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1 00:00:07,257 00:00:11,345 There's some details we can work out later on. There's some details we can work out later on.
2 00:00:11,386 00:00:14,348 All right? Okay. Okay. Let's do the car crash. All right? Okay. Okay. Let's do the car crash.
3 00:00:20,229 00:00:22,356 The car crash came about in discussion with Tim, The car crash came about in discussion with Tim,
4 00:00:22,397 00:00:26,527 our Director, who wants to find a way of having Robert our Director, who wants to find a way of having Robert
5 00:00:26,568 00:00:29,571 seem to escape from Koba and yet at the same time seem to escape from Koba and yet at the same time
6 00:00:29,613 00:00:32,533 ultimately fail and get caught. ultimately fail and get caught.
7 00:00:32,574 00:00:35,494 We wanted to do it in a way that was exciting and dynamic We wanted to do it in a way that was exciting and dynamic
8 00:00:35,536 00:00:36,954 in the way that this show should be, in the way that this show should be,
9 00:00:36,995 00:00:38,580 and one of the things that we started talking about and one of the things that we started talking about
10 00:00:38,622 00:00:40,707 was car crashes and staying as close as we possibly could was car crashes and staying as close as we possibly could
11 00:00:40,749 00:00:43,001 with the character, which is when we came up with this idea with the character, which is when we came up with this idea
12 00:00:43,043 00:00:46,213 of being inside the car at the moment of the crash. of being inside the car at the moment of the crash.
13 00:00:53,387 00:00:55,222 What we came up with in the end What we came up with in the end
14 00:00:55,264 00:00:59,059 was 3 distinct sequences that we need to try and make look was 3 distinct sequences that we need to try and make look
15 00:00:59,101 00:01:00,811 as though they were one. as though they were one.
16 00:01:00,852 00:01:02,604 The first was buying 3 cars. The first was buying 3 cars.
17 00:01:02,646 00:01:04,940 Unfortunately, we had to buy 3 of the same car. Unfortunately, we had to buy 3 of the same car.
18 00:01:04,982 00:01:07,901 The first was used to simply have Robert driving down a road The first was used to simply have Robert driving down a road
19 00:01:07,943 00:01:09,736 and being followed on a couple of other shots and being followed on a couple of other shots
20 00:01:09,778 00:01:11,363 driving down that same road. driving down that same road.
21 00:01:11,405 00:01:13,282 The second part was then a second car The second part was then a second car
22 00:01:13,323 00:01:15,826 which had to be pre-broken-up and pre-smashed which had to be pre-broken-up and pre-smashed
23 00:01:15,867 00:01:18,287 and have it roll over on its roof. and have it roll over on its roof.
24 00:01:18,328 00:01:21,790 We had a little, small roll-over rig which allowed it We had a little, small roll-over rig which allowed it
25 00:01:21,832 00:01:25,961 to roll 90 degrees. to roll 90 degrees.
26 00:01:30,841 00:01:32,926 The middle sequence, the actual impact, The middle sequence, the actual impact,
27 00:01:32,968 00:01:34,928 was something that needed quite a few stages, was something that needed quite a few stages,
28 00:01:34,970 00:01:36,388 and that had to be filmed separately and that had to be filmed separately
29 00:01:36,430 00:01:39,016 outside of our schedule, so we had a third car, outside of our schedule, so we had a third car,
30 00:01:39,057 00:01:41,643 our final car, where we stripped as much weight off the car our final car, where we stripped as much weight off the car
31 00:01:41,685 00:01:44,062 as we possibly could, and we then put it, basically, as we possibly could, and we then put it, basically,
32 00:01:44,104 00:01:46,607 on a giant rotisserie, which is a big roll-over rig on a giant rotisserie, which is a big roll-over rig
33 00:01:46,648 00:01:49,651 which can roll the car in 360 degrees which can roll the car in 360 degrees
34 00:01:49,693 00:01:52,738 so that the camera, being inside the car, so that the camera, being inside the car,
35 00:01:52,779 00:01:54,823 would look as though it's going through the crash would look as though it's going through the crash
36 00:01:54,865 00:01:56,658 and we can keep the camera trained on Robert and we can keep the camera trained on Robert
37 00:01:56,700 00:01:58,702 for that whole experience, which was going back for that whole experience, which was going back
38 00:01:58,744 00:02:00,871 to the fundamental idea we had of trying to make the car crash to the fundamental idea we had of trying to make the car crash
39 00:02:00,912 00:02:02,664 as personal as possible to Robert. as personal as possible to Robert.
40 00:02:02,706 00:02:05,250 That, though, meant that if we were rolling the car over That, though, meant that if we were rolling the car over
41 00:02:05,292 00:02:06,918 in a studio, we would see the studio roof. in a studio, we would see the studio roof.
42 00:02:06,960 00:02:08,629 We wouldn't have any way of knowing that it was We wouldn't have any way of knowing that it was
43 00:02:08,670 00:02:11,173 the same sequence as being on location, the same sequence as being on location,
44 00:02:11,214 00:02:13,091 so we came up with the idea of strapping so we came up with the idea of strapping
45 00:02:13,133 00:02:15,510 a...a ginormous television to the window of a car a...a ginormous television to the window of a car
46 00:02:15,552 00:02:17,721 so that the cameraman sitting in the passenger seat so that the cameraman sitting in the passenger seat
47 00:02:17,763 00:02:20,891 filming Robert driving would be looking at this screen. filming Robert driving would be looking at this screen.
48 00:02:20,932 00:02:23,518 Of course, then we needed the footage to put on the screen Of course, then we needed the footage to put on the screen
49 00:02:23,560 00:02:26,396 to make it look as though he was still driving down the road, to make it look as though he was still driving down the road,
50 00:02:26,438 00:02:29,232 and it was shot on a camera which had a 360 roll-over rig and it was shot on a camera which had a 360 roll-over rig
51 00:02:29,274 00:02:33,362 attached to it so that we could film the spin of the car attached to it so that we could film the spin of the car
52 00:02:33,403 00:02:36,073 as it moved down the road. as it moved down the road.
53 00:02:37,449 00:02:39,242 That allows the camera to go round That allows the camera to go round
54 00:02:39,284 00:02:41,578 as if we've just been hit by another car. as if we've just been hit by another car.
55 00:02:41,620 00:02:43,622 Obviously, we're gonna do it backwards, Obviously, we're gonna do it backwards,
56 00:02:43,664 00:02:45,707 so we're gonna end up upside down, so we're gonna end up upside down,
57 00:02:45,749 00:02:47,751 rotate round, rotate round,
58 00:02:47,793 00:02:50,754 and stop the camera when it's level with the impact car. and stop the camera when it's level with the impact car.
59 00:02:50,796 00:02:52,798 The crucial bit about it all was trying The crucial bit about it all was trying
60 00:02:52,839 00:02:55,967 to make it look like the car was being hit and rolling over to make it look like the car was being hit and rolling over
61 00:02:56,009 00:02:58,220 because of the car that was driving down the country road because of the car that was driving down the country road
62 00:02:58,261 00:02:59,805 and aiming at it. and aiming at it.
63 00:02:59,846 00:03:01,473 The simplest and safest way of doing that to make sure The simplest and safest way of doing that to make sure
64 00:03:01,515 00:03:03,725 the choreography is all timed up is to do it backwards. the choreography is all timed up is to do it backwards.
65 00:03:03,767 00:03:05,727 The truck started side on to the side of Robert's car The truck started side on to the side of Robert's car
66 00:03:05,769 00:03:07,896 and then reversed away at high speed. and then reversed away at high speed.
67 00:03:07,938 00:03:11,692 As it was reversing away, the camera rolled twice As it was reversing away, the camera rolled twice
68 00:03:11,733 00:03:14,653 on it's 360 rig to make it look like the car was spinning on it's 360 rig to make it look like the car was spinning
69 00:03:14,695 00:03:16,321 after it'd been hit. after it'd been hit.
70 00:03:16,363 00:03:18,281 When you play those things backwards, When you play those things backwards,
71 00:03:18,323 00:03:20,242 it looks like the car has come towards it, it looks like the car has come towards it,
72 00:03:20,283 00:03:22,411 is hitting in on the side, and is rolling the car over. is hitting in on the side, and is rolling the car over.
73 00:03:25,831 00:03:28,625 As a sequence, I am thrilled with it. As a sequence, I am thrilled with it.
74 00:03:28,667 00:03:30,627 Yeah. it was great. yeah. yeah. Yeah. it was great. yeah. yeah.
75 00:03:30,669 00:03:33,630 You feel the impact, all right. Yeah. Yeah. You feel...bwah! You feel the impact, all right. Yeah. Yeah. You feel...bwah!
76 00:03:33,672 00:03:38,135 It's like...but you're strapped so, so, so good and so secure. It's like...but you're strapped so, so, so good and so secure.
77 00:03:38,176 00:03:40,595 I think it takes us to a place in a car crash I think it takes us to a place in a car crash
78 00:03:40,637 00:03:43,515 that I haven't seen done before where we stay that I haven't seen done before where we stay
79 00:03:43,557 00:03:46,727 exactly with the character square on his face exactly with the character square on his face
80 00:03:46,768 00:03:48,729 as he goes through this traumatic event as he goes through this traumatic event
81 00:03:48,770 00:03:50,147 and is dazed, confused afterwards and is dazed, confused afterwards
82 00:03:50,188 00:03:51,481 and ultimately taken away to his death. and ultimately taken away to his death.
82 00:03:50,188 00:03:51,481 and ultimately taken away to his death. and ultimately taken away to his death.