIKE MY DAD SAID IT WAS. | IT WAS NOTHING LIKE MY DAD SAID IT WAS. |
| 1210 | 00:42:25,123 | 00:42:27,658 | THERE ARE MULTI-NATIONAL COMPANIES HEADQUARTERED THERE. | THERE ARE MULTI-NATIONAL COMPANIES HEADQUARTERED THERE. |
| 1211 | 00:42:27,690 | 00:42:30,895 | EVERY NATIONALITY IN THE WORLD WALKED DOWN ITS STREETS. | EVERY NATIONALITY IN THE WORLD WALKED DOWN ITS STREETS. |
| 1212 | 00:42:32,062 | 00:42:35,165 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1213 | 00:42:41,836 | 00:42:43,340 | GOOD MORNING. | GOOD MORNING. |
| 1214 | 00:42:45,807 | 00:42:47,309 | THAT'S PRETTY GOOD. | THAT'S PRETTY GOOD. |
| 1215 | 00:42:47,342 | 00:42:49,177 | YOU LIKE IT? | YOU LIKE IT? |
| 1216 | 00:42:49,211 | 00:42:51,679 | YEAH, THAT'S REALLY GOOD. | YEAH, THAT'S REALLY GOOD. |
| 1217 | 00:42:51,712 | 00:42:53,348 | I LOVE SUNSETS. | I LOVE SUNSETS. |
| 1218 | 00:42:53,381 | 00:42:55,984 | IT'S ACTUALLY A SUNRISE. | IT'S ACTUALLY A SUNRISE. |
| 1219 | 00:42:56,016 | 00:42:57,152 | IT'S A SUNSET. | IT'S A SUNSET. |
| 1220 | 00:42:57,185 | 00:42:59,420 | NO, IT'S A SUNRISE. | NO, IT'S A SUNRISE. |
| 1221 | 00:42:59,453 | 00:43:00,788 | NO, IT'S NOT. | NO, IT'S NOT. |
| 1222 | 00:43:00,821 | 00:43:02,024 | YES, IT IS. | YES, IT IS. |
| 1223 | 00:43:02,056 | 00:43:03,391 | IN FACT, IT'S THAT SUNRISE. | IN FACT, IT'S THAT SUNRISE. |
| 1224 | 00:43:03,423 | 00:43:06,326 | WHAT THE HELL DO YOU THINK I'M DOING UP THIS EARLY IN THE MORNING? | WHAT THE HELL DO YOU THINK I'M DOING UP THIS EARLY IN THE MORNING? |
| 1225 | 00:43:06,360 | 00:43:08,863 | I'M PAINTING THE SUNRISE AT SUNRISE. | I'M PAINTING THE SUNRISE AT SUNRISE. |
| 1226 | 00:43:08,896 | 00:43:10,898 | TAKE IT EASY... ARTISTS. | TAKE IT EASY... ARTISTS. |
| 1227 | 00:43:13,300 | 00:43:17,003 | THE TERTIARY COLORS ARE JUST CRISP, VERY BRIGHT. | THE TERTIARY COLORS ARE JUST CRISP, VERY BRIGHT. |
| 1228 | 00:43:17,036 | 00:43:18,138 | WOW. | WOW. |
| 1229 | 00:43:18,170 | 00:43:19,806 | A COMPLIMENT, I'M FLATTERED. | A COMPLIMENT, I'M FLATTERED. |
| 1230 | 00:43:19,839 | 00:43:21,007 | ALL RIGHTY THEN. | ALL RIGHTY THEN. |
| 1231 | 00:43:21,040 | 00:43:22,708 | IS THERE ANYTHING ELSE? | IS THERE ANYTHING ELSE? |
| 1232 | 00:43:22,741 | 00:43:24,109 | NO, THAT WOULD BE ALL. | NO, THAT WOULD BE ALL. |
| 1233 | 00:43:24,143 | 00:43:24,844 | OKAY, GOOD. | OKAY, GOOD. |
| 1234 | 00:43:24,877 | 00:43:27,179 | GO BACK TO PAINTING YOUR SUNSET. | GO BACK TO PAINTING YOUR SUNSET. |
| 1235 | 00:43:27,212 | 00:43:28,079 | IT'S A SUNRISE. | IT'S A SUNRISE. |
| 1236 | 00:43:28,113 | 00:43:28,981 | IT'S A SUNSET. | IT'S A SUNSET. |
| 1237 | 00:43:29,013 | 00:43:29,948 | WHATEVER. | WHATEVER. |
| 1238 | 00:43:29,981 | 00:43:31,050 | IT'S GOOD. | IT'S GOOD. |
| 1239 | 00:43:32,883 | 00:43:35,320 | (Tom) POOR LILLY, SHE MISSES HER SON IN COUNTY CORK. | (Tom) POOR LILLY, SHE MISSES HER SON IN COUNTY CORK. |
| 1240 | 00:43:35,352 | 00:43:37,289 | I GUESS IRISH MOTHERS ARE IRISH MOTHERS | I GUESS IRISH MOTHERS ARE IRISH MOTHERS |
| 1241 | 00:43:37,321 | 00:43:38,890 | NO MATTER WHAT COUNTRY THEY LIVE IN. | NO MATTER WHAT COUNTRY THEY LIVE IN. |
| 1242 | 00:43:38,923 | 00:43:39,690 | WE GOTTA GET OUT OF HERE. | WE GOTTA GET OUT OF HERE. |
| 1243 | 00:43:39,724 | 00:43:40,859 | YEAH, LET'S GET THIS GUY MARRIED. | YEAH, LET'S GET THIS GUY MARRIED. |
| 1244 | 00:43:43,094 | 00:43:44,429 | WHERE ARE YOU GOING DRESSED LIKE THAT? | WHERE ARE YOU GOING DRESSED LIKE THAT? |
| 1245 | 00:43:44,462 | 00:43:45,697 | YOU LOOK LIKE A KNACKER. | YOU LOOK LIKE A KNACKER. |
| 1246 | 00:43:45,730 | 00:43:47,932 | GET BACK INTO YOUR ROOM AND CHANGE YOUR TIE THIS INSTANT. | GET BACK INTO YOUR ROOM AND CHANGE YOUR TIE THIS INSTANT. |
| 1247 | 00:43:47,965 | 00:43:49,701 | GUYS, THIS IS LILLY. | GUYS, THIS IS LILLY. |
| 1248 | 00:43:49,733 | 00:43:50,902 | HOW ARE YOU, LADS? | HOW ARE YOU, LADS? |
| 1249 | 00:43:50,934 | 00:43:52,002 | VERY NICE TO MEET YA. | VERY NICE TO MEET YA. |
| 1250 | 00:43:52,035 | 00:43:54,171 | YOU'RE NOT REALLY GOING TO WEAR THAT TIE, ARE YOU? | YOU'RE NOT REALLY GOING TO WEAR THAT TIE, ARE YOU? |
| 1251 | 00:43:54,203 | 00:43:56,173 | THIS IS WHAT WE'RE WEARING IN THE WEDDING. | THIS IS WHAT WE'RE WEARING IN THE WEDDING. |
| 1252 | 00:43:56,205 | 00:43:59,276 | UH, MY FIANCÉ ACTUALLY PICKED OUT THE COLOR SCHEME HERE. | UH, MY FIANCÉ ACTUALLY PICKED OUT THE COLOR SCHEME HERE. |
| 1253 | 00:43:59,308 | 00:44:01,111 | IS YOUR FIANCÉ FROM CORK CITY? | IS YOUR FIANCÉ FROM CORK CITY? |
| 1254 | 00:44:01,877 | 00:44:02,946 | NO. | NO. |
| 1255 | 00:44:02,979 | 00:44:04,346 | THOSE ARE THE CORK COLORS. | THOSE ARE THE CORK COLORS. |
| 1256 | 00:44:04,378 | 00:44:05,413 | THESE ARE THE DUBLIN COLORS. | THESE ARE THE DUBLIN COLORS. |
| 1257 | 00:44:05,447 | 00:44:06,581 | YOU SHOULD BE WEARING YOUR BLUE AND YOUR NAVIES. | YOU SHOULD BE WEARING YOUR BLUE AND YOUR NAVIES. |
| 1258 | 00:44:06,614 | 00:44:08,817 | YOU'RE GOING TO GET DESTROYED, YOU KNOW, AT THE WEDDING. | YOU'RE GOING TO GET DESTROYED, YOU KNOW, AT THE WEDDING. |
| 1259 | 00:44:08,851 | 00:44:10,086 | THEY'LL BE PELTING EGGS AND EVERYTHING AT YOU. | THEY'LL BE PELTING EGGS AND EVERYTHING AT YOU. |
| 1260 | 00:44:10,119 | 00:44:11,019 | AND WHAT IS THAT? | AND WHAT IS THAT? |
| 1261 | 00:44:11,052 | 00:44:12,020 | I MEAN, THEY'LL MAKE... | I MEAN, THEY'LL MAKE... |
| 1262 | 00:44:12,054 | 00:44:13,255 | YOU'RE AN AWFUL LOOKIN' EEJIT. | YOU'RE AN AWFUL LOOKIN' EEJIT. |
| 1263 | 00:44:13,289 | 00:44:15,024 | THEY'RE GONNA MAKE A TOTAL FOOL OUT OF YOU AT THE WEDDING. | THEY'RE GONNA MAKE A TOTAL FOOL OUT OF YOU AT THE WEDDING. |
| 1264 | 00:44:15,922 | 00:44:17,191 | OKAY, IT'S GETTING LATE. | OKAY, IT'S GETTING LATE. |
| 1265 | 00:44:17,225 | 00:44:18,826 | HEY! I'M GETTING MARRIED. | HEY! I'M GETTING MARRIED. |
| 1266 | 00:44:18,859 | 00:44:19,861 | RIGHT! | RIGHT! |
| 1267 | 00:44:19,893 | 00:44:20,761 | LET'S GO! | LET'S GO! |
| 1268 | 00:44:20,794 | 00:44:21,261 | HEY! | HEY! |
| 1269 | 00:44:21,294 | 00:44:22,396 | HAVE A GOOD TIME. | HAVE A GOOD TIME. |
| 1270 | 00:44:22,430 | 00:44:24,065 | SHOULD BE IN CORK, THOUGH, NOT IN DUBLIN. | SHOULD BE IN CORK, THOUGH, NOT IN DUBLIN. |
| 1271 | 00:44:24,098 | 00:44:24,999 | THAT'S ALL I'M GONNA SAY. | THAT'S ALL I'M GONNA SAY. |
| 1272 | 00:44:25,031 | 00:44:25,899 | MATCHES YOUR EYES. | MATCHES YOUR EYES. |
| 1273 | 00:44:25,933 | 00:44:27,168 | MATCHES YOUR EYES... AND DON'T BE SO SMART. | MATCHES YOUR EYES... AND DON'T BE SO SMART. |
| 1274 | 00:44:27,200 | 00:44:28,267 | SHOWING OFF IN FRONT OF YOUR FRIENDS. | SHOWING OFF IN FRONT OF YOUR FRIENDS. |
| 1275 | 00:44:28,300 | 00:44:29,802 | I'LL TALK TO YOU LATER. | I'LL TALK TO YOU LATER. |
| 1276 | 00:44:29,836 | 00:44:31,439 | DESPERATE PUPS. | DESPERATE PUPS. |
| 1277 | 00:44:32,405 | 00:44:36,142 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1278 | 00:44:36,175 | 00:44:38,445 | (Tom) WOW, THIS IS A BEAUTIFUL CHURCH. | (Tom) WOW, THIS IS A BEAUTIFUL CHURCH. |
| 1279 | 00:44:40,111 | 00:44:43,281 | I COULDN'T BE MORE HAPPY AND PROUD FOR MARTY AND BERNIE. | I COULDN'T BE MORE HAPPY AND PROUD FOR MARTY AND BERNIE. |
| 1280 | 00:44:43,315 | 00:44:46,152 | MAYBE SOMEDAY I'LL FIND THAT HAPPINESS, TOO. | MAYBE SOMEDAY I'LL FIND THAT HAPPINESS, TOO. |
| 1281 | 00:44:46,185 | 00:44:48,487 | I KNOW MY PARENTS WANT ME TO FIND AN IRISH GIRL, | I KNOW MY PARENTS WANT ME TO FIND AN IRISH GIRL, |
| 1282 | 00:44:48,520 | 00:44:50,055 | BUT I'M NOT GONNA FORCE IT. | BUT I'M NOT GONNA FORCE IT. |
| 1283 | 00:44:50,089 | 00:44:52,057 | IF IT HAPPENS, IT HAPPENS. | IF IT HAPPENS, IT HAPPENS. |
| 1284 | 00:44:53,858 | 00:44:55,427 | ♪ | ♪ |
| 1285 | 00:44:55,459 | 00:45:04,969 | [cheering and applause] | [cheering and applause] |
| 1286 | 00:45:05,002 | 00:45:13,377 | ♪ | ♪ |
| 1287 | 00:45:14,978 | 00:45:16,946 | (Tom) TOMORROW WE LEAVE DUBLIN AND THE EAST COAST | (Tom) TOMORROW WE LEAVE DUBLIN AND THE EAST COAST |
| 1288 | 00:45:16,979 | 00:45:18,348 | AND SET OUT TO THE WESTERN SIDE | AND SET OUT TO THE WESTERN SIDE |
| 1289 | 00:45:18,381 | 00:45:20,884 | TO A PLACE CALLED COUNTY CLARE. | TO A PLACE CALLED COUNTY CLARE. |
| 1290 | 00:45:20,916 | 00:45:25,087 | [John Wayne accent] LET'S GET THIS STAGECOACH A-MOVING, PILGRIM. | [John Wayne accent] LET'S GET THIS STAGECOACH A-MOVING, PILGRIM. |
| 1291 | 00:45:25,120 | 00:45:29,023 | UHM, YEAH, I GUESS MY DAD'S RIGHT, I BETTER WORK ON THAT. | UHM, YEAH, I GUESS MY DAD'S RIGHT, I BETTER WORK ON THAT. |
| 1292 | 00:45:29,056 | 00:45:32,460 | ♪ | ♪ |
| 1293 | 00:45:32,494 | 00:45:33,395 | ♪♪ | ♪♪ |
| 1294 | 00:45:33,427 | 00:45:35,496 | I'M PISSED. | I'M PISSED. |
| 1295 | 00:45:35,529 | 00:45:36,998 | I'M PISSED, DARLIN'. | I'M PISSED, DARLIN'. |
| 1296 | 00:45:37,032 | 00:45:38,434 | PISSED. | PISSED. |
| 1297 | 00:45:39,432 | 00:45:47,341 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1298 | 00:45:49,142 | 00:45:50,443 | HEY, TOMMY TOM-TOM. | HEY, TOMMY TOM-TOM. |
| 1299 | 00:45:50,477 | 00:45:51,309 | WHAT'S THAT? | WHAT'S THAT? |
| 1300 | 00:45:51,344 | 00:45:53,213 | YOU GOING FOR SOME BRIDESMAID ACTION? | YOU GOING FOR SOME BRIDESMAID ACTION? |
| 1301 | 00:45:53,246 | 00:45:54,914 | I SAW YOU CHECKING OUT CARMEL OVER THERE. | I SAW YOU CHECKING OUT CARMEL OVER THERE. |
| 1302 | 00:45:56,181 | 00:45:58,050 | I HAVE NO IDEA WHAT YOU GUYS ARE TALKING ABOUT. | I HAVE NO IDEA WHAT YOU GUYS ARE TALKING ABOUT. |
| 1303 | 00:45:58,083 | 00:45:59,118 | HEY, RICARDO... | HEY, RICARDO... |
| 1304 | 00:45:59,152 | 00:46:02,054 | I HAVE TWENTY DOLLARS U.S., SEVEN DOLLARS EURO, | I HAVE TWENTY DOLLARS U.S., SEVEN DOLLARS EURO, |
| 1305 | 00:46:02,088 | 00:46:03,989 | SAYS THAT TOM DOESN'T HAVE THE GUTS TO GO OVER THERE | SAYS THAT TOM DOESN'T HAVE THE GUTS TO GO OVER THERE |
| 1306 | 00:46:04,022 | 00:46:05,124 | AND MAKE SOMETHING OUT OF THAT. | AND MAKE SOMETHING OUT OF THAT. |
| 1307 | 00:46:05,156 | 00:46:07,091 | COME ON, NO, NO. | COME ON, NO, NO. |
| 1308 | 00:46:07,125 | 00:46:08,260 | (Fred) GO OVER THERE | (Fred) GO OVER THERE |
| 1309 | 00:46:08,292 | 00:46:09,995 | AND HAVE HER MAKE YOU BLOOD SAUSAGE IN THE MORNING. | AND HAVE HER MAKE YOU BLOOD SAUSAGE IN THE MORNING. |
| 1310 | 00:46:10,028 | 00:46:11,062 | [laughter] | [laughter] |
| 1311 | 00:46:11,096 | 00:46:13,032 | YOU'RE SERIOUS? RIGHT NOW? | YOU'RE SERIOUS? RIGHT NOW? |
| 1312 | 00:46:13,064 | 00:46:14,332 | GO, GO, GO. | GO, GO, GO. |
| 1313 | 00:46:14,366 | 00:46:15,167 | PROVE IT. | PROVE IT. |
| 1314 | 00:46:15,200 | 00:46:17,202 | DO IT, DO IT, DO IT. | DO IT, DO IT, DO IT. |
| 1315 | 00:46:17,235 | 00:46:18,102 | ALL RIGHT. | ALL RIGHT. |
| 1316 | 00:46:18,135 | 00:46:19,003 | HE'S GONNA STRIKE OUT. | HE'S GONNA STRIKE OUT. |
| 1317 | 00:46:19,036 | 00:46:20,137 | HE'S A DEAD MAN. | HE'S A DEAD MAN. |
| 1318 | 00:46:20,170 | 00:46:21,004 | THERE'S NO WAY. | THERE'S NO WAY. |
| 1319 | 00:46:21,039 | 00:46:22,740 | I'M PRETTY SURE THAT GIRL'S A DUDE. | I'M PRETTY SURE THAT GIRL'S A DUDE. |
| 1320 | 00:46:26,610 | 00:46:28,245 | HEY, CARMEL. | HEY, CARMEL. |
| 1321 | 00:46:28,277 | 00:46:29,478 | HELLO. | HELLO. |
| 1322 | 00:46:29,511 | 00:46:30,580 | NICE JOB TODAY. | NICE JOB TODAY. |
| 1323 | 00:46:30,614 | 00:46:32,516 | THANKS, YOU, TOO. | THANKS, YOU, TOO. |
| 1324 | 00:46:33,949 | 00:46:35,419 | YEAH, I THOUGHT WITH ALL THE ROMANCE IN THE AIR, | YEAH, I THOUGHT WITH ALL THE ROMANCE IN THE AIR, |
| 1325 | 00:46:35,451 | 00:46:37,154 | IT'D BE KIND OF A SHAME TO WASTE IT. | IT'D BE KIND OF A SHAME TO WASTE IT. |
| 1326 | 00:46:37,187 | 00:46:38,322 | WHAT? | WHAT? |
| 1327 | 00:46:38,355 | 00:46:40,489 | YEAH, I MEAN, SINCE I'M FROM THE BIG CITY, | YEAH, I MEAN, SINCE I'M FROM THE BIG CITY, |
| 1328 | 00:46:40,521 | 00:46:42,257 | AND UH, I'M WEARING SHOES, | AND UH, I'M WEARING SHOES, |
| 1329 | 00:46:42,291 | 00:46:44,360 | I THOUGHT YOU'D LIKE TO DANCE. | I THOUGHT YOU'D LIKE TO DANCE. |
| 1330 | 00:46:45,427 | 00:46:47,229 | WEARING SHOES? | WEARING SHOES? |
| 1331 | 00:46:47,262 | 00:46:48,430 | UH-HUH. | UH-HUH. |
| 1332 | 00:46:48,463 | 00:46:49,931 | WHAT DO YOU THINK OF US? | WHAT DO YOU THINK OF US? |
| 1333 | 00:46:49,965 | 00:46:52,366 | THAT WE'LL ALL COUNTRY FOLK, STUCK ON OUR FARMS, | THAT WE'LL ALL COUNTRY FOLK, STUCK ON OUR FARMS, |
| 1334 | 00:46:52,400 | 00:46:54,002 | MILKING COWS AND BALING HAY? | MILKING COWS AND BALING HAY? |
| 1335 | 00:46:54,668 | 00:46:56,170 | YEP. | YEP. |
| 1336 | 00:46:56,203 | 00:46:58,207 | WE INVENTED RIVERDANCE, FOR CHRIST'S SAKE. | WE INVENTED RIVERDANCE, FOR CHRIST'S SAKE. |
| 1337 | 00:46:59,507 | 00:47:03,145 | AND BESIDES, I THINK YOUR LITTLE FRIEND IS CUTE. | AND BESIDES, I THINK YOUR LITTLE FRIEND IS CUTE. |
| 1338 | 00:47:04,244 | 00:47:05,546 | HIM? | HIM? |
| 1339 | 00:47:05,579 | 00:47:06,948 | HEY, MAN! | HEY, MAN! |
| 1340 | 00:47:08,448 | 00:47:11,518 | MICHAEL FLATLEY IS FROM CHICAGO, ILLINOIS. | MICHAEL FLATLEY IS FROM CHICAGO, ILLINOIS. |
| 1341 | 00:47:11,550 | 00:47:14,354 | IRISH WOMEN DON'T EAT MEAT AND POTATOES ALL THE TIME. | IRISH WOMEN DON'T EAT MEAT AND POTATOES ALL THE TIME. |
| 1342 | 00:47:20,092 | 00:47:21,027 | WHAT'S UP, DUDE? | WHAT'S UP, DUDE? |
| 1343 | 00:47:22,027 | 00:47:22,895 | THAT YOUR FRIEND? | THAT YOUR FRIEND? |
| 1344 | 00:47:22,929 | 00:47:23,597 | YES. | YES. |
| 1345 | 00:47:27,231 | 00:47:28,233 | HEY, SONNY. | HEY, SONNY. |
| 1346 | 00:47:29,367 | 00:47:30,968 | [groaning] | [groaning] |
| 1347 | 00:47:31,001 | 00:47:32,270 | RIGHT IN THE BABY MAKER. | RIGHT IN THE BABY MAKER. |
| 1348 | 00:47:32,303 | 00:47:33,204 | WANT TO DANCE? | WANT TO DANCE? |
| 1349 | 00:47:33,238 | 00:47:34,106 | SURE. | SURE. |
| 1350 | 00:47:38,642 | 00:47:40,043 | THOUGHT SHE WAS HEADING FOR ME. | THOUGHT SHE WAS HEADING FOR ME. |
| 1351 | 00:47:40,076 | 00:47:41,279 | NO. | NO. |
| 1352 | 00:47:42,279 | 00:47:45,916 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1353 | 00:47:45,949 | 00:47:47,617 | YOU'RE A HERMAPHRODITE. | YOU'RE A HERMAPHRODITE. |
| 1354 | 00:47:47,650 | 00:47:51,320 | I DUB YOU HERMAPHRODITE. | I DUB YOU HERMAPHRODITE. |
| 1355 | 00:47:51,354 | 00:47:54,457 | ♪ | ♪ |
| 1356 | 00:47:54,490 | 00:47:56,593 | ARE YOU CRYING? HUH? | ARE YOU CRYING? HUH? |
| 1357 | 00:47:58,593 | 00:47:59,595 | SORRY. | SORRY. |
| 1358 | 00:47:59,629 | 00:48:01,064 | YOU'RE NOT HERMAPHRODITE. | YOU'RE NOT HERMAPHRODITE. |
| 1359 | 00:48:01,096 | 00:48:02,499 | ♪ | ♪ |
| 1360 | 00:48:02,531 | 00:48:03,431 | ♪♪ | ♪♪ |
| 1361 | 00:48:03,465 | 00:48:05,434 | [applause] | [applause] |
| 1362 | 00:48:06,367 | 00:48:08,136 | YOU LOOK SO BEAUTIFUL STILL! | YOU LOOK SO BEAUTIFUL STILL! |
| 1363 | 00:48:08,170 | 00:48:10,005 | LOOK AT YOU, YOU'RE GLOWING! | LOOK AT YOU, YOU'RE GLOWING! |
| 1364 | 00:48:10,037 | 00:48:12,106 | [scoffs and laughs] | [scoffs and laughs] |
| 1365 | 00:48:12,139 | 00:48:13,975 | YOU'RE A LIAR, BUT GOD BLESS YOU. | YOU'RE A LIAR, BUT GOD BLESS YOU. |
| 1366 | 00:48:15,142 | 00:48:16,477 | SO DID YOU HAVE FUN? | SO DID YOU HAVE FUN? |
| 1367 | 00:48:16,509 | 00:48:18,178 | I'M HAVING SO MUCH FUN. | I'M HAVING SO MUCH FUN. |
| 1368 | 00:48:18,212 | 00:48:20,181 | EVEN THOUGH TOM'S HERE I'M STILL HAVING A BLAST. | EVEN THOUGH TOM'S HERE I'M STILL HAVING A BLAST. |
| 1369 | 00:48:20,214 | 00:48:23,418 | VANESSA, YOU'RE ME MAID OF HONOR, YOU'RE ME BEST FRIEND, | VANESSA, YOU'RE ME MAID OF HONOR, YOU'RE ME BEST FRIEND, |
| 1370 | 00:48:23,451 | 00:48:25,386 | AND I'LL ALWAYS BE ON YOUR SIDE, | AND I'LL ALWAYS BE ON YOUR SIDE, |
| 1371 | 00:48:25,419 | 00:48:27,688 | BUT I THINK YOU'RE BEING AWFUL ROUGH ON TOM. | BUT I THINK YOU'RE BEING AWFUL ROUGH ON TOM. |
| 1372 | 00:48:27,720 | 00:48:29,188 | OH, BERNIE. | OH, BERNIE. |
| 1373 | 00:48:29,222 | 00:48:30,990 | SURE, HE'S NOT PERFECT, | SURE, HE'S NOT PERFECT, |
| 1374 | 00:48:31,023 | 00:48:33,592 | BUT HE'S KIND AND HE'S FUN. | BUT HE'S KIND AND HE'S FUN. |
| 1375 | 00:48:33,626 | 00:48:35,394 | AND HE'S CRAZY. | AND HE'S CRAZY. |
| 1376 | 00:48:35,427 | 00:48:37,396 | HE'S NOT CRAZY, HE'S IRISH. | HE'S NOT CRAZY, HE'S IRISH. |
| 1377 | 00:48:37,429 | 00:48:38,597 | WELL, THAT'S TRUE. | WELL, THAT'S TRUE. |
| 1378 | 00:48:38,630 | 00:48:41,199 | I THINK YOU MAY HAVE GOT OFF TO A BAD START, | I THINK YOU MAY HAVE GOT OFF TO A BAD START, |
| 1379 | 00:48:41,232 | 00:48:43,134 | BUT IT'S JUST A START. | BUT IT'S JUST A START. |
| 1380 | 00:48:43,167 | 00:48:44,503 | ANYTHING COULD HAPPEN. | ANYTHING COULD HAPPEN. |
| 1381 | 00:48:57,115 | 00:48:58,417 | HI. | HI. |
| 1382 | 00:48:59,282 | 00:49:00,351 | HI. | HI. |
| 1383 | 00:49:02,419 | 00:49:06,089 | YOU EVER HAVE ALL THESE EXPECTATIONS YOU HAVE TO LIVE BY | YOU EVER HAVE ALL THESE EXPECTATIONS YOU HAVE TO LIVE BY |
| 1384 | 00:49:06,123 | 00:49:08,592 | AND THEY'RE NOT YOURS, THEY'RE EVERYBODY ELSE'S? | AND THEY'RE NOT YOURS, THEY'RE EVERYBODY ELSE'S? |
| 1385 | 00:49:08,625 | 00:49:10,328 | YEAH. | YEAH. |
| 1386 | 00:49:11,560 | 00:49:13,029 | I THINK THAT WOULD BE MY LIFE STORY. | I THINK THAT WOULD BE MY LIFE STORY. |
| 1387 | 00:49:13,063 | 00:49:13,998 | REALLY? | REALLY? |
| 1388 | 00:49:14,031 | 00:49:15,198 | HMM-MMM. | HMM-MMM. |
| 1389 | 00:49:15,231 | 00:49:17,200 | I GUESS I JUST KIND OF EXPECTED MORE FROM THAT, | I GUESS I JUST KIND OF EXPECTED MORE FROM THAT, |
| 1390 | 00:49:17,233 | 00:49:18,501 | I MEAN, IT'S BEAUTIFUL AND ALL. | I MEAN, IT'S BEAUTIFUL AND ALL. |
| 1391 | 00:49:18,533 | 00:49:19,769 | IT'S VERY ROMANTIC. | IT'S VERY ROMANTIC. |
| 1392 | 00:49:19,801 | 00:49:21,972 | ANYTHING CAN HAPPEN OUT HERE. | ANYTHING CAN HAPPEN OUT HERE. |
| 1393 | 00:49:27,708 | 00:49:31,312 | LILLY, THANK YOU SO MUCH, I REALLY APPRECIATE IT. | LILLY, THANK YOU SO MUCH, I REALLY APPRECIATE IT. |
| 1394 | 00:49:31,346 | 00:49:33,315 | IT WAS A GREAT TIME, GREAT STAY, | IT WAS A GREAT TIME, GREAT STAY, |
| 1395 | 00:49:33,348 | 00:49:35,083 | AND UH, WELL, THANK YOU SO MUCH. | AND UH, WELL, THANK YOU SO MUCH. |
| 1396 | 00:49:35,116 | 00:49:36,217 | GO AWAY WITH THAT! | GO AWAY WITH THAT! |
| 1397 | 00:49:36,250 | 00:49:37,618 | OH, OKAY. | OH, OKAY. |
| 1398 | 00:49:37,652 | 00:49:41,689 | OH, YOU TAKE GOOD CARE OF YOURSELF NOW, TOM. | OH, YOU TAKE GOOD CARE OF YOURSELF NOW, TOM. |
| 1399 | 00:49:41,722 | 00:49:43,057 | THANK YOU, I WILL. | THANK YOU, I WILL. |
| 1400 | 00:49:43,089 | 00:49:44,491 | I CLEANED ALL YOUR UNDERWEAR. | I CLEANED ALL YOUR UNDERWEAR. |
| 1401 | 00:49:44,524 | 00:49:45,760 | YOU DID? | YOU DID? |
| 1402 | 00:49:45,792 | 00:49:47,495 | WOULD YOU LIKE SOME BANANA SANDWICHES FOR THE ROAD? | WOULD YOU LIKE SOME BANANA SANDWICHES FOR THE ROAD? |
| 1403 | 00:49:47,528 | 00:49:49,196 | THOSE ARE BOTH CREEPY STATEMENTS. | THOSE ARE BOTH CREEPY STATEMENTS. |
| 1404 | 00:49:49,229 | 00:49:51,697 | I APPRECIATE IT, YOU DIDN'T HAVE TO DO THAT. | I APPRECIATE IT, YOU DIDN'T HAVE TO DO THAT. |
| 1405 | 00:49:51,731 | 00:49:53,500 | NO, I GAVE 'EM UP. | NO, I GAVE 'EM UP. |
| 1406 | 00:49:53,532 | 00:49:56,168 | I'M TRYING TO GIVE UP PUDDING AND BANANAS. | I'M TRYING TO GIVE UP PUDDING AND BANANAS. |
| 1407 | 00:49:56,202 | 00:49:57,270 | THANK YOU SO MUCH. | THANK YOU SO MUCH. |
| 1408 | 00:49:57,302 | 00:49:58,670 | YOU CAN COME BACK ANY TIME AND VISIT US. | YOU CAN COME BACK ANY TIME AND VISIT US. |
| 1409 | 00:49:58,704 | 00:49:59,472 | ANY TIME. | ANY TIME. |
| 1410 | 00:49:59,505 | 00:50:00,807 | I WILL, I CAN'T WAIT TO BOOK IT. | I WILL, I CAN'T WAIT TO BOOK IT. |
| 1411 | 00:50:00,840 | 00:50:01,807 | OH, WE'RE GOING TO MISS YOU. | OH, WE'RE GOING TO MISS YOU. |
| 1412 | 00:50:01,840 | 00:50:02,741 | CAN I HAVE THE BAG? | CAN I HAVE THE BAG? |
| 1413 | 00:50:02,775 | 00:50:03,542 | I WILL. | I WILL. |
| 1414 | 00:50:03,575 | 00:50:05,343 | HEY, LOOK, THE CAT'S GETTING OUT. | HEY, LOOK, THE CAT'S GETTING OUT. |
| 1415 | 00:50:05,377 | 00:50:06,412 | I GOTTA GO, 'BYE. | I GOTTA GO, 'BYE. |
| 1416 | 00:50:06,444 | 00:50:07,278 | 'BYE. | 'BYE. |
| 1417 | 00:50:08,747 | 00:50:10,348 | WE GOTTA GET THE HELL OUT OF HERE! | WE GOTTA GET THE HELL OUT OF HERE! |
| 1418 | 00:50:10,381 | 00:50:12,784 | (Tom) POOR LILLY, I GUESS I REMIND HER OF HER SON. | (Tom) POOR LILLY, I GUESS I REMIND HER OF HER SON. |
| 1419 | 00:50:12,817 | 00:50:15,452 | WELL, SHE REMINDS ME OF MY MOM. | WELL, SHE REMINDS ME OF MY MOM. |
| 1420 | 00:50:18,555 | 00:50:20,358 | (Ricardo) THAT'S NOT RIGHT. | (Ricardo) THAT'S NOT RIGHT. |
| 1421 | 00:50:20,391 | 00:50:22,459 | (Tom) OKAY, WHERE'S THE STEERING WHEEL? | (Tom) OKAY, WHERE'S THE STEERING WHEEL? |
| 1422 | 00:50:31,234 | 00:50:34,203 | [gears grind and tires screech] | [gears grind and tires screech] |
| 1423 | 00:50:34,236 | 00:50:35,138 | WHOA. | WHOA. |
| 1424 | 00:50:37,107 | 00:50:38,175 | [gears grind] | [gears grind] |
| 1425 | 00:50:38,207 | 00:50:39,607 | ♪ | ♪ |
| 1426 | 00:50:39,640 | 00:50:41,110 | [tires screech] | [tires screech] |
| 1427 | 00:50:41,142 | 00:50:46,115 | ♪ | ♪ |
| 1428 | 00:50:46,148 | 00:50:47,216 | WHOA! | WHOA! |
| 1429 | 00:50:50,785 | 00:50:52,319 | ARE YOU ON THE RIGHT SIDE? | ARE YOU ON THE RIGHT SIDE? |
| 1430 | 00:50:52,353 | 00:50:53,488 | AH! | AH! |
| 1431 | 00:50:53,520 | 00:50:58,426 | ♪ | ♪ |
| 1432 | 00:50:59,659 | 00:51:01,428 | (Tom) WHO'S BREATHING HARD? | (Tom) WHO'S BREATHING HARD? |
| 1433 | 00:51:01,462 | 00:51:02,730 | I CAN'T SEE A THING. | I CAN'T SEE A THING. |
| 1434 | 00:51:02,763 | 00:51:04,097 | YOU WANNA GUESS? | YOU WANNA GUESS? |
| 1435 | 00:51:04,897 | 00:51:06,332 | (Fred) I GOT GAS. | (Fred) I GOT GAS. |
| 1436 | 00:51:06,365 | 00:51:08,701 | (Tom) TIME TO HEAD WEST INTO THE HEART | (Tom) TIME TO HEAD WEST INTO THE HEART |
| 1437 | 00:51:08,734 | 00:51:10,336 | OF THE IRISH COUNTRYSIDE | OF THE IRISH COUNTRYSIDE |
| 1438 | 00:51:10,370 | 00:51:13,107 | TO A PLACE CALLED MILLTOWN MALBAY COUNTY CLARE. | TO A PLACE CALLED MILLTOWN MALBAY COUNTY CLARE. |
| 1439 | 00:51:13,140 | 00:51:14,608 | IT'S PRETTY CLOSE TO SHANNON AIRPORT | IT'S PRETTY CLOSE TO SHANNON AIRPORT |
| 1440 | 00:51:14,640 | 00:51:16,641 | SO I THINK I'LL LOOK UP MY RELATIVES. | SO I THINK I'LL LOOK UP MY RELATIVES. |
| 1441 | 00:51:16,674 | 00:51:20,245 | THE ENTIRE WEDDING PARTY IS GOING, INCLUDING VANESSA. | THE ENTIRE WEDDING PARTY IS GOING, INCLUDING VANESSA. |
| 1442 | 00:51:21,447 | 00:51:22,515 | (Ricardo) VANESSA, WHAT'S THE PROBLEM? | (Ricardo) VANESSA, WHAT'S THE PROBLEM? |
| 1443 | 00:51:22,547 | 00:51:24,349 | THEY RENTED ME A SHIT BOX, THAT'S THE PROBLEM! | THEY RENTED ME A SHIT BOX, THAT'S THE PROBLEM! |
| 1444 | 00:51:24,382 | 00:51:25,784 | OKAY, OKAY, OKAY, IT'S ALL RIGHT. | OKAY, OKAY, OKAY, IT'S ALL RIGHT. |
| 1445 | 00:51:25,817 | 00:51:26,852 | TELL YOU WHAT. | TELL YOU WHAT. |
| 1446 | 00:51:26,886 | 00:51:28,553 | WHY DON'T YOU RIDE WITH US? | WHY DON'T YOU RIDE WITH US? |
| 1447 | 00:51:28,586 | 00:51:29,520 | HEY, TOMMY, IS THAT OKAY? | HEY, TOMMY, IS THAT OKAY? |
| 1448 | 00:51:29,553 | 00:51:30,789 | YEAH, YEAH, OF COURSE. | YEAH, YEAH, OF COURSE. |
| 1449 | 00:51:30,821 | 00:51:32,124 | HEY, TOM... | HEY, TOM... |
| 1450 | 00:51:32,156 | 00:51:33,191 | WHY DON'T YOU BE A GENTLEMAN | WHY DON'T YOU BE A GENTLEMAN |
| 1451 | 00:51:33,223 | 00:51:34,825 | AND HELP THE LADY WITH HER BAGS? | AND HELP THE LADY WITH HER BAGS? |
| 1452 | 00:51:34,859 | 00:51:36,328 | ME BE THE GENTLEMAN... | ME BE THE GENTLEMAN... |
| 1453 | 00:51:36,361 | 00:51:37,295 | OH, OKAY. | OH, OKAY. |
| 1454 | 00:51:37,327 | 00:51:38,463 | YOU'RE SCREWED! | YOU'RE SCREWED! |
| 1455 | 00:51:38,495 | 00:51:39,596 | OH, YEAH, THANKS. | OH, YEAH, THANKS. |
| 1456 | 00:51:39,630 | 00:51:41,599 | YEAH, THAT DOESN'T REALLY LOOK GOOD. | YEAH, THAT DOESN'T REALLY LOOK GOOD. |
| 1457 | 00:51:43,666 | 00:51:45,302 | THAT'S LEADING FROM THE MANIFOLD. | THAT'S LEADING FROM THE MANIFOLD. |
| 1458 | 00:51:45,335 | 00:51:46,337 | YOU DON'T KNOW WHAT THAT IS. | YOU DON'T KNOW WHAT THAT IS. |
| 1459 | 00:51:46,369 | 00:51:47,505 | MANIFOLD'S GONNA COME DOWN... | MANIFOLD'S GONNA COME DOWN... |
| 1460 | 00:51:47,538 | 00:51:48,271 | THAT'S NOT A MANIFOLD. | THAT'S NOT A MANIFOLD. |
| 1461 | 00:51:48,306 | 00:51:49,440 | IT'S GONNA CONNECT TO A RADIATOR. | IT'S GONNA CONNECT TO A RADIATOR. |
| 1462 | 00:51:50,440 | 00:51:51,641 | (Tom) DRUMFOMINA... | (Tom) DRUMFOMINA... |
| 1463 | 00:51:51,674 | 00:51:53,442 | HALFWAY THROUGH OUR TRIP WE FOUND IT. | HALFWAY THROUGH OUR TRIP WE FOUND IT. |
| 1464 | 00:51:53,475 | 00:51:55,611 | (Tom) I CAN'T BELIEVE I FOUND THIS PLACE. | (Tom) I CAN'T BELIEVE I FOUND THIS PLACE. |
| 1465 | 00:51:55,645 | 00:51:56,713 | LET'S GO TO A PUB. | LET'S GO TO A PUB. |
| 1466 | 00:51:56,745 | 00:51:59,249 | OH, I CAN'T, THIS IS MY DAD'S RELATIVES. | OH, I CAN'T, THIS IS MY DAD'S RELATIVES. |
| 1467 | 00:51:59,281 | 00:52:00,783 | I PROMISED HIM WE'D STOP BY. | I PROMISED HIM WE'D STOP BY. |
| 1468 | 00:52:00,816 | 00:52:02,252 | IT'S DAPPER DAN. | IT'S DAPPER DAN. |
| 1469 | 00:52:02,285 | 00:52:03,485 | IT'S THE ONLY BARBER IN TOWN, | IT'S THE ONLY BARBER IN TOWN, |
| 1470 | 00:52:03,517 | 00:52:04,452 | SO IT'S GOTTA BE IT. | SO IT'S GOTTA BE IT. |
| 1471 | 00:52:04,485 | 00:52:06,154 | I'M SORRY, THE ONLY BARBER? | I'M SORRY, THE ONLY BARBER? |
| 1472 | 00:52:06,188 | 00:52:07,356 | WHAT ARE WE ON, FLEET STREET? | WHAT ARE WE ON, FLEET STREET? |
| 1473 | 00:52:07,389 | 00:52:09,425 | I'M NOT EATING ANY PIE. | I'M NOT EATING ANY PIE. |
| 1474 | 00:52:10,391 | 00:52:12,160 | HEY, TOM, WHAT ARE WE DOING HERE? | HEY, TOM, WHAT ARE WE DOING HERE? |
| 1475 | 00:52:12,193 | 00:52:14,195 | YEAH, WE COULD BE AT A PUB OR SOMETHING RIGHT NOW. | YEAH, WE COULD BE AT A PUB OR SOMETHING RIGHT NOW. |
| 1476 | 00:52:14,228 | 00:52:16,730 | ALL RIGHT GUYS, COULD YOU GIVE THE PUB ONE DAY OF REST? | ALL RIGHT GUYS, COULD YOU GIVE THE PUB ONE DAY OF REST? |
| 1477 | 00:52:16,763 | 00:52:17,798 | OKAY... | OKAY... |
| 1478 | 00:52:17,832 | 00:52:19,901 | EAT UP, YOU GOT LOTS OF FOOD ON YOUR PLATES NOW. | EAT UP, YOU GOT LOTS OF FOOD ON YOUR PLATES NOW. |
| 1479 | 00:52:19,933 | 00:52:21,401 | NEIL, GET IN HERE! | NEIL, GET IN HERE! |
| 1480 | 00:52:21,435 | 00:52:23,237 | CALL YOUR DA. | CALL YOUR DA. |
| 1481 | 00:52:23,270 | 00:52:24,906 | [yelling] DAD! DA! | [yelling] DAD! DA! |
| 1482 | 00:52:24,939 | 00:52:26,907 | [mumbling] BILLY GOATS. | [mumbling] BILLY GOATS. |
| 1483 | 00:52:26,939 | 00:52:29,608 | (Lizzy) LOOK WHO'S COME A-VISITING ALL THE WAY FROM AMERICA. | (Lizzy) LOOK WHO'S COME A-VISITING ALL THE WAY FROM AMERICA. |
| 1484 | 00:52:29,642 | 00:52:31,711 | YOUR RELATIVES FROM THE STATES. | YOUR RELATIVES FROM THE STATES. |
| 1485 | 00:52:31,744 | 00:52:33,247 | YOU DON'T SAY! | YOU DON'T SAY! |
| 1486 | 00:52:34,447 | 00:52:36,215 | WELL, HELLO, MISS. HELLO, LAD. | WELL, HELLO, MISS. HELLO, LAD. |
| 1487 | 00:52:36,249 | 00:52:38,351 | I'M NEIL MURPHY. | I'M NEIL MURPHY. |
| 1488 | 00:52:38,383 | 00:52:40,618 | I SEE YOU MET ME WIFE, LIZZY, ALREADY. | I SEE YOU MET ME WIFE, LIZZY, ALREADY. |
| 1489 | 00:52:40,652 | 00:52:42,221 | AND THESE ARE OUR DAUGHTERS. | AND THESE ARE OUR DAUGHTERS. |
| 1490 | 00:52:42,254 | 00:52:44,623 | SIOBAN AND THERESA. | SIOBAN AND THERESA. |
| 1491 | 00:52:44,656 | 00:52:45,757 | HELLO. | HELLO. |
| 1492 | 00:52:45,790 | 00:52:46,725 | HOW ARE YE? | HOW ARE YE? |
| 1493 | 00:52:46,757 | 00:52:47,658 | HELLO. | HELLO. |
| 1494 | 00:52:47,692 | 00:52:49,794 | AND HOW IS EVERYONE BACK IN THE STATES? | AND HOW IS EVERYONE BACK IN THE STATES? |
| 1495 | 00:52:49,828 | 00:52:50,861 | PRETTY GOOD. | PRETTY GOOD. |
| 1496 | 00:52:50,894 | 00:52:53,331 | DAD'S ABOUT TO RETIRE; MOM JUST GOT OUT OF REHAB. | DAD'S ABOUT TO RETIRE; MOM JUST GOT OUT OF REHAB. |
| 1497 | 00:52:53,363 | 00:52:55,399 | SO... YEAH, IT'S A BIG MONTH. | SO... YEAH, IT'S A BIG MONTH. |
| 1498 | 00:52:55,432 | 00:52:56,367 | HMM. | HMM. |
| 1499 | 00:52:58,736 | 00:53:00,638 | YOU KNOW, YOUR FOOD'S REALLY RICH. | YOU KNOW, YOUR FOOD'S REALLY RICH. |
| 1500 | 00:53:00,671 | 00:53:02,607 | I'M HAVING A TOUGH TIME GETTING ADJUSTED. | I'M HAVING A TOUGH TIME GETTING ADJUSTED. |
| 1501 | 00:53:02,640 | 00:53:03,874 | ALL NATURAL. | ALL NATURAL. |
| 1502 | 00:53:03,906 | 00:53:05,609 | NO PRESERVATIVES, LAD. | NO PRESERVATIVES, LAD. |
| 1503 | 00:53:05,641 | 00:53:07,344 | [bell dings] | [bell dings] |
| 1504 | 00:53:07,377 | 00:53:08,177 | WHAT WAS THAT? | WHAT WAS THAT? |
| 1505 | 00:53:08,210 | 00:53:10,380 | THAT, MY FRIEND, IS ANOTHER CUSTOMER. | THAT, MY FRIEND, IS ANOTHER CUSTOMER. |
| 1506 | 00:53:13,449 | 00:53:15,350 | SO, WHAT BRINGS YOU TO IRELAND? | SO, WHAT BRINGS YOU TO IRELAND? |
| 1507 | 00:53:15,383 | 00:53:19,222 | WELL, UH, A REALLY GOOD FRIEND OF OURS GOT MARRIED IN DUBLIN | WELL, UH, A REALLY GOOD FRIEND OF OURS GOT MARRIED IN DUBLIN |
| 1508 | 00:53:19,254 | 00:53:20,423 | AND UH... | AND UH... |
| 1509 | 00:53:20,455 | 00:53:22,291 | AND TOM IS LOOKING FOR AN IRISH BRIDE. | AND TOM IS LOOKING FOR AN IRISH BRIDE. |
| 1510 | 00:53:22,957 | 00:53:24,426 | OH! | OH! |
| 1511 | 00:53:27,395 | 00:53:28,762 | JUST A BEARD TRIM. | JUST A BEARD TRIM. |
| 1512 | 00:53:28,795 | 00:53:30,764 | MY ASSISTANT'LL TAKE CARE OF IT. | MY ASSISTANT'LL TAKE CARE OF IT. |
| 1513 | 00:53:30,797 | 00:53:32,333 | WHAT WERE WE TALKING ABOUT? | WHAT WERE WE TALKING ABOUT? |
| 1514 | 00:53:32,367 | 00:53:35,670 | YOUNG TOMMY HERE'S COME TO IRELAND TO FIND A BRIDE. | YOUNG TOMMY HERE'S COME TO IRELAND TO FIND A BRIDE. |
| 1515 | 00:53:35,703 | 00:53:37,271 | (Neil) MY GOODNESS. | (Neil) MY GOODNESS. |
| 1516 | 00:53:37,304 | 00:53:39,307 | SUCH A WAY TO COME FOR THAT! | SUCH A WAY TO COME FOR THAT! |
| 1517 | 00:53:40,607 | 00:53:41,542 | [bell dings] | [bell dings] |
| 1518 | 00:53:42,776 | 00:53:44,345 | DUTY CALLS. | DUTY CALLS. |
| 1519 | 00:53:44,377 | 00:53:46,613 | MAYBE YOU CAN MARRY ONE OF MY FRIENDS, TOM. | MAYBE YOU CAN MARRY ONE OF MY FRIENDS, TOM. |
| 1520 | 00:53:46,647 | 00:53:49,316 | YEAH, TOM, MAYBE YOU CAN MARRY ONE OF HER FRIENDS. | YEAH, TOM, MAYBE YOU CAN MARRY ONE OF HER FRIENDS. |
| 1521 | 00:53:49,348 | 00:53:51,583 | (Theresa) WHAT ABOUT THE THREE OF YOU LADS? | (Theresa) WHAT ABOUT THE THREE OF YOU LADS? |
| 1522 | 00:53:51,617 | 00:53:53,320 | ARE YOU LOOKING TO GET MARRIED? | ARE YOU LOOKING TO GET MARRIED? |
| 1523 | 00:53:54,653 | 00:53:56,722 | UH... UH... | UH... UH... |
| 1524 | 00:53:56,755 | 00:53:58,424 | WE'RE GAY. | WE'RE GAY. |
| 1525 | 00:53:59,925 | 00:54:01,995 | AH! HOMOSEXUALS, THAT'S WHAT WE ARE. | AH! HOMOSEXUALS, THAT'S WHAT WE ARE. |
| 1526 | 00:54:02,027 | 00:54:03,294 | HOMOSEXUALS. | HOMOSEXUALS. |
| 1527 | 00:54:03,328 | 00:54:06,398 | YEAH, WE'RE, UH, WE'RE SUPER GAY. | YEAH, WE'RE, UH, WE'RE SUPER GAY. |
| 1528 | 00:54:06,431 | 00:54:07,032 | WAY GAY. | WAY GAY. |
| 1529 | 00:54:07,064 | 00:54:08,432 | WHOO! WHOO! | WHOO! WHOO! |
| 1530 | 00:54:08,466 | 00:54:09,701 | (Theresa) YOU'RE SURE? | (Theresa) YOU'RE SURE? |
| 1531 | 00:54:09,734 | 00:54:11,469 | BACK UP, GIRLFRIEND. | BACK UP, GIRLFRIEND. |
| 1532 | 00:54:12,504 | 00:54:14,640 | HELLO, HELLO, HELLO! | HELLO, HELLO, HELLO! |
| 1533 | 00:54:15,938 | 00:54:19,376 | THIS IS MY ASSISTANT, SASHA. | THIS IS MY ASSISTANT, SASHA. |
| 1534 | 00:54:19,409 | 00:54:21,545 | SHE'S FROM LATVIA. | SHE'S FROM LATVIA. |
| 1535 | 00:54:21,577 | 00:54:23,447 | DOESN'T SPEAK A LICK OF ENGLISH, | DOESN'T SPEAK A LICK OF ENGLISH, |
| 1536 | 00:54:23,479 | 00:54:25,882 | BUT SHE CAN CUT HAIR LIKE NO OTHER. | BUT SHE CAN CUT HAIR LIKE NO OTHER. |
| 1537 | 00:54:25,916 | 00:54:28,752 | AND SHE BRINGS A LITTLE WOMANLY TOUCH TO THE SHOP. | AND SHE BRINGS A LITTLE WOMANLY TOUCH TO THE SHOP. |
| 1538 | 00:54:28,784 | 00:54:31,553 | NOW WHAT WERE WE ON ABOUT? | NOW WHAT WERE WE ON ABOUT? |
| 1539 | 00:54:31,587 | 00:54:34,424 | (Sioban) WE WERE TALKING ABOUT WOMANLY TOUCHES AS WELL, | (Sioban) WE WERE TALKING ABOUT WOMANLY TOUCHES AS WELL, |
| 1540 | 00:54:34,457 | 00:54:38,994 | THESE THREE LADS... LIKE... LADS. | THESE THREE LADS... LIKE... LADS. |
| 1541 | 00:54:39,026 | 00:54:40,595 | [laughing] | [laughing] |
| 1542 | 00:54:40,628 | 00:54:42,597 | [speaking foreign language] | [speaking foreign language] |
| 1543 | 00:54:42,631 | 00:54:45,000 | [laughing] | [laughing] |
| 1544 | 00:54:45,032 | 00:54:46,567 | THAT'S FUNNY! | THAT'S FUNNY! |
| 1545 | 00:54:46,601 | 00:54:49,437 | YOU KNOW, I'M REALLY "BI." | YOU KNOW, I'M REALLY "BI." |
| 1546 | 00:54:49,470 | 00:54:50,772 | BYE? | BYE? |
| 1547 | 00:54:50,804 | 00:54:52,005 | YEAH, I'M BI. | YEAH, I'M BI. |
| 1548 | 00:54:52,038 | 00:54:53,975 | OH, BYE-BYE. | OH, BYE-BYE. |
| 1549 | 00:54:55,409 | 00:54:56,677 | NO, NOT BYE-BYE. | NO, NOT BYE-BYE. |
| 1550 | 00:54:56,710 | 00:54:59,647 | NO, I MEAN I'M BI-SEXUAL, I'M BI-SEXUAL. | NO, I MEAN I'M BI-SEXUAL, I'M BI-SEXUAL. |
| 1551 | 00:55:02,716 | 00:55:07,721 | BUT I PREFER DUDES A LOT MORE, A LOT MORE. | BUT I PREFER DUDES A LOT MORE, A LOT MORE. |
| 1552 | 00:55:11,990 | 00:55:13,092 | [snoring] | [snoring] |
| 1553 | 00:55:13,126 | 00:55:14,593 | (Tom) SURE IS BEAUTIFUL COUNTRY. | (Tom) SURE IS BEAUTIFUL COUNTRY. |
| 1554 | 00:55:14,626 | 00:55:15,960 | YEAH, IT'S KINDA NICE. | YEAH, IT'S KINDA NICE. |
| 1555 | 00:55:15,994 | 00:55:18,698 | IT'S ALMOST AS BEAUTIFUL AS GREECE. | IT'S ALMOST AS BEAUTIFUL AS GREECE. |
| 1556 | 00:55:18,730 | 00:55:20,665 | OH, ALMOST? | OH, ALMOST? |
| 1557 | 00:55:20,699 | 00:55:22,467 | ALMOST AS BEAUTIFUL. | ALMOST AS BEAUTIFUL. |
| 1558 | 00:55:22,500 | 00:55:23,401 | OH... | OH... |
| 1559 | 00:55:23,436 | 00:55:25,471 | IT'S REALLY NICE, IT'S ACTUALLY GORGEOUS.. | IT'S REALLY NICE, IT'S ACTUALLY GORGEOUS.. |
| 1560 | 00:55:25,503 | 00:55:28,640 | SO WHAT DO YOU DO IN GREECE FOR FUN? | SO WHAT DO YOU DO IN GREECE FOR FUN? |
| 1561 | 00:55:28,673 | 00:55:29,808 | YOU SUN BATHE. | YOU SUN BATHE. |
| 1562 | 00:55:29,841 | 00:55:30,942 | YOU SUN BATHE. | YOU SUN BATHE. |
| 1563 | 00:55:30,975 | 00:55:32,077 | YEAH. | YEAH. |
| 1564 | 00:55:33,410 | 00:55:34,712 | (Tom) TOUGH GIRLS, GREEKS. | (Tom) TOUGH GIRLS, GREEKS. |
| 1565 | 00:55:34,745 | 00:55:36,513 | HEY, MY PARENTS WERE BORN IN SPARTA. | HEY, MY PARENTS WERE BORN IN SPARTA. |
| 1566 | 00:55:36,546 | 00:55:37,982 | I WANT A STRONG MAN. | I WANT A STRONG MAN. |
| 1567 | 00:55:39,148 | 00:55:41,384 | SO, DID YOU GUYS LIKE, WATCH 300 | SO, DID YOU GUYS LIKE, WATCH 300 |
| 1568 | 00:55:41,418 | 00:55:43,854 | AND GO, OH MY GOD, I'M RELATED TO LIKE 299 OF THOSE. | AND GO, OH MY GOD, I'M RELATED TO LIKE 299 OF THOSE. |
| 1569 | 00:55:43,887 | 00:55:47,057 | OH-HO! YOU'RE A FREAK. | OH-HO! YOU'RE A FREAK. |
| 1570 | 00:55:47,090 | 00:55:48,124 | I'M A FREAK? | I'M A FREAK? |
| 1571 | 00:55:48,157 | 00:55:50,493 | I'M CONSIDERED LIKE A SUPER STAR IN THIS PLACE. | I'M CONSIDERED LIKE A SUPER STAR IN THIS PLACE. |
| 1572 | 00:55:50,527 | 00:55:54,397 | OH, THAT'S WHY YOU CAME ALL THE WAY HERE TO FIND A WIFE? | OH, THAT'S WHY YOU CAME ALL THE WAY HERE TO FIND A WIFE? |
| 1573 | 00:55:54,430 | 00:55:55,765 | I... | I... |
| 1574 | 00:55:55,797 | 00:55:56,566 | IS THAT TRUE? | IS THAT TRUE? |
| 1575 | 00:55:56,598 | 00:55:57,366 | [scoffs] | [scoffs] |
| 1576 | 00:55:57,399 | 00:55:58,367 | I'M INTERVIEWING. | I'M INTERVIEWING. |
| 1577 | 00:55:58,401 | 00:55:59,435 | YOU'RE INTERVIEWING GIRLS? | YOU'RE INTERVIEWING GIRLS? |
| 1578 | 00:55:59,468 | 00:56:00,236 | YES. | YES. |
| 1579 | 00:56:00,268 | 00:56:01,937 | YOU CAN'T GET A GIRL IN THE STATES... | YOU CAN'T GET A GIRL IN THE STATES... |
| 1580 | 00:56:01,971 | 00:56:04,940 | SO YOU CAME HERE TO TRY TO FIND ONE. | SO YOU CAME HERE TO TRY TO FIND ONE. |
| 1581 | 00:56:04,972 | 00:56:06,675 | [snoring] | [snoring] |
| 1582 | 00:56:06,708 | 00:56:07,642 | HOW 'BOUT YOURSELF? | HOW 'BOUT YOURSELF? |
| 1583 | 00:56:07,675 | 00:56:08,776 | THERE WAS THIS ONE GUY, | THERE WAS THIS ONE GUY, |
| 1584 | 00:56:08,809 | 00:56:11,112 | BUT UHM... IT JUST DIDN'T WORK OUT. | BUT UHM... IT JUST DIDN'T WORK OUT. |
| 1585 | 00:56:11,146 | 00:56:12,581 | WHAT HAPPENED? | WHAT HAPPENED? |
| 1586 | 00:56:12,613 | 00:56:14,615 | HE DIDN'T GIVE YOUR DAD ENOUGH CHICKENS | HE DIDN'T GIVE YOUR DAD ENOUGH CHICKENS |
| 1587 | 00:56:14,647 | 00:56:16,983 | OR LIVESTOCK OR PIGGIES? | OR LIVESTOCK OR PIGGIES? |
| 1588 | 00:56:17,016 | 00:56:18,118 | NO, IT WASN'T THAT. | NO, IT WASN'T THAT. |
| 1589 | 00:56:18,152 | 00:56:19,653 | WHAT? | WHAT? |
| 1590 | 00:56:19,685 | 00:56:21,521 | MY FATHER DIDN'T LIKE HIM. | MY FATHER DIDN'T LIKE HIM. |
| 1591 | 00:56:22,855 | 00:56:25,792 | SO YOU DUMPED THE GUY THAT YOU LOVED | SO YOU DUMPED THE GUY THAT YOU LOVED |
| 1592 | 00:56:26,992 | 00:56:28,427 | BECAUSE YOUR FATHER DIDN'T LIKE HIM? | BECAUSE YOUR FATHER DIDN'T LIKE HIM? |
| 1593 | 00:56:28,461 | 00:56:29,428 | IT'S NOT LIKE THAT. | IT'S NOT LIKE THAT. |
| 1594 | 00:56:29,461 | 00:56:32,465 | MY FATHER'S ALL I'VE GOT SINCE MY MOTHER DIED. | MY FATHER'S ALL I'VE GOT SINCE MY MOTHER DIED. |
| 1595 | 00:56:32,497 | 00:56:34,700 | I GUESS I WANT SOMEONE JUST LIKE HIM. | I GUESS I WANT SOMEONE JUST LIKE HIM. |
| 1596 | 00:56:40,105 | 00:56:42,074 | YOU KNOW, STRANGELY ENOUGH, | YOU KNOW, STRANGELY ENOUGH, |
| 1597 | 00:56:42,107 | 00:56:43,708 | I THINK I CAN RELATE TO THAT. | I THINK I CAN RELATE TO THAT. |
| 1598 | 00:56:45,476 | 00:56:47,846 | I THINK I WANT SOMEBODY JUST AS GOOD AS MY PARENTS, TOO. | I THINK I WANT SOMEBODY JUST AS GOOD AS MY PARENTS, TOO. |
| 1599 | 00:56:47,879 | 00:56:48,947 | YEAH. | YEAH. |
| 1600 | 00:56:48,980 | 00:56:50,682 | THAT'S COOL. | THAT'S COOL. |
| 1601 | 00:56:54,050 | 00:56:57,020 | HEY, FELLOWS, I GOTTA GET DIRECTIONS. | HEY, FELLOWS, I GOTTA GET DIRECTIONS. |
| 1602 | 00:56:57,053 | 00:56:58,889 | SO STEVEN, YOU WANNA COME WITH ME? | SO STEVEN, YOU WANNA COME WITH ME? |
| 1603 | 00:56:58,923 | 00:56:59,957 | WE'LL GO TO THAT HARDWARE STORE. | WE'LL GO TO THAT HARDWARE STORE. |
| 1604 | 00:56:59,990 | 00:57:04,728 | ♪ | ♪ |
| 1605 | 00:57:04,761 | 00:57:05,829 | LET'S TRY THIS PLACE. | LET'S TRY THIS PLACE. |
| 1606 | 00:57:05,862 | 00:57:07,864 | THAT DOOR'S STUCK. | THAT DOOR'S STUCK. |
| 1607 | 00:57:07,896 | 00:57:09,500 | IT'S REALLY DAMP IN HERE. | IT'S REALLY DAMP IN HERE. |
| 1608 | 00:57:10,699 | 00:57:12,868 | I WAS WONDERING IF YOU COULD PLEASE HELP ME OUT. | I WAS WONDERING IF YOU COULD PLEASE HELP ME OUT. |
| 1609 | 00:57:12,902 | 00:57:14,970 | I'M TRYING TO FIND FINTAN MCGUIRE. | I'M TRYING TO FIND FINTAN MCGUIRE. |
| 1610 | 00:57:15,002 | 00:57:17,071 | I'M A RELATION OF HIS FROM THE STATES. | I'M A RELATION OF HIS FROM THE STATES. |
| 1611 | 00:57:17,104 | 00:57:19,207 | YEAH, IT'S ABOUT THREE KILOMETERS DOWN THE END OF THIS ROAD. | YEAH, IT'S ABOUT THREE KILOMETERS DOWN THE END OF THIS ROAD. |
| 1612 | 00:57:19,240 | 00:57:20,475 | KILOMETERS! OKAY! | KILOMETERS! OKAY! |
| 1613 | 00:57:20,508 | 00:57:21,176 | THAT'S MY LANGUAGE. | THAT'S MY LANGUAGE. |
| 1614 | 00:57:21,209 | 00:57:22,811 | (Tom) THANK YOU SO MUCH. | (Tom) THANK YOU SO MUCH. |
| 1615 | 00:57:22,845 | 00:57:25,680 | KILOMETER... WHERE IS THAT AT? | KILOMETER... WHERE IS THAT AT? |
| 1616 | 00:57:25,714 | 00:57:26,814 | ARE THERE ANY LANDMARKS? | ARE THERE ANY LANDMARKS? |
| 1617 | 00:57:26,847 | 00:57:28,683 | THE FARM WITH THE HORSE IN THE FIELD, YOU CAN'T MISS IT. | THE FARM WITH THE HORSE IN THE FIELD, YOU CAN'T MISS IT. |
| 1618 | 00:57:29,617 | 00:57:30,452 | THANK YOU! | THANK YOU! |
| 1619 | 00:57:30,485 | 00:57:31,553 | THANK YOU SO MUCH. | THANK YOU SO MUCH. |
| 1620 | 00:57:31,585 | 00:57:32,719 | UHM, YOU'RE...? | UHM, YOU'RE...? |
| 1621 | 00:57:32,753 | 00:57:34,489 | MOLLY, MOLLY SWEENEY. | MOLLY, MOLLY SWEENEY. |
| 1622 | 00:57:35,088 | 00:57:36,623 | MOLLY, PRETTY NAME. | MOLLY, PRETTY NAME. |
| 1623 | 00:57:36,657 | 00:57:37,959 | I'M TOM MURPHY. | I'M TOM MURPHY. |
| 1624 | 00:57:37,992 | 00:57:39,994 | ANYTHING ELSE? | ANYTHING ELSE? |
| 1625 | 00:57:41,160 | 00:57:43,062 | NO, THANK YOU, HAVE A GOOD DAY. | NO, THANK YOU, HAVE A GOOD DAY. |
| 1626 | 00:57:43,096 | 00:57:45,098 | HOPE YOU HAVE A NICE CRACK... | HOPE YOU HAVE A NICE CRACK... |
| 1627 | 00:57:45,131 | 00:57:46,232 | [sighs] | [sighs] |
| 1628 | 00:57:46,265 | 00:57:47,133 | CHEERS. | CHEERS. |
| 1629 | 00:57:49,069 | 00:57:50,537 | [door closes] | [door closes] |
| 1630 | 00:57:55,608 | 00:57:57,075 | THEY DON'T PUT ANY NUMBERS ON THE DOORS. | THEY DON'T PUT ANY NUMBERS ON THE DOORS. |
| 1631 | 00:57:57,909 | 00:57:59,845 | GO AHEAD AND KNOCK. | GO AHEAD AND KNOCK. |
| 1632 | 00:57:59,878 | 00:58:00,947 | LET'S TRY THIS ONE, I GUESS. | LET'S TRY THIS ONE, I GUESS. |
| 1633 | 00:58:00,979 | 00:58:01,880 | [knocks] | [knocks] |
| 1634 | 00:58:08,185 | 00:58:10,087 | [door closes] | [door closes] |
| 1635 | 00:58:10,120 | 00:58:13,224 | (Fintan) I THINK THE GREEN HORNET AND KATO ARE AT THE DOOR. | (Fintan) I THINK THE GREEN HORNET AND KATO ARE AT THE DOOR. |
| 1636 | 00:58:16,193 | 00:58:20,497 | HI, I'M TOM MURPHY, I'M FROM CLEVELAND... USA. | HI, I'M TOM MURPHY, I'M FROM CLEVELAND... USA. |
| 1637 | 00:58:20,530 | 00:58:24,034 | I THINK MY MOTHER ANNIE IS A RELATION OF YOURS. | I THINK MY MOTHER ANNIE IS A RELATION OF YOURS. |
| 1638 | 00:58:25,735 | 00:58:28,771 | HER MAIDEN NAME IS MCGUIRE, ANNIE MCGUIRE. | HER MAIDEN NAME IS MCGUIRE, ANNIE MCGUIRE. |
| 1639 | 00:58:31,040 | 00:58:32,976 | ANNIE MCGUIRE! | ANNIE MCGUIRE! |
| 1640 | 00:58:33,009 | 00:58:35,745 | AH! COME IN, COME IN, COME IN! | AH! COME IN, COME IN, COME IN! |
| 1641 | 00:58:35,777 | 00:58:37,246 | HOW ARE YOU? TOM. | HOW ARE YOU? TOM. |
| 1642 | 00:58:37,279 | 00:58:38,214 | TOM, HOW ARE YOU? | TOM, HOW ARE YOU? |
| 1643 | 00:58:38,246 | 00:58:39,113 | RICARDO. | RICARDO. |
| 1644 | 00:58:39,146 | 00:58:40,114 | RICARDO, HOW ARE YOU? | RICARDO, HOW ARE YOU? |
| 1645 | 00:58:40,148 | 00:58:41,048 | THIS IS MY WIFE, FIONA. | THIS IS MY WIFE, FIONA. |
| 1646 | 00:58:41,082 | 00:58:41,884 | HELLO. | HELLO. |
| 1647 | 00:58:41,916 | 00:58:43,184 | NICE TO MEET YOU. | NICE TO MEET YOU. |
| 1648 | 00:58:43,218 | 00:58:45,521 | WELL, I HAVEN'T HEARD FROM YOUR MOTHER IN YEARS. | WELL, I HAVEN'T HEARD FROM YOUR MOTHER IN YEARS. |
| 1649 | 00:58:45,553 | 00:58:46,787 | IF WE'D KNOWN YOU WERE COMING, | IF WE'D KNOWN YOU WERE COMING, |
| 1650 | 00:58:46,820 | 00:58:47,922 | SHE'D HAVE BAKED A CAKE. | SHE'D HAVE BAKED A CAKE. |
| 1651 | 00:58:47,956 | 00:58:49,157 | [laughing] | [laughing] |
| 1652 | 00:58:49,189 | 00:58:50,625 | PLEASE, DON'T GO TO ANY TROUBLE FOR US. | PLEASE, DON'T GO TO ANY TROUBLE FOR US. |
| 1653 | 00:58:50,657 | 00:58:51,826 | WE WERE AT A WEDDING IN DUBLIN | WE WERE AT A WEDDING IN DUBLIN |
| 1654 | 00:58:51,858 | 00:58:52,960 | AND WE THOUGHT WE'D JUST POP IN. | AND WE THOUGHT WE'D JUST POP IN. |
| 1655 | 00:58:52,993 | 00:58:53,793 | I PROMISED MY MOM. | I PROMISED MY MOM. |
| 1656 | 00:58:53,826 | 00:58:55,195 | THEY WERE IN DUBLIN FOR A WEDDING | THEY WERE IN DUBLIN FOR A WEDDING |
| 1657 | 00:58:55,228 | 00:58:56,531 | AND THEY POPPED INTO CLARE. | AND THEY POPPED INTO CLARE. |
| 1658 | 00:58:57,764 | 00:58:59,766 | YOU MUST BE VERY THIRSTY AFTER ALL THAT DRIVING. | YOU MUST BE VERY THIRSTY AFTER ALL THAT DRIVING. |
| 1659 | 00:58:59,799 | 00:59:00,834 | THANK YOU. | THANK YOU. |
| 1660 | 00:59:00,868 | 00:59:02,635 | SMALL ONE FOR YOU, DARLING. | SMALL ONE FOR YOU, DARLING. |
| 1661 | 00:59:02,669 | 00:59:03,636 | THANK YOU. | THANK YOU. |
| 1662 | 00:59:05,037 | 00:59:05,905 | SLÁINTE. | SLÁINTE. |
| 1663 | 00:59:05,939 | 00:59:07,174 | [glasses clink] | [glasses clink] |
| 1664 | 00:59:12,178 | 00:59:13,179 | [belching] | [belching] |
| 1665 | 00:59:13,211 | 00:59:14,546 | FINTAN! | FINTAN! |
| 1666 | 00:59:14,579 | 00:59:15,748 | YOU HAVE THE MANNERS OF A GOAT. | YOU HAVE THE MANNERS OF A GOAT. |
| 1667 | 00:59:15,780 | 00:59:17,016 | [bleating] | [bleating] |
| 1668 | 00:59:17,049 | 00:59:18,083 | SORRY, LUV. | SORRY, LUV. |
| 1669 | 00:59:19,750 | 00:59:20,685 | WELL, THE YANKS ARE HERE, | WELL, THE YANKS ARE HERE, |
| 1670 | 00:59:20,719 | 00:59:21,887 | WE BETTER GO TO THE PUB, HUH? | WE BETTER GO TO THE PUB, HUH? |
| 1671 | 00:59:21,920 | 00:59:23,755 | I'D GIVE YOU A DIRTY LOOK ONLY YOU'RE WEARING ONE ALREADY. | I'D GIVE YOU A DIRTY LOOK ONLY YOU'RE WEARING ONE ALREADY. |
| 1672 | 00:59:24,755 | 00:59:25,757 | OH, DARLING, IT'S A CELEBRATION. | OH, DARLING, IT'S A CELEBRATION. |
| 1673 | 00:59:25,791 | 00:59:26,824 | WHERE'S FINBAR? | WHERE'S FINBAR? |
| 1674 | 00:59:26,857 | 00:59:29,694 | FINBAR! FINBAR! GET DOWN HERE! | FINBAR! FINBAR! GET DOWN HERE! |
| 1675 | 00:59:29,727 | 00:59:31,261 | COME ON, WE'RE GOING TO THE PUB! | COME ON, WE'RE GOING TO THE PUB! |
| 1676 | 00:59:31,294 | 00:59:32,195 | THE YANKS ARE HERE! | THE YANKS ARE HERE! |
| 1677 | 00:59:32,229 | 00:59:34,831 | OH, AND YOU TWO, YOU'RE STAYING RIGHT HERE. | OH, AND YOU TWO, YOU'RE STAYING RIGHT HERE. |
| 1678 | 00:59:34,865 | 00:59:35,799 | OH, NO-NO-NO. | OH, NO-NO-NO. |
| 1679 | 00:59:35,832 | 00:59:37,000 | WE INSIST, DON'T WE, DARLING? | WE INSIST, DON'T WE, DARLING? |
| 1680 | 00:59:37,033 | 00:59:37,868 | YES. | YES. |
| 1681 | 00:59:37,901 | 00:59:38,902 | YOU'RE FAMILY. | YOU'RE FAMILY. |
| 1682 | 00:59:38,934 | 00:59:40,836 | (Tom) OKAY, WE'LL STAY. | (Tom) OKAY, WE'LL STAY. |
| 1683 | 00:59:40,869 | 00:59:42,239 | WE'LL DO CHORES, IF YOU WANT US TO. | WE'LL DO CHORES, IF YOU WANT US TO. |
| 1684 | 00:59:42,271 | 00:59:43,606 | YOU CERTAINLY WILL. | YOU CERTAINLY WILL. |
| 1685 | 00:59:43,639 | 00:59:44,941 | [laughing] | [laughing] |
| 1686 | 00:59:46,141 | 00:59:47,810 | THEY GOT ANIMALS AND STUFF. | THEY GOT ANIMALS AND STUFF. |
| 1687 | 00:59:47,844 | 00:59:48,612 | OH. | OH. |
| 1688 | 00:59:48,644 | 00:59:49,746 | PAINT THE ANIMALS. | PAINT THE ANIMALS. |
| 1689 | 00:59:49,780 | 00:59:51,847 | NO, DON'T PAINT THE ANIMALS, NO, WE WOULDN'T LIKE THAT. | NO, DON'T PAINT THE ANIMALS, NO, WE WOULDN'T LIKE THAT. |
| 1690 | 00:59:51,879 | 00:59:53,248 | IT'S NOT ST. PATRICK'S DAY, RIGHT? | IT'S NOT ST. PATRICK'S DAY, RIGHT? |
| 1691 | 00:59:53,281 | 00:59:54,683 | [laughing] | [laughing] |
| 1692 | 00:59:54,716 | 00:59:55,584 | I REMEMBER THAT. | I REMEMBER THAT. |
| 1693 | 00:59:56,085 | 00:59:57,320 | SORRY. | SORRY. |
| 1694 | 00:59:57,352 | 00:59:58,555 | YOU SHOULDN'T DO THAT. | YOU SHOULDN'T DO THAT. |
| 1695 | 01:00:02,689 | 01:00:03,925 | EVENIN' ALL, HOW ARE WE? | EVENIN' ALL, HOW ARE WE? |
| 1696 | 01:00:03,958 | 01:00:04,992 | BRIDIE! PETER! | BRIDIE! PETER! |
| 1697 | 01:00:05,026 | 01:00:05,794 | HELLO, FINTAN. | HELLO, FINTAN. |
| 1698 | 01:00:05,827 | 01:00:07,295 | WE'LL HAVE SIX PINTS OF STOUT HERE. | WE'LL HAVE SIX PINTS OF STOUT HERE. |
| 1699 | 01:00:07,327 | 01:00:09,063 | WELL, YOU KNOW WHAT, GUYS, THIS IS MY ROUND. | WELL, YOU KNOW WHAT, GUYS, THIS IS MY ROUND. |
| 1700 | 01:00:09,097 | 01:00:10,298 | NO, NO, NO, PUT THAT AWAY. | NO, NO, NO, PUT THAT AWAY. |
| 1701 | 01:00:10,331 | 01:00:11,599 | PUT THAT AWAY! | PUT THAT AWAY! |
| 1702 | 01:00:11,633 | 01:00:12,367 | NO, I INSIST. | NO, I INSIST. |
| 1703 | 01:00:12,400 | 01:00:13,702 | I INSIST, | I INSIST, |
| 1704 | 01:00:13,735 | 01:00:15,169 | IT'S THE LEAST I CAN DO, OKAY? | IT'S THE LEAST I CAN DO, OKAY? |
| 1705 | 01:00:15,201 | 01:00:16,002 | THANK YOU. | THANK YOU. |
| 1706 | 01:00:17,971 | 01:00:18,806 | SLÁINTE. | SLÁINTE. |
| 1707 | 01:00:18,839 | 01:00:19,907 | [all] SLÁINTE. | [all] SLÁINTE. |
| 1708 | 01:00:19,940 | 01:00:22,009 | TO THE MCGUIRES, MY FAMILY. | TO THE MCGUIRES, MY FAMILY. |
| 1709 | 01:00:22,042 | 01:00:22,877 | CHEERS. | CHEERS. |
| 1710 | 01:00:23,643 | 01:00:24,245 | CHEERS. | CHEERS. |
| 1711 | 01:00:28,180 | 01:00:30,283 | (Bridie) YOUR CHANGE. | (Bridie) YOUR CHANGE. |
| 1712 | 01:00:30,316 | 01:00:32,151 | NO, NO, NO, THAT'S OKAY, THAT'S YOUR TIP. | NO, NO, NO, THAT'S OKAY, THAT'S YOUR TIP. |
| 1713 | 01:00:32,184 | 01:00:33,285 | OH, "TIP." | OH, "TIP." |
| 1714 | 01:00:33,318 | 01:00:36,188 | TIP, DO YOU BELIEVE THAT? | TIP, DO YOU BELIEVE THAT? |
| 1715 | 01:00:36,222 | 01:00:37,290 | TIP FROM THE YANKS. | TIP FROM THE YANKS. |
| 1716 | 01:00:37,323 | 01:00:39,625 | HERE'S YOUR TIP, YANK. | HERE'S YOUR TIP, YANK. |
| 1717 | 01:00:39,657 | 01:00:40,891 | [chuckling] | [chuckling] |
| 1718 | 01:00:40,924 | 01:00:43,761 | PUT THAT AWAY, PUT IT AWAY. | PUT THAT AWAY, PUT IT AWAY. |
| 1719 | 01:00:43,795 | 01:00:44,796 | WHAT DID I DO? | WHAT DID I DO? |
| 1720 | 01:00:44,828 | 01:00:46,330 | YOU DON'T TIP PEOPLE AROUND HERE. | YOU DON'T TIP PEOPLE AROUND HERE. |
| 1721 | 01:00:46,364 | 01:00:47,898 | INSULTING THEM. | INSULTING THEM. |
| 1722 | 01:00:47,931 | 01:00:50,667 | TIP THAT INTO YOUR GOB, HUH? | TIP THAT INTO YOUR GOB, HUH? |
| 1723 | 01:00:50,700 | 01:00:51,668 | [chuckling] | [chuckling] |
| 1724 | 01:00:53,070 | 01:00:54,305 | (Tom) THIS PLACE IS SO HOMEY. | (Tom) THIS PLACE IS SO HOMEY. |
| 1725 | 01:00:54,338 | 01:00:55,205 | HOMEY. | HOMEY. |
| 1726 | 01:00:55,238 | 01:00:56,840 | YEAH, I SHOULD HOPE SO. | YEAH, I SHOULD HOPE SO. |
| 1727 | 01:00:56,874 | 01:00:59,410 | BRIDIE AND PETER HAVE BEEN HERE FOR NOW 54 YEARS. | BRIDIE AND PETER HAVE BEEN HERE FOR NOW 54 YEARS. |
| 1728 | 01:00:59,443 | 01:01:00,745 | WOW. | WOW. |
| 1729 | 01:01:00,778 | 01:01:02,213 | FIFTY-FOUR YEARS. | FIFTY-FOUR YEARS. |
| 1730 | 01:01:02,245 | 01:01:04,013 | LIVING IN A PUB. | LIVING IN A PUB. |
| 1731 | 01:01:04,047 | 01:01:06,683 | YES, THEY RAISED THEIR LITTLE ONES HERE SINCE THEY WERE PUPS. | YES, THEY RAISED THEIR LITTLE ONES HERE SINCE THEY WERE PUPS. |
| 1732 | 01:01:06,715 | 01:01:08,183 | SO WHAT DO YOU DO FOR A LIVING? | SO WHAT DO YOU DO FOR A LIVING? |
| 1733 | 01:01:08,217 | 01:01:09,419 | OH, I'M IN THE CATTLE BUSINESS. | OH, I'M IN THE CATTLE BUSINESS. |
| 1734 | 01:01:09,451 | 01:01:13,422 | YES, BEEF, CREAM... | YES, BEEF, CREAM... |
| 1735 | 01:01:13,456 | 01:01:15,391 | YOU KNOW, IF YOU CAN EAT IT OR DRINK IT | YOU KNOW, IF YOU CAN EAT IT OR DRINK IT |
| 1736 | 01:01:15,424 | 01:01:17,226 | AND OH, IF IT HAS HORNS ON IT, I'M YOUR MAN. | AND OH, IF IT HAS HORNS ON IT, I'M YOUR MAN. |
| 1737 | 01:01:17,258 | 01:01:20,695 | SUPPOSE IT'S NOT AS COOL AS THE PUB BUSINESS. | SUPPOSE IT'S NOT AS COOL AS THE PUB BUSINESS. |
| 1738 | 01:01:20,729 | 01:01:22,198 | BUT IT HAS ITS MOMENTS. | BUT IT HAS ITS MOMENTS. |
| 1739 | 01:01:23,298 | 01:01:25,267 | WELL, WHAT ABOUT YOU THREE STOOGES, HUH? | WELL, WHAT ABOUT YOU THREE STOOGES, HUH? |
| 1740 | 01:01:25,299 | 01:01:26,934 | LEMME GUESS. | LEMME GUESS. |
| 1741 | 01:01:26,967 | 01:01:29,070 | YOU'RE A TRUST FUND BABY, RIGHT? | YOU'RE A TRUST FUND BABY, RIGHT? |
| 1742 | 01:01:29,103 | 01:01:30,438 | AND YOU... | AND YOU... |
| 1743 | 01:01:30,470 | 01:01:32,005 | YOU'RE A DANCER. | YOU'RE A DANCER. |
| 1744 | 01:01:32,039 | 01:01:33,307 | HA-HA! | HA-HA! |
| 1745 | 01:01:34,442 | 01:01:37,844 | I SUPPOSE YOU MAKE PEKING DUCKS, DO YA? | I SUPPOSE YOU MAKE PEKING DUCKS, DO YA? |
| 1746 | 01:01:37,878 | 01:01:41,047 | [laughing] | [laughing] |
| 1747 | 01:01:41,080 | 01:01:42,948 | ACTUALLY, I'M AN ACCOUNTANT. | ACTUALLY, I'M AN ACCOUNTANT. |
| 1748 | 01:01:42,982 | 01:01:44,351 | AH, I KNEW IT. | AH, I KNEW IT. |
| 1749 | 01:01:44,384 | 01:01:47,054 | A REGULAR WARREN "BUFFAY." | A REGULAR WARREN "BUFFAY." |
| 1750 | 01:01:47,087 | 01:01:50,223 | I ACTUALLY DID WIN THE CLEVELAND DANCING WITH THE STARS | I ACTUALLY DID WIN THE CLEVELAND DANCING WITH THE STARS |
| 1751 | 01:01:50,256 | 01:01:51,190 | A COUPLE OF YEARS AGO. | A COUPLE OF YEARS AGO. |
| 1752 | 01:01:51,222 | 01:01:53,258 | OOO, FREDDY TRAVOLTA, HUH? | OOO, FREDDY TRAVOLTA, HUH? |
| 1753 | 01:01:53,291 | 01:01:55,795 | AH-HA, I KNEW IT, I KNEW IT. | AH-HA, I KNEW IT, I KNEW IT. |
| 1754 | 01:01:55,827 | 01:01:59,230 | I SUPPOSE YOU DON'T MAKE PEKING DUCKS. | I SUPPOSE YOU DON'T MAKE PEKING DUCKS. |
| 1755 | 01:01:59,264 | 01:02:01,166 | UH, ACTUALLY I DELIVER THEM. | UH, ACTUALLY I DELIVER THEM. |
| 1756 | 01:02:01,200 | 01:02:03,001 | DELIVER THEM? | DELIVER THEM? |
| 1757 | 01:02:03,033 | 01:02:06,103 | I'M A VETERINARIAN; I'M AN ANIMAL DOCTOR. | I'M A VETERINARIAN; I'M AN ANIMAL DOCTOR. |
| 1758 | 01:02:06,136 | 01:02:08,972 | OH, WELL, THAT'S... | OH, WELL, THAT'S... |
| 1759 | 01:02:09,006 | 01:02:10,241 | THAT'S NOT A DOCTOR. | THAT'S NOT A DOCTOR. |
| 1760 | 01:02:10,274 | 01:02:12,009 | UNBELIEVABLE. | UNBELIEVABLE. |
| 1761 | 01:02:12,042 | 01:02:14,977 | THERE'S A COW UP THERE ABOUT TO DELIVER A CALF, | THERE'S A COW UP THERE ABOUT TO DELIVER A CALF, |
| 1762 | 01:02:15,010 | 01:02:17,113 | AND I'M A BIT CONCERNED. | AND I'M A BIT CONCERNED. |
| 1763 | 01:02:17,146 | 01:02:18,849 | WHAT ARE THE SYMPTOMS? | WHAT ARE THE SYMPTOMS? |
| 1764 | 01:02:18,881 | 01:02:20,918 | SYMPTOMS... WELL, SHE'S... | SYMPTOMS... WELL, SHE'S... |
| 1765 | 01:02:20,950 | 01:02:24,787 | SHE'S... SHE... YOU KNOW... | SHE'S... SHE... YOU KNOW... |
| 1766 | 01:02:24,820 | 01:02:27,790 | SHE'S BEEN LEAVING PILES OF SHITE HIGHER THAN YAO MING. | SHE'S BEEN LEAVING PILES OF SHITE HIGHER THAN YAO MING. |
| 1767 | 01:02:28,924 | 01:02:29,792 | THAT COULD BE A PARASITE. | THAT COULD BE A PARASITE. |
| 1768 | 01:02:29,824 | 01:02:31,460 | WHY DON'T I TAKE A LOOK AT HER TOMORROW? | WHY DON'T I TAKE A LOOK AT HER TOMORROW? |
| 1769 | 01:02:31,493 | 01:02:32,461 | A PARASITE? | A PARASITE? |
| 1770 | 01:02:32,494 | 01:02:33,795 | YEAH, SOME KIND | YEAH, SOME KIND |
| 1771 | 01:02:33,828 | 01:02:35,330 | OF STOMACH WORM, OR A LIVER FLUKE. | OF STOMACH WORM, OR A LIVER FLUKE. |
| 1772 | 01:02:35,364 | 01:02:36,933 | DON'T WORRY, I'LL TAKE CARE OF HER. | DON'T WORRY, I'LL TAKE CARE OF HER. |
| 1773 | 01:02:36,965 | 01:02:39,434 | OH, THANK YOU. | OH, THANK YOU. |
| 1774 | 01:02:39,466 | 01:02:41,736 | COME ON, LADS, WE GOING TO THE DISCO. | COME ON, LADS, WE GOING TO THE DISCO. |
| 1775 | 01:02:42,437 | 01:02:43,438 | DISCO. | DISCO. |
| 1776 | 01:02:43,472 | 01:02:45,474 | THE DISCO, IT'S WHERE ALL THE BIRDS HANG OUT. | THE DISCO, IT'S WHERE ALL THE BIRDS HANG OUT. |
| 1777 | 01:02:45,506 | 01:02:46,807 | I LIKE BIRDS. | I LIKE BIRDS. |
| 1778 | 01:02:46,841 | 01:02:47,976 | COME ON. | COME ON. |
| 1779 | 01:02:48,008 | 01:02:48,443 | I GOT A LOT OF BIRDSEED, TOO. | I GOT A LOT OF BIRDSEED, TOO. |
| 1780 | 01:02:48,475 | 01:02:49,211 | LET'S GO. | LET'S GO. |
| 1781 | 01:02:54,848 | 01:02:56,150 | HEY, IT'S CARMEL, | HEY, IT'S CARMEL, |
| 1782 | 01:02:56,183 | 01:02:58,152 | SHE WANTS ME TO MEET HER IN GALWAY FOR THE RACES. | SHE WANTS ME TO MEET HER IN GALWAY FOR THE RACES. |
| 1783 | 01:02:58,185 | 01:02:59,320 | YEAH, I'M STAYING HERE. | YEAH, I'M STAYING HERE. |
| 1784 | 01:02:59,353 | 01:03:01,155 | I THINK I FOUND MY PLACE. | I THINK I FOUND MY PLACE. |
| 1785 | 01:03:01,188 | 01:03:03,289 | (Fintan) THE GALWAY RACES, HUH? | (Fintan) THE GALWAY RACES, HUH? |
| 1786 | 01:03:03,321 | 01:03:05,491 | THEY MIGHT HIRE YOU ON AS A JOCKEY. | THEY MIGHT HIRE YOU ON AS A JOCKEY. |
| 1787 | 01:03:05,524 | 01:03:07,760 | [laughing] | [laughing] |
| 1788 | 01:03:07,794 | 01:03:08,795 | [laughing] | [laughing] |
| 1789 | 01:03:09,828 | 01:03:11,765 | SO, YOU GUYS ARE LEAVING WITHOUT US? | SO, YOU GUYS ARE LEAVING WITHOUT US? |
| 1790 | 01:03:11,798 | 01:03:13,232 | WHAT AM I SUPPOSED TO DO? | WHAT AM I SUPPOSED TO DO? |
| 1791 | 01:03:13,265 | 01:03:16,400 | YOU CAN CONTINUE YOUR QUEST. | YOU CAN CONTINUE YOUR QUEST. |
| 1792 | 01:03:16,434 | 01:03:18,937 | (Ricardo) JUST VISIT WITH YOUR RELATIVES. | (Ricardo) JUST VISIT WITH YOUR RELATIVES. |
| 1793 | 01:03:18,969 | 01:03:20,304 | YOU'LL BE OKAY. | YOU'LL BE OKAY. |
| 1794 | 01:03:20,338 | 01:03:23,342 | ♪ EVERYBODY WAS KUNG FU FIGHTING ♪ | ♪ EVERYBODY WAS KUNG FU FIGHTING ♪ |
| 1795 | 01:03:23,375 | 01:03:25,244 | ♪ DO-DO-DO ♪ | ♪ DO-DO-DO ♪ |
| 1796 | 01:03:25,277 | 01:03:27,345 | AH, WE'RE ONLY KIDDING YA, COME ON! | AH, WE'RE ONLY KIDDING YA, COME ON! |
| 1797 | 01:03:28,846 | 01:03:30,248 | WHAT WAS THIS ABOUT A QUEST? | WHAT WAS THIS ABOUT A QUEST? |
| 1798 | 01:03:30,281 | 01:03:32,350 | (Finbar) TOMMY'S HERE TO FIND A WIFE. | (Finbar) TOMMY'S HERE TO FIND A WIFE. |
| 1799 | 01:03:32,383 | 01:03:34,986 | (Fintan) A WIFE? HERE? | (Fintan) A WIFE? HERE? |
| 1800 | 01:03:35,018 | 01:03:35,787 | GEEZ. | GEEZ. |
| 1801 | 01:03:35,819 | 01:03:37,488 | WHY DON'T YOU GET YOUR COMPUTER OUT | WHY DON'T YOU GET YOUR COMPUTER OUT |
| 1802 | 01:03:37,520 | 01:03:39,222 | AND YOU KNOW, MADE TO ORDER. | AND YOU KNOW, MADE TO ORDER. |
| 1803 | 01:03:39,255 | 01:03:41,490 | THERE'S THE MATCHMAKING FEST IN LISDOONVARNA. | THERE'S THE MATCHMAKING FEST IN LISDOONVARNA. |
| 1804 | 01:03:41,523 | 01:03:43,559 | HE MIGHT FIND A GERMAN OVER THERE. | HE MIGHT FIND A GERMAN OVER THERE. |
| 1805 | 01:03:43,592 | 01:03:45,060 | A NICE GERMAN GIRL. | A NICE GERMAN GIRL. |
| 1806 | 01:03:45,094 | 01:03:46,829 | ACHTUNG BABY. [chuckling] | ACHTUNG BABY. [chuckling] |
| 1807 | 01:03:46,862 | 01:03:50,331 | NO, NO, THEY'RE TOO COLD, TOO FRIGID. | NO, NO, THEY'RE TOO COLD, TOO FRIGID. |
| 1808 | 01:03:50,364 | 01:03:51,366 | FINT! | FINT! |
| 1809 | 01:03:51,399 | 01:03:52,200 | WHAT? | WHAT? |
| 1810 | 01:03:52,234 | 01:03:54,436 | THEY'RE LOVELY PEOPLE, THE GERMANS. | THEY'RE LOVELY PEOPLE, THE GERMANS. |
| 1811 | 01:03:54,469 | 01:03:55,571 | HOW 'BOUT A FRENCH GIRL? | HOW 'BOUT A FRENCH GIRL? |
| 1812 | 01:03:55,603 | 01:03:58,073 | OH, YES, YES, A FRENCH OOO-LA-LA. | OH, YES, YES, A FRENCH OOO-LA-LA. |
| 1813 | 01:03:58,105 | 01:03:59,274 | OOO, THERE YOU GO. | OOO, THERE YOU GO. |
| 1814 | 01:03:59,308 | 01:04:01,944 | YOU DON'T OWN ENOUGH TURTLENECKS, DO YOU? | YOU DON'T OWN ENOUGH TURTLENECKS, DO YOU? |
| 1815 | 01:04:01,977 | 01:04:02,876 | V-NECKS. | V-NECKS. |
| 1816 | 01:04:02,910 | 01:04:03,711 | HOW 'BOUT AN ITALIAN? | HOW 'BOUT AN ITALIAN? |
| 1817 | 01:04:03,744 | 01:04:07,148 | OH, AN ITALIAN, NOW YOU'RE TALKING. | OH, AN ITALIAN, NOW YOU'RE TALKING. |
| 1818 | 01:04:07,180 | 01:04:10,017 | ♪ WHEN THE MOON HITS YOUR EYE ♪ | ♪ WHEN THE MOON HITS YOUR EYE ♪ |
| 1819 | 01:04:10,050 | 01:04:14,220 | ♪ LIKE A BIG A-PIZZA PIE THAT'S AMORE ♪ | ♪ LIKE A BIG A-PIZZA PIE THAT'S AMORE ♪ |
| 1820 | 01:04:14,254 | 01:04:16,889 | ♪ THAT'S AMORE ♪ | ♪ THAT'S AMORE ♪ |
| 1821 | 01:04:16,922 | 01:04:18,424 | YOU OUGHT TO BE ASHAMED OF YOURSELVES. | YOU OUGHT TO BE ASHAMED OF YOURSELVES. |
| 1822 | 01:04:18,458 | 01:04:19,560 | CODDING HIM LIKE THAT. | CODDING HIM LIKE THAT. |
| 1823 | 01:04:19,592 | 01:04:21,228 | OH, WE'RE ONLY HAVING A BIT OF FUN. | OH, WE'RE ONLY HAVING A BIT OF FUN. |
| 1824 | 01:04:21,261 | 01:04:23,831 | IT'S ROMANTIC, DO YOU REMEMBER THAT WORD? | IT'S ROMANTIC, DO YOU REMEMBER THAT WORD? |
| 1825 | 01:04:23,864 | 01:04:26,999 | ANY WOMAN IN HER RIGHT MIND WOULD LIKE SOME PASSION. | ANY WOMAN IN HER RIGHT MIND WOULD LIKE SOME PASSION. |
| 1826 | 01:04:27,032 | 01:04:29,167 | HE'S PASSIONATE AND ROMANTIC. | HE'S PASSIONATE AND ROMANTIC. |
| 1827 | 01:04:29,200 | 01:04:30,369 | JUST LIKE YOU USED TO BE. | JUST LIKE YOU USED TO BE. |
| 1828 | 01:04:30,401 | 01:04:32,470 | NOW GET OUT THERE AND TAKE HIM DOWNTOWN. | NOW GET OUT THERE AND TAKE HIM DOWNTOWN. |
| 1829 | 01:04:32,504 | 01:04:34,574 | AH, GEEZ, YOU'RE GIVING A HUSBAND A HEADACHE. | AH, GEEZ, YOU'RE GIVING A HUSBAND A HEADACHE. |
| 1830 | 01:04:34,606 | 01:04:37,042 | I'LL TAKE HIM INTO TOWN. | I'LL TAKE HIM INTO TOWN. |
| 1831 | 01:04:37,977 | 01:04:39,544 | AND NOT THE PUB! | AND NOT THE PUB! |
| 1832 | 01:04:39,576 | 01:04:41,179 | (Fintan) I WOULDN'T DREAM OF IT. | (Fintan) I WOULDN'T DREAM OF IT. |
| 1833 | 01:04:42,313 | 01:04:45,383 | ♪ | ♪ |
| 1834 | 01:04:45,415 | 01:04:47,051 | SO YOU'RE HERE LOOKING FOR A WIFE. | SO YOU'RE HERE LOOKING FOR A WIFE. |
| 1835 | 01:04:47,585 | 01:04:48,954 | I DON'T KNOW. | I DON'T KNOW. |
| 1836 | 01:04:48,987 | 01:04:50,588 | YOU DON'T KNOW? | YOU DON'T KNOW? |
| 1837 | 01:04:52,155 | 01:04:55,325 | EVERYBODY BACK HOME IN THE STATES SAYS THAT, | EVERYBODY BACK HOME IN THE STATES SAYS THAT, |
| 1838 | 01:04:55,359 | 01:04:56,594 | YOU KNOW, IF I TRY HARD ENOUGH, | YOU KNOW, IF I TRY HARD ENOUGH, |
| 1839 | 01:04:56,627 | 01:05:00,164 | I'LL FIND THE WOMAN OF MY DREAMS | I'LL FIND THE WOMAN OF MY DREAMS |
| 1840 | 01:05:00,196 | 01:05:02,066 | IN THE PLACE WHERE DREAMS COME TRUE. | IN THE PLACE WHERE DREAMS COME TRUE. |
| 1841 | 01:05:02,097 | 01:05:04,099 | THE PLACE WHERE DREAMS COME TRUE? | THE PLACE WHERE DREAMS COME TRUE? |
| 1842 | 01:05:04,132 | 01:05:05,601 | YEAH. | YEAH. |
| 1843 | 01:05:05,634 | 01:05:06,935 | HERE? | HERE? |
| 1844 | 01:05:06,969 | 01:05:08,070 | YEAH. | YEAH. |
| 1845 | 01:05:08,103 | 01:05:09,471 | [guffaws] BOLLOCKS. | [guffaws] BOLLOCKS. |
| 1846 | 01:05:09,505 | 01:05:10,974 | BOLLOCKS? | BOLLOCKS? |
| 1847 | 01:05:11,007 | 01:05:11,974 | LOOK, DON'T GET ME WRONG. | LOOK, DON'T GET ME WRONG. |
| 1848 | 01:05:12,007 | 01:05:15,376 | IRELAND IS A LOVELY PLACE, BEAUTIFUL PEOPLE, | IRELAND IS A LOVELY PLACE, BEAUTIFUL PEOPLE, |
| 1849 | 01:05:15,410 | 01:05:16,612 | LOVELY SCENERY. | LOVELY SCENERY. |
| 1850 | 01:05:16,645 | 01:05:18,347 | I WOULDN'T LIVE ANYWHERE ELSE. | I WOULDN'T LIVE ANYWHERE ELSE. |
| 1851 | 01:05:18,379 | 01:05:19,480 | BUT IT'S CHANGED. | BUT IT'S CHANGED. |
| 1852 | 01:05:19,513 | 01:05:21,649 | HOW'S IT CHANGED? | HOW'S IT CHANGED? |
| 1853 | 01:05:21,683 | 01:05:23,552 | I HAVEN'T SEEN A THATCHED COTTAGE YET. | I HAVEN'T SEEN A THATCHED COTTAGE YET. |
| 1854 | 01:05:23,584 | 01:05:25,519 | THERE HASN'T BEEN A THATCHED COTTAGE AROUND HERE | THERE HASN'T BEEN A THATCHED COTTAGE AROUND HERE |
| 1855 | 01:05:25,553 | 01:05:27,188 | FOR FORTY YEARS. | FOR FORTY YEARS. |
| 1856 | 01:05:27,220 | 01:05:29,222 | IN THE QUIET MAN, I MEAN... | IN THE QUIET MAN, I MEAN... |
| 1857 | 01:05:29,255 | 01:05:31,558 | THE QUIET MAN, HA! | THE QUIET MAN, HA! |
| 1858 | 01:05:31,592 | 01:05:33,461 | THAT FILM IS OLDER THAN JESUS. | THAT FILM IS OLDER THAN JESUS. |
| 1859 | 01:05:33,494 | 01:05:36,197 | LOOK, YOU YANKS, YOU COME OVER HERE | LOOK, YOU YANKS, YOU COME OVER HERE |
| 1860 | 01:05:36,229 | 01:05:39,265 | AND YOU THINK THIS PLACE IS LIKE A MOVIE, BUT IT'S NOT. | AND YOU THINK THIS PLACE IS LIKE A MOVIE, BUT IT'S NOT. |
| 1861 | 01:05:39,299 | 01:05:41,902 | WE'RE IN THE EUROPEAN UNION NOW. | WE'RE IN THE EUROPEAN UNION NOW. |
| 1862 | 01:05:41,935 | 01:05:43,469 | YOU LOOK FOR A GENIE IN A BOTTLE, | YOU LOOK FOR A GENIE IN A BOTTLE, |
| 1863 | 01:05:43,502 | 01:05:44,937 | MAYBE YOU'LL FIND IT, | MAYBE YOU'LL FIND IT, |
| 1864 | 01:05:44,971 | 01:05:46,339 | BUT MORE THAN LIKELY, YOU WON'T. | BUT MORE THAN LIKELY, YOU WON'T. |
| 1865 | 01:05:46,372 | 01:05:47,573 | I DON'T KNOW WHAT I'M DOING. | I DON'T KNOW WHAT I'M DOING. |
| 1866 | 01:05:47,607 | 01:05:51,910 | I MEAN, I SPENT MY WHOLE LIFE LOOKING FOR THE PERFECT ONE. | I MEAN, I SPENT MY WHOLE LIFE LOOKING FOR THE PERFECT ONE. |
| 1867 | 01:05:51,943 | 01:05:54,079 | BUT IT'S PERFECT FOR MY FAMILY, | BUT IT'S PERFECT FOR MY FAMILY, |
| 1868 | 01:05:54,112 | 01:05:55,981 | IT'S PERFECT FOR MY FRIENDS. | IT'S PERFECT FOR MY FRIENDS. |
| 1869 | 01:05:56,014 | 01:05:58,117 | WELL, THERE'S YOUR PROBLEM RIGHT THERE. | WELL, THERE'S YOUR PROBLEM RIGHT THERE. |
| 1870 | 01:05:58,150 | 01:06:00,519 | YOU HAVE TO FIND THE WOMAN THAT'S PERFECT FOR YOU. | YOU HAVE TO FIND THE WOMAN THAT'S PERFECT FOR YOU. |
| 1871 | 01:06:00,552 | 01:06:03,922 | HOW'D YOU KNOW FIONA WAS YOUR SOUL MATE? | HOW'D YOU KNOW FIONA WAS YOUR SOUL MATE? |
| 1872 | 01:06:03,955 | 01:06:05,023 | ME SOUL MATE? | ME SOUL MATE? |
| 1873 | 01:06:05,056 | 01:06:08,226 | OH, YEAH, YOU BETTER NOT LET HER HEAR YOU SAYING THAT | OH, YEAH, YOU BETTER NOT LET HER HEAR YOU SAYING THAT |
| 1874 | 01:06:08,259 | 01:06:10,461 | BECAUSE YOU MAKE IT SOUND LIKE A PRISON SENTENCE. | BECAUSE YOU MAKE IT SOUND LIKE A PRISON SENTENCE. |
| 1875 | 01:06:10,493 | 01:06:12,162 | HOW'D YOU KNOW SHE WAS | HOW'D YOU KNOW SHE WAS |
| 1876 | 01:06:12,196 | 01:06:13,598 | THE LOVE OF YOUR LIFE? | THE LOVE OF YOUR LIFE? |
| 1877 | 01:06:15,432 | 01:06:17,067 | WELL, I JUST KNEW. | WELL, I JUST KNEW. |
| 1878 | 01:06:17,099 | 01:06:20,036 | I MEAN, SOMEONE WHO'S LOYAL AND LOVES YOU, | I MEAN, SOMEONE WHO'S LOYAL AND LOVES YOU, |
| 1879 | 01:06:20,070 | 01:06:23,640 | AND YOU KNOW, SHE'S YOUR BEST FRIEND, FOR GOD'S SAKE. | AND YOU KNOW, SHE'S YOUR BEST FRIEND, FOR GOD'S SAKE. |
| 1880 | 01:06:23,673 | 01:06:25,075 | YOU KNOW, IT'S, | YOU KNOW, IT'S, |
| 1881 | 01:06:25,108 | 01:06:26,509 | YOU HAVE TO TAKE A CHANCE ON THAT. | YOU HAVE TO TAKE A CHANCE ON THAT. |
| 1882 | 01:06:26,542 | 01:06:30,346 | LOVE, LOYALTY, AND FRIENDSHIP. | LOVE, LOYALTY, AND FRIENDSHIP. |
| 1883 | 01:06:30,378 | 01:06:31,614 | AND MAKES YOU LAUGH. | AND MAKES YOU LAUGH. |
| 1884 | 01:06:31,647 | 01:06:34,150 | YEAH, I'VE HEARD THAT BEFORE. | YEAH, I'VE HEARD THAT BEFORE. |
| 1885 | 01:06:39,120 | 01:06:40,655 | YOU READING THAT NEWSPAPER YOU'RE SITTING ON? | YOU READING THAT NEWSPAPER YOU'RE SITTING ON? |
| 1886 | 01:06:40,687 | 01:06:42,057 | WHAT? | WHAT? |
| 1887 | 01:06:45,426 | 01:06:46,295 | THIS ONE? | THIS ONE? |
| 1888 | 01:06:47,762 | 01:06:48,997 | YEAH, I AM. | YEAH, I AM. |
| 1889 | 01:06:49,030 | 01:06:51,065 | FECK OFF, NOSEY O'GRADY. | FECK OFF, NOSEY O'GRADY. |
| 1890 | 01:06:51,097 | 01:06:58,639 | ♪ | ♪ |
| 1891 | 01:06:58,672 | 01:07:00,374 | HOW 'BOUT SHOWING ME MORE OF YOUR LITTLE COUNTRY? | HOW 'BOUT SHOWING ME MORE OF YOUR LITTLE COUNTRY? |
| 1892 | 01:07:01,041 | 01:07:02,175 | LET'S GO! | LET'S GO! |
| 1893 | 01:07:05,077 | 01:07:14,086 | ♪ [Irish music plays] ♪ | ♪ [Irish music plays] ♪ |
| 1894 | 01:07:14,119 | 01:07:24,095 | ♪ | ♪ |
| 1895 | 01:07:24,128 | 01:07:38,108 | ♪ | ♪ |
| 1896 | 01:07:41,510 | 01:07:42,545 | (Tom) I WANT TO GET SOME ICE CREAM. | (Tom) I WANT TO GET SOME ICE CREAM. |
| 1897 | 01:07:42,577 | 01:07:43,512 | (Fintan) LOVELY. | (Fintan) LOVELY. |
| 1898 | 01:07:43,546 | 01:07:45,148 | (Tom) SOUND GOOD? | (Tom) SOUND GOOD? |
| 1899 | 01:07:45,180 | 01:07:45,682 | (Fintan) YES, ABSOLUTELY, I'LL HAVE ONE AS WELL. | (Fintan) YES, ABSOLUTELY, I'LL HAVE ONE AS WELL. |
| 1900 | 01:07:45,715 | 01:07:47,150 | GET ME A 99. | GET ME A 99. |
| 1901 | 01:07:47,182 | 01:07:48,083 | A 99? | A 99? |
| 1902 | 01:07:48,117 | 01:07:49,419 | CONE WITH A FLAKE IN IT. | CONE WITH A FLAKE IN IT. |
| 1903 | 01:07:49,452 | 01:07:50,452 | OH, THE FLA-, OKAY, GOOD. | OH, THE FLA-, OKAY, GOOD. |
| 1904 | 01:07:50,484 | 01:07:52,020 | [door slams] | [door slams] |
| 1905 | 01:07:52,053 | 01:07:53,421 | TOO MUCH SUGAR IS BAD FOR YOU, YOU KNOW. | TOO MUCH SUGAR IS BAD FOR YOU, YOU KNOW. |
| 1906 | 01:07:53,455 | 01:07:54,556 | I'LL BE FINE. | I'LL BE FINE. |
| 1907 | 01:08:00,194 | 01:08:01,830 | SHUT UP AND GIVE ME YOUR WALLET, OLD MAN! | SHUT UP AND GIVE ME YOUR WALLET, OLD MAN! |
| 1908 | 01:08:05,698 | 01:08:06,701 | AH! | AH! |
| 1909 | 01:08:10,403 | 01:08:11,571 | ARE YOU OKAY? | ARE YOU OKAY? |
| 1910 | 01:08:11,604 | 01:08:12,639 | I'LL BE ALL RIGHT. | I'LL BE ALL RIGHT. |
| 1911 | 01:08:15,542 | 01:08:17,544 | WHERE DO YOU LIVE? | WHERE DO YOU LIVE? |
| 1912 | 01:08:17,576 | 01:08:19,012 | OVER THERE. | OVER THERE. |
| 1913 | 01:08:20,213 | 01:08:21,148 | [grunts] | [grunts] |
| 1914 | 01:08:21,181 | 01:08:22,549 | [sighs] | [sighs] |
| 1915 | 01:08:25,785 | 01:08:29,155 | THANK YOU FOR YOUR KINDNESS AND CONSIDERATION. | THANK YOU FOR YOUR KINDNESS AND CONSIDERATION. |
| 1916 | 01:08:29,187 | 01:08:31,089 | IT'S REALLY NO PROBLEM AT ALL. | IT'S REALLY NO PROBLEM AT ALL. |
| 1917 | 01:08:31,123 | 01:08:32,058 | I JUST HOPE YOU'RE OKAY. | I JUST HOPE YOU'RE OKAY. |
| 1918 | 01:08:32,091 | 01:08:33,325 | I CAN'T HELP BUT NOTICE, | I CAN'T HELP BUT NOTICE, |
| 1919 | 01:08:33,358 | 01:08:35,727 | BUT YOU'RE NOT FROM IRELAND, ARE YOU? | BUT YOU'RE NOT FROM IRELAND, ARE YOU? |
| 1920 | 01:08:35,761 | 01:08:38,262 | AND YOU ARE NOT FROM IRELAND. | AND YOU ARE NOT FROM IRELAND. |
| 1921 | 01:08:38,296 | 01:08:40,632 | NO, I'M NOT, MY RELATIONS ARE. | NO, I'M NOT, MY RELATIONS ARE. |
| 1922 | 01:08:40,665 | 01:08:43,068 | I'M FROM THE U.S. MY NAME'S TOM, TOM MURPHY. | I'M FROM THE U.S. MY NAME'S TOM, TOM MURPHY. |
| 1923 | 01:08:43,100 | 01:08:44,601 | AH, THAT'S GREAT. | AH, THAT'S GREAT. |
| 1924 | 01:08:44,635 | 01:08:45,804 | MY DAUGHTER, SHE LIVES THERE. | MY DAUGHTER, SHE LIVES THERE. |
| 1925 | 01:08:45,836 | 01:08:46,537 | OH. | OH. |
| 1926 | 01:08:46,570 | 01:08:48,372 | IT IS THE LAND OF OPPORTUNITY. | IT IS THE LAND OF OPPORTUNITY. |
| 1927 | 01:08:48,406 | 01:08:50,174 | BUT YOU HAVE TO WORK HARD. | BUT YOU HAVE TO WORK HARD. |
| 1928 | 01:08:50,206 | 01:08:52,742 | YES, YES, YOU DO, THAT'S SO VERY TRUE. | YES, YES, YOU DO, THAT'S SO VERY TRUE. |
| 1929 | 01:08:52,776 | 01:08:55,112 | DO YOU LIKE LIVING IN IRELAND? | DO YOU LIKE LIVING IN IRELAND? |
| 1930 | 01:08:55,144 | 01:08:56,647 | [chuckling] | [chuckling] |
| 1931 | 01:08:56,679 | 01:09:00,084 | WHEN THE SUN COMES OUT I HAVE TO SIT BACK AND LAUGH. | WHEN THE SUN COMES OUT I HAVE TO SIT BACK AND LAUGH. |
| 1932 | 01:09:01,283 | 01:09:02,718 | WHAT'S SO FUNNY ABOUT THE SUN? | WHAT'S SO FUNNY ABOUT THE SUN? |
| 1933 | 01:09:02,750 | 01:09:04,286 | WE ARE IN IRELAND. | WE ARE IN IRELAND. |
| 1934 | 01:09:04,320 | 01:09:07,690 | THE SUN IS A MAGICIAN AND DISAPPEARS. | THE SUN IS A MAGICIAN AND DISAPPEARS. |
| 1935 | 01:09:07,723 | 01:09:12,495 | IN GREECE WE GRAB OUR LOVER AND DANCE THE WHOLE NIGHT LONG. | IN GREECE WE GRAB OUR LOVER AND DANCE THE WHOLE NIGHT LONG. |
| 1936 | 01:09:12,527 | 01:09:13,695 | HA-HA! | HA-HA! |
| 1937 | 01:09:13,728 | 01:09:14,695 | THAT'S PRETTY GOOD. | THAT'S PRETTY GOOD. |
| 1938 | 01:09:14,729 | 01:09:16,397 | ALL RIGHT, YOU'RE A LUCKY MAN, | ALL RIGHT, YOU'RE A LUCKY MAN, |
| 1939 | 01:09:16,431 | 01:09:17,432 | THAT'S ALL I GOT TO SAY. | THAT'S ALL I GOT TO SAY. |
| 1940 | 01:09:17,464 | 01:09:18,432 | TAKE CARE, | TAKE CARE, |
| 1941 | 01:09:18,466 | 01:09:19,468 | I HOPE YOU FEEL BETTER, OKAY? | I HOPE YOU FEEL BETTER, OKAY? |
| 1942 | 01:09:24,672 | 01:09:25,873 | TOM, WHAT ARE YOU DOING HERE? | TOM, WHAT ARE YOU DOING HERE? |
| 1943 | 01:09:25,905 | 01:09:28,208 | I WAS JUST HELPING AN OLD GUY WHO FELL. | I WAS JUST HELPING AN OLD GUY WHO FELL. |
| 1944 | 01:09:28,242 | 01:09:30,311 | YOU CAME ALL THIS WAY TO HELP AN OLD GUY WHO FELL? | YOU CAME ALL THIS WAY TO HELP AN OLD GUY WHO FELL? |
| 1945 | 01:09:30,344 | 01:09:32,246 | NO, I DIDN'T COME ALL THIS WAY TO... | NO, I DIDN'T COME ALL THIS WAY TO... |
| 1946 | 01:09:32,279 | 01:09:33,581 | I'M WITH MY RELATIONS. | I'M WITH MY RELATIONS. |
| 1947 | 01:09:33,614 | 01:09:35,349 | I'M GETTING SOMETHING CALLED A 99. | I'M GETTING SOMETHING CALLED A 99. |
| 1948 | 01:09:35,381 | 01:09:38,750 | AND UH... THIS OLD GUY, HE JUST... | AND UH... THIS OLD GUY, HE JUST... |
| 1949 | 01:09:38,783 | 01:09:40,452 | WAS IT BEFORE OR AFTER YOU GOT HIM FIRED? | WAS IT BEFORE OR AFTER YOU GOT HIM FIRED? |
| 1950 | 01:09:40,486 | 01:09:42,855 | [chuckling] WELL, I GOTTA GO. | [chuckling] WELL, I GOTTA GO. |
| 1951 | 01:09:42,889 | 01:09:44,524 | YEAH, I GOTTA TAKE OFF, TOO. | YEAH, I GOTTA TAKE OFF, TOO. |
| 1952 | 01:09:45,323 | 01:09:46,224 | OKAY. | OKAY. |
| 1953 | 01:09:46,259 | 01:09:48,862 | SO, I'M GONNA BE AT THE PUB TOMORROW NIGHT. | SO, I'M GONNA BE AT THE PUB TOMORROW NIGHT. |
| 1954 | 01:09:48,894 | 01:09:49,763 | YEAH? | YEAH? |
| 1955 | 01:09:49,796 | 01:09:52,498 | YEAH, I DON'T KNOW WHY I JUST TOLD YOU THAT | YEAH, I DON'T KNOW WHY I JUST TOLD YOU THAT |
| 1956 | 01:09:52,531 | 01:09:55,434 | BUT UHM, IF YOU'RE BORED AND HAVEN'T MADE ANY FRIENDS, | BUT UHM, IF YOU'RE BORED AND HAVEN'T MADE ANY FRIENDS, |
| 1957 | 01:09:55,467 | 01:09:57,503 | WHICH WOULDN'T SURPRISE ME, | WHICH WOULDN'T SURPRISE ME, |
| 1958 | 01:09:57,536 | 01:09:59,771 | WELL, MAYBE I'LL TALK TO YOU FOR A BIT. | WELL, MAYBE I'LL TALK TO YOU FOR A BIT. |
| 1959 | 01:09:59,804 | 01:10:00,873 | YOU KNOW, IF YOU'RE AT THE PUB. | YOU KNOW, IF YOU'RE AT THE PUB. |
| 1960 | 01:10:01,740 | 01:10:03,206 | YEAH. | YEAH. |
| 1961 | 01:10:03,240 | 01:10:04,876 | YEAH, THAT SOUNDS KINDA GOOD. | YEAH, THAT SOUNDS KINDA GOOD. |
| 1962 | 01:10:04,909 | 01:10:06,744 | MAYBE I'LL SEE YOU AT THE PUB. | MAYBE I'LL SEE YOU AT THE PUB. |
| 1963 | 01:10:06,776 | 01:10:08,178 | OKAY. | OKAY. |
| 1964 | 01:10:08,212 | 01:10:08,879 | PUBBING. | PUBBING. |
| 1965 | 01:10:08,913 | 01:10:10,447 | THANKS. | THANKS. |
| 1966 | 01:10:10,481 | 01:10:12,517 | ALL RIGHT, 'BYE. | ALL RIGHT, 'BYE. |
| 1967 | 01:10:12,549 | 01:10:13,351 | 'BYE. | 'BYE. |
| 1968 | 01:10:19,321 | 01:10:20,356 | HI, TOM MURPHY. | HI, TOM MURPHY. |
| 1969 | 01:10:20,390 | 01:10:21,892 | HEY, MOLLY, RIGHT? | HEY, MOLLY, RIGHT? |
| 1970 | 01:10:21,925 | 01:10:23,127 | RIGHT. | RIGHT. |
| 1971 | 01:10:25,595 | 01:10:26,895 | UH, SORRY ABOUT THE CRACK THING. | UH, SORRY ABOUT THE CRACK THING. |
| 1972 | 01:10:26,929 | 01:10:29,799 | I'M LEARNING WORDS, GOOD CRACK! | I'M LEARNING WORDS, GOOD CRACK! |
| 1973 | 01:10:30,732 | 01:10:32,400 | GOODBYE, TOM MURPHY. | GOODBYE, TOM MURPHY. |
| 1974 | 01:10:32,434 | 01:10:33,802 | OKAY. | OKAY. |
| 1975 | 01:10:42,375 | 01:10:44,178 | [door closes] | [door closes] |
| 1976 | 01:10:44,211 | 01:10:46,180 | WHERE'D YOU GO? | WHERE'D YOU GO? |
| 1977 | 01:10:46,214 | 01:10:47,381 | WHERE'S THE ICE CREAM? | WHERE'S THE ICE CREAM? |
| 1978 | 01:10:48,215 | 01:10:49,483 | THEY RAN OUT. | THEY RAN OUT. |
| 1979 | 01:10:49,517 | 01:10:50,918 | RAN OUT? | RAN OUT? |
| 1980 | 01:10:50,950 | 01:10:53,319 | THEY NEVER RUN OUT. | THEY NEVER RUN OUT. |
| 1981 | 01:10:53,352 | 01:10:58,191 | THERE WAS A TOUR BUS FROM PITTSBURGH. | THERE WAS A TOUR BUS FROM PITTSBURGH. |
| 1982 | 01:10:58,224 | 01:10:59,192 | PITTSBURGH? | PITTSBURGH? |
| 1983 | 01:11:00,759 | 01:11:04,196 | BY THE WAY, YOU BE CAREFUL WITH THAT ONE. | BY THE WAY, YOU BE CAREFUL WITH THAT ONE. |
| 1984 | 01:11:04,230 | 01:11:05,798 | WHAT ONE? | WHAT ONE? |
| 1985 | 01:11:05,830 | 01:11:06,900 | MOLLY SWEENEY. | MOLLY SWEENEY. |
| 1986 | 01:11:07,933 | 01:11:10,637 | HER BROTHER, DECLAN, HE'S A BIT OF A LOOSE CANNON. | HER BROTHER, DECLAN, HE'S A BIT OF A LOOSE CANNON. |
| 1987 | 01:11:11,837 | 01:11:13,573 | FIRST OF ALL, ALL I SAID WAS HELLO. | FIRST OF ALL, ALL I SAID WAS HELLO. |
| 1988 | 01:11:13,606 | 01:11:16,474 | YEAH, WELL, SHE WAS SAYING MORE THAN THAT. | YEAH, WELL, SHE WAS SAYING MORE THAN THAT. |
| 1989 | 01:11:16,506 | 01:11:20,411 | DECLAN, HE'S SIX-FOOT-FOUR AND TWENTY STONE. | DECLAN, HE'S SIX-FOOT-FOUR AND TWENTY STONE. |
| 1990 | 01:11:23,480 | 01:11:25,583 | THAT'S SO IMMATURE. | THAT'S SO IMMATURE. |
| 1991 | 01:11:26,683 | 01:11:28,953 | JESUS, HE'S BIG, GOD. | JESUS, HE'S BIG, GOD. |
| 1992 | 01:11:30,319 | 01:11:32,755 | IT'S LIKE WILL DANAHER AND I'M SEAN THORNTON | IT'S LIKE WILL DANAHER AND I'M SEAN THORNTON |
| 1993 | 01:11:32,788 | 01:11:34,791 | FROM THE QUIET MAN. | FROM THE QUIET MAN. |
| 1994 | 01:11:34,824 | 01:11:36,961 | THE QUIET MAN, AGAIN, GEEZ. | THE QUIET MAN, AGAIN, GEEZ. |
| 1995 | 01:11:36,993 | 01:11:38,695 | [chuckling] | [chuckling] |
| 1996 | 01:11:38,728 | 01:11:41,564 | THE ONLY DIFFERENCE IS THAT BY THE TIME YOU GET TO SAY | THE ONLY DIFFERENCE IS THAT BY THE TIME YOU GET TO SAY |
| 1997 | 01:11:41,597 | 01:11:43,233 | MARQUIS OF QUEENSBURY RULES | MARQUIS OF QUEENSBURY RULES |
| 1998 | 01:11:43,266 | 01:11:44,934 | HE'LL HAVE HIS BOOT UP YOUR ARSE. | HE'LL HAVE HIS BOOT UP YOUR ARSE. |
| 1999 | 01:11:48,937 | 01:11:50,938 | (Tom) I CAN'T STOP THINKING ABOUT VANESSA, | (Tom) I CAN'T STOP THINKING ABOUT VANESSA, |
| 2000 | 01:11:50,972 | 01:11:52,608 | BUT I'M IN IRELAND | BUT I'M IN IRELAND |
| 2001 | 01:11:52,641 | 01:11:55,244 | AND I PROMISED MY PARENTS I'D MEET AN IRISH GIRL, | AND I PROMISED MY PARENTS I'D MEET AN IRISH GIRL, |
| 2002 | 01:11:55,276 | 01:11:56,878 | SO THAT'S WHAT I'M GONNA DO. | SO THAT'S WHAT I'M GONNA DO. |
| 2003 | 01:12:00,714 | 01:12:01,583 | HEY, MOLLY. | HEY, MOLLY. |
| 2004 | 01:12:01,615 | 01:12:02,849 | HEY, WE MEET AGAIN. | HEY, WE MEET AGAIN. |
| 2005 | 01:12:02,882 | 01:12:03,717 | HOW'S IT GOING? | HOW'S IT GOING? |
| 2006 | 01:12:03,751 | 01:12:04,918 | NOT TOO BAD, YOURSELF? | NOT TOO BAD, YOURSELF? |
| 2007 | 01:12:04,952 | 01:12:05,953 | GRAND, YEAH. | GRAND, YEAH. |
| 2008 | 01:12:05,985 | 01:12:07,454 | HOW'S THE UH, HOW'S THE FISHING? | HOW'S THE UH, HOW'S THE FISHING? |
| 2009 | 01:12:07,488 | 01:12:08,456 | CATCH ANYTHING TODAY? | CATCH ANYTHING TODAY? |
| 2010 | 01:12:08,489 | 01:12:09,424 | OH, NO, NOT YET. | OH, NO, NOT YET. |
| 2011 | 01:12:09,457 | 01:12:11,592 | BUT THAT MIGHT CHANGE WHEN THE SUN GOES DOWN. | BUT THAT MIGHT CHANGE WHEN THE SUN GOES DOWN. |
| 2012 | 01:12:11,624 | 01:12:13,227 | OH, NIGHT FISHERMAN. | OH, NIGHT FISHERMAN. |
| 2013 | 01:12:17,796 | 01:12:19,265 | SO WHAT BRINGS YOU TO IRELAND, HMM? | SO WHAT BRINGS YOU TO IRELAND, HMM? |
| 2014 | 01:12:19,299 | 01:12:21,734 | YOU KNOW, I ALWAYS DREAMED OF COMING TO IRELAND | YOU KNOW, I ALWAYS DREAMED OF COMING TO IRELAND |
| 2015 | 01:12:21,768 | 01:12:24,938 | AND UH, THOUGHT IT'D BE A GREAT CHANCE TO MEET MY FAMILY. | AND UH, THOUGHT IT'D BE A GREAT CHANCE TO MEET MY FAMILY. |
| 2016 | 01:12:24,970 | 01:12:25,704 | YOUR FAMILY? | YOUR FAMILY? |
| 2017 | 01:12:25,737 | 01:12:27,572 | YEAH, FIND OUT WHERE I COME FROM. | YEAH, FIND OUT WHERE I COME FROM. |
| 2018 | 01:12:27,606 | 01:12:28,907 | FINTAN MCGUIRE, MY RELATION. | FINTAN MCGUIRE, MY RELATION. |
| 2019 | 01:12:28,939 | 01:12:30,442 | I JUST... | I JUST... |
| 2020 | 01:12:30,474 | 01:12:32,577 | I SEE A LOT OF MYSELF IN HIM. | I SEE A LOT OF MYSELF IN HIM. |
| 2021 | 01:12:32,611 | 01:12:34,446 | [laughing] YOU'RE NOTHING LIKE FINTAN. | [laughing] YOU'RE NOTHING LIKE FINTAN. |
| 2022 | 01:12:34,478 | 01:12:35,280 | NO? | NO? |
| 2023 | 01:12:35,313 | 01:12:35,947 | UH-UH. | UH-UH. |
| 2024 | 01:12:35,981 | 01:12:36,749 | NOTHING. | NOTHING. |
| 2025 | 01:12:36,782 | 01:12:37,882 | UH-UH. [chuckling] | UH-UH. [chuckling] |
| 2026 | 01:12:37,915 | 01:12:40,617 | IT'S JUST THERE'S SO MANY PEOPLE IN AMERICA THAT UH... | IT'S JUST THERE'S SO MANY PEOPLE IN AMERICA THAT UH... |
| 2027 | 01:12:40,651 | 01:12:41,753 | THEY DON'T KNOW WHERE THEY COME FROM. | THEY DON'T KNOW WHERE THEY COME FROM. |
| 2028 | 01:12:41,785 | 01:12:43,320 | I FINALLY DO. | I FINALLY DO. |
| 2029 | 01:12:43,353 | 01:12:44,655 | YOU KNOW, WHEN I WAS A LITTLE GIRL, | YOU KNOW, WHEN I WAS A LITTLE GIRL, |
| 2030 | 01:12:44,688 | 01:12:46,557 | I ALWAYS DREAMED ABOUT GOING TO AMERICA. | I ALWAYS DREAMED ABOUT GOING TO AMERICA. |
| 2031 | 01:12:46,589 | 01:12:47,324 | YOU DID? | YOU DID? |
| 2032 | 01:12:47,357 | 01:12:49,526 | I'M GUESSING, I'D SAY, FLORIDA. | I'M GUESSING, I'D SAY, FLORIDA. |
| 2033 | 01:12:49,559 | 01:12:50,427 | ARE YOU MAD? | ARE YOU MAD? |
| 2034 | 01:12:50,459 | 01:12:51,360 | WITH MY SKIN? | WITH MY SKIN? |
| 2035 | 01:12:51,394 | 01:12:52,529 | WHY NOT? | WHY NOT? |
| 2036 | 01:12:52,561 | 01:12:53,830 | I'M SURE I'D HAVE TO STOP AT A PAINT STORE FOR SUNSCREEN. | I'M SURE I'D HAVE TO STOP AT A PAINT STORE FOR SUNSCREEN. |
| 2037 | 01:12:54,730 | 01:12:55,831 | THAT'S TRUE, TELL ME WHERE. | THAT'S TRUE, TELL ME WHERE. |
| 2038 | 01:12:55,864 | 01:12:56,832 | COLORADO. | COLORADO. |
| 2039 | 01:12:56,865 | 01:12:57,700 | COLORADO? | COLORADO? |
| 2040 | 01:12:57,734 | 01:12:58,769 | UH-HUH, I COULD FLY FISH | UH-HUH, I COULD FLY FISH |
| 2041 | 01:12:58,802 | 01:13:00,971 | AND LISTEN TO JOHN DENVER ALL DAY IN THE MOUNTAINS. | AND LISTEN TO JOHN DENVER ALL DAY IN THE MOUNTAINS. |
| 2042 | 01:13:01,003 | 01:13:03,338 | JOHN, LITTLE J.D., THAT'S NICE. | JOHN, LITTLE J.D., THAT'S NICE. |
| 2043 | 01:13:03,372 | 01:13:04,606 | AT THE END OF THE DAY | AT THE END OF THE DAY |
| 2044 | 01:13:04,640 | 01:13:06,609 | MAYBE GET SOME ROCKY MOUNTAIN OYSTERS. | MAYBE GET SOME ROCKY MOUNTAIN OYSTERS. |
| 2045 | 01:13:06,641 | 01:13:08,577 | UH-HUH, GOD, YOU'RE A REAL SMOOTH TALKER, AREN'T YOU? | UH-HUH, GOD, YOU'RE A REAL SMOOTH TALKER, AREN'T YOU? |
| 2046 | 01:13:08,609 | 01:13:10,078 | OH, YEAH, QUICK-WITTED. | OH, YEAH, QUICK-WITTED. |
| 2047 | 01:13:10,112 | 01:13:12,448 | I LEARNED SOME NEW SWEAR WORDS TODAY IN GAELIC. | I LEARNED SOME NEW SWEAR WORDS TODAY IN GAELIC. |
| 2048 | 01:13:12,480 | 01:13:13,947 | YEAH, I GOT A LOT GOING SO... | YEAH, I GOT A LOT GOING SO... |
| 2049 | 01:13:13,980 | 01:13:16,050 | I DON'T WANT TO BOTHER YOU, SO HAVE A GOOD NIGHT. | I DON'T WANT TO BOTHER YOU, SO HAVE A GOOD NIGHT. |
| 2050 | 01:13:18,419 | 01:13:19,654 | WHOA, WHOA, WHOA. | WHOA, WHOA, WHOA. |
| 2051 | 01:13:21,656 | 01:13:22,791 | SO, I'LL SEE YOU LATER, YEAH? | SO, I'LL SEE YOU LATER, YEAH? |
| 2052 | 01:13:22,823 | 01:13:24,024 | YEAH, SEE YOU LATER. | YEAH, SEE YOU LATER. |
| 2053 | 01:13:24,058 | 01:13:24,993 | COOL. | COOL. |
| 2054 | 01:13:25,026 | 01:13:25,793 | 'BYE. | 'BYE. |
| 2055 | 01:13:31,697 | 01:13:32,700 | VANESSA... | VANESSA... |
| 2056 | 01:13:33,799 | 01:13:36,003 | HEY, SO I SEE YOU MET A LOCAL. | HEY, SO I SEE YOU MET A LOCAL. |
| 2057 | 01:13:37,036 | 01:13:39,405 | OH, YEAH, SHE'S A PRETTY NICE GIRL. | OH, YEAH, SHE'S A PRETTY NICE GIRL. |
| 2058 | 01:13:40,405 | 01:13:41,406 | SHE WHAT YOU'VE BEEN LOOKING FOR? | SHE WHAT YOU'VE BEEN LOOKING FOR? |
| 2059 | 01:13:41,441 | 01:13:44,377 | WHY WOULD YOU CARE, I'M A DISASTER, REMEMBER? | WHY WOULD YOU CARE, I'M A DISASTER, REMEMBER? |
| 2060 | 01:13:44,410 | 01:13:47,547 | I DON'T KNOW, I JUST DON'T WANT TO SEE YOU GET HURT. | I DON'T KNOW, I JUST DON'T WANT TO SEE YOU GET HURT. |
| 2061 | 01:13:48,681 | 01:13:50,649 | HOW COULD SHE HURT ME? | HOW COULD SHE HURT ME? |
| 2062 | 01:13:50,681 | 01:13:51,782 | SHE'S AN IRISH GIRL. | SHE'S AN IRISH GIRL. |
| 2063 | 01:13:51,815 | 01:13:53,785 | IRISH GIRLS LOVE AMERICAN MEN. | IRISH GIRLS LOVE AMERICAN MEN. |
| 2064 | 01:13:55,787 | 01:13:57,622 | YEAH, THEY LOVE AMERICAN MEN, ALL RIGHT. | YEAH, THEY LOVE AMERICAN MEN, ALL RIGHT. |
| 2065 | 01:13:57,654 | 01:13:59,056 | JUST LIKE CARMEL. | JUST LIKE CARMEL. |
| 2066 | 01:13:59,090 | 01:14:00,659 | YOU KNOW YOU GET COCKY. | YOU KNOW YOU GET COCKY. |
| 2067 | 01:14:00,691 | 01:14:03,661 | I'M NOT GETTING COCKY, I JUST DON'T UNDERSTAND YOU. | I'M NOT GETTING COCKY, I JUST DON'T UNDERSTAND YOU. |
| 2068 | 01:14:03,693 | 01:14:06,129 | I MEAN, FIRST I'M A PIECE OF BLACK PUDDING | I MEAN, FIRST I'M A PIECE OF BLACK PUDDING |
| 2069 | 01:14:06,162 | 01:14:08,565 | AND NOW YOU'RE CLARENCE FROM IT'S A WONDERFUL LIFE? | AND NOW YOU'RE CLARENCE FROM IT'S A WONDERFUL LIFE? |
| 2070 | 01:14:08,599 | 01:14:09,534 | WHY DO YOU CARE? | WHY DO YOU CARE? |
| 2071 | 01:14:09,567 | 01:14:12,569 | I DON'T KNOW, IS SHE REALLY WHAT YOU WANT? | I DON'T KNOW, IS SHE REALLY WHAT YOU WANT? |
| 2072 | 01:14:12,603 | 01:14:13,704 | YES! | YES! |
| 2073 | 01:14:15,470 | 01:14:16,606 | NO! | NO! |
| 2074 | 01:14:18,407 | 01:14:19,908 | SHE'S WHAT I'M SUPPOSED TO BE WITH. | SHE'S WHAT I'M SUPPOSED TO BE WITH. |
| 2075 | 01:14:19,942 | 01:14:21,077 | SAYS WHO? | SAYS WHO? |
| 2076 | 01:14:21,109 | 01:14:21,844 | SAYS EVERYONE! | SAYS EVERYONE! |
| 2077 | 01:14:21,878 | 01:14:23,146 | THEY SAY, BE WITH AN IRISH GIRL. | THEY SAY, BE WITH AN IRISH GIRL. |
| 2078 | 01:14:23,179 | 01:14:24,814 | NOT SOMEBODY LIKE... | NOT SOMEBODY LIKE... |
| 2079 | 01:14:24,847 | 01:14:26,482 | WHAT? SOMEONE LIKE ME? | WHAT? SOMEONE LIKE ME? |
| 2080 | 01:14:26,514 | 01:14:28,049 | NO! NO, I'M NOT... NO! | NO! NO, I'M NOT... NO! |
| 2081 | 01:14:28,083 | 01:14:30,919 | I'M DOING EVERYTHING THAT EVERYONE ELSE WANTS ME TO DO, | I'M DOING EVERYTHING THAT EVERYONE ELSE WANTS ME TO DO, |
| 2082 | 01:14:30,951 | 01:14:33,121 | AND I'M OUT OF MY MIND. | AND I'M OUT OF MY MIND. |
| 2083 | 01:14:34,455 | 01:14:35,556 | YOU KNOW, TOM... | YOU KNOW, TOM... |
| 2084 | 01:14:35,590 | 01:14:40,560 | UP UNTIL TODAY I THOUGHT I WAS SUPPOSED TO BE WITH A GUY | UP UNTIL TODAY I THOUGHT I WAS SUPPOSED TO BE WITH A GUY |
| 2085 | 01:14:40,593 | 01:14:41,729 | THAT LOOKED LIKE JOHN STAMOS. | THAT LOOKED LIKE JOHN STAMOS. |
| 2086 | 01:14:41,762 | 01:14:43,431 | GROSS! | GROSS! |
| 2087 | 01:14:44,597 | 01:14:46,967 | I MEAN, WE SPEND OUR LIVES SAYING WE HAVE TO... | I MEAN, WE SPEND OUR LIVES SAYING WE HAVE TO... |
| 2088 | 01:14:47,001 | 01:14:48,636 | WE HAVE TO GET A GOOD JOB, | WE HAVE TO GET A GOOD JOB, |
| 2089 | 01:14:48,668 | 01:14:49,935 | WE HAVE TO MAKE OUR FAMILIES HAPPY. | WE HAVE TO MAKE OUR FAMILIES HAPPY. |
| 2090 | 01:14:49,969 | 01:14:51,838 | WE HAVE TO LOVE SOMEONE THAT THEY WANT US TO LOVE. | WE HAVE TO LOVE SOMEONE THAT THEY WANT US TO LOVE. |
| 2091 | 01:14:52,971 | 01:14:54,507 | THEN SOMETHING CHANGED THAT. | THEN SOMETHING CHANGED THAT. |
| 2092 | 01:14:54,541 | 01:14:56,909 | SOMEONE TOLD ME IT'S OKAY TO BE WITH SOMEONE | SOMEONE TOLD ME IT'S OKAY TO BE WITH SOMEONE |
| 2093 | 01:14:56,943 | 01:14:58,645 | AS LONG AS THEY HAD A GOOD HEART. | AS LONG AS THEY HAD A GOOD HEART. |
| 2094 | 01:15:02,214 | 01:15:04,015 | MORNING, MY FRIEND, HOW ARE YOU DOING? | MORNING, MY FRIEND, HOW ARE YOU DOING? |
| 2095 | 01:15:04,049 | 01:15:06,452 | HOO, IT'S GONNA BE A SUNNY DAY TODAY, I KNOW IT. | HOO, IT'S GONNA BE A SUNNY DAY TODAY, I KNOW IT. |
| 2096 | 01:15:06,484 | 01:15:08,821 | BROWN BREAD, HIGH IN FIBER, OKAY... | BROWN BREAD, HIGH IN FIBER, OKAY... |
| 2097 | 01:15:08,853 | 01:15:10,889 | TEA, COULD PROBABLY USE SOME WHISKEY | TEA, COULD PROBABLY USE SOME WHISKEY |
| 2098 | 01:15:10,922 | 01:15:12,425 | BUT IT'S A LITTLE EARLY. | BUT IT'S A LITTLE EARLY. |
| 2099 | 01:15:13,090 | 01:15:14,491 | WHAT DO YOU WANT? | WHAT DO YOU WANT? |
| 2100 | 01:15:14,525 | 01:15:15,492 | NOTHING. | NOTHING. |
| 2101 | 01:15:15,526 | 01:15:17,729 | I WAS ON THE BEACH LAST NIGHT, | I WAS ON THE BEACH LAST NIGHT, |
| 2102 | 01:15:17,762 | 01:15:19,764 | SPANISH POINT BEACH. | SPANISH POINT BEACH. |
| 2103 | 01:15:19,796 | 01:15:21,500 | IRISH MOLLY, SHE KISSED ME. | IRISH MOLLY, SHE KISSED ME. |
| 2104 | 01:15:22,532 | 01:15:24,067 | I WARNED YOU ABOUT THAT GIRL. | I WARNED YOU ABOUT THAT GIRL. |
| 2105 | 01:15:24,101 | 01:15:25,068 | I KNOW, I KNOW. | I KNOW, I KNOW. |
| 2106 | 01:15:25,102 | 01:15:27,771 | BUT YOU REMEMBER THE TALK WE HAD YESTERDAY, | BUT YOU REMEMBER THE TALK WE HAD YESTERDAY, |
| 2107 | 01:15:27,803 | 01:15:29,940 | ABOUT FINDING THE PERFECT ONE? | ABOUT FINDING THE PERFECT ONE? |
| 2108 | 01:15:29,972 | 01:15:32,708 | I KNEW INSTANTLY IT'S NOT HER. | I KNEW INSTANTLY IT'S NOT HER. |
| 2109 | 01:15:32,741 | 01:15:33,910 | IT'S SOMEBODY ELSE. | IT'S SOMEBODY ELSE. |
| 2110 | 01:15:35,177 | 01:15:36,011 | WELL, GOOD FOR YOU. | WELL, GOOD FOR YOU. |
| 2111 | 01:15:36,045 | 01:15:37,712 | YEAH! AND THEN SHE JUST WALKED AWAY. | YEAH! AND THEN SHE JUST WALKED AWAY. |
| 2112 | 01:15:37,746 | 01:15:41,117 | SHE PROBABLY RAN HOME AND TOLD HER BIG BROTHER. | SHE PROBABLY RAN HOME AND TOLD HER BIG BROTHER. |
| 2113 | 01:15:41,150 | 01:15:42,419 | OH, CRAP! | OH, CRAP! |
| 2114 | 01:15:43,752 | 01:15:45,755 | YOU PUT BOTH FEET IN THE WOOD CHIPPER THIS TIME, DIDN'T YOU? | YOU PUT BOTH FEET IN THE WOOD CHIPPER THIS TIME, DIDN'T YOU? |
| 2115 | 01:15:45,788 | 01:15:47,156 | [chuckling] | [chuckling] |
| 2116 | 01:15:47,189 | 01:15:48,891 | LISTEN, IF YOU HAVE SO MUCH ENERGY, | LISTEN, IF YOU HAVE SO MUCH ENERGY, |
| 2117 | 01:15:48,923 | 01:15:49,957 | YOU CAN HELP ME IN THE FIELDS. | YOU CAN HELP ME IN THE FIELDS. |
| 2118 | 01:15:49,991 | 01:15:51,158 | SOUNDS GOOD, DOING WHAT? | SOUNDS GOOD, DOING WHAT? |
| 2119 | 01:15:51,192 | 01:15:52,493 | YOU'LL SEE. | YOU'LL SEE. |
| 2120 | 01:15:53,728 | 01:16:00,569 | ♪ | ♪ |
| 2121 | 01:16:00,601 | 01:16:02,702 | ♪ IF I'M A HAPPY MAN TODAY ♪ | ♪ IF I'M A HAPPY MAN TODAY ♪ |
| 2122 | 01:16:02,736 | 01:16:04,572 | ♪ I DON'T KNOW ABOUT TOMORROW ♪ | ♪ I DON'T KNOW ABOUT TOMORROW ♪ |
| 2123 | 01:16:04,604 | 01:16:06,473 | ♪ WILL I BE IN ECSTASY ♪ | ♪ WILL I BE IN ECSTASY ♪ |
| 2124 | 01:16:06,506 | 01:16:08,509 | ♪ OR DEEP IN DEBT AND SORROW ♪ | ♪ OR DEEP IN DEBT AND SORROW ♪ |
| 2125 | 01:16:08,541 | 01:16:10,510 | ♪ THERE'S A PINT UPON THE TABLE ♪ | ♪ THERE'S A PINT UPON THE TABLE ♪ |
| 2126 | 01:16:10,544 | 01:16:12,713 | ♪ THERE'S ANOTHER ON THE WAY ♪ | ♪ THERE'S ANOTHER ON THE WAY ♪ |
| 2127 | 01:16:12,746 | 01:16:13,846 | OH, LOVELY! BRAVO! | OH, LOVELY! BRAVO! |
| 2128 | 01:16:13,879 | 01:16:16,583 | ♪ AND WITH THE GIRL BESIDE ME I'M A HAPPY MAN TODAY ♪ | ♪ AND WITH THE GIRL BESIDE ME I'M A HAPPY MAN TODAY ♪ |
| 2129 | 01:16:16,615 | 01:16:18,484 | ♪ THERE ARE SOME WHO RUSH ABOUT ♪ | ♪ THERE ARE SOME WHO RUSH ABOUT ♪ |
| 2130 | 01:16:18,517 | 01:16:19,185 | [moos] | [moos] |
| 2131 | 01:16:19,218 | 01:16:20,753 | ♪ IN A PANIC AND A HURRY ♪ | ♪ IN A PANIC AND A HURRY ♪ |
| 2132 | 01:16:20,785 | 01:16:24,556 | ♪ OTHERS LIE IN BED ON THEIR BACKS AND WORRY ♪ | ♪ OTHERS LIE IN BED ON THEIR BACKS AND WORRY ♪ |
| 2133 | 01:16:24,589 | 01:16:26,658 | ♪ AND WITH ALL THEIR CARE AND WORRY ♪ | ♪ AND WITH ALL THEIR CARE AND WORRY ♪ |
| 2134 | 01:16:26,690 | 01:16:28,626 | ♪ BOLTED DOORS AND LOCKED UP LOCKS ♪ | ♪ BOLTED DOORS AND LOCKED UP LOCKS ♪ |
| 2135 | 01:16:28,659 | 01:16:32,530 | ♪ WE'LL ALL END UP IN SAFETY PUSHING DAISIES IN A BOX ♪♪ | ♪ WE'LL ALL END UP IN SAFETY PUSHING DAISIES IN A BOX ♪♪ |
| 2136 | 01:16:40,604 | 01:16:42,673 | AH, THAT WAS A LOVELY MASS. | AH, THAT WAS A LOVELY MASS. |
| 2137 | 01:16:42,706 | 01:16:43,975 | YEAH, IT WAS, WASN'T IT? | YEAH, IT WAS, WASN'T IT? |
| 2138 | 01:16:44,007 | 01:16:44,876 | UH-HUH. | UH-HUH. |
| 2139 | 01:16:45,775 | 01:16:46,877 | DIDN'T NOD OFF THEN? | DIDN'T NOD OFF THEN? |
| 2140 | 01:16:46,911 | 01:16:48,679 | WHO? | WHO? |
| 2141 | 01:16:48,711 | 01:16:50,546 | 'COURSE I DIDN'T. | 'COURSE I DIDN'T. |
| 2142 | 01:16:50,580 | 01:16:51,648 | NOT ONCE. | NOT ONCE. |
| 2143 | 01:16:51,680 | 01:16:53,817 | NOT EVEN A LITTLE NAP? | NOT EVEN A LITTLE NAP? |
| 2144 | 01:16:53,849 | 01:16:55,117 | NO! | NO! |
| 2145 | 01:16:56,885 | 01:16:58,621 | OKAY. | OKAY. |
| 2146 | 01:16:58,654 | 01:17:00,224 | SO WHAT WAS THE HOMILY ABOUT? | SO WHAT WAS THE HOMILY ABOUT? |
| 2147 | 01:17:02,290 | 01:17:04,259 | IT WAS ABOUT UH, LOVE... | IT WAS ABOUT UH, LOVE... |
| 2148 | 01:17:05,794 | 01:17:09,532 | LOVE, UH... AND SOMETHING... | LOVE, UH... AND SOMETHING... |
| 2149 | 01:17:09,565 | 01:17:12,034 | MMM, SOMETHING. | MMM, SOMETHING. |
| 2150 | 01:17:14,101 | 01:17:17,571 | SPEAKING OF WHICH... HAS TOM FOUND HIS YET? | SPEAKING OF WHICH... HAS TOM FOUND HIS YET? |
| 2151 | 01:17:17,605 | 01:17:18,406 | NO. | NO. |
| 2152 | 01:17:18,439 | 01:17:20,909 | NO, I THINK HE'S A BIT CONFLICTED. | NO, I THINK HE'S A BIT CONFLICTED. |
| 2153 | 01:17:21,909 | 01:17:23,878 | WHY? WHAT'S THE CONFLICT? | WHY? WHAT'S THE CONFLICT? |
| 2154 | 01:17:23,910 | 01:17:27,247 | WELL, IT SEEMS HE FANCIES A LOVELY AMERICAN GIRL, | WELL, IT SEEMS HE FANCIES A LOVELY AMERICAN GIRL, |
| 2155 | 01:17:27,279 | 01:17:31,985 | BUT HIS FAMILY IN AMERICA WANT HIM TO MARRY AN IRISH-BORN GIRL. | BUT HIS FAMILY IN AMERICA WANT HIM TO MARRY AN IRISH-BORN GIRL. |
| 2156 | 01:17:33,352 | 01:17:35,655 | VERY BACKWARD LIKE THAT, THESE AMERICAN COUSINS OF MINE. | VERY BACKWARD LIKE THAT, THESE AMERICAN COUSINS OF MINE. |
| 2157 | 01:17:36,655 | 01:17:38,256 | MMM, NO MORE THAN YOUR OWN FAMILY | MMM, NO MORE THAN YOUR OWN FAMILY |
| 2158 | 01:17:38,290 | 01:17:40,192 | WANTING YOU TO MARRY THAT GIRL YOU GOT PREGNANT. | WANTING YOU TO MARRY THAT GIRL YOU GOT PREGNANT. |
| 2159 | 01:17:40,224 | 01:17:43,860 | WHAT DO YOU WANT TO BRING THAT UP FOR? | WHAT DO YOU WANT TO BRING THAT UP FOR? |
| 2160 | 01:17:44,229 | 01:17:46,266 | HAVE YOU BEEN AT THE COMMUNION WINE AGAIN? | HAVE YOU BEEN AT THE COMMUNION WINE AGAIN? |
| 2161 | 01:17:47,599 | 01:17:48,333 | SHEESH... | SHEESH... |
| 2162 | 01:17:48,367 | 01:17:51,269 | ANYWAY, SHE WASN'T PREGNANT. | ANYWAY, SHE WASN'T PREGNANT. |
| 2163 | 01:17:51,302 | 01:17:53,705 | IT WAS ENTRAPMENT. | IT WAS ENTRAPMENT. |
| 2164 | 01:17:55,106 | 01:17:57,908 | LUCKILY I HAD ME SENSES ABOUT ME. | LUCKILY I HAD ME SENSES ABOUT ME. |
| 2165 | 01:17:57,942 | 01:17:59,010 | OH, THAT'S RIGHT. | OH, THAT'S RIGHT. |
| 2166 | 01:17:59,042 | 01:18:00,844 | BEGGING YOUR MOTHER FOR FORGIVENESS. | BEGGING YOUR MOTHER FOR FORGIVENESS. |
| 2167 | 01:18:00,878 | 01:18:02,679 | WELL, I HAD TO, DIDN'T I? | WELL, I HAD TO, DIDN'T I? |
| 2168 | 01:18:02,713 | 01:18:04,048 | I MEAN, SHE IS ME MA. | I MEAN, SHE IS ME MA. |
| 2169 | 01:18:05,682 | 01:18:06,984 | DIDN'T WANT TO BREAK HER HEART. | DIDN'T WANT TO BREAK HER HEART. |
| 2170 | 01:18:07,017 | 01:18:08,786 | THAT WOULD BE A SIN. | THAT WOULD BE A SIN. |
| 2171 | 01:18:08,819 | 01:18:10,821 | THEN I WOULDN'T BE ABLE TO COME TO MASS WITH YOU | THEN I WOULDN'T BE ABLE TO COME TO MASS WITH YOU |
| 2172 | 01:18:10,853 | 01:18:12,056 | AND HAVE A PINT AFTERWARDS, WOULD I? | AND HAVE A PINT AFTERWARDS, WOULD I? |
| 2173 | 01:18:12,088 | 01:18:14,189 | [chuckling] COME ON. | [chuckling] COME ON. |
| 2174 | 01:18:18,828 | 01:18:20,062 | [moos] | [moos] |
| 2175 | 01:18:24,132 | 01:18:24,966 | WHAT ARE YOU DOING HERE? | WHAT ARE YOU DOING HERE? |
| 2176 | 01:18:25,001 | 01:18:26,301 | I THOUGHT YOU WERE GOING TO GALWAY RACES? | I THOUGHT YOU WERE GOING TO GALWAY RACES? |
| 2177 | 01:18:26,333 | 01:18:27,935 | DIDN'T WORK OUT THAT WAY. | DIDN'T WORK OUT THAT WAY. |
| 2178 | 01:18:27,969 | 01:18:30,605 | BESIDES, I WAS ON CALL. | BESIDES, I WAS ON CALL. |
| 2179 | 01:18:31,405 | 01:18:33,207 | THAT'S A BRAND-NEW BABY CALF. | THAT'S A BRAND-NEW BABY CALF. |
| 2180 | 01:18:33,241 | 01:18:35,676 | EXPERTLY DELIVERED BY MY NEW FRIEND HERE. | EXPERTLY DELIVERED BY MY NEW FRIEND HERE. |
| 2181 | 01:18:35,710 | 01:18:37,745 | OH, MAN... | OH, MAN... |
| 2182 | 01:18:37,777 | 01:18:39,946 | (Ricardo) DON'T YOU HAVE SOMEWHERE YOU NEED TO BE RIGHT ABOUT NOW? | (Ricardo) DON'T YOU HAVE SOMEWHERE YOU NEED TO BE RIGHT ABOUT NOW? |
| 2183 | 01:18:39,979 | 01:18:42,649 | YEAH, YEAH, I DO. | YEAH, YEAH, I DO. |
| 2184 | 01:18:42,683 | 01:18:44,151 | I GOTTA GO. | I GOTTA GO. |
| 2185 | 01:18:44,184 | 01:18:44,986 | GO GET HER. | GO GET HER. |
| 2186 | 01:18:46,687 | 01:18:48,590 | YOU'RE NOT A BAD LAD, FOR A YANK. | YOU'RE NOT A BAD LAD, FOR A YANK. |
| 2187 | 01:18:50,956 | 01:19:01,166 | ♪ | ♪ |
| 2188 | 01:19:01,200 | 01:19:03,835 | ♪ DRIVING AROUND IN MY CAR ♪ | ♪ DRIVING AROUND IN MY CAR ♪ |
| 2189 | 01:19:03,869 | 01:19:06,639 | ♪ I DON'T THINK I'M GONNA GET FAR ♪ | ♪ I DON'T THINK I'M GONNA GET FAR ♪ |
| 2190 | 01:19:06,672 | 01:19:08,173 | HOW DO YOU KNOW FIZZY CANDIES | HOW DO YOU KNOW FIZZY CANDIES |
| 2191 | 01:19:08,205 | 01:19:09,775 | AND GUINNESS WERE LETHAL TO COWS? | AND GUINNESS WERE LETHAL TO COWS? |
| 2192 | 01:19:09,807 | 01:19:10,575 | DO YOU THINK... | DO YOU THINK... |
| 2193 | 01:19:10,609 | 01:19:11,944 | WHEN YOU WERE A KID, DID THEY SAY, | WHEN YOU WERE A KID, DID THEY SAY, |
| 2194 | 01:19:11,976 | 01:19:12,844 | "THE HORSE EATS HAY," | "THE HORSE EATS HAY," |
| 2195 | 01:19:12,878 | 01:19:15,113 | "THE COWS EAT FIZZY CANDY AND GUINNESS"? | "THE COWS EAT FIZZY CANDY AND GUINNESS"? |
| 2196 | 01:19:15,145 | 01:19:17,247 | ♪ TALKING ABOUT THE WORLD ♪ | ♪ TALKING ABOUT THE WORLD ♪ |
| 2197 | 01:19:19,917 | 01:19:21,853 | SO, WHEN ARE WE OFF TO AMERICA? | SO, WHEN ARE WE OFF TO AMERICA? |
| 2198 | 01:19:21,886 | 01:19:23,388 | UH, HOW YOU DOIN', MOLLY? | UH, HOW YOU DOIN', MOLLY? |
| 2199 | 01:19:23,421 | 01:19:28,792 | ♪ | ♪ |
| 2200 | 01:19:28,824 | 01:19:36,666 | ♪ [ominous music plays] ♪ | ♪ [ominous music plays] ♪ |
| 2201 | 01:19:36,699 | 01:19:38,233 | I'M GUESSING THAT'S YOUR BROTHER, DECLAN. | I'M GUESSING THAT'S YOUR BROTHER, DECLAN. |
| 2202 | 01:19:38,267 | 01:19:39,836 | HEY, DON'T TALK TO MY SISTER, HUH? | HEY, DON'T TALK TO MY SISTER, HUH? |
| 2203 | 01:19:41,969 | 01:19:44,339 | WHAT IS THIS GUY, THE IRISH BIFF TANNEN? | WHAT IS THIS GUY, THE IRISH BIFF TANNEN? |
| 2204 | 01:19:44,372 | 01:19:45,174 | YOU ALL RIGHT? | YOU ALL RIGHT? |
| 2205 | 01:19:45,206 | 01:19:46,841 | I DON'T WANT TO FIGHT YOUR BROTHER. | I DON'T WANT TO FIGHT YOUR BROTHER. |
| 2206 | 01:19:46,875 | 01:19:48,044 | WHAT'S THE IRISH WORD FOR PEACE? | WHAT'S THE IRISH WORD FOR PEACE? |
| 2207 | 01:19:48,076 | 01:19:50,811 | OH, IT'S PÓG MO THÓIN. | OH, IT'S PÓG MO THÓIN. |
| 2208 | 01:19:50,844 | 01:19:52,914 | HEY, DECLAN, PÓG MO THÓIN, BUDDY. | HEY, DECLAN, PÓG MO THÓIN, BUDDY. |
| 2209 | 01:19:52,946 | 01:19:53,847 | PÓG MO THÓIN. | PÓG MO THÓIN. |
| 2210 | 01:19:53,880 | 01:19:54,816 | PÓG MO THÓIN. | PÓG MO THÓIN. |
| 2211 | 01:19:54,848 | 01:19:55,850 | COME AGAIN? | COME AGAIN? |
| 2212 | 01:19:55,883 | 01:19:57,852 | RIGHT? PÓG MO THÓIN. | RIGHT? PÓG MO THÓIN. |
| 2213 | 01:19:57,884 | 01:19:58,852 | WELL, YOU KNOW WHAT? | WELL, YOU KNOW WHAT? |
| 2214 | 01:19:58,886 | 01:20:00,855 | A KICKING COULDN'T HURT LONG BEFORE I KISS IT. | A KICKING COULDN'T HURT LONG BEFORE I KISS IT. |
| 2215 | 01:20:00,887 | 01:20:03,356 | (Finbar) TOM! YOU TOLD HIM TO KISS YOUR ARSE! | (Finbar) TOM! YOU TOLD HIM TO KISS YOUR ARSE! |
| 2216 | 01:20:03,390 | 01:20:04,258 | WHAT? | WHAT? |
| 2217 | 01:20:05,124 | 01:20:06,793 | WHAT? ME? | WHAT? ME? |
| 2218 | 01:20:06,827 | 01:20:09,696 | OH, APPARENTLY I JUST LOVE AMERICAN MEN. | OH, APPARENTLY I JUST LOVE AMERICAN MEN. |
| 2219 | 01:20:10,997 | 01:20:14,132 | OKAY, DECLAN, THIS IS A LITTLE MISUNDERSTANDING, HERE. | OKAY, DECLAN, THIS IS A LITTLE MISUNDERSTANDING, HERE. |
| 2220 | 01:20:14,166 | 01:20:15,333 | UH, DECLAN... | UH, DECLAN... |
| 2221 | 01:20:15,367 | 01:20:16,802 | [glass crunches] | [glass crunches] |
| 2222 | 01:20:16,836 | 01:20:17,804 | THAT'S IT. | THAT'S IT. |
| 2223 | 01:20:18,871 | 01:20:20,006 | BARE HANDS, MAN. | BARE HANDS, MAN. |
| 2224 | 01:20:21,306 | 01:20:22,841 | [spits] | [spits] |
| 2225 | 01:20:24,076 | 01:20:26,111 | I'LL TELL YOU NOW, I'M SICK OF YOUR SHITE AMERICAN TALK. | I'LL TELL YOU NOW, I'M SICK OF YOUR SHITE AMERICAN TALK. |
| 2226 | 01:20:26,143 | 01:20:28,446 | TALK OF CAPPUCCINOS, | TALK OF CAPPUCCINOS, |
| 2227 | 01:20:28,479 | 01:20:32,250 | DILDOS, SKYSCRAPERS, | DILDOS, SKYSCRAPERS, |
| 2228 | 01:20:32,282 | 01:20:37,054 | DALLAS REMAKES, STARBUCKS, AND SOFT DOWN YUPPIES, | DALLAS REMAKES, STARBUCKS, AND SOFT DOWN YUPPIES, |
| 2229 | 01:20:37,087 | 01:20:39,156 | WALL STREET BANKERS. | WALL STREET BANKERS. |
| 2230 | 01:20:39,188 | 01:20:41,392 | GO ON BACK TO FECKIN' ILLINOIS. | GO ON BACK TO FECKIN' ILLINOIS. |
| 2231 | 01:20:42,925 | 01:20:46,129 | ALL RIGHT, NOBODY SAYS I'M FROM ILLINOIS! | ALL RIGHT, NOBODY SAYS I'M FROM ILLINOIS! |
| 2232 | 01:20:46,163 | 01:20:47,063 | WHAT ARE YOU GONNA DO ABOUT IT? | WHAT ARE YOU GONNA DO ABOUT IT? |
| 2233 | 01:20:47,098 | 01:20:48,933 | YOU WANNA GO, JUST THROW IT DOWN, BUDDY. | YOU WANNA GO, JUST THROW IT DOWN, BUDDY. |
| 2234 | 01:20:48,965 | 01:20:49,998 | WHERE ARE WE GOIN', MAN? | WHERE ARE WE GOIN', MAN? |
| 2235 | 01:20:50,031 | 01:20:52,134 | YEAH, WELL, FIGHT, NOT GO. | YEAH, WELL, FIGHT, NOT GO. |
| 2236 | 01:20:52,168 | 01:20:53,335 | WHERE WE GOING TO? | WHERE WE GOING TO? |
| 2237 | 01:20:53,369 | 01:20:54,437 | 'CAUSE I'LL TAKE YOU ON A MAGIC CARPET RIDE. | 'CAUSE I'LL TAKE YOU ON A MAGIC CARPET RIDE. |
| 2238 | 01:20:54,470 | 01:20:55,405 | YEAH? | YEAH? |
| 2239 | 01:20:55,437 | 01:20:56,372 | TO SLAP CITY. | TO SLAP CITY. |
| 2240 | 01:20:56,405 | 01:20:57,440 | YEAH, TAKE OFF THE LEATHER. | YEAH, TAKE OFF THE LEATHER. |
| 2241 | 01:20:57,472 | 01:20:58,440 | HOW MANY COWS YOU KILL? | HOW MANY COWS YOU KILL? |
| 2242 | 01:20:58,473 | 01:20:59,409 | NOT ENOUGH, MAN. | NOT ENOUGH, MAN. |
| 2243 | 01:20:59,441 | 01:21:00,976 | THIS IS GETTING OUT OF HAND. | THIS IS GETTING OUT OF HAND. |
| 2244 | 01:21:02,042 | 01:21:03,411 | WHOA, WHOA, WHOA, FELLOWS, FELLOWS. | WHOA, WHOA, WHOA, FELLOWS, FELLOWS. |
| 2245 | 01:21:03,444 | 01:21:04,412 | HOLD ON A SECOND! | HOLD ON A SECOND! |
| 2246 | 01:21:04,445 | 01:21:06,014 | HEY, HEY, WHO'S THIS COHORT! | HEY, HEY, WHO'S THIS COHORT! |
| 2247 | 01:21:06,047 | 01:21:08,117 | MY NAME'S FRED, ALL RIGHT? | MY NAME'S FRED, ALL RIGHT? |
| 2248 | 01:21:08,149 | 01:21:09,951 | NOW HANG ON A SECOND. | NOW HANG ON A SECOND. |
| 2249 | 01:21:09,984 | 01:21:11,953 | WE'RE ALL IRISH BROTHERS AND SISTERS HERE. | WE'RE ALL IRISH BROTHERS AND SISTERS HERE. |
| 2250 | 01:21:11,987 | 01:21:13,321 | EVERYONE, RIGHT? | EVERYONE, RIGHT? |
| 2251 | 01:21:13,354 | 01:21:14,889 | LISTEN, NOBODY'S GONNA DO ANY | LISTEN, NOBODY'S GONNA DO ANY |
| 2252 | 01:21:14,921 | 01:21:16,022 | SHITE KICKING | SHITE KICKING |
| 2253 | 01:21:16,056 | 01:21:19,426 | AND YOU DON'T HAVE TO PUT ANYTHING IN ANYBODY'S GOB. | AND YOU DON'T HAVE TO PUT ANYTHING IN ANYBODY'S GOB. |
| 2254 | 01:21:19,460 | 01:21:20,528 | KEEP YOUR GOB OPEN. | KEEP YOUR GOB OPEN. |
| 2255 | 01:21:20,560 | 01:21:21,528 | LET IT BREATHE. | LET IT BREATHE. |
| 2256 | 01:21:21,562 | 01:21:22,529 | DON'T WORRY ABOUT IT. | DON'T WORRY ABOUT IT. |
| 2257 | 01:21:22,563 | 01:21:25,099 | LOOK IT, THIS IS A NIGHT OF LOVE | LOOK IT, THIS IS A NIGHT OF LOVE |
| 2258 | 01:21:25,130 | 01:21:27,933 | AND LOVEMAKING. | AND LOVEMAKING. |
| 2259 | 01:21:27,967 | 01:21:28,902 | NO... | NO... |
| 2260 | 01:21:28,934 | 01:21:32,171 | WELL, NOT LOVEMAKING BUT, BUT LOVE, ANYWAY. | WELL, NOT LOVEMAKING BUT, BUT LOVE, ANYWAY. |
| 2261 | 01:21:32,205 | 01:21:35,175 | YOU KNOW, LIKE FRIENDSHIP, IRISH LOVE. | YOU KNOW, LIKE FRIENDSHIP, IRISH LOVE. |
| 2262 | 01:21:35,207 | 01:21:37,476 | YOU KNOW, YOU GUYS SING A LOT AND ALL THAT. | YOU KNOW, YOU GUYS SING A LOT AND ALL THAT. |
| 2263 | 01:21:37,508 | 01:21:39,277 | IT'S ALL ABOUT SINGING, IT'S LIKE, | IT'S ALL ABOUT SINGING, IT'S LIKE, |
| 2264 | 01:21:39,311 | 01:21:43,482 | [singing] HER EYES WERE AS BRIGHT AS DIAMONDS, WEREN'T THEY? | [singing] HER EYES WERE AS BRIGHT AS DIAMONDS, WEREN'T THEY? |
| 2265 | 01:21:43,514 | 01:21:46,951 | ♪ YOU'D THINK SHE WAS QUEEN OF THE LAND. ♪ | ♪ YOU'D THINK SHE WAS QUEEN OF THE LAND. ♪ |
| 2266 | 01:21:46,985 | 01:21:51,455 | [all singing] ♪ HER HAIR HUNG OVER HER SHOULDERS ♪ | [all singing] ♪ HER HAIR HUNG OVER HER SHOULDERS ♪ |
| 2267 | 01:21:51,489 | 01:21:55,827 | ♪ TIED UP WITH A BLACK LEATHER BAND. ♪ | ♪ TIED UP WITH A BLACK LEATHER BAND. ♪ |
| 2268 | 01:21:55,860 | 01:21:58,897 | ♪ I LIFTED HER SKIRT OVER MY SHOULDER ♪ | ♪ I LIFTED HER SKIRT OVER MY SHOULDER ♪ |
| 2269 | 01:21:58,930 | 01:22:00,865 | NO, NO, THAT'S NOT HOW IT GOES. | NO, NO, THAT'S NOT HOW IT GOES. |
| 2270 | 01:22:00,897 | 01:22:03,167 | THESE PEOPLE ALL SPEAK ENGLISH, FRED. | THESE PEOPLE ALL SPEAK ENGLISH, FRED. |
| 2271 | 01:22:03,199 | 01:22:05,034 | OKAY, WELL, HOW 'BOUT | OKAY, WELL, HOW 'BOUT |
| 2272 | 01:22:05,068 | 01:22:06,302 | THE FIRST ROUND'S ON THE YANK? | THE FIRST ROUND'S ON THE YANK? |
| 2273 | 01:22:06,336 | 01:22:07,538 | THAT YANK, RIGHT OVER THERE. | THAT YANK, RIGHT OVER THERE. |
| 2274 | 01:22:09,206 | 01:22:10,873 | COME ON OVER HERE. | COME ON OVER HERE. |
| 2275 | 01:22:10,907 | 01:22:11,842 | BARKEEP, COME ON. | BARKEEP, COME ON. |
| 2276 | 01:22:14,042 | 01:22:14,943 | I'LL TELL YOU WHAT, | I'LL TELL YOU WHAT, |
| 2277 | 01:22:14,978 | 01:22:15,845 | I'LL JOIN YOU GUYS IN A LITTLE BIT, OKAY? | I'LL JOIN YOU GUYS IN A LITTLE BIT, OKAY? |
| 2278 | 01:22:18,581 | 01:22:21,417 | VANESSA, I JUST WANT TO COME OVER AND JUST... | VANESSA, I JUST WANT TO COME OVER AND JUST... |
| 2279 | 01:22:21,450 | 01:22:23,086 | HRISTOS... | HRISTOS... |
| 2280 | 01:22:24,152 | 01:22:25,587 | HOW YOU DOING, ARE YOU OKAY? | HOW YOU DOING, ARE YOU OKAY? |
| 2281 | 01:22:25,620 | 01:22:26,922 | GOOD, MY FRIEND, | GOOD, MY FRIEND, |
| 2282 | 01:22:26,955 | 01:22:28,223 | MUCH BETTER. | MUCH BETTER. |
| 2283 | 01:22:29,022 | 01:22:30,424 | TOM, THIS IS MY FATHER. | TOM, THIS IS MY FATHER. |
| 2284 | 01:22:31,593 | 01:22:32,693 | HE'S YOUR FATHER? | HE'S YOUR FATHER? |
| 2285 | 01:22:32,727 | 01:22:36,163 | MY DAUGHTER TELLS ME SHE MET A MAN AND HE'S NOT GREEK. | MY DAUGHTER TELLS ME SHE MET A MAN AND HE'S NOT GREEK. |
| 2286 | 01:22:36,196 | 01:22:37,430 | NO GOOD! | NO GOOD! |
| 2287 | 01:22:37,463 | 01:22:41,201 | THEN SHE TELLS ME HE'S TOM MURPHY. | THEN SHE TELLS ME HE'S TOM MURPHY. |
| 2288 | 01:22:41,235 | 01:22:44,972 | I SAY, I KNOW THIS TOM MURPHY. | I SAY, I KNOW THIS TOM MURPHY. |
| 2289 | 01:22:45,004 | 01:22:47,408 | HE'S OKAY. | HE'S OKAY. |
| 2290 | 01:22:47,440 | 01:22:49,374 | [laughing] | [laughing] |
| 2291 | 01:22:49,408 | 01:22:52,078 | HE'S VERY OKAY. | HE'S VERY OKAY. |
| 2292 | 01:22:53,179 | 01:22:55,248 | YES, PAPA, HE'S PRETTY OKAY. | YES, PAPA, HE'S PRETTY OKAY. |
| 2293 | 01:23:02,086 | 01:23:03,020 | OKAY. | OKAY. |
| 2294 | 01:23:03,054 | 01:23:04,422 | IT'S GONNA BE OKAY. | IT'S GONNA BE OKAY. |
| 2295 | 01:23:08,425 | 01:23:11,362 | (Tom) VANESSA AND I TALKED INTO THE WEE HOURS IN THE MORNING. | (Tom) VANESSA AND I TALKED INTO THE WEE HOURS IN THE MORNING. |
| 2296 | 01:23:11,395 | 01:23:14,031 | OF COURSE, UNDER THE SUPERVISION OF HER FATHER, BUT... | OF COURSE, UNDER THE SUPERVISION OF HER FATHER, BUT... |
| 2297 | 01:23:14,063 | 01:23:15,232 | THAT'S OKAY. | THAT'S OKAY. |
| 2298 | 01:23:15,265 | 01:23:16,534 | IT WAS AMAZING. | IT WAS AMAZING. |
| 2299 | 01:23:16,567 | 01:23:18,236 | WE TALKED ABOUT EVERYTHING. | WE TALKED ABOUT EVERYTHING. |
| 2300 | 01:23:18,268 | 01:23:20,504 | I CAN'T BELIEVE WE HAD SO MUCH IN COMMON AFTER ALL. | I CAN'T BELIEVE WE HAD SO MUCH IN COMMON AFTER ALL. |
| 2301 | 01:23:21,938 | 01:23:22,572 | HOW YOU DOING? | HOW YOU DOING? |
| 2302 | 01:23:22,606 | 01:23:23,541 | GOOD. | GOOD. |
| 2303 | 01:23:24,508 | 01:23:28,178 | THAT WAS A GREAT TIME LAST NIGHT. | THAT WAS A GREAT TIME LAST NIGHT. |
| 2304 | 01:23:28,210 | 01:23:30,079 | YEAH, I HAD A LOT OF FUN. | YEAH, I HAD A LOT OF FUN. |
| 2305 | 01:23:30,914 | 01:23:32,415 | YOUR DAD'S A GREAT GUY. | YOUR DAD'S A GREAT GUY. |
| 2306 | 01:23:32,447 | 01:23:33,950 | I KNOW. [chuckling] | I KNOW. [chuckling] |
| 2307 | 01:23:33,982 | 01:23:35,252 | I DIDN'T WANT THE NIGHT TO END. | I DIDN'T WANT THE NIGHT TO END. |
| 2308 | 01:23:35,951 | 01:23:37,352 | NEITHER DID I. | NEITHER DID I. |
| 2309 | 01:23:42,556 | 01:23:44,193 | LOOK AT THAT, THAT'S BEAUTIFUL, ISN'T IT? | LOOK AT THAT, THAT'S BEAUTIFUL, ISN'T IT? |
| 2310 | 01:23:44,226 | 01:23:45,160 | WOUND UP TOGETHER. | WOUND UP TOGETHER. |
| 2311 | 01:23:45,193 | 01:23:46,628 | THEY ARE A GREAT COUPLE. | THEY ARE A GREAT COUPLE. |
| 2312 | 01:23:46,662 | 01:23:48,163 | THAT IS REALLY NICE. | THAT IS REALLY NICE. |
| 2313 | 01:23:48,195 | 01:23:49,898 | I WAS HOPING HE'D GO WITH MOLLY. | I WAS HOPING HE'D GO WITH MOLLY. |
| 2314 | 01:23:49,930 | 01:23:51,232 | ME, TOO, SHE'S HOT. | ME, TOO, SHE'S HOT. |
| 2315 | 01:23:51,265 | 01:23:53,134 | BOY, I WONDER IF SHE'S STILL... | BOY, I WONDER IF SHE'S STILL... |
| 2316 | 01:23:53,167 | 01:23:55,370 | LET'S GO TALK TO THAT CHICK. | LET'S GO TALK TO THAT CHICK. |
| 2317 | 01:23:55,403 | 01:23:56,170 | SMOKING! | SMOKING! |
| 2318 | 01:23:56,202 | 01:23:57,071 | HOT! | HOT! |
| 2319 | 01:24:03,410 | 01:24:04,377 | WANNA GO FOR A WALK? | WANNA GO FOR A WALK? |
| 2320 | 01:24:04,411 | 01:24:06,313 | YES, LOVE TO. | YES, LOVE TO. |
| 2321 | 01:24:06,345 | 01:24:07,046 | OKAY. | OKAY. |
| 2322 | 01:24:08,682 | 01:24:10,283 | IT'S A GREAT SUNRISE, BY THE WAY. | IT'S A GREAT SUNRISE, BY THE WAY. |
| 2323 | 01:24:10,317 | 01:24:11,451 | SUNSET! | SUNSET! |
| 2324 | 01:24:11,483 | 01:24:13,052 | OH, OKAY. | OH, OKAY. |
| 2325 | 01:24:13,084 | 01:24:14,953 | (Tom) I KNOW IT'S JUST A START, BUT WHO KNOWS? | (Tom) I KNOW IT'S JUST A START, BUT WHO KNOWS? |
| 2326 | 01:24:14,986 | 01:24:16,254 | ANYTHING CAN HAPPEN. | ANYTHING CAN HAPPEN. |
| 2327 | 01:24:16,288 | 01:24:17,924 | THE IMPORTANT THING IS THAT WE'RE BOTH | THE IMPORTANT THING IS THAT WE'RE BOTH |
| 2328 | 01:24:17,956 | 01:24:19,592 | OPEN- AND NOT CLOSED-MINDED. | OPEN- AND NOT CLOSED-MINDED. |
| 2329 | 01:24:19,624 | 01:24:22,661 | IN 2013, THE YEAR OF THE GATHERING IN IRELAND, | IN 2013, THE YEAR OF THE GATHERING IN IRELAND, |
| 2330 | 01:24:22,695 | 01:24:24,496 | I WENT BACK TO THE COUNTRY OF MY HERITAGE | I WENT BACK TO THE COUNTRY OF MY HERITAGE |
| 2331 | 01:24:24,530 | 01:24:26,196 | AND I MET A GREEK GIRL. | AND I MET A GREEK GIRL. |
| 2332 | 01:24:26,230 | 01:24:29,101 | NOW THAT'S WHAT I CALL THE LUCK OF THE IRISH. | NOW THAT'S WHAT I CALL THE LUCK OF THE IRISH. |
| 2333 | 01:24:30,000 | 01:24:40,043 | ♪ | ♪ |
| 2334 | 01:24:40,077 | 01:24:50,086 | ♪ | ♪ |
| 2335 | 01:24:50,118 | 01:25:00,028 | ♪ | ♪ |
| 2336 | 01:25:00,062 | 01:25:10,072 | ♪ | ♪ |
| 2337 | 01:25:10,104 | 01:25:20,080 | ♪ | ♪ |
| 2338 | 01:25:20,114 | 01:25:30,123 | ♪ | ♪ |
| 2339 | 01:25:30,155 | 01:25:40,064 | ♪ | ♪ |
| 2340 | 01:25:40,098 | 01:25:50,108 | ♪ | ♪ |
| 2341 | 01:25:50,140 | 01:26:00,117 | ♪ | ♪ |
| 2342 | 01:26:00,151 | 01:26:10,160 | ♪ | ♪ |
| 2343 | 01:26:10,192 | 01:26:20,101 | ♪ | ♪ |
| 2344 | 01:26:20,135 | 01:26:34,282 | ♪ | ♪ |
| 2345 | 01:26:41,755 | 01:26:45,059 | ♪ | ♪ |
| 2346 | 01:26:45,091 | 01:26:46,359 | ♪ I CAN'T WAIT ♪ | ♪ I CAN'T WAIT ♪ |
| 2347 | 01:26:46,393 | 01:26:48,095 | ♪ | ♪ |
| 2348 | 01:26:48,127 | 01:26:49,495 | ♪ IT'S TOO LATE, GIRL ♪ | ♪ IT'S TOO LATE, GIRL ♪ |
| 2349 | 01:26:49,527 | 01:26:50,829 | ♪ | ♪ |
| 2350 | 01:26:50,862 | 01:26:51,798 | ♪ IT'S TOO LATE ♪ | ♪ IT'S TOO LATE ♪ |
| 2351 | 01:26:51,830 | 01:26:52,331 | ♪ | ♪ |
| 2352 | 01:26:52,365 | 01:26:53,699 | ♪ IT'S TOO LATE ♪ | ♪ IT'S TOO LATE ♪ |
| 2353 | 01:26:53,732 | 01:26:54,801 | ♪ | ♪ |
| 2354 | 01:26:54,834 | 01:26:55,735 | ♪ OW! ♪ | ♪ OW! ♪ |
| 2355 | 01:26:55,768 | 01:27:06,411 | ♪ | ♪ |
| 2356 | 01:27:06,444 | 01:27:09,681 | ♪ I SPENT MY WHOLE LIFE WAITING FOR YOU, BABE ♪ | ♪ I SPENT MY WHOLE LIFE WAITING FOR YOU, BABE ♪ |
| 2357 | 01:27:09,713 | 01:27:11,482 | ♪ BUT JUST LIKE THE D TRAIN ♪ | ♪ BUT JUST LIKE THE D TRAIN ♪ |
| 2358 | 01:27:11,516 | 01:27:13,717 | ♪ YOU SHOW UP AT THE MOST UNUSUAL TIMES ♪ | ♪ YOU SHOW UP AT THE MOST UNUSUAL TIMES ♪ |
| 2359 | 01:27:13,749 | 01:27:16,087 | ♪ I CAN'T TAKE ANYMORE ♪ | ♪ I CAN'T TAKE ANYMORE ♪ |
| 2360 | 01:27:16,119 | 01:27:18,788 | ♪ YOU'RE DRIVING ME OUT OF MY MIND ♪ | ♪ YOU'RE DRIVING ME OUT OF MY MIND ♪ |
| 2361 | 01:27:18,822 | 01:27:19,757 | ♪ | ♪ |
| 2362 | 01:27:19,789 | 01:27:23,293 | ♪ YOU COME ON LIKE SOME BEAM OF LIGHT ♪ | ♪ YOU COME ON LIKE SOME BEAM OF LIGHT ♪ |
| 2363 | 01:27:23,327 | 01:27:26,763 | ♪ STRAIGHT FROM PARADISE ♪ | ♪ STRAIGHT FROM PARADISE ♪ |
| 2364 | 01:27:26,796 | 01:27:30,233 | ♪ OR OUT OF THE ARMS OF MY BEST FRIEND, KEVIN ♪ | ♪ OR OUT OF THE ARMS OF MY BEST FRIEND, KEVIN ♪ |
| 2365 | 01:27:30,265 | 01:27:35,337 | ♪ BETTER TO RULE IN HELL THAN SERVE YOU IN HEAVEN ♪ | ♪ BETTER TO RULE IN HELL THAN SERVE YOU IN HEAVEN ♪ |
| 2366 | 01:27:35,371 | 01:27:38,640 | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ |
| 2367 | 01:27:38,673 | 01:27:43,745 | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ |
| 2368 | 01:27:43,777 | 01:27:47,582 | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ |
| 2369 | 01:27:47,616 | 01:27:49,517 | ♪ | ♪ |
| 2370 | 01:27:49,549 | 01:27:52,686 | ♪ NOW THE DAWNLIGHT GLEAMS IN YOUR HAIR ♪ | ♪ NOW THE DAWNLIGHT GLEAMS IN YOUR HAIR ♪ |
| 2371 | 01:27:52,719 | 01:27:56,824 | ♪ I CAN'T SEE ANYWHERE LEFT FOR US TO GO ♪ | ♪ I CAN'T SEE ANYWHERE LEFT FOR US TO GO ♪ |
| 2372 | 01:27:56,856 | 01:28:01,494 | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ |
| 2373 | 01:28:01,528 | 01:28:14,840 | ♪ | ♪ |
| 2374 | 01:28:14,872 | 01:28:17,542 | ♪ AND ALL THOSE DAYS OUT AT ROCKAWAY ♪ | ♪ AND ALL THOSE DAYS OUT AT ROCKAWAY ♪ |
| 2375 | 01:28:17,576 | 01:28:20,712 | ♪ YOU LEFT ME WAITING LIKE A SPARE AT A WEDDING ♪ | ♪ YOU LEFT ME WAITING LIKE A SPARE AT A WEDDING ♪ |
| 2376 | 01:28:20,746 | 01:28:24,416 | ♪ AH, IT'S TOO UPSETTING TO THINK ABOUT ♪ | ♪ AH, IT'S TOO UPSETTING TO THINK ABOUT ♪ |
| 2377 | 01:28:24,448 | 01:28:27,852 | ♪ WHAT YOU WERE UP TO WITH KEVIN ♪ | ♪ WHAT YOU WERE UP TO WITH KEVIN ♪ |
| 2378 | 01:28:27,885 | 01:28:31,656 | ♪ BUT LET ME TOUCH YOUR FACE ONE LAST TIME ♪ | ♪ BUT LET ME TOUCH YOUR FACE ONE LAST TIME ♪ |
| 2379 | 01:28:31,688 | 01:28:35,225 | ♪ THEN I'M OUT OF HERE OR OUT OF MY MIND ♪ | ♪ THEN I'M OUT OF HERE OR OUT OF MY MIND ♪ |
| 2380 | 01:28:35,259 | 01:28:38,295 | ♪ KATHLEEN, IT'S BEEN A DREAM ♪ | ♪ KATHLEEN, IT'S BEEN A DREAM ♪ |
| 2381 | 01:28:38,327 | 01:28:43,267 | ♪ LOOK OUT, YOUR NIGHTMARE IS COMING ♪ | ♪ LOOK OUT, YOUR NIGHTMARE IS COMING ♪ |
| 2382 | 01:28:43,299 | 01:28:44,168 | ♪ | ♪ |
| 2383 | 01:28:44,201 | 01:28:47,171 | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ |
| 2384 | 01:28:47,204 | 01:28:52,208 | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ |
| 2385 | 01:28:52,240 | 01:28:55,710 | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ |
| 2386 | 01:28:55,744 | 01:28:57,612 | ♪ | ♪ |
| 2387 | 01:28:57,646 | 01:29:00,815 | ♪ NOW THE DAWNLIGHT GLEAMS IN YOUR HAIR ♪ | ♪ NOW THE DAWNLIGHT GLEAMS IN YOUR HAIR ♪ |
| 2388 | 01:29:00,847 | 01:29:05,252 | ♪ I CAN'T SEE ANYWHERE LEFT FOR US TO GO ♪ | ♪ I CAN'T SEE ANYWHERE LEFT FOR US TO GO ♪ |
| 2389 | 01:29:05,285 | 01:29:09,557 | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ |
| 2390 | 01:29:09,591 | 01:29:19,800 | ♪ | ♪ |
| 2391 | 01:29:19,832 | 01:29:22,202 | ♪ OH, KATHLEEN, THIS SCENE ♪ | ♪ OH, KATHLEEN, THIS SCENE ♪ |
| 2392 | 01:29:22,235 | 01:29:25,537 | ♪ AND THE DRINKING'S GETTING TO ME ♪ | ♪ AND THE DRINKING'S GETTING TO ME ♪ |
| 2393 | 01:29:25,571 | 01:29:29,274 | ♪ BUT I'M OUT OF HERE AND RUNNING ♪ | ♪ BUT I'M OUT OF HERE AND RUNNING ♪ |
| 2394 | 01:29:29,308 | 01:29:34,447 | ♪ 'CAUSE I CAN SEE YOUR NIGHTMARE COMING ♪ | ♪ 'CAUSE I CAN SEE YOUR NIGHTMARE COMING ♪ |
| 2395 | 01:29:34,479 | 01:29:48,693 | ♪ | ♪ |
| 2396 | 01:29:48,726 | 01:29:51,796 | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ | ♪ NOW THE SUN IS BLINDING YOUR EYES ♪ |
| 2397 | 01:29:51,829 | 01:29:56,534 | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ | ♪ OH, I CAN'T TAKE ANY MORE OF YOUR DISGUISES ♪ |
| 2398 | 01:29:56,566 | 01:29:59,203 | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ | ♪ I WON'T TAKE YOU HOME AGAIN, KATHLEEN ♪ |
| 2399 | 01:30:00,911 | 01:30:05,911 | Provided by explosiveskull https://twitter.com/kaboomskull | Provided by explosiveskull https://twitter.com/kaboomskull |