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# | Start | End | Original | Translated |
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1 | 00:00:07,480 | 00:00:11,800 | I think the idea, first of all, that it was going to be directed by Dominik Moll... | I think the idea, first of all, that it was going to be directed by Dominik Moll... |
2 | 00:00:13,200 | 00:00:15,560 | ...whose work I've always loved. | ...whose work I've always loved. |
3 | 00:00:15,720 | 00:00:23,120 | And then when I started reading the script, it was how real both Karl and Elise felt. | And then when I started reading the script, it was how real both Karl and Elise felt. |
4 | 00:00:23,280 | 00:00:27,160 | And complex and funny. | And complex and funny. |
5 | 00:00:27,320 | 00:00:31,560 | And I loved the fact that there was no romance involved in that. | And I loved the fact that there was no romance involved in that. |
6 | 00:00:32,200 | 00:00:36,840 | That it stayed about the work and about discovering something else in each other. | That it stayed about the work and about discovering something else in each other. |
7 | 00:00:37,640 | 00:00:41,040 | Elise's part in itself was such a gift. | Elise's part in itself was such a gift. |
8 | 00:00:41,200 | 00:00:44,680 | And so different from anything I'd done before. | And so different from anything I'd done before. |
9 | 00:00:45,200 | 00:00:48,720 | No-one keeps a picture of themselves on their desk. You're a twin. | No-one keeps a picture of themselves on their desk. You're a twin. |
10 | 00:00:48,880 | 00:00:54,120 | She lost her twin sister when she was 15, we've decided. | She lost her twin sister when she was 15, we've decided. |
11 | 00:00:54,280 | 00:00:58,440 | She's sort of blocked a little bit the emotional side of life. | She's sort of blocked a little bit the emotional side of life. |
12 | 00:00:58,600 | 00:01:00,760 | Because maybe everything was a bit too much. | Because maybe everything was a bit too much. |
13 | 00:01:00,920 | 00:01:04,760 | And so she has a very practical, straightforward, | And so she has a very practical, straightforward, |
14 | 00:01:04,920 | 00:01:08,520 | raw approach to...life. | raw approach to...life. |
15 | 00:01:13,360 | 00:01:18,400 | And in her job it can seem a little bit insensitive at times. | And in her job it can seem a little bit insensitive at times. |
16 | 00:01:18,560 | 00:01:21,160 | She's a little bit socially awkward, I guess. | She's a little bit socially awkward, I guess. |
17 | 00:01:21,800 | 00:01:27,440 | But the way I see her is she just always tells the truth. | But the way I see her is she just always tells the truth. |
18 | 00:01:27,600 | 00:01:29,720 | There's no lie ever. | There's no lie ever. |
19 | 00:01:30,400 | 00:01:34,840 | One lie leads to another. How do you trust someone who lies to you? | One lie leads to another. How do you trust someone who lies to you? |
20 | 00:01:36,440 | 00:01:40,400 | Which, you know, in life doesn't happen. | Which, you know, in life doesn't happen. |
21 | 00:01:40,560 | 00:01:43,080 | We start the day by saying a lie most of the time. | We start the day by saying a lie most of the time. |
22 | 00:01:43,240 | 00:01:45,680 | Someone's like, "How are you"? You're like, "I'm fine". | Someone's like, "How are you"? You're like, "I'm fine". |
23 | 00:01:45,840 | 00:01:47,840 | Most of them you're not. | Most of them you're not. |
24 | 00:01:51,800 | 00:01:56,840 | She's aware that she doesn't behave the way most people do, | She's aware that she doesn't behave the way most people do, |
25 | 00:01:57,000 | 00:01:58,880 | but she can't really help it. | but she can't really help it. |
26 | 00:01:59,040 | 00:02:01,120 | So if she wants to just have sex with a guy | So if she wants to just have sex with a guy |
27 | 00:02:01,280 | 00:02:04,240 | she's gonna say, "I just wanna have sex, and I'm gonna leave". | she's gonna say, "I just wanna have sex, and I'm gonna leave". |
28 | 00:02:05,000 | 00:02:07,200 | instead of entering some kind of game | instead of entering some kind of game |
29 | 00:02:07,360 | 00:02:09,720 | that she has no time for really. | that she has no time for really. |
30 | 00:02:11,520 | 00:02:14,320 | We sort of dropped the autistic side of things | We sort of dropped the autistic side of things |
31 | 00:02:14,480 | 00:02:18,360 | cos we didn't want to put a name on her behavior. | cos we didn't want to put a name on her behavior. |
32 | 00:02:18,520 | 00:02:22,280 | Which I think might be quite different from the original series. | Which I think might be quite different from the original series. |
33 | 00:02:23,440 | 00:02:28,600 | We sort of defined her as someone who loves truth and order... | We sort of defined her as someone who loves truth and order... |
34 | 00:02:29,840 | 00:02:31,720 | ...knowledge, who reads a lot. | ...knowledge, who reads a lot. |
35 | 00:02:32,120 | 00:02:34,120 | Her life is about her work, I think. | Her life is about her work, I think. |
36 | 00:02:36,080 | 00:02:38,520 | We 're two episodes ahead, but not much more. | We 're two episodes ahead, but not much more. |
37 | 00:02:38,680 | 00:02:43,080 | We have those sort of sessions where we try and figure out what we know... | We have those sort of sessions where we try and figure out what we know... |
38 | 00:02:43,960 | 00:02:46,960 | ...how does everything work. | ...how does everything work. |
39 | 00:02:47,520 | 00:02:49,360 | Where we're at. | Where we're at. |
40 | 00:02:49,520 | 00:02:54,880 | And they're very similar to, I guess, what Karl and Elise are experiencing. | And they're very similar to, I guess, what Karl and Elise are experiencing. |
41 | 00:02:55,040 | 00:02:59,400 | And the fact that we're going sort of in some kind of darkness, | And the fact that we're going sort of in some kind of darkness, |
42 | 00:02:59,560 | 00:03:04,640 | unknown space...as actors... | unknown space...as actors... |
43 | 00:03:04,800 | 00:03:06,800 | has sort of brought us together. | has sort of brought us together. |
44 | 00:03:07,280 | 00:03:10,040 | There's no CCTV there. He must have hidden cameras. | There's no CCTV there. He must have hidden cameras. |
45 | 00:03:10,720 | 00:03:13,640 | It's captivating as just a thriller. | It's captivating as just a thriller. |
46 | 00:03:13,800 | 00:03:18,200 | And it shows two characters that are quite touching in their different way, | And it shows two characters that are quite touching in their different way, |
47 | 00:03:18,360 | 00:03:21,360 | and complex, and...unusual. | and complex, and...unusual. |
48 | 00:03:22,320 | 00:03:26,800 | The two of them together are an incredible team and would make the perfect cop. | The two of them together are an incredible team and would make the perfect cop. |
48 | 00:03:22,320 | 00:03:26,800 | The two of them together are an incredible team and would make the perfect cop. | The two of them together are an incredible team and would make the perfect cop. |