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# | Start | End | Original | Translated |
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1 | 00:00:23,091 | 00:00:25,359 | (CHANTING) | (CHANTING) |
2 | 00:01:06,267 | 00:01:08,569 | (PUPPETS "SPEAKING" TIBETAN) | (PUPPETS "SPEAKING" TIBETAN) |
3 | 00:01:19,347 | 00:01:21,615 | (MONKS CHANTING) | (MONKS CHANTING) |
4 | 00:02:40,494 | 00:02:42,396 | UHH! | UHH! |
5 | 00:03:12,593 | 00:03:14,628 | (SOFT, EXCITED EXCLAMATIONS) | (SOFT, EXCITED EXCLAMATIONS) |
6 | 00:03:14,662 | 00:03:16,430 | (CHIRPING) | (CHIRPING) |
7 | 00:03:23,437 | 00:03:25,539 | (CHIRPING) | (CHIRPING) |
8 | 00:03:27,007 | 00:03:28,876 | (CHIRPING) | (CHIRPING) |
9 | 00:03:37,751 | 00:03:39,487 | AAH! | AAH! |
10 | 00:04:39,647 | 00:04:41,349 | UNHH! | UNHH! |
11 | 00:04:41,382 | 00:04:42,950 | DON'T LET HIM TOUCH YOU. | DON'T LET HIM TOUCH YOU. |
12 | 00:04:56,096 | 00:04:57,598 | HAAHH! | HAAHH! |
13 | 00:05:01,001 | 00:05:02,302 | AAH! | AAH! |
14 | 00:06:13,541 | 00:06:18,078 | * YOU'VE BEEN TAKEN BY THE CITY * | * YOU'VE BEEN TAKEN BY THE CITY * |
15 | 00:06:18,111 | 00:06:20,881 | * THE OLDEST STORY IN THE WORLD * | * THE OLDEST STORY IN THE WORLD * |
16 | 00:06:22,115 | 00:06:24,852 | * YOU COME FOR THE GOLD | * YOU COME FOR THE GOLD |
17 | 00:06:24,885 | 00:06:28,856 | * BUT END UP BOUGHT AND SOLD * | * BUT END UP BOUGHT AND SOLD * |
18 | 00:06:32,560 | 00:06:36,664 | * YOU CAN'T SEEM TO MAKE NO DIFFERENCE * | * YOU CAN'T SEEM TO MAKE NO DIFFERENCE * |
19 | 00:06:36,697 | 00:06:40,133 | * WITH ALL THE LIES THAT YOU'VE BEEN TOLD * | * WITH ALL THE LIES THAT YOU'VE BEEN TOLD * |
20 | 00:06:41,168 | 00:06:43,437 | * WHAT YOU DON'T KNOW IS | * WHAT YOU DON'T KNOW IS |
21 | 00:06:43,471 | 00:06:48,041 | * YOU'RE THE BEST MAN IN THE WORLD... * | * YOU'RE THE BEST MAN IN THE WORLD... * |
22 | 00:06:51,679 | 00:06:53,447 | BUTT PIE. | BUTT PIE. |
23 | 00:06:55,015 | 00:06:58,652 | IT'S A SEQUEL TO A BOOK WRITTEN CALLED BUTT CAKE. | IT'S A SEQUEL TO A BOOK WRITTEN CALLED BUTT CAKE. |
24 | 00:06:58,686 | 00:07:01,021 | IT'S VERY POPULAR AT THE NEWSSTANDS. | IT'S VERY POPULAR AT THE NEWSSTANDS. |
25 | 00:07:01,054 | 00:07:04,191 | IT'S ABOUT THIS BUTT WITH CAKE ALL OVER IT. | IT'S ABOUT THIS BUTT WITH CAKE ALL OVER IT. |
26 | 00:07:08,996 | 00:07:10,631 | CHUNKY ASSES? | CHUNKY ASSES? |
27 | 00:07:10,664 | 00:07:14,768 | * THERE'S MORE THAN MEETS THE EYE * | * THERE'S MORE THAN MEETS THE EYE * |
28 | 00:07:14,802 | 00:07:19,072 | * THERE'S SO MUCH YOU DON'T SEE * | * THERE'S SO MUCH YOU DON'T SEE * |
29 | 00:07:20,674 | 00:07:24,044 | * LIKE THE POWER OF YOUR HEART * | * LIKE THE POWER OF YOUR HEART * |
30 | 00:07:24,077 | 00:07:28,582 | * DRIVING YOUR DESTINY | * DRIVING YOUR DESTINY |
31 | 00:07:30,017 | 00:07:33,687 | * MAGIC TAKES WHAT SHE DESERVES * | * MAGIC TAKES WHAT SHE DESERVES * |
32 | 00:07:33,721 | 00:07:39,159 | * A LESSER HEART WOULD LOSE ITS NERVE * | * A LESSER HEART WOULD LOSE ITS NERVE * |
33 | 00:07:39,192 | 00:07:42,596 | * YOU'VE BEEN TAKEN BY THE CITY * | * YOU'VE BEEN TAKEN BY THE CITY * |
34 | 00:07:43,797 | 00:07:46,867 | * BUT YOU'VE DONE BETTER THAN YOU KNOW * | * BUT YOU'VE DONE BETTER THAN YOU KNOW * |
35 | 00:07:48,101 | 00:07:50,538 | * YOU'RE PART OF THE SKY | * YOU'RE PART OF THE SKY |
36 | 00:07:50,571 | 00:07:52,940 | * YOU'RE PART OF THE STREET * | * YOU'RE PART OF THE STREET * |
37 | 00:07:52,973 | 00:07:57,778 | * YOU'VE GOT THE TALENT TO SATISFY ME * | * YOU'VE GOT THE TALENT TO SATISFY ME * |
38 | 00:07:57,811 | 00:07:59,647 | * WHAT YOU DON'T KNOW IS | * WHAT YOU DON'T KNOW IS |
39 | 00:07:59,680 | 00:08:04,151 | * YOU'RE THE BEST MAN IN THE WORLD * | * YOU'RE THE BEST MAN IN THE WORLD * |
40 | 00:08:05,886 | 00:08:08,756 | * BEST MAN IN THE WORLD | * BEST MAN IN THE WORLD |
41 | 00:08:10,624 | 00:08:13,827 | * BEST MAN IN THE WORLD | * BEST MAN IN THE WORLD |
42 | 00:08:13,861 | 00:08:14,895 | * NO NO NO | * NO NO NO |
43 | 00:08:14,928 | 00:08:16,129 | * BEST MAN IN THE WORLD | * BEST MAN IN THE WORLD |
44 | 00:08:16,163 | 00:08:17,865 | WELCOME TO THE MEL BACHMAN JOURNAL. | WELCOME TO THE MEL BACHMAN JOURNAL. |
45 | 00:08:17,898 | 00:08:19,266 | I'M MEL BACHMAN, | I'M MEL BACHMAN, |
46 | 00:08:19,299 | 00:08:23,203 | AND HERE WITH ME TODAY IS CHANDLER JARRELL, | AND HERE WITH ME TODAY IS CHANDLER JARRELL, |
47 | 00:08:23,236 | 00:08:24,905 | WHO IS DOING SOMETHING VERY VITAL FOR THE COMMUNITY | WHO IS DOING SOMETHING VERY VITAL FOR THE COMMUNITY |
48 | 00:08:24,938 | 00:08:28,008 | BECAUSE CHANDLER IS A FINDER OF LOST CHILDREN. | BECAUSE CHANDLER IS A FINDER OF LOST CHILDREN. |
49 | 00:08:28,041 | 00:08:29,943 | AM I CORRECT? | AM I CORRECT? |
50 | 00:08:29,977 | 00:08:31,945 | YES. I FIND MISSING CHILDREN. | YES. I FIND MISSING CHILDREN. |
51 | 00:08:31,979 | 00:08:33,981 | THAT...THAT'S VERY INTERESTING. | THAT...THAT'S VERY INTERESTING. |
52 | 00:08:34,014 | 00:08:37,618 | THERE WAS A SHOW CALLED FINDER OF LOST LOVES. | THERE WAS A SHOW CALLED FINDER OF LOST LOVES. |
53 | 00:08:37,651 | 00:08:38,952 | EVER SEE THAT? | EVER SEE THAT? |
54 | 00:08:38,986 | 00:08:41,021 | TONY FRANCIOSA WAS THE STAR. | TONY FRANCIOSA WAS THE STAR. |
55 | 00:08:41,054 | 00:08:42,590 | UH, YEAH. | UH, YEAH. |
56 | 00:08:42,623 | 00:08:44,592 | I'M LOOKING FOR THIS GIRL-- | I'M LOOKING FOR THIS GIRL-- |
57 | 00:08:44,625 | 00:08:46,594 | I HOPE YOU'RE NOT NERVOUS, | I HOPE YOU'RE NOT NERVOUS, |
58 | 00:08:46,627 | 00:08:48,596 | WHICH IS PERFECTLY NORMAL. | WHICH IS PERFECTLY NORMAL. |
59 | 00:08:48,629 | 00:08:51,599 | THIS IS MY FIFTH SHOW, AND I'M STILL NERVOUS. | THIS IS MY FIFTH SHOW, AND I'M STILL NERVOUS. |
60 | 00:08:51,632 | 00:08:54,968 | IN FACT, IS THERE ANYONE HERE WHO'S NOT NERVOUS? | IN FACT, IS THERE ANYONE HERE WHO'S NOT NERVOUS? |
61 | 00:08:55,002 | 00:08:57,605 | I'M TRYING TO FIND CHERYL MOSELY. | I'M TRYING TO FIND CHERYL MOSELY. |
62 | 00:08:57,638 | 00:08:59,006 | SHE DISAPPEARED A WHILE BACK-- | SHE DISAPPEARED A WHILE BACK-- |
63 | 00:08:59,039 | 00:09:00,574 | THIS IS WONDERFUL. | THIS IS WONDERFUL. |
64 | 00:09:00,608 | 00:09:02,610 | BECAUSE THIS IS EXACTLY WHAT | BECAUSE THIS IS EXACTLY WHAT |
65 | 00:09:02,643 | 00:09:05,579 | THE MEL BACHMAN REPORT IS ALL ABOUT. | THE MEL BACHMAN REPORT IS ALL ABOUT. |
66 | 00:09:05,613 | 00:09:07,915 | WHEN I CAME TO RST CABLE, | WHEN I CAME TO RST CABLE, |
67 | 00:09:07,948 | 00:09:12,953 | I TOLD THEM I DON'T WANT TO BE ANOTHER MERV, ANOTHER JOHNNY. | I TOLD THEM I DON'T WANT TO BE ANOTHER MERV, ANOTHER JOHNNY. |
68 | 00:09:12,986 | 00:09:15,589 | I WANT TO DO VITAL PROGRAMMING | I WANT TO DO VITAL PROGRAMMING |
69 | 00:09:15,623 | 00:09:17,591 | THAT'S RESPONSIVE TO THE COMMUNITY. | THAT'S RESPONSIVE TO THE COMMUNITY. |
70 | 00:09:17,625 | 00:09:20,027 | I'M TRYING TO FIND THIS GIRL. | I'M TRYING TO FIND THIS GIRL. |
71 | 00:09:20,060 | 00:09:21,895 | SHE'S 4'11" AND-- | SHE'S 4'11" AND-- |
72 | 00:09:21,929 | 00:09:24,765 | THIS IS WONDERFUL. | THIS IS WONDERFUL. |
73 | 00:09:24,798 | 00:09:28,602 | LET'S SAY I WANT TO GET INTO YOUR LINE OF WORK. | LET'S SAY I WANT TO GET INTO YOUR LINE OF WORK. |
74 | 00:09:28,636 | 00:09:30,838 | IS THERE A COURSE I CAN TAKE? | IS THERE A COURSE I CAN TAKE? |
75 | 00:09:30,871 | 00:09:33,707 | ALL YOU HAVE TO DO IS CARE ABOUT CHILDREN. | ALL YOU HAVE TO DO IS CARE ABOUT CHILDREN. |
76 | 00:09:33,741 | 00:09:35,943 | DO YOU RECOMMEND THIS LINE OF WORK? | DO YOU RECOMMEND THIS LINE OF WORK? |
77 | 00:09:35,976 | 00:09:39,246 | CAN YOU MAKE A LOT OF MONEY DOING THIS? | CAN YOU MAKE A LOT OF MONEY DOING THIS? |
78 | 00:09:39,279 | 00:09:41,849 | HER NAME IS CHERYL MOSELY. SHE'S-- | HER NAME IS CHERYL MOSELY. SHE'S-- |
79 | 00:09:41,882 | 00:09:43,851 | THIS IS OFF THE SUBJECT, | THIS IS OFF THE SUBJECT, |
80 | 00:09:43,884 | 00:09:45,919 | BUT THAT'S A WONDERFUL, UNIQUE HAT. | BUT THAT'S A WONDERFUL, UNIQUE HAT. |
81 | 00:09:45,953 | 00:09:47,821 | WHERE DID YOU GET THAT? | WHERE DID YOU GET THAT? |
82 | 00:09:47,855 | 00:09:50,858 | SHE'S 16, AND I'M TRYING TO FIND HER. | SHE'S 16, AND I'M TRYING TO FIND HER. |
83 | 00:09:50,891 | 00:09:53,260 | GREAT. SAY YOU DO FIND HER. | GREAT. SAY YOU DO FIND HER. |
84 | 00:09:53,293 | 00:09:56,664 | WHAT WOULD YOU SAY TO HER? | WHAT WOULD YOU SAY TO HER? |
85 | 00:09:56,697 | 00:09:58,365 | SHE'S 16 YEARS OLD. | SHE'S 16 YEARS OLD. |
86 | 00:09:58,398 | 00:10:00,367 | HER NAME IS CHERYL MOSELY. | HER NAME IS CHERYL MOSELY. |
87 | 00:10:00,400 | 00:10:02,369 | THANK YOU SO MUCH, CHANDLER. | THANK YOU SO MUCH, CHANDLER. |
88 | 00:10:02,402 | 00:10:04,371 | NOW LET'S TALK ABOUT TORTOISES. | NOW LET'S TALK ABOUT TORTOISES. |
89 | 00:10:04,404 | 00:10:06,940 | JUDY, WHAT HAVE WE GOT HERE? | JUDY, WHAT HAVE WE GOT HERE? |
90 | 00:10:06,974 | 00:10:10,010 | THIS IS TEDDY. HE'S 80 YEARS OLD. | THIS IS TEDDY. HE'S 80 YEARS OLD. |
91 | 00:10:10,043 | 00:10:11,311 | 80? HE'S WONDERFUL. | 80? HE'S WONDERFUL. |
92 | 00:10:11,344 | 00:10:13,313 | TEDDY CAN KISS MY ASS. | TEDDY CAN KISS MY ASS. |
93 | 00:10:13,346 | 00:10:16,316 | I'M TRYING TO FIND THIS GIRL. | I'M TRYING TO FIND THIS GIRL. |
94 | 00:10:16,349 | 00:10:19,186 | SHE WAS LAST SEEN IN NORTH HOLLYWOOD. | SHE WAS LAST SEEN IN NORTH HOLLYWOOD. |
95 | 00:10:19,219 | 00:10:21,321 | CONTACT ME AT 468-8492-- | CONTACT ME AT 468-8492-- |
96 | 00:10:21,354 | 00:10:22,956 | THANK-- | THANK-- |
97 | 00:10:22,990 | 00:10:24,291 | SHUT UP, MAN. | SHUT UP, MAN. |
98 | 00:10:24,324 | 00:10:26,293 | IF YOU HAVE ANY INFORMATION-- | IF YOU HAVE ANY INFORMATION-- |
99 | 00:10:26,326 | 00:10:29,697 | YO, IF YOU DON'T PUT THE CAMERA OVER HERE, | YO, IF YOU DON'T PUT THE CAMERA OVER HERE, |
100 | 00:10:29,730 | 00:10:31,264 | I'LL BUST YOUR ASS. LEAVE THE CAMERA ON. | I'LL BUST YOUR ASS. LEAVE THE CAMERA ON. |
101 | 00:10:31,298 | 00:10:34,134 | CHERYL MOSELY. CHANDLER JARRELL. 24 HOURS A DAY. | CHERYL MOSELY. CHANDLER JARRELL. 24 HOURS A DAY. |
102 | 00:10:34,167 | 00:10:35,736 | 468-8492. | 468-8492. |
103 | 00:10:35,769 | 00:10:38,038 | NOW YOU CAN TALK ABOUT TORTOISES. | NOW YOU CAN TALK ABOUT TORTOISES. |
104 | 00:10:38,071 | 00:10:39,439 | EXCUSE ME. | EXCUSE ME. |
105 | 00:10:39,472 | 00:10:41,408 | THAT WAS CHANDLER JARRELL. | THAT WAS CHANDLER JARRELL. |
106 | 00:10:41,441 | 00:10:44,377 | WELL, I UNDERSTAND YOU'VE HAD A SEX CHANGE. | WELL, I UNDERSTAND YOU'VE HAD A SEX CHANGE. |
107 | 00:10:44,411 | 00:10:45,946 | CORRECT. | CORRECT. |
108 | 00:10:45,979 | 00:10:48,181 | (EXCITED SHOUTING) | (EXCITED SHOUTING) |
109 | 00:10:56,456 | 00:10:59,192 | OK, NOW. LET'S GO. TAKE IT SLOW, NOW. TIGHT. | OK, NOW. LET'S GO. TAKE IT SLOW, NOW. TIGHT. |
110 | 00:10:59,226 | 00:11:00,728 | (SCHOOL BELL RINGS) | (SCHOOL BELL RINGS) |
111 | 00:11:00,761 | 00:11:03,797 | YO! WHAT Y'ALL HANGING IN THE BACKCOURT FOR? | YO! WHAT Y'ALL HANGING IN THE BACKCOURT FOR? |
112 | 00:11:03,831 | 00:11:05,298 | ALL RIGHT. | ALL RIGHT. |
113 | 00:11:05,332 | 00:11:07,100 | THERE YOU GO. | THERE YOU GO. |
114 | 00:11:07,134 | 00:11:09,770 | ALL THE WAY, BOYS. SHOOT! SHOOT! | ALL THE WAY, BOYS. SHOOT! SHOOT! |
115 | 00:11:09,803 | 00:11:11,739 | WHOO! | WHOO! |
116 | 00:11:11,772 | 00:11:14,107 | ALL RIGHT. COME ON, NOW. | ALL RIGHT. COME ON, NOW. |
117 | 00:11:15,075 | 00:11:17,044 | YO, MAN, WHAT'S WRONG WITH YOU? | YO, MAN, WHAT'S WRONG WITH YOU? |
118 | 00:11:17,077 | 00:11:19,412 | YOU'RE JUST MAD BECAUSE YOU'RE SCRUB. | YOU'RE JUST MAD BECAUSE YOU'RE SCRUB. |
119 | 00:11:19,446 | 00:11:20,914 | SCRUB. | SCRUB. |
120 | 00:11:26,319 | 00:11:28,088 | GOOD AFTERNOON, MR. JARRELL. | GOOD AFTERNOON, MR. JARRELL. |
121 | 00:11:28,121 | 00:11:29,289 | HI. | HI. |
122 | 00:11:29,322 | 00:11:31,291 | SO YOU'RE THE FINDER OF LOST CHILDREN. | SO YOU'RE THE FINDER OF LOST CHILDREN. |
123 | 00:11:31,324 | 00:11:35,295 | YOU SAW ME ON TELEVISION. YEAH. I LIKE WORKING WITH CHILDREN. | YOU SAW ME ON TELEVISION. YEAH. I LIKE WORKING WITH CHILDREN. |
124 | 00:11:35,328 | 00:11:37,130 | CHANDLER, COME ON! | CHANDLER, COME ON! |
125 | 00:11:37,164 | 00:11:39,199 | SHUT UP! | SHUT UP! |
126 | 00:11:41,168 | 00:11:43,370 | A CHILD HAS BEEN KIDNAPPED. | A CHILD HAS BEEN KIDNAPPED. |
127 | 00:11:43,403 | 00:11:44,838 | WHEN? | WHEN? |
128 | 00:11:44,872 | 00:11:47,374 | FIVE DAYS AGO IN NORTHEASTERN TIBET. | FIVE DAYS AGO IN NORTHEASTERN TIBET. |
129 | 00:11:47,407 | 00:11:50,277 | TIBET'S A LITTLE OUT OF MY TERRITORY. | TIBET'S A LITTLE OUT OF MY TERRITORY. |
130 | 00:11:50,310 | 00:11:52,212 | THIS CHILD IS SPECIAL. | THIS CHILD IS SPECIAL. |
131 | 00:11:52,245 | 00:11:54,948 | HIS DESTINY IS TO SAVE THE WORLD. | HIS DESTINY IS TO SAVE THE WORLD. |
132 | 00:11:54,982 | 00:11:56,750 | THAT'S A GOOD DESTINY. | THAT'S A GOOD DESTINY. |
133 | 00:11:56,784 | 00:11:58,752 | HEY, CHANDLER, THROW THE BALL! | HEY, CHANDLER, THROW THE BALL! |
134 | 00:11:59,419 | 00:12:01,154 | HERE! | HERE! |
135 | 00:12:01,188 | 00:12:03,023 | 400 YEARS AGO, | 400 YEARS AGO, |
136 | 00:12:03,056 | 00:12:05,325 | THE NU TRONG ORACLE PREDICTED | THE NU TRONG ORACLE PREDICTED |
137 | 00:12:05,358 | 00:12:08,428 | THAT THE GOLDEN CHILD WOULD BE TAKEN | THAT THE GOLDEN CHILD WOULD BE TAKEN |
138 | 00:12:08,461 | 00:12:11,064 | TO THE CITY OF THE ANGELS | TO THE CITY OF THE ANGELS |
139 | 00:12:11,098 | 00:12:14,802 | AND WOULD BE RESCUED BY A MAN WHO IS NO ANGEL. | AND WOULD BE RESCUED BY A MAN WHO IS NO ANGEL. |
140 | 00:12:14,835 | 00:12:17,237 | THAT'S YOU, MR. JARRELL. | THAT'S YOU, MR. JARRELL. |
141 | 00:12:17,270 | 00:12:19,039 | HA HA HA! YEAH, RIGHT. OK. | HA HA HA! YEAH, RIGHT. OK. |
142 | 00:12:19,072 | 00:12:21,541 | I'M IN THE MIDDLE OF A BASKETBALL GAME, | I'M IN THE MIDDLE OF A BASKETBALL GAME, |
143 | 00:12:21,574 | 00:12:25,445 | ALTHOUGH I'D LOVE TO STAY AND CHAT. | ALTHOUGH I'D LOVE TO STAY AND CHAT. |
144 | 00:12:25,478 | 00:12:28,015 | THIS LOOKS LIKE A BIG JOINT. | THIS LOOKS LIKE A BIG JOINT. |
145 | 00:12:28,048 | 00:12:29,850 | I'M SERIOUS, MR. JARRELL. | I'M SERIOUS, MR. JARRELL. |
146 | 00:12:29,883 | 00:12:31,852 | LICK IT AND SMOKE IT. | LICK IT AND SMOKE IT. |
147 | 00:12:31,885 | 00:12:34,454 | I THINK THERE WAS TWO OF THESE, | I THINK THERE WAS TWO OF THESE, |
148 | 00:12:34,487 | 00:12:37,124 | AND YOU SMOKED THE OTHER ONE. | AND YOU SMOKED THE OTHER ONE. |
149 | 00:12:37,157 | 00:12:38,992 | PUT IT IN YOUR BAG, | PUT IT IN YOUR BAG, |
150 | 00:12:39,026 | 00:12:40,961 | AND STOP SMOKING SCROLLS. | AND STOP SMOKING SCROLLS. |
151 | 00:12:40,994 | 00:12:42,963 | IT LOOKS LIKE A JOINT. | IT LOOKS LIKE A JOINT. |
152 | 00:12:42,996 | 00:12:45,966 | YOU MIGHT GET JUMPED BY SOME RASTAFARIANS. | YOU MIGHT GET JUMPED BY SOME RASTAFARIANS. |
153 | 00:12:45,999 | 00:12:48,836 | EXCUSE ME. I HAVE A GAME. | EXCUSE ME. I HAVE A GAME. |
154 | 00:12:48,869 | 00:12:53,807 | IT'S YOUR DESTINY TO FIND THE GOLDEN CHILD. | IT'S YOUR DESTINY TO FIND THE GOLDEN CHILD. |
155 | 00:12:53,841 | 00:12:55,943 | AND IT'S YOUR DESTINY | AND IT'S YOUR DESTINY |
156 | 00:12:55,976 | 00:12:58,311 | TO SEEK SOME SERIOUS PSYCHIATRIC HELP. | TO SEEK SOME SERIOUS PSYCHIATRIC HELP. |
157 | 00:12:58,345 | 00:13:00,313 | CAN I GO PLAY NOW? | CAN I GO PLAY NOW? |
158 | 00:13:00,347 | 00:13:01,882 | PLEASE. GO HOME. | PLEASE. GO HOME. |
159 | 00:13:01,915 | 00:13:04,284 | AND SUCH A CUTE GIRL, TOO. | AND SUCH A CUTE GIRL, TOO. |
160 | 00:13:04,317 | 00:13:06,219 | DOPE FIEND. | DOPE FIEND. |
161 | 00:13:06,253 | 00:13:08,221 | HA HA HA! | HA HA HA! |
162 | 00:13:11,491 | 00:13:12,893 | THAT HER? | THAT HER? |
163 | 00:13:12,926 | 00:13:14,327 | YEAH. THAT'S CHERYL MOSELY. | YEAH. THAT'S CHERYL MOSELY. |
164 | 00:13:14,361 | 00:13:16,463 | HOW LONG HAS SHE BEEN MISSING? | HOW LONG HAS SHE BEEN MISSING? |
165 | 00:13:16,496 | 00:13:18,331 | ABOUT THREE WEEKS. | ABOUT THREE WEEKS. |
166 | 00:13:20,033 | 00:13:21,468 | WHAT DO YOU GOT? | WHAT DO YOU GOT? |
167 | 00:13:21,501 | 00:13:23,036 | NOT MUCH. | NOT MUCH. |
168 | 00:13:23,070 | 00:13:25,072 | THREE DAYS AGO, THE RENTAL SIGN GOES DOWN, | THREE DAYS AGO, THE RENTAL SIGN GOES DOWN, |
169 | 00:13:25,105 | 00:13:28,075 | AND A WHITE TRUCK BACKS OVER THE LAWN. | AND A WHITE TRUCK BACKS OVER THE LAWN. |
170 | 00:13:28,108 | 00:13:31,444 | THE NEIGHBORS HEAR THIS LOW MURMUR NIGHT AND DAY. | THE NEIGHBORS HEAR THIS LOW MURMUR NIGHT AND DAY. |
171 | 00:13:31,478 | 00:13:34,481 | LAST NIGHT THE WHITE TRUCK PULLS UP AGAIN, | LAST NIGHT THE WHITE TRUCK PULLS UP AGAIN, |
172 | 00:13:34,514 | 00:13:36,016 | AND THE MURMURING STOPS. | AND THE MURMURING STOPS. |
173 | 00:13:36,049 | 00:13:39,386 | A NEIGHBOR COMES OUT TO SHUT UP HIS DOG, | A NEIGHBOR COMES OUT TO SHUT UP HIS DOG, |
174 | 00:13:39,419 | 00:13:41,388 | LOOKS OVER THE FENCE, | LOOKS OVER THE FENCE, |
175 | 00:13:41,421 | 00:13:43,523 | FINDS THE BODY. | FINDS THE BODY. |
176 | 00:13:51,131 | 00:13:52,465 | WHO RENTED THE PLACE? | WHO RENTED THE PLACE? |
177 | 00:13:52,499 | 00:13:53,500 | SHE DID. | SHE DID. |
178 | 00:13:53,533 | 00:13:56,269 | BY PHONE. MAILED IN CASH. | BY PHONE. MAILED IN CASH. |
179 | 00:13:58,105 | 00:14:00,107 | DID YOU TAKE THAT REFERRAL I SENT YOU? | DID YOU TAKE THAT REFERRAL I SENT YOU? |
180 | 00:14:00,140 | 00:14:01,241 | NOPE. | NOPE. |
181 | 00:14:01,274 | 00:14:04,244 | YOU ONLY TAKE THE KID CASES, HUH? | YOU ONLY TAKE THE KID CASES, HUH? |
182 | 00:14:04,277 | 00:14:05,879 | YEAH. | YEAH. |
183 | 00:14:05,913 | 00:14:09,016 | LISTEN, GIVE ME A FEW MORE SHOTS. | LISTEN, GIVE ME A FEW MORE SHOTS. |
184 | 00:15:46,513 | 00:15:48,081 | O.K., MISS TIBET, | O.K., MISS TIBET, |
185 | 00:15:48,115 | 00:15:50,083 | YOU CAN COME OUT NOW. | YOU CAN COME OUT NOW. |
186 | 00:15:50,117 | 00:15:52,585 | I'M NOT GOING TO TAKE YOUR CASE. | I'M NOT GOING TO TAKE YOUR CASE. |
187 | 00:15:52,619 | 00:15:54,721 | YOU'RE ALREADY ON IT. | YOU'RE ALREADY ON IT. |
188 | 00:15:54,754 | 00:15:57,490 | LOOK, WHAT MAKES YOU THINK | LOOK, WHAT MAKES YOU THINK |
189 | 00:15:57,524 | 00:16:00,093 | THE KID WAS IN THE HOUSE? | THE KID WAS IN THE HOUSE? |
190 | 00:16:00,127 | 00:16:02,095 | THIS IS A RESTRAINT CURSE. | THIS IS A RESTRAINT CURSE. |
191 | 00:16:02,129 | 00:16:04,431 | THEY NEED TO KEEP EVIL | THEY NEED TO KEEP EVIL |
192 | 00:16:04,464 | 00:16:07,567 | ON ALL SIDES OF HIM AT ALL TIMES. | ON ALL SIDES OF HIM AT ALL TIMES. |
193 | 00:16:07,600 | 00:16:10,103 | JUST THE WRITING WOULDN'T BE ENOUGH. | JUST THE WRITING WOULDN'T BE ENOUGH. |
194 | 00:16:10,137 | 00:16:12,139 | THEY'D NEED SOMETHING ELSE. | THEY'D NEED SOMETHING ELSE. |
195 | 00:16:12,172 | 00:16:13,473 | OR WHAT? | OR WHAT? |
196 | 00:16:13,506 | 00:16:17,177 | OR THE CHILD WILL PROJECT HIMSELF ASTRALLY. | OR THE CHILD WILL PROJECT HIMSELF ASTRALLY. |
197 | 00:16:17,210 | 00:16:19,079 | HA HA HA! | HA HA HA! |
198 | 00:16:19,112 | 00:16:21,081 | HA HA HA! | HA HA HA! |
199 | 00:16:21,114 | 00:16:23,683 | GIVE ME A BREAK. | GIVE ME A BREAK. |
200 | 00:16:26,619 | 00:16:28,555 | SO YOU'RE TELLING ME | SO YOU'RE TELLING ME |
201 | 00:16:28,588 | 00:16:31,191 | THAT THE PEOPLE THAT KILLED CHERYL-- | THAT THE PEOPLE THAT KILLED CHERYL-- |
202 | 00:16:31,224 | 00:16:33,193 | IF I FIND THEM-- | IF I FIND THEM-- |
203 | 00:16:33,226 | 00:16:36,363 | THEY'RE THE SAME PEOPLE THAT KIDNAPPED THE... | THEY'RE THE SAME PEOPLE THAT KIDNAPPED THE... |
204 | 00:16:36,396 | 00:16:38,165 | THE GOLDEN CHILD. | THE GOLDEN CHILD. |
205 | 00:16:38,198 | 00:16:41,101 | BUT WHY WOULD THEY KILL CHERYL? | BUT WHY WOULD THEY KILL CHERYL? |
206 | 00:16:41,601 | 00:16:42,735 | I DON'T KNOW. | I DON'T KNOW. |
207 | 00:16:42,769 | 00:16:46,039 | WHY ARE THEY FEEDING THE KID BLOOD? | WHY ARE THEY FEEDING THE KID BLOOD? |
208 | 00:16:46,073 | 00:16:48,141 | ARE YOU SURE? | ARE YOU SURE? |
209 | 00:16:48,175 | 00:16:50,143 | I FOUND SOME OATMEAL... | I FOUND SOME OATMEAL... |
210 | 00:16:50,177 | 00:16:51,511 | YES? | YES? |
211 | 00:16:51,544 | 00:16:54,447 | WITH BLOOD IN IT, AND IT'S PROBABLY HERS. | WITH BLOOD IN IT, AND IT'S PROBABLY HERS. |
212 | 00:16:54,481 | 00:16:56,049 | I DON'T KNOW. | I DON'T KNOW. |
213 | 00:16:56,083 | 00:16:58,518 | THERE IS SOMEBODY WE COULD ASK | THERE IS SOMEBODY WE COULD ASK |
214 | 00:16:58,551 | 00:17:00,053 | ABOUT THE BLOOD. | ABOUT THE BLOOD. |
215 | 00:17:00,087 | 00:17:01,488 | THIS IS L.A., THOUGH. | THIS IS L.A., THOUGH. |
216 | 00:17:01,521 | 00:17:03,723 | YOU'RE GOING TO ASK SOMEBODY? | YOU'RE GOING TO ASK SOMEBODY? |
217 | 00:17:03,756 | 00:17:06,093 | ARE THEY IN THIS WORLD, | ARE THEY IN THIS WORLD, |
218 | 00:17:06,126 | 00:17:07,627 | OR DO WE HAVE TO PROJECT THERE... | OR DO WE HAVE TO PROJECT THERE... |
219 | 00:17:07,660 | 00:17:10,697 | SOME PART OF THE GALAXY? | SOME PART OF THE GALAXY? |
220 | 00:17:18,571 | 00:17:21,474 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
221 | 00:17:21,508 | 00:17:25,478 | MR. JARRELL, YOU HONOR MY SHOP WITH YOUR PRESENCE. | MR. JARRELL, YOU HONOR MY SHOP WITH YOUR PRESENCE. |
222 | 00:17:25,512 | 00:17:30,350 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
223 | 00:17:30,383 | 00:17:31,584 | HE'S VERY PLEASED | HE'S VERY PLEASED |
224 | 00:17:31,618 | 00:17:34,554 | TO MEET A MAN AS GREAT AS YOU. | TO MEET A MAN AS GREAT AS YOU. |
225 | 00:17:34,587 | 00:17:37,157 | HOW DO YOU SAY THANK YOU? | HOW DO YOU SAY THANK YOU? |
226 | 00:17:37,190 | 00:17:38,558 | TUCH-EY-NA. | TUCH-EY-NA. |
227 | 00:17:38,591 | 00:17:39,859 | TUCH-EY-NA. | TUCH-EY-NA. |
228 | 00:17:39,892 | 00:17:42,329 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
229 | 00:17:50,603 | 00:17:52,205 | YEAH, OK. | YEAH, OK. |
230 | 00:17:52,239 | 00:17:53,240 | HEY! | HEY! |
231 | 00:17:53,273 | 00:17:55,608 | (CONTINUES IN TIBETAN) | (CONTINUES IN TIBETAN) |
232 | 00:18:12,625 | 00:18:14,627 | MR. JARRELL. | MR. JARRELL. |
233 | 00:18:25,372 | 00:18:28,575 | YOU MAY SPEAK WITH HER. SHE CAN HEAR YOU. | YOU MAY SPEAK WITH HER. SHE CAN HEAR YOU. |
234 | 00:18:31,211 | 00:18:34,181 | TELL ME ABOUT THE GOLDEN CHILD. | TELL ME ABOUT THE GOLDEN CHILD. |
235 | 00:18:35,348 | 00:18:37,384 | EVERY THOUSAND GENERATIONS, | EVERY THOUSAND GENERATIONS, |
236 | 00:18:37,417 | 00:18:39,619 | A PERFECT CHILD IS BORN, | A PERFECT CHILD IS BORN, |
237 | 00:18:39,652 | 00:18:42,189 | A GOLDEN CHILD. | A GOLDEN CHILD. |
238 | 00:18:42,222 | 00:18:45,725 | HE HAS COME TO RESCUE US. | HE HAS COME TO RESCUE US. |
239 | 00:18:45,758 | 00:18:48,761 | RESCUE US FROM WHAT? | RESCUE US FROM WHAT? |
240 | 00:18:48,795 | 00:18:51,298 | FROM OURSELVES. | FROM OURSELVES. |
241 | 00:18:51,331 | 00:18:53,600 | HE IS THE BRINGER OF COMPASSION. | HE IS THE BRINGER OF COMPASSION. |
242 | 00:18:53,633 | 00:18:57,237 | IF HE DIES, COMPASSION WILL DIE WITH HIM. | IF HE DIES, COMPASSION WILL DIE WITH HIM. |
243 | 00:18:57,270 | 00:18:59,572 | SO IF SOMETHING HAPPENS TO THE KID, | SO IF SOMETHING HAPPENS TO THE KID, |
244 | 00:18:59,606 | 00:19:01,908 | THE WHOLE WORLD GOES TO HELL? | THE WHOLE WORLD GOES TO HELL? |
245 | 00:19:01,941 | 00:19:04,577 | THE WORLD WILL BECOME HELL. | THE WORLD WILL BECOME HELL. |
246 | 00:19:04,611 | 00:19:07,180 | AH! NOT FAR FROM THAT NOW. | AH! NOT FAR FROM THAT NOW. |
247 | 00:19:07,214 | 00:19:10,450 | WHO WOULD WANT TO TAKE THE KID, ANYWAY? | WHO WOULD WANT TO TAKE THE KID, ANYWAY? |
248 | 00:19:10,483 | 00:19:14,454 | THOSE WHO WANT EVIL RATHER THAN GOOD. | THOSE WHO WANT EVIL RATHER THAN GOOD. |
249 | 00:19:16,689 | 00:19:19,692 | CAN YOU BE A LITTLE BIT MORE SPECIFIC? | CAN YOU BE A LITTLE BIT MORE SPECIFIC? |
250 | 00:19:19,726 | 00:19:22,295 | WE DO NOT KNOW WHO TOOK HIM. | WE DO NOT KNOW WHO TOOK HIM. |
251 | 00:19:22,329 | 00:19:26,199 | WHY ARE THEY TRYING TO MAKE HIM EAT BLOOD? | WHY ARE THEY TRYING TO MAKE HIM EAT BLOOD? |
252 | 00:19:26,233 | 00:19:28,868 | NOTHING IN THIS WORLD WILL HURT HIM, | NOTHING IN THIS WORLD WILL HURT HIM, |
253 | 00:19:28,901 | 00:19:31,538 | BUT IF HE WERE TO POLLUTE HIMSELF | BUT IF HE WERE TO POLLUTE HIMSELF |
254 | 00:19:31,571 | 00:19:34,307 | WITH ANYTHING IMPURE, | WITH ANYTHING IMPURE, |
255 | 00:19:34,341 | 00:19:36,843 | HE WOULD BECOME VULNERABLE. | HE WOULD BECOME VULNERABLE. |
256 | 00:19:36,876 | 00:19:40,213 | OK. SO IF THEY... | OK. SO IF THEY... |
257 | 00:19:40,247 | 00:19:43,583 | IF HE EATS THE BLOOD, THEY COULD KILL HIM. | IF HE EATS THE BLOOD, THEY COULD KILL HIM. |
258 | 00:19:43,616 | 00:19:45,218 | YES. | YES. |
259 | 00:19:45,252 | 00:19:46,419 | OH. | OH. |
260 | 00:19:46,453 | 00:19:50,423 | DO YOU HAVE ANY OTHER QUESTIONS? | DO YOU HAVE ANY OTHER QUESTIONS? |
261 | 00:19:51,591 | 00:19:54,561 | AS A MATTER OF FACT, I DO. | AS A MATTER OF FACT, I DO. |
262 | 00:19:54,594 | 00:19:57,230 | WHAT ARE YOU DOING THIS WEEKEND? | WHAT ARE YOU DOING THIS WEEKEND? |
263 | 00:19:57,264 | 00:19:58,965 | BECAUSE YOUR SILHOUETTE IS KICKIN'. | BECAUSE YOUR SILHOUETTE IS KICKIN'. |
264 | 00:19:58,998 | 00:20:01,301 | (RATTLING) | (RATTLING) |
265 | 00:20:01,334 | 00:20:03,803 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
266 | 00:20:03,836 | 00:20:05,772 | SHE PLAYS THE MARACAS, TOO? | SHE PLAYS THE MARACAS, TOO? |
267 | 00:20:08,007 | 00:20:09,842 | THIS IS THE CHOSEN ONE? | THIS IS THE CHOSEN ONE? |
268 | 00:20:09,876 | 00:20:12,512 | YES. | YES. |
269 | 00:20:12,545 | 00:20:14,514 | YOU PEOPLE PUT ON A GOOD SHOW. | YOU PEOPLE PUT ON A GOOD SHOW. |
270 | 00:20:14,547 | 00:20:15,915 | WHERE'D YOU FIND HER? | WHERE'D YOU FIND HER? |
271 | 00:20:15,948 | 00:20:18,651 | SHE'S THE LIBRARIAN OF THE PAO-SHIN REPOSITORY. | SHE'S THE LIBRARIAN OF THE PAO-SHIN REPOSITORY. |
272 | 00:20:18,685 | 00:20:21,688 | SHE WAS FLOWN HERE TO HELP US. | SHE WAS FLOWN HERE TO HELP US. |
273 | 00:20:21,721 | 00:20:23,656 | SHE'S OVER 300 YEARS OLD. | SHE'S OVER 300 YEARS OLD. |
274 | 00:20:23,690 | 00:20:25,658 | HOW'D SHE MANAGE THAT ONE? | HOW'D SHE MANAGE THAT ONE? |
275 | 00:20:25,692 | 00:20:29,429 | ONE OF HER ANCESTORS WAS RAPED BY A DRAGON. | ONE OF HER ANCESTORS WAS RAPED BY A DRAGON. |
276 | 00:20:31,331 | 00:20:34,667 | DOES THAT HAPPEN A LOT WHERE YOU'RE FROM? | DOES THAT HAPPEN A LOT WHERE YOU'RE FROM? |
277 | 00:20:34,701 | 00:20:36,569 | HA HA HA! | HA HA HA! |
278 | 00:20:46,846 | 00:20:49,749 | I'M SORRY. WHY DON'T YOU COME UP? | I'M SORRY. WHY DON'T YOU COME UP? |
279 | 00:20:49,782 | 00:20:51,418 | NO, THANK YOU. | NO, THANK YOU. |
280 | 00:20:56,088 | 00:20:57,557 | OH! | OH! |
281 | 00:20:58,625 | 00:20:59,592 | OH! | OH! |
282 | 00:20:59,626 | 00:21:01,361 | WHAT IS IT? | WHAT IS IT? |
283 | 00:21:01,394 | 00:21:02,729 | THE SPIRITS. | THE SPIRITS. |
284 | 00:21:02,762 | 00:21:05,332 | THE SPIRITS JUST TOLD ME | THE SPIRITS JUST TOLD ME |
285 | 00:21:05,365 | 00:21:07,767 | THAT YOU SHOULD COME UP | THAT YOU SHOULD COME UP |
286 | 00:21:07,800 | 00:21:09,769 | FOR A LITTLE WHILE | FOR A LITTLE WHILE |
287 | 00:21:09,802 | 00:21:11,738 | AND HAVE A DRINK | AND HAVE A DRINK |
288 | 00:21:11,771 | 00:21:14,307 | AND WAIT FOR FURTHER INSTRUCTIONS. | AND WAIT FOR FURTHER INSTRUCTIONS. |
289 | 00:21:16,743 | 00:21:19,346 | HA HA HA! LOOK, I'M SORRY. | HA HA HA! LOOK, I'M SORRY. |
290 | 00:21:19,379 | 00:21:22,515 | WHY DON'T YOU COME UP FOR A WHILE? | WHY DON'T YOU COME UP FOR A WHILE? |
291 | 00:21:22,549 | 00:21:24,484 | I'LL BE GOOD. | I'LL BE GOOD. |
292 | 00:21:24,517 | 00:21:26,353 | OK. | OK. |
293 | 00:21:27,587 | 00:21:29,021 | I TRIED. | I TRIED. |
294 | 00:21:30,390 | 00:21:32,792 | THEY SAY YOU SHOULD ALWAYS GIVE A WOMAN | THEY SAY YOU SHOULD ALWAYS GIVE A WOMAN |
295 | 00:21:32,825 | 00:21:34,761 | TWO CHANCES TO SAY NO, JUST IN CASE. | TWO CHANCES TO SAY NO, JUST IN CASE. |
296 | 00:21:34,794 | 00:21:36,563 | THAT'S NO TWICE. | THAT'S NO TWICE. |
297 | 00:21:36,596 | 00:21:41,568 | ALL RIGHT. BUT THE SPIRITS WILL BE VERY UPSET. | ALL RIGHT. BUT THE SPIRITS WILL BE VERY UPSET. |
298 | 00:21:41,601 | 00:21:45,004 | YOU KNOW, I AM THE CHOSEN ONE. | YOU KNOW, I AM THE CHOSEN ONE. |
299 | 00:21:51,378 | 00:21:54,013 | HA HA HA! OK. | HA HA HA! OK. |
300 | 00:22:06,726 | 00:22:08,761 | (HELICOPTER) | (HELICOPTER) |
301 | 00:23:52,131 | 00:23:54,634 | HA HA HA! | HA HA HA! |
302 | 00:24:02,141 | 00:24:04,443 | HA HA HA! | HA HA HA! |
303 | 00:24:06,613 | 00:24:08,781 | (PUTTING ON THE RITZ PLAYS) | (PUTTING ON THE RITZ PLAYS) |
304 | 00:24:25,898 | 00:24:28,535 | YOU WI EAT. | YOU WI EAT. |
305 | 00:24:31,938 | 00:24:34,874 | GET THIS AND THE REST OF YOUR PLAYTHINGS | GET THIS AND THE REST OF YOUR PLAYTHINGS |
306 | 00:24:34,907 | 00:24:36,909 | OUT OF HERE. | OUT OF HERE. |
307 | 00:26:16,809 | 00:26:18,044 | (CHIRPING) | (CHIRPING) |
308 | 00:26:20,647 | 00:26:23,015 | (CHIRPING) | (CHIRPING) |
309 | 00:26:23,049 | 00:26:26,118 | (CHIRPING) | (CHIRPING) |
310 | 00:26:26,152 | 00:26:27,854 | HEY, BIRD... | HEY, BIRD... |
311 | 00:26:27,887 | 00:26:31,057 | DID YOU SEE A LITTLE HARE KRISHNA MIDGET | DID YOU SEE A LITTLE HARE KRISHNA MIDGET |
312 | 00:26:31,090 | 00:26:32,859 | IN THE TREE FLOATING... | IN THE TREE FLOATING... |
313 | 00:26:32,892 | 00:26:34,661 | OR IS IT ME? | OR IS IT ME? |
314 | 00:26:34,694 | 00:26:36,663 | (TELEPHONE RINGS) | (TELEPHONE RINGS) |
315 | 00:26:36,696 | 00:26:39,231 | IT MUST BE ROD SERLING. | IT MUST BE ROD SERLING. |
316 | 00:26:40,232 | 00:26:41,701 | YEAH. | YEAH. |
317 | 00:26:41,734 | 00:26:44,704 | YOU THE GUY LOOKING FOR CHERYL MOSELY? | YOU THE GUY LOOKING FOR CHERYL MOSELY? |
318 | 00:26:44,737 | 00:26:46,105 | YEAH. | YEAH. |
319 | 00:26:46,138 | 00:26:48,074 | I KNOW WHO GRABBED HER. | I KNOW WHO GRABBED HER. |
320 | 00:26:48,107 | 00:26:50,042 | OK. WHO WAS SHE WITH? | OK. WHO WAS SHE WITH? |
321 | 00:26:50,076 | 00:26:52,044 | YOU EVER BEEN TO PACOIMA? | YOU EVER BEEN TO PACOIMA? |
322 | 00:26:52,078 | 00:26:53,680 | YEAH. | YEAH. |
323 | 00:26:53,713 | 00:26:56,048 | BEHIND THE FREEWAY, THERE'S THIS PAD | BEHIND THE FREEWAY, THERE'S THIS PAD |
324 | 00:26:56,082 | 00:26:59,051 | FOR SOME BIKERS CALLED THE YELLOW DRAGONS. | FOR SOME BIKERS CALLED THE YELLOW DRAGONS. |
325 | 00:26:59,085 | 00:27:01,688 | SHE WAS WITH THEM LAST WEEK, | SHE WAS WITH THEM LAST WEEK, |
326 | 00:27:01,721 | 00:27:03,690 | BUT SHE AIN'T THERE NOW. | BUT SHE AIN'T THERE NOW. |
327 | 00:27:03,723 | 00:27:05,692 | WHO IS THIS? HELLO? | WHO IS THIS? HELLO? |
328 | 00:27:05,725 | 00:27:07,226 | (DIAL TONE) | (DIAL TONE) |
329 | 00:27:39,158 | 00:27:40,426 | WHAT IS IT? | WHAT IS IT? |
330 | 00:27:40,459 | 00:27:42,695 | NOTHING. | NOTHING. |
331 | 00:27:42,729 | 00:27:44,864 | LOOK, I CAME PREPARED | LOOK, I CAME PREPARED |
332 | 00:27:44,897 | 00:27:47,266 | IN CASE WE HAD ANY OTHER EVENTUALITIES. | IN CASE WE HAD ANY OTHER EVENTUALITIES. |
333 | 00:27:47,299 | 00:27:51,738 | BUT LISTEN, YOU WAIT HERE. | BUT LISTEN, YOU WAIT HERE. |
334 | 00:27:51,771 | 00:27:54,874 | ANY PROBLEM, YOU LEAVE. WHAT ARE YOU GOING TO DO? | ANY PROBLEM, YOU LEAVE. WHAT ARE YOU GOING TO DO? |
335 | 00:27:54,907 | 00:27:56,442 | I'LL STAY HERE. | I'LL STAY HERE. |
336 | 00:27:56,475 | 00:27:58,878 | NO. YOU STAY HERE NOW, | NO. YOU STAY HERE NOW, |
337 | 00:27:58,911 | 00:28:02,448 | BUT IF THERE'S A PROBLEM, DRIVE AWAY. | BUT IF THERE'S A PROBLEM, DRIVE AWAY. |
338 | 00:28:02,481 | 00:28:04,150 | UNDERSTAND ME? | UNDERSTAND ME? |
339 | 00:28:04,183 | 00:28:06,418 | OK. | OK. |
340 | 00:28:06,452 | 00:28:07,987 | GOT THAT? STAY. LEAVE. | GOT THAT? STAY. LEAVE. |
341 | 00:28:08,020 | 00:28:09,756 | OK. | OK. |
342 | 00:28:30,910 | 00:28:32,411 | (GASP) | (GASP) |
343 | 00:28:33,880 | 00:28:36,248 | I'M NOT GOING TO HURT ANYBODY. | I'M NOT GOING TO HURT ANYBODY. |
344 | 00:28:36,282 | 00:28:38,250 | I DON'T WANT NO TROUBLE. | I DON'T WANT NO TROUBLE. |
345 | 00:28:38,284 | 00:28:40,252 | I JUST... I'M SORRY. | I JUST... I'M SORRY. |
346 | 00:28:40,286 | 00:28:42,254 | I JUST WANT SOME CHIPS. | I JUST WANT SOME CHIPS. |
347 | 00:28:42,288 | 00:28:44,891 | I WANT SOME CHIPS. THAT'S ALL. | I WANT SOME CHIPS. THAT'S ALL. |
348 | 00:28:44,924 | 00:28:46,859 | SEE? CHIPS. THAT'S IT. | SEE? CHIPS. THAT'S IT. |
349 | 00:28:46,893 | 00:28:49,228 | TURN THAT OVER, MAN. IT'S BURNING. | TURN THAT OVER, MAN. IT'S BURNING. |
350 | 00:28:49,261 | 00:28:50,863 | TURN IT OVER! | TURN IT OVER! |
351 | 00:28:50,897 | 00:28:52,999 | JUST WANT SOME CHIPS. | JUST WANT SOME CHIPS. |
352 | 00:29:03,843 | 00:29:06,779 | (LOUD ROCK PLAYS) | (LOUD ROCK PLAYS) |
353 | 00:29:31,203 | 00:29:35,574 | (CHATTER) | (CHATTER) |
354 | 00:29:35,607 | 00:29:37,543 | MAY I ASK YOU BOYS A COUPLE OF QUESTIONS? | MAY I ASK YOU BOYS A COUPLE OF QUESTIONS? |
355 | 00:29:39,045 | 00:29:43,082 | * I AIN'T PAYIN', STOP SEEIN' * | * I AIN'T PAYIN', STOP SEEIN' * |
356 | 00:29:43,115 | 00:29:46,552 | * STREETLIGHTS ON MAIN | * STREETLIGHTS ON MAIN |
357 | 00:29:48,087 | 00:29:50,189 | * HOT NIGHTS, HOLD TIGHT | * HOT NIGHTS, HOLD TIGHT |
358 | 00:29:50,222 | 00:29:52,258 | * YOU'RE NOT FOOLIN' ME | * YOU'RE NOT FOOLIN' ME |
359 | 00:29:52,291 | 00:29:54,326 | * LET ME GET RIGHT TO THE POINT * | * LET ME GET RIGHT TO THE POINT * |
360 | 00:29:54,360 | 00:29:57,296 | * SPEND A LITTLE TIME WITH ME * | * SPEND A LITTLE TIME WITH ME * |
361 | 00:29:57,329 | 00:30:00,833 | * BODY TALK, I SEE YOUR BODY TALK * | * BODY TALK, I SEE YOUR BODY TALK * |
362 | 00:30:00,867 | 00:30:06,005 | * YOU MAKE MY BODY TALK WHEN YOU'RE NEXT TO ME * | * YOU MAKE MY BODY TALK WHEN YOU'RE NEXT TO ME * |
363 | 00:30:06,038 | 00:30:08,040 | * LET IT OUT | * LET IT OUT |
364 | 00:30:08,074 | 00:30:10,843 | * YOU DON'T KNOW WHAT YOU'RE MISSIN' * | * YOU DON'T KNOW WHAT YOU'RE MISSIN' * |
365 | 00:30:10,877 | 00:30:12,879 | * HAVE NO DOUBT | * HAVE NO DOUBT |
366 | 00:30:12,912 | 00:30:15,481 | * I'M TAKIN' WHAT YOU'RE GIVIN' * | * I'M TAKIN' WHAT YOU'RE GIVIN' * |
367 | 00:30:15,514 | 00:30:17,349 | * MAKE NO MISTAKE... | * MAKE NO MISTAKE... |
368 | 00:30:17,383 | 00:30:19,385 | THAT'LL HOLD HIM. | THAT'LL HOLD HIM. |
369 | 00:30:19,418 | 00:30:22,021 | YEAH, THAT OUGHT TO HOLD HIM. | YEAH, THAT OUGHT TO HOLD HIM. |
370 | 00:30:22,054 | 00:30:23,389 | (COUGH COUGH) | (COUGH COUGH) |
371 | 00:30:23,422 | 00:30:25,391 | HEY, HEY. IN MY POCKET, | HEY, HEY. IN MY POCKET, |
372 | 00:30:25,424 | 00:30:28,394 | THERE'S A WHOLE THING OF TIC TACS. | THERE'S A WHOLE THING OF TIC TACS. |
373 | 00:30:28,427 | 00:30:31,430 | TAKE AS MANY AS YOU LIKE, PLEASE. | TAKE AS MANY AS YOU LIKE, PLEASE. |
374 | 00:30:43,575 | 00:30:47,079 | * I DON'T LIKE FEELIN' | * I DON'T LIKE FEELIN' |
375 | 00:30:47,113 | 00:30:52,218 | * MIXED-UP IN THE CITY | * MIXED-UP IN THE CITY |
376 | 00:30:52,251 | 00:30:55,021 | * SHOWDOWN, SLOW DOWN | * SHOWDOWN, SLOW DOWN |
377 | 00:30:55,054 | 00:30:56,488 | * YOU'RE NOT FOOLIN' ME | * YOU'RE NOT FOOLIN' ME |
378 | 00:30:56,522 | 00:30:59,992 | * YOU LIVE YOUR LIFE, I'LL LIVE MINE... * | * YOU LIVE YOUR LIFE, I'LL LIVE MINE... * |
379 | 00:31:00,026 | 00:31:01,393 | UHH! AAH! | UHH! AAH! |
380 | 00:31:01,427 | 00:31:03,295 | AAH! | AAH! |
381 | 00:31:06,298 | 00:31:10,536 | * BODY TALK WHEN YOU'RE NEXT TO ME * | * BODY TALK WHEN YOU'RE NEXT TO ME * |
382 | 00:31:10,569 | 00:31:14,206 | * BODY TALK, I KNOW YOUR BODY TALK * | * BODY TALK, I KNOW YOUR BODY TALK * |
383 | 00:31:14,240 | 00:31:19,145 | * YOU MAKE MY BODY TALK WHEN YOU'RE NEXT TO ME * | * YOU MAKE MY BODY TALK WHEN YOU'RE NEXT TO ME * |
384 | 00:31:19,178 | 00:31:20,546 | OH! | OH! |
385 | 00:31:20,579 | 00:31:24,583 | * I CAN'T STOP SEEIN'... | * I CAN'T STOP SEEIN'... |
386 | 00:31:26,218 | 00:31:28,087 | WHAT ARE YOU DOING HERE? | WHAT ARE YOU DOING HERE? |
387 | 00:31:29,188 | 00:31:30,189 | HEY! | HEY! |
388 | 00:31:30,222 | 00:31:31,323 | * HOT NIGHTS, HOLD TIGHT | * HOT NIGHTS, HOLD TIGHT |
389 | 00:31:31,357 | 00:31:33,125 | * YOU'RE NOT FOOLIN' ME | * YOU'RE NOT FOOLIN' ME |
390 | 00:31:33,159 | 00:31:36,528 | * LET ME GET RIGHT TO THE POINT * | * LET ME GET RIGHT TO THE POINT * |
391 | 00:31:36,562 | 00:31:38,130 | * SPEND A LITTLE TIME WITH ME * | * SPEND A LITTLE TIME WITH ME * |
392 | 00:31:38,164 | 00:31:41,267 | * BODY TALK, I SEE YOUR BODY TALK * | * BODY TALK, I SEE YOUR BODY TALK * |
393 | 00:31:42,601 | 00:31:44,570 | SPLIT YOUR BRAIN, ASSHOLE. | SPLIT YOUR BRAIN, ASSHOLE. |
394 | 00:31:44,603 | 00:31:46,405 | * WHEN YOU'RE NEXT TO ME * | * WHEN YOU'RE NEXT TO ME * |
395 | 00:31:47,206 | 00:31:48,607 | * BODY TALK | * BODY TALK |
396 | 00:31:48,640 | 00:31:51,110 | * I KNOW YOUR BODY TALK * | * I KNOW YOUR BODY TALK * |
397 | 00:31:51,143 | 00:31:53,179 | * YOU MAKE MY BODY TALK * | * YOU MAKE MY BODY TALK * |
398 | 00:31:53,212 | 00:31:54,613 | * WHEN YOU'RE NEXT TO ME... * | * WHEN YOU'RE NEXT TO ME... * |
399 | 00:31:55,547 | 00:31:58,417 | (MOTORCYCLE STARTS) | (MOTORCYCLE STARTS) |
400 | 00:32:08,427 | 00:32:10,429 | WHY'D YOU COME IN HERE? | WHY'D YOU COME IN HERE? |
401 | 00:32:10,462 | 00:32:13,432 | DIDN'T I TELL YOU NOT TO COME IN? | DIDN'T I TELL YOU NOT TO COME IN? |
402 | 00:32:13,465 | 00:32:16,435 | I TOLD YOU TO STAY IN THE CAR. | I TOLD YOU TO STAY IN THE CAR. |
403 | 00:32:16,468 | 00:32:20,039 | I'M NOT GOING TO TURN THIS INTO A LECTURE, | I'M NOT GOING TO TURN THIS INTO A LECTURE, |
404 | 00:32:20,072 | 00:32:22,441 | BUT THIS IS A MAN THING. | BUT THIS IS A MAN THING. |
405 | 00:32:22,474 | 00:32:27,313 | THIS IS NO PLACE FOR A WOMAN TO BE. | THIS IS NO PLACE FOR A WOMAN TO BE. |
406 | 00:32:27,346 | 00:32:31,417 | NEXT TIME I TELL YOU TO DO SOMETHING, DO IT. | NEXT TIME I TELL YOU TO DO SOMETHING, DO IT. |
407 | 00:32:31,450 | 00:32:33,319 | CAN I HANDLE THIS? | CAN I HANDLE THIS? |
408 | 00:32:33,352 | 00:32:34,486 | OK. | OK. |
409 | 00:32:36,588 | 00:32:39,225 | LEAVE ME ALONE, ASSHOLE. | LEAVE ME ALONE, ASSHOLE. |
410 | 00:32:39,258 | 00:32:42,628 | YOU HAD A GIRL TATTOOED WITH A YELLOW DRAGON. | YOU HAD A GIRL TATTOOED WITH A YELLOW DRAGON. |
411 | 00:32:42,661 | 00:32:44,696 | WHAT HAPPENED TO HER? | WHAT HAPPENED TO HER? |
412 | 00:32:44,730 | 00:32:46,665 | WHAT GIRL? | WHAT GIRL? |
413 | 00:32:50,536 | 00:32:53,139 | I NEVER SEEN HER BEFORE. | I NEVER SEEN HER BEFORE. |
414 | 00:32:53,172 | 00:32:54,973 | OK. | OK. |
415 | 00:32:57,509 | 00:32:58,644 | AAH! | AAH! |
416 | 00:33:00,446 | 00:33:02,448 | OH. CHERYL. | OH. CHERYL. |
417 | 00:33:02,481 | 00:33:04,450 | YEAH. HER. | YEAH. HER. |
418 | 00:33:04,483 | 00:33:06,485 | WE SOLD HER. | WE SOLD HER. |
419 | 00:33:10,356 | 00:33:12,258 | SOLD HER? TO WHO? | SOLD HER? TO WHO? |
420 | 00:33:12,291 | 00:33:14,126 | TO TOMMY TONG. | TO TOMMY TONG. |
421 | 00:33:14,160 | 00:33:17,229 | HE GOT THAT RESTAURANT DOWN ON BROADWAY, | HE GOT THAT RESTAURANT DOWN ON BROADWAY, |
422 | 00:33:17,263 | 00:33:20,399 | AND...WE TRADED HER-- | AND...WE TRADED HER-- |
423 | 00:33:20,432 | 00:33:24,236 | A CASE OF CIGARETTES AND SOME PORK FRIED RICE. | A CASE OF CIGARETTES AND SOME PORK FRIED RICE. |
424 | 00:33:24,270 | 00:33:26,205 | WHY WOULD SOMEBODY BUY SOMEBODY? | WHY WOULD SOMEBODY BUY SOMEBODY? |
425 | 00:33:26,238 | 00:33:27,706 | HE NEEDED A GIRL. | HE NEEDED A GIRL. |
426 | 00:33:28,707 | 00:33:30,142 | FOR WHAT? | FOR WHAT? |
427 | 00:33:30,176 | 00:33:32,778 | HE WORKED THIS DEAL OUT WITH THE DEVIL. | HE WORKED THIS DEAL OUT WITH THE DEVIL. |
428 | 00:33:32,811 | 00:33:35,147 | SAID HE NEEDED THE BLOOD. | SAID HE NEEDED THE BLOOD. |
429 | 00:33:35,181 | 00:33:37,349 | HA HA HA. | HA HA HA. |
430 | 00:33:37,383 | 00:33:38,650 | HA HA HA. | HA HA HA. |
431 | 00:33:38,684 | 00:33:41,520 | YOU'RE GOING TO GO OVER THERE | YOU'RE GOING TO GO OVER THERE |
432 | 00:33:41,553 | 00:33:44,123 | AND ROUGH HIM UP, RIGHT? | AND ROUGH HIM UP, RIGHT? |
433 | 00:33:44,156 | 00:33:46,525 | DON'T TELL HIM I TOLD YOU. | DON'T TELL HIM I TOLD YOU. |
434 | 00:33:46,558 | 00:33:48,527 | WHY WOULD I DO THAT? | WHY WOULD I DO THAT? |
435 | 00:33:48,560 | 00:33:51,063 | SO LET ME GET THIS RIGHT. | SO LET ME GET THIS RIGHT. |
436 | 00:33:51,097 | 00:33:52,331 | UMM... | UMM... |
437 | 00:33:52,364 | 00:33:55,334 | YOU SOLD HER? | YOU SOLD HER? |
438 | 00:33:55,367 | 00:33:56,335 | YEAH. | YEAH. |
439 | 00:33:56,368 | 00:33:58,570 | WE SOLD HER. | WE SOLD HER. |
440 | 00:34:08,480 | 00:34:10,749 | WAIT...HERE. | WAIT...HERE. |
441 | 00:34:28,534 | 00:34:30,669 | I'M LOOKING FOR TOMMY TONG. | I'M LOOKING FOR TOMMY TONG. |
442 | 00:34:33,239 | 00:34:36,475 | STOP ACTING STUPID. THE MAN OWNS THE PLACE. | STOP ACTING STUPID. THE MAN OWNS THE PLACE. |
443 | 00:34:38,210 | 00:34:40,679 | I'M LOOKING FOR TOMMY TONG. | I'M LOOKING FOR TOMMY TONG. |
444 | 00:34:40,712 | 00:34:42,781 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
445 | 00:34:42,814 | 00:34:44,783 | OH, YOU DON'T SPEAK ENGLISH? | OH, YOU DON'T SPEAK ENGLISH? |
446 | 00:34:44,816 | 00:34:46,785 | LET ME TRANSLATE FOR YOU. | LET ME TRANSLATE FOR YOU. |
447 | 00:34:46,818 | 00:34:49,155 | BRING TOMMY TONG OUT HERE, | BRING TOMMY TONG OUT HERE, |
448 | 00:34:49,188 | 00:34:51,157 | OR I'LL BUST YOUR ASS. UNDERSTAND? HUH? | OR I'LL BUST YOUR ASS. UNDERSTAND? HUH? |
449 | 00:34:51,190 | 00:34:54,293 | LISTEN, YOU SEE THIS DEAD GIRL? | LISTEN, YOU SEE THIS DEAD GIRL? |
450 | 00:34:54,326 | 00:34:57,196 | SHE WAS LAST SEEN WITH TONG. | SHE WAS LAST SEEN WITH TONG. |
451 | 00:34:57,229 | 00:34:58,530 | GET MR. TONG. | GET MR. TONG. |
452 | 00:34:58,564 | 00:35:01,133 | YAHHHH! | YAHHHH! |
453 | 00:35:09,208 | 00:35:11,677 | I'LL SHOW YOU HOW I FEEL ABOUT THAT KARATE SHIT. | I'LL SHOW YOU HOW I FEEL ABOUT THAT KARATE SHIT. |
454 | 00:35:11,710 | 00:35:13,812 | OK? YAHH! | OK? YAHH! |
455 | 00:35:14,946 | 00:35:16,348 | HYAH! | HYAH! |
456 | 00:35:38,237 | 00:35:40,272 | HOW'D YOU DO THAT? | HOW'D YOU DO THAT? |
457 | 00:35:40,306 | 00:35:42,841 | WHAT WAS THAT... WITH THE FLIP? | WHAT WAS THAT... WITH THE FLIP? |
458 | 00:36:06,765 | 00:36:08,834 | (THUNDER) | (THUNDER) |
459 | 00:36:42,868 | 00:36:44,470 | YOU KILLED HIM. | YOU KILLED HIM. |
460 | 00:36:44,503 | 00:36:46,305 | I DIDN'T KILL HIM. | I DIDN'T KILL HIM. |
461 | 00:36:46,338 | 00:36:47,673 | WHAT HAPPENED? | WHAT HAPPENED? |
462 | 00:36:47,706 | 00:36:50,409 | MAYBE THE GUY CUT HISSELF SHAVING | MAYBE THE GUY CUT HISSELF SHAVING |
463 | 00:36:50,442 | 00:36:54,413 | AND BLED TO DEATH LOOKING FOR A KLEENEX. | AND BLED TO DEATH LOOKING FOR A KLEENEX. |
464 | 00:36:54,446 | 00:36:57,983 | MAYBE THE GUY THOUGHT THAT I WAS COMING | MAYBE THE GUY THOUGHT THAT I WAS COMING |
465 | 00:36:58,016 | 00:37:01,320 | AND GOT SCARED AND FIGURED, WHAT THE HELL? | AND GOT SCARED AND FIGURED, WHAT THE HELL? |
466 | 00:37:01,353 | 00:37:03,322 | AND KILLED HISSELF. | AND KILLED HISSELF. |
467 | 00:37:05,457 | 00:37:07,359 | YOU BUY THAT? | YOU BUY THAT? |
468 | 00:37:07,393 | 00:37:08,360 | NO. | NO. |
469 | 00:37:08,394 | 00:37:10,462 | NEITHER DO I. | NEITHER DO I. |
470 | 00:37:10,496 | 00:37:13,532 | WE MAY BE UP AGAINST SUPERNATURAL CREATURES. | WE MAY BE UP AGAINST SUPERNATURAL CREATURES. |
471 | 00:37:13,565 | 00:37:15,000 | LIKE WHAT? | LIKE WHAT? |
472 | 00:37:15,033 | 00:37:16,602 | DEMONS. | DEMONS. |
473 | 00:37:26,645 | 00:37:29,281 | BY THE TIME HE FINDS YOU, | BY THE TIME HE FINDS YOU, |
474 | 00:37:29,315 | 00:37:31,617 | IT WILL BE TOO LATE. | IT WILL BE TOO LATE. |
475 | 00:38:00,779 | 00:38:02,881 | (VOICES DRONING) | (VOICES DRONING) |
476 | 00:38:12,090 | 00:38:15,060 | YOU WERE WISE TO KILL TOMMY TONG. | YOU WERE WISE TO KILL TOMMY TONG. |
477 | 00:38:15,093 | 00:38:18,330 | HE WAS WEAK. HE MIGHT HAVE BETRAYED US. | HE WAS WEAK. HE MIGHT HAVE BETRAYED US. |
478 | 00:38:18,364 | 00:38:20,065 | THANK YOU, LORD. | THANK YOU, LORD. |
479 | 00:38:20,098 | 00:38:23,101 | BUT WHY IS THE CHILD STILL ALIVE? | BUT WHY IS THE CHILD STILL ALIVE? |
480 | 00:38:23,134 | 00:38:26,338 | YOU HAVE NO REASON TO FEAR HIM. | YOU HAVE NO REASON TO FEAR HIM. |
481 | 00:38:26,372 | 00:38:29,074 | HE IS SURROUNDED AT ALL TIMES BY EVIL. | HE IS SURROUNDED AT ALL TIMES BY EVIL. |
482 | 00:38:29,107 | 00:38:32,077 | DO NOT UNDERESTIMATE THE POWER OF GOOD, | DO NOT UNDERESTIMATE THE POWER OF GOOD, |
483 | 00:38:32,110 | 00:38:35,647 | AND DO NOT DISMISS THE STRENGTH OF THE CHILD. | AND DO NOT DISMISS THE STRENGTH OF THE CHILD. |
484 | 00:38:35,681 | 00:38:38,750 | THE CHILD WILL NEVER EAT THE BLOOD. | THE CHILD WILL NEVER EAT THE BLOOD. |
485 | 00:38:38,784 | 00:38:40,652 | WHAT MUST I DO? | WHAT MUST I DO? |
486 | 00:38:40,686 | 00:38:44,122 | MOVE THE CHILD BEFORE THE CHOSEN ONE DRAWS NEAR. | MOVE THE CHILD BEFORE THE CHOSEN ONE DRAWS NEAR. |
487 | 00:38:44,155 | 00:38:46,057 | AND TO KILL HIM? | AND TO KILL HIM? |
488 | 00:38:46,091 | 00:38:49,094 | THE ADJANTE DAGGER. IT'S NOT OF THIS WORLD. | THE ADJANTE DAGGER. IT'S NOT OF THIS WORLD. |
489 | 00:38:49,127 | 00:38:52,063 | BUT, LORD, IT IS SO WELL-GUARDED. | BUT, LORD, IT IS SO WELL-GUARDED. |
490 | 00:38:52,097 | 00:38:55,066 | OFFER TO EXCHANGE THE CHILD FOR IT. | OFFER TO EXCHANGE THE CHILD FOR IT. |
491 | 00:38:55,100 | 00:38:58,103 | THEY CAN REFUSE NOTHING FOR HIS SAFE RETURN. | THEY CAN REFUSE NOTHING FOR HIS SAFE RETURN. |
492 | 00:38:58,136 | 00:39:00,071 | USE THE ADJANTE DAGGER. | USE THE ADJANTE DAGGER. |
493 | 00:39:00,105 | 00:39:03,642 | WITH IT, YOU NEED NO OTHER EVIL. | WITH IT, YOU NEED NO OTHER EVIL. |
494 | 00:39:03,675 | 00:39:07,746 | USE THE DAGGER TO KILL THE CHILD. | USE THE DAGGER TO KILL THE CHILD. |
495 | 00:39:39,210 | 00:39:41,580 | (VOICE DRONING) | (VOICE DRONING) |
496 | 00:39:45,551 | 00:39:48,887 | (MYSTERIOUS BREATHING) | (MYSTERIOUS BREATHING) |
497 | 00:40:07,038 | 00:40:08,774 | (NEIGHS SOFTLY) | (NEIGHS SOFTLY) |
498 | 00:40:40,839 | 00:40:42,841 | GOOD TO SEE YOU, MR. YARRELL. | GOOD TO SEE YOU, MR. YARRELL. |
499 | 00:40:42,874 | 00:40:45,443 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
500 | 00:40:48,580 | 00:40:51,517 | GET YOUR MONKEY OFF MY BACK. | GET YOUR MONKEY OFF MY BACK. |
501 | 00:40:51,550 | 00:40:53,752 | (LAUGHTER AND APPLAUSE) | (LAUGHTER AND APPLAUSE) |
502 | 00:40:53,785 | 00:40:57,155 | OF COURSE. FU, PLEASE RETIRE. | OF COURSE. FU, PLEASE RETIRE. |
503 | 00:40:57,188 | 00:40:59,591 | YEAH, FU. SAVE IT. | YEAH, FU. SAVE IT. |
504 | 00:41:02,127 | 00:41:03,929 | WAIT A SECOND. | WAIT A SECOND. |
505 | 00:41:03,962 | 00:41:06,965 | WAIT A SECOND. THIS IS A DREAM. | WAIT A SECOND. THIS IS A DREAM. |
506 | 00:41:06,998 | 00:41:08,734 | I'M DREAMING. | I'M DREAMING. |
507 | 00:41:08,767 | 00:41:10,201 | HEY! | HEY! |
508 | 00:41:10,235 | 00:41:12,203 | WHY DO YOU SAY THAT? | WHY DO YOU SAY THAT? |
509 | 00:41:12,237 | 00:41:15,641 | BECAUSE PEOPLE LIKE FU WITH HIS MONKEY FACE | BECAUSE PEOPLE LIKE FU WITH HIS MONKEY FACE |
510 | 00:41:15,674 | 00:41:17,509 | AND THE BIG-HEAD GUY AND THE FAT DUDE | AND THE BIG-HEAD GUY AND THE FAT DUDE |
511 | 00:41:17,543 | 00:41:20,712 | AND YOU, YOU DON'T EXIST FOR REAL. | AND YOU, YOU DON'T EXIST FOR REAL. |
512 | 00:41:20,746 | 00:41:22,948 | PERHAPS I'VE HAD YOU BROUGHT HERE | PERHAPS I'VE HAD YOU BROUGHT HERE |
513 | 00:41:22,981 | 00:41:25,684 | TO MAKE YOU AN ATTRACTIVE OFFER. | TO MAKE YOU AN ATTRACTIVE OFFER. |
514 | 00:41:25,717 | 00:41:29,020 | I CAN'T ACCEPT A PROPOSAL THIS EARLY IN THE SEASON. | I CAN'T ACCEPT A PROPOSAL THIS EARLY IN THE SEASON. |
515 | 00:41:29,054 | 00:41:31,523 | (LAUGHTER) | (LAUGHTER) |
516 | 00:41:34,325 | 00:41:35,627 | THANK YOU. | THANK YOU. |
517 | 00:41:36,695 | 00:41:38,730 | HAS IT OCCURRED TO YOU | HAS IT OCCURRED TO YOU |
518 | 00:41:38,764 | 00:41:41,733 | HOW MANY MEN OF LESS WORTH THAN YOURSELF | HOW MANY MEN OF LESS WORTH THAN YOURSELF |
519 | 00:41:41,767 | 00:41:43,769 | OBTAIN SO MANY REWARDS, | OBTAIN SO MANY REWARDS, |
520 | 00:41:43,802 | 00:41:46,304 | WHILE YOU HAVE SO VERY LITTLE? | WHILE YOU HAVE SO VERY LITTLE? |
521 | 00:41:46,337 | 00:41:48,874 | I CAN'T SAY THAT IT HAS. | I CAN'T SAY THAT IT HAS. |
522 | 00:41:48,907 | 00:41:52,177 | I DON'T HAVE THAT MUCH OF AN IMAGINATION. | I DON'T HAVE THAT MUCH OF AN IMAGINATION. |
523 | 00:41:59,050 | 00:42:01,853 | I REALLY DON'T LIKE YOUR ATTITUDE. | I REALLY DON'T LIKE YOUR ATTITUDE. |
524 | 00:42:01,887 | 00:42:03,889 | YOU KNOW, THIS IS A NICE JACKET. | YOU KNOW, THIS IS A NICE JACKET. |
525 | 00:42:03,922 | 00:42:05,857 | IT'S A MORRIS DAY FEEL. | IT'S A MORRIS DAY FEEL. |
526 | 00:42:05,891 | 00:42:07,893 | IT LOOKS GOOD ON YOU. IT'S SMOKIN'. | IT LOOKS GOOD ON YOU. IT'S SMOKIN'. |
527 | 00:42:07,926 | 00:42:12,664 | I'LL REPEAT MY OFFER ONE LAST TIME. | I'LL REPEAT MY OFFER ONE LAST TIME. |
528 | 00:42:12,698 | 00:42:14,633 | WELL, I AM DREAMING, | WELL, I AM DREAMING, |
529 | 00:42:14,666 | 00:42:17,669 | SO I CAN PRETTY MUCH SAY ANYTHING | SO I CAN PRETTY MUCH SAY ANYTHING |
530 | 00:42:17,703 | 00:42:19,638 | AND GET AWAY WITH IT, | AND GET AWAY WITH IT, |
531 | 00:42:19,671 | 00:42:22,207 | SO I THINK I'LL SAY FROM MY HEART... | SO I THINK I'LL SAY FROM MY HEART... |
532 | 00:42:22,240 | 00:42:24,910 | KISS MY ASS. | KISS MY ASS. |
533 | 00:42:24,943 | 00:42:26,111 | KISS MY ASS! | KISS MY ASS! |
534 | 00:42:27,813 | 00:42:29,080 | (KISSING SOUNDS) | (KISSING SOUNDS) |
535 | 00:42:29,114 | 00:42:32,350 | IT'S POINTLESS TALKING TO YOU, MR. YARRELL. | IT'S POINTLESS TALKING TO YOU, MR. YARRELL. |
536 | 00:42:32,383 | 00:42:36,354 | WHY DO YOU INSIST ON MISPRONOUNCING MY NAME? | WHY DO YOU INSIST ON MISPRONOUNCING MY NAME? |
537 | 00:42:36,387 | 00:42:39,224 | MY NAME IS JARRELL WITH A "J." | MY NAME IS JARRELL WITH A "J." |
538 | 00:42:39,257 | 00:42:40,759 | YES, I KNOW. | YES, I KNOW. |
539 | 00:42:40,792 | 00:42:42,894 | MY LEGS ARE MUCH MORE ATTRACTIVE. | MY LEGS ARE MUCH MORE ATTRACTIVE. |
540 | 00:42:42,928 | 00:42:47,298 | I WILL TRADE THE CHILD FOR THE ADYANTE DAGGER. | I WILL TRADE THE CHILD FOR THE ADYANTE DAGGER. |
541 | 00:42:55,206 | 00:42:56,708 | HEY. | HEY. |
542 | 00:42:56,742 | 00:42:59,377 | THIS IS JUST A REMINDER OF THE EVENING... | THIS IS JUST A REMINDER OF THE EVENING... |
543 | 00:42:59,410 | 00:43:03,014 | SO YOU'LL KNOW YOU WERE HERE. | SO YOU'LL KNOW YOU WERE HERE. |
544 | 00:43:03,048 | 00:43:04,916 | THERE'S NO PAIN IN DREAMS. | THERE'S NO PAIN IN DREAMS. |
545 | 00:43:04,950 | 00:43:07,152 | YOU'LL REMEMBER THIS A LONG TIME. | YOU'LL REMEMBER THIS A LONG TIME. |
546 | 00:43:07,185 | 00:43:09,721 | EXCUSE ME FOR A MOMENT. I'LL BE RIGHT BACK. | EXCUSE ME FOR A MOMENT. I'LL BE RIGHT BACK. |
547 | 00:43:09,755 | 00:43:13,158 | DO YOU HAVE ANY METHYLATE OR MERCUROCHROME? | DO YOU HAVE ANY METHYLATE OR MERCUROCHROME? |
548 | 00:43:13,191 | 00:43:15,894 | 'CAUSE THIS MIGHT GET INFECTED. | 'CAUSE THIS MIGHT GET INFECTED. |
549 | 00:43:15,927 | 00:43:17,796 | TELL YOUR FRIENDS | TELL YOUR FRIENDS |
550 | 00:43:17,829 | 00:43:20,666 | THAT SARDO NUMSPA SENDS HIS GREETINGS. | THAT SARDO NUMSPA SENDS HIS GREETINGS. |
551 | 00:43:39,250 | 00:43:40,719 | A MISTAKE. | A MISTAKE. |
552 | 00:43:42,387 | 00:43:43,689 | YAY! YAY! | YAY! YAY! |
553 | 00:43:43,722 | 00:43:45,356 | KEE. | KEE. |
554 | 00:43:45,390 | 00:43:46,858 | CHANDLER. | CHANDLER. |
555 | 00:43:49,961 | 00:43:53,131 | THEY TIED YOU UP IN TOILET PAPER. | THEY TIED YOU UP IN TOILET PAPER. |
556 | 00:43:53,164 | 00:43:55,333 | WHAT ARE YOU DOING HERE? | WHAT ARE YOU DOING HERE? |
557 | 00:43:55,366 | 00:43:58,136 | I HAVE TO BE HERE. IT'S MY DREAM. | I HAVE TO BE HERE. IT'S MY DREAM. |
558 | 00:43:58,169 | 00:44:00,138 | I THINK THE KID'S HERE SOMEWHERE. | I THINK THE KID'S HERE SOMEWHERE. |
559 | 00:44:00,171 | 00:44:02,373 | WE SHOULD FIND THE KID TOGETHER, | WE SHOULD FIND THE KID TOGETHER, |
560 | 00:44:02,407 | 00:44:05,043 | AND AFTERWARDS, MAYBE WE COULD SPEND-- | AND AFTERWARDS, MAYBE WE COULD SPEND-- |
561 | 00:44:05,076 | 00:44:06,878 | SOME TIME TOGETHER. | SOME TIME TOGETHER. |
562 | 00:44:06,912 | 00:44:07,913 | YEAH. | YEAH. |
563 | 00:44:07,946 | 00:44:09,347 | KIND OF LET NATURE-- | KIND OF LET NATURE-- |
564 | 00:44:09,380 | 00:44:10,916 | TAKE ITS COURSE? | TAKE ITS COURSE? |
565 | 00:44:10,949 | 00:44:12,818 | YEAH. | YEAH. |
566 | 00:44:24,830 | 00:44:26,097 | AAH! | AAH! |
567 | 00:44:27,065 | 00:44:28,366 | AHH! YAH! | AHH! YAH! |
568 | 00:44:28,399 | 00:44:29,701 | AAH! | AAH! |
569 | 00:44:49,220 | 00:44:51,489 | SO... IT'S SARDO NUMSPA. | SO... IT'S SARDO NUMSPA. |
570 | 00:44:51,522 | 00:44:53,925 | WHAT'S THIS KNIFE? | WHAT'S THIS KNIFE? |
571 | 00:44:53,959 | 00:44:57,195 | THE CROSS-DAGGER OF ADJANTE. | THE CROSS-DAGGER OF ADJANTE. |
572 | 00:44:57,228 | 00:44:59,798 | HE BROUGHT IT TO THIS WORLD | HE BROUGHT IT TO THIS WORLD |
573 | 00:44:59,831 | 00:45:02,834 | TO KILL THE SECOND GOLDEN CHILD-- | TO KILL THE SECOND GOLDEN CHILD-- |
574 | 00:45:02,868 | 00:45:05,503 | THE BEARER OF JUSTICE. | THE BEARER OF JUSTICE. |
575 | 00:45:05,536 | 00:45:08,439 | HIS DEATH WAS A GREAT LOSS. | HIS DEATH WAS A GREAT LOSS. |
576 | 00:45:08,473 | 00:45:11,376 | SARDO NEEDS IT TO KILL THE CHILD, | SARDO NEEDS IT TO KILL THE CHILD, |
577 | 00:45:11,409 | 00:45:14,045 | BUT YOU CAN USE IT TO SAVE HIM. | BUT YOU CAN USE IT TO SAVE HIM. |
578 | 00:45:14,079 | 00:45:16,147 | YOU MUST OBTAIN THE KNIFE | YOU MUST OBTAIN THE KNIFE |
579 | 00:45:16,181 | 00:45:18,884 | AND LURE NUMSPA INTO FREEING THE CHILD. | AND LURE NUMSPA INTO FREEING THE CHILD. |
580 | 00:45:18,917 | 00:45:22,453 | BUT NEVER LET HIM GET POSSESSION OF THE KNIFE. | BUT NEVER LET HIM GET POSSESSION OF THE KNIFE. |
581 | 00:45:22,487 | 00:45:25,891 | NEAT TRICK. BUT HOW AM I SUPPOSED TO PULL IT OFF? | NEAT TRICK. BUT HOW AM I SUPPOSED TO PULL IT OFF? |
582 | 00:45:30,495 | 00:45:32,931 | HE WILL WANT TO EXCHANGE | HE WILL WANT TO EXCHANGE |
583 | 00:45:32,964 | 00:45:34,933 | THE DAGGER FOR THE CHILD. | THE DAGGER FOR THE CHILD. |
584 | 00:45:34,966 | 00:45:37,936 | IF THE ABBOT WILL LET US HAVE IT. | IF THE ABBOT WILL LET US HAVE IT. |
585 | 00:45:37,969 | 00:45:39,938 | IF THE KID'S SO IMPORTANT, | IF THE KID'S SO IMPORTANT, |
586 | 00:45:39,971 | 00:45:43,341 | WHY DOESN'T THIS GUY JUST GIVE YOU THE DAGGER? | WHY DOESN'T THIS GUY JUST GIVE YOU THE DAGGER? |
587 | 00:45:43,374 | 00:45:45,877 | HE'S A VERY DIFFICULT MAN. | HE'S A VERY DIFFICULT MAN. |
588 | 00:45:45,911 | 00:45:49,514 | TOMORROW, YOU WILL GO WITH KEE NANG TO TIBET TO OBTAIN THE DAGGER. | TOMORROW, YOU WILL GO WITH KEE NANG TO TIBET TO OBTAIN THE DAGGER. |
589 | 00:45:49,547 | 00:45:53,084 | MAN, I AIN'T GOING TO TIBET. | MAN, I AIN'T GOING TO TIBET. |
590 | 00:45:53,118 | 00:45:56,421 | ONLY THE CHOSEN ONE CAN OBTAIN THE KNIFE. | ONLY THE CHOSEN ONE CAN OBTAIN THE KNIFE. |
591 | 00:45:56,454 | 00:45:57,989 | WILL YOU GO? | WILL YOU GO? |
592 | 00:46:00,091 | 00:46:03,294 | LISTEN, THIS CHOSEN ONE THING | LISTEN, THIS CHOSEN ONE THING |
593 | 00:46:03,328 | 00:46:05,296 | IS GOING TOO FAR NOW. | IS GOING TOO FAR NOW. |
594 | 00:46:05,330 | 00:46:07,365 | THIS IS NOT NORMAL. | THIS IS NOT NORMAL. |
595 | 00:46:07,398 | 00:46:09,200 | OK? | OK? |
596 | 00:46:09,234 | 00:46:11,837 | I HAVE TO THINK THIS OVER | I HAVE TO THINK THIS OVER |
597 | 00:46:11,870 | 00:46:15,073 | BECAUSE THE CHOSEN ONE THING--TOO FAR. | BECAUSE THE CHOSEN ONE THING--TOO FAR. |
598 | 00:46:15,106 | 00:46:18,109 | COULD YOU PLEASE LEAVE US FOR A MOMENT? | COULD YOU PLEASE LEAVE US FOR A MOMENT? |
599 | 00:46:18,143 | 00:46:20,111 | YOU ALL TALK IT OVER | YOU ALL TALK IT OVER |
600 | 00:46:20,145 | 00:46:22,113 | BECAUSE THIS SHOULD BE DISCUSSED | BECAUSE THIS SHOULD BE DISCUSSED |
601 | 00:46:22,147 | 00:46:24,850 | BECAUSE IT'S NOT NORMAL. TALK. | BECAUSE IT'S NOT NORMAL. TALK. |
602 | 00:46:24,883 | 00:46:26,852 | THE CHOSEN ONE. | THE CHOSEN ONE. |
603 | 00:46:26,885 | 00:46:29,554 | CHOSEN ONE. WHY TIBET? | CHOSEN ONE. WHY TIBET? |
604 | 00:46:29,587 | 00:46:33,925 | WHY CAN'T SOMEBODY CHOOSE ME TO GO TO THE BAHAMAS? | WHY CAN'T SOMEBODY CHOOSE ME TO GO TO THE BAHAMAS? |
605 | 00:46:33,959 | 00:46:37,562 | I GOT TO GET CHOSEN TO GO TO TIBET. | I GOT TO GET CHOSEN TO GO TO TIBET. |
606 | 00:46:37,595 | 00:46:40,531 | AND, KALA, YOU'RE NOT A NORMAL CHICK. | AND, KALA, YOU'RE NOT A NORMAL CHICK. |
607 | 00:46:40,565 | 00:46:44,602 | YOU CAN'T SIT IN THIS BASEMENT NAKED, SMOKING CIGARETTES, | YOU CAN'T SIT IN THIS BASEMENT NAKED, SMOKING CIGARETTES, |
608 | 00:46:44,635 | 00:46:48,306 | LOOKING AT SOAP OPERAS FOR THE REST OF YOUR LIFE. | LOOKING AT SOAP OPERAS FOR THE REST OF YOUR LIFE. |
609 | 00:47:07,025 | 00:47:08,193 | YAK LOIN. | YAK LOIN. |
610 | 00:47:08,226 | 00:47:10,161 | WHAT IS IT? | WHAT IS IT? |
611 | 00:47:10,195 | 00:47:12,597 | YAK LOIN. GOOD TO KEEP THE YANG UP. | YAK LOIN. GOOD TO KEEP THE YANG UP. |
612 | 00:47:14,399 | 00:47:17,135 | AIN'T NOTHING WRONG WITH MY YANG. | AIN'T NOTHING WRONG WITH MY YANG. |
613 | 00:47:21,339 | 00:47:24,342 | TELL ME HOW THIS DREAM TRANSMISSION THING WORKS. | TELL ME HOW THIS DREAM TRANSMISSION THING WORKS. |
614 | 00:47:24,375 | 00:47:26,344 | PART'S DREAM, AND PART'S REAL. | PART'S DREAM, AND PART'S REAL. |
615 | 00:47:26,377 | 00:47:27,979 | SO THIS SCAR IS REAL? | SO THIS SCAR IS REAL? |
616 | 00:47:28,013 | 00:47:29,347 | RIGHT. | RIGHT. |
617 | 00:47:29,380 | 00:47:30,949 | WHAT ABOUT NUMSY? | WHAT ABOUT NUMSY? |
618 | 00:47:30,982 | 00:47:34,352 | SARDO NUMSPA. HE'S VERY REAL. | SARDO NUMSPA. HE'S VERY REAL. |
619 | 00:47:34,385 | 00:47:37,255 | YOU SAID SOME THINGS THAT SEEMED REAL. | YOU SAID SOME THINGS THAT SEEMED REAL. |
620 | 00:47:37,288 | 00:47:39,991 | THAT PART WAS DREAM. | THAT PART WAS DREAM. |
621 | 00:47:44,495 | 00:47:46,631 | I WAS JUST CHECKING. | I WAS JUST CHECKING. |
622 | 00:47:54,339 | 00:47:56,574 | AREN'T YOU GOING TO ASK ME UP? | AREN'T YOU GOING TO ASK ME UP? |
623 | 00:47:59,444 | 00:48:01,346 | AM I DREAMING NOW? | AM I DREAMING NOW? |
624 | 00:48:01,379 | 00:48:03,348 | MUST A LADY ASK TWICE? | MUST A LADY ASK TWICE? |
625 | 00:48:03,381 | 00:48:05,650 | NO. NO, PLEASE. | NO. NO, PLEASE. |
626 | 00:48:05,683 | 00:48:07,618 | NO. PLEASE TWICE. | NO. PLEASE TWICE. |
627 | 00:48:07,652 | 00:48:09,220 | PLEASE, PLEASE. | PLEASE, PLEASE. |
628 | 00:48:09,254 | 00:48:11,122 | TWICE. | TWICE. |
629 | 00:48:18,063 | 00:48:20,031 | (WHISTLING) | (WHISTLING) |
630 | 00:48:20,065 | 00:48:24,702 | HEY. I DIDN'T KNOW WHETHER YOU WANTED CREAM AND SUGAR. I LEFT IT BLACK. | HEY. I DIDN'T KNOW WHETHER YOU WANTED CREAM AND SUGAR. I LEFT IT BLACK. |
631 | 00:48:24,735 | 00:48:27,372 | I WANT YOU TO GO TO TIBET. | I WANT YOU TO GO TO TIBET. |
632 | 00:48:27,405 | 00:48:29,274 | WILL YOU GO? | WILL YOU GO? |
633 | 00:48:29,307 | 00:48:32,277 | I HEAR IT'S REALLY COLD IN TIBET. | I HEAR IT'S REALLY COLD IN TIBET. |
634 | 00:48:32,310 | 00:48:34,712 | WHY DON'T WE JUST STAY HERE? | WHY DON'T WE JUST STAY HERE? |
635 | 00:48:34,745 | 00:48:37,682 | WHY DON'T WE STAY HERE ALL WEEKEND LONG | WHY DON'T WE STAY HERE ALL WEEKEND LONG |
636 | 00:48:37,715 | 00:48:39,684 | UNDER THE COVERS, WATCHING TELEVISION, | UNDER THE COVERS, WATCHING TELEVISION, |
637 | 00:48:39,717 | 00:48:42,320 | SWEATING AND SMILING AND EVERYTHING? | SWEATING AND SMILING AND EVERYTHING? |
638 | 00:48:42,353 | 00:48:43,488 | YOU WON'T GO? | YOU WON'T GO? |
639 | 00:48:43,521 | 00:48:45,623 | IT'S FREEZING IN TIBET. | IT'S FREEZING IN TIBET. |
640 | 00:48:45,656 | 00:48:48,259 | HEY. HEY, WHERE YOU GOING? | HEY. HEY, WHERE YOU GOING? |
641 | 00:48:48,293 | 00:48:49,694 | TIBET. | TIBET. |
642 | 00:48:49,727 | 00:48:53,498 | BUT I'M THE CHOSEN ONE. YOU CAN'T GET THE KNIFE. | BUT I'M THE CHOSEN ONE. YOU CAN'T GET THE KNIFE. |
643 | 00:48:59,637 | 00:49:03,108 | I'LL GO. I'LL GO TO TIBET. | I'LL GO. I'LL GO TO TIBET. |
644 | 00:49:03,141 | 00:49:04,542 | WAIT. | WAIT. |
645 | 00:49:06,011 | 00:49:09,981 | BUT IF IT'S REALLY COLD, WE GOT TO COME BACK. OK? | BUT IF IT'S REALLY COLD, WE GOT TO COME BACK. OK? |
646 | 00:49:11,416 | 00:49:14,986 | YOU'RE NOT IN A RUSH TO LEAVE, ARE YOU? | YOU'RE NOT IN A RUSH TO LEAVE, ARE YOU? |
647 | 00:49:15,020 | 00:49:17,222 | BECAUSE, YOU KNOW... | BECAUSE, YOU KNOW... |
648 | 00:49:21,226 | 00:49:22,627 | A BED? | A BED? |
649 | 00:49:22,660 | 00:49:24,629 | IS THAT A BED? | IS THAT A BED? |
650 | 00:49:37,342 | 00:49:39,210 | (COUGHING) | (COUGHING) |
651 | 00:49:51,456 | 00:49:55,026 | (SITAR MUSIC PLAYING) | (SITAR MUSIC PLAYING) |
652 | 00:49:55,060 | 00:49:56,761 | (FLIGHT ATTENDANT COUGHING) | (FLIGHT ATTENDANT COUGHING) |
653 | 00:50:11,376 | 00:50:13,478 | (COWS MOO) | (COWS MOO) |
654 | 00:50:15,313 | 00:50:17,315 | KATHMANDU, THE GATEWAY TO TIBET. | KATHMANDU, THE GATEWAY TO TIBET. |
655 | 00:50:17,348 | 00:50:20,051 | THERE ARE BULLS WALKING AROUND HERE. | THERE ARE BULLS WALKING AROUND HERE. |
656 | 00:50:20,085 | 00:50:22,053 | TWO DAYS INTO THE MOUNTAINS, | TWO DAYS INTO THE MOUNTAINS, |
657 | 00:50:22,087 | 00:50:25,490 | AND WE WILL BE AT THE HEIGHTS OF HEAVEN. | AND WE WILL BE AT THE HEIGHTS OF HEAVEN. |
658 | 00:50:25,523 | 00:50:27,225 | LOOK, I'M FREEZING, | LOOK, I'M FREEZING, |
659 | 00:50:27,258 | 00:50:29,227 | AND I'M NOT ENJOYING MYSELF, | AND I'M NOT ENJOYING MYSELF, |
660 | 00:50:29,260 | 00:50:33,798 | BUT I'LL DO MY BEST TO FIND THIS GOLDEN CHILD. | BUT I'LL DO MY BEST TO FIND THIS GOLDEN CHILD. |
661 | 00:50:33,831 | 00:50:36,101 | I'LL ARRANGE FOR OUR TREK. | I'LL ARRANGE FOR OUR TREK. |
662 | 00:50:36,134 | 00:50:39,104 | YOU HAVE AN HOUR TO LOOK AROUND. | YOU HAVE AN HOUR TO LOOK AROUND. |
663 | 00:50:50,215 | 00:50:52,517 | (CHIRP CHIRP) | (CHIRP CHIRP) |
664 | 00:51:18,809 | 00:51:21,078 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
665 | 00:51:23,181 | 00:51:28,119 | 4:30, BUT I DON'T THINK I CAN MAKE IT TO THE PARTY. | 4:30, BUT I DON'T THINK I CAN MAKE IT TO THE PARTY. |
666 | 00:51:29,687 | 00:51:31,189 | HA HA. | HA HA. |
667 | 00:51:53,911 | 00:51:56,447 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
668 | 00:52:09,360 | 00:52:11,396 | HI. | HI. |
669 | 00:52:15,433 | 00:52:17,335 | TAKE IT EASY. | TAKE IT EASY. |
670 | 00:52:19,337 | 00:52:21,839 | YOU WANT ME TO BUY THAT? | YOU WANT ME TO BUY THAT? |
671 | 00:52:22,907 | 00:52:24,842 | OK. I'LL BUY ONE. | OK. I'LL BUY ONE. |
672 | 00:52:24,875 | 00:52:27,778 | OK. LET ME HAVE THE BLUE ONE. | OK. LET ME HAVE THE BLUE ONE. |
673 | 00:52:27,812 | 00:52:29,547 | HOW MUCH IS ONE? | HOW MUCH IS ONE? |
674 | 00:52:29,580 | 00:52:33,651 | I DON'T KNOW HOW MUCH THEY COST. | I DON'T KNOW HOW MUCH THEY COST. |
675 | 00:52:33,684 | 00:52:36,821 | OK. THE BLUE ONE MATCHES MY COAT. | OK. THE BLUE ONE MATCHES MY COAT. |
676 | 00:52:42,660 | 00:52:46,497 | HEY, WAIT A SECOND. YOU TOOK 100. | HEY, WAIT A SECOND. YOU TOOK 100. |
677 | 00:52:46,531 | 00:52:48,633 | YOU TOOK THE 100. | YOU TOOK THE 100. |
678 | 00:52:48,666 | 00:52:51,436 | NO. SEE, $1.00 IS FOR YOU. | NO. SEE, $1.00 IS FOR YOU. |
679 | 00:52:51,469 | 00:52:53,404 | SEE THIS GEORGE WASHINGTON? | SEE THIS GEORGE WASHINGTON? |
680 | 00:52:53,438 | 00:52:55,573 | THAT'S BENJAMIN FRANKLIN. THAT'S NOT HAPPENING. | THAT'S BENJAMIN FRANKLIN. THAT'S NOT HAPPENING. |
681 | 00:52:55,606 | 00:52:57,642 | YOU GOT THE WRONG MONEY. | YOU GOT THE WRONG MONEY. |
682 | 00:52:57,675 | 00:52:59,610 | AHH...AHH... | AHH...AHH... |
683 | 00:53:00,878 | 00:53:03,481 | CAN I HAVE MY MONEY BACK? | CAN I HAVE MY MONEY BACK? |
684 | 00:53:04,682 | 00:53:07,718 | YOU GAVE ME THE WRONG NECKLACE, TOO. | YOU GAVE ME THE WRONG NECKLACE, TOO. |
685 | 00:53:07,752 | 00:53:10,521 | YOU'RE BREAKING MY HEART, ASSWIPE. | YOU'RE BREAKING MY HEART, ASSWIPE. |
686 | 00:53:10,555 | 00:53:13,591 | OH, YOU SPEAK ENGLISH JUST FINE. | OH, YOU SPEAK ENGLISH JUST FINE. |
687 | 00:53:13,624 | 00:53:15,960 | SO DO YOU. SO WHAT? | SO DO YOU. SO WHAT? |
688 | 00:53:15,993 | 00:53:17,962 | GIVE ME MY 100 BACK | GIVE ME MY 100 BACK |
689 | 00:53:17,995 | 00:53:20,598 | AND GIVE ME THE RIGHT ONE. | AND GIVE ME THE RIGHT ONE. |
690 | 00:53:20,631 | 00:53:22,467 | MONKEY BREATH, PUKE FACE, | MONKEY BREATH, PUKE FACE, |
691 | 00:53:22,500 | 00:53:24,635 | EATER OF TURTLE SLIME. | EATER OF TURTLE SLIME. |
692 | 00:53:24,669 | 00:53:25,936 | HA... | HA... |
693 | 00:53:25,970 | 00:53:29,274 | GIVE ME MY SHIT, AND YOU TAKE YOUR SHIT. | GIVE ME MY SHIT, AND YOU TAKE YOUR SHIT. |
694 | 00:53:29,307 | 00:53:30,508 | WHAT, SCUZZBUCKET? | WHAT, SCUZZBUCKET? |
695 | 00:53:30,541 | 00:53:32,243 | OK, YOU SLICK SHITHEAD, | OK, YOU SLICK SHITHEAD, |
696 | 00:53:32,277 | 00:53:35,646 | YOU SNEAKY LITTLE BASTARD. | YOU SNEAKY LITTLE BASTARD. |
697 | 00:53:35,680 | 00:53:38,449 | YOU WANT YOUR MONEY? TAKE IT. | YOU WANT YOUR MONEY? TAKE IT. |
698 | 00:53:52,697 | 00:53:54,299 | (CHIRP CHIRP) | (CHIRP CHIRP) |
699 | 00:53:59,404 | 00:54:02,307 | DID YOU SEE A LITTLE NAKED MAN | DID YOU SEE A LITTLE NAKED MAN |
700 | 00:54:02,340 | 00:54:04,775 | RUNNING AROUND WITH A $100 BILL? | RUNNING AROUND WITH A $100 BILL? |
701 | 00:54:04,809 | 00:54:07,745 | I'VE ARRANGED FOR YAKS, PONIES, AND BOATS. | I'VE ARRANGED FOR YAKS, PONIES, AND BOATS. |
702 | 00:54:07,778 | 00:54:10,381 | YOU DIDN'T SEE A NAKED BUM WITH $100? | YOU DIDN'T SEE A NAKED BUM WITH $100? |
703 | 00:54:10,415 | 00:54:12,650 | NO, BUT I COULD ARRANGE FOR ONE. | NO, BUT I COULD ARRANGE FOR ONE. |
704 | 00:54:12,683 | 00:54:15,386 | YOU GOT TO SHOW UP SOONER OR LATER! | YOU GOT TO SHOW UP SOONER OR LATER! |
705 | 00:54:15,420 | 00:54:17,955 | AND WHEN YOU DO, YOUR ASS IS KICKED! | AND WHEN YOU DO, YOUR ASS IS KICKED! |
706 | 00:54:17,988 | 00:54:19,056 | AND I'M GONNA SELL YOUR CLOTHES! | AND I'M GONNA SELL YOUR CLOTHES! |
707 | 00:54:19,089 | 00:54:22,026 | LEAVE YOU IN KATHMANDU | LEAVE YOU IN KATHMANDU |
708 | 00:54:22,059 | 00:54:24,529 | NAKED AND BLEEDING WITH NO MONEY! | NAKED AND BLEEDING WITH NO MONEY! |
709 | 00:54:24,562 | 00:54:26,531 | THE DUDE TOOK MY MONEY. | THE DUDE TOOK MY MONEY. |
710 | 00:54:30,535 | 00:54:32,403 | IF I HAD MY $100, | IF I HAD MY $100, |
711 | 00:54:32,437 | 00:54:34,639 | WE COULD HAVE GOT A MOTORBOAT. | WE COULD HAVE GOT A MOTORBOAT. |
712 | 00:54:34,672 | 00:54:36,574 | SHUT UP AND PADDLE. | SHUT UP AND PADDLE. |
713 | 00:54:36,607 | 00:54:38,376 | I'LL PADDLE HIS ASS. | I'LL PADDLE HIS ASS. |
714 | 00:54:38,409 | 00:54:41,312 | I'LL PADDLE YOUR ASS WHEN I FIND YOU! | I'LL PADDLE YOUR ASS WHEN I FIND YOU! |
715 | 00:54:41,346 | 00:54:44,615 | I'M GONNA ROW YOUR ASS TILL IT BLEEDS! | I'M GONNA ROW YOUR ASS TILL IT BLEEDS! |
716 | 00:54:57,428 | 00:54:58,863 | WE'LL BE THERE SOON. | WE'LL BE THERE SOON. |
717 | 00:54:58,896 | 00:55:01,966 | BETTER HAVE A SPATULA WHERE WE'RE GOING, | BETTER HAVE A SPATULA WHERE WE'RE GOING, |
718 | 00:55:01,999 | 00:55:05,069 | 'CAUSE MY ASS IS FROZEN TO THIS YAK! | 'CAUSE MY ASS IS FROZEN TO THIS YAK! |
719 | 00:55:41,972 | 00:55:44,975 | (CONTINUES STAMPING FEET) | (CONTINUES STAMPING FEET) |
720 | 00:55:48,078 | 00:55:50,515 | WE BOW. | WE BOW. |
721 | 00:55:53,851 | 00:55:57,054 | ** ** | ** ** |
722 | 00:55:57,087 | 00:55:58,656 | That's the dude that took my money! | That's the dude that took my money! |
723 | 00:56:03,461 | 00:56:05,062 | (MUSICAL NOTE RESOUNDS) | (MUSICAL NOTE RESOUNDS) |
724 | 00:56:06,764 | 00:56:08,733 | (SPOKEN AS CHANT) WE HAVE COME TO ASK | (SPOKEN AS CHANT) WE HAVE COME TO ASK |
725 | 00:56:08,766 | 00:56:12,169 | FOR THE SACRED CROSS-DAGGER OF ADJANTE. | FOR THE SACRED CROSS-DAGGER OF ADJANTE. |
726 | 00:56:12,202 | 00:56:13,971 | (CHANTING) FOR WHAT REASON? | (CHANTING) FOR WHAT REASON? |
727 | 00:56:14,004 | 00:56:16,974 | FOR THE GOLDEN CHILD. | FOR THE GOLDEN CHILD. |
728 | 00:56:17,007 | 00:56:18,909 | HE DOES NOT NEED IT. | HE DOES NOT NEED IT. |
729 | 00:56:18,943 | 00:56:21,045 | TO SAVE HIS LIFE. | TO SAVE HIS LIFE. |
730 | 00:56:21,078 | 00:56:25,716 | THE CHILD LIVES FOR OUR SAKES, NOT FOR HIS OWN. | THE CHILD LIVES FOR OUR SAKES, NOT FOR HIS OWN. |
731 | 00:56:25,750 | 00:56:28,786 | I HUMBLY BEG YOU, | I HUMBLY BEG YOU, |
732 | 00:56:28,819 | 00:56:30,888 | LET US HAVE THE KNIFE. | LET US HAVE THE KNIFE. |
733 | 00:56:33,591 | 00:56:35,092 | LET HIM ASK IT. | LET HIM ASK IT. |
734 | 00:56:45,703 | 00:56:47,905 | I SAID, I-I-I-I-I-I | I SAID, I-I-I-I-I-I |
735 | 00:56:47,938 | 00:56:49,974 | WANT THE KNIFE. | WANT THE KNIFE. |
736 | 00:56:56,146 | 00:56:59,550 | LET HIM ASK AGAIN. | LET HIM ASK AGAIN. |
737 | 00:57:13,097 | 00:57:16,433 | (CHANTING) I WANT THE KNIFE. | (CHANTING) I WANT THE KNIFE. |
738 | 00:57:18,703 | 00:57:21,472 | (CHANTING) PLEASE. | (CHANTING) PLEASE. |
739 | 00:57:35,285 | 00:57:38,756 | ONLY A MAN WHOSE HEART IS PURE CAN WIELD THE KNIFE, | ONLY A MAN WHOSE HEART IS PURE CAN WIELD THE KNIFE, |
740 | 00:57:38,789 | 00:57:40,791 | AND IF YOU'RE SUCH A MAN, | AND IF YOU'RE SUCH A MAN, |
741 | 00:57:40,825 | 00:57:42,493 | YOU WILL HAVE IT. | YOU WILL HAVE IT. |
742 | 00:57:44,228 | 00:57:47,097 | ONLY A MAN WHOSE HEART IS PURE | ONLY A MAN WHOSE HEART IS PURE |
743 | 00:57:47,131 | 00:57:48,966 | CAN WIELD THE KNIFE, | CAN WIELD THE KNIFE, |
744 | 00:57:48,999 | 00:57:51,969 | AND ONLY A MAN WHOSE ASS IS NARROW | AND ONLY A MAN WHOSE ASS IS NARROW |
745 | 00:57:52,002 | 00:57:53,871 | CAN GET DOWN THESE STEPS. | CAN GET DOWN THESE STEPS. |
746 | 00:57:53,904 | 00:57:57,842 | IF MINE IS SUCH A ASS, THEN I SHALL HAVE IT. | IF MINE IS SUCH A ASS, THEN I SHALL HAVE IT. |
747 | 00:58:00,545 | 00:58:02,146 | OH, SHIT. | OH, SHIT. |
748 | 00:58:02,179 | 00:58:04,849 | BEYOND THE DOOR IS A CORRIDOR. | BEYOND THE DOOR IS A CORRIDOR. |
749 | 00:58:04,882 | 00:58:08,252 | AT THE OTHER END IS THE SACRED ADJANTE DAGGER. | AT THE OTHER END IS THE SACRED ADJANTE DAGGER. |
750 | 00:58:08,285 | 00:58:11,956 | IF YOU WALK TO THE END OF THE CORRIDOR AND RETRIEVE IT, | IF YOU WALK TO THE END OF THE CORRIDOR AND RETRIEVE IT, |
751 | 00:58:11,989 | 00:58:13,924 | THE DAGGER IS YOURS. | THE DAGGER IS YOURS. |
752 | 00:58:13,958 | 00:58:15,926 | THAT SOUNDS SIMPLE ENOUGH. | THAT SOUNDS SIMPLE ENOUGH. |
753 | 00:58:15,960 | 00:58:17,294 | JUST ONE THING-- | JUST ONE THING-- |
754 | 00:58:17,327 | 00:58:20,230 | CARRY THIS WITHOUT SPILLING ONE DROP. | CARRY THIS WITHOUT SPILLING ONE DROP. |
755 | 00:58:20,264 | 00:58:22,066 | WHO ARE YOU, MONTY HALL NOW? | WHO ARE YOU, MONTY HALL NOW? |
756 | 00:58:22,099 | 00:58:24,201 | YOU MUST BE CAROL MERRILL. | YOU MUST BE CAROL MERRILL. |
757 | 00:58:24,234 | 00:58:26,236 | DON'T SPILL ANY WATER. THIS IS CRAZY. | DON'T SPILL ANY WATER. THIS IS CRAZY. |
758 | 00:58:26,270 | 00:58:29,206 | KEEP YOUR THOUGHTS AS PURE AS THE WATER. | KEEP YOUR THOUGHTS AS PURE AS THE WATER. |
759 | 00:58:29,239 | 00:58:32,042 | THIS WATER AIN'T REALLY THAT PURE. | THIS WATER AIN'T REALLY THAT PURE. |
760 | 00:58:32,076 | 00:58:33,544 | NEITHER ARE YOU. | NEITHER ARE YOU. |
761 | 00:58:33,578 | 00:58:37,314 | I GIVE YOU THIS ADVICE-- STAY ON THE PATH. | I GIVE YOU THIS ADVICE-- STAY ON THE PATH. |
762 | 00:58:37,347 | 00:58:40,250 | HA HA! YOU GOT IT. | HA HA! YOU GOT IT. |
763 | 00:58:41,586 | 00:58:43,788 | WOO! WOO! WOO! | WOO! WOO! WOO! |
764 | 00:58:43,821 | 00:58:47,558 | I'M SO AFRAID OF THE DARK, TOO. | I'M SO AFRAID OF THE DARK, TOO. |
765 | 00:59:02,840 | 00:59:04,809 | YOU NEED TO GET SOMEBODY | YOU NEED TO GET SOMEBODY |
766 | 00:59:04,842 | 00:59:07,578 | TO COME CLEAN UP DOWN HERE! | TO COME CLEAN UP DOWN HERE! |
767 | 00:59:13,851 | 00:59:15,953 | WOO-OO-OO-OO! | WOO-OO-OO-OO! |
768 | 00:59:25,195 | 00:59:26,897 | (CREAK) | (CREAK) |
769 | 00:59:30,701 | 00:59:33,871 | THIS IS A PIECE OF CAKE. | THIS IS A PIECE OF CAKE. |
770 | 00:59:33,904 | 00:59:37,041 | THIS IS A PIECE OF CAKE! OK?! | THIS IS A PIECE OF CAKE! OK?! |
771 | 00:59:49,954 | 00:59:51,989 | HEY, THERE'S NO FLOOR. | HEY, THERE'S NO FLOOR. |
772 | 00:59:52,022 | 00:59:54,692 | THERE'S NO GROUND. | THERE'S NO GROUND. |
773 | 00:59:54,725 | 00:59:56,393 | WAIT A MINUTE. | WAIT A MINUTE. |
774 | 00:59:56,426 | 00:59:57,962 | THERE'S A GROUND! | THERE'S A GROUND! |
775 | 00:59:57,995 | 01:00:00,965 | YOU'RE MAKING IT LOOK LIKE IT'S NO GROUND | YOU'RE MAKING IT LOOK LIKE IT'S NO GROUND |
776 | 01:00:00,998 | 01:00:06,003 | TO SEE IF I'M GOING TO BE SCARED AND RUN BACK AND SAY-- | TO SEE IF I'M GOING TO BE SCARED AND RUN BACK AND SAY-- |
777 | 01:00:06,036 | 01:00:08,005 | THERE'S A GROUND. | THERE'S A GROUND. |
778 | 01:00:08,038 | 01:00:10,741 | THERE'S A GROUND, MONTY. | THERE'S A GROUND, MONTY. |
779 | 01:00:31,428 | 01:00:33,764 | THERE'S NO GROUND HERE! | THERE'S NO GROUND HERE! |
780 | 01:00:33,798 | 01:00:34,832 | (CREAKING) | (CREAKING) |
781 | 01:00:34,865 | 01:00:36,300 | OH, SHIT. | OH, SHIT. |
782 | 01:00:50,280 | 01:00:54,384 | REMEMBER...STAY ON THE PATH! | REMEMBER...STAY ON THE PATH! |
783 | 01:00:54,418 | 01:00:56,987 | I HEARD YOU THE FIRST TIME! | I HEARD YOU THE FIRST TIME! |
784 | 01:00:57,021 | 01:01:00,825 | LET'S JUST HOPE THE PATH STAYS UNDER ME. | LET'S JUST HOPE THE PATH STAYS UNDER ME. |
785 | 01:01:36,961 | 01:01:40,230 | YOU SAID I WAS SUPPOSED TO STAY ON THE PATH! | YOU SAID I WAS SUPPOSED TO STAY ON THE PATH! |
786 | 01:01:40,264 | 01:01:43,968 | YES, BUT YOU MUST KNOW WHEN TO BREAK THE RULES. | YES, BUT YOU MUST KNOW WHEN TO BREAK THE RULES. |
787 | 01:01:44,001 | 01:01:46,737 | HOW MANY PEOPLE HAVE SURVIVED THIS TEST? | HOW MANY PEOPLE HAVE SURVIVED THIS TEST? |
788 | 01:01:46,771 | 01:01:48,405 | NONE! | NONE! |
789 | 01:01:48,438 | 01:01:49,774 | NONE? | NONE? |
790 | 01:01:50,407 | 01:01:51,876 | NONE? | NONE? |
791 | 01:01:51,909 | 01:01:55,913 | I'LL BREAK YOUR ASS WHEN I GET OUT OF HERE! | I'LL BREAK YOUR ASS WHEN I GET OUT OF HERE! |
792 | 01:02:56,473 | 01:02:59,409 | WHAT AM I DOING WRONG?! | WHAT AM I DOING WRONG?! |
793 | 01:02:59,443 | 01:03:01,411 | I FOLLOWED ALL YOUR RULES! | I FOLLOWED ALL YOUR RULES! |
794 | 01:03:01,445 | 01:03:05,015 | WHAT AM I DOING WRONG? | WHAT AM I DOING WRONG? |
795 | 01:03:05,049 | 01:03:09,386 | KEEP YOUR MIND AND YOUR THOUGHTS AS PURE AS THE WATER. | KEEP YOUR MIND AND YOUR THOUGHTS AS PURE AS THE WATER. |
796 | 01:03:09,419 | 01:03:12,522 | DON'T DROP THE WATER. DON'T DROP THE WATER. | DON'T DROP THE WATER. DON'T DROP THE WATER. |
797 | 01:03:13,991 | 01:03:16,393 | WAIT A MINUTE. WAIT A MINUTE. | WAIT A MINUTE. WAIT A MINUTE. |
798 | 01:03:16,426 | 01:03:17,962 | WAIT A MINUTE. | WAIT A MINUTE. |
799 | 01:03:17,995 | 01:03:19,997 | WAIT, WAIT, WAIT. THE WATER. | WAIT, WAIT, WAIT. THE WATER. |
800 | 01:03:20,030 | 01:03:21,966 | FIRE AND THE WATER. | FIRE AND THE WATER. |
801 | 01:03:21,999 | 01:03:23,533 | OK. | OK. |
802 | 01:03:29,039 | 01:03:31,008 | TO MONTY... | TO MONTY... |
803 | 01:03:31,041 | 01:03:33,143 | A TOAST! | A TOAST! |
804 | 01:03:48,993 | 01:03:51,261 | HA! | HA! |
805 | 01:03:51,295 | 01:03:54,865 | HA! I GOT THE KNIFE! | HA! I GOT THE KNIFE! |
806 | 01:03:54,899 | 01:03:57,367 | NOW, TURN ON THE GODDAMN LIGHTS! | NOW, TURN ON THE GODDAMN LIGHTS! |
807 | 01:04:04,341 | 01:04:06,410 | (DOOR OPENS) | (DOOR OPENS) |
808 | 01:04:09,646 | 01:04:12,382 | WHAT IS IT, ASSWIPE? | WHAT IS IT, ASSWIPE? |
809 | 01:04:16,520 | 01:04:18,555 | LISTEN, I WANT YOUR ADVICE ABOUT SOMETHING. | LISTEN, I WANT YOUR ADVICE ABOUT SOMETHING. |
810 | 01:04:18,588 | 01:04:20,991 | (BELCH) | (BELCH) |
811 | 01:04:21,025 | 01:04:23,227 | I'M GOING TO LET THAT SLIDE. IT'S YOUR WAY. | I'M GOING TO LET THAT SLIDE. IT'S YOUR WAY. |
812 | 01:04:23,260 | 01:04:24,561 | (BELCH) | (BELCH) |
813 | 01:04:24,594 | 01:04:26,997 | DON'T PRESS YOUR LUCK, THOUGH. | DON'T PRESS YOUR LUCK, THOUGH. |
814 | 01:04:31,668 | 01:04:36,206 | I KNOW THAT YOU'RE A VERY OLD AND WISE AND... | I KNOW THAT YOU'RE A VERY OLD AND WISE AND... |
815 | 01:04:36,240 | 01:04:39,209 | DISGUSTING GUY, | DISGUSTING GUY, |
816 | 01:04:39,243 | 01:04:41,311 | AND... | AND... |
817 | 01:04:41,345 | 01:04:43,313 | GONNA WIPE THAT ON YOUR JACKET, HUH? | GONNA WIPE THAT ON YOUR JACKET, HUH? |
818 | 01:04:43,347 | 01:04:46,150 | I WAS WONDERING WHAT A MAN SAYS | I WAS WONDERING WHAT A MAN SAYS |
819 | 01:04:46,183 | 01:04:48,585 | TO A WOMAN FROM YOUR WORLD | TO A WOMAN FROM YOUR WORLD |
820 | 01:04:48,618 | 01:04:52,489 | WHEN HE LOVES HER AND WANTS TO MARRY HER. | WHEN HE LOVES HER AND WANTS TO MARRY HER. |
821 | 01:04:52,522 | 01:04:54,992 | IF YOU TOOK THE SHORT PATH | IF YOU TOOK THE SHORT PATH |
822 | 01:04:55,025 | 01:04:57,027 | AND REACHED ENLIGHTENMENT BEFORE TOMORROW, | AND REACHED ENLIGHTENMENT BEFORE TOMORROW, |
823 | 01:04:57,061 | 01:05:00,030 | WHO WOULD WANT YOU FOR A HUSBAND? | WHO WOULD WANT YOU FOR A HUSBAND? |
824 | 01:05:00,064 | 01:05:02,566 | WHAT'S THE SHORT PATH? | WHAT'S THE SHORT PATH? |
825 | 01:05:02,599 | 01:05:05,669 | FIRST OF ALL, YOU MUST REMAIN PURE. | FIRST OF ALL, YOU MUST REMAIN PURE. |
826 | 01:05:05,702 | 01:05:07,504 | WHAT DO YOU MEAN? | WHAT DO YOU MEAN? |
827 | 01:05:07,537 | 01:05:09,606 | YOU KNOW WHAT I MEAN. | YOU KNOW WHAT I MEAN. |
828 | 01:05:14,678 | 01:05:17,247 | OH, YOU MEAN... | OH, YOU MEAN... |
829 | 01:05:17,281 | 01:05:20,617 | HA HA HA! | HA HA HA! |
830 | 01:05:20,650 | 01:05:22,352 | IS THERE A LONG WAY? | IS THERE A LONG WAY? |
831 | 01:05:22,386 | 01:05:24,654 | IT TAKES 10,000 LIFETIMES. | IT TAKES 10,000 LIFETIMES. |
832 | 01:05:24,688 | 01:05:26,556 | WE DON'T HAVE THAT MUCH TIME. | WE DON'T HAVE THAT MUCH TIME. |
833 | 01:05:26,590 | 01:05:28,525 | NO WOMEN. WHAT ELSE? | NO WOMEN. WHAT ELSE? |
834 | 01:05:28,558 | 01:05:30,160 | FOR YOU? | FOR YOU? |
835 | 01:05:30,194 | 01:05:32,162 | YOU MUST TRUST SOMEONE | YOU MUST TRUST SOMEONE |
836 | 01:05:32,196 | 01:05:34,564 | YOU HAVE NO REASON TO TRUST. | YOU HAVE NO REASON TO TRUST. |
837 | 01:05:34,598 | 01:05:37,101 | YOU MUST MAKE A PROMISE | YOU MUST MAKE A PROMISE |
838 | 01:05:37,134 | 01:05:39,569 | TO SOMEONE YOU HAVE JUST MET, | TO SOMEONE YOU HAVE JUST MET, |
839 | 01:05:39,603 | 01:05:43,007 | AND YOU MUST LOVE SOMEONE WHO LOVES YOU. | AND YOU MUST LOVE SOMEONE WHO LOVES YOU. |
840 | 01:05:45,142 | 01:05:47,611 | HOW WILL I KNOW WHEN TO DO THESE THINGS? | HOW WILL I KNOW WHEN TO DO THESE THINGS? |
841 | 01:05:47,644 | 01:05:49,746 | THAT'S FOR YOU TO DECIDE. | THAT'S FOR YOU TO DECIDE. |
842 | 01:05:49,779 | 01:05:53,350 | YOU MUST TELL NO ONE | YOU MUST TELL NO ONE |
843 | 01:05:53,383 | 01:05:56,520 | I HAVE PUT YOU ON THE PATH. | I HAVE PUT YOU ON THE PATH. |
844 | 01:05:56,553 | 01:06:00,124 | UH...THANKS FOR YOUR HELP. | UH...THANKS FOR YOUR HELP. |
845 | 01:06:00,157 | 01:06:04,128 | HA HA! HE THINKS I HELPED HIM. | HA HA! HE THINKS I HELPED HIM. |
846 | 01:06:04,161 | 01:06:08,332 | GET THAT BOOGER OFF YOUR JACKET BEFORE IT FREEZES UP. | GET THAT BOOGER OFF YOUR JACKET BEFORE IT FREEZES UP. |
847 | 01:06:08,365 | 01:06:10,300 | YOU'LL SCRATCH YOURSELF. | YOU'LL SCRATCH YOURSELF. |
848 | 01:06:11,601 | 01:06:14,571 | KEEP THAT 100 'CAUSE THERE'S NO TELLING | KEEP THAT 100 'CAUSE THERE'S NO TELLING |
849 | 01:06:14,604 | 01:06:19,309 | WHAT MIGHT BE ON THE BILL WHEN YOU GIVE IT BACK. | WHAT MIGHT BE ON THE BILL WHEN YOU GIVE IT BACK. |
850 | 01:06:29,586 | 01:06:30,787 | GUNPA... | GUNPA... |
851 | 01:06:30,820 | 01:06:33,557 | I HAVE RUINED MYSELF WITH THE AMERICAN. | I HAVE RUINED MYSELF WITH THE AMERICAN. |
852 | 01:06:33,590 | 01:06:36,260 | HE'S A FOOL. | HE'S A FOOL. |
853 | 01:06:36,293 | 01:06:38,428 | BUT HE'S BRAVE. | BUT HE'S BRAVE. |
854 | 01:06:38,462 | 01:06:40,364 | HE'S IRRESPONSIBLE. | HE'S IRRESPONSIBLE. |
855 | 01:06:40,397 | 01:06:42,499 | HE'S GENEROUS. | HE'S GENEROUS. |
856 | 01:06:42,532 | 01:06:44,701 | HE THINKS OF NOTHING | HE THINKS OF NOTHING |
857 | 01:06:44,734 | 01:06:47,504 | BUT PROTECTING HIS OWN FEELINGS. | BUT PROTECTING HIS OWN FEELINGS. |
858 | 01:06:47,537 | 01:06:51,108 | BUT IF YOU TOUCH HIS HEART, | BUT IF YOU TOUCH HIS HEART, |
859 | 01:06:51,141 | 01:06:54,278 | THERE'S NOTHING HE WOULDN'T DO FOR YOU. | THERE'S NOTHING HE WOULDN'T DO FOR YOU. |
860 | 01:06:54,311 | 01:06:56,280 | HE BELIEVES IN NOTHING. | HE BELIEVES IN NOTHING. |
861 | 01:06:56,313 | 01:06:59,683 | AND STILL HE DOES WHAT IS RIGHT. | AND STILL HE DOES WHAT IS RIGHT. |
862 | 01:06:59,716 | 01:07:02,719 | HE IS A CALLOUS, THOUGHTLESS, UNDISCIPLINED FOOL. | HE IS A CALLOUS, THOUGHTLESS, UNDISCIPLINED FOOL. |
863 | 01:07:02,752 | 01:07:03,787 | YES. | YES. |
864 | 01:07:03,820 | 01:07:06,323 | I DO LIKE HIM VERY MUCH. | I DO LIKE HIM VERY MUCH. |
865 | 01:07:06,356 | 01:07:08,425 | IT'S VERY HARD NOT TO. | IT'S VERY HARD NOT TO. |
866 | 01:07:09,693 | 01:07:11,695 | THOSE MAGNIFICENT AMERICANS... | THOSE MAGNIFICENT AMERICANS... |
867 | 01:07:11,728 | 01:07:13,263 | SO MUCH POWER | SO MUCH POWER |
868 | 01:07:13,297 | 01:07:17,167 | AND SO LITTLE UNDERSTANDING WHAT TO DO WITH IT. | AND SO LITTLE UNDERSTANDING WHAT TO DO WITH IT. |
869 | 01:07:17,201 | 01:07:20,304 | WHAT SHOULD I DO? | WHAT SHOULD I DO? |
870 | 01:07:23,307 | 01:07:27,311 | YOU MUST HELP HIM SAVE THE GOLDEN CHILD... | YOU MUST HELP HIM SAVE THE GOLDEN CHILD... |
871 | 01:07:27,344 | 01:07:29,446 | AND FOLLOW YOUR HEART. | AND FOLLOW YOUR HEART. |
872 | 01:07:32,716 | 01:07:34,684 | THANK YOU, GUNPA. | THANK YOU, GUNPA. |
873 | 01:07:34,718 | 01:07:37,287 | YOU'RE WELCOME, DAUGHTER. | YOU'RE WELCOME, DAUGHTER. |
874 | 01:07:38,588 | 01:07:40,757 | AND WHEN YOU WANT TO MARRY HIM, | AND WHEN YOU WANT TO MARRY HIM, |
875 | 01:07:40,790 | 01:07:42,492 | YOU HAVE MY BLESSING. | YOU HAVE MY BLESSING. |
876 | 01:07:44,328 | 01:07:46,396 | THANK YOU. | THANK YOU. |
877 | 01:07:55,205 | 01:07:58,308 | THEY WON'T LET ME ON THE PLANE WITH THIS KNIFE. | THEY WON'T LET ME ON THE PLANE WITH THIS KNIFE. |
878 | 01:07:58,342 | 01:07:59,709 | YES, THEY WILL. | YES, THEY WILL. |
879 | 01:07:59,743 | 01:08:03,147 | NO, THEY WON'T. I'M GOING TO JAIL. | NO, THEY WON'T. I'M GOING TO JAIL. |
880 | 01:08:04,214 | 01:08:05,282 | THANK YOU. | THANK YOU. |
881 | 01:08:05,315 | 01:08:06,683 | THIS WON'T WORK. | THIS WON'T WORK. |
882 | 01:08:06,716 | 01:08:10,254 | I'M GOING TO SPEND THE REST OF MY LIFE | I'M GOING TO SPEND THE REST OF MY LIFE |
883 | 01:08:10,287 | 01:08:12,689 | IN A CLAY CELL IN KATHMANDU. | IN A CLAY CELL IN KATHMANDU. |
884 | 01:08:12,722 | 01:08:13,857 | ANOTHER COW? | ANOTHER COW? |
885 | 01:08:13,890 | 01:08:15,159 | IT'S KATHMANDU. WHAT DID YOU EXPECT? | IT'S KATHMANDU. WHAT DID YOU EXPECT? |
886 | 01:08:15,192 | 01:08:18,362 | THEY WON'T LET ME ON THE PLANE | THEY WON'T LET ME ON THE PLANE |
887 | 01:08:18,395 | 01:08:20,797 | WITH A 2-FOOT KNIFE UNDER MY SHIRT. | WITH A 2-FOOT KNIFE UNDER MY SHIRT. |
888 | 01:08:20,830 | 01:08:23,633 | RELAX. TRUST IN YOUR DESTINY. | RELAX. TRUST IN YOUR DESTINY. |
889 | 01:08:23,667 | 01:08:25,902 | YOU TRUST IN YOU DESTINY. | YOU TRUST IN YOU DESTINY. |
890 | 01:08:25,935 | 01:08:27,837 | COME WITH ME, PLEASE. | COME WITH ME, PLEASE. |
891 | 01:08:27,871 | 01:08:29,473 | I HAVE NOTHING TO DECLARE. | I HAVE NOTHING TO DECLARE. |
892 | 01:08:29,506 | 01:08:30,474 | IT'S NECESSARY. | IT'S NECESSARY. |
893 | 01:08:30,507 | 01:08:31,541 | SEE? | SEE? |
894 | 01:08:31,575 | 01:08:33,443 | IT'S FOR YOUR OWN PROTECTION. | IT'S FOR YOUR OWN PROTECTION. |
895 | 01:08:33,477 | 01:08:34,911 | THESE ARE JUST MY DRAWERS. | THESE ARE JUST MY DRAWERS. |
896 | 01:08:34,944 | 01:08:36,480 | THAT'S MY CLEAN ONES. | THAT'S MY CLEAN ONES. |
897 | 01:08:36,513 | 01:08:37,881 | THESE ARE DIRTY ONES. | THESE ARE DIRTY ONES. |
898 | 01:08:37,914 | 01:08:39,683 | EXCUSE ME. I'VE A PLANE TO CATCH. | EXCUSE ME. I'VE A PLANE TO CATCH. |
899 | 01:08:39,716 | 01:08:42,286 | COME ON. COME ON. HURRY UP. | COME ON. COME ON. HURRY UP. |
900 | 01:08:42,319 | 01:08:43,887 | WHAT'S THIS? | WHAT'S THIS? |
901 | 01:08:43,920 | 01:08:46,423 | I WANT TO GO BACK TO AMERICA. | I WANT TO GO BACK TO AMERICA. |
902 | 01:08:46,456 | 01:08:48,392 | I'M A CITIZEN, OK? | I'M A CITIZEN, OK? |
903 | 01:08:48,425 | 01:08:50,394 | WHAT ARE YOU LOOKING AT? | WHAT ARE YOU LOOKING AT? |
904 | 01:08:50,427 | 01:08:52,796 | IT JUST DOES MY HEART GOOD | IT JUST DOES MY HEART GOOD |
905 | 01:08:52,829 | 01:08:55,399 | TO SEE ANOTHER AMERICAN CITIZEN! | TO SEE ANOTHER AMERICAN CITIZEN! |
906 | 01:08:55,432 | 01:08:58,235 | (METAL DETECTOR BEEPS) | (METAL DETECTOR BEEPS) |
907 | 01:08:58,268 | 01:08:59,836 | HOLD IT RIGHT THERE! | HOLD IT RIGHT THERE! |
908 | 01:08:59,869 | 01:09:01,805 | NO, I'M NOT CRAZY! | NO, I'M NOT CRAZY! |
909 | 01:09:01,838 | 01:09:03,807 | I'M AGENT CHANDLER JARRELL | I'M AGENT CHANDLER JARRELL |
910 | 01:09:03,840 | 01:09:06,410 | FROM THE AMERICAN STOLEN ARTIFACTS FOUNDATION. | FROM THE AMERICAN STOLEN ARTIFACTS FOUNDATION. |
911 | 01:09:06,443 | 01:09:07,777 | EVERYBODY, IT'S OK. | EVERYBODY, IT'S OK. |
912 | 01:09:07,811 | 01:09:10,380 | I'M THE STOLEN ARTIFACTS FOUNDATION MAN! | I'M THE STOLEN ARTIFACTS FOUNDATION MAN! |
913 | 01:09:10,414 | 01:09:12,816 | FREDDIE, GET OUT OF MY SIGHT! | FREDDIE, GET OUT OF MY SIGHT! |
914 | 01:09:12,849 | 01:09:14,651 | YOU MAKE ME SICK! | YOU MAKE ME SICK! |
915 | 01:09:14,684 | 01:09:17,821 | I'LL TALK TO YOU ON THE PLANE, FREDDIE! | I'LL TALK TO YOU ON THE PLANE, FREDDIE! |
916 | 01:09:17,854 | 01:09:19,823 | NOBODY BE ALARMED! I'M CHANDLER JARRELL, | NOBODY BE ALARMED! I'M CHANDLER JARRELL, |
917 | 01:09:19,856 | 01:09:22,792 | AMERICAN STOLEN ARTIFACTS FOUNDATION OF AMERICA. | AMERICAN STOLEN ARTIFACTS FOUNDATION OF AMERICA. |
918 | 01:09:22,826 | 01:09:24,294 | THANKS TO YOU, | THANKS TO YOU, |
919 | 01:09:24,328 | 01:09:27,364 | WE WERE ABLE TO CATCH THIS PIECE OF SHIT, | WE WERE ABLE TO CATCH THIS PIECE OF SHIT, |
920 | 01:09:27,397 | 01:09:30,934 | AND I THANK THE GOOD PEOPLE OF NEPAL! | AND I THANK THE GOOD PEOPLE OF NEPAL! |
921 | 01:09:30,967 | 01:09:33,670 | A BUNCH OF BRILLIANT BUGGERS, ALL OF YOU. | A BUNCH OF BRILLIANT BUGGERS, ALL OF YOU. |
922 | 01:09:33,703 | 01:09:36,840 | YOU ARE ONE HELL OF A LEADER. | YOU ARE ONE HELL OF A LEADER. |
923 | 01:09:36,873 | 01:09:38,875 | THE KEEN, THE CUNNINGNESS... | THE KEEN, THE CUNNINGNESS... |
924 | 01:09:38,908 | 01:09:41,445 | THE INSTINCT! THE INSTINCT | THE INSTINCT! THE INSTINCT |
925 | 01:09:41,478 | 01:09:42,646 | IS BRILLIANT! | IS BRILLIANT! |
926 | 01:09:42,679 | 01:09:44,281 | I CAN TELL YOU TRAINED UNDER THIS MAN, | I CAN TELL YOU TRAINED UNDER THIS MAN, |
927 | 01:09:44,314 | 01:09:46,650 | 'CAUSE YOU HAVE THE SAME GLARE IN YOUR EYE. | 'CAUSE YOU HAVE THE SAME GLARE IN YOUR EYE. |
928 | 01:09:46,683 | 01:09:50,587 | YOU DON'T KNOW WHAT YOU DID, BUT YOU'RE BRILLIANT. | YOU DON'T KNOW WHAT YOU DID, BUT YOU'RE BRILLIANT. |
929 | 01:09:50,620 | 01:09:51,955 | THE BEST BRILLIANCE | THE BEST BRILLIANCE |
930 | 01:09:51,988 | 01:09:54,658 | IS BRILLIANCE BORN FROM SOMEONE IGNORANT. | IS BRILLIANCE BORN FROM SOMEONE IGNORANT. |
931 | 01:09:54,691 | 01:09:57,561 | THIS IS MY ASSISTANT KEE NANG HERE-- | THIS IS MY ASSISTANT KEE NANG HERE-- |
932 | 01:09:57,594 | 01:09:58,995 | AGENT 69-- | AGENT 69-- |
933 | 01:09:59,028 | 01:10:00,564 | WE THANK YOU! | WE THANK YOU! |
934 | 01:10:00,597 | 01:10:03,233 | THE PEOPLE OF NEPAL, THANK YOU! | THE PEOPLE OF NEPAL, THANK YOU! |
935 | 01:10:03,267 | 01:10:05,835 | YOU'RE A BUNCH OF BEAUTIFUL, BRILLIANT PEOPLE! | YOU'RE A BUNCH OF BEAUTIFUL, BRILLIANT PEOPLE! |
936 | 01:10:05,869 | 01:10:06,970 | NEPAL! | NEPAL! |
937 | 01:10:07,003 | 01:10:09,273 | N-E-P-A-L! | N-E-P-A-L! |
938 | 01:10:09,306 | 01:10:11,708 | VIVA NEPAL! VIVA NEPAL! | VIVA NEPAL! VIVA NEPAL! |
939 | 01:10:21,351 | 01:10:22,886 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
940 | 01:10:25,855 | 01:10:27,424 | (SPEAKING TIBETAN) | (SPEAKING TIBETAN) |
941 | 01:10:34,798 | 01:10:37,401 | (SITAR MUSIC PLAYS) | (SITAR MUSIC PLAYS) |
942 | 01:10:41,938 | 01:10:45,542 | (SINGING NONSENSE SYLLABLES) | (SINGING NONSENSE SYLLABLES) |
943 | 01:11:05,061 | 01:11:06,363 | WELCOME BACK. | WELCOME BACK. |
944 | 01:11:06,396 | 01:11:07,631 | THANK YOU. | THANK YOU. |
945 | 01:11:07,664 | 01:11:10,066 | HEY, THIS IS YOUR PROBLEM NOW. | HEY, THIS IS YOUR PROBLEM NOW. |
946 | 01:11:10,099 | 01:11:13,503 | YOU DID A MARVELOUS JOB OBTAINING THE KNIFE. | YOU DID A MARVELOUS JOB OBTAINING THE KNIFE. |
947 | 01:11:15,905 | 01:11:19,075 | YOU WILL BE SPENDING THE NEXT FEW DAYS | YOU WILL BE SPENDING THE NEXT FEW DAYS |
948 | 01:11:19,108 | 01:11:21,545 | AT A HOUSE OF A FRIEND. | AT A HOUSE OF A FRIEND. |
949 | 01:11:21,578 | 01:11:24,881 | WHEN WILL WE BE CONTACTED ABOUT THE KNIFE? | WHEN WILL WE BE CONTACTED ABOUT THE KNIFE? |
950 | 01:11:27,016 | 01:11:28,585 | THAT'S CHANDLER YARRELL. | THAT'S CHANDLER YARRELL. |
951 | 01:11:28,618 | 01:11:31,020 | IF HE DOESN'T RETURN MY PROPERTY, | IF HE DOESN'T RETURN MY PROPERTY, |
952 | 01:11:31,054 | 01:11:32,589 | ARREST HIM. | ARREST HIM. |
953 | 01:11:37,461 | 01:11:39,396 | WELCOME HOME, MR. YARRELL. | WELCOME HOME, MR. YARRELL. |
954 | 01:11:39,429 | 01:11:41,731 | YOU HAVE SOMETHING FOR ME? | YOU HAVE SOMETHING FOR ME? |
955 | 01:11:47,003 | 01:11:48,705 | (ACCENT) I'M SORRY, NUMSY. | (ACCENT) I'M SORRY, NUMSY. |
956 | 01:11:48,738 | 01:11:50,707 | I SHOULD BE PUNISHED! | I SHOULD BE PUNISHED! |
957 | 01:11:50,740 | 01:11:54,010 | EVERYONE, I HAVE STOLEN FROM MY BROTHER NUMSY. | EVERYONE, I HAVE STOLEN FROM MY BROTHER NUMSY. |
958 | 01:11:54,043 | 01:11:57,080 | OFFICER, IT'S YOUR DUTY TO TAKE ME IN. PLEASE. | OFFICER, IT'S YOUR DUTY TO TAKE ME IN. PLEASE. |
959 | 01:11:57,113 | 01:12:00,016 | PURGE ME. I AM ASHAMED OF MYSELF. | PURGE ME. I AM ASHAMED OF MYSELF. |
960 | 01:12:00,049 | 01:12:03,353 | I SHOULD BE ARRESTED. I SHOULD BE PURGED. | I SHOULD BE ARRESTED. I SHOULD BE PURGED. |
961 | 01:12:03,387 | 01:12:05,121 | I SHOULD BE FLOGGED. | I SHOULD BE FLOGGED. |
962 | 01:12:05,154 | 01:12:08,124 | LET ME HAVE A WORD WITH HIM. | LET ME HAVE A WORD WITH HIM. |
963 | 01:12:08,157 | 01:12:10,727 | I AM A SWINE, A WRETCH. | I AM A SWINE, A WRETCH. |
964 | 01:12:10,760 | 01:12:14,531 | HOW LONG CAN YOU KEEP UP THIS MASQUERADE? | HOW LONG CAN YOU KEEP UP THIS MASQUERADE? |
965 | 01:12:14,564 | 01:12:18,034 | UNTIL YOU REALIZE THE RULES OF EVIDENCE IN THIS COUNTRY. | UNTIL YOU REALIZE THE RULES OF EVIDENCE IN THIS COUNTRY. |
966 | 01:12:18,067 | 01:12:20,136 | SEE, IF I GET ARRESTED, | SEE, IF I GET ARRESTED, |
967 | 01:12:20,169 | 01:12:23,139 | THEY PUT ME IN A JAIL CELL. | THEY PUT ME IN A JAIL CELL. |
968 | 01:12:23,172 | 01:12:25,409 | THEN THEY TAKE THE KNIFE, BECAUSE IT'S A STOLEN OBJECT, | THEN THEY TAKE THE KNIFE, BECAUSE IT'S A STOLEN OBJECT, |
969 | 01:12:25,442 | 01:12:28,378 | AND THEY PUT THAT IN A LITTLE ROOM. | AND THEY PUT THAT IN A LITTLE ROOM. |
970 | 01:12:28,412 | 01:12:30,680 | THEY PUT "EXHIBIT A" ON IT. | THEY PUT "EXHIBIT A" ON IT. |
971 | 01:12:30,714 | 01:12:32,716 | I SIT IN MY ROOM. | I SIT IN MY ROOM. |
972 | 01:12:32,749 | 01:12:35,118 | THE KNIFE SITS IN ITS ROOM | THE KNIFE SITS IN ITS ROOM |
973 | 01:12:35,151 | 01:12:37,487 | UNTIL THE TRIAL COMES UP--A MONTH TO A YEAR. | UNTIL THE TRIAL COMES UP--A MONTH TO A YEAR. |
974 | 01:12:37,521 | 01:12:38,922 | SO IF YOU GET ME ARRESTED, | SO IF YOU GET ME ARRESTED, |
975 | 01:12:38,955 | 01:12:42,091 | THERE'S NO TELLING WHEN YOU'LL GET YOUR KNIFE. | THERE'S NO TELLING WHEN YOU'LL GET YOUR KNIFE. |
976 | 01:12:44,694 | 01:12:48,798 | YOU'VE NO IDEA WHO I AM, HAVE YOU? | YOU'VE NO IDEA WHO I AM, HAVE YOU? |
977 | 01:12:48,832 | 01:12:53,069 | YES. YOU'RE SARDO NUMSY! | YES. YOU'RE SARDO NUMSY! |
978 | 01:12:53,102 | 01:12:56,540 | LOOK, I DON'T CARE WHO YOU ARE. | LOOK, I DON'T CARE WHO YOU ARE. |
979 | 01:12:56,573 | 01:12:58,675 | I DO CARE THAT YOU KIDNAPPED A LITTLE KID. | I DO CARE THAT YOU KIDNAPPED A LITTLE KID. |
980 | 01:12:58,708 | 01:13:01,711 | I COULD DESTROY YOU... JUST LIKE THAT. | I COULD DESTROY YOU... JUST LIKE THAT. |
981 | 01:13:01,745 | 01:13:03,647 | WE WOULDN'T WANT THAT. | WE WOULDN'T WANT THAT. |
982 | 01:13:03,680 | 01:13:05,582 | LISTEN. BRING ME THE BOY. | LISTEN. BRING ME THE BOY. |
983 | 01:13:05,615 | 01:13:07,551 | I'LL GIVE YOU THE KNIFE. | I'LL GIVE YOU THE KNIFE. |
984 | 01:13:07,584 | 01:13:10,620 | THEN NO ONE WILL HAVE TO BE DESTROYED... | THEN NO ONE WILL HAVE TO BE DESTROYED... |
985 | 01:13:10,654 | 01:13:12,088 | JUST LIKE THAT. | JUST LIKE THAT. |
986 | 01:13:12,121 | 01:13:13,823 | THINK IT OVER. | THINK IT OVER. |
987 | 01:13:15,091 | 01:13:17,527 | MY BROTHER'S FORGIVEN ME! | MY BROTHER'S FORGIVEN ME! |
988 | 01:13:17,561 | 01:13:18,962 | KEE, DR. HONG, | KEE, DR. HONG, |
989 | 01:13:18,995 | 01:13:21,565 | BROTHER NUMSY HAS FORGIVEN ME. | BROTHER NUMSY HAS FORGIVEN ME. |
990 | 01:13:21,598 | 01:13:22,966 | DEAR BROTHER, | DEAR BROTHER, |
991 | 01:13:22,999 | 01:13:24,934 | THANK YOU, THANK YOU. | THANK YOU, THANK YOU. |
992 | 01:13:24,968 | 01:13:26,636 | YOU'RE WONDERFUL. | YOU'RE WONDERFUL. |
993 | 01:13:26,670 | 01:13:31,040 | I TOLD HIM I WOULDN'T BE SO POLITE NEXT TIME. | I TOLD HIM I WOULDN'T BE SO POLITE NEXT TIME. |
994 | 01:13:31,074 | 01:13:32,776 | YOU A FOOLHARDY, AREN'T YOU? | YOU A FOOLHARDY, AREN'T YOU? |
995 | 01:13:32,809 | 01:13:34,811 | I DO MY BEST. | I DO MY BEST. |
996 | 01:14:26,763 | 01:14:29,165 | ARE YOU COMING TO BED? | ARE YOU COMING TO BED? |
997 | 01:14:29,198 | 01:14:34,904 | NO. I THINK I'M GOING TO SLEEP OUT HERE. | NO. I THINK I'M GOING TO SLEEP OUT HERE. |
998 | 01:14:37,574 | 01:14:38,808 | OH. | OH. |
999 | 01:14:39,709 | 01:14:41,511 | GOOD NIGHT. | GOOD NIGHT. |
1000 | 01:15:09,105 | 01:15:10,707 | AAH! | AAH! |
1001 | 01:15:35,699 | 01:15:37,133 | I JUST HEARD SOMETHING. | I JUST HEARD SOMETHING. |
1002 | 01:15:38,234 | 01:15:40,236 | I DON'T LIKE THIS. | I DON'T LIKE THIS. |
1003 | 01:15:40,269 | 01:15:43,006 | LET'S GET OUT OF HERE. | LET'S GET OUT OF HERE. |
1004 | 01:16:35,291 | 01:16:37,160 | RUN! | RUN! |
1005 | 01:17:30,313 | 01:17:34,317 | I DIDN'T SPEND THE NIGHT WITH YOU TO OBLIGATE YOU. | I DIDN'T SPEND THE NIGHT WITH YOU TO OBLIGATE YOU. |
1006 | 01:17:34,350 | 01:17:37,020 | I SPENT THE NIGHT WITH YOU | I SPENT THE NIGHT WITH YOU |
1007 | 01:17:37,053 | 01:17:38,922 | BECAUSE I LOVE YOU. | BECAUSE I LOVE YOU. |
1008 | 01:17:50,967 | 01:17:53,336 | SHE'S BEYOND THIS WORLD OF PAIN. | SHE'S BEYOND THIS WORLD OF PAIN. |
1009 | 01:17:53,369 | 01:17:54,971 | Kala: YOU CAN SAVE HER. | Kala: YOU CAN SAVE HER. |
1010 | 01:17:55,004 | 01:17:59,075 | THE GOLDEN CHILD CAN BRING HER BACK | THE GOLDEN CHILD CAN BRING HER BACK |
1011 | 01:17:59,108 | 01:18:01,945 | AS LONG AS SUNLIGHT STILL SHINES ON HER. | AS LONG AS SUNLIGHT STILL SHINES ON HER. |
1012 | 01:18:01,978 | 01:18:04,881 | NO MORE MAGIC! SHE'S DEAD! | NO MORE MAGIC! SHE'S DEAD! |
1013 | 01:18:10,453 | 01:18:14,157 | YOU ARE THE CHOSEN ONE. YOU WILL FIND THE CHILD. | YOU ARE THE CHOSEN ONE. YOU WILL FIND THE CHILD. |
1014 | 01:18:14,190 | 01:18:16,325 | YOU HAVE UNTIL NIGHTFALL TO FIND THE CHILD. | YOU HAVE UNTIL NIGHTFALL TO FIND THE CHILD. |
1015 | 01:18:16,359 | 01:18:19,095 | SARDO CANNOT KILL HIM UNTIL DARK. | SARDO CANNOT KILL HIM UNTIL DARK. |
1016 | 01:19:28,331 | 01:19:29,465 | (CHIRP) | (CHIRP) |
1017 | 01:20:11,074 | 01:20:12,541 | (CHIRP CHIRP) | (CHIRP CHIRP) |
1018 | 01:20:30,359 | 01:20:33,229 | (CHIRP CHIRP CHIRP) | (CHIRP CHIRP CHIRP) |
1019 | 01:21:12,969 | 01:21:14,470 | AAH! | AAH! |
1020 | 01:21:26,649 | 01:21:28,017 | (CLICK) | (CLICK) |
1021 | 01:21:38,194 | 01:21:39,996 | SHH... | SHH... |
1022 | 01:21:46,635 | 01:21:48,204 | SHH... | SHH... |
1023 | 01:21:52,141 | 01:21:53,676 | (DOOR OPENS) | (DOOR OPENS) |
1024 | 01:22:08,524 | 01:22:11,194 | WE'LL GET YOU OUT OF HERE. OK? | WE'LL GET YOU OUT OF HERE. OK? |
1025 | 01:22:22,571 | 01:22:25,074 | HEY, WHERE'S YOUR BOSS? | HEY, WHERE'S YOUR BOSS? |
1026 | 01:22:25,741 | 01:22:28,244 | KEEP AN EYE ON THE KID. | KEEP AN EYE ON THE KID. |
1027 | 01:22:28,277 | 01:22:30,346 | THIS WON'T TAKE LONG. | THIS WON'T TAKE LONG. |
1028 | 01:22:32,748 | 01:22:36,419 | MY DEAR, SWEET BROTHER NUMSY. | MY DEAR, SWEET BROTHER NUMSY. |
1029 | 01:22:45,161 | 01:22:47,396 | I CAN SEE YOU'RE BUSY RIGHT NOW. | I CAN SEE YOU'RE BUSY RIGHT NOW. |
1030 | 01:22:47,430 | 01:22:49,565 | I'LL COME BACK SOME OTHER TIME. | I'LL COME BACK SOME OTHER TIME. |
1031 | 01:23:02,211 | 01:23:04,713 | THERE ARE NO KEYS IN THE CAR! | THERE ARE NO KEYS IN THE CAR! |
1032 | 01:23:04,747 | 01:23:06,549 | NO KEYS! | NO KEYS! |
1033 | 01:23:06,582 | 01:23:07,650 | OH, COME ON! | OH, COME ON! |
1034 | 01:23:07,683 | 01:23:09,552 | COME ON! COME ON! | COME ON! COME ON! |
1035 | 01:23:11,054 | 01:23:12,355 | (ENGINE STARTS) | (ENGINE STARTS) |
1036 | 01:23:13,822 | 01:23:15,224 | EVERYTHING WILL BE OK. | EVERYTHING WILL BE OK. |
1037 | 01:23:15,258 | 01:23:16,492 | I KNOW. | I KNOW. |
1038 | 01:23:16,525 | 01:23:18,527 | FASTEN YOUR SEAT BELT, KID. | FASTEN YOUR SEAT BELT, KID. |
1039 | 01:23:31,540 | 01:23:34,677 | SOMEBODY GIVE YOU A VALIUM OR WHAT? | SOMEBODY GIVE YOU A VALIUM OR WHAT? |
1040 | 01:23:40,183 | 01:23:42,751 | THIS KIND OF THING MUST HAPPEN A LOT WHERE YOU'RE FROM. | THIS KIND OF THING MUST HAPPEN A LOT WHERE YOU'RE FROM. |
1041 | 01:23:42,785 | 01:23:44,320 | I FEEL LIKE I'M GONNA SHIT ON MYSELF. | I FEEL LIKE I'M GONNA SHIT ON MYSELF. |
1042 | 01:24:10,379 | 01:24:13,716 | HEY! HEY, GOLDIE! | HEY! HEY, GOLDIE! |
1043 | 01:24:13,749 | 01:24:15,818 | YOU WON'T EVEN HELP ME? | YOU WON'T EVEN HELP ME? |
1044 | 01:24:15,851 | 01:24:18,121 | YOU'LL JUST KEEP RUNNING, RIGHT? | YOU'LL JUST KEEP RUNNING, RIGHT? |
1045 | 01:24:23,526 | 01:24:24,693 | HEY! | HEY! |
1046 | 01:24:24,727 | 01:24:25,828 | WAIT! | WAIT! |
1047 | 01:25:01,864 | 01:25:04,533 | (ROARING) | (ROARING) |
1048 | 01:28:41,517 | 01:28:44,520 | HOW LONG ARE YOU GOING TO BE? | HOW LONG ARE YOU GOING TO BE? |
1049 | 01:28:44,553 | 01:28:46,021 | ABOUT TWO WEEKS. | ABOUT TWO WEEKS. |
1050 | 01:28:46,054 | 01:28:49,057 | YOU'LL DROP THE KID OFF AND COME BACK. | YOU'LL DROP THE KID OFF AND COME BACK. |
1051 | 01:28:49,091 | 01:28:50,058 | YES. | YES. |
1052 | 01:28:50,092 | 01:28:52,628 | I BOUGHT THIS FOR YOU, OK? | I BOUGHT THIS FOR YOU, OK? |
1053 | 01:28:52,661 | 01:28:55,998 | PUT THAT ON, AND YOU DON'T HAVE TO WORRY | PUT THAT ON, AND YOU DON'T HAVE TO WORRY |
1054 | 01:28:56,031 | 01:28:59,034 | ABOUT OTHER KIDS MESSING WITH YOUR HEAD. | ABOUT OTHER KIDS MESSING WITH YOUR HEAD. |
1055 | 01:28:59,067 | 01:29:03,539 | YOU DON'T WANT TO GO TO TIBET WITH A BIG HEAD. | YOU DON'T WANT TO GO TO TIBET WITH A BIG HEAD. |
1056 | 01:29:03,572 | 01:29:05,073 | HA HA HA! | HA HA HA! |
1057 | 01:29:05,107 | 01:29:07,476 | THAT IS A COOL TRICK. | THAT IS A COOL TRICK. |
1058 | 01:29:07,510 | 01:29:10,913 | DID YOU EVER THINK ABOUT GOING INTO SHOW BUSINESS? | DID YOU EVER THINK ABOUT GOING INTO SHOW BUSINESS? |
1059 | 01:29:10,946 | 01:29:14,016 | I THROW A ROCK, YOU MAKE IT FLOAT OFF-- | I THROW A ROCK, YOU MAKE IT FLOAT OFF-- |
1060 | 01:29:14,049 | 01:29:16,652 | STANDING OVATIONS ALL OVER THE PLACE. | STANDING OVATIONS ALL OVER THE PLACE. |
1061 | 01:29:16,685 | 01:29:19,622 | YOU EVER HEAR OF ED McMAHON'S STAR SEARCH? | YOU EVER HEAR OF ED McMAHON'S STAR SEARCH? |
1062 | 01:29:19,655 | 01:29:21,890 | DO THEY HAVE STAR SEARCH IN TIBET? | DO THEY HAVE STAR SEARCH IN TIBET? |
1063 | 01:29:21,924 | 01:29:23,959 | PROBABLY NOT. PROBABLY HAVE FOOD SEARCH. | PROBABLY NOT. PROBABLY HAVE FOOD SEARCH. |
1064 | 01:29:23,992 | 01:29:27,095 | WE COULD ALL GO ON STAR SEARCH | WE COULD ALL GO ON STAR SEARCH |
1065 | 01:29:27,129 | 01:29:30,098 | AND LET THE AUDIENCE THROW ROCKS AT YOU, | AND LET THE AUDIENCE THROW ROCKS AT YOU, |
1066 | 01:29:30,132 | 01:29:34,837 | AND YOU CAN MAKE THEM ALL HIT ED McMAHON...HARD. HA HA HA! | AND YOU CAN MAKE THEM ALL HIT ED McMAHON...HARD. HA HA HA! |
1067 | 01:29:34,870 | 01:29:37,806 | CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION | CAPTIONING MADE POSSIBLE BY PARAMOUNT DOMESTIC TELEVISION |
1068 | 01:29:37,840 | 01:29:40,976 | CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- | CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- |