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1 | 00:00:12,930 | 00:00:15,729 | It's not often a case takes us north of Lawrence Avenue. | It's not often a case takes us north of Lawrence Avenue. |
2 | 00:00:16,350 | 00:00:19,479 | Well, one Bert Sommers who owns a homestead says he needs our help. | Well, one Bert Sommers who owns a homestead says he needs our help. |
3 | 00:00:19,811 | 00:00:21,028 | Said his horse is missing. | Said his horse is missing. |
4 | 00:00:21,146 | 00:00:23,148 | Horse? - That's what he said. | Horse? - That's what he said. |
5 | 00:00:23,982 | 00:00:25,074 | You sure it wasn't a cow? | You sure it wasn't a cow? |
6 | 00:00:25,234 | 00:00:26,656 | COW MOOS | COW MOOS |
7 | 00:00:31,865 | 00:00:33,117 | HORN HONKS | HORN HONKS |
8 | 00:00:34,243 | 00:00:35,335 | FRANKIE: Excuse us! | FRANKIE: Excuse us! |
9 | 00:00:36,119 | 00:00:37,462 | Don't you just love the country? | Don't you just love the country? |
10 | 00:00:38,497 | 00:00:40,875 | You city folk and your fancy umbrellas. | You city folk and your fancy umbrellas. |
11 | 00:00:42,000 | 00:00:44,503 | Well... best be prepared, I suppose. | Well... best be prepared, I suppose. |
12 | 00:00:45,504 | 00:00:46,881 | Rain came down quick today. | Rain came down quick today. |
13 | 00:00:47,923 | 00:00:49,470 | So tell us about this horse. | So tell us about this horse. |
14 | 00:00:49,758 | 00:00:51,760 | Oh... plain old horse | Oh... plain old horse |
15 | 00:00:52,219 | 00:00:53,721 | but a farm don't run without one. | but a farm don't run without one. |
16 | 00:00:54,763 | 00:00:56,936 | I guess Mr Drake don't see it that way | I guess Mr Drake don't see it that way |
17 | 00:00:57,266 | 00:01:00,770 | him sending two secretaries instead of attending to the matter himself. | him sending two secretaries instead of attending to the matter himself. |
18 | 00:01:01,770 | 00:01:03,522 | Can you give us a description of the horse? | Can you give us a description of the horse? |
19 | 00:01:03,814 | 00:01:05,612 | She's dapple grey with a white mane. | She's dapple grey with a white mane. |
20 | 00:01:06,024 | 00:01:06,946 | Handsome creature. | Handsome creature. |
21 | 00:01:07,568 | 00:01:08,569 | When did she go missing? | When did she go missing? |
22 | 00:01:09,486 | 00:01:12,160 | Oh, this morning, when I called Camille in for breakfast. | Oh, this morning, when I called Camille in for breakfast. |
23 | 00:01:13,323 | 00:01:14,415 | Camille's your horse? | Camille's your horse? |
24 | 00:01:14,741 | 00:01:16,414 | No. Camille's my daughter. | No. Camille's my daughter. |
25 | 00:01:16,952 | 00:01:17,828 | Your daughter? | Your daughter? |
26 | 00:01:17,869 | 00:01:20,668 | She was working in the garden. The horse was grazing nearby. | She was working in the garden. The horse was grazing nearby. |
27 | 00:01:21,290 | 00:01:23,258 | Well, maybe Camille knows where your horse is. | Well, maybe Camille knows where your horse is. |
28 | 00:01:24,209 | 00:01:26,382 | She won't be no help. She's gone too. | She won't be no help. She's gone too. |
29 | 00:01:26,670 | 00:01:27,762 | Your daughter's missing? | Your daughter's missing? |
30 | 00:01:28,005 | 00:01:29,552 | Didn't I tell you that when I called? | Didn't I tell you that when I called? |
31 | 00:01:30,674 | 00:01:33,598 | Well, seeing as your horse is missing and your... your daughter is missing | Well, seeing as your horse is missing and your... your daughter is missing |
32 | 00:01:33,635 | 00:01:34,761 | perhaps they're missing together. | perhaps they're missing together. |
33 | 00:01:35,304 | 00:01:36,351 | TRUDY: Where would she go? | TRUDY: Where would she go? |
34 | 00:01:37,139 | 00:01:38,265 | I have no idea. | I have no idea. |
35 | 00:01:38,932 | 00:01:41,276 | She's such an innocent thing, church-going. | She's such an innocent thing, church-going. |
36 | 00:01:41,935 | 00:01:43,278 | Hardly ever leaves the place. | Hardly ever leaves the place. |
37 | 00:01:43,645 | 00:01:44,988 | Except to sell these here. | Except to sell these here. |
38 | 00:01:46,106 | 00:01:48,154 | Yeah, it was Camille's idea | Yeah, it was Camille's idea |
39 | 00:01:48,734 | 00:01:50,987 | to grow herbs and fancy vegetables. | to grow herbs and fancy vegetables. |
40 | 00:01:51,403 | 00:01:53,201 | She thought there'd be a market for them in the city | She thought there'd be a market for them in the city |
41 | 00:01:53,238 | 00:01:54,410 | and we needed the money. | and we needed the money. |
42 | 00:01:54,656 | 00:01:56,033 | She sells them to restaurants. | She sells them to restaurants. |
43 | 00:01:56,867 | 00:01:58,494 | So... did she go into the city? | So... did she go into the city? |
44 | 00:01:58,535 | 00:02:01,459 | No. Tuesdays and Fridays are her delivery days. | No. Tuesdays and Fridays are her delivery days. |
45 | 00:02:01,913 | 00:02:03,631 | She takes the horse and cart and off she goes. | She takes the horse and cart and off she goes. |
46 | 00:02:04,124 | 00:02:05,592 | So she was in Toronto yesterday. | So she was in Toronto yesterday. |
47 | 00:02:05,626 | 00:02:06,627 | Mm-hm. | Mm-hm. |
48 | 00:02:06,668 | 00:02:07,840 | Does she know anyone there? | Does she know anyone there? |
49 | 00:02:08,128 | 00:02:10,426 | I don't know. Never go near the place myself. | I don't know. Never go near the place myself. |
50 | 00:02:11,632 | 00:02:12,929 | Do you mind if I take a look around? | Do you mind if I take a look around? |
51 | 00:02:13,717 | 00:02:14,593 | Suit yourself. | Suit yourself. |
52 | 00:02:16,386 | 00:02:18,480 | TRUDY: Do you think she might have some friends down there? | TRUDY: Do you think she might have some friends down there? |
53 | 00:02:18,680 | 00:02:19,681 | SOMMERS: None I know of. | SOMMERS: None I know of. |
54 | 00:02:20,307 | 00:02:21,604 | Can we get her delivery route? | Can we get her delivery route? |
55 | 00:02:21,642 | 00:02:24,065 | If you think it'd be a help. - Anything can at this point. | If you think it'd be a help. - Anything can at this point. |
56 | 00:02:25,187 | 00:02:26,404 | It's just not like her | It's just not like her |
57 | 00:02:26,897 | 00:02:28,615 | to take the horse without telling me. | to take the horse without telling me. |
58 | 00:02:40,494 | 00:02:42,838 | Seems like he cares about that horse over his daughter. | Seems like he cares about that horse over his daughter. |
59 | 00:02:42,871 | 00:02:45,249 | I'm sure he cares. He just doesn't show it. | I'm sure he cares. He just doesn't show it. |
60 | 00:02:46,416 | 00:02:47,292 | Take a look at this. | Take a look at this. |
61 | 00:02:47,834 | 00:02:50,257 | Oh! Looks like she's not as innocent as her father thinks. | Oh! Looks like she's not as innocent as her father thinks. |
62 | 00:02:51,463 | 00:02:52,806 | I wonder what else she's hiding. | I wonder what else she's hiding. |
63 | 00:02:53,548 | 00:02:56,051 | Maybe more than a bottle of hooch and a racy novel. | Maybe more than a bottle of hooch and a racy novel. |
64 | 00:02:57,427 | 00:02:58,303 | Frankie! | Frankie! |
65 | 00:02:58,345 | 00:02:59,471 | There's fresh footprints. | There's fresh footprints. |
66 | 00:03:02,724 | 00:03:03,850 | It rained heavy overnight. | It rained heavy overnight. |
67 | 00:03:04,935 | 00:03:06,608 | FRANKIE: So they're likely from this morning. | FRANKIE: So they're likely from this morning. |
68 | 00:03:07,187 | 00:03:08,609 | That's not from Mr Sommers' boot. | That's not from Mr Sommers' boot. |
69 | 00:03:09,272 | 00:03:10,148 | No. | No. |
70 | 00:03:10,190 | 00:03:11,362 | It looks like a dress shoe. | It looks like a dress shoe. |
71 | 00:03:12,234 | 00:03:13,531 | Seems Camille had a visitor. | Seems Camille had a visitor. |
72 | 00:03:14,319 | 00:03:15,195 | Oh! | Oh! |
73 | 00:03:16,863 | 00:03:17,739 | Cigarette. | Cigarette. |
74 | 00:03:19,658 | 00:03:20,580 | It's Turkish. | It's Turkish. |
75 | 00:03:20,909 | 00:03:23,207 | Someone with exotic taste. - Hm. | Someone with exotic taste. - Hm. |
76 | 00:03:23,245 | 00:03:24,997 | Maybe Camille was having a fling | Maybe Camille was having a fling |
77 | 00:03:25,038 | 00:03:26,836 | and didn't want her father to find out about it. | and didn't want her father to find out about it. |
78 | 00:03:27,165 | 00:03:29,884 | She and said fling took off on Daddy's horse. | She and said fling took off on Daddy's horse. |
79 | 00:03:30,127 | 00:03:33,301 | Can't blame her for running away from a struggling farm. | Can't blame her for running away from a struggling farm. |
80 | 00:03:36,800 | 00:03:37,722 | Take a look at this. | Take a look at this. |
81 | 00:03:42,305 | 00:03:43,978 | TRUDY: Seems like Camille was in a hurry. | TRUDY: Seems like Camille was in a hurry. |
82 | 00:03:44,516 | 00:03:45,813 | Did she run away with someone? | Did she run away with someone? |
83 | 00:03:46,393 | 00:03:48,361 | Or was she running away from someone? | Or was she running away from someone? |
84 | 00:04:01,074 | 00:04:01,996 | TRUDY: Austin's. | TRUDY: Austin's. |
85 | 00:04:03,952 | 00:04:05,169 | Last stop on Camille's route. | Last stop on Camille's route. |
86 | 00:04:05,203 | 00:04:07,205 | Well, hopefully they have something more useful | Well, hopefully they have something more useful |
87 | 00:04:07,247 | 00:04:09,341 | than compliments about her vegetable garden. | than compliments about her vegetable garden. |
88 | 00:04:09,374 | 00:04:10,671 | My ma has a vegetable garden. | My ma has a vegetable garden. |
89 | 00:04:10,709 | 00:04:12,256 | She takes a lot of pride in it. | She takes a lot of pride in it. |
90 | 00:04:12,294 | 00:04:13,967 | That's right, doesn't she make a mean rhubarb pie? | That's right, doesn't she make a mean rhubarb pie? |
91 | 00:04:14,004 | 00:04:15,176 | Oh, I remember that pie! | Oh, I remember that pie! |
92 | 00:04:15,422 | 00:04:17,015 | And now I'm hungry. - Me too! | And now I'm hungry. - Me too! |
93 | 00:04:30,020 | 00:04:32,318 | Officer Shaw, keeping the city streets safe. | Officer Shaw, keeping the city streets safe. |
94 | 00:04:32,355 | 00:04:35,029 | Oh, there you are. I won't be long, I'm just finishing this report. | Oh, there you are. I won't be long, I'm just finishing this report. |
95 | 00:04:35,358 | 00:04:37,986 | We're gonna have to make a little detour on the way to lunch. | We're gonna have to make a little detour on the way to lunch. |
96 | 00:04:38,028 | 00:04:40,076 | Gotta visit a crime scene. - A crime scene? | Gotta visit a crime scene. - A crime scene? |
97 | 00:04:40,739 | 00:04:42,867 | Are you collecting forensic evidence? Can I help? | Are you collecting forensic evidence? Can I help? |
98 | 00:04:43,408 | 00:04:46,082 | Nothing to collect except for the coroner's hat that he left behind. | Nothing to collect except for the coroner's hat that he left behind. |
99 | 00:04:46,119 | 00:04:47,291 | He asked me to pick it up. | He asked me to pick it up. |
100 | 00:04:47,579 | 00:04:49,707 | Too bad. Well, at least we'll get to go for a walk. | Too bad. Well, at least we'll get to go for a walk. |
101 | 00:04:50,248 | 00:04:51,124 | Interview everyone. | Interview everyone. |
102 | 00:04:51,208 | 00:04:54,337 | Anything else is out of the ordinary, I wanna know about it, however small. | Anything else is out of the ordinary, I wanna know about it, however small. |
103 | 00:04:54,377 | 00:04:55,845 | Is that clear? - RIPLEY: Yes, sir. | Is that clear? - RIPLEY: Yes, sir. |
104 | 00:04:55,879 | 00:04:56,755 | Thank you. | Thank you. |
105 | 00:04:57,047 | 00:04:58,299 | FLO: That Officer Greyson... | FLO: That Officer Greyson... |
106 | 00:04:59,591 | 00:05:00,513 | What about him? | What about him? |
107 | 00:05:02,010 | 00:05:04,388 | You know, he's pretty handsome when you see him up close. | You know, he's pretty handsome when you see him up close. |
108 | 00:05:04,638 | 00:05:06,106 | In a detective-y sort of way. | In a detective-y sort of way. |
109 | 00:05:07,307 | 00:05:08,900 | How's about an introduction, Mary? | How's about an introduction, Mary? |
110 | 00:05:10,477 | 00:05:13,777 | He's very busy and this isn't a good time. | He's very busy and this isn't a good time. |
111 | 00:05:14,439 | 00:05:15,315 | Let's go. | Let's go. |
112 | 00:05:18,527 | 00:05:19,449 | MARY: Flo! - Mm! | MARY: Flo! - Mm! |
113 | 00:05:25,492 | 00:05:28,211 | Camille brings the vegetables. I pay her. Why you asking? | Camille brings the vegetables. I pay her. Why you asking? |
114 | 00:05:28,829 | 00:05:29,705 | She's missing. | She's missing. |
115 | 00:05:32,040 | 00:05:32,916 | Ain't that a jam. | Ain't that a jam. |
116 | 00:05:33,208 | 00:05:34,505 | TRUDY: Anything else you can tell us? | TRUDY: Anything else you can tell us? |
117 | 00:05:35,335 | 00:05:36,257 | What's there to tell? | What's there to tell? |
118 | 00:05:36,628 | 00:05:37,754 | She's a country girl | She's a country girl |
119 | 00:05:38,129 | 00:05:39,426 | straw hat, the whole she-bang. | straw hat, the whole she-bang. |
120 | 00:05:40,006 | 00:05:41,724 | Blinded by the lights of the city, maybe. | Blinded by the lights of the city, maybe. |
121 | 00:05:42,759 | 00:05:45,854 | Is there anyone that she ever talked about? Maybe someone who knows her? | Is there anyone that she ever talked about? Maybe someone who knows her? |
122 | 00:05:45,887 | 00:05:49,107 | You could try Hank at the stable. She took her horse there when he was lamed. | You could try Hank at the stable. She took her horse there when he was lamed. |
123 | 00:05:49,850 | 00:05:51,193 | She'd talk about him sometimes. | She'd talk about him sometimes. |
124 | 00:05:51,601 | 00:05:53,103 | She'd get all tongue-tied when she did. | She'd get all tongue-tied when she did. |
125 | 00:05:53,895 | 00:05:55,522 | Where's the stable? - Down on Cherry. | Where's the stable? - Down on Cherry. |
126 | 00:05:55,564 | 00:05:56,736 | This side of the tracks. | This side of the tracks. |
127 | 00:05:57,023 | 00:05:57,899 | TRUDY: Thanks. | TRUDY: Thanks. |
128 | 00:05:59,526 | 00:06:01,244 | Stable's a great place to hide a horse. | Stable's a great place to hide a horse. |
129 | 00:06:01,278 | 00:06:03,781 | Maybe Hank has an exotic taste for cigarettes. | Maybe Hank has an exotic taste for cigarettes. |
130 | 00:06:03,864 | 00:06:05,662 | You thinking that Camille wasn't abducted? | You thinking that Camille wasn't abducted? |
131 | 00:06:05,699 | 00:06:06,575 | Let's find out. | Let's find out. |
132 | 00:06:12,289 | 00:06:13,165 | Camille? | Camille? |
133 | 00:06:14,040 | 00:06:15,542 | Haven't seen her in a week or two. | Haven't seen her in a week or two. |
134 | 00:06:15,750 | 00:06:17,002 | Which is it? One week or two? | Which is it? One week or two? |
135 | 00:06:17,502 | 00:06:18,970 | Well, I guess it's more like two weeks. | Well, I guess it's more like two weeks. |
136 | 00:06:19,004 | 00:06:20,221 | I'll look around. - Hey, where are you going? | I'll look around. - Hey, where are you going? |
137 | 00:06:20,255 | 00:06:22,223 | FRANKIE: Mind if I take a look inside? - You can't go in there! | FRANKIE: Mind if I take a look inside? - You can't go in there! |
138 | 00:06:22,257 | 00:06:23,884 | Why's that? You trying to hide something? | Why's that? You trying to hide something? |
139 | 00:06:23,925 | 00:06:25,472 | Or rather someone? - I said stay out! | Or rather someone? - I said stay out! |
140 | 00:06:25,510 | 00:06:26,682 | BUCKET RATTLES - Hey! | BUCKET RATTLES - Hey! |
141 | 00:06:27,888 | 00:06:29,686 | TRUDY: Whoa, slow down, farm girl! | TRUDY: Whoa, slow down, farm girl! |
142 | 00:06:29,723 | 00:06:31,100 | Get off of me! Who are you? | Get off of me! Who are you? |
143 | 00:06:31,725 | 00:06:34,444 | Frankie Drake and Trudy Clarke. We're private detectives. | Frankie Drake and Trudy Clarke. We're private detectives. |
144 | 00:06:35,645 | 00:06:37,739 | What d'you mean? Who hired you? - Your father. | What d'you mean? Who hired you? - Your father. |
145 | 00:06:38,398 | 00:06:40,492 | FRANKIE: If you and Hank were trying to run away | FRANKIE: If you and Hank were trying to run away |
146 | 00:06:40,525 | 00:06:42,198 | you sure were doing a poor job. | you sure were doing a poor job. |
147 | 00:06:42,235 | 00:06:43,782 | CAMILLE: Oh, no! You got it all wrong. | CAMILLE: Oh, no! You got it all wrong. |
148 | 00:06:44,279 | 00:06:45,906 | Hank here was just trying to help me. | Hank here was just trying to help me. |
149 | 00:06:45,947 | 00:06:47,790 | I'm sorry, Camille. I tried to stop them. | I'm sorry, Camille. I tried to stop them. |
150 | 00:06:47,824 | 00:06:49,417 | It's OK, Hank. You did your best for me. | It's OK, Hank. You did your best for me. |
151 | 00:06:49,451 | 00:06:51,749 | So why would you run away from the farm in such a hurry? | So why would you run away from the farm in such a hurry? |
152 | 00:06:51,786 | 00:06:55,086 | Because a man came into my garden this morning and tried to kill me! | Because a man came into my garden this morning and tried to kill me! |
153 | 00:06:55,165 | 00:06:57,167 | How do you know? - He had a knife. | How do you know? - He had a knife. |
154 | 00:06:57,584 | 00:07:00,053 | I jumped on my horse and got out of there! I tore my dress. | I jumped on my horse and got out of there! I tore my dress. |
155 | 00:07:00,086 | 00:07:02,339 | Why would this man want to hurt you? - I don't know. | Why would this man want to hurt you? - I don't know. |
156 | 00:07:03,715 | 00:07:05,717 | But I saw him yesterday on my route. | But I saw him yesterday on my route. |
157 | 00:07:05,800 | 00:07:06,676 | Where? | Where? |
158 | 00:07:07,344 | 00:07:08,641 | FRANKIE: So tell us what happened, Camille. | FRANKIE: So tell us what happened, Camille. |
159 | 00:07:08,678 | 00:07:10,772 | CAMILLE: Well... I was standing right here | CAMILLE: Well... I was standing right here |
160 | 00:07:11,306 | 00:07:14,401 | I just leaded my basket with vegetables and herbs for the restaurant. | I just leaded my basket with vegetables and herbs for the restaurant. |
161 | 00:07:14,893 | 00:07:15,940 | When I turned to go... | When I turned to go... |
162 | 00:07:16,269 | 00:07:18,363 | this man nearly bowled me over. | this man nearly bowled me over. |
163 | 00:07:18,396 | 00:07:20,569 | All the vegetables went flying everywhere. | All the vegetables went flying everywhere. |
164 | 00:07:21,274 | 00:07:23,197 | He didn't stop to help me. He just kept going. | He didn't stop to help me. He just kept going. |
165 | 00:07:23,610 | 00:07:25,362 | He looked desperate. - Where did he go? | He looked desperate. - Where did he go? |
166 | 00:07:26,029 | 00:07:26,905 | Just there. | Just there. |
167 | 00:07:26,988 | 00:07:28,080 | He looked back... | He looked back... |
168 | 00:07:30,700 | 00:07:32,168 | got in his car and sped off. | got in his car and sped off. |
169 | 00:07:33,078 | 00:07:34,330 | Did you get a good look at him? | Did you get a good look at him? |
170 | 00:07:34,412 | 00:07:35,959 | Mm-hm! - Anyone else around? | Mm-hm! - Anyone else around? |
171 | 00:07:36,164 | 00:07:38,337 | No. - Did you see or hear anything else? | No. - Did you see or hear anything else? |
172 | 00:07:38,625 | 00:07:39,501 | Nothing. | Nothing. |
173 | 00:07:39,626 | 00:07:41,549 | He must think you saw something incriminating | He must think you saw something incriminating |
174 | 00:07:41,586 | 00:07:43,554 | otherwise he wouldn't have followed you to the farm. | otherwise he wouldn't have followed you to the farm. |
175 | 00:07:44,089 | 00:07:46,217 | Well, if I did, I... I don't know what it is. | Well, if I did, I... I don't know what it is. |
176 | 00:07:46,257 | 00:07:47,634 | So he ran past you here... | So he ran past you here... |
177 | 00:07:47,926 | 00:07:49,849 | which means he must have come from there... | which means he must have come from there... |
178 | 00:07:51,096 | 00:07:52,268 | What're you girls doing here? | What're you girls doing here? |
179 | 00:07:52,305 | 00:07:54,433 | Picking up 'the coroner's hat. He left it at the crime scene. | Picking up 'the coroner's hat. He left it at the crime scene. |
180 | 00:07:54,474 | 00:07:56,147 | What crime scene? - There was a murder. | What crime scene? - There was a murder. |
181 | 00:07:56,184 | 00:07:57,686 | At the Queen's Motel. What're you doing here? | At the Queen's Motel. What're you doing here? |
182 | 00:07:57,727 | 00:07:59,650 | I'm not sure yet. Tell us more about this murder. | I'm not sure yet. Tell us more about this murder. |
183 | 00:07:59,688 | 00:08:01,986 | A hotel guest was stabbed to death in their room. | A hotel guest was stabbed to death in their room. |
184 | 00:08:02,023 | 00:08:04,617 | Right there. Unpleasant way to end a vacation. | Right there. Unpleasant way to end a vacation. |
185 | 00:08:04,651 | 00:08:06,870 | TRUDY: When was that? - Yesterday afternoon. | TRUDY: When was that? - Yesterday afternoon. |
186 | 00:08:07,779 | 00:08:08,905 | This may explain things. | This may explain things. |
187 | 00:08:08,947 | 00:08:10,415 | What's going on, Frankie? | What's going on, Frankie? |
188 | 00:08:10,448 | 00:08:12,576 | I think this woman may have seen the killer. | I think this woman may have seen the killer. |
189 | 00:08:12,867 | 00:08:14,915 | Oh, no! I didn't see anyone murder anyone. | Oh, no! I didn't see anyone murder anyone. |
190 | 00:08:15,328 | 00:08:18,047 | But the killer probably thinks that you saw him in that window. | But the killer probably thinks that you saw him in that window. |
191 | 00:08:18,540 | 00:08:20,008 | That's why he came looking for you. | That's why he came looking for you. |
192 | 00:08:20,375 | 00:08:22,377 | I don't understand. How did he find me? | I don't understand. How did he find me? |
193 | 00:08:22,752 | 00:08:24,299 | You're not that hard to track down. | You're not that hard to track down. |
194 | 00:08:24,337 | 00:08:26,305 | The farm's name and address is written on the back of the cart. | The farm's name and address is written on the back of the cart. |
195 | 00:08:26,756 | 00:08:27,882 | Oh, no... | Oh, no... |
196 | 00:08:28,508 | 00:08:29,475 | Can you describe him? | Can you describe him? |
197 | 00:08:30,427 | 00:08:33,897 | He was fair, quite tall, well-dressed... | He was fair, quite tall, well-dressed... |
198 | 00:08:34,097 | 00:08:35,724 | he had a hat... and a cane. | he had a hat... and a cane. |
199 | 00:08:36,933 | 00:08:37,855 | Anything else? | Anything else? |
200 | 00:08:38,226 | 00:08:39,899 | Just the car. It was red. | Just the car. It was red. |
201 | 00:08:39,936 | 00:08:42,439 | Fled? Well, that's unusual. Did you get the license plate? | Fled? Well, that's unusual. Did you get the license plate? |
202 | 00:08:42,731 | 00:08:44,153 | Mm. Only the first two numbers. | Mm. Only the first two numbers. |
203 | 00:08:44,190 | 00:08:47,114 | Sixteen. I remembered because that's my birthday. July 16th. | Sixteen. I remembered because that's my birthday. July 16th. |
204 | 00:08:48,445 | 00:08:51,039 | Mary, can you look into the licence plate? - I can try. | Mary, can you look into the licence plate? - I can try. |
205 | 00:08:51,072 | 00:08:53,166 | Flo, we're gonna need to take a look at that body. | Flo, we're gonna need to take a look at that body. |
206 | 00:08:53,199 | 00:08:54,872 | FLO: No problem. He's not going anywhere. | FLO: No problem. He's not going anywhere. |
207 | 00:08:55,869 | 00:08:56,836 | CAMILLE: What about me? | CAMILLE: What about me? |
208 | 00:08:56,870 | 00:08:59,419 | We'll let your father know that you're safe but you can't go back to the farm. | We'll let your father know that you're safe but you can't go back to the farm. |
209 | 00:08:59,456 | 00:09:01,675 | The killer's still after you. - ls my father in danger? | The killer's still after you. - ls my father in danger? |
210 | 00:09:01,708 | 00:09:03,130 | No, but the killer's after you. | No, but the killer's after you. |
211 | 00:09:03,168 | 00:09:04,636 | We gotta get you somewhere safe. | We gotta get you somewhere safe. |
212 | 00:09:04,794 | 00:09:06,796 | Where are you taking me? - Get in. | Where are you taking me? - Get in. |
213 | 00:09:08,840 | 00:09:10,888 | CAMILLE: What are we doing in a place like this? | CAMILLE: What are we doing in a place like this? |
214 | 00:09:16,765 | 00:09:18,017 | So this is her? | So this is her? |
215 | 00:09:18,892 | 00:09:19,768 | Who are you? | Who are you? |
216 | 00:09:19,809 | 00:09:22,403 | Camille Sommers, meet Nora Amory. My mother. | Camille Sommers, meet Nora Amory. My mother. |
217 | 00:09:23,021 | 00:09:25,820 | Despite opinions to the contrary, I don't bite. | Despite opinions to the contrary, I don't bite. |
218 | 00:09:26,608 | 00:09:28,827 | She'll take care of you, I promise. - You sure? | She'll take care of you, I promise. - You sure? |
219 | 00:09:29,027 | 00:09:30,995 | Nora's one tough broad. You'll see soon enough. | Nora's one tough broad. You'll see soon enough. |
220 | 00:09:31,488 | 00:09:33,161 | When you said she was fresh off the farm | When you said she was fresh off the farm |
221 | 00:09:33,198 | 00:09:35,371 | I didn't expect the whole country mouse routine. | I didn't expect the whole country mouse routine. |
222 | 00:09:35,617 | 00:09:36,789 | She's terrified! | She's terrified! |
223 | 00:09:37,077 | 00:09:39,455 | Just make her comfortable, if you can manage that. | Just make her comfortable, if you can manage that. |
224 | 00:09:39,621 | 00:09:41,669 | Well, you know me. My middle name's comfort. | Well, you know me. My middle name's comfort. |
225 | 00:09:41,706 | 00:09:43,959 | That's not very reassuring. - Well, then why'd you bring her here? | That's not very reassuring. - Well, then why'd you bring her here? |
226 | 00:09:44,000 | 00:09:46,719 | No one's gonna expect her to be in a swanky place like this. | No one's gonna expect her to be in a swanky place like this. |
227 | 00:09:47,504 | 00:09:49,381 | What? - She's hardly incognito! | What? - She's hardly incognito! |
228 | 00:09:49,422 | 00:09:51,299 | I mean, she stands out like a sore thumb. | I mean, she stands out like a sore thumb. |
229 | 00:09:51,716 | 00:09:52,968 | Just go easy on her. | Just go easy on her. |
230 | 00:09:54,094 | 00:09:55,721 | Me? I'm always easy. | Me? I'm always easy. |
231 | 00:10:00,350 | 00:10:03,103 | The straw hat and the drab dress have got to go. | The straw hat and the drab dress have got to go. |
232 | 00:10:07,398 | 00:10:10,527 | What do you mean, the funeral director is on his way to pick up the body? | What do you mean, the funeral director is on his way to pick up the body? |
233 | 00:10:10,610 | 00:10:11,953 | You tell him to hold his horses. | You tell him to hold his horses. |
234 | 00:10:11,986 | 00:10:14,034 | Dr Thompson hasn't signed the release form yet. | Dr Thompson hasn't signed the release form yet. |
235 | 00:10:14,614 | 00:10:16,241 | Oh. You already have it. | Oh. You already have it. |
236 | 00:10:17,033 | 00:10:19,286 | Well, it's not the first time he's kept me out of the loop. | Well, it's not the first time he's kept me out of the loop. |
237 | 00:10:19,327 | 00:10:21,455 | But you know what? I won't send a respectable man | But you know what? I won't send a respectable man |
238 | 00:10:21,496 | 00:10:23,089 | halfway across the city in the buff. | halfway across the city in the buff. |
239 | 00:10:23,498 | 00:10:25,466 | Can you... can you buy me a half hour? | Can you... can you buy me a half hour? |
240 | 00:10:26,793 | 00:10:27,794 | OK, hon. Thank you. | OK, hon. Thank you. |
241 | 00:10:28,294 | 00:10:29,637 | Thank you! I appreciate it. | Thank you! I appreciate it. |
242 | 00:10:29,754 | 00:10:31,427 | Hey, Flo. - There you are. | Hey, Flo. - There you are. |
243 | 00:10:32,257 | 00:10:34,009 | You got here just in time. | You got here just in time. |
244 | 00:10:34,634 | 00:10:37,262 | Our friend was almost whisked away to his final resting place. | Our friend was almost whisked away to his final resting place. |
245 | 00:10:37,303 | 00:10:38,725 | What can you tell us about him? | What can you tell us about him? |
246 | 00:10:38,805 | 00:10:41,900 | Archibald Carnegie was an American visiting from Chicago. | Archibald Carnegie was an American visiting from Chicago. |
247 | 00:10:42,016 | 00:10:43,859 | Stabbed to death by an unknown assailant | Stabbed to death by an unknown assailant |
248 | 00:10:43,893 | 00:10:45,895 | in his first floor room at the Queen's Hotel. | in his first floor room at the Queen's Hotel. |
249 | 00:10:46,187 | 00:10:48,531 | The wound was a clean thrust with a sharp blade | The wound was a clean thrust with a sharp blade |
250 | 00:10:48,565 | 00:10:49,908 | likely a dagger. | likely a dagger. |
251 | 00:10:50,191 | 00:10:51,818 | Oof! - Those are his belongings. | Oof! - Those are his belongings. |
252 | 00:10:55,321 | 00:10:57,323 | Ooh! It's one nice suit. | Ooh! It's one nice suit. |
253 | 00:10:58,783 | 00:11:00,035 | This wasn't cheap either. | This wasn't cheap either. |
254 | 00:11:00,952 | 00:11:02,670 | Mr Carnegie wasn't short on money. | Mr Carnegie wasn't short on money. |
255 | 00:11:04,247 | 00:11:06,124 | Makes sense. He was an investment banker. | Makes sense. He was an investment banker. |
256 | 00:11:06,666 | 00:11:08,088 | That explains the nice threads. | That explains the nice threads. |
257 | 00:11:08,126 | 00:11:10,470 | He was identified by the hotel's desk clerk. | He was identified by the hotel's desk clerk. |
258 | 00:11:10,503 | 00:11:12,722 | Said he wasn't shy about flashing around his cash. | Said he wasn't shy about flashing around his cash. |
259 | 00:11:13,590 | 00:11:16,434 | Looks like he wanted to keep some things private. | Looks like he wanted to keep some things private. |
260 | 00:11:16,467 | 00:11:17,343 | FLO: What's that? | FLO: What's that? |
261 | 00:11:18,553 | 00:11:21,932 | Looks like a key to a locker from the train station. | Looks like a key to a locker from the train station. |
262 | 00:11:21,973 | 00:11:23,145 | Number 160. | Number 160. |
263 | 00:11:24,184 | 00:11:25,185 | Maybe Union Station. | Maybe Union Station. |
264 | 00:11:25,310 | 00:11:27,404 | Why would you hide a key in the heel of your shoe? | Why would you hide a key in the heel of your shoe? |
265 | 00:11:28,271 | 00:11:29,363 | Only one way to find out. | Only one way to find out. |
266 | 00:11:29,731 | 00:11:32,280 | You ladies skedaddle. I have to dress Mr C. | You ladies skedaddle. I have to dress Mr C. |
267 | 00:11:32,650 | 00:11:33,697 | He needs some privacy. | He needs some privacy. |
268 | 00:11:35,278 | 00:11:36,530 | CAMILLE: I don't know about this. | CAMILLE: I don't know about this. |
269 | 00:11:37,363 | 00:11:38,990 | How come I gotta change my clothes? | How come I gotta change my clothes? |
270 | 00:11:39,032 | 00:11:41,000 | You need to look like you belong in the city, honey. | You need to look like you belong in the city, honey. |
271 | 00:11:41,409 | 00:11:42,626 | Who's gonna see me? | Who's gonna see me? |
272 | 00:11:42,702 | 00:11:44,124 | A gal's gotta be prepared for anything. | A gal's gotta be prepared for anything. |
273 | 00:11:44,162 | 00:11:46,381 | I mean. who knows, you may have to make a run for it. | I mean. who knows, you may have to make a run for it. |
274 | 00:11:46,497 | 00:11:48,465 | A dress is only as good as the girl who's wearing it | A dress is only as good as the girl who's wearing it |
275 | 00:11:48,499 | 00:11:50,376 | so stand up straight. we're not milking cows here. | so stand up straight. we're not milking cows here. |
276 | 00:11:50,418 | 00:11:52,887 | See? Now, you're gonna try and put a little sass in your walk. | See? Now, you're gonna try and put a little sass in your walk. |
277 | 00:11:52,921 | 00:11:53,922 | Watch, like this. | Watch, like this. |
278 | 00:11:54,339 | 00:11:56,137 | Now you try it and throw some hip into it. | Now you try it and throw some hip into it. |
279 | 00:11:57,508 | 00:12:01,012 | OK, well, that needs some practise. Here! See what magic you can do with that. | OK, well, that needs some practise. Here! See what magic you can do with that. |
280 | 00:12:06,684 | 00:12:07,651 | There. See? | There. See? |
281 | 00:12:07,685 | 00:12:08,561 | You'll pass. | You'll pass. |
282 | 00:12:09,437 | 00:12:10,313 | Oh, my! | Oh, my! |
283 | 00:12:10,688 | 00:12:12,110 | If Hank could see me now. | If Hank could see me now. |
284 | 00:12:12,148 | 00:12:14,367 | Who's Hank? Your sweetheart? - You could say that. | Who's Hank? Your sweetheart? - You could say that. |
285 | 00:12:15,026 | 00:12:16,699 | Do all city girls look like this? | Do all city girls look like this? |
286 | 00:12:16,945 | 00:12:18,572 | The secret is making your own kind of glamour. | The secret is making your own kind of glamour. |
287 | 00:12:18,613 | 00:12:19,614 | You believe in yourself | You believe in yourself |
288 | 00:12:19,656 | 00:12:21,829 | and the world's gonna buy the whole kit and caboodle. | and the world's gonna buy the whole kit and caboodle. |
289 | 00:12:22,242 | 00:12:24,665 | Frankie sure is lucky to have a mother like you around to teach her. | Frankie sure is lucky to have a mother like you around to teach her. |
290 | 00:12:24,702 | 00:12:26,750 | Yeah, well, Frankie more or less taught herself. | Yeah, well, Frankie more or less taught herself. |
291 | 00:12:31,626 | 00:12:33,549 | Mrs Amory? It's the hotel manager. | Mrs Amory? It's the hotel manager. |
292 | 00:12:33,836 | 00:12:34,712 | Shh! | Shh! |
293 | 00:12:35,213 | 00:12:36,339 | KNOCK ON DOOR | KNOCK ON DOOR |
294 | 00:12:38,007 | 00:12:39,475 | I, I know you're in there. | I, I know you're in there. |
295 | 00:12:43,471 | 00:12:45,940 | Mrs Amory, we have to talk about your last cheque. | Mrs Amory, we have to talk about your last cheque. |
296 | 00:12:46,224 | 00:12:48,226 | I regret to inform you it bounced. | I regret to inform you it bounced. |
297 | 00:12:49,560 | 00:12:50,436 | Again. | Again. |
298 | 00:12:53,523 | 00:12:56,117 | This matter must be resolved with some urgency, madam. | This matter must be resolved with some urgency, madam. |
299 | 00:12:58,820 | 00:13:01,369 | To that end, rest assured... | To that end, rest assured... |
300 | 00:13:02,115 | 00:13:03,082 | I will be back. | I will be back. |
301 | 00:13:08,246 | 00:13:09,247 | We gonna get kicked out? | We gonna get kicked out? |
302 | 00:13:09,289 | 00:13:11,383 | Of course not. I'm just a little late paying my bill. | Of course not. I'm just a little late paying my bill. |
303 | 00:13:11,416 | 00:13:14,135 | How late is late? - I don't know, six months. Give or take. | How late is late? - I don't know, six months. Give or take. |
304 | 00:13:14,168 | 00:13:16,216 | Isn't that really late? - ls it? Yeah, well... | Isn't that really late? - ls it? Yeah, well... |
305 | 00:13:16,254 | 00:13:18,052 | Maybe I'm running out of wiggle room here. | Maybe I'm running out of wiggle room here. |
306 | 00:13:18,464 | 00:13:20,011 | Anyway, that's no concern of yours. | Anyway, that's no concern of yours. |
307 | 00:13:20,758 | 00:13:22,510 | How come you live in a hotel anyway? | How come you live in a hotel anyway? |
308 | 00:13:23,303 | 00:13:25,226 | Oh! That, my dear, is an interesting story. | Oh! That, my dear, is an interesting story. |
309 | 00:13:25,263 | 00:13:26,890 | A lot of it, trade secrets. But... | A lot of it, trade secrets. But... |
310 | 00:13:27,598 | 00:13:29,600 | Nora Amory has lived many lives. | Nora Amory has lived many lives. |
311 | 00:13:29,642 | 00:13:32,691 | "Nora Amory." You could be a character in a Judith Dawes book. | "Nora Amory." You could be a character in a Judith Dawes book. |
312 | 00:13:33,354 | 00:13:35,527 | Doesn't she write those racy romance novels? | Doesn't she write those racy romance novels? |
313 | 00:13:36,190 | 00:13:38,192 | My father only has the Bible to read at the farm | My father only has the Bible to read at the farm |
314 | 00:13:38,234 | 00:13:41,078 | but I like to buy them when I'm in the city and read them in secret. | but I like to buy them when I'm in the city and read them in secret. |
315 | 00:13:41,112 | 00:13:44,161 | I love romance and adventure. | I love romance and adventure. |
316 | 00:13:44,615 | 00:13:45,958 | Yeah, nothing wrong with that. | Yeah, nothing wrong with that. |
317 | 00:13:46,909 | 00:13:48,377 | So why do you live in a hotel? | So why do you live in a hotel? |
318 | 00:13:52,248 | 00:13:55,001 | Alright, honey, saddle up. I got tales to tell. | Alright, honey, saddle up. I got tales to tell. |
319 | 00:13:55,209 | 00:13:56,335 | Can you be discreet? | Can you be discreet? |
320 | 00:13:57,712 | 00:13:58,588 | Yes. | Yes. |
321 | 00:14:01,299 | 00:14:02,551 | DOOR OPENS | DOOR OPENS |
322 | 00:14:05,094 | 00:14:07,222 | FOOTSTEPS APPROACH - Trudy, you have to hear this. | FOOTSTEPS APPROACH - Trudy, you have to hear this. |
323 | 00:14:08,097 | 00:14:09,690 | "He took her in his muscular arms. | "He took her in his muscular arms. |
324 | 00:14:09,891 | 00:14:13,065 | "Her heart pounded against the warmth of his mighty chest. | "Her heart pounded against the warmth of his mighty chest. |
325 | 00:14:13,644 | 00:14:15,612 | "'The city of love', she whispered. | "'The city of love', she whispered. |
326 | 00:14:16,064 | 00:14:18,908 | "The lights on the Eiffel tower glistened in the night air | "The lights on the Eiffel tower glistened in the night air |
327 | 00:14:18,941 | 00:14:21,865 | "as he brought her quivering lips to meet his." | "as he brought her quivering lips to meet his." |
328 | 00:14:22,820 | 00:14:24,322 | THEY LAUGH | THEY LAUGH |
329 | 00:14:24,530 | 00:14:25,998 | Camille sure likes to dream. | Camille sure likes to dream. |
330 | 00:14:26,407 | 00:14:28,501 | Well, a gal's dream deserves better prose. | Well, a gal's dream deserves better prose. |
331 | 00:14:29,285 | 00:14:31,037 | Do the lights of the Eiffel tower really glisten? | Do the lights of the Eiffel tower really glisten? |
332 | 00:14:31,079 | 00:14:32,080 | Not when I was there. | Not when I was there. |
333 | 00:14:32,538 | 00:14:34,256 | But there was a war going on at the time. | But there was a war going on at the time. |
334 | 00:14:34,832 | 00:14:36,425 | LOCK CLICKS - Bingo. | LOCK CLICKS - Bingo. |
335 | 00:14:40,421 | 00:14:42,844 | Let's see what was in locker 160. | Let's see what was in locker 160. |
336 | 00:14:45,051 | 00:14:47,770 | Not the quality of suit he was wearing when he was killed. | Not the quality of suit he was wearing when he was killed. |
337 | 00:14:47,804 | 00:14:48,680 | Nope. | Nope. |
338 | 00:14:48,721 | 00:14:51,270 | Strange. This is the wardrobe of a completely different man. | Strange. This is the wardrobe of a completely different man. |
339 | 00:14:57,438 | 00:15:00,237 | Archibald Carnegie wasn't an investment banker. | Archibald Carnegie wasn't an investment banker. |
340 | 00:15:00,775 | 00:15:03,403 | He was a claims investigator for Primary. | He was a claims investigator for Primary. |
341 | 00:15:03,778 | 00:15:06,452 | Primary? That's only the largest insurance company in America. | Primary? That's only the largest insurance company in America. |
342 | 00:15:11,911 | 00:15:13,584 | One hundred thousand dollars? | One hundred thousand dollars? |
343 | 00:15:13,621 | 00:15:14,964 | Not exactly pocket change. | Not exactly pocket change. |
344 | 00:15:14,997 | 00:15:17,967 | A bearer bond is equivalent to cash and completely untraceable. | A bearer bond is equivalent to cash and completely untraceable. |
345 | 00:15:18,000 | 00:15:20,549 | Right. To be used for money laundering and other shady deals. | Right. To be used for money laundering and other shady deals. |
346 | 00:15:20,586 | 00:15:21,758 | Exactly. - But... | Exactly. - But... |
347 | 00:15:21,796 | 00:15:25,266 | what is an insurance investigator doing with $100,000 in his suitcase? | what is an insurance investigator doing with $100,000 in his suitcase? |
348 | 00:15:25,716 | 00:15:28,640 | Maybe the $100,000 is the reason that he was killed. | Maybe the $100,000 is the reason that he was killed. |
349 | 00:15:29,137 | 00:15:31,356 | TRUDY: Oh! It's a newspaper article. | TRUDY: Oh! It's a newspaper article. |
350 | 00:15:31,889 | 00:15:33,937 | How's your German? - Hm. A bit rusty. | How's your German? - Hm. A bit rusty. |
351 | 00:15:35,435 | 00:15:36,857 | It's a news report... | It's a news report... |
352 | 00:15:37,770 | 00:15:41,866 | about a stolen diamond that resurfaced in Vienna recently. | about a stolen diamond that resurfaced in Vienna recently. |
353 | 00:15:43,151 | 00:15:45,620 | The police moved in, arrested a fence | The police moved in, arrested a fence |
354 | 00:15:45,945 | 00:15:48,949 | but the seller got away with the diamond and is still at large. | but the seller got away with the diamond and is still at large. |
355 | 00:15:53,453 | 00:15:54,329 | oof! | oof! |
356 | 00:15:54,704 | 00:15:56,877 | One hundred and ninety-six carats. | One hundred and ninety-six carats. |
357 | 00:15:57,123 | 00:15:59,091 | This must be the diamond they're talking about. | This must be the diamond they're talking about. |
358 | 00:15:59,125 | 00:16:00,923 | Carnegie was the investigator. | Carnegie was the investigator. |
359 | 00:16:00,960 | 00:16:02,507 | What was he doing in Toronto? | What was he doing in Toronto? |
360 | 00:16:02,962 | 00:16:04,509 | Maybe he followed the thief here. | Maybe he followed the thief here. |
361 | 00:16:04,547 | 00:16:06,094 | I guess he's a good investigator. | I guess he's a good investigator. |
362 | 00:16:06,799 | 00:16:07,721 | Was. | Was. |
363 | 00:16:12,847 | 00:16:15,100 | There's... there's something hinky about this bond. | There's... there's something hinky about this bond. |
364 | 00:16:15,141 | 00:16:16,939 | It feels... thin. | It feels... thin. |
365 | 00:16:18,352 | 00:16:19,569 | Trudy, can you look into it? | Trudy, can you look into it? |
366 | 00:16:20,062 | 00:16:22,235 | I'm gonna see what I can find out about this diamond. | I'm gonna see what I can find out about this diamond. |
367 | 00:16:23,191 | 00:16:25,535 | Oh, I wasn't gonna let him getaway with it that easily | Oh, I wasn't gonna let him getaway with it that easily |
368 | 00:16:25,568 | 00:16:27,616 | so I followed him until he stopped at a light. | so I followed him until he stopped at a light. |
369 | 00:16:28,029 | 00:16:29,827 | I edged in close enough to slip my hand | I edged in close enough to slip my hand |
370 | 00:16:29,864 | 00:16:32,367 | into his pocket like so, and relieved him of his wallet. | into his pocket like so, and relieved him of his wallet. |
371 | 00:16:32,575 | 00:16:34,998 | And he never felt a thing! - How'd you do it? | And he never felt a thing! - How'd you do it? |
372 | 00:16:35,786 | 00:16:39,165 | The key is to move fast and slow at the same time. | The key is to move fast and slow at the same time. |
373 | 00:16:40,124 | 00:16:41,967 | You sure do know a lot about a lot of things. | You sure do know a lot about a lot of things. |
374 | 00:16:42,001 | 00:16:45,005 | A gal's gotta do what a gal's gotta do to get ahead in this world. | A gal's gotta do what a gal's gotta do to get ahead in this world. |
375 | 00:16:45,046 | 00:16:47,299 | KNOCK ON DOOR - He didn't waste any time. | KNOCK ON DOOR - He didn't waste any time. |
376 | 00:16:47,507 | 00:16:49,805 | FRANKIE: Nora, open up. IVs me. - Oh! Just Frankie. | FRANKIE: Nora, open up. IVs me. - Oh! Just Frankie. |
377 | 00:16:50,134 | 00:16:52,637 | No need for her to know about my little money problem, hm? | No need for her to know about my little money problem, hm? |
378 | 00:16:53,471 | 00:16:54,643 | NORA: Use the code knock! | NORA: Use the code knock! |
379 | 00:16:55,431 | 00:16:56,307 | DOOR OPENS | DOOR OPENS |
380 | 00:16:56,349 | 00:16:57,771 | NORA: Any news? - Not yet. | NORA: Any news? - Not yet. |
381 | 00:16:59,310 | 00:17:00,186 | Huh. | Huh. |
382 | 00:17:01,312 | 00:17:02,859 | I see Nora's worked her magic on you. | I see Nora's worked her magic on you. |
383 | 00:17:03,105 | 00:17:05,733 | It's so I'm incognito in case we need to make a quick getaway. | It's so I'm incognito in case we need to make a quick getaway. |
384 | 00:17:05,775 | 00:17:07,152 | Your mother thinks of everything. | Your mother thinks of everything. |
385 | 00:17:07,193 | 00:17:09,321 | Doesn't she just? - Yeah, I'll take the compliment. | Doesn't she just? - Yeah, I'll take the compliment. |
386 | 00:17:09,820 | 00:17:12,869 | I need to pick your brain about jewels, diamonds to be precise. | I need to pick your brain about jewels, diamonds to be precise. |
387 | 00:17:12,907 | 00:17:14,534 | NORA: Yeah, sure. What do you wanna know? | NORA: Yeah, sure. What do you wanna know? |
388 | 00:17:16,702 | 00:17:18,579 | NORA GASPS It's her! I don't believe it. | NORA GASPS It's her! I don't believe it. |
389 | 00:17:18,913 | 00:17:19,789 | What? | What? |
390 | 00:17:19,830 | 00:17:21,924 | Oh, Frankie, come on! You don't know the Antoinette? | Oh, Frankie, come on! You don't know the Antoinette? |
391 | 00:17:21,958 | 00:17:23,335 | I mean, who the heck raised ya? | I mean, who the heck raised ya? |
392 | 00:17:23,584 | 00:17:24,460 | Don't answer that. | Don't answer that. |
393 | 00:17:24,877 | 00:17:26,174 | Oh, this rock is legendary. | Oh, this rock is legendary. |
394 | 00:17:26,212 | 00:17:27,805 | Out of this world! | Out of this world! |
395 | 00:17:28,172 | 00:17:30,140 | The original stone was found in India | The original stone was found in India |
396 | 00:17:30,174 | 00:17:33,223 | then cut by Cartier, along with a sister diamond, the Carolina. | then cut by Cartier, along with a sister diamond, the Carolina. |
397 | 00:17:33,261 | 00:17:35,980 | Yeah, well, the Carolina's now owned by some private collector down in the States | Yeah, well, the Carolina's now owned by some private collector down in the States |
398 | 00:17:36,013 | 00:17:38,391 | but the Antoinette... oh, that's the finer of the two. | but the Antoinette... oh, that's the finer of the two. |
399 | 00:17:38,432 | 00:17:41,436 | Recently stolen. - Yeah, from Paris some months ago. | Recently stolen. - Yeah, from Paris some months ago. |
400 | 00:17:41,644 | 00:17:43,396 | A pretty audacious theft is what I heard. | A pretty audacious theft is what I heard. |
401 | 00:17:43,604 | 00:17:45,948 | So, why the sudden interest? | So, why the sudden interest? |
402 | 00:17:47,024 | 00:17:49,447 | The Antoinette might be the reason that Camille is in danger. | The Antoinette might be the reason that Camille is in danger. |
403 | 00:17:50,486 | 00:17:52,204 | What? You're kidding! W... How? | What? You're kidding! W... How? |
404 | 00:17:52,238 | 00:17:53,706 | It may have resurfaced. | It may have resurfaced. |
405 | 00:17:53,906 | 00:17:56,000 | Oh! And I suppose you would like me to contact | Oh! And I suppose you would like me to contact |
406 | 00:17:56,033 | 00:17:58,752 | a certain gentleman I know and make some discreet inquiries? | a certain gentleman I know and make some discreet inquiries? |
407 | 00:17:58,786 | 00:18:01,005 | Well, since you're offering. -I wasn't, but I will. | Well, since you're offering. -I wasn't, but I will. |
408 | 00:18:01,038 | 00:18:01,914 | And you're welcome. | And you're welcome. |
409 | 00:18:05,084 | 00:18:05,960 | Go easy. | Go easy. |
410 | 00:18:07,211 | 00:18:08,087 | What? | What? |
411 | 00:18:08,838 | 00:18:09,885 | Stay on your toes. | Stay on your toes. |
412 | 00:18:13,884 | 00:18:15,807 | DOOR OPENS - Do you and Frankie work together? | DOOR OPENS - Do you and Frankie work together? |
413 | 00:18:16,137 | 00:18:17,013 | Occasionally. | Occasionally. |
414 | 00:18:17,888 | 00:18:18,764 | Operator! | Operator! |
415 | 00:18:18,806 | 00:18:20,479 | Placing a call to New York City. | Placing a call to New York City. |
416 | 00:18:21,434 | 00:18:23,311 | Yeah. 95992. | Yeah. 95992. |
417 | 00:18:23,686 | 00:18:25,780 | You make a great team. What else do you get up to? | You make a great team. What else do you get up to? |
418 | 00:18:26,147 | 00:18:27,820 | Yeah, we don't really spend much time together. | Yeah, we don't really spend much time together. |
419 | 00:18:27,857 | 00:18:29,985 | That's a shame. - Yeah, just the way it is. | That's a shame. - Yeah, just the way it is. |
420 | 00:18:30,735 | 00:18:32,237 | Hello! Hello, Lenny? | Hello! Hello, Lenny? |
421 | 00:18:32,737 | 00:18:34,034 | Yeah, it's me, darling. | Yeah, it's me, darling. |
422 | 00:18:34,447 | 00:18:37,166 | Oh, I know, I know, ifs been ages, but here I am. | Oh, I know, I know, ifs been ages, but here I am. |
423 | 00:18:37,617 | 00:18:40,245 | Well, of course I want your help. Why else would I be calling? | Well, of course I want your help. Why else would I be calling? |
424 | 00:18:44,040 | 00:18:46,384 | Constable Ripley. Please tell me you've got something. | Constable Ripley. Please tell me you've got something. |
425 | 00:18:46,417 | 00:18:48,090 | I checked the hotel room again, sir | I checked the hotel room again, sir |
426 | 00:18:48,127 | 00:18:50,721 | and no one saw anyone come or go from Mr Carnegie's room. | and no one saw anyone come or go from Mr Carnegie's room. |
427 | 00:18:50,755 | 00:18:51,677 | GHEYSON: That's terrific... | GHEYSON: That's terrific... |
428 | 00:18:51,714 | 00:18:54,342 | So even if we had a lead on Carnegie's killer, which we don't | So even if we had a lead on Carnegie's killer, which we don't |
429 | 00:18:54,634 | 00:18:55,886 | we'd still have nothing to prove it. | we'd still have nothing to prove it. |
430 | 00:18:56,177 | 00:18:57,724 | No fingerprints, no murder weapon. | No fingerprints, no murder weapon. |
431 | 00:18:58,262 | 00:18:59,138 | I'm sorry. | I'm sorry. |
432 | 00:18:59,639 | 00:19:01,232 | Just... get back to work. | Just... get back to work. |
433 | 00:19:07,855 | 00:19:09,698 | I met with Freddy the Forger. - And? | I met with Freddy the Forger. - And? |
434 | 00:19:09,732 | 00:19:11,234 | The bond is the best he's seen. | The bond is the best he's seen. |
435 | 00:19:11,275 | 00:19:12,777 | But it is a forgery? - Yep. | But it is a forgery? - Yep. |
436 | 00:19:12,818 | 00:19:14,286 | And you were right about the weight of the paper. | And you were right about the weight of the paper. |
437 | 00:19:14,320 | 00:19:15,742 | Freddy was impressed you figured that out. | Freddy was impressed you figured that out. |
438 | 00:19:16,405 | 00:19:19,158 | So an insurance investigator is in Toronto | So an insurance investigator is in Toronto |
439 | 00:19:19,200 | 00:19:20,577 | with a forged bearer bond... | with a forged bearer bond... |
440 | 00:19:20,618 | 00:19:23,041 | Disguised as a wealthy banker. Why? | Disguised as a wealthy banker. Why? |
441 | 00:19:25,122 | 00:19:27,671 | He's buying the diamond. - He was setting up the thief. | He's buying the diamond. - He was setting up the thief. |
442 | 00:19:27,708 | 00:19:29,710 | So they set up a meeting at the Queen's Hotel... | So they set up a meeting at the Queen's Hotel... |
443 | 00:19:29,752 | 00:19:33,256 | And it doesn't go right and the thief figures out Carnegie's ruse and kills him. | And it doesn't go right and the thief figures out Carnegie's ruse and kills him. |
444 | 00:19:33,297 | 00:19:35,720 | And then he runs out the back door... - Running into Camille. | And then he runs out the back door... - Running into Camille. |
445 | 00:19:35,758 | 00:19:39,808 | He thinks that she's seen more than she has so he decides to take care of her as well. | He thinks that she's seen more than she has so he decides to take care of her as well. |
446 | 00:19:40,471 | 00:19:42,769 | SHE SIGHS It's one dangerous character. | SHE SIGHS It's one dangerous character. |
447 | 00:19:43,641 | 00:19:46,645 | Well, there's a black cloud hanging over the station today. | Well, there's a black cloud hanging over the station today. |
448 | 00:19:47,019 | 00:19:50,523 | They have nothing on Carnegie's killer. Detective Greyson's in a real funk about it. | They have nothing on Carnegie's killer. Detective Greyson's in a real funk about it. |
449 | 00:19:50,773 | 00:19:53,026 | What about the car? - Well, I'm not sure. | What about the car? - Well, I'm not sure. |
450 | 00:19:53,067 | 00:19:55,286 | I have found a red sedan with a 16 on the plate. | I have found a red sedan with a 16 on the plate. |
451 | 00:19:55,611 | 00:19:57,033 | Good work, Mary. - Well... | Good work, Mary. - Well... |
452 | 00:19:57,071 | 00:19:59,574 | It's registered to a widow who lives here in Toronto. | It's registered to a widow who lives here in Toronto. |
453 | 00:19:59,615 | 00:20:01,959 | A Mrs Edith Burns-Higgins. | A Mrs Edith Burns-Higgins. |
454 | 00:20:02,493 | 00:20:04,211 | Doesn't sound much like a killer to me. | Doesn't sound much like a killer to me. |
455 | 00:20:05,413 | 00:20:06,710 | We need a picture of that car. | We need a picture of that car. |
456 | 00:20:06,747 | 00:20:10,468 | Maybe Mrs Burns-Higgins has a driver with a murderous sideline. | Maybe Mrs Burns-Higgins has a driver with a murderous sideline. |
457 | 00:20:13,129 | 00:20:15,177 | This is a gin rickey cocktail. | This is a gin rickey cocktail. |
458 | 00:20:15,214 | 00:20:16,807 | Favourite of Scott Fitzgerald. | Favourite of Scott Fitzgerald. |
459 | 00:20:16,882 | 00:20:17,758 | Speaking of which... | Speaking of which... |
460 | 00:20:18,008 | 00:20:20,761 | you might want to expand your reading beyond Miss Dawes. | you might want to expand your reading beyond Miss Dawes. |
461 | 00:20:21,011 | 00:20:23,685 | But I love her stories. - Yeah, sure you do | But I love her stories. - Yeah, sure you do |
462 | 00:20:24,557 | 00:20:26,685 | but broadening your horizons isn't a bad thing. | but broadening your horizons isn't a bad thing. |
463 | 00:20:26,726 | 00:20:28,444 | I'm beginning to figure that out. | I'm beginning to figure that out. |
464 | 00:20:29,729 | 00:20:32,448 | You think Hank will still like a girl who stepped out of the nest? | You think Hank will still like a girl who stepped out of the nest? |
465 | 00:20:33,149 | 00:20:35,868 | Well, as long as she's stepping out with him, I don't see why not. | Well, as long as she's stepping out with him, I don't see why not. |
466 | 00:20:38,446 | 00:20:41,541 | Hm! Not your first kick at the gin can, I see. | Hm! Not your first kick at the gin can, I see. |
467 | 00:20:41,866 | 00:20:42,958 | KNOCK ON DOOR | KNOCK ON DOOR |
468 | 00:20:43,534 | 00:20:46,708 | MAN: Mrs Amory! We need to talk and I'm not leaving this time. | MAN: Mrs Amory! We need to talk and I'm not leaving this time. |
469 | 00:20:47,288 | 00:20:48,380 | SHE SIGHS | SHE SIGHS |
470 | 00:20:49,582 | 00:20:51,755 | I think it might be time to face the music. | I think it might be time to face the music. |
471 | 00:20:54,462 | 00:20:55,338 | Wait. | Wait. |
472 | 00:20:57,965 | 00:20:58,966 | Let me handle this. | Let me handle this. |
473 | 00:21:09,185 | 00:21:10,277 | Don't come any closer. | Don't come any closer. |
474 | 00:21:11,604 | 00:21:14,323 | But I must speak to Mrs Amory. - I'm afraid that's not possible. | But I must speak to Mrs Amory. - I'm afraid that's not possible. |
475 | 00:21:14,356 | 00:21:17,951 | She has a highly contagious case of... the measles. | She has a highly contagious case of... the measles. |
476 | 00:21:18,110 | 00:21:19,737 | Who are you? - I'm her niece. | Who are you? - I'm her niece. |
477 | 00:21:20,321 | 00:21:22,073 | Mrs Amory has a family? | Mrs Amory has a family? |
478 | 00:21:22,865 | 00:21:24,913 | Estranged from her sister, sadly. | Estranged from her sister, sadly. |
479 | 00:21:24,950 | 00:21:28,500 | I've defied my mother's wishes by helping to nurse my poor aunt back to health. | I've defied my mother's wishes by helping to nurse my poor aunt back to health. |
480 | 00:21:28,537 | 00:21:32,087 | I hope to heal the rift between the two with my sacrifice. | I hope to heal the rift between the two with my sacrifice. |
481 | 00:21:32,708 | 00:21:36,463 | That may be so, but I can't have people with contagious diseases in my hotel. | That may be so, but I can't have people with contagious diseases in my hotel. |
482 | 00:21:36,504 | 00:21:37,847 | She'll have to leave immediately. | She'll have to leave immediately. |
483 | 00:21:37,880 | 00:21:41,555 | Sir, I am aware of my aunt's financial predicament. | Sir, I am aware of my aunt's financial predicament. |
484 | 00:21:42,009 | 00:21:45,138 | And I can assure you that once Mrs Amory's illness | And I can assure you that once Mrs Amory's illness |
485 | 00:21:45,179 | 00:21:48,103 | resolves itself one way or the other, if you catch my meaning | resolves itself one way or the other, if you catch my meaning |
486 | 00:21:48,390 | 00:21:49,892 | my family will repay any debts. | my family will repay any debts. |
487 | 00:21:50,351 | 00:21:53,070 | And of course there'll be a little something extra for your patience. | And of course there'll be a little something extra for your patience. |
488 | 00:21:53,479 | 00:21:54,651 | What guarantee do I have? | What guarantee do I have? |
489 | 00:21:54,772 | 00:21:56,069 | Is my word not enough? | Is my word not enough? |
490 | 00:21:58,317 | 00:22:00,695 | I'd prefer to hear from your mother. - It's not possible. | I'd prefer to hear from your mother. - It's not possible. |
491 | 00:22:01,153 | 00:22:04,077 | Currently, she's taking the waters in Baden Baden. | Currently, she's taking the waters in Baden Baden. |
492 | 00:22:04,114 | 00:22:05,912 | Clearly I should speak to your superior. | Clearly I should speak to your superior. |
493 | 00:22:06,116 | 00:22:07,663 | Where's he? - Uh... | Where's he? - Uh... |
494 | 00:22:08,786 | 00:22:10,333 | I'm sure that in this one instance | I'm sure that in this one instance |
495 | 00:22:10,371 | 00:22:13,500 | perhaps I can make an exception. - Excellent. | perhaps I can make an exception. - Excellent. |
496 | 00:22:13,916 | 00:22:15,964 | Then I thank you to leave us in peace. - No need... | Then I thank you to leave us in peace. - No need... |
497 | 00:22:19,088 | 00:22:20,260 | How was that? - Bravo! | How was that? - Bravo! |
498 | 00:22:20,297 | 00:22:22,391 | Measles! Brilliant. Family rift, inspired. | Measles! Brilliant. Family rift, inspired. |
499 | 00:22:22,550 | 00:22:25,053 | But Baden Baden takes the biscuit! | But Baden Baden takes the biscuit! |
500 | 00:22:25,094 | 00:22:26,186 | Where'd you dig that up? | Where'd you dig that up? |
501 | 00:22:26,220 | 00:22:29,064 | From one of those Miss Dawes stories you think I shouldn't read anymore. | From one of those Miss Dawes stories you think I shouldn't read anymore. |
502 | 00:22:29,098 | 00:22:31,192 | I take it all back. Miss Dawes is a genius! | I take it all back. Miss Dawes is a genius! |
503 | 00:22:31,225 | 00:22:33,569 | To romance and adventure! | To romance and adventure! |
504 | 00:22:34,311 | 00:22:35,813 | Well, adventure does have its price. | Well, adventure does have its price. |
505 | 00:22:35,855 | 00:22:36,777 | What do you mean? | What do you mean? |
506 | 00:22:38,148 | 00:22:41,618 | You kept the manager at bay for now but you gotta be realistic. | You kept the manager at bay for now but you gotta be realistic. |
507 | 00:22:41,944 | 00:22:44,038 | Sometimes you gotta know when the jig is up. | Sometimes you gotta know when the jig is up. |
508 | 00:22:44,822 | 00:22:46,244 | But you're Nora Amory. | But you're Nora Amory. |
509 | 00:22:46,282 | 00:22:48,000 | You can reinvent yourself someplace else. | You can reinvent yourself someplace else. |
510 | 00:22:52,246 | 00:22:53,293 | What's keeping you here? | What's keeping you here? |
511 | 00:22:54,290 | 00:22:55,166 | Oh... | Oh... |
512 | 00:22:56,917 | 00:22:59,045 | It's Frankie, isn't it? | It's Frankie, isn't it? |
513 | 00:22:59,879 | 00:23:02,553 | Yeah. Well, might have been. You know, uh... | Yeah. Well, might have been. You know, uh... |
514 | 00:23:03,257 | 00:23:06,477 | Things just didn't work out between us the way that I'd hoped... | Things just didn't work out between us the way that I'd hoped... |
515 | 00:23:06,510 | 00:23:07,602 | Can't you fix things? | Can't you fix things? |
516 | 00:23:10,306 | 00:23:11,273 | Too late for that. | Too late for that. |
517 | 00:23:13,976 | 00:23:15,603 | No happy ending to this story. | No happy ending to this story. |
518 | 00:23:16,770 | 00:23:18,738 | Sorry, kiddo. - JAUNTY KNOCK ON DOOR | Sorry, kiddo. - JAUNTY KNOCK ON DOOR |
519 | 00:23:18,981 | 00:23:20,028 | Oh, speak of the devil. | Oh, speak of the devil. |
520 | 00:23:20,608 | 00:23:22,030 | Do you wanna get that? - Sure. | Do you wanna get that? - Sure. |
521 | 00:23:25,863 | 00:23:27,160 | DOOR OPENS | DOOR OPENS |
522 | 00:23:28,073 | 00:23:29,791 | Well, if it isn't the intrepid detective. | Well, if it isn't the intrepid detective. |
523 | 00:23:29,825 | 00:23:32,078 | Did you find out anything? - Yeah, I made some calls. | Did you find out anything? - Yeah, I made some calls. |
524 | 00:23:32,119 | 00:23:34,588 | So after the killer was almost caught in Vienna, he took off | So after the killer was almost caught in Vienna, he took off |
525 | 00:23:34,622 | 00:23:37,125 | but he's not giving up. - So he's still looking to unload the rock. | but he's not giving up. - So he's still looking to unload the rock. |
526 | 00:23:37,166 | 00:23:40,466 | Oh, he sure is, and word is after that close call, he's desperate to sell. | Oh, he sure is, and word is after that close call, he's desperate to sell. |
527 | 00:23:40,502 | 00:23:41,799 | Well, I may have a suspect. | Well, I may have a suspect. |
528 | 00:23:42,046 | 00:23:43,263 | Camille, take a look at this. | Camille, take a look at this. |
529 | 00:23:44,214 | 00:23:45,807 | Looks like the car I saw the killer get into. | Looks like the car I saw the killer get into. |
530 | 00:23:45,841 | 00:23:47,263 | Is that the guy? - Not him. | Is that the guy? - Not him. |
531 | 00:23:47,801 | 00:23:49,303 | So we have the wrong car. - This man! | So we have the wrong car. - This man! |
532 | 00:23:50,012 | 00:23:51,059 | He's the one I saw. | He's the one I saw. |
533 | 00:23:52,014 | 00:23:54,642 | Well, it looks like you found the killer. So who is he'? | Well, it looks like you found the killer. So who is he'? |
534 | 00:23:54,975 | 00:23:56,022 | And how do we catch him? | And how do we catch him? |
535 | 00:24:05,569 | 00:24:08,322 | According to Camille, this is definitely the man that she saw. | According to Camille, this is definitely the man that she saw. |
536 | 00:24:09,531 | 00:24:12,580 | Well, he's sure a dapper dresser, - A real gentleman jewel thief. | Well, he's sure a dapper dresser, - A real gentleman jewel thief. |
537 | 00:24:13,035 | 00:24:15,959 | Dapper or not, Camille could put him at the hotel at the time of the murder. | Dapper or not, Camille could put him at the hotel at the time of the murder. |
538 | 00:24:15,996 | 00:24:17,373 | It's still not enough to nail him | It's still not enough to nail him |
539 | 00:24:17,414 | 00:24:19,382 | and certainly not enough to make Greyson happy. | and certainly not enough to make Greyson happy. |
540 | 00:24:19,416 | 00:24:20,542 | So what do we do? | So what do we do? |
541 | 00:24:20,709 | 00:24:24,759 | According to Nora's sources, our guy's desperate to unload the diamond. | According to Nora's sources, our guy's desperate to unload the diamond. |
542 | 00:24:26,382 | 00:24:29,135 | So if he's looking for a buyer... - We give him a buyer. | So if he's looking for a buyer... - We give him a buyer. |
543 | 00:24:29,385 | 00:24:32,229 | I like where this is going. So how do we get to him? | I like where this is going. So how do we get to him? |
544 | 00:24:33,180 | 00:24:36,855 | Well, our mark was close enough to Mrs Burns-Higgins to borrow her car. | Well, our mark was close enough to Mrs Burns-Higgins to borrow her car. |
545 | 00:24:37,726 | 00:24:39,774 | And I may have a way into the household. | And I may have a way into the household. |
546 | 00:24:45,693 | 00:24:46,569 | TRUDY: Mavis? | TRUDY: Mavis? |
547 | 00:24:49,071 | 00:24:51,494 | Hi. I'm Trudy Clarke. Thanks for coming. | Hi. I'm Trudy Clarke. Thanks for coming. |
548 | 00:24:51,782 | 00:24:53,659 | Please have a seat. - I don't have much time. | Please have a seat. - I don't have much time. |
549 | 00:24:53,867 | 00:24:55,744 | I'm supposed to be out shopping for the house. | I'm supposed to be out shopping for the house. |
550 | 00:24:55,786 | 00:24:57,504 | What's this about? How do you know Shirley? | What's this about? How do you know Shirley? |
551 | 00:24:58,330 | 00:25:00,503 | I've known Shirley for ages. She's my hairdresser. | I've known Shirley for ages. She's my hairdresser. |
552 | 00:25:01,041 | 00:25:03,669 | Shirley does the best Marcel wave in town. | Shirley does the best Marcel wave in town. |
553 | 00:25:03,752 | 00:25:05,049 | TRUDY CHUCKLES | TRUDY CHUCKLES |
554 | 00:25:05,838 | 00:25:07,215 | Listen, I'm a private detective | Listen, I'm a private detective |
555 | 00:25:07,631 | 00:25:09,474 | and I need some information about this man. | and I need some information about this man. |
556 | 00:25:10,426 | 00:25:12,679 | I believe he knows your employer. Mrs Burns-Higgins. | I believe he knows your employer. Mrs Burns-Higgins. |
557 | 00:25:12,720 | 00:25:13,596 | I can't help you. | I can't help you. |
558 | 00:25:14,096 | 00:25:15,564 | I can't afford to lose my job. | I can't afford to lose my job. |
559 | 00:25:19,143 | 00:25:21,111 | Shirley told me about your mother getting sick. | Shirley told me about your mother getting sick. |
560 | 00:25:21,145 | 00:25:22,772 | I'm not taking your money. - Take it. | I'm not taking your money. - Take it. |
561 | 00:25:23,022 | 00:25:25,150 | I know you don't earn a lot and every bit helps. | I know you don't earn a lot and every bit helps. |
562 | 00:25:26,316 | 00:25:27,693 | Are you sure nobody will find out? | Are you sure nobody will find out? |
563 | 00:25:28,402 | 00:25:30,120 | Anything you tell me is confidential. | Anything you tell me is confidential. |
564 | 00:25:33,490 | 00:25:35,492 | Shirley said you were straightforward. | Shirley said you were straightforward. |
565 | 00:25:37,494 | 00:25:40,464 | He's a guest at the house. His name is Count Johann. | He's a guest at the house. His name is Count Johann. |
566 | 00:25:41,373 | 00:25:42,966 | How does he know Mrs Burns-Higgins? | How does he know Mrs Burns-Higgins? |
567 | 00:25:43,000 | 00:25:45,344 | They met on a European river cruise a month ago. | They met on a European river cruise a month ago. |
568 | 00:25:45,377 | 00:25:47,050 | She invited him to Toronto. | She invited him to Toronto. |
569 | 00:25:47,504 | 00:25:49,723 | Where's he from? - Supposedly Vienna | Where's he from? - Supposedly Vienna |
570 | 00:25:49,757 | 00:25:51,054 | but I think he travels a lot. | but I think he travels a lot. |
571 | 00:25:51,133 | 00:25:53,556 | Speaks a couple languages. - He's a worldly man. | Speaks a couple languages. - He's a worldly man. |
572 | 00:25:54,678 | 00:25:56,225 | Does he smoke? - Yes. | Does he smoke? - Yes. |
573 | 00:25:56,263 | 00:25:58,311 | Some foreign cigarettes that smell funny. | Some foreign cigarettes that smell funny. |
574 | 00:25:58,849 | 00:25:59,975 | Listen, I need to go. | Listen, I need to go. |
575 | 00:26:00,017 | 00:26:03,237 | Mrs Burns-Higgins is throwing a garden party in honour of the Count | Mrs Burns-Higgins is throwing a garden party in honour of the Count |
576 | 00:26:03,270 | 00:26:05,398 | and the house is in a tizzy. - When's the party? | and the house is in a tizzy. - When's the party? |
577 | 00:26:06,106 | 00:26:07,153 | Tomorrow afternoon. | Tomorrow afternoon. |
578 | 00:26:13,280 | 00:26:15,282 | FRANKIE: So can you do it or not? - Tomorrow afternoon! | FRANKIE: So can you do it or not? - Tomorrow afternoon! |
579 | 00:26:15,324 | 00:26:16,667 | You're not giving me enough time. | You're not giving me enough time. |
580 | 00:26:16,700 | 00:26:18,043 | Come on, Nora. You're the perfect candidate. | Come on, Nora. You're the perfect candidate. |
581 | 00:26:18,077 | 00:26:19,954 | Aw. cut the sweet talk. I'm no performing monkey. | Aw. cut the sweet talk. I'm no performing monkey. |
582 | 00:26:19,995 | 00:26:21,542 | Fine. I'll get someone else to do it. | Fine. I'll get someone else to do it. |
583 | 00:26:21,789 | 00:26:24,713 | Hold on! What's the role? Um... Another brothel owner perhaps? | Hold on! What's the role? Um... Another brothel owner perhaps? |
584 | 00:26:24,750 | 00:26:27,549 | No, it's something much more difficult. You'd have to pretend to be my mother. | No, it's something much more difficult. You'd have to pretend to be my mother. |
585 | 00:26:27,586 | 00:26:29,213 | Hold on. You and me'? Mother and daughter? | Hold on. You and me'? Mother and daughter? |
586 | 00:26:29,254 | 00:26:30,756 | Like I said, I'll get someone else. | Like I said, I'll get someone else. |
587 | 00:26:30,798 | 00:26:33,551 | No. no. I'll do it. It'll be my perfect swan song. | No. no. I'll do it. It'll be my perfect swan song. |
588 | 00:26:33,592 | 00:26:35,640 | Swan song? What, are you leaving town or something? | Swan song? What, are you leaving town or something? |
589 | 00:26:35,677 | 00:26:36,553 | Something. | Something. |
590 | 00:26:36,637 | 00:26:38,184 | You care to elaborate? - No. | You care to elaborate? - No. |
591 | 00:26:38,222 | 00:26:39,974 | So what's the first step in your grand plan? | So what's the first step in your grand plan? |
592 | 00:26:40,265 | 00:26:43,064 | We need to set the bait. Maybe Lipstick could help. | We need to set the bait. Maybe Lipstick could help. |
593 | 00:26:43,477 | 00:26:45,946 | I'll fire up the old typewriter. What's! you have in mind? | I'll fire up the old typewriter. What's! you have in mind? |
594 | 00:26:45,979 | 00:26:47,401 | TYPEWRITER CLATTERS | TYPEWRITER CLATTERS |
595 | 00:26:47,523 | 00:26:49,992 | "About town. look for Eudora Nelson | "About town. look for Eudora Nelson |
596 | 00:26:50,400 | 00:26:53,279 | "wife of dashing millionaire Oscar Nelson | "wife of dashing millionaire Oscar Nelson |
597 | 00:26:53,320 | 00:26:55,789 | and her beautiful daughter, Cleopatra..." | and her beautiful daughter, Cleopatra..." |
598 | 00:26:55,823 | 00:26:57,416 | Cleopatra? - What's wrong with that? | Cleopatra? - What's wrong with that? |
599 | 00:26:57,825 | 00:26:59,247 | Too flowery. - What? | Too flowery. - What? |
600 | 00:26:59,660 | 00:27:02,459 | What about Olivia? - Ugh! Everybody's a critic. | What about Olivia? - Ugh! Everybody's a critic. |
601 | 00:27:02,746 | 00:27:04,919 | "Olivia... | "Olivia... |
602 | 00:27:05,749 | 00:27:07,501 | "Word is they look more like sisters | "Word is they look more like sisters |
603 | 00:27:07,543 | 00:27:09,841 | than mother and daughter, but that's another story." | than mother and daughter, but that's another story." |
604 | 00:27:09,878 | 00:27:11,471 | Got a uniform, courtesy of Mavis. | Got a uniform, courtesy of Mavis. |
605 | 00:27:12,381 | 00:27:14,349 | For you. - Oh! It's perfect. | For you. - Oh! It's perfect. |
606 | 00:27:15,759 | 00:27:18,638 | What are you gonna wear? - What do you think? | What are you gonna wear? - What do you think? |
607 | 00:27:19,179 | 00:27:20,305 | It's beautiful. | It's beautiful. |
608 | 00:27:20,931 | 00:27:22,148 | THEY GIGGLE | THEY GIGGLE |
609 | 00:27:22,599 | 00:27:25,443 | NORA: "Fellow New Yorkers call Mrs Nelson 'The Diamond Queen' | NORA: "Fellow New Yorkers call Mrs Nelson 'The Diamond Queen' |
610 | 00:27:25,477 | 00:27:27,150 | "for her insatiable appetite | "for her insatiable appetite |
611 | 00:27:27,187 | 00:27:28,780 | "for the glittering gemstone. | "for the glittering gemstone. |
612 | 00:27:30,023 | 00:27:32,242 | "Rumour has it Mrs Nelson had her heart set | "Rumour has it Mrs Nelson had her heart set |
613 | 00:27:32,276 | 00:27:34,449 | "on buying the fabled Antoinette rock | "on buying the fabled Antoinette rock |
614 | 00:27:34,486 | 00:27:37,114 | and was heartbroken when it was stolen in Paris." | and was heartbroken when it was stolen in Paris." |
615 | 00:27:38,407 | 00:27:39,750 | Good morning, Count! | Good morning, Count! |
616 | 00:27:39,950 | 00:27:42,294 | Perfect weather for a party, isn't it? | Perfect weather for a party, isn't it? |
617 | 00:27:42,578 | 00:27:43,830 | Yes. | Yes. |
618 | 00:27:45,247 | 00:27:47,750 | Quite... perfect. | Quite... perfect. |
619 | 00:27:55,632 | 00:27:57,726 | We leave for the garden party in five minutes. | We leave for the garden party in five minutes. |
620 | 00:27:57,759 | 00:27:59,056 | Mavis is gonna let us in. | Mavis is gonna let us in. |
621 | 00:27:59,094 | 00:28:01,222 | You all know your parts. There can be no mistakes. | You all know your parts. There can be no mistakes. |
622 | 00:28:01,263 | 00:28:02,389 | Our mark is no amateur. | Our mark is no amateur. |
623 | 00:28:02,431 | 00:28:04,525 | He killed the last person who tried to best him. | He killed the last person who tried to best him. |
624 | 00:28:05,267 | 00:28:07,065 | Everybody ready? - Ready. | Everybody ready? - Ready. |
625 | 00:28:12,608 | 00:28:15,282 | Stay in the suite with the door locked. - Don't worry, I'm not going anywhere. | Stay in the suite with the door locked. - Don't worry, I'm not going anywhere. |
626 | 00:28:15,319 | 00:28:16,445 | And don't drink all my gin. | And don't drink all my gin. |
627 | 00:28:36,423 | 00:28:38,221 | INDISTINCT CHATTER AND LAUGHTER | INDISTINCT CHATTER AND LAUGHTER |
628 | 00:28:38,634 | 00:28:40,557 | CLASSICAL MUSIC PLAYS - Hello and welcome... | CLASSICAL MUSIC PLAYS - Hello and welcome... |
629 | 00:28:51,104 | 00:28:52,697 | Ginger ale or iced tea? - Oh! | Ginger ale or iced tea? - Oh! |
630 | 00:28:52,731 | 00:28:55,484 | IN BRITISH ACCENT: I've never been to Vienna, I'm not very good in boats. | IN BRITISH ACCENT: I've never been to Vienna, I'm not very good in boats. |
631 | 00:28:55,525 | 00:28:58,404 | But of course, with all those canals, how else does one get around? | But of course, with all those canals, how else does one get around? |
632 | 00:28:59,154 | 00:29:01,122 | Oh, you probably have your own private gondola. | Oh, you probably have your own private gondola. |
633 | 00:29:01,156 | 00:29:05,502 | Madam, you're confusing your European cities. | Madam, you're confusing your European cities. |
634 | 00:29:05,744 | 00:29:07,337 | Oh, you must meet Olivia. | Oh, you must meet Olivia. |
635 | 00:29:07,537 | 00:29:10,336 | She was there last season. Simply enchanted with the place! | She was there last season. Simply enchanted with the place! |
636 | 00:29:10,374 | 00:29:12,422 | She will be thrilled. Oh-oh! | She will be thrilled. Oh-oh! |
637 | 00:29:12,793 | 00:29:14,090 | NORA: Heads up, here they come. | NORA: Heads up, here they come. |
638 | 00:29:14,127 | 00:29:15,128 | FLO: Woo-hoe! | FLO: Woo-hoe! |
639 | 00:29:16,338 | 00:29:19,182 | Woo-hoo! Olivia, darling, look what I've found. | Woo-hoo! Olivia, darling, look what I've found. |
640 | 00:29:19,466 | 00:29:22,140 | A genuine Austrian count! | A genuine Austrian count! |
641 | 00:29:22,386 | 00:29:25,686 | Count Johann, meet Olivia and her mother Eudora. | Count Johann, meet Olivia and her mother Eudora. |
642 | 00:29:26,640 | 00:29:27,516 | Delighted. | Delighted. |
643 | 00:29:28,558 | 00:29:31,311 | Do we have to call you "Count" or is there something less formal? | Do we have to call you "Count" or is there something less formal? |
644 | 00:29:31,645 | 00:29:34,444 | Please, call rne Johann. - Charmed, I'm sure. | Please, call rne Johann. - Charmed, I'm sure. |
645 | 00:29:34,773 | 00:29:35,695 | Uh, Eudora! | Uh, Eudora! |
646 | 00:29:35,774 | 00:29:37,902 | Didn't I read about you just this very morning? | Didn't I read about you just this very morning? |
647 | 00:29:37,943 | 00:29:40,617 | Oh, not that drivel in the paper, please. | Oh, not that drivel in the paper, please. |
648 | 00:29:40,821 | 00:29:43,791 | When will those reporters stop saddling me with that silly moniker? | When will those reporters stop saddling me with that silly moniker? |
649 | 00:29:43,824 | 00:29:46,418 | "Diamond Queen," for Heaven's sake, I sound like a paddle wheeler | "Diamond Queen," for Heaven's sake, I sound like a paddle wheeler |
650 | 00:29:46,451 | 00:29:48,374 | on the Mississippi, but enough about that. | on the Mississippi, but enough about that. |
651 | 00:29:48,412 | 00:29:49,880 | I'm interested in your title. | I'm interested in your title. |
652 | 00:29:49,913 | 00:29:51,165 | How does one become a Count? | How does one become a Count? |
653 | 00:29:51,540 | 00:29:53,338 | That comes with a castle, I assume? | That comes with a castle, I assume? |
654 | 00:29:53,583 | 00:29:55,677 | Of course, complete with moat and drawbridge. | Of course, complete with moat and drawbridge. |
655 | 00:29:55,794 | 00:29:57,011 | THEY LAUGH | THEY LAUGH |
656 | 00:29:57,421 | 00:30:01,051 | Well, I'm sure you've had to discuss your pedigree with all the guests. | Well, I'm sure you've had to discuss your pedigree with all the guests. |
657 | 00:30:01,091 | 00:30:03,890 | My pedigree is endlessly fascinating in the New World. | My pedigree is endlessly fascinating in the New World. |
658 | 00:30:04,428 | 00:30:05,805 | Ooh! Hello, darling! | Ooh! Hello, darling! |
659 | 00:30:06,138 | 00:30:09,233 | Mrs Nelson? Sorry to interrupt but you have a message from Mr Nelson. | Mrs Nelson? Sorry to interrupt but you have a message from Mr Nelson. |
660 | 00:30:09,266 | 00:30:11,234 | Oh! What does he want now, Rutherford? | Oh! What does he want now, Rutherford? |
661 | 00:30:11,268 | 00:30:14,738 | Well, he said he's cancelled his appointment with Mr Rockefeller in Manhattan. | Well, he said he's cancelled his appointment with Mr Rockefeller in Manhattan. |
662 | 00:30:14,771 | 00:30:17,024 | He's taking the early train to Toronto to spend the evening with you. | He's taking the early train to Toronto to spend the evening with you. |
663 | 00:30:17,065 | 00:30:18,863 | NORA: When will Oscar get it through his thick skull | NORA: When will Oscar get it through his thick skull |
664 | 00:30:18,900 | 00:30:22,120 | I have no desire to spend an evening with him? Not here, not anywhere. | I have no desire to spend an evening with him? Not here, not anywhere. |
665 | 00:30:22,487 | 00:30:25,081 | You book me and Olivia on the next train to... | You book me and Olivia on the next train to... |
666 | 00:30:25,824 | 00:30:26,700 | Montreal! | Montreal! |
667 | 00:30:27,492 | 00:30:29,119 | FRANKIE AND JOHANN WHISPER - Yes, Mrs Nelson. | FRANKIE AND JOHANN WHISPER - Yes, Mrs Nelson. |
668 | 00:30:29,911 | 00:30:32,380 | FLO: Was the accent too much? - No, the accent was perfect. | FLO: Was the accent too much? - No, the accent was perfect. |
669 | 00:30:32,414 | 00:30:34,667 | Suitably irritating. - FLO GIGGLES | Suitably irritating. - FLO GIGGLES |
670 | 00:30:37,461 | 00:30:39,463 | CLASSICAL MUSIC PLAYS | CLASSICAL MUSIC PLAYS |
671 | 00:30:55,562 | 00:30:58,657 | You'll have to excuse my mother. She doesn't do anything in halves. | You'll have to excuse my mother. She doesn't do anything in halves. |
672 | 00:30:59,775 | 00:31:01,823 | Mr Nelson has quite upset his wife. | Mr Nelson has quite upset his wife. |
673 | 00:31:01,985 | 00:31:03,328 | Oh, he sure has. | Oh, he sure has. |
674 | 00:31:03,362 | 00:31:05,831 | Oscar, husband number three | Oscar, husband number three |
675 | 00:31:06,073 | 00:31:08,997 | was indiscreet with a Broadway starlet. | was indiscreet with a Broadway starlet. |
676 | 00:31:09,159 | 00:31:11,127 | And careless enough to get caught. | And careless enough to get caught. |
677 | 00:31:11,161 | 00:31:14,256 | It's gonna take something very extravagant and shiny | It's gonna take something very extravagant and shiny |
678 | 00:31:14,289 | 00:31:16,166 | to win back the Diamond Queen this time. | to win back the Diamond Queen this time. |
679 | 00:31:16,208 | 00:31:17,300 | A difficult task. | A difficult task. |
680 | 00:31:17,501 | 00:31:20,050 | Oh, don't feel too sorry for Oscar. He has oodles of money. | Oh, don't feel too sorry for Oscar. He has oodles of money. |
681 | 00:31:20,087 | 00:31:22,089 | He can afford whatever her heart desires. | He can afford whatever her heart desires. |
682 | 00:31:23,799 | 00:31:25,426 | Handsome couple. - Mm. | Handsome couple. - Mm. |
683 | 00:31:25,967 | 00:31:26,968 | Shame he's a murderer. | Shame he's a murderer. |
684 | 00:31:31,348 | 00:31:33,191 | I think we could show them a thing or two. | I think we could show them a thing or two. |
685 | 00:31:34,476 | 00:31:35,398 | Do you dance? | Do you dance? |
686 | 00:31:37,646 | 00:31:39,614 | I had an excellent teacher in Paris. | I had an excellent teacher in Paris. |
687 | 00:31:41,441 | 00:31:43,785 | So you dance and are well travelled. | So you dance and are well travelled. |
688 | 00:31:43,819 | 00:31:45,446 | Seems I'm in good company. | Seems I'm in good company. |
689 | 00:31:45,695 | 00:31:49,825 | Well, my father taught me education through experience. | Well, my father taught me education through experience. |
690 | 00:31:50,492 | 00:31:51,960 | Sadly he passed. | Sadly he passed. |
691 | 00:31:52,994 | 00:31:54,917 | But life with your mother is hardly onerous. | But life with your mother is hardly onerous. |
692 | 00:31:55,747 | 00:31:57,841 | She cares more about diamonds than her daughter. | She cares more about diamonds than her daughter. |
693 | 00:31:58,291 | 00:31:59,383 | How hurtful. | How hurtful. |
694 | 00:32:00,585 | 00:32:02,713 | Actually, I find it amusing. | Actually, I find it amusing. |
695 | 00:32:09,678 | 00:32:10,930 | Reel him in, honey. | Reel him in, honey. |
696 | 00:32:12,264 | 00:32:13,140 | That's it. | That's it. |
697 | 00:32:13,932 | 00:32:15,104 | Reel him in. | Reel him in. |
698 | 00:32:16,518 | 00:32:18,612 | Can I tell you a secret? - Perhaps. | Can I tell you a secret? - Perhaps. |
699 | 00:32:18,687 | 00:32:21,736 | Well, the owner of the Carolina, Antoinette's sister diamond... | Well, the owner of the Carolina, Antoinette's sister diamond... |
700 | 00:32:22,524 | 00:32:24,618 | that's my mother. - Really? | that's my mother. - Really? |
701 | 00:32:27,946 | 00:32:29,869 | She would've done anything to own the pair. | She would've done anything to own the pair. |
702 | 00:32:30,115 | 00:32:33,164 | So, she was interested in buying the Antoinette? | So, she was interested in buying the Antoinette? |
703 | 00:32:33,660 | 00:32:35,879 | Oh, you do read that awful drivel! | Oh, you do read that awful drivel! |
704 | 00:32:36,079 | 00:32:37,922 | Everyone enjoys a little gossip. | Everyone enjoys a little gossip. |
705 | 00:32:38,123 | 00:32:39,841 | She would have done anything to own it. | She would have done anything to own it. |
706 | 00:32:42,711 | 00:32:44,008 | Perhaps she still can. | Perhaps she still can. |
707 | 00:32:44,045 | 00:32:46,264 | Oh, don't be silly! It's gone forever. | Oh, don't be silly! It's gone forever. |
708 | 00:32:46,506 | 00:32:48,008 | Yes, maybe you're right. | Yes, maybe you're right. |
709 | 00:32:50,218 | 00:32:51,891 | Unless you know something you shouldn't? | Unless you know something you shouldn't? |
710 | 00:32:56,850 | 00:32:59,979 | Mrs Amory! What are you doing here? | Mrs Amory! What are you doing here? |
711 | 00:33:02,022 | 00:33:03,865 | Oh, God, not that bluenose! | Oh, God, not that bluenose! |
712 | 00:33:03,899 | 00:33:07,449 | Don't pretend you don't know me, Mrs Amory. | Don't pretend you don't know me, Mrs Amory. |
713 | 00:33:07,986 | 00:33:09,613 | Oh, that woman. Oh, my God! | Oh, that woman. Oh, my God! |
714 | 00:33:11,448 | 00:33:14,577 | I thought your mother was called Eudora Nelson. | I thought your mother was called Eudora Nelson. |
715 | 00:33:14,951 | 00:33:15,827 | She is. | She is. |
716 | 00:33:16,369 | 00:33:20,044 | Then who, may I ask, is Mrs Amory? | Then who, may I ask, is Mrs Amory? |
717 | 00:33:26,379 | 00:33:28,757 | My mother hates being called Mrs Amory. | My mother hates being called Mrs Amory. |
718 | 00:33:28,798 | 00:33:30,971 | Abe Amory was her second husband. | Abe Amory was her second husband. |
719 | 00:33:31,593 | 00:33:34,813 | That's quite a string of husbands. - Well, she collects them. | That's quite a string of husbands. - Well, she collects them. |
720 | 00:33:35,680 | 00:33:36,852 | Like diamonds. | Like diamonds. |
721 | 00:33:36,890 | 00:33:38,392 | SHE GIGGLES - Hm. | SHE GIGGLES - Hm. |
722 | 00:33:39,726 | 00:33:41,444 | You said the word "diamond..." | You said the word "diamond..." |
723 | 00:33:41,645 | 00:33:43,647 | Well, what brings you here, Mrs Middleton? | Well, what brings you here, Mrs Middleton? |
724 | 00:33:44,064 | 00:33:47,238 | I'm bridge partners with Mrs Burns-Higgins. | I'm bridge partners with Mrs Burns-Higgins. |
725 | 00:33:47,526 | 00:33:48,402 | Uh... | Uh... |
726 | 00:33:49,319 | 00:33:50,445 | who invited you? | who invited you? |
727 | 00:33:50,529 | 00:33:53,453 | Well, Mrs B, of course. We met at the ROM. | Well, Mrs B, of course. We met at the ROM. |
728 | 00:33:53,698 | 00:33:57,043 | Charming person. - FIONA: Oh, the ROM? I think not. | Charming person. - FIONA: Oh, the ROM? I think not. |
729 | 00:33:57,244 | 00:34:00,544 | The woman is allergic to history. Let's ask her. | The woman is allergic to history. Let's ask her. |
730 | 00:34:01,414 | 00:34:02,757 | Oh! - FIONA YELLS | Oh! - FIONA YELLS |
731 | 00:34:03,041 | 00:34:05,135 | Oh... - Clumsy fool! | Oh... - Clumsy fool! |
732 | 00:34:05,377 | 00:34:07,846 | I'm so sorry, madam. - Let's get you dried off. | I'm so sorry, madam. - Let's get you dried off. |
733 | 00:34:07,879 | 00:34:10,098 | MARY: I'm sorry! I'm so sorry! | MARY: I'm sorry! I'm so sorry! |
734 | 00:34:11,800 | 00:34:13,802 | FRANKIE: I was actually quite fond of old Amory. | FRANKIE: I was actually quite fond of old Amory. |
735 | 00:34:13,843 | 00:34:15,845 | He was the one who bought my mother the Carolina. | He was the one who bought my mother the Carolina. |
736 | 00:34:15,887 | 00:34:18,982 | JOHANN: How generous of him. - Then he traded her in for a newer model. | JOHANN: How generous of him. - Then he traded her in for a newer model. |
737 | 00:34:19,307 | 00:34:22,436 | Still, she landed on her feet, marrying a millionaire. | Still, she landed on her feet, marrying a millionaire. |
738 | 00:34:22,644 | 00:34:24,362 | Still a sore spot for Oscar. | Still a sore spot for Oscar. |
739 | 00:34:24,729 | 00:34:26,982 | Meaning? - You know, male pride and all that. | Meaning? - You know, male pride and all that. |
740 | 00:34:27,023 | 00:34:28,070 | JOHANN: No, I don't. | JOHANN: No, I don't. |
741 | 00:34:28,108 | 00:34:30,452 | Well, my mother's most cherished possession | Well, my mother's most cherished possession |
742 | 00:34:30,485 | 00:34:32,362 | was bought for her by another man. | was bought for her by another man. |
743 | 00:34:32,404 | 00:34:34,577 | It just... it doesn't sit right with him. | It just... it doesn't sit right with him. |
744 | 00:34:35,073 | 00:34:38,668 | Then perhaps it's time for Oscar to become the better husband. | Then perhaps it's time for Oscar to become the better husband. |
745 | 00:34:39,327 | 00:34:41,125 | What do you mean? - Oh, Olivia! | What do you mean? - Oh, Olivia! |
746 | 00:34:41,705 | 00:34:44,003 | There you are. I have this evening's arrangements. | There you are. I have this evening's arrangements. |
747 | 00:34:44,040 | 00:34:47,135 | Mr Nelson arrives at eight and your train to Montreal leaves at ten. | Mr Nelson arrives at eight and your train to Montreal leaves at ten. |
748 | 00:34:47,168 | 00:34:48,886 | I've arranged a car to take you to the train station. | I've arranged a car to take you to the train station. |
749 | 00:34:48,920 | 00:34:50,012 | Thank you, Miss Rutherford. | Thank you, Miss Rutherford. |
750 | 00:34:50,046 | 00:34:52,140 | Oh, and Mrs Nelson thinks now's a good time to leave | Oh, and Mrs Nelson thinks now's a good time to leave |
751 | 00:34:52,173 | 00:34:53,095 | so you can pack. | so you can pack. |
752 | 00:34:57,262 | 00:34:58,434 | Seems I must go. | Seems I must go. |
753 | 00:34:58,680 | 00:34:59,602 | What a shame. | What a shame. |
754 | 00:35:01,266 | 00:35:02,813 | Perhaps I'll see you again sometime. | Perhaps I'll see you again sometime. |
755 | 00:35:03,893 | 00:35:06,692 | From the sounds of it, there might be a small window this evening. | From the sounds of it, there might be a small window this evening. |
756 | 00:35:07,772 | 00:35:08,648 | Is that so? | Is that so? |
757 | 00:35:09,065 | 00:35:13,821 | It could be the perfect time for Oscar to reunite Carolina with her sister. | It could be the perfect time for Oscar to reunite Carolina with her sister. |
758 | 00:35:15,697 | 00:35:16,573 | Oh, my! | Oh, my! |
759 | 00:35:17,866 | 00:35:20,585 | Shall we say 8:30 at our suite in the Crown Ascot? | Shall we say 8:30 at our suite in the Crown Ascot? |
760 | 00:35:20,994 | 00:35:24,214 | Perhaps I will see you again in that case. | Perhaps I will see you again in that case. |
761 | 00:35:25,040 | 00:35:26,087 | Perhaps you will. | Perhaps you will. |
762 | 00:35:38,303 | 00:35:40,601 | He's not coming. - I was so sure that I had him. | He's not coming. - I was so sure that I had him. |
763 | 00:35:41,806 | 00:35:42,932 | Looked to me that you did. | Looked to me that you did. |
764 | 00:35:42,974 | 00:35:45,318 | Where did it go wrong? - Oh, well, I'll tell you where. | Where did it go wrong? - Oh, well, I'll tell you where. |
765 | 00:35:45,352 | 00:35:48,947 | It was going like clockwork until that dreadful Fiona Middleton barges in. | It was going like clockwork until that dreadful Fiona Middleton barges in. |
766 | 00:35:48,980 | 00:35:51,859 | I mean, I couldn't stand that irritating woman the first time I met her. | I mean, I couldn't stand that irritating woman the first time I met her. |
767 | 00:35:51,900 | 00:35:53,698 | Now I'm just ready to wring her neck. | Now I'm just ready to wring her neck. |
768 | 00:35:54,611 | 00:35:55,658 | Oh, I need a drink. | Oh, I need a drink. |
769 | 00:35:57,030 | 00:35:58,156 | We don't have a fall-back. | We don't have a fall-back. |
770 | 00:35:59,157 | 00:36:00,500 | There's always a fall-back. | There's always a fall-back. |
771 | 00:36:01,618 | 00:36:03,541 | We could break into his room at Mrs Burns-Higgins' | We could break into his room at Mrs Burns-Higgins' |
772 | 00:36:03,578 | 00:36:04,545 | and find the diamond. | and find the diamond. |
773 | 00:36:04,996 | 00:36:07,249 | If he's onto to us, he'll be expecting a move like that. | If he's onto to us, he'll be expecting a move like that. |
774 | 00:36:07,290 | 00:36:09,133 | PHONE RINGS - NORA: Shh! | PHONE RINGS - NORA: Shh! |
775 | 00:36:11,711 | 00:36:12,633 | Hello? | Hello? |
776 | 00:36:14,506 | 00:36:15,382 | Thank you. | Thank you. |
777 | 00:36:15,674 | 00:36:18,723 | Right, gals, that was the front desk. The Count is here and on his way up. | Right, gals, that was the front desk. The Count is here and on his way up. |
778 | 00:36:18,760 | 00:36:20,307 | We're on. Places, everyone. | We're on. Places, everyone. |
779 | 00:36:20,595 | 00:36:22,063 | You ready? - Sure am. | You ready? - Sure am. |
780 | 00:36:32,899 | 00:36:33,821 | Count Johann. | Count Johann. |
781 | 00:36:34,109 | 00:36:36,157 | I believe Miss Olivia might be expecting me. | I believe Miss Olivia might be expecting me. |
782 | 00:36:36,653 | 00:36:37,700 | Of course. Come in. | Of course. Come in. |
783 | 00:36:46,955 | 00:36:47,922 | FRANKIE: You came. | FRANKIE: You came. |
784 | 00:36:48,540 | 00:36:50,133 | And just in time for cocktails. | And just in time for cocktails. |
785 | 00:36:50,542 | 00:36:52,419 | Something stronger than ginger ale, I hope. | Something stronger than ginger ale, I hope. |
786 | 00:36:52,460 | 00:36:53,336 | Indeed. | Indeed. |
787 | 00:36:55,380 | 00:36:56,427 | Is Oscar joining us? | Is Oscar joining us? |
788 | 00:36:57,090 | 00:37:00,014 | So you do have the solution to Oscar's marital predicament? | So you do have the solution to Oscar's marital predicament? |
789 | 00:37:05,682 | 00:37:07,309 | Only the buyer sees the stone. | Only the buyer sees the stone. |
790 | 00:37:07,934 | 00:37:08,856 | Just a peek! | Just a peek! |
791 | 00:37:09,352 | 00:37:11,195 | To see if she is who you say she is. | To see if she is who you say she is. |
792 | 00:37:11,229 | 00:37:13,698 | You will have to take my word. - Trust you, you mean? | You will have to take my word. - Trust you, you mean? |
793 | 00:37:13,732 | 00:37:14,608 | Exactly. | Exactly. |
794 | 00:37:16,359 | 00:37:17,827 | It's getting late. Where is Oscar? | It's getting late. Where is Oscar? |
795 | 00:37:19,112 | 00:37:20,785 | Well, seeing as you're in a hurry... | Well, seeing as you're in a hurry... |
796 | 00:37:22,824 | 00:37:23,700 | Oscar! | Oscar! |
797 | 00:37:26,369 | 00:37:29,293 | Oscar, meet Count Johann. | Oscar, meet Count Johann. |
798 | 00:37:30,290 | 00:37:32,258 | I believe you may have something to show me. | I believe you may have something to show me. |
799 | 00:37:42,385 | 00:37:43,887 | FRANKIE: His friend, the Antoinette. | FRANKIE: His friend, the Antoinette. |
800 | 00:37:45,346 | 00:37:47,314 | Oh! Oscar! | Oh! Oscar! |
801 | 00:37:49,309 | 00:37:52,108 | You naughty boy! She's absolutely gorgeous. | You naughty boy! She's absolutely gorgeous. |
802 | 00:37:52,145 | 00:37:53,192 | How much are you asking? | How much are you asking? |
803 | 00:37:53,646 | 00:37:54,613 | Shall we say... | Shall we say... |
804 | 00:37:56,316 | 00:37:57,784 | One-hundred thousand? | One-hundred thousand? |
805 | 00:37:58,610 | 00:37:59,907 | Well, that seems reasonable. | Well, that seems reasonable. |
806 | 00:38:00,904 | 00:38:02,156 | Camille! What do you think? | Camille! What do you think? |
807 | 00:38:04,073 | 00:38:06,667 | That's him! That's the man I saw. | That's him! That's the man I saw. |
808 | 00:38:07,202 | 00:38:08,829 | Detective Greyson, Toronto Police. | Detective Greyson, Toronto Police. |
809 | 00:38:09,162 | 00:38:11,460 | You are under arrest for grand larceny and murder. | You are under arrest for grand larceny and murder. |
810 | 00:38:13,958 | 00:38:15,255 | THEY GASP - Frankie. | THEY GASP - Frankie. |
811 | 00:38:15,627 | 00:38:17,049 | Get off me, you brute! | Get off me, you brute! |
812 | 00:38:17,420 | 00:38:18,717 | Don't think I won't do it. | Don't think I won't do it. |
813 | 00:38:21,716 | 00:38:23,764 | Take one more step and I will slit her throat. | Take one more step and I will slit her throat. |
814 | 00:38:25,804 | 00:38:27,431 | You're not gonna get away with this, Johann. | You're not gonna get away with this, Johann. |
815 | 00:38:29,557 | 00:38:30,683 | Auf wiedersehen. | Auf wiedersehen. |
816 | 00:38:31,851 | 00:38:33,353 | JOHANN GROANS - CAMILLE SCREAMS | JOHANN GROANS - CAMILLE SCREAMS |
817 | 00:38:33,728 | 00:38:34,980 | CAMILLE GASPS | CAMILLE GASPS |
818 | 00:38:40,568 | 00:38:41,740 | Nice shot, Miss Clarke. | Nice shot, Miss Clarke. |
819 | 00:38:41,778 | 00:38:43,030 | Thank you. It's a specialty. | Thank you. It's a specialty. |
820 | 00:38:43,738 | 00:38:45,115 | That's likely the murder weapon. | That's likely the murder weapon. |
821 | 00:38:45,448 | 00:38:46,665 | Yeah, very likely. | Yeah, very likely. |
822 | 00:38:50,578 | 00:38:51,704 | Thanks for playing along. | Thanks for playing along. |
823 | 00:38:52,831 | 00:38:54,083 | Well, it is my job. | Well, it is my job. |
824 | 00:38:54,249 | 00:38:57,002 | This should be a tricky one to explain down at the station. | This should be a tricky one to explain down at the station. |
825 | 00:38:57,043 | 00:38:58,169 | I'm sure you'll think of something. | I'm sure you'll think of something. |
826 | 00:38:59,462 | 00:39:00,839 | Does anyone have any smelling salts? | Does anyone have any smelling salts? |
827 | 00:39:00,880 | 00:39:02,928 | So, uh, where's the diamond? | So, uh, where's the diamond? |
828 | 00:39:03,383 | 00:39:06,182 | If you don't mind, I sure would like one last look at that beauty. | If you don't mind, I sure would like one last look at that beauty. |
829 | 00:39:06,469 | 00:39:07,470 | Check his pockets. | Check his pockets. |
830 | 00:39:08,388 | 00:39:09,560 | Well, his right pocket. | Well, his right pocket. |
831 | 00:39:14,143 | 00:39:15,315 | It's gone. - What? | It's gone. - What? |
832 | 00:39:16,312 | 00:39:17,188 | Where is it? | Where is it? |
833 | 00:39:17,313 | 00:39:18,189 | Where's Camille? | Where's Camille? |
834 | 00:39:18,898 | 00:39:20,195 | She took off with the diamond! | She took off with the diamond! |
835 | 00:39:21,401 | 00:39:22,368 | Try Hank's! | Try Hank's! |
836 | 00:39:26,155 | 00:39:27,702 | So the lovebirds have flown the coop. | So the lovebirds have flown the coop. |
837 | 00:39:27,740 | 00:39:29,242 | Did you see that coming. Camille and the diamond? | Did you see that coming. Camille and the diamond? |
838 | 00:39:29,284 | 00:39:30,160 | Not for a second. | Not for a second. |
839 | 00:39:32,328 | 00:39:34,831 | Oh! - Seems Mr Sommers lost a daughter | Oh! - Seems Mr Sommers lost a daughter |
840 | 00:39:34,873 | 00:39:36,045 | but found his horse. | but found his horse. |
841 | 00:39:42,463 | 00:39:43,840 | NORA: "So it ends here, Frankie. | NORA: "So it ends here, Frankie. |
842 | 00:39:44,257 | 00:39:45,975 | "L wish we could've put the past behind us | "L wish we could've put the past behind us |
843 | 00:39:46,009 | 00:39:48,603 | "but maybe we never can, and to tell you the truth | "but maybe we never can, and to tell you the truth |
844 | 00:39:48,928 | 00:39:51,977 | "this mess was probably all my fault, that's if I'm being honest. | "this mess was probably all my fault, that's if I'm being honest. |
845 | 00:39:52,724 | 00:39:54,397 | "Maybe in our next lifetime, huh? | "Maybe in our next lifetime, huh? |
846 | 00:39:55,602 | 00:39:57,320 | "Still, it's been swell. | "Still, it's been swell. |
847 | 00:39:58,938 | 00:39:59,814 | "Nora." | "Nora." |
848 | 00:40:03,568 | 00:40:05,036 | KNOCK ON DOOR | KNOCK ON DOOR |
849 | 00:40:06,487 | 00:40:07,830 | KNOCK ON DOOR | KNOCK ON DOOR |
850 | 00:40:07,864 | 00:40:09,411 | Yeah, no need to break it down! | Yeah, no need to break it down! |
851 | 00:40:09,866 | 00:40:11,243 | KNOCK ON DOOR | KNOCK ON DOOR |
852 | 00:40:11,868 | 00:40:12,744 | I'm coming. | I'm coming. |
853 | 00:40:14,162 | 00:40:17,086 | Bags are packed. I got a train ticket out of town... | Bags are packed. I got a train ticket out of town... |
854 | 00:40:17,957 | 00:40:19,584 | Oh! Nice of you to see me off. | Oh! Nice of you to see me off. |
855 | 00:40:19,626 | 00:40:22,425 | Oh, well, I wish you a good trip. The hotel is most grateful. | Oh, well, I wish you a good trip. The hotel is most grateful. |
856 | 00:40:22,462 | 00:40:23,884 | Oh, I'm sure you are. | Oh, I'm sure you are. |
857 | 00:40:24,047 | 00:40:26,641 | Yes, not many of our guests pay a year in advance. | Yes, not many of our guests pay a year in advance. |
858 | 00:40:28,134 | 00:40:29,727 | Well, isn't that something? | Well, isn't that something? |
859 | 00:40:32,055 | 00:40:35,685 | Yes. well... I look forward to your return. | Yes. well... I look forward to your return. |
860 | 00:40:44,359 | 00:40:46,487 | "I've bought you a little more time. | "I've bought you a little more time. |
861 | 00:40:46,527 | 00:40:48,950 | Give it another year. Antoinette." | Give it another year. Antoinette." |
862 | 00:40:48,988 | 00:40:50,160 | SHE GASPS | SHE GASPS |
863 | 00:40:52,116 | 00:40:55,245 | Oh, Camille, you little minx! | Oh, Camille, you little minx! |
864 | 00:41:02,418 | 00:41:03,544 | Get me Room Service. | Get me Room Service. |
865 | 00:41:07,215 | 00:41:08,808 | Thanks for bringing her home to me. | Thanks for bringing her home to me. |
866 | 00:41:09,258 | 00:41:10,555 | Not that I need her now. | Not that I need her now. |
867 | 00:41:11,344 | 00:41:13,142 | I could retire if I wanted to | I could retire if I wanted to |
868 | 00:41:13,179 | 00:41:15,648 | thanks to Camille and that new husband of hers. | thanks to Camille and that new husband of hers. |
869 | 00:41:16,349 | 00:41:17,225 | Ahhh... | Ahhh... |
870 | 00:41:18,476 | 00:41:19,602 | Look at that! - Oh, my! | Look at that! - Oh, my! |
871 | 00:41:19,644 | 00:41:20,941 | Runs like a top! | Runs like a top! |
872 | 00:41:22,063 | 00:41:23,280 | Debts paid off too. | Debts paid off too. |
873 | 00:41:24,107 | 00:41:26,781 | Struck lucky, did she? - Oh-ho! Could say that. | Struck lucky, did she? - Oh-ho! Could say that. |
874 | 00:41:27,360 | 00:41:30,705 | Wrote that she met a man, a Viscount or some such. | Wrote that she met a man, a Viscount or some such. |
875 | 00:41:31,114 | 00:41:32,457 | Sounds like a fairy tale. | Sounds like a fairy tale. |
876 | 00:41:32,824 | 00:41:34,246 | Ooh, it is, at that. | Ooh, it is, at that. |
877 | 00:41:34,867 | 00:41:35,993 | She's somewhere in Europe. | She's somewhere in Europe. |
878 | 00:41:37,704 | 00:41:39,172 | Hope she's still going to church. | Hope she's still going to church. |
879 | 00:41:39,455 | 00:41:42,208 | I'm sure she's counting her blessings. wherever she is. | I'm sure she's counting her blessings. wherever she is. |
880 | 00:41:48,297 | 00:41:50,595 | TRUDY: Camille loved reading those Judith Dawes adventures. | TRUDY: Camille loved reading those Judith Dawes adventures. |
881 | 00:41:50,633 | 00:41:52,351 | And now she's living one on her own. | And now she's living one on her own. |
882 | 00:41:52,385 | 00:41:54,604 | Here we thought she was just a farm girl. | Here we thought she was just a farm girl. |
883 | 00:41:54,971 | 00:41:56,473 | Just a farm girl, my ass! | Just a farm girl, my ass! |
884 | 00:41:56,681 | 00:41:59,104 | And you owe me for that dress she took off in! | And you owe me for that dress she took off in! |
885 | 00:41:59,142 | 00:42:01,315 | It was expensive, so dig deep. | It was expensive, so dig deep. |
886 | 00:42:01,352 | 00:42:03,480 | Well, she was a quick learner, you gotta give her that much. | Well, she was a quick learner, you gotta give her that much. |
887 | 00:42:03,521 | 00:42:04,818 | Oh, wasn't she just? | Oh, wasn't she just? |
888 | 00:42:04,856 | 00:42:06,904 | And I should've thought of nicking that stone myself! | And I should've thought of nicking that stone myself! |
889 | 00:42:06,941 | 00:42:08,614 | A gal's gotta do what a gal's gotta do. | A gal's gotta do what a gal's gotta do. |
890 | 00:42:08,943 | 00:42:10,536 | Even if it means stealing a diamond? | Even if it means stealing a diamond? |
891 | 00:42:10,611 | 00:42:13,114 | Is it really stealing if a diamonds already stolen? | Is it really stealing if a diamonds already stolen? |
892 | 00:42:13,156 | 00:42:16,330 | But how did Camille manage to sell the Antoinette anyways? | But how did Camille manage to sell the Antoinette anyways? |
893 | 00:42:16,367 | 00:42:18,461 | Oh! Guess who took off with my little black book | Oh! Guess who took off with my little black book |
894 | 00:42:18,494 | 00:42:20,496 | full of all my fence contacts? - Oh! | full of all my fence contacts? - Oh! |
895 | 00:42:20,538 | 00:42:21,835 | That's some nerve! - THEY LAUGH | That's some nerve! - THEY LAUGH |
896 | 00:42:21,873 | 00:42:23,295 | Well, she learned from the best. | Well, she learned from the best. |
897 | 00:42:24,167 | 00:42:25,339 | I wonder where she is now. | I wonder where she is now. |
898 | 00:42:26,085 | 00:42:27,507 | Well, we got a special delivery. | Well, we got a special delivery. |
899 | 00:42:27,795 | 00:42:28,842 | Real Champagne. | Real Champagne. |
900 | 00:42:29,172 | 00:42:30,094 | From France. | From France. |
901 | 00:42:30,673 | 00:42:32,016 | FRANKIE: That might answer your question, Nora. | FRANKIE: That might answer your question, Nora. |
902 | 00:42:32,050 | 00:42:34,144 | Ooh! THEY LAUGH | Ooh! THEY LAUGH |
903 | 00:42:34,886 | 00:42:36,103 | FLO: To Camille. | FLO: To Camille. |
904 | 00:42:36,929 | 00:42:37,851 | What a gall | What a gall |
905 | 00:42:37,889 | 00:42:39,015 | THEY CHUCKLE - Here you go. | THEY CHUCKLE - Here you go. |
906 | 00:42:40,433 | 00:42:42,231 | There you go." - Thank you. | There you go." - Thank you. |
907 | 00:42:44,145 | 00:42:45,522 | So, what happened to you leaving? | So, what happened to you leaving? |
908 | 00:42:46,105 | 00:42:46,981 | What? | What? |
909 | 00:42:47,774 | 00:42:50,027 | I thought this was your "perfect swan song." | I thought this was your "perfect swan song." |
910 | 00:42:50,068 | 00:42:52,696 | Oh, that, yeah! Um... I've decided to... | Oh, that, yeah! Um... I've decided to... |
911 | 00:42:52,737 | 00:42:53,954 | uh, give it another year. | uh, give it another year. |
912 | 00:42:55,406 | 00:42:56,282 | A year? | A year? |
913 | 00:42:56,991 | 00:42:57,867 | Why not? | Why not? |
914 | 00:42:59,118 | 00:42:59,994 | Why not? | Why not? |