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1 | 00:00:20,571 | 00:00:21,938 | Whoa! | Whoa! |
2 | 00:00:22,905 | 00:00:28,512 | ♪ Carry me back to old Virginny ♪ | ♪ Carry me back to old Virginny ♪ |
3 | 00:00:29,879 | 00:00:34,618 | ♪ There's where the cotton and corn and taters grow ♪ | ♪ There's where the cotton and corn and taters grow ♪ |
4 | 00:00:36,953 | 00:00:39,523 | Roll up, roll up! | Roll up, roll up! |
5 | 00:00:39,623 | 00:00:41,458 | Get your tickets now! | Get your tickets now! |
6 | 00:00:42,493 | 00:00:44,827 | To your genuine, Georgia Minstrel Troupe. | To your genuine, Georgia Minstrel Troupe. |
7 | 00:00:44,927 | 00:00:48,898 | ♪ Where his old darkey's heart go ♪ | ♪ Where his old darkey's heart go ♪ |
8 | 00:00:48,998 | 00:00:51,200 | Roll up, roll up! | Roll up, roll up! |
9 | 00:00:51,302 | 00:00:53,036 | ♪ That's where I labored ♪ | ♪ That's where I labored ♪ |
10 | 00:00:53,136 | 00:00:55,138 | Get your tickets now! | Get your tickets now! |
11 | 00:00:55,238 | 00:00:57,741 | ♪ Old, dear Master ♪ | ♪ Old, dear Master ♪ |
12 | 00:00:57,840 | 00:01:03,079 | ♪ Day after day in the golden corn ♪ | ♪ Day after day in the golden corn ♪ |
13 | 00:01:04,247 | 00:01:06,383 | ♪ No place on Earth ♪ | ♪ No place on Earth ♪ |
14 | 00:01:08,151 | 00:01:12,188 | Oh, it's the oldest and the only authentic | Oh, it's the oldest and the only authentic |
15 | 00:01:12,289 | 00:01:17,026 | Minstrel Troupe North or S outh of the Mason-Dixon line. | Minstrel Troupe North or S outh of the Mason-Dixon line. |
16 | 00:01:17,126 | 00:01:20,264 | You'll laugh, you'll cry, you'll love them! | You'll laugh, you'll cry, you'll love them! |
17 | 00:01:20,364 | 00:01:25,602 | ♪ Carry me back to old Virginny ♪ | ♪ Carry me back to old Virginny ♪ |
18 | 00:01:26,337 | 00:01:28,171 | Who you be? | Who you be? |
19 | 00:01:28,272 | 00:01:30,374 | Well, I'm Mr. Beauregard. | Well, I'm Mr. Beauregard. |
20 | 00:01:30,474 | 00:01:33,109 | ♪ Taters grow ♪ | ♪ Taters grow ♪ |
21 | 00:01:33,209 | 00:01:38,915 | ♪ Back where birds warble sweetly ♪ | ♪ Back where birds warble sweetly ♪ |
22 | 00:01:40,183 | 00:01:45,689 | ♪ Back to Virginny, the state where I was born ♪ | ♪ Back to Virginny, the state where I was born ♪ |
23 | 00:02:01,405 | 00:02:03,374 | Ladies and gentlemen, | Ladies and gentlemen, |
24 | 00:02:04,575 | 00:02:08,244 | please welcome the man in whom we put our trust, | please welcome the man in whom we put our trust, |
25 | 00:02:08,345 | 00:02:12,282 | Senator Beauregard D. Blowhard. | Senator Beauregard D. Blowhard. |
26 | 00:02:15,719 | 00:02:19,656 | Senator, what does the D stand for? | Senator, what does the D stand for? |
27 | 00:02:20,524 | 00:02:22,292 | Well, the D stands for the da, | Well, the D stands for the da, |
28 | 00:02:23,527 | 00:02:26,229 | Beauregard da Blowhard, | Beauregard da Blowhard, |
29 | 00:02:26,330 | 00:02:29,800 | 'cause that's how the darkeys talk down here. | 'cause that's how the darkeys talk down here. |
30 | 00:02:29,899 | 00:02:31,335 | Really? | Really? |
31 | 00:02:31,435 | 00:02:34,838 | I is the h-intellectual's intellectual. | I is the h-intellectual's intellectual. |
32 | 00:02:35,905 | 00:02:39,343 | My lords, ladies, gentlemen, | My lords, ladies, gentlemen, |
33 | 00:02:40,444 | 00:02:42,846 | daughters of the Confederacy, | daughters of the Confederacy, |
34 | 00:02:42,945 | 00:02:45,416 | mothers of the bride, | mothers of the bride, |
35 | 00:02:45,516 | 00:02:47,751 | sisters of mercy, | sisters of mercy, |
36 | 00:02:47,851 | 00:02:49,686 | fathers of the faith, | fathers of the faith, |
37 | 00:02:49,787 | 00:02:51,988 | sons of the soil, | sons of the soil, |
38 | 00:02:52,088 | 00:02:55,158 | my brothers under the mud. | my brothers under the mud. |
39 | 00:02:56,493 | 00:03:00,798 | I is the man most qualified to be your reprehensative. | I is the man most qualified to be your reprehensative. |
40 | 00:03:00,898 | 00:03:03,834 | You mean a representative? | You mean a representative? |
41 | 00:03:03,933 | 00:03:06,770 | Nope, I mean I as a politician, | Nope, I mean I as a politician, |
42 | 00:03:06,870 | 00:03:11,007 | the most reprehensible person to speak for my people, | the most reprehensible person to speak for my people, |
43 | 00:03:12,476 | 00:03:17,113 | quite candid-didly, I is indeed the most illegible person. | quite candid-didly, I is indeed the most illegible person. |
44 | 00:03:17,915 | 00:03:20,818 | You mean eligible person? | You mean eligible person? |
45 | 00:03:20,918 | 00:03:23,687 | No, illegible, can't read or write. | No, illegible, can't read or write. |
46 | 00:03:32,262 | 00:03:33,864 | You call it blackface. | You call it blackface. |
47 | 00:03:35,198 | 00:03:38,702 | I have never seen a Negro with skin this color of black, | I have never seen a Negro with skin this color of black, |
48 | 00:03:40,270 | 00:03:43,973 | nor this particularly nappy, ill-fitting hair | nor this particularly nappy, ill-fitting hair |
49 | 00:03:44,073 | 00:03:46,877 | and don't get on me about the lips. | and don't get on me about the lips. |
50 | 00:03:48,345 | 00:03:49,680 | Can't paint on a smile. | Can't paint on a smile. |
51 | 00:03:51,180 | 00:03:54,217 | It's tradition, theatrical history. | It's tradition, theatrical history. |
52 | 00:03:54,318 | 00:03:56,487 | Tradition my ass, | Tradition my ass, |
53 | 00:03:58,187 | 00:04:01,325 | homage to slave time more like, they're laughing at us. | homage to slave time more like, they're laughing at us. |
54 | 00:04:01,425 | 00:04:02,759 | They're not laughing at you, Charlie, | They're not laughing at you, Charlie, |
55 | 00:04:02,860 | 00:04:04,761 | they're laughing with you. | they're laughing with you. |
56 | 00:04:05,863 | 00:04:08,398 | Do I look like I'm laughing? | Do I look like I'm laughing? |
57 | 00:04:08,499 | 00:04:12,201 | I was born free in Richmond, Virginia, | I was born free in Richmond, Virginia, |
58 | 00:04:12,302 | 00:04:14,605 | capital of the defeated Confederacy, | capital of the defeated Confederacy, |
59 | 00:04:14,705 | 00:04:16,907 | I'm not slave to any man. | I'm not slave to any man. |
60 | 00:04:18,542 | 00:04:21,512 | This here, the genuine Georgia Minstrel Troupe | This here, the genuine Georgia Minstrel Troupe |
61 | 00:04:21,612 | 00:04:23,447 | is all about making fun of the Negro | is all about making fun of the Negro |
62 | 00:04:23,547 | 00:04:26,850 | in his moment of deepest despair, I am sure not laughing. | in his moment of deepest despair, I am sure not laughing. |
63 | 00:04:26,950 | 00:04:28,552 | Don't do this to me, Charlie, | Don't do this to me, Charlie, |
64 | 00:04:29,853 | 00:04:32,789 | What do you want, is it about the money? | What do you want, is it about the money? |
65 | 00:04:32,890 | 00:04:37,294 | It's not about money, I have survived on less. | It's not about money, I have survived on less. |
66 | 00:04:39,128 | 00:04:44,268 | I wanna be a serious actor doing serious plays. | I wanna be a serious actor doing serious plays. |
67 | 00:04:48,372 | 00:04:52,776 | You're a minstrel player, you wanna be taken seriously? | You're a minstrel player, you wanna be taken seriously? |
68 | 00:04:54,011 | 00:04:56,280 | Best of luck with that, boy. | Best of luck with that, boy. |
69 | 00:04:58,015 | 00:05:01,485 | My name is Charles, Charles S. Gilpin, | My name is Charles, Charles S. Gilpin, |
70 | 00:05:02,486 | 00:05:04,821 | actor, don't forget it. | actor, don't forget it. |
71 | 00:05:19,336 | 00:05:23,006 | You're an actor, you're a black man. | You're an actor, you're a black man. |
72 | 00:05:23,774 | 00:05:24,942 | You can't just walk out | You can't just walk out |
73 | 00:05:25,042 | 00:05:28,011 | on the best Negro company in New York, | on the best Negro company in New York, |
74 | 00:05:28,110 | 00:05:29,012 | then what? | then what? |
75 | 00:05:30,347 | 00:05:31,949 | I'll go to Broadway. | I'll go to Broadway. |
76 | 00:05:37,153 | 00:05:38,288 | You're a dreamer. | You're a dreamer. |
77 | 00:05:39,957 | 00:05:41,592 | Don't I get a stay in this? | Don't I get a stay in this? |
78 | 00:05:42,793 | 00:05:44,193 | I'm your wife, | I'm your wife, |
79 | 00:05:46,697 | 00:05:48,632 | well, as good as. | well, as good as. |
80 | 00:05:49,733 | 00:05:52,836 | I'll get a service job, a hotel porter, | I'll get a service job, a hotel porter, |
81 | 00:05:52,936 | 00:05:55,772 | elevator guy, anything, I promise. | elevator guy, anything, I promise. |
82 | 00:05:55,872 | 00:05:56,940 | That's not acting. | That's not acting. |
83 | 00:05:57,040 | 00:05:58,775 | Well, it sure is, me pretending I like white folk, | Well, it sure is, me pretending I like white folk, |
84 | 00:05:58,875 | 00:06:00,877 | while they look down on me, that's real acting. | while they look down on me, that's real acting. |
85 | 00:06:00,978 | 00:06:02,713 | Why are you so damn sure of yourself? | Why are you so damn sure of yourself? |
86 | 00:06:02,813 | 00:06:04,881 | There's plenty of work out there for Negro actors now, | There's plenty of work out there for Negro actors now, |
87 | 00:06:04,982 | 00:06:07,951 | there was a company down in Greenwich Village, | there was a company down in Greenwich Village, |
88 | 00:06:08,051 | 00:06:10,687 | did a play with a all Negro cast. | did a play with a all Negro cast. |
89 | 00:06:10,787 | 00:06:14,057 | White company employing black actors. | White company employing black actors. |
90 | 00:06:14,758 | 00:06:15,626 | Things are changing. | Things are changing. |
91 | 00:06:15,726 | 00:06:18,127 | No, they're not, nothing's changing, | No, they're not, nothing's changing, |
92 | 00:06:19,096 | 00:06:21,732 | they don't do black on Broadway. | they don't do black on Broadway. |
93 | 00:06:21,832 | 00:06:23,232 | Ooh, start going to church, honey, | Ooh, start going to church, honey, |
94 | 00:06:23,333 | 00:06:25,201 | because you haven't got a prayer. | because you haven't got a prayer. |
95 | 00:06:29,606 | 00:06:32,309 | Hello, tell us about your experience. | Hello, tell us about your experience. |
96 | 00:06:32,409 | 00:06:35,512 | Well, I've done five or six plays on the stage, | Well, I've done five or six plays on the stage, |
97 | 00:06:35,612 | 00:06:37,681 | that's about it. | that's about it. |
98 | 00:06:37,781 | 00:06:39,349 | Whenever you're ready. | Whenever you're ready. |
99 | 00:06:42,352 | 00:06:44,421 | Stay, murderous villain. | Stay, murderous villain. |
100 | 00:06:45,489 | 00:06:47,391 | Will you kill your brother? | Will you kill your brother? |
101 | 00:06:48,959 | 00:06:53,864 | Now by the burning taper of the skies. | Now by the burning taper of the skies. |
102 | 00:06:54,631 | 00:06:55,866 | He died upon my scabbard, | He died upon my scabbard, |
103 | 00:06:57,100 | 00:07:00,871 | sharp point that touches | sharp point that touches |
104 | 00:07:00,971 | 00:07:03,774 | this, my firstborn son and hair. | this, my firstborn son and hair. |
105 | 00:07:03,874 | 00:07:06,043 | Thank you, that was lovely. | Thank you, that was lovely. |
106 | 00:07:12,616 | 00:07:13,517 | Next! | Next! |
107 | 00:07:34,571 | 00:07:36,039 | And you are? | And you are? |
108 | 00:07:36,139 | 00:07:37,974 | Charles S. Gilpin, ma'am. | Charles S. Gilpin, ma'am. |
109 | 00:07:38,075 | 00:07:42,079 | Charles S. Gilpin, tell us a bit about yourself. | Charles S. Gilpin, tell us a bit about yourself. |
110 | 00:07:42,179 | 00:07:45,415 | Well, I work with Minstrel shows and Jubilee singers | Well, I work with Minstrel shows and Jubilee singers |
111 | 00:07:45,515 | 00:07:47,484 | for over 10 years. | for over 10 years. |
112 | 00:07:47,584 | 00:07:49,453 | Tell me, why would a man of your talents | Tell me, why would a man of your talents |
113 | 00:07:49,553 | 00:07:52,556 | not want to play the leading hero, Titus Andronicus? | not want to play the leading hero, Titus Andronicus? |
114 | 00:07:52,656 | 00:07:54,725 | Well, I think Aaron's one of the most difficult parts | Well, I think Aaron's one of the most difficult parts |
115 | 00:07:54,825 | 00:07:55,926 | in the play. | in the play. |
116 | 00:07:56,026 | 00:07:57,928 | Why don't you show us? | Why don't you show us? |
117 | 00:07:58,028 | 00:07:59,496 | Do you know the play? | Do you know the play? |
118 | 00:07:59,596 | 00:08:00,497 | I do. | I do. |
119 | 00:08:07,738 | 00:08:10,807 | Stay, murderous villains! | Stay, murderous villains! |
120 | 00:08:10,907 | 00:08:13,343 | Will you kill your brother? | Will you kill your brother? |
121 | 00:08:15,178 | 00:08:17,848 | Now, by the burning tapers of the sky, | Now, by the burning tapers of the sky, |
122 | 00:08:17,948 | 00:08:22,252 | that shone so brightly when this boy was got. | that shone so brightly when this boy was got. |
123 | 00:08:22,352 | 00:08:25,856 | He dies upon my scimitar's sharp point, | He dies upon my scimitar's sharp point, |
124 | 00:08:25,956 | 00:08:30,594 | that touches this, my firstborn son and heir! | that touches this, my firstborn son and heir! |
125 | 00:08:31,661 | 00:08:35,098 | I tell you, younglings, not Enceladus, | I tell you, younglings, not Enceladus, |
126 | 00:08:36,299 | 00:08:39,703 | with all his threatening band of Typhon's brood, | with all his threatening band of Typhon's brood, |
127 | 00:08:39,803 | 00:08:42,205 | nor great Alcides, | nor great Alcides, |
128 | 00:08:42,305 | 00:08:44,641 | nor the god of war | nor the god of war |
129 | 00:08:45,842 | 00:08:47,611 | shall seize this prey out of his father's hands! | shall seize this prey out of his father's hands! |
130 | 00:08:49,045 | 00:08:50,514 | What? | What? |
131 | 00:08:50,614 | 00:08:56,386 | What, ye sanguine, shallow-hearted boys? | What, ye sanguine, shallow-hearted boys? |
132 | 00:08:57,287 | 00:08:59,990 | Ye white-limed walls! | Ye white-limed walls! |
133 | 00:09:00,090 | 00:09:03,160 | This before all the world do I prefer, | This before all the world do I prefer, |
134 | 00:09:04,828 | 00:09:09,166 | this mauger all the world will I keep safe. | this mauger all the world will I keep safe. |
135 | 00:09:10,167 | 00:09:11,835 | Oh, some of you | Oh, some of you |
136 | 00:09:13,236 | 00:09:16,206 | shall smoke for it in Rome. | shall smoke for it in Rome. |
137 | 00:09:41,798 | 00:09:43,333 | Ain't I the Emperor? | Ain't I the Emperor? |
138 | 00:09:43,433 | 00:09:44,601 | The laws don't go for him, | The laws don't go for him, |
139 | 00:09:44,701 | 00:09:46,770 | you hears what I tells you, Smithers? | you hears what I tells you, Smithers? |
140 | 00:09:46,870 | 00:09:49,039 | There's little stealing like you does, | There's little stealing like you does, |
141 | 00:09:49,139 | 00:09:51,508 | there's big stealing like I does, | there's big stealing like I does, |
142 | 00:09:51,608 | 00:09:54,211 | for the little stealing, that gets in jail sooner or later, | for the little stealing, that gets in jail sooner or later, |
143 | 00:09:54,312 | 00:09:56,446 | for the big stealing, that makes you Emperor | for the big stealing, that makes you Emperor |
144 | 00:09:56,546 | 00:09:59,549 | and puts you in the Hall of Fame when you croaks. | and puts you in the Hall of Fame when you croaks. |
145 | 00:09:59,649 | 00:10:01,918 | If there's one thing I learned in 10 years | If there's one thing I learned in 10 years |
146 | 00:10:02,018 | 00:10:03,453 | doing the Pullman cars, | doing the Pullman cars, |
147 | 00:10:03,553 | 00:10:07,424 | listening to the white quality talk is that same fact | listening to the white quality talk is that same fact |
148 | 00:10:07,524 | 00:10:09,459 | and when I gets the chance to use it, | and when I gets the chance to use it, |
149 | 00:10:09,559 | 00:10:11,895 | I'll winds up the Emperor in two years' time. | I'll winds up the Emperor in two years' time. |
150 | 00:10:11,995 | 00:10:15,899 | Gene, Gene, wait, what is this? | Gene, Gene, wait, what is this? |
151 | 00:10:15,999 | 00:10:19,970 | Oh, it's, it's an idea, Jig, Agnes, she... | Oh, it's, it's an idea, Jig, Agnes, she... |
152 | 00:10:20,070 | 00:10:21,571 | I read it somewhere. | I read it somewhere. |
153 | 00:10:22,906 | 00:10:26,476 | Okay, so he's the dictator of a small Island, right? | Okay, so he's the dictator of a small Island, right? |
154 | 00:10:26,576 | 00:10:28,078 | - Like somewhere like... - Haiti, | - Like somewhere like... - Haiti, |
155 | 00:10:28,178 | 00:10:30,380 | it's his last day in power. | it's his last day in power. |
156 | 00:10:30,480 | 00:10:33,416 | But here's the thing, he thinks he can only be killed | But here's the thing, he thinks he can only be killed |
157 | 00:10:33,516 | 00:10:35,286 | by a magic sort of a... | by a magic sort of a... |
158 | 00:10:35,385 | 00:10:36,386 | A silver bullet. | A silver bullet. |
159 | 00:10:36,486 | 00:10:38,722 | - Yes. - It has special powers. | - Yes. - It has special powers. |
160 | 00:10:38,822 | 00:10:40,291 | He's a Negro? | He's a Negro? |
161 | 00:10:40,390 | 00:10:41,391 | Of course. | Of course. |
162 | 00:10:41,491 | 00:10:42,792 | Oh no, no, no, no. | Oh no, no, no, no. |
163 | 00:10:43,827 | 00:10:45,762 | Well, no, no, hey, he's an American, | Well, no, no, hey, he's an American, |
164 | 00:10:45,862 | 00:10:47,265 | who ended up down there by accident. | who ended up down there by accident. |
165 | 00:10:47,365 | 00:10:49,267 | He's a Pullman porter, something like that. | He's a Pullman porter, something like that. |
166 | 00:10:49,367 | 00:10:52,636 | I said no, we've been down that road before. | I said no, we've been down that road before. |
167 | 00:10:52,736 | 00:10:54,771 | Well, this is a totally different road, Jig. | Well, this is a totally different road, Jig. |
168 | 00:10:54,871 | 00:10:56,439 | It's a completely different idea. | It's a completely different idea. |
169 | 00:10:56,539 | 00:10:58,642 | We've tried black actors before. | We've tried black actors before. |
170 | 00:10:58,742 | 00:11:01,077 | Oh, that's rich coming from you, Ida. | Oh, that's rich coming from you, Ida. |
171 | 00:11:01,177 | 00:11:02,946 | You were very keen on Negro actors. | You were very keen on Negro actors. |
172 | 00:11:03,046 | 00:11:05,582 | Yes, and I was dispatched all the way to Harlem | Yes, and I was dispatched all the way to Harlem |
173 | 00:11:05,682 | 00:11:07,017 | to scout them out for you. | to scout them out for you. |
174 | 00:11:07,117 | 00:11:08,352 | At Jig's behest. | At Jig's behest. |
175 | 00:11:08,451 | 00:11:10,288 | "The Dreamy Kid" wasn't a success, | "The Dreamy Kid" wasn't a success, |
176 | 00:11:10,388 | 00:11:12,522 | but it wasn't because of the actors. | but it wasn't because of the actors. |
177 | 00:11:12,622 | 00:11:14,691 | Oh, you mean it was the play? | Oh, you mean it was the play? |
178 | 00:11:14,791 | 00:11:16,092 | It was a combination of things. | It was a combination of things. |
179 | 00:11:16,192 | 00:11:17,827 | Not least being how it was directed. | Not least being how it was directed. |
180 | 00:11:17,928 | 00:11:21,665 | We are a collective, if working with black actors | We are a collective, if working with black actors |
181 | 00:11:21,765 | 00:11:24,167 | is going to make us turn on each other. | is going to make us turn on each other. |
182 | 00:11:25,135 | 00:11:27,671 | It's not an all Negro cast, Jig. | It's not an all Negro cast, Jig. |
183 | 00:11:27,771 | 00:11:29,639 | It's not really about the numbers, Gene. | It's not really about the numbers, Gene. |
184 | 00:11:29,739 | 00:11:31,441 | Well then, what's it about, Susan? | Well then, what's it about, Susan? |
185 | 00:11:31,541 | 00:11:33,009 | Are you saying it's about the writing? | Are you saying it's about the writing? |
186 | 00:11:33,109 | 00:11:35,712 | Because I'll tell you something, if you don't like my idea, | Because I'll tell you something, if you don't like my idea, |
187 | 00:11:35,812 | 00:11:37,814 | I'll find someone who does. | I'll find someone who does. |
188 | 00:11:37,914 | 00:11:39,317 | Gene. | Gene. |
189 | 00:11:39,417 | 00:11:40,517 | - Crazy son of... - Well, that was great, | - Crazy son of... - Well, that was great, |
190 | 00:11:40,617 | 00:11:41,985 | well done, thank you, thank you. | well done, thank you, thank you. |
191 | 00:11:42,085 | 00:11:45,689 | I shall go after him and I shall calm him down. | I shall go after him and I shall calm him down. |
192 | 00:12:13,451 | 00:12:14,918 | There you are. | There you are. |
193 | 00:12:33,937 | 00:12:35,071 | So, | So, |
194 | 00:12:36,440 | 00:12:38,074 | are you alright? | are you alright? |
195 | 00:12:40,176 | 00:12:42,346 | They don't like me or what I do. | They don't like me or what I do. |
196 | 00:12:44,047 | 00:12:45,782 | A black emperor? | A black emperor? |
197 | 00:12:50,321 | 00:12:51,221 | I loved it. | I loved it. |
198 | 00:12:52,222 | 00:12:53,257 | We just, um, | We just, um, |
199 | 00:12:55,025 | 00:12:56,460 | we didn't get it this time. | we didn't get it this time. |
200 | 00:12:57,660 | 00:12:59,029 | I shouldn't have to pitch my ideas | I shouldn't have to pitch my ideas |
201 | 00:12:59,129 | 00:13:00,431 | to the Provincetown Players. | to the Provincetown Players. |
202 | 00:13:00,530 | 00:13:04,067 | They have a reputation because I am the reputation, | They have a reputation because I am the reputation, |
203 | 00:13:04,167 | 00:13:06,236 | I find it's rather impossible to be experimental | I find it's rather impossible to be experimental |
204 | 00:13:06,337 | 00:13:08,204 | with bourgeois reactionaries. | with bourgeois reactionaries. |
205 | 00:13:09,639 | 00:13:14,278 | So who do you have in mind for the part of the emperor? | So who do you have in mind for the part of the emperor? |
206 | 00:13:14,378 | 00:13:18,449 | I don't know, it's a huge part, requires a big ego. | I don't know, it's a huge part, requires a big ego. |
207 | 00:13:19,316 | 00:13:21,385 | You know, my father could have. | You know, my father could have. |
208 | 00:13:22,353 | 00:13:23,887 | In blackface? | In blackface? |
209 | 00:13:23,987 | 00:13:24,888 | Oh, yes. | Oh, yes. |
210 | 00:13:26,089 | 00:13:27,824 | I's a fine actor. | I's a fine actor. |
211 | 00:13:28,691 | 00:13:30,627 | - Oh, yes. - Hm-mm. | - Oh, yes. - Hm-mm. |
212 | 00:13:33,029 | 00:13:36,467 | Oh, you do the small stealing, I'll do the big stealing. | Oh, you do the small stealing, I'll do the big stealing. |
213 | 00:13:58,556 | 00:14:00,257 | Good evening, my cutie pie. | Good evening, my cutie pie. |
214 | 00:14:00,357 | 00:14:02,625 | My, what has gotten into you? | My, what has gotten into you? |
215 | 00:14:02,725 | 00:14:04,828 | Today I got offered a promotion | Today I got offered a promotion |
216 | 00:14:04,928 | 00:14:07,130 | backstage to front of house. | backstage to front of house. |
217 | 00:14:07,230 | 00:14:09,533 | - Really? - Yes, ma'am. | - Really? - Yes, ma'am. |
218 | 00:14:09,632 | 00:14:11,668 | Hotel doorman with a cap and overcoat | Hotel doorman with a cap and overcoat |
219 | 00:14:11,768 | 00:14:14,305 | dripping with gold braid. | dripping with gold braid. |
220 | 00:14:14,405 | 00:14:16,340 | And better pay, steady hours? | And better pay, steady hours? |
221 | 00:14:16,440 | 00:14:18,342 | I don't know, 'cause I turned it down. | I don't know, 'cause I turned it down. |
222 | 00:14:20,411 | 00:14:22,212 | Oh, you got to be kidding me. | Oh, you got to be kidding me. |
223 | 00:14:22,313 | 00:14:24,013 | No, turned them down flat. | No, turned them down flat. |
224 | 00:14:24,981 | 00:14:26,216 | Why on Earth would you do that? | Why on Earth would you do that? |
225 | 00:14:26,317 | 00:14:29,320 | 'Cause I also got offered another job, | 'Cause I also got offered another job, |
226 | 00:14:29,420 | 00:14:32,389 | even better pay, steady hours, | even better pay, steady hours, |
227 | 00:14:32,490 | 00:14:35,959 | all evening work except a couple of afternoons. | all evening work except a couple of afternoons. |
228 | 00:14:37,160 | 00:14:38,628 | I don't understand. | I don't understand. |
229 | 00:14:38,728 | 00:14:39,629 | What? | What? |
230 | 00:14:40,464 | 00:14:41,532 | Who you know | Who you know |
231 | 00:14:42,832 | 00:14:44,701 | working all evenings, | working all evenings, |
232 | 00:14:44,801 | 00:14:48,738 | except a couple of afternoons and every Sunday off? | except a couple of afternoons and every Sunday off? |
233 | 00:14:51,174 | 00:14:54,010 | I got me a part in a Broadway show! | I got me a part in a Broadway show! |
234 | 00:15:03,853 | 00:15:07,090 | Everybody's gonna see me now. | Everybody's gonna see me now. |
235 | 00:15:27,677 | 00:15:30,381 | This guy, this guy's a sensation | This guy, this guy's a sensation |
236 | 00:15:30,481 | 00:15:32,749 | and they haven't even opened. | and they haven't even opened. |
237 | 00:15:33,651 | 00:15:35,586 | He's done classics, vaudeville, | He's done classics, vaudeville, |
238 | 00:15:36,587 | 00:15:38,755 | even Minstrel Shows in blackface. | even Minstrel Shows in blackface. |
239 | 00:15:38,855 | 00:15:41,425 | And we're here why exactly? | And we're here why exactly? |
240 | 00:15:41,525 | 00:15:44,562 | Because you need an actor for your "Silver Bullet" | Because you need an actor for your "Silver Bullet" |
241 | 00:15:45,529 | 00:15:47,063 | and this is your guy. | and this is your guy. |
242 | 00:15:48,731 | 00:15:50,601 | Mr. Lincoln live here? | Mr. Lincoln live here? |
243 | 00:15:50,700 | 00:15:52,469 | Are you his servant? | Are you his servant? |
244 | 00:15:52,570 | 00:15:55,905 | Hm-mm, very fine thing to be a servant to Mr. Lincoln. | Hm-mm, very fine thing to be a servant to Mr. Lincoln. |
245 | 00:15:58,442 | 00:15:59,242 | We get along very well together. | We get along very well together. |
246 | 00:15:59,343 | 00:16:00,710 | Hm-mm. | Hm-mm. |
247 | 00:16:00,810 | 00:16:03,280 | A very bad thing to be a slave in the South. | A very bad thing to be a slave in the South. |
248 | 00:16:05,382 | 00:16:07,116 | Now let's have you draw tea service | Now let's have you draw tea service |
249 | 00:16:07,217 | 00:16:10,254 | just to say how shocked you are, that'll teach the English. | just to say how shocked you are, that'll teach the English. |
250 | 00:16:10,354 | 00:16:12,590 | Let me explain the reverence | Let me explain the reverence |
251 | 00:16:12,690 | 00:16:15,326 | and importance of tea in England. | and importance of tea in England. |
252 | 00:16:16,694 | 00:16:19,663 | Tea is served at four p.m. | Tea is served at four p.m. |
253 | 00:16:20,863 | 00:16:24,301 | ♪ Well, I've got a man ♪ | ♪ Well, I've got a man ♪ |
254 | 00:16:24,401 | 00:16:27,237 | ♪ He's as fine as he can be ♪ | ♪ He's as fine as he can be ♪ |
255 | 00:16:28,405 | 00:16:29,906 | The only direction I got from Mr. Lonergan, | The only direction I got from Mr. Lonergan, |
256 | 00:16:30,006 | 00:16:32,008 | our esteemed director, | our esteemed director, |
257 | 00:16:32,742 | 00:16:34,411 | was how to drink tea. | was how to drink tea. |
258 | 00:16:34,511 | 00:16:37,314 | ♪ He makes me feel so good inside ♪ | ♪ He makes me feel so good inside ♪ |
259 | 00:16:37,414 | 00:16:40,684 | One takes tea at four p.m. precisely, | One takes tea at four p.m. precisely, |
260 | 00:16:40,783 | 00:16:43,753 | not five past four or 3:55. | not five past four or 3:55. |
261 | 00:16:44,588 | 00:16:48,425 | ♪ By my man, yeah ♪ | ♪ By my man, yeah ♪ |
262 | 00:16:52,696 | 00:16:55,599 | Come along, come on, don't be antisocial. | Come along, come on, don't be antisocial. |
263 | 00:16:55,699 | 00:16:56,933 | - Okay. - Come along. | - Okay. - Come along. |
264 | 00:16:57,800 | 00:16:59,336 | Yeah, on stage I play my part, | Yeah, on stage I play my part, |
265 | 00:16:59,436 | 00:17:01,037 | but when them lights go out, | but when them lights go out, |
266 | 00:17:01,137 | 00:17:03,674 | I'm just like any other black man in New York, | I'm just like any other black man in New York, |
267 | 00:17:03,773 | 00:17:06,142 | some days my have swagger is all I got. | some days my have swagger is all I got. |
268 | 00:17:06,242 | 00:17:08,445 | Jasper, what are you doing here? | Jasper, what are you doing here? |
269 | 00:17:08,545 | 00:17:10,314 | Well, we saw Charles' performance | Well, we saw Charles' performance |
270 | 00:17:10,414 | 00:17:12,683 | and we thought that we would congratulate him | and we thought that we would congratulate him |
271 | 00:17:12,782 | 00:17:15,653 | in the traditional way while we still can. | in the traditional way while we still can. |
272 | 00:17:15,753 | 00:17:18,054 | Well, I will double drink to that. | Well, I will double drink to that. |
273 | 00:17:18,154 | 00:17:19,690 | Your health. | Your health. |
274 | 00:17:19,789 | 00:17:22,959 | This is my friend, Eugene O'Neill who I think you know. | This is my friend, Eugene O'Neill who I think you know. |
275 | 00:17:23,059 | 00:17:25,396 | Oh, I know who his father is. | Oh, I know who his father is. |
276 | 00:17:25,496 | 00:17:27,864 | Stop it, Charles, the Provincetown Players, | Stop it, Charles, the Provincetown Players, |
277 | 00:17:28,732 | 00:17:31,067 | "Dreamy Kid," Mr. O'Neill. | "Dreamy Kid," Mr. O'Neill. |
278 | 00:17:31,167 | 00:17:34,037 | You don't have to be a Negro to write for the black man. | You don't have to be a Negro to write for the black man. |
279 | 00:17:34,137 | 00:17:35,406 | - Hm. - Ah-huh. | - Hm. - Ah-huh. |
280 | 00:17:38,007 | 00:17:40,511 | I quite agree, Eugene, what do you think? | I quite agree, Eugene, what do you think? |
281 | 00:17:40,611 | 00:17:43,246 | Well, I think I've been carrying this around | Well, I think I've been carrying this around |
282 | 00:17:43,347 | 00:17:44,448 | for quite some time | for quite some time |
283 | 00:17:45,716 | 00:17:48,184 | and I'm very happy to have finally found my Emperor. | and I'm very happy to have finally found my Emperor. |
284 | 00:18:01,864 | 00:18:04,535 | Excuse me, Charles, congratulations, | Excuse me, Charles, congratulations, |
285 | 00:18:04,635 | 00:18:06,903 | you are a blessing to our profession. | you are a blessing to our profession. |
286 | 00:18:09,373 | 00:18:10,274 | Wait, wait! | Wait, wait! |
287 | 00:18:11,575 | 00:18:13,876 | What was it, was it the wise crack about your old man? | What was it, was it the wise crack about your old man? |
288 | 00:18:13,976 | 00:18:15,446 | No, for God's sakes, are you kidding me? | No, for God's sakes, are you kidding me? |
289 | 00:18:15,546 | 00:18:18,615 | I kind of like that coming from a black man, Jeez. | I kind of like that coming from a black man, Jeez. |
290 | 00:18:18,716 | 00:18:20,116 | He's great. | He's great. |
291 | 00:18:20,216 | 00:18:22,619 | Yeah, he's magnificent, he's perfect, | Yeah, he's magnificent, he's perfect, |
292 | 00:18:22,720 | 00:18:25,021 | I mean, you see the way he looks you in the eye? | I mean, you see the way he looks you in the eye? |
293 | 00:18:25,121 | 00:18:27,223 | No, I'm telling you, Jasper, with him, | No, I'm telling you, Jasper, with him, |
294 | 00:18:27,324 | 00:18:30,226 | with him I can do "The Silver Bullet," I'm telling you. | with him I can do "The Silver Bullet," I'm telling you. |
295 | 00:18:30,327 | 00:18:31,528 | Now I've got to get to the Cape, | Now I've got to get to the Cape, |
296 | 00:18:31,628 | 00:18:33,630 | I've got a lot of work to do, I've got to clear the decks, | I've got a lot of work to do, I've got to clear the decks, |
297 | 00:18:33,731 | 00:18:35,699 | there's a lot to be done. | there's a lot to be done. |
298 | 00:18:35,799 | 00:18:37,066 | Thank you, Jasper. | Thank you, Jasper. |
299 | 00:18:37,166 | 00:18:38,901 | Sure, you go to work | Sure, you go to work |
300 | 00:18:39,936 | 00:18:40,804 | Yes. | Yes. |
301 | 00:19:03,226 | 00:19:04,661 | Ah, here we go. | Ah, here we go. |
302 | 00:19:08,998 | 00:19:11,067 | What is it you're looking for? | What is it you're looking for? |
303 | 00:19:11,167 | 00:19:13,737 | Some notes, it's a story idea. | Some notes, it's a story idea. |
304 | 00:19:17,541 | 00:19:19,242 | One idea or several ideas? | One idea or several ideas? |
305 | 00:19:19,343 | 00:19:21,244 | It was one idea, Jesus Christ, | It was one idea, Jesus Christ, |
306 | 00:19:21,345 | 00:19:23,079 | why is this place always such a mess? | why is this place always such a mess? |
307 | 00:19:25,749 | 00:19:27,484 | Calm down, have a drink. | Calm down, have a drink. |
308 | 00:19:27,584 | 00:19:29,018 | This is too important for drinking, Agnes, | This is too important for drinking, Agnes, |
309 | 00:19:29,118 | 00:19:30,521 | if I can't find the notes, I can't execute the idea, | if I can't find the notes, I can't execute the idea, |
310 | 00:19:30,621 | 00:19:32,955 | if I can't execute the idea, nothing ends up on stage, | if I can't execute the idea, nothing ends up on stage, |
311 | 00:19:33,055 | 00:19:33,990 | that's how it works. | that's how it works. |
312 | 00:19:37,193 | 00:19:38,362 | When did you have this idea? | When did you have this idea? |
313 | 00:19:38,462 | 00:19:41,197 | It was your idea, you gave me the idea, it was, | It was your idea, you gave me the idea, it was, |
314 | 00:19:42,332 | 00:19:44,701 | it was about the man who thought he was magic | it was about the man who thought he was magic |
315 | 00:19:44,802 | 00:19:46,303 | and that he can only be killed by a silver bullet, | and that he can only be killed by a silver bullet, |
316 | 00:19:46,403 | 00:19:47,638 | do you remember this? | do you remember this? |
317 | 00:19:49,273 | 00:19:51,508 | Yeah, I can't, I can't, I can't, I can't, | Yeah, I can't, I can't, I can't, I can't, |
318 | 00:19:51,608 | 00:19:54,177 | I can't think in this place anymore, I can't do it, | I can't think in this place anymore, I can't do it, |
319 | 00:19:54,278 | 00:19:57,180 | it just stinks like sour milk and shitty diapers, | it just stinks like sour milk and shitty diapers, |
320 | 00:19:57,281 | 00:19:59,850 | it's completely lost the salty smack of the sea, | it's completely lost the salty smack of the sea, |
321 | 00:19:59,949 | 00:20:01,885 | it's pointless. | it's pointless. |
322 | 00:20:01,984 | 00:20:03,787 | So your family isn't enough for you? | So your family isn't enough for you? |
323 | 00:20:04,655 | 00:20:06,290 | We were never a family, Agnes. | We were never a family, Agnes. |
324 | 00:20:06,390 | 00:20:09,192 | I mean, where were you, when I opened "Horizon" on Broadway? | I mean, where were you, when I opened "Horizon" on Broadway? |
325 | 00:20:09,293 | 00:20:11,462 | That was my biggest success, you weren't there. | That was my biggest success, you weren't there. |
326 | 00:20:11,562 | 00:20:15,399 | Oh, are you a success now in this shitty little shack? | Oh, are you a success now in this shitty little shack? |
327 | 00:20:16,834 | 00:20:19,837 | I thought nobody understands you and your moody little face. | I thought nobody understands you and your moody little face. |
328 | 00:20:19,937 | 00:20:22,205 | The truth is you can't stand any sort of success, | The truth is you can't stand any sort of success, |
329 | 00:20:22,306 | 00:20:23,072 | least of all your own. | least of all your own. |
330 | 00:20:23,172 | 00:20:24,641 | Yeah, neither can you. | Yeah, neither can you. |
331 | 00:20:24,741 | 00:20:28,712 | I was home being our child's mother, you bastard. | I was home being our child's mother, you bastard. |
332 | 00:20:28,812 | 00:20:30,347 | That's success too. | That's success too. |
333 | 00:20:30,447 | 00:20:32,583 | You want the stench of the ocean waves? | You want the stench of the ocean waves? |
334 | 00:20:32,683 | 00:20:35,218 | Go ahead, it's right outside the back door, | Go ahead, it's right outside the back door, |
335 | 00:20:35,319 | 00:20:37,921 | go walk into the sea, drown yourself in the past. | go walk into the sea, drown yourself in the past. |
336 | 00:20:38,020 | 00:20:40,424 | Yeah well, I've done it before, I'll do it again. | Yeah well, I've done it before, I'll do it again. |
337 | 00:20:40,524 | 00:20:42,225 | I don't think you will, Gene, | I don't think you will, Gene, |
338 | 00:20:43,260 | 00:20:45,194 | I think you love yourself too much. | I think you love yourself too much. |
339 | 00:20:46,797 | 00:20:48,932 | Look what a success your suicide was, | Look what a success your suicide was, |
340 | 00:20:50,534 | 00:20:51,735 | you're still here | you're still here |
341 | 00:20:52,936 | 00:20:54,203 | and now it's a play. | and now it's a play. |
342 | 00:20:56,807 | 00:20:58,342 | You're a fraud. | You're a fraud. |
343 | 00:21:11,955 | 00:21:12,856 | Okay. | Okay. |
344 | 00:22:03,373 | 00:22:05,174 | "The Silver Bullet." | "The Silver Bullet." |
345 | 00:22:16,887 | 00:22:18,522 | Where'd you find it? | Where'd you find it? |
346 | 00:22:18,622 | 00:22:20,324 | You always think we're lost. | You always think we're lost. |
347 | 00:23:32,429 | 00:23:34,531 | He leaves the way he comes | He leaves the way he comes |
348 | 00:23:35,565 | 00:23:38,869 | and that black trash dare not stop it, | and that black trash dare not stop it, |
349 | 00:23:38,969 | 00:23:41,738 | not yet least ways. | not yet least ways. |
350 | 00:23:41,838 | 00:23:45,742 | Listen to that roll call, will you? | Listen to that roll call, will you? |
351 | 00:23:45,842 | 00:23:49,880 | sounds like a mighty, big drum to carry that far. | sounds like a mighty, big drum to carry that far. |
352 | 00:23:51,180 | 00:23:56,086 | Well, if there ain't no whole brass band to see me off, | Well, if there ain't no whole brass band to see me off, |
353 | 00:23:57,087 | 00:23:59,956 | at least I got to drum part anyhows. | at least I got to drum part anyhows. |
354 | 00:24:00,891 | 00:24:01,792 | Curtain. | Curtain. |
355 | 00:24:08,331 | 00:24:13,870 | No, that's it, "Abraham Lincoln," the play has closed. | No, that's it, "Abraham Lincoln," the play has closed. |
356 | 00:24:13,970 | 00:24:15,405 | - Oh! - I'm done with it. | - Oh! - I'm done with it. |
357 | 00:24:18,675 | 00:24:21,978 | I got you something, a memento of my greatest success. | I got you something, a memento of my greatest success. |
358 | 00:24:24,181 | 00:24:25,148 | It's from the play. | It's from the play. |
359 | 00:24:28,085 | 00:24:29,386 | Oh! | Oh! |
360 | 00:24:33,323 | 00:24:34,758 | They gave this to you? | They gave this to you? |
361 | 00:24:36,159 | 00:24:37,828 | You think they're gonna give a Negro something expensive? | You think they're gonna give a Negro something expensive? |
362 | 00:24:37,928 | 00:24:38,829 | I took that. | I took that. |
363 | 00:24:41,331 | 00:24:43,900 | I took the whole last week of the box office savings too. | I took the whole last week of the box office savings too. |
364 | 00:24:44,000 | 00:24:45,268 | - Charlie. - And right now, | - Charlie. - And right now, |
365 | 00:24:45,368 | 00:24:47,070 | the whole theater's on fire. | the whole theater's on fire. |
366 | 00:24:48,071 | 00:24:49,773 | You burned the theater? | You burned the theater? |
367 | 00:24:49,873 | 00:24:52,309 | Course they gave it to me, what's wrong with you? | Course they gave it to me, what's wrong with you? |
368 | 00:24:55,378 | 00:24:56,513 | Oh. | Oh. |
369 | 00:24:56,613 | 00:24:58,648 | Now you can polish your own siver. | Now you can polish your own siver. |
370 | 00:24:58,749 | 00:25:02,652 | Still, we had a good run, you done good. | Still, we had a good run, you done good. |
371 | 00:25:05,589 | 00:25:08,325 | 193 performances, | 193 performances, |
372 | 00:25:08,425 | 00:25:10,026 | 193. | 193. |
373 | 00:25:11,228 | 00:25:13,497 | Wish we'd have done 200, they say we would have, | Wish we'd have done 200, they say we would have, |
374 | 00:25:13,597 | 00:25:15,365 | if the play had have got the Pulitzer Prize. | if the play had have got the Pulitzer Prize. |
375 | 00:25:16,032 | 00:25:17,267 | What's that now? | What's that now? |
376 | 00:25:17,367 | 00:25:19,870 | Oh, it's just something white folk give other white folk, | Oh, it's just something white folk give other white folk, |
377 | 00:25:19,970 | 00:25:22,139 | slap themselves on the back, don't mean much, | slap themselves on the back, don't mean much, |
378 | 00:25:22,239 | 00:25:24,808 | except it would have kept me in work a few weeks longer. | except it would have kept me in work a few weeks longer. |
379 | 00:25:24,908 | 00:25:26,977 | Well, who did win it then? | Well, who did win it then? |
380 | 00:25:29,880 | 00:25:30,981 | No matter. | No matter. |
381 | 00:25:33,049 | 00:25:35,385 | This most excellent canopy, the air! | This most excellent canopy, the air! |
382 | 00:25:35,485 | 00:25:38,188 | Look you, this o'erhanging firmament, | Look you, this o'erhanging firmament, |
383 | 00:25:38,288 | 00:25:39,289 | - Ooh! - fretted with golden fire. | - Ooh! - fretted with golden fire. |
384 | 00:25:39,389 | 00:25:41,057 | Get off the stage. | Get off the stage. |
385 | 00:25:43,994 | 00:25:45,562 | Settle down, settle down. | Settle down, settle down. |
386 | 00:25:45,662 | 00:25:47,497 | Alarms changed. | Alarms changed. |
387 | 00:25:47,597 | 00:25:49,733 | Settle down, Christine. | Settle down, Christine. |
388 | 00:25:49,833 | 00:25:50,901 | Okay, that's okay. | Okay, that's okay. |
389 | 00:25:51,001 | 00:25:52,903 | So I guess we've all read the play? | So I guess we've all read the play? |
390 | 00:25:53,003 | 00:25:53,837 | - Hm-mm. - Yes. | - Hm-mm. - Yes. |
391 | 00:25:53,937 | 00:25:56,306 | - Yeah. - And we all of one mind? | - Yeah. - And we all of one mind? |
392 | 00:25:56,406 | 00:25:58,008 | Well, that is a first. | Well, that is a first. |
393 | 00:25:59,910 | 00:26:01,311 | Jig will direct. | Jig will direct. |
394 | 00:26:01,411 | 00:26:04,047 | Casting, I thought you could go. | Casting, I thought you could go. |
395 | 00:26:04,147 | 00:26:07,484 | Aha, just in time, our playwright. | Aha, just in time, our playwright. |
396 | 00:26:09,319 | 00:26:11,488 | Well done, Gene. | Well done, Gene. |
397 | 00:26:11,588 | 00:26:13,223 | My dear, marvelous. | My dear, marvelous. |
398 | 00:26:13,323 | 00:26:16,660 | Someone dust off a chair for our Pulitzer Prize boy. | Someone dust off a chair for our Pulitzer Prize boy. |
399 | 00:26:16,760 | 00:26:18,495 | Oh, Pulitzer, come on. | Oh, Pulitzer, come on. |
400 | 00:26:18,595 | 00:26:20,397 | Don't be so belittling, Gene, | Don't be so belittling, Gene, |
401 | 00:26:20,497 | 00:26:22,699 | the Prize brought the company great credit. | the Prize brought the company great credit. |
402 | 00:26:22,799 | 00:26:24,534 | Yes, it's just a shame you didn't offer | Yes, it's just a shame you didn't offer |
403 | 00:26:24,634 | 00:26:26,369 | "Beyond the Horizon" to the Provincetown Players. | "Beyond the Horizon" to the Provincetown Players. |
404 | 00:26:26,469 | 00:26:28,272 | Well, you wanna know what the Pulitzer got me, Jig, | Well, you wanna know what the Pulitzer got me, Jig, |
405 | 00:26:28,371 | 00:26:30,874 | it got me $1000 and my father finally admitting, | it got me $1000 and my father finally admitting, |
406 | 00:26:30,974 | 00:26:34,010 | that I had made something of myself on his deathbed. | that I had made something of myself on his deathbed. |
407 | 00:26:34,110 | 00:26:37,180 | Oh, deepest condolences. | Oh, deepest condolences. |
408 | 00:26:37,281 | 00:26:38,014 | Oh, yeah. | Oh, yeah. |
409 | 00:26:38,114 | 00:26:39,349 | Great theater, man. | Great theater, man. |
410 | 00:26:39,449 | 00:26:41,351 | How are you bearing up, darling? | How are you bearing up, darling? |
411 | 00:26:41,451 | 00:26:43,420 | Oh, well I wrote this play, didn't I? | Oh, well I wrote this play, didn't I? |
412 | 00:26:43,520 | 00:26:44,454 | Come on, let's on with it. | Come on, let's on with it. |
413 | 00:26:45,689 | 00:26:47,591 | So we would just like to vote on casting. | So we would just like to vote on casting. |
414 | 00:26:47,691 | 00:26:50,261 | Ah, yes, we'll be casting a Negro for this role. | Ah, yes, we'll be casting a Negro for this role. |
415 | 00:26:51,228 | 00:26:52,296 | A Negro? | A Negro? |
416 | 00:26:52,395 | 00:26:54,298 | Hm-mm. | Hm-mm. |
417 | 00:26:54,397 | 00:26:56,032 | For Christ's sake! | For Christ's sake! |
418 | 00:26:56,132 | 00:26:58,635 | Gene, you had me black up. | Gene, you had me black up. |
419 | 00:26:58,735 | 00:27:00,770 | Yeah, blackface, that's precisely the problem. | Yeah, blackface, that's precisely the problem. |
420 | 00:27:00,871 | 00:27:03,106 | How could you do that? | How could you do that? |
421 | 00:27:03,206 | 00:27:07,244 | I have worked for this company for years, for years, | I have worked for this company for years, for years, |
422 | 00:27:07,345 | 00:27:09,646 | Yeah, we need a Negro in this role. | Yeah, we need a Negro in this role. |
423 | 00:27:09,746 | 00:27:12,215 | I worked for your company for nothing, nothing | I worked for your company for nothing, nothing |
424 | 00:27:12,316 | 00:27:14,050 | and this is the way you treat me? | and this is the way you treat me? |
425 | 00:27:15,319 | 00:27:16,820 | Oh, for Christ's sake! | Oh, for Christ's sake! |
426 | 00:27:27,030 | 00:27:28,899 | Aren't you going to go after him, Ida? | Aren't you going to go after him, Ida? |
427 | 00:27:28,999 | 00:27:30,400 | I'm not the one that made him run out. | I'm not the one that made him run out. |
428 | 00:27:30,500 | 00:27:32,068 | No, I'll go. | No, I'll go. |
429 | 00:27:32,168 | 00:27:35,438 | I'll go, explain the cruder points of blackface. | I'll go, explain the cruder points of blackface. |
430 | 00:27:40,911 | 00:27:42,280 | Charles Gilpin, | Charles Gilpin, |
431 | 00:27:42,380 | 00:27:45,682 | Charles Gilpin is who Eugene wants for the role. | Charles Gilpin is who Eugene wants for the role. |
432 | 00:27:45,782 | 00:27:47,984 | We saw him in the Drinkwater piece, "Abe Lincoln." | We saw him in the Drinkwater piece, "Abe Lincoln." |
433 | 00:27:48,084 | 00:27:49,419 | Oh yes, we saw that, Jig. | Oh yes, we saw that, Jig. |
434 | 00:27:49,519 | 00:27:53,089 | Yeah, well, I didn't like him, too deferential, | Yeah, well, I didn't like him, too deferential, |
435 | 00:27:53,189 | 00:27:54,824 | bit of a house Negro. | bit of a house Negro. |
436 | 00:27:54,925 | 00:27:56,126 | That was the role. | That was the role. |
437 | 00:27:56,226 | 00:28:00,597 | Well, Paul Robeson is the latest sensation. | Well, Paul Robeson is the latest sensation. |
438 | 00:28:00,697 | 00:28:05,269 | He's young, athletic, he has the most impressive voice. | He's young, athletic, he has the most impressive voice. |
439 | 00:28:05,369 | 00:28:10,140 | You must see Robeson, presence, talent, he's the future. | You must see Robeson, presence, talent, he's the future. |
440 | 00:28:10,240 | 00:28:13,176 | Charles Gilpin is who Eugene wants for the role. | Charles Gilpin is who Eugene wants for the role. |
441 | 00:28:13,277 | 00:28:16,347 | I'm directing, casting is my choice. | I'm directing, casting is my choice. |
442 | 00:28:16,446 | 00:28:19,883 | I wanna see this Paul Robeson character. | I wanna see this Paul Robeson character. |
443 | 00:28:19,983 | 00:28:21,785 | Jasper, you know these people better than most, | Jasper, you know these people better than most, |
444 | 00:28:21,885 | 00:28:23,820 | - see if you can get him. - These people? | - see if you can get him. - These people? |
445 | 00:28:23,920 | 00:28:25,488 | What's wrong with that? | What's wrong with that? |
446 | 00:28:25,588 | 00:28:26,957 | Yes, these people, Negroes. | Yes, these people, Negroes. |
447 | 00:28:27,057 | 00:28:29,360 | Oh, really, Jig, it's 1920, | Oh, really, Jig, it's 1920, |
448 | 00:28:29,459 | 00:28:30,660 | nobody says these people anymore. | nobody says these people anymore. |
449 | 00:28:30,760 | 00:28:32,562 | - What would you have me say? - Well, when you say that... | - What would you have me say? - Well, when you say that... |
450 | 00:28:32,662 | 00:28:33,830 | - Goodnight. - It's my work... | - Goodnight. - It's my work... |
451 | 00:28:33,930 | 00:28:35,632 | Absolutely ridiculous. | Absolutely ridiculous. |
452 | 00:28:35,732 | 00:28:38,201 | One, two, three, four, five, six, seven, | One, two, three, four, five, six, seven, |
453 | 00:28:38,302 | 00:28:40,236 | come on, rep, one, two, three, four, | come on, rep, one, two, three, four, |
454 | 00:28:40,338 | 00:28:42,072 | five, six, seven, come on. | five, six, seven, come on. |
455 | 00:28:42,172 | 00:28:44,641 | One, two, three, four, five, six, seven. | One, two, three, four, five, six, seven. |
456 | 00:28:47,411 | 00:28:49,512 | Go, go, go, go, go, go, go, go, | Go, go, go, go, go, go, go, go, |
457 | 00:28:49,612 | 00:28:51,081 | go, go, go, go, go, yeah. | go, go, go, go, go, yeah. |
458 | 00:28:51,181 | 00:28:52,849 | Go, go, go, go, go, go, go, go, | Go, go, go, go, go, go, go, go, |
459 | 00:28:52,949 | 00:28:55,885 | come on, put some power in it, power, power, power, | come on, put some power in it, power, power, power, |
460 | 00:28:55,986 | 00:28:57,421 | that's it, come on. | that's it, come on. |
461 | 00:28:57,520 | 00:28:58,855 | Come on, push, push, push, push. | Come on, push, push, push, push. |
462 | 00:28:58,955 | 00:29:00,924 | - Are you Paul Robeson? - Push, push. | - Are you Paul Robeson? - Push, push. |
463 | 00:29:02,625 | 00:29:03,660 | Yeah, | Yeah, |
464 | 00:29:03,760 | 00:29:04,728 | and you are? | and you are? |
465 | 00:29:04,828 | 00:29:06,364 | I am Jasper Deeter, | I am Jasper Deeter, |
466 | 00:29:06,464 | 00:29:08,832 | actor and producer from the Provincetown Players. | actor and producer from the Provincetown Players. |
467 | 00:29:08,932 | 00:29:10,100 | Do you have a moment? | Do you have a moment? |
468 | 00:29:10,200 | 00:29:12,869 | If you don't mind me going through my routine. | If you don't mind me going through my routine. |
469 | 00:29:12,969 | 00:29:15,739 | Oh, okay, well, the Provincetown Players | Oh, okay, well, the Provincetown Players |
470 | 00:29:15,839 | 00:29:17,574 | are downtown in the Village | are downtown in the Village |
471 | 00:29:17,674 | 00:29:20,677 | and we would like you to try out for our next production. | and we would like you to try out for our next production. |
472 | 00:29:21,978 | 00:29:23,580 | Oh, what play? | Oh, what play? |
473 | 00:29:23,680 | 00:29:25,615 | It's the latest from Eugene O'Neill. | It's the latest from Eugene O'Neill. |
474 | 00:29:27,150 | 00:29:28,218 | Never heard of him. | Never heard of him. |
475 | 00:29:29,453 | 00:29:31,054 | You. | You. |
476 | 00:29:32,088 | 00:29:34,358 | Well, would you like to hear some now? | Well, would you like to hear some now? |
477 | 00:29:35,725 | 00:29:36,593 | Away you go. | Away you go. |
478 | 00:29:38,295 | 00:29:40,030 | Okay, well, | Okay, well, |
479 | 00:29:40,130 | 00:29:42,866 | it's Haiti, the Island of Haiti, | it's Haiti, the Island of Haiti, |
480 | 00:29:42,966 | 00:29:46,202 | the last days of evil dictator, Emperor Jones's rule. | the last days of evil dictator, Emperor Jones's rule. |
481 | 00:29:46,303 | 00:29:49,306 | The play opens with, with, with me | The play opens with, with, with me |
482 | 00:29:49,407 | 00:29:51,475 | and then, | and then, |
483 | 00:29:51,574 | 00:29:52,876 | the Emperor comes in. | the Emperor comes in. |
484 | 00:29:54,844 | 00:29:57,781 | Who dare whistle that way in my palace? | Who dare whistle that way in my palace? |
485 | 00:29:58,882 | 00:30:00,917 | Who does wake the Emperor? | Who does wake the Emperor? |
486 | 00:30:01,017 | 00:30:04,321 | I'll get the heart off him with my song, nigger. | I'll get the heart off him with my song, nigger. |
487 | 00:30:06,890 | 00:30:10,294 | And, um, oh Lordy, | And, um, oh Lordy, |
488 | 00:30:10,994 | 00:30:12,762 | oh Lordy, | oh Lordy, |
489 | 00:30:12,862 | 00:30:16,467 | oh Lordy, I scared, I scared in this place. | oh Lordy, I scared, I scared in this place. |
490 | 00:30:16,566 | 00:30:18,735 | Oh Lord, hear my prayer, | Oh Lord, hear my prayer, |
491 | 00:30:18,835 | 00:30:21,905 | I been a poor sinner, I been a poor sinner, | I been a poor sinner, I been a poor sinner, |
492 | 00:30:22,939 | 00:30:26,076 | Lord, I done wrong, I done wrong | Lord, I done wrong, I done wrong |
493 | 00:30:26,176 | 00:30:28,945 | and I stand here with these fool bush niggers | and I stand here with these fool bush niggers |
494 | 00:30:29,045 | 00:30:31,282 | raising up the seat of the Almighty. | raising up the seat of the Almighty. |
495 | 00:30:33,750 | 00:30:35,819 | Lordy, I done wrong. | Lordy, I done wrong. |
496 | 00:30:35,919 | 00:30:36,820 | Paul, do it. | Paul, do it. |
497 | 00:30:42,393 | 00:30:44,761 | What do you think? | What do you think? |
498 | 00:30:44,861 | 00:30:46,763 | Man, I have never seen or heard | Man, I have never seen or heard |
499 | 00:30:46,863 | 00:30:48,932 | such a despicable character in my life | such a despicable character in my life |
500 | 00:30:49,032 | 00:30:50,767 | and I'm not gonna conjure that monstrosity | and I'm not gonna conjure that monstrosity |
501 | 00:30:50,867 | 00:30:53,337 | on your stage or anywhere else. | on your stage or anywhere else. |
502 | 00:30:53,437 | 00:30:54,704 | How much do you weigh? | How much do you weigh? |
503 | 00:30:54,804 | 00:30:56,507 | - Er, one, one... - How much? | - Er, one, one... - How much? |
504 | 00:30:56,606 | 00:30:58,208 | 160, 70. | 160, 70. |
505 | 00:30:58,309 | 00:31:00,043 | 'Cause I bench 250, | 'Cause I bench 250, |
506 | 00:31:00,143 | 00:31:02,379 | so I'm pretty sure that I can toss you out of this park | so I'm pretty sure that I can toss you out of this park |
507 | 00:31:02,480 | 00:31:05,549 | and if I see you here again, I will. | and if I see you here again, I will. |
508 | 00:31:05,648 | 00:31:07,318 | Oh, and tell that O'Neill character, | Oh, and tell that O'Neill character, |
509 | 00:31:07,418 | 00:31:09,052 | I'm looking for a new punching bag | I'm looking for a new punching bag |
510 | 00:31:09,152 | 00:31:11,322 | in case he decides to come by. | in case he decides to come by. |
511 | 00:31:11,422 | 00:31:12,822 | I'm all for free love, | I'm all for free love, |
512 | 00:31:12,922 | 00:31:13,957 | but really, - Susan, | but really, - Susan, |
513 | 00:31:14,057 | 00:31:14,858 | - I want you to stop this. - In front of the company? | - I want you to stop this. - In front of the company? |
514 | 00:31:14,958 | 00:31:16,793 | - Miss Ida Rauh? - Stop, stop, stop! | - Miss Ida Rauh? - Stop, stop, stop! |
515 | 00:31:16,893 | 00:31:17,627 | Well? | Well? |
516 | 00:31:17,727 | 00:31:21,064 | Well, Paul Robeson is big, | Well, Paul Robeson is big, |
517 | 00:31:21,164 | 00:31:24,234 | he speaks well, but not about Gene. | he speaks well, but not about Gene. |
518 | 00:31:24,335 | 00:31:26,069 | Tell us what he said exactly. | Tell us what he said exactly. |
519 | 00:31:26,169 | 00:31:27,237 | Exactly? | Exactly? |
520 | 00:31:27,338 | 00:31:29,205 | That he hates the play, | That he hates the play, |
521 | 00:31:29,306 | 00:31:31,908 | that he called the character a monstrosity | that he called the character a monstrosity |
522 | 00:31:32,008 | 00:31:34,144 | and then he threatened me with violence. | and then he threatened me with violence. |
523 | 00:31:34,244 | 00:31:37,013 | Well, that seems definite. | Well, that seems definite. |
524 | 00:31:37,113 | 00:31:38,549 | Yes, it is. | Yes, it is. |
525 | 00:31:38,648 | 00:31:42,553 | He's just a kid, he's a Columbia law student, | He's just a kid, he's a Columbia law student, |
526 | 00:31:42,652 | 00:31:45,589 | he's barely old enough to ride a Pullman train, | he's barely old enough to ride a Pullman train, |
527 | 00:31:45,688 | 00:31:48,191 | let alone have a Pullman's porters license. | let alone have a Pullman's porters license. |
528 | 00:31:49,326 | 00:31:52,695 | He knows nothing, he's not right. | He knows nothing, he's not right. |
529 | 00:31:52,795 | 00:31:54,197 | Now what? | Now what? |
530 | 00:31:54,298 | 00:31:56,500 | We respect the intentions of the playwright. | We respect the intentions of the playwright. |
531 | 00:31:57,834 | 00:32:00,737 | Paul Robeson is not the only Negro actor in town, | Paul Robeson is not the only Negro actor in town, |
532 | 00:32:00,837 | 00:32:02,906 | he is just the better looking. | he is just the better looking. |
533 | 00:32:03,006 | 00:32:05,576 | Let me find Charles Gilpin. | Let me find Charles Gilpin. |
534 | 00:32:07,378 | 00:32:08,512 | What can I say? | What can I say? |
535 | 00:32:09,513 | 00:32:10,414 | Go ahead. | Go ahead. |
536 | 00:32:12,048 | 00:32:12,916 | Thank you. | Thank you. |
537 | 00:32:17,588 | 00:32:19,956 | You think we're too old for this? | You think we're too old for this? |
538 | 00:32:20,790 | 00:32:22,259 | What do you mean? | What do you mean? |
539 | 00:32:23,427 | 00:32:26,095 | Oh, a guy once told me New York can be cruel. | Oh, a guy once told me New York can be cruel. |
540 | 00:32:29,032 | 00:32:30,200 | Maybe we get out? | Maybe we get out? |
541 | 00:32:33,370 | 00:32:35,205 | Where will we go? | Where will we go? |
542 | 00:32:35,306 | 00:32:36,206 | Jersey. | Jersey. |
543 | 00:32:37,575 | 00:32:38,942 | What's in Jersey for us? | What's in Jersey for us? |
544 | 00:32:39,943 | 00:32:41,144 | Well, one of the hotel boot boys | Well, one of the hotel boot boys |
545 | 00:32:41,244 | 00:32:43,146 | just got a place out there, | just got a place out there, |
546 | 00:32:44,281 | 00:32:47,050 | leaves at the end of the week, chicken farm. | leaves at the end of the week, chicken farm. |
547 | 00:32:48,751 | 00:32:53,089 | He set up a place to live and the chickens, $65. | He set up a place to live and the chickens, $65. |
548 | 00:32:54,325 | 00:32:56,159 | Hell, I got $65. | Hell, I got $65. |
549 | 00:32:58,728 | 00:33:00,331 | Our own place? | Our own place? |
550 | 00:33:02,832 | 00:33:04,602 | Be sure to speak with him tomorrow. | Be sure to speak with him tomorrow. |
551 | 00:33:06,270 | 00:33:07,770 | Oh, a chicken farm. | Oh, a chicken farm. |
552 | 00:33:35,633 | 00:33:37,166 | Have we met, sir? | Have we met, sir? |
553 | 00:33:38,034 | 00:33:39,470 | Indeed we have, sir, | Indeed we have, sir, |
554 | 00:33:40,704 | 00:33:44,341 | I am Jasper Deeter, actor and producer | I am Jasper Deeter, actor and producer |
555 | 00:33:44,441 | 00:33:49,446 | and you are Charles S. Gilpin, a fine actor. | and you are Charles S. Gilpin, a fine actor. |
556 | 00:33:49,546 | 00:33:51,180 | Oh yeah, that's right. | Oh yeah, that's right. |
557 | 00:33:52,616 | 00:33:53,517 | How you been? | How you been? |
558 | 00:33:53,617 | 00:33:55,286 | You looking for work? | You looking for work? |
559 | 00:33:55,386 | 00:33:56,786 | There's jobs going in a week. | There's jobs going in a week. |
560 | 00:33:58,255 | 00:34:01,458 | Au contraire, do you remember my friend, Eugene O'Neill? | Au contraire, do you remember my friend, Eugene O'Neill? |
561 | 00:34:02,892 | 00:34:03,627 | Sure do. | Sure do. |
562 | 00:34:03,727 | 00:34:05,962 | Well, he has a new play | Well, he has a new play |
563 | 00:34:06,062 | 00:34:09,333 | and there is a part in it for you. | and there is a part in it for you. |
564 | 00:34:09,433 | 00:34:11,635 | What time do you finish? | What time do you finish? |
565 | 00:34:11,735 | 00:34:12,636 | Four o'clock. | Four o'clock. |
566 | 00:34:14,003 | 00:34:17,508 | Take a cab to the Playwrights Theater in the Village. | Take a cab to the Playwrights Theater in the Village. |
567 | 00:34:17,608 | 00:34:19,476 | Read this on the way, | Read this on the way, |
568 | 00:34:20,511 | 00:34:22,713 | be there at five sharp. | be there at five sharp. |
569 | 00:34:32,690 | 00:34:34,090 | Frankly I wouldn't be surprised | Frankly I wouldn't be surprised |
570 | 00:34:34,190 | 00:34:38,161 | if we didn't use Chuck Ellis in blackface on our knees. | if we didn't use Chuck Ellis in blackface on our knees. |
571 | 00:34:38,262 | 00:34:39,730 | Oh, Jig, stop it. | Oh, Jig, stop it. |
572 | 00:34:43,267 | 00:34:46,603 | Oh, Lord, I didn't expect you all to be here. | Oh, Lord, I didn't expect you all to be here. |
573 | 00:34:48,004 | 00:34:50,574 | To be honest, I've played in smaller houses than this. | To be honest, I've played in smaller houses than this. |
574 | 00:34:51,908 | 00:34:53,711 | Shall we start? | Shall we start? |
575 | 00:34:53,811 | 00:34:56,513 | Jasper, could you feed Brutus his first cue? | Jasper, could you feed Brutus his first cue? |
576 | 00:34:56,613 | 00:34:57,880 | Jasper will play Smithers. | Jasper will play Smithers. |
577 | 00:35:01,552 | 00:35:05,054 | He's bound to find out soon as wakes up. | He's bound to find out soon as wakes up. |
578 | 00:35:05,154 | 00:35:08,091 | He's shrewd enough to know his time's come. | He's shrewd enough to know his time's come. |
579 | 00:35:08,191 | 00:35:09,892 | Stop or I'll shoot! | Stop or I'll shoot! |
580 | 00:35:09,992 | 00:35:13,297 | Oh, go on, naff off out of it, you black cow. | Oh, go on, naff off out of it, you black cow. |
581 | 00:35:17,133 | 00:35:20,036 | Who dare whistle that way in my palace? | Who dare whistle that way in my palace? |
582 | 00:35:20,136 | 00:35:22,905 | Who dare wake up the Emperor? | Who dare wake up the Emperor? |
583 | 00:35:23,005 | 00:35:26,109 | I'll get the heart frailed off some of you niggers sure. | I'll get the heart frailed off some of you niggers sure. |
584 | 00:35:29,212 | 00:35:31,482 | That was wonderful. | That was wonderful. |
585 | 00:35:31,582 | 00:35:35,386 | I'd like to hear a little bit more, I'm sure we all would. | I'd like to hear a little bit more, I'm sure we all would. |
586 | 00:35:35,486 | 00:35:37,287 | Should we go from the... | Should we go from the... |
587 | 00:35:37,388 | 00:35:39,790 | Alright, just before, okay, alright, alright. | Alright, just before, okay, alright, alright. |
588 | 00:35:43,993 | 00:35:47,564 | I bet you got your pile of money hid in some safe place. | I bet you got your pile of money hid in some safe place. |
589 | 00:35:47,664 | 00:35:50,601 | Oh, I sure has and it's in a foreign bank, | Oh, I sure has and it's in a foreign bank, |
590 | 00:35:50,701 | 00:35:52,436 | where no person ever get it out but me, | where no person ever get it out but me, |
591 | 00:35:52,536 | 00:35:54,271 | no matter what come. | no matter what come. |
592 | 00:35:54,371 | 00:35:56,507 | You didn't suppose I was holding down this Emperor job | You didn't suppose I was holding down this Emperor job |
593 | 00:35:56,607 | 00:35:58,642 | for the glory part, now did you? | for the glory part, now did you? |
594 | 00:35:59,676 | 00:36:01,010 | Sure, the fuss and glory part of it, | Sure, the fuss and glory part of it, |
595 | 00:36:01,110 | 00:36:04,113 | that's only for these low flung bush Negroes that's here, | that's only for these low flung bush Negroes that's here, |
596 | 00:36:04,213 | 00:36:06,249 | they want a big circus show for their money | they want a big circus show for their money |
597 | 00:36:06,350 | 00:36:09,085 | and I gives it to them and I gets the money, | and I gives it to them and I gets the money, |
598 | 00:36:09,185 | 00:36:12,955 | the long green, that's me every time. | the long green, that's me every time. |
599 | 00:36:24,802 | 00:36:26,837 | We need look no further. | We need look no further. |
600 | 00:36:33,911 | 00:36:35,211 | 50 bucks a week! | 50 bucks a week! |
601 | 00:36:35,312 | 00:36:36,780 | Why are you home so late? | Why are you home so late? |
602 | 00:36:36,880 | 00:36:39,316 | Well, because I was getting my 50 bucks a week. | Well, because I was getting my 50 bucks a week. |
603 | 00:36:39,416 | 00:36:42,619 | I asked for 60 thinking they'd end up somewhere around 40, | I asked for 60 thinking they'd end up somewhere around 40, |
604 | 00:36:42,719 | 00:36:44,288 | but they folded on 50! | but they folded on 50! |
605 | 00:36:44,388 | 00:36:45,789 | Who's they? | Who's they? |
606 | 00:36:45,889 | 00:36:47,791 | Provincetown Players. | Provincetown Players. |
607 | 00:36:47,891 | 00:36:50,828 | They're doing the latest play by Mr. Pulitzer Prize himself, | They're doing the latest play by Mr. Pulitzer Prize himself, |
608 | 00:36:50,928 | 00:36:51,994 | Eugene O'Neill. | Eugene O'Neill. |
609 | 00:36:52,094 | 00:36:53,497 | Eugene O'Neill? | Eugene O'Neill? |
610 | 00:36:54,298 | 00:36:56,032 | Never heard of him. | Never heard of him. |
611 | 00:36:56,132 | 00:36:58,469 | Ha, don't let him hear you say that. | Ha, don't let him hear you say that. |
612 | 00:37:00,571 | 00:37:03,072 | So I guess the chicken farm in Jersey's on hold? | So I guess the chicken farm in Jersey's on hold? |
613 | 00:37:03,172 | 00:37:07,578 | Hey, this kind of money is not chicken feed, sweetheart, | Hey, this kind of money is not chicken feed, sweetheart, |
614 | 00:37:07,678 | 00:37:09,847 | I can buy you a chicken farm every two weeks. | I can buy you a chicken farm every two weeks. |
615 | 00:37:11,782 | 00:37:14,551 | Then what's the play, what's it like? | Then what's the play, what's it like? |
616 | 00:37:18,689 | 00:37:20,591 | What's it called? | What's it called? |
617 | 00:37:20,691 | 00:37:22,726 | - "The Emperor Jones." - Oh. | - "The Emperor Jones." - Oh. |
618 | 00:37:22,826 | 00:37:26,229 | And I am the Emperor, the lead, | And I am the Emperor, the lead, |
619 | 00:37:26,330 | 00:37:30,099 | the entire play is me, I'm in every scene. | the entire play is me, I'm in every scene. |
620 | 00:37:31,335 | 00:37:33,270 | The entire play is practically a monologue by me. | The entire play is practically a monologue by me. |
621 | 00:37:35,873 | 00:37:38,609 | Hm, if I wanna hear that sort of thing, | Hm, if I wanna hear that sort of thing, |
622 | 00:37:38,709 | 00:37:40,176 | I can stay at home. | I can stay at home. |
623 | 00:37:43,480 | 00:37:45,282 | Was the play any good? | Was the play any good? |
624 | 00:37:46,082 | 00:37:47,918 | Oh, you know white folk. | Oh, you know white folk. |
625 | 00:37:48,017 | 00:37:49,185 | Hm. | Hm. |
626 | 00:37:49,286 | 00:37:51,455 | They think they know how we talk, | They think they know how we talk, |
627 | 00:37:51,555 | 00:37:53,423 | them and theirs all over the place | them and theirs all over the place |
628 | 00:37:53,524 | 00:37:55,626 | and nigger this and nigger that. | and nigger this and nigger that. |
629 | 00:37:56,894 | 00:37:58,194 | Charlie, I think you've had enough. | Charlie, I think you've had enough. |
630 | 00:37:58,295 | 00:38:01,298 | What, no, I'm just repeating what they say in the play. | What, no, I'm just repeating what they say in the play. |
631 | 00:38:01,398 | 00:38:03,934 | Well, if it's in the script, just say it. | Well, if it's in the script, just say it. |
632 | 00:38:04,033 | 00:38:05,101 | But I can fix that. | But I can fix that. |
633 | 00:38:06,703 | 00:38:10,274 | Just do your job, go where they tell you to go | Just do your job, go where they tell you to go |
634 | 00:38:10,374 | 00:38:12,108 | and say what they tell you to say. | and say what they tell you to say. |
635 | 00:38:12,208 | 00:38:14,311 | Whole world's gonna be different after this. | Whole world's gonna be different after this. |
636 | 00:38:17,347 | 00:38:18,615 | You'd have to bleeding hustle | You'd have to bleeding hustle |
637 | 00:38:18,715 | 00:38:22,319 | to make it through that forest in 12 hours. | to make it through that forest in 12 hours. |
638 | 00:38:22,419 | 00:38:25,622 | You'd have to know the trials like a bleeding native. | You'd have to know the trials like a bleeding native. |
639 | 00:38:26,857 | 00:38:28,224 | Look here, white man, | Look here, white man, |
640 | 00:38:28,325 | 00:38:30,727 | does you suppose I is a natural born fool? | does you suppose I is a natural born fool? |
641 | 00:38:32,228 | 00:38:35,064 | Give me credit for having some sense, for Lord's sake. | Give me credit for having some sense, for Lord's sake. |
642 | 00:38:35,164 | 00:38:36,232 | Don't you suppose I has looked ahead | Don't you suppose I has looked ahead |
643 | 00:38:36,333 | 00:38:37,834 | and made sure of all the chances? | and made sure of all the chances? |
644 | 00:38:39,101 | 00:38:40,938 | I has gone out on that big forest pretending to hunt | I has gone out on that big forest pretending to hunt |
645 | 00:38:41,038 | 00:38:45,174 | so many times that I knows it high and low like a book. | so many times that I knows it high and low like a book. |
646 | 00:38:45,275 | 00:38:48,244 | I could go throwing them trails with my eyes shut. | I could go throwing them trails with my eyes shut. |
647 | 00:38:48,345 | 00:38:52,148 | You think these ignorant bush Negro, niggers, | You think these ignorant bush Negro, niggers, |
648 | 00:38:52,248 | 00:38:54,585 | that ain't got brains enough to know their own names | that ain't got brains enough to know their own names |
649 | 00:38:54,685 | 00:38:56,820 | even can catch Brutus Jones? | even can catch Brutus Jones? |
650 | 00:38:56,920 | 00:38:59,823 | Ha, I expects not, not on your life. | Ha, I expects not, not on your life. |
651 | 00:39:02,224 | 00:39:05,127 | Quiet back there! | Quiet back there! |
652 | 00:39:05,227 | 00:39:06,597 | Oh, Gene, I didn't know it was you. | Oh, Gene, I didn't know it was you. |
653 | 00:39:06,697 | 00:39:07,664 | It's okay. | It's okay. |
654 | 00:39:07,764 | 00:39:08,799 | You stumbled. | You stumbled. |
655 | 00:39:08,899 | 00:39:10,601 | Oh, I did, when? | Oh, I did, when? |
656 | 00:39:10,701 | 00:39:12,469 | I'm still getting the words clear, Mr. O'Neill. | I'm still getting the words clear, Mr. O'Neill. |
657 | 00:39:12,569 | 00:39:15,171 | Okay, don't give me that Mr. Crap, | Okay, don't give me that Mr. Crap, |
658 | 00:39:15,272 | 00:39:16,640 | Mr. O'Neil was my father, | Mr. O'Neil was my father, |
659 | 00:39:16,740 | 00:39:19,643 | we can still have an argument if you call me Gene. | we can still have an argument if you call me Gene. |
660 | 00:39:19,743 | 00:39:21,011 | Right, Gene. | Right, Gene. |
661 | 00:39:21,110 | 00:39:22,012 | - Hm. - Um, | - Hm. - Um, |
662 | 00:39:23,145 | 00:39:25,214 | well, yeah, I mean it's, it's that word? | well, yeah, I mean it's, it's that word? |
663 | 00:39:25,315 | 00:39:26,383 | What word? | What word? |
664 | 00:39:26,483 | 00:39:29,052 | Well, we don't say that word. | Well, we don't say that word. |
665 | 00:39:29,151 | 00:39:30,854 | We, who's we? | We, who's we? |
666 | 00:39:30,954 | 00:39:31,989 | Negroes, | Negroes, |
667 | 00:39:33,357 | 00:39:35,993 | black people, we don't say that word to each other word. | black people, we don't say that word to each other word. |
668 | 00:39:36,093 | 00:39:37,894 | What word? | What word? |
669 | 00:39:40,162 | 00:39:41,465 | Nigger, sir. | Nigger, sir. |
670 | 00:39:41,565 | 00:39:45,201 | Okay, drop the sir, that don't wash, | Okay, drop the sir, that don't wash, |
671 | 00:39:45,302 | 00:39:47,236 | stop the shucking and jiving. | stop the shucking and jiving. |
672 | 00:39:47,337 | 00:39:50,172 | Then don't use phrases that you don't know the meaning of. | Then don't use phrases that you don't know the meaning of. |
673 | 00:39:50,273 | 00:39:51,908 | Hey, hey, fellas, let's just keep... | Hey, hey, fellas, let's just keep... |
674 | 00:39:52,009 | 00:39:55,545 | Jasper, please just listen, please, it's alright. | Jasper, please just listen, please, it's alright. |
675 | 00:39:58,582 | 00:40:00,417 | Okay, I'm fairly certain | Okay, I'm fairly certain |
676 | 00:40:00,517 | 00:40:03,053 | I've heard one Negro call another Negro nigger. | I've heard one Negro call another Negro nigger. |
677 | 00:40:06,256 | 00:40:07,391 | Ah-huh. | Ah-huh. |
678 | 00:40:07,491 | 00:40:09,593 | Um, are you educated? | Um, are you educated? |
679 | 00:40:10,927 | 00:40:12,496 | Well, I made it to eighth grade. | Well, I made it to eighth grade. |
680 | 00:40:12,596 | 00:40:14,398 | Okay, well, I made it to college. | Okay, well, I made it to college. |
681 | 00:40:15,032 | 00:40:15,766 | Did you finish? | Did you finish? |
682 | 00:40:16,867 | 00:40:18,402 | That's good. | That's good. |
683 | 00:40:19,503 | 00:40:22,606 | Okay, Brutus Jones is an uneducated man, | Okay, Brutus Jones is an uneducated man, |
684 | 00:40:22,706 | 00:40:24,408 | but he has experience in life, | but he has experience in life, |
685 | 00:40:24,508 | 00:40:27,277 | I have experience in life and I've worked with colored men | I have experience in life and I've worked with colored men |
686 | 00:40:27,377 | 00:40:28,445 | on ships and in sleazy bars | on ships and in sleazy bars |
687 | 00:40:28,545 | 00:40:30,681 | everywhere from New York to London | everywhere from New York to London |
688 | 00:40:30,781 | 00:40:33,884 | and I am certain that I've heard one Negro | and I am certain that I've heard one Negro |
689 | 00:40:33,984 | 00:40:36,586 | call another Negro nigger. | call another Negro nigger. |
690 | 00:40:36,687 | 00:40:38,288 | That's who Brutus Jones is. | That's who Brutus Jones is. |
691 | 00:40:41,223 | 00:40:43,026 | - I think you're wrong. - Oh, you do? | - I think you're wrong. - Oh, you do? |
692 | 00:40:43,126 | 00:40:44,461 | Well, I think he's smarter than that. | Well, I think he's smarter than that. |
693 | 00:40:44,561 | 00:40:45,696 | - Hm. - And my Brutus | - Hm. - And my Brutus |
694 | 00:40:45,796 | 00:40:46,563 | wouldn't say it. | wouldn't say it. |
695 | 00:40:46,663 | 00:40:48,432 | Oh Jesus, give me strength. | Oh Jesus, give me strength. |
696 | 00:40:48,532 | 00:40:50,033 | I swear if I had a dollar for every time | I swear if I had a dollar for every time |
697 | 00:40:50,133 | 00:40:52,135 | an actor told me that their character wouldn't do this | an actor told me that their character wouldn't do this |
698 | 00:40:52,234 | 00:40:53,537 | or their character wouldn't do that, | or their character wouldn't do that, |
699 | 00:40:53,637 | 00:40:55,639 | I wouldn't need royalties. | I wouldn't need royalties. |
700 | 00:40:55,739 | 00:40:58,475 | Charles, what makes drama | Charles, what makes drama |
701 | 00:40:58,575 | 00:41:00,911 | is a character saying the unexpected. | is a character saying the unexpected. |
702 | 00:41:03,714 | 00:41:06,650 | Yeah, but he's smart enough to take over this whole island | Yeah, but he's smart enough to take over this whole island |
703 | 00:41:06,750 | 00:41:08,985 | and make these people think that he's an emperor. | and make these people think that he's an emperor. |
704 | 00:41:09,086 | 00:41:09,986 | You've really thought about this. | You've really thought about this. |
705 | 00:41:10,087 | 00:41:11,488 | Well, I have, yeah. | Well, I have, yeah. |
706 | 00:41:11,588 | 00:41:14,257 | Hm, and you think you know Brutus better than I do? | Hm, and you think you know Brutus better than I do? |
707 | 00:41:16,225 | 00:41:18,328 | Oh no, I mean, I wouldn't say better, not at all, | Oh no, I mean, I wouldn't say better, not at all, |
708 | 00:41:18,428 | 00:41:19,396 | it's just a, | it's just a, |
709 | 00:41:23,066 | 00:41:26,403 | it's just such a good part | it's just such a good part |
710 | 00:41:26,503 | 00:41:28,071 | and your writing is so good | and your writing is so good |
711 | 00:41:29,473 | 00:41:31,641 | and I know Brutus very well. Mr. O'Neill. | and I know Brutus very well. Mr. O'Neill. |
712 | 00:41:32,843 | 00:41:35,345 | Well now, that's a good answer. | Well now, that's a good answer. |
713 | 00:41:35,445 | 00:41:37,581 | See, I knew you were smarter than the eighth grade, | See, I knew you were smarter than the eighth grade, |
714 | 00:41:37,681 | 00:41:40,851 | now stay smart and just do it as written. | now stay smart and just do it as written. |
715 | 00:41:40,951 | 00:41:43,987 | I'm gonna come back for the final dress rehearsal | I'm gonna come back for the final dress rehearsal |
716 | 00:41:44,087 | 00:41:46,123 | and if you don't say every word that I wrote, | and if you don't say every word that I wrote, |
717 | 00:41:46,223 | 00:41:48,258 | if there's even one word out of place, | if there's even one word out of place, |
718 | 00:41:48,358 | 00:41:49,993 | I'm gonna jump up on this stage | I'm gonna jump up on this stage |
719 | 00:41:50,093 | 00:41:52,963 | and I'm gonna beat you up in front of the entire company. | and I'm gonna beat you up in front of the entire company. |
720 | 00:41:53,864 | 00:41:56,299 | Okay, alright, good luck, boys. | Okay, alright, good luck, boys. |
721 | 00:42:05,575 | 00:42:08,145 | Well, I told you he was sensitive. | Well, I told you he was sensitive. |
722 | 00:42:27,130 | 00:42:28,532 | Come on, sit down. | Come on, sit down. |
723 | 00:42:30,734 | 00:42:32,569 | Wearing out the floor ain't gonna solve your problems. | Wearing out the floor ain't gonna solve your problems. |
724 | 00:42:32,669 | 00:42:34,838 | It's not my problem, it's his. | It's not my problem, it's his. |
725 | 00:42:34,938 | 00:42:37,140 | But it's his play, his ideas. | But it's his play, his ideas. |
726 | 00:42:37,240 | 00:42:38,408 | What do you know about it? | What do you know about it? |
727 | 00:42:38,508 | 00:42:40,210 | You don't get it. | You don't get it. |
728 | 00:42:40,310 | 00:42:43,146 | Well, then help me get it. | Well, then help me get it. |
729 | 00:42:45,482 | 00:42:46,716 | An actor has a character, | An actor has a character, |
730 | 00:42:46,817 | 00:42:49,920 | a character has words, a way of speaking, | a character has words, a way of speaking, |
731 | 00:42:50,020 | 00:42:51,655 | if the words don't sound like the character, | if the words don't sound like the character, |
732 | 00:42:51,755 | 00:42:53,824 | then the words are no good. | then the words are no good. |
733 | 00:42:53,924 | 00:42:55,559 | If the words are no good, | If the words are no good, |
734 | 00:42:57,594 | 00:42:58,495 | then walk away | then walk away |
735 | 00:42:59,996 | 00:43:02,065 | with your integrity intact. | with your integrity intact. |
736 | 00:43:02,165 | 00:43:04,201 | I will not walk away from this. | I will not walk away from this. |
737 | 00:43:06,304 | 00:43:08,371 | Then find a way to walk around it. | Then find a way to walk around it. |
738 | 00:43:10,807 | 00:43:14,278 | Do all the words your character, what's his name again? | Do all the words your character, what's his name again? |
739 | 00:43:14,377 | 00:43:16,880 | Brutus, Brutus Jones. | Brutus, Brutus Jones. |
740 | 00:43:16,980 | 00:43:19,716 | Do all of Brutus' words sound bad? | Do all of Brutus' words sound bad? |
741 | 00:43:19,816 | 00:43:22,118 | No, spelling's off here and there, | No, spelling's off here and there, |
742 | 00:43:22,219 | 00:43:24,888 | but that's just him trying to get the sound right? | but that's just him trying to get the sound right? |
743 | 00:43:24,988 | 00:43:29,392 | So all the words sound right, except that one word? | So all the words sound right, except that one word? |
744 | 00:43:29,492 | 00:43:32,462 | Yeah, exactly, we don't say it like they say it. | Yeah, exactly, we don't say it like they say it. |
745 | 00:43:33,363 | 00:43:34,764 | Well, how does Brutus say it? | Well, how does Brutus say it? |
746 | 00:43:35,665 | 00:43:37,367 | Well, like a, um, | Well, like a, um, |
747 | 00:43:39,402 | 00:43:41,872 | what do you mean? | what do you mean? |
748 | 00:43:41,972 | 00:43:44,040 | How does your character say it? | How does your character say it? |
749 | 00:43:45,242 | 00:43:46,776 | Does he say it like you | Does he say it like you |
750 | 00:43:48,712 | 00:43:49,913 | or like a white man? | or like a white man? |
751 | 00:43:52,015 | 00:43:53,149 | Maybe that's the point. | Maybe that's the point. |
752 | 00:43:54,918 | 00:43:56,620 | Sounds like this Brutus fella | Sounds like this Brutus fella |
753 | 00:43:56,720 | 00:44:00,258 | has gotten himself some power and what does he do with it? | has gotten himself some power and what does he do with it? |
754 | 00:44:01,892 | 00:44:03,493 | He acts like a white man. | He acts like a white man. |
755 | 00:44:05,695 | 00:44:06,596 | Damn! | Damn! |
756 | 00:44:08,431 | 00:44:09,599 | You got something there. | You got something there. |
757 | 00:44:13,937 | 00:44:15,605 | Brutus is a white man. | Brutus is a white man. |
758 | 00:44:16,873 | 00:44:19,576 | This isn't your yes, ma'am moment, | This isn't your yes, ma'am moment, |
759 | 00:44:19,676 | 00:44:22,078 | this is you, an actor | this is you, an actor |
760 | 00:44:23,246 | 00:44:24,614 | rising above the moment | rising above the moment |
761 | 00:44:25,715 | 00:44:29,619 | letting us all see how any man can behave, | letting us all see how any man can behave, |
762 | 00:44:29,719 | 00:44:31,322 | if he's not careful. | if he's not careful. |
763 | 00:44:38,695 | 00:44:40,830 | What y'all doing, white folks? | What y'all doing, white folks? |
764 | 00:44:43,099 | 00:44:45,369 | What is all this, what are you looking at me for? | What is all this, what are you looking at me for? |
765 | 00:44:47,938 | 00:44:49,340 | Is you | Is you |
766 | 00:44:50,308 | 00:44:51,375 | buying me? | buying me? |
767 | 00:44:52,776 | 00:44:54,278 | Is this an auction? | Is this an auction? |
768 | 00:44:56,980 | 00:45:00,884 | You sells me and you buys me, | You sells me and you buys me, |
769 | 00:45:00,984 | 00:45:03,720 | well, I shows you I is a free nigger! | well, I shows you I is a free nigger! |
770 | 00:45:05,755 | 00:45:07,057 | Damn your souls! | Damn your souls! |
771 | 00:45:12,662 | 00:45:14,497 | Put this on. | Put this on. |
772 | 00:45:53,036 | 00:45:56,172 | Oh! | Oh! |
773 | 00:46:01,811 | 00:46:03,013 | You alright, honey? | You alright, honey? |
774 | 00:46:04,814 | 00:46:06,783 | Yeah, I'm good. | Yeah, I'm good. |
775 | 00:46:09,152 | 00:46:10,520 | You're opening tonight. | You're opening tonight. |
776 | 00:46:10,620 | 00:46:11,955 | Hm. | Hm. |
777 | 00:46:12,055 | 00:46:13,690 | On Broadway. | On Broadway. |
778 | 00:46:13,790 | 00:46:15,725 | Yeah, I said I'm good with that. | Yeah, I said I'm good with that. |
779 | 00:46:54,564 | 00:46:57,501 | Oh, easy now, none of that, me birdie, | Oh, easy now, none of that, me birdie, |
780 | 00:46:57,600 | 00:46:59,969 | there's no point wriggling, I've got me claws in you. | there's no point wriggling, I've got me claws in you. |
781 | 00:47:00,070 | 00:47:02,772 | - No tell him, no tell him. - No tell who? | - No tell him, no tell him. - No tell who? |
782 | 00:47:02,872 | 00:47:05,241 | - We're sold out. - Oh, His bleeding Majesty. | - We're sold out. - Oh, His bleeding Majesty. |
783 | 00:47:05,342 | 00:47:06,776 | Gor blimey! | Gor blimey! |
784 | 00:47:09,179 | 00:47:10,914 | I only hopes I'm here, | I only hopes I'm here, |
785 | 00:47:11,014 | 00:47:14,017 | when they takes him out and shoots him. | when they takes him out and shoots him. |
786 | 00:47:15,419 | 00:47:16,853 | He's still here, isn't he, alright? | He's still here, isn't he, alright? |
787 | 00:47:16,953 | 00:47:19,290 | Yes, mister, him sleep. | Yes, mister, him sleep. |
788 | 00:47:25,962 | 00:47:29,467 | He'll find that as soon as wakes up, | He'll find that as soon as wakes up, |
789 | 00:47:29,567 | 00:47:32,168 | he's cunning enough to know his time's come. | he's cunning enough to know his time's come. |
790 | 00:47:34,070 | 00:47:35,138 | Oi! | Oi! |
791 | 00:47:35,238 | 00:47:36,139 | I'll shoot! | I'll shoot! |
792 | 00:47:37,541 | 00:47:41,845 | Oh, go on then, hop off with you, alright, you black cow. | Oh, go on then, hop off with you, alright, you black cow. |
793 | 00:47:47,784 | 00:47:50,321 | Who dare whistle that way in my palace? | Who dare whistle that way in my palace? |
794 | 00:47:51,955 | 00:47:54,157 | Who dare wake up the Emperor? | Who dare wake up the Emperor? |
795 | 00:47:54,258 | 00:47:58,161 | I'll get the heart frailed off some of you negroes sure. | I'll get the heart frailed off some of you negroes sure. |
796 | 00:47:59,463 | 00:48:00,830 | It was me that whistled. | It was me that whistled. |
797 | 00:48:02,065 | 00:48:03,534 | I've got news for you. | I've got news for you. |
798 | 00:48:04,634 | 00:48:07,471 | Smithers, what news? | Smithers, what news? |
799 | 00:48:08,738 | 00:48:11,609 | Ain't you noticed nothing funny this morning? | Ain't you noticed nothing funny this morning? |
800 | 00:48:11,708 | 00:48:14,177 | Funny, no, I ain't perceived none of the kind. | Funny, no, I ain't perceived none of the kind. |
801 | 00:48:14,278 | 00:48:17,147 | Well then, you ain't as foxy as I thought. | Well then, you ain't as foxy as I thought. |
802 | 00:48:17,247 | 00:48:19,682 | Where's your courts? | Where's your courts? |
803 | 00:48:19,782 | 00:48:22,386 | Your generals, your cabinet ministers and all? | Your generals, your cabinet ministers and all? |
804 | 00:48:23,587 | 00:48:25,855 | Where they mostly run to when I close my eyes, | Where they mostly run to when I close my eyes, |
805 | 00:48:25,955 | 00:48:29,192 | drinking rum, talking big, how come you don't know that? | drinking rum, talking big, how come you don't know that? |
806 | 00:48:30,494 | 00:48:32,729 | Ain't you out carousing with them most every day? | Ain't you out carousing with them most every day? |
807 | 00:48:32,829 | 00:48:34,931 | Well, I has to, don't I? | Well, I has to, don't I? |
808 | 00:48:35,031 | 00:48:38,067 | - Isn't he magnificent? - Part of my business. | - Isn't he magnificent? - Part of my business. |
809 | 00:48:38,168 | 00:48:41,738 | No, my play's magnificent, he's just a good actor. | No, my play's magnificent, he's just a good actor. |
810 | 00:48:41,838 | 00:48:42,839 | Gor blimey! | Gor blimey! |
811 | 00:48:48,845 | 00:48:51,748 | Say, you ain't thinking of going out that way, are you? | Say, you ain't thinking of going out that way, are you? |
812 | 00:48:52,916 | 00:48:54,951 | Did you think I'd slink out the back door | Did you think I'd slink out the back door |
813 | 00:48:55,051 | 00:48:56,520 | like a common Negro? | like a common Negro? |
814 | 00:48:57,521 | 00:48:59,623 | I is Emperor yet, ain't I? | I is Emperor yet, ain't I? |
815 | 00:48:59,722 | 00:49:03,193 | And the Emperor Jones goes out the way he comes | And the Emperor Jones goes out the way he comes |
816 | 00:49:03,294 | 00:49:06,463 | and that black trash don't dare stop him. | and that black trash don't dare stop him. |
817 | 00:49:07,464 | 00:49:09,232 | Not yet least ways. | Not yet least ways. |
818 | 00:49:14,305 | 00:49:17,106 | Listen to that roll call, will you? | Listen to that roll call, will you? |
819 | 00:49:18,342 | 00:49:20,910 | Must be a mighty, big drum to carry that far. | Must be a mighty, big drum to carry that far. |
820 | 00:49:25,848 | 00:49:29,085 | Well, if there ain't no whole brass band to carry me off, | Well, if there ain't no whole brass band to carry me off, |
821 | 00:49:29,185 | 00:49:31,288 | I sure got the drum part of it. | I sure got the drum part of it. |
822 | 00:49:35,058 | 00:49:36,460 | So long, white man. | So long, white man. |
823 | 00:49:47,338 | 00:49:50,474 | Oh, he's got his nerve on him, so help me. | Oh, he's got his nerve on him, so help me. |
824 | 00:49:59,916 | 00:50:05,121 | Well, they've done for you right enough, Jonesy my lad. | Well, they've done for you right enough, Jonesy my lad. |
825 | 00:50:06,956 | 00:50:09,693 | Where's your mighty airs and graces now, | Where's your mighty airs and graces now, |
826 | 00:50:09,792 | 00:50:11,695 | your bleeding Majesty? | your bleeding Majesty? |
827 | 00:50:13,129 | 00:50:17,166 | At least you can say you died in style. | At least you can say you died in style. |
828 | 00:50:32,583 | 00:50:36,185 | Why thank you, sir, a tremendous performance. | Why thank you, sir, a tremendous performance. |
829 | 00:50:36,287 | 00:50:38,221 | Bravo! | Bravo! |
830 | 00:50:47,997 | 00:50:50,900 | The Emperor is played by a Negro actor | The Emperor is played by a Negro actor |
831 | 00:50:51,000 | 00:50:53,370 | named Charles S. Gilpin, | named Charles S. Gilpin, |
832 | 00:50:53,470 | 00:50:55,673 | who gives the most thrilling performance | who gives the most thrilling performance |
833 | 00:50:55,773 | 00:50:58,875 | we've seen any place this season. | we've seen any place this season. |
834 | 00:50:58,975 | 00:51:01,911 | He sustained a succession of scenes in monologue | He sustained a succession of scenes in monologue |
835 | 00:51:02,011 | 00:51:04,381 | not only because his voice is | not only because his voice is |
836 | 00:51:05,749 | 00:51:08,818 | one of gorgeous, natural quality. | one of gorgeous, natural quality. |
837 | 00:51:08,918 | 00:51:10,019 | Oh, my! | Oh, my! |
838 | 00:51:10,119 | 00:51:12,055 | Gorgeous what? | Gorgeous what? |
839 | 00:51:12,155 | 00:51:13,923 | Gorgeous, natural quality. | Gorgeous, natural quality. |
840 | 00:51:14,023 | 00:51:14,991 | Hm-mm. | Hm-mm. |
841 | 00:51:15,091 | 00:51:17,994 | But because he knows just what to do with it. | But because he knows just what to do with it. |
842 | 00:51:18,094 | 00:51:22,165 | There's more, but there can be no question whatever, | There's more, but there can be no question whatever, |
843 | 00:51:22,266 | 00:51:25,602 | that in "The Emperor Jones," Gilpin is great! | that in "The Emperor Jones," Gilpin is great! |
844 | 00:51:27,036 | 00:51:29,573 | It is a performance of heroic stature! | It is a performance of heroic stature! |
845 | 00:51:33,009 | 00:51:35,412 | There's another paragraph about O'Neill's writing | There's another paragraph about O'Neill's writing |
846 | 00:51:35,512 | 00:51:39,283 | and how the play should end, you can skip that. | and how the play should end, you can skip that. |
847 | 00:51:39,383 | 00:51:41,418 | What paper's that again? | What paper's that again? |
848 | 00:51:41,518 | 00:51:43,920 | The New York Tribune. | The New York Tribune. |
849 | 00:51:45,121 | 00:51:49,058 | Oh, and just read that last part about me again. | Oh, and just read that last part about me again. |
850 | 00:51:49,158 | 00:51:50,561 | Charles! | Charles! |
851 | 00:51:50,661 | 00:51:52,262 | Heroic stature. | Heroic stature. |
852 | 00:51:53,229 | 00:51:55,466 | Oh, you've done it! | Oh, you've done it! |
853 | 00:51:58,134 | 00:51:59,636 | Now everybody knows it. | Now everybody knows it. |
854 | 00:52:01,904 | 00:52:04,073 | Best performance of the year. | Best performance of the year. |
855 | 00:52:04,173 | 00:52:06,242 | We are the hottest ticket in town! | We are the hottest ticket in town! |
856 | 00:52:06,343 | 00:52:08,312 | All of New York is clamoring to see me. | All of New York is clamoring to see me. |
857 | 00:52:10,213 | 00:52:11,914 | To see the play. | To see the play. |
858 | 00:52:12,014 | 00:52:14,917 | Well, to see me play Brutus. | Well, to see me play Brutus. |
859 | 00:52:15,017 | 00:52:17,120 | Some of the reviews have problems with the play, | Some of the reviews have problems with the play, |
860 | 00:52:17,220 | 00:52:19,922 | not one of them has a problem with me, not a one. | not one of them has a problem with me, not a one. |
861 | 00:52:20,022 | 00:52:22,158 | Ah, but you're forgetting the Negro papers. | Ah, but you're forgetting the Negro papers. |
862 | 00:52:22,259 | 00:52:23,993 | Ah, they don't get it. | Ah, they don't get it. |
863 | 00:52:24,093 | 00:52:26,663 | Um, oh, this one here says "The Emperor Jones" | Um, oh, this one here says "The Emperor Jones" |
864 | 00:52:26,764 | 00:52:30,667 | plays to the worst of the Negro stereotypes. | plays to the worst of the Negro stereotypes. |
865 | 00:52:30,768 | 00:52:35,839 | Brutus Jones is a black man, but he represents all men. | Brutus Jones is a black man, but he represents all men. |
866 | 00:52:35,938 | 00:52:38,941 | You get it, you should be a critic. | You get it, you should be a critic. |
867 | 00:52:39,041 | 00:52:41,845 | Anyway, their issue was with the writing, with Gene, | Anyway, their issue was with the writing, with Gene, |
868 | 00:52:41,944 | 00:52:43,414 | they love me. | they love me. |
869 | 00:52:45,081 | 00:52:46,617 | Everyone thinks you're brilliant. | Everyone thinks you're brilliant. |
870 | 00:52:46,717 | 00:52:47,618 | Hm-mm. | Hm-mm. |
871 | 00:52:48,585 | 00:52:49,486 | Got to find a way | Got to find a way |
872 | 00:52:51,522 | 00:52:53,122 | to make this last, | to make this last, |
873 | 00:52:54,525 | 00:52:56,326 | find a way to do something with this. | find a way to do something with this. |
874 | 00:52:56,427 | 00:52:58,629 | Yeah, you've got to finish the play first. | Yeah, you've got to finish the play first. |
875 | 00:52:58,729 | 00:52:59,830 | Hm-mm. | Hm-mm. |
876 | 00:52:59,929 | 00:53:01,532 | And then whatever happens will happen. | And then whatever happens will happen. |
877 | 00:53:01,632 | 00:53:03,500 | Everyone will wanna work with me. | Everyone will wanna work with me. |
878 | 00:53:03,600 | 00:53:05,602 | Oh, you just think parts are going to fall out of the sky | Oh, you just think parts are going to fall out of the sky |
879 | 00:53:05,702 | 00:53:07,538 | for a Negro actor? | for a Negro actor? |
880 | 00:53:07,638 | 00:53:10,607 | This play is epic, it's like Shakespeare, | This play is epic, it's like Shakespeare, |
881 | 00:53:10,707 | 00:53:12,810 | who knows what's coming for us? | who knows what's coming for us? |
882 | 00:53:12,910 | 00:53:17,046 | Honey, white theaters will keep doing what they always do, | Honey, white theaters will keep doing what they always do, |
883 | 00:53:17,146 | 00:53:19,883 | hire white actors and then black them up, | hire white actors and then black them up, |
884 | 00:53:19,982 | 00:53:21,452 | it ain't gonna change. | it ain't gonna change. |
885 | 00:53:21,552 | 00:53:23,019 | Are you trying to ruin this day for me? | Are you trying to ruin this day for me? |
886 | 00:53:23,119 | 00:53:26,290 | No, I'm trying to remind you not to get ahead of yourself, | No, I'm trying to remind you not to get ahead of yourself, |
887 | 00:53:26,390 | 00:53:27,524 | this play will be over in three weeks. | this play will be over in three weeks. |
888 | 00:53:27,624 | 00:53:29,025 | Well, it may go to Broadway. | Well, it may go to Broadway. |
889 | 00:53:29,125 | 00:53:31,295 | Don't get ahead of yourself. | Don't get ahead of yourself. |
890 | 00:53:32,262 | 00:53:33,363 | I thought you were proud of me. | I thought you were proud of me. |
891 | 00:53:34,731 | 00:53:36,966 | You admired me when I played that piddling little pastor | You admired me when I played that piddling little pastor |
892 | 00:53:37,066 | 00:53:38,402 | in "Abraham Lincoln." | in "Abraham Lincoln." |
893 | 00:53:40,471 | 00:53:41,371 | I am, | I am, |
894 | 00:53:42,840 | 00:53:43,740 | I do, | I do, |
895 | 00:53:45,141 | 00:53:46,710 | I'm so proud of you. | I'm so proud of you. |
896 | 00:53:48,077 | 00:53:51,080 | No one has ever been able to do what you've done before. | No one has ever been able to do what you've done before. |
897 | 00:53:52,181 | 00:53:54,651 | We're more than singing, dancing fools, | We're more than singing, dancing fools, |
898 | 00:53:55,652 | 00:53:57,521 | that's 'cause of you. | that's 'cause of you. |
899 | 00:53:57,621 | 00:53:58,522 | Yeah, | Yeah, |
900 | 00:53:59,957 | 00:54:01,090 | because of me. | because of me. |
901 | 00:54:03,159 | 00:54:05,863 | Charlie, it's a bit early. | Charlie, it's a bit early. |
902 | 00:54:05,963 | 00:54:07,331 | I'm celebrating. | I'm celebrating. |
903 | 00:54:09,031 | 00:54:11,368 | You have a show tonight. | You have a show tonight. |
904 | 00:54:12,402 | 00:54:13,737 | I'll be straight by then, dammit. | I'll be straight by then, dammit. |
905 | 00:54:31,889 | 00:54:33,757 | Hey, Jasper, thanks for meeting me like this, | Hey, Jasper, thanks for meeting me like this, |
906 | 00:54:33,857 | 00:54:37,461 | I didn't wanna run into Gilpin, he's changing the text. | I didn't wanna run into Gilpin, he's changing the text. |
907 | 00:54:37,561 | 00:54:39,696 | Well, look, I snuck into the back of the house | Well, look, I snuck into the back of the house |
908 | 00:54:39,796 | 00:54:42,366 | twice last week, he's all over the place. | twice last week, he's all over the place. |
909 | 00:54:43,867 | 00:54:45,101 | Some of it is the drink, | Some of it is the drink, |
910 | 00:54:46,537 | 00:54:50,274 | he likes to spike himself a little before each performance, | he likes to spike himself a little before each performance, |
911 | 00:54:50,374 | 00:54:53,477 | but he's a thrill to be on stage with, | but he's a thrill to be on stage with, |
912 | 00:54:53,577 | 00:54:56,212 | I trust Charles on stage drunk or sober. | I trust Charles on stage drunk or sober. |
913 | 00:54:56,313 | 00:54:58,615 | Well, I ain't worried about that, | Well, I ain't worried about that, |
914 | 00:54:58,715 | 00:54:59,716 | the drink we can handle, | the drink we can handle, |
915 | 00:54:59,816 | 00:55:02,319 | no, I need you there to keep him on track, | no, I need you there to keep him on track, |
916 | 00:55:02,419 | 00:55:04,254 | make sure he sticks to the script. | make sure he sticks to the script. |
917 | 00:55:28,244 | 00:55:30,246 | Who'll give me a 10, 10, 10, | Who'll give me a 10, 10, 10, |
918 | 00:55:30,347 | 00:55:32,849 | do I hear 20 for this fine nigger? | do I hear 20 for this fine nigger? |
919 | 00:55:32,950 | 00:55:35,652 | 25, 25, do I hear 30? | 25, 25, do I hear 30? |
920 | 00:55:35,752 | 00:55:37,287 | - 35, 40. - What y'all doing, | - 35, 40. - What y'all doing, |
921 | 00:55:37,387 | 00:55:38,322 | white folks? | white folks? |
922 | 00:55:42,292 | 00:55:43,927 | What is this? | What is this? |
923 | 00:55:45,094 | 00:55:47,364 | What y'all looking at me for? | What y'all looking at me for? |
924 | 00:55:50,867 | 00:55:52,436 | What y'all doing with me anyhows? | What y'all doing with me anyhows? |
925 | 00:55:55,272 | 00:55:56,506 | Is this an auction? | Is this an auction? |
926 | 00:55:58,442 | 00:56:00,209 | Is you selling me? | Is you selling me? |
927 | 00:56:02,613 | 00:56:05,147 | Like they used to before the war? | Like they used to before the war? |
928 | 00:56:07,384 | 00:56:10,621 | You sells me and you buys me | You sells me and you buys me |
929 | 00:56:11,655 | 00:56:14,324 | and I shows you I is a free nigger! | and I shows you I is a free nigger! |
930 | 00:56:15,325 | 00:56:16,793 | Damn your souls! | Damn your souls! |
931 | 00:56:23,900 | 00:56:26,202 | You missed a word three times. | You missed a word three times. |
932 | 00:56:39,116 | 00:56:40,584 | Charles Gilpin was invited | Charles Gilpin was invited |
933 | 00:56:40,684 | 00:56:43,420 | to the Drama League's annual bash | to the Drama League's annual bash |
934 | 00:56:43,520 | 00:56:47,223 | honoring the 10 most influential Broadway, | honoring the 10 most influential Broadway, |
935 | 00:56:47,324 | 00:56:49,726 | blah, blah, blah, you know. | blah, blah, blah, you know. |
936 | 00:56:49,826 | 00:56:51,193 | You hate that sort of thing. | You hate that sort of thing. |
937 | 00:56:51,294 | 00:56:52,496 | I know, | I know, |
938 | 00:56:52,596 | 00:56:53,497 | I said, | I said, |
939 | 00:56:54,364 | 00:56:56,366 | I said was invited. | I said was invited. |
940 | 00:56:57,801 | 00:56:58,702 | When, | When, |
941 | 00:56:59,836 | 00:57:01,905 | when some of the League's members found out | when some of the League's members found out |
942 | 00:57:02,005 | 00:57:04,007 | that they were gonna be sitting down to dinner | that they were gonna be sitting down to dinner |
943 | 00:57:04,107 | 00:57:09,012 | with a Negro, they objected and promptly dis-invited him. | with a Negro, they objected and promptly dis-invited him. |
944 | 00:57:10,347 | 00:57:11,515 | Well, I'd turn up with Charles | Well, I'd turn up with Charles |
945 | 00:57:11,615 | 00:57:13,116 | and kick down the door to get in. | and kick down the door to get in. |
946 | 00:57:15,318 | 00:57:17,219 | My feisty warrior queen. | My feisty warrior queen. |
947 | 00:57:19,356 | 00:57:21,458 | The plan is for me to go canvas all the actors, | The plan is for me to go canvas all the actors, |
948 | 00:57:21,558 | 00:57:23,894 | who've been invited and get them to not show up, | who've been invited and get them to not show up, |
949 | 00:57:23,994 | 00:57:25,796 | it's what I plan on doing. | it's what I plan on doing. |
950 | 00:57:25,896 | 00:57:27,597 | Well, you must go. | Well, you must go. |
951 | 00:57:28,865 | 00:57:32,302 | If enough refuse, the whole shindig will be a bust | If enough refuse, the whole shindig will be a bust |
952 | 00:57:32,402 | 00:57:35,237 | and maybe they will change their minds. | and maybe they will change their minds. |
953 | 00:57:35,338 | 00:57:37,407 | Take Jig with you, he knows those types, | Take Jig with you, he knows those types, |
954 | 00:57:37,507 | 00:57:39,810 | make them feel relevant again. | make them feel relevant again. |
955 | 00:57:39,910 | 00:57:42,045 | Agnes, that's never gonna happen. | Agnes, that's never gonna happen. |
956 | 00:57:42,646 | 00:57:43,613 | You could try. | You could try. |
957 | 00:57:46,349 | 00:57:47,249 | Okay. | Okay. |
958 | 00:57:49,252 | 00:57:51,121 | I know the people you wanna get to | I know the people you wanna get to |
959 | 00:57:51,220 | 00:57:53,390 | and they'll listen to me. | and they'll listen to me. |
960 | 00:57:53,490 | 00:57:54,791 | I'll be asking them to give up | I'll be asking them to give up |
961 | 00:57:54,891 | 00:57:56,760 | the best night of the year for you. | the best night of the year for you. |
962 | 00:57:56,860 | 00:58:00,263 | Okay, it's not for me, it's for Charles. | Okay, it's not for me, it's for Charles. |
963 | 00:58:00,363 | 00:58:02,399 | Hell, yes, it's for you! | Hell, yes, it's for you! |
964 | 00:58:02,499 | 00:58:06,336 | You don't give a Goddamn about Charles or the company, | You don't give a Goddamn about Charles or the company, |
965 | 00:58:06,436 | 00:58:09,005 | we're just a street car you jump on and off, | we're just a street car you jump on and off, |
966 | 00:58:09,106 | 00:58:10,774 | when you wanna get somewhere. | when you wanna get somewhere. |
967 | 00:58:10,874 | 00:58:12,943 | And I know the Provincetown Players | And I know the Provincetown Players |
968 | 00:58:13,043 | 00:58:15,979 | will be pulled into a siding before you are through | will be pulled into a siding before you are through |
969 | 00:58:16,079 | 00:58:18,749 | and Charles Gilpin will be a forgotten man. | and Charles Gilpin will be a forgotten man. |
970 | 00:58:18,849 | 00:58:19,950 | That's not fair, Jig. | That's not fair, Jig. |
971 | 00:58:20,050 | 00:58:21,151 | Fair? | Fair? |
972 | 00:58:21,251 | 00:58:23,920 | What the hell do you know about fair? | What the hell do you know about fair? |
973 | 00:58:24,020 | 00:58:27,023 | You were directing "The Emperor Jones" behind my back | You were directing "The Emperor Jones" behind my back |
974 | 00:58:27,124 | 00:58:31,261 | and sucking the whole company into your grand design. | and sucking the whole company into your grand design. |
975 | 00:58:31,361 | 00:58:33,697 | Actors' heads are easily turned. | Actors' heads are easily turned. |
976 | 00:58:33,797 | 00:58:36,600 | And so is yours, so come on, | And so is yours, so come on, |
977 | 00:58:36,700 | 00:58:38,268 | let's go, it'll be nice to rub shoulders | let's go, it'll be nice to rub shoulders |
978 | 00:58:38,368 | 00:58:39,936 | with the stars of Broadway again. | with the stars of Broadway again. |
979 | 00:58:43,106 | 00:58:47,477 | Listen, I'll do this, but not for you, | Listen, I'll do this, but not for you, |
980 | 00:58:47,577 | 00:58:49,613 | for Charles and the company | for Charles and the company |
981 | 00:58:49,713 | 00:58:52,883 | and it'll get done because I'm asking. | and it'll get done because I'm asking. |
982 | 00:58:52,983 | 00:58:54,518 | Absolutely. | Absolutely. |
983 | 00:58:54,618 | 00:58:57,521 | I know if you tried it on your own, you'd soon find out | I know if you tried it on your own, you'd soon find out |
984 | 00:58:57,621 | 00:59:01,525 | how many real friends you have on Broadway. | how many real friends you have on Broadway. |
985 | 00:59:02,492 | 00:59:03,727 | You do what you like, Jig, | You do what you like, Jig, |
986 | 00:59:03,827 | 00:59:06,696 | the truth is I was only asking because someone suggested | the truth is I was only asking because someone suggested |
987 | 00:59:06,797 | 00:59:08,965 | that it might make you feel relevant again. | that it might make you feel relevant again. |
988 | 00:59:09,065 | 00:59:11,802 | - You son of a bitch! - Okay, Jig, stop. | - You son of a bitch! - Okay, Jig, stop. |
989 | 00:59:13,403 | 00:59:14,504 | - Easy, Jig, easy. - Come on, let's go home. | - Easy, Jig, easy. - Come on, let's go home. |
990 | 00:59:14,604 | 00:59:16,673 | - Let's go. - Easy. | - Let's go. - Easy. |
991 | 00:59:17,407 | 00:59:18,441 | You know, Gene, | You know, Gene, |
992 | 00:59:18,542 | 00:59:20,177 | you could have a little bit of Goddam gratitude. | you could have a little bit of Goddam gratitude. |
993 | 00:59:20,278 | 00:59:21,878 | Well, this is art, Susie, | Well, this is art, Susie, |
994 | 00:59:21,978 | 00:59:23,213 | gratitude doesn't really come into it. | gratitude doesn't really come into it. |
995 | 00:59:23,313 | 00:59:25,315 | No one calls me Susie anymore. | No one calls me Susie anymore. |
996 | 00:59:25,415 | 00:59:26,850 | Maybe they should. | Maybe they should. |
997 | 00:59:26,950 | 00:59:28,318 | You know, when you got to Provincetown, | You know, when you got to Provincetown, |
998 | 00:59:28,418 | 00:59:31,755 | you were just a kid with a trunk full of half-baked scripts | you were just a kid with a trunk full of half-baked scripts |
999 | 00:59:31,855 | 00:59:34,191 | and only we knew how good you were. | and only we knew how good you were. |
1000 | 00:59:34,292 | 00:59:37,327 | We believed in you. We gave you our hearts. | We believed in you. We gave you our hearts. |
1001 | 01:00:01,484 | 01:00:04,955 | Thank you, it's good to be among friends, | Thank you, it's good to be among friends, |
1002 | 01:00:06,556 | 01:00:10,393 | not always the case at events like these. | not always the case at events like these. |
1003 | 01:00:10,493 | 01:00:12,263 | In fact, I'm not sure I'm still invited | In fact, I'm not sure I'm still invited |
1004 | 01:00:12,362 | 01:00:13,964 | to that other occasion, | to that other occasion, |
1005 | 01:00:14,064 | 01:00:15,966 | but I got some good, white colleagues. | but I got some good, white colleagues. |
1006 | 01:00:16,066 | 01:00:17,434 | Thank you to the Drama League | Thank you to the Drama League |
1007 | 01:00:18,735 | 01:00:21,071 | and all the members who voted to accord me this award. | and all the members who voted to accord me this award. |
1008 | 01:00:23,540 | 01:00:26,109 | It's an honor to be among you. | It's an honor to be among you. |
1009 | 01:00:38,655 | 01:00:41,157 | I'll only be five minutes? | I'll only be five minutes? |
1010 | 01:00:41,259 | 01:00:43,059 | So said you before you left. | So said you before you left. |
1011 | 01:00:43,159 | 01:00:45,896 | Well, I thought I would, but they love me, | Well, I thought I would, but they love me, |
1012 | 01:00:45,996 | 01:00:48,332 | couldn't get enough of me, | couldn't get enough of me, |
1013 | 01:00:48,431 | 01:00:49,966 | nor I of them. | nor I of them. |
1014 | 01:00:50,066 | 01:00:51,635 | Were they all there? | Were they all there? |
1015 | 01:00:51,735 | 01:00:54,170 | Yeah, every last one, | Yeah, every last one, |
1016 | 01:00:54,272 | 01:00:56,973 | no one declined their invitation because of me. | no one declined their invitation because of me. |
1017 | 01:00:59,109 | 01:01:01,011 | Was he there, the fancy one, | Was he there, the fancy one, |
1018 | 01:01:01,111 | 01:01:03,446 | who said that if you weren't allowed to attend, | who said that if you weren't allowed to attend, |
1019 | 01:01:03,546 | 01:01:05,181 | they should all black up? | they should all black up? |
1020 | 01:01:05,283 | 01:01:07,651 | John Barrymore, yes, he was. | John Barrymore, yes, he was. |
1021 | 01:01:07,751 | 01:01:09,253 | He shook my hand. | He shook my hand. |
1022 | 01:01:09,353 | 01:01:11,454 | - Shook your hand? - Hm-mm. | - Shook your hand? - Hm-mm. |
1023 | 01:01:11,554 | 01:01:13,291 | Oh, good Lord. | Oh, good Lord. |
1024 | 01:01:13,391 | 01:01:15,293 | Well, it's a hand like any other man, | Well, it's a hand like any other man, |
1025 | 01:01:15,393 | 01:01:17,160 | many of them wanted to shake my hand. | many of them wanted to shake my hand. |
1026 | 01:01:17,261 | 01:01:19,496 | Hm, I bet you could get used to the that. | Hm, I bet you could get used to the that. |
1027 | 01:01:19,596 | 01:01:20,797 | Gonna have to, | Gonna have to, |
1028 | 01:01:20,897 | 01:01:23,199 | Prices magazine has made me Man of the Year. | Prices magazine has made me Man of the Year. |
1029 | 01:01:24,734 | 01:01:26,870 | - Man of the Year? - Hm-mm. | - Man of the Year? - Hm-mm. |
1030 | 01:01:26,970 | 01:01:30,707 | Oh, what's that, like the Pulitzer Prize for black folks? | Oh, what's that, like the Pulitzer Prize for black folks? |
1031 | 01:01:35,111 | 01:01:38,349 | I see black folks slapping other black folks on the back? | I see black folks slapping other black folks on the back? |
1032 | 01:01:38,448 | 01:01:40,617 | Touche, honey, touche, baby. | Touche, honey, touche, baby. |
1033 | 01:01:40,717 | 01:01:42,953 | Now I said that Mr. DuBois is a nice man. | Now I said that Mr. DuBois is a nice man. |
1034 | 01:01:43,053 | 01:01:43,954 | - Hm-mm. - No needing | - Hm-mm. - No needing |
1035 | 01:01:44,054 | 01:01:45,722 | you getting sassy with him again. | you getting sassy with him again. |
1036 | 01:01:45,822 | 01:01:46,556 | Hm. | Hm. |
1037 | 01:01:46,656 | 01:01:47,891 | Man of the Year, | Man of the Year, |
1038 | 01:01:49,092 | 01:01:51,194 | ain't that the cherry on the cake? | ain't that the cherry on the cake? |
1039 | 01:01:51,295 | 01:01:52,996 | Except I'm gonna be working my ass off. | Except I'm gonna be working my ass off. |
1040 | 01:01:53,431 | 01:01:54,531 | Now, | Now, |
1041 | 01:01:55,098 | 01:01:56,367 | go to sleep. | go to sleep. |
1042 | 01:02:17,620 | 01:02:20,523 | Who dare whistle that way in my palace? | Who dare whistle that way in my palace? |
1043 | 01:02:20,623 | 01:02:23,059 | Who dare wake up the Emperor? | Who dare wake up the Emperor? |
1044 | 01:02:24,428 | 01:02:27,897 | I'll get the heart frailed off some of you Negroes sure. | I'll get the heart frailed off some of you Negroes sure. |
1045 | 01:02:29,933 | 01:02:32,168 | It was me that whistled and woke you. | It was me that whistled and woke you. |
1046 | 01:02:32,269 | 01:02:34,604 | You didn't have no excuse to look down on me, | You didn't have no excuse to look down on me, |
1047 | 01:02:34,704 | 01:02:37,274 | you've been in jail yourself more than once. | you've been in jail yourself more than once. |
1048 | 01:02:37,375 | 01:02:38,275 | That's a lie! | That's a lie! |
1049 | 01:02:39,410 | 01:02:42,045 | Gawd, where'd you hear these fairytales? | Gawd, where'd you hear these fairytales? |
1050 | 01:02:42,145 | 01:02:44,881 | There's some things I don't need to be told, | There's some things I don't need to be told, |
1051 | 01:02:44,981 | 01:02:46,549 | I can see them in folks' eyes. | I can see them in folks' eyes. |
1052 | 01:02:47,517 | 01:02:50,587 | Yeah, you sure give me a start | Yeah, you sure give me a start |
1053 | 01:02:50,687 | 01:02:51,855 | and it didn't take me long | and it didn't take me long |
1054 | 01:02:51,955 | 01:02:55,292 | to get these wood Negroes where I want them. | to get these wood Negroes where I want them. |
1055 | 01:02:55,393 | 01:03:00,264 | From stowaway to Emperor in two years, that's going some. | From stowaway to Emperor in two years, that's going some. |
1056 | 01:03:01,298 | 01:03:02,565 | But I'm sure you've got some money | But I'm sure you've got some money |
1057 | 01:03:02,665 | 01:03:04,368 | stashed away in a pile somewhere. | stashed away in a pile somewhere. |
1058 | 01:03:04,468 | 01:03:07,203 | I sure has and it's in a foreign bank, | I sure has and it's in a foreign bank, |
1059 | 01:03:07,304 | 01:03:09,373 | where no person don't ever get it out but me, | where no person don't ever get it out but me, |
1060 | 01:03:09,473 | 01:03:11,141 | no matter what come. | no matter what come. |
1061 | 01:03:12,443 | 01:03:14,544 | You didn't suppose I was holding down this Emperor job | You didn't suppose I was holding down this Emperor job |
1062 | 01:03:14,644 | 01:03:16,046 | for the glory part in it, did you? | for the glory part in it, did you? |
1063 | 01:03:16,146 | 01:03:17,947 | Sure, the fuss and glory part of it, | Sure, the fuss and glory part of it, |
1064 | 01:03:18,048 | 01:03:18,982 | that's only to turn their heads | that's only to turn their heads |
1065 | 01:03:19,082 | 01:03:21,785 | of these low flung bush Negroes that's here. | of these low flung bush Negroes that's here. |
1066 | 01:03:22,952 | 01:03:25,322 | They wants the big circus show for their money | They wants the big circus show for their money |
1067 | 01:03:25,423 | 01:03:28,758 | and I gives it to them and I gets the money. | and I gives it to them and I gets the money. |
1068 | 01:03:28,858 | 01:03:31,061 | The long green, that's me every time. | The long green, that's me every time. |
1069 | 01:03:34,130 | 01:03:36,232 | How many times did I miss it tonight? | How many times did I miss it tonight? |
1070 | 01:03:36,833 | 01:03:37,801 | All of them. | All of them. |
1071 | 01:03:48,745 | 01:03:51,114 | Thank you, thank you. | Thank you, thank you. |
1072 | 01:03:51,214 | 01:03:52,483 | Thank you. | Thank you. |
1073 | 01:03:52,582 | 01:03:53,484 | Thank you. | Thank you. |
1074 | 01:04:20,743 | 01:04:22,513 | - Charles, welcome. - Hey. | - Charles, welcome. - Hey. |
1075 | 01:04:22,612 | 01:04:23,813 | Nice to see you again, my friend. | Nice to see you again, my friend. |
1076 | 01:04:23,913 | 01:04:25,849 | Nice to see you, sir, alright. | Nice to see you, sir, alright. |
1077 | 01:04:27,351 | 01:04:31,721 | Ooh, lookee here, we have theatrical royalty in our midst. | Ooh, lookee here, we have theatrical royalty in our midst. |
1078 | 01:04:31,821 | 01:04:36,293 | Everyone, Charles S. Gilpin, the toast of Broadway! | Everyone, Charles S. Gilpin, the toast of Broadway! |
1079 | 01:04:41,664 | 01:04:43,800 | Florence, this is Anita, | Florence, this is Anita, |
1080 | 01:04:43,900 | 01:04:45,569 | you may remember from the Lafayette Players. | you may remember from the Lafayette Players. |
1081 | 01:04:45,668 | 01:04:46,403 | Hello. | Hello. |
1082 | 01:04:46,504 | 01:04:49,139 | And this is William DuBois, | And this is William DuBois, |
1083 | 01:04:49,239 | 01:04:51,074 | one of my h-intellectual friends. | one of my h-intellectual friends. |
1084 | 01:04:51,174 | 01:04:52,909 | Pleased to meet you, ma'am. | Pleased to meet you, ma'am. |
1085 | 01:04:53,009 | 01:04:54,244 | My pleasure. | My pleasure. |
1086 | 01:04:54,345 | 01:04:58,382 | Now I'm sure I picked up a magazine called Crisis one time, | Now I'm sure I picked up a magazine called Crisis one time, |
1087 | 01:04:58,482 | 01:05:00,484 | are you that same Mr. DuBois? | are you that same Mr. DuBois? |
1088 | 01:05:00,584 | 01:05:05,088 | Ooh, Charles, you've got yourself a h-intellectual woman. | Ooh, Charles, you've got yourself a h-intellectual woman. |
1089 | 01:05:06,323 | 01:05:09,058 | Oh no, I just clean houses for white folks. | Oh no, I just clean houses for white folks. |
1090 | 01:05:09,159 | 01:05:10,494 | Hey, not for long. | Hey, not for long. |
1091 | 01:05:10,594 | 01:05:13,029 | There's no shame in honest, hard work, Mrs. Gilpin. | There's no shame in honest, hard work, Mrs. Gilpin. |
1092 | 01:05:13,796 | 01:05:15,999 | Oh, please, Florence. | Oh, please, Florence. |
1093 | 01:05:16,099 | 01:05:19,836 | I'm gonna need a lemonade and stick a bourbon in it. | I'm gonna need a lemonade and stick a bourbon in it. |
1094 | 01:05:19,936 | 01:05:22,705 | You must be pleased with the way things turned out. | You must be pleased with the way things turned out. |
1095 | 01:05:22,805 | 01:05:24,207 | Pleased? | Pleased? |
1096 | 01:05:24,308 | 01:05:27,344 | Yeah, but I expected it, | Yeah, but I expected it, |
1097 | 01:05:27,444 | 01:05:29,280 | I just knew once the right part was written for me, | I just knew once the right part was written for me, |
1098 | 01:05:29,380 | 01:05:31,748 | that I would take off, I would fly. | that I would take off, I would fly. |
1099 | 01:05:31,848 | 01:05:33,384 | I hope you don't crash to Earth | I hope you don't crash to Earth |
1100 | 01:05:33,484 | 01:05:35,252 | with that terrible burden you carry. | with that terrible burden you carry. |
1101 | 01:05:36,219 | 01:05:37,921 | And what's that supposed to mean? | And what's that supposed to mean? |
1102 | 01:05:38,021 | 01:05:40,357 | You are probably the most famous black man | You are probably the most famous black man |
1103 | 01:05:40,457 | 01:05:41,592 | in New York right now. | in New York right now. |
1104 | 01:05:41,691 | 01:05:42,859 | And why is that a burden? | And why is that a burden? |
1105 | 01:05:42,959 | 01:05:45,128 | What you say matters, how you say it matters, | What you say matters, how you say it matters, |
1106 | 01:05:45,228 | 01:05:46,095 | people are watching you. | people are watching you. |
1107 | 01:05:46,196 | 01:05:47,864 | Well, they can watch me every night, | Well, they can watch me every night, |
1108 | 01:05:47,964 | 01:05:49,433 | if they pay for the ticket. | if they pay for the ticket. |
1109 | 01:05:49,533 | 01:05:52,235 | I mean in life, people are respecting you, | I mean in life, people are respecting you, |
1110 | 01:05:52,336 | 01:05:53,571 | they are looking up to you. | they are looking up to you. |
1111 | 01:05:53,671 | 01:05:56,307 | You are carrying their hopes of elevating the race. | You are carrying their hopes of elevating the race. |
1112 | 01:05:57,541 | 01:06:01,110 | That again, look, I ain't doing no such thing, | That again, look, I ain't doing no such thing, |
1113 | 01:06:01,211 | 01:06:03,547 | I am just an actor trying to do my job | I am just an actor trying to do my job |
1114 | 01:06:03,647 | 01:06:05,048 | and you bring up that bullshit? | and you bring up that bullshit? |
1115 | 01:06:05,148 | 01:06:06,417 | Charles! | Charles! |
1116 | 01:06:06,517 | 01:06:09,486 | I appreciate that, but the world has expectations. | I appreciate that, but the world has expectations. |
1117 | 01:06:09,587 | 01:06:12,956 | Whose world and whose expectations? | Whose world and whose expectations? |
1118 | 01:06:14,123 | 01:06:15,459 | You know, I read some of your articles too, | You know, I read some of your articles too, |
1119 | 01:06:16,859 | 01:06:19,296 | half the time you handed Marcus Garvey his ass on a plate. | half the time you handed Marcus Garvey his ass on a plate. |
1120 | 01:06:19,396 | 01:06:22,466 | Charles, enough, or I'm leaving. | Charles, enough, or I'm leaving. |
1121 | 01:06:22,566 | 01:06:26,135 | Okay, all I'm saying is if two Negroes can't agree | Okay, all I'm saying is if two Negroes can't agree |
1122 | 01:06:26,236 | 01:06:27,737 | or agree to differ, | or agree to differ, |
1123 | 01:06:27,837 | 01:06:30,173 | why should a Negro actor do the job for them? | why should a Negro actor do the job for them? |
1124 | 01:06:30,274 | 01:06:32,276 | Again, you are famous. | Again, you are famous. |
1125 | 01:06:32,376 | 01:06:34,110 | Only for the moment! | Only for the moment! |
1126 | 01:06:34,210 | 01:06:36,680 | I'm just trying to make this last. | I'm just trying to make this last. |
1127 | 01:06:36,779 | 01:06:39,583 | Look, I don't know what America you living in, | Look, I don't know what America you living in, |
1128 | 01:06:39,683 | 01:06:41,818 | but for me, my moment is like this speakeasy. | but for me, my moment is like this speakeasy. |
1129 | 01:06:43,219 | 01:06:46,257 | Everything will go back to normal one day, | Everything will go back to normal one day, |
1130 | 01:06:46,357 | 01:06:49,859 | drinking will be legal again and life will go on | drinking will be legal again and life will go on |
1131 | 01:06:49,959 | 01:06:52,263 | just like one day my fame will be over, | just like one day my fame will be over, |
1132 | 01:06:52,363 | 01:06:54,130 | no one will remember me, | no one will remember me, |
1133 | 01:06:54,230 | 01:06:56,667 | or that a Negro can do great things. | or that a Negro can do great things. |
1134 | 01:06:59,536 | 01:07:01,372 | You got my bourbon? | You got my bourbon? |
1135 | 01:07:11,948 | 01:07:12,949 | Come on. | Come on. |
1136 | 01:07:13,049 | 01:07:13,783 | What? | What? |
1137 | 01:07:13,883 | 01:07:15,051 | What? | What? |
1138 | 01:07:15,151 | 01:07:18,021 | Get on the bed, come on. | Get on the bed, come on. |
1139 | 01:07:18,121 | 01:07:19,022 | On the bed. | On the bed. |
1140 | 01:07:21,991 | 01:07:22,892 | Oh. | Oh. |
1141 | 01:07:39,310 | 01:07:41,679 | But you ain't got no kick agin me, Smithers. | But you ain't got no kick agin me, Smithers. |
1142 | 01:07:41,779 | 01:07:44,881 | I has paid you back all you has done for me many times, | I has paid you back all you has done for me many times, |
1143 | 01:07:44,981 | 01:07:47,351 | ain't I protected you and winked at all the crooked trading | ain't I protected you and winked at all the crooked trading |
1144 | 01:07:47,451 | 01:07:49,720 | you've been doing out in the broad day? | you've been doing out in the broad day? |
1145 | 01:07:49,819 | 01:07:51,488 | Sure I has, | Sure I has, |
1146 | 01:07:51,588 | 01:07:55,825 | and me making up laws to stop it at the same time. | and me making up laws to stop it at the same time. |
1147 | 01:07:58,595 | 01:08:01,164 | So Mr. Gilpin, | So Mr. Gilpin, |
1148 | 01:08:02,666 | 01:08:03,767 | Broadway. | Broadway. |
1149 | 01:08:03,866 | 01:08:08,237 | Yeah, Mr. O'Neill, Broadway, just like your father. | Yeah, Mr. O'Neill, Broadway, just like your father. |
1150 | 01:08:08,339 | 01:08:10,173 | Ah, but here's the thing, Charlie, | Ah, but here's the thing, Charlie, |
1151 | 01:08:11,140 | 01:08:12,343 | what will you be doing there, hm? | what will you be doing there, hm? |
1152 | 01:08:14,977 | 01:08:16,714 | "The Emperor Jones." | "The Emperor Jones." |
1153 | 01:08:16,814 | 01:08:20,818 | Ah, yes, "The Emperor Jones," but which one? | Ah, yes, "The Emperor Jones," but which one? |
1154 | 01:08:20,917 | 01:08:22,286 | The one that I wrote | The one that I wrote |
1155 | 01:08:22,386 | 01:08:24,254 | or the one that you've been making up on stage | or the one that you've been making up on stage |
1156 | 01:08:24,355 | 01:08:25,456 | every night since we opened? | every night since we opened? |
1157 | 01:08:25,556 | 01:08:28,559 | Look, Gene, you know my feelings, | Look, Gene, you know my feelings, |
1158 | 01:08:28,659 | 01:08:30,226 | I made it quite plain early on. | I made it quite plain early on. |
1159 | 01:08:30,327 | 01:08:32,763 | Yeah, I don't give a shit about your feelings, | Yeah, I don't give a shit about your feelings, |
1160 | 01:08:32,862 | 01:08:34,631 | I only care about my words. | I only care about my words. |
1161 | 01:08:34,732 | 01:08:37,701 | I know, but if we work together, | I know, but if we work together, |
1162 | 01:08:37,801 | 01:08:39,135 | we can improve this play. | we can improve this play. |
1163 | 01:08:40,571 | 01:08:43,973 | Let me ask you something, how long have you been at this? | Let me ask you something, how long have you been at this? |
1164 | 01:08:45,041 | 01:08:46,744 | Five, six weeks. | Five, six weeks. |
1165 | 01:08:46,844 | 01:08:49,245 | Ah, yes, well, I've been at it my whole life. | Ah, yes, well, I've been at it my whole life. |
1166 | 01:08:49,346 | 01:08:51,548 | This is my play inside and out. | This is my play inside and out. |
1167 | 01:08:51,648 | 01:08:53,249 | Brutus Jones is my character. | Brutus Jones is my character. |
1168 | 01:08:53,350 | 01:08:54,818 | Yeah, only because I say so. | Yeah, only because I say so. |
1169 | 01:08:54,917 | 01:08:58,622 | Well, where would we be without my emperor? | Well, where would we be without my emperor? |
1170 | 01:08:58,722 | 01:09:00,391 | It's my goddamn emperor. | It's my goddamn emperor. |
1171 | 01:09:01,658 | 01:09:03,394 | You know, you said if I change one word, | You know, you said if I change one word, |
1172 | 01:09:03,494 | 01:09:06,463 | that you would beat me up, your words, Gene | that you would beat me up, your words, Gene |
1173 | 01:09:06,563 | 01:09:07,897 | and I know you've been creeping in, | and I know you've been creeping in, |
1174 | 01:09:07,997 | 01:09:09,966 | unannounced, checking up on me | unannounced, checking up on me |
1175 | 01:09:10,066 | 01:09:12,836 | and I've been waiting for your knock on my door. | and I've been waiting for your knock on my door. |
1176 | 01:09:12,935 | 01:09:14,103 | Well, I'm knocking now. | Well, I'm knocking now. |
1177 | 01:09:14,203 | 01:09:16,005 | Well, I ain't scared, | Well, I ain't scared, |
1178 | 01:09:16,105 | 01:09:19,175 | so if you wanna beat me up, go ahead. | so if you wanna beat me up, go ahead. |
1179 | 01:09:19,276 | 01:09:21,478 | I'm not gonna beat you up, Charles, | I'm not gonna beat you up, Charles, |
1180 | 01:09:21,578 | 01:09:23,380 | I'm gonna kick you off the show. | I'm gonna kick you off the show. |
1181 | 01:09:24,548 | 01:09:27,150 | Oh, right before Broadway, you wouldn't. | Oh, right before Broadway, you wouldn't. |
1182 | 01:09:27,251 | 01:09:28,385 | Watch me. | Watch me. |
1183 | 01:09:28,485 | 01:09:31,120 | Well, them big money backers won't let you, | Well, them big money backers won't let you, |
1184 | 01:09:31,220 | 01:09:32,856 | I'm the money machine. | I'm the money machine. |
1185 | 01:09:32,955 | 01:09:35,191 | I may be a poor Negro, but I know how money works, | I may be a poor Negro, but I know how money works, |
1186 | 01:09:35,292 | 01:09:36,025 | especially in theater. | especially in theater. |
1187 | 01:09:36,125 | 01:09:38,194 | Okay, I don't care, alright, | Okay, I don't care, alright, |
1188 | 01:09:38,295 | 01:09:40,330 | I've had plays on Broadway, I'll have others, | I've had plays on Broadway, I'll have others, |
1189 | 01:09:40,431 | 01:09:43,600 | the difference is they'll be my plays word for word, | the difference is they'll be my plays word for word, |
1190 | 01:09:43,700 | 01:09:45,636 | Look, Gene, Gene, Gene. | Look, Gene, Gene, Gene. |
1191 | 01:09:49,406 | 01:09:52,342 | You know I don't like that word. | You know I don't like that word. |
1192 | 01:09:52,443 | 01:09:55,512 | Okay, you've said it before on stage. | Okay, you've said it before on stage. |
1193 | 01:09:55,612 | 01:09:56,647 | What's so different then? | What's so different then? |
1194 | 01:09:56,747 | 01:09:59,316 | I have never said that word. | I have never said that word. |
1195 | 01:09:59,416 | 01:10:02,553 | Okay, maybe you haven't, but the Reverend Curtis did | Okay, maybe you haven't, but the Reverend Curtis did |
1196 | 01:10:02,653 | 01:10:05,856 | from "Abraham Lincoln" by John Drinkwater. | from "Abraham Lincoln" by John Drinkwater. |
1197 | 01:10:05,955 | 01:10:09,626 | But that was different, the run of the lines demanded it, | But that was different, the run of the lines demanded it, |
1198 | 01:10:09,726 | 01:10:12,629 | the maid, Susan, she wouldn't say that word. | the maid, Susan, she wouldn't say that word. |
1199 | 01:10:12,729 | 01:10:16,800 | Yeah, but you did, you did, so let me ask you, | Yeah, but you did, you did, so let me ask you, |
1200 | 01:10:16,900 | 01:10:18,234 | why will you say it for an Englishman, | why will you say it for an Englishman, |
1201 | 01:10:18,335 | 01:10:19,837 | that knows nothing about black people, | that knows nothing about black people, |
1202 | 01:10:19,937 | 01:10:21,237 | but you can't say it for me? | but you can't say it for me? |
1203 | 01:10:21,338 | 01:10:22,306 | No, I can't see how that is the same. | No, I can't see how that is the same. |
1204 | 01:10:22,406 | 01:10:24,575 | Let me ask you, did you ever bring this up | Let me ask you, did you ever bring this up |
1205 | 01:10:24,675 | 01:10:27,009 | with the director of that play, Lester Lonergan? | with the director of that play, Lester Lonergan? |
1206 | 01:10:27,109 | 01:10:29,212 | No, because there was nothing to bring up. | No, because there was nothing to bring up. |
1207 | 01:10:29,313 | 01:10:32,916 | Because it was your first time on Broadway | Because it was your first time on Broadway |
1208 | 01:10:33,015 | 01:10:35,319 | and you wanted it more than anything, | and you wanted it more than anything, |
1209 | 01:10:35,419 | 01:10:36,986 | I know, Charlie, I've been there, | I know, Charlie, I've been there, |
1210 | 01:10:37,086 | 01:10:39,323 | this will be my third time on Broadway | this will be my third time on Broadway |
1211 | 01:10:39,423 | 01:10:40,724 | and I'll tell you something else, | and I'll tell you something else, |
1212 | 01:10:40,824 | 01:10:43,092 | I didn't get there by letting some Goddamn actor | I didn't get there by letting some Goddamn actor |
1213 | 01:10:43,192 | 01:10:44,361 | play around with my words. | play around with my words. |
1214 | 01:10:44,461 | 01:10:46,597 | I am not playing around. | I am not playing around. |
1215 | 01:10:48,298 | 01:10:49,999 | This is different, it's a completely different... | This is different, it's a completely different... |
1216 | 01:10:50,099 | 01:10:51,401 | Oh, no, no, no, no, no, no, no, | Oh, no, no, no, no, no, no, no, |
1217 | 01:10:51,502 | 01:10:53,704 | it's not different, it's not different at all. | it's not different, it's not different at all. |
1218 | 01:10:53,804 | 01:10:55,372 | Although I'll tell you what is different, | Although I'll tell you what is different, |
1219 | 01:10:55,472 | 01:10:57,274 | "Diff'rent" is the name of my play, | "Diff'rent" is the name of my play, |
1220 | 01:10:57,374 | 01:10:59,242 | that's opening in the Village the same night | that's opening in the Village the same night |
1221 | 01:10:59,343 | 01:11:01,378 | "The Emperor Jones" is opening on Broadway | "The Emperor Jones" is opening on Broadway |
1222 | 01:11:01,478 | 01:11:05,114 | and if you don't play every word, | and if you don't play every word, |
1223 | 01:11:05,214 | 01:11:08,017 | "Diff'rent" will be my next play on Broadway, | "Diff'rent" will be my next play on Broadway, |
1224 | 01:11:08,652 | 01:11:09,753 | it's your choice. | it's your choice. |
1225 | 01:11:10,954 | 01:11:11,855 | Gene. | Gene. |
1226 | 01:11:11,955 | 01:11:14,525 | Okay, no, you don't say another word! | Okay, no, you don't say another word! |
1227 | 01:11:14,625 | 01:11:18,227 | Not another word, unless they're my words! | Not another word, unless they're my words! |
1228 | 01:11:49,593 | 01:11:51,895 | Honey, I just wanna be with you. | Honey, I just wanna be with you. |
1229 | 01:11:51,995 | 01:11:55,299 | You're damn right, I deserve your time. | You're damn right, I deserve your time. |
1230 | 01:12:55,392 | 01:12:57,060 | What y'all doing here, white folk? | What y'all doing here, white folk? |
1231 | 01:12:58,160 | 01:12:59,062 | What's all this? | What's all this? |
1232 | 01:13:02,799 | 01:13:04,200 | What y'all looking at me for? | What y'all looking at me for? |
1233 | 01:13:06,269 | 01:13:08,338 | What you all doing with me anyway? | What you all doing with me anyway? |
1234 | 01:13:09,171 | 01:13:10,040 | Is this a auction? | Is this a auction? |
1235 | 01:13:10,139 | 01:13:13,010 | Okay, no, um, that's not, | Okay, no, um, that's not, |
1236 | 01:13:13,110 | 01:13:14,544 | that's not quite it, Paul. | that's not quite it, Paul. |
1237 | 01:13:14,645 | 01:13:18,649 | Um, look, this isn't Jim Harris doing "God's Chillun," yeah, | Um, look, this isn't Jim Harris doing "God's Chillun," yeah, |
1238 | 01:13:18,749 | 01:13:21,084 | so you're playing it for sympathy, | so you're playing it for sympathy, |
1239 | 01:13:21,183 | 01:13:25,088 | but Brutus Jones, he's an arrogant bastard, | but Brutus Jones, he's an arrogant bastard, |
1240 | 01:13:25,187 | 01:13:28,258 | so even in despair, this man is a fighter. | so even in despair, this man is a fighter. |
1241 | 01:13:29,126 | 01:13:30,694 | Let's try it again. | Let's try it again. |
1242 | 01:13:35,632 | 01:13:37,901 | What you all doing here, white folk? | What you all doing here, white folk? |
1243 | 01:13:38,001 | 01:13:39,235 | What's all this? | What's all this? |
1244 | 01:13:39,336 | 01:13:42,539 | Okay, it just has to come across like a gunshot, | Okay, it just has to come across like a gunshot, |
1245 | 01:13:44,041 | 01:13:47,209 | you know, if you start off polite, you're just gonna get it. | you know, if you start off polite, you're just gonna get it. |
1246 | 01:13:48,512 | 01:13:51,247 | I was just trying to give myself some place to go, | I was just trying to give myself some place to go, |
1247 | 01:13:51,348 | 01:13:52,582 | you know, to build up. | you know, to build up. |
1248 | 01:13:52,683 | 01:13:55,052 | Totally understood, I understand that, | Totally understood, I understand that, |
1249 | 01:13:55,152 | 01:13:57,087 | but you got to trust the words here, | but you got to trust the words here, |
1250 | 01:13:57,186 | 01:13:59,956 | the speech will tell you where to go, I promise. | the speech will tell you where to go, I promise. |
1251 | 01:14:02,224 | 01:14:03,560 | Alright, alright. | Alright, alright. |
1252 | 01:14:03,660 | 01:14:06,963 | Let's take a break, we're all tired. | Let's take a break, we're all tired. |
1253 | 01:14:07,831 | 01:14:09,198 | Sure, okay, you know, | Sure, okay, you know, |
1254 | 01:14:09,299 | 01:14:12,201 | why don't you fellas go get something to eat? | why don't you fellas go get something to eat? |
1255 | 01:14:14,404 | 01:14:15,305 | He's a boy, | He's a boy, |
1256 | 01:14:16,807 | 01:14:18,207 | a pup, | a pup, |
1257 | 01:14:18,308 | 01:14:20,444 | a whelp. | a whelp. |
1258 | 01:14:20,544 | 01:14:22,579 | With his college boy airs, | With his college boy airs, |
1259 | 01:14:23,847 | 01:14:27,284 | I have him fixed, I'm Emperor Jones. | I have him fixed, I'm Emperor Jones. |
1260 | 01:14:30,921 | 01:14:31,822 | Excuse me. | Excuse me. |
1261 | 01:14:34,091 | 01:14:34,958 | Careful. | Careful. |
1262 | 01:14:42,399 | 01:14:46,336 | It's my play, my part to give, | It's my play, my part to give, |
1263 | 01:14:46,436 | 01:14:48,105 | to take away as I choose. | to take away as I choose. |
1264 | 01:14:49,172 | 01:14:50,073 | Ah-huh. | Ah-huh. |
1265 | 01:14:52,075 | 01:14:53,376 | You wrote it, | You wrote it, |
1266 | 01:14:53,477 | 01:14:56,012 | but I raised him from the page, | but I raised him from the page, |
1267 | 01:14:56,113 | 01:14:58,348 | he's as much my creation as he is yours. | he's as much my creation as he is yours. |
1268 | 01:14:58,448 | 01:15:00,517 | Well, tell that to the copyright lawyer. | Well, tell that to the copyright lawyer. |
1269 | 01:15:01,785 | 01:15:04,988 | I gave you every chance to share your gift from God, | I gave you every chance to share your gift from God, |
1270 | 01:15:05,956 | 01:15:07,324 | to elevate you people on Broadway. | to elevate you people on Broadway. |
1271 | 01:15:07,424 | 01:15:08,859 | You people? | You people? |
1272 | 01:15:08,959 | 01:15:10,527 | You expect us to be grateful? | You expect us to be grateful? |
1273 | 01:15:11,561 | 01:15:12,929 | You don't care about colored people, | You don't care about colored people, |
1274 | 01:15:13,029 | 01:15:14,831 | unless they're puppets to elevate you. | unless they're puppets to elevate you. |
1275 | 01:15:14,931 | 01:15:16,933 | - Oh, you're talking rot. - Am I? | - Oh, you're talking rot. - Am I? |
1276 | 01:15:17,033 | 01:15:17,834 | Yeah. | Yeah. |
1277 | 01:15:17,934 | 01:15:20,504 | And what have you done for us, huh? | And what have you done for us, huh? |
1278 | 01:15:20,604 | 01:15:24,141 | "The Dreamy Kid," the first all Negro cast | "The Dreamy Kid," the first all Negro cast |
1279 | 01:15:24,241 | 01:15:26,143 | and who did you get? | and who did you get? |
1280 | 01:15:26,243 | 01:15:29,679 | A bunch of amateurs from up Harlem. | A bunch of amateurs from up Harlem. |
1281 | 01:15:29,780 | 01:15:30,781 | You ungrateful... | You ungrateful... |
1282 | 01:15:30,881 | 01:15:31,815 | What, nigger? | What, nigger? |
1283 | 01:15:33,283 | 01:15:35,152 | Arrogant prick. | Arrogant prick. |
1284 | 01:15:35,253 | 01:15:36,353 | You just don't get it. | You just don't get it. |
1285 | 01:15:37,754 | 01:15:40,624 | If you respected us, you wouldn't expect us to be grateful | If you respected us, you wouldn't expect us to be grateful |
1286 | 01:15:40,724 | 01:15:41,625 | for something you already have, | for something you already have, |
1287 | 01:15:41,725 | 01:15:44,694 | you're a fraud, an Irish, Mick playwright | you're a fraud, an Irish, Mick playwright |
1288 | 01:15:44,795 | 01:15:46,329 | just looking to make a name for himself | just looking to make a name for himself |
1289 | 01:15:46,429 | 01:15:48,498 | off the backs of other people, black people. | off the backs of other people, black people. |
1290 | 01:15:51,001 | 01:15:54,171 | No, color's got nothing to do with it, Charles, | No, color's got nothing to do with it, Charles, |
1291 | 01:15:54,272 | 01:15:56,540 | I've known actors like you my whole life. | I've known actors like you my whole life. |
1292 | 01:15:56,640 | 01:16:00,410 | Sure, they like to try it on, but it's a hard life, | Sure, they like to try it on, but it's a hard life, |
1293 | 01:16:00,510 | 01:16:02,045 | so they like to cut corners, | so they like to cut corners, |
1294 | 01:16:02,145 | 01:16:05,482 | you know, whatever makes it easier and I slap them down, | you know, whatever makes it easier and I slap them down, |
1295 | 01:16:05,582 | 01:16:06,817 | not just you, all of them, | not just you, all of them, |
1296 | 01:16:06,917 | 01:16:08,819 | some a lot quicker than you as a matter of fact. | some a lot quicker than you as a matter of fact. |
1297 | 01:16:10,187 | 01:16:12,889 | With you, I gave every chance to, I showed you patience, | With you, I gave every chance to, I showed you patience, |
1298 | 01:16:12,989 | 01:16:15,225 | as a matter of fact, I gave you leeway | as a matter of fact, I gave you leeway |
1299 | 01:16:15,325 | 01:16:19,396 | precisely because you were colored and this is what I get. | precisely because you were colored and this is what I get. |
1300 | 01:16:19,496 | 01:16:22,266 | And that is the other side of this dismal drama, | And that is the other side of this dismal drama, |
1301 | 01:16:22,365 | 01:16:25,669 | you patronizing me, because I'm black, | you patronizing me, because I'm black, |
1302 | 01:16:25,769 | 01:16:29,573 | that's not even grudging respect, that is no respect at all. | that's not even grudging respect, that is no respect at all. |
1303 | 01:16:29,673 | 01:16:31,341 | You say you were giving me leeway, | You say you were giving me leeway, |
1304 | 01:16:31,441 | 01:16:33,476 | well, I say you were scared of my talent | well, I say you were scared of my talent |
1305 | 01:16:33,577 | 01:16:36,613 | and what it unleashed in your Emperor Jones. | and what it unleashed in your Emperor Jones. |
1306 | 01:16:36,713 | 01:16:39,883 | You'd have to stand on your father's shoulder | You'd have to stand on your father's shoulder |
1307 | 01:16:39,983 | 01:16:43,587 | to peer over the footlights to look up to me! | to peer over the footlights to look up to me! |
1308 | 01:16:43,687 | 01:16:46,623 | Hm, and a real actor would know, | Hm, and a real actor would know, |
1309 | 01:16:46,723 | 01:16:48,959 | that parts come and parts go | that parts come and parts go |
1310 | 01:16:50,660 | 01:16:53,196 | and you, sir are fired. | and you, sir are fired. |
1311 | 01:17:09,246 | 01:17:10,614 | Ooh, my Lord. | Ooh, my Lord. |
1312 | 01:17:11,882 | 01:17:12,782 | Florence? | Florence? |
1313 | 01:17:17,387 | 01:17:18,322 | Florence? | Florence? |
1314 | 01:19:17,040 | 01:19:20,444 | Don't I know you from somewhere? | Don't I know you from somewhere? |
1315 | 01:19:22,512 | 01:19:23,613 | Not that I know of. | Not that I know of. |
1316 | 01:19:53,143 | 01:19:56,980 | Who the hell whistling that way in my palace? | Who the hell whistling that way in my palace? |
1317 | 01:19:57,080 | 01:20:00,251 | Who dare whistle that way in my palace? | Who dare whistle that way in my palace? |
1318 | 01:20:01,352 | 01:20:02,752 | I'm Emperor Jones. | I'm Emperor Jones. |
1319 | 01:20:04,422 | 01:20:06,222 | I'm Emperor Jones. | I'm Emperor Jones. |
1320 | 01:20:17,368 | 01:20:18,269 | Charlie. | Charlie. |
1321 | 01:20:20,870 | 01:20:21,771 | Florence? | Florence? |
1322 | 01:20:23,573 | 01:20:25,642 | I missed you. | I missed you. |
1323 | 01:20:27,445 | 01:20:29,679 | - Florence? - Where you been? | - Florence? - Where you been? |
1324 | 01:20:37,854 | 01:20:39,155 | Ah, I missed you. | Ah, I missed you. |
1325 | 01:22:03,039 | 01:22:04,608 | Amazing! | Amazing! |
1326 | 01:22:41,445 | 01:22:43,246 | We're not ready to go back to Broadway, | We're not ready to go back to Broadway, |
1327 | 01:22:43,347 | 01:22:45,148 | but we're gonna do a run down in the Village, | but we're gonna do a run down in the Village, |
1328 | 01:22:45,248 | 01:22:46,783 | one in London. | one in London. |
1329 | 01:22:47,884 | 01:22:49,420 | The role of Smithers is still available, | The role of Smithers is still available, |
1330 | 01:22:49,520 | 01:22:50,621 | if you're interested. | if you're interested. |
1331 | 01:22:50,720 | 01:22:53,990 | Oh, I've found a small theater space in Pennsylvania, | Oh, I've found a small theater space in Pennsylvania, |
1332 | 01:22:54,090 | 01:22:56,993 | I'm starting my own repertory company, | I'm starting my own repertory company, |
1333 | 01:22:57,093 | 01:22:59,430 | a chip off the old Jig Cook block. | a chip off the old Jig Cook block. |
1334 | 01:22:59,530 | 01:23:01,565 | Hm, are you sure? | Hm, are you sure? |
1335 | 01:23:01,665 | 01:23:03,601 | Run in London, one in New York, | Run in London, one in New York, |
1336 | 01:23:03,701 | 01:23:05,302 | pay for your whole first season. | pay for your whole first season. |
1337 | 01:23:05,402 | 01:23:06,337 | The answer's no. | The answer's no. |
1338 | 01:23:08,439 | 01:23:12,809 | I understand that you've cast Paul Robeson as Brutus Jones. | I understand that you've cast Paul Robeson as Brutus Jones. |
1339 | 01:23:12,909 | 01:23:14,311 | That's right. | That's right. |
1340 | 01:23:14,411 | 01:23:16,980 | Has he told you what he thinks of the role? | Has he told you what he thinks of the role? |
1341 | 01:23:17,080 | 01:23:17,814 | He loves it. | He loves it. |
1342 | 01:23:19,082 | 01:23:20,850 | Well, I offered it to him first | Well, I offered it to him first |
1343 | 01:23:20,950 | 01:23:24,355 | and he didn't think much it or of you, | and he didn't think much it or of you, |
1344 | 01:23:25,788 | 01:23:27,324 | I think we kept that from you. | I think we kept that from you. |
1345 | 01:23:27,424 | 01:23:29,158 | Well, he's changed his mind. | Well, he's changed his mind. |
1346 | 01:23:29,260 | 01:23:30,361 | Yes, he has. | Yes, he has. |
1347 | 01:23:31,662 | 01:23:35,366 | Emperor Jones is Charles Gilpin's role and you know it. | Emperor Jones is Charles Gilpin's role and you know it. |
1348 | 01:23:35,466 | 01:23:38,335 | Charles Gilpin is full of cheese and a yard wide. | Charles Gilpin is full of cheese and a yard wide. |
1349 | 01:23:39,403 | 01:23:41,272 | What do you know about acting? | What do you know about acting? |
1350 | 01:23:41,372 | 01:23:43,139 | Are you really asking me that? | Are you really asking me that? |
1351 | 01:23:43,239 | 01:23:46,610 | All your theories are based on what your father did | All your theories are based on what your father did |
1352 | 01:23:46,710 | 01:23:49,346 | and trying to do the exact opposite. | and trying to do the exact opposite. |
1353 | 01:23:49,446 | 01:23:51,315 | I saw your father on stage, | I saw your father on stage, |
1354 | 01:23:51,415 | 01:23:54,150 | he was the greatest actor of his generation. | he was the greatest actor of his generation. |
1355 | 01:23:54,251 | 01:23:56,185 | He did "Monte Cristo" for years | He did "Monte Cristo" for years |
1356 | 01:23:56,287 | 01:23:57,655 | and took the money to allow you | and took the money to allow you |
1357 | 01:23:57,755 | 01:24:00,324 | to become the greatest playwright of your generation. | to become the greatest playwright of your generation. |
1358 | 01:24:01,258 | 01:24:03,560 | I saw your father as Monte Cristo, | I saw your father as Monte Cristo, |
1359 | 01:24:03,661 | 01:24:07,163 | he, he excited me for theater, | he, he excited me for theater, |
1360 | 01:24:08,299 | 01:24:10,367 | the same way that Gilpin excites people. | the same way that Gilpin excites people. |
1361 | 01:24:11,934 | 01:24:13,970 | Don't you see what you've done? | Don't you see what you've done? |
1362 | 01:24:14,070 | 01:24:19,142 | Charles S. Gilpin is the Negro equivalent of James O'Neill, | Charles S. Gilpin is the Negro equivalent of James O'Neill, |
1363 | 01:24:19,242 | 01:24:22,011 | a great actor in their perfect role | a great actor in their perfect role |
1364 | 01:24:23,480 | 01:24:26,015 | and now you are taking it away from him | and now you are taking it away from him |
1365 | 01:24:27,518 | 01:24:28,652 | and this has nothing to do | and this has nothing to do |
1366 | 01:24:28,752 | 01:24:31,655 | with what words he does and doesn't say, | with what words he does and doesn't say, |
1367 | 01:24:31,755 | 01:24:34,258 | you're killing the golden goose, | you're killing the golden goose, |
1368 | 01:24:34,358 | 01:24:36,727 | just so you can kick back against your father. | just so you can kick back against your father. |
1369 | 01:24:39,195 | 01:24:40,830 | That about it? | That about it? |
1370 | 01:24:43,701 | 01:24:45,168 | Yeah, that's about it. | Yeah, that's about it. |
1371 | 01:24:49,273 | 01:24:50,173 | Hm. | Hm. |
1372 | 01:25:00,651 | 01:25:01,552 | Hm. | Hm. |
1373 | 01:25:02,453 | 01:25:03,721 | - Thank you. - Hm-mm. | - Thank you. - Hm-mm. |
1374 | 01:25:09,992 | 01:25:11,395 | - What's happening? - Hm. | - What's happening? - Hm. |
1375 | 01:25:14,698 | 01:25:16,300 | We're leaving the Cape. | We're leaving the Cape. |
1376 | 01:25:18,635 | 01:25:19,536 | Fine by me. | Fine by me. |
1377 | 01:25:20,738 | 01:25:21,739 | May I ask why? | May I ask why? |
1378 | 01:25:21,839 | 01:25:24,408 | Well, I'm sick of it, | Well, I'm sick of it, |
1379 | 01:25:25,576 | 01:25:26,876 | I'm sick of the wind, | I'm sick of the wind, |
1380 | 01:25:26,976 | 01:25:29,613 | I'm sick of the stench of the seaweed, | I'm sick of the stench of the seaweed, |
1381 | 01:25:30,481 | 01:25:32,048 | I'm sick of the ghosts. | I'm sick of the ghosts. |
1382 | 01:25:33,851 | 01:25:35,452 | It's nothing but ghosts now. | It's nothing but ghosts now. |
1383 | 01:25:37,388 | 01:25:38,455 | Jig's gone, | Jig's gone, |
1384 | 01:25:39,590 | 01:25:40,923 | everybody's gone. | everybody's gone. |
1385 | 01:25:42,326 | 01:25:43,594 | The theater's dead. | The theater's dead. |
1386 | 01:25:46,195 | 01:25:47,230 | Perhaps I killed it. | Perhaps I killed it. |
1387 | 01:25:51,402 | 01:25:53,002 | We're running out of booze. | We're running out of booze. |
1388 | 01:25:55,905 | 01:25:57,474 | So many things. | So many things. |
1389 | 01:25:58,575 | 01:25:59,476 | Yeah. | Yeah. |
1390 | 01:26:00,344 | 01:26:01,244 | Hm. | Hm. |
1391 | 01:26:03,447 | 01:26:05,783 | Where to, where should we go? | Where to, where should we go? |
1392 | 01:26:08,217 | 01:26:09,586 | Someplace warm, | Someplace warm, |
1393 | 01:26:10,788 | 01:26:11,688 | Bermuda. | Bermuda. |
1394 | 01:26:13,357 | 01:26:14,258 | Hm. | Hm. |
1395 | 01:26:16,360 | 01:26:18,027 | Won't that stink of seaweed? | Won't that stink of seaweed? |
1396 | 01:26:18,127 | 01:26:21,265 | Well, it's a different seaweed, darling, | Well, it's a different seaweed, darling, |
1397 | 01:26:21,365 | 01:26:23,700 | it's a different seaweed, | it's a different seaweed, |
1398 | 01:26:23,801 | 01:26:25,602 | a different stench. | a different stench. |
1399 | 01:26:25,702 | 01:26:26,537 | Hm. | Hm. |
1400 | 01:26:28,137 | 01:26:29,038 | Hm. | Hm. |
1401 | 01:26:38,382 | 01:26:42,018 | We live in this moment building temples for tomorrow | We live in this moment building temples for tomorrow |
1402 | 01:26:42,118 | 01:26:44,020 | as strong as we can, | as strong as we can, |
1403 | 01:26:44,120 | 01:26:47,957 | then we stand on the mountain top free. | then we stand on the mountain top free. |
1404 | 01:26:50,928 | 01:26:54,063 | Langston, Langston Hughes, a poet, a writer. | Langston, Langston Hughes, a poet, a writer. |
1405 | 01:26:54,163 | 01:26:55,799 | It's an honor to meet you, sir. | It's an honor to meet you, sir. |
1406 | 01:26:55,899 | 01:26:57,835 | Ah-huh, I'm sure. | Ah-huh, I'm sure. |
1407 | 01:26:57,935 | 01:26:59,803 | Now what'd you talk about? | Now what'd you talk about? |
1408 | 01:26:59,903 | 01:27:01,405 | Negro artists like you | Negro artists like you |
1409 | 01:27:01,505 | 01:27:04,708 | should express their individual dark-skinned selves | should express their individual dark-skinned selves |
1410 | 01:27:04,808 | 01:27:06,976 | without fear or shame. | without fear or shame. |
1411 | 01:27:07,076 | 01:27:10,647 | If white people are pleased, be glad, | If white people are pleased, be glad, |
1412 | 01:27:10,747 | 01:27:13,015 | if they are not, it don't matter. | if they are not, it don't matter. |
1413 | 01:27:14,251 | 01:27:17,855 | If colored people are pleased, be glad too, | If colored people are pleased, be glad too, |
1414 | 01:27:19,222 | 01:27:23,894 | if they are not, their displeasure don't matter either. | if they are not, their displeasure don't matter either. |
1415 | 01:27:24,728 | 01:27:26,229 | It don't matter, exactly! | It don't matter, exactly! |
1416 | 01:27:27,997 | 01:27:31,033 | You are pulling, my friend, you ought to write me plays. | You are pulling, my friend, you ought to write me plays. |
1417 | 01:27:31,133 | 01:27:34,237 | That, that is what I have been saying all along, | That, that is what I have been saying all along, |
1418 | 01:27:34,338 | 01:27:35,539 | we can't revere our own history, | we can't revere our own history, |
1419 | 01:27:35,639 | 01:27:36,907 | unless we write it ourselves. | unless we write it ourselves. |
1420 | 01:27:37,006 | 01:27:39,175 | You got to learn about theater to write these plays, | You got to learn about theater to write these plays, |
1421 | 01:27:39,276 | 01:27:43,179 | whatever you say about Eugene O'Neill and I've said a lot, | whatever you say about Eugene O'Neill and I've said a lot, |
1422 | 01:27:44,448 | 01:27:46,450 | boy, he knows how to write for theater. | boy, he knows how to write for theater. |
1423 | 01:27:53,690 | 01:27:56,260 | ♪ Ooh, doo, doo ♪ | ♪ Ooh, doo, doo ♪ |
1424 | 01:28:05,836 | 01:28:07,471 | Oh, look what the cat dragged in. | Oh, look what the cat dragged in. |
1425 | 01:28:09,506 | 01:28:13,075 | You look good, Gene, you got a couple of bucks? | You look good, Gene, you got a couple of bucks? |
1426 | 01:28:13,175 | 01:28:14,143 | It'll get you something smoother | It'll get you something smoother |
1427 | 01:28:14,243 | 01:28:16,045 | than this gut rot I've been drinking. | than this gut rot I've been drinking. |
1428 | 01:28:18,382 | 01:28:20,450 | What have you been up to, Charles? | What have you been up to, Charles? |
1429 | 01:28:21,985 | 01:28:26,055 | Well, I did a film, 10 nights in a ballroom. | Well, I did a film, 10 nights in a ballroom. |
1430 | 01:28:26,155 | 01:28:28,090 | Ah, interesting, | Ah, interesting, |
1431 | 01:28:28,190 | 01:28:32,094 | a ballroom, I've read the novel. | a ballroom, I've read the novel. |
1432 | 01:28:32,194 | 01:28:33,730 | They ever make it into a play? | They ever make it into a play? |
1433 | 01:28:33,830 | 01:28:34,765 | So what is it? | So what is it? |
1434 | 01:28:36,266 | 01:28:38,268 | I reckon you're not here for your health | I reckon you're not here for your health |
1435 | 01:28:38,368 | 01:28:40,470 | or to get ideas about a play? | or to get ideas about a play? |
1436 | 01:28:42,906 | 01:28:44,841 | "The Emperor," | "The Emperor," |
1437 | 01:28:44,942 | 01:28:47,844 | I wanna revive it for run down in the Village. | I wanna revive it for run down in the Village. |
1438 | 01:28:47,945 | 01:28:49,145 | Robeson not available? | Robeson not available? |
1439 | 01:28:49,245 | 01:28:50,647 | No, he hasn't been asked. | No, he hasn't been asked. |
1440 | 01:28:51,848 | 01:28:52,616 | Director, you? | Director, you? |
1441 | 01:28:52,716 | 01:28:54,150 | - No, James Light. - Oh! | - No, James Light. - Oh! |
1442 | 01:28:54,251 | 01:28:55,819 | Well, he did it in London. | Well, he did it in London. |
1443 | 01:28:55,919 | 01:28:59,155 | I'll pretend to take Light's direction, | I'll pretend to take Light's direction, |
1444 | 01:28:59,256 | 01:29:02,659 | if and only if | if and only if |
1445 | 01:29:03,760 | 01:29:07,664 | I don't ever have to say that word again. | I don't ever have to say that word again. |
1446 | 01:29:08,565 | 01:29:09,466 | Hm. | Hm. |
1447 | 01:29:12,736 | 01:29:15,806 | So what do you say? | So what do you say? |
1448 | 01:29:23,614 | 01:29:25,616 | It's about time, Mr. Gilpin. | It's about time, Mr. Gilpin. |
1449 | 01:29:31,088 | 01:29:32,623 | Besides, I need the money. | Besides, I need the money. |
1450 | 01:29:40,397 | 01:29:41,465 | Me too, Charles. | Me too, Charles. |
1451 | 01:30:28,210 | 01:30:29,112 | Mr. Gilpin. | Mr. Gilpin. |
1452 | 01:30:31,213 | 01:30:34,851 | I'm Robert Elwyn from the Maverick Theater, Woodstock. | I'm Robert Elwyn from the Maverick Theater, Woodstock. |
1453 | 01:30:34,951 | 01:30:38,689 | I have a contract for your appearance as Brutus Jones | I have a contract for your appearance as Brutus Jones |
1454 | 01:30:38,789 | 01:30:43,026 | at my theater, double what you got the last time. | at my theater, double what you got the last time. |
1455 | 01:30:45,194 | 01:30:46,797 | It's not gonna happen, sir. | It's not gonna happen, sir. |
1456 | 01:30:48,498 | 01:30:51,702 | The voice is, is shot. | The voice is, is shot. |
1457 | 01:30:53,637 | 01:30:56,573 | Are you sure, can I get you a doctor? | Are you sure, can I get you a doctor? |
1458 | 01:30:57,274 | 01:30:58,642 | A voice specialist? | A voice specialist? |
1459 | 01:31:00,410 | 01:31:05,415 | I appreciate the offer, but I, I get. | I appreciate the offer, but I, I get. |
1460 | 01:31:05,515 | 01:31:07,050 | It's alright. | It's alright. |
1461 | 01:31:07,150 | 01:31:09,252 | People still want to see you? | People still want to see you? |
1462 | 01:31:10,587 | 01:31:12,589 | It wouldn't be the Brutus Jones I'd wanna give them. | It wouldn't be the Brutus Jones I'd wanna give them. |
1463 | 01:31:13,356 | 01:31:16,326 | I'm sorry, but thank you. | I'm sorry, but thank you. |
1464 | 01:31:20,163 | 01:31:21,665 | Can't you see he can't speak? | Can't you see he can't speak? |
1465 | 01:31:28,605 | 01:31:31,842 | I'm so sorry. I'll see you out. | I'm so sorry. I'll see you out. |