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# | Start | End | Original | Translated |
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1 | 00:00:06,382 | 00:00:08,843 | ♪ | ♪ |
2 | 00:00:12,638 | 00:00:15,140 | I AM SO SICK OF TRAVELING. | I AM SO SICK OF TRAVELING. |
3 | 00:00:16,893 | 00:00:18,561 | HEY, CAN YOU GET CANCER FROM WALKING? | HEY, CAN YOU GET CANCER FROM WALKING? |
4 | 00:00:18,561 | 00:00:21,230 | BECAUSE I REALLY FEEL LIKE MY FEET ARE GETTING CANCER. | BECAUSE I REALLY FEEL LIKE MY FEET ARE GETTING CANCER. |
5 | 00:00:22,899 | 00:00:25,234 | SO BORED! | SO BORED! |
6 | 00:00:27,361 | 00:00:29,572 | OH, PERFECT. | OH, PERFECT. |
7 | 00:00:30,823 | 00:00:32,324 | -MY BOOT BROKE. -UGH. | -MY BOOT BROKE. -UGH. |
8 | 00:00:32,992 | 00:00:34,201 | FINE. FINE. | FINE. FINE. |
9 | 00:00:34,201 | 00:00:35,411 | -YOU WIN. | -YOU WIN. |
10 | 00:00:35,411 | 00:00:38,080 | WE'LL CAMP HERE TONIGHT. YOU HAPPY? | WE'LL CAMP HERE TONIGHT. YOU HAPPY? |
11 | 00:00:38,080 | 00:00:40,499 | BUT TOMORROW, WE'RE GONNA FIX YOUR BOOT, | BUT TOMORROW, WE'RE GONNA FIX YOUR BOOT, |
12 | 00:00:40,499 | 00:00:42,126 | I'M GONNA GET YOU TO YOUR KINGDOM, | I'M GONNA GET YOU TO YOUR KINGDOM, |
13 | 00:00:42,126 | 00:00:43,210 | DROP YOU OFF, | DROP YOU OFF, |
14 | 00:00:43,210 | 00:00:45,838 | AND THEN I CAN GO AND RESCUE ISABELLA. | AND THEN I CAN GO AND RESCUE ISABELLA. |
15 | 00:00:45,838 | 00:00:48,674 | ALL YOU CARE ABOUT IS SAVING YOUR PRECIOUS ISABELLA. | ALL YOU CARE ABOUT IS SAVING YOUR PRECIOUS ISABELLA. |
16 | 00:00:49,508 | 00:00:50,676 | YOU DON'T CARE ABOUT ME. | YOU DON'T CARE ABOUT ME. |
17 | 00:00:50,676 | 00:00:52,052 | NOBODY DOES. | NOBODY DOES. |
18 | 00:00:52,052 | 00:00:53,262 | EXCEPT FOR GARETH. | EXCEPT FOR GARETH. |
19 | 00:00:53,262 | 00:00:54,555 | GARETH CARED. | GARETH CARED. |
20 | 00:00:55,974 | 00:00:57,558 | I MISS GARETH. | I MISS GARETH. |
21 | 00:00:57,558 | 00:00:59,184 | I'M TRYING, ISABELLA. | I'M TRYING, ISABELLA. |
22 | 00:01:00,394 | 00:01:01,980 | I'LL GET TO YOU, MY LOVE. | I'LL GET TO YOU, MY LOVE. |
23 | 00:01:01,980 | 00:01:03,606 | I PROMISE. | I PROMISE. |
24 | 00:01:03,606 | 00:01:07,026 | ♪ | ♪ |
25 | 00:01:11,322 | 00:01:13,073 | YOU ASKED TO SEE ME, MY LADY? | YOU ASKED TO SEE ME, MY LADY? |
26 | 00:01:14,241 | 00:01:15,868 | I THOUGHT YOU'D ALREADY ESCAPED. | I THOUGHT YOU'D ALREADY ESCAPED. |
27 | 00:01:15,868 | 00:01:18,245 | I HAVE TO GIVE YOU SOMETHING FIRST. | I HAVE TO GIVE YOU SOMETHING FIRST. |
28 | 00:01:18,245 | 00:01:19,747 | IT'S THE AMULET OF VALENCIA. | IT'S THE AMULET OF VALENCIA. |
29 | 00:01:19,747 | 00:01:21,582 | IT WAS GIVEN TO ME AT MY BIRTH, | IT WAS GIVEN TO ME AT MY BIRTH, |
30 | 00:01:21,582 | 00:01:24,126 | AND I'VE WORN IT EVERY DAY SINCE THEN. | AND I'VE WORN IT EVERY DAY SINCE THEN. |
31 | 00:01:24,126 | 00:01:25,795 | IT'S HELPED ME THROUGH SOME DARK TIMES, AND-- | IT'S HELPED ME THROUGH SOME DARK TIMES, AND-- |
32 | 00:01:26,879 | 00:01:28,714 | -WHAT? -WELL, NOTHING. | -WHAT? -WELL, NOTHING. |
33 | 00:01:28,714 | 00:01:31,425 | IT'S JUST, EVERY DAY YOU'VE WORN IT. | IT'S JUST, EVERY DAY YOU'VE WORN IT. |
34 | 00:01:31,425 | 00:01:33,135 | I DON'T THINK I'VE EVER SEEN IT BEFORE. | I DON'T THINK I'VE EVER SEEN IT BEFORE. |
35 | 00:01:33,135 | 00:01:34,846 | YES, EVERY DAY SINCE I WAS BORN. | YES, EVERY DAY SINCE I WAS BORN. |
36 | 00:01:34,846 | 00:01:36,347 | -WEIRD. -WELL, | -WEIRD. -WELL, |
37 | 00:01:36,347 | 00:01:38,599 | I MEAN, I DO TAKE IT OFF EVERY NOW AND THEN, BUT-- | I MEAN, I DO TAKE IT OFF EVERY NOW AND THEN, BUT-- |
38 | 00:01:38,599 | 00:01:39,976 | MAYBE YOU'RE THINKING OF ONE OF THOSE TIMES. | MAYBE YOU'RE THINKING OF ONE OF THOSE TIMES. |
39 | 00:01:39,976 | 00:01:42,854 | MM, NO, I SAW PLENTY OF YOU WHEN WE WERE IN THAT DUNGEON. | MM, NO, I SAW PLENTY OF YOU WHEN WE WERE IN THAT DUNGEON. |
40 | 00:01:42,854 | 00:01:44,605 | AND THEN ON THE WAY FROM VALENCIA | AND THEN ON THE WAY FROM VALENCIA |
41 | 00:01:44,605 | 00:01:46,565 | WHEN WE WENT THROUGH SECURITY AT THE BORDER, | WHEN WE WENT THROUGH SECURITY AT THE BORDER, |
42 | 00:01:46,565 | 00:01:47,984 | WE HAD TO PUT ALL OF OUR STUFF IN THAT BASKET. | WE HAD TO PUT ALL OF OUR STUFF IN THAT BASKET. |
43 | 00:01:47,984 | 00:01:49,652 | I'VE ALWAYS WORN IT, OKAY? | I'VE ALWAYS WORN IT, OKAY? |
44 | 00:01:50,695 | 00:01:52,613 | LOOK... | LOOK... |
45 | 00:01:52,613 | 00:01:54,114 | THE POINT IS, | THE POINT IS, |
46 | 00:01:54,114 | 00:01:56,075 | IT'S SPECIAL TO ME, | IT'S SPECIAL TO ME, |
47 | 00:01:56,075 | 00:01:58,118 | AND I WANT YOU TO GIVE IT TO MY PARENTS | AND I WANT YOU TO GIVE IT TO MY PARENTS |
48 | 00:01:58,118 | 00:01:59,829 | TO REMEMBER ME BY. | TO REMEMBER ME BY. |
49 | 00:02:01,288 | 00:02:02,790 | WHEN DO YOU LEAVE? | WHEN DO YOU LEAVE? |
50 | 00:02:02,790 | 00:02:05,376 | TOMORROW, WHEN THE HORNS SOUND THE CHANGING OF THE GUARD. | TOMORROW, WHEN THE HORNS SOUND THE CHANGING OF THE GUARD. |
51 | 00:02:05,376 | 00:02:06,919 | DO YOU THINK I'LL HAVE ENOUGH TIME? | DO YOU THINK I'LL HAVE ENOUGH TIME? |
52 | 00:02:06,919 | 00:02:08,212 | OH, DEFINITELY. | OH, DEFINITELY. |
53 | 00:02:08,212 | 00:02:10,548 | THE CHANGING OF THE GUARD IS RIDICULOUSLY ELABORATE. | THE CHANGING OF THE GUARD IS RIDICULOUSLY ELABORATE. |
54 | 00:02:10,548 | 00:02:11,757 | PERFECT. | PERFECT. |
55 | 00:02:12,925 | 00:02:15,511 | GALAVANT AND I ONLY HAD A SINGLE KISS, | GALAVANT AND I ONLY HAD A SINGLE KISS, |
56 | 00:02:15,511 | 00:02:17,722 | BUT SOON I'LL BE HOLDING ONTO HIM, | BUT SOON I'LL BE HOLDING ONTO HIM, |
57 | 00:02:17,722 | 00:02:19,348 | AND NOT JUST IN MEMORY. | AND NOT JUST IN MEMORY. |
58 | 00:02:19,348 | 00:02:21,266 | ♪ | ♪ |
59 | 00:02:21,266 | 00:02:24,937 | ♪ IT WAS THE WORLD'S BEST KISS ♪ | ♪ IT WAS THE WORLD'S BEST KISS ♪ |
60 | 00:02:24,937 | 00:02:28,024 | AND IT WAS UTTER BLISS ♪ | AND IT WAS UTTER BLISS ♪ |
61 | 00:02:28,024 | 00:02:30,401 | ♪ THOUGH IT WAS MOISTER ♪ | ♪ THOUGH IT WAS MOISTER ♪ |
62 | 00:02:30,401 | 00:02:34,363 | ♪ THAN I THOUGHT IT WOULD BE ♪ | ♪ THAN I THOUGHT IT WOULD BE ♪ |
63 | 00:02:34,363 | 00:02:37,366 | ♪ IT WAS THE WORLD'S BEST KISS ♪ | ♪ IT WAS THE WORLD'S BEST KISS ♪ |
64 | 00:02:37,366 | 00:02:40,369 | ♪ SAVE FOR THE AWKWARDNESS ♪ | ♪ SAVE FOR THE AWKWARDNESS ♪ |
65 | 00:02:40,369 | 00:02:43,831 | ♪ AND HOW WE FIT WHICH I ADMIT ♪ | ♪ AND HOW WE FIT WHICH I ADMIT ♪ |
66 | 00:02:43,831 | 00:02:46,876 | ♪ FELT SORT OF WEIRD TO ME ♪ | ♪ FELT SORT OF WEIRD TO ME ♪ |
67 | 00:02:46,876 | 00:02:48,669 | ♪ AND IN MY DREAMS ♪ | ♪ AND IN MY DREAMS ♪ |
68 | 00:02:48,669 | 00:02:52,297 | ♪ I STILL CAN TASTE IT ♪ | ♪ I STILL CAN TASTE IT ♪ |
69 | 00:02:53,173 | 00:02:55,467 | ♪ SLIGHTLY YEASTY ♪ | ♪ SLIGHTLY YEASTY ♪ |
70 | 00:02:56,385 | 00:02:59,430 | ♪ ODDLY MUSTY ♪ | ♪ ODDLY MUSTY ♪ |
71 | 00:02:59,430 | 00:03:01,099 | ♪ DISTANCE AND TIME ♪ | ♪ DISTANCE AND TIME ♪ |
72 | 00:03:01,099 | 00:03:05,603 | ♪ HAVE NOT ERASED IT ♪ | ♪ HAVE NOT ERASED IT ♪ |
73 | 00:03:05,603 | 00:03:10,441 | ♪ I WOULDN'T CHANGE A SINGLE THING ♪ | ♪ I WOULDN'T CHANGE A SINGLE THING ♪ |
74 | 00:03:13,318 | 00:03:18,616 | ♪ I WOULDN'T CHANGE A SINGLE THING ♪ | ♪ I WOULDN'T CHANGE A SINGLE THING ♪ |
75 | 00:03:21,368 | 00:03:24,455 | ♪ IT WAS AN AWFUL KISS ♪ | ♪ IT WAS AN AWFUL KISS ♪ |
76 | 00:03:24,455 | 00:03:27,541 | ♪ KIND OF A TOTAL MISS ♪ | ♪ KIND OF A TOTAL MISS ♪ |
77 | 00:03:27,541 | 00:03:29,251 | ♪ CLUMSY AND FORCED ♪ | ♪ CLUMSY AND FORCED ♪ |
78 | 00:03:29,251 | 00:03:30,628 | ♪ WAY TOO MUCH TEETH ♪ | ♪ WAY TOO MUCH TEETH ♪ |
79 | 00:03:30,628 | 00:03:33,965 | ♪ MESSY AND WET ♪ | ♪ MESSY AND WET ♪ |
80 | 00:03:35,382 | 00:03:38,970 | ♪ FAR FROM THE WORLD'S BEST KISS ♪ | ♪ FAR FROM THE WORLD'S BEST KISS ♪ |
81 | 00:03:38,970 | 00:03:43,265 | ♪ STILL, I CAN TELL YOU THIS ♪ | ♪ STILL, I CAN TELL YOU THIS ♪ |
82 | 00:03:43,265 | 00:03:45,434 | ♪ IT WAS A KISS ♪ | ♪ IT WAS A KISS ♪ |
83 | 00:03:45,434 | 00:03:50,898 | ♪ I WON'T FORGET ♪ | ♪ I WON'T FORGET ♪ |
84 | 00:04:03,452 | 00:04:04,996 | HAVE YOU BEEN THERE ALL NIGHT? | HAVE YOU BEEN THERE ALL NIGHT? |
85 | 00:04:04,996 | 00:04:07,498 | YOU NEVER HANDED ME THE AMULET. | YOU NEVER HANDED ME THE AMULET. |
86 | 00:04:07,498 | 00:04:10,584 | OH. RIGHT. SORRY. | OH. RIGHT. SORRY. |
87 | 00:04:11,210 | 00:04:12,294 | HERE YOU GO. | HERE YOU GO. |
88 | 00:04:21,345 | 00:04:23,014 | ♪ | ♪ |
89 | 00:04:24,431 | 00:04:27,018 | SO, BRETT, WHAT'S ON THE SCHEDJ FOR TODAY? | SO, BRETT, WHAT'S ON THE SCHEDJ FOR TODAY? |
90 | 00:04:27,018 | 00:04:29,854 | UH, MY NAME IS SID, YOUR HIGHNESS. | UH, MY NAME IS SID, YOUR HIGHNESS. |
91 | 00:04:32,397 | 00:04:35,067 | YOU HAVE A NINE O'CLOCK REVIEW OF THE TROOPS | YOU HAVE A NINE O'CLOCK REVIEW OF THE TROOPS |
92 | 00:04:35,067 | 00:04:37,195 | FOLLOWED BY A NOON BURNING OF POETS, | FOLLOWED BY A NOON BURNING OF POETS, |
93 | 00:04:37,195 | 00:04:38,863 | THEN LEECHES AND BLEEDING AT FIVE. | THEN LEECHES AND BLEEDING AT FIVE. |
94 | 00:04:38,863 | 00:04:42,200 | UGH, FIVE O'CLOCK, LEECHES AND BLEEDING? | UGH, FIVE O'CLOCK, LEECHES AND BLEEDING? |
95 | 00:04:42,200 | 00:04:44,284 | WHY DO WE ALWAYS SCHEDULE IT SO LATE? | WHY DO WE ALWAYS SCHEDULE IT SO LATE? |
96 | 00:04:44,284 | 00:04:45,744 | WELL, WHY DON'T WE JUST SKIP IT? | WELL, WHY DON'T WE JUST SKIP IT? |
97 | 00:04:45,744 | 00:04:48,664 | I MEAN, I KNOW IT'S WITHIN THE 24-HOUR CANCELLATION PERIOD, | I MEAN, I KNOW IT'S WITHIN THE 24-HOUR CANCELLATION PERIOD, |
98 | 00:04:48,664 | 00:04:50,249 | BUT WHO CARES? | BUT WHO CARES? |
99 | 00:04:50,249 | 00:04:51,416 | WICKED. | WICKED. |
100 | 00:04:51,416 | 00:04:53,211 | PERHAPS YOU ARE THE GUY RUTHLESS ENOUGH | PERHAPS YOU ARE THE GUY RUTHLESS ENOUGH |
101 | 00:04:53,211 | 00:04:55,587 | TO HELP ME INVADE ALL SEVEN REALMS. | TO HELP ME INVADE ALL SEVEN REALMS. |
102 | 00:04:59,341 | 00:05:01,510 | I'M SORRY. WHAT-- | I'M SORRY. WHAT-- |
103 | 00:05:01,510 | 00:05:03,428 | WHAT IS THAT ABOVE THE FIREPLACE? | WHAT IS THAT ABOVE THE FIREPLACE? |
104 | 00:05:03,428 | 00:05:06,140 | OH, THAT IS "DOGS JOUSTING." | OH, THAT IS "DOGS JOUSTING." |
105 | 00:05:06,140 | 00:05:08,684 | I THOUGHT NOW I'M THE OFFICIAL KING, | I THOUGHT NOW I'M THE OFFICIAL KING, |
106 | 00:05:08,684 | 00:05:11,062 | I'D PUT SOME OF ME OWN PERSONAL TOUCHES AROUND THE THRONE ROOM. | I'D PUT SOME OF ME OWN PERSONAL TOUCHES AROUND THE THRONE ROOM. |
107 | 00:05:12,563 | 00:05:13,605 | IT'S NICE. | IT'S NICE. |
108 | 00:05:13,605 | 00:05:14,940 | YEAH, IT'S GREAT, ISN'T IT? | YEAH, IT'S GREAT, ISN'T IT? |
109 | 00:05:15,858 | 00:05:17,026 | HMM. | HMM. |
110 | 00:05:18,110 | 00:05:19,653 | THROW IT IN THE MOAT, BRETT. | THROW IT IN THE MOAT, BRETT. |
111 | 00:05:25,617 | 00:05:28,579 | OH, PRE-RENAISSANCE PLEASURE FAIR. | OH, PRE-RENAISSANCE PLEASURE FAIR. |
112 | 00:05:28,579 | 00:05:29,830 | SO FUN! | SO FUN! |
113 | 00:05:29,830 | 00:05:31,373 | THEY'VE GOT WHACK-A-SERF. | THEY'VE GOT WHACK-A-SERF. |
114 | 00:05:31,373 | 00:05:32,875 | -WE HAVE TO PLAY. NO, NO. | -WE HAVE TO PLAY. NO, NO. |
115 | 00:05:32,875 | 00:05:34,626 | JUST GIVE ME YOUR BOOTS | JUST GIVE ME YOUR BOOTS |
116 | 00:05:34,626 | 00:05:35,794 | SO I CAN TAKE THEM TO THE COBBLER. | SO I CAN TAKE THEM TO THE COBBLER. |
117 | 00:05:35,794 | 00:05:36,795 | I WANT TO GET OUT OF HERE. | I WANT TO GET OUT OF HERE. |
118 | 00:05:36,795 | 00:05:38,672 | SOMEONE WOKE UP ON THE WRONG SIDE OF THE DIRT. | SOMEONE WOKE UP ON THE WRONG SIDE OF THE DIRT. |
119 | 00:05:38,672 | 00:05:39,673 | I'M SORRY. | I'M SORRY. |
120 | 00:05:39,673 | 00:05:41,466 | I DIDN'T ACTUALLY SLEEP VERY WELL. | I DIDN'T ACTUALLY SLEEP VERY WELL. |
121 | 00:05:41,466 | 00:05:43,510 | I DREAMT A VERY UPSETTING MUSICAL NUMBER. | I DREAMT A VERY UPSETTING MUSICAL NUMBER. |
122 | 00:05:44,386 | 00:05:46,471 | JUST WANT TO KEEP MOVING. | JUST WANT TO KEEP MOVING. |
123 | 00:05:46,471 | 00:05:48,140 | FINE. | FINE. |
124 | 00:05:50,059 | 00:05:51,102 | A UNICORN. | A UNICORN. |
125 | 00:05:51,102 | 00:05:53,104 | NO WAY. | NO WAY. |
126 | 00:05:55,273 | 00:05:58,109 | OH, OH, AREN'T YOU GORGEOUS? | OH, OH, AREN'T YOU GORGEOUS? |
127 | 00:05:58,109 | 00:05:59,277 | OH, HELLO. | OH, HELLO. |
128 | 00:05:59,277 | 00:06:01,653 | OH! STOP IT. | OH! STOP IT. |
129 | 00:06:01,653 | 00:06:02,988 | STOP IT! SILLY. | STOP IT! SILLY. |
130 | 00:06:03,822 | 00:06:06,158 | EXCUSE ME, ANIMAL PERSON. | EXCUSE ME, ANIMAL PERSON. |
131 | 00:06:06,158 | 00:06:07,743 | HOW DO YOU KNOW THIS IS A REAL UNICORN? | HOW DO YOU KNOW THIS IS A REAL UNICORN? |
132 | 00:06:07,743 | 00:06:10,204 | EASY. UNICORNS ARE DRAWN TO CHILDREN | EASY. UNICORNS ARE DRAWN TO CHILDREN |
133 | 00:06:10,204 | 00:06:11,956 | AND THOSE WHO ARE PURE OF BODY. | AND THOSE WHO ARE PURE OF BODY. |
134 | 00:06:11,956 | 00:06:13,540 | WHAT'S THAT MEAN, "PURE OF BODY"? | WHAT'S THAT MEAN, "PURE OF BODY"? |
135 | 00:06:13,540 | 00:06:15,417 | THOSE WHO HAVE NEVER BEEN WITH A LADY. | THOSE WHO HAVE NEVER BEEN WITH A LADY. |
136 | 00:06:17,920 | 00:06:19,546 | YEAH, WELL, THIS IS OBVIOUSLY A FAKE UNICORN, | YEAH, WELL, THIS IS OBVIOUSLY A FAKE UNICORN, |
137 | 00:06:19,546 | 00:06:20,798 | BECAUSE BELIEVE YOU ME, | BECAUSE BELIEVE YOU ME, |
138 | 00:06:20,798 | 00:06:22,800 | I'VE BEEN WITH PLENTY OF... | I'VE BEEN WITH PLENTY OF... |
139 | 00:06:24,843 | 00:06:26,220 | I GOT TO GO. | I GOT TO GO. |
140 | 00:06:31,350 | 00:06:34,979 | CAN YOU BELIEVE YOUR BOOTS ARE GONNA TAKE ALL DAY? | CAN YOU BELIEVE YOUR BOOTS ARE GONNA TAKE ALL DAY? |
141 | 00:06:34,979 | 00:06:36,230 | BLOODY ARTISANS. | BLOODY ARTISANS. |
142 | 00:06:36,230 | 00:06:38,274 | WHAT'S THE MATTER, BIG "G"? | WHAT'S THE MATTER, BIG "G"? |
143 | 00:06:38,274 | 00:06:39,399 | SOMETHING'S DIFFERENT ABOUT YOU. | SOMETHING'S DIFFERENT ABOUT YOU. |
144 | 00:06:39,399 | 00:06:41,819 | YOU'RE STILL ALL, "I'VE GOT TO GET TO MY ISABELLA," | YOU'RE STILL ALL, "I'VE GOT TO GET TO MY ISABELLA," |
145 | 00:06:41,819 | 00:06:44,446 | BUT TODAY IT'S MUCH MORE, "MWAH." | BUT TODAY IT'S MUCH MORE, "MWAH." |
146 | 00:06:44,446 | 00:06:45,614 | YOU WANT TO KNOW? | YOU WANT TO KNOW? |
147 | 00:06:45,614 | 00:06:47,449 | WE HAVEN'T BEEN TOGETHER FOR MONTHS. | WE HAVEN'T BEEN TOGETHER FOR MONTHS. |
148 | 00:06:47,449 | 00:06:48,242 | AND IF I'M HONEST, | AND IF I'M HONEST, |
149 | 00:06:48,242 | 00:06:50,619 | WE'VE REALLY ONLY HAD ONE ROMANTIC MOMENT TOGETHER. | WE'VE REALLY ONLY HAD ONE ROMANTIC MOMENT TOGETHER. |
150 | 00:06:50,619 | 00:06:52,163 | I MEAN, WHAT IF IT WASN'T ENOUGH? | I MEAN, WHAT IF IT WASN'T ENOUGH? |
151 | 00:06:52,163 | 00:06:55,582 | YOU'RE WORRIED ABOUT THE CRAPPY KISS. | YOU'RE WORRIED ABOUT THE CRAPPY KISS. |
152 | 00:06:55,582 | 00:06:57,542 | MY CRAP-- WHAT ARE YOU TALKING ABOUT? | MY CRAP-- WHAT ARE YOU TALKING ABOUT? |
153 | 00:06:57,542 | 00:06:59,586 | THE KISS WITH HER IN VALENCIA BEFORE YOU GOT KNOCKED OUT. | THE KISS WITH HER IN VALENCIA BEFORE YOU GOT KNOCKED OUT. |
154 | 00:06:59,586 | 00:07:01,421 | I HEARD IT WAS TERRIBLE-- | I HEARD IT WAS TERRIBLE-- |
155 | 00:07:01,421 | 00:07:02,631 | LIKE, THE WORST. | LIKE, THE WORST. |
156 | 00:07:02,631 | 00:07:05,343 | WHO TOLD YOU THAT? | WHO TOLD YOU THAT? |
157 | 00:07:05,343 | 00:07:07,261 | GARETH ON THE BEACH WHEN YOU WERE UNCONSCIOUS. | GARETH ON THE BEACH WHEN YOU WERE UNCONSCIOUS. |
158 | 00:07:07,261 | 00:07:08,553 | WE WERE ALL CRACKING UP ABOUT IT. | WE WERE ALL CRACKING UP ABOUT IT. |
159 | 00:07:08,553 | 00:07:09,680 | APPARENTLY IT WAS THE TALK OF THE DUNGEON. | APPARENTLY IT WAS THE TALK OF THE DUNGEON. |
160 | 00:07:11,140 | 00:07:12,516 | OH, COME ON, NOW. | OH, COME ON, NOW. |
161 | 00:07:12,516 | 00:07:13,809 | IF YOU'RE THAT WORRIED ABOUT IT, | IF YOU'RE THAT WORRIED ABOUT IT, |
162 | 00:07:13,809 | 00:07:15,269 | I'VE GOT JUST THE SOLUTION-- | I'VE GOT JUST THE SOLUTION-- |
163 | 00:07:15,269 | 00:07:17,062 | A FORTUNE TELLER. | A FORTUNE TELLER. |
164 | 00:07:22,109 | 00:07:24,153 | I DO NOT KNOW WHY HE'S DOING THIS. | I DO NOT KNOW WHY HE'S DOING THIS. |
165 | 00:07:32,161 | 00:07:33,204 | YOO-HOO! | YOO-HOO! |
166 | 00:07:33,204 | 00:07:35,206 | HERE I COME! | HERE I COME! |
167 | 00:07:36,290 | 00:07:38,042 | YOU CAN'T HIDE FROM ME! | YOU CAN'T HIDE FROM ME! |
168 | 00:07:39,293 | 00:07:40,211 | WHAT ARE YOU DOING? | WHAT ARE YOU DOING? |
169 | 00:07:40,211 | 00:07:41,337 | PLAYING HIDE-AND-SEEK WITH PRINCE HARRY. | PLAYING HIDE-AND-SEEK WITH PRINCE HARRY. |
170 | 00:07:41,337 | 00:07:42,338 | WHAT ARE YOU DOING? | WHAT ARE YOU DOING? |
171 | 00:07:42,338 | 00:07:43,422 | TRYING TO ESCAPE. | TRYING TO ESCAPE. |
172 | 00:07:43,422 | 00:07:44,589 | I HAVE TO GET TO THE FRONT GATE | I HAVE TO GET TO THE FRONT GATE |
173 | 00:07:44,589 | 00:07:46,967 | SO I CAN SNEAK OUT DURING THE CHANGING OF THE GUARD. | SO I CAN SNEAK OUT DURING THE CHANGING OF THE GUARD. |
174 | 00:07:46,967 | 00:07:48,177 | GOOD IDEA. | GOOD IDEA. |
175 | 00:07:48,177 | 00:07:50,179 | THAT CEREMONY'S RIDICULOUSLY ELABORATE. | THAT CEREMONY'S RIDICULOUSLY ELABORATE. |
176 | 00:07:50,179 | 00:07:51,471 | ANYWAY, COME WITH ME. | ANYWAY, COME WITH ME. |
177 | 00:07:51,471 | 00:07:53,224 | I'VE BEEN PLAYING HIDE-AND-SEEK FOR WEEKS NOW. | I'VE BEEN PLAYING HIDE-AND-SEEK FOR WEEKS NOW. |
178 | 00:07:53,224 | 00:07:54,183 | I KNOW THE PLACE PRETTY WELL. | I KNOW THE PLACE PRETTY WELL. |
179 | 00:07:54,183 | 00:07:57,102 | BUT TREAD LIGHTLY, FOR WE CANNOT GET CAUGHT. | BUT TREAD LIGHTLY, FOR WE CANNOT GET CAUGHT. |
180 | 00:07:57,102 | 00:07:58,312 | I HATE BEING HIT. | I HATE BEING HIT. |
181 | 00:08:04,026 | 00:08:05,444 | HELLO, GREAT ONE. | HELLO, GREAT ONE. |
182 | 00:08:05,444 | 00:08:09,948 | I AM EDWIN THE MAGNIFICENT. | I AM EDWIN THE MAGNIFICENT. |
183 | 00:08:09,948 | 00:08:11,992 | HELLO, EDWIN THE MAGNIFICENT. | HELLO, EDWIN THE MAGNIFICENT. |
184 | 00:08:11,992 | 00:08:15,287 | -I-- -I KNOW EXACTLY WHO YOU ARE. | -I-- -I KNOW EXACTLY WHO YOU ARE. |
185 | 00:08:15,287 | 00:08:19,041 | YOU ARE RICHARD, THE KING FROM THE NORTH | YOU ARE RICHARD, THE KING FROM THE NORTH |
186 | 00:08:20,292 | 00:08:23,921 | WITH YOUR FRIEND GALAVANT. | WITH YOUR FRIEND GALAVANT. |
187 | 00:08:23,921 | 00:08:25,297 | THAT WAS ACTUALLY REALLY IMPRESSIVE. | THAT WAS ACTUALLY REALLY IMPRESSIVE. |
188 | 00:08:25,297 | 00:08:27,007 | HE CALLED US FRIENDS. | HE CALLED US FRIENDS. |
189 | 00:08:27,007 | 00:08:29,093 | I'M SURE YOU KNOW WE'RE ON A QUEST | I'M SURE YOU KNOW WE'RE ON A QUEST |
190 | 00:08:29,093 | 00:08:30,719 | TO RETURN ME TO MY KINGDOM | TO RETURN ME TO MY KINGDOM |
191 | 00:08:30,719 | 00:08:32,763 | AND TO RETURN GALAVANT TO HIS LADY LOVE, | AND TO RETURN GALAVANT TO HIS LADY LOVE, |
192 | 00:08:32,763 | 00:08:34,432 | WHO MAY OR MAY NOT BE WAITING FOR HIM. | WHO MAY OR MAY NOT BE WAITING FOR HIM. |
193 | 00:08:34,432 | 00:08:35,933 | IT'S SORT OF A LONG-DISTANCE THING. | IT'S SORT OF A LONG-DISTANCE THING. |
194 | 00:08:35,933 | 00:08:37,976 | UGH, THOSE THINGS RARELY WORK OUT. | UGH, THOSE THINGS RARELY WORK OUT. |
195 | 00:08:37,976 | 00:08:39,395 | NO, NO. IT CAN. | NO, NO. IT CAN. |
196 | 00:08:39,395 | 00:08:41,730 | VERY RARE. SIT DOWN. | VERY RARE. SIT DOWN. |
197 | 00:08:41,730 | 00:08:43,357 | MM, THANK YOU, SIR. | MM, THANK YOU, SIR. |
198 | 00:08:43,357 | 00:08:46,444 | LET ME TELL YOUR FORTUNE. | LET ME TELL YOUR FORTUNE. |
199 | 00:08:47,194 | 00:08:48,195 | PICK A NUMBER. | PICK A NUMBER. |
200 | 00:08:48,195 | 00:08:49,780 | UH, SEVEN. | UH, SEVEN. |
201 | 00:08:49,780 | 00:08:50,948 | SEVEN! | SEVEN! |
202 | 00:08:55,744 | 00:08:59,539 | ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN. | ONE, TWO, THREE, FOUR, FIVE, SIX, SEVEN. |
203 | 00:09:01,792 | 00:09:02,918 | CHOOSE A COLOR. | CHOOSE A COLOR. |
204 | 00:09:05,296 | 00:09:06,588 | BLUE. | BLUE. |
205 | 00:09:06,588 | 00:09:09,258 | B-L-U-E. | B-L-U-E. |
206 | 00:09:11,218 | 00:09:13,762 | OH, UH, UH, FORGIVE ME. UH, I'M SORRY. | OH, UH, UH, FORGIVE ME. UH, I'M SORRY. |
207 | 00:09:15,680 | 00:09:17,557 | YES? YES? WHAT IS IT? | YES? YES? WHAT IS IT? |
208 | 00:09:17,557 | 00:09:18,934 | EDWIN, YOU NEED TO PICK UP THE CHILDREN. | EDWIN, YOU NEED TO PICK UP THE CHILDREN. |
209 | 00:09:18,934 | 00:09:20,519 | I--I'M WORKING. | I--I'M WORKING. |
210 | 00:09:20,519 | 00:09:22,354 | CAN'T YOU PICK THEM UP FROM SCHOOL? | CAN'T YOU PICK THEM UP FROM SCHOOL? |
211 | 00:09:22,354 | 00:09:23,772 | - LIKE I HAVE THE TIME? -YES, YES. | - LIKE I HAVE THE TIME? -YES, YES. |
212 | 00:09:23,772 | 00:09:26,900 | I KNOW WHAT YOU DO IS A JOB, TOO. OF COURSE. | I KNOW WHAT YOU DO IS A JOB, TOO. OF COURSE. |
213 | 00:09:26,900 | 00:09:29,320 | SEE YOU TONIGHT. -Y-YES, BEFORE DINNER. | SEE YOU TONIGHT. -Y-YES, BEFORE DINNER. |
214 | 00:09:29,320 | 00:09:30,654 | LOVE YOU, HONEY. | LOVE YOU, HONEY. |
215 | 00:09:30,654 | 00:09:31,780 | LOVE YOU, TOO. | LOVE YOU, TOO. |
216 | 00:09:35,451 | 00:09:36,910 | I'M SO SORRY. | I'M SO SORRY. |
217 | 00:09:36,910 | 00:09:40,205 | SOMETIMES I WISH I'D NEVER GOT A THING FOR COMMUNICATING | SOMETIMES I WISH I'D NEVER GOT A THING FOR COMMUNICATING |
218 | 00:09:40,205 | 00:09:44,460 | WITH A PERSON IN ANOTHER REALM NO MATTER HOW FAR AWAY. | WITH A PERSON IN ANOTHER REALM NO MATTER HOW FAR AWAY. |
219 | 00:09:49,465 | 00:09:52,717 | COMMENCE WITH THE CHANGING OF THE ROYAL GUARD! | COMMENCE WITH THE CHANGING OF THE ROYAL GUARD! |
220 | 00:09:52,717 | 00:09:54,845 | ♪ IT'S THE CHANGING OF THE GUARD! HUH! ♪ | ♪ IT'S THE CHANGING OF THE GUARD! HUH! ♪ |
221 | 00:09:54,845 | 00:09:56,347 | ♪ THE CHANGING OF THE GUARD! HUH! ♪ | ♪ THE CHANGING OF THE GUARD! HUH! ♪ |
222 | 00:09:56,347 | 00:09:59,599 | ♪ YEA FOR HORTENSIA! IT'S TIME TO CHANGE THE GUARD! ♪ | ♪ YEA FOR HORTENSIA! IT'S TIME TO CHANGE THE GUARD! ♪ |
223 | 00:09:59,599 | 00:10:01,643 | ♪ HORTENSIA! HORTENSIA! ♪ | ♪ HORTENSIA! HORTENSIA! ♪ |
224 | 00:10:01,643 | 00:10:03,145 | ♪ YIPPEE-YAY, HOORAY! ♪ | ♪ YIPPEE-YAY, HOORAY! ♪ |
225 | 00:10:03,145 | 00:10:04,271 | ♪ HORTENSIA! HORTENSIA! ♪ | ♪ HORTENSIA! HORTENSIA! ♪ |
226 | 00:10:04,271 | 00:10:05,397 | THANKS SO MUCH FOR THIS. | THANKS SO MUCH FOR THIS. |
227 | 00:10:05,397 | 00:10:06,482 | NO, THANK YOU. | NO, THANK YOU. |
228 | 00:10:06,482 | 00:10:07,607 | IT'S BEEN GREAT SPENDING TIME WITH AN ADULT. | IT'S BEEN GREAT SPENDING TIME WITH AN ADULT. |
229 | 00:10:07,607 | 00:10:09,776 | HONESTLY, I THINK YOU'RE MAKING A GOOD MOVE. | HONESTLY, I THINK YOU'RE MAKING A GOOD MOVE. |
230 | 00:10:09,776 | 00:10:11,403 | IT'S GETTING REALLY WEIRD HERE. | IT'S GETTING REALLY WEIRD HERE. |
231 | 00:10:11,403 | 00:10:12,904 | OLLY OLLY OXEN FREE! | OLLY OLLY OXEN FREE! |
232 | 00:10:12,904 | 00:10:14,906 | OH, CRAP. GOT TO GO. | OH, CRAP. GOT TO GO. |
233 | 00:10:14,906 | 00:10:15,949 | ♪ YIPPEE-YAY, HOORAY! ♪ | ♪ YIPPEE-YAY, HOORAY! ♪ |
234 | 00:10:15,949 | 00:10:18,452 | ♪ HORTENSIA! HORTENSIA! THE CHANG ♪ | ♪ HORTENSIA! HORTENSIA! THE CHANG ♪ |
235 | 00:10:20,954 | 00:10:22,331 | FREAKY. | FREAKY. |
236 | 00:10:24,749 | 00:10:27,503 | -WHAT DO WE DO? -ANSWER IT? | -WHAT DO WE DO? -ANSWER IT? |
237 | 00:10:33,675 | 00:10:35,719 | ISABELLA'S AMULET. CHEF SPEAKING. | ISABELLA'S AMULET. CHEF SPEAKING. |
238 | 00:10:35,719 | 00:10:38,013 | -ISABELLA? | -ISABELLA? |
239 | 00:10:38,013 | 00:10:39,557 | OH, MY GOD. YOU LOOK TERRIBLE. | OH, MY GOD. YOU LOOK TERRIBLE. |
240 | 00:10:39,557 | 00:10:42,059 | SIR GALAVANT, IT'S ME, THE CHEF. | SIR GALAVANT, IT'S ME, THE CHEF. |
241 | 00:10:42,059 | 00:10:43,268 | OH, THANK GOD. | OH, THANK GOD. |
242 | 00:10:43,268 | 00:10:45,187 | WHY HAVE YOU GOT ISABELLA'S AMULET? | WHY HAVE YOU GOT ISABELLA'S AMULET? |
243 | 00:10:45,187 | 00:10:46,271 | SHE NEVER TAKES IT OFF. | SHE NEVER TAKES IT OFF. |
244 | 00:10:46,271 | 00:10:47,439 | REALLY? | REALLY? |
245 | 00:10:47,439 | 00:10:49,483 | 'CAUSE I'M PRETTY SURE TODAY IS THE FIRST TIME I'VE SEEN IT. | 'CAUSE I'M PRETTY SURE TODAY IS THE FIRST TIME I'VE SEEN IT. |
246 | 00:10:49,483 | 00:10:51,902 | I AGREE. I THINK IT'S NEW. | I AGREE. I THINK IT'S NEW. |
247 | 00:10:51,902 | 00:10:53,820 | YEAH, WELL, YOU'RE BOTH WRONG, BUT IT DOESN'T MATTER. | YEAH, WELL, YOU'RE BOTH WRONG, BUT IT DOESN'T MATTER. |
248 | 00:10:53,820 | 00:10:55,906 | I'M COMING TO VALENCIA TO RESCUE YOU. | I'M COMING TO VALENCIA TO RESCUE YOU. |
249 | 00:10:58,116 | 00:10:59,618 | REALLY? | REALLY? |
250 | 00:10:59,618 | 00:11:00,578 | NO REACTION? | NO REACTION? |
251 | 00:11:00,578 | 00:11:02,787 | I THOUGHT THAT WAS A PRETTY HEROIC STATEMENT. | I THOUGHT THAT WAS A PRETTY HEROIC STATEMENT. |
252 | 00:11:02,787 | 00:11:04,956 | - UH, HELLO? | - UH, HELLO? |
253 | 00:11:04,956 | 00:11:06,208 | -HELLO? -HELLO? | -HELLO? -HELLO? |
254 | 00:11:06,208 | 00:11:08,252 | DID YOU SAY SOMETHING THEN? YOU FRO--FROZE UP. | DID YOU SAY SOMETHING THEN? YOU FRO--FROZE UP. |
255 | 00:11:08,252 | 00:11:09,294 | WE COULDN'T HEAR YOU. | WE COULDN'T HEAR YOU. |
256 | 00:11:09,294 | 00:11:10,504 | SOMETIMES IT DOES THAT. | SOMETIMES IT DOES THAT. |
257 | 00:11:10,504 | 00:11:13,257 | HOLD IT UP. YOU'LL GET A BETTER SIGNAL. | HOLD IT UP. YOU'LL GET A BETTER SIGNAL. |
258 | 00:11:13,257 | 00:11:14,674 | YEAH? | YEAH? |
259 | 00:11:14,674 | 00:11:18,136 | HELLO? CAN YOU HEAR ME? CAN... | HELLO? CAN YOU HEAR ME? CAN... |
260 | 00:11:18,136 | 00:11:20,431 | THERE HE IS. HI AGAIN! | THERE HE IS. HI AGAIN! |
261 | 00:11:20,431 | 00:11:22,807 | YES, LOOK, I NEED TO TALK TO ISABELLA. | YES, LOOK, I NEED TO TALK TO ISABELLA. |
262 | 00:11:22,807 | 00:11:24,809 | HE'S WORRIED ABOUT THEIR KISS. | HE'S WORRIED ABOUT THEIR KISS. |
263 | 00:11:24,809 | 00:11:27,521 | WAIT. WHY WOULD YOU SAY THAT? THEY DON'T NEED TO KNOW THAT. | WAIT. WHY WOULD YOU SAY THAT? THEY DON'T NEED TO KNOW THAT. |
264 | 00:11:27,521 | 00:11:29,147 | LOOK, I-I MIGHT'VE JUST GOTTEN IT IN MY HEAD | LOOK, I-I MIGHT'VE JUST GOTTEN IT IN MY HEAD |
265 | 00:11:29,147 | 00:11:30,065 | IT WASN'T THAT GREAT. | IT WASN'T THAT GREAT. |
266 | 00:11:30,065 | 00:11:31,900 | -YOU'RE RIGHT TO WORRY. -IT WAS PRETTY BAD, SIR. | -YOU'RE RIGHT TO WORRY. -IT WAS PRETTY BAD, SIR. |
267 | 00:11:31,900 | 00:11:34,152 | W-WOULD YOU MIND? | W-WOULD YOU MIND? |
268 | 00:11:34,152 | 00:11:36,488 | HELLO, LITTLE MAN WHO USED TO BRING ME MY FOOD. | HELLO, LITTLE MAN WHO USED TO BRING ME MY FOOD. |
269 | 00:11:36,488 | 00:11:38,031 | IS GARETH THERE? | IS GARETH THERE? |
270 | 00:11:38,031 | 00:11:40,200 | I WOULD VERY MUCH LIKE TO SPEAK WITH HIM. | I WOULD VERY MUCH LIKE TO SPEAK WITH HIM. |
271 | 00:11:40,200 | 00:11:41,452 | GARETH'S MY BEST PAL. | GARETH'S MY BEST PAL. |
272 | 00:11:41,452 | 00:11:43,870 | I'M SURE HE'S WORRIED SICK ABOUT ME. | I'M SURE HE'S WORRIED SICK ABOUT ME. |
273 | 00:11:45,330 | 00:11:47,999 | UM, SIRE, I--I HAVE SOME BAD NEWS. | UM, SIRE, I--I HAVE SOME BAD NEWS. |
274 | 00:11:47,999 | 00:11:50,877 | -HMM? - HE TOOK YOUR THRONE. | -HMM? - HE TOOK YOUR THRONE. |
275 | 00:11:50,877 | 00:11:52,712 | HE WENT AND HOOKED UP WITH MADALENA. | HE WENT AND HOOKED UP WITH MADALENA. |
276 | 00:11:52,712 | 00:11:54,381 | THE ULTIMATE ACT OF BETRAYAL. | THE ULTIMATE ACT OF BETRAYAL. |
277 | 00:11:55,674 | 00:11:57,759 | HE'S NOW THE KING. | HE'S NOW THE KING. |
278 | 00:11:57,759 | 00:12:00,011 | HE MAKES YOU LOOK LIKE AN ASS--ASS--ASS-- | HE MAKES YOU LOOK LIKE AN ASS--ASS--ASS-- |
279 | 00:12:00,011 | 00:12:03,140 | ASS--ASS--ASS--ASS-- ASS--ASS-- | ASS--ASS--ASS--ASS-- ASS--ASS-- |
280 | 00:12:03,140 | 00:12:05,643 | ASS--ASTRONOMICAL LEADER BY COMPARISON. | ASS--ASTRONOMICAL LEADER BY COMPARISON. |
281 | 00:12:06,977 | 00:12:09,438 | GARETH BETRAYED ME? | GARETH BETRAYED ME? |
282 | 00:12:09,438 | 00:12:10,897 | BIG TIME. | BIG TIME. |
283 | 00:12:10,897 | 00:12:12,149 | NOW WE'RE ALL IN HORTENSIA, | NOW WE'RE ALL IN HORTENSIA, |
284 | 00:12:12,149 | 00:12:13,733 | AND PRINCESS ISABELLA IS BEING FORCED | AND PRINCESS ISABELLA IS BEING FORCED |
285 | 00:12:13,733 | 00:12:14,610 | TO MARRY HER COUSIN. | TO MARRY HER COUSIN. |
286 | 00:12:14,610 | 00:12:16,861 | IT'S GROSS! | IT'S GROSS! |
287 | 00:12:16,861 | 00:12:19,030 | OH, THAT IS WEIRD. | OH, THAT IS WEIRD. |
288 | 00:12:19,030 | 00:12:20,031 | NOW--NOW, LISTEN. | NOW--NOW, LISTEN. |
289 | 00:12:20,031 | 00:12:21,992 | I NEED TO SPEAK TO ISABELLA IMMEDIATELY. | I NEED TO SPEAK TO ISABELLA IMMEDIATELY. |
290 | 00:12:21,992 | 00:12:25,663 | UM, SORRY. I DON'T HAVE HER RIGHT NOW. | UM, SORRY. I DON'T HAVE HER RIGHT NOW. |
291 | 00:12:25,663 | 00:12:26,580 | CAN SHE RETURN? | CAN SHE RETURN? |
292 | 00:12:26,580 | 00:12:28,540 | NOW, YOU GO AND GET HER. | NOW, YOU GO AND GET HER. |
293 | 00:12:30,792 | 00:12:33,003 | I CANNOT BELIEVE GARETH WOULD DO THIS. | I CANNOT BELIEVE GARETH WOULD DO THIS. |
294 | 00:12:34,505 | 00:12:35,589 | DID HE EVER EVEN CARE? | DID HE EVER EVEN CARE? |
295 | 00:12:41,011 | 00:12:42,471 | I'M GOING FOR A WALK. | I'M GOING FOR A WALK. |
296 | 00:12:45,557 | 00:12:46,766 | I THINK THE PICTURE OF ME MUM'S | I THINK THE PICTURE OF ME MUM'S |
297 | 00:12:46,766 | 00:12:48,893 | GONNA LOOK GREAT IN THE THRONE ROOM, DON'T YOU? | GONNA LOOK GREAT IN THE THRONE ROOM, DON'T YOU? |
298 | 00:12:48,893 | 00:12:49,936 | YEAH. | YEAH. |
299 | 00:12:53,440 | 00:12:55,359 | WHO THREW MY PAINTING IN THE TOILET? | WHO THREW MY PAINTING IN THE TOILET? |
300 | 00:13:03,033 | 00:13:04,409 | WHAT'S ALL THIS? | WHAT'S ALL THIS? |
301 | 00:13:04,409 | 00:13:05,619 | MOVE YOUR FEET, LOVE. | MOVE YOUR FEET, LOVE. |
302 | 00:13:07,996 | 00:13:09,206 | THAT'S IRREPLACEABLE! | THAT'S IRREPLACEABLE! |
303 | 00:13:09,206 | 00:13:11,291 | I KILLED THE FAMILY OF WEAVERS WHO MADE IT! | I KILLED THE FAMILY OF WEAVERS WHO MADE IT! |
304 | 00:13:11,291 | 00:13:13,752 | LET'S SEE WHAT IT LOOKS LIKE IN THE MOAT. | LET'S SEE WHAT IT LOOKS LIKE IN THE MOAT. |
305 | 00:13:13,752 | 00:13:14,794 | DON'T! | DON'T! |
306 | 00:13:16,588 | 00:13:18,840 | AH. A LITTLE WET, BUT I LIKE IT. | AH. A LITTLE WET, BUT I LIKE IT. |
307 | 00:13:19,717 | 00:13:21,009 | HOW DARE YOU. | HOW DARE YOU. |
308 | 00:13:21,009 | 00:13:22,260 | YOU MADE ME KING. | YOU MADE ME KING. |
309 | 00:13:22,260 | 00:13:25,013 | SO I CAN HAVE MY STUFF IN THE THRONE ROOM, | SO I CAN HAVE MY STUFF IN THE THRONE ROOM, |
310 | 00:13:25,013 | 00:13:26,640 | AND YOU CAN'T TOSS IT. | AND YOU CAN'T TOSS IT. |
311 | 00:13:26,640 | 00:13:27,683 | OH, REALLY? | OH, REALLY? |
312 | 00:13:38,652 | 00:13:39,986 | FINE. | FINE. |
313 | 00:13:42,656 | 00:13:43,823 | IT'S ON. | IT'S ON. |
314 | 00:13:44,742 | 00:13:45,701 | MY VASE! | MY VASE! |
315 | 00:13:45,701 | 00:13:46,910 | THAT'S HOW YOU WANT TO PLAY? | THAT'S HOW YOU WANT TO PLAY? |
316 | 00:13:46,910 | 00:13:47,869 | WAIT, THAT'S EXPENSIVE! | WAIT, THAT'S EXPENSIVE! |
317 | 00:13:47,869 | 00:13:49,079 | NOT THE HELMET! | NOT THE HELMET! |
318 | 00:13:49,079 | 00:13:50,830 | THAT'S MY FAVORITE. QUEENIE, STOP IT! | THAT'S MY FAVORITE. QUEENIE, STOP IT! |
319 | 00:13:50,830 | 00:13:53,124 | STOP RESISTING. THIS ISN'T ABOUT YOU. | STOP RESISTING. THIS ISN'T ABOUT YOU. |
320 | 00:13:53,124 | 00:13:53,875 | GARETH! | GARETH! |
321 | 00:13:53,875 | 00:13:55,877 | YOU'RE NOT THROWING OUT MY ASSISTANT. | YOU'RE NOT THROWING OUT MY ASSISTANT. |
322 | 00:13:58,463 | 00:13:59,798 | HOLD ON! | HOLD ON! |
323 | 00:13:59,798 | 00:14:02,092 | KILLING ME WON'T SOLVE ANYTHING. | KILLING ME WON'T SOLVE ANYTHING. |
324 | 00:14:02,092 | 00:14:04,428 | YOU ARE JUST TWO PEOPLE WITH VERY STRONG OPINIONS. | YOU ARE JUST TWO PEOPLE WITH VERY STRONG OPINIONS. |
325 | 00:14:04,428 | 00:14:06,096 | IF THIS IS GONNA WORK, | IF THIS IS GONNA WORK, |
326 | 00:14:06,096 | 00:14:07,889 | YOU NEED TO FIND SOME COMMON GROUND. | YOU NEED TO FIND SOME COMMON GROUND. |
327 | 00:14:07,889 | 00:14:10,726 | JUST TRY. PLEASE? | JUST TRY. PLEASE? |
328 | 00:14:11,976 | 00:14:13,687 | -FINE. -FINE. | -FINE. -FINE. |
329 | 00:14:16,732 | 00:14:18,358 | ♪ I LIKE LIVING PLAINLY ♪ | ♪ I LIKE LIVING PLAINLY ♪ |
330 | 00:14:18,358 | 00:14:19,568 | ♪ CHAINS AND LEATHER, MAINLY ♪ | ♪ CHAINS AND LEATHER, MAINLY ♪ |
331 | 00:14:19,568 | 00:14:21,903 | ♪ I PREFER A LAVISH SUITE ♪ | ♪ I PREFER A LAVISH SUITE ♪ |
332 | 00:14:21,903 | 00:14:22,987 | GO ON. | GO ON. |
333 | 00:14:22,987 | 00:14:24,531 | ♪ I LIKE EATING LIGHTLY ♪ | ♪ I LIKE EATING LIGHTLY ♪ |
334 | 00:14:24,531 | 00:14:26,116 | ♪ VEGAN DINNERS NIGHTLY ♪ | ♪ VEGAN DINNERS NIGHTLY ♪ |
335 | 00:14:26,116 | 00:14:28,368 | ♪ I LIKE MEAT WITH EXTRA MEAT ♪ | ♪ I LIKE MEAT WITH EXTRA MEAT ♪ |
336 | 00:14:28,368 | 00:14:29,661 | YOU'RE NOT EVEN TRYING. | YOU'RE NOT EVEN TRYING. |
337 | 00:14:29,661 | 00:14:32,497 | ♪ I'M DELUXE TO MY SILKEN UNDIES ♪ | ♪ I'M DELUXE TO MY SILKEN UNDIES ♪ |
338 | 00:14:32,497 | 00:14:34,792 | ♪ IT'S COMMANDO FOR ME ♪ | ♪ IT'S COMMANDO FOR ME ♪ |
339 | 00:14:34,792 | 00:14:35,793 | EW. | EW. |
340 | 00:14:35,793 | 00:14:37,419 | ♪ MY WAY'S CLEARLY BETTER ♪ | ♪ MY WAY'S CLEARLY BETTER ♪ |
341 | 00:14:37,419 | 00:14:38,920 | ♪ BORING-ER AND DEAD-ER ♪ | ♪ BORING-ER AND DEAD-ER ♪ |
342 | 00:14:38,920 | 00:14:41,799 | ♪ LET'S AGREE TO DISAGREE ♪ | ♪ LET'S AGREE TO DISAGREE ♪ |
343 | 00:14:41,799 | 00:14:43,592 | RIGHT. NOT EXACTLY WHAT I HAD IN MIND, | RIGHT. NOT EXACTLY WHAT I HAD IN MIND, |
344 | 00:14:43,592 | 00:14:44,968 | BUT NOT A BAD START. | BUT NOT A BAD START. |
345 | 00:14:44,968 | 00:14:48,806 | ♪ I LIKE DRINKING VINO PREFERABLY PINOT ♪ | ♪ I LIKE DRINKING VINO PREFERABLY PINOT ♪ |
346 | 00:14:48,806 | 00:14:51,767 | ♪ I PREFER A KEG OF BEER ♪ | ♪ I PREFER A KEG OF BEER ♪ |
347 | 00:14:51,767 | 00:14:55,186 | ♪ I LIKE GETTING RANDY WITH WHOEVER'S HANDY ♪ | ♪ I LIKE GETTING RANDY WITH WHOEVER'S HANDY ♪ |
348 | 00:14:55,186 | 00:14:58,106 | ♪ I PREFER A KEG OF BEER ♪ | ♪ I PREFER A KEG OF BEER ♪ |
349 | 00:14:58,106 | 00:15:01,485 | ♪ LOVE MASSAGES, LONG WALKS AND SUNSETS ♪ | ♪ LOVE MASSAGES, LONG WALKS AND SUNSETS ♪ |
350 | 00:15:01,485 | 00:15:03,194 | ♪ BEER, BEER-BEER BEER-BEER, BEER ♪ | ♪ BEER, BEER-BEER BEER-BEER, BEER ♪ |
351 | 00:15:03,194 | 00:15:04,613 | GUYS. THE RHYME SCHEME. | GUYS. THE RHYME SCHEME. |
352 | 00:15:04,613 | 00:15:06,156 | ♪ FRANKLY, YOU DISGUST ME ♪ | ♪ FRANKLY, YOU DISGUST ME ♪ |
353 | 00:15:06,156 | 00:15:07,907 | ♪ YOU'RE NO PICNIC TRUST ME ♪ | ♪ YOU'RE NO PICNIC TRUST ME ♪ |
354 | 00:15:07,907 | 00:15:10,201 | ♪ LET'S AGREE TO DISAGREE ♪ | ♪ LET'S AGREE TO DISAGREE ♪ |
355 | 00:15:10,201 | 00:15:11,578 | MAYBE YOU'RE NOT GETTING THE CONCEPT. | MAYBE YOU'RE NOT GETTING THE CONCEPT. |
356 | 00:15:11,578 | 00:15:13,121 | - ♪ JUST ONE OF US CAN LEAD ♪ - ♪ AND THAT MEANS ME ♪ | - ♪ JUST ONE OF US CAN LEAD ♪ - ♪ AND THAT MEANS ME ♪ |
357 | 00:15:13,121 | 00:15:14,122 | HELL, NO. | HELL, NO. |
358 | 00:15:14,122 | 00:15:15,791 | YOU WANT A PIECE OF THIS? ALL RIGHT, THEN. | YOU WANT A PIECE OF THIS? ALL RIGHT, THEN. |
359 | 00:15:15,791 | 00:15:17,459 | FINE. LET'S GO! | FINE. LET'S GO! |
360 | 00:15:20,587 | 00:15:24,007 | ♪ WE WILL NEVER GET ON TOGETHER ♪ | ♪ WE WILL NEVER GET ON TOGETHER ♪ |
361 | 00:15:24,007 | 00:15:26,217 | ♪ DITTO, OBVIOUSLY ♪ | ♪ DITTO, OBVIOUSLY ♪ |
362 | 00:15:26,217 | 00:15:27,427 | RIGHT THERE. DID YOU HEAR THAT? | RIGHT THERE. DID YOU HEAR THAT? |
363 | 00:15:27,427 | 00:15:28,553 | I THINK WE FINALLY-- | I THINK WE FINALLY-- |
364 | 00:15:28,553 | 00:15:30,221 | ♪ GOD, IS HE ANNOYING ♪ | ♪ GOD, IS HE ANNOYING ♪ |
365 | 00:15:30,221 | 00:15:31,556 | ♪ POSITIVELY CLOYING ♪ | ♪ POSITIVELY CLOYING ♪ |
366 | 00:15:31,556 | 00:15:32,474 | GUYS? | GUYS? |
367 | 00:15:32,474 | 00:15:33,517 | ♪ WHY IS HE STILL TALKING? ♪ | ♪ WHY IS HE STILL TALKING? ♪ |
368 | 00:15:33,517 | 00:15:34,643 | ♪ CAN IT WITH THE SQUAWKING! ♪ | ♪ CAN IT WITH THE SQUAWKING! ♪ |
369 | 00:15:34,643 | 00:15:35,352 | BUT-- | BUT-- |
370 | 00:15:35,352 | 00:15:36,687 | ♪ YOU THINKIN' WHAT I'M THINKIN'? ♪ | ♪ YOU THINKIN' WHAT I'M THINKIN'? ♪ |
371 | 00:15:36,687 | 00:15:38,188 | ♪ WE'RE DEFINITELY SYNCING ♪ | ♪ WE'RE DEFINITELY SYNCING ♪ |
372 | 00:15:38,188 | 00:15:41,316 | YOU KNOW WHAT? I THINK IT'S TIME TO SEEK OUTSIDE HELP. | YOU KNOW WHAT? I THINK IT'S TIME TO SEEK OUTSIDE HELP. |
373 | 00:15:41,316 | 00:15:42,776 | ♪ LET'S AGREE TO ♪ | ♪ LET'S AGREE TO ♪ |
374 | 00:15:42,776 | 00:15:43,902 | NO, NO, NO, WAIT, WAIT, WAIT, WAIT. | NO, NO, NO, WAIT, WAIT, WAIT, WAIT. |
375 | 00:15:43,902 | 00:15:45,028 | ♪ DISAGREE-E-E-E-E-E-E ♪ | ♪ DISAGREE-E-E-E-E-E-E ♪ |
376 | 00:15:45,028 | 00:15:47,405 | NO, NO, NO! PLEASE! PLEASE STOP! NO, NO! | NO, NO, NO! PLEASE! PLEASE STOP! NO, NO! |
377 | 00:15:47,405 | 00:15:49,949 | NO! NOT THE WINDOW! NOT THE WINDOW! PLEASE NO! NOT THE WINDOW! | NO! NOT THE WINDOW! NOT THE WINDOW! PLEASE NO! NOT THE WINDOW! |
378 | 00:15:49,949 | 00:15:50,868 | AAH! | AAH! |
379 | 00:15:50,868 | 00:15:52,202 | -WOW. | -WOW. |
380 | 00:15:52,202 | 00:15:53,161 | THAT WAS SO MUCH FUN. | THAT WAS SO MUCH FUN. |
381 | 00:15:53,161 | 00:15:55,330 | WANT TO GO AND GET SOME MORE? THROW THEM OUT, AS WELL? | WANT TO GO AND GET SOME MORE? THROW THEM OUT, AS WELL? |
382 | 00:15:55,330 | 00:15:57,081 | HELLS YEAH. | HELLS YEAH. |
383 | 00:16:00,084 | 00:16:02,546 | ♪ IT'S THE CHANGING OF THE GUARDS ♪ | ♪ IT'S THE CHANGING OF THE GUARDS ♪ |
384 | 00:16:02,546 | 00:16:03,881 | ♪ THE CHANGING OF THE GUARDS ♪ | ♪ THE CHANGING OF THE GUARDS ♪ |
385 | 00:16:07,843 | 00:16:10,261 | -GALAVANT? - OH, FINALLY. ISABELLA. | -GALAVANT? - OH, FINALLY. ISABELLA. |
386 | 00:16:10,261 | 00:16:13,264 | OH, MY LOVE. I'M SO HAPPY TO SEE YOU. | OH, MY LOVE. I'M SO HAPPY TO SEE YOU. |
387 | 00:16:14,683 | 00:16:16,518 | MY COUSIN HARRY IS FORCING ME TO MARRY HIM. | MY COUSIN HARRY IS FORCING ME TO MARRY HIM. |
388 | 00:16:16,518 | 00:16:19,103 | ISABELLA, DON'T MARRY HARRY. IT'S GROSS. | ISABELLA, DON'T MARRY HARRY. IT'S GROSS. |
389 | 00:16:19,103 | 00:16:21,022 | DON'T DO IT. I'M COMING FOR YOU, MY LOVE. | DON'T DO IT. I'M COMING FOR YOU, MY LOVE. |
390 | 00:16:21,022 | 00:16:23,400 | IT'S FROZEN. | IT'S FROZEN. |
391 | 00:16:23,400 | 00:16:24,693 | WHAT ARE YOU TRYING TO SAY? | WHAT ARE YOU TRYING TO SAY? |
392 | 00:16:24,693 | 00:16:25,694 | MOVE IT AROUND A BIT. | MOVE IT AROUND A BIT. |
393 | 00:16:27,070 | 00:16:29,364 | OH. THERE. THERE HE IS. | OH. THERE. THERE HE IS. |
394 | 00:16:29,364 | 00:16:32,743 | ISABELLA--MA--MARRY HARRY. YOU'RE--YOU'RE GROSS. | ISABELLA--MA--MARRY HARRY. YOU'RE--YOU'RE GROSS. |
395 | 00:16:32,743 | 00:16:34,202 | NOT COMING FOR YOU. | NOT COMING FOR YOU. |
396 | 00:16:34,953 | 00:16:36,663 | WHAT? | WHAT? |
397 | 00:16:36,663 | 00:16:39,583 | NO. YOU CAN'T MEAN THAT. | NO. YOU CAN'T MEAN THAT. |
398 | 00:16:39,583 | 00:16:43,002 | I LOVE YOU, AND I'LL WAIT FOR YOU FOREVER. | I LOVE YOU, AND I'LL WAIT FOR YOU FOREVER. |
399 | 00:16:43,002 | 00:16:45,923 | I MEAN, I KNOW OUR KISS WASN'T SO AMAZING, | I MEAN, I KNOW OUR KISS WASN'T SO AMAZING, |
400 | 00:16:45,923 | 00:16:48,132 | WE'LL GET IT BETTER NEXT TIME. | WE'LL GET IT BETTER NEXT TIME. |
401 | 00:16:48,132 | 00:16:51,428 | I LOVE YOU. WAIT FOR YOU FOREVER. | I LOVE YOU. WAIT FOR YOU FOREVER. |
402 | 00:16:51,428 | 00:16:53,722 | OUR KISS--S-SO AMAZING. | OUR KISS--S-SO AMAZING. |
403 | 00:16:53,722 | 00:16:55,390 | YEP. KNEW IT. | YEP. KNEW IT. |
404 | 00:16:56,307 | 00:16:58,643 | GALAVANT? CAN YOU HEAR ME? | GALAVANT? CAN YOU HEAR ME? |
405 | 00:16:58,643 | 00:17:00,896 | WHAT DO I DO? | WHAT DO I DO? |
406 | 00:17:00,896 | 00:17:04,816 | DIE--IN A FART-- BROWN COW. | DIE--IN A FART-- BROWN COW. |
407 | 00:17:04,816 | 00:17:06,150 | WHAT? | WHAT? |
408 | 00:17:06,150 | 00:17:08,779 | YOWSERS. BLUNT. | YOWSERS. BLUNT. |
409 | 00:17:08,779 | 00:17:11,197 | GOD, IT'S LIKE WE CLIMBED INTO IT. | GOD, IT'S LIKE WE CLIMBED INTO IT. |
410 | 00:17:12,031 | 00:17:14,075 | I DON'T EVEN UNDERSTAND HOW IT GOT IN HERE. | I DON'T EVEN UNDERSTAND HOW IT GOT IN HERE. |
411 | 00:17:15,118 | 00:17:16,411 | PETTING ZOO. | PETTING ZOO. |
412 | 00:17:16,411 | 00:17:19,623 | PEE-YEW! THIS IS DISGUSTING. | PEE-YEW! THIS IS DISGUSTING. |
413 | 00:17:19,623 | 00:17:22,918 | YOU'RE DISGUSTING-- YOU'RE DISGUSTING. | YOU'RE DISGUSTING-- YOU'RE DISGUSTING. |
414 | 00:17:24,586 | 00:17:26,922 | MOVE ON, YOU COW. | MOVE ON, YOU COW. |
415 | 00:17:29,549 | 00:17:30,968 | HE DOESN'T LOVE ME. | HE DOESN'T LOVE ME. |
416 | 00:17:44,564 | 00:17:46,441 | -AW, THAT'S NICE. | -AW, THAT'S NICE. |
417 | 00:17:48,067 | 00:17:49,694 | OH, THAT IS IT. | OH, THAT IS IT. |
418 | 00:17:49,694 | 00:17:50,737 | I'VE HAD IT WITH YOU! | I'VE HAD IT WITH YOU! |
419 | 00:17:50,737 | 00:17:52,322 | I'VE HAD IT WITH BEING EMBARRASSED | I'VE HAD IT WITH BEING EMBARRASSED |
420 | 00:17:52,322 | 00:17:54,449 | AND WITH BETRAYAL AND WITH HEARTACHE! | AND WITH BETRAYAL AND WITH HEARTACHE! |
421 | 00:17:55,784 | 00:17:58,119 | I AM A KING, FOR GOD'S SAKE. | I AM A KING, FOR GOD'S SAKE. |
422 | 00:17:58,954 | 00:18:00,413 | I AM A KING! | I AM A KING! |
423 | 00:18:04,417 | 00:18:06,377 | NOW, BACK OFF, | NOW, BACK OFF, |
424 | 00:18:06,377 | 00:18:09,756 | OR I SWEAR I WILL MAKE YOU INTO A NONE-ICORN. | OR I SWEAR I WILL MAKE YOU INTO A NONE-ICORN. |
425 | 00:18:23,603 | 00:18:24,521 | LOOK, | LOOK, |
426 | 00:18:24,521 | 00:18:27,231 | RICHARD, I'M SORRY ABOUT GARETH. | RICHARD, I'M SORRY ABOUT GARETH. |
427 | 00:18:27,231 | 00:18:28,566 | WHAT DO YOU CARE? | WHAT DO YOU CARE? |
428 | 00:18:28,566 | 00:18:31,028 | I DO KNOW A THING OR TWO ABOUT BETRAYAL, | I DO KNOW A THING OR TWO ABOUT BETRAYAL, |
429 | 00:18:31,028 | 00:18:31,987 | AND IT SUCKS. | AND IT SUCKS. |
430 | 00:18:31,987 | 00:18:34,531 | PLEASE. WHEN HAVE YOU EVER BEEN BETRAYED? | PLEASE. WHEN HAVE YOU EVER BEEN BETRAYED? |
431 | 00:18:34,531 | 00:18:36,658 | UH... | UH... |
432 | 00:18:36,658 | 00:18:39,285 | OKAY, JUST OFF THE TOP OF MY HEAD, | OKAY, JUST OFF THE TOP OF MY HEAD, |
433 | 00:18:39,285 | 00:18:41,705 | WHEN YOU KIDNAPPED MADALENA AND THEN SHE CHOSE YOU OVER ME, | WHEN YOU KIDNAPPED MADALENA AND THEN SHE CHOSE YOU OVER ME, |
434 | 00:18:41,705 | 00:18:45,542 | OR WHEN YOU LITERALLY FORCED ISABELLA TO BETRAY ME. | OR WHEN YOU LITERALLY FORCED ISABELLA TO BETRAY ME. |
435 | 00:18:46,668 | 00:18:47,711 | RIGHT. THAT. | RIGHT. THAT. |
436 | 00:18:47,711 | 00:18:50,254 | -YEAH. -AND THAT. | -YEAH. -AND THAT. |
437 | 00:18:55,468 | 00:18:57,595 | I JUST DON'T KNOW WHAT I'M GONNA DO WITHOUT GARETH. | I JUST DON'T KNOW WHAT I'M GONNA DO WITHOUT GARETH. |
438 | 00:18:59,138 | 00:19:01,140 | I THINK YOU'LL JUST FIGURE IT OUT. | I THINK YOU'LL JUST FIGURE IT OUT. |
439 | 00:19:02,141 | 00:19:03,434 | COME ON. LET'S GET YOUR BOOTS | COME ON. LET'S GET YOUR BOOTS |
440 | 00:19:03,434 | 00:19:04,602 | AND GET YOU BACK TO YOUR KINGDOM. | AND GET YOU BACK TO YOUR KINGDOM. |
441 | 00:19:06,646 | 00:19:08,773 | WHERE'D YOU GET THE SWORD? | WHERE'D YOU GET THE SWORD? |
442 | 00:19:08,773 | 00:19:10,984 | OH. UH, SOMEONE LEFT IT IN THE STUMP. | OH. UH, SOMEONE LEFT IT IN THE STUMP. |
443 | 00:19:12,151 | 00:19:13,277 | FINDERS KEEPERS, RIGHT? | FINDERS KEEPERS, RIGHT? |
444 | 00:19:13,277 | 00:19:15,238 | YEAH, FAIR ENOUGH. | YEAH, FAIR ENOUGH. |
445 | 00:19:15,238 | 00:19:16,406 | GONNA NAME IT? | GONNA NAME IT? |
446 | 00:19:16,406 | 00:19:17,323 | OH, THAT'S A GOOD IDEA. | OH, THAT'S A GOOD IDEA. |
447 | 00:19:17,323 | 00:19:19,200 | WHAT ABOUT "DAWN BREAKER?" | WHAT ABOUT "DAWN BREAKER?" |
448 | 00:19:19,200 | 00:19:20,451 | THAT SOUNDS PRETTY COOL. | THAT SOUNDS PRETTY COOL. |
449 | 00:19:20,451 | 00:19:22,079 | OR, UM, MR. STABBY. | OR, UM, MR. STABBY. |
450 | 00:19:22,079 | 00:19:23,914 | NOW, THAT'S MORE DESCRIPTIVE THAN DAWN BREAKER. | NOW, THAT'S MORE DESCRIPTIVE THAN DAWN BREAKER. |
451 | 00:19:23,914 | 00:19:25,749 | I DON'T KNOW. IT'S REALLY A TOUGH CALL. | I DON'T KNOW. IT'S REALLY A TOUGH CALL. |
452 | 00:19:25,749 | 00:19:27,000 | IT'S REALLY NOT. | IT'S REALLY NOT. |
453 | 00:19:31,462 | 00:19:36,843 | ♪ HOW COULD I EVER THINK HE'D LOVE ME? ♪ | ♪ HOW COULD I EVER THINK HE'D LOVE ME? ♪ |
454 | 00:19:36,843 | 00:19:38,970 | ♪ ALL THAT WAITING ♪ | ♪ ALL THAT WAITING ♪ |
455 | 00:19:39,804 | 00:19:42,099 | ♪ ALL FOR NOTHING ♪ | ♪ ALL FOR NOTHING ♪ |
456 | 00:19:42,099 | 00:19:47,604 | ♪ HE WASN'T EVER THINKING OF ME ♪ | ♪ HE WASN'T EVER THINKING OF ME ♪ |
457 | 00:19:47,604 | 00:19:51,733 | ♪ AND WE WERE NEVER MEANT TO BE ♪ | ♪ AND WE WERE NEVER MEANT TO BE ♪ |
458 | 00:19:53,610 | 00:19:57,572 | ♪ WE HAD A SINGLE KISS ♪ | ♪ WE HAD A SINGLE KISS ♪ |
459 | 00:19:57,572 | 00:20:01,118 | ♪ NO NEED TO REMINISCE ♪ | ♪ NO NEED TO REMINISCE ♪ |
460 | 00:20:01,118 | 00:20:05,080 | ♪ AND NOW IT'S GONE FADING AWAY ♪ | ♪ AND NOW IT'S GONE FADING AWAY ♪ |
461 | 00:20:05,080 | 00:20:06,915 | ♪ OVER AND YET ♪ | ♪ OVER AND YET ♪ |
462 | 00:20:08,833 | 00:20:12,921 | ♪ IF NOT THE WORLD'S BEST KISS ♪ | ♪ IF NOT THE WORLD'S BEST KISS ♪ |
463 | 00:20:12,921 | 00:20:18,301 | ♪ STILL IT WAS ONE I'LL MISS ♪ | ♪ STILL IT WAS ONE I'LL MISS ♪ |
464 | 00:20:18,301 | 00:20:22,472 | ♪ AND IT'S THE ONLY ONE ♪ | ♪ AND IT'S THE ONLY ONE ♪ |
465 | 00:20:23,181 | 00:20:25,892 | ♪ WE'LL GET ♪ | ♪ WE'LL GET ♪ |
466 | 00:20:31,355 | 00:20:33,691 | FINALLY. MY KINGDOM. | FINALLY. MY KINGDOM. |
467 | 00:20:33,691 | 00:20:35,276 | THANK YOU, GALAVANT. | THANK YOU, GALAVANT. |
468 | 00:20:35,276 | 00:20:36,861 | COULD'VE DONE WITHOUT THE FORCED DEATH MARCH, | COULD'VE DONE WITHOUT THE FORCED DEATH MARCH, |
469 | 00:20:36,861 | 00:20:38,155 | BUT THANK YOU NONETHELESS. | BUT THANK YOU NONETHELESS. |
470 | 00:20:38,155 | 00:20:39,489 | WHAT ARE YOU GONNA DO NOW? | WHAT ARE YOU GONNA DO NOW? |
471 | 00:20:39,489 | 00:20:41,908 | UH, IT'S BEEN A TOUGH YEAR. | UH, IT'S BEEN A TOUGH YEAR. |
472 | 00:20:41,908 | 00:20:44,243 | I LOST MY WIFE, MY BEST FRIEND, | I LOST MY WIFE, MY BEST FRIEND, |
473 | 00:20:44,243 | 00:20:45,870 | MY BROTHER TRIED TO KILL ME. | MY BROTHER TRIED TO KILL ME. |
474 | 00:20:45,870 | 00:20:48,123 | I REALLY JUST WANT TO CURL UP IN MY ROOM | I REALLY JUST WANT TO CURL UP IN MY ROOM |
475 | 00:20:48,123 | 00:20:50,541 | AND EAT LIKE A THOUSAND POUNDS OF CAKE | AND EAT LIKE A THOUSAND POUNDS OF CAKE |
476 | 00:20:50,541 | 00:20:54,253 | AND JUST LET MY PEOPLE ADORE ME. YOU? | AND JUST LET MY PEOPLE ADORE ME. YOU? |
477 | 00:20:54,253 | 00:20:58,091 | I AM GOING TO RAISE AN ARMY AND RESCUE ISABELLA. | I AM GOING TO RAISE AN ARMY AND RESCUE ISABELLA. |
478 | 00:20:58,091 | 00:20:59,676 | RIGHT, RIGHT, RIGHT. I KNEW THAT. | RIGHT, RIGHT, RIGHT. I KNEW THAT. |
479 | 00:20:59,676 | 00:21:00,510 | YOU KNOW, TELL YOU WHAT. | YOU KNOW, TELL YOU WHAT. |
480 | 00:21:00,510 | 00:21:02,929 | I'M GOING TO GIVE YOU WHATEVER YOU NEED-- | I'M GOING TO GIVE YOU WHATEVER YOU NEED-- |
481 | 00:21:02,929 | 00:21:05,974 | MY ARMY, MY FASTEST SHIPS, | MY ARMY, MY FASTEST SHIPS, |
482 | 00:21:05,974 | 00:21:09,435 | SHARPEST HORSES. MY--I'M SORRY. | SHARPEST HORSES. MY--I'M SORRY. |
483 | 00:21:10,603 | 00:21:13,481 | I SWEAR TO GOD MY CASTLE WAS... | I SWEAR TO GOD MY CASTLE WAS... |
484 | 00:21:14,774 | 00:21:15,900 | RIGHT HERE. | RIGHT HERE. |
485 | 00:21:26,369 | 00:21:27,620 | WELL, THAT'S NOT GOOD. | WELL, THAT'S NOT GOOD. |
486 | 00:21:29,831 | 00:21:32,000 | GABBY, NO! | GABBY, NO! |