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# | Start | End | Original | Translated |
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1 | 00:00:08,080 | 00:00:09,960 | He is an enigma. | He is an enigma. |
2 | 00:00:10,120 | 00:00:12,280 | He's quite scary. He's quite scary to play. | He's quite scary. He's quite scary to play. |
3 | 00:00:13,760 | 00:00:15,760 | Because he doesn't have... | Because he doesn't have... |
4 | 00:00:16,880 | 00:00:18,880 | ...natural empathy. | ...natural empathy. |
5 | 00:00:22,400 | 00:00:27,680 | He looks very suspicious of many things, which he may or may not have done. | He looks very suspicious of many things, which he may or may not have done. |
6 | 00:00:27,840 | 00:00:31,600 | But he is capable. And he is dangerous. | But he is capable. And he is dangerous. |
7 | 00:00:31,960 | 00:00:35,760 | He has a slight Messiah complex. I think he wants to save the world. | He has a slight Messiah complex. I think he wants to save the world. |
8 | 00:00:35,920 | 00:00:39,880 | He's got that sort of down and out in Folkestone and Calais approach to life. | He's got that sort of down and out in Folkestone and Calais approach to life. |
9 | 00:00:40,040 | 00:00:42,240 | He thinks there are poor and needy people out there... | He thinks there are poor and needy people out there... |
10 | 00:00:42,400 | 00:00:46,080 | the prostitutes and the drug addicts and the asylum seekers that require his help. | the prostitutes and the drug addicts and the asylum seekers that require his help. |
11 | 00:00:46,240 | 00:00:48,240 | And action! | And action! |
12 | 00:00:49,800 | 00:00:52,640 | Here he is...Voucher Man. | Here he is...Voucher Man. |
13 | 00:00:52,800 | 00:00:55,040 | I sometimes take things a bit serious on set, | I sometimes take things a bit serious on set, |
14 | 00:00:55,200 | 00:00:59,840 | but luckily Keeley's there to mess about and smile. | but luckily Keeley's there to mess about and smile. |
15 | 00:01:00,440 | 00:01:03,080 | He's played lots of very dark characters, | He's played lots of very dark characters, |
16 | 00:01:03,240 | 00:01:06,440 | but he's actually very funny and just a very sweet guy. | but he's actually very funny and just a very sweet guy. |
17 | 00:01:08,320 | 00:01:11,880 | The last thing I came in and shot was her... | The last thing I came in and shot was her... |
18 | 00:01:12,520 | 00:01:16,400 | suffering this overdose from where she's been stealing medication | suffering this overdose from where she's been stealing medication |
19 | 00:01:16,560 | 00:01:18,440 | from the lovely Liz Smith. | from the lovely Liz Smith. |
20 | 00:01:18,600 | 00:01:19,920 | Oh, God! | Oh, God! |
21 | 00:01:20,400 | 00:01:22,440 | You know, a national treasure. | You know, a national treasure. |
22 | 00:01:22,600 | 00:01:25,520 | Such foolish girls, eh, Suze? | Such foolish girls, eh, Suze? |
23 | 00:01:25,680 | 00:01:30,840 | And we did these scenes and she was brilliant. And I just thought: You're such an inspiration. | And we did these scenes and she was brilliant. And I just thought: You're such an inspiration. |
24 | 00:01:31,000 | 00:01:33,120 | Because we can all go on for ever | Because we can all go on for ever |
25 | 00:01:33,280 | 00:01:36,760 | and still be doing brilliant scenes like that when we're 94. | and still be doing brilliant scenes like that when we're 94. |
26 | 00:01:38,600 | 00:01:42,760 | I've just come in today to do my coma scenes, hence my beautiful outfit. | I've just come in today to do my coma scenes, hence my beautiful outfit. |
27 | 00:01:43,200 | 00:01:45,480 | I always feel like giggling. It's awful. | I always feel like giggling. It's awful. |
28 | 00:01:48,600 | 00:01:51,320 | Suze went off the rails | Suze went off the rails |
29 | 00:01:51,480 | 00:01:56,280 | and Stephen feels incredibly responsible for that, as her older brother, to keep her safe. | and Stephen feels incredibly responsible for that, as her older brother, to keep her safe. |
30 | 00:01:56,960 | 00:02:02,720 | She was in the '90s, probably around the whole sort of Britpop, cocaine explosion. | She was in the '90s, probably around the whole sort of Britpop, cocaine explosion. |
31 | 00:02:02,880 | 00:02:05,160 | She was a party girl. She did PR for the stars. | She was a party girl. She did PR for the stars. |
32 | 00:02:05,320 | 00:02:08,320 | Then she started to fade, and it started to go a bit wrong. | Then she started to fade, and it started to go a bit wrong. |
33 | 00:02:08,480 | 00:02:10,200 | I think Suze is incredibly sad. | I think Suze is incredibly sad. |
34 | 00:02:10,360 | 00:02:14,800 | And when I first met Dominik Moll we had a chat about people like Suze, | And when I first met Dominik Moll we had a chat about people like Suze, |
35 | 00:02:14,960 | 00:02:19,560 | that sort of, inevitably, if you've grown up in a city and you've been clubbing... | that sort of, inevitably, if you've grown up in a city and you've been clubbing... |
36 | 00:02:19,840 | 00:02:24,400 | You know, you see people who sort of don't know when to stop. | You know, you see people who sort of don't know when to stop. |
37 | 00:02:24,560 | 00:02:28,000 | And other people start going off and doing things with their lives | And other people start going off and doing things with their lives |
38 | 00:02:28,160 | 00:02:29,440 | and sort of getting out of that. | and sort of getting out of that. |
39 | 00:02:29,600 | 00:02:31,720 | You know, just growing up. | You know, just growing up. |
40 | 00:02:31,880 | 00:02:36,080 | Suze is just somebody who hasn't been able to get out of that cycle. | Suze is just somebody who hasn't been able to get out of that cycle. |
41 | 00:02:38,160 | 00:02:40,160 | They have a very dark past. | They have a very dark past. |
42 | 00:02:40,680 | 00:02:43,000 | Do you remember those holidays in Tresco? | Do you remember those holidays in Tresco? |
43 | 00:02:43,600 | 00:02:47,960 | There was abuse and they just had an awful time without a mother there. | There was abuse and they just had an awful time without a mother there. |
44 | 00:02:48,320 | 00:02:50,960 | So they grew up clinging to each other. | So they grew up clinging to each other. |
45 | 00:02:51,440 | 00:02:52,680 | Suze. | Suze. |
46 | 00:02:52,840 | 00:02:57,360 | He's in love with his sister and he wants his sister both physically... | He's in love with his sister and he wants his sister both physically... |
47 | 00:02:58,240 | 00:02:59,520 | and mentally. | and mentally. |
48 | 00:02:59,680 | 00:03:03,160 | And in a soul sense that he wants to own her fully. | And in a soul sense that he wants to own her fully. |
49 | 00:03:04,000 | 00:03:06,320 | Stay away from my sister. Your sister? | Stay away from my sister. Your sister? |
50 | 00:03:07,720 | 00:03:09,720 | Do you think you frighten me? | Do you think you frighten me? |
51 | 00:03:10,480 | 00:03:13,640 | Do you think I'm one of the girls you can just slap about? | Do you think I'm one of the girls you can just slap about? |
52 | 00:03:17,200 | 00:03:18,360 | Yeah. | Yeah. |
53 | 00:03:18,520 | 00:03:20,600 | My relationship with Stephen is strained. | My relationship with Stephen is strained. |
54 | 00:03:21,800 | 00:03:27,200 | I suppose we are two people who both want to be the top dogs in her life. | I suppose we are two people who both want to be the top dogs in her life. |
55 | 00:03:27,520 | 00:03:29,520 | You know, I like your sister. | You know, I like your sister. |
56 | 00:03:30,800 | 00:03:32,800 | She wriggles in bed. | She wriggles in bed. |
57 | 00:03:33,360 | 00:03:35,360 | So why all the hostility? | So why all the hostility? |
58 | 00:03:37,160 | 00:03:39,040 | Is it cos you can't have her? | Is it cos you can't have her? |
59 | 00:03:39,200 | 00:03:45,680 | Anthony is abusing women. Anthony is making people impure. | Anthony is abusing women. Anthony is making people impure. |
60 | 00:03:46,160 | 00:03:51,840 | Anthony is propagating what his father did to both him and his sister. | Anthony is propagating what his father did to both him and his sister. |
61 | 00:03:52,960 | 00:03:55,560 | And so, in a sense, he's the devil. | And so, in a sense, he's the devil. |
62 | 00:03:56,240 | 00:03:58,560 | Will you have this man removed from this room? | Will you have this man removed from this room? |
63 | 00:03:58,720 | 00:04:02,320 | He probably blames me for a lot of things that are going wrong with Suze's life | He probably blames me for a lot of things that are going wrong with Suze's life |
64 | 00:04:02,480 | 00:04:04,280 | and the position that she's in. | and the position that she's in. |
65 | 00:04:04,440 | 00:04:07,040 | Who did she phone? Who did what was needed? | Who did she phone? Who did what was needed? |
66 | 00:04:07,200 | 00:04:09,200 | I saved her. | I saved her. |
67 | 00:04:09,800 | 00:04:12,960 | You couldn't do that. You can't do anything. | You couldn't do that. You can't do anything. |
68 | 00:04:13,840 | 00:04:15,800 | Anthony has cruelly taunted Stephen. | Anthony has cruelly taunted Stephen. |
69 | 00:04:15,960 | 00:04:17,760 | He has a way of knowing all his weak points. | He has a way of knowing all his weak points. |
70 | 00:04:17,920 | 00:04:21,360 | He knows the complexity of his relationship with sister. | He knows the complexity of his relationship with sister. |
71 | 00:04:21,520 | 00:04:23,600 | He knows all his impulses. | He knows all his impulses. |
72 | 00:04:23,760 | 00:04:27,000 | He's able to psychologically really put the screws on him. | He's able to psychologically really put the screws on him. |
73 | 00:04:27,160 | 00:04:29,920 | And when Stephen cracks, he really cracks. | And when Stephen cracks, he really cracks. |
74 | 00:04:30,720 | 00:04:31,920 | Aargh! | Aargh! |
75 | 00:04:33,360 | 00:04:35,320 | Once he's killed Anthony, he's kind of doomed. | Once he's killed Anthony, he's kind of doomed. |
76 | 00:04:35,480 | 00:04:38,720 | He doesn't even really try that hard to conceal it. He goes on the run. | He doesn't even really try that hard to conceal it. He goes on the run. |
77 | 00:04:41,800 | 00:04:44,840 | And when he is finally cornered, he... | And when he is finally cornered, he... |
78 | 00:04:45,520 | 00:04:49,640 | rather than take life in prison which he knows he's going to get, | rather than take life in prison which he knows he's going to get, |
79 | 00:04:49,800 | 00:04:51,320 | he commits suicide. | he commits suicide. |
80 | 00:04:51,480 | 00:04:56,000 | At the time they still have a fairly strong belief that he might be the Truth Terrorist. | At the time they still have a fairly strong belief that he might be the Truth Terrorist. |
81 | 00:05:00,720 | 00:05:03,240 | Can you hear me? Suze? | Can you hear me? Suze? |
82 | 00:05:04,600 | 00:05:05,760 | What you taken? | What you taken? |
83 | 00:05:05,920 | 00:05:10,160 | This incident with the overdose, something like this would have had to happen to Suze, | This incident with the overdose, something like this would have had to happen to Suze, |
84 | 00:05:10,320 | 00:05:12,960 | And get some help and, you know, sort herself out. | And get some help and, you know, sort herself out. |
84 | 00:05:10,320 | 00:05:12,960 | And get some help and, you know, sort herself out. | And get some help and, you know, sort herself out. |