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| # | Start | End | Original | Translated |
|---|---|---|---|---|
| 1 | 00:00:15,000 | 00:00:22,000 | Brought to you by iRiS | TRiNiTY § Enjoy the flick § | Brought to you by iRiS | TRiNiTY § Enjoy the flick § |
| 2 | 00:00:28,162 | 00:00:31,599 | ( SOFT MUSIC PLAYING ) | ( SOFT MUSIC PLAYING ) |
| 3 | 00:00:55,489 | 00:00:58,359 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 4 | 00:01:00,794 | 00:01:03,764 | ( DISTANT SIRENS WAILING ) | ( DISTANT SIRENS WAILING ) |
| 5 | 00:01:06,434 | 00:01:08,369 | ( ELECTRICITY BUZZING ) | ( ELECTRICITY BUZZING ) |
| 6 | 00:01:14,908 | 00:01:16,110 | What? | What? |
| 7 | 00:01:16,144 | 00:01:17,445 | Never again, no horror movies. | Never again, no horror movies. |
| 8 | 00:01:17,478 | 00:01:20,681 | Come on, no, the first kill was amazing. | Come on, no, the first kill was amazing. |
| 9 | 00:01:20,714 | 00:01:22,750 | Oh, look, he texted me like three times since we went in there. | Oh, look, he texted me like three times since we went in there. |
| 10 | 00:01:22,783 | 00:01:24,718 | Anything good? | Anything good? |
| 11 | 00:01:24,752 | 00:01:28,122 | No, just basically saying "What's up?" in several different ways. | No, just basically saying "What's up?" in several different ways. |
| 12 | 00:01:28,156 | 00:01:29,323 | Uh-huh. | Uh-huh. |
| 13 | 00:01:29,357 | 00:01:30,491 | What are you doing now? | What are you doing now? |
| 14 | 00:01:30,524 | 00:01:32,460 | I have to go home and study. | I have to go home and study. |
| 15 | 00:01:32,493 | 00:01:37,198 | That's so lame. No, come over to my house, we'll watch a movie. | That's so lame. No, come over to my house, we'll watch a movie. |
| 16 | 00:01:37,231 | 00:01:39,200 | We literally just watched a movie. | We literally just watched a movie. |
| 17 | 00:01:39,233 | 00:01:41,635 | Yeah, but studying... sucks. | Yeah, but studying... sucks. |
| 18 | 00:01:41,669 | 00:01:43,837 | I know, I know, I got to. I'll call you later. | I know, I know, I got to. I'll call you later. |
| 19 | 00:01:43,871 | 00:01:47,408 | All right-- hey, where'd you park? | All right-- hey, where'd you park? |
| 20 | 00:01:47,441 | 00:01:48,842 | So, let me drive you. | So, let me drive you. |
| 21 | 00:01:48,876 | 00:01:50,511 | It's 50 feet away. | It's 50 feet away. |
| 22 | 00:01:50,544 | 00:01:51,579 | All right, fine. I love you. | All right, fine. I love you. |
| 23 | 00:01:51,612 | 00:01:52,880 | Bye. Love you. | Bye. Love you. |
| 24 | 00:02:13,401 | 00:02:14,668 | ( CAR ALARM CHIRPS ) | ( CAR ALARM CHIRPS ) |
| 25 | 00:02:19,873 | 00:02:21,175 | ( ENGINE STARTING ) | ( ENGINE STARTING ) |
| 26 | 00:02:21,209 | 00:02:22,676 | * The devil had my-- | * The devil had my-- |
| 27 | 00:02:37,258 | 00:02:41,362 | ( ENGINE STARTING ) | ( ENGINE STARTING ) |
| 28 | 00:02:41,395 | 00:02:44,498 | ( MUSIC PLAYING ) | ( MUSIC PLAYING ) |
| 29 | 00:02:44,532 | 00:02:46,600 | * Oh the flower | * Oh the flower |
| 30 | 00:02:46,634 | 00:02:52,206 | * The delicate flower that breeds the bees that sting * | * The delicate flower that breeds the bees that sting * |
| 31 | 00:03:23,971 | 00:03:25,406 | ( CAR HORN BEEPS ) | ( CAR HORN BEEPS ) |
| 32 | 00:03:25,439 | 00:03:27,508 | ( DOG BARKING ) | ( DOG BARKING ) |
| 33 | 00:03:31,912 | 00:03:34,848 | ( BARKING CONTINUES ) | ( BARKING CONTINUES ) |
| 34 | 00:03:48,529 | 00:03:51,699 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 35 | 00:04:24,097 | 00:04:25,933 | ( PHONE NOTIFICATION SOUNDS ) | ( PHONE NOTIFICATION SOUNDS ) |
| 36 | 00:05:00,834 | 00:05:03,904 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 37 | 00:05:27,761 | 00:05:29,897 | ( JANET STRUGGLES ) | ( JANET STRUGGLES ) |
| 38 | 00:05:44,845 | 00:05:46,514 | ( DIGITAL CAMERA BEEPS ) | ( DIGITAL CAMERA BEEPS ) |
| 39 | 00:05:50,884 | 00:05:52,686 | Help! | Help! |
| 40 | 00:05:54,555 | 00:05:55,923 | Oh, fuck! | Oh, fuck! |
| 41 | 00:06:07,034 | 00:06:09,403 | ( STRUGGLES ) | ( STRUGGLES ) |
| 42 | 00:06:11,939 | 00:06:14,508 | ( MUFFLED SCREAMING ) | ( MUFFLED SCREAMING ) |
| 43 | 00:06:18,045 | 00:06:21,549 | ( DRAMATIC MUSIC PLAYING ) | ( DRAMATIC MUSIC PLAYING ) |
| 44 | 00:06:47,775 | 00:06:50,844 | ( FLASH RECHARGING ) | ( FLASH RECHARGING ) |
| 45 | 00:07:13,233 | 00:07:16,837 | ( MUSIC FADES UP ) | ( MUSIC FADES UP ) |
| 46 | 00:07:42,830 | 00:07:49,737 | * Lady I get nervous Just a-being in your service * | * Lady I get nervous Just a-being in your service * |
| 47 | 00:07:49,770 | 00:07:53,874 | * Words are full of indecision * | * Words are full of indecision * |
| 48 | 00:07:53,907 | 00:07:57,978 | * They evince the troubled nimble wit * | * They evince the troubled nimble wit * |
| 49 | 00:07:58,011 | 00:08:00,581 | * Oh nothing in return * | * Oh nothing in return * |
| 50 | 00:08:00,614 | 00:08:05,886 | * But storm and pessimism 'stead of dreamin' * | * But storm and pessimism 'stead of dreamin' * |
| 51 | 00:08:05,919 | 00:08:08,556 | * Being good for me | * Being good for me |
| 52 | 00:08:08,589 | 00:08:13,561 | * And just a-standing in your pretty prison * | * And just a-standing in your pretty prison * |
| 53 | 00:08:13,594 | 00:08:16,797 | * You're standing here | * You're standing here |
| 54 | 00:08:21,034 | 00:08:27,908 | * You think you love me | * You think you love me |
| 55 | 00:08:27,941 | 00:08:31,244 | * Don't you | * Don't you |
| 56 | 00:08:35,883 | 00:08:38,752 | ( MUSIC CHANGES ) | ( MUSIC CHANGES ) |
| 57 | 00:08:38,786 | 00:08:41,254 | ( PHONE CALL RINGING ) | ( PHONE CALL RINGING ) |
| 58 | 00:08:45,025 | 00:08:46,293 | ( BUZZER SOUNDS ) ( GIRL SCREAMING ) | ( BUZZER SOUNDS ) ( GIRL SCREAMING ) |
| 59 | 00:08:57,905 | 00:09:00,040 | Miss Hannaford, in a minute... | Miss Hannaford, in a minute... |
| 60 | 00:09:00,073 | 00:09:02,275 | I'm gonna ask you to take a look at the statement you gave us... | I'm gonna ask you to take a look at the statement you gave us... |
| 61 | 00:09:02,309 | 00:09:04,144 | and uh... sign it. | and uh... sign it. |
| 62 | 00:09:06,980 | 00:09:09,082 | Wait, the camera doesn't show anything? | Wait, the camera doesn't show anything? |
| 63 | 00:09:09,116 | 00:09:11,151 | Well, the camera in the foyer there doesn't show the bulletin board. | Well, the camera in the foyer there doesn't show the bulletin board. |
| 64 | 00:09:11,184 | 00:09:13,020 | Can't you move it? | Can't you move it? |
| 65 | 00:09:13,053 | 00:09:15,288 | I mean, how many more of these do I have to keep on finding? | I mean, how many more of these do I have to keep on finding? |
| 66 | 00:09:15,322 | 00:09:19,693 | Well, then we'd be looking at the doors, which is why the store has the camera there. | Well, then we'd be looking at the doors, which is why the store has the camera there. |
| 67 | 00:09:19,727 | 00:09:22,763 | Someone made that image and sneaked it past cameras to post it up there... | Someone made that image and sneaked it past cameras to post it up there... |
| 68 | 00:09:22,796 | 00:09:25,065 | for anyone to see, for a kid to see... | for anyone to see, for a kid to see... |
| 69 | 00:09:25,098 | 00:09:27,635 | doesn't that make you feel like, I don't know, maybe it's not a good thing? | doesn't that make you feel like, I don't know, maybe it's not a good thing? |
| 70 | 00:09:27,668 | 00:09:29,903 | It is a graphic depiction. | It is a graphic depiction. |
| 71 | 00:09:29,937 | 00:09:31,939 | It's not a crime, though. | It's not a crime, though. |
| 72 | 00:09:31,972 | 00:09:34,608 | It's not a crime to make 'em, not a crime to show 'em. | It's not a crime to make 'em, not a crime to show 'em. |
| 73 | 00:09:34,642 | 00:09:36,176 | It's poor taste. | It's poor taste. |
| 74 | 00:09:36,209 | 00:09:38,345 | The girl in the photographs, she's someone, isn't she? | The girl in the photographs, she's someone, isn't she? |
| 75 | 00:09:38,378 | 00:09:41,682 | There's no way for me to look at this and even know if it's real. | There's no way for me to look at this and even know if it's real. |
| 76 | 00:09:41,715 | 00:09:44,752 | Unless we can link it to some kind of actual criminal activity... | Unless we can link it to some kind of actual criminal activity... |
| 77 | 00:09:44,785 | 00:09:47,688 | a body, or ID on a missing person. But this-- | a body, or ID on a missing person. But this-- |
| 78 | 00:09:47,721 | 00:09:49,222 | No body, no crime. | No body, no crime. |
| 79 | 00:09:49,256 | 00:09:51,024 | Wait, but this one's numbered. You saw that. | Wait, but this one's numbered. You saw that. |
| 80 | 00:09:51,058 | 00:09:52,693 | It's numbered seven at the bottom. | It's numbered seven at the bottom. |
| 81 | 00:09:52,726 | 00:09:54,828 | Well, it's probably some kind of a art thing... | Well, it's probably some kind of a art thing... |
| 82 | 00:09:54,862 | 00:09:57,798 | some kind of a numbered art thing, street art. | some kind of a numbered art thing, street art. |
| 83 | 00:09:57,831 | 00:09:58,866 | What do they call it? | What do they call it? |
| 84 | 00:09:58,899 | 00:10:00,233 | Uh... | Uh... |
| 85 | 00:10:00,267 | 00:10:02,803 | Outsider Art. Yep. | Outsider Art. Yep. |
| 86 | 00:10:02,836 | 00:10:04,404 | Okay, has anyone else seen these? | Okay, has anyone else seen these? |
| 87 | 00:10:04,437 | 00:10:05,873 | Or are they just for me? | Or are they just for me? |
| 88 | 00:10:05,906 | 00:10:07,174 | Is that what's concerning you here? | Is that what's concerning you here? |
| 89 | 00:10:07,207 | 00:10:09,743 | Yes, has anyone else turned them in? | Yes, has anyone else turned them in? |
| 90 | 00:10:09,777 | 00:10:12,379 | No. No, I don't think so. | No. No, I don't think so. |
| 91 | 00:10:12,412 | 00:10:15,649 | So, they're art, but just for me to see? | So, they're art, but just for me to see? |
| 92 | 00:10:15,683 | 00:10:18,018 | So I would encourage you not to take this personally. | So I would encourage you not to take this personally. |
| 93 | 00:10:18,051 | 00:10:19,687 | Great. | Great. |
| 94 | 00:10:19,720 | 00:10:21,755 | Do you know any photographers? | Do you know any photographers? |
| 95 | 00:10:21,789 | 00:10:23,857 | No, I don't. | No, I don't. |
| 96 | 00:10:23,891 | 00:10:28,696 | Well, we got your statement, so I'm gonna ask you to take a look at it... | Well, we got your statement, so I'm gonna ask you to take a look at it... |
| 97 | 00:10:28,729 | 00:10:35,102 | and sign it... right there. There you go. | and sign it... right there. There you go. |
| 98 | 00:10:35,135 | 00:10:38,839 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 99 | 00:11:29,522 | 00:11:33,060 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 100 | 00:11:46,406 | 00:11:49,342 | ( MUSIC CHANGES ) | ( MUSIC CHANGES ) |
| 101 | 00:12:30,217 | 00:12:33,453 | ( EERIE MUSIC CONTINUES ) | ( EERIE MUSIC CONTINUES ) |
| 102 | 00:12:53,440 | 00:12:58,045 | How can I be the only guy who wants the police in Spearfish, South Dakota... | How can I be the only guy who wants the police in Spearfish, South Dakota... |
| 103 | 00:12:58,078 | 00:13:03,851 | to call the gruesome discoveries of the past several weeks the work of a serial killer? | to call the gruesome discoveries of the past several weeks the work of a serial killer? |
| 104 | 00:13:03,884 | 00:13:07,821 | Who wants to give me a reason why the gruesome photograph... | Who wants to give me a reason why the gruesome photograph... |
| 105 | 00:13:07,855 | 00:13:10,991 | that was found stapled to a telephone pole... | that was found stapled to a telephone pole... |
| 106 | 00:13:11,024 | 00:13:15,996 | behind the local library isn't a photograph of the mutilated remains... | behind the local library isn't a photograph of the mutilated remains... |
| 107 | 00:13:16,029 | 00:13:18,365 | of 23-year-old Savannah Simms... | of 23-year-old Savannah Simms... |
| 108 | 00:13:18,398 | 00:13:24,171 | who was reported missing some ten days earlier from a not so neighboring town? | who was reported missing some ten days earlier from a not so neighboring town? |
| 109 | 00:13:24,204 | 00:13:27,107 | The nature of the mutilation portrayed in the photograph... | The nature of the mutilation portrayed in the photograph... |
| 110 | 00:13:27,140 | 00:13:31,611 | made a definitive identification impossible at this time... | made a definitive identification impossible at this time... |
| 111 | 00:13:31,644 | 00:13:38,451 | and so I'm asking, "Why can't it just be Savannah Simms, just this once?" | and so I'm asking, "Why can't it just be Savannah Simms, just this once?" |
| 112 | 00:13:38,485 | 00:13:43,123 | And the photograph that was found pinned to the community bulletin board... | And the photograph that was found pinned to the community bulletin board... |
| 113 | 00:13:43,156 | 00:13:45,859 | at the local Wellborn Supermarket... | at the local Wellborn Supermarket... |
| 114 | 00:13:45,893 | 00:13:48,896 | can't it please be of 22-year-old Janet Teasley... | can't it please be of 22-year-old Janet Teasley... |
| 115 | 00:13:48,929 | 00:13:51,131 | Where do you want these new prints? | Where do you want these new prints? |
| 116 | 00:13:51,164 | 00:13:57,037 | who was reported missing 75 days earlier from yet another not at all neighboring town? | who was reported missing 75 days earlier from yet another not at all neighboring town? |
| 117 | 00:13:57,070 | 00:14:02,142 | Can't Spearfish, just this once, have a serial killer to call our very own? | Can't Spearfish, just this once, have a serial killer to call our very own? |
| 118 | 00:14:02,175 | 00:14:04,411 | I gotta see these pictures. | I gotta see these pictures. |
| 119 | 00:14:04,444 | 00:14:06,413 | They're like literally the only thing that's not on the internet. | They're like literally the only thing that's not on the internet. |
| 120 | 00:14:06,446 | 00:14:08,381 | Who do I know who can make that happen? | Who do I know who can make that happen? |
| 121 | 00:14:08,415 | 00:14:11,184 | You read conversation-style blogs written by people from your hometown? | You read conversation-style blogs written by people from your hometown? |
| 122 | 00:14:11,218 | 00:14:14,654 | I'm inspired by any nut that takes pictures of dead people and posts them online. | I'm inspired by any nut that takes pictures of dead people and posts them online. |
| 123 | 00:14:14,687 | 00:14:17,424 | I'm fucking inspired! I'm-- I'm hard! | I'm fucking inspired! I'm-- I'm hard! |
| 124 | 00:14:17,457 | 00:14:19,526 | I'm gonna be fully erect here in a minute. | I'm gonna be fully erect here in a minute. |
| 125 | 00:14:19,559 | 00:14:21,261 | Oh, for a change. Hey! Hey! | Oh, for a change. Hey! Hey! |
| 126 | 00:14:21,294 | 00:14:23,663 | That was the mushrooms, we talked about that. | That was the mushrooms, we talked about that. |
| 127 | 00:14:23,696 | 00:14:26,266 | Was it? | Was it? |
| 128 | 00:14:26,299 | 00:14:28,601 | This guy knows I'm from Spearfish. | This guy knows I'm from Spearfish. |
| 129 | 00:14:28,635 | 00:14:35,642 | He's doing this photography thing with his victims as an homage, as a nod, a nod to me... | He's doing this photography thing with his victims as an homage, as a nod, a nod to me... |
| 130 | 00:14:35,675 | 00:14:41,014 | Spearfish's most famous citizen and only known living artist. | Spearfish's most famous citizen and only known living artist. |
| 131 | 00:14:41,048 | 00:14:42,682 | Frankly, I'm flattered. | Frankly, I'm flattered. |
| 132 | 00:14:42,715 | 00:14:45,252 | Didn't it say that there isn't a serial killer? | Didn't it say that there isn't a serial killer? |
| 133 | 00:14:45,285 | 00:14:48,388 | These guys are always inspired by something, fucking copy cat. | These guys are always inspired by something, fucking copy cat. |
| 134 | 00:14:48,421 | 00:14:50,357 | What I need is a cigarette. | What I need is a cigarette. |
| 135 | 00:14:50,390 | 00:14:52,059 | Chew the gum. Fuck the gum. | Chew the gum. Fuck the gum. |
| 136 | 00:14:52,092 | 00:14:54,094 | The gum tastes like garlic semen. | The gum tastes like garlic semen. |
| 137 | 00:14:54,127 | 00:14:56,596 | Yeah, I just feel bad for the girls. | Yeah, I just feel bad for the girls. |
| 138 | 00:14:56,629 | 00:14:59,967 | They're getting killed and then mutilated... | They're getting killed and then mutilated... |
| 139 | 00:15:00,000 | 00:15:02,369 | and then put on display. | and then put on display. |
| 140 | 00:15:02,402 | 00:15:06,006 | It's fucking awful. | It's fucking awful. |
| 141 | 00:15:06,039 | 00:15:09,943 | Here we have a model who feels something for another model... | Here we have a model who feels something for another model... |
| 142 | 00:15:09,977 | 00:15:13,646 | because she's dead and mutilated and displayed like a piece of meat. | because she's dead and mutilated and displayed like a piece of meat. |
| 143 | 00:15:13,680 | 00:15:15,315 | This is news. Shut up, asshole. | This is news. Shut up, asshole. |
| 144 | 00:15:15,348 | 00:15:16,416 | Huh? | Huh? |
| 145 | 00:15:16,449 | 00:15:18,651 | I said, "Shut-- | I said, "Shut-- |
| 146 | 00:15:18,685 | 00:15:20,520 | Don't smile. | Don't smile. |
| 147 | 00:15:20,553 | 00:15:22,555 | How about that? You like that? | How about that? You like that? |
| 148 | 00:15:22,589 | 00:15:25,125 | Best picture of the day, easy. What time is it? | Best picture of the day, easy. What time is it? |
| 149 | 00:15:25,158 | 00:15:26,626 | It's uh, 6:00. | It's uh, 6:00. |
| 150 | 00:15:26,659 | 00:15:28,028 | 6:00 in the evening, fuck me. | 6:00 in the evening, fuck me. |
| 151 | 00:15:28,061 | 00:15:30,563 | Okay, you know what we gotta do? | Okay, you know what we gotta do? |
| 152 | 00:15:30,597 | 00:15:33,400 | We're gonna call those-- those perfume campaign people. What the fuck is that called? | We're gonna call those-- those perfume campaign people. What the fuck is that called? |
| 153 | 00:15:33,433 | 00:15:35,168 | The Bay Campaign. The Bay Campaign. | The Bay Campaign. The Bay Campaign. |
| 154 | 00:15:35,202 | 00:15:37,137 | The Bay Campaign, thank you, the Bay Campaign. Stoner. | The Bay Campaign, thank you, the Bay Campaign. Stoner. |
| 155 | 00:15:37,170 | 00:15:39,539 | Call the Bay Campaign people and wake them the fuck up and tell them... | Call the Bay Campaign people and wake them the fuck up and tell them... |
| 156 | 00:15:39,572 | 00:15:43,210 | that I finally figured it out, and I know exactly what I'm going to do for them. | that I finally figured it out, and I know exactly what I'm going to do for them. |
| 157 | 00:15:43,243 | 00:15:44,978 | I'm gonna steal this nut's idea. | I'm gonna steal this nut's idea. |
| 158 | 00:15:45,012 | 00:15:47,114 | I'm gonna hire models pretending to be dead people. | I'm gonna hire models pretending to be dead people. |
| 159 | 00:15:47,147 | 00:15:48,681 | Actually not that much of a stretch. | Actually not that much of a stretch. |
| 160 | 00:15:48,715 | 00:15:50,517 | And you think the Bay people are gonna go for that? | And you think the Bay people are gonna go for that? |
| 161 | 00:15:50,550 | 00:15:52,285 | I told them not to hire me in the first place... | I told them not to hire me in the first place... |
| 162 | 00:15:52,319 | 00:15:54,087 | but they insisted, so this is what they get. | but they insisted, so this is what they get. |
| 163 | 00:15:54,121 | 00:15:57,090 | They get unidentifiable dead models. | They get unidentifiable dead models. |
| 164 | 00:15:57,124 | 00:16:00,427 | We'll use those kids from the last shoot, Trip and what's her name? | We'll use those kids from the last shoot, Trip and what's her name? |
| 165 | 00:16:00,460 | 00:16:02,429 | What's her fucking name, this one? | What's her fucking name, this one? |
| 166 | 00:16:02,462 | 00:16:04,064 | Uh, Victoria. | Uh, Victoria. |
| 167 | 00:16:04,097 | 00:16:07,400 | Victoria, Trip and Victoria, dead eyes on both of them. | Victoria, Trip and Victoria, dead eyes on both of them. |
| 168 | 00:16:07,434 | 00:16:09,502 | And Rose here. | And Rose here. |
| 169 | 00:16:09,536 | 00:16:10,737 | Oh, yeah? Fuck me, huh? | Oh, yeah? Fuck me, huh? |
| 170 | 00:16:10,770 | 00:16:12,739 | Yeah. Okay, only if you're lucky. | Yeah. Okay, only if you're lucky. |
| 171 | 00:16:12,772 | 00:16:16,109 | All right now, somebody please, please, get me a fucking cigarette... | All right now, somebody please, please, get me a fucking cigarette... |
| 172 | 00:16:16,143 | 00:16:19,146 | before I kill somebody and take their fucking picture! | before I kill somebody and take their fucking picture! |
| 173 | 00:16:19,179 | 00:16:22,682 | ( ROCK MUSIC PLAYING ) | ( ROCK MUSIC PLAYING ) |
| 174 | 00:16:27,320 | 00:16:31,591 | Well, here you go. Door-to-door service and it's not even bright out yet. | Well, here you go. Door-to-door service and it's not even bright out yet. |
| 175 | 00:16:33,326 | 00:16:36,096 | That's gotta be worth something. | That's gotta be worth something. |
| 176 | 00:16:36,129 | 00:16:38,765 | I told you last night that I didn't need you to drive me... | I told you last night that I didn't need you to drive me... |
| 177 | 00:16:38,798 | 00:16:41,768 | and I told you again an hour ago. | and I told you again an hour ago. |
| 178 | 00:16:41,801 | 00:16:44,204 | Yeah, well, maybe you don't want your picture in the newspaper. | Yeah, well, maybe you don't want your picture in the newspaper. |
| 179 | 00:16:44,237 | 00:16:49,476 | The story goes somewhere, but it's about time that my face went fucking national. | The story goes somewhere, but it's about time that my face went fucking national. |
| 180 | 00:16:52,345 | 00:16:55,215 | Hey, come on. | Hey, come on. |
| 181 | 00:16:55,248 | 00:16:57,150 | Look, I'm trying here. | Look, I'm trying here. |
| 182 | 00:16:57,184 | 00:16:59,319 | ( PHONE VIBRATES ) | ( PHONE VIBRATES ) |
| 183 | 00:17:00,320 | 00:17:02,289 | And who's that? | And who's that? |
| 184 | 00:17:02,322 | 00:17:04,657 | Oh, nothing, it's just Jill. | Oh, nothing, it's just Jill. |
| 185 | 00:17:04,691 | 00:17:06,526 | Jill, wh-- | Jill, wh-- |
| 186 | 00:17:06,559 | 00:17:09,028 | Anyway, I gotta go. Thanks. | Anyway, I gotta go. Thanks. |
| 187 | 00:17:10,597 | 00:17:13,200 | Maybe I'll see-- | Maybe I'll see-- |
| 188 | 00:17:13,233 | 00:17:16,303 | Yeah, well, that went great. | Yeah, well, that went great. |
| 189 | 00:17:31,351 | 00:17:34,654 | ( DRAMATIC MUSIC FADES UP ) | ( DRAMATIC MUSIC FADES UP ) |
| 190 | 00:18:53,433 | 00:18:56,403 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 191 | 00:19:50,022 | 00:19:53,693 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 192 | 00:20:23,323 | 00:20:25,658 | ( LIGHTS BUZZING ) | ( LIGHTS BUZZING ) |
| 193 | 00:21:15,808 | 00:21:18,878 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 194 | 00:21:43,403 | 00:21:47,340 | ( ROCK MUSIC PLAYING ) | ( ROCK MUSIC PLAYING ) |
| 195 | 00:21:53,580 | 00:21:55,815 | Nice job with the minivan, by the way, that's nice. | Nice job with the minivan, by the way, that's nice. |
| 196 | 00:21:55,848 | 00:21:57,717 | Yeah, sorry, they didn't have any Escalades left. | Yeah, sorry, they didn't have any Escalades left. |
| 197 | 00:21:57,750 | 00:22:00,453 | So, we're gonna be dead in the pictures, right? | So, we're gonna be dead in the pictures, right? |
| 198 | 00:22:00,487 | 00:22:03,022 | Well, I want to have my eyes open. Can I have my eyes open? | Well, I want to have my eyes open. Can I have my eyes open? |
| 199 | 00:22:03,055 | 00:22:05,492 | Like, it would look so cool if I was all like-- | Like, it would look so cool if I was all like-- |
| 200 | 00:22:05,525 | 00:22:07,794 | You know? | You know? |
| 201 | 00:22:07,827 | 00:22:10,697 | Okay, does my manager know about this? Because I think it's disgusting. | Okay, does my manager know about this? Because I think it's disgusting. |
| 202 | 00:22:10,730 | 00:22:12,799 | I think it's brilliant. | I think it's brilliant. |
| 203 | 00:22:12,832 | 00:22:14,901 | It's a commentary on our fascination with death. | It's a commentary on our fascination with death. |
| 204 | 00:22:14,934 | 00:22:19,572 | How we let ourselves-- we think about death just as much as we think about sex. | How we let ourselves-- we think about death just as much as we think about sex. |
| 205 | 00:22:19,606 | 00:22:21,941 | Well, if that's what it is, then it's awesome. | Well, if that's what it is, then it's awesome. |
| 206 | 00:22:21,974 | 00:22:24,644 | [PETER] I'll tell you what it is, kids. | [PETER] I'll tell you what it is, kids. |
| 207 | 00:22:24,677 | 00:22:28,881 | It's that every fucker in the country thinks they're a photographer now, okay? | It's that every fucker in the country thinks they're a photographer now, okay? |
| 208 | 00:22:28,915 | 00:22:31,751 | And everyone can share an image, and it's awful. | And everyone can share an image, and it's awful. |
| 209 | 00:22:31,784 | 00:22:35,988 | It's awful, because it makes everything just like watery piss. | It's awful, because it makes everything just like watery piss. |
| 210 | 00:22:36,022 | 00:22:40,893 | Then you have this guy who creates an image that you actually can't fuck with. | Then you have this guy who creates an image that you actually can't fuck with. |
| 211 | 00:22:40,927 | 00:22:46,399 | That you actually can't ignore, and when that happens, I have to ask myself... | That you actually can't ignore, and when that happens, I have to ask myself... |
| 212 | 00:22:46,433 | 00:22:49,101 | "Peter Hemmings, what is wrong with this picture? | "Peter Hemmings, what is wrong with this picture? |
| 213 | 00:22:49,135 | 00:22:53,540 | "Are you just going to sit there and let this guy make you look like a dummy... | "Are you just going to sit there and let this guy make you look like a dummy... |
| 214 | 00:22:53,573 | 00:22:58,578 | "or are you going to steal his idea and make a bunch of money, and then get high?" | "or are you going to steal his idea and make a bunch of money, and then get high?" |
| 215 | 00:22:58,611 | 00:23:01,414 | And I think we all know the answer to that, don't we, Trip? | And I think we all know the answer to that, don't we, Trip? |
| 216 | 00:23:01,448 | 00:23:02,815 | Oh, hells yeah, man! | Oh, hells yeah, man! |
| 217 | 00:23:02,849 | 00:23:05,184 | If I catch any of you Instagramming... | If I catch any of you Instagramming... |
| 218 | 00:23:05,217 | 00:23:08,521 | or whatever the fuck it's called on this trip, you're all fired. | or whatever the fuck it's called on this trip, you're all fired. |
| 219 | 00:23:08,555 | 00:23:10,156 | I couldn't be more serious. | I couldn't be more serious. |
| 220 | 00:23:10,189 | 00:23:12,024 | Yeah, he's not kidding. | Yeah, he's not kidding. |
| 221 | 00:23:14,193 | 00:23:15,595 | Let's have a party tonight. | Let's have a party tonight. |
| 222 | 00:23:15,628 | 00:23:17,129 | [TRIP] Yeah, man! | [TRIP] Yeah, man! |
| 223 | 00:23:17,163 | 00:23:20,132 | Just a little get together, you know, invite some locals... | Just a little get together, you know, invite some locals... |
| 224 | 00:23:20,166 | 00:23:24,604 | barbeque some shit, some ribs, sprinkle a little peyote on there. | barbeque some shit, some ribs, sprinkle a little peyote on there. |
| 225 | 00:23:24,637 | 00:23:27,874 | Just a little get together, just to celebrate our arrival. | Just a little get together, just to celebrate our arrival. |
| 226 | 00:23:27,907 | 00:23:30,543 | Cool, we'll just have to stop in town, grab some stuff. | Cool, we'll just have to stop in town, grab some stuff. |
| 227 | 00:23:30,577 | 00:23:32,879 | My house has definitely got nothing. | My house has definitely got nothing. |
| 228 | 00:23:32,912 | 00:23:35,147 | Hey, how much longer? | Hey, how much longer? |
| 229 | 00:23:35,181 | 00:23:37,216 | I have no fucking idea. | I have no fucking idea. |
| 230 | 00:23:37,249 | 00:23:40,453 | It's been so long, I don't even recognize these trees. | It's been so long, I don't even recognize these trees. |
| 231 | 00:23:40,487 | 00:23:41,888 | Hey... check it out. | Hey... check it out. |
| 232 | 00:23:42,789 | 00:23:45,992 | Jesus. | Jesus. |
| 233 | 00:23:46,025 | 00:23:51,531 | 10,494... I've had anal sex with more people than that. | 10,494... I've had anal sex with more people than that. |
| 234 | 00:23:57,970 | 00:23:59,639 | Get the fuck off me! | Get the fuck off me! |
| 235 | 00:23:59,672 | 00:24:01,874 | Jesus, I'm driving. | Jesus, I'm driving. |
| 236 | 00:24:01,908 | 00:24:04,877 | Keep fucking driving, then. | Keep fucking driving, then. |
| 237 | 00:24:04,911 | 00:24:07,079 | ( ROCK MUSIC PLAYING ) * Devil's in a foul mood I know * | ( ROCK MUSIC PLAYING ) * Devil's in a foul mood I know * |
| 238 | 00:24:07,113 | 00:24:09,649 | * Stakin' out the ground now Here we go * | * Stakin' out the ground now Here we go * |
| 239 | 00:24:09,682 | 00:24:14,086 | * She's got no head on Somewhere lost * | * She's got no head on Somewhere lost * |
| 240 | 00:24:14,120 | 00:24:16,856 | * Ran out in the back woods I know * | * Ran out in the back woods I know * |
| 241 | 00:24:16,889 | 00:24:19,125 | * Take a look at yourself Oh no * | * Take a look at yourself Oh no * |
| 242 | 00:24:19,158 | 00:24:24,130 | * She's a fool for A fool for you * | * She's a fool for A fool for you * |
| 243 | 00:24:26,132 | 00:24:29,201 | Yeah, it still smells like a wet sponge. | Yeah, it still smells like a wet sponge. |
| 244 | 00:24:29,235 | 00:24:31,003 | ( SNIFFING ) Oh-- | ( SNIFFING ) Oh-- |
| 245 | 00:24:31,037 | 00:24:33,573 | I think this was where one of the pictures were found. | I think this was where one of the pictures were found. |
| 246 | 00:24:33,606 | 00:24:38,044 | Note to Chris, call the cops and make an appointment for me to see those pictures. | Note to Chris, call the cops and make an appointment for me to see those pictures. |
| 247 | 00:24:38,077 | 00:24:39,145 | An appointment? | An appointment? |
| 248 | 00:24:39,178 | 00:24:41,047 | Note to Chris #2... | Note to Chris #2... |
| 249 | 00:24:41,080 | 00:24:43,716 | get me a carton of cigarettes, a whole pallet. | get me a carton of cigarettes, a whole pallet. |
| 250 | 00:24:43,750 | 00:24:45,184 | I've gotta piss. | I've gotta piss. |
| 251 | 00:24:45,217 | 00:24:46,285 | That's pretty. | That's pretty. |
| 252 | 00:24:46,318 | 00:24:48,187 | I want to photograph this truck. | I want to photograph this truck. |
| 253 | 00:24:48,220 | 00:24:50,823 | Look at the color, it's blood red. | Look at the color, it's blood red. |
| 254 | 00:24:50,857 | 00:24:53,993 | It's so spot-on that it becomes a complete cliché... | It's so spot-on that it becomes a complete cliché... |
| 255 | 00:24:54,026 | 00:24:57,263 | and it's such a cliché that it comes right back around to being perfect for me. | and it's such a cliché that it comes right back around to being perfect for me. |
| 256 | 00:24:57,296 | 00:24:59,832 | Whoa, that's heavy, man. | Whoa, that's heavy, man. |
| 257 | 00:24:59,866 | 00:25:02,535 | Get it for me, Chris... pretty please? | Get it for me, Chris... pretty please? |
| 258 | 00:25:02,569 | 00:25:04,871 | Get this truck for me. Okay, I'll leave a note. | Get this truck for me. Okay, I'll leave a note. |
| 259 | 00:25:04,904 | 00:25:06,873 | Capital idea. | Capital idea. |
| 260 | 00:25:06,906 | 00:25:09,175 | Ladies, why don't you just sort of come over here and stand... | Ladies, why don't you just sort of come over here and stand... |
| 261 | 00:25:09,208 | 00:25:11,911 | kind of lean maybe, on the-- on the hood. | kind of lean maybe, on the-- on the hood. |
| 262 | 00:25:11,944 | 00:25:14,046 | Ready? I don't know if we should be leaning on the truck, guys. | Ready? I don't know if we should be leaning on the truck, guys. |
| 263 | 00:25:14,080 | 00:25:16,716 | Chris, unclench, unclench. I know it's not-- | Chris, unclench, unclench. I know it's not-- |
| 264 | 00:25:16,749 | 00:25:18,117 | ( CAMERA SHUTTER CLICKS ) | ( CAMERA SHUTTER CLICKS ) |
| 265 | 00:25:18,150 | 00:25:20,052 | I love it. | I love it. |
| 266 | 00:25:20,086 | 00:25:21,120 | Here. | Here. |
| 267 | 00:25:21,153 | 00:25:23,990 | ( MUSIC FADES UP ) | ( MUSIC FADES UP ) |
| 268 | 00:25:35,768 | 00:25:37,937 | ( DOOR OPENS ) | ( DOOR OPENS ) |
| 269 | 00:25:58,190 | 00:26:05,097 | * I share no blame with you for the faults you made * | * I share no blame with you for the faults you made * |
| 270 | 00:26:09,168 | 00:26:12,605 | * Those were different times | * Those were different times |
| 271 | 00:26:12,639 | 00:26:16,643 | Okay, the only thing you really need to know about me... | Okay, the only thing you really need to know about me... |
| 272 | 00:26:16,676 | 00:26:19,311 | is that tequila makes me want to fight... | is that tequila makes me want to fight... |
| 273 | 00:26:19,345 | 00:26:22,749 | and cheap wine makes me want to fuck. | and cheap wine makes me want to fuck. |
| 274 | 00:26:22,782 | 00:26:27,654 | I'm sure the lives of many brave young men were lost... | I'm sure the lives of many brave young men were lost... |
| 275 | 00:26:27,687 | 00:26:30,923 | in the refinement of that elegant theorem. | in the refinement of that elegant theorem. |
| 276 | 00:26:30,957 | 00:26:33,359 | ( GASPS ) I love you. Oh. | ( GASPS ) I love you. Oh. |
| 277 | 00:26:45,037 | 00:26:47,674 | Find everything you were looking for today? | Find everything you were looking for today? |
| 278 | 00:26:47,707 | 00:26:50,743 | Uh, yeah, yeah, we did. Thank you. | Uh, yeah, yeah, we did. Thank you. |
| 279 | 00:27:03,455 | 00:27:07,794 | You remember all the numbers... for the codes and stuff? | You remember all the numbers... for the codes and stuff? |
| 280 | 00:27:07,827 | 00:27:11,330 | Oh, yeah, the scanner's been broken long enough, so... kind of have to. | Oh, yeah, the scanner's been broken long enough, so... kind of have to. |
| 281 | 00:27:11,363 | 00:27:12,865 | Oh, yeah-- | Oh, yeah-- |
| 282 | 00:27:12,899 | 00:27:15,367 | Makes it really hard to fall asleep sometimes. | Makes it really hard to fall asleep sometimes. |
| 283 | 00:27:15,401 | 00:27:16,969 | Can't really stop it. | Can't really stop it. |
| 284 | 00:27:17,003 | 00:27:20,039 | Yeah, I actually just read in the New Yorker... | Yeah, I actually just read in the New Yorker... |
| 285 | 00:27:20,072 | 00:27:22,241 | it's called the Tetris Effect. | it's called the Tetris Effect. |
| 286 | 00:27:22,274 | 00:27:25,244 | It's when you do something over and over again, it kind of gets stuck in there. | It's when you do something over and over again, it kind of gets stuck in there. |
| 287 | 00:27:25,277 | 00:27:27,113 | You can't shut it off, you know? | You can't shut it off, you know? |
| 288 | 00:27:27,146 | 00:27:30,917 | Hm, you know, I had a real Tetris problem in the 7th grade. | Hm, you know, I had a real Tetris problem in the 7th grade. |
| 289 | 00:27:30,950 | 00:27:33,252 | It was really, really bad. | It was really, really bad. |
| 290 | 00:27:33,285 | 00:27:36,222 | Yeah, I did-- I did, too, actually. | Yeah, I did-- I did, too, actually. |
| 291 | 00:27:36,255 | 00:27:39,258 | I think everyone did, it's kind of-- it's a good game. | I think everyone did, it's kind of-- it's a good game. |
| 292 | 00:27:39,291 | 00:27:41,027 | It's... Tetris. | It's... Tetris. |
| 293 | 00:27:43,062 | 00:27:45,732 | So, are you guys from Minneapolis? | So, are you guys from Minneapolis? |
| 294 | 00:27:45,765 | 00:27:48,701 | Uh, no, LA, actually, Los Angeles. | Uh, no, LA, actually, Los Angeles. |
| 295 | 00:27:48,735 | 00:27:50,469 | What happened? Did your plane crash? | What happened? Did your plane crash? |
| 296 | 00:27:50,502 | 00:27:52,371 | Yeah, we were gonna resort to cannibalism... | Yeah, we were gonna resort to cannibalism... |
| 297 | 00:27:52,404 | 00:27:56,042 | and then we found this place, so we didn't have to do that. | and then we found this place, so we didn't have to do that. |
| 298 | 00:27:56,075 | 00:27:58,845 | No, we're here for a photo shoot. | No, we're here for a photo shoot. |
| 299 | 00:27:58,878 | 00:28:00,913 | It's actually an ad campaign. It's-- | It's actually an ad campaign. It's-- |
| 300 | 00:28:00,947 | 00:28:04,250 | Peter Hemmings is shooting it. I'm sure you've heard of him. | Peter Hemmings is shooting it. I'm sure you've heard of him. |
| 301 | 00:28:04,283 | 00:28:05,918 | I haven't. | I haven't. |
| 302 | 00:28:05,952 | 00:28:08,254 | I'm surprised. I thought everyone from here knew him. | I'm surprised. I thought everyone from here knew him. |
| 303 | 00:28:08,287 | 00:28:10,056 | He's also from here. | He's also from here. |
| 304 | 00:28:10,089 | 00:28:14,360 | Is it that man over there staring at me? Is that him? | Is it that man over there staring at me? Is that him? |
| 305 | 00:28:14,393 | 00:28:17,229 | Yeah. ( CRUNCHING SNACK) | Yeah. ( CRUNCHING SNACK) |
| 306 | 00:28:17,263 | 00:28:18,430 | It's very much my boss. | It's very much my boss. |
| 307 | 00:28:18,464 | 00:28:20,032 | How's it going? Good, fine. | How's it going? Good, fine. |
| 308 | 00:28:20,066 | 00:28:21,433 | Yeah? Yeah. | Yeah? Yeah. |
| 309 | 00:28:29,141 | 00:28:30,509 | Hello. | Hello. |
| 310 | 00:28:30,542 | 00:28:33,412 | I was pretending not to see you there. | I was pretending not to see you there. |
| 311 | 00:28:33,445 | 00:28:37,149 | We're just sort of doing an exposé on the local scene down here. | We're just sort of doing an exposé on the local scene down here. |
| 312 | 00:28:37,183 | 00:28:42,121 | You know, sort of kicking around some rocks and seeing what scatters. | You know, sort of kicking around some rocks and seeing what scatters. |
| 313 | 00:28:42,154 | 00:28:46,025 | Exposé is a French word for naked, by the way. | Exposé is a French word for naked, by the way. |
| 314 | 00:28:48,527 | 00:28:51,163 | It's okay, I get it. | It's okay, I get it. |
| 315 | 00:28:51,197 | 00:28:53,766 | Just because you're from here doesn't mean that you're a local. | Just because you're from here doesn't mean that you're a local. |
| 316 | 00:28:56,302 | 00:28:58,871 | Tell her I want to take her picture, Chris. | Tell her I want to take her picture, Chris. |
| 317 | 00:28:58,905 | 00:29:03,175 | Actually, tell her that we're having people over at this house that we're staying at. | Actually, tell her that we're having people over at this house that we're staying at. |
| 318 | 00:29:03,209 | 00:29:06,145 | And tell her everyone knows it is the Cabin on the Lake Road. | And tell her everyone knows it is the Cabin on the Lake Road. |
| 319 | 00:29:06,178 | 00:29:09,916 | But tell her it's actually more like a house. You'll make it sound cute. | But tell her it's actually more like a house. You'll make it sound cute. |
| 320 | 00:29:09,949 | 00:29:11,050 | Okay. | Okay. |
| 321 | 00:29:11,083 | 00:29:13,552 | Tell her she can bring whoever. | Tell her she can bring whoever. |
| 322 | 00:29:13,585 | 00:29:17,389 | She'll understand that you mean her boyfriend, just so it seems like you're cool with that. | She'll understand that you mean her boyfriend, just so it seems like you're cool with that. |
| 323 | 00:29:17,423 | 00:29:20,259 | Yeah, I'll tell her all those things, yeah. | Yeah, I'll tell her all those things, yeah. |
| 324 | 00:29:20,292 | 00:29:23,495 | Tell her she's beautiful. Give her a card. | Tell her she's beautiful. Give her a card. |
| 325 | 00:29:27,299 | 00:29:30,269 | Okay, well-- | Okay, well-- |
| 326 | 00:29:30,302 | 00:29:33,940 | You obviously heard the man, uh-- | You obviously heard the man, uh-- |
| 327 | 00:29:33,973 | 00:29:36,943 | Yeah, I did. | Yeah, I did. |
| 328 | 00:29:36,976 | 00:29:40,813 | So anything else today? No, that will do it, thank you. | So anything else today? No, that will do it, thank you. |
| 329 | 00:29:40,847 | 00:29:44,884 | All right, that brings your total to $328 and 71 cents. | All right, that brings your total to $328 and 71 cents. |
| 330 | 00:29:44,917 | 00:29:46,318 | Put it on there, please. | Put it on there, please. |
| 331 | 00:29:50,356 | 00:29:53,359 | [GIRL] Are you guys seriously gonna drink all this? | [GIRL] Are you guys seriously gonna drink all this? |
| 332 | 00:29:53,392 | 00:29:55,227 | Hell's yeah, man. | Hell's yeah, man. |
| 333 | 00:29:55,261 | 00:29:56,562 | ( ENGINE STARTING ) | ( ENGINE STARTING ) |
| 334 | 00:29:59,465 | 00:30:03,102 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 335 | 00:30:25,291 | 00:30:28,327 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 336 | 00:30:57,957 | 00:31:01,160 | ( MUSIC FADES UP ) | ( MUSIC FADES UP ) |
| 337 | 00:31:17,376 | 00:31:19,378 | ( FLICKS LIGHTER ) | ( FLICKS LIGHTER ) |
| 338 | 00:31:19,411 | 00:31:22,114 | ( TV PLAYING ) | ( TV PLAYING ) |
| 339 | 00:32:08,594 | 00:32:11,297 | ( WHIMPERING ) | ( WHIMPERING ) |
| 340 | 00:32:17,703 | 00:32:20,672 | ( ELECTRICITY BUZZING ) | ( ELECTRICITY BUZZING ) |
| 341 | 00:32:20,706 | 00:32:23,175 | There's my kitty. | There's my kitty. |
| 342 | 00:32:29,781 | 00:32:31,083 | Hello? | Hello? |
| 343 | 00:32:31,117 | 00:32:32,184 | ( MIMICS KISSING ) | ( MIMICS KISSING ) |
| 344 | 00:32:39,491 | 00:32:41,027 | Here, kitty, kit-- | Here, kitty, kit-- |
| 345 | 00:32:45,164 | 00:32:47,166 | That's not very nice. | That's not very nice. |
| 346 | 00:32:49,468 | 00:32:54,506 | I see why you're Colleen's friend, you're very pretty. | I see why you're Colleen's friend, you're very pretty. |
| 347 | 00:32:54,540 | 00:32:56,408 | And I brought you a gift. | And I brought you a gift. |
| 348 | 00:33:02,781 | 00:33:05,384 | ( WHIMPERING ) | ( WHIMPERING ) |
| 349 | 00:33:06,285 | 00:33:07,653 | No! | No! |
| 350 | 00:33:15,561 | 00:33:18,130 | It's okay. | It's okay. |
| 351 | 00:33:21,533 | 00:33:23,302 | Got dinner! | Got dinner! |
| 352 | 00:33:23,335 | 00:33:25,504 | ( WEEPING ) | ( WEEPING ) |
| 353 | 00:33:28,340 | 00:33:32,511 | It's okay... ssh. | It's okay... ssh. |
| 354 | 00:33:35,147 | 00:33:37,449 | Mm. | Mm. |
| 355 | 00:33:37,483 | 00:33:39,785 | Smells delicious. | Smells delicious. |
| 356 | 00:33:49,228 | 00:33:50,729 | Eat up, pussy. | Eat up, pussy. |
| 357 | 00:33:53,765 | 00:33:58,204 | That's not a very good kitty... is it? | That's not a very good kitty... is it? |
| 358 | 00:34:03,809 | 00:34:06,245 | It's okay. | It's okay. |
| 359 | 00:34:06,278 | 00:34:07,713 | Come on, it's-- | Come on, it's-- |
| 360 | 00:34:11,183 | 00:34:12,651 | Come on. | Come on. |
| 361 | 00:34:14,253 | 00:34:16,655 | Look what else I got. | Look what else I got. |
| 362 | 00:34:23,295 | 00:34:27,333 | Now I bet you were always the girl that never took a bad picture, huh? | Now I bet you were always the girl that never took a bad picture, huh? |
| 363 | 00:34:27,366 | 00:34:29,168 | ( STEPS APPROACHING ) | ( STEPS APPROACHING ) |
| 364 | 00:34:33,505 | 00:34:35,107 | ( CAMERA SHUTTER CLICKS ) | ( CAMERA SHUTTER CLICKS ) |
| 365 | 00:34:47,519 | 00:34:50,689 | Yeah, I bet that was you. | Yeah, I bet that was you. |
| 366 | 00:34:56,262 | 00:34:58,264 | Should we call someone? | Should we call someone? |
| 367 | 00:34:58,297 | 00:35:00,266 | Do you want your phone? You can call someone. | Do you want your phone? You can call someone. |
| 368 | 00:35:01,300 | 00:35:03,869 | Who do we have here? | Who do we have here? |
| 369 | 00:35:03,902 | 00:35:05,437 | Colleen. | Colleen. |
| 370 | 00:35:05,471 | 00:35:08,507 | She's probably busy at work. | She's probably busy at work. |
| 371 | 00:35:08,540 | 00:35:13,312 | There's Kelly, there's... Mom. | There's Kelly, there's... Mom. |
| 372 | 00:35:13,345 | 00:35:17,716 | I'll let you call Mom. Mom's always know what to do. | I'll let you call Mom. Mom's always know what to do. |
| 373 | 00:35:17,749 | 00:35:22,321 | You call Mom and all this will be over, yeah? | You call Mom and all this will be over, yeah? |
| 374 | 00:35:22,354 | 00:35:23,655 | ( CALL RINGING ) | ( CALL RINGING ) |
| 375 | 00:35:23,689 | 00:35:25,457 | All right, let's call Mommy. | All right, let's call Mommy. |
| 376 | 00:35:27,426 | 00:35:28,894 | Here you go. | Here you go. |
| 377 | 00:35:28,927 | 00:35:31,630 | Go on, take it. | Go on, take it. |
| 378 | 00:35:31,663 | 00:35:34,533 | MOM'S VOICE (OVER PHONE): Hello, you've reached Maryanne O'Meara... | MOM'S VOICE (OVER PHONE): Hello, you've reached Maryanne O'Meara... |
| 379 | 00:35:34,566 | 00:35:36,835 | Please leave a message after the beep. | Please leave a message after the beep. |
| 380 | 00:35:36,868 | 00:35:39,371 | Mom, come get me out! | Mom, come get me out! |
| 381 | 00:35:40,739 | 00:35:42,674 | Mom! Mom! | Mom! Mom! |
| 382 | 00:35:43,842 | 00:35:47,145 | ( SCREAMING CONTINUES ) | ( SCREAMING CONTINUES ) |
| 383 | 00:35:49,915 | 00:35:52,851 | ( MUFFLED MUSIC PLAYING ) | ( MUFFLED MUSIC PLAYING ) |
| 384 | 00:35:58,924 | 00:36:00,892 | ( PHONE DINGS ) | ( PHONE DINGS ) |
| 385 | 00:36:05,497 | 00:36:08,400 | ( SIGHS ) | ( SIGHS ) |
| 386 | 00:36:57,015 | 00:37:01,453 | ( CALL RINGING ) | ( CALL RINGING ) |
| 387 | 00:37:04,523 | 00:37:08,260 | JILL (OVER PHONE) Hey, it's Jill, still stuck in hell. You know what to do. | JILL (OVER PHONE) Hey, it's Jill, still stuck in hell. You know what to do. |
| 388 | 00:37:08,294 | 00:37:12,798 | Hey, it's me. I just wanted to call and see where you are. | Hey, it's me. I just wanted to call and see where you are. |
| 389 | 00:37:12,831 | 00:37:15,934 | I don't think I missed a call from you today... | I don't think I missed a call from you today... |
| 390 | 00:37:15,967 | 00:37:19,805 | but... blah-- anyway, call me back. | but... blah-- anyway, call me back. |
| 391 | 00:37:28,680 | 00:37:31,717 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 392 | 00:37:45,096 | 00:37:48,567 | ( FLESH TEARING ) | ( FLESH TEARING ) |
| 393 | 00:38:02,448 | 00:38:05,451 | ( EERIE MUSIC CONTINUES ) | ( EERIE MUSIC CONTINUES ) |
| 394 | 00:38:11,823 | 00:38:14,893 | ( MUSIC CHANGES ) | ( MUSIC CHANGES ) |
| 395 | 00:38:16,795 | 00:38:20,432 | This is like the Playboy Mansion. | This is like the Playboy Mansion. |
| 396 | 00:38:20,466 | 00:38:24,736 | Well, that's what happens when you cast in a grocery store in fucking South Dakota. | Well, that's what happens when you cast in a grocery store in fucking South Dakota. |
| 397 | 00:38:26,438 | 00:38:30,542 | And there were obviously no dudes at the store. | And there were obviously no dudes at the store. |
| 398 | 00:38:30,576 | 00:38:32,811 | All girls? | All girls? |
| 399 | 00:38:32,844 | 00:38:35,113 | You couldn't have one sausage for Momma? | You couldn't have one sausage for Momma? |
| 400 | 00:38:35,146 | 00:38:37,115 | Are you gonna take pictures of all these girls? | Are you gonna take pictures of all these girls? |
| 401 | 00:38:37,148 | 00:38:38,116 | [PETER] Unfortunately. | [PETER] Unfortunately. |
| 402 | 00:38:38,149 | 00:38:39,885 | [ROSE] They're terrible. | [ROSE] They're terrible. |
| 403 | 00:38:39,918 | 00:38:41,953 | [PETER] I understand. | [PETER] I understand. |
| 404 | 00:38:41,987 | 00:38:44,990 | Why couldn't the killer have just killed one of them? | Why couldn't the killer have just killed one of them? |
| 405 | 00:38:45,023 | 00:38:49,528 | * Keepin' me up at night All night dreaming * | * Keepin' me up at night All night dreaming * |
| 406 | 00:38:49,561 | 00:38:51,797 | I'd fucking best let Johnny fuck that snake. | I'd fucking best let Johnny fuck that snake. |
| 407 | 00:38:51,830 | 00:38:53,832 | If it was necessary, why not? | If it was necessary, why not? |
| 408 | 00:38:53,865 | 00:38:55,567 | What the fuck is he talking about? You know, bring it on. | What the fuck is he talking about? You know, bring it on. |
| 409 | 00:38:55,601 | 00:38:57,936 | Yeah, I know, dickhead, squeeze and wad and shit. | Yeah, I know, dickhead, squeeze and wad and shit. |
| 410 | 00:38:57,969 | 00:39:01,707 | But if you think about it, it's like they don't even have any fucking arms! | But if you think about it, it's like they don't even have any fucking arms! |
| 411 | 00:39:01,740 | 00:39:03,975 | The sad part is he's gonna get laid. | The sad part is he's gonna get laid. |
| 412 | 00:39:04,009 | 00:39:05,744 | I hope so. | I hope so. |
| 413 | 00:39:09,080 | 00:39:10,916 | What's up? | What's up? |
| 414 | 00:39:10,949 | 00:39:13,785 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 415 | 00:39:52,724 | 00:39:56,728 | * I got a girlfriend She says she loves me * | * I got a girlfriend She says she loves me * |
| 416 | 00:39:56,762 | 00:39:58,564 | Great. | Great. |
| 417 | 00:40:02,067 | 00:40:05,070 | Okay, come here. Here you go. | Okay, come here. Here you go. |
| 418 | 00:40:05,103 | 00:40:08,674 | Just stand right there, and you come and stand right here. | Just stand right there, and you come and stand right here. |
| 419 | 00:40:08,707 | 00:40:10,742 | You-- no, no, you. | You-- no, no, you. |
| 420 | 00:40:14,980 | 00:40:15,947 | Okay. | Okay. |
| 421 | 00:40:19,485 | 00:40:23,121 | I'm just waiting, um, you know, for that moment... | I'm just waiting, um, you know, for that moment... |
| 422 | 00:40:23,154 | 00:40:27,092 | where things go from being completely fucking awful, like now... | where things go from being completely fucking awful, like now... |
| 423 | 00:40:27,125 | 00:40:29,461 | to coming back around to being really good. | to coming back around to being really good. |
| 424 | 00:40:29,495 | 00:40:31,563 | So it shouldn't be that much longer. | So it shouldn't be that much longer. |
| 425 | 00:40:39,538 | 00:40:41,740 | And one, two... look at me. | And one, two... look at me. |
| 426 | 00:40:42,841 | 00:40:44,976 | Very good, get closer. | Very good, get closer. |
| 427 | 00:40:45,010 | 00:40:47,613 | Jesus, are you guys in junior high? | Jesus, are you guys in junior high? |
| 428 | 00:40:49,548 | 00:40:51,717 | What am I doing here? | What am I doing here? |
| 429 | 00:40:56,855 | 00:40:58,624 | Get closer to each other, come on. | Get closer to each other, come on. |
| 430 | 00:40:58,657 | 00:41:00,125 | Closer, closer, closer, closer. | Closer, closer, closer, closer. |
| 431 | 00:41:00,158 | 00:41:02,193 | Get inside of each other, go ahead. | Get inside of each other, go ahead. |
| 432 | 00:41:02,227 | 00:41:04,095 | Fucking yeah, yeah. | Fucking yeah, yeah. |
| 433 | 00:41:06,097 | 00:41:07,065 | Great. | Great. |
| 434 | 00:41:24,182 | 00:41:26,552 | My god, okay. Switch passing thumbs. | My god, okay. Switch passing thumbs. |
| 435 | 00:41:26,585 | 00:41:28,019 | ( DOOR BELL RINGS ) | ( DOOR BELL RINGS ) |
| 436 | 00:41:30,789 | 00:41:34,526 | If it's any more local girls, just tell them we're sold out. | If it's any more local girls, just tell them we're sold out. |
| 437 | 00:41:38,163 | 00:41:39,598 | You guys want some chips? | You guys want some chips? |
| 438 | 00:41:39,631 | 00:41:43,535 | Hey, models don't eat... ever. | Hey, models don't eat... ever. |
| 439 | 00:41:45,103 | 00:41:46,938 | That was so mean, do it again. | That was so mean, do it again. |
| 440 | 00:41:47,939 | 00:41:49,675 | Hi. Hey. | Hi. Hey. |
| 441 | 00:41:49,708 | 00:41:52,578 | Wow, you actually made it, um-- | Wow, you actually made it, um-- |
| 442 | 00:41:52,611 | 00:41:55,714 | Yeah, is-- did I show up too late? | Yeah, is-- did I show up too late? |
| 443 | 00:41:55,747 | 00:41:58,249 | No, no, not at all, it's awesome that you came. | No, no, not at all, it's awesome that you came. |
| 444 | 00:41:58,283 | 00:41:59,718 | Come in. | Come in. |
| 445 | 00:42:02,120 | 00:42:04,656 | I'm sorry I'm late. | I'm sorry I'm late. |
| 446 | 00:42:04,690 | 00:42:08,627 | I was supposed to meet a friend here and I guess she's still at work. | I was supposed to meet a friend here and I guess she's still at work. |
| 447 | 00:42:08,660 | 00:42:10,996 | No, that's fine. Here, come on, we're in here. | No, that's fine. Here, come on, we're in here. |
| 448 | 00:42:11,029 | 00:42:12,864 | This is so much better when you look away. | This is so much better when you look away. |
| 449 | 00:42:12,898 | 00:42:13,999 | I mean it. | I mean it. |
| 450 | 00:42:24,976 | 00:42:30,215 | Petty resentments of the local girl. | Petty resentments of the local girl. |
| 451 | 00:42:30,248 | 00:42:35,220 | Oh, wow, it looks so appealing, all the drinks that no one's bothered to consume yet. | Oh, wow, it looks so appealing, all the drinks that no one's bothered to consume yet. |
| 452 | 00:42:35,253 | 00:42:36,922 | Yeah. | Yeah. |
| 453 | 00:42:36,955 | 00:42:39,324 | Actually... there might be something to it. | Actually... there might be something to it. |
| 454 | 00:42:39,357 | 00:42:41,593 | What are you talking about? | What are you talking about? |
| 455 | 00:42:41,627 | 00:42:45,797 | Yeah, I don't know, I don't even know what I'm really doing here. | Yeah, I don't know, I don't even know what I'm really doing here. |
| 456 | 00:42:45,831 | 00:42:49,134 | ( WHISTLING ) Hey, pretty lady. | ( WHISTLING ) Hey, pretty lady. |
| 457 | 00:42:57,743 | 00:43:02,247 | I'm so sorry, should I perhaps ask for permission... | I'm so sorry, should I perhaps ask for permission... |
| 458 | 00:43:02,280 | 00:43:04,215 | to take your photograph? | to take your photograph? |
| 459 | 00:43:04,249 | 00:43:08,353 | Permission is such a shit word, there's nothing sexy about it. | Permission is such a shit word, there's nothing sexy about it. |
| 460 | 00:43:08,386 | 00:43:10,856 | You know, in my line of work, we don't ask for permission. | You know, in my line of work, we don't ask for permission. |
| 461 | 00:43:10,889 | 00:43:13,058 | Nobody talks to each other about permission. | Nobody talks to each other about permission. |
| 462 | 00:43:13,091 | 00:43:16,027 | What we talk about is release, that's what we give each other. | What we talk about is release, that's what we give each other. |
| 463 | 00:43:16,061 | 00:43:18,296 | Colleen... Peter. | Colleen... Peter. |
| 464 | 00:43:18,329 | 00:43:20,165 | Yeah, I remember. | Yeah, I remember. |
| 465 | 00:43:20,198 | 00:43:21,867 | Whoa! Okay, all right. | Whoa! Okay, all right. |
| 466 | 00:43:21,900 | 00:43:24,402 | Didn't that feel so much better? Okay, there you go. | Didn't that feel so much better? Okay, there you go. |
| 467 | 00:43:24,435 | 00:43:26,905 | It's the release, isn't it? | It's the release, isn't it? |
| 468 | 00:43:26,938 | 00:43:28,974 | It just feels like you can get all of that tightness... | It just feels like you can get all of that tightness... |
| 469 | 00:43:29,007 | 00:43:31,009 | that's inside of you and just let it go. | that's inside of you and just let it go. |
| 470 | 00:43:31,042 | 00:43:33,111 | Whoa. Oh, whoa? | Whoa. Oh, whoa? |
| 471 | 00:43:33,144 | 00:43:35,213 | Yeah, whoa, I don't really like my photo being taken. | Yeah, whoa, I don't really like my photo being taken. |
| 472 | 00:43:35,246 | 00:43:38,016 | Wh-- wh-- I don't like my photo being taken? Why not? | Wh-- wh-- I don't like my photo being taken? Why not? |
| 473 | 00:43:38,049 | 00:43:41,687 | What if I wanted to capture a photograph of you? | What if I wanted to capture a photograph of you? |
| 474 | 00:43:41,720 | 00:43:43,354 | You're being incredibly selfish, don't you think? | You're being incredibly selfish, don't you think? |
| 475 | 00:43:43,388 | 00:43:46,024 | I think you should just give her a second. | I think you should just give her a second. |
| 476 | 00:43:46,057 | 00:43:48,760 | I'm so sorry, you're right. I should at least wait until you have a drink inside of you... | I'm so sorry, you're right. I should at least wait until you have a drink inside of you... |
| 477 | 00:43:48,794 | 00:43:49,961 | shouldn't I? Yes. | shouldn't I? Yes. |
| 478 | 00:43:49,995 | 00:43:51,997 | Okay, please stop. | Okay, please stop. |
| 479 | 00:43:52,030 | 00:43:53,765 | And if you touch the head like that, you're just gonna make it come. | And if you touch the head like that, you're just gonna make it come. |
| 480 | 00:43:53,799 | 00:43:55,867 | Come on, baby, just release! | Come on, baby, just release! |
| 481 | 00:43:55,901 | 00:43:57,836 | Just back the fuck up! Oh! | Just back the fuck up! Oh! |
| 482 | 00:43:57,869 | 00:44:00,305 | What the fuck, bitch? No, no, no, no. | What the fuck, bitch? No, no, no, no. |
| 483 | 00:44:00,338 | 00:44:02,908 | Easy for a second... you okay? | Easy for a second... you okay? |
| 484 | 00:44:07,178 | 00:44:08,814 | Colleen, wait up! | Colleen, wait up! |
| 485 | 00:44:16,054 | 00:44:18,189 | Hey, Colleen! | Hey, Colleen! |
| 486 | 00:44:20,091 | 00:44:21,960 | Are you okay? | Are you okay? |
| 487 | 00:44:21,993 | 00:44:24,796 | Yeah, it takes a whole lot more than that to make me not okay. | Yeah, it takes a whole lot more than that to make me not okay. |
| 488 | 00:44:24,830 | 00:44:27,298 | Yeah, um, Peter, he's-- he's kind of a-- | Yeah, um, Peter, he's-- he's kind of a-- |
| 489 | 00:44:27,332 | 00:44:29,000 | Yeah, I know he is. Yeah. | Yeah, I know he is. Yeah. |
| 490 | 00:44:29,034 | 00:44:31,837 | Well, if you come back in, I'll-- I could talk to him. | Well, if you come back in, I'll-- I could talk to him. |
| 491 | 00:44:31,870 | 00:44:34,272 | Yeah, I have work tomorrow and I don't know where my friend is... | Yeah, I have work tomorrow and I don't know where my friend is... |
| 492 | 00:44:34,305 | 00:44:35,807 | who was supposed to meet me here, so-- | who was supposed to meet me here, so-- |
| 493 | 00:44:35,841 | 00:44:38,243 | Okay, well, I'm sorry. | Okay, well, I'm sorry. |
| 494 | 00:44:38,276 | 00:44:41,112 | You're sorry? For what? | You're sorry? For what? |
| 495 | 00:44:41,146 | 00:44:46,718 | Um, I'm sorry-- I'm sorry for Peter. | Um, I'm sorry-- I'm sorry for Peter. |
| 496 | 00:44:46,752 | 00:44:49,888 | It's kind of my job to be sorry for him. | It's kind of my job to be sorry for him. |
| 497 | 00:44:49,921 | 00:44:52,791 | Well, he's Peter Hemmings or whoever... | Well, he's Peter Hemmings or whoever... |
| 498 | 00:44:52,824 | 00:44:57,428 | so I'm sure he doesn't travel anywhere without his trusty team of apologists. | so I'm sure he doesn't travel anywhere without his trusty team of apologists. |
| 499 | 00:44:57,462 | 00:45:00,065 | Right. Yeah, I know, not your fault. | Right. Yeah, I know, not your fault. |
| 500 | 00:45:00,098 | 00:45:04,002 | Yeah, um, you get service out here? | Yeah, um, you get service out here? |
| 501 | 00:45:04,035 | 00:45:05,804 | No, I don't. | No, I don't. |
| 502 | 00:45:05,837 | 00:45:07,806 | Yeah, shit, me neither, fucking AT&T. | Yeah, shit, me neither, fucking AT&T. |
| 503 | 00:45:07,839 | 00:45:10,375 | Hey, uh, I hate to tell you this.. | Hey, uh, I hate to tell you this.. |
| 504 | 00:45:10,408 | 00:45:15,246 | but what you did in there is just gonna-- it's just gonna make him like you more. | but what you did in there is just gonna-- it's just gonna make him like you more. |
| 505 | 00:45:15,280 | 00:45:17,916 | Yeah, but it was totally worth it. | Yeah, but it was totally worth it. |
| 506 | 00:45:17,949 | 00:45:20,118 | Yeah. | Yeah. |
| 507 | 00:45:38,103 | 00:45:41,807 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 508 | 00:45:55,821 | 00:45:59,057 | ( POLICE RADIO CHATTER ) | ( POLICE RADIO CHATTER ) |
| 509 | 00:46:05,196 | 00:46:09,300 | Are you cold? Mm... yeah, a little. | Are you cold? Mm... yeah, a little. |
| 510 | 00:46:09,334 | 00:46:14,873 | Hey, uh, excuse me, can we get one of those cot blanket things? | Hey, uh, excuse me, can we get one of those cot blanket things? |
| 511 | 00:46:14,906 | 00:46:19,244 | Having seen some movies, I'm pretty sure the guy didn't leave any fingerprints... | Having seen some movies, I'm pretty sure the guy didn't leave any fingerprints... |
| 512 | 00:46:19,277 | 00:46:23,114 | unless he wanted you to find them, in which case it becomes this whole labyrinth-themed... | unless he wanted you to find them, in which case it becomes this whole labyrinth-themed... |
| 513 | 00:46:23,148 | 00:46:25,917 | thing and I'm really not sure you're ready for that, Officer. | thing and I'm really not sure you're ready for that, Officer. |
| 514 | 00:46:25,951 | 00:46:28,086 | Well, we have to do everybody... | Well, we have to do everybody... |
| 515 | 00:46:28,119 | 00:46:30,889 | just in case, just so we can tell theirs from yours. | just in case, just so we can tell theirs from yours. |
| 516 | 00:46:30,922 | 00:46:34,592 | Oh, yeah, I get it. I mean, you know, you might want to just check her prints... | Oh, yeah, I get it. I mean, you know, you might want to just check her prints... |
| 517 | 00:46:34,625 | 00:46:37,462 | since she's the one who touches her own car. | since she's the one who touches her own car. |
| 518 | 00:46:37,495 | 00:46:39,264 | Oh, we already have hers in the file. | Oh, we already have hers in the file. |
| 519 | 00:46:39,297 | 00:46:42,000 | You know, from when she found the other photos? | You know, from when she found the other photos? |
| 520 | 00:46:43,902 | 00:46:47,438 | She found the other pictures that the guy left. | She found the other pictures that the guy left. |
| 521 | 00:46:47,472 | 00:46:51,109 | Of course! Hey, it's cool, man. | Of course! Hey, it's cool, man. |
| 522 | 00:46:51,142 | 00:46:53,979 | I'm not gonna throw you under the bus, Deputy. | I'm not gonna throw you under the bus, Deputy. |
| 523 | 00:46:54,012 | 00:46:56,414 | I understand that you're upset. I can see that. | I understand that you're upset. I can see that. |
| 524 | 00:46:56,447 | 00:47:00,185 | But from where I'm looking at things, nothing happened. | But from where I'm looking at things, nothing happened. |
| 525 | 00:47:00,218 | 00:47:01,987 | And you're okay. | And you're okay. |
| 526 | 00:47:02,020 | 00:47:04,055 | Somebody followed me here... | Somebody followed me here... |
| 527 | 00:47:04,089 | 00:47:06,624 | so he could put that picture in a place where I would be the one to find it. | so he could put that picture in a place where I would be the one to find it. |
| 528 | 00:47:06,657 | 00:47:09,160 | And we are gonna look into that. | And we are gonna look into that. |
| 529 | 00:47:09,194 | 00:47:12,597 | I know this is scary, and we're doing the best we can to figure this out. | I know this is scary, and we're doing the best we can to figure this out. |
| 530 | 00:47:12,630 | 00:47:16,968 | And until that happens, I'll have Daniels escort you home and follow you in his cruiser. | And until that happens, I'll have Daniels escort you home and follow you in his cruiser. |
| 531 | 00:47:17,002 | 00:47:19,304 | Don't even bother. | Don't even bother. |
| 532 | 00:47:22,240 | 00:47:24,242 | Colleen, hey! | Colleen, hey! |
| 533 | 00:47:24,275 | 00:47:25,643 | Are you sure you're gonna be all right? | Are you sure you're gonna be all right? |
| 534 | 00:47:25,676 | 00:47:28,279 | Haven't you heard? I'll be fine. | Haven't you heard? I'll be fine. |
| 535 | 00:47:28,313 | 00:47:31,482 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 536 | 00:47:58,609 | 00:48:01,279 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 537 | 00:48:20,065 | 00:48:21,399 | Oh, shit. | Oh, shit. |
| 538 | 00:48:31,476 | 00:48:34,445 | ( TV PLAYING ) | ( TV PLAYING ) |
| 539 | 00:48:46,391 | 00:48:49,327 | You know, I called you a bunch of times. | You know, I called you a bunch of times. |
| 540 | 00:48:49,360 | 00:48:51,362 | You guys have fun, you and Jill? | You guys have fun, you and Jill? |
| 541 | 00:48:51,396 | 00:48:53,598 | I'm tired, okay? | I'm tired, okay? |
| 542 | 00:48:53,631 | 00:48:55,700 | You're all tired out, because it's special shit all of a sudden? | You're all tired out, because it's special shit all of a sudden? |
| 543 | 00:48:55,733 | 00:49:00,038 | Pretty townie chick, out and about. | Pretty townie chick, out and about. |
| 544 | 00:49:00,071 | 00:49:01,706 | [COLLEEN] I don't want to do this tonight. | [COLLEEN] I don't want to do this tonight. |
| 545 | 00:49:01,739 | 00:49:06,611 | Yeah, what, 'cause you already did some of that LA fag? | Yeah, what, 'cause you already did some of that LA fag? |
| 546 | 00:49:06,644 | 00:49:07,678 | What? | What? |
| 547 | 00:49:07,712 | 00:49:09,680 | What? | What? |
| 548 | 00:49:09,714 | 00:49:11,116 | What are you gonna make him your star? | What are you gonna make him your star? |
| 549 | 00:49:11,149 | 00:49:13,518 | Wait, did you talk to Jill tonight? | Wait, did you talk to Jill tonight? |
| 550 | 00:49:13,551 | 00:49:17,155 | Jill? No, why the fuck would I want to talk to Jill, what, so she can lie to me, too? | Jill? No, why the fuck would I want to talk to Jill, what, so she can lie to me, too? |
| 551 | 00:49:17,188 | 00:49:19,390 | How did you know where I was? | How did you know where I was? |
| 552 | 00:49:19,424 | 00:49:22,560 | How do I know that you fucking lied to me? And went solo to a party? | How do I know that you fucking lied to me? And went solo to a party? |
| 553 | 00:49:22,593 | 00:49:24,129 | What the fuck is wrong with you? | What the fuck is wrong with you? |
| 554 | 00:49:24,162 | 00:49:26,331 | Did you follow me? What are you talking about? | Did you follow me? What are you talking about? |
| 555 | 00:49:26,364 | 00:49:28,666 | Did you put those pictures in places where I could find them? | Did you put those pictures in places where I could find them? |
| 556 | 00:49:28,699 | 00:49:32,070 | Pictures? Is that what you're going on about again, those fucking pictures? | Pictures? Is that what you're going on about again, those fucking pictures? |
| 557 | 00:49:32,103 | 00:49:35,106 | Yes! The one at the store, and the library, and tonight! Did you? | Yes! The one at the store, and the library, and tonight! Did you? |
| 558 | 00:49:35,140 | 00:49:36,174 | Don't be fucking stupid. | Don't be fucking stupid. |
| 559 | 00:49:36,207 | 00:49:38,176 | How did you know where I was? | How did you know where I was? |
| 560 | 00:49:38,209 | 00:49:41,279 | Colleen? Just say it was you, so I can do something about it! | Colleen? Just say it was you, so I can do something about it! |
| 561 | 00:49:41,312 | 00:49:43,781 | Beth Randle fucking texted me when you got there, all right? | Beth Randle fucking texted me when you got there, all right? |
| 562 | 00:49:43,814 | 00:49:46,284 | What is wrong with you? Just-- | What is wrong with you? Just-- |
| 563 | 00:49:48,519 | 00:49:52,057 | You know, you think everything's about you, don't you? | You know, you think everything's about you, don't you? |
| 564 | 00:49:52,090 | 00:49:54,125 | But it's not. | But it's not. |
| 565 | 00:49:54,159 | 00:49:58,629 | See, I see you, Colleen. | See, I see you, Colleen. |
| 566 | 00:49:58,663 | 00:50:02,067 | No, you don't. Now I need you to leave. | No, you don't. Now I need you to leave. |
| 567 | 00:50:19,850 | 00:50:23,054 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 568 | 00:50:34,399 | 00:50:36,033 | What the fuck? | What the fuck? |
| 569 | 00:50:47,278 | 00:50:48,613 | Finally. | Finally. |
| 570 | 00:51:42,800 | 00:51:45,203 | Ben? | Ben? |
| 571 | 00:51:55,213 | 00:51:57,582 | You forgot your wallet, asshole. | You forgot your wallet, asshole. |
| 572 | 00:52:00,718 | 00:52:03,120 | ( DOOR SLAMMING ) | ( DOOR SLAMMING ) |
| 573 | 00:52:17,835 | 00:52:20,771 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 574 | 00:52:36,387 | 00:52:39,624 | ( DRAMATIC MUSIC FADES UP ) | ( DRAMATIC MUSIC FADES UP ) |
| 575 | 00:53:16,594 | 00:53:19,530 | Ah, smells like you're smoking. | Ah, smells like you're smoking. |
| 576 | 00:53:19,564 | 00:53:22,633 | We've moved past that, Chris. | We've moved past that, Chris. |
| 577 | 00:53:22,667 | 00:53:26,003 | We've fucking moved on to bigger things. | We've fucking moved on to bigger things. |
| 578 | 00:53:26,036 | 00:53:30,875 | This girl has found all of the photographs so far. | This girl has found all of the photographs so far. |
| 579 | 00:53:30,908 | 00:53:34,912 | As far as I can tell, any time this guy wants somebody to find the photos, she does. | As far as I can tell, any time this guy wants somebody to find the photos, she does. |
| 580 | 00:53:34,945 | 00:53:37,582 | Coincidence? I don't think so. | Coincidence? I don't think so. |
| 581 | 00:53:37,615 | 00:53:39,284 | Yeah, well that seems pretty obvious, yeah? | Yeah, well that seems pretty obvious, yeah? |
| 582 | 00:53:39,317 | 00:53:42,253 | So why her? I mean, if I'm the cops... | So why her? I mean, if I'm the cops... |
| 583 | 00:53:42,287 | 00:53:43,754 | that's what I'm doing, right? | that's what I'm doing, right? |
| 584 | 00:53:43,788 | 00:53:45,623 | Yeah, I don't think that they're doing anything. | Yeah, I don't think that they're doing anything. |
| 585 | 00:53:45,656 | 00:53:48,359 | It's that whole Dr. Lecter thing, and what do we covet? | It's that whole Dr. Lecter thing, and what do we covet? |
| 586 | 00:53:48,393 | 00:53:50,561 | We covet what we see every day. | We covet what we see every day. |
| 587 | 00:53:50,595 | 00:53:53,631 | Yeah, well, she's the check-out girl. Everyone sees her every day. | Yeah, well, she's the check-out girl. Everyone sees her every day. |
| 588 | 00:53:53,664 | 00:53:56,834 | But somebody sees her differently than everybody else. | But somebody sees her differently than everybody else. |
| 589 | 00:53:56,867 | 00:54:00,605 | To somebody... she's a star. | To somebody... she's a star. |
| 590 | 00:54:00,638 | 00:54:03,808 | If I'm the police, that's what I'm doing. | If I'm the police, that's what I'm doing. |
| 591 | 00:54:03,841 | 00:54:05,976 | But fuck the police! I'm not the police! | But fuck the police! I'm not the police! |
| 592 | 00:54:06,010 | 00:54:08,012 | I'm a fucking artist! | I'm a fucking artist! |
| 593 | 00:54:08,045 | 00:54:12,049 | And it's a very fine line that separates me from our sick-fuck friend. | And it's a very fine line that separates me from our sick-fuck friend. |
| 594 | 00:54:12,082 | 00:54:14,752 | He probably has a PC. | He probably has a PC. |
| 595 | 00:54:19,524 | 00:54:23,928 | Maybe I'm the one who's becoming obsolete. | Maybe I'm the one who's becoming obsolete. |
| 596 | 00:54:23,961 | 00:54:29,700 | Maybe I'm the PC in this relationship. | Maybe I'm the PC in this relationship. |
| 597 | 00:54:29,734 | 00:54:34,472 | Maybe this guy... is a Mac. | Maybe this guy... is a Mac. |
| 598 | 00:54:35,940 | 00:54:37,875 | I don't want any other girls, I want this girl. | I don't want any other girls, I want this girl. |
| 599 | 00:54:37,908 | 00:54:39,444 | I don't want anyone else. | I don't want anyone else. |
| 600 | 00:54:39,477 | 00:54:42,680 | For what? For the big campaign, just her. | For what? For the big campaign, just her. |
| 601 | 00:54:42,713 | 00:54:44,682 | Well, what about the whole "dead models" thing? | Well, what about the whole "dead models" thing? |
| 602 | 00:54:44,715 | 00:54:46,617 | It's been done. We take Colleen out of this shithole... | It's been done. We take Colleen out of this shithole... |
| 603 | 00:54:46,651 | 00:54:49,019 | and shoot her at the studio in LA, that's it. | and shoot her at the studio in LA, that's it. |
| 604 | 00:54:49,053 | 00:54:52,890 | Why the fuck are we here? Use Rose or Vic, why does it absolutely have to be Colleen? | Why the fuck are we here? Use Rose or Vic, why does it absolutely have to be Colleen? |
| 605 | 00:54:52,923 | 00:54:55,526 | So that he can't have her. | So that he can't have her. |
| 606 | 00:54:55,560 | 00:55:01,499 | Nobody makes me feel obsolete. Nobody makes me feel like a fucking Dell computer... | Nobody makes me feel obsolete. Nobody makes me feel like a fucking Dell computer... |
| 607 | 00:55:01,532 | 00:55:02,900 | and gets away with it. | and gets away with it. |
| 608 | 00:55:06,437 | 00:55:08,906 | I want this girl. | I want this girl. |
| 609 | 00:55:08,939 | 00:55:12,777 | And by the way, you do, too. | And by the way, you do, too. |
| 610 | 00:55:12,810 | 00:55:14,979 | So get in line. | So get in line. |
| 611 | 00:55:15,012 | 00:55:19,316 | ( SOFT MUSIC PLAYING ) It's just something I have to do. | ( SOFT MUSIC PLAYING ) It's just something I have to do. |
| 612 | 00:55:21,118 | 00:55:24,855 | I can't stay in this town, it's a lot of stuff. | I can't stay in this town, it's a lot of stuff. |
| 613 | 00:55:24,889 | 00:55:27,492 | Well, you certainly were a bright spot. | Well, you certainly were a bright spot. |
| 614 | 00:55:27,525 | 00:55:29,760 | Not here long enough for us to get to know you, Colleen... | Not here long enough for us to get to know you, Colleen... |
| 615 | 00:55:29,794 | 00:55:32,897 | but a bright spot all the same, everybody sure likes you a lot. | but a bright spot all the same, everybody sure likes you a lot. |
| 616 | 00:55:34,432 | 00:55:36,100 | You know where you're goin'? | You know where you're goin'? |
| 617 | 00:55:36,133 | 00:55:38,869 | Not like I haven't figured it out before. | Not like I haven't figured it out before. |
| 618 | 00:55:38,903 | 00:55:42,440 | All right, your total will be $14.93. | All right, your total will be $14.93. |
| 619 | 00:55:49,780 | 00:55:52,817 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 620 | 00:55:57,455 | 00:55:59,590 | How's it going, Colleen? | How's it going, Colleen? |
| 621 | 00:55:59,624 | 00:56:02,627 | Oh, good, you know, slow. | Oh, good, you know, slow. |
| 622 | 00:56:02,660 | 00:56:04,595 | It's Tom. | It's Tom. |
| 623 | 00:56:04,629 | 00:56:07,765 | Yeah, I know, sorry, I can't seem to really wake up today. | Yeah, I know, sorry, I can't seem to really wake up today. |
| 624 | 00:56:07,798 | 00:56:10,000 | Long night? | Long night? |
| 625 | 00:56:10,034 | 00:56:13,003 | No, not really. | No, not really. |
| 626 | 00:56:13,037 | 00:56:15,973 | Oh, thank you, let me help you there with that. | Oh, thank you, let me help you there with that. |
| 627 | 00:56:16,006 | 00:56:19,744 | Thank you. Have a nice day! | Thank you. Have a nice day! |
| 628 | 00:56:19,777 | 00:56:22,613 | Got any big plans for the weekend? | Got any big plans for the weekend? |
| 629 | 00:56:22,647 | 00:56:25,450 | Uh, probably, I'll just sleep. | Uh, probably, I'll just sleep. |
| 630 | 00:56:25,483 | 00:56:27,117 | That's not much fun. | That's not much fun. |
| 631 | 00:56:27,151 | 00:56:29,554 | Yeah, you're right about that. | Yeah, you're right about that. |
| 632 | 00:56:29,587 | 00:56:34,058 | Prettiest girl in town-- just goin' through a day until it's all over? | Prettiest girl in town-- just goin' through a day until it's all over? |
| 633 | 00:56:34,091 | 00:56:36,794 | It seems like a terrible waste, if you want to ask me. | It seems like a terrible waste, if you want to ask me. |
| 634 | 00:56:38,529 | 00:56:41,866 | Hey, it's none of my business. | Hey, it's none of my business. |
| 635 | 00:56:41,899 | 00:56:44,201 | You know, I'm not really supposed to say this... | You know, I'm not really supposed to say this... |
| 636 | 00:56:44,234 | 00:56:46,837 | but you can buy a whole case of these things at Big Lots. | but you can buy a whole case of these things at Big Lots. |
| 637 | 00:56:46,871 | 00:56:49,640 | Costs about half as much. | Costs about half as much. |
| 638 | 00:56:49,674 | 00:56:55,480 | You know, the truth is I'm not sure my cat's gonna live much longer, so I'd hate to waste it. | You know, the truth is I'm not sure my cat's gonna live much longer, so I'd hate to waste it. |
| 639 | 00:56:55,513 | 00:56:59,016 | Oh, I'm really sorry to hear that. | Oh, I'm really sorry to hear that. |
| 640 | 00:57:01,686 | 00:57:03,521 | Anything else today? | Anything else today? |
| 641 | 00:57:03,554 | 00:57:05,055 | No, that's it for me. | No, that's it for me. |
| 642 | 00:57:05,089 | 00:57:07,992 | All right, your total will be $1.09. | All right, your total will be $1.09. |
| 643 | 00:57:10,728 | 00:57:13,130 | Cool... and let me give you a penny. | Cool... and let me give you a penny. |
| 644 | 00:57:15,065 | 00:57:17,935 | There you go. I'll be seeing you next time, Colleen. | There you go. I'll be seeing you next time, Colleen. |
| 645 | 00:57:20,738 | 00:57:22,673 | Hey. Hey. | Hey. Hey. |
| 646 | 00:57:22,707 | 00:57:25,476 | Ah, you think that we could talk for a second? | Ah, you think that we could talk for a second? |
| 647 | 00:57:44,562 | 00:57:47,932 | You know, she sometimes does her hair up like that? | You know, she sometimes does her hair up like that? |
| 648 | 00:57:47,965 | 00:57:51,101 | It drives me fucking crazy. | It drives me fucking crazy. |
| 649 | 00:57:56,006 | 00:57:57,642 | ( ENGINE STARTING ) | ( ENGINE STARTING ) |
| 650 | 00:57:59,143 | 00:58:02,713 | Do you really think this is a good idea? | Do you really think this is a good idea? |
| 651 | 00:58:02,747 | 00:58:05,983 | No, we can leave her here to die-- | No, we can leave her here to die-- |
| 652 | 00:58:06,016 | 00:58:10,187 | Hey, so, Chris here thinks that I should apologize... | Hey, so, Chris here thinks that I should apologize... |
| 653 | 00:58:10,220 | 00:58:12,557 | for taking your picture... | for taking your picture... |
| 654 | 00:58:12,590 | 00:58:15,793 | or something, I don't-- I was only pretending to pay attention. | or something, I don't-- I was only pretending to pay attention. |
| 655 | 00:58:15,826 | 00:58:17,294 | Why? | Why? |
| 656 | 00:58:17,327 | 00:58:19,630 | Because even when I'm a complete shit... | Because even when I'm a complete shit... |
| 657 | 00:58:19,664 | 00:58:22,199 | I am still a much better option. | I am still a much better option. |
| 658 | 00:58:22,232 | 00:58:24,902 | You stay here and god only knows how many times... | You stay here and god only knows how many times... |
| 659 | 00:58:24,935 | 00:58:28,973 | that guy tries to show you his nasty, nasty pictures. | that guy tries to show you his nasty, nasty pictures. |
| 660 | 00:58:29,006 | 00:58:31,542 | That's the best case scenario. | That's the best case scenario. |
| 661 | 00:58:31,576 | 00:58:33,143 | The worst case scenario... | The worst case scenario... |
| 662 | 00:58:33,177 | 00:58:37,982 | is that you end up in one of those nasty, nasty pictures. | is that you end up in one of those nasty, nasty pictures. |
| 663 | 00:58:38,015 | 00:58:41,051 | Or you come out to LA with me... | Or you come out to LA with me... |
| 664 | 00:58:41,085 | 00:58:44,722 | and make dirty pictures for me for a little walking-around money. | and make dirty pictures for me for a little walking-around money. |
| 665 | 00:58:44,755 | 00:58:48,125 | You don't have to sleep with me. You can if you want to, but it's not a requirement. | You don't have to sleep with me. You can if you want to, but it's not a requirement. |
| 666 | 00:58:48,158 | 00:58:49,994 | I don't give a shit. You can stay in my guest house. | I don't give a shit. You can stay in my guest house. |
| 667 | 00:58:50,027 | 00:58:51,762 | I've never even seen inside the place. | I've never even seen inside the place. |
| 668 | 00:58:51,796 | 00:58:53,598 | It's actually-- it's pretty nice in there. | It's actually-- it's pretty nice in there. |
| 669 | 00:58:53,631 | 00:58:54,865 | Well, yeah, shit! | Well, yeah, shit! |
| 670 | 00:58:54,899 | 00:58:57,067 | Look, I'm just trying to help you, okay? | Look, I'm just trying to help you, okay? |
| 671 | 00:58:57,101 | 00:59:00,805 | It's not like the guy is going to follow you back to LA, all right? | It's not like the guy is going to follow you back to LA, all right? |
| 672 | 00:59:00,838 | 00:59:03,941 | That would be like a shark eating a bunch of people... | That would be like a shark eating a bunch of people... |
| 673 | 00:59:03,974 | 00:59:07,645 | and then getting on a plane, and getting off at the other end of the country... | and then getting on a plane, and getting off at the other end of the country... |
| 674 | 00:59:07,678 | 00:59:09,947 | and then eating more people. | and then eating more people. |
| 675 | 00:59:09,980 | 00:59:12,883 | I mean, serial killers don't board airplanes, they don't go on trips. | I mean, serial killers don't board airplanes, they don't go on trips. |
| 676 | 00:59:12,917 | 00:59:14,118 | Serial killers don't have wallets. | Serial killers don't have wallets. |
| 677 | 00:59:14,151 | 00:59:16,320 | No one's saying that there's-- | No one's saying that there's-- |
| 678 | 00:59:16,353 | 00:59:18,022 | That there's what, a serial killer? What should I call this person? | That there's what, a serial killer? What should I call this person? |
| 679 | 00:59:18,055 | 00:59:21,191 | A man with a plan? A very dedicated individual? | A man with a plan? A very dedicated individual? |
| 680 | 00:59:21,225 | 00:59:22,359 | Why me? | Why me? |
| 681 | 00:59:22,392 | 00:59:25,262 | Does it matter? Yes, it does! | Does it matter? Yes, it does! |
| 682 | 00:59:25,295 | 00:59:28,733 | Will somebody please explain to me why it's such a goddamn chore to be chosen? | Will somebody please explain to me why it's such a goddamn chore to be chosen? |
| 683 | 00:59:28,766 | 00:59:32,036 | You think this is some sort of joke, don't you? | You think this is some sort of joke, don't you? |
| 684 | 00:59:32,069 | 00:59:34,772 | It's not so great to be noticed, you know? | It's not so great to be noticed, you know? |
| 685 | 00:59:34,805 | 00:59:37,041 | It's one thing to be picked out by some fancy photographer... | It's one thing to be picked out by some fancy photographer... |
| 686 | 00:59:37,074 | 00:59:39,209 | but what if it's just some random stranger... | but what if it's just some random stranger... |
| 687 | 00:59:39,243 | 00:59:40,978 | some guy on the street? | some guy on the street? |
| 688 | 00:59:41,011 | 00:59:43,648 | [COLLEEN] That sort of thing doesn't end very well. | [COLLEEN] That sort of thing doesn't end very well. |
| 689 | 00:59:43,681 | 00:59:48,986 | I heard... but you know, this-- | I heard... but you know, this-- |
| 690 | 00:59:49,019 | 00:59:51,722 | This doesn't end very well, either. | This doesn't end very well, either. |
| 691 | 00:59:51,756 | 00:59:54,792 | You still haven't answered my question. | You still haven't answered my question. |
| 692 | 00:59:56,761 | 00:59:59,363 | I chose you... | I chose you... |
| 693 | 00:59:59,396 | 01:00:03,167 | because I haven't had a fresh idea... | because I haven't had a fresh idea... |
| 694 | 01:00:03,200 | 01:00:05,703 | in a long, long time. | in a long, long time. |
| 695 | 01:00:05,736 | 01:00:09,774 | Because I feel old... and tired. | Because I feel old... and tired. |
| 696 | 01:00:09,807 | 01:00:14,979 | And you are neither. | And you are neither. |
| 697 | 01:00:15,012 | 01:00:20,951 | Honestly, I've never heard him say anything like that, ever. | Honestly, I've never heard him say anything like that, ever. |
| 698 | 01:00:22,787 | 01:00:24,354 | Fine. | Fine. |
| 699 | 01:00:26,991 | 01:00:29,426 | When? When? Tonight, now. | When? When? Tonight, now. |
| 700 | 01:00:29,459 | 01:00:32,162 | Tonight we have a slumber party. | Tonight we have a slumber party. |
| 701 | 01:00:32,196 | 01:00:35,065 | A safety-in-numbers slumber party. | A safety-in-numbers slumber party. |
| 702 | 01:00:35,099 | 01:00:40,137 | And tomorrow, we get on the first flight we can back to LA. | And tomorrow, we get on the first flight we can back to LA. |
| 703 | 01:00:40,170 | 01:00:46,643 | I mean, you weren't really planning on living here, were you? | I mean, you weren't really planning on living here, were you? |
| 704 | 01:00:50,715 | 01:00:53,150 | Someone has to come with me to my place, so I can get some stuff. | Someone has to come with me to my place, so I can get some stuff. |
| 705 | 01:00:53,183 | 01:00:55,753 | Chris volunteers his services. | Chris volunteers his services. |
| 706 | 01:00:55,786 | 01:00:57,287 | Yeah. | Yeah. |
| 707 | 01:00:57,321 | 01:01:00,190 | Watch out for Chris here. | Watch out for Chris here. |
| 708 | 01:01:00,224 | 01:01:03,027 | Scientology turned him straight. | Scientology turned him straight. |
| 709 | 01:01:06,196 | 01:01:09,233 | ( ROCK MUSIC PLAYING ) | ( ROCK MUSIC PLAYING ) |
| 710 | 01:01:09,266 | 01:01:10,868 | [CHRIS] So I'm just-- I'm curious... | [CHRIS] So I'm just-- I'm curious... |
| 711 | 01:01:10,901 | 01:01:13,203 | what made you say "yes" back there? | what made you say "yes" back there? |
| 712 | 01:01:13,237 | 01:01:17,074 | [COLLEEN] 'Cause I'm pretty sure I can handle myself. | [COLLEEN] 'Cause I'm pretty sure I can handle myself. |
| 713 | 01:01:21,011 | 01:01:24,849 | Okay, good, he's not here. Who? | Okay, good, he's not here. Who? |
| 714 | 01:01:24,882 | 01:01:27,885 | Um, my boyfriend. | Um, my boyfriend. |
| 715 | 01:01:27,918 | 01:01:30,721 | Oh... cool, yeah. | Oh... cool, yeah. |
| 716 | 01:01:32,823 | 01:01:35,225 | My ex-boyfriend. | My ex-boyfriend. |
| 717 | 01:01:36,426 | 01:01:39,063 | Okay, cool. | Okay, cool. |
| 718 | 01:01:39,096 | 01:01:43,067 | Hey, can you do me a big favor? If you see a black truck, just make sure you honk twice. | Hey, can you do me a big favor? If you see a black truck, just make sure you honk twice. |
| 719 | 01:01:43,100 | 01:01:46,937 | A black truck? Am I on like the lookout here, or I mean, is it-- | A black truck? Am I on like the lookout here, or I mean, is it-- |
| 720 | 01:01:46,971 | 01:01:49,473 | Really? Yeah. Is he big? | Really? Yeah. Is he big? |
| 721 | 01:01:49,506 | 01:01:52,743 | Yeah, he's pretty big, but don't worry, he's a fucking pussy. | Yeah, he's pretty big, but don't worry, he's a fucking pussy. |
| 722 | 01:01:52,777 | 01:01:56,080 | Anyway, I'll just be two seconds. All right, I'll just-- | Anyway, I'll just be two seconds. All right, I'll just-- |
| 723 | 01:01:56,113 | 01:01:57,447 | Don't worry. | Don't worry. |
| 724 | 01:01:59,149 | 01:02:01,451 | I'll just hang out here. | I'll just hang out here. |
| 725 | 01:02:02,953 | 01:02:06,757 | A black truck... shit. | A black truck... shit. |
| 726 | 01:02:06,791 | 01:02:09,760 | ( MUSIC FADES UP ) | ( MUSIC FADES UP ) |
| 727 | 01:02:15,099 | 01:02:18,936 | * But I've made it such a long long time * | * But I've made it such a long long time * |
| 728 | 01:02:27,044 | 01:02:32,516 | * Last night when you came home with someone in your view * | * Last night when you came home with someone in your view * |
| 729 | 01:02:32,549 | 01:02:37,454 | * And you know I've made it for a long long time * | * And you know I've made it for a long long time * |
| 730 | 01:02:37,487 | 01:02:43,861 | * And you know that I have waited such a long long time * | * And you know that I have waited such a long long time * |
| 731 | 01:02:43,894 | 01:02:50,367 | * And you know it that I've waited for a long long time * | * And you know it that I've waited for a long long time * |
| 732 | 01:02:50,400 | 01:02:57,107 | * And you know it that I've waited such a long long time * | * And you know it that I've waited such a long long time * |
| 733 | 01:03:23,367 | 01:03:26,403 | How's Colleen? | How's Colleen? |
| 734 | 01:03:26,436 | 01:03:29,173 | You know, you could have treated her like a star. | You know, you could have treated her like a star. |
| 735 | 01:03:29,206 | 01:03:32,142 | Fuck you! | Fuck you! |
| 736 | 01:03:32,176 | 01:03:38,515 | The thing is, I can't really understand what you're saying. | The thing is, I can't really understand what you're saying. |
| 737 | 01:03:38,548 | 01:03:41,118 | Your mouth just sounds like a dirty cunt. | Your mouth just sounds like a dirty cunt. |
| 738 | 01:03:41,151 | 01:03:44,554 | Should we ask Gerry what he thinks about you? | Should we ask Gerry what he thinks about you? |
| 739 | 01:03:44,588 | 01:03:46,924 | Pussy! | Pussy! |
| 740 | 01:04:00,570 | 01:04:03,040 | Do you like what you see, faggot? | Do you like what you see, faggot? |
| 741 | 01:04:03,073 | 01:04:04,408 | I'll fucking kill you. | I'll fucking kill you. |
| 742 | 01:04:06,243 | 01:04:11,848 | No... I don't think you will. | No... I don't think you will. |
| 743 | 01:04:16,954 | 01:04:22,092 | In an hour, your body is gonna be in two separate trash bags. | In an hour, your body is gonna be in two separate trash bags. |
| 744 | 01:04:26,196 | 01:04:28,498 | You should have treated her better. | You should have treated her better. |
| 745 | 01:04:30,334 | 01:04:32,369 | Fuck you. | Fuck you. |
| 746 | 01:04:44,949 | 01:04:47,985 | ( SOFT MUSIC PLAYING ) | ( SOFT MUSIC PLAYING ) |
| 747 | 01:04:55,492 | 01:04:57,995 | ( LAUGHING ) | ( LAUGHING ) |
| 748 | 01:04:58,028 | 01:05:00,130 | What? | What? |
| 749 | 01:05:00,164 | 01:05:04,368 | I don't know, you, you're angrily packing... | I don't know, you, you're angrily packing... |
| 750 | 01:05:04,401 | 01:05:07,938 | like the girl in a movie who is angrily packing... | like the girl in a movie who is angrily packing... |
| 751 | 01:05:07,972 | 01:05:09,639 | because she's leaving the guy. | because she's leaving the guy. |
| 752 | 01:05:09,673 | 01:05:13,543 | But in reality, we all leaving at the same time... | But in reality, we all leaving at the same time... |
| 753 | 01:05:13,577 | 01:05:18,682 | and we're all going to the same place, and I think that's incredibly funny. | and we're all going to the same place, and I think that's incredibly funny. |
| 754 | 01:05:23,620 | 01:05:25,722 | What's wrong? | What's wrong? |
| 755 | 01:05:25,755 | 01:05:27,524 | You know exactly what's wrong. | You know exactly what's wrong. |
| 756 | 01:05:27,557 | 01:05:29,593 | Okay, remind me. | Okay, remind me. |
| 757 | 01:05:29,626 | 01:05:34,031 | You like that white trash bitch better than you like me... | You like that white trash bitch better than you like me... |
| 758 | 01:05:34,064 | 01:05:38,135 | and it is fucking dumb. | and it is fucking dumb. |
| 759 | 01:05:38,168 | 01:05:40,037 | Colleen? Yeah. | Colleen? Yeah. |
| 760 | 01:05:40,070 | 01:05:41,738 | I haven't even tried her, yet. | I haven't even tried her, yet. |
| 761 | 01:05:41,771 | 01:05:43,740 | Jesus fucking Christ, Peter! | Jesus fucking Christ, Peter! |
| 762 | 01:05:43,773 | 01:05:47,677 | Can't you be serious with me for one goddamn second? | Can't you be serious with me for one goddamn second? |
| 763 | 01:05:47,711 | 01:05:50,247 | One! | One! |
| 764 | 01:05:50,280 | 01:05:51,548 | Hey, come here. No. | Hey, come here. No. |
| 765 | 01:05:51,581 | 01:05:53,383 | Come here, eh! No, fuck you. | Come here, eh! No, fuck you. |
| 766 | 01:05:53,417 | 01:05:56,253 | Come on, come here! I'm sorry, okay? Come here. | Come on, come here! I'm sorry, okay? Come here. |
| 767 | 01:05:56,286 | 01:05:58,522 | Come sit with me. Come here. | Come sit with me. Come here. |
| 768 | 01:05:58,555 | 01:06:00,390 | Come on. | Come on. |
| 769 | 01:06:00,424 | 01:06:01,691 | Where are you gonna go? You're not gonna go anywhere. | Where are you gonna go? You're not gonna go anywhere. |
| 770 | 01:06:01,725 | 01:06:05,129 | Come here. There you go! Come on. | Come here. There you go! Come on. |
| 771 | 01:06:07,597 | 01:06:10,134 | Don't fucking patronize me. | Don't fucking patronize me. |
| 772 | 01:06:10,167 | 01:06:11,735 | You know what that word means, sweetie? | You know what that word means, sweetie? |
| 773 | 01:06:11,768 | 01:06:14,638 | Fuckin-- Come here. | Fuckin-- Come here. |
| 774 | 01:06:16,040 | 01:06:17,407 | There you go. | There you go. |
| 775 | 01:06:17,441 | 01:06:19,643 | I hate you sometimes. | I hate you sometimes. |
| 776 | 01:06:19,676 | 01:06:24,081 | I hate you so much some times, too. | I hate you so much some times, too. |
| 777 | 01:06:24,114 | 01:06:26,550 | I'm sorry, okay, I'm sorry, you're right. | I'm sorry, okay, I'm sorry, you're right. |
| 778 | 01:06:26,583 | 01:06:29,219 | I do like her more than you. | I do like her more than you. |
| 779 | 01:06:29,253 | 01:06:31,188 | Motherfucker! | Motherfucker! |
| 780 | 01:06:34,258 | 01:06:35,559 | Ow! Huh? | Ow! Huh? |
| 781 | 01:06:35,592 | 01:06:37,294 | I sat on something hard, hang on. | I sat on something hard, hang on. |
| 782 | 01:06:37,327 | 01:06:38,562 | Do you need me to get up? No, no, no, stay right there. | Do you need me to get up? No, no, no, stay right there. |
| 783 | 01:06:38,595 | 01:06:40,597 | Okay. Ow, what is this? | Okay. Ow, what is this? |
| 784 | 01:06:40,630 | 01:06:43,767 | Oh, look... | Oh, look... |
| 785 | 01:06:43,800 | 01:06:48,505 | it's a very, very, cheap bottle of wine. | it's a very, very, cheap bottle of wine. |
| 786 | 01:06:48,538 | 01:06:52,509 | And how the fuck did that get there? | And how the fuck did that get there? |
| 787 | 01:06:52,542 | 01:06:58,615 | A little birdie told me that when you drink cheap wine... | A little birdie told me that when you drink cheap wine... |
| 788 | 01:06:58,648 | 01:07:02,519 | it makes you want to fuck. | it makes you want to fuck. |
| 789 | 01:07:02,552 | 01:07:04,588 | See? Mm. | See? Mm. |
| 790 | 01:07:04,621 | 01:07:08,425 | When you talk, I listen. | When you talk, I listen. |
| 791 | 01:07:14,331 | 01:07:17,801 | Aren't you so fucking sweet. | Aren't you so fucking sweet. |
| 792 | 01:07:21,838 | 01:07:25,609 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 793 | 01:07:49,699 | 01:07:55,139 | * Telling stories that no one believes * | * Telling stories that no one believes * |
| 794 | 01:07:55,172 | 01:07:57,707 | * To the trees | * To the trees |
| 795 | 01:08:00,677 | 01:08:04,614 | * Secrets of witches and thieves * | * Secrets of witches and thieves * |
| 796 | 01:08:04,648 | 01:08:07,184 | Whoa! This place is really nice. | Whoa! This place is really nice. |
| 797 | 01:08:07,217 | 01:08:09,619 | Yeah, yeah, I found it online. | Yeah, yeah, I found it online. |
| 798 | 01:08:09,653 | 01:08:14,090 | It's just a rental, but yeah, it's definitely really nice. | It's just a rental, but yeah, it's definitely really nice. |
| 799 | 01:08:18,295 | 01:08:21,498 | You know, I'm just gonna-- I'm gonna sleep on the couch downstairs. | You know, I'm just gonna-- I'm gonna sleep on the couch downstairs. |
| 800 | 01:08:21,531 | 01:08:23,767 | It's-- it's okay, it's just for tonight. | It's-- it's okay, it's just for tonight. |
| 801 | 01:08:23,800 | 01:08:26,136 | No, it's-- it's fine. | No, it's-- it's fine. |
| 802 | 01:08:26,170 | 01:08:29,606 | Uh, yeah, yeah, totally, um-- | Uh, yeah, yeah, totally, um-- |
| 803 | 01:08:29,639 | 01:08:32,476 | Let me just get this crap out of the way. | Let me just get this crap out of the way. |
| 804 | 01:08:32,509 | 01:08:33,910 | All right. | All right. |
| 805 | 01:08:33,943 | 01:08:37,347 | Hey. Hello. | Hey. Hello. |
| 806 | 01:08:37,381 | 01:08:38,415 | Yeah. | Yeah. |
| 807 | 01:08:43,820 | 01:08:45,555 | Yeah... almost. Are you okay? | Yeah... almost. Are you okay? |
| 808 | 01:08:45,589 | 01:08:47,191 | There, could you just roll some more? | There, could you just roll some more? |
| 809 | 01:08:47,224 | 01:08:49,293 | Where? This-- this way? Yeah. | Where? This-- this way? Yeah. |
| 810 | 01:08:49,326 | 01:08:51,661 | Mm-hm. All right? | Mm-hm. All right? |
| 811 | 01:08:51,695 | 01:08:55,232 | Good now. Okay, then good, yeah? | Good now. Okay, then good, yeah? |
| 812 | 01:08:56,766 | 01:09:01,238 | Yeah, oh yeah, baby, just like that! | Yeah, oh yeah, baby, just like that! |
| 813 | 01:09:01,271 | 01:09:03,473 | [COLLEEN] Jesus, I look pissed. | [COLLEEN] Jesus, I look pissed. |
| 814 | 01:09:03,507 | 01:09:05,942 | Well, weren't you pissed? | Well, weren't you pissed? |
| 815 | 01:09:05,975 | 01:09:09,179 | Yes... I guess the camera never lies. | Yes... I guess the camera never lies. |
| 816 | 01:09:09,213 | 01:09:11,248 | Yeah, actually it always lies. | Yeah, actually it always lies. |
| 817 | 01:09:11,281 | 01:09:14,251 | Once you take a photo of something, it's no longer the truth... | Once you take a photo of something, it's no longer the truth... |
| 818 | 01:09:14,284 | 01:09:15,752 | it's just kind of like a version of the truth... | it's just kind of like a version of the truth... |
| 819 | 01:09:15,785 | 01:09:17,954 | which is basically like saying it's a lie. | which is basically like saying it's a lie. |
| 820 | 01:09:17,987 | 01:09:20,857 | * I drive far away | * I drive far away |
| 821 | 01:09:20,890 | 01:09:23,427 | I bet you say that to all the girls. | I bet you say that to all the girls. |
| 822 | 01:09:23,460 | 01:09:24,961 | Did it work? No. | Did it work? No. |
| 823 | 01:09:24,994 | 01:09:26,330 | Okay. | Okay. |
| 824 | 01:09:26,363 | 01:09:27,897 | So, you like what you see? | So, you like what you see? |
| 825 | 01:09:27,931 | 01:09:29,233 | Oh, you look amazing. | Oh, you look amazing. |
| 826 | 01:09:29,266 | 01:09:32,502 | Mm, oh... I know. | Mm, oh... I know. |
| 827 | 01:09:33,737 | 01:09:37,341 | So don't ask me to-- Mm. | So don't ask me to-- Mm. |
| 828 | 01:09:37,374 | 01:09:40,644 | I shouldn't even be showing you these. Peter never lets anyone see an unedited batch... | I shouldn't even be showing you these. Peter never lets anyone see an unedited batch... |
| 829 | 01:09:40,677 | 01:09:42,646 | especially not the model. | especially not the model. |
| 830 | 01:09:42,679 | 01:09:45,215 | Is that what I am now? | Is that what I am now? |
| 831 | 01:09:45,249 | 01:09:48,352 | Uh, well, if you're gonna get paid to have Peter Hemmings take your photo... | Uh, well, if you're gonna get paid to have Peter Hemmings take your photo... |
| 832 | 01:09:48,385 | 01:09:50,487 | then yeah, people are gonna start to call you that. | then yeah, people are gonna start to call you that. |
| 833 | 01:09:50,520 | 01:09:52,322 | It could be worse. | It could be worse. |
| 834 | 01:09:52,356 | 01:09:55,559 | Okay, I guess I just don't like the idea of living off of my-- | Okay, I guess I just don't like the idea of living off of my-- |
| 835 | 01:09:55,592 | 01:09:57,394 | Your looks? Yeah. | Your looks? Yeah. |
| 836 | 01:09:57,427 | 01:10:02,466 | I guess that any girl who thinks it's enough to be pretty is-- | I guess that any girl who thinks it's enough to be pretty is-- |
| 837 | 01:10:02,499 | 01:10:04,968 | Yeah, I don't know what you would call that. | Yeah, I don't know what you would call that. |
| 838 | 01:10:05,001 | 01:10:07,904 | I'm pretty sure it's called a model. | I'm pretty sure it's called a model. |
| 839 | 01:10:07,937 | 01:10:09,005 | I think. Yeah. | I think. Yeah. |
| 840 | 01:10:09,038 | 01:10:10,607 | Yeah. A model, Jesus-- | Yeah. A model, Jesus-- |
| 841 | 01:10:12,342 | 01:10:14,344 | Well, what else do you want to do? | Well, what else do you want to do? |
| 842 | 01:10:15,679 | 01:10:17,981 | Nothing, never mind. | Nothing, never mind. |
| 843 | 01:10:18,014 | 01:10:21,318 | That's a whole different conversation for some other time. | That's a whole different conversation for some other time. |
| 844 | 01:10:23,420 | 01:10:25,855 | So, am I gonna get to talk to you another time? | So, am I gonna get to talk to you another time? |
| 845 | 01:10:25,889 | 01:10:28,692 | I got time. | I got time. |
| 846 | 01:10:30,594 | 01:10:33,497 | Whoa! Who's-- who's Kelly? | Whoa! Who's-- who's Kelly? |
| 847 | 01:10:33,530 | 01:10:36,833 | [CHRIS] Uh, Kelly's a-- she's just a friend. | [CHRIS] Uh, Kelly's a-- she's just a friend. |
| 848 | 01:10:36,866 | 01:10:41,871 | She must be a really good friend, she has her own album thing. | She must be a really good friend, she has her own album thing. |
| 849 | 01:10:41,905 | 01:10:44,741 | Uh, yeah, she does, doesn't she? | Uh, yeah, she does, doesn't she? |
| 850 | 01:10:44,774 | 01:10:49,479 | Um, last time I checked, she changed her relationship status, so-- | Um, last time I checked, she changed her relationship status, so-- |
| 851 | 01:10:49,513 | 01:10:53,049 | Okay, I get it, that makes it official. | Okay, I get it, that makes it official. |
| 852 | 01:10:53,082 | 01:10:55,352 | I'm single now. | I'm single now. |
| 853 | 01:10:55,385 | 01:10:59,923 | Oh, yeah! Fuck me! Fuck me like a puppy! | Oh, yeah! Fuck me! Fuck me like a puppy! |
| 854 | 01:10:59,956 | 01:11:03,393 | Oh! Mm! Yes, yes! | Oh! Mm! Yes, yes! |
| 855 | 01:11:03,427 | 01:11:07,897 | [VICTORIA] Deeper, harder, harder! | [VICTORIA] Deeper, harder, harder! |
| 856 | 01:11:07,931 | 01:11:10,400 | They uh-- Uh-- | They uh-- Uh-- |
| 857 | 01:11:10,434 | 01:11:13,303 | Yeah, I'm gonna shut the door. I don't think we should listen to that. | Yeah, I'm gonna shut the door. I don't think we should listen to that. |
| 858 | 01:11:13,337 | 01:11:15,805 | It's fine, we're both adults, right? | It's fine, we're both adults, right? |
| 859 | 01:11:17,807 | 01:11:21,778 | Yeah, yeah, totally, um-- | Yeah, yeah, totally, um-- |
| 860 | 01:11:21,811 | 01:11:23,380 | I'm still gonna shut it, though. | I'm still gonna shut it, though. |
| 861 | 01:11:24,348 | 01:11:25,782 | ( DOOR CLOSES ) | ( DOOR CLOSES ) |
| 862 | 01:11:28,485 | 01:11:32,322 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 863 | 01:11:37,794 | 01:11:41,064 | [PETER] That's the spirit! Fuckin' dumb-dumbs. | [PETER] That's the spirit! Fuckin' dumb-dumbs. |
| 864 | 01:11:42,098 | 01:11:46,002 | ( MUFFLED SHOUTING ) | ( MUFFLED SHOUTING ) |
| 865 | 01:11:46,035 | 01:11:49,639 | Did she just say, "Fuck me like a walrus?" | Did she just say, "Fuck me like a walrus?" |
| 866 | 01:11:49,673 | 01:11:52,676 | I knew that girl had body issues. | I knew that girl had body issues. |
| 867 | 01:11:52,709 | 01:11:54,711 | You want some? | You want some? |
| 868 | 01:11:54,744 | 01:11:57,881 | No, it's the fucking local shit, it's horrible. | No, it's the fucking local shit, it's horrible. |
| 869 | 01:11:57,914 | 01:11:59,616 | Whatever. | Whatever. |
| 870 | 01:12:02,752 | 01:12:04,721 | Let's go drown in the hot tub. | Let's go drown in the hot tub. |
| 871 | 01:12:06,155 | 01:12:07,957 | Right now? Yeah. | Right now? Yeah. |
| 872 | 01:12:11,060 | 01:12:15,098 | No! Do not bring your fucking camera! | No! Do not bring your fucking camera! |
| 873 | 01:12:18,968 | 01:12:22,772 | ( VICTORIA MOANING ) | ( VICTORIA MOANING ) |
| 874 | 01:12:22,806 | 01:12:26,543 | Hey, hey? What are you doing? | Hey, hey? What are you doing? |
| 875 | 01:12:26,576 | 01:12:29,713 | Uh-- No, come on, it's hot tub time. | Uh-- No, come on, it's hot tub time. |
| 876 | 01:12:29,746 | 01:12:31,381 | All right. Yeah. Okay? | All right. Yeah. Okay? |
| 877 | 01:12:31,415 | 01:12:33,016 | It's the hot tub time. | It's the hot tub time. |
| 878 | 01:12:41,425 | 01:12:44,728 | ( SANDALS FLAPPING ) ( CHUCKLING ) | ( SANDALS FLAPPING ) ( CHUCKLING ) |
| 879 | 01:12:44,761 | 01:12:47,731 | You sound like a duck who got run over. | You sound like a duck who got run over. |
| 880 | 01:12:47,764 | 01:12:51,968 | Actually you sound like a grandfather clock jerking off. | Actually you sound like a grandfather clock jerking off. |
| 881 | 01:12:52,001 | 01:12:54,971 | Oh, well, you look like a grandfather when you jerk off. | Oh, well, you look like a grandfather when you jerk off. |
| 882 | 01:12:55,004 | 01:12:57,874 | ( MIMICS CHUCKLE ) | ( MIMICS CHUCKLE ) |
| 883 | 01:12:57,907 | 01:13:00,944 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 884 | 01:13:19,095 | 01:13:22,098 | Fucking perfect. | Fucking perfect. |
| 885 | 01:13:25,735 | 01:13:28,738 | ( CAMERA SHUTTER CLICKING ) | ( CAMERA SHUTTER CLICKING ) |
| 886 | 01:13:28,772 | 01:13:30,607 | Yeah. | Yeah. |
| 887 | 01:13:30,640 | 01:13:33,142 | Wait, don't you need to use a flash? | Wait, don't you need to use a flash? |
| 888 | 01:13:33,176 | 01:13:36,513 | Hey, I'm the professional, all right? | Hey, I'm the professional, all right? |
| 889 | 01:13:36,546 | 01:13:38,882 | Okay... right. | Okay... right. |
| 890 | 01:13:38,915 | 01:13:41,685 | [PETER] The fucking flash here. | [PETER] The fucking flash here. |
| 891 | 01:13:41,718 | 01:13:45,154 | Did it go off? ( CAMERA SHUTTER CLICKING ) | Did it go off? ( CAMERA SHUTTER CLICKING ) |
| 892 | 01:13:46,890 | 01:13:50,894 | [PETER] Turn around a little bit. Oh, yeah. | [PETER] Turn around a little bit. Oh, yeah. |
| 893 | 01:13:55,231 | 01:13:58,468 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 894 | 01:14:03,139 | 01:14:07,677 | Yeah, stay like that. Come on, show me your pussy. | Yeah, stay like that. Come on, show me your pussy. |
| 895 | 01:14:07,711 | 01:14:09,979 | Okay, can you stop? | Okay, can you stop? |
| 896 | 01:14:12,181 | 01:14:13,783 | [PETER] One more. | [PETER] One more. |
| 897 | 01:14:18,254 | 01:14:20,690 | ( FLESH TEARING ) | ( FLESH TEARING ) |
| 898 | 01:14:20,724 | 01:14:22,759 | ( MUFFLED GROANING ) | ( MUFFLED GROANING ) |
| 899 | 01:14:25,795 | 01:14:27,864 | ( MUFFLED YELLING ) | ( MUFFLED YELLING ) |
| 900 | 01:14:29,633 | 01:14:30,867 | What are you doing? | What are you doing? |
| 901 | 01:14:41,310 | 01:14:43,547 | Peter! | Peter! |
| 902 | 01:14:45,749 | 01:14:47,817 | [ROSE] Where are you? | [ROSE] Where are you? |
| 903 | 01:14:52,756 | 01:14:55,792 | ( CAMERA SHUTTER CLICKING ) [ROSE] Are you coming in? | ( CAMERA SHUTTER CLICKING ) [ROSE] Are you coming in? |
| 904 | 01:14:57,160 | 01:15:00,997 | Hey! There you are. | Hey! There you are. |
| 905 | 01:15:03,132 | 01:15:04,701 | Hey. | Hey. |
| 906 | 01:15:05,902 | 01:15:07,871 | Where'd you-- hey! | Where'd you-- hey! |
| 907 | 01:15:07,904 | 01:15:10,907 | Jesus, man! | Jesus, man! |
| 908 | 01:15:10,940 | 01:15:13,643 | Peter! Knock it off! Hey! | Peter! Knock it off! Hey! |
| 909 | 01:15:13,677 | 01:15:18,548 | You're hurting my eyes, Peter. Jesus! | You're hurting my eyes, Peter. Jesus! |
| 910 | 01:15:18,582 | 01:15:23,753 | I just wanted to spend one night, one night like a regular couple. | I just wanted to spend one night, one night like a regular couple. |
| 911 | 01:15:25,955 | 01:15:27,657 | Peter! | Peter! |
| 912 | 01:15:31,294 | 01:15:32,596 | Peter? | Peter? |
| 913 | 01:15:36,866 | 01:15:40,904 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 914 | 01:15:40,937 | 01:15:43,873 | ( MUFFLED SCREAMING ) | ( MUFFLED SCREAMING ) |
| 915 | 01:15:51,080 | 01:15:52,916 | ( NECK SNAPPING ) | ( NECK SNAPPING ) |
| 916 | 01:16:05,662 | 01:16:08,632 | [CHRIS] Don't even tell me you have service, because I'll lose my shit. | [CHRIS] Don't even tell me you have service, because I'll lose my shit. |
| 917 | 01:16:08,665 | 01:16:11,067 | No, I have nothing, but I have to make a call. | No, I have nothing, but I have to make a call. |
| 918 | 01:16:11,100 | 01:16:14,738 | Okay, there's a landline in the kitchen, if it doesn't work. | Okay, there's a landline in the kitchen, if it doesn't work. |
| 919 | 01:16:14,771 | 01:16:17,106 | Thanks. | Thanks. |
| 920 | 01:16:17,140 | 01:16:18,908 | Yeah. | Yeah. |
| 921 | 01:16:25,281 | 01:16:28,251 | ( EERIE MUSIC PLAYING ) | ( EERIE MUSIC PLAYING ) |
| 922 | 01:16:35,058 | 01:16:38,094 | ( CALL RINGING ) | ( CALL RINGING ) |
| 923 | 01:16:38,127 | 01:16:41,798 | Hey, it's Jill, still stuck in hell, you know what to do. | Hey, it's Jill, still stuck in hell, you know what to do. |
| 924 | 01:16:41,831 | 01:16:44,400 | Hey, it's me! | Hey, it's me! |
| 925 | 01:16:44,433 | 01:16:47,637 | Again, I don't know where you are, or if you're okay... | Again, I don't know where you are, or if you're okay... |
| 926 | 01:16:47,671 | 01:16:52,942 | or maybe just in one of your funks, but I wanted to-- | or maybe just in one of your funks, but I wanted to-- |
| 927 | 01:16:52,976 | 01:16:57,146 | I don't know how to say this, but, um, I wanted to talk... | I don't know how to say this, but, um, I wanted to talk... |
| 928 | 01:16:57,180 | 01:17:00,216 | because well, it's too long to leave on a message... | because well, it's too long to leave on a message... |
| 929 | 01:17:00,249 | 01:17:07,056 | but I was thinking of taking off... leaving town. | but I was thinking of taking off... leaving town. |
| 930 | 01:17:09,192 | 01:17:15,298 | Anyway, uh, text me, call me... | Anyway, uh, text me, call me... |
| 931 | 01:17:15,331 | 01:17:18,067 | um, and don't be weird. | um, and don't be weird. |
| 932 | 01:17:19,836 | 01:17:22,171 | Okay, bye. | Okay, bye. |
| 933 | 01:17:27,376 | 01:17:30,747 | Yeah, baby! All night long, huh? | Yeah, baby! All night long, huh? |
| 934 | 01:17:30,780 | 01:17:32,916 | One minute at a time. | One minute at a time. |
| 935 | 01:17:32,949 | 01:17:35,752 | You need any more? I got more. | You need any more? I got more. |
| 936 | 01:17:35,785 | 01:17:37,787 | Just give me five minutes. | Just give me five minutes. |
| 937 | 01:17:37,821 | 01:17:38,922 | That's doubtful. | That's doubtful. |
| 938 | 01:17:38,955 | 01:17:43,092 | Okay? Just five minutes. Yeah. | Okay? Just five minutes. Yeah. |
| 939 | 01:17:58,107 | 01:18:00,009 | You asshole. | You asshole. |
| 940 | 01:18:07,784 | 01:18:10,353 | VICTORIA (ON RECORDING): So, you like what you see? | VICTORIA (ON RECORDING): So, you like what you see? |
| 941 | 01:18:10,386 | 01:18:13,256 | TRIP (ON RECORDING): You look amazing. | TRIP (ON RECORDING): You look amazing. |
| 942 | 01:18:13,289 | 01:18:15,024 | VICTORIA (ON RECORDING): Oh, I know. | VICTORIA (ON RECORDING): Oh, I know. |
| 943 | 01:18:15,058 | 01:18:16,893 | TRIP (ON RECORDING): So don't ask me that? | TRIP (ON RECORDING): So don't ask me that? |
| 944 | 01:18:23,166 | 01:18:26,803 | ( MOANING ) | ( MOANING ) |
| 945 | 01:18:29,773 | 01:18:32,776 | Yeah, yeah. | Yeah, yeah. |
| 946 | 01:19:03,572 | 01:19:09,345 | VICTORIA (ON RECORDING): Hate me! Oh, fuck! | VICTORIA (ON RECORDING): Hate me! Oh, fuck! |
| 947 | 01:19:09,378 | 01:19:15,018 | Come on, come on! Oh, yeah! Yes! | Come on, come on! Oh, yeah! Yes! |
| 948 | 01:19:42,278 | 01:19:45,248 | ( VICTORIA MOANING ) | ( VICTORIA MOANING ) |
| 949 | 01:19:53,389 | 01:19:58,027 | One is-- no, no, you can't fucking play that. | One is-- no, no, you can't fucking play that. |
| 950 | 01:20:00,296 | 01:20:02,832 | Hey. | Hey. |
| 951 | 01:20:02,866 | 01:20:06,269 | Yeah, I don't-- I don't know. It's-- I don't-- | Yeah, I don't-- I don't know. It's-- I don't-- |
| 952 | 01:20:06,302 | 01:20:10,539 | Okay, so I know this might sound lame, but I think I might go to bed. | Okay, so I know this might sound lame, but I think I might go to bed. |
| 953 | 01:20:10,573 | 01:20:12,141 | Is that lame? | Is that lame? |
| 954 | 01:20:12,175 | 01:20:13,877 | No, no, it's not lame at all. | No, no, it's not lame at all. |
| 955 | 01:20:13,910 | 01:20:15,444 | I mean, you can stay up or whatever. | I mean, you can stay up or whatever. |
| 956 | 01:20:15,478 | 01:20:18,882 | Yeah, is it cool, will the computer screen keep you up? | Yeah, is it cool, will the computer screen keep you up? |
| 957 | 01:20:18,915 | 01:20:21,350 | No, not at all, it's cool. | No, not at all, it's cool. |
| 958 | 01:20:21,384 | 01:20:24,353 | I can go downst-- I don't mind, I can finish up and-- | I can go downst-- I don't mind, I can finish up and-- |
| 959 | 01:20:25,521 | 01:20:27,456 | Yeah, I'm gonna go downstairs. | Yeah, I'm gonna go downstairs. |
| 960 | 01:20:27,490 | 01:20:31,160 | Oh, okay, you don't have to, I can just turn over to the other side. | Oh, okay, you don't have to, I can just turn over to the other side. |
| 961 | 01:20:31,194 | 01:20:33,096 | It's fine, I'll just um-- Are you sure? | It's fine, I'll just um-- Are you sure? |
| 962 | 01:20:33,129 | 01:20:36,532 | Yeah, yeah, so you can just chill and get some sleep. | Yeah, yeah, so you can just chill and get some sleep. |
| 963 | 01:20:36,565 | 01:20:40,536 | And it's totally fine, um-- sleep well. | And it's totally fine, um-- sleep well. |
| 964 | 01:20:40,569 | 01:20:43,472 | Thanks for showing me those pictures. | Thanks for showing me those pictures. |
| 965 | 01:20:43,506 | 01:20:47,043 | Yeah, of course, they're great pictures. | Yeah, of course, they're great pictures. |
| 966 | 01:20:47,076 | 01:20:48,878 | All right, you sure you're gonna be cool? | All right, you sure you're gonna be cool? |
| 967 | 01:20:48,912 | 01:20:51,047 | Yeah. | Yeah. |
| 968 | 01:20:51,080 | 01:20:54,350 | All right, let me know if you need anything, I'll be down there. | All right, let me know if you need anything, I'll be down there. |
| 969 | 01:20:56,052 | 01:20:58,521 | Goodnight. All right, goodnight. | Goodnight. All right, goodnight. |
| 970 | 01:21:07,263 | 01:21:12,101 | ( CAMERA SHUTTER CLICKING ) ( SCOFFS ) | ( CAMERA SHUTTER CLICKING ) ( SCOFFS ) |
| 971 | 01:21:17,440 | 01:21:19,308 | Hey, Peter! | Hey, Peter! |
| 972 | 01:21:20,576 | 01:21:23,012 | Peter! | Peter! |
| 973 | 01:21:34,557 | 01:21:37,660 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 974 | 01:22:18,767 | 01:22:20,369 | Rose! | Rose! |
| 975 | 01:22:24,273 | 01:22:27,376 | Rose! Hey! | Rose! Hey! |
| 976 | 01:22:32,015 | 01:22:34,517 | Rose! | Rose! |
| 977 | 01:22:34,550 | 01:22:36,252 | What the fuck? | What the fuck? |
| 978 | 01:22:44,227 | 01:22:47,296 | ( DRAMATIC MUSIC FADES UP ) | ( DRAMATIC MUSIC FADES UP ) |
| 979 | 01:22:52,168 | 01:22:53,402 | Agh! | Agh! |
| 980 | 01:23:01,544 | 01:23:03,979 | Peter! | Peter! |
| 981 | 01:23:54,630 | 01:23:56,365 | [CHRIS] Colleen! | [CHRIS] Colleen! |
| 982 | 01:24:08,344 | 01:24:10,779 | Peter! | Peter! |
| 983 | 01:24:17,286 | 01:24:18,654 | Trip? | Trip? |
| 984 | 01:24:27,496 | 01:24:29,398 | Guys! | Guys! |
| 985 | 01:24:30,533 | 01:24:32,735 | This isn't funny! | This isn't funny! |
| 986 | 01:24:32,768 | 01:24:35,104 | [TOM] Not yet, Colleen. | [TOM] Not yet, Colleen. |
| 987 | 01:24:51,320 | 01:24:53,289 | Fuck. [CHRIS] Victoria? | Fuck. [CHRIS] Victoria? |
| 988 | 01:25:40,903 | 01:25:43,639 | [TOM] You weren't really thinking about leaving, were you? | [TOM] You weren't really thinking about leaving, were you? |
| 989 | 01:25:48,277 | 01:25:50,479 | Nobody ever leaves. | Nobody ever leaves. |
| 990 | 01:25:58,987 | 01:26:02,258 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 991 | 01:26:30,853 | 01:26:32,921 | ( DOOR HANDLE CLICKS ) | ( DOOR HANDLE CLICKS ) |
| 992 | 01:26:32,955 | 01:26:37,526 | [TOM] This is your big moment. | [TOM] This is your big moment. |
| 993 | 01:27:03,986 | 01:27:07,790 | ( OMINOUS MUSIC PLAYING ) | ( OMINOUS MUSIC PLAYING ) |
| 994 | 01:27:36,519 | 01:27:39,254 | ( MUSIC FADES UP ) | ( MUSIC FADES UP ) |
| 995 | 01:28:21,364 | 01:28:24,733 | ( MUSIC FADES HIGHER ) | ( MUSIC FADES HIGHER ) |
| 996 | 01:29:26,595 | 01:29:27,796 | ( GASPING ) | ( GASPING ) |
| 997 | 01:29:36,439 | 01:29:37,940 | Oh. | Oh. |
| 998 | 01:29:41,043 | 01:29:45,180 | It's okay. Colleen, it's okay. | It's okay. Colleen, it's okay. |
| 999 | 01:29:45,213 | 01:29:49,084 | Colleen, Colleen, it's okay. Colleen? | Colleen, Colleen, it's okay. Colleen? |
| 1000 | 01:29:49,117 | 01:29:51,954 | It's me... it's Tom. | It's me... it's Tom. |
| 1001 | 01:29:51,987 | 01:29:55,390 | ( EERIE MUSIC FADES UP ) | ( EERIE MUSIC FADES UP ) |
| 1002 | 01:30:05,568 | 01:30:07,836 | Colleen? | Colleen? |
| 1003 | 01:30:09,872 | 01:30:11,774 | Colleen? | Colleen? |
| 1004 | 01:30:11,807 | 01:30:14,943 | Colleen, can you look at me? | Colleen, can you look at me? |
| 1005 | 01:30:14,977 | 01:30:16,945 | ( SOBBING ) | ( SOBBING ) |
| 1006 | 01:30:25,220 | 01:30:27,590 | Wow, you look real good, Colleen. | Wow, you look real good, Colleen. |
| 1007 | 01:30:30,993 | 01:30:35,030 | We want to try one, but with your-- your hair up. | We want to try one, but with your-- your hair up. |
| 1008 | 01:30:43,572 | 01:30:45,941 | ( DRAMATIC MUSIC PLAYING ) | ( DRAMATIC MUSIC PLAYING ) |
| 1009 | 01:30:45,974 | 01:30:49,878 | No! Don't kill me, please! | No! Don't kill me, please! |
| 1010 | 01:30:49,912 | 01:30:53,215 | [COLLEEN] No! Agh! No! | [COLLEEN] No! Agh! No! |
| 1011 | 01:30:55,250 | 01:30:58,153 | ( FLASH RECHARGING ) | ( FLASH RECHARGING ) |
| 1012 | 01:30:58,186 | 01:31:00,756 | ( SOFT MUSIC PLAYING ) | ( SOFT MUSIC PLAYING ) |
| 1013 | 01:31:00,789 | 01:31:03,892 | * Sometimes I feel | * Sometimes I feel |
| 1014 | 01:31:06,629 | 01:31:12,100 | * Like a motherless child | * Like a motherless child |
| 1015 | 01:31:15,738 | 01:31:19,975 | * Sometimes I feel | * Sometimes I feel |
| 1016 | 01:31:20,008 | 01:31:25,681 | * Like a motherless child | * Like a motherless child |
| 1017 | 01:31:28,283 | 01:31:32,254 | * Sometimes I feel | * Sometimes I feel |
| 1018 | 01:31:32,287 | 01:31:37,726 | * Like a motherless child | * Like a motherless child |
| 1019 | 01:31:39,862 | 01:31:46,501 | * A long way from home | * A long way from home |
| 1020 | 01:31:55,744 | 01:32:00,215 | * Sometimes I feel | * Sometimes I feel |
| 1021 | 01:32:00,248 | 01:32:06,054 | * Like I'm almost done | * Like I'm almost done |
| 1022 | 01:32:10,659 | 01:32:15,831 | * Sometimes I feel | * Sometimes I feel |
| 1023 | 01:32:15,864 | 01:32:21,169 | * Like I'm almost done | * Like I'm almost done |
| 1024 | 01:32:29,912 | 01:32:34,850 | * Sometimes I feel | * Sometimes I feel |
| 1025 | 01:32:34,883 | 01:32:40,322 | * Like I'm almost done | * Like I'm almost done |
| 1026 | 01:32:46,294 | 01:32:54,737 | * A long way from home | * A long way from home |
| 1027 | 01:33:02,911 | 01:33:08,116 | * True believer | * True believer |
| 1028 | 01:33:11,319 | 01:33:16,358 | * True believer | * True believer |
| 1029 | 01:33:19,394 | 01:33:25,668 | * True believer | * True believer |
| 1030 | 01:33:27,670 | 01:33:33,075 | * True believer | * True believer |
| 1031 | 01:33:35,844 | 01:33:44,653 | * A long way from home | * A long way from home |
| 1032 | 01:33:52,427 | 01:33:55,798 | ( MUSIC CONTINUES ) | ( MUSIC CONTINUES ) |
| 1033 | 01:34:37,172 | 01:34:41,143 | * Sometimes I feel | * Sometimes I feel |
| 1034 | 01:34:42,978 | 01:34:47,082 | * Like my freedom | * Like my freedom |
| 1035 | 01:34:47,115 | 01:34:50,786 | * Is near | * Is near |
| 1036 | 01:34:57,760 | 01:35:01,930 | * Sometimes I feel | * Sometimes I feel |
| 1037 | 01:35:03,231 | 01:35:09,104 | * Like my freedom is near | * Like my freedom is near |
| 1038 | 01:35:16,211 | 01:35:22,217 | * A long way | * A long way |
| 1039 | 01:35:22,250 | 01:35:25,921 | * From home | * From home |
| 1040 | 01:35:31,093 | 01:35:36,331 | * A long way | * A long way |
| 1041 | 01:35:39,201 | 01:35:41,904 | * From home | * From home |
| 1042 | 01:35:47,475 | 01:35:50,846 | ( MUSIC CHANGES ) | ( MUSIC CHANGES ) |
| 1043 | 01:35:53,846 | 01:36:00,846 | Brought to you by TRiNiTY | Brought to you by TRiNiTY |
| 1044 | 01:38:00,608 | 01:38:05,513 | ( FLASH RECHARGING ) | ( FLASH RECHARGING ) |
| 1045 | 01:38:05,547 | 01:38:07,649 | ( FLASH POPPING ) | ( FLASH POPPING ) |