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1 | 00:00:18,352 | 00:00:22,272 | Just dropped off the little girl from the tunnel. She's in a bad way. | Just dropped off the little girl from the tunnel. She's in a bad way. |
2 | 00:00:29,988 | 00:00:31,782 | Keep pushing forward with me. | Keep pushing forward with me. |
3 | 00:00:34,993 | 00:00:36,954 | Terrorism? | Terrorism? |
4 | 00:00:37,204 | 00:00:38,747 | We don't know yet. | We don't know yet. |
5 | 00:00:43,544 | 00:00:48,298 | In the first series, two different bodies at the midpoint in the tunnel | In the first series, two different bodies at the midpoint in the tunnel |
6 | 00:00:48,549 | 00:00:50,467 | was a brilliant, brilliant way to start a series | was a brilliant, brilliant way to start a series |
7 | 00:00:50,717 | 00:00:52,344 | set between two different countries. | set between two different countries. |
8 | 00:00:52,594 | 00:00:55,847 | And it took Ben, our show runner, a while | And it took Ben, our show runner, a while |
9 | 00:00:56,098 | 00:00:58,392 | to think, what would be different | to think, what would be different |
10 | 00:00:58,642 | 00:01:02,354 | but equally arresting as a kickoff point for Series 2? | but equally arresting as a kickoff point for Series 2? |
11 | 00:01:02,604 | 00:01:04,064 | We chose this idea of a plane | We chose this idea of a plane |
12 | 00:01:04,314 | 00:01:07,025 | that more or less was brought down between the 2 countries. | that more or less was brought down between the 2 countries. |
13 | 00:01:07,276 | 00:01:09,736 | We've lost control of our instruments. | We've lost control of our instruments. |
14 | 00:01:09,987 | 00:01:11,905 | It's like somebody else is flying the plane. | It's like somebody else is flying the plane. |
15 | 00:01:12,155 | 00:01:13,574 | It's not just the crash, it's that the debris | It's not just the crash, it's that the debris |
16 | 00:01:13,824 | 00:01:17,828 | from the crash opens up immediately, very dramatically, | from the crash opens up immediately, very dramatically, |
17 | 00:01:18,078 | 00:01:19,955 | a whole range of possible stories. | a whole range of possible stories. |
18 | 00:01:20,205 | 00:01:24,001 | Set...and action! | Set...and action! |
19 | 00:01:29,089 | 00:01:31,633 | We needed to find a baddie, | We needed to find a baddie, |
20 | 00:01:31,883 | 00:01:35,929 | who is the baroque equal of TT | who is the baroque equal of TT |
21 | 00:01:36,179 | 00:01:37,347 | but who's completely different. | but who's completely different. |
22 | 00:01:37,598 | 00:01:39,016 | Ben came up with a really brilliant | Ben came up with a really brilliant |
23 | 00:01:39,266 | 00:01:40,434 | Russian doll structure. | Russian doll structure. |
24 | 00:01:40,684 | 00:01:42,853 | What you have is a number of people who have | What you have is a number of people who have |
25 | 00:01:43,103 | 00:01:46,148 | different motives and different reasons for doing what they do. | different motives and different reasons for doing what they do. |
26 | 00:01:46,398 | 00:01:47,983 | And you start from the smallest. | And you start from the smallest. |
27 | 00:01:48,233 | 00:01:49,693 | Then you find there's another bigger one | Then you find there's another bigger one |
28 | 00:01:49,943 | 00:01:51,862 | and a bigger one and a big one going right up the scale. | and a bigger one and a big one going right up the scale. |
29 | 00:01:52,112 | 00:01:55,907 | TT's motivation was very intense and personal, | TT's motivation was very intense and personal, |
30 | 00:01:56,158 | 00:01:58,952 | and we've done something very different this series. | and we've done something very different this series. |
31 | 00:01:59,202 | 00:02:02,706 | We will fight every attempt to dominate our minds and our bodies. | We will fight every attempt to dominate our minds and our bodies. |
32 | 00:02:05,208 | 00:02:07,252 | We are defense. | We are defense. |
33 | 00:02:07,502 | 00:02:09,129 | You will hear from us again. | You will hear from us again. |
34 | 00:02:12,090 | 00:02:13,884 | It's been great to be back | It's been great to be back |
35 | 00:02:14,134 | 00:02:15,886 | and be back with Elise again. | and be back with Elise again. |
36 | 00:02:16,136 | 00:02:17,512 | And work with Stephen again | And work with Stephen again |
37 | 00:02:17,763 | 00:02:19,890 | and discover a whole sort of new side | and discover a whole sort of new side |
38 | 00:02:20,140 | 00:02:21,558 | of the two of them. | of the two of them. |
39 | 00:02:21,808 | 00:02:23,393 | Maybe you don't know me as well as you think. | Maybe you don't know me as well as you think. |
40 | 00:02:23,644 | 00:02:26,605 | I like the scenes where Elise and I can play our relationship. | I like the scenes where Elise and I can play our relationship. |
41 | 00:02:26,855 | 00:02:27,981 | It's great fun. | It's great fun. |
42 | 00:02:28,231 | 00:02:30,859 | Tomorrow we were supposed to be tested for our personality types. | Tomorrow we were supposed to be tested for our personality types. |
43 | 00:02:31,109 | 00:02:32,903 | ENFJ, I'd say. A giver. | ENFJ, I'd say. A giver. |
44 | 00:02:33,153 | 00:02:36,281 | Fun-loving, popular, and sensitive. Outstanding people skills. | Fun-loving, popular, and sensitive. Outstanding people skills. |
45 | 00:02:36,381 | 00:02:38,300 | Okay, you're teasing me now. | Okay, you're teasing me now. |
46 | 00:02:38,700 | 00:02:40,661 | Yes, I suppose I am. | Yes, I suppose I am. |
47 | 00:02:40,911 | 00:02:43,080 | I think Elise falls in love for the first time | I think Elise falls in love for the first time |
48 | 00:02:43,330 | 00:02:45,540 | and doesn't quite understand what's happening to her | and doesn't quite understand what's happening to her |
49 | 00:02:45,791 | 00:02:48,627 | and starts, as you do when you fall in love, | and starts, as you do when you fall in love, |
50 | 00:02:48,877 | 00:02:50,921 | making very irrational decisions, | making very irrational decisions, |
51 | 00:02:51,171 | 00:02:53,256 | which is exactly what she shouldn't be doing. | which is exactly what she shouldn't be doing. |
52 | 00:03:02,182 | 00:03:03,809 | And what's interesting is what | And what's interesting is what |
53 | 00:03:04,059 | 00:03:07,479 | it then creates in the relationship she has with Karl. | it then creates in the relationship she has with Karl. |
54 | 00:03:07,729 | 00:03:11,066 | Because she was the one season one kind of saying, | Because she was the one season one kind of saying, |
55 | 00:03:11,316 | 00:03:13,360 | "What are you doing?" | "What are you doing?" |
56 | 00:03:13,610 | 00:03:16,697 | And all of a sudden, he's the one saying, "What's going on?" | And all of a sudden, he's the one saying, "What's going on?" |
57 | 00:03:16,947 | 00:03:18,156 | Listen, I... | Listen, I... |
58 | 00:03:18,407 | 00:03:19,533 | I have done nothing wrong. All...all right. | I have done nothing wrong. All...all right. |
59 | 00:03:19,783 | 00:03:22,869 | No. That's...you've shown how little you respect and trust me. | No. That's...you've shown how little you respect and trust me. |
60 | 00:03:23,120 | 00:03:24,579 | A year or so has passed. | A year or so has passed. |
61 | 00:03:24,830 | 00:03:26,957 | Karl, obviously, is grieving the loss of his son Adam. | Karl, obviously, is grieving the loss of his son Adam. |
62 | 00:03:27,207 | 00:03:28,917 | He spent 6 months on compassionate leave | He spent 6 months on compassionate leave |
63 | 00:03:29,167 | 00:03:31,336 | and another 6 months in the Public Protection Unit, | and another 6 months in the Public Protection Unit, |
64 | 00:03:31,586 | 00:03:34,548 | Away from the front line of investigating. | Away from the front line of investigating. |
65 | 00:03:34,798 | 00:03:36,758 | Karl Roebuck, Public Protection Unit. | Karl Roebuck, Public Protection Unit. |
66 | 00:03:37,008 | 00:03:38,802 | Hello, Karl Roebuck, Public Protection Unit. | Hello, Karl Roebuck, Public Protection Unit. |
67 | 00:03:39,052 | 00:03:40,929 | This is areal police officer speaking. | This is areal police officer speaking. |
68 | 00:03:41,179 | 00:03:43,056 | Ah, very good, BB. | Ah, very good, BB. |
69 | 00:03:43,306 | 00:03:45,475 | He's just at the beginning of this series on the turn | He's just at the beginning of this series on the turn |
70 | 00:03:45,726 | 00:03:47,394 | and hankering for the old... | and hankering for the old... |
71 | 00:03:47,644 | 00:03:51,815 | the excitement of the old job and the thrills of detection. | the excitement of the old job and the thrills of detection. |
72 | 00:03:52,065 | 00:03:54,067 | Come back to CID, Karl. | Come back to CID, Karl. |
73 | 00:03:55,861 | 00:03:57,529 | It's where you belong. | It's where you belong. |
74 | 00:04:01,658 | 00:04:04,786 | Our story, it reaches beyond even Europe, | Our story, it reaches beyond even Europe, |
75 | 00:04:05,036 | 00:04:06,288 | and it's very international this year. | and it's very international this year. |
76 | 00:04:06,538 | 00:04:08,290 | We've got Americans. | We've got Americans. |
77 | 00:04:08,540 | 00:04:10,917 | We've got a Dutch actor, Belgian actors. | We've got a Dutch actor, Belgian actors. |
78 | 00:04:11,168 | 00:04:13,795 | It's a really, truly international cast. | It's a really, truly international cast. |
79 | 00:04:14,045 | 00:04:15,464 | We are a British crew | We are a British crew |
80 | 00:04:15,714 | 00:04:17,299 | and have a French unit as well. | and have a French unit as well. |
81 | 00:04:17,549 | 00:04:19,217 | We go and shoot in France | We go and shoot in France |
82 | 00:04:19,468 | 00:04:21,803 | for about a quarter of every couple of episodes. | for about a quarter of every couple of episodes. |
83 | 00:04:22,053 | 00:04:24,556 | We have 4 Directors... | We have 4 Directors... |
84 | 00:04:24,806 | 00:04:27,142 | and 2 British Directors and one French Director, | and 2 British Directors and one French Director, |
85 | 00:04:27,392 | 00:04:29,019 | one Flemish Director, | one Flemish Director, |
86 | 00:04:29,269 | 00:04:30,520 | and that's been quite interesting. | and that's been quite interesting. |
87 | 00:04:30,771 | 00:04:33,273 | I feel like we learn a lot from each other. | I feel like we learn a lot from each other. |
88 | 00:04:33,523 | 00:04:36,818 | It's been really, really great just getting opportunity | It's been really, really great just getting opportunity |
89 | 00:04:37,068 | 00:04:38,945 | to work with French actors and Belgian actors. | to work with French actors and Belgian actors. |
90 | 00:04:39,196 | 00:04:42,783 | Robert is a Belgian guy, a radical atheist, | Robert is a Belgian guy, a radical atheist, |
91 | 00:04:43,033 | 00:04:47,245 | who decides that the world needs atheist terrorism. | who decides that the world needs atheist terrorism. |
92 | 00:04:47,496 | 00:04:50,040 | Nothing has led to more bloodshed than religion. | Nothing has led to more bloodshed than religion. |
93 | 00:04:50,290 | 00:04:51,958 | He seduces Rosa | He seduces Rosa |
94 | 00:04:52,209 | 00:04:55,045 | and brainwashes her into his political ideas. | and brainwashes her into his political ideas. |
95 | 00:04:55,295 | 00:04:57,672 | And she goes along with him. | And she goes along with him. |
96 | 00:04:57,923 | 00:05:03,553 | Oh, Rosa...she's got a very tough exterior | Oh, Rosa...she's got a very tough exterior |
97 | 00:05:03,804 | 00:05:05,222 | but a vulnerable side, | but a vulnerable side, |
98 | 00:05:05,472 | 00:05:07,474 | and that vulnerable side has a lot to do | and that vulnerable side has a lot to do |
99 | 00:05:07,724 | 00:05:10,477 | with her father sonny. | with her father sonny. |
100 | 00:05:10,727 | 00:05:14,272 | And I wasn't always very much of a dad. | And I wasn't always very much of a dad. |
101 | 00:05:14,523 | 00:05:18,318 | Sonny, to me, is those older brothers | Sonny, to me, is those older brothers |
102 | 00:05:18,568 | 00:05:19,986 | who had wakened political awareness | who had wakened political awareness |
103 | 00:05:20,237 | 00:05:21,613 | back in the 60's. | back in the 60's. |
104 | 00:05:21,863 | 00:05:25,075 | Professor Sonny Persaud? Well, well. | Professor Sonny Persaud? Well, well. |
105 | 00:05:25,325 | 00:05:27,494 | Yeah, sorry. His name means nothing to me. | Yeah, sorry. His name means nothing to me. |
106 | 00:05:27,744 | 00:05:29,079 | Radical American academic. | Radical American academic. |
107 | 00:05:29,329 | 00:05:30,831 | He was very close to the panthers for a while, | He was very close to the panthers for a while, |
108 | 00:05:31,081 | 00:05:32,707 | never joined them. | never joined them. |
109 | 00:05:32,958 | 00:05:34,709 | I think Ben, our writer, was very interested | I think Ben, our writer, was very interested |
110 | 00:05:34,960 | 00:05:37,546 | in the idea of, how does someone raised | in the idea of, how does someone raised |
111 | 00:05:37,796 | 00:05:40,966 | in a very stimulating intellectual environment | in a very stimulating intellectual environment |
112 | 00:05:41,216 | 00:05:44,511 | come to make these terrible, terrible choices and decisions? | come to make these terrible, terrible choices and decisions? |
113 | 00:05:49,933 | 00:05:52,060 | There is a definite move in the second series | There is a definite move in the second series |
114 | 00:05:52,310 | 00:05:54,437 | both in scale and style. | both in scale and style. |
115 | 00:05:54,688 | 00:05:57,941 | I mean, there is probably enough action across 2 episodes | I mean, there is probably enough action across 2 episodes |
116 | 00:05:58,191 | 00:06:01,236 | as there was in, you know, a good half of the first series. | as there was in, you know, a good half of the first series. |
117 | 00:06:01,486 | 00:06:03,655 | It's got apace to it, and it's got an energy to it. | It's got apace to it, and it's got an energy to it. |
118 | 00:06:03,905 | 00:06:05,949 | We've got a whole big plane sequence. | We've got a whole big plane sequence. |
119 | 00:06:06,199 | 00:06:07,617 | We've got to crash a plane in the ocean, | We've got to crash a plane in the ocean, |
120 | 00:06:07,868 | 00:06:09,202 | and today what we're doing is we're doing | and today what we're doing is we're doing |
121 | 00:06:09,452 | 00:06:11,079 | the cockpit sequence | the cockpit sequence |
122 | 00:06:11,329 | 00:06:12,539 | where the pilots are actually struggling with the controls, | where the pilots are actually struggling with the controls, |
123 | 00:06:12,789 | 00:06:14,541 | trying to regain control of the plane, | trying to regain control of the plane, |
124 | 00:06:14,791 | 00:06:15,834 | but they don't, of course. | but they don't, of course. |
125 | 00:06:16,084 | 00:06:17,460 | And it goes flying down into the channel. | And it goes flying down into the channel. |
126 | 00:06:17,711 | 00:06:20,297 | We went out and filmed with an aerial photographer. | We went out and filmed with an aerial photographer. |
127 | 00:06:20,547 | 00:06:22,132 | He took his plane out over the sea. | He took his plane out over the sea. |
128 | 00:06:22,382 | 00:06:24,551 | That gave us the footage that we could then play back | That gave us the footage that we could then play back |
129 | 00:06:24,801 | 00:06:26,887 | on the day rather than having to use green screen | on the day rather than having to use green screen |
130 | 00:06:27,137 | 00:06:29,139 | and do it all in post, which is, obviously, a lot more expensive. | and do it all in post, which is, obviously, a lot more expensive. |
131 | 00:06:29,389 | 00:06:30,974 | We also have another set | We also have another set |
132 | 00:06:31,224 | 00:06:32,601 | which is the interior of a plane, which is a cabin, | which is the interior of a plane, which is a cabin, |
133 | 00:06:32,851 | 00:06:34,394 | which is a sort of truncated version of a cabin, | which is a sort of truncated version of a cabin, |
134 | 00:06:34,644 | 00:06:35,854 | where we actually see our passengers | where we actually see our passengers |
135 | 00:06:36,104 | 00:06:37,147 | and see how they react to the fact | and see how they react to the fact |
136 | 00:06:37,397 | 00:06:38,899 | that the plane starts vibrating | that the plane starts vibrating |
137 | 00:06:39,149 | 00:06:41,151 | and is going to fall out of the sky. | and is going to fall out of the sky. |
138 | 00:06:41,401 | 00:06:42,986 | Both of these sets are static, | Both of these sets are static, |
139 | 00:06:43,236 | 00:06:44,696 | so that, basically, we have to sort of simulate the sense | so that, basically, we have to sort of simulate the sense |
140 | 00:06:44,946 | 00:06:46,156 | of flight movement. | of flight movement. |
141 | 00:06:46,406 | 00:06:47,532 | We're doing that by putting lights on cranes. | We're doing that by putting lights on cranes. |
142 | 00:06:47,782 | 00:06:49,576 | So we light moving in and out of the windows. | So we light moving in and out of the windows. |
143 | 00:06:49,826 | 00:06:52,370 | The plane crash itself happens in the first couple of episodes. | The plane crash itself happens in the first couple of episodes. |
144 | 00:06:52,621 | 00:06:55,332 | And then, basically, the rebuilding of that plane goes across all 8. | And then, basically, the rebuilding of that plane goes across all 8. |
145 | 00:06:55,582 | 00:06:59,210 | Mike barker talked a lot about using the plane | Mike barker talked a lot about using the plane |
146 | 00:06:59,461 | 00:07:03,131 | as an image and using the debris as an image | as an image and using the debris as an image |
147 | 00:07:03,381 | 00:07:04,841 | throughout the whole series. | throughout the whole series. |
148 | 00:07:05,091 | 00:07:06,593 | The challenge really, then, was to go and buy a plane. | The challenge really, then, was to go and buy a plane. |
149 | 00:07:06,843 | 00:07:09,179 | we purchased bits and pieces. | we purchased bits and pieces. |
150 | 00:07:09,429 | 00:07:12,265 | And we reassembled, pretty much, a full-sized passenger plane, | And we reassembled, pretty much, a full-sized passenger plane, |
151 | 00:07:12,515 | 00:07:13,767 | the kind of thing that you'd be used to taking | the kind of thing that you'd be used to taking |
152 | 00:07:14,017 | 00:07:15,310 | on your holidays to Europe. | on your holidays to Europe. |
153 | 00:07:15,560 | 00:07:16,978 | There were moments where we were looking at | There were moments where we were looking at |
154 | 00:07:17,228 | 00:07:20,732 | everyone doing the sort of, like, tiny, tiny work | everyone doing the sort of, like, tiny, tiny work |
155 | 00:07:20,982 | 00:07:22,609 | of trying to put everything back together, | of trying to put everything back together, |
156 | 00:07:22,859 | 00:07:24,819 | And I just thought it was | And I just thought it was |
157 | 00:07:25,070 | 00:07:28,365 | a very moving thing to witness somehow. | a very moving thing to witness somehow. |
158 | 00:07:32,702 | 00:07:34,329 | The big finale on episode 4 is | The big finale on episode 4 is |
159 | 00:07:34,579 | 00:07:36,706 | the raid on the police station. | the raid on the police station. |
160 | 00:07:36,957 | 00:07:40,627 | Rosa and Thibaut, having lost their patience with Elise, | Rosa and Thibaut, having lost their patience with Elise, |
161 | 00:07:40,877 | 00:07:42,420 | turn to violence. | turn to violence. |
162 | 00:07:42,671 | 00:07:45,340 | It's packed with anger, emotion, | It's packed with anger, emotion, |
163 | 00:07:45,590 | 00:07:48,218 | vulnerability from Rosa's end. | vulnerability from Rosa's end. |
164 | 00:07:48,468 | 00:07:52,847 | I lose control, and I whack her with my gun. | I lose control, and I whack her with my gun. |
165 | 00:07:54,557 | 00:07:56,309 | That was a stunt done with a rubber gun, | That was a stunt done with a rubber gun, |
166 | 00:07:56,559 | 00:07:58,853 | a very simple old way of doing it. | a very simple old way of doing it. |
167 | 00:07:59,104 | 00:08:00,438 | Rosa hits Elise over the head. | Rosa hits Elise over the head. |
168 | 00:08:00,689 | 00:08:01,982 | We then cut to a shot | We then cut to a shot |
169 | 00:08:02,232 | 00:08:04,109 | where Elise's head has been dressed with blood. | where Elise's head has been dressed with blood. |
170 | 00:08:04,359 | 00:08:05,318 | It's never nice to hit people. | It's never nice to hit people. |
171 | 00:08:05,568 | 00:08:06,820 | You know, when you reflect back on it, | You know, when you reflect back on it, |
172 | 00:08:07,070 | 00:08:09,656 | you're like, "Oh, no, it's me. I don't actually want to do this." | you're like, "Oh, no, it's me. I don't actually want to do this." |
173 | 00:08:09,906 | 00:08:11,449 | But when you look back on it on the camera, | But when you look back on it on the camera, |
174 | 00:08:11,700 | 00:08:13,743 | it looks really cool and really bad-ass. | it looks really cool and really bad-ass. |
175 | 00:08:13,994 | 00:08:16,121 | The car crash came about in discussion with our Director. | The car crash came about in discussion with our Director. |
176 | 00:08:16,371 | 00:08:19,290 | We wanted to do it in a way that was exciting and dynamic | We wanted to do it in a way that was exciting and dynamic |
177 | 00:08:19,541 | 00:08:21,876 | in the way that this show should be. | in the way that this show should be. |
178 | 00:08:29,718 | 00:08:31,761 | One of the things that we started talking about | One of the things that we started talking about |
179 | 00:08:32,012 | 00:08:34,472 | was car crashes and staying as close as we possibly could | was car crashes and staying as close as we possibly could |
180 | 00:08:34,723 | 00:08:36,266 | with the character, which was when we came up with this idea | with the character, which was when we came up with this idea |
181 | 00:08:36,516 | 00:08:39,686 | of being inside the car at the moment of the crash. | of being inside the car at the moment of the crash. |
182 | 00:08:39,936 | 00:08:43,273 | I never thought I would experience a thing like that. | I never thought I would experience a thing like that. |
183 | 00:08:49,154 | 00:08:51,281 | Yeah. It was great! Yeah, yeah. | Yeah. It was great! Yeah, yeah. |
184 | 00:08:51,531 | 00:08:52,991 | You feel the impact, all right. Yeah. Yeah. | You feel the impact, all right. Yeah. Yeah. |
185 | 00:08:53,241 | 00:08:54,909 | You feel...whoa! | You feel...whoa! |
186 | 00:08:55,160 | 00:08:59,080 | It's like...but you're strapped so good and so secure. | It's like...but you're strapped so good and so secure. |
187 | 00:09:03,293 | 00:09:06,129 | The scale of it is incredible. | The scale of it is incredible. |
188 | 00:09:06,379 | 00:09:07,922 | It makes you up your game, do you know what I mean? | It makes you up your game, do you know what I mean? |
189 | 00:09:08,173 | 00:09:10,133 | I enjoyed it a lot. It's cinema, you know? | I enjoyed it a lot. It's cinema, you know? |
190 | 00:09:10,383 | 00:09:14,012 | The cast, the crew are just incredible. | The cast, the crew are just incredible. |
191 | 00:09:14,262 | 00:09:15,889 | I like that it... | I like that it... |
192 | 00:09:16,139 | 00:09:18,141 | different countries working together to tell a story. | different countries working together to tell a story. |
193 | 00:09:18,391 | 00:09:20,727 | This time, they've gone for the worldwide impact | This time, they've gone for the worldwide impact |
194 | 00:09:20,977 | 00:09:22,228 | of these stories. | of these stories. |
195 | 00:09:22,479 | 00:09:23,897 | I'll send my family away if I have to, | I'll send my family away if I have to, |
196 | 00:09:24,147 | 00:09:26,983 | but I am not walking away, | but I am not walking away, |
197 | 00:09:27,233 | 00:09:28,943 | Not this time. | Not this time. |
198 | 00:09:29,194 | 00:09:31,946 | "The Tunnel: Sabotage" combines | "The Tunnel: Sabotage" combines |
199 | 00:09:32,197 | 00:09:37,660 | all the real action and thrills of a proper, tense, | all the real action and thrills of a proper, tense, |
200 | 00:09:37,911 | 00:09:39,913 | investigative thriller, | investigative thriller, |
201 | 00:09:40,163 | 00:09:41,998 | and yet it's also really funny and dry. | and yet it's also really funny and dry. |
202 | 00:09:42,248 | 00:09:44,709 | It has absolutely its own humor | It has absolutely its own humor |
203 | 00:09:44,959 | 00:09:46,211 | all the way through it. | all the way through it. |
204 | 00:09:46,461 | 00:09:47,712 | It was pretty tough last night. | It was pretty tough last night. |
205 | 00:09:47,962 | 00:09:49,756 | I'm okay. Yeah? | I'm okay. Yeah? |
206 | 00:09:50,006 | 00:09:52,175 | Gael took me out to a gig. | Gael took me out to a gig. |
207 | 00:09:52,425 | 00:09:53,468 | How was it? | How was it? |
208 | 00:09:53,718 | 00:09:54,969 | It was a release. | It was a release. |
209 | 00:09:55,220 | 00:09:57,180 | Hmm. Yeah. Music can do that sometimes. | Hmm. Yeah. Music can do that sometimes. |
210 | 00:09:57,430 | 00:09:58,973 | I didn't like the music very much, | I didn't like the music very much, |
211 | 00:09:59,224 | 00:10:01,184 | but we had sex in the car on the way home. | but we had sex in the car on the way home. |
212 | 00:10:03,436 | 00:10:05,522 | Well, it's just been a...a hell of a ride. | Well, it's just been a...a hell of a ride. |
213 | 00:10:05,772 | 00:10:09,025 | It's political. It's complex. It's moral. | It's political. It's complex. It's moral. |
214 | 00:10:09,275 | 00:10:11,820 | It's emotional, but, most importantly, | It's emotional, but, most importantly, |
215 | 00:10:12,070 | 00:10:14,072 | and, most importantly, I think it's exciting. | and, most importantly, I think it's exciting. |
215 | 00:10:12,070 | 00:10:14,072 | and, most importantly, I think it's exciting. | and, most importantly, I think it's exciting. |