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1 | 00:00:09,540 | 00:00:10,370 | WOMEN, TOM | WOMEN, TOM |
2 | 00:00:10,370 | 00:00:14,040 | I LOVE WOMEN. I LOVE ALL WOMEN | I LOVE WOMEN. I LOVE ALL WOMEN |
3 | 00:00:14,040 | 00:00:19,180 | THAT'S WHY IT'S WEIRD TO THINK THIS WOULD COME ABOUT. | THAT'S WHY IT'S WEIRD TO THINK THIS WOULD COME ABOUT. |
4 | 00:00:19,180 | 00:00:20,850 | 911, EMERGENCY? MY WIFE'S BEEN SHOT, AND | 911, EMERGENCY? MY WIFE'S BEEN SHOT, AND |
5 | 00:00:20,850 | 00:00:22,480 | THERE'S A GUY IN MY HOUSE, AND I SHOT HIM | THERE'S A GUY IN MY HOUSE, AND I SHOT HIM |
6 | 00:00:22,480 | 00:00:25,150 | OH, I SHOT AND SHOT AND SHOT AND SHOT | OH, I SHOT AND SHOT AND SHOT AND SHOT |
7 | 00:00:25,150 | 00:00:27,460 | THOMAS RANDOLPH IS THE ONLY PERSON THAT COULD TELL US WHAT | THOMAS RANDOLPH IS THE ONLY PERSON THAT COULD TELL US WHAT |
8 | 00:00:27,460 | 00:00:30,230 | HAPPENED BECAUSE THE OTHER TWO PEOPLE | HAPPENED BECAUSE THE OTHER TWO PEOPLE |
9 | 00:00:30,230 | 00:00:33,190 | THAT WERE THERE ARE DEAD IT LOOKED LIKE IT MIGHT HAVE | THAT WERE THERE ARE DEAD IT LOOKED LIKE IT MIGHT HAVE |
10 | 00:00:33,190 | 00:00:34,960 | BEEN A HOME INVASION ROBBERY, BUT IN FACT, THERE WERE SOME | BEEN A HOME INVASION ROBBERY, BUT IN FACT, THERE WERE SOME |
11 | 00:00:34,960 | 00:00:36,670 | THINGS THAT WERE NOT RIGHT ABOUT IT | THINGS THAT WERE NOT RIGHT ABOUT IT |
12 | 00:00:36,670 | 00:00:38,970 | THOMAS RANDOLPH HAD A LOT OF SECRETS. | THOMAS RANDOLPH HAD A LOT OF SECRETS. |
13 | 00:00:38,970 | 00:00:47,710 | IT WASN'T EASY DIGGING ALL OF THEM UP. | IT WASN'T EASY DIGGING ALL OF THEM UP. |
14 | 00:00:47,710 | 00:00:49,110 | HE'S BEEN MARRIED SIX TIMES, AND FOUR OF HIS WIVES ARE DEAD | HE'S BEEN MARRIED SIX TIMES, AND FOUR OF HIS WIVES ARE DEAD |
15 | 00:00:49,110 | 00:00:51,780 | THESE WOMEN COME UP DEAD, AND HE COMES UP WITH MONEY | THESE WOMEN COME UP DEAD, AND HE COMES UP WITH MONEY |
16 | 00:00:51,780 | 00:00:53,280 | I HAD NOTHING TO DO WITH ANY OF IT. | I HAD NOTHING TO DO WITH ANY OF IT. |
17 | 00:00:53,280 | 00:00:55,580 | HE'S EVIL I'M NOT NO SAINT. | HE'S EVIL I'M NOT NO SAINT. |
18 | 00:00:55,580 | 00:00:58,090 | WE HAVE TO STOP HIM HIS GIG IS UP. | WE HAVE TO STOP HIM HIS GIG IS UP. |
19 | 00:00:58,090 | 00:01:01,120 | I'M THE VICTIM IN THIS. HE'S REALLY A SICK SON OF A | I'M THE VICTIM IN THIS. HE'S REALLY A SICK SON OF A |
20 | 00:01:01,120 | 00:01:13,600 | BITCH. AND NOW IT'S THE TOMMY SHOW, | BITCH. AND NOW IT'S THE TOMMY SHOW, |
21 | 00:01:13,600 | 00:01:15,170 | LIVE FROM LAS VEGAS. PUT YOUR HANDS ON YOUR HEAD | LIVE FROM LAS VEGAS. PUT YOUR HANDS ON YOUR HEAD |
22 | 00:01:15,170 | 00:01:19,570 | RIGHT NOW. PUT YOUR HANDS ON YOUR HEAD. | RIGHT NOW. PUT YOUR HANDS ON YOUR HEAD. |
23 | 00:01:19,570 | 00:01:36,960 | WHAT DID YOU DO TO MY MOTHER? I LOVE YOU, TOMMY | WHAT DID YOU DO TO MY MOTHER? I LOVE YOU, TOMMY |
24 | 00:01:36,960 | 00:01:37,330 | I LOVE YOU, TOMMY AM I BEAUTIFUL? | I LOVE YOU, TOMMY AM I BEAUTIFUL? |
25 | 00:01:55,110 | 00:01:58,780 | UH, MY WIFE'S BEEN SHOT, AND THERE'S A GUY IN MY HOUSE, AND I | UH, MY WIFE'S BEEN SHOT, AND THERE'S A GUY IN MY HOUSE, AND I |
26 | 00:01:58,780 | 00:02:01,250 | SHOT HIM AND HE'S - | SHOT HIM AND HE'S - |
27 | 00:02:01,250 | 00:02:03,550 | IS -- IS HE HURT TOO? HUH | IS -- IS HE HURT TOO? HUH |
28 | 00:02:03,550 | 00:02:05,190 | IS HE HURT TOO? I HOPE HE'S DEAD. | IS HE HURT TOO? I HOPE HE'S DEAD. |
29 | 00:02:05,190 | 00:02:06,690 | MY WIFE'S HURT REALLY BAD -- WHAT'S YOUR NAME? | MY WIFE'S HURT REALLY BAD -- WHAT'S YOUR NAME? |
30 | 00:02:06,690 | 00:02:11,060 | WHAT'S YOUR NAME, SIR? TOM | WHAT'S YOUR NAME, SIR? TOM |
31 | 00:02:11,060 | 00:02:14,100 | TOM. IT WAS, UH, SAY PROBABLY | TOM. IT WAS, UH, SAY PROBABLY |
32 | 00:02:14,100 | 00:02:17,370 | ABOUT 10:00 ON MAY 8th OF 2008 I WAS AT HOME. | ABOUT 10:00 ON MAY 8th OF 2008 I WAS AT HOME. |
33 | 00:02:17,370 | 00:02:20,200 | I WAS -- I WAS WITH MY FAMILY. AND I GOT THE CALL FROM -- FROM | I WAS -- I WAS WITH MY FAMILY. AND I GOT THE CALL FROM -- FROM |
34 | 00:02:20,200 | 00:02:21,900 | MY SERGEANT. I GRABBED MY NOTEBOOK REAL | MY SERGEANT. I GRABBED MY NOTEBOOK REAL |
35 | 00:02:21,900 | 00:02:26,110 | QUICK, AND I CAME BACK TO THE PHONE. | QUICK, AND I CAME BACK TO THE PHONE. |
36 | 00:02:26,110 | 00:02:28,940 | I SAID, "SHOOT." WHERE IS YOUR WIFE IN THE | I SAID, "SHOOT." WHERE IS YOUR WIFE IN THE |
37 | 00:02:28,940 | 00:02:30,580 | HOUSE? SHE'S IN, LIKE -- IN THE | HOUSE? SHE'S IN, LIKE -- IN THE |
38 | 00:02:30,580 | 00:02:32,450 | HALL, IN THE BEDROOM SHE'S BEEN SHOT BAD. | HALL, IN THE BEDROOM SHE'S BEEN SHOT BAD. |
39 | 00:02:32,450 | 00:02:35,250 | WHERE IS SHE SHOT AT? DO YOU KNOW? | WHERE IS SHE SHOT AT? DO YOU KNOW? |
40 | 00:02:35,250 | 00:02:39,150 | YEAH. I -- I THINK IN THE HEAD | YEAH. I -- I THINK IN THE HEAD |
41 | 00:02:39,150 | 00:02:45,760 | OH, GOD. SHARON | OH, GOD. SHARON |
42 | 00:02:45,760 | 00:02:48,700 | [ CRYING ] THE VERY FIRST THING THAT I | [ CRYING ] THE VERY FIRST THING THAT I |
43 | 00:02:48,700 | 00:02:52,100 | WAS TOLD FROM MY SERGEANT WAS THAT WE HAD A WOMAN DOWN IN A | WAS TOLD FROM MY SERGEANT WAS THAT WE HAD A WOMAN DOWN IN A |
44 | 00:02:52,100 | 00:02:55,800 | HOUSE AND THAT THERE WAS AN INTRUDER THAT HAD ALSO BEEN | HOUSE AND THAT THERE WAS AN INTRUDER THAT HAD ALSO BEEN |
45 | 00:02:55,800 | 00:02:59,810 | SHOT METRO OFFICERS RESPONDED TO A | SHOT METRO OFFICERS RESPONDED TO A |
46 | 00:02:59,810 | 00:03:02,940 | 911 CALL FROM A MAN WHO SAID AN INTRUDER WAS INSIDE HIS HOME | 911 CALL FROM A MAN WHO SAID AN INTRUDER WAS INSIDE HIS HOME |
47 | 00:03:02,940 | 00:03:05,880 | THERE WAS A ROBBERY AND HOME INVASION IN PROGRESS AT HIS | THERE WAS A ROBBERY AND HOME INVASION IN PROGRESS AT HIS |
48 | 00:03:05,880 | 00:03:09,380 | RESIDENCE HERE ON RANCHO SANTE FE. | RESIDENCE HERE ON RANCHO SANTE FE. |
49 | 00:03:09,380 | 00:03:13,360 | THERE WERE TWO DEAD BODIES INSIDE THE HOUSE | THERE WERE TWO DEAD BODIES INSIDE THE HOUSE |
50 | 00:03:13,360 | 00:03:15,390 | ONE BEING THE WIFE OF THE HOMEOWNER. | ONE BEING THE WIFE OF THE HOMEOWNER. |
51 | 00:03:15,390 | 00:03:18,690 | AND HER NAME WAS SHARON RANDOLPH. | AND HER NAME WAS SHARON RANDOLPH. |
52 | 00:03:18,690 | 00:03:22,960 | AND THE OTHER WAS THE INTRUDER, MIKE MILLER, WHO WAS DEAD INSIDE | AND THE OTHER WAS THE INTRUDER, MIKE MILLER, WHO WAS DEAD INSIDE |
53 | 00:03:22,960 | 00:03:26,430 | THE GARAGE WE'RE INITIALLY BRIEFED BY | THE GARAGE WE'RE INITIALLY BRIEFED BY |
54 | 00:03:26,430 | 00:03:30,070 | THE PATROLMEN WHO GOT THERE AND ENCOUNTERED THE HOMEOWNER, WHO | THE PATROLMEN WHO GOT THERE AND ENCOUNTERED THE HOMEOWNER, WHO |
55 | 00:03:30,070 | 00:03:35,840 | WE DETERMINED -- HIS NAME TO BE THOMAS RANDOLPH. | WE DETERMINED -- HIS NAME TO BE THOMAS RANDOLPH. |
56 | 00:03:35,840 | 00:03:39,580 | POLICE TELL US THAT 57-YEAR-OLD SHARON RANDOLPH WAS | POLICE TELL US THAT 57-YEAR-OLD SHARON RANDOLPH WAS |
57 | 00:03:39,580 | 00:03:42,150 | SHOT AND KILLED BY THE BURGLAR METRO SAYS HER HUSBAND STRUGGLED | SHOT AND KILLED BY THE BURGLAR METRO SAYS HER HUSBAND STRUGGLED |
58 | 00:03:42,150 | 00:03:44,520 | TO GET THE GUN AWAY FROM THE SUSPECT. | TO GET THE GUN AWAY FROM THE SUSPECT. |
59 | 00:03:44,520 | 00:03:50,090 | HE SUCCEEDED, THEN SHOT AND KILLED THE BURGLAR IN THE | HE SUCCEEDED, THEN SHOT AND KILLED THE BURGLAR IN THE |
60 | 00:03:50,090 | 00:03:53,760 | GARAGE THERE WAS A SKI MASK LAYING | GARAGE THERE WAS A SKI MASK LAYING |
61 | 00:03:53,760 | 00:03:55,960 | ON THE FLOOR NOT FAR FROM MICHAEL MILLER'S BODY IN THE | ON THE FLOOR NOT FAR FROM MICHAEL MILLER'S BODY IN THE |
62 | 00:03:55,960 | 00:03:58,470 | GARAGE NEXT TO HIM THERE WAS AN OPEN | GARAGE NEXT TO HIM THERE WAS AN OPEN |
63 | 00:03:58,470 | 00:04:00,740 | BAG WHERE YOU COULD SEE THERE WAS A SUBSTANTIAL AMOUNT OF | BAG WHERE YOU COULD SEE THERE WAS A SUBSTANTIAL AMOUNT OF |
64 | 00:04:00,740 | 00:04:05,470 | JEWELRY. AS WE WALKED INTO THE HALLWAY, | JEWELRY. AS WE WALKED INTO THE HALLWAY, |
65 | 00:04:05,470 | 00:04:09,180 | YOU COULD SEE SHARON RANDOLPH LAYING ON HER BACK | YOU COULD SEE SHARON RANDOLPH LAYING ON HER BACK |
66 | 00:04:09,180 | 00:04:11,450 | THERE WAS A BAG OF TAKEOUT FOOD FROM THE RESTAURANT THAT THEY | THERE WAS A BAG OF TAKEOUT FOOD FROM THE RESTAURANT THAT THEY |
67 | 00:04:11,450 | 00:04:15,520 | HAD BEEN TO. HER PURSE WAS LAYING NEXT TO | HAD BEEN TO. HER PURSE WAS LAYING NEXT TO |
68 | 00:04:15,520 | 00:04:17,590 | THAT THERE WAS A GUN LAYING ON THE | THAT THERE WAS A GUN LAYING ON THE |
69 | 00:04:17,590 | 00:04:19,220 | FLOOR. WE LOOKED INTO THE MASTER | FLOOR. WE LOOKED INTO THE MASTER |
70 | 00:04:19,220 | 00:04:21,820 | BEDROOM. THERE WERE SEVERAL DRAWERS THAT | BEDROOM. THERE WERE SEVERAL DRAWERS THAT |
71 | 00:04:21,820 | 00:04:23,960 | WERE OPEN. THERE WAS EVERY INDICATION THAT | WERE OPEN. THERE WAS EVERY INDICATION THAT |
72 | 00:04:23,960 | 00:04:33,300 | SOMEBODY HAD COME INTO THE HOUSE AND HAD GONE THROUGH THEIR | SOMEBODY HAD COME INTO THE HOUSE AND HAD GONE THROUGH THEIR |
73 | 00:04:33,300 | 00:04:37,670 | PROPERTY IN ORDER TO TAKE IT MY LITTLE GIRL. | PROPERTY IN ORDER TO TAKE IT MY LITTLE GIRL. |
74 | 00:04:37,670 | 00:04:44,210 | [ LAUGHTER ] I WAS AT HOME | [ LAUGHTER ] I WAS AT HOME |
75 | 00:04:44,210 | 00:04:47,880 | GOT A PHONE CALL FROM A GOOD FRIEND OF MY MOM'S | GOT A PHONE CALL FROM A GOOD FRIEND OF MY MOM'S |
76 | 00:04:47,880 | 00:04:50,420 | AND SHE WAS WATCHING THE NEWS AND SAID SHE SAW A SHOOTING | AND SHE WAS WATCHING THE NEWS AND SAID SHE SAW A SHOOTING |
77 | 00:04:50,420 | 00:04:53,460 | HAPPENED ON -- ON THE STREET. | HAPPENED ON -- ON THE STREET. |
78 | 00:04:53,460 | 00:04:54,590 | AND SHE SAID, "IS THAT YOUR MOM'S STREET?" | AND SHE SAID, "IS THAT YOUR MOM'S STREET?" |
79 | 00:04:54,590 | 00:04:59,530 | I'M LIKE, "YEAH, YEAH, IT'S MY MOM'S STREET." | I'M LIKE, "YEAH, YEAH, IT'S MY MOM'S STREET." |
80 | 00:04:59,530 | 00:05:07,840 | AND I KNEW IT HAD TO HAVE COME FROM MY MOM'S HOUSE. | AND I KNEW IT HAD TO HAVE COME FROM MY MOM'S HOUSE. |
81 | 00:05:07,840 | 00:05:21,950 | SO I DROVE OVER TO MY MOM'S. I SAW THE COP CARS AND LIGHTS. | SO I DROVE OVER TO MY MOM'S. I SAW THE COP CARS AND LIGHTS. |
82 | 00:05:21,950 | 00:05:29,360 | I KNEW -- I JUST KNEW. I TALKED TO MY MOM ABOUT 6:00. | I KNEW -- I JUST KNEW. I TALKED TO MY MOM ABOUT 6:00. |
83 | 00:05:29,360 | 00:05:42,370 | AND, LIKE, 2 1/2 HOURS LATER, SHE'S KILLED | AND, LIKE, 2 1/2 HOURS LATER, SHE'S KILLED |
84 | 00:05:54,280 | 00:05:56,150 | YOU OKAY, TOM IT'S BEEN A LONG DAY. | YOU OKAY, TOM IT'S BEEN A LONG DAY. |
85 | 00:05:56,150 | 00:05:59,090 | THIS IS MY PARTNER, KEN HARDY. | THIS IS MY PARTNER, KEN HARDY. |
86 | 00:05:59,090 | 00:06:03,790 | IT'S A NICE SHIRT TWO OTHER DETECTIVES FROM | IT'S A NICE SHIRT TWO OTHER DETECTIVES FROM |
87 | 00:06:03,790 | 00:06:07,160 | HOMICIDE THAT WERE ON MY SQUAD BROUGHT MR. RANDOLPH BACK TO THE | HOMICIDE THAT WERE ON MY SQUAD BROUGHT MR. RANDOLPH BACK TO THE |
88 | 00:06:07,160 | 00:06:13,030 | HOMICIDE SECTION TO CONDUCT AN INTERVIEW WITH HIM | HOMICIDE SECTION TO CONDUCT AN INTERVIEW WITH HIM |
89 | 00:06:13,030 | 00:06:15,170 | YOU HAD TOLD US THAT YOU HAD EMPLOYED A PERSON BY THE NAME OF | YOU HAD TOLD US THAT YOU HAD EMPLOYED A PERSON BY THE NAME OF |
90 | 00:06:15,170 | 00:06:19,040 | MIKE IS THAT CORRECT? | MIKE IS THAT CORRECT? |
91 | 00:06:19,040 | 00:06:21,480 | YES TOM RANDOLPH TOLD DETECTIVES | YES TOM RANDOLPH TOLD DETECTIVES |
92 | 00:06:21,480 | 00:06:23,950 | MOGG AND HARDY THAT HE KNEW MICHAEL MILLER | MOGG AND HARDY THAT HE KNEW MICHAEL MILLER |
93 | 00:06:23,950 | 00:06:26,210 | HE HAD HIM DO SOME HANDY WORK AROUND HIS HOUSE | HE HAD HIM DO SOME HANDY WORK AROUND HIS HOUSE |
94 | 00:06:26,210 | 00:06:30,750 | AND, UH, HOW LONG HAVE YOU KNOWN MIKE | AND, UH, HOW LONG HAVE YOU KNOWN MIKE |
95 | 00:06:30,750 | 00:06:32,850 | FOUR OR FIVE MONTHS MAYBE DID MIKE KNOW YOU GUYS WERE | FOUR OR FIVE MONTHS MAYBE DID MIKE KNOW YOU GUYS WERE |
96 | 00:06:32,850 | 00:06:34,920 | GOIN' TO DINNER TONIGHT? YEAH. | GOIN' TO DINNER TONIGHT? YEAH. |
97 | 00:06:34,920 | 00:06:37,890 | YEAH HE TOLD US THAT HE HAD TAKEN | YEAH HE TOLD US THAT HE HAD TAKEN |
98 | 00:06:37,890 | 00:06:41,060 | SHARON TO HAVE A -- A DINNER AT A LOCAL CASINO RIGHT DOWN THE | SHARON TO HAVE A -- A DINNER AT A LOCAL CASINO RIGHT DOWN THE |
99 | 00:06:41,060 | 00:06:44,900 | STREET SO YOU GO HOME. | STREET SO YOU GO HOME. |
100 | 00:06:44,900 | 00:06:48,670 | AND WHEN YOU ARRIVE AT THE HOUSE, TELL ME EVERYTHING THAT | AND WHEN YOU ARRIVE AT THE HOUSE, TELL ME EVERYTHING THAT |
101 | 00:06:48,670 | 00:06:50,840 | HAPPENS. I PULL UP IN THE DRIVEWAY | HAPPENS. I PULL UP IN THE DRIVEWAY |
102 | 00:06:50,840 | 00:06:53,170 | DOES SHE GET OUT IN THE DRIVEWAY OR IN FRONT OF THE | DOES SHE GET OUT IN THE DRIVEWAY OR IN FRONT OF THE |
103 | 00:06:53,170 | 00:06:57,080 | HOUSE? SHE GOT OUT IN THE DRIVEWAY | HOUSE? SHE GOT OUT IN THE DRIVEWAY |
104 | 00:06:57,080 | 00:07:00,680 | AND YOU ENTERED THE HOUSE AND WHAT DO YOU SEE? | AND YOU ENTERED THE HOUSE AND WHAT DO YOU SEE? |
105 | 00:07:00,680 | 00:07:02,650 | SHARON LAYING ON THE FLOOR. WHAT WAS THE FIRST THING YOU | SHARON LAYING ON THE FLOOR. WHAT WAS THE FIRST THING YOU |
106 | 00:07:02,650 | 00:07:13,090 | THOUGHT WHEN YOU SAW SHARON LAYIN' DOWN? | THOUGHT WHEN YOU SAW SHARON LAYIN' DOWN? |
107 | 00:07:13,090 | 00:07:15,830 | I THOUGHT SHE'D FALLEN. WHEN WE INITIALLY LOOKED AT | I THOUGHT SHE'D FALLEN. WHEN WE INITIALLY LOOKED AT |
108 | 00:07:15,830 | 00:07:18,730 | THE EVIDENCE THAT WE HAD, LOOKED LIKE IT MIGHT HAVE BEEN A HOME | THE EVIDENCE THAT WE HAD, LOOKED LIKE IT MIGHT HAVE BEEN A HOME |
109 | 00:07:18,730 | 00:07:24,540 | INVASION/ROBBERY HE WAS A HERO. | INVASION/ROBBERY HE WAS A HERO. |
110 | 00:07:24,540 | 00:07:28,840 | BUT, IN FACT, THERE WERE SOME THINGS THAT WERE NOT RIGHT ABOUT | BUT, IN FACT, THERE WERE SOME THINGS THAT WERE NOT RIGHT ABOUT |
111 | 00:07:28,840 | 00:07:35,650 | IT I DIDN'T SEE THE RED FLAGS. | IT I DIDN'T SEE THE RED FLAGS. |
112 | 00:07:35,650 | 00:07:46,590 | SHOULD HAVE. I SAID, "SHARON, SHARON." | SHOULD HAVE. I SAID, "SHARON, SHARON." |
113 | 00:07:46,590 | 00:07:49,500 | I JUST REMEMBER HER SHOWING UP TO MY FRONT DOOR WITH HIM | I JUST REMEMBER HER SHOWING UP TO MY FRONT DOOR WITH HIM |
114 | 00:07:49,500 | 00:07:52,300 | AND I WAS JUST LIKE, "WHO IS THIS GUY?" | AND I WAS JUST LIKE, "WHO IS THIS GUY?" |
115 | 00:07:52,300 | 00:07:54,700 | SHE SAYS JUST, "TOMMY AND I GOT MARRIED. | SHE SAYS JUST, "TOMMY AND I GOT MARRIED. |
116 | 00:07:54,700 | 00:08:17,390 | I SAID, "OH, MY GOD, YOU WHEN I WAS A KID, ALWAYS | I SAID, "OH, MY GOD, YOU WHEN I WAS A KID, ALWAYS |
117 | 00:08:17,390 | 00:08:21,800 | WANTED TO BE A POLICE OFFICER. IT'S THE LORD'S WORK | WANTED TO BE A POLICE OFFICER. IT'S THE LORD'S WORK |
118 | 00:08:21,800 | 00:08:24,100 | YOU KNOW, THERE'S NOT A LOT OF PEOPLE THAT ARE -- THAT ARE | YOU KNOW, THERE'S NOT A LOT OF PEOPLE THAT ARE -- THAT ARE |
119 | 00:08:24,100 | 00:08:27,900 | WILLING TO DO IT BUT I FEEL HONORED TO BE, YOU | WILLING TO DO IT BUT I FEEL HONORED TO BE, YOU |
120 | 00:08:27,900 | 00:08:33,340 | KNOW, PART OF BRINGIN' SOME JUSTICE TO THE VICTIM'S FAMILY | KNOW, PART OF BRINGIN' SOME JUSTICE TO THE VICTIM'S FAMILY |
121 | 00:08:33,340 | 00:08:37,050 | IT'S A DIFFICULT THING FOR THEM, NOT ONLY TO LOSE THEIR LOVED | IT'S A DIFFICULT THING FOR THEM, NOT ONLY TO LOSE THEIR LOVED |
122 | 00:08:37,050 | 00:08:39,480 | ONE, BUT TO GO THROUGH THE WHOLE PROCESS. | ONE, BUT TO GO THROUGH THE WHOLE PROCESS. |
123 | 00:08:39,480 | 00:08:44,290 | AND THEY'RE ALMOST, IN A SENSE, VICTIMIZED AGAIN | AND THEY'RE ALMOST, IN A SENSE, VICTIMIZED AGAIN |
124 | 00:08:44,290 | 00:08:56,800 | BUT YOU HAVE TO THINK ABOUT, YOU KNOW -- WHAT'S COLLEEN THINKING? | BUT YOU HAVE TO THINK ABOUT, YOU KNOW -- WHAT'S COLLEEN THINKING? |
125 | 00:08:56,800 | 00:09:00,070 | I WAS ABOUT 5 1/2 MONTHS PREGNANT WITH KATIE. | I WAS ABOUT 5 1/2 MONTHS PREGNANT WITH KATIE. |
126 | 00:09:00,070 | 00:09:03,200 | WE JUST FOUND OUT A FEW WEEKS BEFORE THAT I WAS HAVIN' A GIRL, | WE JUST FOUND OUT A FEW WEEKS BEFORE THAT I WAS HAVIN' A GIRL, |
127 | 00:09:03,200 | 00:09:06,810 | WHICH WAS SUPER EXCITING, ESPECIALLY FOR MY MOM. | WHICH WAS SUPER EXCITING, ESPECIALLY FOR MY MOM. |
128 | 00:09:06,810 | 00:09:08,510 | WELL, THEY SAY YOU SHOULD PUT IT ON HIM. | WELL, THEY SAY YOU SHOULD PUT IT ON HIM. |
129 | 00:09:08,510 | 00:09:10,350 | WHAT IS IT, A HELMET? IT'S A HELMET | WHAT IS IT, A HELMET? IT'S A HELMET |
130 | 00:09:10,350 | 00:09:12,110 | FOR MICK WELL, ROLLERBLADES -- | FOR MICK WELL, ROLLERBLADES -- |
131 | 00:09:12,110 | 00:09:15,720 | IT'S A HELMET FOR MICK. IT'S A HELMET FOR ME. | IT'S A HELMET FOR MICK. IT'S A HELMET FOR ME. |
132 | 00:09:15,720 | 00:09:19,820 | WELL, THAT'S CUTE SHE WAS LOOKING FORWARD TO | WELL, THAT'S CUTE SHE WAS LOOKING FORWARD TO |
133 | 00:09:19,820 | 00:09:23,860 | IT, BIG TIME I MEAN, SHE'S ALWAYS WANTED A -- | IT, BIG TIME I MEAN, SHE'S ALWAYS WANTED A -- |
134 | 00:09:23,860 | 00:09:28,130 | A -- A GIRL GRANDCHILD SO SHE WAS REALLY, REALLY HAPPY. | A -- A GIRL GRANDCHILD SO SHE WAS REALLY, REALLY HAPPY. |
135 | 00:09:28,130 | 00:09:31,130 | I MEAN, SHE WAS ALREADY OUT SHOPPIN' FOR LITTLE PINK | I MEAN, SHE WAS ALREADY OUT SHOPPIN' FOR LITTLE PINK |
136 | 00:09:31,130 | 00:09:34,670 | DRESSES. IT SUCKS | DRESSES. IT SUCKS |
137 | 00:09:34,670 | 00:09:37,570 | I'VE ONLY GOT A COUPLE OF FRIENDS. | I'VE ONLY GOT A COUPLE OF FRIENDS. |
138 | 00:09:37,570 | 00:09:46,680 | AND I DON'T HAVE ANY BROTHERS OR SISTERS. | AND I DON'T HAVE ANY BROTHERS OR SISTERS. |
139 | 00:09:46,680 | 00:09:47,120 | SISTERS. SO MY MOM WAS MY BUDDY | SISTERS. SO MY MOM WAS MY BUDDY |
140 | 00:09:56,490 | 00:10:05,830 | JUST ME AND MY MOM SHE TOOK GOOD CARE OF ME | JUST ME AND MY MOM SHE TOOK GOOD CARE OF ME |
141 | 00:10:05,830 | 00:10:09,970 | IT WAS HARD IN JERSEY. IT WAS HARD, JUST ME AND MY MOM | IT WAS HARD IN JERSEY. IT WAS HARD, JUST ME AND MY MOM |
142 | 00:10:09,970 | 00:10:15,310 | AND NOT A LOT OF HELP. SO WE MOVED TO VEGAS SO MY MOM | AND NOT A LOT OF HELP. SO WE MOVED TO VEGAS SO MY MOM |
143 | 00:10:15,310 | 00:10:20,720 | CAN HAVE BETTER JOB OPPORTUNITY. SHE WENT TO BEAUTY SCHOOL. | CAN HAVE BETTER JOB OPPORTUNITY. SHE WENT TO BEAUTY SCHOOL. |
144 | 00:10:20,720 | 00:10:30,030 | GOT HER LICENSE, DID HAIR. SHE WAS THE ONLY ONE THAT EVER | GOT HER LICENSE, DID HAIR. SHE WAS THE ONLY ONE THAT EVER |
145 | 00:10:30,030 | 00:10:36,260 | CUT MY HAIR, EVER. TOMMY WAS FROM UTAH. | CUT MY HAIR, EVER. TOMMY WAS FROM UTAH. |
146 | 00:10:36,260 | 00:10:40,500 | I THINK SHE SAID MATCH.COM TO ME | I THINK SHE SAID MATCH.COM TO ME |
147 | 00:10:40,500 | 00:10:43,510 | SHE REALLY DIDN'T SAY MUCH ABOUT HIM. | SHE REALLY DIDN'T SAY MUCH ABOUT HIM. |
148 | 00:10:43,510 | 00:10:46,340 | UM, A LITTLE BIT OF WHAT HE DID, YOU KNOW, LIKE, A SPECIAL ED | UM, A LITTLE BIT OF WHAT HE DID, YOU KNOW, LIKE, A SPECIAL ED |
149 | 00:10:46,340 | 00:10:50,380 | TEACHER. BUT HE WASN'T WORKING WHEN THEY | TEACHER. BUT HE WASN'T WORKING WHEN THEY |
150 | 00:10:50,380 | 00:10:57,290 | GOT TOGETHER I JUST REMEMBER HER SHOWING UP | GOT TOGETHER I JUST REMEMBER HER SHOWING UP |
151 | 00:10:57,290 | 00:11:00,420 | TO MY FRONT DOOR WITH HIM. AND HE JUST -- HE LOOKED CRAZY | TO MY FRONT DOOR WITH HIM. AND HE JUST -- HE LOOKED CRAZY |
152 | 00:11:00,420 | 00:11:03,590 | WITH THE LONG, SCRAGGLY BLOND HAIR | WITH THE LONG, SCRAGGLY BLOND HAIR |
153 | 00:11:03,590 | 00:11:08,060 | I MEAN, IT WAS REALLY LONG AND I WAS JUST LIKE, "WHO IS | I MEAN, IT WAS REALLY LONG AND I WAS JUST LIKE, "WHO IS |
154 | 00:11:08,060 | 00:11:10,970 | THIS GUY?" SO MY MOM WAS VERY HAPPY | THIS GUY?" SO MY MOM WAS VERY HAPPY |
155 | 00:11:10,970 | 00:11:15,470 | THEY WERE DOIN' A LOTTA THINGS TOGETHER, GOIN' PLACES, | THEY WERE DOIN' A LOTTA THINGS TOGETHER, GOIN' PLACES, |
156 | 00:11:15,470 | 00:11:19,410 | TRAVELING. AND HE HAD A BOAT BACK THEN. | TRAVELING. AND HE HAD A BOAT BACK THEN. |
157 | 00:11:19,410 | 00:11:23,850 | SO THEY WOULD -- THEY WERE DOIN' A LOT OF THINGS TOGETHER | SO THEY WOULD -- THEY WERE DOIN' A LOT OF THINGS TOGETHER |
158 | 00:11:23,850 | 00:11:33,920 | MY MOM HAD A LOT OF FRIENDS. SHE CONFIDED MORE IN HER CLOSER | MY MOM HAD A LOT OF FRIENDS. SHE CONFIDED MORE IN HER CLOSER |
159 | 00:11:33,920 | 00:11:39,560 | FRIENDS, LIKE ALICE. I MET HER AT THE HAIR SHOP. | FRIENDS, LIKE ALICE. I MET HER AT THE HAIR SHOP. |
160 | 00:11:39,560 | 00:11:43,870 | WE WERE HAIRDRESSERS THERE SHE WOULD SAY THE FUNNIEST | WE WERE HAIRDRESSERS THERE SHE WOULD SAY THE FUNNIEST |
161 | 00:11:43,870 | 00:11:52,410 | THINGS, AND SHE WAS JUST SO DOWN TO EARTH | THINGS, AND SHE WAS JUST SO DOWN TO EARTH |
162 | 00:11:52,410 | 00:11:55,280 | I JUST LOVED THAT ABOUT HER. SHARON SAYS, "OH, I'VE GOT A | I JUST LOVED THAT ABOUT HER. SHARON SAYS, "OH, I'VE GOT A |
163 | 00:11:55,280 | 00:11:57,650 | PICTURE OF THIS GUY THAT I WANNA MEET." | PICTURE OF THIS GUY THAT I WANNA MEET." |
164 | 00:11:57,650 | 00:12:01,650 | AND SHE PULLS IT UP ON HER COMPUTER | AND SHE PULLS IT UP ON HER COMPUTER |
165 | 00:12:01,650 | 00:12:05,790 | HE'S ON A MOTORCYCLE, AND HE'S GOT THIS LONG, CURLY HAIR. | HE'S ON A MOTORCYCLE, AND HE'S GOT THIS LONG, CURLY HAIR. |
166 | 00:12:05,790 | 00:12:08,490 | AND I'M LOOKING AT HIM, AND I SAID, "GEE, SHARON | AND I'M LOOKING AT HIM, AND I SAID, "GEE, SHARON |
167 | 00:12:08,490 | 00:12:10,860 | IS HE A WOMAN? I MEAN, HE LOOKS LIKE A WOMAN. | IS HE A WOMAN? I MEAN, HE LOOKS LIKE A WOMAN. |
168 | 00:12:10,860 | 00:12:18,630 | AND SHE GOES, "OH, NO. NO." | AND SHE GOES, "OH, NO. NO." |
169 | 00:12:18,630 | 00:12:22,070 | SHE SAYS, "HE'S REALLY ALL MAN." THEY JUST HAD A LOT OF | SHE SAYS, "HE'S REALLY ALL MAN." THEY JUST HAD A LOT OF |
170 | 00:12:22,070 | 00:12:25,840 | CONVERSATIONS. THEN HE COMES TO VEGAS | CONVERSATIONS. THEN HE COMES TO VEGAS |
171 | 00:12:25,840 | 00:12:30,310 | AND SHE AND HE GO TO A CONCERT, A ROCK CONCERT | AND SHE AND HE GO TO A CONCERT, A ROCK CONCERT |
172 | 00:12:30,310 | 00:12:33,620 | AND, WELL, THAT -- THAT WAS GREAT. | AND, WELL, THAT -- THAT WAS GREAT. |
173 | 00:12:33,620 | 00:12:39,820 | I MEAN, SHE JUST FELL IN LOVE WITH HIM | I MEAN, SHE JUST FELL IN LOVE WITH HIM |
174 | 00:12:39,820 | 00:12:42,990 | NOW, SHARON HAD TOLD ME THAT, IN HIS PAST, THAT HE WAS A TRUCK | NOW, SHARON HAD TOLD ME THAT, IN HIS PAST, THAT HE WAS A TRUCK |
175 | 00:12:42,990 | 00:12:46,290 | DRIVER HE WAS A MASTER CARPENTER. | DRIVER HE WAS A MASTER CARPENTER. |
176 | 00:12:46,290 | 00:12:53,130 | HE WAS, LIKE, A JACK OF ALL TRADES OF THINGS, YOU KNOW | HE WAS, LIKE, A JACK OF ALL TRADES OF THINGS, YOU KNOW |
177 | 00:12:53,130 | 00:12:56,570 | HE WANTS TO TAKE HER ON A CRUISE TO -- TO BAJA, CALIFORNIA. | HE WANTS TO TAKE HER ON A CRUISE TO -- TO BAJA, CALIFORNIA. |
178 | 00:12:56,570 | 00:13:01,540 | SO SHE GOES ON THIS CRUISE, WHICH WAS, LIKE, THREE DAYS. | SO SHE GOES ON THIS CRUISE, WHICH WAS, LIKE, THREE DAYS. |
179 | 00:13:01,540 | 00:13:06,050 | AND THEY COME BACK, AND SHE SAYS JUST, "TOMMY AND I GOT MARRIED." | AND THEY COME BACK, AND SHE SAYS JUST, "TOMMY AND I GOT MARRIED." |
180 | 00:13:06,050 | 00:13:14,390 | I SAID, "OH, MY GOD. YOU DIDN'T." | I SAID, "OH, MY GOD. YOU DIDN'T." |
181 | 00:13:18,660 | 00:13:19,790 | POLICE TELL US THAT SHARON WAS SHOT AND KILLED BY THE | POLICE TELL US THAT SHARON WAS SHOT AND KILLED BY THE |
182 | 00:13:19,790 | 00:13:21,630 | BURGLAR. HER BODY WAS FOUND LYING IN A | BURGLAR. HER BODY WAS FOUND LYING IN A |
183 | 00:13:21,630 | 00:13:24,600 | HALLWAY. WE LEARNED THAT THERE WERE | HALLWAY. WE LEARNED THAT THERE WERE |
184 | 00:13:24,600 | 00:13:26,770 | NEIGHBORS CLOSE BY THAT HEARD THE GUNSHOTS | NEIGHBORS CLOSE BY THAT HEARD THE GUNSHOTS |
185 | 00:13:26,770 | 00:13:30,070 | AND ONE, IN PARTICULAR, ACROSS THE STREET, SEVERAL HOUSES AWAY. | AND ONE, IN PARTICULAR, ACROSS THE STREET, SEVERAL HOUSES AWAY. |
186 | 00:13:30,070 | 00:13:32,410 | I HEARD A GUNSHOT RIGHT WHERE THAT TRUCK'S PULLING UP IN THE | I HEARD A GUNSHOT RIGHT WHERE THAT TRUCK'S PULLING UP IN THE |
187 | 00:13:32,410 | 00:13:34,340 | DRIVEWAY RIGHT THERE I HEARD THE, YOU KNOW, GUNSHOT | DRIVEWAY RIGHT THERE I HEARD THE, YOU KNOW, GUNSHOT |
188 | 00:13:34,340 | 00:13:35,840 | COMING FROM THAT AREA. I KNEW IT HAD TO BE, LIKE, ONE | COMING FROM THAT AREA. I KNEW IT HAD TO BE, LIKE, ONE |
189 | 00:13:35,840 | 00:13:37,650 | OF THESE HOUSES RIGHT HERE ACROSS THE STREET. | OF THESE HOUSES RIGHT HERE ACROSS THE STREET. |
190 | 00:13:37,650 | 00:13:39,710 | 'CAUSE IT'S LIKE, "BOOM, BOOM," YOU KNOW | 'CAUSE IT'S LIKE, "BOOM, BOOM," YOU KNOW |
191 | 00:13:39,710 | 00:13:41,550 | I HEARD IT I TOLD MY FRIEND | I HEARD IT I TOLD MY FRIEND |
192 | 00:13:41,550 | 00:13:44,390 | HE WAS ON THE LINE AND JUST -- I SAID, "OH, DID YOU HEAR THAT | HE WAS ON THE LINE AND JUST -- I SAID, "OH, DID YOU HEAR THAT |
193 | 00:13:44,390 | 00:13:51,490 | IT'S A GUNSHOT." MARK BARTLETT DIDN'T SEE THE | IT'S A GUNSHOT." MARK BARTLETT DIDN'T SEE THE |
194 | 00:13:51,490 | 00:13:53,560 | SHOOTING HE JUST HEARD THE GUNSHOTS | SHOOTING HE JUST HEARD THE GUNSHOTS |
195 | 00:13:53,560 | 00:13:55,630 | BASED ON THE SCENE, THOMAS RANDOLPH WAS THE ONLY PERSON | BASED ON THE SCENE, THOMAS RANDOLPH WAS THE ONLY PERSON |
196 | 00:13:55,630 | 00:13:57,370 | THAT COULD TELL US WHAT HAPPENED INSIDE THE HOUSE | THAT COULD TELL US WHAT HAPPENED INSIDE THE HOUSE |
197 | 00:13:57,370 | 00:14:02,700 | BECAUSE THE OTHER TWO PEOPLE THAT WERE THERE ARE DEAD | BECAUSE THE OTHER TWO PEOPLE THAT WERE THERE ARE DEAD |
198 | 00:14:02,700 | 00:14:04,940 | HE KIND OF RUSHED UP ON ME A LITTLE BIT, AND THAT'S WHEN I | HE KIND OF RUSHED UP ON ME A LITTLE BIT, AND THAT'S WHEN I |
199 | 00:14:04,940 | 00:14:08,340 | JUST PUSHED HIM. BOOM, BOOM | JUST PUSHED HIM. BOOM, BOOM |
200 | 00:14:08,340 | 00:14:10,210 | BOOM, BOOM I JUST KEPT RIGHT ON GOIN' -- | BOOM, BOOM I JUST KEPT RIGHT ON GOIN' -- |
201 | 00:14:34,670 | 00:14:38,510 | DO WHAT'S CALLED A VIDEO WALKTHROUGH. | DO WHAT'S CALLED A VIDEO WALKTHROUGH. |
202 | 00:14:38,510 | 00:14:40,780 | WE DO THIS TO GET A CLEARER UNDERSTANDING OF WHERE THE ARMED | WE DO THIS TO GET A CLEARER UNDERSTANDING OF WHERE THE ARMED |
203 | 00:14:40,780 | 00:14:44,450 | CONFRONTATION TOOK PLACE HE AGREED TO DO THAT | CONFRONTATION TOOK PLACE HE AGREED TO DO THAT |
204 | 00:14:44,450 | 00:14:47,380 | MY NAME IS TOM RANDOLPH, AND IT'S MY UNDERSTANDING WE'RE | MY NAME IS TOM RANDOLPH, AND IT'S MY UNDERSTANDING WE'RE |
205 | 00:14:47,380 | 00:14:52,620 | DOIN' A WALKTHROUGH OF THE HOUSE. | DOIN' A WALKTHROUGH OF THE HOUSE. |
206 | 00:14:52,620 | 00:14:55,860 | WE CAME BACK TO THE HOUSE AT 8:30 AT NIGHT, EXACTLY A WEEK | WE CAME BACK TO THE HOUSE AT 8:30 AT NIGHT, EXACTLY A WEEK |
207 | 00:14:55,860 | 00:14:58,690 | LATER. HE GAVE US, BLOW BY BLOW, | LATER. HE GAVE US, BLOW BY BLOW, |
208 | 00:14:58,690 | 00:15:01,800 | EVERYTHING THAT HAPPENED I STOPPED THE CAR ABOUT | EVERYTHING THAT HAPPENED I STOPPED THE CAR ABOUT |
209 | 00:15:01,800 | 00:15:06,200 | THERE. WE START OPENING THE DOOR UP | THERE. WE START OPENING THE DOOR UP |
210 | 00:15:06,200 | 00:15:08,600 | HE EXPLAINED TO US HOW SHARON HAD GOTTEN OUT OF THE VEHICLE, | HE EXPLAINED TO US HOW SHARON HAD GOTTEN OUT OF THE VEHICLE, |
211 | 00:15:08,600 | 00:15:10,640 | WENT INSIDE THE HOUSE. SHARON GETS OUT | WENT INSIDE THE HOUSE. SHARON GETS OUT |
212 | 00:15:10,640 | 00:15:12,710 | THEN WE HAD HIM WALK THROUGH. HE ENDED UP COMIN' INTO THE | THEN WE HAD HIM WALK THROUGH. HE ENDED UP COMIN' INTO THE |
213 | 00:15:12,710 | 00:15:17,450 | DOOR I OPEN IT UP. | DOOR I OPEN IT UP. |
214 | 00:15:17,450 | 00:15:24,520 | I GET RIGHT HERE, AND SHARON'S LAYING IN THE FLOOR FACE DOWN. | I GET RIGHT HERE, AND SHARON'S LAYING IN THE FLOOR FACE DOWN. |
215 | 00:15:24,520 | 00:15:32,790 | HER HEAD'S JUST BARELY, I MEAN, BARELY IN THE BEDROOM -- IF THAT | HER HEAD'S JUST BARELY, I MEAN, BARELY IN THE BEDROOM -- IF THAT |
216 | 00:15:32,790 | 00:15:37,700 | I SAID, "SHARON, SHARON. I THOUGHT I JUST SEEN, LIKE, A | I SAID, "SHARON, SHARON. I THOUGHT I JUST SEEN, LIKE, A |
217 | 00:15:37,700 | 00:15:40,340 | SHADOW OR SOMETHING OVER THIS WAY. | SHADOW OR SOMETHING OVER THIS WAY. |
218 | 00:15:40,340 | 00:15:44,070 | RIGHT THERE, JUST THOUGHT, "NAH, THIS AIN'T COOL. | RIGHT THERE, JUST THOUGHT, "NAH, THIS AIN'T COOL. |
219 | 00:15:44,070 | 00:15:46,780 | I REACHED RIGHT UP HERE. HE DUCKED INTO THE OFFICE, | I REACHED RIGHT UP HERE. HE DUCKED INTO THE OFFICE, |
220 | 00:15:46,780 | 00:15:50,080 | RETRIEVED A 9mm SEMIAUTOMATIC. HE SAID HE CAME BACK TO THE | RETRIEVED A 9mm SEMIAUTOMATIC. HE SAID HE CAME BACK TO THE |
221 | 00:15:50,080 | 00:15:51,910 | DOOR HE WAS CONFRONTED BY A MASKED | DOOR HE WAS CONFRONTED BY A MASKED |
222 | 00:15:51,910 | 00:15:54,120 | INTRUDER AND HE DESCRIBED HIM | INTRUDER AND HE DESCRIBED HIM |
223 | 00:15:54,120 | 00:15:56,450 | HE HAD A SKI MASK ON I'M COMING OUT AT ABOUT THE | HE HAD A SKI MASK ON I'M COMING OUT AT ABOUT THE |
224 | 00:15:56,450 | 00:15:58,390 | SAME TIME, TOO AND ABOUT RIGHT HERE | SAME TIME, TOO AND ABOUT RIGHT HERE |
225 | 00:15:58,390 | 00:16:00,590 | AND HE KIND OF RUSHED UP ON ME A LITTLE BIT | AND HE KIND OF RUSHED UP ON ME A LITTLE BIT |
226 | 00:16:00,590 | 00:16:02,660 | AND THAT'S WHEN I JUST PUSHED HIM. | AND THAT'S WHEN I JUST PUSHED HIM. |
227 | 00:16:02,660 | 00:16:05,560 | BOOM, BOOM, BOOM AND HE STARTED GOIN' OUT TOWARD | BOOM, BOOM, BOOM AND HE STARTED GOIN' OUT TOWARD |
228 | 00:16:05,560 | 00:16:08,360 | THE SHED I DON'T KNOW HOW MANY TIMES I | THE SHED I DON'T KNOW HOW MANY TIMES I |
229 | 00:16:08,360 | 00:16:12,030 | SHOT HIM, BUT I JUST -- JUST KEPT RIGHT ON GOIN'. | SHOT HIM, BUT I JUST -- JUST KEPT RIGHT ON GOIN'. |
230 | 00:16:12,030 | 00:16:16,040 | BOOM, BOOM, BOOM AND HE'S JUST LAYIN' THERE | BOOM, BOOM, BOOM AND HE'S JUST LAYIN' THERE |
231 | 00:16:16,040 | 00:16:19,370 | AND THEN STARTED COMIN' BACK DOWN THIS WAY. | AND THEN STARTED COMIN' BACK DOWN THIS WAY. |
232 | 00:16:19,370 | 00:16:21,340 | HE WASN'T MOVIN' HE, "UGH," SOME NOISE. | HE WASN'T MOVIN' HE, "UGH," SOME NOISE. |
233 | 00:16:21,340 | 00:16:24,850 | THOMAS RANDOLPH CAME BACK INTO THE HALLWAY | THOMAS RANDOLPH CAME BACK INTO THE HALLWAY |
234 | 00:16:24,850 | 00:16:27,850 | "SHARON, SHARON." HE WOULD COME UP TO AN OPEN | "SHARON, SHARON." HE WOULD COME UP TO AN OPEN |
235 | 00:16:27,850 | 00:16:30,290 | DOORWAY AND THEN JUST KINDA JUMP HIS HEAD INTO -- TO SEE IF THERE | DOORWAY AND THEN JUST KINDA JUMP HIS HEAD INTO -- TO SEE IF THERE |
236 | 00:16:30,290 | 00:16:32,490 | WAS SOMETHING IN THERE WHAT ARE YOU DOING WHEN YOU'RE | WAS SOMETHING IN THERE WHAT ARE YOU DOING WHEN YOU'RE |
237 | 00:16:32,490 | 00:16:36,620 | DOING THIS I'M JUST KINDA TRYIN' TO SEE | DOING THIS I'M JUST KINDA TRYIN' TO SEE |
238 | 00:16:36,620 | 00:16:39,660 | IF ANYTHING ELSE IS GOIN' ON YOU KNOW, LIKE, THERE'S ANYBODY | IF ANYTHING ELSE IS GOIN' ON YOU KNOW, LIKE, THERE'S ANYBODY |
239 | 00:16:39,660 | 00:16:42,300 | AROUND SO THEN, AFTER THAT, HE -- HE | AROUND SO THEN, AFTER THAT, HE -- HE |
240 | 00:16:42,300 | 00:16:46,430 | SAID HE WENT OVER AND GOT THE CORDLESS PHONE | SAID HE WENT OVER AND GOT THE CORDLESS PHONE |
241 | 00:16:46,430 | 00:16:47,900 | AND I CALLED 911. I HAVE A CONFERENCE | AND I CALLED 911. I HAVE A CONFERENCE |
242 | 00:16:47,900 | 00:16:50,070 | HIS WIFE WAS BEEN SHOT IN THE HEAD | HIS WIFE WAS BEEN SHOT IN THE HEAD |
243 | 00:16:50,070 | 00:16:51,910 | HE NEEDS MEDICAL ADVICE. SIR | HE NEEDS MEDICAL ADVICE. SIR |
244 | 00:16:51,910 | 00:16:54,340 | YEAH. IS SHE AWAKE? | YEAH. IS SHE AWAKE? |
245 | 00:16:54,340 | 00:16:55,910 | NO, NO. OKAY, LET'S FOCUS ON YOUR | NO, NO. OKAY, LET'S FOCUS ON YOUR |
246 | 00:16:55,910 | 00:16:58,750 | WIFE PUT HER FLAT ON HER BACK | WIFE PUT HER FLAT ON HER BACK |
247 | 00:16:58,750 | 00:17:04,590 | SO I TRIED TO ROLL HER OVER SEVERAL TIMES. | SO I TRIED TO ROLL HER OVER SEVERAL TIMES. |
248 | 00:17:04,590 | 00:17:07,420 | AND I COULDN'T GET HER OVER. OKAY, PUT HER FLAT ON HER | AND I COULDN'T GET HER OVER. OKAY, PUT HER FLAT ON HER |
249 | 00:17:07,420 | 00:17:12,060 | BACK [ GRUNTING ] | BACK [ GRUNTING ] |
250 | 00:17:12,060 | 00:17:14,200 | I WAS LIKE -- [ GRUNT | I WAS LIKE -- [ GRUNT |
251 | 00:17:14,200 | 00:17:17,800 | HE WAS VERY DRAMATIC. HE'S MAKING THESE LOUD GRUNTS | HE WAS VERY DRAMATIC. HE'S MAKING THESE LOUD GRUNTS |
252 | 00:17:17,800 | 00:17:20,840 | AND NOISES WE DID HEAR ON THE 911 CALL | AND NOISES WE DID HEAR ON THE 911 CALL |
253 | 00:17:20,840 | 00:17:24,510 | HE WAS DUPLICATING THEM. [ GRUNT | HE WAS DUPLICATING THEM. [ GRUNT |
254 | 00:17:24,510 | 00:17:26,780 | AND ABOUT THE THIRD TIME, IT JERKS ENOUGH THAT SHE GOT UP, | AND ABOUT THE THIRD TIME, IT JERKS ENOUGH THAT SHE GOT UP, |
255 | 00:17:26,780 | 00:17:28,780 | KINDA STRAIGHT UP. AND I COULD JUST KINDA PUSH HER | KINDA STRAIGHT UP. AND I COULD JUST KINDA PUSH HER |
256 | 00:17:28,780 | 00:17:31,850 | OVER OKAY, TILT HER HEAD BACK. | OVER OKAY, TILT HER HEAD BACK. |
257 | 00:17:31,850 | 00:17:38,120 | LISTEN, OKAY METRO, TELL YOUR UNITS TO GO IN | LISTEN, OKAY METRO, TELL YOUR UNITS TO GO IN |
258 | 00:17:38,120 | 00:17:41,920 | ANY WAY THEY CAN WHEN IT GOT TO THE END OF | ANY WAY THEY CAN WHEN IT GOT TO THE END OF |
259 | 00:17:41,920 | 00:17:44,730 | WHAT HE WAS TELLIN' US, THEN I HAD A BIG LIST OF QUESTIONS. | WHAT HE WAS TELLIN' US, THEN I HAD A BIG LIST OF QUESTIONS. |
260 | 00:17:44,730 | 00:17:48,560 | TURN AROUND AND HE WAS COMING DOWN - | TURN AROUND AND HE WAS COMING DOWN - |
261 | 00:17:48,560 | 00:17:52,200 | THE THING THAT I WANTED TO FOCUS ON THE MOST WAS THAT | THE THING THAT I WANTED TO FOCUS ON THE MOST WAS THAT |
262 | 00:17:52,200 | 00:17:55,200 | RELATIONSHIP BETWEEN RANDOLPH AND MILLER WHEN THE SHOOTING | RELATIONSHIP BETWEEN RANDOLPH AND MILLER WHEN THE SHOOTING |
263 | 00:17:55,200 | 00:17:58,710 | STARTED. SO WHEN YOU FIRST FIRE, HE'S | STARTED. SO WHEN YOU FIRST FIRE, HE'S |
264 | 00:17:58,710 | 00:18:00,380 | RIGHT IN THIS AREA STILL FACING YA? | RIGHT IN THIS AREA STILL FACING YA? |
265 | 00:18:00,380 | 00:18:01,910 | YEAH, PROBABLY. MAYBE -- MAYBE A LITTLE MORE | YEAH, PROBABLY. MAYBE -- MAYBE A LITTLE MORE |
266 | 00:18:01,910 | 00:18:04,050 | THAT WAY MAYBE A LITTLE MORE THIS WAY | THAT WAY MAYBE A LITTLE MORE THIS WAY |
267 | 00:18:04,050 | 00:18:05,910 | WHEN YOU'RE BACK HERE AND HE SQUARED OFF ON YOU, HE STILL HAD | WHEN YOU'RE BACK HERE AND HE SQUARED OFF ON YOU, HE STILL HAD |
268 | 00:18:05,910 | 00:18:08,350 | HIS MASK ON? YEAH. | HIS MASK ON? YEAH. |
269 | 00:18:08,350 | 00:18:10,050 | IF HE HAD HIS MASK OFF, YOU'D HAVE KNOWN IT WAS MIKE, RIGHT? | IF HE HAD HIS MASK OFF, YOU'D HAVE KNOWN IT WAS MIKE, RIGHT? |
270 | 00:18:10,050 | 00:18:12,290 | OH, YEAH. AND I WOULD STILL SHOT HIM | OH, YEAH. AND I WOULD STILL SHOT HIM |
271 | 00:18:12,290 | 00:18:15,620 | I WOULD STILL SHOT HIM IT WOULDN'T HAVE MATTERED A BIT. | I WOULD STILL SHOT HIM IT WOULDN'T HAVE MATTERED A BIT. |
272 | 00:18:15,620 | 00:18:19,190 | IT SEEMS LIKE I SHOT HIM AGAIN MAYBE, LIKE, ABOUT RIGHT HERE. | IT SEEMS LIKE I SHOT HIM AGAIN MAYBE, LIKE, ABOUT RIGHT HERE. |
273 | 00:18:19,190 | 00:18:23,930 | AND THEN HE STARTED TURNIN' LIKE THIS TOWARD THE DOOR | AND THEN HE STARTED TURNIN' LIKE THIS TOWARD THE DOOR |
274 | 00:18:23,930 | 00:18:26,030 | AND I JUST -- I -- YOU FIRED AGAIN | AND I JUST -- I -- YOU FIRED AGAIN |
275 | 00:18:26,030 | 00:18:27,770 | OH, I SHOT AND SHOT AND SHOT AND SHOT AND SHOT. | OH, I SHOT AND SHOT AND SHOT AND SHOT AND SHOT. |
276 | 00:18:27,770 | 00:18:32,510 | I MAY HAVE EMPTIED THE GUN I DON'T KNOW | I MAY HAVE EMPTIED THE GUN I DON'T KNOW |
277 | 00:18:32,510 | 00:18:35,840 | WE DIDN'T HAVE FORENSIC EVIDENCE | WE DIDN'T HAVE FORENSIC EVIDENCE |
278 | 00:18:35,840 | 00:18:38,780 | WE DIDN'T HAVE PHYSICAL EVIDENCE THAT THE SHOOTING OCCURRED | WE DIDN'T HAVE PHYSICAL EVIDENCE THAT THE SHOOTING OCCURRED |
279 | 00:18:38,780 | 00:18:41,550 | INSIDE THAT HALLWAY. THERE WAS ONE CASING IN THE | INSIDE THAT HALLWAY. THERE WAS ONE CASING IN THE |
280 | 00:18:41,550 | 00:18:44,050 | HALLWAY. MAYBE A SINGLE ROUND WAS FIRED | HALLWAY. MAYBE A SINGLE ROUND WAS FIRED |
281 | 00:18:44,050 | 00:18:47,560 | AS THEY WERE LEAVING THE HOUSE AND ENTERING THE GARAGE. | AS THEY WERE LEAVING THE HOUSE AND ENTERING THE GARAGE. |
282 | 00:18:47,560 | 00:18:52,890 | BUT MOST OF THE SHOOTING HAPPENED INSIDE THE GARAGE | BUT MOST OF THE SHOOTING HAPPENED INSIDE THE GARAGE |
283 | 00:18:52,890 | 00:18:57,930 | ONE OF THE OTHER PROBLEMS IS, ON THE NIGHT OF THE SHOOTING, IN | ONE OF THE OTHER PROBLEMS IS, ON THE NIGHT OF THE SHOOTING, IN |
284 | 00:18:57,930 | 00:19:01,000 | THE INTERROGATION ROOM, THOMAS RANDOLPH TOLD DETECTIVES | THE INTERROGATION ROOM, THOMAS RANDOLPH TOLD DETECTIVES |
285 | 00:19:01,000 | 00:19:04,640 | THAT HE DIDN'T HEAR THE SHOT THAT KILLED SHARON RANDOLPH. | THAT HE DIDN'T HEAR THE SHOT THAT KILLED SHARON RANDOLPH. |
286 | 00:19:04,640 | 00:19:07,610 | DID YOU EVER HEAR ANY SHOTS I DIDN'T HEAR ANYTHING. | DID YOU EVER HEAR ANY SHOTS I DIDN'T HEAR ANYTHING. |
287 | 00:19:07,610 | 00:19:09,440 | BUT THAT'S -- I'M -- I'M REALLY DEAF | BUT THAT'S -- I'M -- I'M REALLY DEAF |
288 | 00:19:09,440 | 00:19:11,850 | WHEN WE LISTENED TO THE 911 CALL - | WHEN WE LISTENED TO THE 911 CALL - |
289 | 00:19:11,850 | 00:19:13,150 | IS HE ALONE YES | IS HE ALONE YES |
290 | 00:19:13,150 | 00:19:16,180 | WELL, AS FAR AS I KNOW I DIDN'T -- I JUST HEARD SHOTS | WELL, AS FAR AS I KNOW I DIDN'T -- I JUST HEARD SHOTS |
291 | 00:19:16,180 | 00:19:19,120 | HE CONTRADICTED HIMSELF HE TOLD DISPATCH ONE THING, THAT | HE CONTRADICTED HIMSELF HE TOLD DISPATCH ONE THING, THAT |
292 | 00:19:19,120 | 00:19:24,290 | HE'D HEARD THE SHOT. AND THEN HE TOLD DETECTIVES THAT | HE'D HEARD THE SHOT. AND THEN HE TOLD DETECTIVES THAT |
293 | 00:19:24,290 | 00:19:28,030 | HE HADN'T HEARD IT THE OTHER BIG PROBLEM THAT WE | HE HADN'T HEARD IT THE OTHER BIG PROBLEM THAT WE |
294 | 00:19:28,030 | 00:19:31,100 | HAD WAS THE TIMELINE THOMAS RANDOLPH TOLD US THAT HE | HAD WAS THE TIMELINE THOMAS RANDOLPH TOLD US THAT HE |
295 | 00:19:31,100 | 00:19:33,770 | HAD TAKEN SHARON TO HAVE A -- A DINNER AT A LOCAL CASINO RIGHT | HAD TAKEN SHARON TO HAVE A -- A DINNER AT A LOCAL CASINO RIGHT |
296 | 00:19:33,770 | 00:19:35,640 | DOWN THE STREET. WE CHECKED THAT. | DOWN THE STREET. WE CHECKED THAT. |
297 | 00:19:35,640 | 00:19:38,040 | WE CHECKED THE SANTA FE VIDEO SURVEILLANCE | WE CHECKED THE SANTA FE VIDEO SURVEILLANCE |
298 | 00:19:38,040 | 00:19:39,770 | THEY DID HAVE DINNER AT THE RESTAURANT | THEY DID HAVE DINNER AT THE RESTAURANT |
299 | 00:19:39,770 | 00:19:42,710 | THEY GAMBLED THEY LEFT THE CASINO | THEY GAMBLED THEY LEFT THE CASINO |
300 | 00:19:42,710 | 00:19:44,850 | HE TOLD US THAT THEY -- THEY WENT TO A GAS STATION TO FILL | HE TOLD US THAT THEY -- THEY WENT TO A GAS STATION TO FILL |
301 | 00:19:44,850 | 00:19:47,580 | UP WE CHECKED THE VIDEO | UP WE CHECKED THE VIDEO |
302 | 00:19:47,580 | 00:19:51,890 | SURVEILLANCE AT THAT PARTICULAR GAS STATION, CONFIRMED THAT THEY | SURVEILLANCE AT THAT PARTICULAR GAS STATION, CONFIRMED THAT THEY |
303 | 00:19:51,890 | 00:19:56,120 | DID FUEL UP THE CAR. THE VIDEO SURVEILLANCE SHOWS | DID FUEL UP THE CAR. THE VIDEO SURVEILLANCE SHOWS |
304 | 00:19:56,120 | 00:19:59,590 | THEM LEAVING THE PARKING LOT OF THE GAS STATION AT 8:26 AND SOME | THEM LEAVING THE PARKING LOT OF THE GAS STATION AT 8:26 AND SOME |
305 | 00:19:59,590 | 00:20:02,500 | CHANGE WE'RE LOOKING AT 8:30 WHEN THEY | CHANGE WE'RE LOOKING AT 8:30 WHEN THEY |
306 | 00:20:02,500 | 00:20:05,200 | ARRIVED HOME SHARON GOT OUT OF THE CAR AND | ARRIVED HOME SHARON GOT OUT OF THE CAR AND |
307 | 00:20:05,200 | 00:20:07,300 | WALKED INTO THE HOUSE. BY THE TIME HE FINISHED PARKING | WALKED INTO THE HOUSE. BY THE TIME HE FINISHED PARKING |
308 | 00:20:07,300 | 00:20:10,640 | THE CAR AND WALKED INTO THE HOUSE, SHE WAS ALREADY LAYING ON | THE CAR AND WALKED INTO THE HOUSE, SHE WAS ALREADY LAYING ON |
309 | 00:20:10,640 | 00:20:12,610 | THE GROUND SO ALL TOLD, HOW LONG DO YOU | THE GROUND SO ALL TOLD, HOW LONG DO YOU |
310 | 00:20:12,610 | 00:20:16,910 | THINK IT TOOK FROM THE TIME YOU OPENED THE DOOR TO YOU BEIN' | THINK IT TOOK FROM THE TIME YOU OPENED THE DOOR TO YOU BEIN' |
311 | 00:20:16,910 | 00:20:18,780 | ON 911 TWO, THREE MINUTES MAYBE. | ON 911 TWO, THREE MINUTES MAYBE. |
312 | 00:20:18,780 | 00:20:22,720 | TWO, THREE MINUTES TOTAL? YEAH. | TWO, THREE MINUTES TOTAL? YEAH. |
313 | 00:20:22,720 | 00:20:25,490 | WE HAVE MARK BARTLETT ACROSS THE STREET SAYING THAT HE | WE HAVE MARK BARTLETT ACROSS THE STREET SAYING THAT HE |
314 | 00:20:25,490 | 00:20:27,890 | THOUGHT HE HEARD THE FIVE GUNSHOTS AT 8:30 | THOUGHT HE HEARD THE FIVE GUNSHOTS AT 8:30 |
315 | 00:20:27,890 | 00:20:29,090 | I TOLD MY FRIEND -- HE'S ON THE LINE, AND I SAID, "DID YOU | I TOLD MY FRIEND -- HE'S ON THE LINE, AND I SAID, "DID YOU |
316 | 00:20:29,090 | 00:20:32,090 | HEAR THAT? IT WAS A GUNSHOT." | HEAR THAT? IT WAS A GUNSHOT." |
317 | 00:20:32,090 | 00:20:34,700 | WE WERE ABLE TO CHECK HIS PHONE RECORDS. | WE WERE ABLE TO CHECK HIS PHONE RECORDS. |
318 | 00:20:34,700 | 00:20:39,030 | THAT WAS 8:33. WELL, THE 911 CALL DIDN'T COME | THAT WAS 8:33. WELL, THE 911 CALL DIDN'T COME |
319 | 00:20:39,030 | 00:20:40,900 | IN UNTIL 8:45 AND SOME CHANGE. SO WE WE'RE TALKIN' ABOUT | IN UNTIL 8:45 AND SOME CHANGE. SO WE WE'RE TALKIN' ABOUT |
320 | 00:20:40,900 | 00:20:47,340 | 12 MINUTES IT DIDN'T MATCH UP | 12 MINUTES IT DIDN'T MATCH UP |
321 | 00:20:47,340 | 00:20:50,480 | NONE OF IT MATCHED UP. YOU'RE LIKE MY BEST FRIEND, | NONE OF IT MATCHED UP. YOU'RE LIKE MY BEST FRIEND, |
322 | 00:20:50,480 | 00:20:52,650 | DUDE TOM RANDOLPH SAID A LOT OF | DUDE TOM RANDOLPH SAID A LOT OF |
323 | 00:20:52,650 | 00:20:55,920 | THINGS JUST FOR SHOCK VALUE. I LIKE YOU. | THINGS JUST FOR SHOCK VALUE. I LIKE YOU. |
324 | 00:20:55,920 | 00:21:22,480 | YOU, I DON'T LIKE, BY THE WAY. I DON'T KNOW WHY | YOU, I DON'T LIKE, BY THE WAY. I DON'T KNOW WHY |
325 | 00:21:22,480 | 00:21:29,620 | THOMAS RANDOLPH CAME INTO OUR OFFICE IN EARLY JUNE | THOMAS RANDOLPH CAME INTO OUR OFFICE IN EARLY JUNE |
326 | 00:21:29,620 | 00:21:32,320 | IF YOU HAD TO SUM UP SHARON IN ONE WORD, WHAT WOULD YOU SAY? | IF YOU HAD TO SUM UP SHARON IN ONE WORD, WHAT WOULD YOU SAY? |
327 | 00:21:32,320 | 00:21:33,890 | SHE'S WONDERFUL BEST THING THAT EVER HAPPENED TO | SHE'S WONDERFUL BEST THING THAT EVER HAPPENED TO |
328 | 00:21:33,890 | 00:21:37,230 | ME NICEST LADY I EVER MET | ME NICEST LADY I EVER MET |
329 | 00:21:37,230 | 00:21:40,900 | TOM WAS QUITE DIFFERENT IN THAT SECOND INTERVIEW. | TOM WAS QUITE DIFFERENT IN THAT SECOND INTERVIEW. |
330 | 00:21:40,900 | 00:21:43,570 | HE WAS DEFINITELY MUCH MORE EXPRESSIVE | HE WAS DEFINITELY MUCH MORE EXPRESSIVE |
331 | 00:21:43,570 | 00:21:47,740 | HOW WOULD YOU SUM YOURSELF UP | HOW WOULD YOU SUM YOURSELF UP |
332 | 00:21:47,740 | 00:21:50,610 | I'M A COCKY - ALWAYS HAVE BEEN | I'M A COCKY - ALWAYS HAVE BEEN |
333 | 00:21:50,610 | 00:21:54,240 | BUT I'M ALSO REALLY NICE AND GENEROUS | BUT I'M ALSO REALLY NICE AND GENEROUS |
334 | 00:21:54,240 | 00:21:55,740 | I'M A SMART -- I SHOULD'VE BEEN ON THE DREAM | I'M A SMART -- I SHOULD'VE BEEN ON THE DREAM |
335 | 00:21:55,740 | 00:21:57,550 | TEAM ALWAYS WANTED TO BE A LAWYER | TEAM ALWAYS WANTED TO BE A LAWYER |
336 | 00:21:57,550 | 00:22:00,780 | REALLY? I WORKED FOR THE LAWYERS FOR | REALLY? I WORKED FOR THE LAWYERS FOR |
337 | 00:22:00,780 | 00:22:04,190 | A LONG TIME JUST AS AN INVESTIGATOR, AS A PARALEGAL, | A LONG TIME JUST AS AN INVESTIGATOR, AS A PARALEGAL, |
338 | 00:22:04,190 | 00:22:06,320 | RAN A LOT OF THEIR LAW OFFICES WE CONFIRMED THAT LATER ON, | RAN A LOT OF THEIR LAW OFFICES WE CONFIRMED THAT LATER ON, |
339 | 00:22:06,320 | 00:22:10,260 | THAT HE'D WORKED WITH CRIMINAL DEFENSE ATTORNEYS. | THAT HE'D WORKED WITH CRIMINAL DEFENSE ATTORNEYS. |
340 | 00:22:10,260 | 00:22:12,260 | HAVIN' THAT CONVERSATION WITH TOM RANDOLPH WAS -- WAS | HAVIN' THAT CONVERSATION WITH TOM RANDOLPH WAS -- WAS |
341 | 00:22:12,260 | 00:22:14,730 | IMPORTANT FOR US TO LEARN MORE ABOUT HIS RELATIONSHIP WITH | IMPORTANT FOR US TO LEARN MORE ABOUT HIS RELATIONSHIP WITH |
342 | 00:22:14,730 | 00:22:16,900 | MIKE MILLER. IS THERE ANYTHING - | MIKE MILLER. IS THERE ANYTHING - |
343 | 00:22:16,900 | 00:22:19,730 | I CAN'T TELL YOU. -- AT ALL THAT HAPPENED THAT | I CAN'T TELL YOU. -- AT ALL THAT HAPPENED THAT |
344 | 00:22:19,730 | 00:22:22,900 | DAY THAT MADE HIM BELIEVE THAT HE NEEDED TO GET INTO YOUR HOUSE | DAY THAT MADE HIM BELIEVE THAT HE NEEDED TO GET INTO YOUR HOUSE |
345 | 00:22:22,900 | 00:22:27,440 | THAT NIGHT I -- I DID -- I TOOK 20 -- I | THAT NIGHT I -- I DID -- I TOOK 20 -- I |
346 | 00:22:27,440 | 00:22:29,910 | TOOK $20,000 OUT OF THE BANK I HAD $20,000 TRANSFERRED WHEN I | TOOK $20,000 OUT OF THE BANK I HAD $20,000 TRANSFERRED WHEN I |
347 | 00:22:29,910 | 00:22:32,080 | WAS IN UTAH. SO HE'S BEEN WITH YOU, THEN, | WAS IN UTAH. SO HE'S BEEN WITH YOU, THEN, |
348 | 00:22:32,080 | 00:22:33,110 | WHEN YOU'VE HAD LARGE AMOUNTS OF CASH | WHEN YOU'VE HAD LARGE AMOUNTS OF CASH |
349 | 00:22:33,110 | 00:22:35,680 | I'VE ALWAYS GOT LARGE AMOUNTS OF CASH. | I'VE ALWAYS GOT LARGE AMOUNTS OF CASH. |
350 | 00:22:35,680 | 00:22:37,690 | BUT YEAH WHY DON'T YOU THINK HE SHOT | BUT YEAH WHY DON'T YOU THINK HE SHOT |
351 | 00:22:37,690 | 00:22:39,390 | YOU? HE WAS TRYING TO SHOOT ME | YOU? HE WAS TRYING TO SHOOT ME |
352 | 00:22:39,390 | 00:22:41,090 | I'VE TOLD YOU THIS OVER AND OVER | I'VE TOLD YOU THIS OVER AND OVER |
353 | 00:22:41,090 | 00:22:43,960 | HE WAS TRYING TO SHOOT ME. TOM RANDOLPH SAID A LOT OF | HE WAS TRYING TO SHOOT ME. TOM RANDOLPH SAID A LOT OF |
354 | 00:22:43,960 | 00:22:45,590 | THINGS THAT WAS JUST FOR SHOCK VALUE TO SEE HOW WE WOULD -- WE | THINGS THAT WAS JUST FOR SHOCK VALUE TO SEE HOW WE WOULD -- WE |
355 | 00:22:45,590 | 00:22:49,460 | WOULD RESPOND. I LIKE YOU. | WOULD RESPOND. I LIKE YOU. |
356 | 00:22:49,460 | 00:22:51,470 | YOU, I DON'T LIKE, BY THE WAY. I DON'T KNOW WHY | YOU, I DON'T LIKE, BY THE WAY. I DON'T KNOW WHY |
357 | 00:22:51,470 | 00:22:53,600 | I JUST DON'T LIKE YOU. AND I SAID, "THAT'S OKAY. | I JUST DON'T LIKE YOU. AND I SAID, "THAT'S OKAY. |
358 | 00:22:53,600 | 00:22:58,310 | I DON'T TAKE IT PERSONALLY." IT WAS INTERESTING | I DON'T TAKE IT PERSONALLY." IT WAS INTERESTING |
359 | 00:22:58,310 | 00:23:00,540 | THERE WAS A RELATIONSHIP THAT THOMAS RANDOLPH HAD -- HAD | THERE WAS A RELATIONSHIP THAT THOMAS RANDOLPH HAD -- HAD |
360 | 00:23:00,540 | 00:23:02,540 | DEVELOPED WITH DETECTIVE MOGG. I'VE TALKED TO YOU MORE THAN | DEVELOPED WITH DETECTIVE MOGG. I'VE TALKED TO YOU MORE THAN |
361 | 00:23:02,540 | 00:23:07,120 | ANYBODY I'VE TALKED TO IN LAS VEGAS SINCE I'VE BEEN HERE | ANYBODY I'VE TALKED TO IN LAS VEGAS SINCE I'VE BEEN HERE |
362 | 00:23:07,120 | 00:23:08,820 | OTHER THAN SHARON AND COLLEEN AND THE GRANDKIDS. | OTHER THAN SHARON AND COLLEEN AND THE GRANDKIDS. |
363 | 00:23:08,820 | 00:23:15,190 | SO YOU'RE, LIKE, MY BEST FRIEND, DUDE | SO YOU'RE, LIKE, MY BEST FRIEND, DUDE |
364 | 00:23:15,190 | 00:23:16,890 | YEP SHOULDN'T HAVE SECRETS, RIGHT? | YEP SHOULDN'T HAVE SECRETS, RIGHT? |
365 | 00:23:16,890 | 00:23:21,660 | SHOULDN'T HAVE SECRETS? THAT'S RIGHT. | SHOULDN'T HAVE SECRETS? THAT'S RIGHT. |
366 | 00:23:21,660 | 00:23:28,140 | WHAT DO YOU MEAN? EVERYBODY'S GOT SECRETS. | WHAT DO YOU MEAN? EVERYBODY'S GOT SECRETS. |
367 | 00:23:28,140 | 00:23:30,810 | SOMETHING ELSE, GUYS 'CAUSE YOU KNOW WHAT | SOMETHING ELSE, GUYS 'CAUSE YOU KNOW WHAT |
368 | 00:23:30,810 | 00:23:33,380 | UNLESS YOU COME AND JUST TELL ME I'M UNDER ARREST OR YOU JUST | UNLESS YOU COME AND JUST TELL ME I'M UNDER ARREST OR YOU JUST |
369 | 00:23:33,380 | 00:23:36,110 | REALLY NEED TO TALK TO ME TO CLEAR SOMETHIN' ELSE UP, I'M | REALLY NEED TO TALK TO ME TO CLEAR SOMETHIN' ELSE UP, I'M |
370 | 00:23:36,110 | 00:23:38,110 | PROBABLY NOT COMIN' BACK OUT HERE FOR AT LEAST 30, 40 DAYS. | PROBABLY NOT COMIN' BACK OUT HERE FOR AT LEAST 30, 40 DAYS. |
371 | 00:23:38,110 | 00:23:40,250 | YOU THINK WE SHOULD TELL YOU YOU'RE UNDER ARREST? | YOU THINK WE SHOULD TELL YOU YOU'RE UNDER ARREST? |
372 | 00:23:40,250 | 00:23:44,320 | NO, 'CAUSE IF YOU ARE, YOU -- UP | NO, 'CAUSE IF YOU ARE, YOU -- UP |
373 | 00:23:44,320 | 00:23:47,760 | YOU -- UP. THIS ONE'S AN EASY ONE FOR YA. | YOU -- UP. THIS ONE'S AN EASY ONE FOR YA. |
374 | 00:23:47,760 | 00:23:50,930 | THIS ONE'S AN EASY ONE FOR YOU BECAUSE THE FORENSICS IS THERE | THIS ONE'S AN EASY ONE FOR YOU BECAUSE THE FORENSICS IS THERE |
375 | 00:23:50,930 | 00:23:53,630 | IT HAS -- UH, IT HAS ITS ISSUES | IT HAS -- UH, IT HAS ITS ISSUES |
376 | 00:23:53,630 | 00:23:55,330 | THE END OF THE INTERVIEW, WE'RE GETTING READY TO WALK OUT. | THE END OF THE INTERVIEW, WE'RE GETTING READY TO WALK OUT. |
377 | 00:23:55,330 | 00:23:56,900 | IT'S NOT THAT I DON'T TRUST YOU. | IT'S NOT THAT I DON'T TRUST YOU. |
378 | 00:23:56,900 | 00:24:02,500 | BUT I THINK I'LL TAKE MY BAG WITH ME, OKAY? | BUT I THINK I'LL TAKE MY BAG WITH ME, OKAY? |
379 | 00:24:02,500 | 00:24:08,880 | JUST AN EXTRA DIG IS YOUR WIFE GOOD LOOKING | JUST AN EXTRA DIG IS YOUR WIFE GOOD LOOKING |
380 | 00:24:08,880 | 00:24:16,050 | WHAT DO YOU THINK TO KILL FOR | WHAT DO YOU THINK TO KILL FOR |
381 | 00:24:16,050 | 00:24:19,050 | I THINK THAT'S A FREUDIAN SLIP | I THINK THAT'S A FREUDIAN SLIP |
382 | 00:24:19,050 | 00:24:21,790 | I THINK THAT WAS JUST A LITTLE PEEK AT HIS HAND | I THINK THAT WAS JUST A LITTLE PEEK AT HIS HAND |
383 | 00:24:21,790 | 00:24:38,070 | HE JUST SHOWED US A LITTLE PEEK AT HIS HAND. | HE JUST SHOWED US A LITTLE PEEK AT HIS HAND. |
384 | 00:24:38,070 | 00:24:41,940 | YOU WANT A COOKIE AFTER MY MOM DIED, I CALLED | YOU WANT A COOKIE AFTER MY MOM DIED, I CALLED |
385 | 00:24:41,940 | 00:24:43,910 | RANDOLPH AND I SAID, "WHAT'D YOU DO TO MY | RANDOLPH AND I SAID, "WHAT'D YOU DO TO MY |
386 | 00:24:43,910 | 00:24:46,410 | MOTHER?" AND HE SAID, "I DIDN'T DO | MOTHER?" AND HE SAID, "I DIDN'T DO |
387 | 00:24:46,410 | 00:24:47,880 | ANYTHING TO YOUR MOTHER. MICHAEL SHOT AND KILLED YOUR | ANYTHING TO YOUR MOTHER. MICHAEL SHOT AND KILLED YOUR |
388 | 00:24:47,880 | 00:24:53,520 | MOTHER." AND HE HUNG UP ON ME | MOTHER." AND HE HUNG UP ON ME |
389 | 00:24:53,520 | 00:25:00,260 | COLD JUST COLD. | COLD JUST COLD. |
390 | 00:25:00,260 | 00:25:02,660 | I JUST ACTED LIKE EVERYTHING WAS NORMAL, THAT WE WERE A FAMILY | I JUST ACTED LIKE EVERYTHING WAS NORMAL, THAT WE WERE A FAMILY |
391 | 00:25:02,660 | 00:25:06,230 | STILL. TOMMY CALLED THE HOUSE | STILL. TOMMY CALLED THE HOUSE |
392 | 00:25:06,230 | 00:25:10,510 | HE LEFT ME A COUPLE OF MESSAGES. HI, COLLEEN | HE LEFT ME A COUPLE OF MESSAGES. HI, COLLEEN |
393 | 00:25:10,510 | 00:25:14,040 | THIS IS TOM. I JUST GONNA TRY MY DARNEDEST TO | THIS IS TOM. I JUST GONNA TRY MY DARNEDEST TO |
394 | 00:25:14,040 | 00:25:16,310 | BUCK UP AND GET THE CLEANING DONE AND TRY TO SAVE UP SOME | BUCK UP AND GET THE CLEANING DONE AND TRY TO SAVE UP SOME |
395 | 00:25:16,310 | 00:25:19,110 | MONEY TO GET THIS HOUSE FOR SALE | MONEY TO GET THIS HOUSE FOR SALE |
396 | 00:25:19,110 | 00:25:24,120 | AND GET THIS ON THE MARKET AND GET ON WITH IT | AND GET THIS ON THE MARKET AND GET ON WITH IT |
397 | 00:25:24,120 | 00:25:31,160 | I ACTED LIKE I THOUGHT HE WAS INNOCENT AND HE WAS THE HERO | I ACTED LIKE I THOUGHT HE WAS INNOCENT AND HE WAS THE HERO |
398 | 00:25:31,160 | 00:25:36,160 | I SAID THAT WE'RE STILL FAMILY THAT HE WAS STILL GRANDPA TO MY | I SAID THAT WE'RE STILL FAMILY THAT HE WAS STILL GRANDPA TO MY |
399 | 00:25:36,160 | 00:25:44,070 | KIDS THAT WAS REALLY HARD | KIDS THAT WAS REALLY HARD |
400 | 00:25:44,070 | 00:25:46,470 | THAT WAS REALLY HARD HI. | THAT WAS REALLY HARD HI. |
401 | 00:25:46,470 | 00:25:52,080 | GIVE ME A CALL AND WE'LL JUST CHIT CHAT. | GIVE ME A CALL AND WE'LL JUST CHIT CHAT. |
402 | 00:25:52,080 | 00:25:53,520 | BESIDES THAT, I JUST -- IT MAKES ME FEEL BETTER WHEN I HEAR YOUR | BESIDES THAT, I JUST -- IT MAKES ME FEEL BETTER WHEN I HEAR YOUR |
403 | 00:25:53,520 | 00:25:54,720 | VOICE. LOVE YOU | VOICE. LOVE YOU |
404 | 00:25:54,720 | 00:26:05,090 | SEE YOU LATER. BYE. | SEE YOU LATER. BYE. |
405 | 00:26:05,090 | 00:26:12,370 | AND THEN HE POPPED UP WITH THIS WILL, AND, UH I SAW IT. | AND THEN HE POPPED UP WITH THIS WILL, AND, UH I SAW IT. |
406 | 00:26:12,370 | 00:26:16,370 | HE THOUGHT WITH HIS WILL THAT HE WAS IN CONTROL OVER EVERYTHING | HE THOUGHT WITH HIS WILL THAT HE WAS IN CONTROL OVER EVERYTHING |
407 | 00:26:16,370 | 00:26:21,740 | EVERYTHING WAS HIS BUT A COUPLE OF DAYS AFTER MY | EVERYTHING WAS HIS BUT A COUPLE OF DAYS AFTER MY |
408 | 00:26:21,740 | 00:26:28,320 | MOM DIED, HER BEST FRIEND ALICE GAVE ME ANOTHER WILL | MOM DIED, HER BEST FRIEND ALICE GAVE ME ANOTHER WILL |
409 | 00:26:28,320 | 00:26:32,720 | SHE WRITES IT OUT I'M WATCHING HER DO IT | SHE WRITES IT OUT I'M WATCHING HER DO IT |
410 | 00:26:32,720 | 00:26:36,390 | AND WE GO TO THE NOTARY AND HAVE IT NOTARIZED | AND WE GO TO THE NOTARY AND HAVE IT NOTARIZED |
411 | 00:26:36,390 | 00:26:38,890 | AND SHE GIVES IT TO ME AND SHE SAYS, "IF ANYTHING HAPPENS TO | AND SHE GIVES IT TO ME AND SHE SAYS, "IF ANYTHING HAPPENS TO |
412 | 00:26:38,890 | 00:26:41,900 | ME, ALICE," SHE SAYS, "PLEASE GIVE THIS TO COLLEEN." | ME, ALICE," SHE SAYS, "PLEASE GIVE THIS TO COLLEEN." |
413 | 00:26:41,900 | 00:26:50,670 | SHE HAD LEFT THE HOUSE TO COLLEEN. | SHE HAD LEFT THE HOUSE TO COLLEEN. |
414 | 00:26:50,670 | 00:26:53,580 | SHE HAD TO HAVE SUSPECTED SOMETHING THAT SHE WOULD GO | SHE HAD TO HAVE SUSPECTED SOMETHING THAT SHE WOULD GO |
415 | 00:26:53,580 | 00:26:58,250 | BEHIND HIS BACK AND CHANGE EVERYTHING AND LEAVE IT TO ME. | BEHIND HIS BACK AND CHANGE EVERYTHING AND LEAVE IT TO ME. |
416 | 00:26:58,250 | 00:27:06,020 | SO MY WILL WAS VALID, AND HIS WAS NO LONGER VALID. | SO MY WILL WAS VALID, AND HIS WAS NO LONGER VALID. |
417 | 00:27:06,020 | 00:27:09,360 | WHICH REALLY UPSET HIM THEN I STARTED GETTIN' REALLY | WHICH REALLY UPSET HIM THEN I STARTED GETTIN' REALLY |
418 | 00:27:09,360 | 00:27:12,530 | NASTY PHONE MESSAGES YOU KNOW, IT'S REALLY WEIRD | NASTY PHONE MESSAGES YOU KNOW, IT'S REALLY WEIRD |
419 | 00:27:12,530 | 00:27:17,870 | WE SAT THERE AND WE TALKED ABOUT THE HOUSE. | WE SAT THERE AND WE TALKED ABOUT THE HOUSE. |
420 | 00:27:17,870 | 00:27:20,300 | I COULD SEE IT IN YOUR EYES. YOU WAS LYING THROUGH YOUR | I COULD SEE IT IN YOUR EYES. YOU WAS LYING THROUGH YOUR |
421 | 00:27:20,300 | 00:27:22,040 | TEETH. [ LAUGHTER ] | TEETH. [ LAUGHTER ] |
422 | 00:27:22,040 | 00:27:27,740 | NO WONDER YOUR MOTHER DIDN'T LIKE YOU | NO WONDER YOUR MOTHER DIDN'T LIKE YOU |
423 | 00:27:27,740 | 00:27:29,880 | I MEAN, AS FAR AS I KNOW, HE'S STILL IN UTAH | I MEAN, AS FAR AS I KNOW, HE'S STILL IN UTAH |
424 | 00:27:29,880 | 00:27:33,310 | HE MIGHT BE ON HIS WAY TO VEGAS NOW. | HE MIGHT BE ON HIS WAY TO VEGAS NOW. |
425 | 00:27:33,310 | 00:27:37,090 | I STOPPED TALKING TO HIM THIS IS THE VERY LAST MESSAGE, | I STOPPED TALKING TO HIM THIS IS THE VERY LAST MESSAGE, |
426 | 00:27:37,090 | 00:27:38,390 | MAYBE TWO, THREE DAYS AGO. THIS IS IT | MAYBE TWO, THREE DAYS AGO. THIS IS IT |
427 | 00:27:38,390 | 00:27:40,260 | HI. I WAS ACTUALLY CALLING TO | HI. I WAS ACTUALLY CALLING TO |
428 | 00:27:40,260 | 00:27:42,290 | APOLOGIZE FOR GETTING SO UPSET WITH YOU | APOLOGIZE FOR GETTING SO UPSET WITH YOU |
429 | 00:27:42,290 | 00:27:45,230 | BUT THAT'S WHAT HAPPENS WHEN PEOPLE LOOK ME IN THE EYES AND | BUT THAT'S WHAT HAPPENS WHEN PEOPLE LOOK ME IN THE EYES AND |
430 | 00:27:45,230 | 00:27:47,430 | LIE TO ME. NOW THE LAWYERS ARE GONNA GET | LIE TO ME. NOW THE LAWYERS ARE GONNA GET |
431 | 00:27:47,430 | 00:27:49,560 | ALL THE MONEY. 'CAUSE I STILL GET HALF THE | ALL THE MONEY. 'CAUSE I STILL GET HALF THE |
432 | 00:27:49,560 | 00:27:52,530 | HOUSE 'CAUSE I'M MARRIED TO YOUR MOMMA. | HOUSE 'CAUSE I'M MARRIED TO YOUR MOMMA. |
433 | 00:27:52,530 | 00:27:54,170 | UM, I FORGIVE YOU. I'M SORRY I CALLED YOU BAD | UM, I FORGIVE YOU. I'M SORRY I CALLED YOU BAD |
434 | 00:27:54,170 | 00:27:56,240 | NAMES. SEE YA | NAMES. SEE YA |
435 | 00:27:56,240 | 00:27:57,710 | BYE. HE DIDN'T REALIZE I HAD A | BYE. HE DIDN'T REALIZE I HAD A |
436 | 00:27:57,710 | 00:27:59,370 | WILL YEAH, HE THOUGHT HE WAS IN | WILL YEAH, HE THOUGHT HE WAS IN |
437 | 00:27:59,370 | 00:28:05,050 | CONTROL AND IN CHARGE OF EVERYTHING | CONTROL AND IN CHARGE OF EVERYTHING |
438 | 00:28:05,050 | 00:28:12,150 | AND HE DOESN'T LIKE IT WHEN A WOMAN TAKES CONTROL AWAY | AND HE DOESN'T LIKE IT WHEN A WOMAN TAKES CONTROL AWAY |
439 | 00:28:12,150 | 00:28:13,920 | WE WERE CONVINCED THAT MILLER WAS THE ONE WHO FIRED THE | WE WERE CONVINCED THAT MILLER WAS THE ONE WHO FIRED THE |
440 | 00:28:13,920 | 00:28:17,390 | SHOT THAT KILLED SHARON RANDOLPH. | SHOT THAT KILLED SHARON RANDOLPH. |
441 | 00:28:17,390 | 00:28:19,090 | WHY DID HE DO THAT HE SAID HE HAD GOT A 9mm. | WHY DID HE DO THAT HE SAID HE HAD GOT A 9mm. |
442 | 00:28:19,090 | 00:28:20,900 | MIKE SAID HE GOT THAT FROM WHO? | MIKE SAID HE GOT THAT FROM WHO? |
443 | 00:28:20,900 | 00:28:22,360 | WHO? HE GOT THAT FROM THE WHITE | WHO? HE GOT THAT FROM THE WHITE |
444 | 00:28:41,680 | 00:28:44,920 | AFTER THE SECOND INTERROGATION, WE GOT JUST A LIMITED AMOUNT | AFTER THE SECOND INTERROGATION, WE GOT JUST A LIMITED AMOUNT |
445 | 00:28:44,920 | 00:28:49,190 | FROM -- FROM TOM RANDOLPH ABOUT THE RELATIONSHIP THAT HE HAD | FROM -- FROM TOM RANDOLPH ABOUT THE RELATIONSHIP THAT HE HAD |
446 | 00:28:49,190 | 00:28:52,060 | WITH MIKE MILLER WE WERE CONVINCED THAT MILLER | WITH MIKE MILLER WE WERE CONVINCED THAT MILLER |
447 | 00:28:52,060 | 00:28:57,870 | WAS THE ONE WHO FIRED THE SHOT THAT KILLED SHARON RANDOLPH. | WAS THE ONE WHO FIRED THE SHOT THAT KILLED SHARON RANDOLPH. |
448 | 00:28:57,870 | 00:29:00,640 | THE QUESTION WAS, WHY HE DID DO THAT | THE QUESTION WAS, WHY HE DID DO THAT |
449 | 00:29:00,640 | 00:29:07,010 | EVEN THOUGH MIKE MILLER WAS A VICTIM IN THE FACT THAT HE WAS | EVEN THOUGH MIKE MILLER WAS A VICTIM IN THE FACT THAT HE WAS |
450 | 00:29:07,010 | 00:29:12,180 | KILLED, HE WAS ALSO A SUSPECT. WE LEARNED THAT HIS FAMILY WAS | KILLED, HE WAS ALSO A SUSPECT. WE LEARNED THAT HIS FAMILY WAS |
451 | 00:29:12,180 | 00:29:14,550 | IN -- WAS IN NORTH CAROLINA. AND WE MADE ARRANGEMENTS TO GO | IN -- WAS IN NORTH CAROLINA. AND WE MADE ARRANGEMENTS TO GO |
452 | 00:29:14,550 | 00:29:32,400 | OUT THERE AND -- AND CONDUCT INTERVIEWS IN PERSON | OUT THERE AND -- AND CONDUCT INTERVIEWS IN PERSON |
453 | 00:29:32,400 | 00:29:34,700 | RIGHT NOW WE'RE IN CHARLOTTE, NORTH CAROLINA | RIGHT NOW WE'RE IN CHARLOTTE, NORTH CAROLINA |
454 | 00:29:34,700 | 00:29:39,370 | WE'RE HERE TO TALK TO RUFAS MILLER | WE'RE HERE TO TALK TO RUFAS MILLER |
455 | 00:29:39,370 | 00:29:44,310 | IT'S MICHAEL MILLER'S BROTHER. YOU HAVE ARRIVED. | IT'S MICHAEL MILLER'S BROTHER. YOU HAVE ARRIVED. |
456 | 00:29:44,310 | 00:29:47,180 | HEY, HOW YA DOING I'M SORRY. | HEY, HOW YA DOING I'M SORRY. |
457 | 00:29:47,180 | 00:29:53,720 | HI, RUFAS DEAN O'KELLEY, CLIFF MOGG. | HI, RUFAS DEAN O'KELLEY, CLIFF MOGG. |
458 | 00:29:53,720 | 00:29:58,890 | THANK YOU. YOU CAN SEE ON HIS OBITUARY, | THANK YOU. YOU CAN SEE ON HIS OBITUARY, |
459 | 00:29:58,890 | 00:30:01,400 | MY BROTHER WORKED ALL HIS LIFE WELL, WE'RE SORRY FOR YOUR | MY BROTHER WORKED ALL HIS LIFE WELL, WE'RE SORRY FOR YOUR |
460 | 00:30:01,400 | 00:30:06,000 | LOSS YOU TOLD ME A LITTLE BIT ABOUT | LOSS YOU TOLD ME A LITTLE BIT ABOUT |
461 | 00:30:06,000 | 00:30:09,440 | YOUR CONVERSATIONS WITH -- WITH MIKE | YOUR CONVERSATIONS WITH -- WITH MIKE |
462 | 00:30:09,440 | 00:30:11,710 | AND WHAT WENT ON WITH HIM AND THIS -- AND THIS MAN | AND WHAT WENT ON WITH HIM AND THIS -- AND THIS MAN |
463 | 00:30:11,710 | 00:30:13,310 | DO YOU -- DO YOU -- DO YOU KNOW HIS NAME | DO YOU -- DO YOU -- DO YOU KNOW HIS NAME |
464 | 00:30:13,310 | 00:30:17,380 | THE PERSON HE WAS HANGING OUT WITH OR ASSOCIATING WITH | THE PERSON HE WAS HANGING OUT WITH OR ASSOCIATING WITH |
465 | 00:30:17,380 | 00:30:19,310 | ONLY THING I KNOW IT WAS A THOMAS OR TOM. | ONLY THING I KNOW IT WAS A THOMAS OR TOM. |
466 | 00:30:19,310 | 00:30:21,550 | TOM OKAY, HOW DID -- HOW DID HE | TOM OKAY, HOW DID -- HOW DID HE |
467 | 00:30:21,550 | 00:30:23,890 | MEET TOM, DO YOU KNOW? HE SAID HE WAS ON THE STREET | MEET TOM, DO YOU KNOW? HE SAID HE WAS ON THE STREET |
468 | 00:30:23,890 | 00:30:25,890 | CORNER AND HE PULLED UP TO HIM AND | CORNER AND HE PULLED UP TO HIM AND |
469 | 00:30:25,890 | 00:30:28,120 | ASKED HIM DID HE WANT TO DO SOME WORK | ASKED HIM DID HE WANT TO DO SOME WORK |
470 | 00:30:28,120 | 00:30:29,620 | WAS HE SUPPOSED TO BE DOING, LIKE, REGULAR WORK -- WORK FOR | WAS HE SUPPOSED TO BE DOING, LIKE, REGULAR WORK -- WORK FOR |
471 | 00:30:29,620 | 00:30:31,630 | TOM? HANDYMAN. | TOM? HANDYMAN. |
472 | 00:30:31,630 | 00:30:33,460 | WAS HE -- WAS HE GETTING PAID THEN FOR WHAT HE WAS DOING | WAS HE -- WAS HE GETTING PAID THEN FOR WHAT HE WAS DOING |
473 | 00:30:33,460 | 00:30:35,530 | YEAH, HE SAID HE WAS GETTING $600 A WEEK. | YEAH, HE SAID HE WAS GETTING $600 A WEEK. |
474 | 00:30:35,530 | 00:30:37,570 | OKAY, FOR DOING WORK WITH -- WITH -- AROUND TOM'S - | OKAY, FOR DOING WORK WITH -- WITH -- AROUND TOM'S - |
475 | 00:30:37,570 | 00:30:39,200 | WITH TOM. ALL -- | WITH TOM. ALL -- |
476 | 00:30:39,200 | 00:30:41,100 | -- PLACE? YEP | -- PLACE? YEP |
477 | 00:30:41,100 | 00:30:44,840 | A LOT OF ODDS AND END JOBS DID HE SAY HOW OFTEN HE HAD | A LOT OF ODDS AND END JOBS DID HE SAY HOW OFTEN HE HAD |
478 | 00:30:44,840 | 00:30:50,110 | CONTACT WITH THIS MAN, TOM IT WAS ALL THE TIME | CONTACT WITH THIS MAN, TOM IT WAS ALL THE TIME |
479 | 00:30:50,110 | 00:30:59,390 | DID YOU EVER KNOW YOUR BROTHER TO HAVE A GUN? | DID YOU EVER KNOW YOUR BROTHER TO HAVE A GUN? |
480 | 00:30:59,390 | 00:31:02,120 | NOPE. I DON'T KNOW HOW Y'ALL WOULD | NOPE. I DON'T KNOW HOW Y'ALL WOULD |
481 | 00:31:02,120 | 00:31:05,560 | FEEL IF IT WAS ONE OF Y'ALL LOVED ONES | FEEL IF IT WAS ONE OF Y'ALL LOVED ONES |
482 | 00:31:05,560 | 00:31:08,160 | YOU KNOW WHAT I'M SAYIN' MY BROTHER WOULDN'T KILL NOBODY. | YOU KNOW WHAT I'M SAYIN' MY BROTHER WOULDN'T KILL NOBODY. |
483 | 00:31:08,160 | 00:31:10,630 | THAT'S JUST LIKE SAYIN' ME YOU KNOW WHAT I'M SAYIN' | THAT'S JUST LIKE SAYIN' ME YOU KNOW WHAT I'M SAYIN' |
484 | 00:31:10,630 | 00:31:15,470 | RUFAS DIDN'T BELIEVE HIS BROTHER WAS CAPABLE OF THAT. | RUFAS DIDN'T BELIEVE HIS BROTHER WAS CAPABLE OF THAT. |
485 | 00:31:15,470 | 00:31:18,770 | AND YET, WE KNEW, BASED ON THE EVIDENCE, THAT HE HAD ACTUALLY | AND YET, WE KNEW, BASED ON THE EVIDENCE, THAT HE HAD ACTUALLY |
486 | 00:31:18,770 | 00:31:24,380 | KILLED SHARON RANDOLPH HE SHOT HER IN THE HEAD. | KILLED SHARON RANDOLPH HE SHOT HER IN THE HEAD. |
487 | 00:31:24,380 | 00:31:25,980 | WE WERE LEAVING THE INTERVIEW AND RUFUS TOLD US THAT MIKE HAD | WE WERE LEAVING THE INTERVIEW AND RUFUS TOLD US THAT MIKE HAD |
488 | 00:31:25,980 | 00:31:28,680 | ANOTHER BROTHER. YOU GOT A BROTHER | ANOTHER BROTHER. YOU GOT A BROTHER |
489 | 00:31:28,680 | 00:31:30,950 | I GOT ANOTHER BROTHER YEAH, RECO MILLER. | I GOT ANOTHER BROTHER YEAH, RECO MILLER. |
490 | 00:31:30,950 | 00:31:33,560 | WHERE'S RECO? HE'S AT HOME. | WHERE'S RECO? HE'S AT HOME. |
491 | 00:31:33,560 | 00:31:35,520 | AND -- AND SO WE -- WE MADE ARRANGEMENTS TO GO OVER AND TALK | AND -- AND SO WE -- WE MADE ARRANGEMENTS TO GO OVER AND TALK |
492 | 00:31:35,520 | 00:31:37,090 | TO RECO. COME ON IN. | TO RECO. COME ON IN. |
493 | 00:31:37,090 | 00:31:38,960 | RECO? YEP | RECO? YEP |
494 | 00:31:38,960 | 00:31:40,460 | RECO, YOU WERE IN COMMUNICATION WITH MIKE | RECO, YOU WERE IN COMMUNICATION WITH MIKE |
495 | 00:31:40,460 | 00:31:42,100 | BETWEEN -- YEAH -- | BETWEEN -- YEAH -- |
496 | 00:31:42,100 | 00:31:46,100 | WHILE HE WAS OUT THERE IN VEGAS? | WHILE HE WAS OUT THERE IN VEGAS? |
497 | 00:31:46,100 | 00:31:48,170 | I TALKED TO HIM, LIKE, FROM THAT MONDAY TO THAT WEDNESDAY. | I TALKED TO HIM, LIKE, FROM THAT MONDAY TO THAT WEDNESDAY. |
498 | 00:31:48,170 | 00:31:50,640 | BEFORE THIS HAPPENED? YES, SIR, 'CAUSE IT HAPPENED | BEFORE THIS HAPPENED? YES, SIR, 'CAUSE IT HAPPENED |
499 | 00:31:50,640 | 00:31:52,840 | AT THURSDAY. RIGHT, WHAT -- WHAT -- TELL | AT THURSDAY. RIGHT, WHAT -- WHAT -- TELL |
500 | 00:31:52,840 | 00:31:58,510 | ME ABOUT THE CONVERSATION YOU HAD WITH HIM | ME ABOUT THE CONVERSATION YOU HAD WITH HIM |
501 | 00:31:58,510 | 00:32:00,880 | WELL, HE -- HE WAS SAYIN' HE WAS DOIN' GOOD OUT THERE | WELL, HE -- HE WAS SAYIN' HE WAS DOIN' GOOD OUT THERE |
502 | 00:32:00,880 | 00:32:02,550 | HE WAS WORKIN' FOR THAT WHITE GUY. | HE WAS WORKIN' FOR THAT WHITE GUY. |
503 | 00:32:02,550 | 00:32:06,150 | WHAT DID MICHAEL TELL YOU ABOUT HIM? | WHAT DID MICHAEL TELL YOU ABOUT HIM? |
504 | 00:32:06,150 | 00:32:09,260 | WELL, MIKE DIDN'T SAY NOTHING BAD ABOUT HIM. | WELL, MIKE DIDN'T SAY NOTHING BAD ABOUT HIM. |
505 | 00:32:09,260 | 00:32:10,890 | [ CRYING ] EXCUSE ME. | [ CRYING ] EXCUSE ME. |
506 | 00:32:10,890 | 00:32:15,900 | NO, TAKE YOUR TIME. YOU'RE FINE. | NO, TAKE YOUR TIME. YOU'RE FINE. |
507 | 00:32:15,900 | 00:32:19,400 | RICO WAS OVERCOME WITH EMOTION. | RICO WAS OVERCOME WITH EMOTION. |
508 | 00:32:19,400 | 00:32:23,770 | BUT HE TOLD US, TOO -- HE TOLD US SOMETHIN' INTERESTING | BUT HE TOLD US, TOO -- HE TOLD US SOMETHIN' INTERESTING |
509 | 00:32:23,770 | 00:32:28,540 | AT SOME POINT, TOM RANDOLPH GAVE MIKE MILLER A 9mm, THAT HE'D | AT SOME POINT, TOM RANDOLPH GAVE MIKE MILLER A 9mm, THAT HE'D |
510 | 00:32:28,540 | 00:32:32,450 | GIVE HIM IN A HANDGUN. MIKE TELL ME -- HE SAID HE | GIVE HIM IN A HANDGUN. MIKE TELL ME -- HE SAID HE |
511 | 00:32:32,450 | 00:32:35,250 | HAD GOT A -- 9mm I DON'T KNOW WHAT KINDA 9mm | HAD GOT A -- 9mm I DON'T KNOW WHAT KINDA 9mm |
512 | 00:32:35,250 | 00:32:37,090 | HE -- IT WAS MIKE SAID HE GOT THAT FROM | HE -- IT WAS MIKE SAID HE GOT THAT FROM |
513 | 00:32:37,090 | 00:32:38,520 | WHO? HE GOT THAT FROM THE WHITE | WHO? HE GOT THAT FROM THE WHITE |
514 | 00:32:38,520 | 00:32:41,760 | GUY. WHY DID HE GIVE IT TO HIM | GUY. WHY DID HE GIVE IT TO HIM |
515 | 00:32:41,760 | 00:32:46,960 | I NEVER DID KNOW -- KNOW -- KNOW, SIR. | I NEVER DID KNOW -- KNOW -- KNOW, SIR. |
516 | 00:32:46,960 | 00:32:49,530 | APPROACHING LEFT TURN FOLLOWED BY A RIGHT TURN | APPROACHING LEFT TURN FOLLOWED BY A RIGHT TURN |
517 | 00:32:49,530 | 00:32:53,170 | ONE OF THE MOST INTERESTING PEOPLE THAT WE ENDED UP TALKING | ONE OF THE MOST INTERESTING PEOPLE THAT WE ENDED UP TALKING |
518 | 00:32:53,170 | 00:32:55,340 | TO ON THE TRIP WAS JUDY ARCHIE APPROACHING DESTINATION ON | TO ON THE TRIP WAS JUDY ARCHIE APPROACHING DESTINATION ON |
519 | 00:32:55,340 | 00:32:57,340 | THE RIGHT. A FRIEND OF MICHAEL MILLER'S. | THE RIGHT. A FRIEND OF MICHAEL MILLER'S. |
520 | 00:32:57,340 | 00:33:08,550 | SHE HAD KNOWN HIM FOR ABOUT 15 YEARS | SHE HAD KNOWN HIM FOR ABOUT 15 YEARS |
521 | 00:33:08,550 | 00:33:11,320 | COME IN JUDY? | COME IN JUDY? |
522 | 00:33:11,320 | 00:33:17,060 | HI THIS INTERVIEW'S BEING CONDUCTED | HI THIS INTERVIEW'S BEING CONDUCTED |
523 | 00:33:17,060 | 00:33:19,690 | AT JUDY ARCHIE'S RESIDENCE 9:26 HOURS | AT JUDY ARCHIE'S RESIDENCE 9:26 HOURS |
524 | 00:33:19,690 | 00:33:23,970 | JUDY, DO YOU UNDERSTAND THIS INTERVIEW'S BEING RECORDED | JUDY, DO YOU UNDERSTAND THIS INTERVIEW'S BEING RECORDED |
525 | 00:33:23,970 | 00:33:25,830 | IS THAT OKAY WITH YOU? YES, SIR. | IS THAT OKAY WITH YOU? YES, SIR. |
526 | 00:33:25,830 | 00:33:28,070 | YOU WERE FRIENDS WITH MICHAEL MILLER | YOU WERE FRIENDS WITH MICHAEL MILLER |
527 | 00:33:28,070 | 00:33:30,240 | IS THAT CORRECT? UH-HUH. | IS THAT CORRECT? UH-HUH. |
528 | 00:33:30,240 | 00:33:32,240 | ABOUT HOW LONG AGO DID YOU MEET HIM | ABOUT HOW LONG AGO DID YOU MEET HIM |
529 | 00:33:32,240 | 00:33:34,810 | IS ABOUT 15, 16 YEARS OKAY. | IS ABOUT 15, 16 YEARS OKAY. |
530 | 00:33:34,810 | 00:33:36,540 | SO YOU -- PRETTY GOOD FRIENDS WITH HIM | SO YOU -- PRETTY GOOD FRIENDS WITH HIM |
531 | 00:33:36,540 | 00:33:38,210 | UH-HUH. AND AT SOME POINT, HE MOVED | UH-HUH. AND AT SOME POINT, HE MOVED |
532 | 00:33:38,210 | 00:33:39,850 | OUT TO LAS VEGAS YEAH, HE SAY HE WAS MOVIN' | OUT TO LAS VEGAS YEAH, HE SAY HE WAS MOVIN' |
533 | 00:33:39,850 | 00:33:41,180 | OUT FOR A BETTER LIFE. AND WHAT'D HE TELL YA | OUT FOR A BETTER LIFE. AND WHAT'D HE TELL YA |
534 | 00:33:41,180 | 00:33:42,780 | DID HE -- DID HE -- DID HE GIVE YOU A CALL AFTER HE GOT SETTLED | DID HE -- DID HE -- DID HE GIVE YOU A CALL AFTER HE GOT SETTLED |
535 | 00:33:42,780 | 00:33:44,090 | IN WHAT WAS HE TALKING TO YOU | IN WHAT WAS HE TALKING TO YOU |
536 | 00:33:44,090 | 00:33:46,550 | ABOUT? HE WAS ALWAYS TALKING ABOUT | ABOUT? HE WAS ALWAYS TALKING ABOUT |
537 | 00:33:46,550 | 00:33:47,820 | THIS MAN THAT HE MET AT THE STORE. | THIS MAN THAT HE MET AT THE STORE. |
538 | 00:33:47,820 | 00:33:50,660 | AND I KEPT TELLIN' HIM -- I SAID, "MIKE, SOMETHING AIN'T | AND I KEPT TELLIN' HIM -- I SAID, "MIKE, SOMETHING AIN'T |
539 | 00:33:50,660 | 00:33:54,600 | RIGHT ABOUT THAT MAN." AGAIN HE CALLED. | RIGHT ABOUT THAT MAN." AGAIN HE CALLED. |
540 | 00:33:54,600 | 00:33:58,870 | HE SAID, "HE TOLD ME HE WANTED ME TO KILL HIS WIFE. | HE SAID, "HE TOLD ME HE WANTED ME TO KILL HIS WIFE. |
541 | 00:33:58,870 | 00:34:02,300 | I SAID, "FOR WHAT? HE SAID, "I DON'T KNOW.] | I SAID, "FOR WHAT? HE SAID, "I DON'T KNOW.] |
542 | 00:34:02,300 | 00:34:05,740 | HE TOLD ME HE WANTED ME TO KILL HIS WIFE." | HE TOLD ME HE WANTED ME TO KILL HIS WIFE." |
543 | 00:34:05,740 | 00:34:09,810 | HE SAID THAT -- THAT -- THAT'S ALL THE MAN WAS TALKIN' ABOUT, | HE SAID THAT -- THAT -- THAT'S ALL THE MAN WAS TALKIN' ABOUT, |
544 | 00:34:09,810 | 00:34:12,050 | "KILLIN' HIS WIFE, KILLIN' HIS WIFE," YOU KNOW? | "KILLIN' HIS WIFE, KILLIN' HIS WIFE," YOU KNOW? |
545 | 00:34:12,050 | 00:34:15,120 | AND I DID NOT UNDERSTAND THAT. YOU KNOW | AND I DID NOT UNDERSTAND THAT. YOU KNOW |
546 | 00:34:15,120 | 00:34:18,620 | AND I WAS LIKE, "MIKE, GO TO THE POLICE WITH THIS." | AND I WAS LIKE, "MIKE, GO TO THE POLICE WITH THIS." |
547 | 00:34:18,620 | 00:34:20,560 | DID HE EVER TELL YOU ANYTHING THAT HE WAS SUPPOSED TO GET OUT | DID HE EVER TELL YOU ANYTHING THAT HE WAS SUPPOSED TO GET OUT |
548 | 00:34:20,560 | 00:34:22,760 | OF THAT? I MEAN - | OF THAT? I MEAN - |
549 | 00:34:22,760 | 00:34:27,660 | NO. WHAT -- WHAT -- WHAT WOULD | NO. WHAT -- WHAT -- WHAT WOULD |
550 | 00:34:27,660 | 00:34:29,100 | HE -- WHAT WOULD IT BENEFIT MIKE TO KILL THIS MAN'S WIFE? | HE -- WHAT WOULD IT BENEFIT MIKE TO KILL THIS MAN'S WIFE? |
551 | 00:34:29,100 | 00:34:30,730 | I DON'T KNOW WHAT HE WAS GONNA GIVE MIKE, 'CAUSE HE NEVER | I DON'T KNOW WHAT HE WAS GONNA GIVE MIKE, 'CAUSE HE NEVER |
552 | 00:34:30,730 | 00:34:32,500 | DID SAY. OKAY, HE NEVER TOLD YOU ABOUT | DID SAY. OKAY, HE NEVER TOLD YOU ABOUT |
553 | 00:34:32,500 | 00:34:37,440 | THAT UH-UH | THAT UH-UH |
554 | 00:34:37,440 | 00:34:42,610 | TO GO TO THE CAROLINAS AND HAVE JUDY ARCHIE TELL US THAT | TO GO TO THE CAROLINAS AND HAVE JUDY ARCHIE TELL US THAT |
555 | 00:34:42,610 | 00:34:45,410 | THERE WAS CONVERSATIONS THAT SHE HAD WITH MIKE ABOUT TOM RANDOLPH | THERE WAS CONVERSATIONS THAT SHE HAD WITH MIKE ABOUT TOM RANDOLPH |
556 | 00:34:45,410 | 00:34:49,880 | WANTING HIM TO KILL HIS WIFE -- IT WAS A VALIDATION FOR ME | WANTING HIM TO KILL HIS WIFE -- IT WAS A VALIDATION FOR ME |
557 | 00:34:49,880 | 00:34:52,820 | WE HAD GOTTEN THE INFORMATION THAT WE WANTED AT THAT POINT | WE HAD GOTTEN THE INFORMATION THAT WE WANTED AT THAT POINT |
558 | 00:34:52,820 | 00:34:55,490 | ABOUT MIKE MILLER. THERE WAS MORE THAT WE NEEDED TO | ABOUT MIKE MILLER. THERE WAS MORE THAT WE NEEDED TO |
559 | 00:34:55,490 | 00:34:57,760 | KNOW ABOUT TOM RANDOLPH AND HIS PAST | KNOW ABOUT TOM RANDOLPH AND HIS PAST |
560 | 00:34:57,760 | 00:35:02,100 | IT WAS CLEAR THAT IT WAS THE TIP OF THE ICEBERG | IT WAS CLEAR THAT IT WAS THE TIP OF THE ICEBERG |
561 | 00:35:02,100 | 00:35:09,040 | WE HAD A THEORY. AND THAT'S THIS. | WE HAD A THEORY. AND THAT'S THIS. |
562 | 00:35:09,040 | 00:35:35,300 | THOMAS RANDOLPH CREATED AND GROOMED A PERSON THAT WOULD BE | THOMAS RANDOLPH CREATED AND GROOMED A PERSON THAT WOULD BE |
563 | 00:35:35,300 | 00:35:38,070 | WHEN WE STARTED LOOKING INTO TOM RANDOLPH'S PAST, AND THE | WHEN WE STARTED LOOKING INTO TOM RANDOLPH'S PAST, AND THE |
564 | 00:35:38,070 | 00:35:40,340 | MORE WE LEARNED ABOUT HIM AND LEARNED ABOUT HIS HISTORY, THE | MORE WE LEARNED ABOUT HIM AND LEARNED ABOUT HIS HISTORY, THE |
565 | 00:35:40,340 | 00:35:42,570 | WHOLE INVESTIGATION CHANGED. AND I WAS GOING TO NEED MY | WHOLE INVESTIGATION CHANGED. AND I WAS GOING TO NEED MY |
566 | 00:35:42,570 | 00:35:47,080 | PARTNER. THIS IS DETECTIVE WILSON FROM | PARTNER. THIS IS DETECTIVE WILSON FROM |
567 | 00:35:47,080 | 00:35:49,540 | LAS VEGAS. I'M A TWO-MAN PARTNER WITH | LAS VEGAS. I'M A TWO-MAN PARTNER WITH |
568 | 00:35:49,540 | 00:35:51,510 | ROB WILSON YOU KNOW, AT THE TIME THIS | ROB WILSON YOU KNOW, AT THE TIME THIS |
569 | 00:35:51,510 | 00:35:55,480 | HAPPENED, WE WERE THE LONGEST RUNNING PARTNERSHIP IN HOMICIDE | HAPPENED, WE WERE THE LONGEST RUNNING PARTNERSHIP IN HOMICIDE |
570 | 00:35:55,480 | 00:35:58,120 | FOR A LONG TIME. AND WHAT COULD BE MORE | FOR A LONG TIME. AND WHAT COULD BE MORE |
571 | 00:35:58,120 | 00:35:59,890 | IMPORTANT THAN MY PROBLEMS I CAN'T IMAGINE | IMPORTANT THAN MY PROBLEMS I CAN'T IMAGINE |
572 | 00:35:59,890 | 00:36:03,890 | IT'S ALMOST LIKE A MARRIAGE REALLY | IT'S ALMOST LIKE A MARRIAGE REALLY |
573 | 00:36:03,890 | 00:36:06,230 | YOU START TO THINK ALIKE YOU START TO FINISH EACH OTHER'S | YOU START TO THINK ALIKE YOU START TO FINISH EACH OTHER'S |
574 | 00:36:06,230 | 00:36:09,830 | SENTENCES SOMETIMES. IT'S REALLY COOL WHEN YOU GET IT | SENTENCES SOMETIMES. IT'S REALLY COOL WHEN YOU GET IT |
575 | 00:36:09,830 | 00:36:12,670 | WORKING RIGHT. ROB WAS ON VACATION WHEN WE | WORKING RIGHT. ROB WAS ON VACATION WHEN WE |
576 | 00:36:12,670 | 00:36:15,040 | CAUGHT THIS CASE SO HE WASN'T AT THE SCENE. | CAUGHT THIS CASE SO HE WASN'T AT THE SCENE. |
577 | 00:36:15,040 | 00:36:19,040 | HE WASN'T INVOLVED IN THE INTERVIEWS | HE WASN'T INVOLVED IN THE INTERVIEWS |
578 | 00:36:19,040 | 00:36:22,710 | HE DIDN'T DO ANY OF THAT HE CALLED ME, AND HE SAID, "I | HE DIDN'T DO ANY OF THAT HE CALLED ME, AND HE SAID, "I |
579 | 00:36:22,710 | 00:36:25,250 | TELL YOU, IN MY HEART, I KNOW THAT HE'S GUILTY." | TELL YOU, IN MY HEART, I KNOW THAT HE'S GUILTY." |
580 | 00:36:25,250 | 00:36:28,280 | I NEEDED HIM UP AND RUNNIN' AND UP TO SPEED IN THE -- IN THE | I NEEDED HIM UP AND RUNNIN' AND UP TO SPEED IN THE -- IN THE |
581 | 00:36:28,280 | 00:36:30,520 | CASE AND HE WAS IMMEDIATELY | CASE AND HE WAS IMMEDIATELY |
582 | 00:36:30,520 | 00:36:32,520 | I HAD A LOT OF CONFIDENCE IN ROB. | I HAD A LOT OF CONFIDENCE IN ROB. |
583 | 00:36:32,520 | 00:36:35,660 | YOU KNOW, ESPECIALLY IN HIS INVESTIGATIVE SKILLS | YOU KNOW, ESPECIALLY IN HIS INVESTIGATIVE SKILLS |
584 | 00:36:35,660 | 00:36:39,390 | IN READING YOUR REPORT -- IT'S A PRETTY COMPREHENSIVE | IN READING YOUR REPORT -- IT'S A PRETTY COMPREHENSIVE |
585 | 00:36:39,390 | 00:36:42,960 | REPORT, BUT I THINK THAT IT LEFT -- WE LEFT SOME THINGS | REPORT, BUT I THINK THAT IT LEFT -- WE LEFT SOME THINGS |
586 | 00:36:42,960 | 00:36:45,830 | HANGING IN THE INVESTIGATION THE TWO OF US HIT THE GROUND | HANGING IN THE INVESTIGATION THE TWO OF US HIT THE GROUND |
587 | 00:36:45,830 | 00:36:49,700 | RUNNING. IT WAS LIKE PUTTIN' TOGETHER | RUNNING. IT WAS LIKE PUTTIN' TOGETHER |
588 | 00:36:49,700 | 00:36:52,370 | A PUZZLE WE HAD A THEORY THAT WE BELIEVE | A PUZZLE WE HAD A THEORY THAT WE BELIEVE |
589 | 00:36:52,370 | 00:36:59,080 | WAS WELL ESTABLISHED BY THE EVIDENCE, AND THAT'S THIS. | WAS WELL ESTABLISHED BY THE EVIDENCE, AND THAT'S THIS. |
590 | 00:36:59,080 | 00:37:04,320 | THOMAS RANDOLPH HAD INTENTIONALLY MARRIED SHARON | THOMAS RANDOLPH HAD INTENTIONALLY MARRIED SHARON |
591 | 00:37:04,320 | 00:37:07,820 | WITH THE SOLE PURPOSE OF CASHING IN ON LIFE INSURANCE POLICIES | WITH THE SOLE PURPOSE OF CASHING IN ON LIFE INSURANCE POLICIES |
592 | 00:37:07,820 | 00:37:10,730 | WHEN SHE DIED. WE ENDED UP ULTIMATELY | WHEN SHE DIED. WE ENDED UP ULTIMATELY |
593 | 00:37:10,730 | 00:37:15,030 | FINDING FOUR LIFE INSURANCE POLICIES THAT TOM RANDOLPH HAD | FINDING FOUR LIFE INSURANCE POLICIES THAT TOM RANDOLPH HAD |
594 | 00:37:15,030 | 00:37:23,200 | TAKEN OUT ON SHARON TOTALING ABOUT $360,000 | TAKEN OUT ON SHARON TOTALING ABOUT $360,000 |
595 | 00:37:23,200 | 00:37:26,680 | WE BELIEVE THAT TOM RANDOLPH MET MIKE MILLER AT A CONVENIENCE | WE BELIEVE THAT TOM RANDOLPH MET MIKE MILLER AT A CONVENIENCE |
596 | 00:37:26,680 | 00:37:29,740 | STORE, STRUCK UP A CONVERSATION WITH HIM AND THAT, BEING THE | STORE, STRUCK UP A CONVERSATION WITH HIM AND THAT, BEING THE |
597 | 00:37:29,740 | 00:37:36,050 | MANIPULATOR THAT TOM RANDOLPH IS, IMMEDIATELY RECOGNIZED THAT | MANIPULATOR THAT TOM RANDOLPH IS, IMMEDIATELY RECOGNIZED THAT |
598 | 00:37:36,050 | 00:37:39,650 | HE HAD SOMEBODY IN FRONT OF HIM. AND HE CREATED AND GROOMED A | HE HAD SOMEBODY IN FRONT OF HIM. AND HE CREATED AND GROOMED A |
599 | 00:37:39,650 | 00:37:43,960 | PERSON THAT WOULD BE WILLING TO KILL FOR HIM | PERSON THAT WOULD BE WILLING TO KILL FOR HIM |
600 | 00:37:43,960 | 00:37:50,270 | AND THAT'S WHAT HE FOUND IN MR. MILLER | AND THAT'S WHAT HE FOUND IN MR. MILLER |
601 | 00:37:50,270 | 00:37:55,370 | WE BELIEVE THAT RANDOLPH TOOK SHARON OUT TO DINNER FOR | WE BELIEVE THAT RANDOLPH TOOK SHARON OUT TO DINNER FOR |
602 | 00:37:55,370 | 00:38:00,110 | MOTHER'S DAY AS PART OF THE RUSE TO ALLOW MILLER TO GO INTO THE | MOTHER'S DAY AS PART OF THE RUSE TO ALLOW MILLER TO GO INTO THE |
603 | 00:38:00,110 | 00:38:04,880 | HOUSE AND PREPARE. THAT'S ONE OF THE EERIE | HOUSE AND PREPARE. THAT'S ONE OF THE EERIE |
604 | 00:38:04,880 | 00:38:08,880 | ASPECTS OF THIS CASE AS THEY'RE WALKING TOGETHER OUT | ASPECTS OF THIS CASE AS THEY'RE WALKING TOGETHER OUT |
605 | 00:38:08,880 | 00:38:11,790 | OF THE CASINO HOLDING HANDS, HE KNOWS WITHIN A VERY SHORT PERIOD | OF THE CASINO HOLDING HANDS, HE KNOWS WITHIN A VERY SHORT PERIOD |
606 | 00:38:11,790 | 00:38:18,890 | OF TIME SHE'D BE DEAD ON THE FLOOR IN HER HOUSE | OF TIME SHE'D BE DEAD ON THE FLOOR IN HER HOUSE |
607 | 00:38:18,890 | 00:38:26,300 | NOW MIKE'S AT THE HOUSE. HE'S PROBABLY IN THE BACKYARD. | NOW MIKE'S AT THE HOUSE. HE'S PROBABLY IN THE BACKYARD. |
608 | 00:38:26,300 | 00:38:29,670 | WE KNEW HE HAD A KEY THIS CLOCK HINGES DOWN RIGHT | WE KNEW HE HAD A KEY THIS CLOCK HINGES DOWN RIGHT |
609 | 00:38:29,670 | 00:38:32,170 | HERE AND IT APPARENTLY, FROM WHAT | HERE AND IT APPARENTLY, FROM WHAT |
610 | 00:38:32,170 | 00:38:35,180 | WE'RE TOLD FROM TOM, IS THAT THE GUN WAS KEPT INSIDE THE CLOCK | WE'RE TOLD FROM TOM, IS THAT THE GUN WAS KEPT INSIDE THE CLOCK |
611 | 00:38:35,180 | 00:38:37,180 | HERE SO APPARENTLY, MIKE KNEW WHERE | HERE SO APPARENTLY, MIKE KNEW WHERE |
612 | 00:38:37,180 | 00:38:40,380 | THAT WAS HE WAS LAYING IN WAIT IN THE | THAT WAS HE WAS LAYING IN WAIT IN THE |
613 | 00:38:40,380 | 00:38:42,880 | HALLWAY BATHROOM UNTIL SHARON CAME INTO THE HOUSE BY HERSELF, | HALLWAY BATHROOM UNTIL SHARON CAME INTO THE HOUSE BY HERSELF, |
614 | 00:38:42,880 | 00:38:47,090 | AS PREARRANGED BY THOMAS RANDOLPH. | AS PREARRANGED BY THOMAS RANDOLPH. |
615 | 00:38:47,090 | 00:38:51,060 | AND AS SOON AS SHE WALKED INTO THIS AREA HERE, WHERE HER HEAD | AND AS SOON AS SHE WALKED INTO THIS AREA HERE, WHERE HER HEAD |
616 | 00:38:51,060 | 00:38:55,230 | WAS POSITIONED RIGHT HERE, RIGHT IN THIS AREA, THAT MILLER FIRED | WAS POSITIONED RIGHT HERE, RIGHT IN THIS AREA, THAT MILLER FIRED |
617 | 00:38:55,230 | 00:38:58,870 | THAT SHOT. MICHAEL MILLER HAD A SKI MASK | THAT SHOT. MICHAEL MILLER HAD A SKI MASK |
618 | 00:38:58,870 | 00:39:01,600 | WITH HIM DOUBTLESS NOW THAT HE KNOWS THAT | WITH HIM DOUBTLESS NOW THAT HE KNOWS THAT |
619 | 00:39:01,600 | 00:39:05,670 | SHARON IS DOWN AND THAT A FRIENDLY -- | SHARON IS DOWN AND THAT A FRIENDLY -- |
620 | 00:39:05,670 | 00:39:07,810 | HIS CONFEDERATE IS COMING IN THROUGH THAT DOOR, THAT HE TAKES | HIS CONFEDERATE IS COMING IN THROUGH THAT DOOR, THAT HE TAKES |
621 | 00:39:07,810 | 00:39:11,310 | HIS MASK OFF HE RELAXES | HIS MASK OFF HE RELAXES |
622 | 00:39:11,310 | 00:39:14,750 | AS MILLER STARTED TO WALK THROUGH THE GARAGE DOOR TO LEAVE | AS MILLER STARTED TO WALK THROUGH THE GARAGE DOOR TO LEAVE |
623 | 00:39:14,750 | 00:39:17,190 | WITH THOMAS RANDOLPH BEHIND HIM, TOM RANDOLPH FIRED THE FIRST | WITH THOMAS RANDOLPH BEHIND HIM, TOM RANDOLPH FIRED THE FIRST |
624 | 00:39:17,190 | 00:39:19,250 | SHOT HE AMBUSHED HIM. | SHOT HE AMBUSHED HIM. |
625 | 00:39:19,250 | 00:39:22,490 | BOOM! WE FOUND THIS SKI MASK RIGHT | BOOM! WE FOUND THIS SKI MASK RIGHT |
626 | 00:39:22,490 | 00:39:25,360 | HERE ON THE GROUND AWAY FROM THE BODY | HERE ON THE GROUND AWAY FROM THE BODY |
627 | 00:39:25,360 | 00:39:29,660 | THERE WERE NO BULLET HOLES IN THE SKI MASK | THERE WERE NO BULLET HOLES IN THE SKI MASK |
628 | 00:39:29,660 | 00:39:31,430 | THERE WASN'T ANY BLOOD ON THE SKI MASK | THERE WASN'T ANY BLOOD ON THE SKI MASK |
629 | 00:39:31,430 | 00:39:33,230 | IT'S -- IT'S HUGE THAT THERE'S NO BLOOD OR BULLET HOLES IN THE | IT'S -- IT'S HUGE THAT THERE'S NO BLOOD OR BULLET HOLES IN THE |
630 | 00:39:33,230 | 00:39:35,100 | SKI MASK BECAUSE TOM RANDOLPH SAID HE STILL HAD IT ON HIS | SKI MASK BECAUSE TOM RANDOLPH SAID HE STILL HAD IT ON HIS |
631 | 00:39:35,100 | 00:39:37,470 | HEAD HOW'S THE SKI MASK GET WHERE IT | HEAD HOW'S THE SKI MASK GET WHERE IT |
632 | 00:39:37,470 | 00:39:41,310 | WAS WITH NO BLOOD, NO BULLET HOLES? | WAS WITH NO BLOOD, NO BULLET HOLES? |
633 | 00:39:41,310 | 00:39:45,680 | WE BOTH WERE VERY CONFIDENT THAT THOMAS RANDOLPH WAS GUILTY. | WE BOTH WERE VERY CONFIDENT THAT THOMAS RANDOLPH WAS GUILTY. |
634 | 00:39:45,680 | 00:39:48,750 | BUT BEING ABLE TO PROVE IT IN A COURT OF LAW IS SOMETHING | BUT BEING ABLE TO PROVE IT IN A COURT OF LAW IS SOMETHING |
635 | 00:39:48,750 | 00:39:55,590 | DIFFERENT. THERE WAS A LOT MORE TO | DIFFERENT. THERE WAS A LOT MORE TO |
636 | 00:39:55,590 | 00:39:58,390 | THOMAS RANDOLPH THAN WE KNEW I NEVER, IN 1,000 YEARS, | THOMAS RANDOLPH THAN WE KNEW I NEVER, IN 1,000 YEARS, |
637 | 00:39:58,390 | 00:40:06,400 | THOUGHT THAT THIS WOULD DEVELOP INTO WHAT IT DEVELOPED INTO. | THOUGHT THAT THIS WOULD DEVELOP INTO WHAT IT DEVELOPED INTO. |
638 | 00:40:06,400 | 00:40:12,440 | WE WENT TO WASHINGTON STATE, INDIANA, KENTUCKY, | WE WENT TO WASHINGTON STATE, INDIANA, KENTUCKY, |
639 | 00:40:12,440 | 00:40:17,880 | NEW HAMPSHIRE, UTAH. WHAT REALLY BECAME IMPORTANT WAS | NEW HAMPSHIRE, UTAH. WHAT REALLY BECAME IMPORTANT WAS |
640 | 00:40:17,880 | 00:40:23,220 | HIS PAST HISTORY POLICE ARRESTED THOMAS | HIS PAST HISTORY POLICE ARRESTED THOMAS |
641 | 00:40:23,220 | 00:40:26,150 | RANDOLPH ON CHARGES OF MURDER. HE ASKED ME IF I WOULD KILL | RANDOLPH ON CHARGES OF MURDER. HE ASKED ME IF I WOULD KILL |
642 | 00:40:26,150 | 00:40:31,490 | SOMEBODY FOR MONEY IF I KNEW I COULD GET AWAY WITH IT | SOMEBODY FOR MONEY IF I KNEW I COULD GET AWAY WITH IT |
643 | 00:40:31,490 | 00:40:35,800 | THESE WOMEN COME UP DEAD, AND HE COMES UP WITH MONEY | THESE WOMEN COME UP DEAD, AND HE COMES UP WITH MONEY |
644 | 00:40:35,800 | 00:40:38,100 | I LOVE YOU, TOMMY THE MOST SIGNIFICANT THING | I LOVE YOU, TOMMY THE MOST SIGNIFICANT THING |
645 | 00:40:38,100 | 00:40:40,240 | THAT WE FOUND OUT ABOUT TOM RANDOLPH WAS THAT SHARON WAS | THAT WE FOUND OUT ABOUT TOM RANDOLPH WAS THAT SHARON WAS |
646 | 00:40:40,240 | 00:40:43,440 | ACTUALLY HIS SIXTH WIFE. HE'S REALLY A SICK SON OF A | ACTUALLY HIS SIXTH WIFE. HE'S REALLY A SICK SON OF A |
647 | 00:40:43,440 | 00:40:46,880 | BITCH. OUT OF THOSE SIX WIVES, FOUR | BITCH. OUT OF THOSE SIX WIVES, FOUR |
648 | 00:40:46,880 | 00:40:48,810 | OF THEM WERE DEAD. PUT YOUR HANDS ON YOUR HEAD | OF THEM WERE DEAD. PUT YOUR HANDS ON YOUR HEAD |