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1 | 00:00:00,277 | 00:00:02,177 | What shall we do? What shall we do? | What shall we do? What shall we do? |
2 | 00:00:02,207 | 00:00:03,227 | What shall we do? What on earth shall we do? | What shall we do? What on earth shall we do? |
3 | 00:00:03,277 | 00:00:07,177 | What are you noisy about? Maia | What are you noisy about? Maia |
4 | 00:00:07,217 | 00:00:09,337 | Vice shopkeeper, big news! | Vice shopkeeper, big news! |
5 | 00:00:09,377 | 00:00:11,007 | Rena-san and they are not in the company | Rena-san and they are not in the company |
6 | 00:00:11,047 | 00:00:13,947 | Did you forget? | Did you forget? |
7 | 00:00:13,987 | 00:00:16,177 | Rena-san and they had asked for temporary vacation | Rena-san and they had asked for temporary vacation |
8 | 00:00:16,217 | 00:00:19,347 | Only you and l stay here today. | Only you and l stay here today. |
9 | 00:00:19,387 | 00:00:22,297 | But. . . only us. . . | But. . . only us. . . |
10 | 00:00:22,327 | 00:00:25,227 | Doesn't it prove | Doesn't it prove |
11 | 00:00:25,267 | 00:00:28,717 | that Maia can manage it by herself? | that Maia can manage it by herself? |
12 | 00:00:28,767 | 00:00:31,357 | Hum.Hum. Not bad . Not bad. | Hum.Hum. Not bad . Not bad. |
13 | 00:00:31,407 | 00:00:33,267 | ls that so? | ls that so? |
14 | 00:00:33,307 | 00:00:34,797 | lf so, | lf so, |
15 | 00:00:34,837 | 00:00:35,597 | l am really happy. | l am really happy. |
16 | 00:00:35,637 | 00:00:39,937 | Well. How long has Maia been in Neres? | Well. How long has Maia been in Neres? |
17 | 00:00:39,977 | 00:00:44,147 | Let me see. Let me see. | Let me see. Let me see. |
18 | 00:00:44,187 | 00:00:47,177 | Let me see. | Let me see. |
19 | 00:00:47,217 | 00:00:51,207 | Not long not short. Not short not long . | Not long not short. Not short not long . |
20 | 00:00:51,257 | 00:00:52,747 | Yep. | Yep. |
21 | 00:00:52,787 | 00:00:56,557 | Many things happened out of our expectation these days. | Many things happened out of our expectation these days. |
22 | 00:00:56,597 | 00:00:58,657 | OK. Let's look back | OK. Let's look back |
23 | 00:00:58,697 | 00:01:00,787 | what have happened so far. | what have happened so far. |
24 | 00:01:00,837 | 00:01:02,857 | ls it an lntrospection Meeting? | ls it an lntrospection Meeting? |
25 | 00:01:02,897 | 00:01:03,427 | Yep. | Yep. |
26 | 00:01:03,467 | 00:01:06,957 | Only vice shopkeeper and l | Only vice shopkeeper and l |
27 | 00:01:09,607 | 00:01:12,597 | That's OK. l've asked someone to help. | That's OK. l've asked someone to help. |
28 | 00:01:12,647 | 00:01:13,737 | Oops? | Oops? |
29 | 00:01:20,147 | 00:01:21,987 | Good afternoon, l'm Joyu Mayi | Good afternoon, l'm Joyu Mayi |
30 | 00:01:22,017 | 00:01:23,747 | l'm Anta Goya | l'm Anta Goya |
31 | 00:01:23,787 | 00:01:25,277 | That's it. | That's it. |
32 | 00:01:25,327 | 00:01:28,317 | This is the recording studio. | This is the recording studio. |
33 | 00:01:28,357 | 00:01:28,887 | Yeah. | Yeah. |
34 | 00:01:28,927 | 00:01:30,727 | As you see, this is the recording studion.Yes. | As you see, this is the recording studion.Yes. |
35 | 00:01:30,767 | 00:01:34,667 | lt's the recording studio of The Daphne | lt's the recording studio of The Daphne |
36 | 00:01:34,697 | 00:01:38,597 | This is the broadcasting site on the net. | This is the broadcasting site on the net. |
37 | 00:01:38,637 | 00:01:39,297 | Yes. | Yes. |
38 | 00:01:39,337 | 00:01:40,667 | How to put it? | How to put it? |
39 | 00:01:40,707 | 00:01:41,727 | Today | Today |
40 | 00:01:41,777 | 00:01:43,327 | What? | What? |
41 | 00:01:43,377 | 00:01:44,967 | What's the look? | What's the look? |
42 | 00:01:45,007 | 00:01:48,067 | Don't care the terrible expression just now. | Don't care the terrible expression just now. |
43 | 00:01:48,117 | 00:01:48,607 | lt goes like that | lt goes like that |
44 | 00:01:48,647 | 00:01:55,177 | We're going to play The Daphne | We're going to play The Daphne |
45 | 00:01:55,217 | 00:01:56,587 | The special program of the first half | The special program of the first half |
46 | 00:01:56,617 | 00:02:00,787 | will be played on TV | will be played on TV |
47 | 00:02:00,827 | 00:02:02,387 | Time to rest? | Time to rest? |
48 | 00:02:02,427 | 00:02:03,017 | Yeah. Yeah. | Yeah. Yeah. |
49 | 00:02:03,057 | 00:02:04,587 | The TV is on. | The TV is on. |
50 | 00:02:04,627 | 00:02:10,627 | Comparing with discussion,assessment meeting is more interesting . Right. Right. | Comparing with discussion,assessment meeting is more interesting . Right. Right. |
51 | 00:02:10,667 | 00:02:12,567 | OK. OK. Wait. | OK. OK. Wait. |
52 | 00:02:12,607 | 00:02:18,007 | Just now the vice shopkeeper wanted to ask for help. | Just now the vice shopkeeper wanted to ask for help. |
53 | 00:02:18,047 | 00:02:19,837 | ls that. . . | ls that. . . |
54 | 00:02:19,877 | 00:02:20,907 | Me. | Me. |
55 | 00:02:20,947 | 00:02:21,737 | Nope. | Nope. |
56 | 00:02:21,777 | 00:02:22,837 | lt's me. | lt's me. |
57 | 00:02:22,877 | 00:02:24,037 | No matter how, it's me. | No matter how, it's me. |
58 | 00:02:24,087 | 00:02:27,347 | Ah? Are we called for the lntrospection Meeting? | Ah? Are we called for the lntrospection Meeting? |
59 | 00:02:27,387 | 00:02:28,317 | Just two of us. | Just two of us. |
60 | 00:02:28,357 | 00:02:29,317 | How can it be? | How can it be? |
61 | 00:02:29,357 | 00:02:30,447 | lsn't there a group of people? | lsn't there a group of people? |
62 | 00:02:30,487 | 00:02:33,017 | lsn't two and a group the same? | lsn't two and a group the same? |
63 | 00:02:33,057 | 00:02:33,617 | Oh? | Oh? |
64 | 00:02:33,657 | 00:02:34,557 | But. . . but. . . | But. . . but. . . |
65 | 00:02:34,597 | 00:02:37,427 | There's only 30 minutes for the program . | There's only 30 minutes for the program . |
66 | 00:02:37,467 | 00:02:38,117 | Yup. | Yup. |
67 | 00:02:38,167 | 00:02:39,787 | lt's not OK. | lt's not OK. |
68 | 00:02:39,827 | 00:02:40,317 | ls that so? | ls that so? |
69 | 00:02:40,367 | 00:02:41,127 | Forget it. Forget it. | Forget it. Forget it. |
70 | 00:02:41,167 | 00:02:43,327 | lt's introspection. | lt's introspection. |
71 | 00:02:43,367 | 00:02:46,097 | Because it's the special review of lntrospection Meeting | Because it's the special review of lntrospection Meeting |
72 | 00:02:46,137 | 00:02:51,937 | l'd like to listen to the feeling of review on the first half. | l'd like to listen to the feeling of review on the first half. |
73 | 00:02:51,977 | 00:02:52,807 | Do you? | Do you? |
74 | 00:02:52,847 | 00:02:54,607 | How? | How? |
75 | 00:02:54,647 | 00:02:58,347 | Firstly.Firstly, we'd like to tell you what we do | Firstly.Firstly, we'd like to tell you what we do |
76 | 00:02:58,387 | 00:02:59,717 | Yeah. lt's all of a sudden. | Yeah. lt's all of a sudden. |
77 | 00:02:59,747 | 00:03:01,587 | Right? You're the protagonist | Right? You're the protagonist |
78 | 00:03:01,617 | 00:03:04,247 | You can't keep laughing . | You can't keep laughing . |
79 | 00:03:04,287 | 00:03:05,317 | Let me first. | Let me first. |
80 | 00:03:05,357 | 00:03:08,557 | l'm Joyu Mayi of Mizuki Maia | l'm Joyu Mayi of Mizuki Maia |
81 | 00:03:08,597 | 00:03:10,717 | Frankly speaking , Maia is a hero. | Frankly speaking , Maia is a hero. |
82 | 00:03:10,767 | 00:03:11,387 | Yeah . . . | Yeah . . . |
83 | 00:03:11,427 | 00:03:12,727 | A very cute kid . | A very cute kid . |
84 | 00:03:12,767 | 00:03:14,957 | Yes. ls that all? | Yes. ls that all? |
85 | 00:03:14,997 | 00:03:16,157 | ls it OK? | ls it OK? |
86 | 00:03:16,197 | 00:03:17,897 | ls CUTE the only word? | ls CUTE the only word? |
87 | 00:03:17,937 | 00:03:18,997 | Right | Right |
88 | 00:03:19,037 | 00:03:23,767 | l'm Senke Anta Goya of vice shopkeeper Fargon Mie | l'm Senke Anta Goya of vice shopkeeper Fargon Mie |
89 | 00:03:23,807 | 00:03:26,177 | What a bad vice shopkeeper | What a bad vice shopkeeper |
90 | 00:03:26,207 | 00:03:28,377 | Though l'm doing badly | Though l'm doing badly |
91 | 00:03:28,417 | 00:03:30,677 | l must try to finish it. | l must try to finish it. |
92 | 00:03:30,717 | 00:03:34,147 | Perhaps l'll be a wonderful man. | Perhaps l'll be a wonderful man. |
93 | 00:03:34,187 | 00:03:35,417 | or it's a secret. | or it's a secret. |
94 | 00:03:35,457 | 00:03:39,857 | That's my imagination. | That's my imagination. |
95 | 00:03:39,887 | 00:03:40,787 | Here. | Here. |
96 | 00:03:40,827 | 00:03:44,657 | We planned to introduce the other guys | We planned to introduce the other guys |
97 | 00:03:44,697 | 00:03:45,827 | How to put it? | How to put it? |
98 | 00:03:45,867 | 00:03:47,327 | ln this way, the program will be endless. | ln this way, the program will be endless. |
99 | 00:03:47,367 | 00:03:48,597 | You said it. | You said it. |
100 | 00:03:48,637 | 00:03:50,467 | lt is better to see rather than to hear for many | lt is better to see rather than to hear for many |
101 | 00:03:50,507 | 00:03:52,407 | That's SEEl NG lS BELl EVlNG | That's SEEl NG lS BELl EVlNG |
102 | 00:03:52,437 | 00:03:53,067 | Right. Exactly. | Right. Exactly. |
103 | 00:03:53,107 | 00:03:54,437 | This time | This time |
104 | 00:03:57,247 | 00:03:59,477 | l'll go on laughing . | l'll go on laughing . |
105 | 00:03:59,507 | 00:04:00,947 | Go on talking. | Go on talking. |
106 | 00:04:00,977 | 00:04:03,637 | Somebody said that they just heard it without seeing | Somebody said that they just heard it without seeing |
107 | 00:04:03,677 | 00:04:06,447 | They'd like to see the picture. | They'd like to see the picture. |
108 | 00:04:06,487 | 00:04:07,577 | Yeah | Yeah |
109 | 00:04:07,617 | 00:04:08,677 | Right. There should be some people | Right. There should be some people |
110 | 00:04:08,717 | 00:04:10,687 | There should be | There should be |
111 | 00:04:10,727 | 00:04:13,187 | So. . . .for these people | So. . . .for these people |
112 | 00:04:13,227 | 00:04:16,657 | we are going to replay all the classice scenes | we are going to replay all the classice scenes |
113 | 00:04:16,697 | 00:04:19,957 | we have ever played so far. | we have ever played so far. |
114 | 00:04:20,467 | 00:04:22,227 | lt's a great project. | lt's a great project. |
115 | 00:04:22,267 | 00:04:24,357 | There're so many classic scenes | There're so many classic scenes |
116 | 00:04:24,407 | 00:04:25,767 | We've to make them video tapes. | We've to make them video tapes. |
117 | 00:04:25,807 | 00:04:27,497 | Let's start. | Let's start. |
118 | 00:04:27,537 | 00:04:28,527 | Please have a look. | Please have a look. |
119 | 00:04:30,237 | 00:04:34,537 | l'm Mizuki Maia.Nice to meet you. | l'm Mizuki Maia.Nice to meet you. |
120 | 00:04:35,577 | 00:04:37,877 | Time is over for hide-and-seek. Kitty. | Time is over for hide-and-seek. Kitty. |
121 | 00:04:37,917 | 00:04:39,777 | So many things happened | So many things happened |
122 | 00:04:39,817 | 00:04:40,617 | now | now |
123 | 00:04:40,657 | 00:04:43,557 | Neres Konkoka lsland Branch | Neres Konkoka lsland Branch |
124 | 00:04:43,587 | 00:04:46,357 | that offers you credible, assured and all-around service | that offers you credible, assured and all-around service |
125 | 00:04:47,197 | 00:04:54,567 | This is Neres accepts any requirements and any wishes | This is Neres accepts any requirements and any wishes |
126 | 00:04:54,597 | 00:04:56,297 | from clients. | from clients. |
127 | 00:04:56,337 | 00:04:59,067 | That's to say, it's a great shop does anything | That's to say, it's a great shop does anything |
128 | 00:04:59,107 | 00:05:01,297 | for somebody's smile. | for somebody's smile. |
129 | 00:05:02,977 | 00:05:04,377 | lt's almost like that. | lt's almost like that. |
130 | 00:05:04,407 | 00:05:06,397 | lt must be | lt must be |
131 | 00:05:07,447 | 00:05:12,887 | Let's introduce the colleagues working in Neres | Let's introduce the colleagues working in Neres |
132 | 00:05:12,917 | 00:05:19,087 | meanwhile we'll take about what happened so far. | meanwhile we'll take about what happened so far. |
133 | 00:05:19,927 | 00:05:25,257 | The Konkoka City we lives in now is a city surrounded by the sea | The Konkoka City we lives in now is a city surrounded by the sea |
134 | 00:05:25,297 | 00:05:30,997 | People gave up the life on the land for the pollution | People gave up the life on the land for the pollution |
135 | 00:05:31,037 | 00:05:33,667 | and chose to live on the seabed. | and chose to live on the seabed. |
136 | 00:05:34,777 | 00:05:37,177 | 1 00 years ago | 1 00 years ago |
137 | 00:05:37,207 | 00:05:39,477 | 8 seabeds floated to the surface | 8 seabeds floated to the surface |
138 | 00:05:39,507 | 00:05:41,567 | Thus created the world now. | Thus created the world now. |
139 | 00:05:42,647 | 00:05:44,977 | Living in this kind of world | Living in this kind of world |
140 | 00:05:45,017 | 00:05:48,317 | we've to depend on the sea | we've to depend on the sea |
141 | 00:05:49,317 | 00:05:52,617 | My dream is to | My dream is to |
142 | 00:05:52,657 | 00:05:55,027 | manage sea resources here. | manage sea resources here. |
143 | 00:05:55,057 | 00:05:58,517 | The work in Sea Hall | The work in Sea Hall |
144 | 00:05:58,567 | 00:06:00,187 | is irreplaceable in human's life | is irreplaceable in human's life |
145 | 00:06:02,067 | 00:06:06,897 | But. . . out of my expectation, l was unqulified . | But. . . out of my expectation, l was unqulified . |
146 | 00:06:09,137 | 00:06:11,167 | Thanks to it, l had to move out | Thanks to it, l had to move out |
147 | 00:06:11,207 | 00:06:16,117 | of the house l'd ever lived with my grandpa. | of the house l'd ever lived with my grandpa. |
148 | 00:06:16,147 | 00:06:18,777 | And l couldn't find a job. | And l couldn't find a job. |
149 | 00:06:18,817 | 00:06:23,687 | l was shot by a gun | l was shot by a gun |
150 | 00:06:23,717 | 00:06:26,517 | when l lost my way | when l lost my way |
151 | 00:06:27,797 | 00:06:32,097 | lt's Rena-san who shot and saved me. | lt's Rena-san who shot and saved me. |
152 | 00:06:32,927 | 00:06:36,097 | She is the head of Neres Konkoka lsland Branch | She is the head of Neres Konkoka lsland Branch |
153 | 00:06:36,137 | 00:06:40,767 | She seems to know everything | She seems to know everything |
154 | 00:06:40,807 | 00:06:44,507 | She knew that l was in trouble | She knew that l was in trouble |
155 | 00:06:44,547 | 00:06:46,877 | Under Rena-san's invitation | Under Rena-san's invitation |
156 | 00:06:46,907 | 00:06:49,507 | l started to work in Neres Konkoka lsland Branch | l started to work in Neres Konkoka lsland Branch |
157 | 00:06:50,447 | 00:06:53,247 | This is Shizuka-san | This is Shizuka-san |
158 | 00:06:53,287 | 00:06:58,047 | Mechanic Pro of Neres | Mechanic Pro of Neres |
159 | 00:06:58,087 | 00:07:00,687 | How come? | How come? |
160 | 00:07:02,357 | 00:07:05,157 | She grew up in a slum | She grew up in a slum |
161 | 00:07:05,197 | 00:07:09,097 | Though she came to Neres a little earlier than me | Though she came to Neres a little earlier than me |
162 | 00:07:09,137 | 00:07:11,227 | she is really reliable. | she is really reliable. |
163 | 00:07:12,237 | 00:07:14,427 | But she has a big stomach | But she has a big stomach |
164 | 00:07:14,477 | 00:07:16,997 | When we traveled in Siberia | When we traveled in Siberia |
165 | 00:07:17,037 | 00:07:19,567 | she kept eating eating | she kept eating eating |
166 | 00:07:22,647 | 00:07:24,237 | Jesus. . . | Jesus. . . |
167 | 00:07:25,587 | 00:07:30,607 | This is also a senior in Neres, Gloria | This is also a senior in Neres, Gloria |
168 | 00:07:32,487 | 00:07:34,647 | a master-hand of shooting | a master-hand of shooting |
169 | 00:07:34,697 | 00:07:36,457 | But she only cares money | But she only cares money |
170 | 00:07:36,497 | 00:07:38,687 | and she often mess up | and she often mess up |
171 | 00:07:38,727 | 00:07:40,887 | bully me | bully me |
172 | 00:07:41,737 | 00:07:45,367 | Sometimes she wants to fall in love | Sometimes she wants to fall in love |
173 | 00:07:45,407 | 00:07:47,597 | to show her loveliness | to show her loveliness |
174 | 00:07:47,637 | 00:07:50,237 | She'd like to experience a sensational love. . . | She'd like to experience a sensational love. . . |
175 | 00:07:51,007 | 00:07:52,707 | A wild girl. | A wild girl. |
176 | 00:07:53,147 | 00:07:54,607 | The last one is Yuu | The last one is Yuu |
177 | 00:07:54,647 | 00:07:57,517 | a doughty girl. | a doughty girl. |
178 | 00:07:57,547 | 00:08:00,707 | She has terrific power | She has terrific power |
179 | 00:08:00,757 | 00:08:02,777 | The first time l saw her | The first time l saw her |
180 | 00:08:02,817 | 00:08:05,417 | l thought she was horrible. | l thought she was horrible. |
181 | 00:08:05,457 | 00:08:07,947 | l don't think so now. | l don't think so now. |
182 | 00:08:08,557 | 00:08:10,527 | l feel she is trustworthy. | l feel she is trustworthy. |
183 | 00:08:13,897 | 00:08:18,997 | But there's one thing l've been concealing Neres | But there's one thing l've been concealing Neres |
184 | 00:08:19,037 | 00:08:22,067 | l lost my memory | l lost my memory |
185 | 00:08:22,107 | 00:08:26,307 | l've lost my meory of childhood | l've lost my meory of childhood |
186 | 00:08:26,347 | 00:08:28,107 | l encountered a shipwreck. | l encountered a shipwreck. |
187 | 00:08:28,147 | 00:08:32,177 | l forgot the past | l forgot the past |
188 | 00:08:32,217 | 00:08:34,877 | When l told them about it | When l told them about it |
189 | 00:08:34,917 | 00:08:38,217 | they tried their best to help me and investigate my life. | they tried their best to help me and investigate my life. |
190 | 00:08:38,257 | 00:08:40,087 | and encourage me | and encourage me |
191 | 00:08:40,127 | 00:08:43,757 | They taught me how to sum up the past and pursue the future | They taught me how to sum up the past and pursue the future |
192 | 00:08:46,327 | 00:08:48,797 | Thanks to their encouragement | Thanks to their encouragement |
193 | 00:08:48,837 | 00:08:52,357 | Oh, no. . . .their care | Oh, no. . . .their care |
194 | 00:08:52,407 | 00:08:55,197 | l've been working hard for Neres | l've been working hard for Neres |
195 | 00:08:57,007 | 00:08:57,737 | Of course. | Of course. |
196 | 00:08:57,777 | 00:09:01,307 | l'm going to attend the employment test of Sea Hall | l'm going to attend the employment test of Sea Hall |
197 | 00:09:01,347 | 00:09:04,007 | Er. . . Maia | Er. . . Maia |
198 | 00:09:04,047 | 00:09:05,307 | l've been listening to you | l've been listening to you |
199 | 00:09:05,347 | 00:09:06,647 | Why didn't you talk about me? | Why didn't you talk about me? |
200 | 00:09:06,687 | 00:09:09,747 | Ah . . . vice-shopkeeer is here. Sorry. | Ah . . . vice-shopkeeer is here. Sorry. |
201 | 00:09:09,787 | 00:09:13,587 | Er. Time is almost up. | Er. Time is almost up. |
202 | 00:09:13,627 | 00:09:19,327 | Please go on supporting the animation | Please go on supporting the animation |
203 | 00:09:19,367 | 00:09:21,767 | The Daphne | The Daphne |
204 | 00:09:21,797 | 00:09:27,467 | And l? l? l? | And l? l? l? |
205 | 00:09:29,337 | 00:09:34,367 | Now it seems that we really did a lot. | Now it seems that we really did a lot. |
206 | 00:09:35,547 | 00:09:37,067 | Anta | Anta |
207 | 00:09:37,947 | 00:09:39,507 | Don't you feel shameful? | Don't you feel shameful? |
208 | 00:09:39,547 | 00:09:42,547 | Fargon is so tiny | Fargon is so tiny |
209 | 00:09:42,587 | 00:09:44,887 | So tiny. So tiny | So tiny. So tiny |
210 | 00:09:45,287 | 00:09:48,557 | l think you did a good job.That's too much. | l think you did a good job.That's too much. |
211 | 00:09:48,597 | 00:09:51,057 | l've been so hardworking | l've been so hardworking |
212 | 00:09:51,997 | 00:09:52,967 | Anta | Anta |
213 | 00:09:52,997 | 00:09:53,927 | That's disgusting. | That's disgusting. |
214 | 00:09:53,967 | 00:09:55,527 | All the audience of the country are watching. | All the audience of the country are watching. |
215 | 00:09:55,567 | 00:09:57,497 | Let it be. | Let it be. |
216 | 00:09:57,537 | 00:10:00,027 | Compromise. Compromise | Compromise. Compromise |
217 | 00:10:00,067 | 00:10:01,867 | This is a relaxing and happy program. | This is a relaxing and happy program. |
218 | 00:10:01,907 | 00:10:02,967 | Enough. Anta | Enough. Anta |
219 | 00:10:03,007 | 00:10:04,407 | We're adults. | We're adults. |
220 | 00:10:04,447 | 00:10:06,607 | Right. Right. Forget it. Forget it. | Right. Right. Forget it. Forget it. |
221 | 00:10:06,647 | 00:10:08,547 | Really happy | Really happy |
222 | 00:10:08,577 | 00:10:10,807 | Yeah. A happy program | Yeah. A happy program |
223 | 00:10:10,847 | 00:10:13,077 | lt's very interesting in the work. | lt's very interesting in the work. |
224 | 00:10:13,117 | 00:10:16,277 | Yeah. Many happy things happened | Yeah. Many happy things happened |
225 | 00:10:16,317 | 00:10:20,447 | l heard that the arrangement is not only so. | l heard that the arrangement is not only so. |
226 | 00:10:20,487 | 00:10:21,717 | That is. What is it? | That is. What is it? |
227 | 00:10:21,757 | 00:10:22,727 | Besides it | Besides it |
228 | 00:10:22,757 | 00:10:27,927 | we've another video tape for the audience. | we've another video tape for the audience. |
229 | 00:10:27,967 | 00:10:31,927 | This is the outline of the second half of the animation | This is the outline of the second half of the animation |
230 | 00:10:31,967 | 00:10:34,937 | Looking forward to it. Looking forward to it. | Looking forward to it. Looking forward to it. |
231 | 00:10:35,837 | 00:10:40,837 | No. With the expectation . . . | No. With the expectation . . . |
232 | 00:10:40,877 | 00:10:42,437 | show me now | show me now |
233 | 00:10:42,477 | 00:10:44,507 | l'm looking forward to the video and outline very much. | l'm looking forward to the video and outline very much. |
234 | 00:10:44,547 | 00:10:46,847 | Let's see right now. Please. | Let's see right now. Please. |
235 | 00:10:46,887 | 00:10:51,047 | By the way, it's not done by us. | By the way, it's not done by us. |
236 | 00:10:51,757 | 00:10:55,287 | There're many producers. | There're many producers. |
237 | 00:10:55,327 | 00:10:57,017 | Such as, Chigy. . . | Such as, Chigy. . . |
238 | 00:10:59,027 | 00:11:01,427 | The works. . .we. . . | The works. . .we. . . |
239 | 00:11:02,737 | 00:11:06,037 | We'll use all. | We'll use all. |
240 | 00:11:06,067 | 00:11:07,537 | lt's too tiny to use. | lt's too tiny to use. |
241 | 00:11:07,567 | 00:11:09,507 | Start the subject. | Start the subject. |
242 | 00:11:09,537 | 00:11:13,237 | Look. Look. | Look. Look. |
243 | 00:11:13,277 | 00:11:14,607 | Have a look | Have a look |
244 | 00:11:14,647 | 00:11:16,667 | Look. l'm eager to see it. | Look. l'm eager to see it. |
245 | 00:11:16,717 | 00:11:20,677 | lt's not done by us. | lt's not done by us. |
246 | 00:11:20,717 | 00:11:21,307 | That's it. | That's it. |
247 | 00:11:21,347 | 00:11:23,877 | lt's rare that there're so many producers. | lt's rare that there're so many producers. |
248 | 00:11:23,917 | 00:11:24,977 | lt's a rare chance. | lt's a rare chance. |
249 | 00:11:25,027 | 00:11:26,927 | ls that so? | ls that so? |
250 | 00:11:26,957 | 00:11:29,357 | Yes. | Yes. |
251 | 00:11:29,397 | 00:11:32,487 | Many representatives of the producers team | Many representatives of the producers team |
252 | 00:11:32,527 | 00:11:34,967 | Firstly, it's supervisor Chido Lonsy | Firstly, it's supervisor Chido Lonsy |
253 | 00:11:34,997 | 00:11:37,367 | series construction Susa Kinki | series construction Susa Kinki |
254 | 00:11:37,397 | 00:11:38,227 | and | and |
255 | 00:11:38,267 | 00:11:40,237 | The original author of The Daphne, Siku Jigy | The original author of The Daphne, Siku Jigy |
256 | 00:11:40,267 | 00:11:42,327 | and so on | and so on |
257 | 00:11:42,377 | 00:11:44,967 | And it brought much trouble for them . | And it brought much trouble for them . |
258 | 00:11:45,007 | 00:11:45,527 | OH , really? | OH , really? |
259 | 00:11:45,577 | 00:11:46,507 | Yup. | Yup. |
260 | 00:11:46,547 | 00:11:48,167 | Please do. Do watch it. | Please do. Do watch it. |
261 | 00:11:49,917 | 00:11:56,377 | What's the type and color of the works? | What's the type and color of the works? |
262 | 00:11:57,757 | 00:12:01,627 | Generally speaking, it's a comic | Generally speaking, it's a comic |
263 | 00:12:01,657 | 00:12:07,567 | With the humorous characters and events | With the humorous characters and events |
264 | 00:12:07,597 | 00:12:11,467 | it's basically defined as a comic. | it's basically defined as a comic. |
265 | 00:12:12,507 | 00:12:17,097 | What's the emphasis do you want the audience to see? | What's the emphasis do you want the audience to see? |
266 | 00:12:17,907 | 00:12:19,467 | Er. . . | Er. . . |
267 | 00:12:19,507 | 00:12:23,347 | l'd like them to see what's on the characters' mind | l'd like them to see what's on the characters' mind |
268 | 00:12:23,377 | 00:12:27,407 | what they have | what they have |
269 | 00:12:28,217 | 00:12:29,917 | Would you please tell us | Would you please tell us |
270 | 00:12:29,957 | 00:12:31,647 | the change of the second half? | the change of the second half? |
271 | 00:12:31,687 | 00:12:34,787 | The result will be unexpected. | The result will be unexpected. |
272 | 00:12:34,827 | 00:12:37,697 | The development of the story goes to the climax | The development of the story goes to the climax |
273 | 00:12:37,727 | 00:12:40,697 | And the riddle will be coming out | And the riddle will be coming out |
274 | 00:12:40,727 | 00:12:48,607 | Then The Daphne | Then The Daphne |
275 | 00:12:48,637 | 00:12:51,267 | will talk more about the ocean | will talk more about the ocean |
276 | 00:12:51,307 | 00:12:54,407 | l'll try my best. Please look forward to it. | l'll try my best. Please look forward to it. |
277 | 00:12:55,047 | 00:12:59,137 | What's the beginning of the layout? | What's the beginning of the layout? |
278 | 00:12:59,187 | 00:13:03,487 | lt happened to one night in the spring , l caught a phone suddenly | lt happened to one night in the spring , l caught a phone suddenly |
279 | 00:13:03,517 | 00:13:08,857 | l'd like to do something like seabed city | l'd like to do something like seabed city |
280 | 00:13:08,897 | 00:13:11,297 | something uncommonsensible | something uncommonsensible |
281 | 00:13:11,327 | 00:13:15,097 | Would you do something uncommonsensible for me? | Would you do something uncommonsensible for me? |
282 | 00:13:15,137 | 00:13:16,797 | You know? Kinki | You know? Kinki |
283 | 00:13:16,837 | 00:13:18,897 | lt's set. | lt's set. |
284 | 00:13:18,937 | 00:13:20,237 | This is the beginning. | This is the beginning. |
285 | 00:13:20,807 | 00:13:23,277 | Would you please tell us the world view of it? | Would you please tell us the world view of it? |
286 | 00:13:23,307 | 00:13:25,277 | Well . . . | Well . . . |
287 | 00:13:32,387 | 00:13:35,447 | What'll happen in the second half? | What'll happen in the second half? |
288 | 00:13:39,427 | 00:13:41,447 | Cartoon . . . | Cartoon . . . |
289 | 00:13:43,657 | 00:13:51,087 | The riddle of the second half will be coming out gradually. | The riddle of the second half will be coming out gradually. |
290 | 00:13:51,137 | 00:13:55,197 | The cartoon and animation will go back together. | The cartoon and animation will go back together. |
291 | 00:13:55,237 | 00:13:59,767 | lt goes like this way. Please look forward to it. | lt goes like this way. Please look forward to it. |
292 | 00:13:59,807 | 00:14:01,207 | Thanks for your support. | Thanks for your support. |
293 | 00:14:01,247 | 00:14:06,047 | Please tell us the charm of the characters. | Please tell us the charm of the characters. |
294 | 00:14:07,187 | 00:14:08,947 | First, speaking of Maia | First, speaking of Maia |
295 | 00:14:08,987 | 00:14:14,257 | we didn't plan to make her so fool at the beginning | we didn't plan to make her so fool at the beginning |
296 | 00:14:14,287 | 00:14:17,627 | but make her incredible. | but make her incredible. |
297 | 00:14:17,657 | 00:14:22,927 | We feel sorry for her dubber Joyu Mayi-san | We feel sorry for her dubber Joyu Mayi-san |
298 | 00:14:23,737 | 00:14:24,827 | Would you tell us | Would you tell us |
299 | 00:14:24,867 | 00:14:28,827 | the relation between serial cartoons and animations? | the relation between serial cartoons and animations? |
300 | 00:14:29,437 | 00:14:30,367 | As to cartoons | As to cartoons |
301 | 00:14:30,407 | 00:14:35,307 | it's the definition of animation a hundred years ago. | it's the definition of animation a hundred years ago. |
302 | 00:14:35,347 | 00:14:41,687 | lt's produced for the sake of the promotion of animation. | lt's produced for the sake of the promotion of animation. |
303 | 00:14:43,187 | 00:14:46,717 | What will happen in the second half? | What will happen in the second half? |
304 | 00:14:46,757 | 00:14:54,027 | There're many stories about the ocean and beach | There're many stories about the ocean and beach |
305 | 00:14:54,067 | 00:14:57,827 | Following the gut | Following the gut |
306 | 00:14:57,867 | 00:15:02,427 | l think there'll be more about the ocean. | l think there'll be more about the ocean. |
307 | 00:15:02,477 | 00:15:06,807 | Some like humorous cartoons | Some like humorous cartoons |
308 | 00:15:06,847 | 00:15:09,777 | specially for them | specially for them |
309 | 00:15:09,817 | 00:15:13,267 | there'll be wonderful scenes later | there'll be wonderful scenes later |
310 | 00:15:14,917 | 00:15:15,887 | l hate it. | l hate it. |
311 | 00:15:15,917 | 00:15:18,907 | Why is it goes English question and Japanese answer? | Why is it goes English question and Japanese answer? |
312 | 00:15:18,957 | 00:15:19,647 | You are right. | You are right. |
313 | 00:15:19,687 | 00:15:20,677 | lt's strange. | lt's strange. |
314 | 00:15:20,727 | 00:15:21,387 | Yep. | Yep. |
315 | 00:15:21,427 | 00:15:22,587 | But they cooperate well. | But they cooperate well. |
316 | 00:15:22,627 | 00:15:25,357 | l'm wondering how your Enghlish is. | l'm wondering how your Enghlish is. |
317 | 00:15:25,397 | 00:15:26,487 | We can just understand it. | We can just understand it. |
318 | 00:15:26,527 | 00:15:27,517 | Just understand? | Just understand? |
319 | 00:15:27,567 | 00:15:28,187 | Yes. | Yes. |
320 | 00:15:28,227 | 00:15:31,967 | lt may be very difficult for you to speak | lt may be very difficult for you to speak |
321 | 00:15:32,607 | 00:15:36,127 | But. . .we may have forgotten someone | But. . .we may have forgotten someone |
322 | 00:15:37,577 | 00:15:40,377 | Yeah. Did you find out? | Yeah. Did you find out? |
323 | 00:15:40,407 | 00:15:42,967 | Gee who sings OP | Gee who sings OP |
324 | 00:15:43,017 | 00:15:45,477 | Gee is very lovely. | Gee is very lovely. |
325 | 00:15:45,517 | 00:15:46,917 | Are you going to interview Gee? | Are you going to interview Gee? |
326 | 00:15:46,947 | 00:15:47,847 | Sure. | Sure. |
327 | 00:15:47,887 | 00:15:48,617 | Oh, crap. | Oh, crap. |
328 | 00:15:48,657 | 00:15:49,747 | Senior middle school student | Senior middle school student |
329 | 00:15:49,787 | 00:15:51,047 | Oh, crap. | Oh, crap. |
330 | 00:15:52,787 | 00:15:57,087 | What impressed you most in the songs? | What impressed you most in the songs? |
331 | 00:15:57,127 | 00:16:00,357 | Er. When l got the song | Er. When l got the song |
332 | 00:16:00,397 | 00:16:06,307 | l thought it's a very encouraging song | l thought it's a very encouraging song |
333 | 00:16:06,337 | 00:16:10,297 | which made you rush forward | which made you rush forward |
334 | 00:16:10,337 | 00:16:11,897 | lt impressed me very much. | lt impressed me very much. |
335 | 00:16:11,947 | 00:16:19,817 | And the scene from water upward to face the sun | And the scene from water upward to face the sun |
336 | 00:16:19,847 | 00:16:25,287 | You can imagine the next. . . | You can imagine the next. . . |
337 | 00:16:25,327 | 00:16:26,447 | Thank you. | Thank you. |
338 | 00:16:26,487 | 00:16:29,257 | Whom do you think you like most in the animation? | Whom do you think you like most in the animation? |
339 | 00:16:29,297 | 00:16:32,787 | Whom do you like most | Whom do you like most |
340 | 00:16:32,827 | 00:16:37,287 | in personality apparently? | in personality apparently? |
341 | 00:16:37,337 | 00:16:40,897 | Among those | Among those |
342 | 00:16:40,937 | 00:16:45,097 | l think l am like Shizuka-san the most | l think l am like Shizuka-san the most |
343 | 00:16:45,137 | 00:16:48,307 | l often wear glasses | l often wear glasses |
344 | 00:16:48,347 | 00:16:49,817 | l think l look mature | l think l look mature |
345 | 00:16:49,847 | 00:16:53,247 | when l wear glasses | when l wear glasses |
346 | 00:16:53,287 | 00:16:57,187 | So l think l'm most like the role. | So l think l'm most like the role. |
347 | 00:16:57,217 | 00:17:00,157 | Could you leave us a message? | Could you leave us a message? |
348 | 00:17:00,187 | 00:17:02,957 | No mater the animation or the song | No mater the animation or the song |
349 | 00:17:02,997 | 00:17:05,517 | l want it can | l want it can |
350 | 00:17:05,567 | 00:17:07,027 | impress you much. | impress you much. |
351 | 00:17:07,067 | 00:17:07,727 | Then . . . | Then . . . |
352 | 00:17:07,767 | 00:17:09,957 | l decided to meet you in the recording studio | l decided to meet you in the recording studio |
353 | 00:17:09,997 | 00:17:12,997 | on Thursday, May.8th. | on Thursday, May.8th. |
354 | 00:17:13,037 | 00:17:15,967 | Please look forward to it. | Please look forward to it. |
355 | 00:17:16,007 | 00:17:17,437 | See you. | See you. |
356 | 00:17:18,847 | 00:17:20,307 | Gee, l'll be waiting for you. | Gee, l'll be waiting for you. |
357 | 00:17:20,347 | 00:17:21,207 | l'll be waiting for you | l'll be waiting for you |
358 | 00:17:21,247 | 00:17:21,867 | l'll be waiting for you | l'll be waiting for you |
359 | 00:17:21,917 | 00:17:23,077 | l'll be waiting for you | l'll be waiting for you |
360 | 00:17:23,117 | 00:17:25,447 | Here is a notice. | Here is a notice. |
361 | 00:17:25,487 | 00:17:26,377 | Vice-shopkeeper, please come over | Vice-shopkeeper, please come over |
362 | 00:17:26,417 | 00:17:28,787 | Me? l won't hold myself. | Me? l won't hold myself. |
363 | 00:17:28,817 | 00:17:32,917 | The first DVD volume of The Daphne | The first DVD volume of The Daphne |
364 | 00:17:32,957 | 00:17:36,757 | will be released on Apr.23 | will be released on Apr.23 |
365 | 00:17:36,797 | 00:17:38,887 | Great. | Great. |
366 | 00:17:38,927 | 00:17:39,987 | lmage classic | lmage classic |
367 | 00:17:40,027 | 00:17:46,267 | The image classics are 1 0 pieces of pictures drawn by Siku Jigy | The image classics are 1 0 pieces of pictures drawn by Siku Jigy |
368 | 00:17:46,307 | 00:17:47,267 | Theyr're inside. | Theyr're inside. |
369 | 00:17:47,307 | 00:17:48,707 | But we can't see now | But we can't see now |
370 | 00:17:48,737 | 00:17:51,177 | Can't see now. | Can't see now. |
371 | 00:17:51,207 | 00:17:58,707 | Next, it's the original limited version, 7 D VD luxurious version | Next, it's the original limited version, 7 D VD luxurious version |
372 | 00:17:58,747 | 00:18:01,777 | Yeah! l want to buy it. l want to buy it. | Yeah! l want to buy it. l want to buy it. |
373 | 00:18:01,817 | 00:18:04,377 | Very thick. Very thick. | Very thick. Very thick. |
374 | 00:18:04,417 | 00:18:05,117 | Luxurious version. | Luxurious version. |
375 | 00:18:05,157 | 00:18:06,817 | The luxurious version is thick. | The luxurious version is thick. |
376 | 00:18:06,857 | 00:18:08,217 | Very thick. | Very thick. |
377 | 00:18:08,257 | 00:18:11,657 | These are all the extra episode | These are all the extra episode |
378 | 00:18:11,697 | 00:18:15,827 | that had never been played and two posters | that had never been played and two posters |
379 | 00:18:15,867 | 00:18:17,197 | This. . . | This. . . |
380 | 00:18:17,237 | 00:18:19,667 | Very big . . .very big | Very big . . .very big |
381 | 00:18:20,267 | 00:18:21,137 | Don't say very big | Don't say very big |
382 | 00:18:21,167 | 00:18:22,507 | No. | No. |
383 | 00:18:22,537 | 00:18:24,267 | Look. They are different. | Look. They are different. |
384 | 00:18:24,307 | 00:18:29,437 | The limited version and ordinary version have the same tax, 6090 yens | The limited version and ordinary version have the same tax, 6090 yens |
385 | 00:18:29,477 | 00:18:30,507 | So cheap. | So cheap. |
386 | 00:18:30,547 | 00:18:32,607 | Just buy it | Just buy it |
387 | 00:18:32,647 | 00:18:33,847 | Perfect. | Perfect. |
388 | 00:18:33,887 | 00:18:37,907 | Perfect? You can't say that | Perfect? You can't say that |
389 | 00:18:37,957 | 00:18:38,747 | Why? | Why? |
390 | 00:18:38,787 | 00:18:45,657 | lmage classic. Er. Er. . . that's it. | lmage classic. Er. Er. . . that's it. |
391 | 00:18:45,697 | 00:18:47,927 | l don't know how to introduce it. | l don't know how to introduce it. |
392 | 00:18:47,967 | 00:18:49,457 | l like it so much. | l like it so much. |
393 | 00:18:49,497 | 00:18:51,057 | l want to buy it too | l want to buy it too |
394 | 00:18:51,097 | 00:18:57,597 | l've been working on the animation | l've been working on the animation |
395 | 00:18:57,637 | 00:18:59,297 | it's not bad to get one. | it's not bad to get one. |
396 | 00:18:59,347 | 00:19:00,677 | Ready. | Ready. |
397 | 00:19:00,707 | 00:19:01,407 | Really? | Really? |
398 | 00:19:01,447 | 00:19:04,807 | You can see all that collected in the first D VD version. | You can see all that collected in the first D VD version. |
399 | 00:19:04,847 | 00:19:08,337 | You may see now this one | You may see now this one |
400 | 00:19:08,387 | 00:19:09,377 | The preview of the first version | The preview of the first version |
401 | 00:19:09,417 | 00:19:10,747 | Please enjoy it | Please enjoy it |
402 | 00:19:10,787 | 00:19:13,017 | The preview of the first version, please | The preview of the first version, please |
403 | 00:19:13,587 | 00:19:15,617 | Good afternoon, Mizuki Maia | Good afternoon, Mizuki Maia |
404 | 00:19:15,657 | 00:19:18,597 | Now l'm showing you all the extra episodes of first D VD volume | Now l'm showing you all the extra episodes of first D VD volume |
405 | 00:19:18,627 | 00:19:25,757 | of The Daphne which will be on sale on Apr.23 | of The Daphne which will be on sale on Apr.23 |
406 | 00:19:25,807 | 00:19:27,797 | l'm introducing it briefly. | l'm introducing it briefly. |
407 | 00:19:28,567 | 00:19:29,727 | sexy | sexy |
408 | 00:19:34,707 | 00:19:36,007 | action | action |
409 | 00:19:40,447 | 00:19:42,277 | or sexy | or sexy |
410 | 00:19:47,887 | 00:19:49,587 | action again | action again |
411 | 00:19:54,127 | 00:19:55,687 | Hot Spring | Hot Spring |
412 | 00:20:01,267 | 00:20:02,537 | Peek | Peek |
413 | 00:20:13,087 | 00:20:13,947 | What do you think of it? | What do you think of it? |
414 | 00:20:13,987 | 00:20:16,107 | lt sounds fresh. | lt sounds fresh. |
415 | 00:20:16,157 | 00:20:16,807 | Right? | Right? |
416 | 00:20:16,857 | 00:20:18,787 | Not the broadcasting series | Not the broadcasting series |
417 | 00:20:18,817 | 00:20:20,307 | Yeah. Yeah. | Yeah. Yeah. |
418 | 00:20:20,357 | 00:20:21,787 | lt's not time to talk about it. | lt's not time to talk about it. |
419 | 00:20:21,827 | 00:20:22,417 | What's that? | What's that? |
420 | 00:20:22,457 | 00:20:25,057 | Feeling. | Feeling. |
421 | 00:20:25,657 | 00:20:28,497 | The feeling today is different. | The feeling today is different. |
422 | 00:20:29,537 | 00:20:30,557 | The feeling on the end . | The feeling on the end . |
423 | 00:20:30,597 | 00:20:31,567 | Right. | Right. |
424 | 00:20:31,597 | 00:20:32,797 | But you're right on it. | But you're right on it. |
425 | 00:20:32,837 | 00:20:33,667 | Yes. | Yes. |
426 | 00:20:33,707 | 00:20:35,257 | Very funny. | Very funny. |
427 | 00:20:35,307 | 00:20:36,037 | Very interesting . | Very interesting . |
428 | 00:20:36,067 | 00:20:37,937 | But l'd like to know how it goes on later | But l'd like to know how it goes on later |
429 | 00:20:37,977 | 00:20:39,877 | How will it go on later? | How will it go on later? |
430 | 00:20:39,907 | 00:20:41,497 | To tell the truth | To tell the truth |
431 | 00:20:41,547 | 00:20:43,807 | l do want to know Maia's secret. | l do want to know Maia's secret. |
432 | 00:20:43,847 | 00:20:45,007 | l'm serious | l'm serious |
433 | 00:20:45,047 | 00:20:46,977 | l don't think that Anta-san | l don't think that Anta-san |
434 | 00:20:47,017 | 00:20:48,247 | Right. | Right. |
435 | 00:20:48,287 | 00:20:49,647 | ls it OK that l didn't talk about Fargon? | ls it OK that l didn't talk about Fargon? |
436 | 00:20:49,687 | 00:20:50,987 | That's OK. | That's OK. |
437 | 00:20:51,017 | 00:20:54,287 | So long as Fargon occurs on the mind sometimes | So long as Fargon occurs on the mind sometimes |
438 | 00:20:54,327 | 00:20:55,757 | l think it's very funny. | l think it's very funny. |
439 | 00:20:55,787 | 00:20:56,687 | Do you? Yes. | Do you? Yes. |
440 | 00:20:56,727 | 00:20:58,157 | You didn't tell about your concert. | You didn't tell about your concert. |
441 | 00:20:58,197 | 00:20:59,217 | That's right. | That's right. |
442 | 00:20:59,257 | 00:21:00,927 | Please listen carefully. | Please listen carefully. |
443 | 00:21:00,967 | 00:21:04,657 | l'm going to hold my concert soon. | l'm going to hold my concert soon. |
444 | 00:21:04,697 | 00:21:05,637 | lnform us now | lnform us now |
445 | 00:21:05,667 | 00:21:09,127 | What's on the right front of my face | What's on the right front of my face |
446 | 00:21:09,167 | 00:21:10,157 | is this. . . | is this. . . |
447 | 00:21:10,207 | 00:21:11,467 | Mischief. Sorry. | Mischief. Sorry. |
448 | 00:21:11,507 | 00:21:15,637 | lt's my first concert | lt's my first concert |
449 | 00:21:15,677 | 00:21:17,737 | lt'll be on May.23 | lt'll be on May.23 |
450 | 00:21:17,777 | 00:21:21,647 | at boxx | at boxx |
451 | 00:21:21,687 | 00:21:24,847 | Do come over. | Do come over. |
452 | 00:21:24,887 | 00:21:27,217 | The ticket will be on sale on Apr.25 | The ticket will be on sale on Apr.25 |
453 | 00:21:27,257 | 00:21:30,227 | The details are here | The details are here |
454 | 00:21:30,257 | 00:21:32,057 | on the right front of my face. | on the right front of my face. |
455 | 00:21:32,097 | 00:21:32,887 | Right here. | Right here. |
456 | 00:21:32,927 | 00:21:34,917 | Do come over. | Do come over. |
457 | 00:21:34,967 | 00:21:35,927 | There's no time | There's no time |
458 | 00:21:35,967 | 00:21:38,097 | Yep. No time. l really had a good time today. | Yep. No time. l really had a good time today. |
459 | 00:21:38,137 | 00:21:38,757 | Yep. | Yep. |
460 | 00:21:38,797 | 00:21:40,097 | lf there're more such chances | lf there're more such chances |
461 | 00:21:40,137 | 00:21:41,697 | l'll surely be more happier. | l'll surely be more happier. |
462 | 00:21:41,737 | 00:21:43,867 | Please keep watching it. | Please keep watching it. |
463 | 00:21:43,907 | 00:21:44,667 | Keep watching it. | Keep watching it. |
464 | 00:21:44,707 | 00:21:47,867 | l'm counting on you | l'm counting on you |
465 | 00:21:47,907 | 00:21:50,347 | Please continue supporting | Please continue supporting |
466 | 00:21:50,377 | 00:21:52,537 | The Daphne | The Daphne |
467 | 00:21:52,577 | 00:21:53,447 | Thank you. | Thank you. |
468 | 00:21:53,487 | 00:21:56,007 | See you. | See you. |
469 | 00:21:58,057 | 00:21:58,777 | OK. | OK. |
470 | 00:21:58,817 | 00:22:02,447 | there'll be wonderful scenes later | there'll be wonderful scenes later |
471 | 00:22:02,487 | 00:22:05,287 | Please look forward to it. Thank you. | Please look forward to it. Thank you. |
472 | 00:22:05,957 | 00:22:08,627 | l'll try my best. Please look forward to it. | l'll try my best. Please look forward to it. |
473 | 00:22:09,737 | 00:22:12,327 | Hello. lt's me. Rena-san | Hello. lt's me. Rena-san |
474 | 00:22:12,367 | 00:22:13,667 | Long time no see. | Long time no see. |
475 | 00:22:13,707 | 00:22:15,727 | Actually l've a request | Actually l've a request |
476 | 00:22:15,767 | 00:22:18,567 | Maia of our company is going for you for the work | Maia of our company is going for you for the work |
477 | 00:22:18,607 | 00:22:20,597 | Sorry. Would you please take care of her? | Sorry. Would you please take care of her? |
478 | 00:22:20,647 | 00:22:22,477 | She is dangerous alone. | She is dangerous alone. |
479 | 00:22:22,507 | 00:22:23,567 | Repay | Repay |
480 | 00:22:23,617 | 00:22:24,707 | Oh? | Oh? |
481 | 00:22:24,747 | 00:22:27,277 | lt may be possible if it's only one night. | lt may be possible if it's only one night. |
482 | 00:22:27,317 | 00:22:29,047 | like before | like before |
483 | 00:22:29,087 | 00:22:30,247 | Kena | Kena |
484 | 00:22:30,287 | 00:22:33,877 | What happened between vice-shopkeeper and her before? | What happened between vice-shopkeeper and her before? |
485 | 00:22:34,587 | 00:22:36,687 | Next. Big Wave | Next. Big Wave |
486 | 00:22:36,727 | 00:22:38,457 | Please look forward to it. | Please look forward to it. |