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# | Start | End | Original | Translated |
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1 | 00:00:01,781 | 00:00:03,538 | That was fun. | That was fun. |
2 | 00:00:03,563 | 00:00:05,500 | I no longer agree. | I no longer agree. |
3 | 00:00:06,266 | 00:00:08,500 | Do you know what else will be fun? | Do you know what else will be fun? |
4 | 00:00:08,525 | 00:00:11,932 | - A five minute break? - No. | - A five minute break? - No. |
5 | 00:00:12,096 | 00:00:13,413 | I'm not letting you go | I'm not letting you go |
6 | 00:00:13,438 | 00:00:15,769 | - so easy. - (CHUCKLES) | - so easy. - (CHUCKLES) |
7 | 00:00:16,146 | 00:00:18,941 | (MYSTERIOUS MUSIC) | (MYSTERIOUS MUSIC) |
8 | 00:00:18,966 | 00:00:21,382 | Oh, you want me to read to you. | Oh, you want me to read to you. |
9 | 00:00:21,407 | 00:00:23,607 | - Kinky. - No. It's a script | - Kinky. - No. It's a script |
10 | 00:00:23,632 | 00:00:26,242 | for a movie. And I would play the lead. | for a movie. And I would play the lead. |
11 | 00:00:26,699 | 00:00:29,369 | - Wow. Congratulations. - Thanks. | - Wow. Congratulations. - Thanks. |
12 | 00:00:29,394 | 00:00:31,195 | Well, it's not done yet. | Well, it's not done yet. |
13 | 00:00:31,220 | 00:00:33,454 | But ... I will also produce it. | But ... I will also produce it. |
14 | 00:00:33,479 | 00:00:35,835 | It's a bit scary but i think i'm ready | It's a bit scary but i think i'm ready |
15 | 00:00:35,860 | 00:00:37,500 | to make the leap to the big screen. | to make the leap to the big screen. |
16 | 00:00:37,525 | 00:00:39,359 | It sounds like a big chance. | It sounds like a big chance. |
17 | 00:00:39,384 | 00:00:42,961 | I hope it will be. Oh it's such a great part! | I hope it will be. Oh it's such a great part! |
18 | 00:00:42,986 | 00:00:44,382 | Guess what I'd play? | Guess what I'd play? |
19 | 00:00:44,407 | 00:00:47,921 | - Dark agenda. - A private investigator. | - Dark agenda. - A private investigator. |
20 | 00:00:47,946 | 00:00:50,648 | Wow. Well, if you tips needed ... | Wow. Well, if you tips needed ... |
21 | 00:00:50,673 | 00:00:52,931 | Well since you offered | Well since you offered |
22 | 00:00:52,956 | 00:00:55,343 | how about a ride? Follow you through a case. | how about a ride? Follow you through a case. |
23 | 00:00:55,368 | 00:00:57,639 | Take a look behind the scenes truth of an investigation. | Take a look behind the scenes truth of an investigation. |
24 | 00:00:57,664 | 00:00:59,711 | It's not always exciting you know. | It's not always exciting you know. |
25 | 00:00:59,736 | 00:01:02,796 | But it is real. It gives me those lifelike moments | But it is real. It gives me those lifelike moments |
26 | 00:01:02,821 | 00:01:04,588 | I can use to build my character. | I can use to build my character. |
27 | 00:01:04,613 | 00:01:08,615 | So what do you say, hmm? Can I shade the shadow? | So what do you say, hmm? Can I shade the shadow? |
28 | 00:01:10,476 | 00:01:14,084 | Eh, sure. Let me talk to Angie about it. | Eh, sure. Let me talk to Angie about it. |
29 | 00:01:14,129 | 00:01:16,682 | - Can we talk about it tomorrow? - Yes. | - Can we talk about it tomorrow? - Yes. |
30 | 00:01:18,061 | 00:01:21,225 | - Mm. You are very convincing. - Mm-hmm. | - Mm. You are very convincing. - Mm-hmm. |
31 | 00:01:21,250 | 00:01:23,726 | (RINGS AND BUZZING) | (RINGS AND BUZZING) |
32 | 00:01:24,572 | 00:01:26,399 | (GROANS) | (GROANS) |
33 | 00:01:26,424 | 00:01:28,952 | - (TELEPHONE BEEP) It's 2 AM, Everett. | - (TELEPHONE BEEP) It's 2 AM, Everett. |
34 | 00:01:28,977 | 00:01:30,953 | Oh well! You are still awake. | Oh well! You are still awake. |
35 | 00:01:30,978 | 00:01:33,781 | I hope I'm not interrupting a romantic evening. | I hope I'm not interrupting a romantic evening. |
36 | 00:01:34,173 | 00:01:36,909 | Actually we were just talk about you. | Actually we were just talk about you. |
37 | 00:01:37,559 | 00:01:41,355 | I'm not sure I should be flattered or disturbed. | I'm not sure I should be flattered or disturbed. |
38 | 00:01:41,380 | 00:01:43,317 | [Anyway we may have a customer.] | [Anyway we may have a customer.] |
39 | 00:01:43,342 | 00:01:46,362 | - Can it wait until morning? - [Not according to her.] | - Can it wait until morning? - [Not according to her.] |
40 | 00:01:46,387 | 00:01:48,539 | [Do you think you can tearing yourself?] | [Do you think you can tearing yourself?] |
41 | 00:01:48,564 | 00:01:50,407 | Apparently we can. | Apparently we can. |
42 | 00:01:51,266 | 00:01:53,360 | Wait. "We"? | Wait. "We"? |
43 | 00:01:53,971 | 00:01:56,305 | ♪ | ♪ |
44 | 00:02:01,418 | 00:02:03,650 | - Hey, Ange. - Willow! | - Hey, Ange. - Willow! |
45 | 00:02:03,675 | 00:02:05,808 | I'm sorry I'm putting this on you Angie, but I promise | I'm sorry I'm putting this on you Angie, but I promise |
46 | 00:02:05,833 | 00:02:08,122 | - you don't even know I'm here. - Yes, you really ... | - you don't even know I'm here. - Yes, you really ... |
47 | 00:02:08,147 | 00:02:11,384 | - fade into the background. - You don't mind if I take a few notes? | - fade into the background. - You don't mind if I take a few notes? |
48 | 00:02:11,409 | 00:02:13,468 | - Knock yourself out. - Excellent. | - Knock yourself out. - Excellent. |
49 | 00:02:13,729 | 00:02:16,058 | Psst! Psst! | Psst! Psst! |
50 | 00:02:16,936 | 00:02:19,723 | Ooh! Let the shade begin. | Ooh! Let the shade begin. |
51 | 00:02:22,024 | 00:02:24,492 | (SOFTLY): I hope you don't think of Willow. She goes | (SOFTLY): I hope you don't think of Willow. She goes |
52 | 00:02:24,517 | 00:02:26,954 | Pay us an advisory fee. Oh! You should have | Pay us an advisory fee. Oh! You should have |
53 | 00:02:26,980 | 00:02:28,775 | led with that. | led with that. |
54 | 00:02:29,600 | 00:02:30,966 | Everett and Shade, | Everett and Shade, |
55 | 00:02:30,991 | 00:02:33,988 | - I wasn't expecting three of you. - I am their partner | - I wasn't expecting three of you. - I am their partner |
56 | 00:02:34,013 | 00:02:35,552 | - in training. Oh. | - in training. Oh. |
57 | 00:02:35,577 | 00:02:37,427 | - (LIFT DINGS) - Follow me. | - (LIFT DINGS) - Follow me. |
58 | 00:02:40,426 | 00:02:42,900 | I was on the eighth floor when it happened. | I was on the eighth floor when it happened. |
59 | 00:02:42,925 | 00:02:44,860 | (TENSE MUSIC) | (TENSE MUSIC) |
60 | 00:02:44,885 | 00:02:47,170 | (CLATTER OBJECTS) | (CLATTER OBJECTS) |
61 | 00:02:47,764 | 00:02:49,965 | It's OK. I am fine. | It's OK. I am fine. |
62 | 00:02:50,630 | 00:02:52,840 | Um ... Where are we going? | Um ... Where are we going? |
63 | 00:02:52,865 | 00:02:54,302 | (SOFTLY): To the scene of crime. | (SOFTLY): To the scene of crime. |
64 | 00:02:54,327 | 00:02:56,770 | Sorry about the excuse. I cannot be caught visiting | Sorry about the excuse. I cannot be caught visiting |
65 | 00:02:56,795 | 00:02:58,606 | - or I'll be fired. - The police don't believe it | - or I'll be fired. - The police don't believe it |
66 | 00:02:58,631 | 00:03:00,279 | Sandra, so they don't investigate. | Sandra, so they don't investigate. |
67 | 00:03:00,304 | 00:03:02,373 | They say there is no evidence to crime, but I know | They say there is no evidence to crime, but I know |
68 | 00:03:02,398 | 00:03:05,145 | - what I saw through that window. - (SHADE): What was what? | - what I saw through that window. - (SHADE): What was what? |
69 | 00:03:05,302 | 00:03:06,864 | A murder. | A murder. |
70 | 00:03:08,002 | 00:03:10,942 | Now there is a plot twist I didn't see it coming. | Now there is a plot twist I didn't see it coming. |
71 | 00:03:10,967 | 00:03:12,560 | I've cleaned here at The Empress | I've cleaned here at The Empress |
72 | 00:03:12,585 | 00:03:14,342 | at night for the past two months. | at night for the past two months. |
73 | 00:03:14,367 | 00:03:16,076 | I turn off the light around 11am. | I turn off the light around 11am. |
74 | 00:03:16,501 | 00:03:19,169 | Then she saw the light in the building across the street. | Then she saw the light in the building across the street. |
75 | 00:03:19,501 | 00:03:21,121 | Is that unusual? | Is that unusual? |
76 | 00:03:21,146 | 00:03:23,514 | I've never seen lights on there so late for that. | I've never seen lights on there so late for that. |
77 | 00:03:23,539 | 00:03:25,936 | (TOGETHER): What happened next? | (TOGETHER): What happened next? |
78 | 00:03:27,129 | 00:03:28,974 | She saw two women arguing. | She saw two women arguing. |
79 | 00:03:28,999 | 00:03:31,959 | At first I only saw shadows. Then they started to fight. | At first I only saw shadows. Then they started to fight. |
80 | 00:03:31,984 | 00:03:34,289 | Then one of them raised them arm holding something long, | Then one of them raised them arm holding something long, |
81 | 00:03:34,314 | 00:03:36,575 | hit the first woman, hit her in the window. | hit the first woman, hit her in the window. |
82 | 00:03:36,600 | 00:03:38,926 | And then the woman who got hit she fell down and took some | And then the woman who got hit she fell down and took some |
83 | 00:03:38,951 | 00:03:40,951 | and took part of the vertical blinds down with hair. | and took part of the vertical blinds down with hair. |
84 | 00:03:40,976 | 00:03:42,730 | The other woman has disappeared after the attack. | The other woman has disappeared after the attack. |
85 | 00:03:42,755 | 00:03:44,873 | Did you ... have a look to the faces of the women? | Did you ... have a look to the faces of the women? |
86 | 00:03:44,898 | 00:03:46,256 | It was too far away. | It was too far away. |
87 | 00:03:46,281 | 00:03:48,609 | All I could see was that they both had blond hair. | All I could see was that they both had blond hair. |
88 | 00:03:48,634 | 00:03:50,638 | Has the police take your statement? | Has the police take your statement? |
89 | 00:03:50,663 | 00:03:52,951 | They came to see but I couldn't even tell them | They came to see but I couldn't even tell them |
90 | 00:03:52,976 | 00:03:55,302 | on which floor it happened. They said there was no alarm | on which floor it happened. They said there was no alarm |
91 | 00:03:55,327 | 00:03:57,261 | the concierge had not come any noise complaints. | the concierge had not come any noise complaints. |
92 | 00:03:57,286 | 00:03:59,120 | They haven't found a body, have they? | They haven't found a body, have they? |
93 | 00:03:59,145 | 00:04:01,868 | So they had no good reason to continue the case. | So they had no good reason to continue the case. |
94 | 00:04:02,238 | 00:04:04,872 | A mysterious crime. A distraught witness | A mysterious crime. A distraught witness |
95 | 00:04:04,897 | 00:04:07,626 | authorities do not believe. This is classic Hitchcock. | authorities do not believe. This is classic Hitchcock. |
96 | 00:04:08,562 | 00:04:10,779 | Sandra, you work at night. | Sandra, you work at night. |
97 | 00:04:10,804 | 00:04:12,929 | You must have a hard time stay awake. | You must have a hard time stay awake. |
98 | 00:04:12,954 | 00:04:15,271 | Maybe your mind is just do tricks? | Maybe your mind is just do tricks? |
99 | 00:04:15,296 | 00:04:16,772 | I've stayed late to study | I've stayed late to study |
100 | 00:04:16,797 | 00:04:20,381 | for an evening school exam, but I know what I saw: a murder, | for an evening school exam, but I know what I saw: a murder, |
101 | 00:04:20,406 | 00:04:23,101 | which means there is a murderer out there to be found. | which means there is a murderer out there to be found. |
102 | 00:04:23,126 | 00:04:24,766 | I will pay the fee. | I will pay the fee. |
103 | 00:04:25,784 | 00:04:27,976 | Guardian angels shouldn't do that have to pay for help. | Guardian angels shouldn't do that have to pay for help. |
104 | 00:04:28,620 | 00:04:32,256 | Okay then. First things first ... we have | Okay then. First things first ... we have |
105 | 00:04:32,281 | 00:04:35,029 | to find out if what you saw was actually a murder. | to find out if what you saw was actually a murder. |
106 | 00:04:35,054 | 00:04:36,864 | Exactly. | Exactly. |
107 | 00:04:37,783 | 00:04:40,818 | - How do we do that? - (DRAMATIC MUSIC) | - How do we do that? - (DRAMATIC MUSIC) |
108 | 00:04:40,843 | 00:04:44,179 | ♪ I see you and you see me ♪ | ♪ I see you and you see me ♪ |
109 | 00:04:45,039 | 00:04:48,459 | ♪ Watch how to read the rules when you make a scene ♪ | ♪ Watch how to read the rules when you make a scene ♪ |
110 | 00:04:48,484 | 00:04:52,214 | ♪ Oh boy, you should know ♪ | ♪ Oh boy, you should know ♪ |
111 | 00:04:52,239 | 00:04:54,560 | ♪ What my head is overlooking ♪ | ♪ What my head is overlooking ♪ |
112 | 00:04:54,585 | 00:04:58,121 | ♪ The senses will show to my heart ♪ | ♪ The senses will show to my heart ♪ |
113 | 00:04:58,146 | 00:05:00,371 | ♪ When it looks at lies ♪ | ♪ When it looks at lies ♪ |
114 | 00:05:00,396 | 00:05:03,219 | ♪ Because you can't escape my ♪ | ♪ Because you can't escape my ♪ |
115 | 00:05:03,244 | 00:05:06,847 | ♪ Private eyes They look at you ♪ | ♪ Private eyes They look at you ♪ |
116 | 00:05:07,027 | 00:05:10,497 | ♪ Private eyes, they look at you ♪ | ♪ Private eyes, they look at you ♪ |
117 | 00:05:10,522 | 00:05:12,856 | ♪ Looking at you, looking at you, looking at you ♪ | ♪ Looking at you, looking at you, looking at you ♪ |
118 | 00:05:12,881 | 00:05:16,400 | - Dubbed and corrected by martythecrazy - - www.addic7ed.com - | - Dubbed and corrected by martythecrazy - - www.addic7ed.com - |
119 | 00:05:16,456 | 00:05:17,803 | ♪ | ♪ |
120 | 00:05:18,008 | 00:05:19,909 | I have the blueprints out of town. | I have the blueprints out of town. |
121 | 00:05:19,934 | 00:05:22,661 | It is a multifunctional complex, so it's retail at the bottom | It is a multifunctional complex, so it's retail at the bottom |
122 | 00:05:22,686 | 00:05:24,444 | and luxury apartments at the top. | and luxury apartments at the top. |
123 | 00:05:24,469 | 00:05:26,871 | - What's with the red strings? Oh. Well it just is | - What's with the red strings? Oh. Well it just is |
124 | 00:05:26,896 | 00:05:29,717 | a little technique that I picked up at the forensic conference. | a little technique that I picked up at the forensic conference. |
125 | 00:05:29,742 | 00:05:31,643 | I was dying to try it out. | I was dying to try it out. |
126 | 00:05:31,809 | 00:05:34,210 | So represent the strings the trajectory | So represent the strings the trajectory |
127 | 00:05:34,235 | 00:05:36,202 | from Sandra's sightlines from the eighth floor | from Sandra's sightlines from the eighth floor |
128 | 00:05:36,227 | 00:05:38,094 | to the neighboring tower, The emperor. | to the neighboring tower, The emperor. |
129 | 00:05:38,228 | 00:05:40,963 | And I have managed to narrow it down the possible crime scene | And I have managed to narrow it down the possible crime scene |
130 | 00:05:40,988 | 00:05:43,823 | until the sixth, seventh, eighth and ninth floors. | until the sixth, seventh, eighth and ninth floors. |
131 | 00:05:43,905 | 00:05:45,805 | - Do we know what's wrong? - Yes. | - Do we know what's wrong? - Yes. |
132 | 00:05:45,830 | 00:05:47,726 | It's an architectural firm, | It's an architectural firm, |
133 | 00:05:47,751 | 00:05:50,886 | a vitamin retailer and a meditation studio. | a vitamin retailer and a meditation studio. |
134 | 00:05:50,911 | 00:05:53,108 | The eighth floor is currently empty. | The eighth floor is currently empty. |
135 | 00:05:53,133 | 00:05:55,942 | Sandra said she saw it two blonde women fighting, | Sandra said she saw it two blonde women fighting, |
136 | 00:05:55,967 | 00:05:58,199 | get some blinds precipitated, so we watch | get some blinds precipitated, so we watch |
137 | 00:05:58,224 | 00:06:00,344 | - for the missing blinds. - And the missing blonde. | - for the missing blinds. - And the missing blonde. |
138 | 00:06:00,369 | 00:06:01,793 | I'll take the vitamin dealer. | I'll take the vitamin dealer. |
139 | 00:06:01,818 | 00:06:03,490 | What? No, don't stab me with meditation. | What? No, don't stab me with meditation. |
140 | 00:06:03,515 | 00:06:05,442 | - Too bad, I already called. - Come on! | - Too bad, I already called. - Come on! |
141 | 00:06:05,467 | 00:06:09,137 | Private detective intern reports. Wow! | Private detective intern reports. Wow! |
142 | 00:06:10,361 | 00:06:12,039 | Is that... | Is that... |
143 | 00:06:12,064 | 00:06:14,418 | - What is going on? - We become advisers | - What is going on? - We become advisers |
144 | 00:06:14,443 | 00:06:17,311 | - on Willow's next feature. - Cool. | - on Willow's next feature. - Cool. |
145 | 00:06:17,336 | 00:06:19,271 | Not as cool as this. | Not as cool as this. |
146 | 00:06:20,942 | 00:06:23,803 | (BUILDING SOUNDS) | (BUILDING SOUNDS) |
147 | 00:06:24,804 | 00:06:27,168 | Hi! I am Mona. Are you here | Hi! I am Mona. Are you here |
148 | 00:06:27,193 | 00:06:29,626 | to learn more about our supplements? Or maybe join the team? | to learn more about our supplements? Or maybe join the team? |
149 | 00:06:29,651 | 00:06:31,945 | You know with these faces you two could see me the moon. | You know with these faces you two could see me the moon. |
150 | 00:06:31,970 | 00:06:34,353 | We are one from your competitors. | We are one from your competitors. |
151 | 00:06:34,378 | 00:06:35,621 | Thinking about making the move. | Thinking about making the move. |
152 | 00:06:35,646 | 00:06:38,441 | Oh. Caterpillar Supplements, right? | Oh. Caterpillar Supplements, right? |
153 | 00:06:38,466 | 00:06:40,943 | Uh ... we prefer not to say it. | Uh ... we prefer not to say it. |
154 | 00:06:40,968 | 00:06:43,275 | Don't blame you. Now, I've heard it | Don't blame you. Now, I've heard it |
155 | 00:06:43,300 | 00:06:47,037 | they use gelatin in their so-called vegan protein powder. | they use gelatin in their so-called vegan protein powder. |
156 | 00:06:47,062 | 00:06:49,784 | I make it my business to know everything about everyone. | I make it my business to know everything about everyone. |
157 | 00:06:49,809 | 00:06:52,047 | Well, you must know who was here in the office | Well, you must know who was here in the office |
158 | 00:06:52,072 | 00:06:53,541 | last night around 11pm | last night around 11pm |
159 | 00:06:53,566 | 00:06:55,798 | That's a strangely specific question. | That's a strangely specific question. |
160 | 00:06:55,823 | 00:06:58,814 | I called to check you out. A woman replied. | I called to check you out. A woman replied. |
161 | 00:06:58,839 | 00:07:00,705 | We had a nice chat. That's why we're here | We had a nice chat. That's why we're here |
162 | 00:07:00,730 | 00:07:03,049 | consider making the switch to Butterfly. | consider making the switch to Butterfly. |
163 | 00:07:03,074 | 00:07:05,299 | Are you sure you called here? Because of all the noise | Are you sure you called here? Because of all the noise |
164 | 00:07:05,324 | 00:07:07,384 | construction noises the building, have our guides | construction noises the building, have our guides |
165 | 00:07:07,409 | 00:07:10,268 | - have been working from home lately. Oh. So it wasn't you? | - have been working from home lately. Oh. So it wasn't you? |
166 | 00:07:10,293 | 00:07:12,828 | Oh, I was with a client engagement dinner. | Oh, I was with a client engagement dinner. |
167 | 00:07:13,176 | 00:07:15,425 | As long as we're here how about a tour? | As long as we're here how about a tour? |
168 | 00:07:15,450 | 00:07:17,760 | Oh! (LAUGH) No. | Oh! (LAUGH) No. |
169 | 00:07:17,785 | 00:07:20,292 | Not until you draw on the dotted line. | Not until you draw on the dotted line. |
170 | 00:07:20,317 | 00:07:22,327 | And pass an education. Then the gates | And pass an education. Then the gates |
171 | 00:07:22,352 | 00:07:24,846 | of this magical vitamin kingdom is also open to you. | of this magical vitamin kingdom is also open to you. |
172 | 00:07:24,879 | 00:07:27,955 | - Oh, ginseng gum? - Come on! It's organic. | - Oh, ginseng gum? - Come on! It's organic. |
173 | 00:07:30,721 | 00:07:32,791 | (GASPS) | (GASPS) |
174 | 00:07:33,807 | 00:07:36,627 | - Would you like to get her some water? - Yes of course! | - Would you like to get her some water? - Yes of course! |
175 | 00:07:36,652 | 00:07:38,572 | Ugh! (GASP) | Ugh! (GASP) |
176 | 00:07:38,612 | 00:07:40,956 | - Ugh. - (DOOR CLOSES) | - Ugh. - (DOOR CLOSES) |
177 | 00:07:40,981 | 00:07:44,557 | Uh ... Um ... Wow. | Uh ... Um ... Wow. |
178 | 00:07:44,582 | 00:07:46,850 | - You are good. - 87 episodes and counting. | - You are good. - 87 episodes and counting. |
179 | 00:07:46,998 | 00:07:48,604 | I'm going to check the blinds. | I'm going to check the blinds. |
180 | 00:07:49,241 | 00:07:51,910 | (TENSE MUSIC) | (TENSE MUSIC) |
181 | 00:07:55,698 | 00:07:57,311 | No. | No. |
182 | 00:07:58,419 | 00:08:01,276 | - (GASPS) - Hi. | - (GASPS) - Hi. |
183 | 00:08:01,301 | 00:08:04,472 | Oh thanks. That ginseng has a kick. | Oh thanks. That ginseng has a kick. |
184 | 00:08:04,497 | 00:08:07,711 | So what do you say? Are you ready to spread your wings | So what do you say? Are you ready to spread your wings |
185 | 00:08:07,736 | 00:08:09,292 | and release your inner butterfly? | and release your inner butterfly? |
186 | 00:08:09,317 | 00:08:11,367 | Well, you'll make it sounds tempting. | Well, you'll make it sounds tempting. |
187 | 00:08:11,392 | 00:08:14,119 | You know what? Why don't you do that? try a product sample? | You know what? Why don't you do that? try a product sample? |
188 | 00:08:14,144 | 00:08:16,018 | You will see the quality for yourself. | You will see the quality for yourself. |
189 | 00:08:16,043 | 00:08:18,246 | This is now our bestseller. | This is now our bestseller. |
190 | 00:08:18,958 | 00:08:22,128 | Gives you an extra lift, you know. | Gives you an extra lift, you know. |
191 | 00:08:22,724 | 00:08:26,008 | (INSTRUCTOR): Imagine your breath in color. | (INSTRUCTOR): Imagine your breath in color. |
192 | 00:08:26,497 | 00:08:28,718 | You want to breathe in green | You want to breathe in green |
193 | 00:08:29,044 | 00:08:31,184 | and exhale blue. | and exhale blue. |
194 | 00:08:33,157 | 00:08:36,352 | That marks the end of guided meditation. | That marks the end of guided meditation. |
195 | 00:08:36,656 | 00:08:39,378 | The electromagnetic massage is is going to take over | The electromagnetic massage is is going to take over |
196 | 00:08:39,403 | 00:08:41,778 | and guide you deeply | and guide you deeply |
197 | 00:08:41,803 | 00:08:44,445 | in your own breath for the rest of the class. | in your own breath for the rest of the class. |
198 | 00:08:44,659 | 00:08:46,660 | (CALM MUSIC PLAYS) | (CALM MUSIC PLAYS) |
199 | 00:08:55,401 | 00:08:59,332 | (SUSPENDED MUSIC) | (SUSPENDED MUSIC) |
200 | 00:09:05,793 | 00:09:08,053 | Uh, you know, the session is not over yet. | Uh, you know, the session is not over yet. |
201 | 00:09:08,078 | 00:09:10,303 | - You will not get a refund. - Yes. | - You will not get a refund. - Yes. |
202 | 00:09:10,328 | 00:09:12,549 | It's a little early for me to put my zen on. | It's a little early for me to put my zen on. |
203 | 00:09:12,574 | 00:09:15,409 | Maybe if you had some late-night classes, say ... | Maybe if you had some late-night classes, say ... |
204 | 00:09:15,434 | 00:09:18,643 | - around 11? - Well, classes after 9pm | - around 11? - Well, classes after 9pm |
205 | 00:09:18,668 | 00:09:20,862 | would disturb your natural circadian rhythms. | would disturb your natural circadian rhythms. |
206 | 00:09:21,955 | 00:09:24,221 | Oh, uh, where's River today? I've heard her lessons | Oh, uh, where's River today? I've heard her lessons |
207 | 00:09:24,246 | 00:09:27,018 | - are great. - oh well, | - are great. - oh well, |
208 | 00:09:27,043 | 00:09:29,307 | she didn't bother to appear or make a call. | she didn't bother to appear or make a call. |
209 | 00:09:29,332 | 00:09:31,400 | - Really? - Probably part of her tantrum | - Really? - Probably part of her tantrum |
210 | 00:09:31,425 | 00:09:33,713 | with construction that is going downstairs. She says | with construction that is going downstairs. She says |
211 | 00:09:33,738 | 00:09:37,166 | the dust stops her aperture from full turn off. | the dust stops her aperture from full turn off. |
212 | 00:09:37,191 | 00:09:41,544 | Poor river. So I think she is off schedule, huh? | Poor river. So I think she is off schedule, huh? |
213 | 00:09:41,569 | 00:09:43,714 | - Let me have a look. - Thanks. | - Let me have a look. - Thanks. |
214 | 00:09:47,614 | 00:09:49,985 | It resembles our computer system is offline. | It resembles our computer system is offline. |
215 | 00:09:50,010 | 00:09:52,011 | Oh. You know what? I think you are right. | Oh. You know what? I think you are right. |
216 | 00:09:52,036 | 00:09:53,565 | Meditation is just not for me. | Meditation is just not for me. |
217 | 00:09:53,590 | 00:09:56,972 | But I am very interested in immersion therapy. | But I am very interested in immersion therapy. |
218 | 00:09:56,997 | 00:09:59,465 | Um, if you're new to the modality, | Um, if you're new to the modality, |
219 | 00:09:59,490 | 00:10:02,109 | you run the risk of kundalini congestion, so. | you run the risk of kundalini congestion, so. |
220 | 00:10:02,134 | 00:10:03,909 | I'm pretty sure my kundalini | I'm pretty sure my kundalini |
221 | 00:10:03,934 | 00:10:05,859 | can handle more than you think it is possible | can handle more than you think it is possible |
222 | 00:10:05,884 | 00:10:08,917 | - If you know what I mean. - Yes. Uh ... | - If you know what I mean. - Yes. Uh ... |
223 | 00:10:08,942 | 00:10:10,487 | - Excuse me. - Yes. | - Excuse me. - Yes. |
224 | 00:10:10,592 | 00:10:13,955 | - (THE PHONE GOES) - Eternal Lotus. | - (THE PHONE GOES) - Eternal Lotus. |
225 | 00:10:16,376 | 00:10:18,844 | (SIGHS) Damn. | (SIGHS) Damn. |
226 | 00:10:19,168 | 00:10:21,041 | (LIFT THINGS) | (LIFT THINGS) |
227 | 00:10:21,118 | 00:10:23,135 | Hello! You should have seen it. | Hello! You should have seen it. |
228 | 00:10:23,161 | 00:10:25,868 | Matt was on his feet so quickly. It was just like that | Matt was on his feet so quickly. It was just like that |
229 | 00:10:25,893 | 00:10:28,478 | - a better class. Matt has it | - a better class. Matt has it |
230 | 00:10:28,503 | 00:10:31,112 | - endurance powder. - It was a gift. | - endurance powder. - It was a gift. |
231 | 00:10:31,137 | 00:10:33,752 | - From a concerned friend? - From the vitamin manager! | - From a concerned friend? - From the vitamin manager! |
232 | 00:10:33,777 | 00:10:35,120 | Oh. - A blonde who claims to have | Oh. - A blonde who claims to have |
233 | 00:10:35,145 | 00:10:36,830 | an alibi. And you? Is all your tension | an alibi. And you? Is all your tension |
234 | 00:10:36,855 | 00:10:39,119 | magically melted away? Until now. | magically melted away? Until now. |
235 | 00:10:39,144 | 00:10:40,625 | One of the meditation instructors | One of the meditation instructors |
236 | 00:10:40,650 | 00:10:42,711 | also a blonde and she didn't come to work today. | also a blonde and she didn't come to work today. |
237 | 00:10:42,736 | 00:10:45,299 | Huh. Maybe we found ours blondes. But what's the motive? | Huh. Maybe we found ours blondes. But what's the motive? |
238 | 00:10:45,324 | 00:10:47,055 | Well, there is one more company on that list, | Well, there is one more company on that list, |
239 | 00:10:47,080 | 00:10:49,278 | Bridgeland Architects. It's around the corner. | Bridgeland Architects. It's around the corner. |
240 | 00:10:49,303 | 00:10:52,278 | So what's the play? I do a great dissatisfied customer. | So what's the play? I do a great dissatisfied customer. |
241 | 00:10:52,303 | 00:10:54,866 | Or you can take the pictures of our potential blondes | Or you can take the pictures of our potential blondes |
242 | 00:10:54,891 | 00:10:57,396 | - back to Zoe at the office. - Why don't we just text them? | - back to Zoe at the office. - Why don't we just text them? |
243 | 00:10:57,421 | 00:10:59,137 | And take Willow away of getting the chance | And take Willow away of getting the chance |
244 | 00:10:59,162 | 00:11:01,504 | - to see Zoe in action? - I'd like to see it | - to see Zoe in action? - I'd like to see it |
245 | 00:11:01,529 | 00:11:03,742 | hair in action! It's another look behind the curtain. | hair in action! It's another look behind the curtain. |
246 | 00:11:03,767 | 00:11:05,068 | Well I think you should see it | Well I think you should see it |
247 | 00:11:05,093 | 00:11:07,920 | - how the whole operation works. - (KISSING SOUNDS) | - how the whole operation works. - (KISSING SOUNDS) |
248 | 00:11:07,945 | 00:11:10,080 | I'll see you at the office. | I'll see you at the office. |
249 | 00:11:10,105 | 00:11:12,098 | I don't want to let it go to waste. | I don't want to let it go to waste. |
250 | 00:11:12,837 | 00:11:14,676 | (CHUCKLES) | (CHUCKLES) |
251 | 00:11:21,606 | 00:11:23,574 | (MATT): Just roll up shutters, no verticals. | (MATT): Just roll up shutters, no verticals. |
252 | 00:11:23,599 | 00:11:26,238 | Yeah, but maybe one of ours blondes works on this floor. | Yeah, but maybe one of ours blondes works on this floor. |
253 | 00:11:26,263 | 00:11:27,668 | - Hello. - Hello. | - Hello. - Hello. |
254 | 00:11:27,693 | 00:11:29,043 | I am Grant Bridgeland. | I am Grant Bridgeland. |
255 | 00:11:29,068 | 00:11:31,129 | Oh, into the Bridgeland Bridgeland Architects? | Oh, into the Bridgeland Bridgeland Architects? |
256 | 00:11:31,154 | 00:11:32,332 | One and the same. | One and the same. |
257 | 00:11:32,357 | 00:11:34,410 | My wife and I were hoping | My wife and I were hoping |
258 | 00:11:34,435 | 00:11:36,826 | to get a quote for plans for our new home. | to get a quote for plans for our new home. |
259 | 00:11:36,851 | 00:11:39,331 | I don't actually do it residential contracts more. | I don't actually do it residential contracts more. |
260 | 00:11:39,356 | 00:11:41,577 | I am preparing an offer at the new opera house. | I am preparing an offer at the new opera house. |
261 | 00:11:41,602 | 00:11:43,308 | Sounds like a high-profile performance. | Sounds like a high-profile performance. |
262 | 00:11:43,333 | 00:11:46,715 | That is amazing. Your staff has to work day and night. | That is amazing. Your staff has to work day and night. |
263 | 00:11:46,740 | 00:11:48,709 | I actually do all designs by themselves. | I actually do all designs by themselves. |
264 | 00:11:48,734 | 00:11:50,714 | - Really? - Wow. Um, | - Really? - Wow. Um, |
265 | 00:11:50,739 | 00:11:52,547 | Erika Michaels. I went to school | Erika Michaels. I went to school |
266 | 00:11:52,572 | 00:11:54,566 | with an Erika Michaels. Did we just miss her? | with an Erika Michaels. Did we just miss her? |
267 | 00:11:54,591 | 00:11:56,699 | No. No, she's out of town at a conference. | No. No, she's out of town at a conference. |
268 | 00:11:56,724 | 00:11:58,957 | Oh. Is it the same Erika? Blond hair, | Oh. Is it the same Erika? Blond hair, |
269 | 00:11:58,982 | 00:12:01,340 | - blue eyes? Actually, she's a brunette. | - blue eyes? Actually, she's a brunette. |
270 | 00:12:01,881 | 00:12:04,222 | If you want to excuse me I'll be late | If you want to excuse me I'll be late |
271 | 00:12:04,247 | 00:12:05,976 | for a magazine interview. | for a magazine interview. |
272 | 00:12:06,805 | 00:12:09,106 | No vertical blinds, no blondes. | No vertical blinds, no blondes. |
273 | 00:12:09,131 | 00:12:11,636 | - So much for our architect. - We've already ruled it out | - So much for our architect. - We've already ruled it out |
274 | 00:12:11,661 | 00:12:13,707 | the meditation studio and the vitamin site | the meditation studio and the vitamin site |
275 | 00:12:13,732 | 00:12:16,184 | - as a crime scene. - I'll get Zoe started on this. | - as a crime scene. - I'll get Zoe started on this. |
276 | 00:12:16,209 | 00:12:19,278 | I think we just have to do look at the empty eighth floor. | I think we just have to do look at the empty eighth floor. |
277 | 00:12:19,421 | 00:12:21,078 | Yes. But first, | Yes. But first, |
278 | 00:12:21,103 | 00:12:22,870 | we need access. | we need access. |
279 | 00:12:27,373 | 00:12:30,241 | (TRAFFIC SOUND) | (TRAFFIC SOUND) |
280 | 00:12:30,266 | 00:12:33,696 | OK. Uh, so today we have a missing person | OK. Uh, so today we have a missing person |
281 | 00:12:33,721 | 00:12:36,661 | meditation instructor to find, and a vitamin manager | meditation instructor to find, and a vitamin manager |
282 | 00:12:36,686 | 00:12:38,553 | alibi to check. - Excellent. | alibi to check. - Excellent. |
283 | 00:12:38,578 | 00:12:41,272 | There is a similar scene in the script. My character has | There is a similar scene in the script. My character has |
284 | 00:12:41,297 | 00:12:44,007 | to find someone, so she goes in an underground bunker | to find someone, so she goes in an underground bunker |
285 | 00:12:44,032 | 00:12:46,476 | to hack the Fed's database. | to hack the Fed's database. |
286 | 00:12:46,885 | 00:12:49,562 | Oh. Well, I just usually check out social media. | Oh. Well, I just usually check out social media. |
287 | 00:12:49,587 | 00:12:51,314 | Oh. Okay. | Oh. Okay. |
288 | 00:12:51,339 | 00:12:52,983 | I think that can work too. | I think that can work too. |
289 | 00:12:53,555 | 00:12:55,438 | I need to know absolutely everything | I need to know absolutely everything |
290 | 00:12:55,463 | 00:12:57,639 | about how a detective desk works. No detail is | about how a detective desk works. No detail is |
291 | 00:12:57,664 | 00:12:59,554 | - too small. - Well, the smallest details | - too small. - Well, the smallest details |
292 | 00:12:59,579 | 00:13:01,160 | - are my favorite. - Excellent. | - are my favorite. - Excellent. |
293 | 00:13:01,551 | 00:13:04,553 | So tell me what's it really like | So tell me what's it really like |
294 | 00:13:04,578 | 00:13:06,116 | work for Shade and Angie? | work for Shade and Angie? |
295 | 00:13:06,141 | 00:13:08,748 | Oh. Um, it's great. | Oh. Um, it's great. |
296 | 00:13:09,481 | 00:13:12,884 | Do they, um ... do they ever disagree on a case? | Do they, um ... do they ever disagree on a case? |
297 | 00:13:12,909 | 00:13:15,226 | No. I mean there is much discussion. | No. I mean there is much discussion. |
298 | 00:13:15,251 | 00:13:18,016 | - You mean debate. - Oh, okay, of course. | - You mean debate. - Oh, okay, of course. |
299 | 00:13:18,041 | 00:13:20,910 | Heated arguments lead to office conflict. | Heated arguments lead to office conflict. |
300 | 00:13:20,935 | 00:13:23,171 | Oh. No no no no no no. | Oh. No no no no no no. |
301 | 00:13:23,196 | 00:13:25,757 | - I did not say that. - Oh, but there must be | - I did not say that. - Oh, but there must be |
302 | 00:13:25,782 | 00:13:28,935 | - a kind of tension. - Voltage? | - a kind of tension. - Voltage? |
303 | 00:13:30,162 | 00:13:32,546 | No no no. I... | No no no. I... |
304 | 00:13:32,571 | 00:13:34,374 | No, I can't think of any kind of tension. | No, I can't think of any kind of tension. |
305 | 00:13:34,399 | 00:13:36,577 | No. Whatever. | No. Whatever. |
306 | 00:13:39,221 | 00:13:41,222 | (INDISTINCT TALK ABOUT PA) | (INDISTINCT TALK ABOUT PA) |
307 | 00:13:41,247 | 00:13:43,171 | (ANGIE SIGHS) Excuse me. | (ANGIE SIGHS) Excuse me. |
308 | 00:13:43,196 | 00:13:44,797 | We represent the law firm | We represent the law firm |
309 | 00:13:44,822 | 00:13:46,335 | Sheverett and co-workers, | Sheverett and co-workers, |
310 | 00:13:46,360 | 00:13:48,638 | and we are interested when renting an office space. | and we are interested when renting an office space. |
311 | 00:13:48,663 | 00:13:50,832 | Uh, you can get in touch the sales team. | Uh, you can get in touch the sales team. |
312 | 00:13:50,857 | 00:13:52,796 | Uh, how is your safety? | Uh, how is your safety? |
313 | 00:13:52,821 | 00:13:55,577 | We have foreign customers, and we need access | We have foreign customers, and we need access |
314 | 00:13:55,602 | 00:13:57,710 | - after hours. - The elevators are operated | - after hours. - The elevators are operated |
315 | 00:13:57,735 | 00:14:00,655 | encrypted by a key ring on your specific floor. | encrypted by a key ring on your specific floor. |
316 | 00:14:00,680 | 00:14:02,788 | So there is no access to floors after hours? | So there is no access to floors after hours? |
317 | 00:14:02,813 | 00:14:04,680 | Only if you have the master keychain. | Only if you have the master keychain. |
318 | 00:14:04,705 | 00:14:06,843 | Which one is strictly monitored by you? | Which one is strictly monitored by you? |
319 | 00:14:08,596 | 00:14:10,632 | - Always. - I suppose you, | - Always. - I suppose you, |
320 | 00:14:10,657 | 00:14:13,127 | Keep a record of all employees | Keep a record of all employees |
321 | 00:14:13,152 | 00:14:16,021 | - who use their fobs after hours? - Of course why? | - who use their fobs after hours? - Of course why? |
322 | 00:14:16,046 | 00:14:18,915 | Well, it helps us with that billing. That way we can prove | Well, it helps us with that billing. That way we can prove |
323 | 00:14:18,940 | 00:14:21,935 | to clients that included lawyers the office at any point in time. | to clients that included lawyers the office at any point in time. |
324 | 00:14:21,960 | 00:14:23,913 | You will have to talk to management about this. | You will have to talk to management about this. |
325 | 00:14:23,938 | 00:14:26,116 | Any chance we can take look at the eighth floor? | Any chance we can take look at the eighth floor? |
326 | 00:14:26,141 | 00:14:27,166 | It's under construction. | It's under construction. |
327 | 00:14:27,191 | 00:14:28,992 | Still, it would give us a sense of space. | Still, it would give us a sense of space. |
328 | 00:14:29,017 | 00:14:31,505 | Sorry. Prohibited. Insurance issues. | Sorry. Prohibited. Insurance issues. |
329 | 00:14:31,530 | 00:14:35,045 | Oh. We understand it. Thank you so much for your help. | Oh. We understand it. Thank you so much for your help. |
330 | 00:14:37,302 | 00:14:39,549 | - I get it? - Like a baby's candy. | - I get it? - Like a baby's candy. |
331 | 00:14:39,574 | 00:14:41,220 | (LIFT THINGS) | (LIFT THINGS) |
332 | 00:14:42,382 | 00:14:45,719 | (SUSPENDED MUSIC) | (SUSPENDED MUSIC) |
333 | 00:14:52,352 | 00:14:55,274 | Well, this is very murder. | Well, this is very murder. |
334 | 00:14:55,299 | 00:14:57,233 | Willow would love it. | Willow would love it. |
335 | 00:14:57,258 | 00:14:59,778 | Speaking of which, thank you for that let her shadow us. | Speaking of which, thank you for that let her shadow us. |
336 | 00:14:59,803 | 00:15:01,780 | Yes No problem. | Yes No problem. |
337 | 00:15:03,307 | 00:15:05,994 | Okay, well, the vertical blinds are here. | Okay, well, the vertical blinds are here. |
338 | 00:15:07,971 | 00:15:10,224 | Except this one. | Except this one. |
339 | 00:15:10,249 | 00:15:12,874 | They have clearly been replaced. They have a different shade. | They have clearly been replaced. They have a different shade. |
340 | 00:15:13,124 | 00:15:15,710 | Well, like Sandra's story was accurate, | Well, like Sandra's story was accurate, |
341 | 00:15:15,735 | 00:15:17,769 | would have a scuffle happened here. | would have a scuffle happened here. |
342 | 00:15:18,040 | 00:15:20,741 | Okay. When I'm the attacker I hit you here. | Okay. When I'm the attacker I hit you here. |
343 | 00:15:21,087 | 00:15:23,118 | I pushed you back against the window. | I pushed you back against the window. |
344 | 00:15:23,143 | 00:15:24,882 | And I would have fell forward like that | And I would have fell forward like that |
345 | 00:15:24,907 | 00:15:27,681 | down through this pile of drywall. | down through this pile of drywall. |
346 | 00:15:28,076 | 00:15:29,810 | Look. | Look. |
347 | 00:15:29,835 | 00:15:31,478 | That's blood. | That's blood. |
348 | 00:15:31,650 | 00:15:33,218 | Sandra was right. | Sandra was right. |
349 | 00:15:33,243 | 00:15:35,979 | She actually witnessed a murder. | She actually witnessed a murder. |
350 | 00:15:40,919 | 00:15:45,061 | (SUSPENDED MUSIC) | (SUSPENDED MUSIC) |
351 | 00:15:45,529 | 00:15:47,092 | Oh. | Oh. |
352 | 00:15:47,350 | 00:15:50,054 | Please ignore me. I'm not here. | Please ignore me. I'm not here. |
353 | 00:15:50,079 | 00:15:52,860 | OK. Um. Certainly, blood spatters are evidence | OK. Um. Certainly, blood spatters are evidence |
354 | 00:15:52,885 | 00:15:55,581 | of something, but this is a construction site. | of something, but this is a construction site. |
355 | 00:15:55,606 | 00:15:57,751 | You know, injuries happen. Like once I cut myself | You know, injuries happen. Like once I cut myself |
356 | 00:15:57,776 | 00:16:00,844 | on a grapefruit spoon and when I do saw the blood, I passed out | on a grapefruit spoon and when I do saw the blood, I passed out |
357 | 00:16:00,869 | 00:16:03,797 | and hit my head, and something woke me up looked like a crime scene. | and hit my head, and something woke me up looked like a crime scene. |
358 | 00:16:04,719 | 00:16:08,798 | Uh, Danica, we're not talk about grapefruit. | Uh, Danica, we're not talk about grapefruit. |
359 | 00:16:08,823 | 00:16:11,095 | We talk about a possible murder. | We talk about a possible murder. |
360 | 00:16:11,120 | 00:16:12,228 | Mm-hmm. Yes. | Mm-hmm. Yes. |
361 | 00:16:12,253 | 00:16:15,606 | Well without a body I can't call this murder. | Well without a body I can't call this murder. |
362 | 00:16:17,424 | 00:16:20,040 | My fiancé and I love your show by the way, Lipstick Law. | My fiancé and I love your show by the way, Lipstick Law. |
363 | 00:16:20,065 | 00:16:23,067 | Oh thanks! Are you marry another agent? | Oh thanks! Are you marry another agent? |
364 | 00:16:23,473 | 00:16:25,069 | Um no. No. | Um no. No. |
365 | 00:16:25,094 | 00:16:28,031 | Um, she's one, Kate's an award winning investigative reporter. | Um, she's one, Kate's an award winning investigative reporter. |
366 | 00:16:28,484 | 00:16:30,533 | Does anyone have her life rights? | Does anyone have her life rights? |
367 | 00:16:30,558 | 00:16:32,501 | Not really. Maybe we should | Not really. Maybe we should |
368 | 00:16:32,526 | 00:16:34,142 | - talk about that. - Ahum! Um, what about | - talk about that. - Ahum! Um, what about |
369 | 00:16:34,167 | 00:16:35,771 | a report of a missing person? | a report of a missing person? |
370 | 00:16:35,796 | 00:16:38,521 | No one who fits the timetable and description | No one who fits the timetable and description |
371 | 00:16:38,546 | 00:16:40,041 | of the alleged victim. | of the alleged victim. |
372 | 00:16:40,236 | 00:16:41,965 | Uh, the concierge stays | Uh, the concierge stays |
373 | 00:16:41,990 | 00:16:44,681 | a record of all fobs used after hours. | a record of all fobs used after hours. |
374 | 00:16:44,706 | 00:16:46,970 | Mm-hmm. Yes. I'll investigate that. | Mm-hmm. Yes. I'll investigate that. |
375 | 00:16:47,061 | 00:16:49,071 | Speaking of, the concierge also mentioned | Speaking of, the concierge also mentioned |
376 | 00:16:49,096 | 00:16:51,850 | a missing master key fob. Oh. Thank you. | a missing master key fob. Oh. Thank you. |
377 | 00:16:51,875 | 00:16:54,345 | - (THE PHONE GOES) - Did you steal the keychain? | - (THE PHONE GOES) - Did you steal the keychain? |
378 | 00:16:54,370 | 00:16:56,861 | Oh, I just borrowed it. That is more accurate. | Oh, I just borrowed it. That is more accurate. |
379 | 00:16:56,886 | 00:16:59,228 | - I have to take this. - Impressive. | - I have to take this. - Impressive. |
380 | 00:16:59,631 | 00:17:02,903 | Loves to bend the rules. | Loves to bend the rules. |
381 | 00:17:03,824 | 00:17:06,856 | Uh, I thought you shadowed me | Uh, I thought you shadowed me |
382 | 00:17:07,132 | 00:17:09,032 | Yes darling! I am. | Yes darling! I am. |
383 | 00:17:09,647 | 00:17:12,038 | So what's your next move? | So what's your next move? |
384 | 00:17:12,391 | 00:17:14,798 | Uh, well, the following we need to find out | Uh, well, the following we need to find out |
385 | 00:17:14,823 | 00:17:17,375 | is how the murderer turned out the body out of here. | is how the murderer turned out the body out of here. |
386 | 00:17:18,010 | 00:17:21,099 | OK. Well, there is none many blood spatters, | OK. Well, there is none many blood spatters, |
387 | 00:17:21,124 | 00:17:24,212 | so ... maybe the body was wrapped in something? | so ... maybe the body was wrapped in something? |
388 | 00:17:24,237 | 00:17:26,251 | Maybe one of these plastic sheets? | Maybe one of these plastic sheets? |
389 | 00:17:26,348 | 00:17:29,341 | It would have made it easier to drag, but where? | It would have made it easier to drag, but where? |
390 | 00:17:29,366 | 00:17:30,923 | Not in the elevator. | Not in the elevator. |
391 | 00:17:30,948 | 00:17:33,001 | Because the concierge would have seen a dead creature | Because the concierge would have seen a dead creature |
392 | 00:17:33,026 | 00:17:34,350 | dragged out! | dragged out! |
393 | 00:17:35,216 | 00:17:36,934 | Uses logic | Uses logic |
394 | 00:17:36,959 | 00:17:39,146 | and deduction. | and deduction. |
395 | 00:17:39,870 | 00:17:42,983 | Maybe the murderer has come inside via the stairwell, | Maybe the murderer has come inside via the stairwell, |
396 | 00:17:43,008 | 00:17:44,782 | get the body out in the same way. | get the body out in the same way. |
397 | 00:17:44,807 | 00:17:46,806 | Yes, but the concierge she would still have seen | Yes, but the concierge she would still have seen |
398 | 00:17:46,831 | 00:17:48,563 | on the ground floor. | on the ground floor. |
399 | 00:17:48,889 | 00:17:51,362 | Well, this is a way out no one would have seen it. | Well, this is a way out no one would have seen it. |
400 | 00:17:51,387 | 00:17:52,931 | OK. I'm done here. | OK. I'm done here. |
401 | 00:17:52,956 | 00:17:55,345 | - I'm going back. - See. | - I'm going back. - See. |
402 | 00:17:55,370 | 00:17:56,900 | More blood. | More blood. |
403 | 00:17:57,825 | 00:18:00,500 | OK. Yes, that's blood. | OK. Yes, that's blood. |
404 | 00:18:01,328 | 00:18:03,295 | But this could still have happened come from the same | But this could still have happened come from the same |
405 | 00:18:03,320 | 00:18:05,758 | Construction worker at the window. | Construction worker at the window. |
406 | 00:18:06,365 | 00:18:10,093 | What? You have no body and no missing persons report. | What? You have no body and no missing persons report. |
407 | 00:18:10,118 | 00:18:12,138 | Can you blame me if I'm skeptical? | Can you blame me if I'm skeptical? |
408 | 00:18:12,367 | 00:18:15,683 | Do you hate amateurs? for messing with your turf? | Do you hate amateurs? for messing with your turf? |
409 | 00:18:15,913 | 00:18:18,290 | - "Amateurs"? - I'm normal | - "Amateurs"? - I'm normal |
410 | 00:18:18,315 | 00:18:19,939 | looking for conflict. | looking for conflict. |
411 | 00:18:20,764 | 00:18:23,566 | - For my movie. - Look. | - For my movie. - Look. |
412 | 00:18:23,591 | 00:18:26,193 | Why don't I both run blood? samples through the system. | Why don't I both run blood? samples through the system. |
413 | 00:18:26,218 | 00:18:27,993 | And then I will talk to the construction company | And then I will talk to the construction company |
414 | 00:18:28,018 | 00:18:29,782 | and see if there were any any injury on the spot. | and see if there were any any injury on the spot. |
415 | 00:18:29,807 | 00:18:32,283 | And then we have a better one idea of what we are dealing with. | And then we have a better one idea of what we are dealing with. |
416 | 00:18:35,587 | 00:18:37,788 | Let's see where this leads. | Let's see where this leads. |
417 | 00:18:38,335 | 00:18:40,336 | (TRAFFIC SOUNDS) | (TRAFFIC SOUNDS) |
418 | 00:18:40,361 | 00:18:42,712 | Angie, do you have a slogan? | Angie, do you have a slogan? |
419 | 00:18:42,737 | 00:18:45,620 | Like, when you catch a bad guy? On my show my character says: | Like, when you catch a bad guy? On my show my character says: |
420 | 00:18:45,645 | 00:18:47,597 | "It's a matter of life and death. And every time | "It's a matter of life and death. And every time |
421 | 00:18:47,622 | 00:18:50,540 | - She says so, the bad guy spills. - I wish it were like that | - She says so, the bad guy spills. - I wish it were like that |
422 | 00:18:50,565 | 00:18:52,673 | in real life. You never know until you try. | in real life. You never know until you try. |
423 | 00:18:52,698 | 00:18:55,073 | How is such a thing, "It's lights out for you." | How is such a thing, "It's lights out for you." |
424 | 00:18:55,098 | 00:18:58,015 | Or, "Meet your angel without mercy." | Or, "Meet your angel without mercy." |
425 | 00:18:58,602 | 00:19:00,808 | I don't ... I don't think I really am. | I don't ... I don't think I really am. |
426 | 00:19:00,833 | 00:19:02,636 | - But ... - We keep working | - But ... - We keep working |
427 | 00:19:02,661 | 00:19:04,409 | - am working on it. - Maybe I need it | - am working on it. - Maybe I need it |
428 | 00:19:04,434 | 00:19:08,246 | a slogan too. Like, um ... "Now you are in my shadow." | a slogan too. Like, um ... "Now you are in my shadow." |
429 | 00:19:09,444 | 00:19:12,780 | - Not bad. - Ha! She is nice. | - Not bad. - Ha! She is nice. |
430 | 00:19:14,111 | 00:19:15,839 | Oh damn. | Oh damn. |
431 | 00:19:17,623 | 00:19:19,784 | - It's empty. - So your murder theory | - It's empty. - So your murder theory |
432 | 00:19:19,809 | 00:19:21,339 | is everything wrong? | is everything wrong? |
433 | 00:19:22,182 | 00:19:23,816 | Maybe not. | Maybe not. |
434 | 00:19:24,226 | 00:19:27,506 | (PLAYFUL MUSIC) | (PLAYFUL MUSIC) |
435 | 00:19:30,910 | 00:19:34,472 | - (PHONE RINGS AND BUZZING) - Okay. Wait, I'm coming. | - (PHONE RINGS AND BUZZING) - Okay. Wait, I'm coming. |
436 | 00:19:36,214 | 00:19:38,832 | - (BEEP) - Hey, Shade. I'm just trying | - (BEEP) - Hey, Shade. I'm just trying |
437 | 00:19:38,857 | 00:19:40,624 | to recreate the blood spatters of the scene. | to recreate the blood spatters of the scene. |
438 | 00:19:40,649 | 00:19:43,018 | [The spray pattern matches blunt force trauma.] | [The spray pattern matches blunt force trauma.] |
439 | 00:19:43,043 | 00:19:45,023 | There would be much more blood. | There would be much more blood. |
440 | 00:19:45,048 | 00:19:47,605 | (MATT): [Yeah, just say that on hold for a while, Zoe.] | (MATT): [Yeah, just say that on hold for a while, Zoe.] |
441 | 00:19:47,630 | 00:19:49,147 | Certainly. Why? | Certainly. Why? |
442 | 00:19:49,172 | 00:19:52,347 | Well, I want you to call Waste disposal East-West. | Well, I want you to call Waste disposal East-West. |
443 | 00:19:52,372 | 00:19:54,409 | Ask them if they removed their dumpster | Ask them if they removed their dumpster |
444 | 00:19:54,434 | 00:19:56,769 | from The Emperor in the last 24 hours. | from The Emperor in the last 24 hours. |
445 | 00:19:56,794 | 00:19:58,829 | Certainly. That is far from | Certainly. That is far from |
446 | 00:19:58,854 | 00:20:01,078 | so funny as blunt force trauma. | so funny as blunt force trauma. |
447 | 00:20:05,332 | 00:20:11,085 | (INDISTINCT CHATTER) | (INDISTINCT CHATTER) |
448 | 00:20:14,471 | 00:20:17,206 | (SEAGULLS Howling) | (SEAGULLS Howling) |
449 | 00:20:17,231 | 00:20:18,821 | (INDISTINCT SPEAK) | (INDISTINCT SPEAK) |
450 | 00:20:18,846 | 00:20:21,447 | Hello. Listen, this is it a little embarrassing, | Hello. Listen, this is it a little embarrassing, |
451 | 00:20:21,472 | 00:20:23,821 | but I threw my brother's golf clubs | but I threw my brother's golf clubs |
452 | 00:20:23,846 | 00:20:26,187 | from our balcony and in the waste container | from our balcony and in the waste container |
453 | 00:20:26,212 | 00:20:27,604 | at The Emperor downtown. | at The Emperor downtown. |
454 | 00:20:27,629 | 00:20:30,092 | Your company said you chose in the waste container. Can we take | Your company said you chose in the waste container. Can we take |
455 | 00:20:30,117 | 00:20:31,415 | - a look? - We already pulled | - a look? - We already pulled |
456 | 00:20:31,440 | 00:20:35,070 | all recyclable materials and not me see golf clubs, so. | all recyclable materials and not me see golf clubs, so. |
457 | 00:20:35,095 | 00:20:36,907 | But do you still remember a body? | But do you still remember a body? |
458 | 00:20:39,020 | 00:20:41,622 | Are you Willow Maitland of Lipstick Law? | Are you Willow Maitland of Lipstick Law? |
459 | 00:20:41,857 | 00:20:43,618 | Oh my God! | Oh my God! |
460 | 00:20:43,643 | 00:20:45,510 | Wait wait. Can I? | Wait wait. Can I? |
461 | 00:20:45,535 | 00:20:47,500 | - My girlfriend was going to die. - Certainly. | - My girlfriend was going to die. - Certainly. |
462 | 00:20:47,525 | 00:20:49,586 | - If you answer some questions. - Jaaa Jaaa. | - If you answer some questions. - Jaaa Jaaa. |
463 | 00:20:49,618 | 00:20:51,421 | Something. Yes. | Something. Yes. |
464 | 00:20:51,957 | 00:20:54,384 | - Lipstick Wet! - (CAMERA CLICK) | - Lipstick Wet! - (CAMERA CLICK) |
465 | 00:20:55,086 | 00:20:56,756 | Well, that was easy. | Well, that was easy. |
466 | 00:20:56,781 | 00:20:58,618 | - The power of celebrities. - Listen. | - The power of celebrities. - Listen. |
467 | 00:20:58,643 | 00:21:01,086 | Have you seen anything? unusual in the waste container? | Have you seen anything? unusual in the waste container? |
468 | 00:21:01,111 | 00:21:03,806 | Yes. I mean, not like a body. | Yes. I mean, not like a body. |
469 | 00:21:05,695 | 00:21:07,529 | Is this a reality TV show? | Is this a reality TV show? |
470 | 00:21:07,579 | 00:21:09,978 | However, this is more than reality TV. | However, this is more than reality TV. |
471 | 00:21:11,047 | 00:21:13,069 | It's a matter of life and death. | It's a matter of life and death. |
472 | 00:21:13,668 | 00:21:16,416 | Oh my God. Oh my God. | Oh my God. Oh my God. |
473 | 00:21:16,441 | 00:21:18,656 | I can't just believe you said that. Have you heard all that? | I can't just believe you said that. Have you heard all that? |
474 | 00:21:18,681 | 00:21:20,907 | That's her slogan! She said, "It's a matter of life | That's her slogan! She said, "It's a matter of life |
475 | 00:21:20,932 | 00:21:22,869 | - and death. " - Yes, we heard. | - and death. " - Yes, we heard. |
476 | 00:21:22,894 | 00:21:24,431 | Where is the waste container now? | Where is the waste container now? |
477 | 00:21:24,471 | 00:21:26,746 | I mean, it just is right there, but ... | I mean, it just is right there, but ... |
478 | 00:21:26,771 | 00:21:28,573 | I can't let you ... | I can't let you ... |
479 | 00:21:31,170 | 00:21:33,418 | Man how can I say no? | Man how can I say no? |
480 | 00:21:34,434 | 00:21:37,384 | This is crazy! Lipstick Law. | This is crazy! Lipstick Law. |
481 | 00:21:38,822 | 00:21:41,391 | Hey, Willow, you don't ... | Hey, Willow, you don't ... |
482 | 00:21:41,416 | 00:21:44,165 | - If Angie does it, so am I. - Oh, Willow! | - If Angie does it, so am I. - Oh, Willow! |
483 | 00:21:44,190 | 00:21:46,103 | Light jacket, dirty waste container ... | Light jacket, dirty waste container ... |
484 | 00:21:46,128 | 00:21:49,189 | - Never mind. - oh! Sorry honey. | - Never mind. - oh! Sorry honey. |
485 | 00:21:49,214 | 00:21:51,776 | I'm not sure there is here room for three. | I'm not sure there is here room for three. |
486 | 00:21:57,491 | 00:21:59,292 | Has something. | Has something. |
487 | 00:21:59,841 | 00:22:01,599 | Seems like a murder weapon. | Seems like a murder weapon. |
488 | 00:22:01,814 | 00:22:05,721 | - Hello! Take a look at this. - Look at all that blood! | - Hello! Take a look at this. - Look at all that blood! |
489 | 00:22:05,746 | 00:22:07,430 | That's what Zoe was talking about. | That's what Zoe was talking about. |
490 | 00:22:07,455 | 00:22:09,916 | I'm texting Danica, get her to get someone down here. | I'm texting Danica, get her to get someone down here. |
491 | 00:22:09,941 | 00:22:13,197 | So we know it was body wrapped in plastic and dumped. | So we know it was body wrapped in plastic and dumped. |
492 | 00:22:13,222 | 00:22:16,005 | Yes, but why take the body of the waste container | Yes, but why take the body of the waste container |
493 | 00:22:16,030 | 00:22:17,447 | and leave the bloody plastic behind? | and leave the bloody plastic behind? |
494 | 00:22:17,472 | 00:22:19,525 | I feel a dramatic ending. | I feel a dramatic ending. |
495 | 00:22:20,496 | 00:22:22,731 | Maybe the killer didn't move the body. | Maybe the killer didn't move the body. |
496 | 00:22:22,756 | 00:22:25,416 | Maybe the body was moving itself. Our murder victim | Maybe the body was moving itself. Our murder victim |
497 | 00:22:25,441 | 00:22:27,205 | must still be alive. | must still be alive. |
498 | 00:22:31,221 | 00:22:34,102 | How about the plastic sheet and the pipe? They have to | How about the plastic sheet and the pipe? They have to |
499 | 00:22:34,127 | 00:22:35,961 | - prove something. - Nothing could be recovered | - prove something. - Nothing could be recovered |
500 | 00:22:35,995 | 00:22:38,229 | prints on both. I need something tangible | prints on both. I need something tangible |
501 | 00:22:38,254 | 00:22:41,580 | like a victim. As if she had been wrapped | like a victim. As if she had been wrapped |
502 | 00:22:41,605 | 00:22:44,918 | in this plastic, where is she? The construction company swears | in this plastic, where is she? The construction company swears |
503 | 00:22:44,943 | 00:22:46,737 | there have been no accidents on site. | there have been no accidents on site. |
504 | 00:22:46,762 | 00:22:48,658 | Well, what about the lab report? Is there anything in it? | Well, what about the lab report? Is there anything in it? |
505 | 00:22:48,683 | 00:22:52,787 | So the blood from the plasterboard it was not in front of the window | So the blood from the plasterboard it was not in front of the window |
506 | 00:22:52,812 | 00:22:54,689 | a match with the blood in the trash can. | a match with the blood in the trash can. |
507 | 00:22:54,714 | 00:22:57,169 | So the blood on the parachute could come from the attacker. | So the blood on the parachute could come from the attacker. |
508 | 00:22:57,194 | 00:22:59,427 | Neither is in the DNA database. There are no drugs | Neither is in the DNA database. There are no drugs |
509 | 00:22:59,452 | 00:23:02,533 | or alcohol involved. It has blood from the drywall | or alcohol involved. It has blood from the drywall |
510 | 00:23:02,558 | 00:23:05,436 | - a vitamin D deficiency. - Someone didn't get enough sun? | - a vitamin D deficiency. - Someone didn't get enough sun? |
511 | 00:23:05,461 | 00:23:08,188 | I suspect. I have also spoken to the janitor at the emperor's. | I suspect. I have also spoken to the janitor at the emperor's. |
512 | 00:23:08,213 | 00:23:11,129 | He says they don't an overview of the use of the key ring | He says they don't an overview of the use of the key ring |
513 | 00:23:11,154 | 00:23:13,830 | - because of IT problems. - So we have a series | - because of IT problems. - So we have a series |
514 | 00:23:13,855 | 00:23:15,659 | - from dead ends. - "So we have a series | - from dead ends. - "So we have a series |
515 | 00:23:15,684 | 00:23:19,244 | of dead ends. " Provides both concerns | of dead ends. " Provides both concerns |
516 | 00:23:19,462 | 00:23:21,159 | and frustration. | and frustration. |
517 | 00:23:21,184 | 00:23:23,029 | Willow. I did not know you were here. | Willow. I did not know you were here. |
518 | 00:23:23,054 | 00:23:24,939 | Detective Powers agreed to give me rock bottom | Detective Powers agreed to give me rock bottom |
519 | 00:23:24,964 | 00:23:27,487 | - on the side of the police. - Yes. You can watch me later | - on the side of the police. - Yes. You can watch me later |
520 | 00:23:27,512 | 00:23:30,181 | put the screws on a perp and its mouthpiece. | put the screws on a perp and its mouthpiece. |
521 | 00:23:30,284 | 00:23:33,793 | - Fantastic. - But first ... just a few hours | - Fantastic. - But first ... just a few hours |
522 | 00:23:33,818 | 00:23:36,042 | paperwork. So important, | paperwork. So important, |
523 | 00:23:36,067 | 00:23:39,631 | yet so under-represented in film and television, I think. | yet so under-represented in film and television, I think. |
524 | 00:23:41,682 | 00:23:43,175 | Oh. | Oh. |
525 | 00:23:43,900 | 00:23:46,541 | So our vitamin lady was Mona Macon | So our vitamin lady was Mona Macon |
526 | 00:23:46,566 | 00:23:47,853 | at the engagement dinner, | at the engagement dinner, |
527 | 00:23:47,878 | 00:23:49,712 | [but ... it ended at 10.] | [but ... it ended at 10.] |
528 | 00:23:49,737 | 00:23:52,227 | So she could still be our attacker. | So she could still be our attacker. |
529 | 00:23:52,252 | 00:23:54,822 | Did you find River, the meditation instructor? | Did you find River, the meditation instructor? |
530 | 00:23:54,847 | 00:23:57,486 | No. She usually posts inspirational quotes, | No. She usually posts inspirational quotes, |
531 | 00:23:57,511 | 00:24:00,234 | but she has not been online and she doesn't answer | but she has not been online and she doesn't answer |
532 | 00:24:00,259 | 00:24:01,923 | her phone and that of her roommate outside the city. | her phone and that of her roommate outside the city. |
533 | 00:24:01,948 | 00:24:04,158 | Fits our timeline. She could be our victim. | Fits our timeline. She could be our victim. |
534 | 00:24:04,191 | 00:24:06,225 | We should archive a report of a missing person. | We should archive a report of a missing person. |
535 | 00:24:06,250 | 00:24:08,080 | [I've already contacted Danica. She's on it.] | [I've already contacted Danica. She's on it.] |
536 | 00:24:08,105 | 00:24:09,872 | And what do you think of the vitamin deficiency? | And what do you think of the vitamin deficiency? |
537 | 00:24:09,897 | 00:24:12,119 | Maybe River will get it supplements from Mona? | Maybe River will get it supplements from Mona? |
538 | 00:24:12,144 | 00:24:14,245 | If she was, it wasn't with butterfly vitamins. | If she was, it wasn't with butterfly vitamins. |
539 | 00:24:14,270 | 00:24:16,503 | Their vitamin D supplement was taken off the market. | Their vitamin D supplement was taken off the market. |
540 | 00:24:16,528 | 00:24:18,588 | Hey, did Danica send? the security footage? | Hey, did Danica send? the security footage? |
541 | 00:24:18,613 | 00:24:21,675 | Yes. I will pair it now to your phone. | Yes. I will pair it now to your phone. |
542 | 00:24:21,853 | 00:24:25,259 | - (MATT): Got it. - [OK. So, Sandra said] | - (MATT): Got it. - [OK. So, Sandra said] |
543 | 00:24:25,284 | 00:24:28,463 | she saw the incident happen at 11. This ... | she saw the incident happen at 11. This ... |
544 | 00:24:28,832 | 00:24:31,900 | - [is a few minutes earlier.] - That's one of our blondes. | - [is a few minutes earlier.] - That's one of our blondes. |
545 | 00:24:31,925 | 00:24:34,181 | And if you fast forward ... | And if you fast forward ... |
546 | 00:24:34,961 | 00:24:37,874 | - (MATTE CHUCKLES) - Looks like the concierge is | - (MATTE CHUCKLES) - Looks like the concierge is |
547 | 00:24:37,899 | 00:24:39,533 | - hold a private party. - Yes. | - hold a private party. - Yes. |
548 | 00:24:39,558 | 00:24:41,351 | Are on-the-drink slim a normal thing. | Are on-the-drink slim a normal thing. |
549 | 00:24:41,376 | 00:24:43,539 | But he stays on the first floor close to his post, | But he stays on the first floor close to his post, |
550 | 00:24:43,564 | 00:24:45,532 | so he is secretly smart. | so he is secretly smart. |
551 | 00:24:45,557 | 00:24:47,490 | [And...] | [And...] |
552 | 00:24:47,943 | 00:24:50,070 | [same blonde gets back in the elevator] | [same blonde gets back in the elevator] |
553 | 00:24:50,095 | 00:24:52,265 | - [Half an hour later.] - Alive and well. | - [Half an hour later.] - Alive and well. |
554 | 00:24:52,290 | 00:24:54,621 | And possibly our potential murderer. | And possibly our potential murderer. |
555 | 00:24:54,654 | 00:24:56,312 | Zoe, get Sandra. | Zoe, get Sandra. |
556 | 00:24:56,337 | 00:24:58,374 | See if she can meet us for her service. | See if she can meet us for her service. |
557 | 00:24:58,657 | 00:25:00,591 | (SANDRA): So the woman I thought | (SANDRA): So the woman I thought |
558 | 00:25:00,616 | 00:25:02,422 | was murdered is not dead? | was murdered is not dead? |
559 | 00:25:02,714 | 00:25:05,213 | God, that's a relief. Do you know who she is? | God, that's a relief. Do you know who she is? |
560 | 00:25:05,238 | 00:25:07,439 | Well, maybe this woman, River. | Well, maybe this woman, River. |
561 | 00:25:07,464 | 00:25:09,070 | She is a meditation instructor | She is a meditation instructor |
562 | 00:25:09,095 | 00:25:11,681 | - at The Emperor. - I do not know her. | - at The Emperor. - I do not know her. |
563 | 00:25:11,721 | 00:25:14,179 | What about this woman? Could she was the attacker? | What about this woman? Could she was the attacker? |
564 | 00:25:14,204 | 00:25:16,728 | It is possible. As I said, I didn't see any faces. | It is possible. As I said, I didn't see any faces. |
565 | 00:25:19,141 | 00:25:20,975 | Is this going to ring? | Is this going to ring? |
566 | 00:25:21,900 | 00:25:23,765 | Actually, now that I see it | Actually, now that I see it |
567 | 00:25:23,790 | 00:25:25,696 | I think one of them was wear that sweater. | I think one of them was wear that sweater. |
568 | 00:25:26,654 | 00:25:30,156 | (SUSPENDED MUSIC) | (SUSPENDED MUSIC) |
569 | 00:25:30,868 | 00:25:32,617 | The last time you were a lawyer. | The last time you were a lawyer. |
570 | 00:25:32,642 | 00:25:34,617 | Now you are PIs? Why don't you come back? | Now you are PIs? Why don't you come back? |
571 | 00:25:34,642 | 00:25:36,787 | if you are exterminators? We have a rodent problem. | if you are exterminators? We have a rodent problem. |
572 | 00:25:36,812 | 00:25:38,312 | We need you to see this. | We need you to see this. |
573 | 00:25:38,337 | 00:25:40,689 | I serve the tenants, not you. | I serve the tenants, not you. |
574 | 00:25:41,407 | 00:25:44,047 | It looks like you are serving yourself to. What is that, whiskey? | It looks like you are serving yourself to. What is that, whiskey? |
575 | 00:25:44,072 | 00:25:45,964 | - How did you get that? - The better question is | - How did you get that? - The better question is |
576 | 00:25:45,989 | 00:25:49,195 | - what are we going to do with it? - Would you like to try this again? | - what are we going to do with it? - Would you like to try this again? |
577 | 00:25:49,508 | 00:25:51,390 | I do not know. We have alot of different blondes | I do not know. We have alot of different blondes |
578 | 00:25:51,415 | 00:25:54,476 | Inside the building. Like River? Or Mona Macon? | Inside the building. Like River? Or Mona Macon? |
579 | 00:25:54,501 | 00:25:56,015 | I've never seen they here after hours. | I've never seen they here after hours. |
580 | 00:25:56,040 | 00:25:58,659 | - It could be Pam Bridgeland. - As in | - It could be Pam Bridgeland. - As in |
581 | 00:25:58,684 | 00:26:01,516 | - Bridgeland Architects? - Yes. Mr. Bridgeland's wife. | - Bridgeland Architects? - Yes. Mr. Bridgeland's wife. |
582 | 00:26:01,541 | 00:26:03,953 | He lives in the penthouse. I leave deliveries at her door. | He lives in the penthouse. I leave deliveries at her door. |
583 | 00:26:03,978 | 00:26:05,939 | I just see her reaching to retrieve them. | I just see her reaching to retrieve them. |
584 | 00:26:05,964 | 00:26:07,665 | I think she's a bit of a hermit. | I think she's a bit of a hermit. |
585 | 00:26:07,690 | 00:26:10,959 | - We need to talk to her. - Whoa, whoa. Not my problem. | - We need to talk to her. - Whoa, whoa. Not my problem. |
586 | 00:26:11,142 | 00:26:12,211 | ♪ | ♪ |
587 | 00:26:12,516 | 00:26:17,430 | - (INSECTS CHIRPING) - (DISTANT DOG BARKING) | - (INSECTS CHIRPING) - (DISTANT DOG BARKING) |
588 | 00:26:19,100 | 00:26:21,591 | Let me guess. Matt is not coming. | Let me guess. Matt is not coming. |
589 | 00:26:22,152 | 00:26:24,755 | Well, I think it is the life of a PI. | Well, I think it is the life of a PI. |
590 | 00:26:24,896 | 00:26:27,264 | You never know where you are from one minute to the next. | You never know where you are from one minute to the next. |
591 | 00:26:27,289 | 00:26:30,342 | Yes, he keeps himself quite busy, that's for sure. | Yes, he keeps himself quite busy, that's for sure. |
592 | 00:26:31,213 | 00:26:32,763 | You know, um, | You know, um, |
593 | 00:26:32,788 | 00:26:35,303 | - I acted a bit myself. - Really? | - I acted a bit myself. - Really? |
594 | 00:26:35,328 | 00:26:37,459 | Just local stuff, but, uh, | Just local stuff, but, uh, |
595 | 00:26:37,594 | 00:26:39,811 | the neighborhood newspaper described my achievement | the neighborhood newspaper described my achievement |
596 | 00:26:39,836 | 00:26:42,370 | from Fagan as "unique." | from Fagan as "unique." |
597 | 00:26:43,457 | 00:26:44,911 | Any press is a good press. | Any press is a good press. |
598 | 00:26:44,936 | 00:26:48,060 | - Yes, I think so. - (BOTH CHUCKLE) | - Yes, I think so. - (BOTH CHUCKLE) |
599 | 00:26:48,085 | 00:26:51,279 | Mm! Hey, you play a PI in a new movie, yes? | Mm! Hey, you play a PI in a new movie, yes? |
600 | 00:26:51,304 | 00:26:54,306 | Yes. If I can get it funded it, that's the plan. | Yes. If I can get it funded it, that's the plan. |
601 | 00:26:54,476 | 00:26:56,537 | Well I'm not Matt, but, uh | Well I'm not Matt, but, uh |
602 | 00:26:56,606 | 00:26:58,092 | I have an inside track | I have an inside track |
603 | 00:26:58,117 | 00:27:00,330 | if you're interested when hearing stories. | if you're interested when hearing stories. |
604 | 00:27:01,680 | 00:27:03,627 | What do you know about Angie? | What do you know about Angie? |
605 | 00:27:04,050 | 00:27:05,627 | Angie ... | Angie ... |
606 | 00:27:07,066 | 00:27:09,045 | OK. Well she's, uh, | OK. Well she's, uh, |
607 | 00:27:09,070 | 00:27:11,571 | she is everything must be a partner: | she is everything must be a partner: |
608 | 00:27:12,528 | 00:27:15,551 | loyal, smart, friendly. | loyal, smart, friendly. |
609 | 00:27:15,576 | 00:27:17,978 | Difficult ... but fair. | Difficult ... but fair. |
610 | 00:27:18,344 | 00:27:20,521 | The classic protagonist leading lady. | The classic protagonist leading lady. |
611 | 00:27:21,336 | 00:27:23,857 | - (TELEPHONE IMPORTANT) - Hmm! | - (TELEPHONE IMPORTANT) - Hmm! |
612 | 00:27:25,349 | 00:27:28,818 | Oh, it's Matt. Oh, he needs a favor. | Oh, it's Matt. Oh, he needs a favor. |
613 | 00:27:28,843 | 00:27:31,162 | Oh. I wish I could help more. | Oh. I wish I could help more. |
614 | 00:27:31,187 | 00:27:33,905 | But I get it. There is only so much an actress can do. | But I get it. There is only so much an actress can do. |
615 | 00:27:33,930 | 00:27:35,907 | Actually, um ... | Actually, um ... |
616 | 00:27:36,177 | 00:27:39,329 | I think is an actress just what Matt needs. | I think is an actress just what Matt needs. |
617 | 00:27:48,971 | 00:27:50,839 | I have a work assignment for the penthouse. | I have a work assignment for the penthouse. |
618 | 00:27:50,864 | 00:27:53,025 | - The landline needs service. - I did not hear it | - The landline needs service. - I did not hear it |
619 | 00:27:53,050 | 00:27:55,095 | something about this. | something about this. |
620 | 00:27:56,728 | 00:27:58,562 | Line is dead. | Line is dead. |
621 | 00:27:59,683 | 00:28:01,935 | Hence the need for service. | Hence the need for service. |
622 | 00:28:05,276 | 00:28:08,236 | (LIFT THINGS) | (LIFT THINGS) |
623 | 00:28:26,068 | 00:28:27,869 | Not who you expected? | Not who you expected? |
624 | 00:28:27,917 | 00:28:29,782 | Are those my dad's overalls? | Are those my dad's overalls? |
625 | 00:28:29,807 | 00:28:31,954 | I once played a seamstress in occupied France. | I once played a seamstress in occupied France. |
626 | 00:28:31,979 | 00:28:34,587 | - I can make everything fit me. - How did you actually know this? | - I can make everything fit me. - How did you actually know this? |
627 | 00:28:34,612 | 00:28:36,297 | I was with Don when you sent him a text message. | I was with Don when you sent him a text message. |
628 | 00:28:36,322 | 00:28:37,734 | He thought so better suited | He thought so better suited |
629 | 00:28:37,759 | 00:28:39,767 | for the role. I usually agree. | for the role. I usually agree. |
630 | 00:28:39,792 | 00:28:41,960 | - And the phone line? - Junction box. A switch. | - And the phone line? - Junction box. A switch. |
631 | 00:28:41,985 | 00:28:44,077 | - Easy. - I have to say, you are | - Easy. - I have to say, you are |
632 | 00:28:44,110 | 00:28:46,539 | - a whole chameleon. - That's the nicest | - a whole chameleon. - That's the nicest |
633 | 00:28:46,564 | 00:28:49,689 | you could have said. I really appreciate | you could have said. I really appreciate |
634 | 00:28:49,714 | 00:28:51,817 | - your trust in me. Thanks for your help, Willow. | - your trust in me. Thanks for your help, Willow. |
635 | 00:28:51,842 | 00:28:55,008 | No, thank you. This has given me a great idea | No, thank you. This has given me a great idea |
636 | 00:28:55,033 | 00:28:57,047 | for a whole new series in the movie. I have to call | for a whole new series in the movie. I have to call |
637 | 00:28:57,072 | 00:28:58,873 | the writer, who by the way has was surprisingly unresponsive | the writer, who by the way has was surprisingly unresponsive |
638 | 00:28:58,898 | 00:29:00,805 | on my notes. Bye! | on my notes. Bye! |
639 | 00:29:01,118 | 00:29:03,188 | - She's all in, isn't she? - Yes. The cinema | - She's all in, isn't she? - Yes. The cinema |
640 | 00:29:03,213 | 00:29:05,499 | - important to her. - Not just the movie. | - important to her. - Not just the movie. |
641 | 00:29:06,065 | 00:29:07,833 | (DOORBELL GOES) | (DOORBELL GOES) |
642 | 00:29:10,351 | 00:29:12,624 | Um, Pam Bridgeland? | Um, Pam Bridgeland? |
643 | 00:29:12,649 | 00:29:14,938 | - This is a private floor. - Yes. We are sorry | - This is a private floor. - Yes. We are sorry |
644 | 00:29:14,963 | 00:29:16,984 | to bother you, ma'am. We are working with building security | to bother you, ma'am. We are working with building security |
645 | 00:29:17,009 | 00:29:19,156 | as to some vandalism on the eighth floor. | as to some vandalism on the eighth floor. |
646 | 00:29:19,181 | 00:29:21,992 | Have you seen anything? down there last night? | Have you seen anything? down there last night? |
647 | 00:29:22,017 | 00:29:24,858 | - I haven't been there. Oh. That's funny, | - I haven't been there. Oh. That's funny, |
648 | 00:29:24,883 | 00:29:27,479 | because isn't this you? to get off? | because isn't this you? to get off? |
649 | 00:29:27,745 | 00:29:29,857 | Oh. Right, I forgot. | Oh. Right, I forgot. |
650 | 00:29:29,882 | 00:29:32,050 | I came down to have a look the renovations for Grant. | I came down to have a look the renovations for Grant. |
651 | 00:29:32,113 | 00:29:33,737 | The architect. | The architect. |
652 | 00:29:33,868 | 00:29:36,642 | So his lift fob must work on every floor. | So his lift fob must work on every floor. |
653 | 00:29:36,667 | 00:29:38,220 | Certainly. But I didn't | Certainly. But I didn't |
654 | 00:29:38,245 | 00:29:40,494 | see vandalism and I was alone there for five minutes, | see vandalism and I was alone there for five minutes, |
655 | 00:29:40,519 | 00:29:42,826 | so i'm afraid i can't help you. | so i'm afraid i can't help you. |
656 | 00:29:43,294 | 00:29:45,228 | ♪ | ♪ |
657 | 00:29:45,845 | 00:29:48,137 | (ANGIE): She was on the eighth floor | (ANGIE): She was on the eighth floor |
658 | 00:29:48,162 | 00:29:50,096 | 30 minutes, not 5. | 30 minutes, not 5. |
659 | 00:29:50,121 | 00:29:54,295 | But catching her in a lie is not enough to go to the police. | But catching her in a lie is not enough to go to the police. |
660 | 00:29:59,147 | 00:30:01,783 | Hi Hi Hi! Zoe! Mona Macon is | Hi Hi Hi! Zoe! Mona Macon is |
661 | 00:30:01,808 | 00:30:03,549 | - still in the mix. - No. Sorry, boss. | - still in the mix. - No. Sorry, boss. |
662 | 00:30:03,574 | 00:30:05,821 | I just confirmed that Mona has left her engagement dinner | I just confirmed that Mona has left her engagement dinner |
663 | 00:30:05,846 | 00:30:08,936 | at 10 am with a man. They spent the night together. | at 10 am with a man. They spent the night together. |
664 | 00:30:08,961 | 00:30:11,362 | Which brings us back to Pam Bridgeland. | Which brings us back to Pam Bridgeland. |
665 | 00:30:11,427 | 00:30:14,151 | What could she possibly do have against River? | What could she possibly do have against River? |
666 | 00:30:14,176 | 00:30:17,579 | Nothing murderous. River is back on social media. | Nothing murderous. River is back on social media. |
667 | 00:30:17,604 | 00:30:20,373 | Apparently she was inside a meditative state all this time. | Apparently she was inside a meditative state all this time. |
668 | 00:30:20,398 | 00:30:22,706 | She is not our victim. Well, glad she's okay | She is not our victim. Well, glad she's okay |
669 | 00:30:22,731 | 00:30:24,995 | but not happy to see an empty crate board. | but not happy to see an empty crate board. |
670 | 00:30:25,020 | 00:30:27,940 | - I have no ID for our victim. - It seems like, | - I have no ID for our victim. - It seems like, |
671 | 00:30:27,965 | 00:30:29,566 | not an attacker either. Why not a photo | not an attacker either. Why not a photo |
672 | 00:30:29,591 | 00:30:31,594 | - from Pam Bridgeland? - I can't find one. | - from Pam Bridgeland? - I can't find one. |
673 | 00:30:31,619 | 00:30:34,390 | It's all about the man Grant. He's a media hog. | It's all about the man Grant. He's a media hog. |
674 | 00:30:34,415 | 00:30:36,383 | You know, he already is publishing the opera house | You know, he already is publishing the opera house |
675 | 00:30:36,408 | 00:30:38,997 | as if he has already landed the job. Strangely, Pam has | as if he has already landed the job. Strangely, Pam has |
676 | 00:30:39,022 | 00:30:41,164 | - zero online presence. - Zero? | - zero online presence. - Zero? |
677 | 00:30:41,615 | 00:30:43,172 | Not so much as a ... | Not so much as a ... |
678 | 00:30:43,197 | 00:30:46,097 | picture of her and Grant at a ribbon cutting ceremony | picture of her and Grant at a ribbon cutting ceremony |
679 | 00:30:46,122 | 00:30:47,485 | Stranger still, | Stranger still, |
680 | 00:30:47,510 | 00:30:49,906 | as these are Pam's designs. | as these are Pam's designs. |
681 | 00:30:51,554 | 00:30:53,937 | This resembles a version of Emperor Row. | This resembles a version of Emperor Row. |
682 | 00:30:53,962 | 00:30:56,781 | - Wait. Pam is also an architect? - She and Grant started | - Wait. Pam is also an architect? - She and Grant started |
683 | 00:30:56,806 | 00:30:58,940 | the company as partners. Then she stopped working there | the company as partners. Then she stopped working there |
684 | 00:30:58,965 | 00:31:02,539 | six years ago in June therefore. | six years ago in June therefore. |
685 | 00:31:03,265 | 00:31:05,797 | (ANGIE): "A vehicle slams in the cafe | (ANGIE): "A vehicle slams in the cafe |
686 | 00:31:05,822 | 00:31:08,691 | "outside terrace, with two fatalities. | "outside terrace, with two fatalities. |
687 | 00:31:08,716 | 00:31:12,580 | Other customers were unharmed, including Pam Bridgeland. " | Other customers were unharmed, including Pam Bridgeland. " |
688 | 00:31:12,605 | 00:31:14,930 | She's lucky she wasn't there is a table on the left. | She's lucky she wasn't there is a table on the left. |
689 | 00:31:14,955 | 00:31:16,796 | Wow. | Wow. |
690 | 00:31:20,797 | 00:31:25,341 | So ... near-death experience has shaken Pam so much | So ... near-death experience has shaken Pam so much |
691 | 00:31:25,366 | 00:31:27,634 | that she locked herself up away from the world. | that she locked herself up away from the world. |
692 | 00:31:27,659 | 00:31:29,849 | That explains why the concierge never met her | That explains why the concierge never met her |
693 | 00:31:29,874 | 00:31:32,193 | and maybe the vitamin D deficiency. | and maybe the vitamin D deficiency. |
694 | 00:31:32,225 | 00:31:33,521 | She is an agoraphobe. | She is an agoraphobe. |
695 | 00:31:33,546 | 00:31:35,372 | And why is she never in public with Grant. | And why is she never in public with Grant. |
696 | 00:31:35,397 | 00:31:38,318 | Wasn't the vitamin D deficiency blood from the victim of the attack? | Wasn't the vitamin D deficiency blood from the victim of the attack? |
697 | 00:31:38,343 | 00:31:41,809 | It can't be. I mean, we just are met Pam Bridgeland. Although, | It can't be. I mean, we just are met Pam Bridgeland. Although, |
698 | 00:31:41,834 | 00:31:44,294 | now that i think about it I could have sworn she had a tan. | now that i think about it I could have sworn she had a tan. |
699 | 00:31:44,319 | 00:31:46,196 | - Yes. - Let's check. | - Yes. - Let's check. |
700 | 00:31:47,196 | 00:31:50,331 | (TENSE MUSIC) | (TENSE MUSIC) |
701 | 00:31:52,774 | 00:31:55,000 | No I do not know. | No I do not know. |
702 | 00:31:57,624 | 00:31:59,340 | Wait. Whoa, whoa. | Wait. Whoa, whoa. |
703 | 00:32:01,119 | 00:32:03,216 | Holy smackers, check this out! | Holy smackers, check this out! |
704 | 00:32:04,193 | 00:32:05,410 | 11:00 PM, | 11:00 PM, |
705 | 00:32:05,435 | 00:32:08,154 | Pam has of course blond hair. Thereafter... | Pam has of course blond hair. Thereafter... |
706 | 00:32:08,903 | 00:32:10,974 | - Half an hour later. - She needs | - Half an hour later. - She needs |
707 | 00:32:10,999 | 00:32:13,567 | its roots were updated. They are two different women. | its roots were updated. They are two different women. |
708 | 00:32:13,592 | 00:32:15,716 | Agoraphobic, vitamin D deficiency, | Agoraphobic, vitamin D deficiency, |
709 | 00:32:15,741 | 00:32:17,599 | naturally blond Pam got off the elevator, | naturally blond Pam got off the elevator, |
710 | 00:32:17,639 | 00:32:19,837 | and then a tanned one, dyed blonde cheater | and then a tanned one, dyed blonde cheater |
711 | 00:32:19,862 | 00:32:22,323 | came up again. Look at that! | came up again. Look at that! |
712 | 00:32:22,348 | 00:32:24,661 | - Her sweater is inside out. - It's like she pulled | - Her sweater is inside out. - It's like she pulled |
713 | 00:32:24,686 | 00:32:26,820 | the victim's sweater and pulled it to itself. | the victim's sweater and pulled it to itself. |
714 | 00:32:26,845 | 00:32:28,459 | That means the woman we just met | That means the woman we just met |
715 | 00:32:28,484 | 00:32:31,325 | wasn't Pam Bridgeland. And like the real Pam Bridgeland | wasn't Pam Bridgeland. And like the real Pam Bridgeland |
716 | 00:32:31,350 | 00:32:34,498 | - is not the murderer ... Then she's our missing victim. | - is not the murderer ... Then she's our missing victim. |
717 | 00:32:35,491 | 00:32:37,349 | ♪ | ♪ |
718 | 00:32:37,598 | 00:32:39,369 | (ANGIE): Thanks for that the outfits, Sandra. | (ANGIE): Thanks for that the outfits, Sandra. |
719 | 00:32:39,394 | 00:32:41,704 | I can't believe the attacker pretend to be the woman | I can't believe the attacker pretend to be the woman |
720 | 00:32:41,729 | 00:32:43,654 | - she tried to kill. - We still need | - she tried to kill. - We still need |
721 | 00:32:43,679 | 00:32:45,943 | to prove it. We have to find it the real Pam Bridgeland. | to prove it. We have to find it the real Pam Bridgeland. |
722 | 00:32:45,968 | 00:32:48,561 | She probably went into hiding all alone and terrified. | She probably went into hiding all alone and terrified. |
723 | 00:32:48,586 | 00:32:50,710 | Yes, that's why we need it to get into the penthouse | Yes, that's why we need it to get into the penthouse |
724 | 00:32:50,735 | 00:32:52,616 | to look for clues we can find. Were you able | to look for clues we can find. Were you able |
725 | 00:32:52,641 | 00:32:54,854 | to get the lift fob? Yes. My friend needs it back | to get the lift fob? Yes. My friend needs it back |
726 | 00:32:54,879 | 00:32:57,328 | for her service tomorrow. How can you know for sure the penthouse | for her service tomorrow. How can you know for sure the penthouse |
727 | 00:32:57,353 | 00:32:59,012 | - is empty? - Impostor Pam is | - is empty? - Impostor Pam is |
728 | 00:32:59,037 | 00:33:01,097 | during a free meditation session that I have arranged. | during a free meditation session that I have arranged. |
729 | 00:33:01,122 | 00:33:04,486 | And I invited Grant to a fake magazine interview by the city. | And I invited Grant to a fake magazine interview by the city. |
730 | 00:33:04,511 | 00:33:06,058 | They should keep them both busy for a while. | They should keep them both busy for a while. |
731 | 00:33:06,083 | 00:33:07,820 | - Good luck. - Thanks. | - Good luck. - Thanks. |
732 | 00:33:07,845 | 00:33:10,322 | (CONCIERGE): There you are. | (CONCIERGE): There you are. |
733 | 00:33:10,347 | 00:33:13,746 | Elevators are over there. You want to hit the fifth floor. | Elevators are over there. You want to hit the fifth floor. |
734 | 00:33:13,953 | 00:33:16,185 | (SUSPENDED MUSIC) | (SUSPENDED MUSIC) |
735 | 00:33:16,344 | 00:33:18,632 | - (TO KNOCK) - (ANGIE): It's the cleaners. | - (TO KNOCK) - (ANGIE): It's the cleaners. |
736 | 00:33:24,574 | 00:33:27,413 | You're going that way. I'm going that way. | You're going that way. I'm going that way. |
737 | 00:33:37,303 | 00:33:39,318 | There is no sign in this apartment that Pam | There is no sign in this apartment that Pam |
738 | 00:33:39,343 | 00:33:41,411 | even lives here. Grant's sleep in the other room. | even lives here. Grant's sleep in the other room. |
739 | 00:33:41,436 | 00:33:43,809 | Well, a woman is definitely alive in this room because I just went | Well, a woman is definitely alive in this room because I just went |
740 | 00:33:43,841 | 00:33:46,566 | through her closet. Look. This has to be | through her closet. Look. This has to be |
741 | 00:33:46,591 | 00:33:48,362 | the real Pam Bridgeland. | the real Pam Bridgeland. |
742 | 00:33:48,612 | 00:33:51,582 | - They looked so happy. - Hello. | - They looked so happy. - Hello. |
743 | 00:33:51,607 | 00:33:53,677 | Pam's career ended six years ago. | Pam's career ended six years ago. |
744 | 00:33:53,702 | 00:33:56,040 | What is she doing with a drawing board? | What is she doing with a drawing board? |
745 | 00:33:58,453 | 00:34:00,625 | This lock has been drilled. | This lock has been drilled. |
746 | 00:34:02,202 | 00:34:05,337 | Someone broke into this closet and took everything. | Someone broke into this closet and took everything. |
747 | 00:34:06,732 | 00:34:08,967 | Nothing else here has touched. And you saw | Nothing else here has touched. And you saw |
748 | 00:34:08,992 | 00:34:11,383 | the front door, no sign of burglary. | the front door, no sign of burglary. |
749 | 00:34:14,086 | 00:34:16,654 | Why would someone never goes out, needs makeup | Why would someone never goes out, needs makeup |
750 | 00:34:16,679 | 00:34:18,601 | with SPF? | with SPF? |
751 | 00:34:19,464 | 00:34:21,018 | Oh. | Oh. |
752 | 00:34:21,556 | 00:34:24,406 | It looks like Pam has something to hide. | It looks like Pam has something to hide. |
753 | 00:34:27,083 | 00:34:29,184 | (PAM): The client wanted to meet the architect | (PAM): The client wanted to meet the architect |
754 | 00:34:29,209 | 00:34:33,714 | and I couldn't leave the house. So I told Grant to sign his name | and I couldn't leave the house. So I told Grant to sign his name |
755 | 00:34:33,739 | 00:34:35,700 | to my design. I had no idea | to my design. I had no idea |
756 | 00:34:35,725 | 00:34:37,739 | what I was ... began. | what I was ... began. |
757 | 00:34:37,842 | 00:34:39,576 | (ZOE SIGHS HEAVILY) | (ZOE SIGHS HEAVILY) |
758 | 00:34:39,757 | 00:34:42,707 | - What are we looking at? - Self-therapy tapes. | - What are we looking at? - Self-therapy tapes. |
759 | 00:34:43,020 | 00:34:44,922 | I once played a psychotherapist. | I once played a psychotherapist. |
760 | 00:34:44,947 | 00:34:48,757 | So Pam didn't give up her career six years ago. | So Pam didn't give up her career six years ago. |
761 | 00:34:48,782 | 00:34:51,166 | She kept making designs from the safety of her home. | She kept making designs from the safety of her home. |
762 | 00:34:51,191 | 00:34:53,192 | And Grant signed his name for them. | And Grant signed his name for them. |
763 | 00:34:54,044 | 00:34:57,081 | I suppose I am, um, | I suppose I am, um, |
764 | 00:34:57,106 | 00:35:00,169 | I should be upset. The old I would have | I should be upset. The old I would have |
765 | 00:35:00,194 | 00:35:02,464 | blamed myself. But I don't care | blamed myself. But I don't care |
766 | 00:35:02,489 | 00:35:04,325 | that he's having an affair with his secretary. | that he's having an affair with his secretary. |
767 | 00:35:04,350 | 00:35:06,734 | It's such a pathetic cliché. | It's such a pathetic cliché. |
768 | 00:35:07,537 | 00:35:09,974 | The same secretary that Grant told us | The same secretary that Grant told us |
769 | 00:35:09,999 | 00:35:12,261 | was beneficial out of town for work. | was beneficial out of town for work. |
770 | 00:35:12,449 | 00:35:14,271 | Zoe, can you start Erika Michaels | Zoe, can you start Erika Michaels |
771 | 00:35:14,296 | 00:35:16,096 | of Bridgeland Architects? | of Bridgeland Architects? |
772 | 00:35:22,632 | 00:35:24,956 | (MATT): Bridgeland said she was a brunette! | (MATT): Bridgeland said she was a brunette! |
773 | 00:35:24,981 | 00:35:26,644 | (ANGIE): Maybe in high school. | (ANGIE): Maybe in high school. |
774 | 00:35:26,669 | 00:35:28,811 | That's the woman we met in the penthouse! | That's the woman we met in the penthouse! |
775 | 00:35:28,836 | 00:35:31,511 | To hold. She was sleep with Grant ?! | To hold. She was sleep with Grant ?! |
776 | 00:35:31,536 | 00:35:34,680 | OK. Is there a video closer until the night of the attack? | OK. Is there a video closer until the night of the attack? |
777 | 00:35:36,696 | 00:35:40,097 | I just felt this shift, and after months | I just felt this shift, and after months |
778 | 00:35:40,122 | 00:35:44,034 | of not being able to pass by the elevator, I ... | of not being able to pass by the elevator, I ... |
779 | 00:35:44,059 | 00:35:46,395 | I finally made it to the eighth floor. | I finally made it to the eighth floor. |
780 | 00:35:46,548 | 00:35:49,464 | And I don't care that Grant saw me. | And I don't care that Grant saw me. |
781 | 00:35:49,489 | 00:35:51,909 | I am no longer afraid of him. | I am no longer afraid of him. |
782 | 00:35:51,934 | 00:35:54,302 | I think I'm getting better. | I think I'm getting better. |
783 | 00:35:55,648 | 00:35:57,550 | I think I have it. | I think I have it. |
784 | 00:35:57,904 | 00:35:59,872 | Ahum. | Ahum. |
785 | 00:36:00,851 | 00:36:04,159 | Pam Bridgeland is the talent behind the company, and Grant has | Pam Bridgeland is the talent behind the company, and Grant has |
786 | 00:36:04,184 | 00:36:06,683 | with the credit for her work for years. Her was agoraphobia | with the credit for her work for years. Her was agoraphobia |
787 | 00:36:06,708 | 00:36:08,831 | the best ever happened to him. But she was | the best ever happened to him. But she was |
788 | 00:36:08,856 | 00:36:12,505 | about to expose him. That's when he called M for murder. | about to expose him. That's when he called M for murder. |
789 | 00:36:12,887 | 00:36:15,980 | Fairly good. Except for that last bit. Anyway, | Fairly good. Except for that last bit. Anyway, |
790 | 00:36:16,005 | 00:36:19,027 | that doesn't explain why Pam was attacked by her impostor. | that doesn't explain why Pam was attacked by her impostor. |
791 | 00:36:19,052 | 00:36:21,350 | But we still don't knows where Pam is. | But we still don't knows where Pam is. |
792 | 00:36:22,092 | 00:36:24,522 | They look good Emperor Row. As Pam designed | They look good Emperor Row. As Pam designed |
793 | 00:36:24,547 | 00:36:27,152 | - the building in which she lives ... - She would know exactly | - the building in which she lives ... - She would know exactly |
794 | 00:36:27,177 | 00:36:30,691 | where to hide. But why not she just came forward? | where to hide. But why not she just came forward? |
795 | 00:36:31,703 | 00:36:35,284 | Guys, tomorrow, companies of all all over the world submit | Guys, tomorrow, companies of all all over the world submit |
796 | 00:36:35,309 | 00:36:37,574 | their designs for the opera house project. | their designs for the opera house project. |
797 | 00:36:38,023 | 00:36:40,041 | - Do you think... - (ANGIE AND MATT): That's it. | - Do you think... - (ANGIE AND MATT): That's it. |
798 | 00:36:40,066 | 00:36:42,000 | - What? - The only way for Pam to prove it | - What? - The only way for Pam to prove it |
799 | 00:36:42,025 | 00:36:43,991 | she is the real talent with her designs. | she is the real talent with her designs. |
800 | 00:36:44,016 | 00:36:46,217 | That must be what Grant stole from her filing cabinet. | That must be what Grant stole from her filing cabinet. |
801 | 00:36:46,242 | 00:36:48,076 | When she shows up to get them back this time, | When she shows up to get them back this time, |
802 | 00:36:48,101 | 00:36:50,044 | he's really going to kill her. | he's really going to kill her. |
803 | 00:36:52,547 | 00:36:54,050 | Where's Grant? - What? | Where's Grant? - What? |
804 | 00:36:54,075 | 00:36:55,214 | I don't ... HEY! | I don't ... HEY! |
805 | 00:36:55,239 | 00:36:56,996 | We know you've been posing as Pam Bridgeland. | We know you've been posing as Pam Bridgeland. |
806 | 00:36:57,021 | 00:36:58,628 | I never said I was Pam. You assumed ... | I never said I was Pam. You assumed ... |
807 | 00:36:58,653 | 00:37:00,425 | But you admit you and Grant having an affair. | But you admit you and Grant having an affair. |
808 | 00:37:00,450 | 00:37:03,058 | Yes, but that ... Aren't you that actress ?! | Yes, but that ... Aren't you that actress ?! |
809 | 00:37:03,083 | 00:37:05,965 | This is not about your case. You tried to kill Pam. | This is not about your case. You tried to kill Pam. |
810 | 00:37:05,990 | 00:37:07,652 | You can go down for attempted murder. | You can go down for attempted murder. |
811 | 00:37:07,677 | 00:37:09,730 | OK. No wait. You do not understand. | OK. No wait. You do not understand. |
812 | 00:37:09,755 | 00:37:12,400 | Grant found Pam leaving the penthouse for the first time | Grant found Pam leaving the penthouse for the first time |
813 | 00:37:12,425 | 00:37:14,964 | in years. She told him she was wanted to get him out like a fraud. | in years. She told him she was wanted to get him out like a fraud. |
814 | 00:37:14,989 | 00:37:16,512 | I thought I could talk her out, | I thought I could talk her out, |
815 | 00:37:16,537 | 00:37:17,652 | but then she came up to me. | but then she came up to me. |
816 | 00:37:17,677 | 00:37:19,417 | So you took the pipe in self-defense. | So you took the pipe in self-defense. |
817 | 00:37:19,442 | 00:37:21,073 | I didn't even think I hit her so hard. | I didn't even think I hit her so hard. |
818 | 00:37:21,098 | 00:37:23,097 | You thought you killed her so you pushed her down | You thought you killed her so you pushed her down |
819 | 00:37:23,122 | 00:37:25,371 | a waste chute. No! Grant did. | a waste chute. No! Grant did. |
820 | 00:37:25,638 | 00:37:27,724 | Pam didn't move. I didn't know what to do | Pam didn't move. I didn't know what to do |
821 | 00:37:27,749 | 00:37:30,855 | so I called him. Grant felt her pulse | so I called him. Grant felt her pulse |
822 | 00:37:30,880 | 00:37:32,456 | said she was dead ... | said she was dead ... |
823 | 00:37:32,481 | 00:37:35,138 | that I would be arrested for murder when we call 911. | that I would be arrested for murder when we call 911. |
824 | 00:37:35,163 | 00:37:37,964 | He told me to put on her sweater and get back in the elevator. | He told me to put on her sweater and get back in the elevator. |
825 | 00:37:38,086 | 00:37:40,870 | - We'll call the police. - It will be too late. | - We'll call the police. - It will be too late. |
826 | 00:37:40,895 | 00:37:42,777 | - What?! Is she with Grant? - He took her back | - What?! Is she with Grant? - He took her back |
827 | 00:37:42,802 | 00:37:45,613 | - to the eighth floor. Willow, call 911. We need it | - to the eighth floor. Willow, call 911. We need it |
828 | 00:37:45,638 | 00:37:48,476 | - Danica right here. OK. | - Danica right here. OK. |
829 | 00:37:48,501 | 00:37:51,813 | - (SUSPENDING MUSIC) - (GRANT): You really think | - (SUSPENDING MUSIC) - (GRANT): You really think |
830 | 00:37:51,838 | 00:37:55,418 | can you steal my designs? Who is stealing from whom ?! | can you steal my designs? Who is stealing from whom ?! |
831 | 00:37:55,443 | 00:37:57,610 | I drew these plans for the opera house, | I drew these plans for the opera house, |
832 | 00:37:57,635 | 00:37:59,316 | just like I drew everything | just like I drew everything |
833 | 00:37:59,341 | 00:38:03,077 | you ever built! But that is ends now because I am | you ever built! But that is ends now because I am |
834 | 00:38:03,102 | 00:38:05,754 | - take back what's mine! - You know what the opera house is | - take back what's mine! - You know what the opera house is |
835 | 00:38:05,779 | 00:38:08,246 | - commission is worth it. - I do. | - commission is worth it. - I do. |
836 | 00:38:08,986 | 00:38:12,355 | I also know ... that your reputation | I also know ... that your reputation |
837 | 00:38:12,380 | 00:38:14,882 | is worth much more to you. | is worth much more to you. |
838 | 00:38:16,953 | 00:38:20,066 | But that goes now also in flames. | But that goes now also in flames. |
839 | 00:38:21,762 | 00:38:23,722 | - Put that down. - Or what? | - Put that down. - Or what? |
840 | 00:38:23,747 | 00:38:25,894 | Are you gonna try to kill me again? | Are you gonna try to kill me again? |
841 | 00:38:26,036 | 00:38:28,082 | I've lived in fear for so long | I've lived in fear for so long |
842 | 00:38:28,107 | 00:38:30,208 | I forgot what real anger feels! | I forgot what real anger feels! |
843 | 00:38:30,233 | 00:38:33,440 | But it's what got me through when I hid in this building! | But it's what got me through when I hid in this building! |
844 | 00:38:33,465 | 00:38:35,400 | WHAT I DESIGN! | WHAT I DESIGN! |
845 | 00:38:35,425 | 00:38:37,668 | We can still fix this JUST GIVE ME | We can still fix this JUST GIVE ME |
846 | 00:38:37,693 | 00:38:40,402 | - DESIGN THE OPERA HOUSE! - I wouldn't do that, Grant. | - DESIGN THE OPERA HOUSE! - I wouldn't do that, Grant. |
847 | 00:38:40,427 | 00:38:41,788 | Who is there?! | Who is there?! |
848 | 00:38:41,813 | 00:38:43,926 | A witness on this attempted murder. | A witness on this attempted murder. |
849 | 00:38:43,951 | 00:38:45,450 | Two of them even. | Two of them even. |
850 | 00:38:45,475 | 00:38:46,933 | Who the fuck are you guys ?! | Who the fuck are you guys ?! |
851 | 00:38:46,958 | 00:38:49,082 | You have always wanted get famous, Grant. | You have always wanted get famous, Grant. |
852 | 00:38:49,207 | 00:38:51,008 | Maybe you go you get a chance. | Maybe you go you get a chance. |
853 | 00:38:51,033 | 00:38:53,191 | - (ELECTRICITY ZOOM) - AH! | - (ELECTRICITY ZOOM) - AH! |
854 | 00:38:53,216 | 00:38:55,918 | (GRUNTING) | (GRUNTING) |
855 | 00:39:00,974 | 00:39:03,472 | (PAM SCREAMING) | (PAM SCREAMING) |
856 | 00:39:03,497 | 00:39:05,886 | (GRANT SCREAMS) | (GRANT SCREAMS) |
857 | 00:39:06,089 | 00:39:09,010 | CAUTION, AWARD! IT'S A BIT OF A BUMPY RIDE! | CAUTION, AWARD! IT'S A BIT OF A BUMPY RIDE! |
858 | 00:39:09,035 | 00:39:11,926 | - (THUD) - (PAM BREATHES HEAVY) | - (THUD) - (PAM BREATHES HEAVY) |
859 | 00:39:12,653 | 00:39:15,983 | - Are you all right, Pam? - Yes. Yes, I am fine. | - Are you all right, Pam? - Yes. Yes, I am fine. |
860 | 00:39:16,620 | 00:39:19,651 | That was amazing! | That was amazing! |
861 | 00:39:19,939 | 00:39:21,952 | You are all so brave! | You are all so brave! |
862 | 00:39:22,794 | 00:39:24,827 | You are? | You are? |
863 | 00:39:24,852 | 00:39:27,356 | Just a group of concerned citizens. | Just a group of concerned citizens. |
864 | 00:39:27,381 | 00:39:30,412 | Sent by your guardian angel. | Sent by your guardian angel. |
865 | 00:39:31,314 | 00:39:34,625 | (MAT AND PAM CHUCKLE) | (MAT AND PAM CHUCKLE) |
866 | 00:39:34,741 | 00:39:36,629 | - (SIREN CHIRPS) - (INDISTINCT CHATTER) | - (SIREN CHIRPS) - (INDISTINCT CHATTER) |
867 | 00:39:36,654 | 00:39:38,636 | How is that for tangible evidence, Danica? | How is that for tangible evidence, Danica? |
868 | 00:39:38,661 | 00:39:41,092 | Clear improvement. Thanks guys. | Clear improvement. Thanks guys. |
869 | 00:39:41,817 | 00:39:44,452 | Grant Bridgeland, you're under arrest for attempted murder. | Grant Bridgeland, you're under arrest for attempted murder. |
870 | 00:39:44,477 | 00:39:46,589 | - Twice. - Wait, Detective! | - Twice. - Wait, Detective! |
871 | 00:39:47,020 | 00:39:48,637 | One more thing. | One more thing. |
872 | 00:39:49,292 | 00:39:52,729 | Meet your avenging angel of justice! | Meet your avenging angel of justice! |
873 | 00:39:54,127 | 00:39:56,273 | Get me out of here. | Get me out of here. |
874 | 00:39:59,538 | 00:40:02,445 | You know ... somehow, you really did that. | You know ... somehow, you really did that. |
875 | 00:40:02,470 | 00:40:04,698 | Avenging angel of righteousness. | Avenging angel of righteousness. |
876 | 00:40:04,723 | 00:40:06,657 | Maybe it should be the title of your movie. | Maybe it should be the title of your movie. |
877 | 00:40:06,682 | 00:40:08,120 | I was going to see it. | I was going to see it. |
878 | 00:40:08,798 | 00:40:12,136 | And that's what we call ... a wrap. | And that's what we call ... a wrap. |
879 | 00:40:12,354 | 00:40:14,550 | (CHUCKLES) | (CHUCKLES) |
880 | 00:40:16,714 | 00:40:18,605 | (UPBEAT MUSIC) | (UPBEAT MUSIC) |
881 | 00:40:19,298 | 00:40:21,043 | I have to say... | I have to say... |
882 | 00:40:21,068 | 00:40:24,590 | you look so comfortable here in the real world. | you look so comfortable here in the real world. |
883 | 00:40:25,370 | 00:40:27,472 | Well, nothing like a second | Well, nothing like a second |
884 | 00:40:27,497 | 00:40:30,262 | or rather, third near-death experience | or rather, third near-death experience |
885 | 00:40:30,287 | 00:40:32,223 | to bring a person perspective. | to bring a person perspective. |
886 | 00:40:32,248 | 00:40:34,128 | You sure do accelerated your therapy. | You sure do accelerated your therapy. |
887 | 00:40:34,153 | 00:40:36,087 | Thank you both. | Thank you both. |
888 | 00:40:37,025 | 00:40:40,109 | Pam, there is someone you want to meet. | Pam, there is someone you want to meet. |
889 | 00:40:40,134 | 00:40:41,917 | This is Sandra, you ... | This is Sandra, you ... |
890 | 00:40:41,942 | 00:40:44,527 | behind the scenes champion, so to speak. | behind the scenes champion, so to speak. |
891 | 00:40:47,509 | 00:40:48,940 | Thank you | Thank you |
892 | 00:40:48,965 | 00:40:52,913 | before pronouncing. Courage is not always easy to find. | before pronouncing. Courage is not always easy to find. |
893 | 00:40:52,938 | 00:40:55,089 | I am just happy everything worked out and ... | I am just happy everything worked out and ... |
894 | 00:40:55,114 | 00:40:56,394 | that you are moving forward. | that you are moving forward. |
895 | 00:40:56,419 | 00:40:58,605 | I hear you pack than Bridgeland Architects | I hear you pack than Bridgeland Architects |
896 | 00:40:58,630 | 00:41:00,527 | and put your name back to designs. | and put your name back to designs. |
897 | 00:41:00,552 | 00:41:04,173 | I am indeed. And I assume all new employees. | I am indeed. And I assume all new employees. |
898 | 00:41:05,137 | 00:41:08,272 | Sandra, I hear it's you studying to become a CPA. | Sandra, I hear it's you studying to become a CPA. |
899 | 00:41:08,297 | 00:41:09,863 | I am. | I am. |
900 | 00:41:09,888 | 00:41:11,933 | Well I need it a new accountant. | Well I need it a new accountant. |
901 | 00:41:12,246 | 00:41:15,061 | Shall we talk over with coffee? | Shall we talk over with coffee? |
902 | 00:41:15,617 | 00:41:17,561 | - Yes. - (SANDRA AND PAM LAUGH) | - Yes. - (SANDRA AND PAM LAUGH) |
903 | 00:41:17,586 | 00:41:19,324 | Thanks again. | Thanks again. |
904 | 00:41:20,026 | 00:41:21,581 | ♪ Husband had Annie ♪ | ♪ Husband had Annie ♪ |
905 | 00:41:21,625 | 00:41:23,660 | ♪ A change in the weather ♪ | ♪ A change in the weather ♪ |
906 | 00:41:23,685 | 00:41:26,682 | ♪ We'll stay as long as we can ♪ | ♪ We'll stay as long as we can ♪ |
907 | 00:41:26,707 | 00:41:29,191 | Wow. That ended better | Wow. That ended better |
908 | 00:41:29,216 | 00:41:31,368 | than any Hitchcock movie. | than any Hitchcock movie. |
909 | 00:41:31,609 | 00:41:34,455 | Let's be grateful to life is not like the movies. | Let's be grateful to life is not like the movies. |
910 | 00:41:34,480 | 00:41:37,537 | ♪ Oh, we'll be back ♪ | ♪ Oh, we'll be back ♪ |
911 | 00:41:37,996 | 00:41:40,998 | ♪ | ♪ |
912 | 00:41:43,273 | 00:41:45,548 | - Cheers. - Mm-hmm. | - Cheers. - Mm-hmm. |
913 | 00:41:47,180 | 00:41:49,548 | Mm. So... | Mm. So... |
914 | 00:41:49,573 | 00:41:51,652 | the latest version of the movie went out to a couple | the latest version of the movie went out to a couple |
915 | 00:41:51,677 | 00:41:53,082 | from A-list directors. - Uh Huh. | from A-list directors. - Uh Huh. |
916 | 00:41:53,107 | 00:41:55,556 | And so far the feedback has was really positive. | And so far the feedback has was really positive. |
917 | 00:41:55,581 | 00:41:58,322 | Oh, that's great news! Although you really have it | Oh, that's great news! Although you really have it |
918 | 00:41:58,347 | 00:42:01,061 | Angie to thank. I know she was your inspiration. | Angie to thank. I know she was your inspiration. |
919 | 00:42:01,164 | 00:42:04,206 | Don't be jealous. You both helped me | Don't be jealous. You both helped me |
920 | 00:42:04,231 | 00:42:07,000 | that real benefit. - Yes. | that real benefit. - Yes. |
921 | 00:42:07,252 | 00:42:09,050 | You and Angie really make a good team. | You and Angie really make a good team. |
922 | 00:42:09,075 | 00:42:10,105 | Yes. | Yes. |
923 | 00:42:10,130 | 00:42:14,097 | (THE PHONE RUNS) Oh. Sorry, it's my agent. | (THE PHONE RUNS) Oh. Sorry, it's my agent. |
924 | 00:42:14,122 | 00:42:15,789 | I'm only a second. | I'm only a second. |
925 | 00:42:16,148 | 00:42:19,333 | Darryl? Hello Darling. | Darryl? Hello Darling. |
926 | 00:42:19,607 | 00:42:22,544 | ♪ Oh, we'll be back ♪ | ♪ Oh, we'll be back ♪ |
927 | 00:42:22,681 | 00:42:24,074 | (DOOR OPEN AND CLOSE) | (DOOR OPEN AND CLOSE) |
928 | 00:42:24,193 | 00:42:26,966 | ♪ Oh, we'll be back ♪ | ♪ Oh, we'll be back ♪ |
929 | 00:42:27,488 | 00:42:29,968 | ♪ | ♪ |
930 | 00:42:36,702 | 00:42:39,518 | (PHONE RINGS) (BEEP) | (PHONE RINGS) (BEEP) |
931 | 00:42:39,967 | 00:42:42,356 | Hello. I did not expect it to hear from you tonight. | Hello. I did not expect it to hear from you tonight. |
932 | 00:42:42,381 | 00:42:44,382 | I just wanted to let you know Willow gave me | I just wanted to let you know Willow gave me |
933 | 00:42:44,407 | 00:42:46,808 | a check from her studio to cover our fee. | a check from her studio to cover our fee. |
934 | 00:42:47,026 | 00:42:48,321 | That is amazing. | That is amazing. |
935 | 00:42:48,346 | 00:42:50,820 | But you could have told me tomorrow. | But you could have told me tomorrow. |
936 | 00:42:50,845 | 00:42:53,868 | I also wanted to thank you to let her ride. | I also wanted to thank you to let her ride. |
937 | 00:42:54,511 | 00:42:57,202 | - I like her. - [Yes of course.] | - I like her. - [Yes of course.] |
938 | 00:42:57,227 | 00:42:59,199 | - You are her inspiration. - oh! | - You are her inspiration. - oh! |
939 | 00:42:59,224 | 00:43:01,084 | Did I mention? she has excellent taste? | Did I mention? she has excellent taste? |
940 | 00:43:01,285 | 00:43:02,874 | (CHUCKLES) | (CHUCKLES) |
941 | 00:43:03,210 | 00:43:05,379 | She thinks we are a good team. | She thinks we are a good team. |
942 | 00:43:05,814 | 00:43:07,548 | We do. | We do. |
943 | 00:43:07,573 | 00:43:09,241 | [Yes, like ...] | [Yes, like ...] |
944 | 00:43:09,266 | 00:43:12,101 | Tracy and Hepburn. Bogie and Bacall. | Tracy and Hepburn. Bogie and Bacall. |
945 | 00:43:12,693 | 00:43:15,264 | More like Laurel and Hardy. | More like Laurel and Hardy. |
946 | 00:43:15,289 | 00:43:17,804 | (CHUCKLES) - Yes. | (CHUCKLES) - Yes. |
947 | 00:43:17,829 | 00:43:19,603 | More like that. | More like that. |
948 | 00:43:19,895 | 00:43:22,417 | - (CHUCKLES) - [I love Hardy.] | - (CHUCKLES) - [I love Hardy.] |
949 | 00:43:22,442 | 00:43:24,613 | [Unless of course you want to be the short chubby man] | [Unless of course you want to be the short chubby man] |
950 | 00:43:24,638 | 00:43:27,671 | - [with the funny hat?] - No thanks! That's all. | - [with the funny hat?] - No thanks! That's all. |
951 | 00:43:27,696 | 00:43:30,857 | - Dubbed and corrected by martythecrazy - - www.addic7ed.com - | - Dubbed and corrected by martythecrazy - - www.addic7ed.com - |
952 | 00:43:30,882 | 00:43:32,947 | Watch the new comedy Call your mother | Watch the new comedy Call your mother |
953 | 00:43:32,972 | 00:43:35,306 | Thursday, January 14 on Global. | Thursday, January 14 on Global. |
954 | 00:43:35,453 | 00:43:37,776 | Freddie! Mom! | Freddie! Mom! |
955 | 00:43:37,801 | 00:43:38,884 | What are you doing here? | What are you doing here? |
956 | 00:43:38,909 | 00:43:40,309 | I brought you socks. | I brought you socks. |
957 | 00:43:40,334 | 00:43:42,292 | And the toilet paper that you like. | And the toilet paper that you like. |
958 | 00:43:42,540 | 00:43:45,009 | You can't just show up my apartment not announced. | You can't just show up my apartment not announced. |
959 | 00:43:45,574 | 00:43:47,381 | I'm Danny, I'm your host. | I'm Danny, I'm your host. |
960 | 00:43:47,406 | 00:43:49,433 | If you kill me, you doesn't get away with it. | If you kill me, you doesn't get away with it. |
961 | 00:43:49,458 | 00:43:51,825 | Is there a reason for you? can't you connect with your kids? | Is there a reason for you? can't you connect with your kids? |
962 | 00:43:51,850 | 00:43:53,784 | And arrange it with your landlord? | And arrange it with your landlord? |
963 | 00:43:53,809 | 00:43:54,911 | Uh! - no! Oh my ....! | Uh! - no! Oh my ....! |
964 | 00:43:54,936 | 00:43:56,199 | I haven't been kissed in 5 years! | I haven't been kissed in 5 years! |
965 | 00:43:56,224 | 00:43:57,683 | I thought you said no had sex in 4 years? | I thought you said no had sex in 4 years? |
966 | 00:43:57,708 | 00:43:59,933 | ||
966 | 00:43:57,708 | 00:43:59,933 |