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# | Start | End | Original | Translated |
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1 | 00:00:05,440 | 00:00:08,800 | Danny is a tabloid journalist, very opinionated. | Danny is a tabloid journalist, very opinionated. |
2 | 00:00:08,960 | 00:00:11,160 | Very egocentric. | Very egocentric. |
3 | 00:00:11,320 | 00:00:14,040 | Is that really what we wanna be saying? What's wrong with it? | Is that really what we wanna be saying? What's wrong with it? |
4 | 00:00:14,200 | 00:00:17,680 | Don't you think it's more complicated than that? Er...no. | Don't you think it's more complicated than that? Er...no. |
5 | 00:00:18,560 | 00:00:21,960 | He doesn't necessarily even believe it or have that strong a viewpoint on it, | He doesn't necessarily even believe it or have that strong a viewpoint on it, |
6 | 00:00:22,120 | 00:00:26,080 | but he knows he can write things in a certain way that will sell and will titillate people. | but he knows he can write things in a certain way that will sell and will titillate people. |
7 | 00:00:26,240 | 00:00:27,400 | A certain kind of audience. | A certain kind of audience. |
8 | 00:00:27,560 | 00:00:29,000 | Challenge 'em, make 'em think. | Challenge 'em, make 'em think. |
9 | 00:00:29,160 | 00:00:32,160 | If they wanted to be challenged, they really wouldn't be reading us. | If they wanted to be challenged, they really wouldn't be reading us. |
10 | 00:00:32,320 | 00:00:35,640 | They want to read their opinions, but typed...not just in crayon. | They want to read their opinions, but typed...not just in crayon. |
11 | 00:00:35,800 | 00:00:36,880 | Fine. | Fine. |
12 | 00:00:37,040 | 00:00:40,120 | He knows it's not PC and that's why he is writing it that way. | He knows it's not PC and that's why he is writing it that way. |
13 | 00:00:40,280 | 00:00:43,080 | Given his job and given the fact that he does come to London, | Given his job and given the fact that he does come to London, |
14 | 00:00:43,240 | 00:00:46,520 | and wants this big city lifestyle, he's chosen to live in Folkestone. | and wants this big city lifestyle, he's chosen to live in Folkestone. |
15 | 00:00:47,440 | 00:00:52,440 | And I think that is wanting to be as big a fish he can in a very, very small pond. | And I think that is wanting to be as big a fish he can in a very, very small pond. |
16 | 00:00:52,600 | 00:00:55,280 | And so I think that feeds into his way with women as well. | And so I think that feeds into his way with women as well. |
17 | 00:00:55,440 | 00:00:59,440 | He likes the ability to be a very local celebrity. | He likes the ability to be a very local celebrity. |
18 | 00:00:59,600 | 00:01:01,600 | What you on, Twitter or something? | What you on, Twitter or something? |
19 | 00:01:02,160 | 00:01:04,680 | So? What are you writing? | So? What are you writing? |
20 | 00:01:05,080 | 00:01:07,960 | "OMG, guess who I just fucked? LOL". | "OMG, guess who I just fucked? LOL". |
21 | 00:01:08,200 | 00:01:11,600 | On the surface he is so confident, flashy and showy, | On the surface he is so confident, flashy and showy, |
22 | 00:01:11,760 | 00:01:15,640 | that I'd hope 100% the lines that come out of Danny's mouth I wouldn't dream of saying. | that I'd hope 100% the lines that come out of Danny's mouth I wouldn't dream of saying. |
23 | 00:01:15,800 | 00:01:17,800 | But it's fascinating to look at why. | But it's fascinating to look at why. |
24 | 00:01:17,960 | 00:01:20,040 | And also to be able to say them and think: | And also to be able to say them and think: |
25 | 00:01:20,200 | 00:01:22,640 | What kind of a person is it who says these kind of things? | What kind of a person is it who says these kind of things? |
26 | 00:01:22,800 | 00:01:26,720 | So I don't like him, as I don't think anyone can, on the page. | So I don't like him, as I don't think anyone can, on the page. |
27 | 00:01:26,880 | 00:01:29,320 | But I do love, as an actor, playing him. | But I do love, as an actor, playing him. |
28 | 00:01:29,480 | 00:01:32,840 | If I did pay for gash...which I don't have to... | If I did pay for gash...which I don't have to... |
29 | 00:01:33,000 | 00:01:35,560 | I think I'd aim a little bit higher than some crack-addled tart | I think I'd aim a little bit higher than some crack-addled tart |
30 | 00:01:35,720 | 00:01:37,440 | off the streets of an English seaport. | off the streets of an English seaport. |
31 | 00:01:38,720 | 00:01:42,280 | When he's in the car he breaks down and talks about his parents who are dead, | When he's in the car he breaks down and talks about his parents who are dead, |
32 | 00:01:42,440 | 00:01:44,360 | and his family, that they don't really get on. | and his family, that they don't really get on. |
33 | 00:01:44,520 | 00:01:46,080 | It does all stem from insecurity. | It does all stem from insecurity. |
34 | 00:01:47,000 | 00:01:50,240 | There are all these bomb disposal teams, the police, the fire, the ambulance. | There are all these bomb disposal teams, the police, the fire, the ambulance. |
35 | 00:01:50,400 | 00:01:53,600 | They're so close to help, but it's so far away. | They're so close to help, but it's so far away. |
36 | 00:01:53,760 | 00:01:56,720 | You're so trapped. He should just be able to break the window, | You're so trapped. He should just be able to break the window, |
37 | 00:01:56,880 | 00:01:59,000 | but you can't cos that could detonate the bomb. | but you can't cos that could detonate the bomb. |
38 | 00:01:59,160 | 00:02:02,320 | There's this counting-down timer. It's brilliantly written, the scene. | There's this counting-down timer. It's brilliantly written, the scene. |
39 | 00:02:02,480 | 00:02:04,440 | Because at first he obviously is panicking. | Because at first he obviously is panicking. |
40 | 00:02:04,600 | 00:02:07,280 | And he reverts back to how you would expect Danny to react which is, | And he reverts back to how you would expect Danny to react which is, |
41 | 00:02:07,440 | 00:02:08,960 | "Just get me the fuck out of here". | "Just get me the fuck out of here". |
42 | 00:02:09,120 | 00:02:13,040 | This aggressive, "Get me out of here. I'm trying to take control", even though he's helpless. | This aggressive, "Get me out of here. I'm trying to take control", even though he's helpless. |
43 | 00:02:13,200 | 00:02:15,360 | These fucking experts are doing fuck all to get me out. | These fucking experts are doing fuck all to get me out. |
44 | 00:02:15,520 | 00:02:19,000 | He's angry at it and then he becomes just desperate. | He's angry at it and then he becomes just desperate. |
45 | 00:02:19,160 | 00:02:22,040 | You know, he doesn't understand. And he almost is tearful. | You know, he doesn't understand. And he almost is tearful. |
46 | 00:02:22,200 | 00:02:25,680 | And then comes this wonderful calm moment. | And then comes this wonderful calm moment. |
47 | 00:02:26,200 | 00:02:29,400 | Which is, he almost accepts the fact that he is going to die. | Which is, he almost accepts the fact that he is going to die. |
48 | 00:02:38,480 | 00:02:42,880 | He sees the direct consequences of what this killer is doing. | He sees the direct consequences of what this killer is doing. |
49 | 00:02:43,320 | 00:02:44,760 | Because he's the one who was told. | Because he's the one who was told. |
50 | 00:02:44,920 | 00:02:47,800 | He's talking to this guy on the phone and communicating it to the world. | He's talking to this guy on the phone and communicating it to the world. |
51 | 00:02:47,960 | 00:02:51,520 | He is seeing almost more than any other character what the killer sounds like, | He is seeing almost more than any other character what the killer sounds like, |
52 | 00:02:51,680 | 00:02:53,200 | what they're talking about. | what they're talking about. |
53 | 00:02:53,360 | 00:02:55,600 | Danny? Oi. | Danny? Oi. |
54 | 00:02:55,760 | 00:02:58,240 | My second truth has only just begun. | My second truth has only just begun. |
55 | 00:02:58,400 | 00:03:00,760 | He is manipulated, but the arrogance of the character | He is manipulated, but the arrogance of the character |
56 | 00:03:00,920 | 00:03:03,720 | thinks he is manipulating this serial killer. | thinks he is manipulating this serial killer. |
57 | 00:03:03,880 | 00:03:05,840 | Listen, though. Help me out here, all right? | Listen, though. Help me out here, all right? |
58 | 00:03:06,000 | 00:03:10,320 | Help me understand your position a bit better so I can explain it to the ignorant masses. | Help me understand your position a bit better so I can explain it to the ignorant masses. |
59 | 00:03:10,480 | 00:03:14,080 | Thinking: I can benefit from this. I can cash in on this. | Thinking: I can benefit from this. I can cash in on this. |
60 | 00:03:14,360 | 00:03:16,160 | Kelly! | Kelly! |
61 | 00:03:19,360 | 00:03:23,600 | It's when he sort of sees other more traumatic things first-hand happen to other people... | It's when he sort of sees other more traumatic things first-hand happen to other people... |
62 | 00:03:23,760 | 00:03:26,640 | And that's when I think he starts to just actually say, | And that's when I think he starts to just actually say, |
63 | 00:03:26,800 | 00:03:30,720 | "Oh, God, actually what's happening here is more serious than me getting my views. | "Oh, God, actually what's happening here is more serious than me getting my views. |
64 | 00:03:30,880 | 00:03:32,680 | These are people dying". | These are people dying". |
65 | 00:03:33,000 | 00:03:35,040 | He burnt a girl to death in front of me. | He burnt a girl to death in front of me. |
66 | 00:03:35,200 | 00:03:36,760 | And I...I am done. | And I...I am done. |
67 | 00:03:37,200 | 00:03:38,920 | The story is absolutely fascinating. | The story is absolutely fascinating. |
68 | 00:03:39,080 | 00:03:41,840 | I don't think there is a crime drama really like it. | I don't think there is a crime drama really like it. |
69 | 00:03:42,000 | 00:03:45,880 | Looking at not just what a killer is doing, and how they get away with it, | Looking at not just what a killer is doing, and how they get away with it, |
70 | 00:03:46,040 | 00:03:47,600 | and who-dunit sort of mystery. | and who-dunit sort of mystery. |
71 | 00:03:47,760 | 00:03:49,840 | It's more looking at why they're doing it. | It's more looking at why they're doing it. |
72 | 00:03:50,000 | 00:03:51,960 | And them actually trying to do it for a reason. | And them actually trying to do it for a reason. |
73 | 00:03:52,120 | 00:03:55,400 | It becomes more...you can relate to the killer, almost. | It becomes more...you can relate to the killer, almost. |
74 | 00:03:55,560 | 00:03:58,840 | And I thought that was a fascinating thing to be part of. | And I thought that was a fascinating thing to be part of. |
74 | 00:03:55,560 | 00:03:58,840 | And I thought that was a fascinating thing to be part of. | And I thought that was a fascinating thing to be part of. |