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1 | 00:00:01,210 | 00:00:02,962 | DRUMROLL | DRUMROLL |
2 | 00:00:04,004 | 00:00:05,722 | AUDIENCE GASPS - Thank you. | AUDIENCE GASPS - Thank you. |
3 | 00:00:07,299 | 00:00:09,552 | Thank you. Thank you, ladies and gentlemen. | Thank you. Thank you, ladies and gentlemen. |
4 | 00:00:10,260 | 00:00:14,140 | Now, I'm sure like all of you, I like to start my day in the same fashion. | Now, I'm sure like all of you, I like to start my day in the same fashion. |
5 | 00:00:14,181 | 00:00:16,559 | Wake up, read the morning paper, | Wake up, read the morning paper, |
6 | 00:00:16,642 | 00:00:19,441 | have a nice cold glass of milk. | have a nice cold glass of milk. |
7 | 00:00:21,688 | 00:00:23,190 | DRUM ROLL | DRUM ROLL |
8 | 00:00:25,984 | 00:00:29,033 | Now, of course, I make sure | Now, of course, I make sure |
9 | 00:00:29,112 | 00:00:32,161 | that I never, ever dare... | that I never, ever dare... |
10 | 00:00:33,617 | 00:00:34,493 | waste... | waste... |
11 | 00:00:35,327 | 00:00:36,544 | a single... | a single... |
12 | 00:00:38,747 | 00:00:39,623 | drop. | drop. |
13 | 00:00:41,750 | 00:00:43,297 | AUDIENCE GASPS | AUDIENCE GASPS |
14 | 00:00:45,045 | 00:00:47,514 | Thank you. - How dare you do this to me? | Thank you. - How dare you do this to me? |
15 | 00:00:47,548 | 00:00:49,801 | I told you, it's over! - I don't believe you! | I told you, it's over! - I don't believe you! |
16 | 00:00:49,841 | 00:00:51,013 | Keep your voices down. | Keep your voices down. |
17 | 00:00:51,051 | 00:00:52,894 | Don't ever tell rne what to do, Merlini. | Don't ever tell rne what to do, Merlini. |
18 | 00:00:52,928 | 00:00:54,100 | I'm the headliner. | I'm the headliner. |
19 | 00:00:54,137 | 00:00:56,185 | You're the warm-up act for the warm-up act. | You're the warm-up act for the warm-up act. |
20 | 00:00:56,223 | 00:00:58,225 | Mind your place. - Go to hell, you pompous ass. | Mind your place. - Go to hell, you pompous ass. |
21 | 00:00:58,267 | 00:00:59,735 | Stop it, both of you. | Stop it, both of you. |
22 | 00:01:01,019 | 00:01:02,771 | Now, this... | Now, this... |
23 | 00:01:04,731 | 00:01:06,028 | is a silver dollar. | is a silver dollar. |
24 | 00:01:06,525 | 00:01:09,074 | It is one ounce of virtually 100% silver. | It is one ounce of virtually 100% silver. |
25 | 00:01:09,403 | 00:01:10,495 | Feels good in the hand | Feels good in the hand |
26 | 00:01:11,238 | 00:01:12,364 | but even better | but even better |
27 | 00:01:12,948 | 00:01:13,824 | in the air. | in the air. |
28 | 00:01:14,950 | 00:01:15,997 | AUDIENCE GASPS | AUDIENCE GASPS |
29 | 00:01:21,290 | 00:01:24,009 | AUDIENCE GASPS | AUDIENCE GASPS |
30 | 00:01:24,793 | 00:01:25,669 | Thank you. | Thank you. |
31 | 00:01:25,836 | 00:01:27,554 | APPLAUSE CONTINUES | APPLAUSE CONTINUES |
32 | 00:01:35,345 | 00:01:36,972 | Are you OK? - She's fine. | Are you OK? - She's fine. |
33 | 00:01:37,014 | 00:01:38,061 | I wasn't talking to you. | I wasn't talking to you. |
34 | 00:01:39,641 | 00:01:40,813 | Celeste, are you OK? | Celeste, are you OK? |
35 | 00:01:41,393 | 00:01:42,986 | Thank you, Winnie, but I'm fine. | Thank you, Winnie, but I'm fine. |
36 | 00:01:43,020 | 00:01:44,317 | Just don't forget to smile. | Just don't forget to smile. |
37 | 00:01:45,647 | 00:01:49,026 | What a stupendous display of close-up magic | What a stupendous display of close-up magic |
38 | 00:01:49,067 | 00:01:50,944 | from the incomparable Ben Sellers | from the incomparable Ben Sellers |
39 | 00:01:51,320 | 00:01:52,492 | and his assistant Winnie. | and his assistant Winnie. |
40 | 00:01:52,529 | 00:01:54,531 | And now, gentle friends | And now, gentle friends |
41 | 00:01:55,115 | 00:01:58,870 | we bring to the stage the man you've all been waiting for | we bring to the stage the man you've all been waiting for |
42 | 00:01:59,286 | 00:02:02,665 | a man so imbued with mystical powers | a man so imbued with mystical powers |
43 | 00:02:02,706 | 00:02:04,834 | he could beat the very Devil himself | he could beat the very Devil himself |
44 | 00:02:04,875 | 00:02:06,627 | in a contest of conjuring! | in a contest of conjuring! |
45 | 00:02:07,044 | 00:02:08,717 | A man who will be known | A man who will be known |
46 | 00:02:09,338 | 00:02:11,716 | as the greatest magician of his time. | as the greatest magician of his time. |
47 | 00:02:12,341 | 00:02:14,935 | Please welcome to the stage | Please welcome to the stage |
48 | 00:02:15,761 | 00:02:18,059 | a modern maven of the Grand Illusion... | a modern maven of the Grand Illusion... |
49 | 00:02:18,680 | 00:02:20,808 | The Great Van Zant! | The Great Van Zant! |
50 | 00:02:23,060 | 00:02:24,983 | AUDIENCE CHEERS | AUDIENCE CHEERS |
51 | 00:02:28,815 | 00:02:30,943 | Thanks first to Merlini and Sellers | Thanks first to Merlini and Sellers |
52 | 00:02:31,193 | 00:02:32,445 | for warming up for me tonight. | for warming up for me tonight. |
53 | 00:02:33,654 | 00:02:34,576 | And I promise | And I promise |
54 | 00:02:35,155 | 00:02:38,409 | your evening is about to get a lot more... magical. | your evening is about to get a lot more... magical. |
55 | 00:02:39,409 | 00:02:40,752 | EXCLAMATIONS | EXCLAMATIONS |
56 | 00:02:52,798 | 00:02:53,765 | Ladies and gentlemen | Ladies and gentlemen |
57 | 00:02:54,466 | 00:02:56,560 | it's time for our final trick of the evening. | it's time for our final trick of the evening. |
58 | 00:02:57,135 | 00:02:59,888 | The most deadly of all my grand illusions. | The most deadly of all my grand illusions. |
59 | 00:03:00,597 | 00:03:01,723 | I bring you... | I bring you... |
60 | 00:03:01,807 | 00:03:03,855 | the Flaming Swords! | the Flaming Swords! |
61 | 00:03:04,309 | 00:03:07,813 | Once I have bound my wife's wrists together | Once I have bound my wife's wrists together |
62 | 00:03:09,231 | 00:03:11,780 | I will seal her away in this cabinet... | I will seal her away in this cabinet... |
63 | 00:03:14,111 | 00:03:17,160 | where she will have minutes to escape | where she will have minutes to escape |
64 | 00:03:17,572 | 00:03:20,041 | a calamitous, catastrophic | a calamitous, catastrophic |
65 | 00:03:20,158 | 00:03:21,751 | cataclysmic doom. | cataclysmic doom. |
66 | 00:03:23,578 | 00:03:24,454 | My love... | My love... |
67 | 00:03:25,205 | 00:03:27,003 | are you sure I can't talk you out of this? | are you sure I can't talk you out of this? |
68 | 00:03:27,290 | 00:03:28,667 | lam sure, my love. | lam sure, my love. |
69 | 00:03:30,293 | 00:03:33,137 | Then let the Gods of Magic smile upon her! | Then let the Gods of Magic smile upon her! |
70 | 00:03:38,552 | 00:03:40,179 | AUDIENCE GASPS | AUDIENCE GASPS |
71 | 00:03:50,564 | 00:03:51,531 | HE GRUNTS | HE GRUNTS |
72 | 00:03:57,362 | 00:03:58,238 | HE GRUNTS | HE GRUNTS |
73 | 00:04:02,701 | 00:04:04,169 | Have I killed my true love? | Have I killed my true love? |
74 | 00:04:05,704 | 00:04:07,798 | Or have the Gods smiled upon her? | Or have the Gods smiled upon her? |
75 | 00:04:12,627 | 00:04:15,005 | But look! There she is! | But look! There she is! |
76 | 00:04:15,505 | 00:04:16,848 | AUDIENCE GASPS | AUDIENCE GASPS |
77 | 00:04:22,721 | 00:04:25,440 | But look, there she is! | But look, there she is! |
78 | 00:04:25,515 | 00:04:27,609 | AUDIENCE MURMURS | AUDIENCE MURMURS |
79 | 00:04:35,192 | 00:04:36,444 | AUDIENCE SCREAMS IN HORROR | AUDIENCE SCREAMS IN HORROR |
80 | 00:04:37,194 | 00:04:38,366 | SHE SCREAMS | SHE SCREAMS |
81 | 00:04:41,865 | 00:04:42,957 | WINNIE: What have you done? | WINNIE: What have you done? |
82 | 00:04:43,200 | 00:04:44,372 | What have you done? | What have you done? |
83 | 00:05:02,469 | 00:05:03,345 | So what happened? | So what happened? |
84 | 00:05:04,638 | 00:05:06,857 | Without revealing any secrets | Without revealing any secrets |
85 | 00:05:06,890 | 00:05:09,018 | I'll say a technical issue | I'll say a technical issue |
86 | 00:05:09,059 | 00:05:11,312 | caused Celeste to become trapped inside the cabinet. | caused Celeste to become trapped inside the cabinet. |
87 | 00:05:11,895 | 00:05:13,568 | The Great Van Zant had no idea. | The Great Van Zant had no idea. |
88 | 00:05:14,439 | 00:05:15,565 | What have the police said about it? | What have the police said about it? |
89 | 00:05:16,650 | 00:05:19,073 | It's only been a few days, so they've yet to make a determination. | It's only been a few days, so they've yet to make a determination. |
90 | 00:05:19,110 | 00:05:21,238 | Ongoing investigation, etcetera, etcetera. | Ongoing investigation, etcetera, etcetera. |
91 | 00:05:21,279 | 00:05:22,371 | But in the meantime | But in the meantime |
92 | 00:05:22,405 | 00:05:24,328 | they've released Van Zant, thank God | they've released Van Zant, thank God |
93 | 00:05:24,366 | 00:05:27,210 | and he's back at work inventing a new finale. | and he's back at work inventing a new finale. |
94 | 00:05:27,244 | 00:05:28,166 | How can we help? | How can we help? |
95 | 00:05:28,203 | 00:05:31,252 | If I let you inside my circle of trust | If I let you inside my circle of trust |
96 | 00:05:32,040 | 00:05:34,418 | you must promise to keep everything I say | you must promise to keep everything I say |
97 | 00:05:34,751 | 00:05:36,845 | absolutely secret. | absolutely secret. |
98 | 00:05:37,504 | 00:05:39,131 | Well, we are known for our discretion. | Well, we are known for our discretion. |
99 | 00:05:40,006 | 00:05:40,882 | So I've heard. | So I've heard. |
100 | 00:05:42,759 | 00:05:46,855 | I am plagued by a most horrid suspicion about Celeste's death. | I am plagued by a most horrid suspicion about Celeste's death. |
101 | 00:05:47,889 | 00:05:49,266 | You think foul play was involved? | You think foul play was involved? |
102 | 00:05:49,307 | 00:05:50,775 | I don't know. | I don't know. |
103 | 00:05:50,809 | 00:05:52,231 | But if there was some form of chicanery involved | But if there was some form of chicanery involved |
104 | 00:05:52,269 | 00:05:53,771 | it would take a magician to pull it off. | it would take a magician to pull it off. |
105 | 00:05:54,229 | 00:05:55,446 | Did you tell the police your theory? | Did you tell the police your theory? |
106 | 00:05:55,480 | 00:05:57,107 | Yes, but to no avail. | Yes, but to no avail. |
107 | 00:05:57,148 | 00:05:59,822 | I have no proof and the detective has no imagination. | I have no proof and the detective has no imagination. |
108 | 00:06:00,694 | 00:06:02,071 | Let me guess. Detective Greyson. | Let me guess. Detective Greyson. |
109 | 00:06:02,404 | 00:06:03,872 | Smith. Why do you ask? | Smith. Why do you ask? |
110 | 00:06:04,698 | 00:06:05,574 | It's not important. | It's not important. |
111 | 00:06:06,700 | 00:06:07,576 | We'll take the case | We'll take the case |
112 | 00:06:07,617 | 00:06:10,211 | but we're gonna have to get close to the magicians in question. | but we're gonna have to get close to the magicians in question. |
113 | 00:06:10,245 | 00:06:13,044 | Get inside their "circle of trust." | Get inside their "circle of trust." |
114 | 00:06:13,707 | 00:06:14,583 | What do you propose? | What do you propose? |
115 | 00:06:15,250 | 00:06:16,593 | Van Zant needs a new assistant. | Van Zant needs a new assistant. |
116 | 00:06:17,836 | 00:06:18,803 | You know what happened to the last one, right? | You know what happened to the last one, right? |
117 | 00:06:18,837 | 00:06:21,386 | Uh. It will never work, Miss Drake. | Uh. It will never work, Miss Drake. |
118 | 00:06:21,423 | 00:06:23,266 | You need to know the craft of magic, | You need to know the craft of magic, |
119 | 00:06:23,341 | 00:06:25,184 | and you need to have very fast hands. | and you need to have very fast hands. |
120 | 00:06:25,927 | 00:06:28,180 | Well, I don't know a lot about magic. | Well, I don't know a lot about magic. |
121 | 00:06:28,221 | 00:06:29,143 | But... | But... |
122 | 00:06:29,472 | 00:06:31,520 | lam a quick study. And... | lam a quick study. And... |
123 | 00:06:33,685 | 00:06:34,607 | Your watch. | Your watch. |
124 | 00:06:37,147 | 00:06:39,696 | Quick hands. When can you start? | Quick hands. When can you start? |
125 | 00:06:40,442 | 00:06:41,318 | Right away. | Right away. |
126 | 00:06:42,027 | 00:06:43,119 | Why don't you check in with Flo | Why don't you check in with Flo |
127 | 00:06:43,194 | 00:06:46,448 | see if she can look at Celeste's body and find anything unusual. | see if she can look at Celeste's body and find anything unusual. |
128 | 00:06:46,698 | 00:06:47,574 | Will do. | Will do. |
129 | 00:06:48,325 | 00:06:49,622 | Since I'm going undercover | Since I'm going undercover |
130 | 00:06:49,659 | 00:06:51,457 | you will be in charge of the investigation. | you will be in charge of the investigation. |
131 | 00:06:51,786 | 00:06:53,038 | So I'll be the boss. | So I'll be the boss. |
132 | 00:06:53,788 | 00:06:54,664 | It's about time. | It's about time. |
133 | 00:06:56,958 | 00:07:00,929 | Welcome to the Magic Mansion. By day, a social club for magicians. | Welcome to the Magic Mansion. By day, a social club for magicians. |
134 | 00:07:00,962 | 00:07:04,136 | By night, a magical cabaret. The first of its kind. | By night, a magical cabaret. The first of its kind. |
135 | 00:07:04,466 | 00:07:07,094 | I've always wanted to visit. But it's better than I imagined. | I've always wanted to visit. But it's better than I imagined. |
136 | 00:07:07,469 | 00:07:09,688 | Five years ago, I set out to create a place | Five years ago, I set out to create a place |
137 | 00:07:09,721 | 00:07:12,816 | where Magi could share their ideas and further their craft. | where Magi could share their ideas and further their craft. |
138 | 00:07:12,849 | 00:07:16,399 | But jealousy and infighting corrupted my utopia. | But jealousy and infighting corrupted my utopia. |
139 | 00:07:16,603 | 00:07:18,776 | Yes, well, the road to hell is paved with good intentions. | Yes, well, the road to hell is paved with good intentions. |
140 | 00:07:18,813 | 00:07:21,566 | Indeed. I chose three magicians | Indeed. I chose three magicians |
141 | 00:07:21,775 | 00:07:23,322 | to highlight the three schools of magic. | to highlight the three schools of magic. |
142 | 00:07:23,735 | 00:07:25,954 | Merlini, the mystical mesmerist. | Merlini, the mystical mesmerist. |
143 | 00:07:26,363 | 00:07:28,365 | Sellers, the dashing close-up artist | Sellers, the dashing close-up artist |
144 | 00:07:28,406 | 00:07:30,124 | whose hands are always quicker than your eye. | whose hands are always quicker than your eye. |
145 | 00:07:30,158 | 00:07:33,037 | And of course, the modern maven | And of course, the modern maven |
146 | 00:07:33,078 | 00:07:35,957 | of the Grand Illusion, The Great Van Zant. | of the Grand Illusion, The Great Van Zant. |
147 | 00:07:37,624 | 00:07:39,251 | Gee, I wonder which one's the headliner. | Gee, I wonder which one's the headliner. |
148 | 00:07:40,293 | 00:07:42,796 | He insisted his poster be twice as large. | He insisted his poster be twice as large. |
149 | 00:07:43,463 | 00:07:45,557 | What I don't understand is if Celeste knew | What I don't understand is if Celeste knew |
150 | 00:07:45,590 | 00:07:47,558 | that the trick was going wrong, why didn't she call out to him? | that the trick was going wrong, why didn't she call out to him? |
151 | 00:07:47,801 | 00:07:49,428 | The music was at a crescendo, | The music was at a crescendo, |
152 | 00:07:49,469 | 00:07:51,563 | and the cabinet is virtually sound-proof. | and the cabinet is virtually sound-proof. |
153 | 00:07:51,638 | 00:07:52,810 | So if she did call out... | So if she did call out... |
154 | 00:07:53,098 | 00:07:54,350 | No one heard her cries. | No one heard her cries. |
155 | 00:07:54,975 | 00:07:55,851 | Poor thing. | Poor thing. |
156 | 00:07:55,892 | 00:07:58,520 | Did Celeste have any enemies? - None that I know of. | Did Celeste have any enemies? - None that I know of. |
157 | 00:07:58,561 | 00:07:59,813 | So who'd want to kill her? | So who'd want to kill her? |
158 | 00:07:59,854 | 00:08:02,073 | I can't think of anyone who'd want to harm Celeste. | I can't think of anyone who'd want to harm Celeste. |
159 | 00:08:02,732 | 00:08:05,235 | I wish I could say the same of her husband. | I wish I could say the same of her husband. |
160 | 00:08:06,194 | 00:08:07,116 | Van Zant has enemies? | Van Zant has enemies? |
161 | 00:08:07,153 | 00:08:09,576 | One doesn't reach the summit of one's profession | One doesn't reach the summit of one's profession |
162 | 00:08:09,614 | 00:08:12,868 | without incurring the jealous wrath of lesser rivals. | without incurring the jealous wrath of lesser rivals. |
163 | 00:08:13,576 | 00:08:15,704 | Is it possible this has more to do with the ending | Is it possible this has more to do with the ending |
164 | 00:08:15,745 | 00:08:17,998 | of Van Zant's career than killing Celeste? | of Van Zant's career than killing Celeste? |
165 | 00:08:19,165 | 00:08:20,792 | More than possible, my dear. | More than possible, my dear. |
166 | 00:08:21,084 | 00:08:22,711 | Magic is a cutthroat world. | Magic is a cutthroat world. |
167 | 00:08:23,503 | 00:08:24,755 | Who has access to the cabinet? | Who has access to the cabinet? |
168 | 00:08:25,130 | 00:08:27,883 | The backstage is a closely guarded space. | The backstage is a closely guarded space. |
169 | 00:08:27,924 | 00:08:30,894 | The only people with access are myself, the two assistants | The only people with access are myself, the two assistants |
170 | 00:08:30,927 | 00:08:33,021 | The Great Van Zant, Merlini and Sellers. | The Great Van Zant, Merlini and Sellers. |
171 | 00:08:34,180 | 00:08:35,272 | I'll need to speak with each of them. | I'll need to speak with each of them. |
172 | 00:08:35,306 | 00:08:37,775 | There's no need to speak to Van Zant. I assure you | There's no need to speak to Van Zant. I assure you |
173 | 00:08:37,809 | 00:08:38,731 | he is not to blame. | he is not to blame. |
174 | 00:08:39,769 | 00:08:41,066 | Well, that remains to be seen. | Well, that remains to be seen. |
175 | 00:08:42,397 | 00:08:43,569 | KNOCK AT DOOR | KNOCK AT DOOR |
176 | 00:08:46,609 | 00:08:49,032 | If I wanted an escape artist, I'd book Houdini. | If I wanted an escape artist, I'd book Houdini. |
177 | 00:08:49,821 | 00:08:51,073 | The Flaming Swords is finished. | The Flaming Swords is finished. |
178 | 00:08:51,448 | 00:08:53,576 | I'm trying to come up with ideas for a new finale. | I'm trying to come up with ideas for a new finale. |
179 | 00:08:54,534 | 00:08:55,410 | Who's she? | Who's she? |
180 | 00:08:55,827 | 00:08:57,295 | Your new assistant. Emily Blake. | Your new assistant. Emily Blake. |
181 | 00:08:57,746 | 00:08:59,840 | Don't tell me you hired someone without even talking to me. | Don't tell me you hired someone without even talking to me. |
182 | 00:08:59,873 | 00:09:02,342 | I didn't want to overburden you, dear boy. | I didn't want to overburden you, dear boy. |
183 | 00:09:02,584 | 00:09:04,712 | And I know Celeste is irreplaceable | And I know Celeste is irreplaceable |
184 | 00:09:04,753 | 00:09:07,131 | but she would want us to carry on into the future. | but she would want us to carry on into the future. |
185 | 00:09:07,422 | 00:09:08,548 | The future? | The future? |
186 | 00:09:08,798 | 00:09:11,096 | So what happens if the police decide to come and lock me up'? | So what happens if the police decide to come and lock me up'? |
187 | 00:09:11,968 | 00:09:13,766 | Have faith, Van Zant. | Have faith, Van Zant. |
188 | 00:09:13,803 | 00:09:15,897 | They'll determine your innocence post-haste | They'll determine your innocence post-haste |
189 | 00:09:16,347 | 00:09:18,520 | but we must be ready to resume performances. | but we must be ready to resume performances. |
190 | 00:09:18,767 | 00:09:20,815 | I'll allow you two to get acquainted. | I'll allow you two to get acquainted. |
191 | 00:09:23,855 | 00:09:24,777 | You're pretty enough. | You're pretty enough. |
192 | 00:09:25,315 | 00:09:27,534 | Thank you. I think. | Thank you. I think. |
193 | 00:09:29,486 | 00:09:31,204 | Let rne get these chains out of the way for you. | Let rne get these chains out of the way for you. |
194 | 00:09:32,739 | 00:09:34,992 | You know, I just finished a six-month stint | You know, I just finished a six-month stint |
195 | 00:09:35,033 | 00:09:36,910 | assisting the Great Thomson in London. | assisting the Great Thomson in London. |
196 | 00:09:37,911 | 00:09:39,379 | Never heard of him. | Never heard of him. |
197 | 00:09:39,412 | 00:09:41,585 | He's incredible. He taught me so much. | He's incredible. He taught me so much. |
198 | 00:09:41,623 | 00:09:45,127 | Hm. And what pearls of wisdom did the Great Thomson share with you? | Hm. And what pearls of wisdom did the Great Thomson share with you? |
199 | 00:09:45,710 | 00:09:47,553 | The cardinal rule of magic. | The cardinal rule of magic. |
200 | 00:09:47,587 | 00:09:50,010 | Every single illusion is based on one simple principle. | Every single illusion is based on one simple principle. |
201 | 00:09:50,507 | 00:09:51,383 | And what is that? | And what is that? |
202 | 00:09:51,925 | 00:09:52,847 | Misdirection. | Misdirection. |
203 | 00:09:57,472 | 00:09:58,348 | Well played. | Well played. |
204 | 00:09:58,389 | 00:09:59,436 | KNOCK AT DOOR | KNOCK AT DOOR |
205 | 00:10:00,391 | 00:10:02,018 | Hope I'm not interrupting. | Hope I'm not interrupting. |
206 | 00:10:02,060 | 00:10:03,812 | How can we help you, Miss-- - Trudy Clarke. I'm a Pl. | How can we help you, Miss-- - Trudy Clarke. I'm a Pl. |
207 | 00:10:04,229 | 00:10:06,448 | I was hired by Oswald to look into the incident. | I was hired by Oswald to look into the incident. |
208 | 00:10:06,481 | 00:10:07,698 | I need to speak with Mr Van Zant. | I need to speak with Mr Van Zant. |
209 | 00:10:10,110 | 00:10:11,157 | HE SIGHS | HE SIGHS |
210 | 00:10:11,945 | 00:10:12,946 | Don't touch anything. | Don't touch anything. |
211 | 00:10:19,119 | 00:10:20,917 | Wanted to introduce myself. | Wanted to introduce myself. |
212 | 00:10:20,995 | 00:10:23,293 | I'm Winnie Hudson. I assist Mr Sellers. | I'm Winnie Hudson. I assist Mr Sellers. |
213 | 00:10:23,331 | 00:10:24,799 | It's a pleasure to meet you. Emily. | It's a pleasure to meet you. Emily. |
214 | 00:10:25,166 | 00:10:26,418 | I see you've met Van Zant. | I see you've met Van Zant. |
215 | 00:10:26,668 | 00:10:28,011 | He can be a bit... | He can be a bit... |
216 | 00:10:28,086 | 00:10:29,053 | what's the word? | what's the word? |
217 | 00:10:29,546 | 00:10:31,548 | Prickly? - That's it. Prickly. | Prickly? - That's it. Prickly. |
218 | 00:10:31,923 | 00:10:34,346 | I suppose it's understandable, just having lost his wife. | I suppose it's understandable, just having lost his wife. |
219 | 00:10:35,510 | 00:10:36,386 | Sure. | Sure. |
220 | 00:10:37,428 | 00:10:38,554 | You don't sound so sure. | You don't sound so sure. |
221 | 00:10:40,181 | 00:10:41,683 | You can tell me. Assistant to assistant. | You can tell me. Assistant to assistant. |
222 | 00:10:44,602 | 00:10:46,445 | Van Zant could be awfully mean to Celeste. | Van Zant could be awfully mean to Celeste. |
223 | 00:10:47,063 | 00:10:49,191 | He was yelling at her that night before going on stage | He was yelling at her that night before going on stage |
224 | 00:10:49,232 | 00:10:51,234 | and I mean yelling. - You don't think-- | and I mean yelling. - You don't think-- |
225 | 00:10:51,651 | 00:10:53,949 | Just watch yourself, honey. - Thanks for the tip. | Just watch yourself, honey. - Thanks for the tip. |
226 | 00:10:58,950 | 00:11:01,294 | Are you asking if I tried to kill Celeste? | Are you asking if I tried to kill Celeste? |
227 | 00:11:01,327 | 00:11:02,624 | I'm just trying to figure out what happened. | I'm just trying to figure out what happened. |
228 | 00:11:02,662 | 00:11:05,131 | What kind of magician would intentionally kill his assistant | What kind of magician would intentionally kill his assistant |
229 | 00:11:05,165 | 00:11:06,792 | in front of a packed house? | in front of a packed house? |
230 | 00:11:06,875 | 00:11:09,128 | Interesting that you call her your assistant, not your wife. | Interesting that you call her your assistant, not your wife. |
231 | 00:11:09,169 | 00:11:11,718 | Can we speed this along? I have a new finale to come up with. | Can we speed this along? I have a new finale to come up with. |
232 | 00:11:12,255 | 00:11:13,882 | Did you check the equipment before you went on stage? | Did you check the equipment before you went on stage? |
233 | 00:11:13,923 | 00:11:16,802 | No, that was Celeste's job. She handled all of that. | No, that was Celeste's job. She handled all of that. |
234 | 00:11:16,843 | 00:11:17,719 | So she should have noticed | So she should have noticed |
235 | 00:11:17,760 | 00:11:19,228 | something was wrong with the cabinet. Why didn't she? | something was wrong with the cabinet. Why didn't she? |
236 | 00:11:19,262 | 00:11:21,765 | I don't know. I honestly don't. | I don't know. I honestly don't. |
237 | 00:11:22,182 | 00:11:23,900 | Do you know of anyone else who would've tampered with the cabinet? | Do you know of anyone else who would've tampered with the cabinet? |
238 | 00:11:24,267 | 00:11:25,234 | I can think of a couple. | I can think of a couple. |
239 | 00:11:25,894 | 00:11:27,737 | One's named Sellers, the other's Merlini. | One's named Sellers, the other's Merlini. |
240 | 00:11:28,313 | 00:11:31,112 | Celeste was everything you'd want in an assistant. | Celeste was everything you'd want in an assistant. |
241 | 00:11:31,691 | 00:11:34,160 | Beautiful, of course. Fast hands. | Beautiful, of course. Fast hands. |
242 | 00:11:34,485 | 00:11:35,737 | Fluent with stagecraft. | Fluent with stagecraft. |
243 | 00:11:36,404 | 00:11:37,997 | Infinitely smarter than her husband. | Infinitely smarter than her husband. |
244 | 00:11:38,573 | 00:11:39,665 | You're not a fan of his. | You're not a fan of his. |
245 | 00:11:39,699 | 00:11:42,373 | Besides Van Zant's obvious failings as a magician | Besides Van Zant's obvious failings as a magician |
246 | 00:11:42,785 | 00:11:44,207 | he's even worse as a man. | he's even worse as a man. |
247 | 00:11:44,996 | 00:11:47,249 | I don't respect him, but I don't resent him. | I don't respect him, but I don't resent him. |
248 | 00:11:47,582 | 00:11:48,549 | Why don't you respect him? | Why don't you respect him? |
249 | 00:11:48,875 | 00:11:51,048 | The magicians I respect, like Thurston or Blackstone | The magicians I respect, like Thurston or Blackstone |
250 | 00:11:51,085 | 00:11:52,337 | they invent their own tricks. | they invent their own tricks. |
251 | 00:11:52,378 | 00:11:53,630 | And Van Zant doesn't? | And Van Zant doesn't? |
252 | 00:11:54,672 | 00:11:56,299 | Some of the simpler tricks, sure. | Some of the simpler tricks, sure. |
253 | 00:11:56,841 | 00:11:58,263 | But the one that made his career...? | But the one that made his career...? |
254 | 00:11:58,509 | 00:11:59,510 | The Flaming Swords? | The Flaming Swords? |
255 | 00:11:59,552 | 00:12:02,101 | Despite what he claims, I'm positive he didn't invent it. | Despite what he claims, I'm positive he didn't invent it. |
256 | 00:12:02,138 | 00:12:03,685 | The design, the build, ifs... | The design, the build, ifs... |
257 | 00:12:04,515 | 00:12:06,734 | far too complex for Van Zant. | far too complex for Van Zant. |
258 | 00:12:07,060 | 00:12:08,607 | Well, if he didn't, who did? | Well, if he didn't, who did? |
259 | 00:12:10,021 | 00:12:12,865 | I've heard whispers about a kind of black market | I've heard whispers about a kind of black market |
260 | 00:12:12,899 | 00:12:14,116 | for tricks. | for tricks. |
261 | 00:12:14,150 | 00:12:15,618 | Apparently there's this "mystery man"... | Apparently there's this "mystery man"... |
262 | 00:12:16,319 | 00:12:17,571 | I guess he's a kind of broker. | I guess he's a kind of broker. |
263 | 00:12:18,529 | 00:12:19,405 | What's his name? | What's his name? |
264 | 00:12:19,447 | 00:12:21,700 | Frost. That's all I know about him. | Frost. That's all I know about him. |
265 | 00:12:23,409 | 00:12:25,377 | FLO GRUNTS | FLO GRUNTS |
266 | 00:12:26,079 | 00:12:27,501 | Let's move quickly, Mary. | Let's move quickly, Mary. |
267 | 00:12:27,872 | 00:12:29,795 | I don't want the coroner finding us sneaking a peek | I don't want the coroner finding us sneaking a peek |
268 | 00:12:29,832 | 00:12:30,958 | at our most famous resident. | at our most famous resident. |
269 | 00:12:31,334 | 00:12:33,553 | Trudy said we had to look for anything... unusual. | Trudy said we had to look for anything... unusual. |
270 | 00:12:33,878 | 00:12:35,721 | How about getting killed by two flaming swords? | How about getting killed by two flaming swords? |
271 | 00:12:35,755 | 00:12:38,634 | That's pretty unusual. - Poor girl. What a way to go. | That's pretty unusual. - Poor girl. What a way to go. |
272 | 00:12:38,716 | 00:12:39,717 | She was just doing her job. | She was just doing her job. |
273 | 00:12:39,759 | 00:12:41,887 | OK, this is unusual. Look at her wrists. | OK, this is unusual. Look at her wrists. |
274 | 00:12:42,095 | 00:12:44,439 | They were bound with ropes, and no apparent tissue damage. | They were bound with ropes, and no apparent tissue damage. |
275 | 00:12:44,472 | 00:12:47,021 | If you were trapped in a cabinet and knew you were about to die-- | If you were trapped in a cabinet and knew you were about to die-- |
276 | 00:12:47,058 | 00:12:48,731 | You'd struggle like the dickens to get out. | You'd struggle like the dickens to get out. |
277 | 00:12:48,768 | 00:12:49,985 | Mm-hmm - So where's the rope burn? | Mm-hmm - So where's the rope burn? |
278 | 00:12:51,437 | 00:12:52,654 | Mind if I come in? | Mind if I come in? |
279 | 00:12:55,316 | 00:12:57,444 | Who are you? - Detective Greyson. | Who are you? - Detective Greyson. |
280 | 00:12:58,278 | 00:12:59,746 | And you are...? | And you are...? |
281 | 00:13:00,613 | 00:13:01,614 | Emily Blake. | Emily Blake. |
282 | 00:13:01,656 | 00:13:02,532 | Emily Blake. | Emily Blake. |
283 | 00:13:02,615 | 00:13:04,492 | You know. I could swear that we've seen each other before. | You know. I could swear that we've seen each other before. |
284 | 00:13:05,785 | 00:13:07,207 | I would remember a face like yours. | I would remember a face like yours. |
285 | 00:13:07,578 | 00:13:08,921 | I will take that as a compliment. | I will take that as a compliment. |
286 | 00:13:09,497 | 00:13:10,419 | Where's Detective Smith? | Where's Detective Smith? |
287 | 00:13:10,748 | 00:13:13,342 | Gout. Heal nasty case. I'm taking over for him. | Gout. Heal nasty case. I'm taking over for him. |
288 | 00:13:14,002 | 00:13:15,504 | My condolences for your loss. | My condolences for your loss. |
289 | 00:13:15,795 | 00:13:17,342 | I'm gonna need to see the magical apparatus. | I'm gonna need to see the magical apparatus. |
290 | 00:13:17,714 | 00:13:20,308 | There is such a thing as the magician's code of secrecy. | There is such a thing as the magician's code of secrecy. |
291 | 00:13:20,341 | 00:13:23,436 | Yes. My badge trumps your code. | Yes. My badge trumps your code. |
292 | 00:13:23,845 | 00:13:26,519 | Shall I come along? - No, stay here. Don't touch anything. | Shall I come along? - No, stay here. Don't touch anything. |
293 | 00:13:28,391 | 00:13:29,608 | Yes, stay here. | Yes, stay here. |
294 | 00:13:30,184 | 00:13:31,481 | Don't touch anything. | Don't touch anything. |
295 | 00:13:31,894 | 00:13:32,895 | GREYSON CHUCKLES | GREYSON CHUCKLES |
296 | 00:13:34,272 | 00:13:36,650 | The apparatus hasn't been moved since the accident? | The apparatus hasn't been moved since the accident? |
297 | 00:13:36,983 | 00:13:39,827 | Detective Smith ordered us to keep the cabaret locked. | Detective Smith ordered us to keep the cabaret locked. |
298 | 00:13:40,820 | 00:13:42,868 | I can promise you no one's been in or out. | I can promise you no one's been in or out. |
299 | 00:13:43,865 | 00:13:44,741 | OK. | OK. |
300 | 00:13:55,668 | 00:13:56,544 | OK. | OK. |
301 | 00:13:57,628 | 00:13:59,471 | Show me how it works. I'll be your assistant. | Show me how it works. I'll be your assistant. |
302 | 00:14:01,174 | 00:14:03,347 | First, I tie your wrists with rope. | First, I tie your wrists with rope. |
303 | 00:14:03,384 | 00:14:05,682 | Then I lead you inside the cabinet. - OK. | Then I lead you inside the cabinet. - OK. |
304 | 00:14:08,348 | 00:14:10,021 | The trick is when I close the door | The trick is when I close the door |
305 | 00:14:10,058 | 00:14:12,436 | it releases a gear system below which should open the trap door. | it releases a gear system below which should open the trap door. |
306 | 00:14:13,311 | 00:14:14,187 | Except it didn't open. | Except it didn't open. |
307 | 00:14:14,479 | 00:14:15,651 | Due to mechanical failure. | Due to mechanical failure. |
308 | 00:14:17,023 | 00:14:18,570 | So, why is it open now? | So, why is it open now? |
309 | 00:14:19,859 | 00:14:21,702 | Detective Smith used a crowbar | Detective Smith used a crowbar |
310 | 00:14:21,736 | 00:14:23,534 | so he could take a look down below the apparatus. | so he could take a look down below the apparatus. |
311 | 00:14:24,030 | 00:14:25,407 | I'm gonna need to take a look down there. | I'm gonna need to take a look down there. |
312 | 00:14:31,537 | 00:14:34,791 | So... under normal circumstances | So... under normal circumstances |
313 | 00:14:34,832 | 00:14:37,506 | the trap door would open and Celeste would jump down. | the trap door would open and Celeste would jump down. |
314 | 00:14:37,543 | 00:14:38,419 | What happens next? | What happens next? |
315 | 00:14:39,670 | 00:14:41,092 | Then she would use that blade | Then she would use that blade |
316 | 00:14:41,172 | 00:14:44,176 | on the table there, to cut through the rope on her wrists. | on the table there, to cut through the rope on her wrists. |
317 | 00:14:44,509 | 00:14:46,386 | And then she would run through that tunnel there | And then she would run through that tunnel there |
318 | 00:14:46,719 | 00:14:49,063 | under the stage, and pop up behind the audience | under the stage, and pop up behind the audience |
319 | 00:14:49,097 | 00:14:49,973 | for the reveal. | for the reveal. |
320 | 00:14:51,516 | 00:14:54,110 | GREYSON: Practical design. You got a background in mechanics? | GREYSON: Practical design. You got a background in mechanics? |
321 | 00:14:54,185 | 00:14:56,233 | VAN ZANT: No. I have a background in magic. | VAN ZANT: No. I have a background in magic. |
322 | 00:14:56,312 | 00:14:57,689 | GREYSON: Yes, I suppose you would. | GREYSON: Yes, I suppose you would. |
323 | 00:15:02,235 | 00:15:03,862 | So those are the gears in question. | So those are the gears in question. |
324 | 00:15:05,279 | 00:15:07,156 | Any idea why they would've stopped working? | Any idea why they would've stopped working? |
325 | 00:15:07,615 | 00:15:09,743 | Wear and tear. I suppose. - Mm. | Wear and tear. I suppose. - Mm. |
326 | 00:15:09,784 | 00:15:11,377 | We've done the trick hundreds of times. | We've done the trick hundreds of times. |
327 | 00:15:11,702 | 00:15:14,672 | There's no backup, in case the trick malfunctions? | There's no backup, in case the trick malfunctions? |
328 | 00:15:14,997 | 00:15:17,045 | There is a way for Celeste to open the door from inside. | There is a way for Celeste to open the door from inside. |
329 | 00:15:17,667 | 00:15:20,216 | So why didn't she? - I don't know. | So why didn't she? - I don't know. |
330 | 00:15:20,294 | 00:15:23,138 | You know, Van Zant, there's a lot of things you don't know. | You know, Van Zant, there's a lot of things you don't know. |
331 | 00:15:23,172 | 00:15:25,550 | I would expect that a husband would be a little more curious | I would expect that a husband would be a little more curious |
332 | 00:15:25,591 | 00:15:26,843 | about why his wife died. | about why his wife died. |
333 | 00:15:30,555 | 00:15:32,523 | There's scoring here on the gears. | There's scoring here on the gears. |
334 | 00:15:32,974 | 00:15:34,351 | And fine metallic dust... | And fine metallic dust... |
335 | 00:15:35,017 | 00:15:38,112 | Looks to me like something metallic was jammed right in here. | Looks to me like something metallic was jammed right in here. |
336 | 00:15:38,396 | 00:15:40,694 | This was sabotage. - I had nothing to do with that. | This was sabotage. - I had nothing to do with that. |
337 | 00:15:40,773 | 00:15:41,865 | I bet you didn't. | I bet you didn't. |
338 | 00:15:59,375 | 00:16:03,130 | Gears broke with force, so the object must have flown... | Gears broke with force, so the object must have flown... |
339 | 00:16:06,424 | 00:16:08,426 | somewhere over here. | somewhere over here. |
340 | 00:16:27,445 | 00:16:29,664 | So that's what the saboteur used to jam the gears | So that's what the saboteur used to jam the gears |
341 | 00:16:29,697 | 00:16:30,619 | and kill Celeste? | and kill Celeste? |
342 | 00:16:31,157 | 00:16:33,034 | How come the cops didn't find it? - Good question. | How come the cops didn't find it? - Good question. |
343 | 00:16:33,367 | 00:16:35,290 | I think it flew clear when the gears jammed. | I think it flew clear when the gears jammed. |
344 | 00:16:35,870 | 00:16:37,622 | Carson City Morgan silver dollar. | Carson City Morgan silver dollar. |
345 | 00:16:37,955 | 00:16:39,457 | That's the same coin Sellers uses. | That's the same coin Sellers uses. |
346 | 00:16:40,249 | 00:16:41,341 | So is he our saboteur? | So is he our saboteur? |
347 | 00:16:41,375 | 00:16:42,467 | Not the smartest move | Not the smartest move |
348 | 00:16:42,502 | 00:16:44,630 | using your signature coin to commit a murder. | using your signature coin to commit a murder. |
349 | 00:16:45,379 | 00:16:47,507 | Bet he didn't expect anyone to find it down there. | Bet he didn't expect anyone to find it down there. |
350 | 00:16:47,590 | 00:16:50,013 | Let me talk to Sellers, and see what I can find out. | Let me talk to Sellers, and see what I can find out. |
351 | 00:16:50,051 | 00:16:51,223 | I'll talk to Winnie. | I'll talk to Winnie. |
352 | 00:16:51,260 | 00:16:53,513 | If Sellers was planning something, maybe she knows about it. | If Sellers was planning something, maybe she knows about it. |
353 | 00:16:54,430 | 00:16:56,228 | Did you guys find anything on Celeste's body? | Did you guys find anything on Celeste's body? |
354 | 00:16:56,974 | 00:16:59,193 | Seems like she didn't struggle with her ropes much. | Seems like she didn't struggle with her ropes much. |
355 | 00:16:59,227 | 00:17:00,103 | Strange, right? | Strange, right? |
356 | 00:17:00,144 | 00:17:02,146 | Merlini told rne that Van Zant was shouting at her | Merlini told rne that Van Zant was shouting at her |
357 | 00:17:02,188 | 00:17:03,064 | before they went on. | before they went on. |
358 | 00:17:03,105 | 00:17:04,652 | That's no way to treat your wife. | That's no way to treat your wife. |
359 | 00:17:04,690 | 00:17:07,739 | Actually, he refers to Celeste as his assistant, not his wife. | Actually, he refers to Celeste as his assistant, not his wife. |
360 | 00:17:08,069 | 00:17:09,662 | SHE SCOFFS Sounds like a close marriage. | SHE SCOFFS Sounds like a close marriage. |
361 | 00:17:10,071 | 00:17:12,540 | Well, at this point, I don't think we can rule anyone out. | Well, at this point, I don't think we can rule anyone out. |
362 | 00:17:12,990 | 00:17:14,537 | Well, speaking of magic tricks | Well, speaking of magic tricks |
363 | 00:17:14,575 | 00:17:16,577 | there's a bit of a mystery surrounding who invented it. | there's a bit of a mystery surrounding who invented it. |
364 | 00:17:16,911 | 00:17:18,288 | It wasn't Van Zant who invented it? | It wasn't Van Zant who invented it? |
365 | 00:17:18,663 | 00:17:19,789 | Sellers doesn't believe so. | Sellers doesn't believe so. |
366 | 00:17:20,081 | 00:17:22,504 | He thinks that Van Zant bought it from a mysterious "broker" | He thinks that Van Zant bought it from a mysterious "broker" |
367 | 00:17:22,542 | 00:17:24,044 | for magic tricks named Frost. | for magic tricks named Frost. |
368 | 00:17:24,085 | 00:17:25,837 | Hmm. He sounds very shady. | Hmm. He sounds very shady. |
369 | 00:17:25,878 | 00:17:27,755 | Apparently he keeps a very low profile. | Apparently he keeps a very low profile. |
370 | 00:17:27,838 | 00:17:30,762 | But I was able to twist Oswald's arm to arrange a meeting with him. | But I was able to twist Oswald's arm to arrange a meeting with him. |
371 | 00:17:31,509 | 00:17:34,604 | Why don't you two go talk to this Frost and see what you can find out? | Why don't you two go talk to this Frost and see what you can find out? |
372 | 00:17:35,012 | 00:17:37,060 | A top secret mission. I can't wait. | A top secret mission. I can't wait. |
373 | 00:17:41,227 | 00:17:42,103 | Recognise this? | Recognise this? |
374 | 00:17:42,645 | 00:17:43,521 | Well, let me see. | Well, let me see. |
375 | 00:17:44,605 | 00:17:47,905 | That is a Carson City Morgan silver dollar. It's my signature. | That is a Carson City Morgan silver dollar. It's my signature. |
376 | 00:17:48,442 | 00:17:51,412 | What if I said it was used to sabotage the Flaming Swords? | What if I said it was used to sabotage the Flaming Swords? |
377 | 00:17:53,030 | 00:17:55,499 | Anyone who knows what they're doing could use this coin | Anyone who knows what they're doing could use this coin |
378 | 00:17:55,741 | 00:17:56,617 | to jam it in the gears. | to jam it in the gears. |
379 | 00:17:57,910 | 00:17:59,412 | Who said anything about gears? | Who said anything about gears? |
380 | 00:18:00,663 | 00:18:02,381 | Look. See the scoring | Look. See the scoring |
381 | 00:18:02,415 | 00:18:05,009 | along the edges? Clearly it was jammed into something metallic. | along the edges? Clearly it was jammed into something metallic. |
382 | 00:18:05,042 | 00:18:07,215 | I just took a guess. - A lucky guess. | I just took a guess. - A lucky guess. |
383 | 00:18:07,503 | 00:18:08,971 | OK. Watch this. | OK. Watch this. |
384 | 00:18:09,714 | 00:18:10,590 | Ready? | Ready? |
385 | 00:18:14,010 | 00:18:14,886 | Where'd it go? | Where'd it go? |
386 | 00:18:15,803 | 00:18:16,679 | Check your purse. | Check your purse. |
387 | 00:18:22,268 | 00:18:23,144 | How did you do that? | How did you do that? |
388 | 00:18:23,185 | 00:18:24,311 | Magic. | Magic. |
389 | 00:18:25,062 | 00:18:28,032 | Now, if I can make that coin appear and disappear at will | Now, if I can make that coin appear and disappear at will |
390 | 00:18:28,065 | 00:18:30,318 | why would I leave it in some incriminating place? | why would I leave it in some incriminating place? |
391 | 00:18:34,322 | 00:18:36,620 | VAN ZANT: Who is it? - Emily. Your assistant. | VAN ZANT: Who is it? - Emily. Your assistant. |
392 | 00:18:37,033 | 00:18:38,910 | VAN ZANT: Go away! I'm inventing! | VAN ZANT: Go away! I'm inventing! |
393 | 00:18:41,787 | 00:18:44,415 | Don't say I didn't warn you. - You did warn me. | Don't say I didn't warn you. - You did warn me. |
394 | 00:18:44,707 | 00:18:47,551 | You're so lucky, working for Mr Sellers. I bet he never yells at you. | You're so lucky, working for Mr Sellers. I bet he never yells at you. |
395 | 00:18:47,585 | 00:18:50,429 | Never. No, he's a real gem, I tell ya. | Never. No, he's a real gem, I tell ya. |
396 | 00:18:50,713 | 00:18:53,387 | Does he ever get jealous? - Of who'? | Does he ever get jealous? - Of who'? |
397 | 00:18:53,424 | 00:18:54,767 | Mr Van Zant, of course. | Mr Van Zant, of course. |
398 | 00:18:54,800 | 00:18:56,677 | It must be hard working in his shadow. | It must be hard working in his shadow. |
399 | 00:18:59,013 | 00:19:01,766 | I'll tell ya, Mr Sellers was set to be the headliner | I'll tell ya, Mr Sellers was set to be the headliner |
400 | 00:19:01,807 | 00:19:04,356 | before Van Zant showed up with this "Flaming Swords" business. | before Van Zant showed up with this "Flaming Swords" business. |
401 | 00:19:04,727 | 00:19:06,274 | That must have made him pretty upset. | That must have made him pretty upset. |
402 | 00:19:06,312 | 00:19:09,361 | Well, sure. Not that he talks about it. He's a bit... | Well, sure. Not that he talks about it. He's a bit... |
403 | 00:19:10,524 | 00:19:11,821 | what's the word? - Secretive. | what's the word? - Secretive. |
404 | 00:19:11,859 | 00:19:14,738 | That's it. Secretive. Heal secretive. | That's it. Secretive. Heal secretive. |
405 | 00:19:15,071 | 00:19:16,243 | You think he has something to hide? | You think he has something to hide? |
406 | 00:19:16,947 | 00:19:19,871 | Oh honey, everyone at the Magic Mansion has something to hide. | Oh honey, everyone at the Magic Mansion has something to hide. |
407 | 00:19:27,500 | 00:19:28,376 | Mary, what's wrong? | Mary, what's wrong? |
408 | 00:19:29,001 | 00:19:31,095 | Nothing's wrong, Flo. Why do you ask? | Nothing's wrong, Flo. Why do you ask? |
409 | 00:19:31,128 | 00:19:33,551 | You haven't made a peep in almost 15 minutes | You haven't made a peep in almost 15 minutes |
410 | 00:19:33,589 | 00:19:35,591 | and that's an eternity in Mary time. | and that's an eternity in Mary time. |
411 | 00:19:37,635 | 00:19:40,104 | Alright, don”: make fun, I'm just a bit scared. | Alright, don”: make fun, I'm just a bit scared. |
412 | 00:19:40,262 | 00:19:42,936 | Ah, well, don't let a little fog throw ya. | Ah, well, don't let a little fog throw ya. |
413 | 00:19:42,973 | 00:19:44,520 | No, it's not that, ifs... | No, it's not that, ifs... |
414 | 00:19:45,476 | 00:19:48,480 | Alright, it goes back to Harriet Sim's birthday party in the third grade. | Alright, it goes back to Harriet Sim's birthday party in the third grade. |
415 | 00:19:48,521 | 00:19:50,740 | Her parents. they hired a magician | Her parents. they hired a magician |
416 | 00:19:51,232 | 00:19:54,361 | and he made this rabbit disappear, but then he couldn't make it reappear. | and he made this rabbit disappear, but then he couldn't make it reappear. |
417 | 00:19:55,611 | 00:19:57,454 | What happened to the rabbit? - Well, it got away | What happened to the rabbit? - Well, it got away |
418 | 00:19:57,822 | 00:19:59,574 | and ran out into the street where it was crushed | and ran out into the street where it was crushed |
419 | 00:19:59,615 | 00:20:01,037 | under the wheels of a passing cart. | under the wheels of a passing cart. |
420 | 00:20:01,075 | 00:20:02,076 | Ever since then I... | Ever since then I... |
421 | 00:20:02,451 | 00:20:05,045 | just haven't been able to look at a magician without feeling scared. | just haven't been able to look at a magician without feeling scared. |
422 | 00:20:05,621 | 00:20:06,497 | Well... | Well... |
423 | 00:20:06,789 | 00:20:08,791 | here's your opportunity to get over your magic phobia. | here's your opportunity to get over your magic phobia. |
424 | 00:20:08,999 | 00:20:09,875 | This is it? | This is it? |
425 | 00:20:09,917 | 00:20:11,339 | Yeah, here we are. It's the right address. | Yeah, here we are. It's the right address. |
426 | 00:20:12,253 | 00:20:14,301 | No, but Flo, there's no sign or name on the door. | No, but Flo, there's no sign or name on the door. |
427 | 00:20:14,338 | 00:20:17,091 | This... This feels sinister. - Oh, it'll be fine. | This... This feels sinister. - Oh, it'll be fine. |
428 | 00:20:18,718 | 00:20:20,846 | The bell is silent. Strange! | The bell is silent. Strange! |
429 | 00:20:20,886 | 00:20:22,479 | FLO GIGGLES - THEY BOTH SCREAM | FLO GIGGLES - THEY BOTH SCREAM |
430 | 00:20:22,805 | 00:20:25,604 | SHE LAUGHS Omen, scaredy-cat. | SHE LAUGHS Omen, scaredy-cat. |
431 | 00:20:25,641 | 00:20:27,860 | Ooh, he doesn't want to let us in! Ha, ha! | Ooh, he doesn't want to let us in! Ha, ha! |
432 | 00:20:31,772 | 00:20:33,991 | See, Mary? There's nothing to be afraid of. | See, Mary? There's nothing to be afraid of. |
433 | 00:20:34,024 | 00:20:37,528 | Dunno, Flo, there are a few things. Where should I begin? | Dunno, Flo, there are a few things. Where should I begin? |
434 | 00:20:38,195 | 00:20:40,744 | What is that? - Good afternoon. | What is that? - Good afternoon. |
435 | 00:20:40,781 | 00:20:42,749 | THEY GASP AND FLO LAUGHS | THEY GASP AND FLO LAUGHS |
436 | 00:20:44,160 | 00:20:45,036 | Who are you? | Who are you? |
437 | 00:20:45,077 | 00:20:47,205 | Flo Chakowitz. This is Mary Shaw. | Flo Chakowitz. This is Mary Shaw. |
438 | 00:20:47,246 | 00:20:48,873 | We're with Drake Private Detectives. | We're with Drake Private Detectives. |
439 | 00:20:49,290 | 00:20:52,043 | Are you Mr Frost, by any chance? - Yes, I am. | Are you Mr Frost, by any chance? - Yes, I am. |
440 | 00:20:53,002 | 00:20:56,256 | And you must be the two ladies that Oswald told me about. | And you must be the two ladies that Oswald told me about. |
441 | 00:20:57,256 | 00:20:58,348 | How may I help you? | How may I help you? |
442 | 00:20:58,632 | 00:21:01,260 | We heard you know something about The Flaming Swords. | We heard you know something about The Flaming Swords. |
443 | 00:21:01,802 | 00:21:02,678 | What of it? | What of it? |
444 | 00:21:03,012 | 00:21:05,891 | We heard that you may have sold it to the Great Van Zant? | We heard that you may have sold it to the Great Van Zant? |
445 | 00:21:05,973 | 00:21:07,646 | Do I look to you | Do I look to you |
446 | 00:21:07,933 | 00:21:10,982 | like the proprietor of your local magic shop? | like the proprietor of your local magic shop? |
447 | 00:21:12,146 | 00:21:13,523 | No? - I do not | No? - I do not |
448 | 00:21:13,564 | 00:21:15,908 | "sell" magic tricks. | "sell" magic tricks. |
449 | 00:21:16,484 | 00:21:19,454 | I'm a middleman between the magician and the inventor. | I'm a middleman between the magician and the inventor. |
450 | 00:21:19,820 | 00:21:23,541 | Some people would call me a broker; I prefer the word "facilitator." | Some people would call me a broker; I prefer the word "facilitator." |
451 | 00:21:23,824 | 00:21:26,077 | But of course, in order to be good at my business | But of course, in order to be good at my business |
452 | 00:21:26,285 | 00:21:29,289 | I'm also a practitioner of the craft. | I'm also a practitioner of the craft. |
453 | 00:21:29,330 | 00:21:30,752 | MARY GASPS | MARY GASPS |
454 | 00:21:37,838 | 00:21:40,011 | And it means I know a good trick | And it means I know a good trick |
455 | 00:21:40,174 | 00:21:41,175 | when I see one. | when I see one. |
456 | 00:21:42,134 | 00:21:45,479 | And The Flaming Swords is a very good trick. | And The Flaming Swords is a very good trick. |
457 | 00:21:45,596 | 00:21:48,896 | The sort of trick that any magician would sell his soul for. | The sort of trick that any magician would sell his soul for. |
458 | 00:21:49,308 | 00:21:52,778 | So did you "facilitate" the sale of The Flaming Swords to Van Zant? | So did you "facilitate" the sale of The Flaming Swords to Van Zant? |
459 | 00:21:52,812 | 00:21:55,691 | No, I was not involved with The Flaming Swords. | No, I was not involved with The Flaming Swords. |
460 | 00:21:56,065 | 00:21:58,909 | That was created by Van Zant alone. | That was created by Van Zant alone. |
461 | 00:21:58,943 | 00:22:02,573 | He is an unparalleled genius of magic. | He is an unparalleled genius of magic. |
462 | 00:22:03,030 | 00:22:04,202 | Sounds like you know him well. | Sounds like you know him well. |
463 | 00:22:04,573 | 00:22:06,041 | No, I never met him. | No, I never met him. |
464 | 00:22:06,784 | 00:22:08,707 | But I understand he is a wonderful man | But I understand he is a wonderful man |
465 | 00:22:08,744 | 00:22:11,338 | and so dedicated to that beautiful wife of his. | and so dedicated to that beautiful wife of his. |
466 | 00:22:11,622 | 00:22:12,965 | God rest her soul. | God rest her soul. |
467 | 00:22:14,458 | 00:22:16,085 | And now if you'll excuse us? | And now if you'll excuse us? |
468 | 00:22:16,877 | 00:22:19,255 | I have other business to attend to. | I have other business to attend to. |
469 | 00:22:20,589 | 00:22:22,262 | Flo, we've gotta help that rabbit. | Flo, we've gotta help that rabbit. |
470 | 00:22:22,299 | 00:22:23,767 | No, it'll be fine. Let's get out of here. | No, it'll be fine. Let's get out of here. |
471 | 00:22:28,472 | 00:22:30,395 | What on earth is this hideous thing? | What on earth is this hideous thing? |
472 | 00:22:30,432 | 00:22:32,150 | It's called "Mesmer's Ring." | It's called "Mesmer's Ring." |
473 | 00:22:32,184 | 00:22:34,107 | I thought you could use it in your act. See? | I thought you could use it in your act. See? |
474 | 00:22:35,771 | 00:22:38,274 | I'm a mentalist, Oswald. I don't need props. | I'm a mentalist, Oswald. I don't need props. |
475 | 00:22:38,357 | 00:22:40,155 | Let me show you just how easily I can mesmerise you. | Let me show you just how easily I can mesmerise you. |
476 | 00:22:40,192 | 00:22:43,071 | No, no, last time I let you do that, I ended up giving you a raise. | No, no, last time I let you do that, I ended up giving you a raise. |
477 | 00:22:45,197 | 00:22:46,870 | Perhaps our new assistant | Perhaps our new assistant |
478 | 00:22:46,907 | 00:22:48,875 | would like a demonstration of mesmerism. | would like a demonstration of mesmerism. |
479 | 00:22:48,909 | 00:22:50,582 | Well, perhaps another time | Well, perhaps another time |
480 | 00:22:50,619 | 00:22:52,747 | Mr Merlini. - As you wish, mademoiselle. | Mr Merlini. - As you wish, mademoiselle. |
481 | 00:22:54,415 | 00:22:57,168 | Uh, Merlini, you're sure I can”: convince you | Uh, Merlini, you're sure I can”: convince you |
482 | 00:22:57,209 | 00:22:58,756 | just to give this a try? | just to give this a try? |
483 | 00:22:59,128 | 00:23:01,096 | Wow. Impressive. | Wow. Impressive. |
484 | 00:23:01,672 | 00:23:02,548 | So, what's your secret? | So, what's your secret? |
485 | 00:23:02,882 | 00:23:05,101 | What kind of magician would I be if I shared my secrets? | What kind of magician would I be if I shared my secrets? |
486 | 00:23:05,134 | 00:23:07,262 | Even with such a beautiful woman. | Even with such a beautiful woman. |
487 | 00:23:07,803 | 00:23:10,101 | We haven't met. I'm Ben Sellers. - Emily Blake. | We haven't met. I'm Ben Sellers. - Emily Blake. |
488 | 00:23:10,139 | 00:23:11,015 | It's a pleasure. | It's a pleasure. |
489 | 00:23:12,641 | 00:23:16,020 | You're Van Zant's new assistant. I trust you're settling in alright? | You're Van Zant's new assistant. I trust you're settling in alright? |
490 | 00:23:16,353 | 00:23:17,400 | Well, I haven't seen much of him. | Well, I haven't seen much of him. |
491 | 00:23:17,438 | 00:23:19,987 | He's been busy inventing his newest trick. | He's been busy inventing his newest trick. |
492 | 00:23:20,024 | 00:23:22,402 | Ah. Well, wish him luck. | Ah. Well, wish him luck. |
493 | 00:23:23,444 | 00:23:26,664 | You know, Winnie told me that you were set to headline the show | You know, Winnie told me that you were set to headline the show |
494 | 00:23:26,697 | 00:23:28,244 | before Van Zant came along. | before Van Zant came along. |
495 | 00:23:28,532 | 00:23:29,749 | That must've stung a bit. | That must've stung a bit. |
496 | 00:23:30,242 | 00:23:32,244 | I suppose. Why do you ask? | I suppose. Why do you ask? |
497 | 00:23:32,995 | 00:23:34,292 | I'm just curious is all. | I'm just curious is all. |
498 | 00:23:36,624 | 00:23:39,093 | Do you mind if I ask you something a bit personal, Ben? | Do you mind if I ask you something a bit personal, Ben? |
499 | 00:23:40,044 | 00:23:40,920 | Of course. | Of course. |
500 | 00:23:41,211 | 00:23:44,431 | Well, Van Zant hasn't exactly welcomed me with open arms. | Well, Van Zant hasn't exactly welcomed me with open arms. |
501 | 00:23:45,257 | 00:23:47,476 | He's been downright rude. to be honest. | He's been downright rude. to be honest. |
502 | 00:23:47,968 | 00:23:49,970 | I'm sure he wasn't that way with his wife... | I'm sure he wasn't that way with his wife... |
503 | 00:23:50,012 | 00:23:51,639 | I wouldn't be so sure about that. | I wouldn't be so sure about that. |
504 | 00:23:51,680 | 00:23:52,852 | Well, see, that's just it. | Well, see, that's just it. |
505 | 00:23:53,474 | 00:23:55,476 | I heard that the two of them were arguing | I heard that the two of them were arguing |
506 | 00:23:55,517 | 00:23:57,485 | right before they went on stage that night. | right before they went on stage that night. |
507 | 00:23:57,519 | 00:23:58,611 | Do you know what it was about? | Do you know what it was about? |
508 | 00:23:59,063 | 00:24:02,158 | Well, that night I did hear her say something along the lines of "it's over." | Well, that night I did hear her say something along the lines of "it's over." |
509 | 00:24:02,733 | 00:24:04,701 | HE SIGHS Poor Celeste, she was so upset. | HE SIGHS Poor Celeste, she was so upset. |
510 | 00:24:04,735 | 00:24:07,909 | You know, Winnie and I tried to cheer her up, but... | You know, Winnie and I tried to cheer her up, but... |
511 | 00:24:08,280 | 00:24:10,032 | Are you OK? - She's fine. | Are you OK? - She's fine. |
512 | 00:24:10,074 | 00:24:11,166 | I wasn't talking to you. | I wasn't talking to you. |
513 | 00:24:12,785 | 00:24:13,911 | Celeste, are you OK? | Celeste, are you OK? |
514 | 00:24:14,411 | 00:24:16,038 | Thank you, Winnie but I'm fine. | Thank you, Winnie but I'm fine. |
515 | 00:24:16,080 | 00:24:17,377 | Just don't forget to smile. | Just don't forget to smile. |
516 | 00:24:19,083 | 00:24:19,959 | It didn't help. | It didn't help. |
517 | 00:24:20,876 | 00:24:23,595 | She just was so glum on stage, you know? Just blank. | She just was so glum on stage, you know? Just blank. |
518 | 00:24:23,629 | 00:24:26,178 | Just like... just not herself. | Just like... just not herself. |
519 | 00:24:27,257 | 00:24:29,351 | You know, enough about that. | You know, enough about that. |
520 | 00:24:29,385 | 00:24:32,605 | Why don't I pour us a couple of cocktails, what do you say? | Why don't I pour us a couple of cocktails, what do you say? |
521 | 00:24:32,638 | 00:24:35,107 | Oh, uh... Rain check? | Oh, uh... Rain check? |
522 | 00:24:35,516 | 00:24:37,564 | Tell you what. I'll do even better than that. | Tell you what. I'll do even better than that. |
523 | 00:24:37,601 | 00:24:38,693 | I'd love to take you out for dinner. | I'd love to take you out for dinner. |
524 | 00:24:39,228 | 00:24:40,650 | It's a date. - Alright. | It's a date. - Alright. |
525 | 00:24:40,688 | 00:24:42,281 | Just the man I'm looking for. | Just the man I'm looking for. |
526 | 00:24:43,565 | 00:24:44,487 | Ben Sellers. | Ben Sellers. |
527 | 00:24:44,525 | 00:24:46,778 | Detective Greyson. I'm investigating the death | Detective Greyson. I'm investigating the death |
528 | 00:24:46,819 | 00:24:48,036 | of Celeste Van Zant. | of Celeste Van Zant. |
529 | 00:24:48,988 | 00:24:51,491 | I'd like you to come with rne, ask you a few questions. | I'd like you to come with rne, ask you a few questions. |
530 | 00:24:52,116 | 00:24:54,118 | Alright, well, I... had nothing to do with it. | Alright, well, I... had nothing to do with it. |
531 | 00:24:55,494 | 00:24:57,622 | That's good to hear. Get your things. | That's good to hear. Get your things. |
532 | 00:25:03,127 | 00:25:04,595 | You two looked awful cosy. | You two looked awful cosy. |
533 | 00:25:05,504 | 00:25:06,721 | What do you have on Sellers? | What do you have on Sellers? |
534 | 00:25:07,589 | 00:25:09,432 | I went back to see the apparatus. | I went back to see the apparatus. |
535 | 00:25:09,508 | 00:25:12,136 | Based on the scoring and the fine silver metallic dust | Based on the scoring and the fine silver metallic dust |
536 | 00:25:12,177 | 00:25:15,397 | I would say that the gears were jammed with one of these. | I would say that the gears were jammed with one of these. |
537 | 00:25:19,518 | 00:25:21,486 | A Carson City Morgan silver dollar. | A Carson City Morgan silver dollar. |
538 | 00:25:22,187 | 00:25:23,188 | Sellers' signature. | Sellers' signature. |
539 | 00:25:23,981 | 00:25:26,655 | Isn't it a possibility that the culprit used this | Isn't it a possibility that the culprit used this |
540 | 00:25:26,692 | 00:25:28,694 | as a bit of misdirection? - It's possible. | as a bit of misdirection? - It's possible. |
541 | 00:25:29,570 | 00:25:31,413 | A good investigator runs down all his leads. | A good investigator runs down all his leads. |
542 | 00:25:32,322 | 00:25:33,198 | It's a bit obvious. | It's a bit obvious. |
543 | 00:25:33,782 | 00:25:34,783 | You know, Drake... | You know, Drake... |
544 | 00:25:36,285 | 00:25:38,162 | you don't have to make things so complicated. | you don't have to make things so complicated. |
545 | 00:25:38,996 | 00:25:42,091 | Sometimes the answer you were looking for is right in front of your nose. | Sometimes the answer you were looking for is right in front of your nose. |
546 | 00:25:45,669 | 00:25:46,636 | Thanks for the tip. | Thanks for the tip. |
547 | 00:25:47,171 | 00:25:48,218 | Anytime. | Anytime. |
548 | 00:25:50,549 | 00:25:52,426 | Alright, Sellers, let's go. - Yeah. | Alright, Sellers, let's go. - Yeah. |
549 | 00:25:55,888 | 00:25:57,515 | Greyson brought him in for questioning? | Greyson brought him in for questioning? |
550 | 00:25:57,598 | 00:25:59,692 | I think he's barking up the wrong tree. - Me too. | I think he's barking up the wrong tree. - Me too. |
551 | 00:25:59,725 | 00:26:01,477 | I think he got the wrong guy. | I think he got the wrong guy. |
552 | 00:26:01,518 | 00:26:03,520 | Mary, how did you and Flo make out with Frost? | Mary, how did you and Flo make out with Frost? |
553 | 00:26:03,604 | 00:26:06,073 | He's a suspicious character if I ever met one. | He's a suspicious character if I ever met one. |
554 | 00:26:06,398 | 00:26:09,527 | Did he mention anything about selling the trick to Van Zant? | Did he mention anything about selling the trick to Van Zant? |
555 | 00:26:09,610 | 00:26:11,328 | Frost said he had nothing to do with The Flaming Swords. | Frost said he had nothing to do with The Flaming Swords. |
556 | 00:26:11,361 | 00:26:14,911 | And according to him, Van Zant is "a wonderful man, a magic genius | And according to him, Van Zant is "a wonderful man, a magic genius |
557 | 00:26:14,948 | 00:26:16,416 | and a devoted husband." | and a devoted husband." |
558 | 00:26:16,450 | 00:26:17,793 | Well, clearly he doesn't know Van Zant. | Well, clearly he doesn't know Van Zant. |
559 | 00:26:17,826 | 00:26:19,874 | Well, strangely enough, that's what Frost said. | Well, strangely enough, that's what Frost said. |
560 | 00:26:19,912 | 00:26:21,164 | Apparently, they'd never even met. | Apparently, they'd never even met. |
561 | 00:26:21,955 | 00:26:23,002 | Well, Sellers confirmed | Well, Sellers confirmed |
562 | 00:26:23,040 | 00:26:25,589 | that Celeste was acting out of character that night. | that Celeste was acting out of character that night. |
563 | 00:26:25,667 | 00:26:27,089 | Can't blame her with that marriage. | Can't blame her with that marriage. |
564 | 00:26:27,795 | 00:26:28,842 | Let's go talk to Flo. | Let's go talk to Flo. |
565 | 00:26:29,296 | 00:26:31,014 | Narcotics? Cocaine? Morphine? | Narcotics? Cocaine? Morphine? |
566 | 00:26:31,048 | 00:26:33,801 | Nope. Clean as a whistle. - But her behaviour was so odd. | Nope. Clean as a whistle. - But her behaviour was so odd. |
567 | 00:26:33,842 | 00:26:35,560 | Why didn't she struggle with the ropes? | Why didn't she struggle with the ropes? |
568 | 00:26:35,594 | 00:26:37,392 | Or just open the cabinet from the inside. | Or just open the cabinet from the inside. |
569 | 00:26:37,429 | 00:26:38,351 | It just doesn't add up. | It just doesn't add up. |
570 | 00:26:38,889 | 00:26:40,687 | Maybe she was under the influence of something. | Maybe she was under the influence of something. |
571 | 00:26:41,225 | 00:26:42,101 | FLO: How do you mean? | FLO: How do you mean? |
572 | 00:26:43,644 | 00:26:44,861 | Maybe she was hypnotised. | Maybe she was hypnotised. |
573 | 00:26:47,689 | 00:26:51,489 | So the killer sabotaged the trick to trap Celeste inside the cabinet. | So the killer sabotaged the trick to trap Celeste inside the cabinet. |
574 | 00:26:51,527 | 00:26:54,030 | But they needed to make sure that she would be compliant | But they needed to make sure that she would be compliant |
575 | 00:26:54,071 | 00:26:56,165 | so hypnosis is the perfect solution. | so hypnosis is the perfect solution. |
576 | 00:26:56,573 | 00:26:58,701 | I always thought hypnosis was just some parlour trick. | I always thought hypnosis was just some parlour trick. |
577 | 00:26:58,742 | 00:27:00,995 | Me too, but clearly we need to know more. | Me too, but clearly we need to know more. |
578 | 00:27:01,328 | 00:27:03,626 | I'll talk to Oswald, he's an expert in all things magic. | I'll talk to Oswald, he's an expert in all things magic. |
579 | 00:27:03,664 | 00:27:05,792 | I think it's time to investigated Merlini | I think it's time to investigated Merlini |
580 | 00:27:05,833 | 00:27:08,677 | the Mansion's resident hypnotist. I'll do some digging. | the Mansion's resident hypnotist. I'll do some digging. |
581 | 00:27:08,794 | 00:27:11,798 | Frankie, one of the gals at the station | Frankie, one of the gals at the station |
582 | 00:27:11,839 | 00:27:14,183 | she was hypnotised by Merlini at the Magic Mansion | she was hypnotised by Merlini at the Magic Mansion |
583 | 00:27:14,216 | 00:27:17,390 | and she said he made her bark like a chicken and cluck like a dog. | and she said he made her bark like a chicken and cluck like a dog. |
584 | 00:27:19,054 | 00:27:20,601 | Just please be careful. | Just please be careful. |
585 | 00:27:21,849 | 00:27:23,567 | I'll keep my wits about me. | I'll keep my wits about me. |
586 | 00:27:52,337 | 00:27:53,429 | Love letters. | Love letters. |
587 | 00:28:06,977 | 00:28:08,194 | It was Celeste. | It was Celeste. |
588 | 00:28:09,396 | 00:28:11,865 | Well, Merlini is one of the best hypnotists in the world. | Well, Merlini is one of the best hypnotists in the world. |
589 | 00:28:11,899 | 00:28:13,617 | If anyone could pull it off, it would be him. | If anyone could pull it off, it would be him. |
590 | 00:28:13,984 | 00:28:15,361 | But how does it work exactly? | But how does it work exactly? |
591 | 00:28:16,069 | 00:28:19,414 | Hm. It would require a few sessions, to give her instructions to follow. | Hm. It would require a few sessions, to give her instructions to follow. |
592 | 00:28:20,157 | 00:28:21,704 | Then, at the right time | Then, at the right time |
593 | 00:28:21,742 | 00:28:25,042 | he'd cue her and she'd fall into the trance and do his bidding. | he'd cue her and she'd fall into the trance and do his bidding. |
594 | 00:28:27,956 | 00:28:29,503 | Who's in that photo with Van Zant? | Who's in that photo with Van Zant? |
595 | 00:28:29,583 | 00:28:34,009 | Hm. That is my one and only photo of Mr Frost. | Hm. That is my one and only photo of Mr Frost. |
596 | 00:28:34,588 | 00:28:36,181 | An enigmatic individual, to say the least. | An enigmatic individual, to say the least. |
597 | 00:28:36,632 | 00:28:37,975 | You three look pretty comfortable. | You three look pretty comfortable. |
598 | 00:28:38,008 | 00:28:41,888 | Indeed. We three share a deep and abiding passion | Indeed. We three share a deep and abiding passion |
599 | 00:28:41,929 | 00:28:42,851 | for the conjurer's art. | for the conjurer's art. |
600 | 00:28:43,222 | 00:28:45,941 | Funny. Frost said he never knew Van Zant. | Funny. Frost said he never knew Van Zant. |
601 | 00:28:46,433 | 00:28:48,106 | Well, that is a bit odd. | Well, that is a bit odd. |
602 | 00:28:48,143 | 00:28:49,895 | You can see from the photo they're well acquainted. | You can see from the photo they're well acquainted. |
603 | 00:28:50,187 | 00:28:52,610 | Why would Frost hide his connection to Van Zant? | Why would Frost hide his connection to Van Zant? |
604 | 00:28:54,399 | 00:28:56,026 | All I can say is... | All I can say is... |
605 | 00:28:56,401 | 00:28:59,371 | Mr Frost is a mystery wrapped in an enigma. | Mr Frost is a mystery wrapped in an enigma. |
606 | 00:29:05,827 | 00:29:07,670 | Merlini and Celeste were having an affair? | Merlini and Celeste were having an affair? |
607 | 00:29:07,704 | 00:29:09,581 | Torrid, too, according to these letters. | Torrid, too, according to these letters. |
608 | 00:29:10,123 | 00:29:11,545 | Seems like quite a read. | Seems like quite a read. |
609 | 00:29:11,625 | 00:29:14,378 | But if he's so passionate about Celeste, why would he kill her? | But if he's so passionate about Celeste, why would he kill her? |
610 | 00:29:14,419 | 00:29:16,922 | Take a look at these. They're all from the last few days. | Take a look at these. They're all from the last few days. |
611 | 00:29:17,631 | 00:29:18,928 | She broke it off with him. | She broke it off with him. |
612 | 00:29:18,966 | 00:29:21,765 | Maybe that's what Celeste meant when she said "it's over." | Maybe that's what Celeste meant when she said "it's over." |
613 | 00:29:21,802 | 00:29:23,145 | We need to look into this more. | We need to look into this more. |
614 | 00:29:23,178 | 00:29:25,351 | Yeah. I need to get these back before he notices. | Yeah. I need to get these back before he notices. |
615 | 00:29:25,389 | 00:29:28,643 | I'm gonna pay a visit to Mr Frost. He lied about not knowing Van Zant. | I'm gonna pay a visit to Mr Frost. He lied about not knowing Van Zant. |
616 | 00:29:28,684 | 00:29:29,810 | Well, don't go alone. | Well, don't go alone. |
617 | 00:29:29,851 | 00:29:31,068 | I hear he's shady. | I hear he's shady. |
618 | 00:29:39,361 | 00:29:40,613 | Didn't mean to startle you. | Didn't mean to startle you. |
619 | 00:29:40,654 | 00:29:41,780 | I was just looking for you. | I was just looking for you. |
620 | 00:29:42,531 | 00:29:44,579 | You offered to mesmerise me earlier. | You offered to mesmerise me earlier. |
621 | 00:29:44,616 | 00:29:45,868 | I thought I'd take you up on the offer. | I thought I'd take you up on the offer. |
622 | 00:29:47,035 | 00:29:47,911 | Then take a seat. | Then take a seat. |
623 | 00:29:52,165 | 00:29:55,089 | Place both of your feet firmly but comfortably on the ground. | Place both of your feet firmly but comfortably on the ground. |
624 | 00:29:56,253 | 00:29:58,506 | And I want you to listen very carefully. | And I want you to listen very carefully. |
625 | 00:29:58,547 | 00:30:01,767 | Look at my finger. And now close your eyes. | Look at my finger. And now close your eyes. |
626 | 00:30:03,218 | 00:30:04,595 | Open your eyes again. | Open your eyes again. |
627 | 00:30:05,554 | 00:30:07,773 | Now follow my finger with your eyes. | Now follow my finger with your eyes. |
628 | 00:30:08,265 | 00:30:10,188 | You'll find it very difficult to keep your eyes open | You'll find it very difficult to keep your eyes open |
629 | 00:30:10,225 | 00:30:11,602 | as I move my finger... | as I move my finger... |
630 | 00:30:15,230 | 00:30:16,322 | HE SIGHS | HE SIGHS |
631 | 00:30:17,024 | 00:30:18,367 | Thanks for coming, Mary. | Thanks for coming, Mary. |
632 | 00:30:18,400 | 00:30:20,869 | Well, I realised you can't just get over an irrational fear | Well, I realised you can't just get over an irrational fear |
633 | 00:30:20,902 | 00:30:22,404 | you have to face it and conquer it. | you have to face it and conquer it. |
634 | 00:30:22,487 | 00:30:23,739 | CLATTERING | CLATTERING |
635 | 00:30:24,114 | 00:30:27,084 | Deal's done, Frost! - The deal still stands! | Deal's done, Frost! - The deal still stands! |
636 | 00:30:27,326 | 00:30:29,374 | Two magicians fighting, what's going to happen? | Two magicians fighting, what's going to happen? |
637 | 00:30:29,453 | 00:30:30,500 | What do you think is gonna happen? | What do you think is gonna happen? |
638 | 00:30:30,537 | 00:30:31,538 | They're gonna shoot lightning bolts at each other? | They're gonna shoot lightning bolts at each other? |
639 | 00:30:31,580 | 00:30:32,456 | I don't know! | I don't know! |
640 | 00:30:33,206 | 00:30:35,129 | Take it. Not a penny more! | Take it. Not a penny more! |
641 | 00:30:35,584 | 00:30:37,461 | Think you're rid of me? Well, think again... | Think you're rid of me? Well, think again... |
642 | 00:30:38,003 | 00:30:39,971 | because I know the truth! | because I know the truth! |
643 | 00:30:44,760 | 00:30:46,728 | Quick question. - I thought you were under-- | Quick question. - I thought you were under-- |
644 | 00:30:46,762 | 00:30:47,638 | Not quite. | Not quite. |
645 | 00:30:47,679 | 00:30:49,773 | Could I be made to do something that I wouldn't normally do? | Could I be made to do something that I wouldn't normally do? |
646 | 00:30:49,848 | 00:30:52,101 | It depends, really. Now watch my finger-- | It depends, really. Now watch my finger-- |
647 | 00:30:52,142 | 00:30:53,439 | Depends on what, exactly? | Depends on what, exactly? |
648 | 00:30:53,477 | 00:30:56,697 | The mesmerist's skill, the subject's suggestibility | The mesmerist's skill, the subject's suggestibility |
649 | 00:30:56,772 | 00:30:59,070 | the specific orders being given... Can I continue? | the specific orders being given... Can I continue? |
650 | 00:30:59,107 | 00:31:00,108 | Sure. | Sure. |
651 | 00:31:00,192 | 00:31:02,035 | As I move my finger, you will find it very diff-- | As I move my finger, you will find it very diff-- |
652 | 00:31:02,069 | 00:31:05,198 | Well, for example, could I be made to do something harmful? | Well, for example, could I be made to do something harmful? |
653 | 00:31:05,238 | 00:31:08,412 | I give up. You are what we call in the trade "a hard case." | I give up. You are what we call in the trade "a hard case." |
654 | 00:31:09,368 | 00:31:10,540 | I'm sorry, Merlini. | I'm sorry, Merlini. |
655 | 00:31:11,536 | 00:31:13,288 | Not everyone can be induced. | Not everyone can be induced. |
656 | 00:31:13,663 | 00:31:14,789 | Winnie's also a hard case. | Winnie's also a hard case. |
657 | 00:31:14,831 | 00:31:16,128 | You tried to hypnotise Winnie? | You tried to hypnotise Winnie? |
658 | 00:31:16,166 | 00:31:17,463 | She wanted to learn. | She wanted to learn. |
659 | 00:31:17,876 | 00:31:18,752 | Anyone else? | Anyone else? |
660 | 00:31:19,336 | 00:31:20,303 | What about Celeste? | What about Celeste? |
661 | 00:31:21,421 | 00:31:22,297 | Why do you ask? | Why do you ask? |
662 | 00:31:23,340 | 00:31:24,307 | I'm just curious. | I'm just curious. |
663 | 00:31:25,175 | 00:31:26,392 | Who hired you for this job? | Who hired you for this job? |
664 | 00:31:26,593 | 00:31:27,469 | Oswald. | Oswald. |
665 | 00:31:27,844 | 00:31:29,096 | And what did he hire you to do? | And what did he hire you to do? |
666 | 00:31:30,222 | 00:31:31,599 | To be Van Zant's assistant. | To be Van Zant's assistant. |
667 | 00:31:34,309 | 00:31:36,232 | I do more than hypnotism in my act. | I do more than hypnotism in my act. |
668 | 00:31:36,311 | 00:31:38,234 | I also do telepathy. Mind-reading. | I also do telepathy. Mind-reading. |
669 | 00:31:38,647 | 00:31:40,524 | It's not possible to read people's minds. | It's not possible to read people's minds. |
670 | 00:31:40,565 | 00:31:43,535 | But it is possible to read faces and know when a person's lying. | But it is possible to read faces and know when a person's lying. |
671 | 00:31:43,568 | 00:31:45,115 | It's called a "tell". | It's called a "tell". |
672 | 00:31:45,862 | 00:31:48,081 | Do you know yours? - Who says that I have one? | Do you know yours? - Who says that I have one? |
673 | 00:31:50,409 | 00:31:51,376 | Everyone has a tell. | Everyone has a tell. |
674 | 00:31:54,871 | 00:31:56,088 | Good day, Emily. | Good day, Emily. |
675 | 00:31:59,709 | 00:32:02,132 | You let Merlini hypnotise you? - He called it mesmerising. | You let Merlini hypnotise you? - He called it mesmerising. |
676 | 00:32:02,170 | 00:32:03,262 | I don't care what he calls it | I don't care what he calls it |
677 | 00:32:03,296 | 00:32:05,515 | you don't let a mind-controlling murderer mind-control you! | you don't let a mind-controlling murderer mind-control you! |
678 | 00:32:05,549 | 00:32:06,721 | Alleged mind-controlling. | Alleged mind-controlling. |
679 | 00:32:06,758 | 00:32:08,385 | And I was completely under control. | And I was completely under control. |
680 | 00:32:08,885 | 00:32:11,308 | Fine. Did you find out anything about the affair? | Fine. Did you find out anything about the affair? |
681 | 00:32:11,346 | 00:32:13,895 | Nothing. He completely slammed up. What about you and Mary? | Nothing. He completely slammed up. What about you and Mary? |
682 | 00:32:13,932 | 00:32:15,024 | Did you get anything on Frost? | Did you get anything on Frost? |
683 | 00:32:15,058 | 00:32:16,560 | We saw him tussling with Van Zant. | We saw him tussling with Van Zant. |
684 | 00:32:16,601 | 00:32:18,478 | Tussling over what? - Money, apparently. | Tussling over what? - Money, apparently. |
685 | 00:32:18,520 | 00:32:19,988 | Frost said he knew the truth about him | Frost said he knew the truth about him |
686 | 00:32:20,021 | 00:32:21,443 | and Van Zant threw a bag of cash at him. | and Van Zant threw a bag of cash at him. |
687 | 00:32:21,481 | 00:32:23,700 | Sounds like blackmail. - But what does he have on him? | Sounds like blackmail. - But what does he have on him? |
688 | 00:32:24,359 | 00:32:25,736 | Proof that he killed his wife? | Proof that he killed his wife? |
689 | 00:32:25,819 | 00:32:28,368 | Whatever he has on Van Zant, we need to find out what it is. | Whatever he has on Van Zant, we need to find out what it is. |
690 | 00:32:30,574 | 00:32:31,666 | What's going on in here? | What's going on in here? |
691 | 00:32:31,700 | 00:32:33,543 | Did you come up with a new trick? - Yes. | Did you come up with a new trick? - Yes. |
692 | 00:32:33,577 | 00:32:35,170 | Can I see it? - No. | Can I see it? - No. |
693 | 00:32:35,996 | 00:32:37,669 | Because you're fired. - What? | Because you're fired. - What? |
694 | 00:32:38,373 | 00:32:40,796 | Van Zant and I don't always see eye to eye | Van Zant and I don't always see eye to eye |
695 | 00:32:41,376 | 00:32:43,424 | but one thing we can agree on? | but one thing we can agree on? |
696 | 00:32:43,462 | 00:32:44,884 | The magician's code of secrecy. | The magician's code of secrecy. |
697 | 00:32:45,464 | 00:32:47,307 | You broke the code. Frankie Drake. | You broke the code. Frankie Drake. |
698 | 00:32:47,674 | 00:32:50,177 | Give my regards to your associate, Trudy Clarke. | Give my regards to your associate, Trudy Clarke. |
699 | 00:32:50,802 | 00:32:51,678 | And by the way... | And by the way... |
700 | 00:32:52,012 | 00:32:54,231 | you touch your supernatural notch when you lie. | you touch your supernatural notch when you lie. |
701 | 00:32:55,140 | 00:32:56,062 | That's your tell. | That's your tell. |
702 | 00:33:00,770 | 00:33:03,319 | Trudy, I'm sorry I was such a scaredy-cat last time. | Trudy, I'm sorry I was such a scaredy-cat last time. |
703 | 00:33:03,356 | 00:33:04,482 | No, you were fine. | No, you were fine. |
704 | 00:33:05,484 | 00:33:07,737 | Thank you for saying that, but I've made up my mind. | Thank you for saying that, but I've made up my mind. |
705 | 00:33:07,777 | 00:33:09,871 | I'm gonna be brave. - Good for you. | I'm gonna be brave. - Good for you. |
706 | 00:33:09,905 | 00:33:10,781 | WHISPERS: Yeah | WHISPERS: Yeah |
707 | 00:33:11,656 | 00:33:12,748 | Well, that's strange. | Well, that's strange. |
708 | 00:33:17,787 | 00:33:18,879 | TRUDY: Mr Frost? | TRUDY: Mr Frost? |
709 | 00:33:19,915 | 00:33:20,791 | Anyone in here? | Anyone in here? |
710 | 00:33:24,211 | 00:33:25,963 | Are you sure this is a good idea, Trudy? | Are you sure this is a good idea, Trudy? |
711 | 00:33:26,379 | 00:33:28,097 | Wait. What happened to you being brave? | Wait. What happened to you being brave? |
712 | 00:33:29,883 | 00:33:32,306 | You're right. There's nothing to be afraid of. | You're right. There's nothing to be afraid of. |
713 | 00:33:33,011 | 00:33:34,058 | SHE INHALES DEEPLY | SHE INHALES DEEPLY |
714 | 00:33:39,100 | 00:33:40,522 | SHE SCREAMS | SHE SCREAMS |
715 | 00:33:47,484 | 00:33:49,452 | VAN ZANT: I haven't spoken to Frost in months. | VAN ZANT: I haven't spoken to Frost in months. |
716 | 00:33:49,819 | 00:33:51,787 | I know you paid him off, Van Zant. What did he have on you? | I know you paid him off, Van Zant. What did he have on you? |
717 | 00:33:51,821 | 00:33:54,370 | I don't know what you're talking about OK, but I have to work. | I don't know what you're talking about OK, but I have to work. |
718 | 00:33:54,658 | 00:33:57,036 | Just have a few more questions-- - Goodbye. | Just have a few more questions-- - Goodbye. |
719 | 00:33:57,827 | 00:33:58,953 | Good luck with your trick. | Good luck with your trick. |
720 | 00:34:01,831 | 00:34:03,629 | You wanted to see me? - Yes, Winnie. | You wanted to see me? - Yes, Winnie. |
721 | 00:34:04,125 | 00:34:05,297 | I wanted to show you my new trick. | I wanted to show you my new trick. |
722 | 00:34:05,752 | 00:34:08,005 | Would you please close the door and lock it? | Would you please close the door and lock it? |
723 | 00:34:08,213 | 00:34:09,715 | Of course, Mr Van Zant. | Of course, Mr Van Zant. |
724 | 00:34:14,719 | 00:34:17,438 | You're not welcome here. Drake. You broke the code. | You're not welcome here. Drake. You broke the code. |
725 | 00:34:17,514 | 00:34:20,142 | Well, I think you broke a couple yourself, Merlini. | Well, I think you broke a couple yourself, Merlini. |
726 | 00:34:20,183 | 00:34:22,356 | Like the one about coveting thy neighbour's wife. | Like the one about coveting thy neighbour's wife. |
727 | 00:34:23,603 | 00:34:25,731 | Hmm. So that's what you were doing in my dressing room. | Hmm. So that's what you were doing in my dressing room. |
728 | 00:34:26,690 | 00:34:28,033 | You know you should really be more careful | You know you should really be more careful |
729 | 00:34:28,066 | 00:34:29,363 | about hiding your love letters. | about hiding your love letters. |
730 | 00:34:30,277 | 00:34:32,154 | What if Van Zant found out? | What if Van Zant found out? |
731 | 00:34:34,698 | 00:34:36,951 | Maybe that's exactly what you wanted to happen. | Maybe that's exactly what you wanted to happen. |
732 | 00:34:38,285 | 00:34:39,161 | Guess again. | Guess again. |
733 | 00:34:39,869 | 00:34:40,745 | You're lying. | You're lying. |
734 | 00:34:41,788 | 00:34:42,914 | Is that right. | Is that right. |
735 | 00:34:44,749 | 00:34:45,841 | Everyone's got a tell. | Everyone's got a tell. |
736 | 00:34:48,420 | 00:34:49,387 | HE SIGHS | HE SIGHS |
737 | 00:34:49,421 | 00:34:52,049 | Look. Celeste was never going to leave the bastard of her own volition. | Look. Celeste was never going to leave the bastard of her own volition. |
738 | 00:34:52,090 | 00:34:55,060 | So you thought if Van Zant found out, her hand would be forced? | So you thought if Van Zant found out, her hand would be forced? |
739 | 00:34:55,093 | 00:34:56,219 | I was a fool. | I was a fool. |
740 | 00:34:57,679 | 00:35:00,148 | She chose Van Zant over me. Not because she loved him. | She chose Van Zant over me. Not because she loved him. |
741 | 00:35:00,181 | 00:35:02,354 | She could hardly stand the sight of him. - So why did she stay? | She could hardly stand the sight of him. - So why did she stay? |
742 | 00:35:02,559 | 00:35:05,438 | She said it was "a complicated financial obligation." | She said it was "a complicated financial obligation." |
743 | 00:35:05,478 | 00:35:07,446 | What does that mean? - I didn't ask. | What does that mean? - I didn't ask. |
744 | 00:35:07,480 | 00:35:08,857 | She didn't tell. | She didn't tell. |
745 | 00:35:09,524 | 00:35:11,151 | Magi's code and all that. | Magi's code and all that. |
746 | 00:35:15,238 | 00:35:17,240 | I don't think Merlini did it. - Me neither. | I don't think Merlini did it. - Me neither. |
747 | 00:35:18,158 | 00:35:20,081 | So then Van Zant killed Frost. | So then Van Zant killed Frost. |
748 | 00:35:20,410 | 00:35:22,913 | Sounds like a solid theory, but how does that connect to Celeste? | Sounds like a solid theory, but how does that connect to Celeste? |
749 | 00:35:23,580 | 00:35:24,797 | DOOR OPENS | DOOR OPENS |
750 | 00:35:24,873 | 00:35:27,251 | Gals! Ooh! So... | Gals! Ooh! So... |
751 | 00:35:27,959 | 00:35:30,053 | I snuck a peek at some of the files on Greyson's desk | I snuck a peek at some of the files on Greyson's desk |
752 | 00:35:30,795 | 00:35:32,718 | and... I'm a bit out of breath. | and... I'm a bit out of breath. |
753 | 00:35:33,298 | 00:35:34,675 | It's OK, Mary. What did you find? | It's OK, Mary. What did you find? |
754 | 00:35:35,258 | 00:35:38,228 | Turns out Frost was named as a suspect in a theft about five years back. | Turns out Frost was named as a suspect in a theft about five years back. |
755 | 00:35:38,428 | 00:35:41,432 | What is he accused of stealing? - That's where it got a bit murky. | What is he accused of stealing? - That's where it got a bit murky. |
756 | 00:35:41,473 | 00:35:43,942 | It said was an unusual sort of theft but... | It said was an unusual sort of theft but... |
757 | 00:35:44,517 | 00:35:45,393 | but nothing more. | but nothing more. |
758 | 00:35:46,144 | 00:35:48,238 | I think it's time we took a look at Frost's warehouse. | I think it's time we took a look at Frost's warehouse. |
759 | 00:35:49,606 | 00:35:50,903 | Again? | Again? |
760 | 00:35:50,940 | 00:35:53,034 | So an inventor goes to Frost | So an inventor goes to Frost |
761 | 00:35:53,068 | 00:35:55,446 | with an idea for a brilliant new illusion. | with an idea for a brilliant new illusion. |
762 | 00:35:55,487 | 00:35:57,080 | Let's call it The Flaming Swords. | Let's call it The Flaming Swords. |
763 | 00:35:57,197 | 00:35:59,575 | Frost sees that the idea is special. | Frost sees that the idea is special. |
764 | 00:35:59,616 | 00:36:01,243 | The kind of trick you'd "sell your soul for." | The kind of trick you'd "sell your soul for." |
765 | 00:36:01,284 | 00:36:04,879 | He gets greedy. Decides to cut the inventor out and steals the idea. | He gets greedy. Decides to cut the inventor out and steals the idea. |
766 | 00:36:04,913 | 00:36:07,291 | The inventor files a theft report with the police. | The inventor files a theft report with the police. |
767 | 00:36:07,999 | 00:36:09,296 | That's where it gets tricky. | That's where it gets tricky. |
768 | 00:36:09,334 | 00:36:11,336 | How do you prove someone stole your idea? | How do you prove someone stole your idea? |
769 | 00:36:11,836 | 00:36:15,466 | He takes the stolen idea and makes a secret deal with Van Zant. | He takes the stolen idea and makes a secret deal with Van Zant. |
770 | 00:36:15,840 | 00:36:17,763 | There's gotta be some sort of record of that. | There's gotta be some sort of record of that. |
771 | 00:36:17,801 | 00:36:19,724 | I haven't seen any records anywhere. | I haven't seen any records anywhere. |
772 | 00:36:19,761 | 00:36:21,138 | Let's keep looking. | Let's keep looking. |
773 | 00:36:23,848 | 00:36:25,270 | SHE GASPS - DOOR SQUEAKS | SHE GASPS - DOOR SQUEAKS |
774 | 00:36:28,144 | 00:36:29,737 | Magicians and their secrets. | Magicians and their secrets. |
775 | 00:36:35,860 | 00:36:36,736 | Now... | Now... |
776 | 00:36:37,946 | 00:36:40,199 | like every death-defying trick | like every death-defying trick |
777 | 00:36:40,782 | 00:36:44,252 | you first start by proving it's real. | you first start by proving it's real. |
778 | 00:36:45,829 | 00:36:47,046 | HE GASPS | HE GASPS |
779 | 00:36:48,248 | 00:36:49,465 | This is strange. | This is strange. |
780 | 00:36:49,499 | 00:36:51,797 | Frost has a file on Celeste Van Zant. | Frost has a file on Celeste Van Zant. |
781 | 00:36:54,504 | 00:36:56,848 | It's a contract. Celeste and Van Zant | It's a contract. Celeste and Van Zant |
782 | 00:36:56,881 | 00:36:59,725 | promised 50% of their earnings to Mr Frost | promised 50% of their earnings to Mr Frost |
783 | 00:36:59,759 | 00:37:01,056 | for the rest of their lives. | for the rest of their lives. |
784 | 00:37:01,344 | 00:37:02,891 | What on earth did they get in return? | What on earth did they get in return? |
785 | 00:37:03,805 | 00:37:05,807 | And now, with the flick of a switch | And now, with the flick of a switch |
786 | 00:37:06,224 | 00:37:08,101 | the magic trick blade is released-- | the magic trick blade is released-- |
787 | 00:37:08,560 | 00:37:09,436 | and... | and... |
788 | 00:37:10,770 | 00:37:11,771 | SLICING NOISE | SLICING NOISE |
789 | 00:37:11,855 | 00:37:12,731 | Voila'! | Voila'! |
790 | 00:37:13,481 | 00:37:14,357 | The Magic Guillotine. | The Magic Guillotine. |
791 | 00:37:15,066 | 00:37:16,943 | It's amazing, Mr Van Zant. | It's amazing, Mr Van Zant. |
792 | 00:37:17,527 | 00:37:18,904 | It's gonna put me back on top. | It's gonna put me back on top. |
793 | 00:37:20,697 | 00:37:22,665 | Hey, gals, take a look at this. | Hey, gals, take a look at this. |
794 | 00:37:24,909 | 00:37:27,287 | FRANKIE: It's a blueprint for the Flaming Swords. | FRANKIE: It's a blueprint for the Flaming Swords. |
795 | 00:37:27,662 | 00:37:28,914 | Martha Hudson... | Martha Hudson... |
796 | 00:37:29,289 | 00:37:31,257 | Sellers' assistant is Winnie Hudson. | Sellers' assistant is Winnie Hudson. |
797 | 00:37:31,291 | 00:37:32,338 | They must be related. | They must be related. |
798 | 00:37:32,375 | 00:37:33,752 | She's out to settle the score. | She's out to settle the score. |
799 | 00:37:34,085 | 00:37:36,429 | Could it be that Winnie hypnotised Celeste? | Could it be that Winnie hypnotised Celeste? |
800 | 00:37:36,796 | 00:37:38,890 | "Don't forget to smile." That must be the cue. | "Don't forget to smile." That must be the cue. |
801 | 00:37:38,923 | 00:37:40,095 | We need to find her. | We need to find her. |
802 | 00:37:40,133 | 00:37:42,135 | I saw her with Van Zant. He's showing her his new trick. | I saw her with Van Zant. He's showing her his new trick. |
803 | 00:37:45,096 | 00:37:48,066 | That was an incredible demonstration, Mr Van Zant. | That was an incredible demonstration, Mr Van Zant. |
804 | 00:37:48,808 | 00:37:50,731 | I'd love to see how it all looks when you perform it. | I'd love to see how it all looks when you perform it. |
805 | 00:37:52,520 | 00:37:54,022 | You want me to have a go at it, do you? | You want me to have a go at it, do you? |
806 | 00:37:55,607 | 00:37:57,826 | Well, why not? Strap me in. | Well, why not? Strap me in. |
807 | 00:38:01,488 | 00:38:03,161 | You know, I can't thank you enough, Winnie. | You know, I can't thank you enough, Winnie. |
808 | 00:38:05,033 | 00:38:07,912 | I am happy to assist until you can find a full-time replacement. | I am happy to assist until you can find a full-time replacement. |
809 | 00:38:07,952 | 00:38:09,579 | I don't mean only for that | I don't mean only for that |
810 | 00:38:09,621 | 00:38:11,623 | I mean for coming up with the idea for this trick. | I mean for coming up with the idea for this trick. |
811 | 00:38:11,664 | 00:38:13,086 | Well, I had a good teacher. | Well, I had a good teacher. |
812 | 00:38:13,458 | 00:38:15,051 | My mother was an amateur magician. | My mother was an amateur magician. |
813 | 00:38:15,126 | 00:38:16,218 | And inventor. | And inventor. |
814 | 00:38:18,129 | 00:38:20,097 | Was? - Died a few years ago. | Was? - Died a few years ago. |
815 | 00:38:20,423 | 00:38:22,551 | Never able to achieve her dream of becoming a magician. | Never able to achieve her dream of becoming a magician. |
816 | 00:38:22,967 | 00:38:25,641 | Well, let's face it, the world isn't ready for lady magicians. | Well, let's face it, the world isn't ready for lady magicians. |
817 | 00:38:25,929 | 00:38:29,684 | Funny. That's what the male club owners always said to her. | Funny. That's what the male club owners always said to her. |
818 | 00:38:29,724 | 00:38:30,771 | HE GRUNTS | HE GRUNTS |
819 | 00:38:30,850 | 00:38:33,444 | What are you doing? - Trust me, it'll go easier this way. | What are you doing? - Trust me, it'll go easier this way. |
820 | 00:38:33,978 | 00:38:34,979 | Have you gone mad? Let me out! | Have you gone mad? Let me out! |
821 | 00:38:35,313 | 00:38:37,532 | That's the sound of me disengaging the trick blade. | That's the sound of me disengaging the trick blade. |
822 | 00:38:37,565 | 00:38:40,034 | So when the guillotine falls, so will your head. | So when the guillotine falls, so will your head. |
823 | 00:38:40,068 | 00:38:41,035 | No! No! | No! No! |
824 | 00:38:41,110 | 00:38:42,783 | Whatever it is you're gonna do, don't do it. | Whatever it is you're gonna do, don't do it. |
825 | 00:38:43,196 | 00:38:45,745 | Stay back, or I cut this rope and he dies. | Stay back, or I cut this rope and he dies. |
826 | 00:38:45,782 | 00:38:48,126 | You don't want to do this, Winnie. - I need to finish this. | You don't want to do this, Winnie. - I need to finish this. |
827 | 00:38:48,159 | 00:38:49,411 | I know what happened. | I know what happened. |
828 | 00:38:49,994 | 00:38:51,746 | Frost stole the trick from your relative Martha-- | Frost stole the trick from your relative Martha-- |
829 | 00:38:51,788 | 00:38:53,005 | My mother. | My mother. |
830 | 00:38:53,790 | 00:38:55,667 | Then sold it to Celeste and Van Zant. | Then sold it to Celeste and Van Zant. |
831 | 00:38:56,167 | 00:38:59,592 | Now you wanna get revenge, - That's it in a nutshell. | Now you wanna get revenge, - That's it in a nutshell. |
832 | 00:38:59,963 | 00:39:02,512 | What I don't understand is why use Sellers' coin | What I don't understand is why use Sellers' coin |
833 | 00:39:02,549 | 00:39:03,766 | to jam the gears? | to jam the gears? |
834 | 00:39:04,676 | 00:39:06,053 | Why make him look guilty? | Why make him look guilty? |
835 | 00:39:06,386 | 00:39:08,309 | What's the key to any magic trick? | What's the key to any magic trick? |
836 | 00:39:13,393 | 00:39:14,565 | IMPACT GRUNT | IMPACT GRUNT |
837 | 00:39:15,562 | 00:39:16,734 | Misdirection. | Misdirection. |
838 | 00:39:17,230 | 00:39:18,857 | Nice way to use the trap door. | Nice way to use the trap door. |
839 | 00:39:19,315 | 00:39:20,908 | All that magic training paid off. | All that magic training paid off. |
840 | 00:39:23,319 | 00:39:24,241 | What? | What? |
841 | 00:39:24,863 | 00:39:25,989 | You're not gonna let me out? | You're not gonna let me out? |
842 | 00:39:26,948 | 00:39:28,700 | You're the magician. Do it yourself. | You're the magician. Do it yourself. |
843 | 00:39:35,623 | 00:39:37,500 | We were playing small clubs, just getting by. | We were playing small clubs, just getting by. |
844 | 00:39:38,042 | 00:39:39,965 | Celeste said that we needed to find one big trick. | Celeste said that we needed to find one big trick. |
845 | 00:39:40,795 | 00:39:43,674 | So she went to Frost and you two bought the Flaming Swords. | So she went to Frost and you two bought the Flaming Swords. |
846 | 00:39:44,090 | 00:39:45,888 | We didn't have any money to pay for it at the time | We didn't have any money to pay for it at the time |
847 | 00:39:45,925 | 00:39:47,051 | SO we made an arrangement. | SO we made an arrangement. |
848 | 00:39:47,385 | 00:39:49,513 | 50% of your earnings for the rest of your career. | 50% of your earnings for the rest of your career. |
849 | 00:39:49,554 | 00:39:52,353 | You sold your souls. - VAN ZANT: That's what I said to Celeste | You sold your souls. - VAN ZANT: That's what I said to Celeste |
850 | 00:39:52,390 | 00:39:54,017 | but she could be very persuasive. | but she could be very persuasive. |
851 | 00:39:54,934 | 00:39:57,062 | Classy move, putting the blame on your dead wife. | Classy move, putting the blame on your dead wife. |
852 | 00:39:57,562 | 00:39:59,439 | Frost stole the idea from Martha Hudson. | Frost stole the idea from Martha Hudson. |
853 | 00:39:59,939 | 00:40:02,067 | And she had to raise Winnie all by herself. | And she had to raise Winnie all by herself. |
854 | 00:40:02,525 | 00:40:03,617 | She could have used that money. | She could have used that money. |
855 | 00:40:03,943 | 00:40:05,195 | She died a few years later. | She died a few years later. |
856 | 00:40:06,195 | 00:40:07,071 | Van Zant. | Van Zant. |
857 | 00:40:10,658 | 00:40:13,002 | I hereby renounce your membership to the Magic Mansion. | I hereby renounce your membership to the Magic Mansion. |
858 | 00:40:14,078 | 00:40:16,172 | Your privileges are permanently revoked. | Your privileges are permanently revoked. |
859 | 00:40:16,247 | 00:40:17,419 | You... | You... |
860 | 00:40:17,916 | 00:40:19,168 | are banished for life. | are banished for life. |
861 | 00:40:28,384 | 00:40:30,352 | The first of many changes to come to the Mansion. | The first of many changes to come to the Mansion. |
862 | 00:40:30,845 | 00:40:32,597 | Looks like you're on the road back to Utopia. | Looks like you're on the road back to Utopia. |
863 | 00:40:33,139 | 00:40:34,857 | Thank you, Miss Clarke. And Miss Drake. | Thank you, Miss Clarke. And Miss Drake. |
864 | 00:40:35,433 | 00:40:38,232 | Don't know how I can ever truly repay you for all that you've done. | Don't know how I can ever truly repay you for all that you've done. |
865 | 00:40:38,645 | 00:40:41,023 | Well, we wouldn't say no to a couple of free tickets. | Well, we wouldn't say no to a couple of free tickets. |
866 | 00:40:41,064 | 00:40:42,782 | HE CHUCKLES Of course! | HE CHUCKLES Of course! |
867 | 00:40:42,815 | 00:40:44,817 | You've both done a great service to the Magic Mansion. | You've both done a great service to the Magic Mansion. |
868 | 00:40:44,901 | 00:40:46,323 | Well, it's our pleasure. | Well, it's our pleasure. |
869 | 00:40:48,154 | 00:40:49,030 | But... | But... |
870 | 00:40:49,656 | 00:40:51,579 | you should really keep a better eye on your watch. | you should really keep a better eye on your watch. |
871 | 00:40:52,075 | 00:40:53,076 | HE CHUCKLES | HE CHUCKLES |
872 | 00:40:54,077 | 00:40:54,999 | Quick hands. | Quick hands. |
873 | 00:40:59,332 | 00:41:00,208 | Ben? | Ben? |
874 | 00:41:01,250 | 00:41:03,048 | I heard I might find you here, Emily. | I heard I might find you here, Emily. |
875 | 00:41:03,670 | 00:41:04,887 | Or should I say Frankie. | Or should I say Frankie. |
876 | 00:41:05,755 | 00:41:06,756 | Thank you. | Thank you. |
877 | 00:41:08,299 | 00:41:09,676 | So I hear congratulations are in order. | So I hear congratulations are in order. |
878 | 00:41:10,218 | 00:41:12,641 | Yes, I am the new headliner at the Magic Mansion. | Yes, I am the new headliner at the Magic Mansion. |
879 | 00:41:12,679 | 00:41:15,148 | I wish it had happened under different circumstances, but... | I wish it had happened under different circumstances, but... |
880 | 00:41:15,223 | 00:41:16,770 | I'm happy for you, anyway. | I'm happy for you, anyway. |
881 | 00:41:17,225 | 00:41:18,522 | Thank you. Me too. | Thank you. Me too. |
882 | 00:41:19,560 | 00:41:21,654 | So I came by to see if you... | So I came by to see if you... |
883 | 00:41:22,230 | 00:41:23,698 | maybe wanted to help me celebrate? | maybe wanted to help me celebrate? |
884 | 00:41:26,442 | 00:41:29,412 | I am with my girls tonight. | I am with my girls tonight. |
885 | 00:41:31,072 | 00:41:31,948 | How about tomorrow? | How about tomorrow? |
886 | 00:41:31,990 | 00:41:33,287 | It's a date. | It's a date. |
887 | 00:41:38,204 | 00:41:39,581 | HE EXHALES DEEPLY | HE EXHALES DEEPLY |
888 | 00:41:39,664 | 00:41:42,463 | Nothing like a glass of whisky to celebrate the end... | Nothing like a glass of whisky to celebrate the end... |
889 | 00:41:43,584 | 00:41:44,801 | of another case. | of another case. |
890 | 00:41:45,878 | 00:41:48,381 | Sorry, I didn't mean to eavesdrop. - But you did anyway. | Sorry, I didn't mean to eavesdrop. - But you did anyway. |
891 | 00:41:49,340 | 00:41:50,341 | Yeah. | Yeah. |
892 | 00:41:51,009 | 00:41:51,885 | I did. | I did. |
893 | 00:41:54,387 | 00:41:57,482 | So, hot date with a magician, huh? | So, hot date with a magician, huh? |
894 | 00:41:57,515 | 00:42:00,894 | You know, I never quite figured you for the type who'd go for all that flash. | You know, I never quite figured you for the type who'd go for all that flash. |
895 | 00:42:00,977 | 00:42:02,900 | Well, he's got a lot more than flash. | Well, he's got a lot more than flash. |
896 | 00:42:03,229 | 00:42:05,323 | I'm sure he is a man of substance... | I'm sure he is a man of substance... |
897 | 00:42:06,816 | 00:42:08,193 | and moral character. | and moral character. |
898 | 00:42:10,361 | 00:42:12,284 | Is that jealousy that I hear? | Is that jealousy that I hear? |
899 | 00:42:13,239 | 00:42:14,661 | Come on. | Come on. |
900 | 00:42:14,741 | 00:42:16,209 | You can do better than that. | You can do better than that. |
901 | 00:42:17,076 | 00:42:17,952 | Hm'? | Hm'? |
902 | 00:42:18,494 | 00:42:19,370 | Well, you know, Greyson | Well, you know, Greyson |
903 | 00:42:19,412 | 00:42:21,915 | you don't always have to make things so complicated. | you don't always have to make things so complicated. |
904 | 00:42:22,457 | 00:42:25,256 | Sometimes what you're looking for is right in front of your nose. | Sometimes what you're looking for is right in front of your nose. |
905 | 00:42:26,878 | 00:42:27,845 | Thanks for the tip. | Thanks for the tip. |
906 | 00:42:28,421 | 00:42:29,638 | Anytime. | Anytime. |
907 | 00:42:30,715 | 00:42:32,433 | See ya around, Frankie Drake. | See ya around, Frankie Drake. |
908 | 00:42:32,467 | 00:42:33,810 | See ya around. | See ya around. |
909 | 00:42:35,303 | 00:42:37,522 | TRUDY WHOOPS - THEY GIGGLE | TRUDY WHOOPS - THEY GIGGLE |
910 | 00:42:38,014 | 00:42:39,266 | Oh, my goodness. | Oh, my goodness. |
911 | 00:42:39,766 | 00:42:41,609 | Looks like you got your hands full, and it's not with drinks. | Looks like you got your hands full, and it's not with drinks. |
912 | 00:42:41,642 | 00:42:43,064 | Nothing I can't handle. | Nothing I can't handle. |
913 | 00:42:43,102 | 00:42:45,275 | She is fightin' them off with a stick! | She is fightin' them off with a stick! |
914 | 00:42:45,855 | 00:42:47,607 | Now that's a gal after my own heart. | Now that's a gal after my own heart. |
915 | 00:42:48,316 | 00:42:49,693 | Tonight is about us. | Tonight is about us. |
916 | 00:42:50,359 | 00:42:53,158 | Here's to Mary finally overcoming her magic phobia. | Here's to Mary finally overcoming her magic phobia. |
917 | 00:42:53,571 | 00:42:54,914 | Well, I don't know about that. | Well, I don't know about that. |
918 | 00:42:55,239 | 00:42:57,241 | I'm no Merlini, but I don't see any magic shows | I'm no Merlini, but I don't see any magic shows |
919 | 00:42:57,283 | 00:42:59,752 | in my immediate future. - A toast. | in my immediate future. - A toast. |
920 | 00:43:00,203 | 00:43:02,956 | To another case solved by the Drake Private Detective agency. | To another case solved by the Drake Private Detective agency. |
921 | 00:43:02,997 | 00:43:05,591 | And to the three best friends a gal could have. | And to the three best friends a gal could have. |
922 | 00:43:06,125 | 00:43:07,718 | Aw, cheers! - Cheers! | Aw, cheers! - Cheers! |
923 | 00:43:07,835 | 00:43:09,212 | Cheers! - THEY LAUGH | Cheers! - THEY LAUGH |