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# | Start | End | Original | Translated |
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1 | 00:00:09,632 | 00:00:11,998 | (HARP MUSIC) | (HARP MUSIC) |
2 | 00:00:13,136 | 00:00:18,136 | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver |
3 | 00:00:39,671 | 00:00:43,371 | I grew up in a quiet suburban town just north of New York. | I grew up in a quiet suburban town just north of New York. |
4 | 00:00:43,405 | 00:00:46,638 | On special occasions, my dad would take me into the city | On special occasions, my dad would take me into the city |
5 | 00:00:46,672 | 00:00:50,104 | and we would go and get dessert at the Waldorf or the Plaza. | and we would go and get dessert at the Waldorf or the Plaza. |
6 | 00:00:50,138 | 00:00:53,205 | I loved watching the people around us. | I loved watching the people around us. |
7 | 00:00:53,240 | 00:00:55,139 | They seemed to have interesting lives. | They seemed to have interesting lives. |
8 | 00:00:56,373 | 00:00:57,839 | I wanted to be one of them. | I wanted to be one of them. |
9 | 00:00:57,873 | 00:00:59,806 | I wanted to write novels, | I wanted to write novels, |
10 | 00:00:59,839 | 00:01:02,541 | and speak five languages and travel. | and speak five languages and travel. |
11 | 00:01:04,174 | 00:01:05,641 | I didn't want to be ordinary. | I didn't want to be ordinary. |
12 | 00:01:08,174 | 00:01:09,742 | I wanted to be extraordinary. | I wanted to be extraordinary. |
13 | 00:01:12,975 | 00:01:15,443 | Those memories came storming back to me last year | Those memories came storming back to me last year |
14 | 00:01:15,476 | 00:01:18,577 | when I came to visit my best friend in New York. | when I came to visit my best friend in New York. |
15 | 00:01:18,610 | 00:01:20,644 | I was only supposed to stay a few days, | I was only supposed to stay a few days, |
16 | 00:01:20,678 | 00:01:22,177 | and then return to Berkeley, | and then return to Berkeley, |
17 | 00:01:23,010 | 00:01:24,877 | where my boyfriend was waiting on me. | where my boyfriend was waiting on me. |
18 | 00:01:28,111 | 00:01:29,178 | But something shifted. | But something shifted. |
19 | 00:01:30,145 | 00:01:31,944 | I wanna stay in New York for a while. | I wanna stay in New York for a while. |
20 | 00:01:33,045 | 00:01:34,212 | A while? | A while? |
21 | 00:01:34,246 | 00:01:36,613 | KARL: What do you mean a while? What about your semester? | KARL: What do you mean a while? What about your semester? |
22 | 00:01:36,646 | 00:01:37,845 | Yeah, but see that's just it, | Yeah, but see that's just it, |
23 | 00:01:37,879 | 00:01:40,113 | I don't want to analyze other people's work anymore, Karl. | I don't want to analyze other people's work anymore, Karl. |
24 | 00:01:40,147 | 00:01:40,980 | I wanna write. | I wanna write. |
25 | 00:01:42,013 | 00:01:43,248 | KARL: In New York? | KARL: In New York? |
26 | 00:01:43,281 | 00:01:44,113 | Yeah. | Yeah. |
27 | 00:01:47,114 | 00:01:47,947 | In New York. | In New York. |
28 | 00:01:49,981 | 00:01:51,915 | Isn't that what aspiring writers did? | Isn't that what aspiring writers did? |
29 | 00:01:51,948 | 00:01:55,049 | Live in cheap apartments and write in cafes? | Live in cheap apartments and write in cafes? |
30 | 00:01:56,517 | 00:02:00,016 | Yeah, I know, but it's what I wanted. | Yeah, I know, but it's what I wanted. |
31 | 00:02:00,050 | 00:02:03,217 | (PLAYFUL PIANO MUSIC) | (PLAYFUL PIANO MUSIC) |
32 | 00:02:22,220 | 00:02:24,887 | (BRETT HUMMING) | (BRETT HUMMING) |
33 | 00:02:33,822 | 00:02:37,590 | My boss says we're going paperless, all emails. | My boss says we're going paperless, all emails. |
34 | 00:02:37,624 | 00:02:39,424 | It's driving me nuts | It's driving me nuts |
35 | 00:02:39,457 | 00:02:41,524 | with everyone writing about nothing, | with everyone writing about nothing, |
36 | 00:02:41,557 | 00:02:44,692 | answering thanks or worse, you're welcome. | answering thanks or worse, you're welcome. |
37 | 00:02:44,725 | 00:02:47,259 | My colleague sends me emails to ask me | My colleague sends me emails to ask me |
38 | 00:02:47,292 | 00:02:48,359 | when I'm having lunch. | when I'm having lunch. |
39 | 00:02:48,392 | 00:02:51,492 | I hope this is just a trend that will phase out. | I hope this is just a trend that will phase out. |
40 | 00:02:51,526 | 00:02:53,226 | I miss your rants. | I miss your rants. |
41 | 00:02:54,125 | 00:02:56,193 | Everyone in Berkeley is so serious, | Everyone in Berkeley is so serious, |
42 | 00:02:56,226 | 00:02:58,760 | and the jogging and wearing Tivos. | and the jogging and wearing Tivos. |
43 | 00:02:58,794 | 00:02:59,993 | Fucking Tivos? | Fucking Tivos? |
44 | 00:03:01,528 | 00:03:04,994 | I'm like this big cloud of East Coast irony haunting Southern California. | I'm like this big cloud of East Coast irony haunting Southern California. |
45 | 00:03:05,027 | 00:03:07,162 | Turning everything into Ash. | Turning everything into Ash. |
46 | 00:03:08,195 | 00:03:09,027 | That's me. | That's me. |
47 | 00:03:10,495 | 00:03:12,229 | Does Karl feel the same? | Does Karl feel the same? |
48 | 00:03:16,129 | 00:03:17,929 | Um, it's not really the same for him | Um, it's not really the same for him |
49 | 00:03:17,962 | 00:03:20,431 | 'cause he's been there for a couple of years | 'cause he's been there for a couple of years |
50 | 00:03:20,464 | 00:03:24,497 | and the university sorta treats him like a star. | and the university sorta treats him like a star. |
51 | 00:03:24,531 | 00:03:25,398 | Huh, well- | Huh, well- |
52 | 00:03:26,398 | 00:03:27,231 | Hey, Jenny. | Hey, Jenny. |
53 | 00:03:29,031 | 00:03:31,299 | I don't know exactly how long I'm gonna be staying | I don't know exactly how long I'm gonna be staying |
54 | 00:03:31,333 | 00:03:32,166 | in New York. | in New York. |
55 | 00:03:33,166 | 00:03:36,499 | Don't worry, just keep making yourself at home. | Don't worry, just keep making yourself at home. |
56 | 00:03:36,533 | 00:03:37,567 | Eat anything. | Eat anything. |
57 | 00:03:39,966 | 00:03:40,801 | Okay. | Okay. |
58 | 00:03:49,068 | 00:03:53,103 | RECRUITER: MA in English literature, University College in London, | RECRUITER: MA in English literature, University College in London, |
59 | 00:03:53,136 | 00:03:55,470 | I suppose that would make you more appealing | I suppose that would make you more appealing |
60 | 00:03:55,503 | 00:03:58,704 | to some publishers, less to most. | to some publishers, less to most. |
61 | 00:04:00,003 | 00:04:02,805 | You published poetry? | You published poetry? |
62 | 00:04:02,837 | 00:04:05,870 | Yes, yes, in the Paris Review. | Yes, yes, in the Paris Review. |
63 | 00:04:05,904 | 00:04:08,272 | I just won their student contest. | I just won their student contest. |
64 | 00:04:08,305 | 00:04:10,938 | Leave that out. Publishers avoid wannabe writers. | Leave that out. Publishers avoid wannabe writers. |
65 | 00:04:10,971 | 00:04:15,740 | Oh, that is what I want to do though. Eventually. | Oh, that is what I want to do though. Eventually. |
66 | 00:04:16,872 | 00:04:19,207 | Oh, I got it. | Oh, I got it. |
67 | 00:04:19,240 | 00:04:23,808 | Not a publisher. How about a literary agency? | Not a publisher. How about a literary agency? |
68 | 00:04:26,141 | 00:04:26,973 | Great. | Great. |
69 | 00:04:27,007 | 00:04:29,642 | The oldest in New York. Do you type? | The oldest in New York. Do you type? |
70 | 00:04:29,675 | 00:04:32,509 | Uh, I took typing in seventh grade. | Uh, I took typing in seventh grade. |
71 | 00:04:32,543 | 00:04:33,509 | Of course you don't type. | Of course you don't type. |
72 | 00:04:33,543 | 00:04:34,743 | She's gonna ask you if you can type | She's gonna ask you if you can type |
73 | 00:04:34,776 | 00:04:35,875 | and you are gonna say? | and you are gonna say? |
74 | 00:04:37,810 | 00:04:38,842 | Yes. | Yes. |
75 | 00:04:40,043 | 00:04:40,976 | 60 words a minute | 60 words a minute |
76 | 00:04:48,645 | 00:04:50,877 | But do you type on a typewriter? | But do you type on a typewriter? |
77 | 00:04:51,945 | 00:04:55,146 | It's very different from typing on one of those computers. | It's very different from typing on one of those computers. |
78 | 00:04:56,280 | 00:04:57,113 | Yes. | Yes. |
79 | 00:04:59,846 | 00:05:01,181 | What do you like to read? | What do you like to read? |
80 | 00:05:04,947 | 00:05:05,847 | Everything. | Everything. |
81 | 00:05:07,148 | 00:05:10,682 | Laurie, Hammet, Donald Westlake. | Laurie, Hammet, Donald Westlake. |
82 | 00:05:10,716 | 00:05:14,083 | I just finished "A Sentimental Education" and I loved it. | I just finished "A Sentimental Education" and I loved it. |
83 | 00:05:14,116 | 00:05:16,616 | It was so contemporary, I was amazed | It was so contemporary, I was amazed |
84 | 00:05:16,650 | 00:05:20,684 | (SPEAKING FOREIGN LANGUAGE) but to be in this field, | (SPEAKING FOREIGN LANGUAGE) but to be in this field, |
85 | 00:05:20,718 | 00:05:23,617 | you'll need to read authors who are alive. | you'll need to read authors who are alive. |
86 | 00:05:23,651 | 00:05:24,883 | I love Flamel. | I love Flamel. |
87 | 00:05:25,784 | 00:05:28,851 | I like Westlake. He's funny. | I like Westlake. He's funny. |
88 | 00:05:31,186 | 00:05:33,753 | I guess you can start after Christmas. | I guess you can start after Christmas. |
89 | 00:05:33,786 | 00:05:35,519 | We'll talk about Jerry then. | We'll talk about Jerry then. |
90 | 00:05:35,553 | 00:05:36,753 | Ah, Jerry. | Ah, Jerry. |
91 | 00:05:36,786 | 00:05:38,354 | I'm sure you've heard that he's crazy | I'm sure you've heard that he's crazy |
92 | 00:05:38,387 | 00:05:41,620 | or senile or a misanthrope, all lies. | or senile or a misanthrope, all lies. |
93 | 00:05:41,654 | 00:05:43,088 | He's not the problem. | He's not the problem. |
94 | 00:05:43,121 | 00:05:46,154 | It's these people who relentlessly call for his address, | It's these people who relentlessly call for his address, |
95 | 00:05:46,188 | 00:05:49,456 | his phone number, asking to be put in touch with him. | his phone number, asking to be put in touch with him. |
96 | 00:05:49,489 | 00:05:51,422 | Or even with me. | Or even with me. |
97 | 00:05:51,456 | 00:05:55,855 | Reporters, students, university deans, producers. | Reporters, students, university deans, producers. |
98 | 00:05:55,888 | 00:05:58,990 | They can be persuasive, manipulative, | They can be persuasive, manipulative, |
99 | 00:05:59,024 | 00:06:03,990 | but you must never ever give out his address. | but you must never ever give out his address. |
100 | 00:06:04,291 | 00:06:06,125 | Do you understand? | Do you understand? |
101 | 00:06:06,957 | 00:06:08,857 | I understand. | I understand. |
102 | 00:06:08,890 | 00:06:12,326 | Good, remember, there's no shortage | Good, remember, there's no shortage |
103 | 00:06:12,359 | 00:06:15,193 | of college graduates who want this job. | of college graduates who want this job. |
104 | 00:06:17,460 | 00:06:19,960 | Be prepared for long hours. | Be prepared for long hours. |
105 | 00:06:19,993 | 00:06:21,661 | Pam will give you a key | Pam will give you a key |
106 | 00:06:22,728 | 00:06:24,161 | Pam, okay. | Pam, okay. |
107 | 00:06:25,295 | 00:06:26,295 | Thank you so much. | Thank you so much. |
108 | 00:06:26,328 | 00:06:28,695 | I can't tell you how honored and thrilled I am. | I can't tell you how honored and thrilled I am. |
109 | 00:06:28,729 | 00:06:32,029 | No need to be honored, thrilled maybe. | No need to be honored, thrilled maybe. |
110 | 00:06:32,062 | 00:06:33,496 | Margaret is pretty thrilling. | Margaret is pretty thrilling. |
111 | 00:06:37,030 | 00:06:38,230 | I'm Daniel by the way. | I'm Daniel by the way. |
112 | 00:06:51,399 | 00:06:52,332 | That Jerry. | That Jerry. |
113 | 00:06:59,500 | 00:07:02,967 | JOANNA V.O.: I didn't know yet what a literary agency was, | JOANNA V.O.: I didn't know yet what a literary agency was, |
114 | 00:07:03,000 | 00:07:06,900 | but it felt like I'd stepped closer to the world of writers. | but it felt like I'd stepped closer to the world of writers. |
115 | 00:07:07,801 | 00:07:12,802 | I was to be surrounded by god-like literary names. | I was to be surrounded by god-like literary names. |
116 | 00:07:13,069 | 00:07:15,837 | No doubt their proximity would inspire my own writing. | No doubt their proximity would inspire my own writing. |
117 | 00:07:22,838 | 00:07:26,971 | Well, Congratulations on your new job. | Well, Congratulations on your new job. |
118 | 00:07:27,004 | 00:07:28,405 | Here's your key. | Here's your key. |
119 | 00:07:29,538 | 00:07:31,339 | Do not lose it. | Do not lose it. |
120 | 00:07:31,373 | 00:07:34,639 | We will expect you at 8:00 AM sharp, January 8th. | We will expect you at 8:00 AM sharp, January 8th. |
121 | 00:07:38,740 | 00:07:40,440 | I never went back to Berkeley. | I never went back to Berkeley. |
122 | 00:07:40,474 | 00:07:43,274 | New York was to be my new home, writing my new life | New York was to be my new home, writing my new life |
123 | 00:07:43,308 | 00:07:45,274 | with a coveted job to pay the rent. | with a coveted job to pay the rent. |
124 | 00:07:45,308 | 00:07:46,141 | Hi. | Hi. |
125 | 00:07:46,174 | 00:07:46,975 | DON: Hey. | DON: Hey. |
126 | 00:07:47,008 | 00:07:50,209 | Hey, come, come, come join us. | Hey, come, come, come join us. |
127 | 00:07:51,342 | 00:07:52,142 | Hi. | Hi. |
128 | 00:07:52,175 | 00:07:53,809 | This is Joanna. | This is Joanna. |
129 | 00:07:54,676 | 00:07:56,009 | This is Mark, this is Lisa. | This is Mark, this is Lisa. |
130 | 00:07:56,043 | 00:07:58,143 | They just got engaged, so- | They just got engaged, so- |
131 | 00:07:58,176 | 00:08:01,944 | Oh wow. Oh my goodness, congratulations. | Oh wow. Oh my goodness, congratulations. |
132 | 00:08:01,977 | 00:08:03,678 | Sit down. | Sit down. |
133 | 00:08:05,478 | 00:08:07,345 | The office is incredible. | The office is incredible. |
134 | 00:08:07,379 | 00:08:10,145 | It's like nothing's changed since 1927, | It's like nothing's changed since 1927, |
135 | 00:08:10,178 | 00:08:13,746 | and I'm guessing my boss represents- | and I'm guessing my boss represents- |
136 | 00:08:13,779 | 00:08:14,912 | - Anne Rice. - The Pope. | - Anne Rice. - The Pope. |
137 | 00:08:14,946 | 00:08:15,979 | Thomas Pynchon. | Thomas Pynchon. |
138 | 00:08:16,012 | 00:08:17,947 | J. D. Salinger. | J. D. Salinger. |
139 | 00:08:17,980 | 00:08:19,680 | - No way. - He's still alive? | - No way. - He's still alive? |
140 | 00:08:19,713 | 00:08:21,748 | Yeah, he is, he lives up in New Hampshire | Yeah, he is, he lives up in New Hampshire |
141 | 00:08:21,781 | 00:08:24,014 | in basically total isolation. | in basically total isolation. |
142 | 00:08:24,048 | 00:08:26,348 | Reporters are always trying to ambush him in the local diner | Reporters are always trying to ambush him in the local diner |
143 | 00:08:26,382 | 00:08:28,115 | or try to sneak onto his property. | or try to sneak onto his property. |
144 | 00:08:28,148 | 00:08:29,115 | I love "Catcher In The Rye", | I love "Catcher In The Rye", |
145 | 00:08:29,148 | 00:08:30,849 | but "Franny and Zoe" is my favorite. | but "Franny and Zoe" is my favorite. |
146 | 00:08:30,882 | 00:08:33,683 | My friend Kat used to work at his publishers. | My friend Kat used to work at his publishers. |
147 | 00:08:33,716 | 00:08:35,316 | And one night, she was working late. | And one night, she was working late. |
148 | 00:08:35,349 | 00:08:38,816 | Like 1:00 AM late, and the phone rings in the office | Like 1:00 AM late, and the phone rings in the office |
149 | 00:08:38,851 | 00:08:40,350 | and keeps ringing. | and keeps ringing. |
150 | 00:08:40,384 | 00:08:43,650 | So she picks it up and she heard someone screaming. | So she picks it up and she heard someone screaming. |
151 | 00:08:43,684 | 00:08:45,852 | The manuscript is okay! | The manuscript is okay! |
152 | 00:08:45,884 | 00:08:49,651 | I saved the manuscript from the fire. | I saved the manuscript from the fire. |
153 | 00:08:49,685 | 00:08:51,018 | Salinger? | Salinger? |
154 | 00:08:51,052 | 00:08:52,753 | His house had burned down | His house had burned down |
155 | 00:08:52,786 | 00:08:54,652 | and he called in the middle of the night | and he called in the middle of the night |
156 | 00:08:54,686 | 00:08:57,120 | assuming someone would be at the office. | assuming someone would be at the office. |
157 | 00:08:57,153 | 00:08:58,253 | Isn't that crazy? | Isn't that crazy? |
158 | 00:08:58,286 | 00:08:59,286 | I read that he's still writing, | I read that he's still writing, |
159 | 00:08:59,320 | 00:09:00,754 | but that he doesn't wanna publish. | but that he doesn't wanna publish. |
160 | 00:09:00,787 | 00:09:02,588 | Writing makes you a writer, not publishing. | Writing makes you a writer, not publishing. |
161 | 00:09:02,620 | 00:09:03,987 | Publishing is commerce. | Publishing is commerce. |
162 | 00:09:04,020 | 00:09:06,254 | Such a crock of shit, Don. | Such a crock of shit, Don. |
163 | 00:09:06,287 | 00:09:08,155 | This is some preemptive strike argument | This is some preemptive strike argument |
164 | 00:09:08,188 | 00:09:11,255 | in case he never sells a novel, if you ever finish writing. | in case he never sells a novel, if you ever finish writing. |
165 | 00:09:11,288 | 00:09:14,022 | I will, but today is about Joanna | I will, but today is about Joanna |
166 | 00:09:14,056 | 00:09:15,523 | and her crossing to the dark side | and her crossing to the dark side |
167 | 00:09:15,556 | 00:09:18,289 | with the book munchers, cheers. | with the book munchers, cheers. |
168 | 00:09:18,323 | 00:09:19,890 | Cheers. Thanks. | Cheers. Thanks. |
169 | 00:09:20,990 | 00:09:23,591 | I had met Don days earlier in a socialist bookstore | I had met Don days earlier in a socialist bookstore |
170 | 00:09:23,624 | 00:09:24,891 | where he worked part time. | where he worked part time. |
171 | 00:09:27,158 | 00:09:29,358 | Haven't seen you around here before. | Haven't seen you around here before. |
172 | 00:09:29,392 | 00:09:32,059 | Let me guess, you're an intern at the New Yorker. | Let me guess, you're an intern at the New Yorker. |
173 | 00:09:33,292 | 00:09:34,760 | Besides fighting materialism | Besides fighting materialism |
174 | 00:09:34,793 | 00:09:37,960 | and raising class awareness, Don was into boxing, | and raising class awareness, Don was into boxing, |
175 | 00:09:37,993 | 00:09:39,694 | Norman Mailer, and? | Norman Mailer, and? |
176 | 00:09:39,727 | 00:09:41,026 | I'm writing a novel. | I'm writing a novel. |
177 | 00:09:41,060 | 00:09:43,627 | He was straightforward about being a writer. | He was straightforward about being a writer. |
178 | 00:09:43,660 | 00:09:45,194 | I admired his confidence. | I admired his confidence. |
179 | 00:09:45,228 | 00:09:47,829 | Do you know the Panama Cafe? | Do you know the Panama Cafe? |
180 | 00:09:47,863 | 00:09:50,695 | It's on Avenue Way, it's kind of like a writers' hangout. | It's on Avenue Way, it's kind of like a writers' hangout. |
181 | 00:09:50,728 | 00:09:51,928 | I do actually. Yeah, they have poetry- | I do actually. Yeah, they have poetry- |
182 | 00:09:51,962 | 00:09:52,830 | Poetry reading. | Poetry reading. |
183 | 00:09:55,496 | 00:09:57,797 | Love is the one who's hard to find, | Love is the one who's hard to find, |
184 | 00:09:57,830 | 00:10:00,163 | love's the one who knows your mind, | love's the one who knows your mind, |
185 | 00:10:00,196 | 00:10:02,498 | love's the one who feeds your soul, | love's the one who feeds your soul, |
186 | 00:10:02,531 | 00:10:05,431 | love's the one to have and hold. | love's the one to have and hold. |
187 | 00:10:05,464 | 00:10:07,832 | But hold a minute, hold how, | But hold a minute, hold how, |
188 | 00:10:07,866 | 00:10:10,265 | there's a hundred hungry ways to hold her up | there's a hundred hungry ways to hold her up |
189 | 00:10:10,298 | 00:10:11,465 | or hold her down. | or hold her down. |
190 | 00:10:11,499 | 00:10:13,800 | Will she still be able to get around. | Will she still be able to get around. |
191 | 00:10:13,833 | 00:10:16,032 | Will she be able to hold her breath (VOICE FADES). | Will she be able to hold her breath (VOICE FADES). |
192 | 00:10:24,567 | 00:10:25,869 | Where the hell were you? | Where the hell were you? |
193 | 00:10:26,701 | 00:10:28,268 | Cut the goddamn grass today | Cut the goddamn grass today |
194 | 00:10:28,301 | 00:10:30,535 | or else I'm selling your K car, you hear? | or else I'm selling your K car, you hear? |
195 | 00:10:31,502 | 00:10:34,569 | (INSTRUMENTAL MUSIC) | (INSTRUMENTAL MUSIC) |
196 | 00:10:40,137 | 00:10:43,138 | Dear Mr. Salinger, I read your book, | Dear Mr. Salinger, I read your book, |
197 | 00:10:43,171 | 00:10:45,705 | "The Catcher In The Rye" three times now. | "The Catcher In The Rye" three times now. |
198 | 00:10:45,738 | 00:10:48,204 | It's a masterpiece, and I hope you're proud of it. | It's a masterpiece, and I hope you're proud of it. |
199 | 00:10:48,238 | 00:10:49,839 | I mean, you certainly should be. | I mean, you certainly should be. |
200 | 00:10:51,539 | 00:10:54,906 | Most of the crap that's written today is so uncompelling | Most of the crap that's written today is so uncompelling |
201 | 00:10:54,939 | 00:10:56,473 | it makes me sick. | it makes me sick. |
202 | 00:10:56,507 | 00:10:58,173 | I mean, not too many people write anything | I mean, not too many people write anything |
203 | 00:10:58,206 | 00:10:59,673 | that even approaches sincerity. | that even approaches sincerity. |
204 | 00:10:59,707 | 00:11:01,473 | And I don't mean to say that everyone | And I don't mean to say that everyone |
205 | 00:11:01,507 | 00:11:02,940 | who reads your book gets it. | who reads your book gets it. |
206 | 00:11:02,974 | 00:11:06,674 | Not at all, lots of people don't. | Not at all, lots of people don't. |
207 | 00:11:06,708 | 00:11:08,941 | I mean I can give you plenty of idiotic examples, | I mean I can give you plenty of idiotic examples, |
208 | 00:11:08,975 | 00:11:09,809 | but I won't. | but I won't. |
209 | 00:11:12,009 | 00:11:14,909 | (CHUCKLES) Hell, you might be laughing out loud right now | (CHUCKLES) Hell, you might be laughing out loud right now |
210 | 00:11:14,942 | 00:11:17,443 | at the thought but I think I get it. | at the thought but I think I get it. |
211 | 00:11:18,510 | 00:11:19,343 | Maybe I don't. | Maybe I don't. |
212 | 00:11:24,477 | 00:11:25,310 | Wow. | Wow. |
213 | 00:11:42,614 | 00:11:45,281 | MARGARET: Well, you are here. | MARGARET: Well, you are here. |
214 | 00:11:45,314 | 00:11:46,615 | I am. | I am. |
215 | 00:11:46,648 | 00:11:48,915 | We know you can type, hooray | We know you can type, hooray |
216 | 00:11:48,948 | 00:11:50,982 | but have you ever used a dictaphone? | but have you ever used a dictaphone? |
217 | 00:11:52,982 | 00:11:54,282 | At ease. | At ease. |
218 | 00:11:54,315 | 00:11:56,150 | It can be tricky at first, | It can be tricky at first, |
219 | 00:11:56,183 | 00:11:58,116 | but I'm sure you'll get the hang of it. | but I'm sure you'll get the hang of it. |
220 | 00:11:59,517 | 00:12:04,351 | Play, rewind, and I think those control speed. | Play, rewind, and I think those control speed. |
221 | 00:12:04,384 | 00:12:05,819 | - Hugh can help. - Hugh? | - Hugh can help. - Hugh? |
222 | 00:12:05,852 | 00:12:07,685 | You can get started with these. | You can get started with these. |
223 | 00:12:11,385 | 00:12:16,253 | This is our technological area. It is all very new. | This is our technological area. It is all very new. |
224 | 00:12:16,286 | 00:12:18,854 | This is a Xerox machine you'll use to make copies | This is a Xerox machine you'll use to make copies |
225 | 00:12:18,888 | 00:12:20,287 | of my correspondence. | of my correspondence. |
226 | 00:12:20,320 | 00:12:23,855 | I believe that is the button you press to make a copy. | I believe that is the button you press to make a copy. |
227 | 00:12:23,889 | 00:12:25,320 | Did she give you her speech | Did she give you her speech |
228 | 00:12:25,354 | 00:12:27,355 | about the evils of the digital age yet? | about the evils of the digital age yet? |
229 | 00:12:27,388 | 00:12:29,488 | Max, this is Joanna, my new assistant. | Max, this is Joanna, my new assistant. |
230 | 00:12:29,522 | 00:12:31,856 | Hello, Joanna. Nice to meet you. | Hello, Joanna. Nice to meet you. |
231 | 00:12:34,955 | 00:12:36,322 | So there are no computers? | So there are no computers? |
232 | 00:12:36,356 | 00:12:38,956 | We choose not to use computers. | We choose not to use computers. |
233 | 00:12:38,990 | 00:12:40,090 | I've seen them in action. | I've seen them in action. |
234 | 00:12:40,123 | 00:12:43,024 | They just make more work for everyone, wasting time. | They just make more work for everyone, wasting time. |
235 | 00:12:44,892 | 00:12:47,324 | All right, as you can see, | All right, as you can see, |
236 | 00:12:47,358 | 00:12:50,826 | we have a relaxed, cordial environment. | we have a relaxed, cordial environment. |
237 | 00:12:50,859 | 00:12:53,292 | We ask that you don't wear dungarees, sneakers, | We ask that you don't wear dungarees, sneakers, |
238 | 00:12:53,325 | 00:12:56,592 | T-shirts, sweatshirts, especially the kind with hoods. | T-shirts, sweatshirts, especially the kind with hoods. |
239 | 00:12:56,626 | 00:12:58,293 | No open-toed shoes, | No open-toed shoes, |
240 | 00:12:58,326 | 00:13:01,326 | but it's perfectly fine to wear trousers if you're a woman, | but it's perfectly fine to wear trousers if you're a woman, |
241 | 00:13:01,360 | 00:13:04,161 | and no need to wear stockings in the summer. | and no need to wear stockings in the summer. |
242 | 00:13:04,194 | 00:13:06,027 | Bare legs are perfectly fine. | Bare legs are perfectly fine. |
243 | 00:13:06,060 | 00:13:08,528 | And if Jerry calls you just say, | And if Jerry calls you just say, |
244 | 00:13:08,561 | 00:13:11,529 | "Yes, Jerry, I will let my boss know." | "Yes, Jerry, I will let my boss know." |
245 | 00:13:11,562 | 00:13:12,462 | Jerry Salinger? | Jerry Salinger? |
246 | 00:13:12,495 | 00:13:14,363 | Well of course, Jerry Salinger. | Well of course, Jerry Salinger. |
247 | 00:13:15,329 | 00:13:17,764 | And above all, you never ever call him. | And above all, you never ever call him. |
248 | 00:13:17,798 | 00:13:20,631 | (LAUGHS) Why would I call Jerry Salinger? | (LAUGHS) Why would I call Jerry Salinger? |
249 | 00:13:20,664 | 00:13:22,831 | Jerry doesn't wanna hear about how much you love | Jerry doesn't wanna hear about how much you love |
250 | 00:13:22,864 | 00:13:24,464 | "The Catcher In The Rye". | "The Catcher In The Rye". |
251 | 00:13:24,497 | 00:13:27,265 | And he doesn't want to read your stories. | And he doesn't want to read your stories. |
252 | 00:13:27,298 | 00:13:28,331 | Don't have stories. | Don't have stories. |
253 | 00:13:28,365 | 00:13:31,498 | Good, writers make the worst assistants. | Good, writers make the worst assistants. |
254 | 00:13:32,332 | 00:13:33,166 | Get to work. | Get to work. |
255 | 00:13:47,702 | 00:13:51,602 | MARGARET ON TAPE: The proprietor hereby grants to the publisher. | MARGARET ON TAPE: The proprietor hereby grants to the publisher. |
256 | 00:13:51,636 | 00:13:52,869 | (TAPE REWINDING) | (TAPE REWINDING) |
257 | 00:13:52,903 | 00:13:54,502 | Starting from the day... | Starting from the day... |
258 | 00:13:56,402 | 00:13:58,870 | I'm Hugh, you must be Joanna. | I'm Hugh, you must be Joanna. |
259 | 00:13:58,904 | 00:14:00,970 | Yes, hi. Nice to meet you. | Yes, hi. Nice to meet you. |
260 | 00:14:01,004 | 00:14:03,337 | If you need anything, I'm right here. | If you need anything, I'm right here. |
261 | 00:14:03,371 | 00:14:08,138 | I take care of contracts, legal, copyrights, the fun stuff. | I take care of contracts, legal, copyrights, the fun stuff. |
262 | 00:14:09,839 | 00:14:13,006 | Salinger's letters, fan mail. | Salinger's letters, fan mail. |
263 | 00:14:13,039 | 00:14:16,972 | You need to answer them using these. | You need to answer them using these. |
264 | 00:14:18,039 | 00:14:20,073 | There's one for each type of inquiry; | There's one for each type of inquiry; |
265 | 00:14:20,107 | 00:14:22,474 | adaptation, autobiography, | adaptation, autobiography, |
266 | 00:14:22,507 | 00:14:26,374 | autograph, photograph, interview, celebrity auction. | autograph, photograph, interview, celebrity auction. |
267 | 00:14:30,975 | 00:14:31,975 | Mr. Salinger does not wish | Mr. Salinger does not wish |
268 | 00:14:32,009 | 00:14:33,476 | to receive mail from his readers. | to receive mail from his readers. |
269 | 00:14:33,509 | 00:14:36,176 | Thus we cannot pass your kind note onto him. | Thus we cannot pass your kind note onto him. |
270 | 00:14:36,209 | 00:14:37,943 | 1963? | 1963? |
271 | 00:14:37,976 | 00:14:40,611 | That's the year he stopped responding himself. | That's the year he stopped responding himself. |
272 | 00:14:40,645 | 00:14:44,077 | You need to take the new one based exactly on this verbatim. | You need to take the new one based exactly on this verbatim. |
273 | 00:14:44,111 | 00:14:45,211 | No change. | No change. |
274 | 00:14:46,646 | 00:14:48,344 | So Salinger doesn't get any of his mail? | So Salinger doesn't get any of his mail? |
275 | 00:14:48,378 | 00:14:51,446 | Not one. You shred them in the shredder. | Not one. You shred them in the shredder. |
276 | 00:14:51,479 | 00:14:53,012 | You should always read them. | You should always read them. |
277 | 00:14:53,045 | 00:14:55,079 | Yes, indeed. | Yes, indeed. |
278 | 00:14:55,113 | 00:14:56,680 | - Just in case. - Just in case. | - Just in case. - Just in case. |
279 | 00:14:57,713 | 00:14:59,113 | In case of what? | In case of what? |
280 | 00:14:59,146 | 00:15:00,246 | We've been extra careful | We've been extra careful |
281 | 00:15:00,280 | 00:15:02,648 | since the Mark David Chapman thing. | since the Mark David Chapman thing. |
282 | 00:15:02,681 | 00:15:04,649 | John Lennon's assassin. | John Lennon's assassin. |
283 | 00:15:04,682 | 00:15:06,347 | When the police arrived at the Dakota, | When the police arrived at the Dakota, |
284 | 00:15:06,381 | 00:15:08,916 | they found Chapman calmly sitting on the sidewalk | they found Chapman calmly sitting on the sidewalk |
285 | 00:15:08,948 | 00:15:10,916 | reading "Catcher In The Rye". | reading "Catcher In The Rye". |
286 | 00:15:10,948 | 00:15:12,348 | At his trial Chapman said, | At his trial Chapman said, |
287 | 00:15:12,382 | 00:15:15,583 | that the big part of him was Holden Caulfield? | that the big part of him was Holden Caulfield? |
288 | 00:15:15,616 | 00:15:17,617 | And the small part of him was, | And the small part of him was, |
289 | 00:15:20,884 | 00:15:21,784 | the devil. | the devil. |
290 | 00:15:27,852 | 00:15:30,251 | Did Chapman write to Salinger? | Did Chapman write to Salinger? |
291 | 00:15:30,285 | 00:15:33,019 | We'll never know, since we throw away the mail. | We'll never know, since we throw away the mail. |
292 | 00:15:34,620 | 00:15:37,020 | Read everything thoroughly. | Read everything thoroughly. |
293 | 00:15:37,053 | 00:15:38,386 | Use your judgment. | Use your judgment. |
294 | 00:16:06,625 | 00:16:09,158 | I think about Holden a lot. | I think about Holden a lot. |
295 | 00:16:09,192 | 00:16:10,759 | When I first think about him, | When I first think about him, |
296 | 00:16:10,792 | 00:16:12,827 | I get a stupid grin on my face, you know? | I get a stupid grin on my face, you know? |
297 | 00:16:13,726 | 00:16:16,059 | Thinking about what a funny guy he is and all. | Thinking about what a funny guy he is and all. |
298 | 00:16:18,226 | 00:16:20,227 | But then I usually get depressed as hell | But then I usually get depressed as hell |
299 | 00:16:21,294 | 00:16:22,794 | 'cause I only think about Holden | 'cause I only think about Holden |
300 | 00:16:22,828 | 00:16:24,628 | when I'm feeling very emotional and, | when I'm feeling very emotional and, |
301 | 00:16:26,394 | 00:16:28,361 | I can get quite emotional. | I can get quite emotional. |
302 | 00:16:31,395 | 00:16:33,729 | I can get quite emotional. | I can get quite emotional. |
303 | 00:16:35,863 | 00:16:38,429 | This boy is so earnest. | This boy is so earnest. |
304 | 00:16:38,464 | 00:16:40,130 | A major loser is what he is. | A major loser is what he is. |
305 | 00:16:41,498 | 00:16:43,631 | - Hey, he is not. - He is. | - Hey, he is not. - He is. |
306 | 00:16:43,665 | 00:16:44,798 | He's very sweet. | He's very sweet. |
307 | 00:16:46,131 | 00:16:47,964 | He's a little funny, but he's sweet. | He's a little funny, but he's sweet. |
308 | 00:16:47,997 | 00:16:48,933 | And he cares so much. | And he cares so much. |
309 | 00:16:48,965 | 00:16:50,132 | I can't send him a letter that says, | I can't send him a letter that says, |
310 | 00:16:50,165 | 00:16:53,365 | "Dear kid, Mr. Salinger has no interest in you. | "Dear kid, Mr. Salinger has no interest in you. |
311 | 00:16:53,399 | 00:16:54,867 | So please fuck off." | So please fuck off." |
312 | 00:16:55,999 | 00:16:57,500 | Look, this one is from the Netherlands. | Look, this one is from the Netherlands. |
313 | 00:16:57,533 | 00:17:01,033 | Me and my wife trace Holden's steps around New York. | Me and my wife trace Holden's steps around New York. |
314 | 00:17:01,066 | 00:17:02,100 | Did you know that the ducks | Did you know that the ducks |
315 | 00:17:02,134 | 00:17:04,602 | in Central Park stay through winter? | in Central Park stay through winter? |
316 | 00:17:04,634 | 00:17:07,869 | My God, literally a bunch of obsessive freaks. | My God, literally a bunch of obsessive freaks. |
317 | 00:17:13,870 | 00:17:16,803 | I haven't read "Catcher In The Rye". | I haven't read "Catcher In The Rye". |
318 | 00:17:16,837 | 00:17:18,571 | You're kidding. | You're kidding. |
319 | 00:17:18,604 | 00:17:20,369 | I haven't read any Salinger. | I haven't read any Salinger. |
320 | 00:17:23,270 | 00:17:26,472 | Wow, everybody's read Catcher at the very least. | Wow, everybody's read Catcher at the very least. |
321 | 00:17:26,505 | 00:17:29,338 | Yeah, well, at the risk of disappointing you, | Yeah, well, at the risk of disappointing you, |
322 | 00:17:29,371 | 00:17:33,072 | there are actually a few writers that I've yet to read. | there are actually a few writers that I've yet to read. |
323 | 00:17:33,105 | 00:17:34,272 | Well, I'm shocked. | Well, I'm shocked. |
324 | 00:17:35,640 | 00:17:38,973 | Okay, look, this girl is ready to go to bed with him. | Okay, look, this girl is ready to go to bed with him. |
325 | 00:17:39,006 | 00:17:41,508 | He's 70 something. Don't be naive. | He's 70 something. Don't be naive. |
326 | 00:17:41,541 | 00:17:44,173 | Good literature is a powerful aphrodisiac. | Good literature is a powerful aphrodisiac. |
327 | 00:17:47,341 | 00:17:49,742 | I never had that teenage Salinger moment. | I never had that teenage Salinger moment. |
328 | 00:17:49,776 | 00:17:51,943 | We never read "Catcher In The Rye" at school. | We never read "Catcher In The Rye" at school. |
329 | 00:17:51,975 | 00:17:56,810 | And later I was interested in difficult, gritty fiction. | And later I was interested in difficult, gritty fiction. |
330 | 00:17:56,844 | 00:17:58,777 | BRETT: Hey, hun. | BRETT: Hey, hun. |
331 | 00:17:58,810 | 00:18:00,845 | Jenny's not here right now. | Jenny's not here right now. |
332 | 00:18:00,878 | 00:18:03,177 | Oh, I'll be in the kitchen. | Oh, I'll be in the kitchen. |
333 | 00:18:03,211 | 00:18:04,778 | MARGARRET V.O: I imagine Salinger's books | MARGARRET V.O: I imagine Salinger's books |
334 | 00:18:04,811 | 00:18:09,779 | to be insufferably cute, quirky and precious. | to be insufferably cute, quirky and precious. |
335 | 00:18:11,480 | 00:18:12,813 | I didn't want to be entertained. | I didn't want to be entertained. |
336 | 00:18:12,847 | 00:18:14,178 | I wanted to be provoked. | I wanted to be provoked. |
337 | 00:18:15,346 | 00:18:18,947 | (LIGHT INSTRUMENTAL MUSIC) | (LIGHT INSTRUMENTAL MUSIC) |
338 | 00:18:37,149 | 00:18:40,817 | My shoulder hurts from carrying all those manuscripts. | My shoulder hurts from carrying all those manuscripts. |
339 | 00:18:40,851 | 00:18:42,050 | - Hey, Joanna. - Hi. | - Hey, Joanna. - Hi. |
340 | 00:18:43,818 | 00:18:46,318 | Oh, I found a writer for Max out of the slush pile. | Oh, I found a writer for Max out of the slush pile. |
341 | 00:18:46,352 | 00:18:48,519 | The stories are so good, I read them last night | The stories are so good, I read them last night |
342 | 00:18:48,552 | 00:18:50,018 | and I was sobbing by the end. | and I was sobbing by the end. |
343 | 00:18:55,986 | 00:18:57,520 | What's the slush pile? | What's the slush pile? |
344 | 00:18:57,553 | 00:18:59,253 | The slush pile? | The slush pile? |
345 | 00:18:59,286 | 00:19:00,920 | Okay, it's like the most amazing | Okay, it's like the most amazing |
346 | 00:19:00,954 | 00:19:02,921 | and most horrible part of our job. | and most horrible part of our job. |
347 | 00:19:02,955 | 00:19:04,855 | The stack of manuscripts nobody wants to read. | The stack of manuscripts nobody wants to read. |
348 | 00:19:04,888 | 00:19:07,322 | Basically it's all the unsolicited query letters. | Basically it's all the unsolicited query letters. |
349 | 00:19:07,355 | 00:19:10,255 | People with no referral who write to agents cold. | People with no referral who write to agents cold. |
350 | 00:19:10,288 | 00:19:12,656 | The slush pile is like 99% crazy shit. | The slush pile is like 99% crazy shit. |
351 | 00:19:12,690 | 00:19:15,189 | Though some of it is seriously hilarious. | Though some of it is seriously hilarious. |
352 | 00:19:15,223 | 00:19:19,491 | But very, very occasionally you find something amazing. | But very, very occasionally you find something amazing. |
353 | 00:19:21,624 | 00:19:23,224 | Your boss doesn't let you read? | Your boss doesn't let you read? |
354 | 00:19:24,358 | 00:19:26,090 | I'm available to read manuscripts, | I'm available to read manuscripts, |
355 | 00:19:26,123 | 00:19:27,658 | should that be something that you're interested in | should that be something that you're interested in |
356 | 00:19:27,692 | 00:19:29,359 | at home or my free time of course. | at home or my free time of course. |
357 | 00:19:30,659 | 00:19:31,826 | Manuscripts? | Manuscripts? |
358 | 00:19:33,726 | 00:19:34,992 | No. | No. |
359 | 00:19:38,560 | 00:19:41,794 | Tabs wrong, margins wrong, | Tabs wrong, margins wrong, |
360 | 00:19:41,827 | 00:19:45,294 | proper names wrong, really, everything wrong. | proper names wrong, really, everything wrong. |
361 | 00:19:45,328 | 00:19:47,994 | You can start retyping today. | You can start retyping today. |
362 | 00:19:48,027 | 00:19:51,863 | And here as a bonus is today's dictation. | And here as a bonus is today's dictation. |
363 | 00:19:53,229 | 00:19:56,029 | Forget about manuscripts. | Forget about manuscripts. |
364 | 00:19:56,063 | 00:19:58,364 | You need to get that right. | You need to get that right. |
365 | 00:20:01,965 | 00:20:02,831 | Is it on? | Is it on? |
366 | 00:20:06,499 | 00:20:09,799 | As you know, I believe that computers make work | As you know, I believe that computers make work |
367 | 00:20:09,832 | 00:20:11,466 | rather than alleviate it. | rather than alleviate it. |
368 | 00:20:11,500 | 00:20:14,165 | But I agreed to install one in the office | But I agreed to install one in the office |
369 | 00:20:14,198 | 00:20:15,833 | on a trial basis because- | on a trial basis because- |
370 | 00:20:15,867 | 00:20:18,367 | It came in an elegant black. | It came in an elegant black. |
371 | 00:20:18,400 | 00:20:21,767 | Because Hugh discovered that people, | Because Hugh discovered that people, |
372 | 00:20:21,801 | 00:20:23,133 | I don't know who these people are | I don't know who these people are |
373 | 00:20:23,167 | 00:20:24,702 | and why they don't have more important things | and why they don't have more important things |
374 | 00:20:24,735 | 00:20:25,869 | to do with their lives, | to do with their lives, |
375 | 00:20:25,902 | 00:20:30,001 | but people have been publishing whole Salinger stories | but people have been publishing whole Salinger stories |
376 | 00:20:30,034 | 00:20:32,803 | on their personal e-webs. | on their personal e-webs. |
377 | 00:20:32,836 | 00:20:34,769 | Web blogs. | Web blogs. |
378 | 00:20:34,803 | 00:20:36,303 | Web blogs, ridiculous. | Web blogs, ridiculous. |
379 | 00:20:36,337 | 00:20:38,837 | This is blatant copyright infringement. | This is blatant copyright infringement. |
380 | 00:20:38,871 | 00:20:42,805 | And we're going to have to scour the worldwide web | And we're going to have to scour the worldwide web |
381 | 00:20:42,837 | 00:20:44,170 | to put an end to it. | to put an end to it. |
382 | 00:20:44,203 | 00:20:47,572 | And that is all the computer is to be used for. | And that is all the computer is to be used for. |
383 | 00:20:47,606 | 00:20:50,171 | Sorry to interrupt. Just passing through. | Sorry to interrupt. Just passing through. |
384 | 00:20:51,873 | 00:20:53,205 | Don't mean to cause a fuss. | Don't mean to cause a fuss. |
385 | 00:20:56,707 | 00:20:58,073 | We can turn it off now. | We can turn it off now. |
386 | 00:20:58,106 | 00:21:00,341 | Uh, it's already off. | Uh, it's already off. |
387 | 00:21:00,374 | 00:21:01,407 | Okay, good. | Okay, good. |
388 | 00:21:01,441 | 00:21:03,007 | And then maybe the little coat that goes over it, | And then maybe the little coat that goes over it, |
389 | 00:21:03,040 | 00:21:04,975 | I've seen it in pictures. Thank you, Max. | I've seen it in pictures. Thank you, Max. |
390 | 00:21:05,007 | 00:21:07,408 | MAX: I'm afraid we don't have... | MAX: I'm afraid we don't have... |
391 | 00:21:07,442 | 00:21:09,642 | (TYPEWRITER CLACKING) | (TYPEWRITER CLACKING) |
392 | 00:21:09,675 | 00:21:12,643 | MARGARET V.O: There were hundreds of us, thousands maybe, | MARGARET V.O: There were hundreds of us, thousands maybe, |
393 | 00:21:12,676 | 00:21:17,344 | all girls working at literary agencies or publishing houses. | all girls working at literary agencies or publishing houses. |
394 | 00:21:17,377 | 00:21:19,444 | We answered calls for our bosses, | We answered calls for our bosses, |
395 | 00:21:19,477 | 00:21:22,577 | ushered in the writers, fetched them water. | ushered in the writers, fetched them water. |
396 | 00:21:22,611 | 00:21:23,811 | Never belying the fact | Never belying the fact |
397 | 00:21:23,844 | 00:21:26,311 | that we wanted to be writers ourselves. | that we wanted to be writers ourselves. |
398 | 00:21:27,278 | 00:21:29,246 | We whispered about the lucky ones, | We whispered about the lucky ones, |
399 | 00:21:29,279 | 00:21:31,346 | the ones who were mentored by their bosses, | the ones who were mentored by their bosses, |
400 | 00:21:31,379 | 00:21:35,012 | who were allowed to take on books or clients. | who were allowed to take on books or clients. |
401 | 00:21:35,045 | 00:21:37,480 | The ones who broke the rules to show initiative. | The ones who broke the rules to show initiative. |
402 | 00:21:40,881 | 00:21:42,814 | The ones who wanted it badly enough. | The ones who wanted it badly enough. |
403 | 00:21:43,715 | 00:21:45,915 | Please find two copies of the contract | Please find two copies of the contract |
404 | 00:21:45,948 | 00:21:48,449 | with St. Martin publishing. | with St. Martin publishing. |
405 | 00:21:49,616 | 00:21:52,649 | Let's face it. I was a secretary. | Let's face it. I was a secretary. |
406 | 00:22:04,784 | 00:22:07,452 | (PHONE RINGING) | (PHONE RINGING) |
407 | 00:22:19,554 | 00:22:20,654 | Hello? | Hello? |
408 | 00:22:20,687 | 00:22:22,487 | Hello? Hello? | Hello? Hello? |
409 | 00:22:22,521 | 00:22:23,654 | Hello. | Hello. |
410 | 00:22:23,687 | 00:22:26,788 | Speaking to? It's Jerry. | Speaking to? It's Jerry. |
411 | 00:22:28,021 | 00:22:29,955 | Hello, Mr. Salinger. | Hello, Mr. Salinger. |
412 | 00:22:29,989 | 00:22:31,623 | Who is this? | Who is this? |
413 | 00:22:31,656 | 00:22:33,356 | This is Joanna. | This is Joanna. |
414 | 00:22:33,389 | 00:22:34,923 | Who? | Who? |
415 | 00:22:34,956 | 00:22:37,824 | I'm Joanna, I'm Margaret's new assistant. | I'm Joanna, I'm Margaret's new assistant. |
416 | 00:22:37,857 | 00:22:40,357 | Oh, Margaret's new assistant. | Oh, Margaret's new assistant. |
417 | 00:22:40,390 | 00:22:41,624 | Nice to meet you, Susanna. | Nice to meet you, Susanna. |
418 | 00:22:41,657 | 00:22:42,824 | How do you like your job? | How do you like your job? |
419 | 00:22:42,857 | 00:22:44,123 | I love it. | I love it. |
420 | 00:22:44,157 | 00:22:45,358 | Good to hear. | Good to hear. |
421 | 00:22:45,391 | 00:22:47,492 | I'm calling to speak to your boss. | I'm calling to speak to your boss. |
422 | 00:22:47,525 | 00:22:49,826 | Unfortunately, she's not in right now. | Unfortunately, she's not in right now. |
423 | 00:22:49,859 | 00:22:51,425 | Can I leave her a message? | Can I leave her a message? |
424 | 00:22:51,459 | 00:22:53,993 | Oh, no. I'll call back. | Oh, no. I'll call back. |
425 | 00:22:54,025 | 00:22:55,360 | Well, I'm sure you have a lot of work. | Well, I'm sure you have a lot of work. |
426 | 00:22:55,393 | 00:22:57,827 | It was very nice talking to you, Susanna. | It was very nice talking to you, Susanna. |
427 | 00:22:57,860 | 00:23:00,628 | I'm looking forward to meeting you in person. | I'm looking forward to meeting you in person. |
428 | 00:23:00,661 | 00:23:01,494 | You too. | You too. |
429 | 00:23:03,361 | 00:23:04,327 | Have a great day. | Have a great day. |
430 | 00:23:04,361 | 00:23:05,295 | Goodbye. | Goodbye. |
431 | 00:23:10,795 | 00:23:12,663 | I never say have a great day | I never say have a great day |
432 | 00:23:12,696 | 00:23:13,496 | Jerry? | Jerry? |
433 | 00:23:14,997 | 00:23:17,464 | He's deaf, explosion during the war. | He's deaf, explosion during the war. |
434 | 00:23:17,496 | 00:23:20,096 | - She just left? - Yes. | - She just left? - Yes. |
435 | 00:23:20,130 | 00:23:21,030 | Better go tell her. | Better go tell her. |
436 | 00:23:28,798 | 00:23:29,632 | Quicker. | Quicker. |
437 | 00:23:34,332 | 00:23:36,400 | Margaret. Sorry. | Margaret. Sorry. |
438 | 00:23:37,333 | 00:23:38,133 | I'm sorry to disturb you, | I'm sorry to disturb you, |
439 | 00:23:38,166 | 00:23:39,367 | we just got a call from, | we just got a call from, |
440 | 00:23:40,433 | 00:23:42,001 | your client just called. | your client just called. |
441 | 00:23:42,033 | 00:23:44,001 | (CHUCKLES) I wonder which one. | (CHUCKLES) I wonder which one. |
442 | 00:23:44,835 | 00:23:46,501 | I have to take this. | I have to take this. |
443 | 00:23:46,535 | 00:23:48,801 | Go ahead, boss. I'll wait for you at the restaurant. | Go ahead, boss. I'll wait for you at the restaurant. |
444 | 00:23:50,168 | 00:23:51,769 | You did the right thing. | You did the right thing. |
445 | 00:23:51,802 | 00:23:54,303 | Salinger wants to publish a book. | Salinger wants to publish a book. |
446 | 00:23:57,370 | 00:23:59,304 | The press is gonna go nuts. | The press is gonna go nuts. |
447 | 00:23:59,337 | 00:24:02,304 | No press, no one must know, that's our job. | No press, no one must know, that's our job. |
448 | 00:24:03,170 | 00:24:04,271 | So it's true. He's been writing. | So it's true. He's been writing. |
449 | 00:24:04,304 | 00:24:06,105 | Well, no, it's an old story. | Well, no, it's an old story. |
450 | 00:24:06,138 | 00:24:08,438 | Hapworth, publisher. | Hapworth, publisher. |
451 | 00:24:08,472 | 00:24:11,239 | Clifford Bradbury approached him to publish it | Clifford Bradbury approached him to publish it |
452 | 00:24:11,273 | 00:24:13,506 | as a standalone book. | as a standalone book. |
453 | 00:24:13,540 | 00:24:16,339 | He has been thinking about it for eight years. | He has been thinking about it for eight years. |
454 | 00:24:16,373 | 00:24:19,007 | The publisher wrote to him back in '88. | The publisher wrote to him back in '88. |
455 | 00:24:19,039 | 00:24:22,340 | Jerry liked the fact that he wrote on a typewriter. | Jerry liked the fact that he wrote on a typewriter. |
456 | 00:24:22,374 | 00:24:24,141 | How did he get Jerry's address? | How did he get Jerry's address? |
457 | 00:24:24,174 | 00:24:25,941 | He addressed it to J.D. Salinger, | He addressed it to J.D. Salinger, |
458 | 00:24:25,974 | 00:24:27,508 | Cornish, New Hampshire. | Cornish, New Hampshire. |
459 | 00:24:27,542 | 00:24:28,808 | Postman delivered it. | Postman delivered it. |
460 | 00:24:28,842 | 00:24:31,609 | (LAUGHS) That's brilliant. | (LAUGHS) That's brilliant. |
461 | 00:24:31,643 | 00:24:33,342 | Wait, wait, wait, wait, wait, wait, wait, Margaret. | Wait, wait, wait, wait, wait, wait, wait, Margaret. |
462 | 00:24:33,376 | 00:24:35,676 | What kind of publisher is this? | What kind of publisher is this? |
463 | 00:24:35,709 | 00:24:37,644 | It can't be Little Brown or any major house, | It can't be Little Brown or any major house, |
464 | 00:24:37,677 | 00:24:38,677 | they would have just called you. | they would have just called you. |
465 | 00:24:38,710 | 00:24:40,577 | Oh boy, you're gonna love this, Max. | Oh boy, you're gonna love this, Max. |
466 | 00:24:40,610 | 00:24:45,111 | It is a tiny press in Virginia, kind of a one-man operation. | It is a tiny press in Virginia, kind of a one-man operation. |
467 | 00:24:45,144 | 00:24:47,678 | Marygold press. | Marygold press. |
468 | 00:24:47,711 | 00:24:49,279 | Mary Bell's Press? | Mary Bell's Press? |
469 | 00:24:49,312 | 00:24:52,779 | Yes, that's it. You know them? | Yes, that's it. You know them? |
470 | 00:24:52,812 | 00:24:56,179 | They publish poetry and I like a few of their poets. | They publish poetry and I like a few of their poets. |
471 | 00:24:56,213 | 00:24:59,281 | (WHEEZING) Are you fucking kidding me? | (WHEEZING) Are you fucking kidding me? |
472 | 00:24:59,314 | 00:25:02,247 | A one-man press is going to publish the first book | A one-man press is going to publish the first book |
473 | 00:25:02,281 | 00:25:04,948 | from Salinger in three decades? | from Salinger in three decades? |
474 | 00:25:04,981 | 00:25:06,081 | That's fucked. | That's fucked. |
475 | 00:25:06,115 | 00:25:09,482 | Publishing Salinger is different than publishing poetry. | Publishing Salinger is different than publishing poetry. |
476 | 00:25:09,515 | 00:25:10,415 | Thank you. | Thank you. |
477 | 00:25:10,448 | 00:25:12,516 | Obviously, we have to proceed carefully. | Obviously, we have to proceed carefully. |
478 | 00:25:12,550 | 00:25:16,583 | Find out everything we can about this Clifford Bradbury. | Find out everything we can about this Clifford Bradbury. |
479 | 00:25:16,616 | 00:25:17,683 | I'll call 'em. | I'll call 'em. |
480 | 00:25:17,716 | 00:25:21,117 | I won't mention Salinger and I'll ask for his catalog | I won't mention Salinger and I'll ask for his catalog |
481 | 00:25:21,150 | 00:25:22,817 | and a sample for our records. | and a sample for our records. |
482 | 00:25:22,851 | 00:25:24,751 | Good thinking. | Good thinking. |
483 | 00:25:24,784 | 00:25:27,718 | Hugh, get me the contract with the New Yorker, please. | Hugh, get me the contract with the New Yorker, please. |
484 | 00:25:32,052 | 00:25:33,286 | What's Hapsworth? | What's Hapsworth? |
485 | 00:25:34,486 | 00:25:37,487 | It was published in the New Yorker in '65. | It was published in the New Yorker in '65. |
486 | 00:25:37,520 | 00:25:39,854 | Took up almost the whole magazine. | Took up almost the whole magazine. |
487 | 00:25:40,787 | 00:25:42,854 | Pretty common in those days. | Pretty common in those days. |
488 | 00:25:42,887 | 00:25:45,488 | Esquire did it, Cosmo. | Esquire did it, Cosmo. |
489 | 00:25:45,521 | 00:25:47,521 | That's where I got my start, | That's where I got my start, |
490 | 00:25:47,555 | 00:25:50,122 | buying stories for a magazine. | buying stories for a magazine. |
491 | 00:25:50,155 | 00:25:52,289 | For Cosmo? | For Cosmo? |
492 | 00:25:52,322 | 00:25:53,990 | For Playboy. | For Playboy. |
493 | 00:25:55,356 | 00:25:57,390 | How did you end up working for Playboy? | How did you end up working for Playboy? |
494 | 00:25:58,356 | 00:26:00,291 | Enough chit chat, Joanna. | Enough chit chat, Joanna. |
495 | 00:26:00,324 | 00:26:01,190 | Back to work. | Back to work. |
496 | 00:26:02,057 | 00:26:03,691 | Hi, is this Clifford Bradbury? | Hi, is this Clifford Bradbury? |
497 | 00:26:04,958 | 00:26:06,824 | Hi, this is Joanna Rakoff. | Hi, this is Joanna Rakoff. |
498 | 00:26:06,858 | 00:26:09,292 | I work for ANF Literary Management. | I work for ANF Literary Management. |
499 | 00:26:09,325 | 00:26:11,859 | The job of an agent is to open up opportunities | The job of an agent is to open up opportunities |
500 | 00:26:11,892 | 00:26:13,459 | for their clients. | for their clients. |
501 | 00:26:13,493 | 00:26:18,160 | But when it came to Salinger, the logic was reversed. | But when it came to Salinger, the logic was reversed. |
502 | 00:26:18,193 | 00:26:20,961 | We had to shield him from the outside world, | We had to shield him from the outside world, |
503 | 00:26:20,994 | 00:26:24,962 | bolstering his reputation as a complicated recluse. | bolstering his reputation as a complicated recluse. |
504 | 00:26:26,061 | 00:26:27,495 | But publishing Hackworth was going | But publishing Hackworth was going |
505 | 00:26:27,528 | 00:26:29,662 | to get a lot of attention. | to get a lot of attention. |
506 | 00:26:29,695 | 00:26:31,563 | Nobody understood his change of heart. | Nobody understood his change of heart. |
507 | 00:26:32,663 | 00:26:33,964 | Night, Jerry. | Night, Jerry. |
508 | 00:26:33,997 | 00:26:37,363 | Maybe I thought I understood. | Maybe I thought I understood. |
509 | 00:26:37,397 | 00:26:39,463 | Maybe he realized that what he wanted | Maybe he realized that what he wanted |
510 | 00:26:39,497 | 00:26:40,965 | wasn't what he wanted at all. | wasn't what he wanted at all. |
511 | 00:26:43,464 | 00:26:44,598 | JENNY: Are you serious? | JENNY: Are you serious? |
512 | 00:26:44,631 | 00:26:48,698 | You're like, yeah, (INDISTINCT) visiting me in my room. | You're like, yeah, (INDISTINCT) visiting me in my room. |
513 | 00:26:48,731 | 00:26:52,499 | (JENNY TALKING INDISTINCTLY) | (JENNY TALKING INDISTINCTLY) |
514 | 00:27:32,539 | 00:27:34,941 | What are you writing? | What are you writing? |
515 | 00:27:34,974 | 00:27:38,540 | Writing a very bad poem. (CHUCKLES) | Writing a very bad poem. (CHUCKLES) |
516 | 00:27:42,207 | 00:27:45,841 | Listen, Brett and I were talking and, | Listen, Brett and I were talking and, |
517 | 00:27:49,009 | 00:27:52,776 | look, when you first got back to New York | look, when you first got back to New York |
518 | 00:27:52,809 | 00:27:55,143 | and I said that you could stay here, | and I said that you could stay here, |
519 | 00:27:55,176 | 00:27:59,144 | to be honest, I thought you'd go back to Berkeley with Karl. | to be honest, I thought you'd go back to Berkeley with Karl. |
520 | 00:28:01,311 | 00:28:03,277 | You're kicking me out? | You're kicking me out? |
521 | 00:28:03,311 | 00:28:07,412 | No, like I'm happy to have you here. | No, like I'm happy to have you here. |
522 | 00:28:07,445 | 00:28:10,013 | And you can stay if you want. | And you can stay if you want. |
523 | 00:28:10,047 | 00:28:13,880 | But what did you plan on doing, what are your options? | But what did you plan on doing, what are your options? |
524 | 00:28:19,280 | 00:28:20,846 | We disinfected the apartment | We disinfected the apartment |
525 | 00:28:23,114 | 00:28:26,114 | 'cause the man before had seven cats, | 'cause the man before had seven cats, |
526 | 00:28:27,181 | 00:28:29,782 | but young, married, couple like you | but young, married, couple like you |
527 | 00:28:30,815 | 00:28:32,816 | take better care of it, yeah? | take better care of it, yeah? |
528 | 00:28:32,849 | 00:28:34,482 | We're not married. | We're not married. |
529 | 00:28:34,516 | 00:28:36,917 | The man next door, he takes care of little things | The man next door, he takes care of little things |
530 | 00:28:36,951 | 00:28:38,283 | if you need it. | if you need it. |
531 | 00:28:40,216 | 00:28:45,217 | He's Mexican, he drinks, but he works hard. | He's Mexican, he drinks, but he works hard. |
532 | 00:28:45,852 | 00:28:46,785 | How much? | How much? |
533 | 00:28:47,886 | 00:28:51,118 | - 560. - We'll think about it. | - 560. - We'll think about it. |
534 | 00:28:51,152 | 00:28:52,887 | No, we'll take it. | No, we'll take it. |
535 | 00:28:53,719 | 00:28:57,453 | Oh, good deal. You're Jewish, yeah? | Oh, good deal. You're Jewish, yeah? |
536 | 00:28:57,486 | 00:28:58,921 | - Me? - Mm? | - Me? - Mm? |
537 | 00:28:58,955 | 00:28:59,787 | No. | No. |
538 | 00:28:59,820 | 00:29:02,454 | I like very responsible (INDISTINCT). | I like very responsible (INDISTINCT). |
539 | 00:29:05,287 | 00:29:07,822 | Let's sign the paper. | Let's sign the paper. |
540 | 00:29:07,855 | 00:29:10,255 | The lease is gonna be under her name. | The lease is gonna be under her name. |
541 | 00:29:10,288 | 00:29:11,122 | Hm? | Hm? |
542 | 00:29:13,722 | 00:29:15,924 | Could just given ourselves a day to think about it. | Could just given ourselves a day to think about it. |
543 | 00:29:15,958 | 00:29:17,523 | This is New York city, young lady. | This is New York city, young lady. |
544 | 00:29:17,556 | 00:29:18,523 | The big time. | The big time. |
545 | 00:29:18,556 | 00:29:20,257 | I barely make $300 a week. | I barely make $300 a week. |
546 | 00:29:20,290 | 00:29:22,490 | No, wait, we split the rent, booba. | No, wait, we split the rent, booba. |
547 | 00:29:22,524 | 00:29:23,490 | I'm gonna pay my half. | I'm gonna pay my half. |
548 | 00:29:23,524 | 00:29:25,858 | I just have to avoid the credit check. | I just have to avoid the credit check. |
549 | 00:29:27,658 | 00:29:30,192 | Look, I'll take care of the furniture, all right? | Look, I'll take care of the furniture, all right? |
550 | 00:29:30,225 | 00:29:31,159 | There's no sink. | There's no sink. |
551 | 00:29:32,893 | 00:29:33,759 | What? | What? |
552 | 00:29:33,793 | 00:29:35,492 | There's no sink in the kitchen. | There's no sink in the kitchen. |
553 | 00:29:35,526 | 00:29:37,093 | I knew that there was something off about the apartment | I knew that there was something off about the apartment |
554 | 00:29:37,126 | 00:29:37,994 | but I couldn't put my finger on it. | but I couldn't put my finger on it. |
555 | 00:29:38,027 | 00:29:40,527 | And there's no sink in the kitchen. | And there's no sink in the kitchen. |
556 | 00:29:40,560 | 00:29:43,161 | We just signed a lease for an apartment with no sink. | We just signed a lease for an apartment with no sink. |
557 | 00:29:43,194 | 00:29:44,795 | But we can do the dishes in the bath tub, | But we can do the dishes in the bath tub, |
558 | 00:29:44,828 | 00:29:46,194 | it's no big deal. | it's no big deal. |
559 | 00:29:46,227 | 00:29:47,796 | There's a tub. Trust me. | There's a tub. Trust me. |
560 | 00:30:00,663 | 00:30:03,230 | (BRIGHT MUSIC) | (BRIGHT MUSIC) |
561 | 00:30:07,198 | 00:30:11,067 | Dear Mr. Salinger, please forgive my bad English. | Dear Mr. Salinger, please forgive my bad English. |
562 | 00:30:11,099 | 00:30:12,967 | I work much at night and I like it | I work much at night and I like it |
563 | 00:30:13,000 | 00:30:16,299 | because I don't have to talk to people so much. | because I don't have to talk to people so much. |
564 | 00:30:16,333 | 00:30:20,167 | My heart is troubled, just like Holden Caulfield- | My heart is troubled, just like Holden Caulfield- |
565 | 00:30:20,200 | 00:30:22,935 | Holden is like my grandfather, you know? | Holden is like my grandfather, you know? |
566 | 00:30:22,969 | 00:30:24,467 | A no-bullshit man. | A no-bullshit man. |
567 | 00:30:24,500 | 00:30:28,069 | He taught me a lot about human nature. | He taught me a lot about human nature. |
568 | 00:30:28,101 | 00:30:30,903 | He warned me, I will be disappointed by most people. | He warned me, I will be disappointed by most people. |
569 | 00:30:30,936 | 00:30:32,436 | We would be very honored | We would be very honored |
570 | 00:30:32,469 | 00:30:35,135 | if you would serve as our commencement reader next year. | if you would serve as our commencement reader next year. |
571 | 00:30:35,169 | 00:30:37,669 | We would, of course provide you with accommodation | We would, of course provide you with accommodation |
572 | 00:30:37,703 | 00:30:40,805 | in a very fine inn where your privacy, | in a very fine inn where your privacy, |
573 | 00:30:40,838 | 00:30:42,838 | which I know is important to you, | which I know is important to you, |
574 | 00:30:42,871 | 00:30:45,072 | would be scrupulously respected. | would be scrupulously respected. |
575 | 00:30:45,104 | 00:30:48,671 | The fishing helps me, a nice refuge from my nightmares. | The fishing helps me, a nice refuge from my nightmares. |
576 | 00:30:50,172 | 00:30:52,172 | It's been 27 years since Vietnam. | It's been 27 years since Vietnam. |
577 | 00:30:53,439 | 00:30:55,606 | They just keep getting worse. | They just keep getting worse. |
578 | 00:30:57,340 | 00:30:59,808 | You know, seeing your dead friends, | You know, seeing your dead friends, |
579 | 00:30:59,841 | 00:31:01,274 | having their guts ripped out. | having their guts ripped out. |
580 | 00:31:02,707 | 00:31:04,574 | I'm sure you must have similar type dreams | I'm sure you must have similar type dreams |
581 | 00:31:04,608 | 00:31:05,608 | being a veteran who- | being a veteran who- |
582 | 00:31:05,641 | 00:31:08,108 | Does not wish to receive mail from his readers. | Does not wish to receive mail from his readers. |
583 | 00:31:08,141 | 00:31:11,275 | Thus, we can not pass along your kind note to him. | Thus, we can not pass along your kind note to him. |
584 | 00:31:11,308 | 00:31:14,743 | We thank you for your interest in Mr. Salinger's book. | We thank you for your interest in Mr. Salinger's book. |
585 | 00:31:14,776 | 00:31:16,911 | My daughter died from leukemia. | My daughter died from leukemia. |
586 | 00:31:16,944 | 00:31:19,011 | She was a talented young writer. | She was a talented young writer. |
587 | 00:31:19,044 | 00:31:21,845 | I'm founding a small literary magazine in her memory, | I'm founding a small literary magazine in her memory, |
588 | 00:31:21,878 | 00:31:24,577 | and I'd like permission to call it Banana Fish. | and I'd like permission to call it Banana Fish. |
589 | 00:31:24,611 | 00:31:25,845 | The Salinger was her- | The Salinger was her- |
590 | 00:31:25,878 | 00:31:28,813 | (SHEDDER WHIRRING) | (SHEDDER WHIRRING) |
591 | 00:31:43,480 | 00:31:45,015 | Titles can't be copyrighted? | Titles can't be copyrighted? |
592 | 00:31:45,048 | 00:31:46,147 | Absolutely, Jerry. | Absolutely, Jerry. |
593 | 00:31:46,181 | 00:31:48,248 | I could write a novel and call it "The Great Gatsby" | I could write a novel and call it "The Great Gatsby" |
594 | 00:31:48,281 | 00:31:49,248 | if I wanted to. | if I wanted to. |
595 | 00:31:49,282 | 00:31:52,750 | So yes, she can call her magazine Banana Fish. | So yes, she can call her magazine Banana Fish. |
596 | 00:31:52,783 | 00:31:54,315 | Great. | Great. |
597 | 00:31:54,349 | 00:31:57,984 | But the agency can't advise her. | But the agency can't advise her. |
598 | 00:31:59,784 | 00:32:01,317 | - Really? - Yup. | - Really? - Yup. |
599 | 00:32:01,351 | 00:32:03,985 | I'm just telling you this for your own edification. | I'm just telling you this for your own edification. |
600 | 00:32:04,018 | 00:32:06,086 | Send the form letter and finish shredding. | Send the form letter and finish shredding. |
601 | 00:32:06,118 | 00:32:07,052 | That's absurd. | That's absurd. |
602 | 00:32:07,086 | 00:32:08,019 | MARGARET: Well, of course, you're right. | MARGARET: Well, of course, you're right. |
603 | 00:32:08,052 | 00:32:09,285 | She's gonna start yelling at me | She's gonna start yelling at me |
604 | 00:32:09,318 | 00:32:10,853 | the minute she's off the phone. | the minute she's off the phone. |
605 | 00:32:12,219 | 00:32:15,152 | MARGARET: Pleasure to talk to you, Jerry, as always. | MARGARET: Pleasure to talk to you, Jerry, as always. |
606 | 00:32:15,186 | 00:32:16,119 | Goodbye. | Goodbye. |
607 | 00:32:17,453 | 00:32:19,088 | Crap sandwich. | Crap sandwich. |
608 | 00:32:19,120 | 00:32:20,021 | Hugh? | Hugh? |
609 | 00:32:20,054 | 00:32:20,887 | Yes. | Yes. |
610 | 00:32:20,921 | 00:32:22,922 | Do you have the Salinger contract ready? | Do you have the Salinger contract ready? |
611 | 00:32:22,955 | 00:32:24,354 | Yes, almost there. | Yes, almost there. |
612 | 00:32:24,387 | 00:32:26,154 | Ask Pam to call a messenger | Ask Pam to call a messenger |
613 | 00:32:26,188 | 00:32:29,488 | so we can get it over to the New Yorker before 6:00. | so we can get it over to the New Yorker before 6:00. |
614 | 00:32:29,521 | 00:32:31,923 | - The New Yorker? - Yes. | - The New Yorker? - Yes. |
615 | 00:32:31,956 | 00:32:34,356 | Probably best if I just bring it myself then, no? | Probably best if I just bring it myself then, no? |
616 | 00:32:38,156 | 00:32:40,423 | I grew up reading the New Yorker | I grew up reading the New Yorker |
617 | 00:32:40,457 | 00:32:42,457 | following my father's ritual. | following my father's ritual. |
618 | 00:32:42,490 | 00:32:44,257 | He would start with the movie reviews | He would start with the movie reviews |
619 | 00:32:44,291 | 00:32:46,358 | and then turn to the talk of the town, | and then turn to the talk of the town, |
620 | 00:32:46,391 | 00:32:47,692 | and then the features. | and then the features. |
621 | 00:32:48,659 | 00:32:51,459 | In college, everyone was into The New Yorker. | In college, everyone was into The New Yorker. |
622 | 00:32:53,827 | 00:32:56,827 | (PHONE RINGING) | (PHONE RINGING) |
623 | 00:32:56,860 | 00:32:58,326 | Hi. | Hi. |
624 | 00:32:58,360 | 00:32:59,493 | My boss wanted me to make sure | My boss wanted me to make sure |
625 | 00:32:59,526 | 00:33:01,526 | this was delivered right away. | this was delivered right away. |
626 | 00:33:01,560 | 00:33:02,394 | Thank you. | Thank you. |
627 | 00:33:08,295 | 00:33:10,261 | Can I help you with something else? | Can I help you with something else? |
628 | 00:33:10,295 | 00:33:11,763 | No, no, no, no. | No, no, no, no. |
629 | 00:33:11,796 | 00:33:13,495 | That was it. Thanks. | That was it. Thanks. |
630 | 00:33:29,331 | 00:33:32,966 | I was at the Algonquin serving him a martini. | I was at the Algonquin serving him a martini. |
631 | 00:33:33,000 | 00:33:36,800 | Anyway, I used my Cosmo ID to get in the room. | Anyway, I used my Cosmo ID to get in the room. |
632 | 00:33:36,834 | 00:33:40,001 | I recognized the agent, he did not recognize me. | I recognized the agent, he did not recognize me. |
633 | 00:33:40,034 | 00:33:41,835 | And we spent the evening talking | And we spent the evening talking |
634 | 00:33:41,868 | 00:33:45,102 | about William's tragic death and the agency. | about William's tragic death and the agency. |
635 | 00:33:45,134 | 00:33:46,102 | MAX: And? | MAX: And? |
636 | 00:33:46,134 | 00:33:48,969 | And I lost my job at Cosmo for not showing up | And I lost my job at Cosmo for not showing up |
637 | 00:33:49,003 | 00:33:49,869 | the next morning. | the next morning. |
638 | 00:33:51,435 | 00:33:54,637 | But I kept the man's card, and a year later, | But I kept the man's card, and a year later, |
639 | 00:33:54,670 | 00:33:57,903 | I gave him a call at the agency. | I gave him a call at the agency. |
640 | 00:33:57,937 | 00:33:59,436 | Hi. | Hi. |
641 | 00:33:59,470 | 00:34:02,005 | And he hired me, and the rest is history. | And he hired me, and the rest is history. |
642 | 00:34:02,038 | 00:34:04,170 | Joanna, what is it? Something wrong? | Joanna, what is it? Something wrong? |
643 | 00:34:04,204 | 00:34:05,337 | No. | No. |
644 | 00:34:05,371 | 00:34:09,171 | She was walking by looking cold and hungry and forlorn. | She was walking by looking cold and hungry and forlorn. |
645 | 00:34:09,205 | 00:34:10,606 | And I invited her in. | And I invited her in. |
646 | 00:34:10,640 | 00:34:11,573 | Joanna, please sit down. | Joanna, please sit down. |
647 | 00:34:11,606 | 00:34:12,773 | I really don't want to interrupt. | I really don't want to interrupt. |
648 | 00:34:12,806 | 00:34:13,640 | Don't be silly. | Don't be silly. |
649 | 00:34:14,840 | 00:34:15,641 | This is my wife, Helen. | This is my wife, Helen. |
650 | 00:34:15,674 | 00:34:17,306 | Nice to meet you. | Nice to meet you. |
651 | 00:34:17,339 | 00:34:18,239 | We were just reminiscing, | We were just reminiscing, |
652 | 00:34:18,272 | 00:34:19,941 | telling tales about the lost generation. | telling tales about the lost generation. |
653 | 00:34:19,974 | 00:34:20,941 | Hemingway, Fitzgerald. | Hemingway, Fitzgerald. |
654 | 00:34:20,974 | 00:34:22,775 | Do you know the agency represented Fitzgerald? | Do you know the agency represented Fitzgerald? |
655 | 00:34:22,808 | 00:34:23,842 | Of course, yes. | Of course, yes. |
656 | 00:34:23,875 | 00:34:27,141 | And Dylan Thomas, Langston Hughes, Agatha Christie. | And Dylan Thomas, Langston Hughes, Agatha Christie. |
657 | 00:34:27,174 | 00:34:29,308 | And you've read all their work, of course | And you've read all their work, of course |
658 | 00:34:29,341 | 00:34:32,676 | I have, however, my boss suggests that I read writers | I have, however, my boss suggests that I read writers |
659 | 00:34:32,709 | 00:34:33,909 | that are alive. | that are alive. |
660 | 00:34:33,943 | 00:34:36,342 | Speaking of living writers, | Speaking of living writers, |
661 | 00:34:36,376 | 00:34:38,243 | are you familiar with Rachel Cusk? | are you familiar with Rachel Cusk? |
662 | 00:34:38,276 | 00:34:39,611 | Don't take the bait, Joanna. | Don't take the bait, Joanna. |
663 | 00:34:39,645 | 00:34:41,310 | DANIEL: I am. Yes, I am, I am. | DANIEL: I am. Yes, I am, I am. |
664 | 00:34:41,343 | 00:34:44,277 | Her first novel, "Saving Agnes" was huge. | Her first novel, "Saving Agnes" was huge. |
665 | 00:34:44,311 | 00:34:45,778 | It won the Whitbread, I think? | It won the Whitbread, I think? |
666 | 00:34:45,811 | 00:34:48,979 | And everyone that I knew in London was reading it. | And everyone that I knew in London was reading it. |
667 | 00:34:49,013 | 00:34:52,013 | It was our lives basically, or it was my life. | It was our lives basically, or it was my life. |
668 | 00:34:52,046 | 00:34:53,145 | What is it about? | What is it about? |
669 | 00:34:55,647 | 00:34:58,014 | Well, it's a coming-of- age tale, definitely. | Well, it's a coming-of- age tale, definitely. |
670 | 00:34:58,047 | 00:34:59,848 | I guess it's about the ways in which women | I guess it's about the ways in which women |
671 | 00:34:59,881 | 00:35:03,347 | need to get over this self -loathing of their bodies say. | need to get over this self -loathing of their bodies say. |
672 | 00:35:03,381 | 00:35:07,281 | I'd say it's more about how the patriarchy imposes rigid | I'd say it's more about how the patriarchy imposes rigid |
673 | 00:35:07,314 | 00:35:10,348 | and terrifying ideas of femininity onto young women. | and terrifying ideas of femininity onto young women. |
674 | 00:35:10,382 | 00:35:14,616 | How that paralyzes them, and strips them of their dignity. | How that paralyzes them, and strips them of their dignity. |
675 | 00:35:14,650 | 00:35:16,483 | I don't know, it doesn't feel quite that didactic to me. | I don't know, it doesn't feel quite that didactic to me. |
676 | 00:35:16,517 | 00:35:19,018 | It's a very introspective novel. | It's a very introspective novel. |
677 | 00:35:19,051 | 00:35:20,751 | It doesn't really read like social commentary. | It doesn't really read like social commentary. |
678 | 00:35:20,784 | 00:35:24,019 | Okay, Joanna meet Rachel Cusk. | Okay, Joanna meet Rachel Cusk. |
679 | 00:35:25,317 | 00:35:26,785 | - Hello. - No, no. | - Hello. - No, no. |
680 | 00:35:27,985 | 00:35:29,519 | - I'm so sorry. - It's okay. | - I'm so sorry. - It's okay. |
681 | 00:35:29,552 | 00:35:31,451 | It's lovely to meet you. | It's lovely to meet you. |
682 | 00:35:31,485 | 00:35:33,285 | You're a novelist yourself? | You're a novelist yourself? |
683 | 00:35:33,319 | 00:35:36,319 | Joanne is my assistant. I don't hire writers. | Joanne is my assistant. I don't hire writers. |
684 | 00:35:36,352 | 00:35:38,353 | I'm very particular about it. | I'm very particular about it. |
685 | 00:35:38,387 | 00:35:39,220 | Really? | Really? |
686 | 00:35:39,253 | 00:35:40,855 | I thought all publishing assistants | I thought all publishing assistants |
687 | 00:35:40,887 | 00:35:42,453 | were writing novels at their desk. | were writing novels at their desk. |
688 | 00:35:42,487 | 00:35:43,755 | If you can write a novel at your desk | If you can write a novel at your desk |
689 | 00:35:43,788 | 00:35:45,821 | while fetching coffee for a tyrant like Margaret, | while fetching coffee for a tyrant like Margaret, |
690 | 00:35:45,855 | 00:35:47,321 | good luck. | good luck. |
691 | 00:35:47,354 | 00:35:48,589 | Well, you really have to love it. | Well, you really have to love it. |
692 | 00:35:48,622 | 00:35:51,188 | You have to want it more than anything in the entire world. | You have to want it more than anything in the entire world. |
693 | 00:35:51,222 | 00:35:55,490 | More than a boyfriend or a closet full of pretty dresses, | More than a boyfriend or a closet full of pretty dresses, |
694 | 00:35:55,523 | 00:35:59,156 | or a fancy job that makes everyone jealous. | or a fancy job that makes everyone jealous. |
695 | 00:35:59,189 | 00:36:02,324 | You need to be okay with saying no | You need to be okay with saying no |
696 | 00:36:02,357 | 00:36:04,157 | when you're invited to a party, | when you're invited to a party, |
697 | 00:36:04,190 | 00:36:05,492 | and you really need to be okay | and you really need to be okay |
698 | 00:36:05,525 | 00:36:08,191 | with having your mother and father hate you. | with having your mother and father hate you. |
699 | 00:36:08,225 | 00:36:10,992 | Joanna, don't you have some dictation to finish? | Joanna, don't you have some dictation to finish? |
700 | 00:36:11,026 | 00:36:12,760 | - Yes, I do. - Margaret. | - Yes, I do. - Margaret. |
701 | 00:36:12,793 | 00:36:14,760 | Those St. Martins contract memos | Those St. Martins contract memos |
702 | 00:36:14,793 | 00:36:16,326 | need to go out immediately. | need to go out immediately. |
703 | 00:36:16,359 | 00:36:18,127 | - Absolutely. - Okay. | - Absolutely. - Okay. |
704 | 00:36:18,159 | 00:36:19,661 | It was nice to meet you all, thank you. | It was nice to meet you all, thank you. |
705 | 00:36:19,694 | 00:36:21,961 | - Bye. - Lovely to meet you. | - Bye. - Lovely to meet you. |
706 | 00:37:01,968 | 00:37:02,801 | Hi. | Hi. |
707 | 00:37:04,702 | 00:37:08,136 | You got a letter from your high school sweetheart, Karl. | You got a letter from your high school sweetheart, Karl. |
708 | 00:37:11,603 | 00:37:13,335 | Does he know about us? | Does he know about us? |
709 | 00:37:15,970 | 00:37:17,169 | Yeah, I'm sure I mentioned it. | Yeah, I'm sure I mentioned it. |
710 | 00:37:17,202 | 00:37:18,971 | Joanna, did you break up with him? | Joanna, did you break up with him? |
711 | 00:37:19,004 | 00:37:20,104 | Like a proper breakup? | Like a proper breakup? |
712 | 00:37:20,138 | 00:37:22,104 | "Dear Karl, it's not you it's me. | "Dear Karl, it's not you it's me. |
713 | 00:37:22,138 | 00:37:25,505 | I'm sorry, it's over," you know, the normal stuff? | I'm sorry, it's over," you know, the normal stuff? |
714 | 00:37:25,538 | 00:37:27,672 | We haven't talked in three months | We haven't talked in three months |
715 | 00:37:27,705 | 00:37:30,271 | and he knows that I'm not going back to California. | and he knows that I'm not going back to California. |
716 | 00:37:33,372 | 00:37:35,974 | Did you talk to the landlady about the heating? | Did you talk to the landlady about the heating? |
717 | 00:37:37,372 | 00:37:38,774 | Why do you need a heater? | Why do you need a heater? |
718 | 00:37:38,807 | 00:37:40,675 | Your love should keep you warm. | Your love should keep you warm. |
719 | 00:38:11,513 | 00:38:13,345 | I was hoping you might find the time to write back, | I was hoping you might find the time to write back, |
720 | 00:38:13,379 | 00:38:16,147 | but I bet you must be getting a lot of letters. | but I bet you must be getting a lot of letters. |
721 | 00:38:17,380 | 00:38:19,514 | But I feel like writing again, | But I feel like writing again, |
722 | 00:38:19,547 | 00:38:20,414 | if you don't mind me doing so | if you don't mind me doing so |
723 | 00:38:20,447 | 00:38:23,213 | 'cause well, I feel depressed as hell. | 'cause well, I feel depressed as hell. |
724 | 00:38:24,548 | 00:38:26,347 | And I figured it's the honest thing to do. | And I figured it's the honest thing to do. |
725 | 00:38:27,815 | 00:38:30,149 | Your characters are the only ones in literature | Your characters are the only ones in literature |
726 | 00:38:30,181 | 00:38:31,516 | who are truly like me. | who are truly like me. |
727 | 00:38:32,449 | 00:38:33,417 | I mean, they take action. | I mean, they take action. |
728 | 00:38:33,450 | 00:38:35,417 | They don't sit around contemplating suicide. | They don't sit around contemplating suicide. |
729 | 00:38:35,450 | 00:38:38,617 | They pick up a gun and they shoot themselves in the head. | They pick up a gun and they shoot themselves in the head. |
730 | 00:38:38,650 | 00:38:40,451 | He's challenging Jerry. | He's challenging Jerry. |
731 | 00:38:40,484 | 00:38:42,918 | It's a game and you're falling for it. | It's a game and you're falling for it. |
732 | 00:38:42,951 | 00:38:45,018 | I feel this boy just deserves a proper response, | I feel this boy just deserves a proper response, |
733 | 00:38:45,052 | 00:38:46,585 | not our usual bullshit. | not our usual bullshit. |
734 | 00:38:46,619 | 00:38:47,452 | Bullshit? | Bullshit? |
735 | 00:38:49,352 | 00:38:53,952 | You are confusing judgment with empathy. | You are confusing judgment with empathy. |
736 | 00:38:53,986 | 00:38:56,787 | I have read hundreds of letters just like this one. | I have read hundreds of letters just like this one. |
737 | 00:38:57,887 | 00:39:01,621 | It can get overwhelming, but just do your job. | It can get overwhelming, but just do your job. |
738 | 00:39:14,723 | 00:39:15,690 | Did you send my letter to Mr. Salinger? | Did you send my letter to Mr. Salinger? |
739 | 00:39:15,723 | 00:39:17,323 | Did you send my letter to Salinger? | Did you send my letter to Salinger? |
740 | 00:39:17,357 | 00:39:19,957 | You have no right to keep my letter. | You have no right to keep my letter. |
741 | 00:39:19,991 | 00:39:20,791 | (SPEAKING FOREIGN LANGUAGE) | (SPEAKING FOREIGN LANGUAGE) |
742 | 00:39:20,824 | 00:39:23,358 | You can't read other people's mail. | You can't read other people's mail. |
743 | 00:39:23,391 | 00:39:26,092 | I wat at least expecting a confirmation. | I wat at least expecting a confirmation. |
744 | 00:39:26,125 | 00:39:29,359 | (LIGHT DRAMATIC MUSIC) | (LIGHT DRAMATIC MUSIC) |
745 | 00:39:38,894 | 00:39:41,828 | JOANNA V.O.: Dear Mr. Salinger, I hate school. | JOANNA V.O.: Dear Mr. Salinger, I hate school. |
746 | 00:39:42,861 | 00:39:44,928 | Especially English class. | Especially English class. |
747 | 00:39:44,961 | 00:39:47,995 | "Catcher In The Rye" is the only book I liked. | "Catcher In The Rye" is the only book I liked. |
748 | 00:39:48,028 | 00:39:50,328 | My teacher is going to make me flunk. | My teacher is going to make me flunk. |
749 | 00:39:50,362 | 00:39:51,796 | She says I'll have to repeat my year | She says I'll have to repeat my year |
750 | 00:39:51,829 | 00:39:54,430 | and that's gonna be so embarrassing. | and that's gonna be so embarrassing. |
751 | 00:39:55,430 | 00:39:57,730 | So I asked her, "What can I do?" | So I asked her, "What can I do?" |
752 | 00:39:57,763 | 00:40:00,130 | "Write a letter to J.D. Salinger," she told me. | "Write a letter to J.D. Salinger," she told me. |
753 | 00:40:00,164 | 00:40:02,631 | "And make it so good that he'll write back. | "And make it so good that he'll write back. |
754 | 00:40:02,664 | 00:40:04,632 | If he writes back, I'll give you an A." | If he writes back, I'll give you an A." |
755 | 00:40:06,131 | 00:40:09,498 | Please write back, so I can get an A. | Please write back, so I can get an A. |
756 | 00:40:13,166 | 00:40:17,167 | An A earned by trickery means absolutely nothing. | An A earned by trickery means absolutely nothing. |
757 | 00:40:17,199 | 00:40:19,001 | You'll soon find out that young women | You'll soon find out that young women |
758 | 00:40:19,034 | 00:40:22,200 | are often held to double standards when it comes to success. | are often held to double standards when it comes to success. |
759 | 00:40:24,968 | 00:40:27,835 | You need to prove to yourself and to your peers | You need to prove to yourself and to your peers |
760 | 00:40:27,868 | 00:40:29,968 | that you do not need special treatment. | that you do not need special treatment. |
761 | 00:40:31,201 | 00:40:33,969 | If you desire an A or a passing grade, | If you desire an A or a passing grade, |
762 | 00:40:34,003 | 00:40:36,904 | you must do the work assigned to you. | you must do the work assigned to you. |
763 | 00:40:36,937 | 00:40:40,404 | And if you want to uphold the spirit of Holden, | And if you want to uphold the spirit of Holden, |
764 | 00:40:40,438 | 00:40:43,504 | try not to care too much about how people judge you. | try not to care too much about how people judge you. |
765 | 00:40:43,538 | 00:40:45,805 | This might mean being more humble, | This might mean being more humble, |
766 | 00:40:45,838 | 00:40:48,138 | but it's the only way. | but it's the only way. |
767 | 00:40:48,172 | 00:40:50,639 | Sincerely, Joanna Rakoff. | Sincerely, Joanna Rakoff. |
768 | 00:40:57,673 | 00:41:00,774 | You've become quite the expert in what Salinger would say. | You've become quite the expert in what Salinger would say. |
769 | 00:41:02,207 | 00:41:05,275 | "If you want to uphold the spirit of Holden", | "If you want to uphold the spirit of Holden", |
770 | 00:41:05,308 | 00:41:06,775 | have you read Catcher yet? | have you read Catcher yet? |
771 | 00:41:09,376 | 00:41:10,543 | You haven't? | You haven't? |
772 | 00:41:13,109 | 00:41:13,943 | Unbelievable. | Unbelievable. |
773 | 00:41:21,144 | 00:41:23,011 | Brett got accepted at Case Western. | Brett got accepted at Case Western. |
774 | 00:41:24,044 | 00:41:25,511 | I thought he's going to Brooklyn Law. | I thought he's going to Brooklyn Law. |
775 | 00:41:25,545 | 00:41:27,112 | He's from the Midwest. | He's from the Midwest. |
776 | 00:41:27,145 | 00:41:28,312 | He misses it, you know? | He misses it, you know? |
777 | 00:41:29,479 | 00:41:31,779 | So you'll stay here until he's done? | So you'll stay here until he's done? |
778 | 00:41:31,813 | 00:41:35,246 | Of course not. I'm going with him. | Of course not. I'm going with him. |
779 | 00:41:35,280 | 00:41:36,513 | We're engaged, remember? | We're engaged, remember? |
780 | 00:41:38,047 | 00:41:40,514 | Wait, you're moving? | Wait, you're moving? |
781 | 00:41:43,347 | 00:41:45,315 | I thought you loved your work? | I thought you loved your work? |
782 | 00:41:45,348 | 00:41:48,615 | I do, but Cleveland is a cool city. | I do, but Cleveland is a cool city. |
783 | 00:41:48,649 | 00:41:51,049 | We're already looking for a place in Shaker Heights. | We're already looking for a place in Shaker Heights. |
784 | 00:41:52,550 | 00:41:55,316 | Wow. Suburbs. | Wow. Suburbs. |
785 | 00:41:58,350 | 00:41:59,817 | Have you been writing lately? | Have you been writing lately? |
786 | 00:42:02,051 | 00:42:03,617 | I don't really write anymore. | I don't really write anymore. |
787 | 00:42:05,318 | 00:42:08,186 | I know we used to say that we wanted to become writers | I know we used to say that we wanted to become writers |
788 | 00:42:08,218 | 00:42:10,319 | but that was more your thing. | but that was more your thing. |
789 | 00:42:11,152 | 00:42:12,386 | I kind of grew out of it. | I kind of grew out of it. |
790 | 00:42:16,520 | 00:42:20,253 | You make it sound like a teenage phase. | You make it sound like a teenage phase. |
791 | 00:42:20,287 | 00:42:21,854 | Isn't that what it was? | Isn't that what it was? |
792 | 00:42:21,887 | 00:42:23,321 | I don't understand. | I don't understand. |
793 | 00:42:23,354 | 00:42:24,521 | You're dropping everything for Brett's project? | You're dropping everything for Brett's project? |
794 | 00:42:24,555 | 00:42:26,122 | Whoa, Joanna stop. | Whoa, Joanna stop. |
795 | 00:42:27,190 | 00:42:28,788 | I don't wanna be a writer. | I don't wanna be a writer. |
796 | 00:42:28,822 | 00:42:31,255 | You keep saying you want to write, but you work long hours | You keep saying you want to write, but you work long hours |
797 | 00:42:31,289 | 00:42:35,256 | for other writers while Don is at home writing his novel. | for other writers while Don is at home writing his novel. |
798 | 00:42:35,290 | 00:42:36,690 | Oh, we both write, | Oh, we both write, |
799 | 00:42:36,724 | 00:42:38,290 | and we're supportive of each other's work. | and we're supportive of each other's work. |
800 | 00:42:38,323 | 00:42:40,124 | Well, then I'm happy for you guys. | Well, then I'm happy for you guys. |
801 | 00:42:40,990 | 00:42:42,324 | Please be happy for me. | Please be happy for me. |
802 | 00:42:46,991 | 00:42:47,825 | I'm sorry. | I'm sorry. |
803 | 00:42:53,926 | 00:42:56,827 | Why don't we go to the Waldorf and get dessert? | Why don't we go to the Waldorf and get dessert? |
804 | 00:42:57,927 | 00:42:59,727 | I'll have the $12 cheesecake. | I'll have the $12 cheesecake. |
805 | 00:42:59,760 | 00:43:00,993 | Maybe we'll catch my boss | Maybe we'll catch my boss |
806 | 00:43:01,027 | 00:43:02,661 | on her martini ones or something. | on her martini ones or something. |
807 | 00:43:03,627 | 00:43:04,462 | I gotta get back to work. | I gotta get back to work. |
808 | 00:43:17,597 | 00:43:18,963 | Everything to your liking? | Everything to your liking? |
809 | 00:43:18,996 | 00:43:20,430 | Yes, thank you. | Yes, thank you. |
810 | 00:43:22,697 | 00:43:25,531 | (CLASSICAL MUSIC) | (CLASSICAL MUSIC) |
811 | 00:44:09,672 | 00:44:11,639 | May I get you a cab? | May I get you a cab? |
812 | 00:44:11,672 | 00:44:13,840 | It's such a nice day, I think I'll walk. | It's such a nice day, I think I'll walk. |
813 | 00:44:13,873 | 00:44:16,606 | It is a beautiful day. You enjoy it then. | It is a beautiful day. You enjoy it then. |
814 | 00:44:16,639 | 00:44:17,474 | Thanks. | Thanks. |
815 | 00:44:27,775 | 00:44:28,742 | JOANNA: Hello. | JOANNA: Hello. |
816 | 00:44:28,775 | 00:44:31,143 | JERRY: Hello, Susanna. How are you today? | JERRY: Hello, Susanna. How are you today? |
817 | 00:44:31,176 | 00:44:32,309 | I'm great. How are you? | I'm great. How are you? |
818 | 00:44:32,342 | 00:44:33,909 | How's the weather in Cornish? | How's the weather in Cornish? |
819 | 00:44:33,943 | 00:44:35,577 | It's very pleasant. | It's very pleasant. |
820 | 00:44:35,610 | 00:44:37,177 | Tell me something, Susanna. | Tell me something, Susanna. |
821 | 00:44:37,211 | 00:44:40,810 | I was looking at those books from this fellow, Clifford, | I was looking at those books from this fellow, Clifford, |
822 | 00:44:40,844 | 00:44:43,611 | in Virginia, Mary Bells Press. | in Virginia, Mary Bells Press. |
823 | 00:44:43,644 | 00:44:44,444 | Yes. | Yes. |
824 | 00:44:44,478 | 00:44:46,478 | What do you think of them? | What do you think of them? |
825 | 00:44:46,511 | 00:44:49,278 | Honestly, I think the design isn't great. | Honestly, I think the design isn't great. |
826 | 00:44:49,312 | 00:44:52,445 | I think they'd really benefit from hiring a designer. | I think they'd really benefit from hiring a designer. |
827 | 00:44:53,546 | 00:44:56,813 | But as far as the books themselves, I've only read a few. | But as far as the books themselves, I've only read a few. |
828 | 00:44:56,847 | 00:44:59,947 | I do like some of the poets they publish though. | I do like some of the poets they publish though. |
829 | 00:44:59,980 | 00:45:01,280 | Well, you read poetry? | Well, you read poetry? |
830 | 00:45:01,314 | 00:45:03,082 | I do, yes. A lot. | I do, yes. A lot. |
831 | 00:45:03,116 | 00:45:04,681 | Do you write poetry yourself? | Do you write poetry yourself? |
832 | 00:45:04,714 | 00:45:05,548 | I do. | I do. |
833 | 00:45:06,381 | 00:45:08,116 | Oh, I'm very glad to hear that. | Oh, I'm very glad to hear that. |
834 | 00:45:08,149 | 00:45:11,282 | Poetry is food for the soul. Never forget that. | Poetry is food for the soul. Never forget that. |
835 | 00:45:12,382 | 00:45:13,750 | Susanna. | Susanna. |
836 | 00:45:13,783 | 00:45:15,850 | Food for the soul, I've got it. | Food for the soul, I've got it. |
837 | 00:45:17,184 | 00:45:19,584 | Susanna, it's important to write every day. | Susanna, it's important to write every day. |
838 | 00:45:19,617 | 00:45:20,450 | You know that? | You know that? |
839 | 00:45:21,884 | 00:45:23,152 | I'll keep that in mind. | I'll keep that in mind. |
840 | 00:45:24,119 | 00:45:26,152 | Jerry wants to meet Clifford. | Jerry wants to meet Clifford. |
841 | 00:45:27,153 | 00:45:30,619 | Gosh, gotta find somewhere discreet. | Gosh, gotta find somewhere discreet. |
842 | 00:45:30,652 | 00:45:32,153 | Well, it won't be. | Well, it won't be. |
843 | 00:45:32,186 | 00:45:34,953 | Jerry's driving down to Washington on Wednesday. | Jerry's driving down to Washington on Wednesday. |
844 | 00:45:34,986 | 00:45:38,286 | They're meeting in a cafeteria at Georgetown University. | They're meeting in a cafeteria at Georgetown University. |
845 | 00:45:38,320 | 00:45:40,188 | That's awful. Awful. | That's awful. Awful. |
846 | 00:45:41,321 | 00:45:44,287 | Do we trust this Clifford fellow? | Do we trust this Clifford fellow? |
847 | 00:45:44,321 | 00:45:45,688 | I don't know. | I don't know. |
848 | 00:45:45,721 | 00:45:50,288 | So we're presuming he's not gonna tip off The Post | So we're presuming he's not gonna tip off The Post |
849 | 00:45:50,322 | 00:45:52,157 | that the world's most reclusive writer | that the world's most reclusive writer |
850 | 00:45:52,190 | 00:45:53,356 | who barely leaves his home, | who barely leaves his home, |
851 | 00:45:53,389 | 00:45:55,823 | who hasn't given an interview in decades, | who hasn't given an interview in decades, |
852 | 00:45:55,857 | 00:46:00,857 | will be having lunch at Georgetown University on Wednesday? | will be having lunch at Georgetown University on Wednesday? |
853 | 00:46:01,457 | 00:46:02,424 | Yeah. | Yeah. |
854 | 00:46:02,457 | 00:46:05,758 | You have mentioned this possibility to Jerry? | You have mentioned this possibility to Jerry? |
855 | 00:46:05,791 | 00:46:09,060 | I have not. Jerry thinks of Clifford as a pal. | I have not. Jerry thinks of Clifford as a pal. |
856 | 00:46:09,093 | 00:46:10,993 | If I say anything negative about him, | If I say anything negative about him, |
857 | 00:46:11,026 | 00:46:13,326 | Jerry will not take it kindly. | Jerry will not take it kindly. |
858 | 00:46:13,359 | 00:46:14,793 | That's it. Back to work. | That's it. Back to work. |
859 | 00:46:16,760 | 00:46:17,693 | Oh, Joanna. | Oh, Joanna. |
860 | 00:46:18,926 | 00:46:20,594 | Tell me what you think of this. | Tell me what you think of this. |
861 | 00:46:23,694 | 00:46:25,062 | Judy Blume? | Judy Blume? |
862 | 00:46:25,095 | 00:46:27,261 | - You've heard of her? - Of course, I have. | - You've heard of her? - Of course, I have. |
863 | 00:46:28,096 | 00:46:29,895 | I read all of her books as a kid. | I read all of her books as a kid. |
864 | 00:46:29,928 | 00:46:31,395 | I love her. Everyone loves her. | I love her. Everyone loves her. |
865 | 00:46:31,429 | 00:46:34,462 | She was a client of my predecessor, Claire. | She was a client of my predecessor, Claire. |
866 | 00:46:34,496 | 00:46:36,497 | She's not written a book in a long time. | She's not written a book in a long time. |
867 | 00:46:36,530 | 00:46:38,430 | Have you ever read Judy Blume? | Have you ever read Judy Blume? |
868 | 00:46:38,463 | 00:46:41,232 | No, I don't read children's literature. | No, I don't read children's literature. |
869 | 00:46:41,264 | 00:46:43,098 | But they're so wonderful. | But they're so wonderful. |
870 | 00:46:43,132 | 00:46:46,032 | I'm sure, Claire had impeccable taste. | I'm sure, Claire had impeccable taste. |
871 | 00:46:48,099 | 00:46:48,999 | You wanna go out? | You wanna go out? |
872 | 00:46:50,199 | 00:46:51,000 | We're broke. | We're broke. |
873 | 00:46:52,167 | 00:46:54,967 | So? We'll split a beer. | So? We'll split a beer. |
874 | 00:46:57,167 | 00:46:58,867 | It's open mic night at the KGB. | It's open mic night at the KGB. |
875 | 00:47:01,534 | 00:47:03,701 | - What? - You can bring a poem. | - What? - You can bring a poem. |
876 | 00:47:04,868 | 00:47:06,301 | They'll love you. | They'll love you. |
877 | 00:47:06,335 | 00:47:08,970 | - You're not funny. - I'm not trying to be. | - You're not funny. - I'm not trying to be. |
878 | 00:47:11,003 | 00:47:12,603 | Your poems are good. | Your poems are good. |
879 | 00:47:13,870 | 00:47:15,937 | I have a Judy Blume manuscript to read. | I have a Judy Blume manuscript to read. |
880 | 00:47:15,971 | 00:47:16,836 | Judy Blume? | Judy Blume? |
881 | 00:47:18,470 | 00:47:20,037 | Judy fucking Blume? | Judy fucking Blume? |
882 | 00:47:21,104 | 00:47:23,837 | I loved "Then Again Maybe I Won't". | I loved "Then Again Maybe I Won't". |
883 | 00:47:23,871 | 00:47:25,438 | You liked Judy Blume? | You liked Judy Blume? |
884 | 00:47:25,471 | 00:47:28,805 | Yeah, I mean, I was a kid once and like a hero, Tony, | Yeah, I mean, I was a kid once and like a hero, Tony, |
885 | 00:47:28,838 | 00:47:30,272 | my parents were working class | my parents were working class |
886 | 00:47:30,305 | 00:47:31,939 | and moved to middle-class area. | and moved to middle-class area. |
887 | 00:47:31,973 | 00:47:35,672 | - It's about social class. - No, it's not. (LAUGHS) | - It's about social class. - No, it's not. (LAUGHS) |
888 | 00:47:37,340 | 00:47:40,274 | It turns you on that I like pedestrian stuff, doesn't it? | It turns you on that I like pedestrian stuff, doesn't it? |
889 | 00:47:51,609 | 00:47:54,610 | (KEYBOARD CLACKING) | (KEYBOARD CLACKING) |
890 | 00:47:57,777 | 00:47:59,978 | To be given Judy Blume's new book was like | To be given Judy Blume's new book was like |
891 | 00:48:00,011 | 00:48:03,012 | going from sitting in the stands to hitting a home run. | going from sitting in the stands to hitting a home run. |
892 | 00:48:04,544 | 00:48:06,311 | I felt lucky to be on the inside. | I felt lucky to be on the inside. |
893 | 00:48:09,146 | 00:48:11,312 | - Well? - I like it. | - Well? - I like it. |
894 | 00:48:11,346 | 00:48:12,845 | Really? | Really? |
895 | 00:48:12,880 | 00:48:14,213 | But what do you make of it? | But what do you make of it? |
896 | 00:48:15,679 | 00:48:17,479 | I'm not sure what you mean. | I'm not sure what you mean. |
897 | 00:48:17,513 | 00:48:18,981 | Well, it's not a kid's book, is it? | Well, it's not a kid's book, is it? |
898 | 00:48:19,014 | 00:48:22,647 | No, no. It's about kids for grownups. | No, no. It's about kids for grownups. |
899 | 00:48:22,680 | 00:48:23,781 | It's about female friendship. | It's about female friendship. |
900 | 00:48:23,814 | 00:48:28,314 | But will adults buy a book about kids? Can I sell it? | But will adults buy a book about kids? Can I sell it? |
901 | 00:48:31,883 | 00:48:35,251 | Lots of books have child protagonists, "Oliver Twist". | Lots of books have child protagonists, "Oliver Twist". |
902 | 00:48:35,283 | 00:48:38,885 | This is not Oliver Twist, but you would buy it? | This is not Oliver Twist, but you would buy it? |
903 | 00:48:39,885 | 00:48:40,717 | I would. | I would. |
904 | 00:48:43,018 | 00:48:43,985 | Many people would. | Many people would. |
905 | 00:48:45,886 | 00:48:47,253 | There's the nostalgia factor. | There's the nostalgia factor. |
906 | 00:48:47,285 | 00:48:50,019 | You know, my entire generation grew up on Judy Blume. | You know, my entire generation grew up on Judy Blume. |
907 | 00:48:51,519 | 00:48:53,519 | - Maybe. - Definitely. | - Maybe. - Definitely. |
908 | 00:48:57,787 | 00:48:59,686 | All right, you've had your fun. | All right, you've had your fun. |
909 | 00:49:04,221 | 00:49:06,855 | I've put new tapes on your desk. | I've put new tapes on your desk. |
910 | 00:49:06,889 | 00:49:07,789 | Close the door. | Close the door. |
911 | 00:49:15,322 | 00:49:17,891 | (UPBEAT MUSIC) | (UPBEAT MUSIC) |
912 | 00:49:20,590 | 00:49:23,858 | Judy, Margaret's expecting you. | Judy, Margaret's expecting you. |
913 | 00:49:25,691 | 00:49:26,525 | PAM: Coffee? | PAM: Coffee? |
914 | 00:49:27,959 | 00:49:29,691 | That's very exciting. Yes. | That's very exciting. Yes. |
915 | 00:49:30,993 | 00:49:32,425 | What is it? | What is it? |
916 | 00:49:32,459 | 00:49:33,960 | - Judy Blume's here. - Shit. | - Judy Blume's here. - Shit. |
917 | 00:49:35,459 | 00:49:37,194 | Michael, hold on one second. | Michael, hold on one second. |
918 | 00:49:38,293 | 00:49:39,895 | That's today? | That's today? |
919 | 00:49:39,928 | 00:49:41,493 | I thought we had more time. | I thought we had more time. |
920 | 00:49:42,528 | 00:49:44,461 | She's going to blow this, isn't she? | She's going to blow this, isn't she? |
921 | 00:49:44,494 | 00:49:45,327 | I think so. | I think so. |
922 | 00:49:47,163 | 00:49:50,797 | Hey, we've been renovating, moving everything around | Hey, we've been renovating, moving everything around |
923 | 00:49:50,830 | 00:49:54,595 | which is why your books are down there and out of order. | which is why your books are down there and out of order. |
924 | 00:49:55,630 | 00:49:56,530 | Don't worry about it. | Don't worry about it. |
925 | 00:49:56,563 | 00:49:58,463 | I'm Joanna, I'm Margaret's new assistant. | I'm Joanna, I'm Margaret's new assistant. |
926 | 00:49:58,496 | 00:50:00,596 | I'm such a huge fan of yours. | I'm such a huge fan of yours. |
927 | 00:50:00,630 | 00:50:02,131 | That's very sweet of you. | That's very sweet of you. |
928 | 00:50:02,165 | 00:50:03,198 | Really nice to meet you. | Really nice to meet you. |
929 | 00:50:03,231 | 00:50:07,199 | Judy, how lovely to see you. Come into my office. | Judy, how lovely to see you. Come into my office. |
930 | 00:50:08,166 | 00:50:10,833 | (PLAYFUL MUSIC) | (PLAYFUL MUSIC) |
931 | 00:50:18,801 | 00:50:21,467 | (CLEARS THROAT) | (CLEARS THROAT) |
932 | 00:50:23,169 | 00:50:25,802 | (PHONE RINGING) | (PHONE RINGING) |
933 | 00:50:38,137 | 00:50:42,938 | Joanna, why don't you answer your phone? | Joanna, why don't you answer your phone? |
934 | 00:50:42,971 | 00:50:45,571 | There's someone at the reception who wants to see you. | There's someone at the reception who wants to see you. |
935 | 00:50:45,604 | 00:50:46,437 | Me? | Me? |
936 | 00:50:55,107 | 00:50:57,573 | - Are you Joanna Rakoff? - Yes. | - Are you Joanna Rakoff? - Yes. |
937 | 00:50:57,606 | 00:50:58,506 | Is that your real name? | Is that your real name? |
938 | 00:50:58,540 | 00:51:00,208 | 'Cause it's so ridiculous, it sounds fake. | 'Cause it's so ridiculous, it sounds fake. |
939 | 00:51:02,809 | 00:51:05,641 | You have no right to keep my letter from J.D. Salinger. | You have no right to keep my letter from J.D. Salinger. |
940 | 00:51:05,674 | 00:51:07,675 | I'm sorry. Who are you? | I'm sorry. Who are you? |
941 | 00:51:07,707 | 00:51:09,608 | Because of you, I'm going to fail English. | Because of you, I'm going to fail English. |
942 | 00:51:09,642 | 00:51:10,608 | Is everything all right here? | Is everything all right here? |
943 | 00:51:10,642 | 00:51:11,776 | - No. - Yes. Yes. | - No. - Yes. Yes. |
944 | 00:51:11,810 | 00:51:12,642 | No. | No. |
945 | 00:51:13,843 | 00:51:15,376 | Why don't we go downstairs and get a coffee, okay? | Why don't we go downstairs and get a coffee, okay? |
946 | 00:51:16,309 | 00:51:17,144 | Joanna. | Joanna. |
947 | 00:51:19,977 | 00:51:21,745 | Aren't you supposed to be in school? | Aren't you supposed to be in school? |
948 | 00:51:21,778 | 00:51:22,912 | Who do you think you are? | Who do you think you are? |
949 | 00:51:22,945 | 00:51:25,311 | It's my job here to answer Jerry's mail. | It's my job here to answer Jerry's mail. |
950 | 00:51:25,344 | 00:51:29,013 | Oh, it's Jerry to you. Is he your sugar daddy? | Oh, it's Jerry to you. Is he your sugar daddy? |
951 | 00:51:29,046 | 00:51:32,579 | No, I've never even met him, okay? | No, I've never even met him, okay? |
952 | 00:51:32,612 | 00:51:35,312 | Mr. Salinger does not want to receive his mail. | Mr. Salinger does not want to receive his mail. |
953 | 00:51:35,345 | 00:51:37,847 | So instead you lecture me like you're my mother. | So instead you lecture me like you're my mother. |
954 | 00:51:39,147 | 00:51:41,513 | You're right, okay? | You're right, okay? |
955 | 00:51:41,547 | 00:51:44,681 | I'm sorry. I apologize. | I'm sorry. I apologize. |
956 | 00:51:44,715 | 00:51:46,081 | Your letter was different | Your letter was different |
957 | 00:51:46,115 | 00:51:47,749 | and I thought you deserved a real response | and I thought you deserved a real response |
958 | 00:51:47,782 | 00:51:49,348 | instead of our, I'm sorry, | instead of our, I'm sorry, |
959 | 00:51:49,382 | 00:51:52,415 | we can not pass along your kind note bullshit. | we can not pass along your kind note bullshit. |
960 | 00:51:52,448 | 00:51:54,383 | So I wrote you something more personal. | So I wrote you something more personal. |
961 | 00:51:56,217 | 00:51:57,784 | What makes you think your advice is better | What makes you think your advice is better |
962 | 00:51:57,818 | 00:51:59,284 | than some bullshit response? | than some bullshit response? |
963 | 00:52:02,517 | 00:52:03,885 | I'm going to summer school. | I'm going to summer school. |
964 | 00:52:04,819 | 00:52:06,985 | So thanks a lot, Ms. Rakoff | So thanks a lot, Ms. Rakoff |
965 | 00:52:22,221 | 00:52:24,520 | You sent a personal letter to one of the fans | You sent a personal letter to one of the fans |
966 | 00:52:24,554 | 00:52:26,055 | and she came storming in here? | and she came storming in here? |
967 | 00:52:29,421 | 00:52:30,322 | Oh my gosh. | Oh my gosh. |
968 | 00:52:32,256 | 00:52:33,156 | Oh my gosh. | Oh my gosh. |
969 | 00:52:35,322 | 00:52:37,723 | Do you have any idea how many times | Do you have any idea how many times |
970 | 00:52:37,757 | 00:52:39,291 | when I was answering Salinger's letters | when I was answering Salinger's letters |
971 | 00:52:39,323 | 00:52:41,025 | I wanted to write my own one back? | I wanted to write my own one back? |
972 | 00:52:41,991 | 00:52:44,058 | - Really? - Of course. | - Really? - Of course. |
973 | 00:52:44,091 | 00:52:46,725 | "Dear Sir, obsess over another writer. | "Dear Sir, obsess over another writer. |
974 | 00:52:46,759 | 00:52:49,259 | I hear Kurt Vonnegut answers his own fan mail." | I hear Kurt Vonnegut answers his own fan mail." |
975 | 00:52:50,193 | 00:52:51,559 | I mean sometimes you just wanna go, | I mean sometimes you just wanna go, |
976 | 00:52:51,592 | 00:52:53,027 | "Hey, loser." | "Hey, loser." |
977 | 00:52:54,326 | 00:52:59,161 | And then others, they're so engaging. | And then others, they're so engaging. |
978 | 00:52:59,195 | 00:53:01,727 | You just want to champion them, you know? | You just want to champion them, you know? |
979 | 00:53:01,761 | 00:53:03,195 | Yes, yes, exactly. | Yes, yes, exactly. |
980 | 00:53:06,460 | 00:53:08,428 | But you've crossed the line. | But you've crossed the line. |
981 | 00:53:08,461 | 00:53:12,629 | It's a huge rabbit hole ethically and legally. | It's a huge rabbit hole ethically and legally. |
982 | 00:53:12,663 | 00:53:14,896 | I'm taking you off Salinger's mail. | I'm taking you off Salinger's mail. |
983 | 00:53:14,930 | 00:53:17,164 | No, no, Hugh, please? | No, no, Hugh, please? |
984 | 00:53:17,197 | 00:53:18,396 | I love these letters so much, | I love these letters so much, |
985 | 00:53:18,429 | 00:53:20,864 | I promise you this won't happen again, I promise. | I promise you this won't happen again, I promise. |
986 | 00:53:22,164 | 00:53:22,965 | Judy? | Judy? |
987 | 00:53:28,598 | 00:53:30,166 | - It's all over. - Judy? | - It's all over. - Judy? |
988 | 00:53:30,200 | 00:53:33,133 | - She's leaving us. - For whom? | - She's leaving us. - For whom? |
989 | 00:53:33,166 | 00:53:34,667 | Does it matter? | Does it matter? |
990 | 00:53:34,700 | 00:53:36,333 | I were Judy, I would have left too. | I were Judy, I would have left too. |
991 | 00:53:37,600 | 00:53:38,433 | Joanna. | Joanna. |
992 | 00:53:39,801 | 00:53:40,634 | Why? | Why? |
993 | 00:53:42,835 | 00:53:44,968 | Tell me, I'm curious. Why would you leave? | Tell me, I'm curious. Why would you leave? |
994 | 00:53:45,001 | 00:53:46,334 | No, I'm really, really sorry. | No, I'm really, really sorry. |
995 | 00:53:46,367 | 00:53:48,401 | I didn't mean that, I just... | I didn't mean that, I just... |
996 | 00:53:48,434 | 00:53:52,169 | I'm just sad to see her leave, that's all. | I'm just sad to see her leave, that's all. |
997 | 00:53:52,203 | 00:53:55,736 | Well, until you can articulate a reason | Well, until you can articulate a reason |
998 | 00:53:55,770 | 00:53:57,137 | that will enlighten us, | that will enlighten us, |
999 | 00:53:57,170 | 00:53:59,604 | you can go back to typing your dictation | you can go back to typing your dictation |
1000 | 00:53:59,637 | 00:54:02,971 | and fetch Daniel's prescriptions when you're done. | and fetch Daniel's prescriptions when you're done. |
1001 | 00:54:05,470 | 00:54:06,306 | Close the door. | Close the door. |
1002 | 00:54:09,972 | 00:54:13,973 | (MARGARET TALKING INDISTINCTLY) | (MARGARET TALKING INDISTINCTLY) |
1003 | 00:54:27,508 | 00:54:29,175 | Okay, you think that when a man falls in love | Okay, you think that when a man falls in love |
1004 | 00:54:29,209 | 00:54:31,276 | he doesn't look at another woman, hm? | he doesn't look at another woman, hm? |
1005 | 00:54:31,310 | 00:54:33,643 | But I have news for you, every man in this world | But I have news for you, every man in this world |
1006 | 00:54:33,677 | 00:54:36,342 | is looking at every woman in this world and deciding whether or not- | is looking at every woman in this world and deciding whether or not- |
1007 | 00:54:36,375 | 00:54:38,010 | He wants to fuck her. | He wants to fuck her. |
1008 | 00:54:38,944 | 00:54:41,144 | She's sexy, right? | She's sexy, right? |
1009 | 00:54:42,376 | 00:54:45,477 | Don, I think you might be in a hole. | Don, I think you might be in a hole. |
1010 | 00:54:45,511 | 00:54:46,779 | You maybe wanna stop digging. | You maybe wanna stop digging. |
1011 | 00:54:46,812 | 00:54:49,946 | You think women don't look at other men? We do. | You think women don't look at other men? We do. |
1012 | 00:54:49,979 | 00:54:51,378 | We even look at other women. | We even look at other women. |
1013 | 00:54:52,546 | 00:54:54,880 | We just don't drool while we do it. | We just don't drool while we do it. |
1014 | 00:54:57,479 | 00:55:02,480 | Booba, booba. I drool exclusively for you. (SMOOCHES) | Booba, booba. I drool exclusively for you. (SMOOCHES) |
1015 | 00:55:05,015 | 00:55:06,815 | - Hey. - White wine? | - Hey. - White wine? |
1016 | 00:55:06,849 | 00:55:09,481 | No, thanks. I'm gonna go. | No, thanks. I'm gonna go. |
1017 | 00:55:10,348 | 00:55:12,348 | (JOANNA MIMICS SOBBING) | (JOANNA MIMICS SOBBING) |
1018 | 00:55:12,381 | 00:55:17,482 | I know, I actually came to give you this. | I know, I actually came to give you this. |
1019 | 00:55:17,517 | 00:55:20,084 | What's this? It's from Karl. | What's this? It's from Karl. |
1020 | 00:55:20,117 | 00:55:22,985 | He's coming to Washington for a concert. | He's coming to Washington for a concert. |
1021 | 00:55:23,018 | 00:55:24,318 | He really wants you to go. | He really wants you to go. |
1022 | 00:55:25,484 | 00:55:27,418 | You've been in touch with Karl? | You've been in touch with Karl? |
1023 | 00:55:27,451 | 00:55:29,786 | He wrote you a letter but you never answered. | He wrote you a letter but you never answered. |
1024 | 00:55:35,220 | 00:55:37,787 | - Wednesday in DC. - Yeah. | - Wednesday in DC. - Yeah. |
1025 | 00:55:40,453 | 00:55:41,287 | What is it? | What is it? |
1026 | 00:55:42,255 | 00:55:43,821 | Someone should go to the meeting | Someone should go to the meeting |
1027 | 00:55:43,855 | 00:55:46,421 | in Washington with Clifford Bradbury. | in Washington with Clifford Bradbury. |
1028 | 00:55:46,454 | 00:55:47,889 | Make sure that he's prepared, | Make sure that he's prepared, |
1029 | 00:55:47,922 | 00:55:50,489 | and walk them to the agency's protocol. | and walk them to the agency's protocol. |
1030 | 00:55:52,523 | 00:55:54,422 | He did sound jittery on the phone. | He did sound jittery on the phone. |
1031 | 00:55:55,690 | 00:55:58,490 | I can't leave New York, but I suppose I could send- | I can't leave New York, but I suppose I could send- |
1032 | 00:55:58,524 | 00:55:59,356 | Me! | Me! |
1033 | 00:56:00,456 | 00:56:01,291 | - You? - Me. | - You? - Me. |
1034 | 00:56:03,525 | 00:56:04,357 | Why? | Why? |
1035 | 00:56:05,658 | 00:56:07,925 | Take notes and assist Clifford. | Take notes and assist Clifford. |
1036 | 00:56:09,458 | 00:56:11,192 | Just let me do this for the agency. | Just let me do this for the agency. |
1037 | 00:56:15,093 | 00:56:17,459 | You are to go to Washington, | You are to go to Washington, |
1038 | 00:56:17,493 | 00:56:19,594 | be the agency's eyes and ears. | be the agency's eyes and ears. |
1039 | 00:56:19,627 | 00:56:21,828 | Find out who this Clifford person is. | Find out who this Clifford person is. |
1040 | 00:56:21,861 | 00:56:23,328 | You are to meet with him beforehand | You are to meet with him beforehand |
1041 | 00:56:23,360 | 00:56:24,595 | and debrief him afterward. | and debrief him afterward. |
1042 | 00:56:24,628 | 00:56:26,895 | But you are not to meet with Jerry. | But you are not to meet with Jerry. |
1043 | 00:56:26,928 | 00:56:29,863 | Jerry must think they are meeting on their own, understood? | Jerry must think they are meeting on their own, understood? |
1044 | 00:56:30,829 | 00:56:32,395 | You will not regret this. | You will not regret this. |
1045 | 00:56:32,429 | 00:56:33,530 | We'll see about that. | We'll see about that. |
1046 | 00:56:37,964 | 00:56:38,797 | Hey! | Hey! |
1047 | 00:56:40,865 | 00:56:43,631 | I've got a gift for you. | I've got a gift for you. |
1048 | 00:56:43,664 | 00:56:45,332 | My birthday was two months ago. | My birthday was two months ago. |
1049 | 00:56:47,098 | 00:56:48,832 | Well, birthdays are for Hallmark. | Well, birthdays are for Hallmark. |
1050 | 00:56:49,999 | 00:56:52,333 | It's, it's my novel. | It's, it's my novel. |
1051 | 00:56:54,365 | 00:56:55,267 | You finished it? | You finished it? |
1052 | 00:56:56,933 | 00:56:57,967 | Don't you wanna read it? | Don't you wanna read it? |
1053 | 00:56:59,534 | 00:57:00,934 | Oh, of course I do. | Oh, of course I do. |
1054 | 00:57:02,767 | 00:57:03,802 | Thanks. | Thanks. |
1055 | 00:57:06,002 | 00:57:06,835 | Congrats! | Congrats! |
1056 | 00:57:09,102 | 00:57:14,036 | ♪ Need to surround myself with beautiful things in ♪ | ♪ Need to surround myself with beautiful things in ♪ |
1057 | 00:57:15,770 | 00:57:20,770 | ♪ The hope they help ♪ | ♪ The hope they help ♪ |
1058 | 00:57:22,972 | 00:57:27,105 | ♪ I turn my good side to the sun ♪ | ♪ I turn my good side to the sun ♪ |
1059 | 00:57:27,138 | 00:57:31,973 | ♪ Its healing vibes, they burn inside out ♪ | ♪ Its healing vibes, they burn inside out ♪ |
1060 | 00:57:41,307 | 00:57:42,174 | Mr. Bradbury? | Mr. Bradbury? |
1061 | 00:57:43,275 | 00:57:44,175 | Yes. Joanna? | Yes. Joanna? |
1062 | 00:57:44,208 | 00:57:45,975 | - Hi. - Hi. | - Hi. - Hi. |
1063 | 00:57:46,008 | 00:57:47,642 | - Nice to meet you. - And you. | - Nice to meet you. - And you. |
1064 | 00:57:47,675 | 00:57:50,742 | I've widened the spine see, to give the book some length | I've widened the spine see, to give the book some length |
1065 | 00:57:50,775 | 00:57:51,876 | because it's too thin. | because it's too thin. |
1066 | 00:57:52,776 | 00:57:54,776 | I also retyped it all from the New Yorker. | I also retyped it all from the New Yorker. |
1067 | 00:57:54,810 | 00:57:56,576 | I didn't scan it and good thing too, | I didn't scan it and good thing too, |
1068 | 00:57:56,610 | 00:57:58,477 | because there were a few small typos. | because there were a few small typos. |
1069 | 00:57:59,711 | 00:58:01,510 | New Yorker doesn't make typos. | New Yorker doesn't make typos. |
1070 | 00:58:01,544 | 00:58:04,645 | Oh yes, small ones but typos still. | Oh yes, small ones but typos still. |
1071 | 00:58:04,678 | 00:58:07,246 | Salinger is such a stickler for details. | Salinger is such a stickler for details. |
1072 | 00:58:07,279 | 00:58:09,613 | - I made two mock-ups. - Wow. | - I made two mock-ups. - Wow. |
1073 | 00:58:09,646 | 00:58:11,312 | Do you think I should have made more? | Do you think I should have made more? |
1074 | 00:58:11,346 | 00:58:12,646 | No. (CHUCKLES) | No. (CHUCKLES) |
1075 | 00:58:12,679 | 00:58:14,980 | Oh, I think I should've made more, yeah. | Oh, I think I should've made more, yeah. |
1076 | 00:58:15,013 | 00:58:18,081 | Mr. Bradbury, it's gonna go very well. | Mr. Bradbury, it's gonna go very well. |
1077 | 00:58:18,114 | 00:58:20,147 | Just forget everything that you've heard | Just forget everything that you've heard |
1078 | 00:58:20,181 | 00:58:21,381 | about Mr. Salinger. | about Mr. Salinger. |
1079 | 00:58:21,414 | 00:58:24,147 | I think that you'll find that he's very straightforward. | I think that you'll find that he's very straightforward. |
1080 | 00:58:24,181 | 00:58:26,282 | It's important that you just be yourself. | It's important that you just be yourself. |
1081 | 00:59:02,621 | 00:59:05,455 | (CLASSICAL MUSIC) | (CLASSICAL MUSIC) |
1082 | 00:59:56,463 | 00:59:57,631 | What happened? | What happened? |
1083 | 00:59:58,963 | 01:00:01,497 | Jerry Salinger paid for my lunch. | Jerry Salinger paid for my lunch. |
1084 | 01:00:01,530 | 01:00:02,530 | But how did it go? | But how did it go? |
1085 | 01:00:04,198 | 01:00:06,798 | - We agreed on everything. - That's great. | - We agreed on everything. - That's great. |
1086 | 01:00:09,698 | 01:00:11,165 | Because I just missed him then, huh? | Because I just missed him then, huh? |
1087 | 01:00:11,199 | 01:00:13,933 | - Except the typos. - What do you mean? | - Except the typos. - What do you mean? |
1088 | 01:00:13,966 | 01:00:15,933 | He did not want me to correct them. | He did not want me to correct them. |
1089 | 01:00:15,966 | 01:00:18,100 | Yeah, he seemed peeved that I fixed them. | Yeah, he seemed peeved that I fixed them. |
1090 | 01:00:18,133 | 01:00:19,467 | You know, I thought at one point he'd say | You know, I thought at one point he'd say |
1091 | 01:00:19,500 | 01:00:21,401 | let's just forget the whole thing, you know? | let's just forget the whole thing, you know? |
1092 | 01:00:21,434 | 01:00:22,302 | Did he say why? | Did he say why? |
1093 | 01:00:23,501 | 01:00:25,968 | He wants it printed exactly as it ran in the New Yorker | He wants it printed exactly as it ran in the New Yorker |
1094 | 01:00:26,002 | 01:00:28,736 | as if the typos were actually intentional, | as if the typos were actually intentional, |
1095 | 01:00:28,769 | 01:00:30,569 | it makes no sense. | it makes no sense. |
1096 | 01:00:30,602 | 01:00:34,069 | Hey, don't fix any more typos. | Hey, don't fix any more typos. |
1097 | 01:00:34,103 | 01:00:35,737 | Don't tell anybody about the book. | Don't tell anybody about the book. |
1098 | 01:00:35,770 | 01:00:36,837 | No interviews. | No interviews. |
1099 | 01:00:36,870 | 01:00:38,637 | That would ruin the whole deal. | That would ruin the whole deal. |
1100 | 01:00:38,670 | 01:00:41,170 | Yeah, we don't want to do that. | Yeah, we don't want to do that. |
1101 | 01:00:41,204 | 01:00:42,338 | Great work, Mr. Bradbury. | Great work, Mr. Bradbury. |
1102 | 01:00:42,372 | 01:00:44,471 | My boss is going to be very pleased, okay? | My boss is going to be very pleased, okay? |
1103 | 01:00:45,605 | 01:00:46,438 | Bye. | Bye. |
1104 | 01:01:10,377 | 01:01:12,876 | (SOMBER FLUTE MUSIC) | (SOMBER FLUTE MUSIC) |
1105 | 01:01:35,314 | 01:01:36,146 | - Jo! - Hi. | - Jo! - Hi. |
1106 | 01:01:41,215 | 01:01:43,048 | You got my invitation. | You got my invitation. |
1107 | 01:01:43,881 | 01:01:44,714 | Yeah. | Yeah. |
1108 | 01:01:46,715 | 01:01:50,782 | I'm so glad you're here. You look great. | I'm so glad you're here. You look great. |
1109 | 01:01:50,815 | 01:01:51,649 | So do you. | So do you. |
1110 | 01:01:58,983 | 01:01:59,851 | I'm glad you're here, Jo. | I'm glad you're here, Jo. |
1111 | 01:01:59,884 | 01:02:01,617 | I've been wanting to go apologize. | I've been wanting to go apologize. |
1112 | 01:02:02,550 | 01:02:03,386 | What? | What? |
1113 | 01:02:04,685 | 01:02:06,618 | I was angry when I sent you the letter. | I was angry when I sent you the letter. |
1114 | 01:02:06,652 | 01:02:08,451 | I wrote stuff I didn't mean. | I wrote stuff I didn't mean. |
1115 | 01:02:08,485 | 01:02:10,586 | No, don't apologize. You should be angry. | No, don't apologize. You should be angry. |
1116 | 01:02:10,619 | 01:02:13,819 | I'm angry at you for not being angry at me. | I'm angry at you for not being angry at me. |
1117 | 01:02:13,853 | 01:02:17,288 | Well, I'm not angry and that's absurd by the way. | Well, I'm not angry and that's absurd by the way. |
1118 | 01:02:20,322 | 01:02:23,454 | You hurt me, and I needed to unleash. | You hurt me, and I needed to unleash. |
1119 | 01:02:23,488 | 01:02:26,755 | I deserved a proper breakup, you know? | I deserved a proper breakup, you know? |
1120 | 01:02:28,455 | 01:02:29,822 | "Karl, I'm leaving you." | "Karl, I'm leaving you." |
1121 | 01:02:30,956 | 01:02:31,789 | The usual stuff. | The usual stuff. |
1122 | 01:02:35,989 | 01:02:37,124 | The usual stuff. | The usual stuff. |
1123 | 01:02:38,823 | 01:02:40,757 | (INDISTINCT) felt depressing when you left. | (INDISTINCT) felt depressing when you left. |
1124 | 01:02:43,258 | 01:02:45,359 | I didn't read, I didn't read your letter. | I didn't read, I didn't read your letter. |
1125 | 01:02:46,692 | 01:02:47,525 | Why? | Why? |
1126 | 01:02:52,026 | 01:02:53,493 | I couldn't make it past Jo. | I couldn't make it past Jo. |
1127 | 01:02:56,027 | 01:02:57,494 | Nobody else calls me Jo, so... | Nobody else calls me Jo, so... |
1128 | 01:03:01,494 | 01:03:03,694 | I want you back in my life. | I want you back in my life. |
1129 | 01:03:04,994 | 01:03:07,162 | You know, even if it's just a phone call | You know, even if it's just a phone call |
1130 | 01:03:07,195 | 01:03:08,628 | every once in a while. | every once in a while. |
1131 | 01:03:09,762 | 01:03:11,696 | You were my best friend. | You were my best friend. |
1132 | 01:03:14,462 | 01:03:15,696 | I miss you, Jo. | I miss you, Jo. |
1133 | 01:03:20,165 | 01:03:23,265 | (SOMBER FLUTE MUSIC) | (SOMBER FLUTE MUSIC) |
1134 | 01:03:45,834 | 01:03:47,269 | I miss you too. | I miss you too. |
1135 | 01:04:28,442 | 01:04:32,110 | I've learned that as phony as it may be, | I've learned that as phony as it may be, |
1136 | 01:04:32,144 | 01:04:33,809 | you can't go around revealing | you can't go around revealing |
1137 | 01:04:33,842 | 01:04:36,610 | your goddamn emotions to the world. | your goddamn emotions to the world. |
1138 | 01:04:36,643 | 01:04:38,344 | Most people don't give a flying hoot | Most people don't give a flying hoot |
1139 | 01:04:38,377 | 01:04:40,111 | about like what you think | about like what you think |
1140 | 01:04:40,145 | 01:04:42,945 | and feel most of the time, I guess. | and feel most of the time, I guess. |
1141 | 01:04:44,477 | 01:04:45,678 | And if they see a weakness, | And if they see a weakness, |
1142 | 01:04:45,711 | 01:04:50,645 | I mean why for God's sake is showing emotion a weakness? | I mean why for God's sake is showing emotion a weakness? |
1143 | 01:04:51,779 | 01:04:53,946 | Boy, do they jump all over you, right? | Boy, do they jump all over you, right? |
1144 | 01:04:55,546 | 01:04:58,315 | They seem to get right in your goddamn face | They seem to get right in your goddamn face |
1145 | 01:04:58,348 | 01:05:01,248 | and revel in the fact | and revel in the fact |
1146 | 01:05:01,281 | 01:05:03,382 | that you are actually feeling something. | that you are actually feeling something. |
1147 | 01:05:09,050 | 01:05:09,882 | Is it good? | Is it good? |
1148 | 01:05:11,683 | 01:05:12,516 | JOANNA: What? | JOANNA: What? |
1149 | 01:05:12,549 | 01:05:14,017 | The manuscript, is it good? | The manuscript, is it good? |
1150 | 01:05:17,318 | 01:05:18,284 | It's interesting. | It's interesting. |
1151 | 01:05:19,583 | 01:05:20,750 | But you hate it? | But you hate it? |
1152 | 01:05:24,118 | 01:05:26,451 | I don't hate it, or maybe I do hate it | I don't hate it, or maybe I do hate it |
1153 | 01:05:28,985 | 01:05:30,253 | and that's why it's good. | and that's why it's good. |
1154 | 01:05:32,253 | 01:05:34,486 | - It's weirdly addictive. - But? | - It's weirdly addictive. - But? |
1155 | 01:05:35,653 | 01:05:37,720 | I don't want to read about his sex life. | I don't want to read about his sex life. |
1156 | 01:05:37,753 | 01:05:39,586 | No one wants to read about his sex life. | No one wants to read about his sex life. |
1157 | 01:05:42,188 | 01:05:44,422 | Maybe I'm just annoyed by his nonchalance. | Maybe I'm just annoyed by his nonchalance. |
1158 | 01:05:46,356 | 01:05:47,189 | Or because? | Or because? |
1159 | 01:05:52,822 | 01:05:54,157 | He's writing and I'm not. | He's writing and I'm not. |
1160 | 01:05:56,290 | 01:05:59,191 | (CALM PIANO MUSIC) | (CALM PIANO MUSIC) |
1161 | 01:06:29,363 | 01:06:30,196 | I understand. | I understand. |
1162 | 01:06:37,264 | 01:06:38,164 | What's going on? | What's going on? |
1163 | 01:06:39,198 | 01:06:41,863 | Well, keep us posted and thank you. | Well, keep us posted and thank you. |
1164 | 01:06:49,932 | 01:06:51,433 | Apparently he shot himself. | Apparently he shot himself. |
1165 | 01:06:53,100 | 01:06:54,599 | Wait, who, who shot himself? | Wait, who, who shot himself? |
1166 | 01:06:54,633 | 01:06:58,368 | Daniel, Joanna. Daniel committed suicide. | Daniel, Joanna. Daniel committed suicide. |
1167 | 01:06:59,766 | 01:07:00,600 | The Daniel? | The Daniel? |
1168 | 01:07:01,701 | 01:07:05,767 | In the living room while Margaret was in the bedroom. | In the living room while Margaret was in the bedroom. |
1169 | 01:07:05,801 | 01:07:07,501 | This can't be right. | This can't be right. |
1170 | 01:07:07,535 | 01:07:09,070 | Daniel is a beautiful man. | Daniel is a beautiful man. |
1171 | 01:07:09,103 | 01:07:11,003 | He's sweet, he's kind. | He's sweet, he's kind. |
1172 | 01:07:13,270 | 01:07:15,903 | This can't be happening. | This can't be happening. |
1173 | 01:07:15,937 | 01:07:17,404 | But he looked fine. | But he looked fine. |
1174 | 01:07:17,438 | 01:07:21,172 | He was bipolar, Margaret took care of him all these years. | He was bipolar, Margaret took care of him all these years. |
1175 | 01:07:21,205 | 01:07:22,503 | He was her brother? | He was her brother? |
1176 | 01:07:22,537 | 01:07:25,838 | Lover, for 20 years. | Lover, for 20 years. |
1177 | 01:07:27,638 | 01:07:30,006 | Wait, are we talking about the same Daniel? | Wait, are we talking about the same Daniel? |
1178 | 01:07:30,039 | 01:07:32,772 | Daniel was married to Helen whom you've met. | Daniel was married to Helen whom you've met. |
1179 | 01:07:32,806 | 01:07:35,174 | He lived half the week with Helen | He lived half the week with Helen |
1180 | 01:07:35,207 | 01:07:37,307 | and the other half with Margaret. | and the other half with Margaret. |
1181 | 01:07:37,341 | 01:07:40,342 | They shared his care. | They shared his care. |
1182 | 01:07:41,541 | 01:07:42,641 | They shared him. | They shared him. |
1183 | 01:07:46,507 | 01:07:49,343 | Margaret shared a man with another woman? | Margaret shared a man with another woman? |
1184 | 01:07:50,343 | 01:07:53,476 | Joanna, if anyone calls, tell them she's working from home | Joanna, if anyone calls, tell them she's working from home |
1185 | 01:07:53,509 | 01:07:54,476 | and take a message, | and take a message, |
1186 | 01:07:54,509 | 01:07:58,011 | and no mention of this. | and no mention of this. |
1187 | 01:07:58,044 | 01:07:59,311 | What about if it's Jerry? | What about if it's Jerry? |
1188 | 01:07:59,345 | 01:08:01,445 | Especially, if it's Jerry. | Especially, if it's Jerry. |
1189 | 01:08:12,280 | 01:08:15,280 | (SHREDDER WHIRRING) | (SHREDDER WHIRRING) |
1190 | 01:08:29,848 | 01:08:33,416 | Can you please do that some other time? | Can you please do that some other time? |
1191 | 01:08:33,450 | 01:08:34,284 | Fine. | Fine. |
1192 | 01:08:38,817 | 01:08:39,650 | Thanks. | Thanks. |
1193 | 01:08:55,619 | 01:08:58,753 | (TYPEWRITER CLACKING) | (TYPEWRITER CLACKING) |
1194 | 01:09:03,654 | 01:09:06,055 | JOANNA: Margaret's office, Joanna speaking. | JOANNA: Margaret's office, Joanna speaking. |
1195 | 01:09:06,089 | 01:09:08,322 | JERRY: Hi, Joanna, it's Jerry. How are you? | JERRY: Hi, Joanna, it's Jerry. How are you? |
1196 | 01:09:08,356 | 01:09:10,190 | Hi. I'm well, how are you? | Hi. I'm well, how are you? |
1197 | 01:09:11,090 | 01:09:12,290 | How's the weather down there? | How's the weather down there? |
1198 | 01:09:12,323 | 01:09:13,489 | Muggy. | Muggy. |
1199 | 01:09:13,522 | 01:09:15,157 | Is your boss around? | Is your boss around? |
1200 | 01:09:15,191 | 01:09:17,257 | No, I'm afraid she's out. | No, I'm afraid she's out. |
1201 | 01:09:17,291 | 01:09:19,191 | She's been out a lot lately. | She's been out a lot lately. |
1202 | 01:09:20,091 | 01:09:23,958 | Yeah, she's very busy. Lots of meetings. | Yeah, she's very busy. Lots of meetings. |
1203 | 01:09:24,958 | 01:09:27,059 | Is there anything I can help you with? | Is there anything I can help you with? |
1204 | 01:09:27,093 | 01:09:28,293 | Let me ask you something. | Let me ask you something. |
1205 | 01:09:28,326 | 01:09:32,559 | This Clifford Bradbury fellow. | This Clifford Bradbury fellow. |
1206 | 01:09:32,592 | 01:09:33,393 | Sure. | Sure. |
1207 | 01:09:33,426 | 01:09:34,659 | what do you make of him? | what do you make of him? |
1208 | 01:09:34,692 | 01:09:36,260 | I like him. | I like him. |
1209 | 01:09:36,294 | 01:09:38,127 | Sometimes I think he can overthink things, | Sometimes I think he can overthink things, |
1210 | 01:09:38,160 | 01:09:40,861 | but he just doesn't wanna let you down. | but he just doesn't wanna let you down. |
1211 | 01:09:42,128 | 01:09:44,494 | Have you been writing every day? | Have you been writing every day? |
1212 | 01:09:44,527 | 01:09:46,329 | A lot of days. | A lot of days. |
1213 | 01:09:46,363 | 01:09:48,562 | They've given me more responsibility around here. | They've given me more responsibility around here. |
1214 | 01:09:48,595 | 01:09:51,130 | So I've been reading manuscripts. | So I've been reading manuscripts. |
1215 | 01:09:52,297 | 01:09:55,163 | You're a writer, Joanna, aren't you? | You're a writer, Joanna, aren't you? |
1216 | 01:09:55,197 | 01:09:58,464 | Not an agent, not a secretary? | Not an agent, not a secretary? |
1217 | 01:10:00,264 | 01:10:01,098 | I don't know. | I don't know. |
1218 | 01:10:02,164 | 01:10:04,865 | Sorry, I missed that. I'm a little bit deaf. | Sorry, I missed that. I'm a little bit deaf. |
1219 | 01:10:06,366 | 01:10:08,466 | Yes. Yes. | Yes. Yes. |
1220 | 01:10:10,333 | 01:10:11,665 | I'm a writer. | I'm a writer. |
1221 | 01:10:11,698 | 01:10:16,467 | To write, even if it's just 15 minutes in the morning, | To write, even if it's just 15 minutes in the morning, |
1222 | 01:10:16,499 | 01:10:19,334 | protect that sanctuary, okay? | protect that sanctuary, okay? |
1223 | 01:10:19,368 | 01:10:22,801 | Don't get stuck answering the phone, Joanna. | Don't get stuck answering the phone, Joanna. |
1224 | 01:10:22,835 | 01:10:23,700 | You're a poet. | You're a poet. |
1225 | 01:10:26,802 | 01:10:29,370 | (UPBEAT MUSIC) | (UPBEAT MUSIC) |
1226 | 01:10:37,004 | 01:10:38,471 | ♪ Riding on any wave ♪ | ♪ Riding on any wave ♪ |
1227 | 01:10:38,503 | 01:10:40,404 | ♪ That is the luck you crave ♪ | ♪ That is the luck you crave ♪ |
1228 | 01:10:40,437 | 01:10:42,238 | ♪ They don't believe it now ♪ | ♪ They don't believe it now ♪ |
1229 | 01:10:42,271 | 01:10:44,338 | ♪ They just think it's stupid ♪ | ♪ They just think it's stupid ♪ |
1230 | 01:10:44,372 | 01:10:46,338 | ♪ So got anything ♪ | ♪ So got anything ♪ |
1231 | 01:10:46,372 | 01:10:48,306 | ♪ Anyone could have done ♪ | ♪ Anyone could have done ♪ |
1232 | 01:10:48,339 | 01:10:52,572 | ♪ Who would've cared at all, not you ♪ | ♪ Who would've cared at all, not you ♪ |
1233 | 01:10:52,605 | 01:10:57,074 | ♪ Another heart has made the trade ♪ | ♪ Another heart has made the trade ♪ |
1234 | 01:10:57,108 | 01:11:00,174 | ♪ Forget it, forget it, forget it ♪ | ♪ Forget it, forget it, forget it ♪ |
1235 | 01:11:00,208 | 01:11:03,607 | ♪ I don't understand how a heart is a spade, ♪ | ♪ I don't understand how a heart is a spade, ♪ |
1236 | 01:11:03,640 | 01:11:08,541 | ♪ But somehow the vital connection is made ♪ | ♪ But somehow the vital connection is made ♪ |
1237 | 01:11:10,010 | 01:11:12,110 | What's it like working for the New Yorker? | What's it like working for the New Yorker? |
1238 | 01:11:13,310 | 01:11:15,642 | Well, why don't you come by the office one day, | Well, why don't you come by the office one day, |
1239 | 01:11:15,676 | 01:11:16,777 | we'll show you around. | we'll show you around. |
1240 | 01:11:18,478 | 01:11:19,811 | I would like that very much. | I would like that very much. |
1241 | 01:11:20,711 | 01:11:21,945 | Do you write yourself? | Do you write yourself? |
1242 | 01:11:24,611 | 01:11:27,212 | It's okay, we won't tell your boss. | It's okay, we won't tell your boss. |
1243 | 01:11:28,179 | 01:11:30,313 | I published two poems in the Paris Review, | I published two poems in the Paris Review, |
1244 | 01:11:30,346 | 01:11:32,446 | I'm working on some new material. | I'm working on some new material. |
1245 | 01:11:33,313 | 01:11:35,480 | Well, we'd be happy to take a look at your material | Well, we'd be happy to take a look at your material |
1246 | 01:11:35,512 | 01:11:36,780 | when you feel it's ready. | when you feel it's ready. |
1247 | 01:11:37,947 | 01:11:40,447 | That would be great. That would be really great. | That would be great. That would be really great. |
1248 | 01:11:41,448 | 01:11:42,848 | - Well, let's cheers to that. - Okay. | - Well, let's cheers to that. - Okay. |
1249 | 01:11:43,849 | 01:11:45,915 | It's satirical stuff I like. | It's satirical stuff I like. |
1250 | 01:11:45,949 | 01:11:48,483 | I know, but the New Yorker's fiction is a joke | I know, but the New Yorker's fiction is a joke |
1251 | 01:11:48,515 | 01:11:52,783 | and that soppy talk of the town thing, (MIMICS RETCHING) | and that soppy talk of the town thing, (MIMICS RETCHING) |
1252 | 01:11:52,816 | 01:11:53,615 | Don. | Don. |
1253 | 01:11:53,648 | 01:11:55,250 | Oh, I'm sorry. | Oh, I'm sorry. |
1254 | 01:11:55,283 | 01:11:56,616 | I know you love that shit, that, | I know you love that shit, that, |
1255 | 01:11:56,649 | 01:11:58,917 | "Oh, let's all go meet up at the Algonquin. | "Oh, let's all go meet up at the Algonquin. |
1256 | 01:11:58,951 | 01:12:01,917 | I do so wish you can join us" bullshit. | I do so wish you can join us" bullshit. |
1257 | 01:12:05,818 | 01:12:06,985 | So when's the wedding? | So when's the wedding? |
1258 | 01:12:12,453 | 01:12:15,420 | It's Columbus Day weekend, right? | It's Columbus Day weekend, right? |
1259 | 01:12:15,453 | 01:12:17,787 | Or am I making that up? | Or am I making that up? |
1260 | 01:12:18,687 | 01:12:20,587 | It's next weekend, Don. | It's next weekend, Don. |
1261 | 01:12:20,620 | 01:12:22,155 | Joanna, you're coming, right? | Joanna, you're coming, right? |
1262 | 01:12:23,255 | 01:12:25,155 | Yeah, yeah. Exciting. | Yeah, yeah. Exciting. |
1263 | 01:12:28,822 | 01:12:30,922 | You're an asshole. You know that, right? | You're an asshole. You know that, right? |
1264 | 01:12:32,622 | 01:12:34,957 | (DON BURPS) | (DON BURPS) |
1265 | 01:12:36,324 | 01:12:38,224 | I knew that if I told you about it, you'd start planning | I knew that if I told you about it, you'd start planning |
1266 | 01:12:38,257 | 01:12:41,258 | like let's rent a car, let's stay in this B&B. | like let's rent a car, let's stay in this B&B. |
1267 | 01:12:41,291 | 01:12:42,258 | What am I gonna wear? | What am I gonna wear? |
1268 | 01:12:42,291 | 01:12:43,924 | And then you'd buy that dress | And then you'd buy that dress |
1269 | 01:12:43,958 | 01:12:45,158 | and you'd make all these plans, | and you'd make all these plans, |
1270 | 01:12:45,191 | 01:12:46,658 | and then you'd flip out at me when I told you | and then you'd flip out at me when I told you |
1271 | 01:12:46,692 | 01:12:48,092 | that I wanted to go alone. | that I wanted to go alone. |
1272 | 01:12:52,493 | 01:12:55,027 | You wanna go to your best friend's wedding alone? | You wanna go to your best friend's wedding alone? |
1273 | 01:12:55,993 | 01:12:58,961 | Listen, I don't need to justify myself to you, all right? | Listen, I don't need to justify myself to you, all right? |
1274 | 01:12:58,994 | 01:13:01,228 | - Really? - Really, booba. | - Really? - Really, booba. |
1275 | 01:13:01,261 | 01:13:03,061 | All my bros from Hartford are gonna be there. | All my bros from Hartford are gonna be there. |
1276 | 01:13:03,094 | 01:13:04,395 | It's gonna be the end of an era, | It's gonna be the end of an era, |
1277 | 01:13:04,428 | 01:13:05,795 | and I don't wanna have to worry | and I don't wanna have to worry |
1278 | 01:13:05,828 | 01:13:07,763 | about whether you're having fun or not. | about whether you're having fun or not. |
1279 | 01:13:12,463 | 01:13:15,764 | Right, maybe you'll meet some hot blonde | Right, maybe you'll meet some hot blonde |
1280 | 01:13:15,797 | 01:13:17,064 | that wants you to rip her panties off | that wants you to rip her panties off |
1281 | 01:13:17,097 | 01:13:18,630 | and fuck her up the ass | and fuck her up the ass |
1282 | 01:13:18,663 | 01:13:20,664 | and write an unreadable story about her. | and write an unreadable story about her. |
1283 | 01:13:21,664 | 01:13:24,232 | What, where's this coming from? | What, where's this coming from? |
1284 | 01:13:24,265 | 01:13:26,465 | Where is the sweet naive girl I met last Christmas, | Where is the sweet naive girl I met last Christmas, |
1285 | 01:13:26,499 | 01:13:28,799 | 'cause you know what, I'd like her back, please booba. | 'cause you know what, I'd like her back, please booba. |
1286 | 01:13:28,832 | 01:13:31,066 | Stop calling me, booba, okay? | Stop calling me, booba, okay? |
1287 | 01:13:31,099 | 01:13:32,466 | I'm not a child. | I'm not a child. |
1288 | 01:13:32,500 | 01:13:34,466 | I call you booba because I love you. | I call you booba because I love you. |
1289 | 01:13:35,334 | 01:13:37,300 | It's what my grandmother calls my mom. | It's what my grandmother calls my mom. |
1290 | 01:13:40,334 | 01:13:41,934 | - You love me? - Of course. | - You love me? - Of course. |
1291 | 01:13:43,101 | 01:13:44,869 | I mean, would I be here if I didn't? | I mean, would I be here if I didn't? |
1292 | 01:13:46,201 | 01:13:47,835 | I told you I've never lived with a girl before, | I told you I've never lived with a girl before, |
1293 | 01:13:47,869 | 01:13:48,802 | you changed me. | you changed me. |
1294 | 01:13:51,870 | 01:13:55,137 | You love me, but you don't want me to go to Mark's wedding? | You love me, but you don't want me to go to Mark's wedding? |
1295 | 01:13:55,170 | 01:13:56,437 | Correct. | Correct. |
1296 | 01:14:04,505 | 01:14:06,439 | Look, I am older than you. | Look, I am older than you. |
1297 | 01:14:06,472 | 01:14:09,906 | I try not to remind you of this, but it is true, all right? | I try not to remind you of this, but it is true, all right? |
1298 | 01:14:09,939 | 01:14:11,040 | And one day when you are my age, | And one day when you are my age, |
1299 | 01:14:11,073 | 01:14:12,839 | you will realize that two people can love each other | you will realize that two people can love each other |
1300 | 01:14:12,873 | 01:14:15,073 | and not agree on everything, | and not agree on everything, |
1301 | 01:14:15,106 | 01:14:17,041 | and not have to do everything together. | and not have to do everything together. |
1302 | 01:14:28,776 | 01:14:31,542 | (CLASSICAL MUSIC) | (CLASSICAL MUSIC) |
1303 | 01:14:34,010 | 01:14:36,777 | Do you think I should pack a tie? | Do you think I should pack a tie? |
1304 | 01:14:39,144 | 01:14:41,078 | Booba? You're good with this kind of thing. | Booba? You're good with this kind of thing. |
1305 | 01:14:41,111 | 01:14:44,645 | Like I don't even have a suit, so you think, | Like I don't even have a suit, so you think, |
1306 | 01:14:44,678 | 01:14:47,179 | you think just the shirt and a tie? | you think just the shirt and a tie? |
1307 | 01:14:49,845 | 01:14:50,813 | You're depressed. | You're depressed. |
1308 | 01:14:53,147 | 01:14:55,946 | I swear, I mean I recognize the symptoms. | I swear, I mean I recognize the symptoms. |
1309 | 01:14:55,980 | 01:14:57,747 | I get like that when I'm emotional. | I get like that when I'm emotional. |
1310 | 01:14:58,814 | 01:15:01,615 | Well, I can get quite emotional. | Well, I can get quite emotional. |
1311 | 01:15:03,314 | 01:15:04,314 | I'm not depressed. | I'm not depressed. |
1312 | 01:15:06,748 | 01:15:07,948 | I'm a very happy person. | I'm a very happy person. |
1313 | 01:15:08,948 | 01:15:09,783 | What? | What? |
1314 | 01:15:11,349 | 01:15:12,183 | Nothing. | Nothing. |
1315 | 01:15:13,450 | 01:15:16,283 | (CLASSICAL MUSIC) | (CLASSICAL MUSIC) |
1316 | 01:15:18,617 | 01:15:20,084 | Getting a kiss goodbye? | Getting a kiss goodbye? |
1317 | 01:15:29,285 | 01:15:34,286 | All right, goodbye Joanna. | All right, goodbye Joanna. |
1318 | 01:16:02,924 | 01:16:04,358 | I think about Holden a lot. | I think about Holden a lot. |
1319 | 01:16:05,691 | 01:16:06,492 | When I first think about him, | When I first think about him, |
1320 | 01:16:06,526 | 01:16:08,759 | I get a stupid grin on my face. | I get a stupid grin on my face. |
1321 | 01:16:08,793 | 01:16:13,093 | You know, thinking about what a funny guy he is and all. | You know, thinking about what a funny guy he is and all. |
1322 | 01:16:13,126 | 01:16:15,760 | Then I usually get depressed as hell | Then I usually get depressed as hell |
1323 | 01:16:16,794 | 01:16:18,261 | because I only think about Holden | because I only think about Holden |
1324 | 01:16:18,294 | 01:16:20,194 | when I'm feeling very emotional. | when I'm feeling very emotional. |
1325 | 01:16:22,161 | 01:16:24,262 | I can get quiet emotional. | I can get quiet emotional. |
1326 | 01:16:30,929 | 01:16:34,430 | That's what I had become, quiet emotional. | That's what I had become, quiet emotional. |
1327 | 01:16:47,265 | 01:16:48,765 | Dear boy from Winston-Salem. | Dear boy from Winston-Salem. |
1328 | 01:16:50,699 | 01:16:54,599 | My most profound apologies for taking so long to reply. | My most profound apologies for taking so long to reply. |
1329 | 01:16:55,933 | 01:16:58,367 | I've been thinking about your letters for months. | I've been thinking about your letters for months. |
1330 | 01:16:59,700 | 01:17:00,535 | I suppose that | I suppose that |
1331 | 01:17:01,867 | 01:17:06,436 | I too can get quite emotional about things sometimes. | I too can get quite emotional about things sometimes. |
1332 | 01:17:09,636 | 01:17:10,470 | But you're right. | But you're right. |
1333 | 01:17:12,336 | 01:17:15,336 | Can't go around revealing your goddamn emotions to the world | Can't go around revealing your goddamn emotions to the world |
1334 | 01:17:16,870 | 01:17:20,271 | but if you can't reveal your emotions to the world, | but if you can't reveal your emotions to the world, |
1335 | 01:17:20,304 | 01:17:22,472 | then what are you supposed to do with them? | then what are you supposed to do with them? |
1336 | 01:17:22,505 | 01:17:23,371 | How do you go on? | How do you go on? |
1337 | 01:17:26,105 | 01:17:29,338 | 'Cause I feel like crying all the time. | 'Cause I feel like crying all the time. |
1338 | 01:17:32,640 | 01:17:35,474 | (CLASSICAL MUSIC) | (CLASSICAL MUSIC) |
1339 | 01:18:21,648 | 01:18:23,948 | Joanna, what is it? | Joanna, what is it? |
1340 | 01:18:23,981 | 01:18:25,581 | Has something happened at the agency? | Has something happened at the agency? |
1341 | 01:18:25,614 | 01:18:27,282 | No, no, no, everything's fine. | No, no, no, everything's fine. |
1342 | 01:18:29,016 | 01:18:32,384 | I brought you these, and some soup from Mangia. | I brought you these, and some soup from Mangia. |
1343 | 01:18:32,417 | 01:18:34,283 | I know you like their mushroom barley. | I know you like their mushroom barley. |
1344 | 01:18:35,350 | 01:18:36,616 | That's very thoughtful. | That's very thoughtful. |
1345 | 01:18:38,284 | 01:18:40,017 | You do pay attention, don't you? | You do pay attention, don't you? |
1346 | 01:18:54,420 | 01:18:57,087 | You did a fine job on those contracts. | You did a fine job on those contracts. |
1347 | 01:18:58,421 | 01:19:00,654 | Those electronic clauses, | Those electronic clauses, |
1348 | 01:19:01,754 | 01:19:03,489 | they'll be the death of publishing. | they'll be the death of publishing. |
1349 | 01:19:06,289 | 01:19:07,255 | On the other hand, | On the other hand, |
1350 | 01:19:07,289 | 01:19:09,988 | engaging with Jerry's fans was irresponsible, | engaging with Jerry's fans was irresponsible, |
1351 | 01:19:10,022 | 01:19:12,156 | immature and dangerous. | immature and dangerous. |
1352 | 01:19:12,190 | 01:19:13,223 | You know about that? | You know about that? |
1353 | 01:19:13,256 | 01:19:15,657 | I have fired assistants for less. | I have fired assistants for less. |
1354 | 01:19:16,957 | 01:19:18,890 | Why didn't you fire me? | Why didn't you fire me? |
1355 | 01:19:18,924 | 01:19:20,559 | Because it's highly unlikely | Because it's highly unlikely |
1356 | 01:19:20,591 | 01:19:23,124 | you will make the same mistake twice. | you will make the same mistake twice. |
1357 | 01:19:23,157 | 01:19:24,624 | Also Jerry likes you. | Also Jerry likes you. |
1358 | 01:19:24,658 | 01:19:27,991 | I am reluctant to alter his routine. | I am reluctant to alter his routine. |
1359 | 01:19:28,025 | 01:19:29,493 | I don't wanna be a routine. | I don't wanna be a routine. |
1360 | 01:19:37,993 | 01:19:42,661 | I have a couple of stories from long-term clients. | I have a couple of stories from long-term clients. |
1361 | 01:19:44,195 | 01:19:48,829 | Read them, and figure out which magazines | Read them, and figure out which magazines |
1362 | 01:19:48,862 | 01:19:51,497 | they'd be right for, and send them out. | they'd be right for, and send them out. |
1363 | 01:19:57,263 | 01:19:58,398 | What if I don't like them? | What if I don't like them? |
1364 | 01:19:58,431 | 01:20:00,630 | Then it's your job to figure out who will. | Then it's your job to figure out who will. |
1365 | 01:20:01,498 | 01:20:02,332 | Right. | Right. |
1366 | 01:20:03,631 | 01:20:04,466 | Thank you. | Thank you. |
1367 | 01:20:07,165 | 01:20:08,665 | Better get back to the office. | Better get back to the office. |
1368 | 01:20:09,799 | 01:20:11,599 | Why do you think Judy Blume left? | Why do you think Judy Blume left? |
1369 | 01:20:13,033 | 01:20:14,600 | I'm sorry that I said that. | I'm sorry that I said that. |
1370 | 01:20:14,633 | 01:20:15,966 | No, please. | No, please. |
1371 | 01:20:15,999 | 01:20:19,034 | I would like to know what you think. | I would like to know what you think. |
1372 | 01:20:30,169 | 01:20:34,504 | When you met with Judy, did you discuss her writing? | When you met with Judy, did you discuss her writing? |
1373 | 01:20:35,337 | 01:20:38,204 | The quality of her writing was never an issue. | The quality of her writing was never an issue. |
1374 | 01:20:40,137 | 01:20:43,671 | Maybe she wasn't looking for the perfect sales pitch. | Maybe she wasn't looking for the perfect sales pitch. |
1375 | 01:20:45,339 | 01:20:49,506 | Maybe she just wanted to hear what you thought | Maybe she just wanted to hear what you thought |
1376 | 01:20:49,539 | 01:20:52,706 | about the story, what it meant to you, | about the story, what it meant to you, |
1377 | 01:20:54,773 | 01:20:57,441 | or if you love books the same way that she loves them. | or if you love books the same way that she loves them. |
1378 | 01:20:58,941 | 01:21:00,441 | I'm not sure my love of books | I'm not sure my love of books |
1379 | 01:21:00,475 | 01:21:02,509 | was relevant to that discussion. | was relevant to that discussion. |
1380 | 01:21:03,542 | 01:21:05,108 | Maybe it was relevant to her. | Maybe it was relevant to her. |
1381 | 01:21:08,942 | 01:21:10,175 | I know it would be to me. | I know it would be to me. |
1382 | 01:21:12,343 | 01:21:13,176 | Oh. | Oh. |
1383 | 01:21:16,478 | 01:21:21,077 | You know, I sold my first book when I was in my 20s. | You know, I sold my first book when I was in my 20s. |
1384 | 01:21:21,111 | 01:21:23,144 | It was about this young woman journalist | It was about this young woman journalist |
1385 | 01:21:23,177 | 01:21:24,778 | in the Spanish Civil War, | in the Spanish Civil War, |
1386 | 01:21:24,811 | 01:21:27,580 | and it was actually written by a man. | and it was actually written by a man. |
1387 | 01:21:28,846 | 01:21:32,912 | And yet he seemed to understand intimately | And yet he seemed to understand intimately |
1388 | 01:21:32,946 | 01:21:35,746 | what it would be like for her as a woman. | what it would be like for her as a woman. |
1389 | 01:21:35,780 | 01:21:38,746 | Anyway, I sold the book, | Anyway, I sold the book, |
1390 | 01:21:38,780 | 01:21:43,582 | and then my boss said that I should represent the author. | and then my boss said that I should represent the author. |
1391 | 01:21:43,614 | 01:21:45,914 | And naturally I said, yes. | And naturally I said, yes. |
1392 | 01:21:45,948 | 01:21:47,449 | And then like right away, | And then like right away, |
1393 | 01:21:47,483 | 01:21:51,182 | I started to get nervous, almost panicky. | I started to get nervous, almost panicky. |
1394 | 01:21:52,250 | 01:21:56,816 | And what if, what if the author disappointed me as a person? | And what if, what if the author disappointed me as a person? |
1395 | 01:21:58,418 | 01:22:00,585 | And what if I liked the writing, but not him? | And what if I liked the writing, but not him? |
1396 | 01:22:02,617 | 01:22:04,319 | You know, it was about three weeks later | You know, it was about three weeks later |
1397 | 01:22:04,352 | 01:22:07,785 | we met for lunch at Elaine's, | we met for lunch at Elaine's, |
1398 | 01:22:07,818 | 01:22:11,353 | and at 9:00 PM, we were still there, | and at 9:00 PM, we were still there, |
1399 | 01:22:12,686 | 01:22:16,986 | just laughing and talking and sharing | just laughing and talking and sharing |
1400 | 01:22:17,019 | 01:22:19,787 | our aspirations and our love of music | our aspirations and our love of music |
1401 | 01:22:22,621 | 01:22:23,955 | and our love of books. | and our love of books. |
1402 | 01:22:27,754 | 01:22:28,590 | Daniel? | Daniel? |
1403 | 01:22:31,089 | 01:22:31,922 | Yeah. | Yeah. |
1404 | 01:22:33,656 | 01:22:34,491 | Daniel. | Daniel. |
1405 | 01:22:43,757 | 01:22:45,125 | My condolences, Margaret. | My condolences, Margaret. |
1406 | 01:22:46,192 | 01:22:47,992 | I'll pull my socks up. | I'll pull my socks up. |
1407 | 01:22:53,460 | 01:22:54,293 | Oh. | Oh. |
1408 | 01:23:10,095 | 01:23:13,164 | (SOMBER PIANO MUSIC) | (SOMBER PIANO MUSIC) |
1409 | 01:23:33,633 | 01:23:37,501 | For months, I had been touched by anonymous fans. | For months, I had been touched by anonymous fans. |
1410 | 01:23:37,534 | 01:23:40,335 | Touched by their desire to connect with Salinger. | Touched by their desire to connect with Salinger. |
1411 | 01:23:42,834 | 01:23:44,535 | Their letters had changed me. | Their letters had changed me. |
1412 | 01:23:48,469 | 01:23:51,437 | The time had come to see for myself what had moved them. | The time had come to see for myself what had moved them. |
1413 | 01:24:07,539 | 01:24:12,273 | Salinger's nothing like I thought, nothing. | Salinger's nothing like I thought, nothing. |
1414 | 01:24:13,806 | 01:24:18,807 | He's brutal, brutal and funny. And I love it. | He's brutal, brutal and funny. And I love it. |
1415 | 01:24:19,040 | 01:24:20,773 | I love Franny the most. | I love Franny the most. |
1416 | 01:24:22,040 | 01:24:24,275 | There's that moment when the guy in Princeton | There's that moment when the guy in Princeton |
1417 | 01:24:24,308 | 01:24:26,442 | is waiting for Franny at the train station, | is waiting for Franny at the train station, |
1418 | 01:24:26,475 | 01:24:30,209 | and he has the letter in his pocket, Franny's letter. | and he has the letter in his pocket, Franny's letter. |
1419 | 01:24:30,243 | 01:24:34,110 | And he's read it a thousand times, he knows it by heart. | And he's read it a thousand times, he knows it by heart. |
1420 | 01:24:34,144 | 01:24:37,943 | But when she gets off the train and asks, | But when she gets off the train and asks, |
1421 | 01:24:37,977 | 01:24:39,910 | "Did you get my letter?" | "Did you get my letter?" |
1422 | 01:24:39,943 | 01:24:42,145 | - He says, - "Which letter?" | - He says, - "Which letter?" |
1423 | 01:24:47,912 | 01:24:51,480 | (CHEERFUL CLASSICAL MUSIC) | (CHEERFUL CLASSICAL MUSIC) |
1424 | 01:26:40,697 | 01:26:41,797 | Hey, booba. | Hey, booba. |
1425 | 01:26:43,864 | 01:26:45,266 | Thought you'd be at work. | Thought you'd be at work. |
1426 | 01:26:46,665 | 01:26:47,931 | I took the morning off. | I took the morning off. |
1427 | 01:26:50,432 | 01:26:51,932 | I missed you, booba. | I missed you, booba. |
1428 | 01:26:53,000 | 01:26:55,267 | (SMOOCHES) | (SMOOCHES) |
1429 | 01:27:05,035 | 01:27:06,035 | Are you going somewhere? | Are you going somewhere? |
1430 | 01:27:08,036 | 01:27:09,203 | I'm leaving you, Don. | I'm leaving you, Don. |
1431 | 01:27:12,603 | 01:27:15,736 | (DON SCOFFS) | (DON SCOFFS) |
1432 | 01:27:15,769 | 01:27:17,437 | I get it. This is about the wedding. | I get it. This is about the wedding. |
1433 | 01:27:17,471 | 01:27:18,971 | Something hit me while you were gone. | Something hit me while you were gone. |
1434 | 01:27:19,005 | 01:27:20,638 | Why are you making a thing out of this? | Why are you making a thing out of this? |
1435 | 01:27:20,670 | 01:27:22,472 | Listen to me, something hit me while you were gone. | Listen to me, something hit me while you were gone. |
1436 | 01:27:22,505 | 01:27:23,971 | But they were never really engaged. | But they were never really engaged. |
1437 | 01:27:24,005 | 01:27:25,738 | I didn't miss you. What? | I didn't miss you. What? |
1438 | 01:27:25,771 | 01:27:28,006 | I didn't think about you, not for one second. | I didn't think about you, not for one second. |
1439 | 01:27:29,772 | 01:27:33,174 | Okay, so you needed some time on your own. I get that. | Okay, so you needed some time on your own. I get that. |
1440 | 01:27:33,207 | 01:27:34,007 | You can keep the apartment, all right? | You can keep the apartment, all right? |
1441 | 01:27:34,040 | 01:27:35,574 | You need it more than I do. | You need it more than I do. |
1442 | 01:27:35,607 | 01:27:36,974 | You're gonna give me the, sorry, it's not you, | You're gonna give me the, sorry, it's not you, |
1443 | 01:27:37,008 | 01:27:38,974 | it's me bullshit? | it's me bullshit? |
1444 | 01:27:39,008 | 01:27:41,375 | I should have broke up with you before. | I should have broke up with you before. |
1445 | 01:27:41,408 | 01:27:43,774 | I'm not in love with you. I'm sorry. | I'm not in love with you. I'm sorry. |
1446 | 01:27:57,011 | 01:28:00,411 | ♪ Where you wanna go ♪ | ♪ Where you wanna go ♪ |
1447 | 01:28:00,444 | 01:28:04,379 | ♪ Who you wanna be ♪ | ♪ Who you wanna be ♪ |
1448 | 01:28:04,412 | 01:28:09,413 | ♪ Are you gonna get there soon if it don't come naturally ♪ | ♪ Are you gonna get there soon if it don't come naturally ♪ |
1449 | 01:28:11,679 | 01:28:15,746 | ♪ And if it's not now ♪ | ♪ And if it's not now ♪ |
1450 | 01:28:15,779 | 01:28:19,381 | ♪ Then when's the time ♪ | ♪ Then when's the time ♪ |
1451 | 01:28:19,414 | 01:28:22,915 | ♪ There's only so long you can pay no mind ♪ | ♪ There's only so long you can pay no mind ♪ |
1452 | 01:28:22,948 | 01:28:27,249 | ♪ To the burn inside ♪ | ♪ To the burn inside ♪ |
1453 | 01:28:27,283 | 01:28:30,616 | ♪ If the numbers don't match ♪ | ♪ If the numbers don't match ♪ |
1454 | 01:28:30,650 | 01:28:34,749 | ♪ Or you would collapse ♪ | ♪ Or you would collapse ♪ |
1455 | 01:28:34,782 | 01:28:38,551 | ♪ The only way back isn't on the map ♪ | ♪ The only way back isn't on the map ♪ |
1456 | 01:28:38,584 | 01:28:43,418 | ♪ You gotta march to the beat of your own ♪ | ♪ You gotta march to the beat of your own ♪ |
1457 | 01:28:58,354 | 01:29:01,621 | ♪ These are my rules ♪ | ♪ These are my rules ♪ |
1458 | 01:29:01,655 | 01:29:05,922 | ♪ And I put them on my shelf ♪ | ♪ And I put them on my shelf ♪ |
1459 | 01:29:05,955 | 01:29:09,323 | ♪ It doesn't take much to adjust to another ♪ | ♪ It doesn't take much to adjust to another ♪ |
1460 | 01:29:09,356 | 01:29:12,990 | ♪ Holding up themself ♪ | ♪ Holding up themself ♪ |
1461 | 01:29:13,023 | 01:29:16,591 | ♪ But if you're born to fly ♪ | ♪ But if you're born to fly ♪ |
1462 | 01:29:16,623 | 01:29:20,591 | ♪ I won't step on your wings ♪ | ♪ I won't step on your wings ♪ |
1463 | 01:29:20,624 | 01:29:24,559 | ♪ You're the only one and the day has come ♪ | ♪ You're the only one and the day has come ♪ |
1464 | 01:29:24,592 | 01:29:29,426 | ♪ You gotta dance to the beat of your own ♪ | ♪ You gotta dance to the beat of your own ♪ |
1465 | 01:29:35,093 | 01:29:36,327 | I knew you could do it. | I knew you could do it. |
1466 | 01:29:38,094 | 01:29:39,261 | I knew it! | I knew it! |
1467 | 01:29:39,295 | 01:29:40,195 | Come with me. Hugh! | Come with me. Hugh! |
1468 | 01:29:41,428 | 01:29:43,328 | Stop doing what you're doing. | Stop doing what you're doing. |
1469 | 01:29:43,361 | 01:29:45,929 | Max, we're coming into your sanctum. | Max, we're coming into your sanctum. |
1470 | 01:29:45,962 | 01:29:47,329 | I have an announcement to make. | I have an announcement to make. |
1471 | 01:29:47,362 | 01:29:48,396 | What is it? | What is it? |
1472 | 01:29:48,429 | 01:29:51,563 | Joanna has sold a story I gave her this summer. | Joanna has sold a story I gave her this summer. |
1473 | 01:29:51,596 | 01:29:54,130 | Congratulations. (MAX AND HUGH APPLAUDING) | Congratulations. (MAX AND HUGH APPLAUDING) |
1474 | 01:29:54,163 | 01:29:56,397 | Not surprised. Good job. You're on your way. | Not surprised. Good job. You're on your way. |
1475 | 01:29:56,430 | 01:29:57,497 | Of course she is. | Of course she is. |
1476 | 01:29:57,530 | 01:29:58,897 | I knew the moment you walked | I knew the moment you walked |
1477 | 01:29:58,931 | 01:30:01,431 | through the door that you were agency material. | through the door that you were agency material. |
1478 | 01:30:01,464 | 01:30:05,132 | Now you can start to build your very own client list. | Now you can start to build your very own client list. |
1479 | 01:30:05,165 | 01:30:07,299 | A most exciting feeling for an agent. | A most exciting feeling for an agent. |
1480 | 01:30:07,332 | 01:30:08,999 | Isn't that right, Max? | Isn't that right, Max? |
1481 | 01:30:09,033 | 01:30:10,966 | For once I have to agree with Margaret, yes. | For once I have to agree with Margaret, yes. |
1482 | 01:30:10,999 | 01:30:12,833 | We will celebrate at lunch. | We will celebrate at lunch. |
1483 | 01:30:12,867 | 01:30:14,833 | Hope you like martinis. | Hope you like martinis. |
1484 | 01:30:14,867 | 01:30:16,501 | Oh, she'll learn to like them. | Oh, she'll learn to like them. |
1485 | 01:30:22,668 | 01:30:25,769 | (LIGHT STRING MUSIC) | (LIGHT STRING MUSIC) |
1486 | 01:30:55,574 | 01:30:57,706 | You know, we have some authors | You know, we have some authors |
1487 | 01:30:57,740 | 01:31:01,107 | who would prefer to be with you, I think | who would prefer to be with you, I think |
1488 | 01:31:01,141 | 01:31:02,408 | than an old fogy like me. | than an old fogy like me. |
1489 | 01:31:03,608 | 01:31:05,242 | Some people I think you'll like. | Some people I think you'll like. |
1490 | 01:31:08,275 | 01:31:09,109 | What is it? | What is it? |
1491 | 01:31:10,143 | 01:31:12,043 | I'm so grateful. | I'm so grateful. |
1492 | 01:31:12,076 | 01:31:14,077 | I'm so, so grateful. | I'm so, so grateful. |
1493 | 01:31:19,611 | 01:31:20,444 | You're leaving. | You're leaving. |
1494 | 01:31:22,011 | 01:31:24,745 | I was planning on talking to you sometime this week. | I was planning on talking to you sometime this week. |
1495 | 01:31:24,779 | 01:31:26,946 | But you're doing so well. | But you're doing so well. |
1496 | 01:31:26,979 | 01:31:31,079 | I mean you have it in you to become a really fine agent. | I mean you have it in you to become a really fine agent. |
1497 | 01:31:31,947 | 01:31:35,447 | You have good instincts, a good heart. | You have good instincts, a good heart. |
1498 | 01:31:35,480 | 01:31:36,314 | Thank you. | Thank you. |
1499 | 01:31:38,147 | 01:31:39,148 | Thank you, Margaret. | Thank you, Margaret. |
1500 | 01:31:41,648 | 01:31:42,682 | My mind is made up. | My mind is made up. |
1501 | 01:31:44,315 | 01:31:47,682 | Of course I'll stay until you can find a replacement. | Of course I'll stay until you can find a replacement. |
1502 | 01:31:50,816 | 01:31:52,783 | You have other aspirations. | You have other aspirations. |
1503 | 01:31:54,650 | 01:31:55,483 | I do. | I do. |
1504 | 01:31:57,917 | 01:31:59,951 | We just never really talked about anything | We just never really talked about anything |
1505 | 01:32:01,017 | 01:32:02,651 | other than the agency's business. | other than the agency's business. |
1506 | 01:32:04,751 | 01:32:05,686 | It's very true. | It's very true. |
1507 | 01:32:12,753 | 01:32:16,154 | But I like working with you. I like working here. | But I like working with you. I like working here. |
1508 | 01:32:16,187 | 01:32:17,588 | I really, really do. | I really, really do. |
1509 | 01:32:19,154 | 01:32:22,388 | There's just other things I want to do. | There's just other things I want to do. |
1510 | 01:32:22,422 | 01:32:27,022 | And I'm afraid that if I don't do them now, I never will. | And I'm afraid that if I don't do them now, I never will. |
1511 | 01:32:32,990 | 01:32:34,157 | I understand. | I understand. |
1512 | 01:32:38,658 | 01:32:41,191 | (UPBEAT MUSIC) | (UPBEAT MUSIC) |
1513 | 01:33:39,767 | 01:33:43,335 | Hi, Kevin told me to drop this by at my convenience. | Hi, Kevin told me to drop this by at my convenience. |
1514 | 01:33:44,368 | 01:33:45,902 | Would you like to give it to him yourself? | Would you like to give it to him yourself? |
1515 | 01:33:45,935 | 01:33:46,935 | I think he's in. | I think he's in. |
1516 | 01:33:48,436 | 01:33:51,336 | That would be lovely. Thanks. | That would be lovely. Thanks. |
1517 | 01:33:51,369 | 01:33:53,970 | (UPBEAT MUSIC) | (UPBEAT MUSIC) |
1518 | 01:34:01,706 | 01:34:05,005 | Hey there. Oh, guess who's visiting. | Hey there. Oh, guess who's visiting. |
1519 | 01:34:13,173 | 01:34:17,007 | (JERRY SPEAKING INDISTINCTLY) | (JERRY SPEAKING INDISTINCTLY) |
1520 | 01:34:22,507 | 01:34:25,175 | (PHONE RINGING) | (PHONE RINGING) |
1521 | 01:34:30,677 | 01:34:32,042 | Hello? | Hello? |
1522 | 01:34:32,076 | 01:34:34,876 | Listen, I'm thinking, if I was the guy who put myself | Listen, I'm thinking, if I was the guy who put myself |
1523 | 01:34:34,910 | 01:34:37,244 | on a paper and it came out as "Catcher In The Rye" | on a paper and it came out as "Catcher In The Rye" |
1524 | 01:34:37,277 | 01:34:39,612 | I'd get a bang out of the bastard writing me a letter | I'd get a bang out of the bastard writing me a letter |
1525 | 01:34:39,645 | 01:34:42,744 | pretending to be able to do the same, follow me? | pretending to be able to do the same, follow me? |
1526 | 01:35:20,818 | 01:35:24,252 | (UPBEAT CLASSICAL MUSIC) | (UPBEAT CLASSICAL MUSIC) |
1527 | 01:35:31,687 | 01:35:34,220 | Oh, Jerry. May I introduce you to- | Oh, Jerry. May I introduce you to- |
1528 | 01:35:34,254 | 01:35:37,020 | Joanna, it's so good to finally meet you. | Joanna, it's so good to finally meet you. |
1529 | 01:35:39,320 | 01:35:42,688 | (UPBEAT CLASSICAL MUSIC) | (UPBEAT CLASSICAL MUSIC) |
1530 | 01:35:42,774 | 01:35:47,774 | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver | Provided by explosiveskull https://twitter.com/kaboomskull M_I_SForEver |