This tool is beta test, If You got some problem please contact us
# | Start | End | Original | Translated |
---|---|---|---|---|
1 | 00:00:01,781 | 00:00:03,538 | That was fun. | That was fun. |
2 | 00:00:03,563 | 00:00:05,500 | I couldn't agree more. | I couldn't agree more. |
3 | 00:00:06,266 | 00:00:08,500 | You know what else will be fun? | You know what else will be fun? |
4 | 00:00:08,525 | 00:00:11,932 | - A five-minute break? - No. | - A five-minute break? - No. |
5 | 00:00:12,096 | 00:00:13,413 | I'm not letting you off | I'm not letting you off |
6 | 00:00:13,438 | 00:00:15,769 | that easily. | that easily. |
7 | 00:00:18,966 | 00:00:21,382 | Oh, you want me to read to you. | Oh, you want me to read to you. |
8 | 00:00:21,407 | 00:00:23,607 | - Kinky. - No. It's a script | - Kinky. - No. It's a script |
9 | 00:00:23,632 | 00:00:26,242 | for a movie. And I'd be the lead. | for a movie. And I'd be the lead. |
10 | 00:00:26,699 | 00:00:29,369 | - Wow. Congratulations. - Thanks. | - Wow. Congratulations. - Thanks. |
11 | 00:00:29,394 | 00:00:31,195 | Well, it's not a done deal yet. | Well, it's not a done deal yet. |
12 | 00:00:31,220 | 00:00:33,454 | But... I'll be producing it too. | But... I'll be producing it too. |
13 | 00:00:33,479 | 00:00:35,835 | It's kind of scary, but I think I'm ready | It's kind of scary, but I think I'm ready |
14 | 00:00:35,860 | 00:00:37,500 | to make the jump to the big screen. | to make the jump to the big screen. |
15 | 00:00:37,525 | 00:00:39,359 | It sounds like a great opportunity. | It sounds like a great opportunity. |
16 | 00:00:39,384 | 00:00:42,961 | I hope it will be. Oh, it's such a great part! | I hope it will be. Oh, it's such a great part! |
17 | 00:00:42,986 | 00:00:44,382 | Guess what I would be playing? | Guess what I would be playing? |
18 | 00:00:44,407 | 00:00:47,921 | - Dark agenda. - A private investigator. | - Dark agenda. - A private investigator. |
19 | 00:00:47,946 | 00:00:50,648 | Wow. Well, if you need any pointers... | Wow. Well, if you need any pointers... |
20 | 00:00:50,673 | 00:00:52,931 | Well, since you offered, | Well, since you offered, |
21 | 00:00:52,956 | 00:00:55,343 | how about a ride along? Follow you through a case. | how about a ride along? Follow you through a case. |
22 | 00:00:55,368 | 00:00:57,639 | Get the behind-the-scenes truth of an investigation. | Get the behind-the-scenes truth of an investigation. |
23 | 00:00:57,664 | 00:00:59,711 | It's not always exciting, you know. | It's not always exciting, you know. |
24 | 00:00:59,736 | 00:01:02,796 | But it's real. It'll give me those true-to-life moments | But it's real. It'll give me those true-to-life moments |
25 | 00:01:02,821 | 00:01:04,588 | I can use to build my character. | I can use to build my character. |
26 | 00:01:04,613 | 00:01:08,615 | So what do you say, hmm? Can I shadow the Shadow? | So what do you say, hmm? Can I shadow the Shadow? |
27 | 00:01:10,476 | 00:01:14,084 | Um, sure. Let me just talk to Angie about it. | Um, sure. Let me just talk to Angie about it. |
28 | 00:01:14,129 | 00:01:16,682 | - Can we talk about it tomorrow? - Yeah. | - Can we talk about it tomorrow? - Yeah. |
29 | 00:01:18,061 | 00:01:21,225 | - Mm. You are very persuasive. - Mm-hmm. | - Mm. You are very persuasive. - Mm-hmm. |
30 | 00:01:26,424 | 00:01:28,952 | It's 2 a.m., Everett. | It's 2 a.m., Everett. |
31 | 00:01:28,977 | 00:01:30,953 | Oh, good! You're still awake. | Oh, good! You're still awake. |
32 | 00:01:30,978 | 00:01:33,781 | I hope I'm not interrupting a romantic evening. | I hope I'm not interrupting a romantic evening. |
33 | 00:01:34,173 | 00:01:36,909 | Actually, we were just talking about you. | Actually, we were just talking about you. |
34 | 00:01:37,559 | 00:01:41,355 | I'm not sure if I should be flattered or disturbed. | I'm not sure if I should be flattered or disturbed. |
35 | 00:01:41,380 | 00:01:43,317 | [At any rate, we may have a client.] | [At any rate, we may have a client.] |
36 | 00:01:43,342 | 00:01:46,362 | - Can it wait 'til morning? - [Not according to her.] | - Can it wait 'til morning? - [Not according to her.] |
37 | 00:01:46,387 | 00:01:48,539 | [Do you think you can tear yourself away?] | [Do you think you can tear yourself away?] |
38 | 00:01:48,564 | 00:01:50,407 | Apparently, we can. | Apparently, we can. |
39 | 00:01:51,266 | 00:01:53,360 | Wait. "We"? | Wait. "We"? |
40 | 00:02:01,418 | 00:02:03,650 | - Hey, Ange. - Willow! | - Hey, Ange. - Willow! |
41 | 00:02:03,675 | 00:02:05,808 | I'm sorry to spring this on you, Angie, but I promise | I'm sorry to spring this on you, Angie, but I promise |
42 | 00:02:05,833 | 00:02:08,122 | - you won't even know I'm here. - Yeah, you really... | - you won't even know I'm here. - Yeah, you really... |
43 | 00:02:08,147 | 00:02:11,384 | - fade into the background. - You don't mind if I take a few notes? | - fade into the background. - You don't mind if I take a few notes? |
44 | 00:02:11,409 | 00:02:13,468 | - Knock yourself out. - Great. | - Knock yourself out. - Great. |
45 | 00:02:13,729 | 00:02:16,058 | Psst! Psst! | Psst! Psst! |
46 | 00:02:16,936 | 00:02:19,723 | Ooh! Let the shadowing begin. | Ooh! Let the shadowing begin. |
47 | 00:02:22,024 | 00:02:24,492 | I hope you don't mind about Willow. She's gonna | I hope you don't mind about Willow. She's gonna |
48 | 00:02:24,517 | 00:02:26,954 | pay us a consulting fee. Oh! You should've | pay us a consulting fee. Oh! You should've |
49 | 00:02:26,980 | 00:02:28,775 | led with that. | led with that. |
50 | 00:02:29,600 | 00:02:30,966 | Everett and Shade, | Everett and Shade, |
51 | 00:02:30,991 | 00:02:33,988 | - I wasn't expecting three of you. - I'm their associate | - I wasn't expecting three of you. - I'm their associate |
52 | 00:02:34,013 | 00:02:35,552 | - in training. - Oh. | - in training. - Oh. |
53 | 00:02:35,577 | 00:02:37,427 | Follow me. | Follow me. |
54 | 00:02:40,426 | 00:02:42,900 | I was on the eighth floor when it happened. | I was on the eighth floor when it happened. |
55 | 00:02:47,764 | 00:02:49,965 | It's OK. I'm fine. | It's OK. I'm fine. |
56 | 00:02:50,630 | 00:02:52,840 | Um... Where are we going? | Um... Where are we going? |
57 | 00:02:52,865 | 00:02:54,302 | To the scene of the crime. | To the scene of the crime. |
58 | 00:02:54,327 | 00:02:56,770 | I'm sorry for the subterfuge. I can't be caught with visitors | I'm sorry for the subterfuge. I can't be caught with visitors |
59 | 00:02:56,795 | 00:02:58,606 | - or I'll be fired. - The police don't believe | - or I'll be fired. - The police don't believe |
60 | 00:02:58,631 | 00:03:00,279 | Sandra so they won't investigate. | Sandra so they won't investigate. |
61 | 00:03:00,304 | 00:03:02,373 | They say there's no evidence to the crime but I know | They say there's no evidence to the crime but I know |
62 | 00:03:02,398 | 00:03:05,145 | - what I saw through that window. - Which was what? | - what I saw through that window. - Which was what? |
63 | 00:03:05,302 | 00:03:06,864 | A murder. | A murder. |
64 | 00:03:08,002 | 00:03:10,942 | Now there's a plot twist I did not see coming. | Now there's a plot twist I did not see coming. |
65 | 00:03:10,967 | 00:03:12,560 | I've been cleaning here at The Empress | I've been cleaning here at The Empress |
66 | 00:03:12,585 | 00:03:14,342 | at night for the past two months. | at night for the past two months. |
67 | 00:03:14,367 | 00:03:16,076 | Around 11, I turn the lights off. | Around 11, I turn the lights off. |
68 | 00:03:16,501 | 00:03:19,169 | That's when she saw the light in the building across the way. | That's when she saw the light in the building across the way. |
69 | 00:03:19,501 | 00:03:21,121 | Is that unusual? | Is that unusual? |
70 | 00:03:21,146 | 00:03:23,514 | I've never seen lights on over there so late before. | I've never seen lights on over there so late before. |
71 | 00:03:23,539 | 00:03:25,936 | What happened next? | What happened next? |
72 | 00:03:27,129 | 00:03:28,974 | She saw two women arguing. | She saw two women arguing. |
73 | 00:03:28,999 | 00:03:31,959 | At first, all I could see were shadows. Then, they started fighting. | At first, all I could see were shadows. Then, they started fighting. |
74 | 00:03:31,984 | 00:03:34,289 | Then, one of them raised their arm holding something long, | Then, one of them raised their arm holding something long, |
75 | 00:03:34,314 | 00:03:36,575 | hit the first woman, slamming her against the window. | hit the first woman, slamming her against the window. |
76 | 00:03:36,600 | 00:03:38,926 | And then the woman who got hit, she fell down and took some | And then the woman who got hit, she fell down and took some |
77 | 00:03:38,951 | 00:03:40,951 | and took some of the vertical blinds down with her. | and took some of the vertical blinds down with her. |
78 | 00:03:40,976 | 00:03:42,730 | The other woman disappeared after the attack. | The other woman disappeared after the attack. |
79 | 00:03:42,755 | 00:03:44,873 | Did you... get a look at the women's faces? | Did you... get a look at the women's faces? |
80 | 00:03:44,898 | 00:03:46,256 | It was too far away. | It was too far away. |
81 | 00:03:46,281 | 00:03:48,609 | All I could see was that they both had blonde hair. | All I could see was that they both had blonde hair. |
82 | 00:03:48,634 | 00:03:50,638 | Did the police take your statement? | Did the police take your statement? |
83 | 00:03:50,663 | 00:03:52,951 | They came and checked it out, but I couldn't even tell them | They came and checked it out, but I couldn't even tell them |
84 | 00:03:52,976 | 00:03:55,302 | what floor it happened on. They said no alarms went off, | what floor it happened on. They said no alarms went off, |
85 | 00:03:55,327 | 00:03:57,261 | the concierge hadn't gotten any noise complaints. | the concierge hadn't gotten any noise complaints. |
86 | 00:03:57,286 | 00:03:59,120 | They didn't find a body, did they? | They didn't find a body, did they? |
87 | 00:03:59,145 | 00:04:01,868 | So they had no just cause to pursue the case. | So they had no just cause to pursue the case. |
88 | 00:04:02,238 | 00:04:04,872 | A mysterious crime. A distraught witness | A mysterious crime. A distraught witness |
89 | 00:04:04,897 | 00:04:07,626 | authorities don't believe. This is classic Hitchcock. | authorities don't believe. This is classic Hitchcock. |
90 | 00:04:08,562 | 00:04:10,779 | Sandra, you work at night. | Sandra, you work at night. |
91 | 00:04:10,804 | 00:04:12,929 | You must have a hard time staying awake. | You must have a hard time staying awake. |
92 | 00:04:12,954 | 00:04:15,271 | Maybe your mind is just playing tricks on you? | Maybe your mind is just playing tricks on you? |
93 | 00:04:15,296 | 00:04:16,772 | I have been staying up late studying | I have been staying up late studying |
94 | 00:04:16,797 | 00:04:20,381 | for a night school exam, but I know what I saw: a murder, | for a night school exam, but I know what I saw: a murder, |
95 | 00:04:20,406 | 00:04:23,101 | which means there is a murderer out there who needs to be found. | which means there is a murderer out there who needs to be found. |
96 | 00:04:23,126 | 00:04:24,766 | I'll cover the fee. | I'll cover the fee. |
97 | 00:04:25,784 | 00:04:27,976 | Guardian angels shouldn't have to pay for help. | Guardian angels shouldn't have to pay for help. |
98 | 00:04:28,620 | 00:04:32,256 | Alrighty then. First things first... we have | Alrighty then. First things first... we have |
99 | 00:04:32,281 | 00:04:35,029 | to find out if what you saw was actually a murder. | to find out if what you saw was actually a murder. |
100 | 00:04:35,054 | 00:04:36,864 | Exactly. | Exactly. |
101 | 00:04:37,783 | 00:04:40,818 | How do we do that? | How do we do that? |
103 | 00:05:18,008 | 00:05:19,909 | I got the blueprints from the city. | I got the blueprints from the city. |
104 | 00:05:19,934 | 00:05:22,661 | It's a multi-use complex, so it's retail on the bottom | It's a multi-use complex, so it's retail on the bottom |
105 | 00:05:22,686 | 00:05:24,444 | and high-end condos on the top. | and high-end condos on the top. |
106 | 00:05:24,469 | 00:05:26,871 | - What's with the red strings? - Oh. Well, it's just | - What's with the red strings? - Oh. Well, it's just |
107 | 00:05:26,896 | 00:05:29,717 | a little technique I picked up at the forensics conference. | a little technique I picked up at the forensics conference. |
108 | 00:05:29,742 | 00:05:31,643 | I have been dying to try it out. | I have been dying to try it out. |
109 | 00:05:31,809 | 00:05:34,210 | So the strings represent the trajectory | So the strings represent the trajectory |
110 | 00:05:34,235 | 00:05:36,202 | of Sandra's sight lines from the eighth floor | of Sandra's sight lines from the eighth floor |
111 | 00:05:36,227 | 00:05:38,094 | to the neighbouring tower, The Emperor. | to the neighbouring tower, The Emperor. |
112 | 00:05:38,228 | 00:05:40,963 | And I've managed to narrow down the potential crime scenes | And I've managed to narrow down the potential crime scenes |
113 | 00:05:40,988 | 00:05:43,823 | to the sixth, seventh, eighth and ninth floor. | to the sixth, seventh, eighth and ninth floor. |
114 | 00:05:43,905 | 00:05:45,805 | - Do we know what's there? - Yeah. | - Do we know what's there? - Yeah. |
115 | 00:05:45,830 | 00:05:47,726 | It's an architecture firm, | It's an architecture firm, |
116 | 00:05:47,751 | 00:05:50,886 | a vitamin retailer and a meditation studio. | a vitamin retailer and a meditation studio. |
117 | 00:05:50,911 | 00:05:53,108 | The eighth floor is currently empty. | The eighth floor is currently empty. |
118 | 00:05:53,133 | 00:05:55,942 | Sandra said she saw two blonde women fighting, | Sandra said she saw two blonde women fighting, |
119 | 00:05:55,967 | 00:05:58,199 | some blinds get knocked down, so we look | some blinds get knocked down, so we look |
120 | 00:05:58,224 | 00:06:00,344 | - for the missing blinds. - And the missing blonde. | - for the missing blinds. - And the missing blonde. |
121 | 00:06:00,369 | 00:06:01,793 | I'll take the vitamin retailer. | I'll take the vitamin retailer. |
122 | 00:06:01,818 | 00:06:03,490 | What? No, don't stick me with meditation. | What? No, don't stick me with meditation. |
123 | 00:06:03,515 | 00:06:05,442 | - Too bad, I already called it. - Come on! | - Too bad, I already called it. - Come on! |
124 | 00:06:05,467 | 00:06:09,137 | Private detective trainee reporting for duty. Wow! | Private detective trainee reporting for duty. Wow! |
125 | 00:06:10,361 | 00:06:12,039 | Is that... | Is that... |
126 | 00:06:12,064 | 00:06:14,418 | - What's happening? - We're gonna be consultants | - What's happening? - We're gonna be consultants |
127 | 00:06:14,443 | 00:06:17,311 | - on Willow's next feature. - Cool. | - on Willow's next feature. - Cool. |
128 | 00:06:17,336 | 00:06:19,271 | Not as cool as this. | Not as cool as this. |
129 | 00:06:24,804 | 00:06:27,168 | Hi! I'm Mona. Are you here | Hi! I'm Mona. Are you here |
130 | 00:06:27,193 | 00:06:29,626 | to learn about our supplements? Or perhaps join the team? | to learn about our supplements? Or perhaps join the team? |
131 | 00:06:29,651 | 00:06:31,945 | You know, with these faces, you two could see me the moon. | You know, with these faces, you two could see me the moon. |
132 | 00:06:31,970 | 00:06:34,353 | We're with one of your competitors. | We're with one of your competitors. |
133 | 00:06:34,378 | 00:06:35,621 | Thinking about making the move. | Thinking about making the move. |
134 | 00:06:35,646 | 00:06:38,441 | Oh. Caterpillar Supplements, right? | Oh. Caterpillar Supplements, right? |
135 | 00:06:38,466 | 00:06:40,943 | Uh... we'd rather not say. | Uh... we'd rather not say. |
136 | 00:06:40,968 | 00:06:43,275 | Don't blame you. Now, I heard | Don't blame you. Now, I heard |
137 | 00:06:43,300 | 00:06:47,037 | they use gelatin in their supposedly-vegan protein powder. | they use gelatin in their supposedly-vegan protein powder. |
138 | 00:06:47,062 | 00:06:49,784 | I make it my business to know everything about everyone. | I make it my business to know everything about everyone. |
139 | 00:06:49,809 | 00:06:52,047 | Well then, you must know who was here in the office | Well then, you must know who was here in the office |
140 | 00:06:52,072 | 00:06:53,541 | last night around 11 p.m. | last night around 11 p.m. |
141 | 00:06:53,566 | 00:06:55,798 | That's an oddly specific question. | That's an oddly specific question. |
142 | 00:06:55,823 | 00:06:58,814 | Well, I called to check you guys out. A woman answered. | Well, I called to check you guys out. A woman answered. |
143 | 00:06:58,839 | 00:07:00,705 | We had a lovely chat. That's why we're here, | We had a lovely chat. That's why we're here, |
144 | 00:07:00,730 | 00:07:03,049 | considering making the switch to Butterfly. | considering making the switch to Butterfly. |
145 | 00:07:03,074 | 00:07:05,299 | Are you sure you called here? Because of all the loud | Are you sure you called here? Because of all the loud |
146 | 00:07:05,324 | 00:07:07,384 | construction noises in the building, our guides have | construction noises in the building, our guides have |
147 | 00:07:07,409 | 00:07:10,268 | - been working from home lately. - Oh. So it wasn't you? | - been working from home lately. - Oh. So it wasn't you? |
148 | 00:07:10,293 | 00:07:12,828 | Oh, I was at a client's engagement dinner. | Oh, I was at a client's engagement dinner. |
149 | 00:07:13,176 | 00:07:15,425 | As long as we're here, how about a tour? | As long as we're here, how about a tour? |
150 | 00:07:15,450 | 00:07:17,760 | Oh! No. | Oh! No. |
151 | 00:07:17,785 | 00:07:20,292 | Not until you sign on the dotted line. | Not until you sign on the dotted line. |
152 | 00:07:20,317 | 00:07:22,327 | And pass a training course. Then, the gates | And pass a training course. Then, the gates |
153 | 00:07:22,352 | 00:07:24,846 | of this magical vitamin kingdom will be open to you too. | of this magical vitamin kingdom will be open to you too. |
154 | 00:07:24,879 | 00:07:27,955 | - Oh, ginseng gum? - Oh, please! It's organic. | - Oh, ginseng gum? - Oh, please! It's organic. |
155 | 00:07:33,807 | 00:07:36,627 | - Would you get her some water? - Yeah, of course! | - Would you get her some water? - Yeah, of course! |
156 | 00:07:36,652 | 00:07:38,572 | Ugh! | Ugh! |
157 | 00:07:38,612 | 00:07:40,956 | Ugh. | Ugh. |
158 | 00:07:40,981 | 00:07:44,557 | Uh... Um... Wow. | Uh... Um... Wow. |
159 | 00:07:44,582 | 00:07:46,850 | - You are good. - 87 episodes and counting. | - You are good. - 87 episodes and counting. |
160 | 00:07:46,998 | 00:07:48,604 | I'm gonna check the blinds. | I'm gonna check the blinds. |
161 | 00:07:55,698 | 00:07:57,311 | No. | No. |
162 | 00:07:58,419 | 00:08:01,276 | Hi. | Hi. |
163 | 00:08:01,301 | 00:08:04,472 | Oh, thanks. That ginseng has some kick. | Oh, thanks. That ginseng has some kick. |
164 | 00:08:04,497 | 00:08:07,711 | So what do you say? Are you ready to spread your wings | So what do you say? Are you ready to spread your wings |
165 | 00:08:07,736 | 00:08:09,292 | and release your inner butterfly? | and release your inner butterfly? |
166 | 00:08:09,317 | 00:08:11,367 | Well, you do make it sound enticing. | Well, you do make it sound enticing. |
167 | 00:08:11,392 | 00:08:14,119 | You know what? Why don't you try a product sample? | You know what? Why don't you try a product sample? |
168 | 00:08:14,144 | 00:08:16,018 | You'll see the quality for yourself. | You'll see the quality for yourself. |
169 | 00:08:16,043 | 00:08:18,246 | Now, this is our bestseller. | Now, this is our bestseller. |
170 | 00:08:18,958 | 00:08:22,128 | Gives you an extra lift, you know. | Gives you an extra lift, you know. |
171 | 00:08:22,724 | 00:08:26,008 | Now, imagine your breath in colour. | Now, imagine your breath in colour. |
172 | 00:08:26,497 | 00:08:28,718 | You wanna breathe in green, | You wanna breathe in green, |
173 | 00:08:29,044 | 00:08:31,184 | and breathe out blue. | and breathe out blue. |
174 | 00:08:33,157 | 00:08:36,352 | That marks the end of the guided meditation. | That marks the end of the guided meditation. |
175 | 00:08:36,656 | 00:08:39,378 | The electromagnetic massage is gonna take over | The electromagnetic massage is gonna take over |
176 | 00:08:39,403 | 00:08:41,778 | and guide you deeply | and guide you deeply |
177 | 00:08:41,803 | 00:08:44,445 | into your own breath for the rest of the class. | into your own breath for the rest of the class. |
178 | 00:09:05,793 | 00:09:08,053 | Uh, you know, the session isn't over yet. | Uh, you know, the session isn't over yet. |
179 | 00:09:08,078 | 00:09:10,303 | - You're not gonna get a refund. - Yeah. | - You're not gonna get a refund. - Yeah. |
180 | 00:09:10,328 | 00:09:12,549 | It's a little early for me to get my zen on. | It's a little early for me to get my zen on. |
181 | 00:09:12,574 | 00:09:15,409 | Maybe if you had some late-night classes, say... | Maybe if you had some late-night classes, say... |
182 | 00:09:15,434 | 00:09:18,643 | - around 11? - Well, classes after 9 p.m. | - around 11? - Well, classes after 9 p.m. |
183 | 00:09:18,668 | 00:09:20,862 | would disrupt your natural circadian rhythms. | would disrupt your natural circadian rhythms. |
184 | 00:09:21,955 | 00:09:24,221 | Oh, um, where's River today? I heard her classes | Oh, um, where's River today? I heard her classes |
185 | 00:09:24,246 | 00:09:27,018 | - are amazing. - Oh, well, | - are amazing. - Oh, well, |
186 | 00:09:27,043 | 00:09:29,307 | she didn't bother to show up or call. | she didn't bother to show up or call. |
187 | 00:09:29,332 | 00:09:31,400 | - Really? - Probably part of her tantrum | - Really? - Probably part of her tantrum |
188 | 00:09:31,425 | 00:09:33,713 | with the construction that's going on downstairs. She says | with the construction that's going on downstairs. She says |
189 | 00:09:33,738 | 00:09:37,166 | the dust is preventing her diaphragm from fully expanding. | the dust is preventing her diaphragm from fully expanding. |
190 | 00:09:37,191 | 00:09:41,544 | Poor River. So I guess she's off the schedule then, huh? | Poor River. So I guess she's off the schedule then, huh? |
191 | 00:09:41,569 | 00:09:43,714 | - Let me check. - Thanks. | - Let me check. - Thanks. |
192 | 00:09:47,614 | 00:09:49,985 | Looks like our computer system is offline. | Looks like our computer system is offline. |
193 | 00:09:50,010 | 00:09:52,011 | Oh. Well, you know what? I think you're right. | Oh. Well, you know what? I think you're right. |
194 | 00:09:52,036 | 00:09:53,565 | Meditation is just not for me. | Meditation is just not for me. |
195 | 00:09:53,590 | 00:09:56,972 | But I am very interested in immersion therapy. | But I am very interested in immersion therapy. |
196 | 00:09:56,997 | 00:09:59,465 | Um, if you're new to the modality, | Um, if you're new to the modality, |
197 | 00:09:59,490 | 00:10:02,109 | you run the risk of kundalini congestion, so. | you run the risk of kundalini congestion, so. |
198 | 00:10:02,134 | 00:10:03,909 | I'm pretty sure that my kundalini | I'm pretty sure that my kundalini |
199 | 00:10:03,934 | 00:10:05,859 | can handle more than you think it can, | can handle more than you think it can, |
200 | 00:10:05,884 | 00:10:08,917 | - if you know what I mean. - Yeah. Uh... | - if you know what I mean. - Yeah. Uh... |
201 | 00:10:08,942 | 00:10:10,487 | - Excuse me. - Yeah. | - Excuse me. - Yeah. |
202 | 00:10:10,592 | 00:10:13,955 | Eternal Lotus. | Eternal Lotus. |
203 | 00:10:16,376 | 00:10:18,844 | Damn it. | Damn it. |
204 | 00:10:21,118 | 00:10:23,135 | Hey! You should've seen it. | Hey! You should've seen it. |
205 | 00:10:23,161 | 00:10:25,868 | Matt was so quick on his feet. It was just like | Matt was so quick on his feet. It was just like |
206 | 00:10:25,893 | 00:10:28,478 | - an improve class. - Matt got | - an improve class. - Matt got |
207 | 00:10:28,503 | 00:10:31,112 | - stamina powder. - It was a gift. | - stamina powder. - It was a gift. |
208 | 00:10:31,137 | 00:10:33,752 | - From a concerned friend? - From the vitamin manager! | - From a concerned friend? - From the vitamin manager! |
209 | 00:10:33,777 | 00:10:35,120 | - Oh. - A blonde who claims to have | - Oh. - A blonde who claims to have |
210 | 00:10:35,145 | 00:10:36,830 | an alibi. What about you? Is all your tension | an alibi. What about you? Is all your tension |
211 | 00:10:36,855 | 00:10:39,119 | magically melted away? Until now. | magically melted away? Until now. |
212 | 00:10:39,144 | 00:10:40,625 | One of the meditation instructors was | One of the meditation instructors was |
213 | 00:10:40,650 | 00:10:42,711 | also a blonde and she didn't show up for work today. | also a blonde and she didn't show up for work today. |
214 | 00:10:42,736 | 00:10:45,299 | Huh. Maybe we found our blondes. But what's the motive? | Huh. Maybe we found our blondes. But what's the motive? |
215 | 00:10:45,324 | 00:10:47,055 | Well, there's one more business on that list, | Well, there's one more business on that list, |
216 | 00:10:47,080 | 00:10:49,278 | Bridgeland Architects. It's just around the corner. | Bridgeland Architects. It's just around the corner. |
217 | 00:10:49,303 | 00:10:52,278 | So what's the play? I do a great dissatisfied customer. | So what's the play? I do a great dissatisfied customer. |
218 | 00:10:52,303 | 00:10:54,866 | Or you could take the photos of our potential blondes | Or you could take the photos of our potential blondes |
219 | 00:10:54,891 | 00:10:57,396 | - back to Zoe at the office. - Why don't we just text them? | - back to Zoe at the office. - Why don't we just text them? |
220 | 00:10:57,421 | 00:10:59,137 | And deprive Willow from getting the chance | And deprive Willow from getting the chance |
221 | 00:10:59,162 | 00:11:01,504 | - to watch Zoe in action? - I would love to see | - to watch Zoe in action? - I would love to see |
222 | 00:11:01,529 | 00:11:03,742 | her in action! It's another peek behind the curtain. | her in action! It's another peek behind the curtain. |
223 | 00:11:03,767 | 00:11:05,068 | Well, I guess you do need to see | Well, I guess you do need to see |
224 | 00:11:05,093 | 00:11:07,920 | how the entire operation works. | how the entire operation works. |
225 | 00:11:07,945 | 00:11:10,080 | See you back at the office. | See you back at the office. |
226 | 00:11:10,105 | 00:11:12,098 | Don't wanna let it go to waste. | Don't wanna let it go to waste. |
227 | 00:11:21,606 | 00:11:23,574 | Just roll-up blinds, no verticals. | Just roll-up blinds, no verticals. |
228 | 00:11:23,599 | 00:11:26,238 | Yeah, but maybe one of our blondes works on this floor. | Yeah, but maybe one of our blondes works on this floor. |
229 | 00:11:26,263 | 00:11:27,668 | - Hello. - Hey. | - Hello. - Hey. |
230 | 00:11:27,693 | 00:11:29,043 | I'm Grant Bridgeland. | I'm Grant Bridgeland. |
231 | 00:11:29,068 | 00:11:31,129 | Oh, the Bridgeland in Bridgeland Architects? | Oh, the Bridgeland in Bridgeland Architects? |
232 | 00:11:31,154 | 00:11:32,332 | One and the same. | One and the same. |
233 | 00:11:32,357 | 00:11:34,410 | My wife and I were hoping | My wife and I were hoping |
234 | 00:11:34,435 | 00:11:36,826 | to get a quote on plans for our new home. | to get a quote on plans for our new home. |
235 | 00:11:36,851 | 00:11:39,331 | I actually don't do residential contracts anymore. | I actually don't do residential contracts anymore. |
236 | 00:11:39,356 | 00:11:41,577 | I'm busy putting a bid together on the new opera house. | I'm busy putting a bid together on the new opera house. |
237 | 00:11:41,602 | 00:11:43,308 | Sounds like a high-profile gig. | Sounds like a high-profile gig. |
238 | 00:11:43,333 | 00:11:46,715 | That's amazing. Your staff must be working night and day. | That's amazing. Your staff must be working night and day. |
239 | 00:11:46,740 | 00:11:48,709 | I actually do all the designs myself. | I actually do all the designs myself. |
240 | 00:11:48,734 | 00:11:50,714 | - Really? - Wow. Um, | - Really? - Wow. Um, |
241 | 00:11:50,739 | 00:11:52,547 | Erika Michaels. I went to school | Erika Michaels. I went to school |
242 | 00:11:52,572 | 00:11:54,566 | with an Erika Michaels. Did we just miss her? | with an Erika Michaels. Did we just miss her? |
243 | 00:11:54,591 | 00:11:56,699 | No. No, she's out of town at a conference. | No. No, she's out of town at a conference. |
244 | 00:11:56,724 | 00:11:58,957 | Oh. Is it the same Erika? Blonde hair, | Oh. Is it the same Erika? Blonde hair, |
245 | 00:11:58,982 | 00:12:01,340 | - blue eyes? - Actually, she's a brunette. | - blue eyes? - Actually, she's a brunette. |
246 | 00:12:01,881 | 00:12:04,222 | If you two will excuse me, I'm running late | If you two will excuse me, I'm running late |
247 | 00:12:04,247 | 00:12:05,976 | for a magazine interview. | for a magazine interview. |
248 | 00:12:06,805 | 00:12:09,106 | No vertical blinds, no blondes. | No vertical blinds, no blondes. |
249 | 00:12:09,131 | 00:12:11,636 | - So much for our architect. - We already ruled out | - So much for our architect. - We already ruled out |
250 | 00:12:11,661 | 00:12:13,707 | the meditation studio and the vitamin place | the meditation studio and the vitamin place |
251 | 00:12:13,732 | 00:12:16,184 | - as the crime scene. - I'll get Zoe started on this. | - as the crime scene. - I'll get Zoe started on this. |
252 | 00:12:16,209 | 00:12:19,278 | I guess all we have to do is check the empty eighth floor. | I guess all we have to do is check the empty eighth floor. |
253 | 00:12:19,421 | 00:12:21,078 | Yep. But first, | Yep. But first, |
254 | 00:12:21,103 | 00:12:22,870 | we need access. | we need access. |
255 | 00:12:30,266 | 00:12:33,696 | OK. Uh, so today we have a missing | OK. Uh, so today we have a missing |
256 | 00:12:33,721 | 00:12:36,661 | meditation instructor to find, and a vitamin manager's | meditation instructor to find, and a vitamin manager's |
257 | 00:12:36,686 | 00:12:38,553 | alibi to check. - Great. | alibi to check. - Great. |
258 | 00:12:38,578 | 00:12:41,272 | There's a similar scene in the script. My character has | There's a similar scene in the script. My character has |
259 | 00:12:41,297 | 00:12:44,007 | to find someone, so she goes into an underground bunker | to find someone, so she goes into an underground bunker |
260 | 00:12:44,032 | 00:12:46,476 | to hack into the Fed's database. | to hack into the Fed's database. |
261 | 00:12:46,885 | 00:12:49,562 | Oh. Well, I just usually check social media. | Oh. Well, I just usually check social media. |
262 | 00:12:49,587 | 00:12:51,314 | Oh. Alright. | Oh. Alright. |
263 | 00:12:51,339 | 00:12:52,983 | I guess that can work too. | I guess that can work too. |
264 | 00:12:53,555 | 00:12:55,438 | I need to know absolutely everything | I need to know absolutely everything |
265 | 00:12:55,463 | 00:12:57,639 | about how a detective agency works. No detail is | about how a detective agency works. No detail is |
266 | 00:12:57,664 | 00:12:59,554 | - too small. - Well, the smallest details | - too small. - Well, the smallest details |
267 | 00:12:59,579 | 00:13:01,160 | - are my favourite. - Great. | - are my favourite. - Great. |
268 | 00:13:01,551 | 00:13:04,553 | So tell me, what's it really like | So tell me, what's it really like |
269 | 00:13:04,578 | 00:13:06,116 | to work for Shade and Angie? | to work for Shade and Angie? |
270 | 00:13:06,141 | 00:13:08,748 | Oh. Um, well, it's great. | Oh. Um, well, it's great. |
271 | 00:13:09,481 | 00:13:12,884 | Do they, um... do they ever disagree about a case? | Do they, um... do they ever disagree about a case? |
272 | 00:13:12,909 | 00:13:15,226 | No. I mean, there's a lot of discussion. | No. I mean, there's a lot of discussion. |
273 | 00:13:15,251 | 00:13:18,016 | - You mean debate. - Oh, OK, sure. | - You mean debate. - Oh, OK, sure. |
274 | 00:13:18,041 | 00:13:20,910 | Heated arguments lead to office conflict. | Heated arguments lead to office conflict. |
275 | 00:13:20,935 | 00:13:23,171 | Oh. No, no, no, no, no, no. | Oh. No, no, no, no, no, no. |
276 | 00:13:23,196 | 00:13:25,757 | - I didn't say that. - Oh, but surely there must be | - I didn't say that. - Oh, but surely there must be |
277 | 00:13:25,782 | 00:13:28,935 | - some sort of tension. - Tension? | - some sort of tension. - Tension? |
278 | 00:13:30,162 | 00:13:32,546 | No. No, no. I... | No. No, no. I... |
279 | 00:13:32,571 | 00:13:34,374 | No, I can't think of any kind of tension. | No, I can't think of any kind of tension. |
280 | 00:13:34,399 | 00:13:36,577 | None. Whatsoever. | None. Whatsoever. |
281 | 00:13:41,247 | 00:13:43,171 | Excuse me. | Excuse me. |
282 | 00:13:43,196 | 00:13:44,797 | We're representing the law firm | We're representing the law firm |
283 | 00:13:44,822 | 00:13:46,335 | Sheverett and Associates, | Sheverett and Associates, |
284 | 00:13:46,360 | 00:13:48,638 | and we're interested in renting an office space. | and we're interested in renting an office space. |
285 | 00:13:48,663 | 00:13:50,832 | Uh, you can contact the sales team. | Uh, you can contact the sales team. |
286 | 00:13:50,857 | 00:13:52,796 | Uh, how's your security? | Uh, how's your security? |
287 | 00:13:52,821 | 00:13:55,577 | We have overseas clients, and we'd need access | We have overseas clients, and we'd need access |
288 | 00:13:55,602 | 00:13:57,710 | - after hours. - The elevators are operated | - after hours. - The elevators are operated |
289 | 00:13:57,735 | 00:14:00,655 | by a key fob coded to your particular floor. | by a key fob coded to your particular floor. |
290 | 00:14:00,680 | 00:14:02,788 | So there's no access to floors after hours? | So there's no access to floors after hours? |
291 | 00:14:02,813 | 00:14:04,680 | Only if you've got the master key fob. | Only if you've got the master key fob. |
292 | 00:14:04,705 | 00:14:06,843 | Which is tightly guarded by you? | Which is tightly guarded by you? |
293 | 00:14:08,596 | 00:14:10,632 | - Always. - I suppose you, | - Always. - I suppose you, |
294 | 00:14:10,657 | 00:14:13,127 | uh, keep a record of any employees | uh, keep a record of any employees |
295 | 00:14:13,152 | 00:14:16,021 | - that use their fobs after hours? - Of course, why? | - that use their fobs after hours? - Of course, why? |
296 | 00:14:16,046 | 00:14:18,915 | Well, it helps us with billing. That way, we can prove | Well, it helps us with billing. That way, we can prove |
297 | 00:14:18,940 | 00:14:21,935 | to clients which lawyers were in the office at any point in time. | to clients which lawyers were in the office at any point in time. |
298 | 00:14:21,960 | 00:14:23,913 | You're gonna have to talk to management about that. | You're gonna have to talk to management about that. |
299 | 00:14:23,938 | 00:14:26,116 | Any chance we could take a look at the eighth floor? | Any chance we could take a look at the eighth floor? |
300 | 00:14:26,141 | 00:14:27,166 | It's under construction. | It's under construction. |
301 | 00:14:27,191 | 00:14:28,992 | Still it would give us a sense of the space. | Still it would give us a sense of the space. |
302 | 00:14:29,017 | 00:14:31,505 | Sorry. Off-limits. Insurance issues. | Sorry. Off-limits. Insurance issues. |
303 | 00:14:31,530 | 00:14:35,045 | Oh. We understand. Thank you so much for your help. | Oh. We understand. Thank you so much for your help. |
304 | 00:14:37,302 | 00:14:39,549 | - Got it? - Like candy from a baby. | - Got it? - Like candy from a baby. |
305 | 00:14:52,352 | 00:14:55,274 | Well, this is very murder-y. | Well, this is very murder-y. |
306 | 00:14:55,299 | 00:14:57,233 | Willow would love it. | Willow would love it. |
307 | 00:14:57,258 | 00:14:59,778 | Speaking of which, thanks for letting her shadow us. | Speaking of which, thanks for letting her shadow us. |
308 | 00:14:59,803 | 00:15:01,780 | Yeah, no problem. | Yeah, no problem. |
309 | 00:15:03,307 | 00:15:05,994 | Alright, well, the vertical blinds are here. | Alright, well, the vertical blinds are here. |
310 | 00:15:07,971 | 00:15:10,224 | Except for these ones. | Except for these ones. |
311 | 00:15:10,249 | 00:15:12,874 | They've obviously been replaced. They're a different shade. | They've obviously been replaced. They're a different shade. |
312 | 00:15:13,124 | 00:15:15,710 | Well, if Sandra's story was accurate, | Well, if Sandra's story was accurate, |
313 | 00:15:15,735 | 00:15:17,769 | the scuffle would've happened right here. | the scuffle would've happened right here. |
314 | 00:15:18,040 | 00:15:20,741 | Alright. If I'm the attacker, I hit you here. | Alright. If I'm the attacker, I hit you here. |
315 | 00:15:21,087 | 00:15:23,118 | I pushed you back against the window. | I pushed you back against the window. |
316 | 00:15:23,143 | 00:15:24,882 | And I would've fell forward like this | And I would've fell forward like this |
317 | 00:15:24,907 | 00:15:27,681 | down by this stack of drywall. | down by this stack of drywall. |
318 | 00:15:28,076 | 00:15:29,810 | Look. | Look. |
319 | 00:15:29,835 | 00:15:31,478 | That's blood. | That's blood. |
320 | 00:15:31,650 | 00:15:33,218 | Sandra was right. | Sandra was right. |
321 | 00:15:33,243 | 00:15:35,979 | She really did witness a murder. | She really did witness a murder. |
322 | 00:15:45,529 | 00:15:47,092 | Oh. | Oh. |
323 | 00:15:47,350 | 00:15:50,054 | Please ignore me. I'm not here. | Please ignore me. I'm not here. |
324 | 00:15:50,079 | 00:15:52,860 | OK. Um. Sure, blood spatter is evidence | OK. Um. Sure, blood spatter is evidence |
325 | 00:15:52,885 | 00:15:55,581 | of something, but this is a construction site. | of something, but this is a construction site. |
326 | 00:15:55,606 | 00:15:57,751 | You know, injuries happen. Like one time, I cut myself | You know, injuries happen. Like one time, I cut myself |
327 | 00:15:57,776 | 00:16:00,844 | on a grapefruit spoon and when I saw the blood, I passed out | on a grapefruit spoon and when I saw the blood, I passed out |
328 | 00:16:00,869 | 00:16:03,797 | and hit my head, and I woke up to what looked like a crime scene. | and hit my head, and I woke up to what looked like a crime scene. |
329 | 00:16:04,719 | 00:16:08,798 | Uh, Danica, we're not talking about grapefruit. | Uh, Danica, we're not talking about grapefruit. |
330 | 00:16:08,823 | 00:16:11,095 | We're talking about a possible murder. | We're talking about a possible murder. |
331 | 00:16:11,120 | 00:16:12,228 | Mm-hmm. Yeah. | Mm-hmm. Yeah. |
332 | 00:16:12,253 | 00:16:15,606 | Well, without a body, I can't call this a murder. | Well, without a body, I can't call this a murder. |
333 | 00:16:17,424 | 00:16:20,040 | My fianc�e and I love your show by the way, Lipstick Law. | My fianc�e and I love your show by the way, Lipstick Law. |
334 | 00:16:20,065 | 00:16:23,067 | Oh, thanks! Are you marrying another cop? | Oh, thanks! Are you marrying another cop? |
335 | 00:16:23,473 | 00:16:25,069 | Um, no. No. | Um, no. No. |
336 | 00:16:25,094 | 00:16:28,031 | Um, she's a, Kate is an award- winning investigative reporter. | Um, she's a, Kate is an award- winning investigative reporter. |
337 | 00:16:28,484 | 00:16:30,533 | Does anyone have her life rights? | Does anyone have her life rights? |
338 | 00:16:30,558 | 00:16:32,501 | Actually, no. Maybe we should | Actually, no. Maybe we should |
339 | 00:16:32,526 | 00:16:34,142 | - talk about that. - Ahem! Um, what about | - talk about that. - Ahem! Um, what about |
340 | 00:16:34,167 | 00:16:35,771 | a missing person's report? | a missing person's report? |
341 | 00:16:35,796 | 00:16:38,521 | Nobody that matches the timeframe and description | Nobody that matches the timeframe and description |
342 | 00:16:38,546 | 00:16:40,041 | of the alleged victim. | of the alleged victim. |
343 | 00:16:40,236 | 00:16:41,965 | Uh, the concierge keeps | Uh, the concierge keeps |
344 | 00:16:41,990 | 00:16:44,681 | a record of any fobs used after hours. | a record of any fobs used after hours. |
345 | 00:16:44,706 | 00:16:46,970 | Mm-hmm. Yeah. I'll look into that. | Mm-hmm. Yeah. I'll look into that. |
346 | 00:16:47,061 | 00:16:49,071 | Speaking of, the concierge also mentioned | Speaking of, the concierge also mentioned |
347 | 00:16:49,096 | 00:16:51,850 | a missing master key fob. Oh. Thank you. | a missing master key fob. Oh. Thank you. |
348 | 00:16:51,875 | 00:16:54,345 | You stole the key fob? | You stole the key fob? |
349 | 00:16:54,370 | 00:16:56,861 | Oh, I just borrowed it. That's more accurate. | Oh, I just borrowed it. That's more accurate. |
350 | 00:16:56,886 | 00:16:59,228 | - I have to take this. - Impressive. | - I have to take this. - Impressive. |
351 | 00:16:59,631 | 00:17:02,903 | Likes to bend the rules. | Likes to bend the rules. |
352 | 00:17:03,824 | 00:17:06,856 | Uh, I thought you were shadowing me? | Uh, I thought you were shadowing me? |
353 | 00:17:07,132 | 00:17:09,032 | Yeah, babe! I am. | Yeah, babe! I am. |
354 | 00:17:09,647 | 00:17:12,038 | So what's your next move? | So what's your next move? |
355 | 00:17:12,391 | 00:17:14,798 | Uh, well, the next thing we have to figure out | Uh, well, the next thing we have to figure out |
356 | 00:17:14,823 | 00:17:17,375 | is how the killer got the body out of here. | is how the killer got the body out of here. |
357 | 00:17:18,010 | 00:17:21,099 | OK. Well, there's not much blood spatter, | OK. Well, there's not much blood spatter, |
358 | 00:17:21,124 | 00:17:24,212 | so... maybe the body was wrapped in something? | so... maybe the body was wrapped in something? |
359 | 00:17:24,237 | 00:17:26,251 | Maybe one of these plastic sheets? | Maybe one of these plastic sheets? |
360 | 00:17:26,348 | 00:17:29,341 | It would've made it easier to drag, but where? | It would've made it easier to drag, but where? |
361 | 00:17:29,366 | 00:17:30,923 | Not down the elevator. | Not down the elevator. |
362 | 00:17:30,948 | 00:17:33,001 | Because the concierge would've seen a dead body being | Because the concierge would've seen a dead body being |
363 | 00:17:33,026 | 00:17:34,350 | dragged out of it! | dragged out of it! |
364 | 00:17:35,216 | 00:17:36,934 | Uses logic | Uses logic |
365 | 00:17:36,959 | 00:17:39,146 | and deduction. | and deduction. |
366 | 00:17:39,870 | 00:17:42,983 | Maybe the killer came in through the stairwell, | Maybe the killer came in through the stairwell, |
367 | 00:17:43,008 | 00:17:44,782 | taking the body out the same way. | taking the body out the same way. |
368 | 00:17:44,807 | 00:17:46,806 | Yeah, but the concierge still would've seen them | Yeah, but the concierge still would've seen them |
369 | 00:17:46,831 | 00:17:48,563 | on the ground floor. | on the ground floor. |
370 | 00:17:48,889 | 00:17:51,362 | Well, this is one way out no one would have seen. | Well, this is one way out no one would have seen. |
371 | 00:17:51,387 | 00:17:52,931 | OK. I'm done here. | OK. I'm done here. |
372 | 00:17:52,956 | 00:17:55,345 | - I'm heading back. - Check it out. | - I'm heading back. - Check it out. |
373 | 00:17:55,370 | 00:17:56,900 | More blood. | More blood. |
374 | 00:17:57,825 | 00:18:00,500 | OK. Yes, that is blood. | OK. Yes, that is blood. |
375 | 00:18:01,328 | 00:18:03,295 | But this still could've come from the same | But this still could've come from the same |
376 | 00:18:03,320 | 00:18:05,758 | construction worker over by the window. | construction worker over by the window. |
377 | 00:18:06,365 | 00:18:10,093 | What? You have no body and no missing person's report. | What? You have no body and no missing person's report. |
378 | 00:18:10,118 | 00:18:12,138 | Can you blame me if I'm skeptical? | Can you blame me if I'm skeptical? |
379 | 00:18:12,367 | 00:18:15,683 | Do you resent amateurs for messing with your turf? | Do you resent amateurs for messing with your turf? |
380 | 00:18:15,913 | 00:18:18,290 | - "Amateurs"? - I'm just | - "Amateurs"? - I'm just |
381 | 00:18:18,315 | 00:18:19,939 | looking for conflict. | looking for conflict. |
382 | 00:18:20,764 | 00:18:23,566 | - For my movie. - Look. | - For my movie. - Look. |
383 | 00:18:23,591 | 00:18:26,193 | Why don't I run both blood samples through the system. | Why don't I run both blood samples through the system. |
384 | 00:18:26,218 | 00:18:27,993 | And then, I'm gonna talk to the construction company | And then, I'm gonna talk to the construction company |
385 | 00:18:28,018 | 00:18:29,782 | and see if there were any on-site injuries. | and see if there were any on-site injuries. |
386 | 00:18:29,807 | 00:18:32,283 | And then, we'll have a better idea of what we're dealing with. | And then, we'll have a better idea of what we're dealing with. |
387 | 00:18:35,587 | 00:18:37,788 | Let's see where this leads. | Let's see where this leads. |
388 | 00:18:40,361 | 00:18:42,712 | Angie, do you have a catchphrase? | Angie, do you have a catchphrase? |
389 | 00:18:42,737 | 00:18:45,620 | Like, when you catch a bad guy? On my show, my character says, | Like, when you catch a bad guy? On my show, my character says, |
390 | 00:18:45,645 | 00:18:47,597 | "It's a matter of life and death." And every time | "It's a matter of life and death." And every time |
391 | 00:18:47,622 | 00:18:50,540 | - she says it, the bad guy spills. - If only it were like that | - she says it, the bad guy spills. - If only it were like that |
392 | 00:18:50,565 | 00:18:52,673 | in real life. You never know until you try. | in real life. You never know until you try. |
393 | 00:18:52,698 | 00:18:55,073 | How's something like, "It's lights out for you." | How's something like, "It's lights out for you." |
394 | 00:18:55,098 | 00:18:58,015 | Or, "Meet your angel of no mercy." | Or, "Meet your angel of no mercy." |
395 | 00:18:58,602 | 00:19:00,808 | I don't... I don't think that's really me. | I don't... I don't think that's really me. |
396 | 00:19:00,833 | 00:19:02,636 | - But... - Well, we'll keep working | - But... - Well, we'll keep working |
397 | 00:19:02,661 | 00:19:04,409 | - on it. - Maybe I need | - on it. - Maybe I need |
398 | 00:19:04,434 | 00:19:08,246 | a catchphrase too. Like, um... "Now you're in my shade." | a catchphrase too. Like, um... "Now you're in my shade." |
399 | 00:19:09,444 | 00:19:12,780 | - Not bad. - Ha! She's being kind. | - Not bad. - Ha! She's being kind. |
400 | 00:19:14,111 | 00:19:15,839 | Oh, damn it. | Oh, damn it. |
401 | 00:19:17,623 | 00:19:19,784 | - It's empty. - So your murder theory | - It's empty. - So your murder theory |
402 | 00:19:19,809 | 00:19:21,339 | is all wrong? | is all wrong? |
403 | 00:19:22,182 | 00:19:23,816 | Maybe not. | Maybe not. |
404 | 00:19:30,910 | 00:19:34,472 | Alright. Hold on, I'm coming. | Alright. Hold on, I'm coming. |
405 | 00:19:36,214 | 00:19:38,832 | Hey, Shade. I'm just trying | Hey, Shade. I'm just trying |
406 | 00:19:38,857 | 00:19:40,624 | to recreate the blood spatter from the scene. | to recreate the blood spatter from the scene. |
407 | 00:19:40,649 | 00:19:43,018 | [The spray pattern matches blunt force trauma.] | [The spray pattern matches blunt force trauma.] |
408 | 00:19:43,043 | 00:19:45,023 | There'd be a lot more blood though. | There'd be a lot more blood though. |
409 | 00:19:45,048 | 00:19:47,605 | [Yeah, put that on hold for a minute, Zoe.] | [Yeah, put that on hold for a minute, Zoe.] |
410 | 00:19:47,630 | 00:19:49,147 | Sure. Why? | Sure. Why? |
411 | 00:19:49,172 | 00:19:52,347 | Well, I need you to call East-West Disposal Services. | Well, I need you to call East-West Disposal Services. |
412 | 00:19:52,372 | 00:19:54,409 | Ask them if they removed their dumpster | Ask them if they removed their dumpster |
413 | 00:19:54,434 | 00:19:56,769 | from The Emperor in the last 24 hours. | from The Emperor in the last 24 hours. |
414 | 00:19:56,794 | 00:19:58,829 | Sure. That's not nearly | Sure. That's not nearly |
415 | 00:19:58,854 | 00:20:01,078 | as fun as blunt force trauma though. | as fun as blunt force trauma though. |
416 | 00:20:18,846 | 00:20:21,447 | Hey. Listen, this is sort of embarrassing, | Hey. Listen, this is sort of embarrassing, |
417 | 00:20:21,472 | 00:20:23,821 | but I threw my brother's golf clubs | but I threw my brother's golf clubs |
418 | 00:20:23,846 | 00:20:26,187 | off our balcony and into the dumpster | off our balcony and into the dumpster |
419 | 00:20:26,212 | 00:20:27,604 | at The Emperor downtown. | at The Emperor downtown. |
420 | 00:20:27,629 | 00:20:30,092 | Your company said you picked up the dumpster. Could we take | Your company said you picked up the dumpster. Could we take |
421 | 00:20:30,117 | 00:20:31,415 | - a look? - We already pulled | - a look? - We already pulled |
422 | 00:20:31,440 | 00:20:35,070 | all recyclables and I didn't see any golf clubs, so. | all recyclables and I didn't see any golf clubs, so. |
423 | 00:20:35,095 | 00:20:36,907 | But do you remember a body? | But do you remember a body? |
424 | 00:20:39,020 | 00:20:41,622 | Are you Willow Maitland from Lipstick Law? | Are you Willow Maitland from Lipstick Law? |
425 | 00:20:41,857 | 00:20:43,618 | Oh, my God! | Oh, my God! |
426 | 00:20:43,643 | 00:20:45,510 | Wait, wait. Can I? | Wait, wait. Can I? |
427 | 00:20:45,535 | 00:20:47,500 | - MMy girlfriend would die. - Sure. | - MMy girlfriend would die. - Sure. |
428 | 00:20:47,525 | 00:20:49,586 | - If you answer some questions. - Yeah, yeah. | - If you answer some questions. - Yeah, yeah. |
429 | 00:20:49,618 | 00:20:51,421 | Anything. Yeah. | Anything. Yeah. |
430 | 00:20:51,957 | 00:20:54,384 | Lipstick Law! | Lipstick Law! |
431 | 00:20:55,086 | 00:20:56,756 | Well, that was easy. | Well, that was easy. |
432 | 00:20:56,781 | 00:20:58,618 | - The power of celebrity. - Listen. | - The power of celebrity. - Listen. |
433 | 00:20:58,643 | 00:21:01,086 | Did you see anything unusual in the dumpster? | Did you see anything unusual in the dumpster? |
434 | 00:21:01,111 | 00:21:03,806 | Yeah. I mean, not like a body. | Yeah. I mean, not like a body. |
435 | 00:21:05,695 | 00:21:07,529 | Is this a reality TV show? | Is this a reality TV show? |
436 | 00:21:07,579 | 00:21:09,978 | This is more real than reality TV. | This is more real than reality TV. |
437 | 00:21:11,047 | 00:21:13,069 | It's a matter of life and death. | It's a matter of life and death. |
438 | 00:21:13,668 | 00:21:16,416 | Oh, my God. Oh, my God. | Oh, my God. Oh, my God. |
439 | 00:21:16,441 | 00:21:18,656 | I cannot believe you just said that. Did y'all hear that? | I cannot believe you just said that. Did y'all hear that? |
440 | 00:21:18,681 | 00:21:20,907 | That's her catchphrase! She said, "It's a matter of life | That's her catchphrase! She said, "It's a matter of life |
441 | 00:21:20,932 | 00:21:22,869 | - and death." - Yep, we heard it. | - and death." - Yep, we heard it. |
442 | 00:21:22,894 | 00:21:24,431 | Where's the dumpster now? | Where's the dumpster now? |
443 | 00:21:24,471 | 00:21:26,746 | I mean, it's just right there, but... | I mean, it's just right there, but... |
444 | 00:21:26,771 | 00:21:28,573 | I can't let you... | I can't let you... |
445 | 00:21:31,170 | 00:21:33,418 | Man, how could I say no? | Man, how could I say no? |
446 | 00:21:34,434 | 00:21:37,384 | This is crazy! Lipstick Law. | This is crazy! Lipstick Law. |
447 | 00:21:38,822 | 00:21:41,391 | Hey, Willow, you don't have to... | Hey, Willow, you don't have to... |
448 | 00:21:41,416 | 00:21:44,165 | - If Angie's doing it, so am I. - Oh, Willow! | - If Angie's doing it, so am I. - Oh, Willow! |
449 | 00:21:44,190 | 00:21:46,103 | Light jacket, dirty dumpster... | Light jacket, dirty dumpster... |
450 | 00:21:46,128 | 00:21:49,189 | - Never mind. - Oh! Sorry, babe. | - Never mind. - Oh! Sorry, babe. |
451 | 00:21:49,214 | 00:21:51,776 | I'm not sure there's room in here for three. | I'm not sure there's room in here for three. |
452 | 00:21:57,491 | 00:21:59,292 | Got something. | Got something. |
453 | 00:21:59,841 | 00:22:01,599 | Looks like a murder weapon to me. | Looks like a murder weapon to me. |
454 | 00:22:01,814 | 00:22:05,721 | - Hey! Check this out. - Look at all that blood! | - Hey! Check this out. - Look at all that blood! |
455 | 00:22:05,746 | 00:22:07,430 | That's what Zoe was talking about. | That's what Zoe was talking about. |
456 | 00:22:07,455 | 00:22:09,916 | I'll text Danica, get her to get someone down here. | I'll text Danica, get her to get someone down here. |
457 | 00:22:09,941 | 00:22:13,197 | So we know the body was wrapped in plastic and dumped. | So we know the body was wrapped in plastic and dumped. |
458 | 00:22:13,222 | 00:22:16,005 | Yeah, but why take the body from the dumpster | Yeah, but why take the body from the dumpster |
459 | 00:22:16,030 | 00:22:17,447 | and leave the bloody plastic behind? | and leave the bloody plastic behind? |
460 | 00:22:17,472 | 00:22:19,525 | I'm sensing a dramatic finish. | I'm sensing a dramatic finish. |
461 | 00:22:20,496 | 00:22:22,731 | Maybe the killer didn't move the body. | Maybe the killer didn't move the body. |
462 | 00:22:22,756 | 00:22:25,416 | Maybe the body moved itself. Our murder victim | Maybe the body moved itself. Our murder victim |
463 | 00:22:25,441 | 00:22:27,205 | must still be alive. | must still be alive. |
464 | 00:22:31,221 | 00:22:34,102 | What about the plastic sheet and the pipe? They must | What about the plastic sheet and the pipe? They must |
465 | 00:22:34,127 | 00:22:35,961 | - prove something. - There were no recoverable | - prove something. - There were no recoverable |
466 | 00:22:35,995 | 00:22:38,229 | prints on either. I need something tangible, | prints on either. I need something tangible, |
467 | 00:22:38,254 | 00:22:41,580 | like a victim. Like, if she was wrapped | like a victim. Like, if she was wrapped |
468 | 00:22:41,605 | 00:22:44,918 | in this plastic, where is she? The construction company swears | in this plastic, where is she? The construction company swears |
469 | 00:22:44,943 | 00:22:46,737 | there have been no accidents on site. | there have been no accidents on site. |
470 | 00:22:46,762 | 00:22:48,658 | Well, what about the lab report? Anything in there? | Well, what about the lab report? Anything in there? |
471 | 00:22:48,683 | 00:22:52,787 | So, the blood from the drywall in front of the window was not | So, the blood from the drywall in front of the window was not |
472 | 00:22:52,812 | 00:22:54,689 | a match to the blood in the trash chute. | a match to the blood in the trash chute. |
473 | 00:22:54,714 | 00:22:57,169 | So the blood on the chute could be from the attacker. | So the blood on the chute could be from the attacker. |
474 | 00:22:57,194 | 00:22:59,427 | Neither one is in the DNA database. There's no drugs | Neither one is in the DNA database. There's no drugs |
475 | 00:22:59,452 | 00:23:02,533 | or alcohol involved. The blood from the drywall has | or alcohol involved. The blood from the drywall has |
476 | 00:23:02,558 | 00:23:05,436 | - a vitamin D deficiency. - Someone wasn't getting enough sun? | - a vitamin D deficiency. - Someone wasn't getting enough sun? |
477 | 00:23:05,461 | 00:23:08,188 | I guess. I also spoke to the concierge at the Emperor. | I guess. I also spoke to the concierge at the Emperor. |
478 | 00:23:08,213 | 00:23:11,129 | He says they don't have a record of the key fob usage | He says they don't have a record of the key fob usage |
479 | 00:23:11,154 | 00:23:13,830 | - due to IT issues. - So we have a series | - due to IT issues. - So we have a series |
480 | 00:23:13,855 | 00:23:15,659 | - of dead ends. - "So we have a series | - of dead ends. - "So we have a series |
481 | 00:23:15,684 | 00:23:19,244 | of dead ends." Imparts both concern | of dead ends." Imparts both concern |
482 | 00:23:19,462 | 00:23:21,159 | and frustration. | and frustration. |
483 | 00:23:21,184 | 00:23:23,029 | Willow. I didn't know you were here. | Willow. I didn't know you were here. |
484 | 00:23:23,054 | 00:23:24,939 | Detective Powers agreed to give me the lowdown | Detective Powers agreed to give me the lowdown |
485 | 00:23:24,964 | 00:23:27,487 | - on the police side of things. - Yeah. Later, you can watch me | - on the police side of things. - Yeah. Later, you can watch me |
486 | 00:23:27,512 | 00:23:30,181 | put the screws to a perp and his mouthpiece. | put the screws to a perp and his mouthpiece. |
487 | 00:23:30,284 | 00:23:33,793 | - Fantastic. - But first... just a few hours | - Fantastic. - But first... just a few hours |
488 | 00:23:33,818 | 00:23:36,042 | of paperwork. So important, | of paperwork. So important, |
489 | 00:23:36,067 | 00:23:39,631 | yet so underrepresented in film and television, I find. | yet so underrepresented in film and television, I find. |
490 | 00:23:41,682 | 00:23:43,175 | Oh. | Oh. |
491 | 00:23:43,900 | 00:23:46,541 | So our vitamin lady Mona Macon was | So our vitamin lady Mona Macon was |
492 | 00:23:46,566 | 00:23:47,853 | at the engagement dinner, | at the engagement dinner, |
493 | 00:23:47,878 | 00:23:49,712 | [but... it ended at 10.] | [but... it ended at 10.] |
494 | 00:23:49,737 | 00:23:52,227 | So she could still be our attacker. | So she could still be our attacker. |
495 | 00:23:52,252 | 00:23:54,822 | Did you find River, the meditation instructor? | Did you find River, the meditation instructor? |
496 | 00:23:54,847 | 00:23:57,486 | No. She's usually posting inspirational quotes, | No. She's usually posting inspirational quotes, |
497 | 00:23:57,511 | 00:24:00,234 | but she hasn't been online and she's not answering | but she hasn't been online and she's not answering |
498 | 00:24:00,259 | 00:24:01,923 | her phone and her roommate's out of town. | her phone and her roommate's out of town. |
499 | 00:24:01,948 | 00:24:04,158 | Fits our timeline. She could be our victim. | Fits our timeline. She could be our victim. |
500 | 00:24:04,191 | 00:24:06,225 | We should file a missing person's report. | We should file a missing person's report. |
501 | 00:24:06,250 | 00:24:08,080 | [I already contacted Danica. She's on it.] | [I already contacted Danica. She's on it.] |
502 | 00:24:08,105 | 00:24:09,872 | And what about the vitamin deficiency? | And what about the vitamin deficiency? |
503 | 00:24:09,897 | 00:24:12,119 | Maybe, uh, River's getting supplements from Mona? | Maybe, uh, River's getting supplements from Mona? |
504 | 00:24:12,144 | 00:24:14,245 | If she was, it wasn't with Butterfly Vitamins. | If she was, it wasn't with Butterfly Vitamins. |
505 | 00:24:14,270 | 00:24:16,503 | Their vitamin D supplement was taken off the market. | Their vitamin D supplement was taken off the market. |
506 | 00:24:16,528 | 00:24:18,588 | Hey, did Danica send over the security footage? | Hey, did Danica send over the security footage? |
507 | 00:24:18,613 | 00:24:21,675 | Yeah. I'll link it to your phone right now. | Yeah. I'll link it to your phone right now. |
508 | 00:24:21,853 | 00:24:25,259 | - Got it. - [OK. So, Sandra said] | - Got it. - [OK. So, Sandra said] |
509 | 00:24:25,284 | 00:24:28,463 | she saw the incident happen at 11. This... | she saw the incident happen at 11. This... |
510 | 00:24:28,832 | 00:24:31,900 | - [is a few minutes before.] - That's one of our blondes. | - [is a few minutes before.] - That's one of our blondes. |
511 | 00:24:31,925 | 00:24:34,181 | And if you fast-forward... | And if you fast-forward... |
512 | 00:24:34,961 | 00:24:37,874 | Looks like the concierge is | Looks like the concierge is |
513 | 00:24:37,899 | 00:24:39,533 | - having a private party. - Yeah. | - having a private party. - Yeah. |
514 | 00:24:39,558 | 00:24:41,351 | His on-the-sly drinking's a regular thing. | His on-the-sly drinking's a regular thing. |
515 | 00:24:41,376 | 00:24:43,539 | But he stays on the first floor close to his post, | But he stays on the first floor close to his post, |
516 | 00:24:43,564 | 00:24:45,532 | so he's sneaky but smart. | so he's sneaky but smart. |
517 | 00:24:45,557 | 00:24:47,490 | [And...] | [And...] |
518 | 00:24:47,943 | 00:24:50,070 | [the same blonde gets back on the elevator] | [the same blonde gets back on the elevator] |
519 | 00:24:50,095 | 00:24:52,265 | - [half an hour later.] - Alive and well. | - [half an hour later.] - Alive and well. |
520 | 00:24:52,290 | 00:24:54,621 | And potentially our would-be killer. | And potentially our would-be killer. |
521 | 00:24:54,654 | 00:24:56,312 | Zoe, get a hold of Sandra. | Zoe, get a hold of Sandra. |
522 | 00:24:56,337 | 00:24:58,374 | See if she can meet us before her shift. | See if she can meet us before her shift. |
523 | 00:24:58,657 | 00:25:00,591 | So the woman I thought | So the woman I thought |
524 | 00:25:00,616 | 00:25:02,422 | was murdered isn't dead? | was murdered isn't dead? |
525 | 00:25:02,714 | 00:25:05,213 | God, that's a relief. Do you know who she is? | God, that's a relief. Do you know who she is? |
526 | 00:25:05,238 | 00:25:07,439 | Well, she might be this woman, River. | Well, she might be this woman, River. |
527 | 00:25:07,464 | 00:25:09,070 | She's a meditation instructor | She's a meditation instructor |
528 | 00:25:09,095 | 00:25:11,681 | - at The Emperor. - I don't know her. | - at The Emperor. - I don't know her. |
529 | 00:25:11,721 | 00:25:14,179 | What about this woman? Could she have been the attacker? | What about this woman? Could she have been the attacker? |
530 | 00:25:14,204 | 00:25:16,728 | It's possible. Like I said, I didn't see faces. | It's possible. Like I said, I didn't see faces. |
531 | 00:25:19,141 | 00:25:20,975 | Does this ring any bells? | Does this ring any bells? |
532 | 00:25:21,900 | 00:25:23,765 | Actually, now that I'm seeing it, | Actually, now that I'm seeing it, |
533 | 00:25:23,790 | 00:25:25,696 | I think one of them was wearing that sweater. | I think one of them was wearing that sweater. |
534 | 00:25:30,868 | 00:25:32,617 | Last time you were lawyers. | Last time you were lawyers. |
535 | 00:25:32,642 | 00:25:34,617 | Now you're Pis? Why don't you come back | Now you're Pis? Why don't you come back |
536 | 00:25:34,642 | 00:25:36,787 | when you're exterminators? We got a rodent issue. | when you're exterminators? We got a rodent issue. |
537 | 00:25:36,812 | 00:25:38,312 | We need you to see this. | We need you to see this. |
538 | 00:25:38,337 | 00:25:40,689 | I serve the tenants, not you. | I serve the tenants, not you. |
539 | 00:25:41,407 | 00:25:44,047 | Looks like you serve yourself too. What is that, whiskey? | Looks like you serve yourself too. What is that, whiskey? |
540 | 00:25:44,072 | 00:25:45,964 | - How'd you get that? - The better question is | - How'd you get that? - The better question is |
541 | 00:25:45,989 | 00:25:49,195 | - what are we going to do with it? - Wanna try this again? | - what are we going to do with it? - Wanna try this again? |
542 | 00:25:49,508 | 00:25:51,390 | I don't know. We got a lot of different blondes | I don't know. We got a lot of different blondes |
543 | 00:25:51,415 | 00:25:54,476 | in the building. Like River? Or Mona Macon? | in the building. Like River? Or Mona Macon? |
544 | 00:25:54,501 | 00:25:56,015 | I've never seen them here after hours. | I've never seen them here after hours. |
545 | 00:25:56,040 | 00:25:58,659 | - It could be Pam Bridgeland. - As in | - It could be Pam Bridgeland. - As in |
546 | 00:25:58,684 | 00:26:01,516 | - Bridgeland Architects? - Yeah. Mr. Bridgeland's wife. | - Bridgeland Architects? - Yeah. Mr. Bridgeland's wife. |
547 | 00:26:01,541 | 00:26:03,953 | He lives in the penthouse. I leave deliveries at her door. | He lives in the penthouse. I leave deliveries at her door. |
548 | 00:26:03,978 | 00:26:05,939 | I only ever see her reaching out to pick them up. | I only ever see her reaching out to pick them up. |
549 | 00:26:05,964 | 00:26:07,665 | I guess she's a bit of a recluse. | I guess she's a bit of a recluse. |
550 | 00:26:07,690 | 00:26:10,959 | - We're gonna need to talk to her. - Whoa, whoa. Not my problem. | - We're gonna need to talk to her. - Whoa, whoa. Not my problem. |
551 | 00:26:19,100 | 00:26:21,591 | Let me guess. Matt's not coming. | Let me guess. Matt's not coming. |
552 | 00:26:22,152 | 00:26:24,755 | Well, I guess this is the life of a PI. | Well, I guess this is the life of a PI. |
553 | 00:26:24,896 | 00:26:27,264 | You never know where you'll be from one minute to the next. | You never know where you'll be from one minute to the next. |
554 | 00:26:27,289 | 00:26:30,342 | Yeah, he keeps himself pretty busy, that's for sure. | Yeah, he keeps himself pretty busy, that's for sure. |
555 | 00:26:31,213 | 00:26:32,763 | You know, um, | You know, um, |
556 | 00:26:32,788 | 00:26:35,303 | - I did a little acting myself. - Really? | - I did a little acting myself. - Really? |
557 | 00:26:35,328 | 00:26:37,459 | Just local stuff but, uh, | Just local stuff but, uh, |
558 | 00:26:37,594 | 00:26:39,811 | the neighbourhood paper described my performance | the neighbourhood paper described my performance |
559 | 00:26:39,836 | 00:26:42,370 | of Fagan as "unique." | of Fagan as "unique." |
560 | 00:26:43,457 | 00:26:44,911 | Any press is good press. | Any press is good press. |
561 | 00:26:44,936 | 00:26:48,060 | Yeah, I guess so. | Yeah, I guess so. |
562 | 00:26:48,085 | 00:26:51,279 | Mm! Hey, you're playing a PI in a new film, yeah? | Mm! Hey, you're playing a PI in a new film, yeah? |
563 | 00:26:51,304 | 00:26:54,306 | Yeah. If I can get it financed, that's the plan. | Yeah. If I can get it financed, that's the plan. |
564 | 00:26:54,476 | 00:26:56,537 | Well, I'm no Matt but, uh, | Well, I'm no Matt but, uh, |
565 | 00:26:56,606 | 00:26:58,092 | I do have an inside track | I do have an inside track |
566 | 00:26:58,117 | 00:27:00,330 | if you're interested in hearing any stories. | if you're interested in hearing any stories. |
567 | 00:27:01,680 | 00:27:03,627 | What do you know about Angie? | What do you know about Angie? |
568 | 00:27:04,050 | 00:27:05,627 | Angie... | Angie... |
569 | 00:27:07,066 | 00:27:09,045 | OK. Well, she's, uh, | OK. Well, she's, uh, |
570 | 00:27:09,070 | 00:27:11,571 | she's everything a partner should be: | she's everything a partner should be: |
571 | 00:27:12,528 | 00:27:15,551 | loyal, smart, kind. | loyal, smart, kind. |
572 | 00:27:15,576 | 00:27:17,978 | Tough... but fair. | Tough... but fair. |
573 | 00:27:18,344 | 00:27:20,521 | The classic leading man's leading lady. | The classic leading man's leading lady. |
574 | 00:27:21,336 | 00:27:23,857 | Hmm! | Hmm! |
575 | 00:27:25,349 | 00:27:28,818 | Oh, it's Matt. Oh, he needs a favour. | Oh, it's Matt. Oh, he needs a favour. |
576 | 00:27:28,843 | 00:27:31,162 | Oh. I wish I could help more. | Oh. I wish I could help more. |
577 | 00:27:31,187 | 00:27:33,905 | But I get it. There's only so much an actress can do. | But I get it. There's only so much an actress can do. |
578 | 00:27:33,930 | 00:27:35,907 | Actually, uh... | Actually, uh... |
579 | 00:27:36,177 | 00:27:39,329 | I think an actress is exactly what Matt needs. | I think an actress is exactly what Matt needs. |
580 | 00:27:48,971 | 00:27:50,839 | I got a work order for the penthouse. | I got a work order for the penthouse. |
581 | 00:27:50,864 | 00:27:53,025 | - The landline needs service. - I didn't hear | - The landline needs service. - I didn't hear |
582 | 00:27:53,050 | 00:27:55,095 | anything about this. | anything about this. |
583 | 00:27:56,728 | 00:27:58,562 | Line's dead. | Line's dead. |
584 | 00:27:59,683 | 00:28:01,935 | Hence the need for service. | Hence the need for service. |
585 | 00:28:26,068 | 00:28:27,869 | Not who you were expecting? | Not who you were expecting? |
586 | 00:28:27,917 | 00:28:29,782 | Are those my dad's coveralls? | Are those my dad's coveralls? |
587 | 00:28:29,807 | 00:28:31,954 | I once played a seamstress in occupied France. | I once played a seamstress in occupied France. |
588 | 00:28:31,979 | 00:28:34,587 | - I can make anything fit me. - How did you even know about this? | - I can make anything fit me. - How did you even know about this? |
589 | 00:28:34,612 | 00:28:36,297 | I was with Don when you texted him. | I was with Don when you texted him. |
590 | 00:28:36,322 | 00:28:37,734 | He thought I might be better suited | He thought I might be better suited |
591 | 00:28:37,759 | 00:28:39,767 | for the role. I tend to agree. | for the role. I tend to agree. |
592 | 00:28:39,792 | 00:28:41,960 | - And the phone line? - Junction box. One switch. | - And the phone line? - Junction box. One switch. |
593 | 00:28:41,985 | 00:28:44,077 | - Easy-peasy. - I gotta say, you are | - Easy-peasy. - I gotta say, you are |
594 | 00:28:44,110 | 00:28:46,539 | - quite the chameleon. - That is the nicest thing | - quite the chameleon. - That is the nicest thing |
595 | 00:28:46,564 | 00:28:49,689 | you could have said. I really appreciate | you could have said. I really appreciate |
596 | 00:28:49,714 | 00:28:51,817 | - your trust in me. - Thanks for your help, Willow. | - your trust in me. - Thanks for your help, Willow. |
597 | 00:28:51,842 | 00:28:55,008 | No. Thank you. This has given me a great idea | No. Thank you. This has given me a great idea |
598 | 00:28:55,033 | 00:28:57,047 | for a whole new sequence in the movie. I have to call | for a whole new sequence in the movie. I have to call |
599 | 00:28:57,072 | 00:28:58,873 | the writer, who, by the way, has been surprisingly unreceptive | the writer, who, by the way, has been surprisingly unreceptive |
600 | 00:28:58,898 | 00:29:00,805 | to my notes. Bye! | to my notes. Bye! |
601 | 00:29:01,118 | 00:29:03,188 | - Well, she's all in, isn't she? - Yeah. The movie's | - Well, she's all in, isn't she? - Yeah. The movie's |
602 | 00:29:03,213 | 00:29:05,499 | - important to her. - Not just the movie. | - important to her. - Not just the movie. |
603 | 00:29:10,351 | 00:29:12,624 | Uh, Pam Bridgeland? | Uh, Pam Bridgeland? |
604 | 00:29:12,649 | 00:29:14,938 | - This is a private floor. - Yeah. We're sorry | - This is a private floor. - Yeah. We're sorry |
605 | 00:29:14,963 | 00:29:16,984 | to bother you, ma'am. We're working with building security | to bother you, ma'am. We're working with building security |
606 | 00:29:17,009 | 00:29:19,156 | regarding some vandalism on the eighth floor. | regarding some vandalism on the eighth floor. |
607 | 00:29:19,181 | 00:29:21,992 | Did you happen to see anything down there the other night? | Did you happen to see anything down there the other night? |
608 | 00:29:22,017 | 00:29:24,858 | - I haven't been down there. - Oh. That's funny, | - I haven't been down there. - Oh. That's funny, |
609 | 00:29:24,883 | 00:29:27,479 | because isn't this you getting off the elevator? | because isn't this you getting off the elevator? |
610 | 00:29:27,745 | 00:29:29,857 | Oh. Right, I forgot. | Oh. Right, I forgot. |
611 | 00:29:29,882 | 00:29:32,050 | I popped down to check on the renovations for Grant. | I popped down to check on the renovations for Grant. |
612 | 00:29:32,113 | 00:29:33,737 | The architect. | The architect. |
613 | 00:29:33,868 | 00:29:36,642 | So his elevator fob must work on every floor. | So his elevator fob must work on every floor. |
614 | 00:29:36,667 | 00:29:38,220 | Sure. But I didn't | Sure. But I didn't |
615 | 00:29:38,245 | 00:29:40,494 | see any vandalism and I was only there for five minutes, | see any vandalism and I was only there for five minutes, |
616 | 00:29:40,519 | 00:29:42,826 | so I'm afraid I can't help you. | so I'm afraid I can't help you. |
617 | 00:29:45,845 | 00:29:48,137 | She was on the eighth floor | She was on the eighth floor |
618 | 00:29:48,162 | 00:29:50,096 | for 30 minutes, not 5. | for 30 minutes, not 5. |
619 | 00:29:50,121 | 00:29:54,295 | But catching her in a lie isn't enough to take to the police. | But catching her in a lie isn't enough to take to the police. |
620 | 00:29:59,147 | 00:30:01,783 | Hey, hey, hey! Zoe! Mona Macon is | Hey, hey, hey! Zoe! Mona Macon is |
621 | 00:30:01,808 | 00:30:03,549 | - still in the mix. - No. Sorry, boss. | - still in the mix. - No. Sorry, boss. |
622 | 00:30:03,574 | 00:30:05,821 | I just confirmed that Mona left her engagement dinner | I just confirmed that Mona left her engagement dinner |
623 | 00:30:05,846 | 00:30:08,936 | at 10 PM with a guy. They spent the night together. | at 10 PM with a guy. They spent the night together. |
624 | 00:30:08,961 | 00:30:11,362 | That brings us back to Pam Bridgeland. | That brings us back to Pam Bridgeland. |
625 | 00:30:11,427 | 00:30:14,151 | What could she possibly have against River? | What could she possibly have against River? |
626 | 00:30:14,176 | 00:30:17,579 | Nothing murderous. River is back on social media. | Nothing murderous. River is back on social media. |
627 | 00:30:17,604 | 00:30:20,373 | Apparently, she was in a meditative state this entire time. | Apparently, she was in a meditative state this entire time. |
628 | 00:30:20,398 | 00:30:22,706 | She's not our victim. Well, glad she's OK, | She's not our victim. Well, glad she's OK, |
629 | 00:30:22,731 | 00:30:24,995 | but not glad to see an empty case board. | but not glad to see an empty case board. |
630 | 00:30:25,020 | 00:30:27,940 | - Have no ID for our victim. - From the looks of things, | - Have no ID for our victim. - From the looks of things, |
631 | 00:30:27,965 | 00:30:29,566 | no attacker either. Why no photo | no attacker either. Why no photo |
632 | 00:30:29,591 | 00:30:31,594 | - of Pam Bridgeland? - I can't find one. | - of Pam Bridgeland? - I can't find one. |
633 | 00:30:31,619 | 00:30:34,390 | It's all about the husband, Grant. He is a media hog. | It's all about the husband, Grant. He is a media hog. |
634 | 00:30:34,415 | 00:30:36,383 | You know, he's already publicizing the opera house | You know, he's already publicizing the opera house |
635 | 00:30:36,408 | 00:30:38,997 | like he's already landed the job. Weirdly, Pam has | like he's already landed the job. Weirdly, Pam has |
636 | 00:30:39,022 | 00:30:41,164 | - zero online presence. - Zero? | - zero online presence. - Zero? |
637 | 00:30:41,615 | 00:30:43,172 | Not so much as a... | Not so much as a... |
638 | 00:30:43,197 | 00:30:46,097 | photo of her and Grant at a ribbon-cutting ceremony. | photo of her and Grant at a ribbon-cutting ceremony. |
639 | 00:30:46,122 | 00:30:47,485 | Even weirder, | Even weirder, |
640 | 00:30:47,510 | 00:30:49,906 | since these are Pam's designs. | since these are Pam's designs. |
641 | 00:30:51,554 | 00:30:53,937 | This looks like a version of Emperor Row. | This looks like a version of Emperor Row. |
642 | 00:30:53,962 | 00:30:56,781 | - Wait. Pam's an architect too? - Her and Grant started | - Wait. Pam's an architect too? - Her and Grant started |
643 | 00:30:56,806 | 00:30:58,940 | the firm as partners. Then, she stopped working there | the firm as partners. Then, she stopped working there |
644 | 00:30:58,965 | 00:31:02,539 | six years ago in June because of this. | six years ago in June because of this. |
645 | 00:31:03,265 | 00:31:05,797 | "A vehicle slams into the caf�'s | "A vehicle slams into the caf�'s |
646 | 00:31:05,822 | 00:31:08,691 | "outdoor patio, causing two fatalities. | "outdoor patio, causing two fatalities. |
647 | 00:31:08,716 | 00:31:12,580 | Other patrons were unharmed, including Pam Bridgeland." | Other patrons were unharmed, including Pam Bridgeland." |
648 | 00:31:12,605 | 00:31:14,930 | She's lucky she wasn't sitting one table to the left. | She's lucky she wasn't sitting one table to the left. |
649 | 00:31:14,955 | 00:31:16,796 | Wow. | Wow. |
650 | 00:31:20,797 | 00:31:25,341 | So... near-death experience shook Pam up so badly | So... near-death experience shook Pam up so badly |
651 | 00:31:25,366 | 00:31:27,634 | that she locked herself away from the world. | that she locked herself away from the world. |
652 | 00:31:27,659 | 00:31:29,849 | Which explains why the concierge never met her | Which explains why the concierge never met her |
653 | 00:31:29,874 | 00:31:32,193 | and maybe the vitamin D deficiency. | and maybe the vitamin D deficiency. |
654 | 00:31:32,225 | 00:31:33,521 | She's an agoraphobe. | She's an agoraphobe. |
655 | 00:31:33,546 | 00:31:35,372 | And why she's never in public with Grant. | And why she's never in public with Grant. |
656 | 00:31:35,397 | 00:31:38,318 | Wasn't the vitamin D-deficient blood from the victim of the attack? | Wasn't the vitamin D-deficient blood from the victim of the attack? |
657 | 00:31:38,343 | 00:31:41,809 | It can't be. I mean, we just met Pam Bridgeland. Although, | It can't be. I mean, we just met Pam Bridgeland. Although, |
658 | 00:31:41,834 | 00:31:44,294 | now that I think about it, I could've sworn she had a tan. | now that I think about it, I could've sworn she had a tan. |
659 | 00:31:44,319 | 00:31:46,196 | - Yeah. - Let's check. | - Yeah. - Let's check. |
660 | 00:31:52,774 | 00:31:55,000 | No, can't tell. | No, can't tell. |
661 | 00:31:57,624 | 00:31:59,340 | Wait. Whoa, whoa. | Wait. Whoa, whoa. |
662 | 00:32:01,119 | 00:32:03,216 | Holy smackers, look at this! | Holy smackers, look at this! |
663 | 00:32:04,193 | 00:32:05,410 | 11 p.m., | 11 p.m., |
664 | 00:32:05,435 | 00:32:08,154 | Pam has naturally blonde hair. Then... | Pam has naturally blonde hair. Then... |
665 | 00:32:08,903 | 00:32:10,974 | - half an hour later. - She needs | - half an hour later. - She needs |
666 | 00:32:10,999 | 00:32:13,567 | her roots touched up. It's two different women. | her roots touched up. It's two different women. |
667 | 00:32:13,592 | 00:32:15,716 | Agoraphobic, vitamin D-deficient, | Agoraphobic, vitamin D-deficient, |
668 | 00:32:15,741 | 00:32:17,599 | natural-blonde Pam got off the elevator, | natural-blonde Pam got off the elevator, |
669 | 00:32:17,639 | 00:32:19,837 | and then a tanned, dyed-blonde impostor | and then a tanned, dyed-blonde impostor |
670 | 00:32:19,862 | 00:32:22,323 | got back on. Look at that! | got back on. Look at that! |
671 | 00:32:22,348 | 00:32:24,661 | - Her sweater's on inside-out. - It's like she pulled | - Her sweater's on inside-out. - It's like she pulled |
672 | 00:32:24,686 | 00:32:26,820 | the sweater off the victim and pulled it on herself. | the sweater off the victim and pulled it on herself. |
673 | 00:32:26,845 | 00:32:28,459 | Which means the woman that we just met | Which means the woman that we just met |
674 | 00:32:28,484 | 00:32:31,325 | was not Pam Bridgeland. And if the real Pam Bridgeland | was not Pam Bridgeland. And if the real Pam Bridgeland |
675 | 00:32:31,350 | 00:32:34,498 | - isn't the killer... - Then she's our missing victim. | - isn't the killer... - Then she's our missing victim. |
676 | 00:32:37,598 | 00:32:39,369 | Thanks for the outfits, Sandra. | Thanks for the outfits, Sandra. |
677 | 00:32:39,394 | 00:32:41,704 | I can't believe the attacker's pretending to be the woman | I can't believe the attacker's pretending to be the woman |
678 | 00:32:41,729 | 00:32:43,654 | - she tried to kill. - Well, we still need | - she tried to kill. - Well, we still need |
679 | 00:32:43,679 | 00:32:45,943 | to prove it. We need to find the real Pam Bridgeland. | to prove it. We need to find the real Pam Bridgeland. |
680 | 00:32:45,968 | 00:32:48,561 | She's probably in hiding, all alone and terrified. | She's probably in hiding, all alone and terrified. |
681 | 00:32:48,586 | 00:32:50,710 | Yeah, which is why we need to get into the penthouse | Yeah, which is why we need to get into the penthouse |
682 | 00:32:50,735 | 00:32:52,616 | to look for any clues we can find. Were you able | to look for any clues we can find. Were you able |
683 | 00:32:52,641 | 00:32:54,854 | to get the elevator fob? Yeah. My friend needs it back | to get the elevator fob? Yeah. My friend needs it back |
684 | 00:32:54,879 | 00:32:57,328 | for her shift tomorrow. How can you be sure the penthouse | for her shift tomorrow. How can you be sure the penthouse |
685 | 00:32:57,353 | 00:32:59,012 | - is empty? - Impostor Pam is | - is empty? - Impostor Pam is |
686 | 00:32:59,037 | 00:33:01,097 | at a free meditation session that I arranged. | at a free meditation session that I arranged. |
687 | 00:33:01,122 | 00:33:04,486 | And I invited Grant to a phony magazine interview across town. | And I invited Grant to a phony magazine interview across town. |
688 | 00:33:04,511 | 00:33:06,058 | Should keep 'em both busy for a while. | Should keep 'em both busy for a while. |
689 | 00:33:06,083 | 00:33:07,820 | - Good luck. - Thanks. | - Good luck. - Thanks. |
690 | 00:33:07,845 | 00:33:10,322 | There you are. | There you are. |
691 | 00:33:10,347 | 00:33:13,746 | Elevators are over there. You wanna hit the fifth floor. | Elevators are over there. You wanna hit the fifth floor. |
692 | 00:33:16,344 | 00:33:18,632 | It's the cleaners. | It's the cleaners. |
693 | 00:33:24,574 | 00:33:27,413 | You go that way. I'll go that way. | You go that way. I'll go that way. |
694 | 00:33:37,303 | 00:33:39,318 | There's no sign in this apartment that Pam | There's no sign in this apartment that Pam |
695 | 00:33:39,343 | 00:33:41,411 | even lives here. Grant's sleeping in the other room. | even lives here. Grant's sleeping in the other room. |
696 | 00:33:41,436 | 00:33:43,809 | Well, a woman definitely lives in this room because I just went | Well, a woman definitely lives in this room because I just went |
697 | 00:33:43,841 | 00:33:46,566 | through her closet. Look. This must be | through her closet. Look. This must be |
698 | 00:33:46,591 | 00:33:48,362 | the real Pam Bridgeland. | the real Pam Bridgeland. |
699 | 00:33:48,612 | 00:33:51,582 | - They looked so happy. - Hey. | - They looked so happy. - Hey. |
700 | 00:33:51,607 | 00:33:53,677 | Pam's career ended six years ago. | Pam's career ended six years ago. |
701 | 00:33:53,702 | 00:33:56,040 | What's she doing with a drawing table? | What's she doing with a drawing table? |
702 | 00:33:58,453 | 00:34:00,625 | This lock's been drilled. | This lock's been drilled. |
703 | 00:34:02,202 | 00:34:05,337 | Someone broke into this cabinet and took everything. | Someone broke into this cabinet and took everything. |
704 | 00:34:06,732 | 00:34:08,967 | Nothing else in here has been touched. And you saw | Nothing else in here has been touched. And you saw |
705 | 00:34:08,992 | 00:34:11,383 | the front door, no sign of forced entry. | the front door, no sign of forced entry. |
706 | 00:34:14,086 | 00:34:16,654 | Why would someone who never goes outside need makeup | Why would someone who never goes outside need makeup |
707 | 00:34:16,679 | 00:34:18,601 | with SPF? | with SPF? |
708 | 00:34:19,464 | 00:34:21,018 | Oh. | Oh. |
709 | 00:34:21,556 | 00:34:24,406 | Looks like Pam has something to hide. | Looks like Pam has something to hide. |
710 | 00:34:27,083 | 00:34:29,184 | The client wanted to meet the architect | The client wanted to meet the architect |
711 | 00:34:29,209 | 00:34:33,714 | and I couldn't leave the house. So I told Grant to sign his name | and I couldn't leave the house. So I told Grant to sign his name |
712 | 00:34:33,739 | 00:34:35,700 | to my design. I had no idea | to my design. I had no idea |
713 | 00:34:35,725 | 00:34:37,739 | what I was... starting. | what I was... starting. |
714 | 00:34:39,757 | 00:34:42,707 | - What are we watching? - Self therapy tapes. | - What are we watching? - Self therapy tapes. |
715 | 00:34:43,020 | 00:34:44,922 | I once played a psychotherapist. | I once played a psychotherapist. |
716 | 00:34:44,947 | 00:34:48,757 | So Pam didn't give up her career six years ago. | So Pam didn't give up her career six years ago. |
717 | 00:34:48,782 | 00:34:51,166 | She kept drafting designs from the safety of her home. | She kept drafting designs from the safety of her home. |
718 | 00:34:51,191 | 00:34:53,192 | And Grant signed his name to them. | And Grant signed his name to them. |
719 | 00:34:54,044 | 00:34:57,081 | I suppose I, um, | I suppose I, um, |
720 | 00:34:57,106 | 00:35:00,169 | I should be upset. The old me would've | I should be upset. The old me would've |
721 | 00:35:00,194 | 00:35:02,464 | blamed myself. But I don't care | blamed myself. But I don't care |
722 | 00:35:02,489 | 00:35:04,325 | that he's having an affair with his secretary. | that he's having an affair with his secretary. |
723 | 00:35:04,350 | 00:35:06,734 | It's such a pathetic clich�. | It's such a pathetic clich�. |
724 | 00:35:07,537 | 00:35:09,974 | The same secretary that Grant told us | The same secretary that Grant told us |
725 | 00:35:09,999 | 00:35:12,261 | was conveniently out of town for work. | was conveniently out of town for work. |
726 | 00:35:12,449 | 00:35:14,271 | Zoe, can you bring up Erika Michaels | Zoe, can you bring up Erika Michaels |
727 | 00:35:14,296 | 00:35:16,096 | from Bridgeland Architects? | from Bridgeland Architects? |
728 | 00:35:22,632 | 00:35:24,956 | Bridgeland said she was a brunette! | Bridgeland said she was a brunette! |
729 | 00:35:24,981 | 00:35:26,644 | In high school, maybe. | In high school, maybe. |
730 | 00:35:26,669 | 00:35:28,811 | That's the woman we met at the penthouse! | That's the woman we met at the penthouse! |
731 | 00:35:28,836 | 00:35:31,511 | Hold on. She was sleeping with Grant?! | Hold on. She was sleeping with Grant?! |
732 | 00:35:31,536 | 00:35:34,680 | OK. Is there a video closer to the night of the attack? | OK. Is there a video closer to the night of the attack? |
733 | 00:35:36,696 | 00:35:40,097 | I just felt this shift, and after months | I just felt this shift, and after months |
734 | 00:35:40,122 | 00:35:44,034 | of not being able to get past the elevator, I... | of not being able to get past the elevator, I... |
735 | 00:35:44,059 | 00:35:46,395 | I finally made it to the eighth floor. | I finally made it to the eighth floor. |
736 | 00:35:46,548 | 00:35:49,464 | And I don't care that Grant saw me. | And I don't care that Grant saw me. |
737 | 00:35:49,489 | 00:35:51,909 | I'm not afraid of him anymore. | I'm not afraid of him anymore. |
738 | 00:35:51,934 | 00:35:54,302 | I think I'm getting better. | I think I'm getting better. |
739 | 00:35:55,648 | 00:35:57,550 | I think I've got it. | I think I've got it. |
740 | 00:35:57,904 | 00:35:59,872 | Ahem. | Ahem. |
741 | 00:36:00,851 | 00:36:04,159 | Pam Bridgeland is the talent behind the firm, and Grant has | Pam Bridgeland is the talent behind the firm, and Grant has |
742 | 00:36:04,184 | 00:36:06,683 | been taking credit for her work for years. Her agoraphobia was | been taking credit for her work for years. Her agoraphobia was |
743 | 00:36:06,708 | 00:36:08,831 | the best thing that ever happened to him. But she was | the best thing that ever happened to him. But she was |
744 | 00:36:08,856 | 00:36:12,505 | about to expose him. That's when he dialed M for murder. | about to expose him. That's when he dialed M for murder. |
745 | 00:36:12,887 | 00:36:15,980 | Pretty good. Except for that last bit. Anyhow, | Pretty good. Except for that last bit. Anyhow, |
746 | 00:36:16,005 | 00:36:19,027 | that doesn't explain why Pam was attacked by her impostor. | that doesn't explain why Pam was attacked by her impostor. |
747 | 00:36:19,052 | 00:36:21,350 | But we still don't know where Pam is. | But we still don't know where Pam is. |
748 | 00:36:22,092 | 00:36:24,522 | Those do look like Emperor Row. If Pam designed | Those do look like Emperor Row. If Pam designed |
749 | 00:36:24,547 | 00:36:27,152 | - the building she lives in... - She'd know exactly | - the building she lives in... - She'd know exactly |
750 | 00:36:27,177 | 00:36:30,691 | where to hide. But why wouldn't she just come forward? | where to hide. But why wouldn't she just come forward? |
751 | 00:36:31,703 | 00:36:35,284 | Guys, tomorrow, firms from all over the world are submitting | Guys, tomorrow, firms from all over the world are submitting |
752 | 00:36:35,309 | 00:36:37,574 | their designs for the opera house project. | their designs for the opera house project. |
753 | 00:36:38,023 | 00:36:40,041 | - Do you think... - That's it. | - Do you think... - That's it. |
754 | 00:36:40,066 | 00:36:42,000 | - What? - The only way for Pam to prove | - What? - The only way for Pam to prove |
755 | 00:36:42,025 | 00:36:43,991 | she's the true talent is with her designs. | she's the true talent is with her designs. |
756 | 00:36:44,016 | 00:36:46,217 | That must be what Grant stole from her filing cabinet. | That must be what Grant stole from her filing cabinet. |
757 | 00:36:46,242 | 00:36:48,076 | If she shows up to get them back, this time, | If she shows up to get them back, this time, |
758 | 00:36:48,101 | 00:36:50,044 | he's gonna kill her for real. | he's gonna kill her for real. |
759 | 00:36:52,547 | 00:36:54,050 | - Where's Grant? - What? | - Where's Grant? - What? |
760 | 00:36:54,075 | 00:36:55,214 | I don't... HEY! | I don't... HEY! |
761 | 00:36:55,239 | 00:36:56,996 | We know you've been posing as Pam Bridgeland. | We know you've been posing as Pam Bridgeland. |
762 | 00:36:57,021 | 00:36:58,628 | I never said I was Pam. You assumed... | I never said I was Pam. You assumed... |
763 | 00:36:58,653 | 00:37:00,425 | But you admit you and Grant are having an affair. | But you admit you and Grant are having an affair. |
764 | 00:37:00,450 | 00:37:03,058 | Yes, but that... Aren't you that actress?! | Yes, but that... Aren't you that actress?! |
765 | 00:37:03,083 | 00:37:05,965 | This isn't about your affair. You tried to kill Pam. | This isn't about your affair. You tried to kill Pam. |
766 | 00:37:05,990 | 00:37:07,652 | You can go down for attempted murder. | You can go down for attempted murder. |
767 | 00:37:07,677 | 00:37:09,730 | OK. No, wait. You don't understand. | OK. No, wait. You don't understand. |
768 | 00:37:09,755 | 00:37:12,400 | Grant noticed Pam was leaving the penthouse for the first time | Grant noticed Pam was leaving the penthouse for the first time |
769 | 00:37:12,425 | 00:37:14,964 | in years. She told him that she was gonna out him as a fraud. | in years. She told him that she was gonna out him as a fraud. |
770 | 00:37:14,989 | 00:37:16,512 | I thought I could talk her out of it, | I thought I could talk her out of it, |
771 | 00:37:16,537 | 00:37:17,652 | but then she came at me. | but then she came at me. |
772 | 00:37:17,677 | 00:37:19,417 | So you grabbed the pipe out of self defense. | So you grabbed the pipe out of self defense. |
773 | 00:37:19,442 | 00:37:21,073 | I didn't even think I hit her that hard. | I didn't even think I hit her that hard. |
774 | 00:37:21,098 | 00:37:23,097 | You thought you killed her so you shoved her down | You thought you killed her so you shoved her down |
775 | 00:37:23,122 | 00:37:25,371 | a garbage chute. No! Grant did that. | a garbage chute. No! Grant did that. |
776 | 00:37:25,638 | 00:37:27,724 | Pam wasn't moving. I didn't know what to do, | Pam wasn't moving. I didn't know what to do, |
777 | 00:37:27,749 | 00:37:30,855 | so I called him. Grant felt her pulse, | so I called him. Grant felt her pulse, |
778 | 00:37:30,880 | 00:37:32,456 | said she was dead... | said she was dead... |
779 | 00:37:32,481 | 00:37:35,138 | that I'd be arrested for murder if we call 911. | that I'd be arrested for murder if we call 911. |
780 | 00:37:35,163 | 00:37:37,964 | He told me to put on her sweater and get back on the elevator. | He told me to put on her sweater and get back on the elevator. |
781 | 00:37:38,086 | 00:37:40,870 | - We're calling the police. - It will be too late. | - We're calling the police. - It will be too late. |
782 | 00:37:40,895 | 00:37:42,777 | - What?! Is she with Grant? - He took her back | - What?! Is she with Grant? - He took her back |
783 | 00:37:42,802 | 00:37:45,613 | - to the eighth floor. - Willow, call 911. We need | - to the eighth floor. - Willow, call 911. We need |
784 | 00:37:45,638 | 00:37:48,476 | - Danica down here right away. - OK. | - Danica down here right away. - OK. |
785 | 00:37:48,501 | 00:37:51,813 | You really think | You really think |
786 | 00:37:51,838 | 00:37:55,418 | you can steal my designs? Who is stealing from whom?! | you can steal my designs? Who is stealing from whom?! |
787 | 00:37:55,443 | 00:37:57,610 | I drew these plans for the opera house, | I drew these plans for the opera house, |
788 | 00:37:57,635 | 00:37:59,316 | just like I drew everything | just like I drew everything |
789 | 00:37:59,341 | 00:38:03,077 | you have ever built! But that is ending right now because I am | you have ever built! But that is ending right now because I am |
790 | 00:38:03,102 | 00:38:05,754 | - taking back what is mine! - You know what the opera house | - taking back what is mine! - You know what the opera house |
791 | 00:38:05,779 | 00:38:08,246 | - commission is worth. - I do. | - commission is worth. - I do. |
792 | 00:38:08,986 | 00:38:12,355 | I also know... that your reputation | I also know... that your reputation |
793 | 00:38:12,380 | 00:38:14,882 | is worth far more to you. | is worth far more to you. |
794 | 00:38:16,953 | 00:38:20,066 | But that's going up in flames now too. | But that's going up in flames now too. |
795 | 00:38:21,762 | 00:38:23,722 | - Put that down. - Or what? | - Put that down. - Or what? |
796 | 00:38:23,747 | 00:38:25,894 | You're gonna try to kill me again? | You're gonna try to kill me again? |
797 | 00:38:26,036 | 00:38:28,082 | I've lived in fear for so long, | I've lived in fear for so long, |
798 | 00:38:28,107 | 00:38:30,208 | I forgot what real anger feels like! | I forgot what real anger feels like! |
799 | 00:38:30,233 | 00:38:33,440 | But it is what got me through when I hid in this building! | But it is what got me through when I hid in this building! |
800 | 00:38:33,465 | 00:38:35,400 | WHICH I DESIGNED! | WHICH I DESIGNED! |
801 | 00:38:35,425 | 00:38:37,668 | We can still work this out, JUST GIVE ME | We can still work this out, JUST GIVE ME |
802 | 00:38:37,693 | 00:38:40,402 | - THE OPERA HOUSE DESIGNS! - I wouldn't do that, Grant. | - THE OPERA HOUSE DESIGNS! - I wouldn't do that, Grant. |
803 | 00:38:40,427 | 00:38:41,788 | Who's there?! | Who's there?! |
804 | 00:38:41,813 | 00:38:43,926 | A witness to this attempted murder. | A witness to this attempted murder. |
805 | 00:38:43,951 | 00:38:45,450 | Two of them, in fact. | Two of them, in fact. |
806 | 00:38:45,475 | 00:38:46,933 | Who the hell are you people?! | Who the hell are you people?! |
807 | 00:38:46,958 | 00:38:49,082 | You've always wanted to be famous, Grant. | You've always wanted to be famous, Grant. |
808 | 00:38:49,207 | 00:38:51,008 | Maybe you're gonna get your chance. | Maybe you're gonna get your chance. |
809 | 00:38:51,033 | 00:38:53,191 | AH! | AH! |
810 | 00:39:06,089 | 00:39:09,010 | CAREFUL, GRANT! IT'S A BIT OF A BUMPY RIDE! | CAREFUL, GRANT! IT'S A BIT OF A BUMPY RIDE! |
811 | 00:39:12,653 | 00:39:15,983 | - You alright, Pam? - Yeah. Yeah, I'm OK. | - You alright, Pam? - Yeah. Yeah, I'm OK. |
812 | 00:39:16,620 | 00:39:19,651 | That was amazing! | That was amazing! |
813 | 00:39:19,939 | 00:39:21,952 | You are all so brave! | You are all so brave! |
814 | 00:39:22,794 | 00:39:24,827 | You... are? | You... are? |
815 | 00:39:24,852 | 00:39:27,356 | Just a group of concerned citizens. | Just a group of concerned citizens. |
816 | 00:39:27,381 | 00:39:30,412 | Sent by your guardian angel. | Sent by your guardian angel. |
817 | 00:39:36,654 | 00:39:38,636 | How's that for tangible evidence, Danica? | How's that for tangible evidence, Danica? |
818 | 00:39:38,661 | 00:39:41,092 | Definite improvement. Thanks, guys. | Definite improvement. Thanks, guys. |
819 | 00:39:41,817 | 00:39:44,452 | Grant Bridgeland, you're under arrest for attempted murder. | Grant Bridgeland, you're under arrest for attempted murder. |
820 | 00:39:44,477 | 00:39:46,589 | - Twice. - Wait, Detective! | - Twice. - Wait, Detective! |
821 | 00:39:47,020 | 00:39:48,637 | Just one more thing. | Just one more thing. |
822 | 00:39:49,292 | 00:39:52,729 | Meet your avenging angel of JUSTICE! | Meet your avenging angel of JUSTICE! |
823 | 00:39:54,127 | 00:39:56,273 | Get me out of here. | Get me out of here. |
824 | 00:39:59,538 | 00:40:02,445 | You know... somehow, you actually pulled that off. | You know... somehow, you actually pulled that off. |
825 | 00:40:02,470 | 00:40:04,698 | "Avenging angel of justice." | "Avenging angel of justice." |
826 | 00:40:04,723 | 00:40:06,657 | Maybe that should be the title of your movie. | Maybe that should be the title of your movie. |
827 | 00:40:06,682 | 00:40:08,120 | I'd go see it. | I'd go see it. |
828 | 00:40:08,798 | 00:40:12,136 | And that is what we call... a wrap. | And that is what we call... a wrap. |
829 | 00:40:19,298 | 00:40:21,043 | I have to say... | I have to say... |
830 | 00:40:21,068 | 00:40:24,590 | you look so comfortable out here in the real world. | you look so comfortable out here in the real world. |
831 | 00:40:25,370 | 00:40:27,472 | Well, nothing like a second | Well, nothing like a second |
832 | 00:40:27,497 | 00:40:30,262 | or rather, third near-death experience | or rather, third near-death experience |
833 | 00:40:30,287 | 00:40:32,223 | to bring a person perspective. | to bring a person perspective. |
834 | 00:40:32,248 | 00:40:34,128 | You've certainly fast-tracked your therapy. | You've certainly fast-tracked your therapy. |
835 | 00:40:34,153 | 00:40:36,087 | Thank you both. | Thank you both. |
836 | 00:40:37,025 | 00:40:40,109 | Pam, there's someone that wants to meet you. | Pam, there's someone that wants to meet you. |
837 | 00:40:40,134 | 00:40:41,917 | This is Sandra, your... | This is Sandra, your... |
838 | 00:40:41,942 | 00:40:44,527 | champion behind the scenes, so to speak. | champion behind the scenes, so to speak. |
839 | 00:40:47,509 | 00:40:48,940 | Thank you | Thank you |
840 | 00:40:48,965 | 00:40:52,913 | for speaking up. Courage isn't always easy to find. | for speaking up. Courage isn't always easy to find. |
841 | 00:40:52,938 | 00:40:55,089 | I'm just glad everything worked out and... | I'm just glad everything worked out and... |
842 | 00:40:55,114 | 00:40:56,394 | that you're moving forward. | that you're moving forward. |
843 | 00:40:56,419 | 00:40:58,605 | I hear you're taking over Bridgeland Architects | I hear you're taking over Bridgeland Architects |
844 | 00:40:58,630 | 00:41:00,527 | and putting your name on designs again. | and putting your name on designs again. |
845 | 00:41:00,552 | 00:41:04,173 | I am indeed. And I'm hiring all new employees. | I am indeed. And I'm hiring all new employees. |
846 | 00:41:05,137 | 00:41:08,272 | Sandra, I hear you're studying to be a CPA. | Sandra, I hear you're studying to be a CPA. |
847 | 00:41:08,297 | 00:41:09,863 | I am. | I am. |
848 | 00:41:09,888 | 00:41:11,933 | Well, I'm gonna need a new accountant. | Well, I'm gonna need a new accountant. |
849 | 00:41:12,246 | 00:41:15,061 | Shall we go talk about it over coffee? | Shall we go talk about it over coffee? |
850 | 00:41:15,617 | 00:41:17,561 | Yeah. | Yeah. |
851 | 00:41:17,586 | 00:41:19,324 | Thank you again. | Thank you again. |
852 | 00:41:26,707 | 00:41:29,191 | Wow. That ended better | Wow. That ended better |
853 | 00:41:29,216 | 00:41:31,368 | than any Hitchcock movie. | than any Hitchcock movie. |
854 | 00:41:31,609 | 00:41:34,455 | Let's be thankful life isn't like the movies. | Let's be thankful life isn't like the movies. |
855 | 00:41:43,273 | 00:41:45,548 | - Cheers. - Mm-hmm. | - Cheers. - Mm-hmm. |
856 | 00:41:47,180 | 00:41:49,548 | Mm. So... | Mm. So... |
857 | 00:41:49,573 | 00:41:51,652 | the latest draft of the movie went out to a bunch | the latest draft of the movie went out to a bunch |
858 | 00:41:51,677 | 00:41:53,082 | of A-list directors. - Uh-huh. | of A-list directors. - Uh-huh. |
859 | 00:41:53,107 | 00:41:55,556 | And so far, the feedback has been really positive. | And so far, the feedback has been really positive. |
860 | 00:41:55,581 | 00:41:58,322 | Oh, that's great news! Although you really have | Oh, that's great news! Although you really have |
861 | 00:41:58,347 | 00:42:01,061 | Angie to thank. I know she was your inspiration. | Angie to thank. I know she was your inspiration. |
862 | 00:42:01,164 | 00:42:04,206 | Don't be jealous. Both of you helped give me | Don't be jealous. Both of you helped give me |
863 | 00:42:04,231 | 00:42:07,000 | that real-world edge. - Yeah. | that real-world edge. - Yeah. |
864 | 00:42:07,252 | 00:42:09,050 | You and Angie really do make a good team. | You and Angie really do make a good team. |
865 | 00:42:09,075 | 00:42:10,105 | Yeah. | Yeah. |
866 | 00:42:10,130 | 00:42:14,097 | Oh. Sorry, it's my agent. | Oh. Sorry, it's my agent. |
867 | 00:42:14,122 | 00:42:15,789 | I'll just be one sec. | I'll just be one sec. |
868 | 00:42:16,148 | 00:42:19,333 | Darryl? Hello, darling. | Darryl? Hello, darling. |
869 | 00:42:39,967 | 00:42:42,356 | Hey. I didn't expect to hear from you tonight. | Hey. I didn't expect to hear from you tonight. |
870 | 00:42:42,381 | 00:42:44,382 | I just wanted to let you know that Willow gave me | I just wanted to let you know that Willow gave me |
871 | 00:42:44,407 | 00:42:46,808 | a check from her studio to cover our fee. | a check from her studio to cover our fee. |
872 | 00:42:47,026 | 00:42:48,321 | Well, that's great. | Well, that's great. |
873 | 00:42:48,346 | 00:42:50,820 | But you could've told me tomorrow. | But you could've told me tomorrow. |
874 | 00:42:50,845 | 00:42:53,868 | I also wanted to thank you for letting her ride along. | I also wanted to thank you for letting her ride along. |
875 | 00:42:54,511 | 00:42:57,202 | - I like her. - [Yeah, of course you do.] | - I like her. - [Yeah, of course you do.] |
876 | 00:42:57,227 | 00:42:59,199 | - You're her inspiration. - Oh! | - You're her inspiration. - Oh! |
877 | 00:42:59,224 | 00:43:01,084 | Did I mention she has excellent taste? | Did I mention she has excellent taste? |
878 | 00:43:03,210 | 00:43:05,379 | She thinks we make a good team. | She thinks we make a good team. |
879 | 00:43:05,814 | 00:43:07,548 | We do. | We do. |
880 | 00:43:07,573 | 00:43:09,241 | [Yeah, like...] | [Yeah, like...] |
881 | 00:43:09,266 | 00:43:12,101 | Tracy and Hepburn. Bogie and Bacall. | Tracy and Hepburn. Bogie and Bacall. |
882 | 00:43:12,693 | 00:43:15,264 | More like Laurel and Hardy. | More like Laurel and Hardy. |
883 | 00:43:15,289 | 00:43:17,804 | Yeah. | Yeah. |
884 | 00:43:17,829 | 00:43:19,603 | More like that. | More like that. |
885 | 00:43:19,895 | 00:43:22,417 | [I got dibs on Hardy.] | [I got dibs on Hardy.] |
886 | 00:43:22,442 | 00:43:24,613 | [Unless, of course, you wanna be the short chubby guy] | [Unless, of course, you wanna be the short chubby guy] |
887 | 00:43:24,638 | 00:43:27,671 | - [with the funny hat?] - No, please! That's all you. | - [with the funny hat?] - No, please! That's all you. |
889 | 00:43:30,882 | 00:43:32,947 | Watch the new comedy Call Your Mother, | Watch the new comedy Call Your Mother, |
890 | 00:43:32,972 | 00:43:35,306 | Thursday January 14th on Global. | Thursday January 14th on Global. |
891 | 00:43:35,453 | 00:43:37,776 | Freddie! Mom! | Freddie! Mom! |
892 | 00:43:37,801 | 00:43:38,884 | What are you doing here? | What are you doing here? |
893 | 00:43:38,909 | 00:43:40,309 | I brought you socks. | I brought you socks. |
894 | 00:43:40,334 | 00:43:42,292 | And the toilet paper you like. | And the toilet paper you like. |
895 | 00:43:42,540 | 00:43:45,009 | You can't just show up to my apartment un-announced. | You can't just show up to my apartment un-announced. |
896 | 00:43:45,574 | 00:43:47,381 | I'm Danny I'm your host. | I'm Danny I'm your host. |
897 | 00:43:47,406 | 00:43:49,433 | If you murder me, you won't get away with it. | If you murder me, you won't get away with it. |
898 | 00:43:49,458 | 00:43:51,825 | Is there some reason you can't connect with your kids? | Is there some reason you can't connect with your kids? |
899 | 00:43:51,850 | 00:43:53,784 | And get it on with your landlord? | And get it on with your landlord? |
900 | 00:43:53,809 | 00:43:54,911 | Uh! - No! Oh my....! | Uh! - No! Oh my....! |
901 | 00:43:54,936 | 00:43:56,199 | I haven't been kissed in 5 years! | I haven't been kissed in 5 years! |
902 | 00:43:56,224 | 00:43:57,683 | I thought you said you hadn't had sex in 4 years? | I thought you said you hadn't had sex in 4 years? |
903 | 00:43:57,708 | 00:43:59,933 | ||
903 | 00:43:57,708 | 00:43:59,933 |