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1 | 00:00:02,252 | 00:00:04,425 | The board of the Royal Ontario Museum? | The board of the Royal Ontario Museum? |
2 | 00:00:05,088 | 00:00:06,465 | What, you got a problem with that? | What, you got a problem with that? |
3 | 00:00:06,757 | 00:00:08,304 | That is really something. | That is really something. |
4 | 00:00:08,383 | 00:00:10,681 | Well, what's wrong with being civic-minded? | Well, what's wrong with being civic-minded? |
5 | 00:00:10,719 | 00:00:12,141 | It's hardly your strong suit. | It's hardly your strong suit. |
6 | 00:00:12,596 | 00:00:13,722 | Well, if you must know | Well, if you must know |
7 | 00:00:14,598 | 00:00:16,646 | I've decided it's high time I went legit. | I've decided it's high time I went legit. |
8 | 00:00:17,392 | 00:00:19,736 | Hm? Well, God knows this place could use some livening up. | Hm? Well, God knows this place could use some livening up. |
9 | 00:00:19,770 | 00:00:21,613 | I mean, look at them. Deadly dull! | I mean, look at them. Deadly dull! |
10 | 00:00:21,980 | 00:00:23,732 | Yet well-heeled and ripe for the picking. | Yet well-heeled and ripe for the picking. |
11 | 00:00:25,067 | 00:00:27,161 | Why must you always think so poorly of your mother? | Why must you always think so poorly of your mother? |
12 | 00:00:27,444 | 00:00:29,242 | Who, by the way, didn't ask you here | Who, by the way, didn't ask you here |
13 | 00:00:29,279 | 00:00:30,997 | to get a lecture. - So, why am I here? | to get a lecture. - So, why am I here? |
14 | 00:00:34,409 | 00:00:37,538 | I didn't set out to find treasures | I didn't set out to find treasures |
15 | 00:00:37,579 | 00:00:39,297 | of lost civilizations. | of lost civilizations. |
16 | 00:00:39,331 | 00:00:41,254 | That happened quite by chance. | That happened quite by chance. |
17 | 00:00:41,750 | 00:00:43,752 | On an overnight train to Marseilles | On an overnight train to Marseilles |
18 | 00:00:44,086 | 00:00:47,636 | I met the renowned archaeologist Howard Carter. | I met the renowned archaeologist Howard Carter. |
19 | 00:00:47,673 | 00:00:49,471 | What a charmer. | What a charmer. |
20 | 00:00:50,050 | 00:00:52,724 | He persuaded me to go with him | He persuaded me to go with him |
21 | 00:00:52,761 | 00:00:54,684 | to the Valley of the Kings | to the Valley of the Kings |
22 | 00:00:55,097 | 00:00:57,725 | where he was looking for the lost tombs | where he was looking for the lost tombs |
23 | 00:00:57,766 | 00:00:58,858 | of the pharaohs. | of the pharaohs. |
24 | 00:00:59,685 | 00:01:02,564 | Digging in the sand has been my passion | Digging in the sand has been my passion |
25 | 00:01:02,604 | 00:01:05,858 | ever since... - I thought you two should meet. | ever since... - I thought you two should meet. |
26 | 00:01:05,899 | 00:01:07,697 | You know, the whole Egypt thing and all. | You know, the whole Egypt thing and all. |
27 | 00:01:07,818 | 00:01:09,912 | Marian and I have crossed paths before. | Marian and I have crossed paths before. |
28 | 00:01:10,362 | 00:01:11,989 | You don't say. Where? | You don't say. Where? |
29 | 00:01:12,573 | 00:01:15,042 | Here and there. - Care to elaborate? | Here and there. - Care to elaborate? |
30 | 00:01:15,784 | 00:01:18,788 | No. - Mono, what's the big secret? | No. - Mono, what's the big secret? |
31 | 00:01:20,497 | 00:01:21,544 | Shhh. | Shhh. |
32 | 00:01:23,584 | 00:01:26,053 | MARIAN: Working with Hiram Bingham Ill | MARIAN: Working with Hiram Bingham Ill |
33 | 00:01:26,086 | 00:01:29,056 | in the lost city of Machu Picchu | in the lost city of Machu Picchu |
34 | 00:01:30,007 | 00:01:31,475 | I excavated | I excavated |
35 | 00:01:31,842 | 00:01:34,937 | in the field of a dirt-poor farmer | in the field of a dirt-poor farmer |
36 | 00:01:34,970 | 00:01:37,814 | who... like his forefathers before him | who... like his forefathers before him |
37 | 00:01:38,265 | 00:01:41,986 | feeds his family with the work of his honest hands. | feeds his family with the work of his honest hands. |
38 | 00:01:42,811 | 00:01:45,155 | In the very same dirt | In the very same dirt |
39 | 00:01:45,647 | 00:01:47,274 | I unearthed... | I unearthed... |
40 | 00:01:47,691 | 00:01:48,567 | this. | this. |
41 | 00:01:49,484 | 00:01:50,952 | CROWD MURMURS | CROWD MURMURS |
42 | 00:01:51,111 | 00:01:53,864 | And now, thanks to Ms Amory | And now, thanks to Ms Amory |
43 | 00:01:54,906 | 00:01:57,284 | this marvelous example | this marvelous example |
44 | 00:01:57,326 | 00:02:00,250 | of 15th century mean earthenware | of 15th century mean earthenware |
45 | 00:02:00,579 | 00:02:02,081 | will be the centrepiece | will be the centrepiece |
46 | 00:02:02,247 | 00:02:05,626 | of the ROM's new antiquities collection. | of the ROM's new antiquities collection. |
47 | 00:02:05,876 | 00:02:07,002 | WOMAN: Very nice! | WOMAN: Very nice! |
48 | 00:02:09,963 | 00:02:11,215 | SHE CHUCKLES | SHE CHUCKLES |
49 | 00:02:11,757 | 00:02:13,054 | Oh, please, yes. | Oh, please, yes. |
50 | 00:02:15,510 | 00:02:17,683 | That's something, huh? - Isn't it just? | That's something, huh? - Isn't it just? |
51 | 00:02:18,555 | 00:02:19,852 | How much does she want for it? | How much does she want for it? |
52 | 00:02:20,807 | 00:02:22,275 | Ten thousand, give or take. | Ten thousand, give or take. |
53 | 00:02:22,768 | 00:02:24,486 | It's gonna make a fabulous splash. | It's gonna make a fabulous splash. |
54 | 00:02:24,519 | 00:02:26,271 | I bet it will. And as Marian's champion | I bet it will. And as Marian's champion |
55 | 00:02:26,313 | 00:02:28,031 | I'm sure you'll just bask in the glow. | I'm sure you'll just bask in the glow. |
56 | 00:02:28,815 | 00:02:30,158 | And wouldn't that be swell? | And wouldn't that be swell? |
57 | 00:02:34,613 | 00:02:35,535 | That's my brother. | That's my brother. |
58 | 00:02:36,531 | 00:02:37,874 | My condolences, Mr Parkes. | My condolences, Mr Parkes. |
59 | 00:02:38,492 | 00:02:39,584 | His full name and address? | His full name and address? |
60 | 00:02:39,993 | 00:02:41,711 | Uh, Jack Arthur Parkes. | Uh, Jack Arthur Parkes. |
61 | 00:02:42,245 | 00:02:43,667 | Ten-25 Rusholme Road. | Ten-25 Rusholme Road. |
62 | 00:02:44,456 | 00:02:46,299 | Your particulars, should we need to reach you? | Your particulars, should we need to reach you? |
63 | 00:02:46,958 | 00:02:47,834 | Ronald Parkes. | Ronald Parkes. |
64 | 00:02:48,335 | 00:02:49,427 | Two-1 O Prospect Street. | Two-1 O Prospect Street. |
65 | 00:02:52,881 | 00:02:54,554 | I'll make arrangements for burial. | I'll make arrangements for burial. |
66 | 00:02:54,966 | 00:02:55,842 | No funeral? | No funeral? |
67 | 00:02:57,219 | 00:02:58,562 | He wasn't a religious man. | He wasn't a religious man. |
68 | 00:02:59,137 | 00:03:00,059 | Not all of us are. | Not all of us are. |
69 | 00:03:01,723 | 00:03:02,770 | Your brother's belongings. | Your brother's belongings. |
70 | 00:03:03,016 | 00:03:04,734 | Again, my sympathies, Mr Parkes. | Again, my sympathies, Mr Parkes. |
71 | 00:03:05,519 | 00:03:06,395 | Thank you. | Thank you. |
72 | 00:03:10,315 | 00:03:13,364 | Well, yes, I would say I've lived an adventurous life. | Well, yes, I would say I've lived an adventurous life. |
73 | 00:03:13,402 | 00:03:15,780 | Excuse me. Excuse us. | Excuse me. Excuse us. |
74 | 00:03:16,238 | 00:03:18,661 | These provincial types love to ogle anyone exotic. | These provincial types love to ogle anyone exotic. |
75 | 00:03:18,699 | 00:03:20,827 | But here is someone I think you know. | But here is someone I think you know. |
76 | 00:03:21,284 | 00:03:22,456 | Hello, Marian. | Hello, Marian. |
77 | 00:03:22,494 | 00:03:25,043 | Ah... Frankie Drake. | Ah... Frankie Drake. |
78 | 00:03:25,414 | 00:03:28,008 | Long time. - You've been busy since Cairo. | Long time. - You've been busy since Cairo. |
79 | 00:03:28,041 | 00:03:29,884 | Small world, huh? How 'bout that? | Small world, huh? How 'bout that? |
80 | 00:03:29,918 | 00:03:32,262 | I didn't know you were living in Toronto. | I didn't know you were living in Toronto. |
81 | 00:03:32,295 | 00:03:34,093 | And you thought you'd seen the last of me. | And you thought you'd seen the last of me. |
82 | 00:03:34,423 | 00:03:36,471 | I'm sorry to disappoint. - Well, you girls sure | I'm sorry to disappoint. - Well, you girls sure |
83 | 00:03:36,508 | 00:03:38,181 | seem pleased to be reacquainted, but-- | seem pleased to be reacquainted, but-- |
84 | 00:03:38,218 | 00:03:41,597 | Excuse rne. I mustn't keep the patrons waiting. | Excuse rne. I mustn't keep the patrons waiting. |
85 | 00:03:41,638 | 00:03:43,436 | No, of course not. You go right ahead. | No, of course not. You go right ahead. |
86 | 00:03:45,392 | 00:03:46,735 | What the heck was that all about? | What the heck was that all about? |
87 | 00:03:46,768 | 00:03:49,146 | She was nowhere near Howard Carter's dig in Egypt. | She was nowhere near Howard Carter's dig in Egypt. |
88 | 00:03:49,187 | 00:03:50,359 | What are you talking about? | What are you talking about? |
89 | 00:03:50,397 | 00:03:51,614 | The overnight train to Marseilles? | The overnight train to Marseilles? |
90 | 00:03:51,648 | 00:03:52,820 | That was me. - What? | That was me. - What? |
91 | 00:03:52,858 | 00:03:54,826 | "He persuaded me to go to the Valley of the Kings... | "He persuaded me to go to the Valley of the Kings... |
92 | 00:03:54,860 | 00:03:56,862 | he was looking for the lost tombs of the pharaohs..." | he was looking for the lost tombs of the pharaohs..." |
93 | 00:03:56,903 | 00:03:58,246 | I told you that story! | I told you that story! |
94 | 00:03:58,280 | 00:04:01,124 | Yeah, well, the details do sound vaguely familiar now that you mention it. | Yeah, well, the details do sound vaguely familiar now that you mention it. |
95 | 00:04:01,158 | 00:04:03,001 | No kidding. - Oh, Frankie! | No kidding. - Oh, Frankie! |
96 | 00:04:03,034 | 00:04:05,878 | Come on, let it go. Honestly! | Come on, let it go. Honestly! |
97 | 00:04:06,288 | 00:04:09,588 | What interesting person hasn't exaggerated a thing or two about their past? | What interesting person hasn't exaggerated a thing or two about their past? |
98 | 00:04:09,624 | 00:04:10,500 | Well, not me. | Well, not me. |
99 | 00:04:10,542 | 00:04:12,044 | Well... - I'm sure you don”: want to hear | Well... - I'm sure you don”: want to hear |
100 | 00:04:12,085 | 00:04:13,962 | that Marian is a fraud! - Oh, stop it! | that Marian is a fraud! - Oh, stop it! |
101 | 00:04:16,214 | 00:04:18,512 | Stop trying to spoil this for me, Frankie. | Stop trying to spoil this for me, Frankie. |
102 | 00:04:21,178 | 00:04:24,432 | So, chop suey or something more adventurous? - Ooh, what did you have in mind? | So, chop suey or something more adventurous? - Ooh, what did you have in mind? |
103 | 00:04:24,473 | 00:04:26,817 | Well, there's this restaurant serving this chicken thing | Well, there's this restaurant serving this chicken thing |
104 | 00:04:26,850 | 00:04:28,818 | and ifs called coq au v/n. | and ifs called coq au v/n. |
105 | 00:04:28,852 | 00:04:32,948 | Coq au veen? Coq... It's French. | Coq au veen? Coq... It's French. |
106 | 00:04:32,981 | 00:04:33,857 | Oh, no. | Oh, no. |
107 | 00:04:34,733 | 00:04:36,656 | Well, alright, then. We can just go to Quon's. | Well, alright, then. We can just go to Quon's. |
108 | 00:04:37,068 | 00:04:37,944 | What's that? | What's that? |
109 | 00:04:38,320 | 00:04:39,663 | This wasn't here this morning. | This wasn't here this morning. |
110 | 00:04:39,696 | 00:04:42,415 | It must've fallen off Jack Parkes' hand when they brought him in. | It must've fallen off Jack Parkes' hand when they brought him in. |
111 | 00:04:43,575 | 00:04:45,953 | "To My Beloved Husband. Love Ingrid." | "To My Beloved Husband. Love Ingrid." |
112 | 00:04:45,994 | 00:04:47,496 | Oh, Flo, ifs his wedding ring. | Oh, Flo, ifs his wedding ring. |
113 | 00:04:47,871 | 00:04:49,498 | I gotta return it. - Well, absolutely! | I gotta return it. - Well, absolutely! |
114 | 00:04:49,539 | 00:04:52,008 | His wife will want a keepsake of her lost love. | His wife will want a keepsake of her lost love. |
115 | 00:04:52,292 | 00:04:54,670 | Funny. The brother didn't mention a wife. | Funny. The brother didn't mention a wife. |
116 | 00:04:55,504 | 00:04:57,177 | Ten-25 Rusholme Road. | Ten-25 Rusholme Road. |
117 | 00:04:57,589 | 00:04:58,636 | Fancy a tram ride? | Fancy a tram ride? |
118 | 00:04:59,049 | 00:04:59,925 | Yes! | Yes! |
119 | 00:05:01,927 | 00:05:05,022 | Ten-25 Rusholme Road. - It's quite the fancy place. | Ten-25 Rusholme Road. - It's quite the fancy place. |
120 | 00:05:05,055 | 00:05:06,807 | NUN: Ahem! - Oh, excuse us. | NUN: Ahem! - Oh, excuse us. |
121 | 00:05:10,227 | 00:05:12,446 | Flo, I think this is-- - A nunnery. | Flo, I think this is-- - A nunnery. |
122 | 00:05:12,938 | 00:05:14,485 | I guess Ronald Parkes made a mistake. | I guess Ronald Parkes made a mistake. |
123 | 00:05:14,564 | 00:05:16,111 | Easy to do under the circumstances. | Easy to do under the circumstances. |
124 | 00:05:16,149 | 00:05:17,742 | No problem. I got his address. - Right. | No problem. I got his address. - Right. |
125 | 00:05:19,110 | 00:05:19,986 | Hey. | Hey. |
126 | 00:05:26,785 | 00:05:29,413 | FLO: This must be it. 210 Prospect Street. | FLO: This must be it. 210 Prospect Street. |
127 | 00:05:30,372 | 00:05:32,215 | MARY: It's another wrong address. That's odd. | MARY: It's another wrong address. That's odd. |
128 | 00:05:33,083 | 00:05:34,005 | FLO: I don't think so. | FLO: I don't think so. |
129 | 00:05:34,417 | 00:05:36,636 | One wrong address is a mistake. Two is a lie. | One wrong address is a mistake. Two is a lie. |
130 | 00:05:52,018 | 00:05:53,941 | So, a nunnery and an empty lot. | So, a nunnery and an empty lot. |
131 | 00:05:53,979 | 00:05:56,198 | Someone is messing with the integrity of my morgue. | Someone is messing with the integrity of my morgue. |
132 | 00:05:56,565 | 00:05:58,533 | Well, if the addresses are fake, the names could be too. | Well, if the addresses are fake, the names could be too. |
133 | 00:05:58,567 | 00:06:01,116 | I don't understand it. I checked out the coroner's reports. | I don't understand it. I checked out the coroner's reports. |
134 | 00:06:01,736 | 00:06:03,409 | John Parkes, or whoever he is | John Parkes, or whoever he is |
135 | 00:06:03,780 | 00:06:06,624 | he died of a heart attack. It was textbook. No fuss. | he died of a heart attack. It was textbook. No fuss. |
136 | 00:06:06,658 | 00:06:08,501 | But tell them about the inscription, Flo. | But tell them about the inscription, Flo. |
137 | 00:06:10,036 | 00:06:12,915 | Whoever the dead man was, he has a wife named Ingrid. | Whoever the dead man was, he has a wife named Ingrid. |
138 | 00:06:13,456 | 00:06:14,924 | And she needs to know what happened to him. | And she needs to know what happened to him. |
139 | 00:06:15,125 | 00:06:17,173 | We're here for you, Flo. What do you need from us? | We're here for you, Flo. What do you need from us? |
140 | 00:06:17,335 | 00:06:19,429 | I can ask Bill to take a sneak peek in the city records. | I can ask Bill to take a sneak peek in the city records. |
141 | 00:06:19,713 | 00:06:21,841 | See what he can find on the elusive Parkes family. | See what he can find on the elusive Parkes family. |
142 | 00:06:21,923 | 00:06:24,142 | What about the dead man's photograph and fingerprints? | What about the dead man's photograph and fingerprints? |
143 | 00:06:24,259 | 00:06:25,135 | None on record. | None on record. |
144 | 00:06:27,429 | 00:06:28,897 | But there's one way we can get them. | But there's one way we can get them. |
145 | 00:06:36,605 | 00:06:38,152 | You sure dress nice for grave digging. | You sure dress nice for grave digging. |
146 | 00:06:38,189 | 00:06:40,317 | Oh, well, what did you expect, a miner's helmet? | Oh, well, what did you expect, a miner's helmet? |
147 | 00:06:41,902 | 00:06:42,778 | Yes! | Yes! |
148 | 00:06:43,862 | 00:06:45,159 | Jeepers. Sorry to be so gruff. | Jeepers. Sorry to be so gruff. |
149 | 00:06:45,196 | 00:06:46,072 | No, no, no. | No, no, no. |
150 | 00:06:46,364 | 00:06:47,616 | No, these tears aren't for you. | No, these tears aren't for you. |
151 | 00:06:48,325 | 00:06:49,201 | OK. | OK. |
152 | 00:06:53,830 | 00:06:55,332 | Cemetery's closing for today. | Cemetery's closing for today. |
153 | 00:06:55,749 | 00:06:56,750 | I see that. | I see that. |
154 | 00:06:58,168 | 00:06:59,044 | You know... | You know... |
155 | 00:07:00,420 | 00:07:01,296 | He died... | He died... |
156 | 00:07:02,213 | 00:07:04,466 | in my arms a year ago, this day... | in my arms a year ago, this day... |
157 | 00:07:05,091 | 00:07:08,265 | And so we... we walked all the way here. | And so we... we walked all the way here. |
158 | 00:07:08,303 | 00:07:10,101 | It was four or five miles. | It was four or five miles. |
159 | 00:07:10,138 | 00:07:13,517 | And". I brought him these flowers... | And". I brought him these flowers... |
160 | 00:07:15,185 | 00:07:17,779 | ...because it was such a special day. you see. | ...because it was such a special day. you see. |
161 | 00:07:18,396 | 00:07:20,273 | I would really appreciate it. | I would really appreciate it. |
162 | 00:07:20,315 | 00:07:21,658 | Thank you. This is my friend. | Thank you. This is my friend. |
163 | 00:07:22,609 | 00:07:23,986 | Thank you. You're very kind, sir. | Thank you. You're very kind, sir. |
164 | 00:07:29,157 | 00:07:30,329 | Nice work. - Thank you. | Nice work. - Thank you. |
165 | 00:07:33,787 | 00:07:35,789 | It's Jack Arthur Parkes. "Parkes" with an E. | It's Jack Arthur Parkes. "Parkes" with an E. |
166 | 00:07:37,290 | 00:07:38,166 | OK. | OK. |
167 | 00:07:39,000 | 00:07:41,549 | And there should be some records on his brother, Ronald, as well. | And there should be some records on his brother, Ronald, as well. |
168 | 00:07:41,586 | 00:07:43,088 | I'll check as soon as the secretaries leave. | I'll check as soon as the secretaries leave. |
169 | 00:07:45,298 | 00:07:46,390 | Why do you wanna know, anyway? | Why do you wanna know, anyway? |
170 | 00:07:46,925 | 00:07:48,017 | The less you know, the better. | The less you know, the better. |
171 | 00:07:48,718 | 00:07:51,847 | What, do you think the Head of Records is gonna tie rne to a chair down at City Hall | What, do you think the Head of Records is gonna tie rne to a chair down at City Hall |
172 | 00:07:51,888 | 00:07:54,186 | and blind me with some bright light? | and blind me with some bright light? |
173 | 00:07:54,724 | 00:07:56,192 | You're reading too many spy novels. | You're reading too many spy novels. |
174 | 00:07:56,226 | 00:07:58,354 | No, I just don't want you losing your new job is all. | No, I just don't want you losing your new job is all. |
175 | 00:07:58,395 | 00:08:00,363 | No one's gonna notice if I check a name for you. | No one's gonna notice if I check a name for you. |
176 | 00:08:01,398 | 00:08:03,321 | What would I do without you? - You'd be lost. | What would I do without you? - You'd be lost. |
177 | 00:08:06,194 | 00:08:08,492 | Honestly, a little sneaking around | Honestly, a little sneaking around |
178 | 00:08:08,863 | 00:08:10,331 | livens up the file room a little bit. | livens up the file room a little bit. |
179 | 00:08:11,741 | 00:08:14,620 | Besides. I wouldn't mind a little cloak-and-dagger lifestyle | Besides. I wouldn't mind a little cloak-and-dagger lifestyle |
180 | 00:08:14,661 | 00:08:16,129 | you lead, Miss Trudy Clarke. | you lead, Miss Trudy Clarke. |
181 | 00:08:16,162 | 00:08:17,755 | DISTANT SHOUTS - OBJECTS CLATTER | DISTANT SHOUTS - OBJECTS CLATTER |
182 | 00:08:18,206 | 00:08:19,879 | You wanna cheat at Mahjong | You wanna cheat at Mahjong |
183 | 00:08:19,916 | 00:08:21,884 | you find another joint to play in. | you find another joint to play in. |
184 | 00:08:22,210 | 00:08:23,803 | Wendy, you need help? - Nope. I'm good. | Wendy, you need help? - Nope. I'm good. |
185 | 00:08:24,170 | 00:08:25,888 | WENDY SHOUTS IN CHINESE | WENDY SHOUTS IN CHINESE |
186 | 00:08:30,885 | 00:08:32,603 | Honestly, sometimes... | Honestly, sometimes... |
187 | 00:08:32,929 | 00:08:35,057 | I just hope for a simpler life. | I just hope for a simpler life. |
188 | 00:08:35,140 | 00:08:37,017 | Nah. I don't buy it. | Nah. I don't buy it. |
189 | 00:08:37,684 | 00:08:39,436 | You ladies live for the excitement. | You ladies live for the excitement. |
190 | 00:08:39,853 | 00:08:41,571 | No. I hear you, Wendy. | No. I hear you, Wendy. |
191 | 00:08:41,646 | 00:08:43,569 | There's some nights the only thing I really want | There's some nights the only thing I really want |
192 | 00:08:43,606 | 00:08:46,576 | is some nice music playing and a strong arm wrapped around me. | is some nice music playing and a strong arm wrapped around me. |
193 | 00:08:48,987 | 00:08:51,115 | Think your girl is dropping you a big hint, Bill. | Think your girl is dropping you a big hint, Bill. |
194 | 00:08:52,741 | 00:08:54,994 | Well, I should get back to work | Well, I should get back to work |
195 | 00:08:55,493 | 00:08:57,461 | or I'll lose my job. | or I'll lose my job. |
196 | 00:08:57,996 | 00:08:59,669 | City Records will fall apart without me. | City Records will fall apart without me. |
197 | 00:09:00,290 | 00:09:01,291 | I'll be seeing you soon. | I'll be seeing you soon. |
198 | 00:09:04,419 | 00:09:05,295 | I'll get you a drink. | I'll get you a drink. |
199 | 00:09:11,342 | 00:09:13,436 | Good, you're alone. - What's going on? | Good, you're alone. - What's going on? |
200 | 00:09:13,845 | 00:09:16,143 | You tell me. - What is that supposed to mean? | You tell me. - What is that supposed to mean? |
201 | 00:09:16,639 | 00:09:18,641 | There is a lot riding on this urn. | There is a lot riding on this urn. |
202 | 00:09:20,143 | 00:09:21,611 | Ten thousand clams to be precise. | Ten thousand clams to be precise. |
203 | 00:09:22,604 | 00:09:24,197 | I wouldn't rush to write that cheque. | I wouldn't rush to write that cheque. |
204 | 00:09:25,690 | 00:09:28,660 | Alright, Frankie. Come on, spill the beans. What do you know about Marian Hartley? | Alright, Frankie. Come on, spill the beans. What do you know about Marian Hartley? |
205 | 00:09:28,818 | 00:09:30,616 | I already told you. She's a fraud. | I already told you. She's a fraud. |
206 | 00:09:31,112 | 00:09:31,988 | Wrong. | Wrong. |
207 | 00:09:32,072 | 00:09:34,040 | The museum curator has already verified the urn. | The museum curator has already verified the urn. |
208 | 00:09:34,074 | 00:09:35,951 | You know, expert eye, testing, the whole shebang. | You know, expert eye, testing, the whole shebang. |
209 | 00:09:36,493 | 00:09:37,369 | It's the real McCoy. | It's the real McCoy. |
210 | 00:09:37,994 | 00:09:39,166 | Good. - Great. | Good. - Great. |
211 | 00:09:41,664 | 00:09:44,008 | What are you not telling me? - You'll find out on your own. | What are you not telling me? - You'll find out on your own. |
212 | 00:09:44,959 | 00:09:46,586 | Something happened in Egypt, didn't it? | Something happened in Egypt, didn't it? |
213 | 00:09:47,045 | 00:09:47,921 | Hmm? | Hmm? |
214 | 00:09:49,130 | 00:09:51,474 | Oh, you're stubborn as a mule, just like your old man. | Oh, you're stubborn as a mule, just like your old man. |
215 | 00:09:52,842 | 00:09:54,139 | So, tell me where you met her. | So, tell me where you met her. |
216 | 00:09:54,844 | 00:09:56,437 | The Windsor. Just before the war. | The Windsor. Just before the war. |
217 | 00:09:56,471 | 00:09:58,724 | The palace? - It was a drinking hole | The palace? - It was a drinking hole |
218 | 00:09:58,765 | 00:10:00,984 | in the back streets of Cairo. - Oh, that sounds like fun. | in the back streets of Cairo. - Oh, that sounds like fun. |
219 | 00:10:01,559 | 00:10:03,561 | Marian ran the place. She liked to booze people up | Marian ran the place. She liked to booze people up |
220 | 00:10:03,603 | 00:10:05,651 | and get them talking. - Including you. | and get them talking. - Including you. |
221 | 00:10:06,898 | 00:10:09,401 | Oh, and now she's passing off some story | Oh, and now she's passing off some story |
222 | 00:10:09,442 | 00:10:11,865 | about you and Howard Carter as her own | about you and Howard Carter as her own |
223 | 00:10:11,903 | 00:10:14,281 | and it's got your nose all out of joint, doesn't it, baby? | and it's got your nose all out of joint, doesn't it, baby? |
224 | 00:10:14,656 | 00:10:16,784 | Let's just say it's not only stories | Let's just say it's not only stories |
225 | 00:10:16,825 | 00:10:18,543 | she likes to pass off as her own. | she likes to pass off as her own. |
226 | 00:10:18,827 | 00:10:20,295 | What, you saying the urn isn't hers? | What, you saying the urn isn't hers? |
227 | 00:10:20,703 | 00:10:24,378 | What I'm saying is you should be careful because she's pulling one over on you. | What I'm saying is you should be careful because she's pulling one over on you. |
228 | 00:10:24,791 | 00:10:25,667 | On me'? | On me'? |
229 | 00:10:26,251 | 00:10:27,844 | NORA CHUCKLES | NORA CHUCKLES |
230 | 00:10:27,919 | 00:10:29,466 | Aw, sweetie. | Aw, sweetie. |
231 | 00:10:29,504 | 00:10:32,383 | Give your mother just a little bit of credit. She wasn't born yesterday. | Give your mother just a little bit of credit. She wasn't born yesterday. |
232 | 00:10:32,465 | 00:10:33,341 | Really? | Really? |
233 | 00:10:34,092 | 00:10:35,344 | For your information... | For your information... |
234 | 00:10:35,426 | 00:10:38,350 | I persuaded the ROM to engage a world-renowned authenticator | I persuaded the ROM to engage a world-renowned authenticator |
235 | 00:10:38,429 | 00:10:40,022 | to look into the provenince-- | to look into the provenince-- |
236 | 00:10:40,056 | 00:10:41,308 | "Provenance." | "Provenance." |
237 | 00:10:41,808 | 00:10:44,061 | Provenance o( the urn | Provenance o( the urn |
238 | 00:10:44,102 | 00:10:46,230 | as in, where did it come from? And if it was stolen | as in, where did it come from? And if it was stolen |
239 | 00:10:46,271 | 00:10:47,397 | he's gonna figure that out. | he's gonna figure that out. |
240 | 00:10:47,438 | 00:10:48,530 | What's his name? | What's his name? |
241 | 00:10:48,857 | 00:10:51,451 | Michael Walsh. He's like the... head honcho | Michael Walsh. He's like the... head honcho |
242 | 00:10:51,484 | 00:10:52,827 | at the Field Museum in Chicago. | at the Field Museum in Chicago. |
243 | 00:10:53,194 | 00:10:55,538 | And I'm making a big splash about it too. Big splash! | And I'm making a big splash about it too. Big splash! |
244 | 00:10:55,989 | 00:10:57,991 | I am putting the ROM on the map. | I am putting the ROM on the map. |
245 | 00:10:58,658 | 00:11:01,081 | What do you need me for? Sounds like you have it all covered. | What do you need me for? Sounds like you have it all covered. |
246 | 00:11:01,494 | 00:11:02,370 | Well, I do. | Well, I do. |
247 | 00:11:02,954 | 00:11:03,830 | Fine. | Fine. |
248 | 00:11:04,205 | 00:11:05,081 | Fine. | Fine. |
249 | 00:11:11,296 | 00:11:13,219 | THEY GRUNT | THEY GRUNT |
250 | 00:11:17,844 | 00:11:19,972 | What happens if we can't identify this dead man? | What happens if we can't identify this dead man? |
251 | 00:11:21,306 | 00:11:23,434 | His wife is never gonna know what happened to him. | His wife is never gonna know what happened to him. |
252 | 00:11:23,474 | 00:11:26,819 | And the unsolved mystery is gonna haunt her forever. | And the unsolved mystery is gonna haunt her forever. |
253 | 00:11:29,606 | 00:11:30,653 | Oh... | Oh... |
254 | 00:11:34,611 | 00:11:35,487 | Oh, Flo“. | Oh, Flo“. |
255 | 00:11:36,988 | 00:11:39,741 | Oh, I'm sorry. I mean, I'm such a nitwit. | Oh, I'm sorry. I mean, I'm such a nitwit. |
256 | 00:11:39,782 | 00:11:40,658 | Of course... | Of course... |
257 | 00:11:40,909 | 00:11:43,412 | Of course you don't know what happened to your husband during the war. | Of course you don't know what happened to your husband during the war. |
258 | 00:11:43,453 | 00:11:45,205 | I mean, how he died. Oh, Flo. | I mean, how he died. Oh, Flo. |
259 | 00:11:45,246 | 00:11:46,998 | I am so sorry. - Oh, it's alright, Mary. | I am so sorry. - Oh, it's alright, Mary. |
260 | 00:11:47,373 | 00:11:49,967 | That's why I don't want any woman to go through what I went through. | That's why I don't want any woman to go through what I went through. |
261 | 00:11:50,210 | 00:11:51,962 | I don't even know where Herb is buried. | I don't even know where Herb is buried. |
262 | 00:11:55,340 | 00:11:57,889 | Flo, I really admire how you cope with tragedy. | Flo, I really admire how you cope with tragedy. |
263 | 00:11:58,927 | 00:12:00,929 | Well, wallowing won't bring Herb back. | Well, wallowing won't bring Herb back. |
264 | 00:12:00,970 | 00:12:02,643 | And I've got my job. | And I've got my job. |
265 | 00:12:03,056 | 00:12:03,932 | At least for now. | At least for now. |
266 | 00:12:04,390 | 00:12:06,768 | The coroner gets a whiff of this, I'm out on my ear. | The coroner gets a whiff of this, I'm out on my ear. |
267 | 00:12:08,102 | 00:12:09,570 | I should think the coroner would... | I should think the coroner would... |
268 | 00:12:09,854 | 00:12:11,572 | admire this noble work. | admire this noble work. |
269 | 00:12:11,731 | 00:12:15,827 | You're trying to identify... an unidentified body. | You're trying to identify... an unidentified body. |
270 | 00:12:17,028 | 00:12:18,951 | And on your spare time, too. | And on your spare time, too. |
271 | 00:12:19,280 | 00:12:20,202 | Fat chance. | Fat chance. |
272 | 00:12:21,074 | 00:12:21,950 | Dig faster. | Dig faster. |
273 | 00:12:22,784 | 00:12:25,162 | Graveyards. .. creepy. | Graveyards. .. creepy. |
274 | 00:12:29,624 | 00:12:30,876 | DOOR OPENS | DOOR OPENS |
275 | 00:12:33,711 | 00:12:35,634 | Hi. - You don't smoke that thing very often. | Hi. - You don't smoke that thing very often. |
276 | 00:12:36,005 | 00:12:36,881 | Nora, huh? | Nora, huh? |
277 | 00:12:38,341 | 00:12:39,718 | We had a difference of opinion. | We had a difference of opinion. |
278 | 00:12:40,510 | 00:12:41,932 | I saw her get into a taxi. | I saw her get into a taxi. |
279 | 00:12:41,970 | 00:12:44,143 | She seems pretty worked up about this exhibit. | She seems pretty worked up about this exhibit. |
280 | 00:12:45,098 | 00:12:47,692 | Muttering something about that urn and a Marian Hartley? | Muttering something about that urn and a Marian Hartley? |
281 | 00:12:48,184 | 00:12:51,154 | Yes. An old acquaintance from my Cairo days. | Yes. An old acquaintance from my Cairo days. |
282 | 00:12:51,229 | 00:12:53,448 | Ooh. Seems there's a story there. | Ooh. Seems there's a story there. |
283 | 00:12:54,315 | 00:12:56,784 | She stole something from this young boy who had nothing. | She stole something from this young boy who had nothing. |
284 | 00:12:57,068 | 00:12:59,116 | I mean, who does that? Even Nora wouldn't stoop that low. | I mean, who does that? Even Nora wouldn't stoop that low. |
285 | 00:12:59,362 | 00:13:00,238 | What was it? | What was it? |
286 | 00:13:01,072 | 00:13:02,494 | It was an ancient amulet. | It was an ancient amulet. |
287 | 00:13:02,991 | 00:13:04,834 | It was in this boy's family for generations | It was in this boy's family for generations |
288 | 00:13:04,867 | 00:13:06,494 | and Marian sold it off as her own. | and Marian sold it off as her own. |
289 | 00:13:07,203 | 00:13:08,079 | Let me guess. | Let me guess. |
290 | 00:13:08,371 | 00:13:10,840 | Frankie Drake, champion of the underdog, stopped her. | Frankie Drake, champion of the underdog, stopped her. |
291 | 00:13:11,582 | 00:13:13,550 | I tried. I made a real stink. | I tried. I made a real stink. |
292 | 00:13:14,335 | 00:13:15,678 | Marian Muse been thrilled. | Marian Muse been thrilled. |
293 | 00:13:16,004 | 00:13:17,506 | She was furious... | She was furious... |
294 | 00:13:18,298 | 00:13:20,300 | but I couldn't prove it. | but I couldn't prove it. |
295 | 00:13:21,092 | 00:13:21,968 | So she won. | So she won. |
296 | 00:13:23,011 | 00:13:24,103 | Bet that ticked you off. | Bet that ticked you off. |
297 | 00:13:24,512 | 00:13:25,729 | You could say that. | You could say that. |
298 | 00:13:27,098 | 00:13:28,771 | So, you think she's pulling the same stunt at the ROM'? | So, you think she's pulling the same stunt at the ROM'? |
299 | 00:13:28,933 | 00:13:30,105 | Well, she's done it before. | Well, she's done it before. |
300 | 00:13:30,601 | 00:13:32,103 | Maybe we should see what she's up to. | Maybe we should see what she's up to. |
301 | 00:13:32,687 | 00:13:35,190 | What's she selling? - It's an lncan urn. | What's she selling? - It's an lncan urn. |
302 | 00:13:35,732 | 00:13:38,360 | Well, let me see what I can find about stolen Peruvian artefacts. | Well, let me see what I can find about stolen Peruvian artefacts. |
303 | 00:13:38,401 | 00:13:41,450 | OK, good. What about Bill? Did he have any luck finding the Parkes family? | OK, good. What about Bill? Did he have any luck finding the Parkes family? |
304 | 00:13:41,529 | 00:13:42,451 | It's a dead end. | It's a dead end. |
305 | 00:13:42,739 | 00:13:45,083 | There's no record on Jack Parkes or his brother Ronald. | There's no record on Jack Parkes or his brother Ronald. |
306 | 00:13:46,826 | 00:13:47,793 | Somethings going on. | Somethings going on. |
307 | 00:13:48,911 | 00:13:50,208 | What has Flo stumbled into? | What has Flo stumbled into? |
308 | 00:13:52,332 | 00:13:53,424 | Oh, Flo! You've got it! | Oh, Flo! You've got it! |
309 | 00:13:53,750 | 00:13:55,172 | FLO GRUNTS | FLO GRUNTS |
310 | 00:13:56,419 | 00:13:58,217 | ls he, um... alright? | ls he, um... alright? |
311 | 00:13:58,463 | 00:14:00,136 | He's still dead. if that's what you mean. | He's still dead. if that's what you mean. |
312 | 00:14:01,507 | 00:14:03,225 | Well, uh, don”: forget the fingerprints | Well, uh, don”: forget the fingerprints |
313 | 00:14:03,301 | 00:14:05,224 | so we can fill in this grave and get out of here. | so we can fill in this grave and get out of here. |
314 | 00:14:06,012 | 00:14:07,184 | CAMERA CLICKS | CAMERA CLICKS |
315 | 00:14:08,973 | 00:14:10,099 | Stranger and stranger. | Stranger and stranger. |
316 | 00:14:10,558 | 00:14:11,480 | What does that mean? | What does that mean? |
317 | 00:14:12,685 | 00:14:14,608 | The new part of his nail is discoloured. | The new part of his nail is discoloured. |
318 | 00:14:15,396 | 00:14:16,739 | Fingernails grow after death? | Fingernails grow after death? |
319 | 00:14:16,814 | 00:14:18,691 | No, not exactly. It just looks that way. | No, not exactly. It just looks that way. |
320 | 00:14:18,941 | 00:14:21,569 | They dehydrate and it retracts, exposing the nail bed. | They dehydrate and it retracts, exposing the nail bed. |
321 | 00:14:21,652 | 00:14:22,528 | Right... | Right... |
322 | 00:14:22,570 | 00:14:24,163 | Wow, you really know a lot about this. | Wow, you really know a lot about this. |
323 | 00:14:24,989 | 00:14:26,832 | Ten years of night school eventually pays off. | Ten years of night school eventually pays off. |
324 | 00:14:27,325 | 00:14:30,420 | Um... well, then, what does the discolouration mean? | Um... well, then, what does the discolouration mean? |
325 | 00:14:31,329 | 00:14:32,251 | Poison. | Poison. |
326 | 00:14:32,622 | 00:14:33,498 | What? | What? |
327 | 00:14:34,290 | 00:14:35,633 | Our mystery man was murdered. | Our mystery man was murdered. |
328 | 00:14:45,218 | 00:14:46,094 | Were you followed? | Were you followed? |
329 | 00:14:46,135 | 00:14:47,637 | No. Why the secrecy? | No. Why the secrecy? |
330 | 00:14:47,720 | 00:14:49,472 | Keep your voice down. I could lose my job. | Keep your voice down. I could lose my job. |
331 | 00:14:53,309 | 00:14:54,185 | Ahem! | Ahem! |
332 | 00:14:55,144 | 00:14:56,270 | Our mystery man. | Our mystery man. |
333 | 00:14:56,604 | 00:14:57,605 | You dug up the body? | You dug up the body? |
334 | 00:14:57,688 | 00:14:59,782 | With difficulty. And a wheelbarrow. | With difficulty. And a wheelbarrow. |
335 | 00:15:00,149 | 00:15:01,901 | I'm impressed. - We didn't have a choice. | I'm impressed. - We didn't have a choice. |
336 | 00:15:01,943 | 00:15:04,241 | You are never gonna believe this, Frankie. - He was murdered. | You are never gonna believe this, Frankie. - He was murdered. |
337 | 00:15:04,862 | 00:15:05,954 | I thought he died of a heart attack. | I thought he died of a heart attack. |
338 | 00:15:06,030 | 00:15:08,203 | He did. Likely brought on by poison. | He did. Likely brought on by poison. |
339 | 00:15:08,282 | 00:15:11,536 | My best guess is a massive dose of thallium-laced rat poison. | My best guess is a massive dose of thallium-laced rat poison. |
340 | 00:15:11,619 | 00:15:12,666 | Undetectable. | Undetectable. |
341 | 00:15:13,079 | 00:15:15,753 | The tell-tale sign only showed up on his fingernails post mortem. | The tell-tale sign only showed up on his fingernails post mortem. |
342 | 00:15:15,832 | 00:15:16,833 | But who killed him? | But who killed him? |
343 | 00:15:17,083 | 00:15:19,677 | Could have been the man who posed as the victim's brother. | Could have been the man who posed as the victim's brother. |
344 | 00:15:19,710 | 00:15:21,212 | Could be. - I got a good look at him. | Could be. - I got a good look at him. |
345 | 00:15:21,421 | 00:15:23,139 | I mean, I could try to identify him | I mean, I could try to identify him |
346 | 00:15:23,214 | 00:15:26,184 | but without a name or an address to go on ifs like finding a needle in a haystack. | but without a name or an address to go on ifs like finding a needle in a haystack. |
347 | 00:15:26,300 | 00:15:29,395 | The best way to find our killer is to figure out who this dead man really is. | The best way to find our killer is to figure out who this dead man really is. |
348 | 00:15:30,221 | 00:15:33,020 | Well, maybe he had a criminal record. I could check his fingerprints. | Well, maybe he had a criminal record. I could check his fingerprints. |
349 | 00:15:33,474 | 00:15:35,476 | We've gotta work fast. We're lucky it's Saturday. | We've gotta work fast. We're lucky it's Saturday. |
350 | 00:15:35,601 | 00:15:38,275 | The coroner never shows up on the weekends unless it's an emergency. | The coroner never shows up on the weekends unless it's an emergency. |
351 | 00:15:38,354 | 00:15:39,651 | Make sure no one spots you! | Make sure no one spots you! |
352 | 00:15:39,689 | 00:15:40,815 | 90s... got it! | 90s... got it! |
353 | 00:15:42,400 | 00:15:43,902 | This birthmark could be useful. | This birthmark could be useful. |
354 | 00:15:44,652 | 00:15:46,746 | And check out this unusual scarring | And check out this unusual scarring |
355 | 00:15:46,779 | 00:15:48,781 | on his abdomen that was noted by the coroner. | on his abdomen that was noted by the coroner. |
356 | 00:15:49,615 | 00:15:51,492 | Intriguing. - It's not an injury. | Intriguing. - It's not an injury. |
357 | 00:15:51,826 | 00:15:53,373 | No. - Could it be a surgery? | No. - Could it be a surgery? |
358 | 00:15:53,744 | 00:15:55,621 | Not recent. I'll do some research. | Not recent. I'll do some research. |
359 | 00:15:56,038 | 00:15:56,914 | OK. | OK. |
360 | 00:16:09,093 | 00:16:09,969 | MAN: Officer Shaw. | MAN: Officer Shaw. |
361 | 00:16:10,887 | 00:16:13,185 | Oh! Detective Greyson. What are you doing here? | Oh! Detective Greyson. What are you doing here? |
362 | 00:16:15,183 | 00:16:16,059 | What are you doing? | What are you doing? |
363 | 00:16:17,226 | 00:16:18,102 | L.e | L.e |
364 | 00:16:18,978 | 00:16:21,197 | Uh, just taking some time to educate myself. | Uh, just taking some time to educate myself. |
365 | 00:16:21,731 | 00:16:23,404 | Should I, in the line of duty, have cause | Should I, in the line of duty, have cause |
366 | 00:16:23,441 | 00:16:25,660 | to take a fingerprint or two, I would like to be prepared. | to take a fingerprint or two, I would like to be prepared. |
367 | 00:16:26,068 | 00:16:27,991 | A morality officer taking fingerprints. | A morality officer taking fingerprints. |
368 | 00:16:28,279 | 00:16:29,747 | That's really something. | That's really something. |
369 | 00:16:29,780 | 00:16:32,249 | And I think I'm actually getting quite good at it. | And I think I'm actually getting quite good at it. |
370 | 00:16:33,659 | 00:16:34,535 | I see. | I see. |
371 | 00:16:35,369 | 00:16:36,245 | Ah... | Ah... |
372 | 00:16:36,287 | 00:16:38,210 | It always helps to practice. - Yes. | It always helps to practice. - Yes. |
373 | 00:16:40,458 | 00:16:42,552 | Well, Officer Shaw, I commend your initiative. | Well, Officer Shaw, I commend your initiative. |
374 | 00:16:42,585 | 00:16:44,679 | Oh, Detective, that's... | Oh, Detective, that's... |
375 | 00:16:45,213 | 00:16:46,089 | Thank you. | Thank you. |
376 | 00:16:46,130 | 00:16:47,848 | Oh, there is one more thing. - Mm-hmm? | Oh, there is one more thing. - Mm-hmm? |
377 | 00:16:50,092 | 00:16:50,968 | Oh, of course. | Oh, of course. |
378 | 00:16:52,428 | 00:16:53,350 | Thank you. | Thank you. |
379 | 00:16:57,099 | 00:16:58,976 | So, I looked into the Peruvian artefacts. | So, I looked into the Peruvian artefacts. |
380 | 00:16:59,268 | 00:17:00,645 | A lot of lncan stuff was unearthed | A lot of lncan stuff was unearthed |
381 | 00:17:00,728 | 00:17:02,730 | when the lost city of Machu Picchu was discovered | when the lost city of Machu Picchu was discovered |
382 | 00:17:02,772 | 00:17:04,240 | by some Yale professor. | by some Yale professor. |
383 | 00:17:04,690 | 00:17:06,067 | One Hiram Bingham Ill. | One Hiram Bingham Ill. |
384 | 00:17:06,150 | 00:17:07,527 | You know him? - I don't | You know him? - I don't |
385 | 00:17:07,610 | 00:17:09,783 | but Marian claims to have worked with him in Peru. | but Marian claims to have worked with him in Peru. |
386 | 00:17:10,238 | 00:17:12,457 | Well, seems Bingham's excavation was pretty extensive. | Well, seems Bingham's excavation was pretty extensive. |
387 | 00:17:12,865 | 00:17:15,869 | There were hundreds of workers and thousands of artefacts that were uncovered. | There were hundreds of workers and thousands of artefacts that were uncovered. |
388 | 00:17:15,952 | 00:17:17,954 | Who knows what happened to them or how many were pilfered? | Who knows what happened to them or how many were pilfered? |
389 | 00:17:18,496 | 00:17:19,839 | The Wild West of archaeology. | The Wild West of archaeology. |
390 | 00:17:20,331 | 00:17:21,207 | You got it. | You got it. |
391 | 00:17:21,290 | 00:17:22,667 | DOOR OPENS - NORA: Just me. | DOOR OPENS - NORA: Just me. |
392 | 00:17:23,125 | 00:17:24,047 | Hello, Nora. | Hello, Nora. |
393 | 00:17:24,544 | 00:17:26,342 | Oh, no time for a drink but thanks for asking. | Oh, no time for a drink but thanks for asking. |
394 | 00:17:26,712 | 00:17:29,261 | Listen. much as it pains me to say this. I need your help. | Listen. much as it pains me to say this. I need your help. |
395 | 00:17:29,340 | 00:17:30,967 | We're busy. - Don't make me beg. | We're busy. - Don't make me beg. |
396 | 00:17:32,218 | 00:17:33,094 | What's up? | What's up? |
397 | 00:17:33,219 | 00:17:34,766 | There was a break-in last night at the museum. | There was a break-in last night at the museum. |
398 | 00:17:34,804 | 00:17:35,896 | So call the cops. | So call the cops. |
399 | 00:17:35,930 | 00:17:39,025 | Well, they were called! They took their time arriving and missed the intruder. | Well, they were called! They took their time arriving and missed the intruder. |
400 | 00:17:39,100 | 00:17:41,102 | What was stolen? - Well, see, that's the thing. | What was stolen? - Well, see, that's the thing. |
401 | 00:17:41,143 | 00:17:43,441 | Those oafs they call constables swarm all over the place | Those oafs they call constables swarm all over the place |
402 | 00:17:43,479 | 00:17:45,026 | can't find anything missing. - Nothing? | can't find anything missing. - Nothing? |
403 | 00:17:45,064 | 00:17:46,281 | Yeah, I don't buy it. | Yeah, I don't buy it. |
404 | 00:17:46,357 | 00:17:48,451 | I mean, who breaks into the Royal Ontario Museum | I mean, who breaks into the Royal Ontario Museum |
405 | 00:17:48,484 | 00:17:51,704 | and doesn't steal anything? All those priceless things just lying around | and doesn't steal anything? All those priceless things just lying around |
406 | 00:17:51,988 | 00:17:53,114 | begging to be taken? | begging to be taken? |
407 | 00:17:53,197 | 00:17:56,076 | Somethings up and I want to know what. - Well, what do you want us to do? | Somethings up and I want to know what. - Well, what do you want us to do? |
408 | 00:17:56,117 | 00:17:57,960 | I want you to figure out what the cops missed! | I want you to figure out what the cops missed! |
409 | 00:17:57,994 | 00:17:59,667 | You're still private detectives, aren't ya? | You're still private detectives, aren't ya? |
410 | 00:18:01,289 | 00:18:04,634 | Oh. OK. What's the retainer? | Oh. OK. What's the retainer? |
411 | 00:18:05,126 | 00:18:07,003 | Hm? Oh, no. I am not kidding. | Hm? Oh, no. I am not kidding. |
412 | 00:18:07,044 | 00:18:08,170 | Going legit is no picnic. | Going legit is no picnic. |
413 | 00:18:08,212 | 00:18:10,180 | And my reputation is at stake with this urn. | And my reputation is at stake with this urn. |
414 | 00:18:10,756 | 00:18:12,383 | Nothing can go sideways. | Nothing can go sideways. |
415 | 00:18:13,301 | 00:18:14,393 | Hmm? Hmm? | Hmm? Hmm? |
416 | 00:18:14,927 | 00:18:15,803 | You in? | You in? |
417 | 00:18:20,558 | 00:18:22,811 | MAN: This lock was the only one tampered with. | MAN: This lock was the only one tampered with. |
418 | 00:18:23,394 | 00:18:25,192 | TRUDY: They must want something in this room. | TRUDY: They must want something in this room. |
419 | 00:18:26,522 | 00:18:27,774 | MAN CHUCKLES | MAN CHUCKLES |
420 | 00:18:29,317 | 00:18:30,944 | If it was our beautiful urn | If it was our beautiful urn |
421 | 00:18:30,985 | 00:18:32,987 | Mrs Amory was ahead of the thief. | Mrs Amory was ahead of the thief. |
422 | 00:18:33,154 | 00:18:36,829 | She insisted on installing this secure cabinet. | She insisted on installing this secure cabinet. |
423 | 00:18:49,295 | 00:18:51,138 | Completely burglar proof. | Completely burglar proof. |
424 | 00:18:51,756 | 00:18:52,632 | Seems that way. | Seems that way. |
425 | 00:18:53,758 | 00:18:55,601 | This is the list of our inventory. | This is the list of our inventory. |
426 | 00:18:56,719 | 00:18:57,595 | I'll check it out. | I'll check it out. |
427 | 00:18:58,304 | 00:18:59,977 | I'm gonna have a chat with an old friend. | I'm gonna have a chat with an old friend. |
428 | 00:19:04,393 | 00:19:05,815 | That new detective, Greyson... | That new detective, Greyson... |
429 | 00:19:06,062 | 00:19:08,315 | for a moment, I thought he was going to be different | for a moment, I thought he was going to be different |
430 | 00:19:08,356 | 00:19:09,778 | that he was going to take me seriously | that he was going to take me seriously |
431 | 00:19:10,066 | 00:19:11,943 | but it turns out he's just like all the rest. | but it turns out he's just like all the rest. |
432 | 00:19:11,984 | 00:19:13,907 | He has no respect for my policing talents. | He has no respect for my policing talents. |
433 | 00:19:13,944 | 00:19:15,491 | Did you find out anything? - Well... | Did you find out anything? - Well... |
434 | 00:19:15,529 | 00:19:18,408 | There's the real frustration, Flo. I checked every fingerprint. | There's the real frustration, Flo. I checked every fingerprint. |
435 | 00:19:18,449 | 00:19:20,497 | Whoever this mystery man is, he's got no record | Whoever this mystery man is, he's got no record |
436 | 00:19:20,534 | 00:19:22,502 | and there was no luck on the phantom brother either. | and there was no luck on the phantom brother either. |
437 | 00:19:22,578 | 00:19:23,955 | Mary. Look at this. | Mary. Look at this. |
438 | 00:19:26,457 | 00:19:28,380 | Oh, Flo! These are the same incisions as on the body. | Oh, Flo! These are the same incisions as on the body. |
439 | 00:19:28,417 | 00:19:29,293 | Exactly. | Exactly. |
440 | 00:19:29,960 | 00:19:31,758 | I think our victim had an organoscopy. | I think our victim had an organoscopy. |
441 | 00:19:31,796 | 00:19:33,218 | Oh. That sounds unpleasant. | Oh. That sounds unpleasant. |
442 | 00:19:33,255 | 00:19:35,053 | It's a revolutionary surgical technique | It's a revolutionary surgical technique |
443 | 00:19:35,091 | 00:19:38,516 | pioneered by a Dr Bertram Bernheim at Johns Hopkins University. | pioneered by a Dr Bertram Bernheim at Johns Hopkins University. |
444 | 00:19:38,761 | 00:19:41,765 | So, if our victim was one of his patients, maybe they can identify him. | So, if our victim was one of his patients, maybe they can identify him. |
445 | 00:19:42,640 | 00:19:44,517 | Has he got any particular identifying features? | Has he got any particular identifying features? |
446 | 00:19:44,850 | 00:19:46,443 | A birthmark on his left shoulder. Why? | A birthmark on his left shoulder. Why? |
447 | 00:19:48,187 | 00:19:50,440 | Perhaps I can put my policing talents to use after all. | Perhaps I can put my policing talents to use after all. |
448 | 00:19:55,277 | 00:19:57,826 | MARIAN: Your ongoing patronage is very appreciated. | MARIAN: Your ongoing patronage is very appreciated. |
449 | 00:19:57,863 | 00:19:59,991 | I look forward to seeing you next time. | I look forward to seeing you next time. |
450 | 00:20:00,866 | 00:20:01,742 | Oh, you're back. | Oh, you're back. |
451 | 00:20:02,410 | 00:20:04,412 | I'm here to investigate last night's break-in. | I'm here to investigate last night's break-in. |
452 | 00:20:04,495 | 00:20:06,918 | Oh, well. Why you? - Because I'm a private detective. | Oh, well. Why you? - Because I'm a private detective. |
453 | 00:20:07,915 | 00:20:09,258 | Private detective? | Private detective? |
454 | 00:20:09,291 | 00:20:11,919 | That's quite a step down from archaeology to snooping. | That's quite a step down from archaeology to snooping. |
455 | 00:20:11,961 | 00:20:14,009 | Well, at least I've been an archaeologist | Well, at least I've been an archaeologist |
456 | 00:20:14,255 | 00:20:15,928 | unlike some. - Meaning? | unlike some. - Meaning? |
457 | 00:20:15,965 | 00:20:17,763 | You were nowhere near the Valley of the Kings. | You were nowhere near the Valley of the Kings. |
458 | 00:20:18,259 | 00:20:20,682 | And the overnight train to Marseilles, I told you that story. | And the overnight train to Marseilles, I told you that story. |
459 | 00:20:20,720 | 00:20:23,564 | I'm sure Howard Carter took lots of trains and met lots of young women. | I'm sure Howard Carter took lots of trains and met lots of young women. |
460 | 00:20:23,597 | 00:20:26,271 | Well, impress your camp followers all you want with my stories. | Well, impress your camp followers all you want with my stories. |
461 | 00:20:26,559 | 00:20:28,527 | I'm only interested in where you were last night. | I'm only interested in where you were last night. |
462 | 00:20:29,061 | 00:20:29,937 | Last night? | Last night? |
463 | 00:20:30,438 | 00:20:33,533 | Here and there, being entertained by patrons of this fine institution. | Here and there, being entertained by patrons of this fine institution. |
464 | 00:20:33,566 | 00:20:35,489 | I'm sure you were doing most of the entertaining. | I'm sure you were doing most of the entertaining. |
465 | 00:20:35,526 | 00:20:38,655 | I don't understand why you're being so hostile, Frankie. | I don't understand why you're being so hostile, Frankie. |
466 | 00:20:38,696 | 00:20:39,868 | You and I go way back | You and I go way back |
467 | 00:20:39,905 | 00:20:41,657 | and how many people can say that these days? | and how many people can say that these days? |
468 | 00:20:41,699 | 00:20:43,701 | Remember the fun we used to have at The Windsor? | Remember the fun we used to have at The Windsor? |
469 | 00:20:43,743 | 00:20:44,619 | Did we? | Did we? |
470 | 00:20:44,785 | 00:20:45,832 | Oh, come on! | Oh, come on! |
471 | 00:20:46,620 | 00:20:49,715 | You remember Lawrence, when he came in dressed as a Bedouin | You remember Lawrence, when he came in dressed as a Bedouin |
472 | 00:20:49,749 | 00:20:52,047 | demanding a drink in that charming English accent. | demanding a drink in that charming English accent. |
473 | 00:20:52,084 | 00:20:54,553 | No, I don't. But I do remember the scam that you pulled. | No, I don't. But I do remember the scam that you pulled. |
474 | 00:20:55,337 | 00:20:56,554 | That's ancient history. | That's ancient history. |
475 | 00:20:56,589 | 00:20:59,012 | Not to Asim, it's not. You do remember him, don't you? | Not to Asim, it's not. You do remember him, don't you? |
476 | 00:20:59,049 | 00:21:00,426 | The amulet was mine. | The amulet was mine. |
477 | 00:21:00,468 | 00:21:03,688 | After his mother died, the amulet was all he had to remember her by. | After his mother died, the amulet was all he had to remember her by. |
478 | 00:21:04,263 | 00:21:05,640 | You stole from a child. | You stole from a child. |
479 | 00:21:06,390 | 00:21:08,984 | It was verified as my archaeological find. | It was verified as my archaeological find. |
480 | 00:21:09,393 | 00:21:10,269 | Just like the urn? | Just like the urn? |
481 | 00:21:10,311 | 00:21:13,360 | Nora Amory's only bringing in some other authenticator | Nora Amory's only bringing in some other authenticator |
482 | 00:21:13,397 | 00:21:15,900 | to drum up publicity for this backwater pile. | to drum up publicity for this backwater pile. |
483 | 00:21:15,941 | 00:21:19,536 | A backwater that's about to pay you 10 grand for some fraud that you're pulling. | A backwater that's about to pay you 10 grand for some fraud that you're pulling. |
484 | 00:21:20,863 | 00:21:23,116 | You've got it all figured out, Miss Pl. | You've got it all figured out, Miss Pl. |
485 | 00:21:23,824 | 00:21:24,700 | Not yet... | Not yet... |
486 | 00:21:26,368 | 00:21:27,290 | but I will. | but I will. |
487 | 00:21:32,082 | 00:21:35,256 | Ah, Doctor Bernheim, thank you so much for speaking with me. | Ah, Doctor Bernheim, thank you so much for speaking with me. |
488 | 00:21:35,544 | 00:21:39,594 | Um, I'm calling on behalf of Detective Greyson of the Toronto Police. | Um, I'm calling on behalf of Detective Greyson of the Toronto Police. |
489 | 00:21:40,800 | 00:21:44,350 | The police, the PO...lice. Yes. | The police, the PO...lice. Yes. |
490 | 00:21:44,762 | 00:21:47,641 | Um, we need your help identifying a corpse. | Um, we need your help identifying a corpse. |
491 | 00:21:48,057 | 00:21:49,730 | SHE SIGHS A corpse. | SHE SIGHS A corpse. |
492 | 00:21:50,643 | 00:21:52,316 | A body. Right. | A body. Right. |
493 | 00:21:52,353 | 00:21:54,902 | We know he was a patient at Johns Hopkins | We know he was a patient at Johns Hopkins |
494 | 00:21:55,231 | 00:21:59,111 | and we believe he had an organoscopy some time ago. | and we believe he had an organoscopy some time ago. |
495 | 00:22:00,194 | 00:22:03,198 | Right. So, if you would kindly check your records | Right. So, if you would kindly check your records |
496 | 00:22:03,239 | 00:22:04,491 | and... oh, you would? | and... oh, you would? |
497 | 00:22:05,032 | 00:22:06,158 | That would be most helpful. | That would be most helpful. |
498 | 00:22:06,242 | 00:22:07,664 | Oh, oh, oh, and, and, and... | Oh, oh, oh, and, and, and... |
499 | 00:22:07,952 | 00:22:11,001 | he has a distinctive birthmark on his left shoulder... | he has a distinctive birthmark on his left shoulder... |
500 | 00:22:11,455 | 00:22:13,378 | Right. That, oh, that would... | Right. That, oh, that would... |
501 | 00:22:13,958 | 00:22:15,301 | Yes, absolutely, I can wait. | Yes, absolutely, I can wait. |
502 | 00:22:16,794 | 00:22:17,670 | TRUDY: See this'? | TRUDY: See this'? |
503 | 00:22:18,671 | 00:22:21,220 | Boy, that gal can sure write a headline, huh? | Boy, that gal can sure write a headline, huh? |
504 | 00:22:21,257 | 00:22:23,134 | Yeah. Seems you've got a fan in Lipstick. | Yeah. Seems you've got a fan in Lipstick. |
505 | 00:22:23,175 | 00:22:25,769 | Don't I just? I got all the press clamouring for this story. | Don't I just? I got all the press clamouring for this story. |
506 | 00:22:25,803 | 00:22:27,646 | Now if the guest of honour would just show up. | Now if the guest of honour would just show up. |
507 | 00:22:27,721 | 00:22:29,769 | Right. Michael Walsh is on the slow boat to Toronto. | Right. Michael Walsh is on the slow boat to Toronto. |
508 | 00:22:29,807 | 00:22:31,935 | Yeah, you're telling me. He left Chicago days ago. | Yeah, you're telling me. He left Chicago days ago. |
509 | 00:22:32,518 | 00:22:34,646 | This is the last item in the collection. | This is the last item in the collection. |
510 | 00:22:35,771 | 00:22:37,114 | That's it. Everything checks out. | That's it. Everything checks out. |
511 | 00:22:37,189 | 00:22:38,361 | You are kidding me! | You are kidding me! |
512 | 00:22:42,695 | 00:22:43,571 | Sorry. | Sorry. |
513 | 00:22:44,446 | 00:22:46,119 | I hate to say it, but the cops were right. | I hate to say it, but the cops were right. |
514 | 00:22:46,240 | 00:22:47,116 | Nothing's missing. | Nothing's missing. |
515 | 00:22:48,033 | 00:22:49,376 | So, why did Marian break in? | So, why did Marian break in? |
516 | 00:22:49,410 | 00:22:50,502 | You don't know it was her. | You don't know it was her. |
517 | 00:22:50,536 | 00:22:53,756 | A break-in at the ROM with Marian in town is not a coincidence. | A break-in at the ROM with Marian in town is not a coincidence. |
518 | 00:22:54,874 | 00:22:55,750 | That's funny. | That's funny. |
519 | 00:22:55,791 | 00:22:58,089 | Nora's has a pretty good nose and she couldn't smell anything. | Nora's has a pretty good nose and she couldn't smell anything. |
520 | 00:22:58,210 | 00:23:00,679 | How come she didn't make Marian? - Because she didn't want to. | How come she didn't make Marian? - Because she didn't want to. |
521 | 00:23:00,754 | 00:23:01,755 | She has too much invested. | She has too much invested. |
522 | 00:23:02,631 | 00:23:05,635 | Seems like you're pretty invested yourself. - What's that supposed to mean? | Seems like you're pretty invested yourself. - What's that supposed to mean? |
523 | 00:23:06,051 | 00:23:07,428 | Marian's gotten under your skin. | Marian's gotten under your skin. |
524 | 00:23:08,053 | 00:23:10,351 | Cairo was years ago, Frankie. You can't fix the past. | Cairo was years ago, Frankie. You can't fix the past. |
525 | 00:23:10,389 | 00:23:11,390 | I'm not trying to. | I'm not trying to. |
526 | 00:23:11,432 | 00:23:12,433 | Really? | Really? |
527 | 00:23:12,975 | 00:23:16,275 | Fine... but it doesn't mean that I'm not right. | Fine... but it doesn't mean that I'm not right. |
528 | 00:23:16,353 | 00:23:18,196 | Well, there's a first for everything. - KNOCK ON DOOR | Well, there's a first for everything. - KNOCK ON DOOR |
529 | 00:23:18,564 | 00:23:19,440 | MARY: Hello? Oh! | MARY: Hello? Oh! |
530 | 00:23:21,817 | 00:23:22,693 | I've got it! | I've got it! |
531 | 00:23:23,611 | 00:23:24,487 | I have got it. | I have got it. |
532 | 00:23:24,528 | 00:23:25,404 | Got what? | Got what? |
533 | 00:23:25,571 | 00:23:27,369 | Well, Flo actually cracked it. | Well, Flo actually cracked it. |
534 | 00:23:27,740 | 00:23:29,242 | He was a patient at Johns Hopkins. | He was a patient at Johns Hopkins. |
535 | 00:23:29,366 | 00:23:31,084 | Who was? - The man in Flo's fridge. | Who was? - The man in Flo's fridge. |
536 | 00:23:31,452 | 00:23:32,453 | He's got a name. | He's got a name. |
537 | 00:23:32,494 | 00:23:34,792 | It is Michael Walsh. | It is Michael Walsh. |
538 | 00:23:35,497 | 00:23:38,171 | Michael Walsh. That's the elusive authenticator from Chicago. | Michael Walsh. That's the elusive authenticator from Chicago. |
539 | 00:23:38,459 | 00:23:40,211 | So our two investigations are one and the same. | So our two investigations are one and the same. |
540 | 00:23:40,252 | 00:23:42,095 | But who would want to kill an antiquities expert? | But who would want to kill an antiquities expert? |
541 | 00:23:42,129 | 00:23:44,382 | Looks like Frankie's got her number one suspect. | Looks like Frankie's got her number one suspect. |
542 | 00:23:44,840 | 00:23:46,092 | Really? Who is it, Frankie? | Really? Who is it, Frankie? |
543 | 00:23:46,675 | 00:23:47,892 | I need to send a telegram | I need to send a telegram |
544 | 00:23:48,135 | 00:23:49,182 | and then catch a train. | and then catch a train. |
545 | 00:23:53,098 | 00:23:54,350 | THUNDER RUMBLES | THUNDER RUMBLES |
546 | 00:23:57,686 | 00:23:59,279 | KNOCK ON DOOR - Come in. | KNOCK ON DOOR - Come in. |
547 | 00:24:00,189 | 00:24:01,657 | Hiram Bingham Ill, I presume? | Hiram Bingham Ill, I presume? |
548 | 00:24:03,275 | 00:24:05,027 | Oh... no, call me Bingham. | Oh... no, call me Bingham. |
549 | 00:24:06,362 | 00:24:08,410 | You must be Frankie Drake. | You must be Frankie Drake. |
550 | 00:24:08,697 | 00:24:09,914 | Thank you for meeting with me. | Thank you for meeting with me. |
551 | 00:24:10,532 | 00:24:13,581 | Oh, Howard Carter's telegram was some introduction. | Oh, Howard Carter's telegram was some introduction. |
552 | 00:24:14,078 | 00:24:15,250 | You made quite an impression. | You made quite an impression. |
553 | 00:24:17,581 | 00:24:18,457 | I can see why. | I can see why. |
554 | 00:24:21,418 | 00:24:22,590 | So, how did you like Egypt? | So, how did you like Egypt? |
555 | 00:24:23,253 | 00:24:24,300 | SHE SPEAKS ARABIC | SHE SPEAKS ARABIC |
556 | 00:24:24,630 | 00:24:26,177 | HE RESPONDS IN ARABIC | HE RESPONDS IN ARABIC |
557 | 00:24:29,093 | 00:24:31,391 | So, Miss Drake, how can I help? | So, Miss Drake, how can I help? |
558 | 00:24:32,304 | 00:24:35,103 | I'm looking for something old and Peruvian. | I'm looking for something old and Peruvian. |
559 | 00:24:36,517 | 00:24:37,439 | This lncan urn. | This lncan urn. |
560 | 00:24:43,023 | 00:24:44,491 | Oh, it's very nice. | Oh, it's very nice. |
561 | 00:24:45,484 | 00:24:46,861 | I'd say this is quite a find. | I'd say this is quite a find. |
562 | 00:24:47,695 | 00:24:48,867 | Would you say it's authentic? | Would you say it's authentic? |
563 | 00:24:49,571 | 00:24:50,914 | I can't be sure from this photo. | I can't be sure from this photo. |
564 | 00:24:50,948 | 00:24:52,450 | I'd have to examine the real thing. | I'd have to examine the real thing. |
565 | 00:24:52,491 | 00:24:53,583 | Have you seen it before? | Have you seen it before? |
566 | 00:24:53,951 | 00:24:54,827 | No. | No. |
567 | 00:24:54,952 | 00:24:56,124 | No, were you digging in Peru? | No, were you digging in Peru? |
568 | 00:24:56,870 | 00:24:57,746 | I wasn't. | I wasn't. |
569 | 00:24:58,580 | 00:25:00,457 | She was. Marian Hartley. | She was. Marian Hartley. |
570 | 00:25:01,375 | 00:25:02,297 | You recognise her? | You recognise her? |
571 | 00:25:02,835 | 00:25:03,711 | Should I? | Should I? |
572 | 00:25:04,628 | 00:25:07,051 | She claims she was working with you in Machu Picchu. | She claims she was working with you in Machu Picchu. |
573 | 00:25:08,757 | 00:25:09,849 | Marian Hartley... | Marian Hartley... |
574 | 00:25:11,468 | 00:25:12,720 | Are you sure you have the right name? | Are you sure you have the right name? |
575 | 00:25:13,762 | 00:25:14,934 | Yes, I'm very sure. | Yes, I'm very sure. |
576 | 00:25:16,306 | 00:25:17,523 | She didn't work with you. | She didn't work with you. |
577 | 00:25:18,267 | 00:25:19,314 | I've never heard of her. | I've never heard of her. |
578 | 00:25:20,352 | 00:25:21,353 | Why are you asking? | Why are you asking? |
579 | 00:25:22,855 | 00:25:23,947 | It's a long story. | It's a long story. |
580 | 00:25:24,773 | 00:25:26,195 | Thank you for your help but... | Thank you for your help but... |
581 | 00:25:27,109 | 00:25:28,156 | I have a train to catch. | I have a train to catch. |
582 | 00:25:28,527 | 00:25:29,494 | Must you rush off? | Must you rush off? |
583 | 00:25:30,237 | 00:25:31,910 | I'd be happy to drive you to the station. | I'd be happy to drive you to the station. |
584 | 00:25:32,990 | 00:25:33,912 | In the meantime... | In the meantime... |
585 | 00:25:34,450 | 00:25:37,624 | I happen to have a bottle of your Canadian whisky tucked away. | I happen to have a bottle of your Canadian whisky tucked away. |
586 | 00:25:38,412 | 00:25:39,959 | Well, I'm more of a gin gal. | Well, I'm more of a gin gal. |
587 | 00:25:41,540 | 00:25:43,759 | But... I could make an exception. | But... I could make an exception. |
588 | 00:25:44,918 | 00:25:45,794 | There you go. | There you go. |
589 | 00:25:49,757 | 00:25:51,350 | So is this what brought you to Buffalo? | So is this what brought you to Buffalo? |
590 | 00:25:51,383 | 00:25:52,760 | Yes, actually. | Yes, actually. |
591 | 00:25:54,011 | 00:25:55,263 | I'm on a treasure hunt. | I'm on a treasure hunt. |
592 | 00:25:56,930 | 00:25:58,056 | lncan gold. | lncan gold. |
593 | 00:25:58,682 | 00:26:01,526 | Supposedly hidden from the conquistadors centuries ago. | Supposedly hidden from the conquistadors centuries ago. |
594 | 00:26:02,186 | 00:26:03,733 | And you're looking for clues? | And you're looking for clues? |
595 | 00:26:05,105 | 00:26:06,607 | According to myth | According to myth |
596 | 00:26:06,940 | 00:26:09,113 | a secret map to the treasure exists. | a secret map to the treasure exists. |
597 | 00:26:10,486 | 00:26:11,988 | You think it's woven into this? | You think it's woven into this? |
598 | 00:26:12,780 | 00:26:13,872 | I was optimistic. | I was optimistic. |
599 | 00:26:14,156 | 00:26:15,248 | But disappointed. | But disappointed. |
600 | 00:26:15,282 | 00:26:16,158 | Mm. | Mm. |
601 | 00:26:16,909 | 00:26:19,708 | The real map... is said to bear | The real map... is said to bear |
602 | 00:26:20,454 | 00:26:22,047 | this lncan spider symbol. | this lncan spider symbol. |
603 | 00:26:23,415 | 00:26:26,168 | Sadly, this tapestry has no such mark. | Sadly, this tapestry has no such mark. |
604 | 00:26:28,504 | 00:26:30,097 | And you think this treasure's real? | And you think this treasure's real? |
605 | 00:26:31,256 | 00:26:32,303 | I'm an adventurer. | I'm an adventurer. |
606 | 00:26:33,133 | 00:26:35,306 | We thrive on the possibility of the impossible. | We thrive on the possibility of the impossible. |
607 | 00:26:36,553 | 00:26:37,725 | The thrill's in the chase. | The thrill's in the chase. |
608 | 00:26:38,889 | 00:26:40,141 | A woman after my own heart. | A woman after my own heart. |
609 | 00:26:48,857 | 00:26:50,234 | What's up? - We got a problem. | What's up? - We got a problem. |
610 | 00:26:50,651 | 00:26:52,995 | There's been a traffic accident with a couple of fatalities | There's been a traffic accident with a couple of fatalities |
611 | 00:26:53,028 | 00:26:55,122 | and the bodies are on their way here now. | and the bodies are on their way here now. |
612 | 00:26:55,322 | 00:26:56,949 | We've gotta get rid of Mr Walsh pronto. | We've gotta get rid of Mr Walsh pronto. |
613 | 00:26:56,990 | 00:26:59,869 | Right. I have a friend from church who works for the Bethany Funeral Home. | Right. I have a friend from church who works for the Bethany Funeral Home. |
614 | 00:26:59,910 | 00:27:00,832 | I could talk to her. | I could talk to her. |
615 | 00:27:00,869 | 00:27:03,918 | I can hold the coroner off for an hour or so. Your friend, she's discreet? | I can hold the coroner off for an hour or so. Your friend, she's discreet? |
616 | 00:27:04,081 | 00:27:05,298 | Yeah, no doubt about it. | Yeah, no doubt about it. |
617 | 00:27:05,707 | 00:27:08,005 | I mean, Walsh will be the only white body in the place | I mean, Walsh will be the only white body in the place |
618 | 00:27:08,043 | 00:27:09,636 | but at least he can lay in rest 'til we find his wife. | but at least he can lay in rest 'til we find his wife. |
619 | 00:27:09,670 | 00:27:10,592 | OK. Help me dress him. | OK. Help me dress him. |
620 | 00:27:11,421 | 00:27:12,297 | What? | What? |
621 | 00:27:12,422 | 00:27:13,969 | It's quicker with two. Grab an apron. | It's quicker with two. Grab an apron. |
622 | 00:27:14,716 | 00:27:15,968 | SHE GRUNTS | SHE GRUNTS |
623 | 00:27:23,767 | 00:27:25,940 | Hello again. - What do you want now? | Hello again. - What do you want now? |
624 | 00:27:25,978 | 00:27:29,232 | Well, I just spent a very pleasant evening with an old friend of yours | Well, I just spent a very pleasant evening with an old friend of yours |
625 | 00:27:29,273 | 00:27:30,650 | Hiram Bingham Ill. | Hiram Bingham Ill. |
626 | 00:27:31,483 | 00:27:32,985 | Well, he isn't in Toronto. | Well, he isn't in Toronto. |
627 | 00:27:33,026 | 00:27:34,278 | No, he isn't. He's in Buffalo. | No, he isn't. He's in Buffalo. |
628 | 00:27:34,361 | 00:27:36,204 | But we had a very interesting chat about you. | But we had a very interesting chat about you. |
629 | 00:27:36,780 | 00:27:38,623 | Oh? - You weren't in Machu Picchu with him. | Oh? - You weren't in Machu Picchu with him. |
630 | 00:27:38,657 | 00:27:40,534 | Don't be ridiculous. - Where did you get the urn? | Don't be ridiculous. - Where did you get the urn? |
631 | 00:27:40,909 | 00:27:43,628 | Give it up, Frankie. You lost before, and you'll lose again. | Give it up, Frankie. You lost before, and you'll lose again. |
632 | 00:27:43,662 | 00:27:45,084 | Not this time, I'm afraid. | Not this time, I'm afraid. |
633 | 00:27:45,581 | 00:27:46,958 | Where were you four nights ago? | Where were you four nights ago? |
634 | 00:27:47,875 | 00:27:50,128 | Why the sudden interest in my social schedule? | Why the sudden interest in my social schedule? |
635 | 00:27:50,586 | 00:27:51,508 | Call it curiosity. | Call it curiosity. |
636 | 00:27:54,089 | 00:27:55,011 | Four nights ago... | Four nights ago... |
637 | 00:27:55,591 | 00:27:58,140 | that was the evening before my presentation. | that was the evening before my presentation. |
638 | 00:28:00,888 | 00:28:02,606 | Why don”: you ask Nora Amory? | Why don”: you ask Nora Amory? |
639 | 00:28:03,682 | 00:28:04,558 | I will. | I will. |
640 | 00:28:08,645 | 00:28:09,942 | OK, you are absolutely sure? | OK, you are absolutely sure? |
641 | 00:28:09,980 | 00:28:12,779 | Well, like... I had the filet mignon, Marian had the lobster. | Well, like... I had the filet mignon, Marian had the lobster. |
642 | 00:28:12,816 | 00:28:15,194 | I mean, it was a charming evening on the museum's tab. | I mean, it was a charming evening on the museum's tab. |
643 | 00:28:15,235 | 00:28:17,112 | Why're you asking? - Because Marian is a killer! | Why're you asking? - Because Marian is a killer! |
644 | 00:28:17,154 | 00:28:18,076 | At least I thought she was. | At least I thought she was. |
645 | 00:28:18,113 | 00:28:20,115 | Well, that's a little dramatic, darling, even for you. | Well, that's a little dramatic, darling, even for you. |
646 | 00:28:20,449 | 00:28:21,541 | Who'd she supposedly kill? | Who'd she supposedly kill? |
647 | 00:28:21,575 | 00:28:23,293 | Michael Walsh, the authenticator. | Michael Walsh, the authenticator. |
648 | 00:28:23,577 | 00:28:25,170 | You're kidding! He's dead? | You're kidding! He's dead? |
649 | 00:28:25,204 | 00:28:26,126 | I'm afraid so. | I'm afraid so. |
650 | 00:28:26,622 | 00:28:28,875 | Well, no wonder he didn't show up. - Yeah, well, somebody killed him | Well, no wonder he didn't show up. - Yeah, well, somebody killed him |
651 | 00:28:28,916 | 00:28:30,463 | and went to a lot of trouble to hide his body. | and went to a lot of trouble to hide his body. |
652 | 00:28:30,584 | 00:28:33,053 | Why do you think it was Marian? I mean, she's got no reason to kill him. | Why do you think it was Marian? I mean, she's got no reason to kill him. |
653 | 00:28:33,086 | 00:28:36,010 | The museum curator has already confirmed the urn's genuine. | The museum curator has already confirmed the urn's genuine. |
654 | 00:28:36,048 | 00:28:37,391 | Yeah, well, I still don't buy it. | Yeah, well, I still don't buy it. |
655 | 00:28:37,466 | 00:28:39,844 | Yeah, well, four nights ago, Marian was sucking on a crustacean | Yeah, well, four nights ago, Marian was sucking on a crustacean |
656 | 00:28:39,885 | 00:28:41,262 | not bumping off Walsh. | not bumping off Walsh. |
657 | 00:28:41,511 | 00:28:43,889 | Can you just keep Walsh's demise quiet for a day or two? | Can you just keep Walsh's demise quiet for a day or two? |
658 | 00:28:43,931 | 00:28:45,899 | Yeah. He's dead. I don't expect he'll mind. | Yeah. He's dead. I don't expect he'll mind. |
659 | 00:28:45,933 | 00:28:47,935 | Why? - I just need some time to figure this out. | Why? - I just need some time to figure this out. |
660 | 00:28:48,435 | 00:28:49,778 | OK. Go, g, g, 9- | OK. Go, g, g, 9- |
661 | 00:29:26,765 | 00:29:28,483 | CAMERA CLICKS | CAMERA CLICKS |
662 | 00:29:30,269 | 00:29:31,771 | CAMERA CLICKS | CAMERA CLICKS |
663 | 00:29:41,989 | 00:29:43,662 | Just me. - FRANKIE SIGHS | Just me. - FRANKIE SIGHS |
664 | 00:29:43,824 | 00:29:45,542 | Wanted to let you know that Michael Walsh | Wanted to let you know that Michael Walsh |
665 | 00:29:45,575 | 00:29:47,669 | is safely tucked away at the Bethany Funeral Home. | is safely tucked away at the Bethany Funeral Home. |
666 | 00:29:47,869 | 00:29:48,870 | Trudy came through. | Trudy came through. |
667 | 00:29:48,954 | 00:29:51,548 | Yep, and I found a way to reach his wife, Ingrid, with the news. | Yep, and I found a way to reach his wife, Ingrid, with the news. |
668 | 00:29:52,165 | 00:29:54,384 | Which won't be an easy call, given that he was murdered. | Which won't be an easy call, given that he was murdered. |
669 | 00:29:54,459 | 00:29:56,461 | You might wanna hold off on making that call. | You might wanna hold off on making that call. |
670 | 00:29:56,878 | 00:29:57,754 | Why? | Why? |
671 | 00:29:58,046 | 00:30:00,469 | I may have a lead on who the killer is, - You do? | I may have a lead on who the killer is, - You do? |
672 | 00:30:03,010 | 00:30:03,886 | This guy- | This guy- |
673 | 00:30:05,512 | 00:30:06,729 | Holy cats, you found him! | Holy cats, you found him! |
674 | 00:30:07,723 | 00:30:08,770 | You know who he is? | You know who he is? |
675 | 00:30:09,349 | 00:30:12,398 | That's the man who came to identify his dead brother! That's Ronald Parkes! | That's the man who came to identify his dead brother! That's Ronald Parkes! |
676 | 00:30:13,353 | 00:30:14,445 | That's my brother. | That's my brother. |
677 | 00:30:15,230 | 00:30:16,573 | My condolences, Mr Parkes. | My condolences, Mr Parkes. |
678 | 00:30:17,774 | 00:30:20,653 | So, so, Marian's friend Ronald killed Michael Walsh? | So, so, Marian's friend Ronald killed Michael Walsh? |
679 | 00:30:21,778 | 00:30:24,998 | But if Ronald is the killer, why show up at the morgue and risk getting caught? | But if Ronald is the killer, why show up at the morgue and risk getting caught? |
680 | 00:30:25,157 | 00:30:26,579 | Because he wanted to make very sure | Because he wanted to make very sure |
681 | 00:30:26,616 | 00:30:28,869 | that if anyone came looking for Walsh, he was never found. | that if anyone came looking for Walsh, he was never found. |
682 | 00:30:28,910 | 00:30:30,537 | Like his wife. - Exactly. | Like his wife. - Exactly. |
683 | 00:30:30,829 | 00:30:32,331 | Except for I found that wedding ring. | Except for I found that wedding ring. |
684 | 00:30:32,372 | 00:30:33,749 | And unravelled the plan. | And unravelled the plan. |
685 | 00:30:34,124 | 00:30:36,547 | Why go to all that trouble to make sure Walsh is never found? | Why go to all that trouble to make sure Walsh is never found? |
686 | 00:30:37,044 | 00:30:39,968 | Because Ronald is planning to steal Walsh's identity. | Because Ronald is planning to steal Walsh's identity. |
687 | 00:30:40,422 | 00:30:41,298 | What for? | What for? |
688 | 00:30:41,840 | 00:30:44,810 | A very valuable urn at the Royal Ontario Museum. | A very valuable urn at the Royal Ontario Museum. |
689 | 00:30:49,014 | 00:30:52,063 | Michael Walsh from the Field Museum in Chicago. | Michael Walsh from the Field Museum in Chicago. |
690 | 00:30:52,434 | 00:30:54,107 | I'm delighted to meet you, Mrs Amory. | I'm delighted to meet you, Mrs Amory. |
691 | 00:30:54,519 | 00:30:56,772 | SHE STAMMERS: Mr Walsh. Hello! | SHE STAMMERS: Mr Walsh. Hello! |
692 | 00:30:56,813 | 00:30:57,860 | SHE CHUCKLES | SHE CHUCKLES |
693 | 00:30:57,898 | 00:30:59,571 | We were beginning to think you'd never arrive. | We were beginning to think you'd never arrive. |
694 | 00:31:00,192 | 00:31:02,911 | An invitation to examine an early piece of lncan pottery | An invitation to examine an early piece of lncan pottery |
695 | 00:31:03,653 | 00:31:04,529 | how could I resist? | how could I resist? |
696 | 00:31:04,863 | 00:31:05,864 | I'm very keen to see it. | I'm very keen to see it. |
697 | 00:31:05,906 | 00:31:07,533 | I bet you are. Please... | I bet you are. Please... |
698 | 00:31:22,005 | 00:31:23,928 | Michael Walsh, AKA the walking dead | Michael Walsh, AKA the walking dead |
699 | 00:31:23,965 | 00:31:27,265 | just strolled into the ROM. What is going on? | just strolled into the ROM. What is going on? |
700 | 00:31:27,552 | 00:31:28,678 | He certainly took his time. | He certainly took his time. |
701 | 00:31:28,887 | 00:31:30,889 | You knew, and you didn't think to tell your mother! | You knew, and you didn't think to tell your mother! |
702 | 00:31:30,931 | 00:31:32,933 | I'm still trying to figure it out! - Well hurry up. | I'm still trying to figure it out! - Well hurry up. |
703 | 00:31:32,974 | 00:31:35,443 | Being left in the dark makes me very uncomfortable! | Being left in the dark makes me very uncomfortable! |
704 | 00:31:35,644 | 00:31:38,944 | Frankie, I am used to running the con, not being the mark. | Frankie, I am used to running the con, not being the mark. |
705 | 00:31:39,231 | 00:31:41,700 | The man that you just saw, he killed the real Michael Walsh. | The man that you just saw, he killed the real Michael Walsh. |
706 | 00:31:42,359 | 00:31:44,908 | Oh, charming fellow! What is he doing at the museum? | Oh, charming fellow! What is he doing at the museum? |
707 | 00:31:44,945 | 00:31:48,074 | I don't know, but he has a partner. | I don't know, but he has a partner. |
708 | 00:31:48,448 | 00:31:51,292 | Oh, if it isn't Miss Hartley from Cairo! - The one and only. | Oh, if it isn't Miss Hartley from Cairo! - The one and only. |
709 | 00:31:51,868 | 00:31:52,915 | You're not gonna gloat? | You're not gonna gloat? |
710 | 00:31:52,953 | 00:31:54,079 | No time for that. - Oh! | No time for that. - Oh! |
711 | 00:31:54,704 | 00:31:56,877 | What are they after? It... well, it has to be the urn. | What are they after? It... well, it has to be the urn. |
712 | 00:31:56,915 | 00:31:59,088 | That's what I've been saying. - Now she gloats. | That's what I've been saying. - Now she gloats. |
713 | 00:32:00,210 | 00:32:01,803 | They're after the ten grand. | They're after the ten grand. |
714 | 00:32:02,504 | 00:32:03,721 | So they sell the ROM a fake. | So they sell the ROM a fake. |
715 | 00:32:04,172 | 00:32:05,469 | Except the urn's a genuine. | Except the urn's a genuine. |
716 | 00:32:05,841 | 00:32:08,094 | So why bother impersonating the authenticator? | So why bother impersonating the authenticator? |
717 | 00:32:08,468 | 00:32:10,311 | It's a classic! It's the old switcheroo. | It's a classic! It's the old switcheroo. |
718 | 00:32:11,388 | 00:32:12,605 | Clearly a favourite of yours. | Clearly a favourite of yours. |
719 | 00:32:12,931 | 00:32:15,434 | Well, I, I, you know, I, I may have run it once or twice. | Well, I, I, you know, I, I may have run it once or twice. |
720 | 00:32:16,351 | 00:32:17,523 | You find yourself a mark. | You find yourself a mark. |
721 | 00:32:17,561 | 00:32:19,404 | You offer the genuine article for sale. | You offer the genuine article for sale. |
722 | 00:32:19,479 | 00:32:21,698 | The buyer agrees. you set a price, you collect the cash | The buyer agrees. you set a price, you collect the cash |
723 | 00:32:21,731 | 00:32:23,950 | and then you switch the genuine article for a fake. | and then you switch the genuine article for a fake. |
724 | 00:32:24,192 | 00:32:26,194 | And the beauty of it is, no one's the wiser. | And the beauty of it is, no one's the wiser. |
725 | 00:32:26,611 | 00:32:28,864 | And then you pull the same con somewhere else. | And then you pull the same con somewhere else. |
726 | 00:32:28,905 | 00:32:30,999 | Exactly. - So, how does the switch work? | Exactly. - So, how does the switch work? |
727 | 00:32:32,325 | 00:32:33,201 | Trade secret. | Trade secret. |
728 | 00:32:34,244 | 00:32:35,666 | What? I'm saving it for my memoirs. | What? I'm saving it for my memoirs. |
729 | 00:32:36,663 | 00:32:40,167 | The question is, how are Marian and pal gonna pull it off at the ROM? | The question is, how are Marian and pal gonna pull it off at the ROM? |
730 | 00:32:41,543 | 00:32:42,544 | The mysterious break-in. | The mysterious break-in. |
731 | 00:32:43,420 | 00:32:45,764 | Where nothing was taken. Ronald broke in-- | Where nothing was taken. Ronald broke in-- |
732 | 00:32:45,797 | 00:32:48,516 | And he planted a replica. But Trudy searched the place. | And he planted a replica. But Trudy searched the place. |
733 | 00:32:48,550 | 00:32:49,676 | She didn't find anything. | She didn't find anything. |
734 | 00:32:49,801 | 00:32:51,474 | Yeah, but she was looking for something missing. | Yeah, but she was looking for something missing. |
735 | 00:32:51,511 | 00:32:52,854 | Not something hidden. | Not something hidden. |
736 | 00:32:53,638 | 00:32:55,390 | Well, there's only one way to catch 'em. | Well, there's only one way to catch 'em. |
737 | 00:32:56,349 | 00:32:57,441 | We let it play out. | We let it play out. |
738 | 00:32:58,727 | 00:33:01,025 | OK, so when is Walsh authenticating the urn? | OK, so when is Walsh authenticating the urn? |
739 | 00:33:01,271 | 00:33:02,397 | This afternoon. | This afternoon. |
740 | 00:33:05,150 | 00:33:07,323 | Old times, Frankie. - Don't push it. | Old times, Frankie. - Don't push it. |
741 | 00:33:08,904 | 00:33:09,780 | OK. | OK. |
742 | 00:33:17,329 | 00:33:18,581 | Operator. - Operator? | Operator. - Operator? |
743 | 00:33:18,705 | 00:33:20,332 | Can help you? - Chicago, please. | Can help you? - Chicago, please. |
744 | 00:33:20,499 | 00:33:22,501 | What's the institution? - The Field Museum. | What's the institution? - The Field Museum. |
745 | 00:33:23,502 | 00:33:26,051 | Well, yes, the urn is a coveted treasure | Well, yes, the urn is a coveted treasure |
746 | 00:33:26,505 | 00:33:28,178 | but so too is Miss Hartley | but so too is Miss Hartley |
747 | 00:33:28,215 | 00:33:31,219 | who has been delighting us with her tales of adventure. | who has been delighting us with her tales of adventure. |
748 | 00:33:31,843 | 00:33:34,642 | I envy your travels to Machu Picchu, Miss Hartley. | I envy your travels to Machu Picchu, Miss Hartley. |
749 | 00:33:34,679 | 00:33:35,771 | Oh, yes, Machu Picchu! | Oh, yes, Machu Picchu! |
750 | 00:33:36,306 | 00:33:40,061 | Words cannot describe the experience of entering the lost city. | Words cannot describe the experience of entering the lost city. |
751 | 00:33:40,477 | 00:33:43,481 | One's senses are completely taken over. | One's senses are completely taken over. |
752 | 00:33:43,980 | 00:33:47,359 | It's truly like holding history in your hands. | It's truly like holding history in your hands. |
753 | 00:33:48,777 | 00:33:50,950 | Intoxicating. - Completely. | Intoxicating. - Completely. |
754 | 00:33:52,822 | 00:33:57,669 | Oh, I can see you're just two little peas in an archaeological pod, so... | Oh, I can see you're just two little peas in an archaeological pod, so... |
755 | 00:33:57,702 | 00:33:59,045 | THEY CHUCKLE | THEY CHUCKLE |
756 | 00:33:59,079 | 00:34:01,878 | I will leave Miss Hartley to beguile you further, Mr Walsh. | I will leave Miss Hartley to beguile you further, Mr Walsh. |
757 | 00:34:01,915 | 00:34:02,791 | Thank you. | Thank you. |
758 | 00:34:02,832 | 00:34:03,958 | The urn has been prepared for your inspection | The urn has been prepared for your inspection |
759 | 00:34:04,000 | 00:34:06,378 | so whenever you're ready, Miss Hartley will show you the way. | so whenever you're ready, Miss Hartley will show you the way. |
760 | 00:34:06,461 | 00:34:07,337 | Take your time. | Take your time. |
761 | 00:34:28,191 | 00:34:29,989 | Thank you. - Isn't it something? | Thank you. - Isn't it something? |
762 | 00:34:30,652 | 00:34:31,528 | Quite. | Quite. |
763 | 00:34:31,653 | 00:34:34,372 | The guard will remain outside the door for security. | The guard will remain outside the door for security. |
764 | 00:34:40,579 | 00:34:42,422 | You got the car? - I'm picking it up tonight. | You got the car? - I'm picking it up tonight. |
765 | 00:34:42,914 | 00:34:44,086 | Be at the side door at ten. | Be at the side door at ten. |
766 | 00:35:11,735 | 00:35:14,488 | SHE WHISPERS: Huh. Impressive hiding spot. | SHE WHISPERS: Huh. Impressive hiding spot. |
767 | 00:35:14,529 | 00:35:16,657 | SHE WHISPERS: Yeah. They've done this before. | SHE WHISPERS: Yeah. They've done this before. |
768 | 00:35:35,842 | 00:35:38,095 | There it is, the old switcheroo. | There it is, the old switcheroo. |
769 | 00:35:47,937 | 00:35:52,488 | Now, Mr Walsh, don't keep us in suspense a moment longer. | Now, Mr Walsh, don't keep us in suspense a moment longer. |
770 | 00:35:52,651 | 00:35:53,868 | What do you say? | What do you say? |
771 | 00:35:53,902 | 00:35:55,404 | CAMERAS CLICK - Mrs Amory... | CAMERAS CLICK - Mrs Amory... |
772 | 00:35:56,196 | 00:35:58,198 | patrons of the Royal Ontario Museum | patrons of the Royal Ontario Museum |
773 | 00:35:58,782 | 00:36:02,582 | it is my pleasure to confirm this is a rare and marvelous piece. | it is my pleasure to confirm this is a rare and marvelous piece. |
774 | 00:36:02,619 | 00:36:03,586 | CAMERAS CLICK | CAMERAS CLICK |
775 | 00:36:04,079 | 00:36:06,832 | A genuine 15th century lncan urn... | A genuine 15th century lncan urn... |
776 | 00:36:07,749 | 00:36:10,969 | worthy of a place of honour... in your fine institution. | worthy of a place of honour... in your fine institution. |
777 | 00:36:13,713 | 00:36:17,388 | And just one matter remaining. Miss Hartley, your cheque. | And just one matter remaining. Miss Hartley, your cheque. |
778 | 00:36:17,676 | 00:36:21,601 | And I hope you bring us many more of your wondrous finds. | And I hope you bring us many more of your wondrous finds. |
779 | 00:36:21,638 | 00:36:23,390 | Count on it, Mrs Amory. - Oh... | Count on it, Mrs Amory. - Oh... |
780 | 00:36:25,141 | 00:36:26,142 | CAMERA CLICKS | CAMERA CLICKS |
781 | 00:36:34,943 | 00:36:36,069 | Did they suspect anything? | Did they suspect anything? |
782 | 00:36:36,111 | 00:36:37,613 | Nope. The trap's all set. | Nope. The trap's all set. |
783 | 00:36:37,987 | 00:36:39,660 | So, Ronald just has to walk into it. | So, Ronald just has to walk into it. |
784 | 00:36:40,115 | 00:36:42,959 | What about Marian? - I'll take care of Marian. | What about Marian? - I'll take care of Marian. |
785 | 00:37:02,721 | 00:37:04,189 | DOOR CREAKS | DOOR CREAKS |
786 | 00:37:19,112 | 00:37:21,160 | Looking for this, Mr Walsh? | Looking for this, Mr Walsh? |
787 | 00:37:21,197 | 00:37:22,915 | Or should we call you Ronald Parkes? | Or should we call you Ronald Parkes? |
788 | 00:37:22,949 | 00:37:23,871 | NORA: Hm? | NORA: Hm? |
789 | 00:37:40,216 | 00:37:41,433 | HE GRUNTS | HE GRUNTS |
790 | 00:37:42,302 | 00:37:43,269 | I got him. You go. | I got him. You go. |
791 | 00:37:44,596 | 00:37:45,722 | SHE SIGHS | SHE SIGHS |
792 | 00:37:51,770 | 00:37:53,898 | Hello, Marian. - What? What are you-- | Hello, Marian. - What? What are you-- |
793 | 00:37:53,938 | 00:37:55,155 | Were you expecting someone else? | Were you expecting someone else? |
794 | 00:37:55,607 | 00:37:57,484 | Don't be ridiculous. I was just leaving. | Don't be ridiculous. I was just leaving. |
795 | 00:37:57,525 | 00:37:58,993 | I don't think so. You're going down for murder. | I don't think so. You're going down for murder. |
796 | 00:37:59,652 | 00:38:00,778 | I didn't kill anyone. | I didn't kill anyone. |
797 | 00:38:01,154 | 00:38:03,373 | I contacted the Field Museum in Chicago. | I contacted the Field Museum in Chicago. |
798 | 00:38:03,615 | 00:38:05,743 | It turns out they have the exact same Peruvian urn | It turns out they have the exact same Peruvian urn |
799 | 00:38:05,784 | 00:38:09,084 | in their collection, authenticated by one Michael Walsh. | in their collection, authenticated by one Michael Walsh. |
800 | 00:38:09,871 | 00:38:11,589 | You pulled the exact same con there. | You pulled the exact same con there. |
801 | 00:38:12,040 | 00:38:15,010 | The minute Walsh saw you, you knew the game would be over | The minute Walsh saw you, you knew the game would be over |
802 | 00:38:15,043 | 00:38:16,465 | so you and your partner killed him. | so you and your partner killed him. |
803 | 00:38:16,795 | 00:38:18,468 | You should mind your own business. | You should mind your own business. |
804 | 00:38:18,505 | 00:38:21,725 | You became my business the minute you cheated Asim in Cairo. | You became my business the minute you cheated Asim in Cairo. |
805 | 00:38:23,259 | 00:38:24,806 | MARIAN GASPS | MARIAN GASPS |
806 | 00:38:36,856 | 00:38:39,200 | The brush work, the seaming. | The brush work, the seaming. |
807 | 00:38:39,234 | 00:38:41,157 | This... this detail. | This... this detail. |
808 | 00:38:42,403 | 00:38:44,781 | It's a fine piece indeed. - Isn't it just? | It's a fine piece indeed. - Isn't it just? |
809 | 00:38:45,573 | 00:38:46,916 | So, you think it's the real deal? | So, you think it's the real deal? |
810 | 00:38:47,367 | 00:38:49,085 | Oh, there's no question. | Oh, there's no question. |
811 | 00:38:49,494 | 00:38:50,370 | I knew it! | I knew it! |
812 | 00:38:50,912 | 00:38:53,335 | I mean, I, I, I... I kind of have an eye | I mean, I, I, I... I kind of have an eye |
813 | 00:38:53,373 | 00:38:55,592 | for, uh... for the genuine article. | for, uh... for the genuine article. |
814 | 00:38:55,959 | 00:38:57,586 | SHE CHUCKLES - Oh. | SHE CHUCKLES - Oh. |
815 | 00:38:58,294 | 00:39:00,388 | Tell me, how did you come upon this urn? | Tell me, how did you come upon this urn? |
816 | 00:39:01,714 | 00:39:03,808 | Well, Mr Bingham." SHE CHUCKLES | Well, Mr Bingham." SHE CHUCKLES |
817 | 00:39:03,967 | 00:39:05,184 | This is an interesting story. | This is an interesting story. |
818 | 00:39:05,218 | 00:39:06,686 | Well, I'm gonna level with you, Bingham. | Well, I'm gonna level with you, Bingham. |
819 | 00:39:06,719 | 00:39:08,847 | You're not just here to authenticate. | You're not just here to authenticate. |
820 | 00:39:09,597 | 00:39:12,225 | Oh. Well, you have my attention, Miss Drake. | Oh. Well, you have my attention, Miss Drake. |
821 | 00:39:13,184 | 00:39:14,857 | There's something else about the urn | There's something else about the urn |
822 | 00:39:14,894 | 00:39:17,022 | that I think you might find interesting. | that I think you might find interesting. |
823 | 00:39:18,022 | 00:39:18,898 | Really? | Really? |
824 | 00:39:20,525 | 00:39:21,401 | Oh, I, uh“. | Oh, I, uh“. |
825 | 00:39:23,361 | 00:39:24,954 | BINGHAM: N! - NORA SCREAMS | BINGHAM: N! - NORA SCREAMS |
826 | 00:39:25,989 | 00:39:27,457 | Hold onto your hair, Nora! | Hold onto your hair, Nora! |
827 | 00:39:28,533 | 00:39:29,409 | Why? | Why? |
828 | 00:39:34,539 | 00:39:35,415 | Take a peek. | Take a peek. |
829 | 00:39:37,000 | 00:39:39,253 | Does it... look familiar? | Does it... look familiar? |
830 | 00:39:42,505 | 00:39:43,472 | My God.“ | My God.“ |
831 | 00:39:47,343 | 00:39:49,437 | It's the map to the lncan gold. | It's the map to the lncan gold. |
832 | 00:39:49,470 | 00:39:50,642 | Gold? What gold? | Gold? What gold? |
833 | 00:39:52,724 | 00:39:54,943 | After Marian and her partner were carted away | After Marian and her partner were carted away |
834 | 00:39:54,976 | 00:39:56,523 | I took a closer look at the urn and... | I took a closer look at the urn and... |
835 | 00:39:57,145 | 00:39:58,112 | I found this. | I found this. |
836 | 00:40:01,232 | 00:40:02,233 | Look familiar? | Look familiar? |
837 | 00:40:04,235 | 00:40:05,111 | I'll be damned... | I'll be damned... |
838 | 00:40:06,321 | 00:40:07,413 | the symbol of the spider. | the symbol of the spider. |
839 | 00:40:08,740 | 00:40:10,242 | I remember you showing me the drawing | I remember you showing me the drawing |
840 | 00:40:10,283 | 00:40:12,377 | and there was nothing on the outside of the urn | and there was nothing on the outside of the urn |
841 | 00:40:12,410 | 00:40:14,287 | so there was only one other possibility. | so there was only one other possibility. |
842 | 00:40:16,164 | 00:40:18,212 | Hmm. Well, wouldn't you know it? | Hmm. Well, wouldn't you know it? |
843 | 00:40:18,249 | 00:40:20,593 | Only Frankie Drake could smash a priceless urn | Only Frankie Drake could smash a priceless urn |
844 | 00:40:20,627 | 00:40:22,220 | and find some map to lost treasure. | and find some map to lost treasure. |
845 | 00:40:23,421 | 00:40:24,718 | She gets that from me. | She gets that from me. |
846 | 00:40:33,514 | 00:40:35,482 | My deepest sympathies, Mrs Walsh. | My deepest sympathies, Mrs Walsh. |
847 | 00:40:35,516 | 00:40:38,315 | You are kindness itself. And a dedicated coroner. | You are kindness itself. And a dedicated coroner. |
848 | 00:40:38,811 | 00:40:40,108 | I'm not the actual coroner. | I'm not the actual coroner. |
849 | 00:40:40,813 | 00:40:41,689 | Well, you should be. | Well, you should be. |
850 | 00:40:42,231 | 00:40:43,858 | I'm grateful beyond words to you both. | I'm grateful beyond words to you both. |
851 | 00:40:47,987 | 00:40:49,660 | She's right. You should be the coroner. | She's right. You should be the coroner. |
852 | 00:40:49,697 | 00:40:51,040 | And you should be the chief of police. | And you should be the chief of police. |
853 | 00:40:52,200 | 00:40:53,622 | Don't let anyone hear you say that. | Don't let anyone hear you say that. |
854 | 00:40:53,660 | 00:40:55,662 | If our bosses knew how competent we are-- | If our bosses knew how competent we are-- |
855 | 00:40:55,703 | 00:40:57,671 | We'd lose our jobs for sure. - THEY LAUGH | We'd lose our jobs for sure. - THEY LAUGH |
856 | 00:41:01,709 | 00:41:04,633 | Narrowing down the vastness of the mountain range will be a challenge. | Narrowing down the vastness of the mountain range will be a challenge. |
857 | 00:41:04,879 | 00:41:06,881 | This painted map is very specific. | This painted map is very specific. |
858 | 00:41:08,049 | 00:41:10,393 | This... this valley could be a reference point. | This... this valley could be a reference point. |
859 | 00:41:11,386 | 00:41:13,809 | Howard Carter's grid technique could prove to be useful. | Howard Carter's grid technique could prove to be useful. |
860 | 00:41:16,349 | 00:41:17,646 | Methodical and laborious. | Methodical and laborious. |
861 | 00:41:19,644 | 00:41:21,396 | But scientific and effective. | But scientific and effective. |
862 | 00:41:21,980 | 00:41:23,823 | Well, where's the fun in that? | Well, where's the fun in that? |
863 | 00:41:26,776 | 00:41:27,902 | HE SIGHS | HE SIGHS |
864 | 00:41:33,616 | 00:41:34,663 | Join my treasure hunt. | Join my treasure hunt. |
865 | 00:41:36,369 | 00:41:37,336 | We'd make a great team. | We'd make a great team. |
866 | 00:41:40,748 | 00:41:42,295 | The thrill is in the chase, isn't it? | The thrill is in the chase, isn't it? |
867 | 00:41:44,544 | 00:41:46,672 | Well, ifs a tempting offer, but... | Well, ifs a tempting offer, but... |
868 | 00:41:47,964 | 00:41:49,011 | I'm a detective now. | I'm a detective now. |
869 | 00:41:51,259 | 00:41:53,227 | And who knows where your next case will take you. | And who knows where your next case will take you. |
870 | 00:41:53,553 | 00:41:54,896 | And what I might have to smash. | And what I might have to smash. |
871 | 00:41:55,096 | 00:41:56,268 | HE CHUCKLES Right. | HE CHUCKLES Right. |
872 | 00:41:59,809 | 00:42:00,810 | Well... | Well... |
873 | 00:42:02,520 | 00:42:03,567 | if you change your mind | if you change your mind |
874 | 00:42:04,355 | 00:42:05,982 | you can find me in the Peruvian Andes. | you can find me in the Peruvian Andes. |
875 | 00:42:08,401 | 00:42:09,402 | Just look for the hat. | Just look for the hat. |
876 | 00:42:19,037 | 00:42:20,004 | Sorry about the urn. | Sorry about the urn. |
877 | 00:42:20,747 | 00:42:23,751 | Yeah, how about a little warning next time you smash something priceless? | Yeah, how about a little warning next time you smash something priceless? |
878 | 00:42:24,125 | 00:42:25,843 | Your mother's got a dodgy pelvic floor. | Your mother's got a dodgy pelvic floor. |
879 | 00:42:26,252 | 00:42:28,425 | Well, console yourself knowing that Marian used the urn | Well, console yourself knowing that Marian used the urn |
880 | 00:42:28,463 | 00:42:30,636 | for a cheap con without ever knowing its true value. | for a cheap con without ever knowing its true value. |
881 | 00:42:30,673 | 00:42:32,767 | A delicious irony, I will give you that. | A delicious irony, I will give you that. |
882 | 00:42:32,800 | 00:42:35,019 | I still can't believe that you didn't see through her. | I still can't believe that you didn't see through her. |
883 | 00:42:35,053 | 00:42:37,897 | Yeah, I don't know. I think going legit somehow clouded my thinking. | Yeah, I don't know. I think going legit somehow clouded my thinking. |
884 | 00:42:37,930 | 00:42:39,307 | Well, it won't happen again. | Well, it won't happen again. |
885 | 00:42:39,348 | 00:42:42,318 | Trust me. And for starters, I'm quitting the board of this place. | Trust me. And for starters, I'm quitting the board of this place. |
886 | 00:42:42,602 | 00:42:43,819 | Oh. They let you go? | Oh. They let you go? |
887 | 00:42:43,853 | 00:42:46,948 | Yeah. All that juicy publicity? They can kiss that goodbye! | Yeah. All that juicy publicity? They can kiss that goodbye! |
888 | 00:42:47,023 | 00:42:48,400 | So, they did give you the boot. | So, they did give you the boot. |
889 | 00:42:48,858 | 00:42:49,734 | Must you harp? | Must you harp? |
890 | 00:42:50,943 | 00:42:53,321 | So, tell me about the charming Mr Bingham. | So, tell me about the charming Mr Bingham. |
891 | 00:42:54,072 | 00:42:56,291 | There's nothing to tell. - Oh, sure there is. | There's nothing to tell. - Oh, sure there is. |
892 | 00:42:56,324 | 00:42:58,418 | You've got a thing for archaeologists. | You've got a thing for archaeologists. |
893 | 00:42:58,451 | 00:43:00,328 | How would you know? - Mother's intuition. | How would you know? - Mother's intuition. |
894 | 00:43:00,369 | 00:43:03,043 | There's no such thing. - So, you fancy a drink or what? | There's no such thing. - So, you fancy a drink or what? |
895 | 00:43:03,206 | 00:43:04,253 | Thought you'd never ask. | Thought you'd never ask. |