# Start End Original Translated
1 00:00:14,110 00:00:18,280 [ ROCKABILLY MUSIC PLAYING ON RADIO ] [ ROCKABILLY MUSIC PLAYING ON RADIO ]
2 00:00:18,310 00:00:21,580 [ Garbled ] ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT [ Garbled ] ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪
3 00:00:21,620 00:00:24,080 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
4 00:00:24,120 00:00:26,420 WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪
5 00:00:26,460 00:00:29,160 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
6 00:00:29,190 00:00:32,330 JOHN, LET'S GO TO BED. JOHN, LET'S GO TO BED.
7 00:00:32,360 00:00:34,060 I WANT TO TAKE THE BOAT OUT ALONE. I WANT TO TAKE THE BOAT OUT ALONE.
8 00:00:34,100 00:00:35,360 I'LL BE UP LATER. I'LL BE UP LATER.
9 00:00:35,400 00:00:37,200 NO, I'LL GO WITH YOU. NO, I'LL GO WITH YOU.
10 00:00:39,670 00:00:43,040 TELL ME THAT SHE LOVES ME TOO ♪ TELL ME THAT SHE LOVES ME TOO ♪
11 00:00:43,070 00:00:45,110 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
12 00:00:45,140 00:00:47,470 WELL, THEY'RE ONLY ONES THAT I'LL EVER LOVE ♪ WELL, THEY'RE ONLY ONES THAT I'LL EVER LOVE ♪
13 00:00:47,510 00:00:49,610 SHE'S THE ONE THAT I'M THINKING OF ♪ SHE'S THE ONE THAT I'M THINKING OF ♪
14 00:00:49,650 00:00:52,050 I SEE SPARKS ♪ I SEE SPARKS ♪
15 00:00:52,080 00:00:54,650 OH, EVERY TIME I'M NEAR HER ♪ OH, EVERY TIME I'M NEAR HER ♪
16 00:00:54,680 00:00:56,220 JOHN... JOHN...
17 00:00:58,250 00:01:01,420 THAT WILL IS NO GOOD. THAT WILL IS NO GOOD.
18 00:01:01,460 00:01:02,720 YOUR MOTHER'S STILL ALIVE. YOUR MOTHER'S STILL ALIVE.
19 00:01:02,760 00:01:05,160 WE CAN TALK HER INTO CHANGING IT. WE CAN TALK HER INTO CHANGING IT.
20 00:01:05,190 00:01:08,430 YOU WERE ALWAYS TOO GREEDY, LOUISE. YOU WERE ALWAYS TOO GREEDY, LOUISE.
21 00:01:08,460 00:01:11,330 I JUST DON'T LIKE TO SEE HER EXPLOITING YOU. I JUST DON'T LIKE TO SEE HER EXPLOITING YOU.
22 00:01:11,370 00:01:16,970 HONEY, SHE'S LEAVING ALL OF YOUR FAMILY'S MONEY TO CHARITY HONEY, SHE'S LEAVING ALL OF YOUR FAMILY'S MONEY TO CHARITY
23 00:01:17,010 00:01:19,410 IN THE NAME OF THIS MYSTERIOUS KATHLEEN. IN THE NAME OF THIS MYSTERIOUS KATHLEEN.
24 00:01:19,440 00:01:20,970 IT'S RIDICULOUS. IT'S RIDICULOUS.
25 00:01:21,010 00:01:23,310 YOUR MOTHER IS CRAZY. YOUR MOTHER IS CRAZY.
26 00:01:23,350 00:01:25,680 YOU DON'T KNOW ANYTHING ABOUT IT. YOU DON'T KNOW ANYTHING ABOUT IT.
27 00:01:25,710 00:01:28,120 I KNOW THAT MUSIC'S TERRIBLE. I KNOW THAT MUSIC'S TERRIBLE.
28 00:01:29,820 00:01:33,650 [ VOLUME INCREASES ] [ VOLUME INCREASES ]
29 00:01:33,690 00:01:36,790 OH, WHEN SHE'S NEAR I CAN HARDLY SPEAK ♪ OH, WHEN SHE'S NEAR I CAN HARDLY SPEAK ♪
30 00:01:36,830 00:01:39,660 ...AND MY KNEES GET WEAK ♪ ...AND MY KNEES GET WEAK ♪
31 00:01:39,700 00:01:42,360 JOHN, YOU'RE ROWING TOO HARD. LET ME ROW. JOHN, YOU'RE ROWING TOO HARD. LET ME ROW.
32 00:01:42,400 00:01:44,730 YOU'RE CONCERNED ABOUT ME, LOUISE. YOU'RE CONCERNED ABOUT ME, LOUISE.
33 00:01:44,770 00:01:46,230 IS IT MY HEART? IS IT MY HEART?
34 00:01:46,270 00:01:47,770 STOP IT. STOP IT.
35 00:01:47,800 00:01:49,800 YOU'RE ONLY A MEMBER OF THE FAMILY YOU'RE ONLY A MEMBER OF THE FAMILY
36 00:01:49,840 00:01:51,270 AS LONG AS YOU'RE MY WIFE. AS LONG AS YOU'RE MY WIFE.
37 00:01:51,310 00:01:53,770 IF I DIE BEFORE MOTHER, IF I DIE BEFORE MOTHER,
38 00:01:53,810 00:01:57,310 YOU'RE A STRANGER... YOU'RE A STRANGER...
39 00:01:57,350 00:02:00,250 [ Straining ] ENTITLED TO NOTHING. [ Straining ] ENTITLED TO NOTHING.
40 00:02:03,490 00:02:06,090 NOW YOU'VE DONE IT. NOW YOU'VE DONE IT.
41 00:02:06,120 00:02:07,420 LOOK AT ME WITH STARRY EYES ♪ LOOK AT ME WITH STARRY EYES ♪
42 00:02:07,460 00:02:09,090 AND THEN I GET ALL HYPNOTIZED ♪ AND THEN I GET ALL HYPNOTIZED ♪
43 00:02:09,130 00:02:10,190 WHERE ARE THE PILLS? WHERE ARE THE PILLS?
44 00:02:10,230 00:02:11,790 I-IN THE COAT. I-IN THE COAT.
45 00:02:11,830 00:02:14,130 SHE'S THE ONE THAT I'M THINKING OF ♪ SHE'S THE ONE THAT I'M THINKING OF ♪
46 00:02:14,160 00:02:15,660 I SEE SPARKS ♪ I SEE SPARKS ♪
47 00:02:15,700 00:02:18,400 WELL, EVERY TIME I'M NEAR HER ♪ WELL, EVERY TIME I'M NEAR HER ♪
48 00:02:18,430 00:02:21,170 IT'S EMPTY, YOU IDIOT! IT'S EMPTY, YOU IDIOT!
49 00:02:21,200 00:02:23,470 MY HEART STARTS BEATING MADLY ♪ MY HEART STARTS BEATING MADLY ♪
50 00:02:23,510 00:02:26,070 WELL, WHERE DID SHE CAUSE THE PAIN? ♪ WELL, WHERE DID SHE CAUSE THE PAIN? ♪
51 00:02:26,110 00:02:29,780 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
52 00:02:29,810 00:02:33,110 LOOK AT ME WITH STARRY EYES ♪ LOOK AT ME WITH STARRY EYES ♪
53 00:02:33,150 00:02:35,750 ROW FASTER, LOUISE. [ CHUCKLES ] ROW FASTER, LOUISE. [ CHUCKLES ]
54 00:02:35,780 00:02:38,790 IF I DIE, THERE'S NOTHING IN IT FOR YOU. IF I DIE, THERE'S NOTHING IN IT FOR YOU.
55 00:02:38,820 00:02:40,720 SHUT UP. SHUT UP.
56 00:02:40,760 00:02:43,220 [ GASPING ] [ GASPING ]
57 00:02:43,260 00:02:47,630 [ ROCKABILLY MUSIC CONTINUES ] [ ROCKABILLY MUSIC CONTINUES ]
58 00:02:47,660 00:02:49,500 JOHN? JOHN?
59 00:02:52,130 00:02:53,600 JOHN! JOHN!
60 00:02:56,710 00:02:58,740 [ SLAP! ] [ SLAP! ]
61 00:02:58,770 00:03:01,040 UGH! UGH!
62 00:03:01,080 00:03:03,380 AAH! AAH!
63 00:03:03,410 00:03:05,610 [ GASPING ] [ GASPING ]
64 00:03:05,650 00:03:08,780 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
65 00:03:08,820 00:03:10,480 NOW WHAT DO I DO? NOW WHAT DO I DO?
66 00:03:10,520 00:03:12,720 YOU'RE THE ONE THAT I'M THINKING OF ♪ YOU'RE THE ONE THAT I'M THINKING OF ♪
67 00:03:12,760 00:03:14,820 I GOT TO GET RID OF HIM. I GOT TO GET RID OF HIM.
68 00:03:14,860 00:03:17,620 WELL, I GOT A GIRL THAT'S REALLY GREAT ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪
69 00:03:17,660 00:03:19,490 ...AND I START TO SHAKE ♪ ...AND I START TO SHAKE ♪
70 00:03:19,530 00:03:22,130 WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪
71 00:03:22,160 00:03:24,200 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
72 00:03:24,230 00:03:26,870 THEY'RE THE ONES THAT I'LL EVER LOVE ♪ THEY'RE THE ONES THAT I'LL EVER LOVE ♪
73 00:03:26,900 00:03:28,570 SHE'S THE ONE THAT I'M THINKING OF ♪ SHE'S THE ONE THAT I'M THINKING OF ♪
74 00:03:28,600 00:03:30,670 I SEE SPARKS ♪ I SEE SPARKS ♪
75 00:03:30,710 00:03:34,410 OH, EVERY TIME I'M NEAR HER ♪ OH, EVERY TIME I'M NEAR HER ♪
76 00:03:34,440 00:03:36,540 I FEEL SO STRANGE ♪ I FEEL SO STRANGE ♪
77 00:03:36,580 00:03:39,510 MY HEART STARTS BEATING MADLY ♪ MY HEART STARTS BEATING MADLY ♪
78 00:03:39,550 00:03:40,810 WHERE DID SHE CAUSE THE PAIN? ♪ WHERE DID SHE CAUSE THE PAIN? ♪
79 00:03:40,850 00:03:45,790 [ SINGING INDISTINCTLY ] [ SINGING INDISTINCTLY ]
80 00:03:45,820 00:03:48,620 LOOK AT ME WITH STARRY EYES ♪ LOOK AT ME WITH STARRY EYES ♪
81 00:03:48,660 00:03:51,190 AND THEN I GET ALL HYPNOTIZED ♪ AND THEN I GET ALL HYPNOTIZED ♪
82 00:03:51,230 00:03:55,530 [ MUSIC DISTORTING ] [ MUSIC DISTORTING ]
83 00:03:55,560 00:03:57,800 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
84 00:05:22,580 00:05:25,220 [ ENGINE TURNS OVER ] [ ENGINE TURNS OVER ]
85 00:05:25,250 00:05:26,890 [ BREATHING HEAVILY ] [ BREATHING HEAVILY ]
86 00:05:32,660 00:05:34,860 I'LL HAVE TO GET RID OF HIS THINGS, I'LL HAVE TO GET RID OF HIS THINGS,
87 00:05:34,900 00:05:39,370 SAY HE WENT BACK TO NEW YORK ON BUSINESS OR SOMETHING. SAY HE WENT BACK TO NEW YORK ON BUSINESS OR SOMETHING.
88 00:05:39,400 00:05:42,270 [ FROGS CROAKING ] [ FROGS CROAKING ]
89 00:05:42,300 00:05:44,600 "MOTHER... "MOTHER...
90 00:05:44,640 00:05:48,610 "I AM TERRIBLY SORRY... "I AM TERRIBLY SORRY...
91 00:05:48,640 00:05:52,650 "BUT I HAVE RECEIVED... "BUT I HAVE RECEIVED...
92 00:05:52,680 00:05:56,280 "AN URGENT... "AN URGENT...
93 00:05:56,320 00:05:59,950 "WIRE FROM NEW YORK. "WIRE FROM NEW YORK.
94 00:05:59,990 00:06:05,460 "SINCE I MUST LEAVE TONIGHT... "SINCE I MUST LEAVE TONIGHT...
95 00:06:05,490 00:06:10,500 "I WILL BE FORCED TO MISS... "I WILL BE FORCED TO MISS...
96 00:06:10,530 00:06:14,000 "KATHLEEN'S... "KATHLEEN'S...
97 00:06:14,040 00:06:17,940 "MEMORIAL CEREMONY. "MEMORIAL CEREMONY.
98 00:06:17,970 00:06:23,340 "BUT YOU ALL KNOW... "BUT YOU ALL KNOW...
99 00:06:23,380 00:06:26,780 "MY THOUGHTS "MY THOUGHTS
100 00:06:26,820 00:06:32,450 "WILL BE WITH HER, "WILL BE WITH HER,
101 00:06:32,490 00:06:34,990 IN LOVING MEMORY." IN LOVING MEMORY."
102 00:06:37,630 00:06:40,330 [ SUSPENSEFUL MUSIC PLAYING ] [ SUSPENSEFUL MUSIC PLAYING ]
103 00:07:10,530 00:07:14,930 "YOUR LOVING SON, JOHN." "YOUR LOVING SON, JOHN."
104 00:07:14,960 00:07:17,630 I'LL PACK THE THINGS HE WOULD HAVE TAKEN -- I'LL PACK THE THINGS HE WOULD HAVE TAKEN --
105 00:07:17,670 00:07:20,370 A SUIT, SOME SHIRTS. A SUIT, SOME SHIRTS.
106 00:07:20,400 00:07:25,710 I'M FINALLY RID OF HIM. I'M FINALLY RID OF HIM.
107 00:07:25,740 00:07:31,750 I KNOW I CAN HANDLE HIS MOTHER WITHOUT HIM AROUND. I KNOW I CAN HANDLE HIS MOTHER WITHOUT HIM AROUND.
108 00:07:31,780 00:07:33,810 SHE'S HALF-CRAZY ANYWAY. SHE'S HALF-CRAZY ANYWAY.
109 00:07:33,850 00:07:36,350 I CAN GET RID OF HER, I CAN GET RID OF HER,
110 00:07:36,390 00:07:38,620 ONE WAY OR THE OTHER. ONE WAY OR THE OTHER.
111 00:07:38,650 00:07:41,620 I'D BETTER WATCH OUT FOR HIS BROTHERS, THOUGH, I'D BETTER WATCH OUT FOR HIS BROTHERS, THOUGH,
112 00:07:41,660 00:07:44,720 ESPECIALLY THE OLDER ONE, RICHARD. ESPECIALLY THE OLDER ONE, RICHARD.
113 00:07:49,530 00:07:51,570 THE TYPEWRITER -- THE TYPEWRITER --
114 00:07:51,600 00:07:54,870 HE WOULDN'T FORGET THAT. HE WOULDN'T FORGET THAT.
115 00:07:54,900 00:07:58,510 HE'D HAVE TO WRITE LETTERS ON THE PLANE. HE'D HAVE TO WRITE LETTERS ON THE PLANE.
116 00:07:58,540 00:08:02,940 I WONDER IF HE'LL ROT UNDERWATER. I WONDER IF HE'LL ROT UNDERWATER.
117 00:08:02,980 00:08:06,880 EVERYTHING, EVERYTHING. EVERYTHING, EVERYTHING.
118 00:08:06,920 00:08:09,450 [ SUSPENSEFUL MUSIC PLAYING ] [ SUSPENSEFUL MUSIC PLAYING ]
119 00:08:15,460 00:08:19,530 I'LL MAKE HER CHANGE THAT RIDICULOUS WILL. I'LL MAKE HER CHANGE THAT RIDICULOUS WILL.
120 00:08:34,110 00:08:35,840 "YOUR LOVING SON, JOHN." "YOUR LOVING SON, JOHN."
121 00:08:35,880 00:08:38,450 FAT JOHN. FAT JOHN.
122 00:08:43,190 00:08:45,890 [ FROGS CROAKING ] [ FROGS CROAKING ]
123 00:09:07,480 00:09:11,550 I HOPE EVERYTHING WORKS OUT WITH JOHN'S BUSINESS. I HOPE EVERYTHING WORKS OUT WITH JOHN'S BUSINESS.
124 00:09:11,580 00:09:14,880 I'M SURE EVERYTHING WILL BE FINE. I'M SURE EVERYTHING WILL BE FINE.
125 00:09:14,920 00:09:17,720 YOUR BROTHER'S ALWAYS HAD A WAY OF SOLVING HIS OWN PROBLEMS. YOUR BROTHER'S ALWAYS HAD A WAY OF SOLVING HIS OWN PROBLEMS.
126 00:09:17,750 00:09:19,150 [ METAL TINGS ] OH, I'M SORRY. [ METAL TINGS ] OH, I'M SORRY.
127 00:09:19,190 00:09:20,720 WE'RE IN YOUR WAY. WE'RE IN YOUR WAY.
128 00:09:20,760 00:09:23,960 WHAT DO YOU THINK OF IRELAND, CASTLE HALORAN? WHAT DO YOU THINK OF IRELAND, CASTLE HALORAN?
129 00:09:23,990 00:09:26,630 IRELAND'S FINE. IRELAND'S FINE.
130 00:09:26,660 00:09:30,200 CASTLE HALORAN IS A BIT PERPLEXING, CASTLE HALORAN IS A BIT PERPLEXING,
131 00:09:30,230 00:09:34,630 A VERY STRANGE PLACE, REALLY -- OLD AND MUSTY, A VERY STRANGE PLACE, REALLY -- OLD AND MUSTY,
132 00:09:34,670 00:09:36,870 THE KIND OF PLACE YOU'D EXPECT A GHOST THE KIND OF PLACE YOU'D EXPECT A GHOST
133 00:09:36,910 00:09:38,740 TO LIKE TO WANDER AROUND IN, TO LIKE TO WANDER AROUND IN,
134 00:09:38,770 00:09:40,970 KIND OF A HAUNTED CASTLE. KIND OF A HAUNTED CASTLE.
135 00:09:41,010 00:09:43,580 CASTLE HALORAN IS HAUNTED. CASTLE HALORAN IS HAUNTED.
136 00:09:43,610 00:09:44,810 BY YOUR MOTHER? BY YOUR MOTHER?
137 00:09:44,850 00:09:48,050 BY KATHLEEN. BY KATHLEEN.
138 00:09:48,080 00:09:52,120 I KNOW VERY LITTLE ABOUT HER. I KNOW VERY LITTLE ABOUT HER.
139 00:09:52,150 00:09:54,650 IN FACT, I DIDN'T EVEN KNOW YOU HAD A SISTER IN FACT, I DIDN'T EVEN KNOW YOU HAD A SISTER
140 00:09:54,690 00:09:56,190 UNTIL WE ARRIVED HERE. UNTIL WE ARRIVED HERE.
141 00:09:56,220 00:10:00,660 THERE'S NOT THAT MUCH TO KNOW ABOUT HER, REALLY. THERE'S NOT THAT MUCH TO KNOW ABOUT HER, REALLY.
142 00:10:00,700 00:10:06,200 MY MOTHER WAS ABOUT 40 WHEN SHE GAVE BIRTH TO KATHLEEN. MY MOTHER WAS ABOUT 40 WHEN SHE GAVE BIRTH TO KATHLEEN.
143 00:10:06,230 00:10:09,600 IT WAS LIKE A GIFT, SHE USED TO SAY -- IT WAS LIKE A GIFT, SHE USED TO SAY --
144 00:10:09,640 00:10:13,110 "AN APPLE FOR THE STARVING AND KATHLEEN FOR ME." "AN APPLE FOR THE STARVING AND KATHLEEN FOR ME."
145 00:10:13,140 00:10:17,280 SHE EVEN HAD A POEM -- SHE EVEN HAD A POEM --
146 00:10:17,310 00:10:22,150 "THREE SONS, EACH WHO WOULD MARRY AND GO AWAY, "THREE SONS, EACH WHO WOULD MARRY AND GO AWAY,
147 00:10:22,180 00:10:28,790 BUT LITTLE KATHLEEN WOULD ALWAYS STAY." BUT LITTLE KATHLEEN WOULD ALWAYS STAY."
148 00:10:28,820 00:10:31,760 IT'S ENGRAVEN ON HER LITTLE TOMBSTONE NOW. IT'S ENGRAVEN ON HER LITTLE TOMBSTONE NOW.
149 00:10:31,790 00:10:33,230 HOW DID SHE DIE? HOW DID SHE DIE?
150 00:10:33,260 00:10:35,560 SHE DROWNED IN THE POND. SHE DROWNED IN THE POND.
151 00:10:35,600 00:10:38,670 [ DRAMATIC MUSIC PLAYING ] [ DRAMATIC MUSIC PLAYING ]
152 00:10:45,840 00:10:49,640 Woman: PASSENGERS ARRIVING FROM LONDON AND PRAGUE, Woman: PASSENGERS ARRIVING FROM LONDON AND PRAGUE,
153 00:10:49,680 00:10:53,280 AER LINGUS IRISH INTERNATIONAL AIRLINES AER LINGUS IRISH INTERNATIONAL AIRLINES
154 00:10:53,320 00:10:56,250 WISH YOU CéAD MíLE FáILTE. WISH YOU CéAD MíLE FáILTE.
155 00:10:56,280 00:11:02,820 YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT.
156 00:11:02,860 00:11:06,990 PASSENGERS TRAVELING ONWARDS BY AIR TODAY PASSENGERS TRAVELING ONWARDS BY AIR TODAY
157 00:11:07,030 00:11:10,230 SHOULD CHECK AT THE PASSENGER SERVICE DESK. SHOULD CHECK AT THE PASSENGER SERVICE DESK.
158 00:11:10,270 00:11:13,270 EXCUSE ME, MISS. A-ARE YOU KANE? EXCUSE ME, MISS. A-ARE YOU KANE?
159 00:11:13,300 00:11:14,730 YES. HELLO. YES. HELLO.
160 00:11:14,770 00:11:16,100 WELL, I'M BILLY, RICHARD'S BROTHER. WELL, I'M BILLY, RICHARD'S BROTHER.
161 00:11:16,140 00:11:17,340 I CAME TO GET YOU. I CAME TO GET YOU.
162 00:11:17,370 00:11:18,740 OH, HI. I'M SO HAPPY TO MEET YOU. OH, HI. I'M SO HAPPY TO MEET YOU.
163 00:11:18,770 00:11:20,140 NICE TO MEET YOU. NICE TO MEET YOU.
164 00:11:20,180 00:11:22,080 UH, RICHARD'S SORRY HE COULDN'T COME TO GET YOU, UH, RICHARD'S SORRY HE COULDN'T COME TO GET YOU,
165 00:11:22,110 00:11:23,710 BUT HE'S -- WELL, HE'S UP TO HIS ELBOWS IN STATUES, BUT HE'S -- WELL, HE'S UP TO HIS ELBOWS IN STATUES,
166 00:11:23,750 00:11:25,180 SO I SAID I WOULDN'T MIND PICKING YOU UP. SO I SAID I WOULDN'T MIND PICKING YOU UP.
167 00:11:25,210 00:11:28,820 THANKS. THAT'S AWFULLY NICE OF YOU, BILLY. THANKS. THAT'S AWFULLY NICE OF YOU, BILLY.
168 00:11:28,850 00:11:32,150 AER LINGUS IRISH INTERNATIONAL AIRLINES AER LINGUS IRISH INTERNATIONAL AIRLINES
169 00:11:32,190 00:11:35,290 WISH YOU CéAD MíLE FáILTE. WISH YOU CéAD MíLE FáILTE.
170 00:11:35,320 00:11:40,290 YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT.
171 00:11:43,130 00:11:45,370 MY OLDEST BROTHER, JOHN, HAD TO LEAVE EARLY THIS MORNING, MY OLDEST BROTHER, JOHN, HAD TO LEAVE EARLY THIS MORNING,
172 00:11:45,400 00:11:47,030 BUT HIS WIFE, LOUISE, IS STILL HERE. BUT HIS WIFE, LOUISE, IS STILL HERE.
173 00:11:47,070 00:11:49,140 SHE'S FROM AMERICA, SO YOU WON'T GET HOMESICK. SHE'S FROM AMERICA, SO YOU WON'T GET HOMESICK.
174 00:11:49,170 00:11:50,940 UH, THAT'S MY BAG. OH. UH, THAT'S MY BAG. OH.
175 00:12:01,920 00:12:03,120 IS IT COLD? IS IT COLD?
176 00:12:03,150 00:12:04,350 FREEZING. FREEZING.
177 00:12:04,390 00:12:07,250 BUT ALL OLD CASTLES ARE LIKE THAT. BUT ALL OLD CASTLES ARE LIKE THAT.
178 00:12:07,290 00:12:08,660 TO TELL YOU THE TRUTH, TO TELL YOU THE TRUTH,
179 00:12:08,690 00:12:09,820 CASTLE HALORAN GIVES ME NIGHTMARES. CASTLE HALORAN GIVES ME NIGHTMARES.
180 00:12:09,860 00:12:11,020 [ CHUCKLES ] [ CHUCKLES ]
181 00:12:16,260 00:12:18,300 THERE IT IS. THERE IT IS.
182 00:12:42,320 00:12:44,190 UNBELIEVABLE. UNBELIEVABLE.
183 00:12:44,230 00:12:45,430 [ BIRDS CHIRPING ] [ BIRDS CHIRPING ]
184 00:12:48,230 00:12:50,700 WE'LL LEAVE THE LUGGAGE FOR A MINUTE. WE'LL LEAVE THE LUGGAGE FOR A MINUTE.
185 00:12:50,730 00:12:52,930 COME ON. I'LL TAKE YOU TO HIM. COME ON. I'LL TAKE YOU TO HIM.
186 00:12:57,140 00:12:59,110 THIS IS WHERE HE WORKS. THIS IS WHERE HE WORKS.
187 00:13:01,180 00:13:03,780 [ LOUD HISSING ] [ LOUD HISSING ]
188 00:13:14,020 00:13:15,050 [ CLATTER ] [ CLATTER ]
189 00:13:15,090 00:13:17,190 WHAT IS IT?! WHAT IS IT?!
190 00:13:17,230 00:13:19,130 I'M SORRY, RICHARD. I'M SORRY, RICHARD.
191 00:13:22,200 00:13:23,930 KANE. KANE.
192 00:13:28,900 00:13:29,970 OH, I MISSED YOU. OH, I MISSED YOU.
193 00:13:30,010 00:13:31,470 I MISSED YOU, TOO. I MISSED YOU, TOO.
194 00:13:31,510 00:13:33,740 WELL, I'M SORRY I DIDN'T PICK YOU UP MYSELF, HONEY, WELL, I'M SORRY I DIDN'T PICK YOU UP MYSELF, HONEY,
195 00:13:33,780 00:13:35,040 BUT I WANTED TO FINISH THIS STATUE. BUT I WANTED TO FINISH THIS STATUE.
196 00:13:35,080 00:13:37,180 YOU LOOK WONDERFUL. YOU LOOK WONDERFUL.
197 00:13:44,990 00:13:48,250 Lady Haloran: WELL, I FIND A STATUE REMINDS ME OF DEATH. Lady Haloran: WELL, I FIND A STATUE REMINDS ME OF DEATH.
198 00:13:48,290 00:13:50,460 HOW VERY UNUSUAL, LADY HALORAN, HOW VERY UNUSUAL, LADY HALORAN,
199 00:13:50,490 00:13:54,260 FOR A WOMAN TO HAVE BEEN MARRIED TO SUCH A FAMOUS SCULPTOR FOR A WOMAN TO HAVE BEEN MARRIED TO SUCH A FAMOUS SCULPTOR
200 00:13:54,300 00:13:56,000 AND YET FEEL THAT WAY. AND YET FEEL THAT WAY.
201 00:13:56,030 00:13:59,900 DID, UH, JOHN MENTION WHEN HE WAS GOING TO RETURN? DID, UH, JOHN MENTION WHEN HE WAS GOING TO RETURN?
202 00:13:59,940 00:14:01,270 HE WASN'T SURE. HE WASN'T SURE.
203 00:14:01,300 00:14:04,770 WE THOUGHT I'D STAY ON FOR A WHILE WE THOUGHT I'D STAY ON FOR A WHILE
204 00:14:04,810 00:14:07,010 TO GET TO KNOW THE FAMILY, TO GET TO KNOW THE FAMILY,
205 00:14:07,040 00:14:09,880 AND THEN IF HE COULDN'T MAKE IT BACK, AND THEN IF HE COULDN'T MAKE IT BACK,
206 00:14:09,910 00:14:11,740 I'D JUST RETURN TO NEW YORK. I'D JUST RETURN TO NEW YORK.
207 00:14:11,780 00:14:15,280 HOW LONG IS A LITTLE WHILE? HOW LONG IS A LITTLE WHILE?
208 00:14:15,320 00:14:17,320 AS LONG AS YOU LIKE, MOTHER. AS LONG AS YOU LIKE, MOTHER.
209 00:14:17,350 00:14:19,950 WELL, YOU'RE VERY WELCOME HERE, LOUISE, WELL, YOU'RE VERY WELCOME HERE, LOUISE,
210 00:14:19,990 00:14:24,260 AS LONG AS YOU UNDERSTAND THE PRIVACY AS LONG AS YOU UNDERSTAND THE PRIVACY
211 00:14:24,290 00:14:27,360 OF OUR PERSONAL DUTIES. OF OUR PERSONAL DUTIES.
212 00:14:27,400 00:14:29,830 I SPEAK OF THE CEREMONY TOMORROW. I SPEAK OF THE CEREMONY TOMORROW.
213 00:14:29,870 00:14:32,100 I'M SURE JOHN EXPLAINED IT TO YOU. I'M SURE JOHN EXPLAINED IT TO YOU.
214 00:14:32,130 00:14:34,170 I'M AFRAID JOHN WAS USUALLY TOO BUSY I'M AFRAID JOHN WAS USUALLY TOO BUSY
215 00:14:34,200 00:14:36,400 TO TALK MUCH ABOUT THE FAMILY. TO TALK MUCH ABOUT THE FAMILY.
216 00:14:36,440 00:14:40,310 THAT'S WHY I'M SO HAPPY TO BE HERE, FINALLY. THAT'S WHY I'M SO HAPPY TO BE HERE, FINALLY.
217 00:14:40,340 00:14:41,980 YOU'LL HAVE A PLEASANT STAY. YOU'LL HAVE A PLEASANT STAY.
218 00:14:42,010 00:14:44,380 AND I'M SURE YOU CAN FIND SOMETHING TO OCCUPY YOUR TIME AND I'M SURE YOU CAN FIND SOMETHING TO OCCUPY YOUR TIME
219 00:14:44,410 00:14:45,810 DURING THE CEREMONY. DURING THE CEREMONY.
220 00:14:45,850 00:14:47,980 IT WON'T TAKE VERY LONG. IT WON'T TAKE VERY LONG.
221 00:14:48,020 00:14:49,250 [ SIGHS ] [ SIGHS ]
222 00:14:49,280 00:14:50,950 PERHAPS I AM SUPERSTITIOUS, PERHAPS I AM SUPERSTITIOUS,
223 00:14:50,990 00:14:54,420 BUT I THINK IT'S IMPORTANT THAT ONLY THE IMMEDIATE MEMBERS BUT I THINK IT'S IMPORTANT THAT ONLY THE IMMEDIATE MEMBERS
224 00:14:54,460 00:14:57,120 OF THE FAMILY SHOULD GIVE THEIR THOUGHTS TO... OF THE FAMILY SHOULD GIVE THEIR THOUGHTS TO...
225 00:14:57,160 00:14:59,390 KATHLEEN. KATHLEEN.
226 00:15:10,310 00:15:12,440 EXCUSE ME. EXCUSE ME.
227 00:15:22,450 00:15:25,180 MOTHER, I DON'T CARE WHAT TRAGEDY HANGS OVER THIS FAMILY. MOTHER, I DON'T CARE WHAT TRAGEDY HANGS OVER THIS FAMILY.
228 00:15:25,220 00:15:28,150 I WANT TO GET MARRIED. I'M ENGAGED TO BE MARRIED. I WANT TO GET MARRIED. I'M ENGAGED TO BE MARRIED.
229 00:15:28,190 00:15:31,490 AND I'M GOING TO GET MARRIED. AND I'M GOING TO GET MARRIED.
230 00:15:31,530 00:15:33,860 MOREOVER, I'M GOING TO MARRY KANE. MOREOVER, I'M GOING TO MARRY KANE.
231 00:15:38,170 00:15:42,370 OH, MOTHER, KATHLEEN'S DEAD. OH, MOTHER, KATHLEEN'S DEAD.
232 00:15:42,400 00:15:44,470 SHE'S BEEN DEAD FOR SEVEN YEARS. SHE'S BEEN DEAD FOR SEVEN YEARS.
233 00:15:44,510 00:15:48,540 YOU NEVER TALKED SO MUCH WHEN YOU WERE A CHILD. YOU NEVER TALKED SO MUCH WHEN YOU WERE A CHILD.
234 00:15:48,580 00:15:52,010 AH. AH.
235 00:15:52,050 00:15:54,310 WELL, I CRIED A LOT, DIDN'T I? WELL, I CRIED A LOT, DIDN'T I?
236 00:15:54,350 00:15:56,520 AFRAID I MIGHT BE DOING THAT AGAIN AFRAID I MIGHT BE DOING THAT AGAIN
237 00:15:56,550 00:16:00,220 IF YOU FRIGHTEN HER AWAY FROM ME. IF YOU FRIGHTEN HER AWAY FROM ME.
238 00:16:00,260 00:16:04,920 YOU WANT ME TO INCLUDE HER, TO TALK TO HER? YOU WANT ME TO INCLUDE HER, TO TALK TO HER?
239 00:16:04,960 00:16:06,430 YES. YES.
240 00:16:08,600 00:16:10,400 YES, I DO. YES, I DO.
241 00:16:10,430 00:16:14,070 VERY WELL. I WILL. VERY WELL. I WILL.
242 00:16:14,100 00:16:17,240 I'LL TELL HER I DON'T CARE FOR HER. I'LL TELL HER I DON'T CARE FOR HER.
243 00:16:19,340 00:16:20,610 MOTHER! MOTHER!
244 00:16:23,110 00:16:25,080 YOU HURT HER, YOU HURT HER,
245 00:16:25,110 00:16:28,580 AND I PROMISE YOU I'LL NEVER FORGET IT. AND I PROMISE YOU I'LL NEVER FORGET IT.
246 00:16:51,470 00:16:53,940 THOUGHT YOU SAID YOU DIDN'T RIDE VERY MUCH. THOUGHT YOU SAID YOU DIDN'T RIDE VERY MUCH.
247 00:16:53,980 00:16:55,640 [ CHUCKLES ] I DON'T. I'M JUST SHOWING OFF [ CHUCKLES ] I DON'T. I'M JUST SHOWING OFF
248 00:16:55,680 00:16:57,640 'CAUSE I FINALLY GOT YOU TO MYSELF. 'CAUSE I FINALLY GOT YOU TO MYSELF.
249 00:17:01,120 00:17:02,650 GOOD MORNING. GOOD MORNING.
250 00:17:02,680 00:17:04,380 OH, GOOD MORNING, LOUISE. OH, GOOD MORNING, LOUISE.
251 00:17:04,420 00:17:06,990 IT'S NICE TO SEE HER ENJOYING HERSELF FOR A CHANGE. IT'S NICE TO SEE HER ENJOYING HERSELF FOR A CHANGE.
252 00:17:07,020 00:17:09,420 THE MOOD AROUND THIS PLACE ISN'T GOOD FOR HER. THE MOOD AROUND THIS PLACE ISN'T GOOD FOR HER.
253 00:17:09,460 00:17:11,660 AH, SHE MAY BE RIGHT. AH, SHE MAY BE RIGHT.
254 00:17:11,690 00:17:14,090 ESPECIALLY AN AMERICAN GIRL. ESPECIALLY AN AMERICAN GIRL.
255 00:17:14,130 00:17:17,030 YOU CAN TELL SHE'S BEEN RAISED ON PROMISES. YOU CAN TELL SHE'S BEEN RAISED ON PROMISES.
256 00:17:17,070 00:17:19,300 WHAT ARE YOU GONNA DO ABOUT THAT? WHAT ARE YOU GONNA DO ABOUT THAT?
257 00:17:19,330 00:17:21,900 WHAT ARE YOU GOING TO DO ABOUT THAT? WHAT ARE YOU GOING TO DO ABOUT THAT?
258 00:17:21,940 00:17:24,100 I DON'T UNDERSTAND. [ CHUCKLES ] I DON'T UNDERSTAND. [ CHUCKLES ]
259 00:17:24,140 00:17:27,110 I SAW YOU SQUIRMING WHEN MOTHER READ THE WILL. I SAW YOU SQUIRMING WHEN MOTHER READ THE WILL.
260 00:17:27,140 00:17:30,980 YOU GAVE JOHN ENOUGH DIRTY LOOKS TO GIVE HIM A HEART ATTACK. YOU GAVE JOHN ENOUGH DIRTY LOOKS TO GIVE HIM A HEART ATTACK.
261 00:17:31,010 00:17:34,580 DON'T JOKE ABOUT THAT. DON'T JOKE ABOUT THAT.
262 00:17:34,620 00:17:38,180 YOU KNOW HE HAS A BAD HEART. YOU KNOW HE HAS A BAD HEART.
263 00:17:38,220 00:17:40,190 [ CHUCKLES ] [ CHUCKLES ]
264 00:17:40,220 00:17:42,490 BUT I KNOW YOU DIDN'T MEAN ANYTHING BY IT. BUT I KNOW YOU DIDN'T MEAN ANYTHING BY IT.
265 00:17:42,520 00:17:45,090 YOU KNOW, I THINK YOU OUGHT TO SPEND MORE TIME YOU KNOW, I THINK YOU OUGHT TO SPEND MORE TIME
266 00:17:45,130 00:17:46,390 WITH YOUR WIFE-TO-BE. WITH YOUR WIFE-TO-BE.
267 00:17:46,430 00:17:48,330 YOU'RE AN INTELLIGENT WOMAN, LOUISE. YOU'RE AN INTELLIGENT WOMAN, LOUISE.
268 00:17:48,360 00:17:50,160 YOU NOTICE THINGS, SIZE PEOPLE UP. YOU NOTICE THINGS, SIZE PEOPLE UP.
269 00:17:50,200 00:17:51,460 YOU KNOW WHEN THEY'RE HAPPY YOU KNOW WHEN THEY'RE HAPPY
270 00:17:51,500 00:17:53,530 AND KNOW WHEN SOMETHING'S BOTHERING THEM. AND KNOW WHEN SOMETHING'S BOTHERING THEM.
271 00:17:53,570 00:17:55,570 I WANT YOU TO DO ME A LITTLE FAVOR. I WANT YOU TO DO ME A LITTLE FAVOR.
272 00:17:55,600 00:17:57,470 OF COURSE. OF COURSE.
273 00:17:57,510 00:17:59,710 KEEP THAT MICROSCOPE YOU'VE GOT BUILT INTO YOUR EYE KEEP THAT MICROSCOPE YOU'VE GOT BUILT INTO YOUR EYE
274 00:17:59,740 00:18:01,110 OFF OF ME. OFF OF ME.
275 00:18:01,140 00:18:03,140 I'LL SEE YOU. I'LL SEE YOU.
276 00:18:11,220 00:18:13,350 [ BIRDS CHIRPING ] [ BIRDS CHIRPING ]
277 00:18:13,390 00:18:15,490 THIS WILL TAKE YOU IN, ALL RIGHT. THIS WILL TAKE YOU IN, ALL RIGHT.
278 00:18:15,520 00:18:19,030 OH, THERE'S PLENTY OF VIEW FROM UP THERE. OH, THERE'S PLENTY OF VIEW FROM UP THERE.
279 00:18:24,300 00:18:25,630 MUST BE VERY INTERESTING MUST BE VERY INTERESTING
280 00:18:25,670 00:18:27,470 TO KNOW ABOUT ALL THE SECRET PASSAGEWAYS. TO KNOW ABOUT ALL THE SECRET PASSAGEWAYS.
281 00:18:27,500 00:18:30,640 OH, I KNOW THEM ALL. I'VE BEEN HERE 20 YEARS. OH, I KNOW THEM ALL. I'VE BEEN HERE 20 YEARS.
282 00:18:30,670 00:18:32,370 20 YEARS? HOW WONDERFUL. 20 YEARS? HOW WONDERFUL.
283 00:18:32,410 00:18:34,340 AH, WELL, YOU KNOW HOW IT IS. AH, WELL, YOU KNOW HOW IT IS.
284 00:18:34,380 00:18:37,610 YOU GET USED TO A FAMILY AND YOU GET TO LIKE YOUR ROOM YOU GET USED TO A FAMILY AND YOU GET TO LIKE YOUR ROOM
285 00:18:37,650 00:18:40,280 AND YOU GET TO KNOW THE RUN OF THE HOUSE. AND YOU GET TO KNOW THE RUN OF THE HOUSE.
286 00:18:40,320 00:18:43,350 AND BEFORE YOU KNOW IT, THERE YOU ARE -- 20 YEARS. AND BEFORE YOU KNOW IT, THERE YOU ARE -- 20 YEARS.
287 00:18:43,380 00:18:45,120 YOU MUST HAVE BEEN HERE, THEN, YOU MUST HAVE BEEN HERE, THEN,
288 00:18:45,150 00:18:48,420 WHEN, UH, THE LITTLE GIRL... WHEN, UH, THE LITTLE GIRL...
289 00:18:48,460 00:18:50,460 AH, YES. AH, YES.
290 00:18:50,490 00:18:53,530 THAT WAS A SAD THING, THAT WAS. THAT WAS A SAD THING, THAT WAS.
291 00:18:53,560 00:18:55,560 LORD HALORAN WAS A MUCH-LOVED MAN, LORD HALORAN WAS A MUCH-LOVED MAN,
292 00:18:55,600 00:18:58,060 AND HE INVITED ONE OF THE COUNTRY FELLOWS AND HE INVITED ONE OF THE COUNTRY FELLOWS
293 00:18:58,100 00:18:59,370 UP HERE FOR HIS WEDDING. UP HERE FOR HIS WEDDING.
294 00:18:59,400 00:19:01,070 OH, A BIG WEDDING THAT WAS -- OH, A BIG WEDDING THAT WAS --
295 00:19:01,100 00:19:02,540 A BIG BANQUET, AND EVERYONE INVITED. A BIG BANQUET, AND EVERYONE INVITED.
296 00:19:02,570 00:19:06,470 SHE WAS ALL DRESSED UP AS THE BRIDESMAID, SHE WAS ALL DRESSED UP AS THE BRIDESMAID,
297 00:19:06,510 00:19:10,340 RUNNING ABOUT TO HER HEART'S CONTENT ALL OVER THE PLACE. RUNNING ABOUT TO HER HEART'S CONTENT ALL OVER THE PLACE.
298 00:19:10,380 00:19:13,080 THERE'S NEVER BEEN A WEDDING HERE SINCE. THERE'S NEVER BEEN A WEDDING HERE SINCE.
299 00:19:13,110 00:19:15,080 WHAT ABOUT KANE AND RICHARD? WHAT ABOUT KANE AND RICHARD?
300 00:19:15,120 00:19:16,580 WELL, IT'S NOT MY BUSINESS, WELL, IT'S NOT MY BUSINESS,
301 00:19:16,620 00:19:19,090 BUT I WOULDN'T BE BETTING YOU'D SEE ANOTHER WEDDING HERE. BUT I WOULDN'T BE BETTING YOU'D SEE ANOTHER WEDDING HERE.
302 00:19:19,120 00:19:21,720 WELL, I MUST GO BACK TO WORK. WELL, I MUST GO BACK TO WORK.
303 00:19:28,630 00:19:32,330 [ FROGS CROAKING ] [ FROGS CROAKING ]
304 00:19:46,850 00:19:50,350 [ OFF-KILTER WHIMSICAL MUSIC PLAYING ] [ OFF-KILTER WHIMSICAL MUSIC PLAYING ]
305 00:20:00,130 00:20:03,130 Kane: BILLY? BILLY? Kane: BILLY? BILLY?
306 00:20:03,160 00:20:04,860 BILLY, ARE YOU ALL RIGHT? BILLY, ARE YOU ALL RIGHT?
307 00:20:04,900 00:20:07,730 OH, HELLO, KANE. OH, SURE, SURE, I'M -- I'M FINE. OH, HELLO, KANE. OH, SURE, SURE, I'M -- I'M FINE.
308 00:20:07,770 00:20:10,670 I WAS JUST REMEMBERING ABOUT KATHLEEN. I WAS JUST REMEMBERING ABOUT KATHLEEN.
309 00:20:10,710 00:20:12,740 KATHLEEN? KATHLEEN?
310 00:20:12,770 00:20:14,640 OH, YES, THE LITTLE GIRL. OH, YES, THE LITTLE GIRL.
311 00:20:14,680 00:20:16,710 RICHARD TOLD ME ALL ABOUT HER. RICHARD TOLD ME ALL ABOUT HER.
312 00:20:16,740 00:20:19,480 WE USED TO PLAY TOGETHER RIGHT HERE. WE USED TO PLAY TOGETHER RIGHT HERE.
313 00:20:19,510 00:20:22,620 SOMETIMES I THINK I CAN STILL HEAR HER LAUGHING, SOMETIMES I THINK I CAN STILL HEAR HER LAUGHING,
314 00:20:22,650 00:20:24,350 JUST LIKE THEN. JUST LIKE THEN.
315 00:20:24,390 00:20:27,220 IS -- IS THIS THE POND WHERE...? IS -- IS THIS THE POND WHERE...?
316 00:20:27,260 00:20:28,450 YES. YES.
317 00:20:28,490 00:20:30,660 SHE WAS MISSING ALL NIGHT. SHE WAS MISSING ALL NIGHT.
318 00:20:30,690 00:20:34,260 MOTHER WAS FRANTIC, ALMOST UNCONTROLLABLE. MOTHER WAS FRANTIC, ALMOST UNCONTROLLABLE.
319 00:20:34,300 00:20:36,160 THE NEXT MORNING, THE NEXT MORNING,
320 00:20:36,200 00:20:39,600 WE FOUND KATHLEEN FLOATING IN THE WATER RIGHT OVER THERE. WE FOUND KATHLEEN FLOATING IN THE WATER RIGHT OVER THERE.
321 00:20:39,630 00:20:42,200 I'M SORRY, BILLY. I'M SORRY, BILLY.
322 00:20:42,240 00:20:44,540 NO, KANE, I'M SORRY. NO, KANE, I'M SORRY.
323 00:20:47,710 00:20:49,940 I'M NOT ALWAYS SO MORBID. I'M NOT ALWAYS SO MORBID.
324 00:20:49,980 00:20:53,450 IT'S JUST THAT THE FUNERAL CEREMONY IS TODAY. IT'S JUST THAT THE FUNERAL CEREMONY IS TODAY.
325 00:20:53,480 00:20:56,280 IT'S A VERY BEAUTIFUL POND. IT'S A VERY BEAUTIFUL POND.
326 00:20:56,320 00:20:57,650 YOU KNOW, THIS IS ALL JUST YOU KNOW, THIS IS ALL JUST
327 00:20:57,690 00:20:59,790 EXACTLY LIKE I IMAGINED IRELAND WOULD BE. EXACTLY LIKE I IMAGINED IRELAND WOULD BE.
328 00:20:59,820 00:21:03,520 IT RAINED THE DAY OF THE FUNERAL. IT RAINED THE DAY OF THE FUNERAL.
329 00:21:03,560 00:21:06,730 WE STOOD AROUND HER GRAVE UNDER BLACK UMBRELLAS, WE STOOD AROUND HER GRAVE UNDER BLACK UMBRELLAS,
330 00:21:06,760 00:21:11,560 AND THEN WE THREW FLOWERS UNDER HER LITTLE HEADSTONE. AND THEN WE THREW FLOWERS UNDER HER LITTLE HEADSTONE.
331 00:21:11,600 00:21:14,270 MOTHER LOOKED AT THE FLOWERS, MOTHER LOOKED AT THE FLOWERS,
332 00:21:14,300 00:21:16,240 AND THEN SHE COLLAPSED. AND THEN SHE COLLAPSED.
333 00:21:18,310 00:21:20,940 EVERY YEAR IT'S BEEN THE SAME -- EVERY YEAR IT'S BEEN THE SAME --
334 00:21:20,980 00:21:24,810 THE UMBRELLAS, FLOWERS... THE UMBRELLAS, FLOWERS...
335 00:21:24,850 00:21:27,510 AND MOTHER'S COLLAPSE. AND MOTHER'S COLLAPSE.
336 00:21:29,680 00:21:31,550 BUT THAT WAS YEARS AGO. BUT THAT WAS YEARS AGO.
337 00:21:31,590 00:21:34,550 WHY DO YOU KEEP HAVING THE SAME CEREMONY OVER AND OVER AGAIN? WHY DO YOU KEEP HAVING THE SAME CEREMONY OVER AND OVER AGAIN?
338 00:21:34,590 00:21:39,460 THERE'S SOME THINGS YOU DON'T UNDERSTAND, NOT YET. THERE'S SOME THINGS YOU DON'T UNDERSTAND, NOT YET.
339 00:21:39,490 00:21:40,830 MOTHER'S PROBABLY WAITING. MOTHER'S PROBABLY WAITING.
340 00:21:40,860 00:21:42,860 IS RICHARD READY FOR THE CEREMONY? IS RICHARD READY FOR THE CEREMONY?
341 00:21:42,900 00:21:44,730 I DON'T KNOW. I THINK HE'S IN HIS STUDIO. I DON'T KNOW. I THINK HE'S IN HIS STUDIO.
342 00:21:44,770 00:21:47,300 HE SAID HE HAD A SUDDEN INSPIRATION, HE SAID HE HAD A SUDDEN INSPIRATION,
343 00:21:47,340 00:21:50,000 SOMETHING ABOUT WANTING TO FINISH A STATUE BEFORE -- SOMETHING ABOUT WANTING TO FINISH A STATUE BEFORE --
344 00:21:50,040 00:21:51,470 ALL RIGHT, SIMON, I'VE SEEN YOU. ALL RIGHT, SIMON, I'VE SEEN YOU.
345 00:21:51,510 00:21:52,670 COME OUT OF THERE NOW. COME OUT OF THERE NOW.
346 00:21:52,710 00:21:55,010 [ Irish accent ] I GIVE UP. [ Irish accent ] I GIVE UP.
347 00:21:55,040 00:21:57,840 YOU CAUGHT ME FAIR AND SQUARE, MASTER BILLY. YOU CAUGHT ME FAIR AND SQUARE, MASTER BILLY.
348 00:21:57,880 00:21:59,850 I GIVE MESELF UP. I GIVE MESELF UP.
349 00:21:59,880 00:22:02,380 SO, IT'S POACHING AGAIN, ARE YOU, SIMON? SO, IT'S POACHING AGAIN, ARE YOU, SIMON?
350 00:22:02,420 00:22:03,880 WELL, LET ME TELL YOU -- WELL, LET ME TELL YOU --
351 00:22:03,920 00:22:07,290 YOU JUST ABOUT SCARED THE WITS OUT OF POOR MISS KANE HERE. YOU JUST ABOUT SCARED THE WITS OUT OF POOR MISS KANE HERE.
352 00:22:07,320 00:22:08,490 SHAME ON YOU, SIMON. SHAME ON YOU, SIMON.
353 00:22:08,520 00:22:09,690 SHAME ON YOU! SHAME ON YOU!
354 00:22:09,720 00:22:11,890 'TWAS ONLY OLD BUSHY TAIL I'M AFTER, 'TWAS ONLY OLD BUSHY TAIL I'M AFTER,
355 00:22:11,930 00:22:13,630 MAY HIS SOUL ROT. MAY HIS SOUL ROT.
356 00:22:13,660 00:22:16,660 I SWEAR BY THE SHADE OF FINN McCOOL, MASTER BILLY. I SWEAR BY THE SHADE OF FINN McCOOL, MASTER BILLY.
357 00:22:16,700 00:22:18,800 I'M NOT POACHING YOUR LEGAL GAME. I'M NOT POACHING YOUR LEGAL GAME.
358 00:22:18,830 00:22:21,730 NO, 'TWAS ONLY THAT NO-GOOD RABBIT-STEALING FOX NO, 'TWAS ONLY THAT NO-GOOD RABBIT-STEALING FOX
359 00:22:21,770 00:22:23,240 WHICH BRINGS ME HERE. WHICH BRINGS ME HERE.
360 00:22:23,270 00:22:24,940 PLEASE, MASTER BILLY, PLEASE, MASTER BILLY,
361 00:22:24,970 00:22:27,440 FOR THE MEMORY OF YOUR LATE, GREAT FATHER -- FOR THE MEMORY OF YOUR LATE, GREAT FATHER --
362 00:22:27,480 00:22:31,310 GOD REST HIS SOUL -- DON'T TURN ME OVER TO THE BULLS. GOD REST HIS SOUL -- DON'T TURN ME OVER TO THE BULLS.
363 00:22:31,350 00:22:32,780 OF COURSE NOT, SIMON, OF COURSE NOT, SIMON,
364 00:22:32,810 00:22:34,380 BUT DON'T LET ME CATCH YOU BUT DON'T LET ME CATCH YOU
365 00:22:34,420 00:22:35,880 RUNNING AROUND THROUGH THE BRUSH AGAIN LIKE THIS. RUNNING AROUND THROUGH THE BRUSH AGAIN LIKE THIS.
366 00:22:35,920 00:22:37,280 NOW OFF WITH YOU. NOW OFF WITH YOU.
367 00:22:37,320 00:22:38,920 OH, GOD BLESS YOU, MY BOY. OH, GOD BLESS YOU, MY BOY.
368 00:22:38,950 00:22:42,490 IT IS A TRUE SIGN OF THE LATE, GREAT LORD OF THIS ESTATE, IT IS A TRUE SIGN OF THE LATE, GREAT LORD OF THIS ESTATE,
369 00:22:42,520 00:22:43,760 YOU ARE. YOU ARE.
370 00:22:43,790 00:22:45,520 FORGIVE ME, MISS. FORGIVE ME, MISS.
371 00:22:45,560 00:22:48,490 THE LAST THING IN THE WORLD OLD SIMON WOULD WANT TO DO THE LAST THING IN THE WORLD OLD SIMON WOULD WANT TO DO
372 00:22:48,530 00:22:51,400 IS TO FRIGHTEN A FRESH YOUNG BEAUTY... IS TO FRIGHTEN A FRESH YOUNG BEAUTY...
373 00:22:51,430 00:22:54,300 LIKE YOURSELF. LIKE YOURSELF.
374 00:22:54,340 00:22:56,540 BYE, SIMON. BYE, SIMON.
375 00:22:56,570 00:22:58,400 OLD SIMON LIKES TO THINK OF HIMSELF OLD SIMON LIKES TO THINK OF HIMSELF
376 00:22:58,440 00:23:00,040 AS THE LAST OF THE GREAT IRISH POACHERS. AS THE LAST OF THE GREAT IRISH POACHERS.
377 00:23:00,070 00:23:02,380 ISN'T THAT DANGEROUS, RUNNING AROUND WITH A GUN LIKE THAT? ISN'T THAT DANGEROUS, RUNNING AROUND WITH A GUN LIKE THAT?
378 00:23:02,410 00:23:03,880 I DON'T THINK IT'S BEEN FIRED FOR 30 YEARS. I DON'T THINK IT'S BEEN FIRED FOR 30 YEARS.
379 00:23:03,910 00:23:05,510 I'M NOT EVEN SURE IT'S LOADED. I'M NOT EVEN SURE IT'S LOADED.
380 00:23:05,550 00:23:07,410 WELL, THEN HOW DOES HE CATCH ANYTHING, OR DOES HE? WELL, THEN HOW DOES HE CATCH ANYTHING, OR DOES HE?
381 00:23:07,450 00:23:09,720 WELL, HE SETS OUT SNARES FOR RABBITS, WELL, HE SETS OUT SNARES FOR RABBITS,
382 00:23:09,750 00:23:11,050 AND WHEN HE FINDS THEM EMPTY, AND WHEN HE FINDS THEM EMPTY,
383 00:23:11,090 00:23:12,450 HE BLAMES IT ON OLD BUSHY TAIL. HE BLAMES IT ON OLD BUSHY TAIL.
384 00:23:12,490 00:23:13,950 OLD BUSHY TAIL'S A FOX, OLD BUSHY TAIL'S A FOX,
385 00:23:13,990 00:23:15,920 OR AT LEAST SIMON THINKS SO. OR AT LEAST SIMON THINKS SO.
386 00:23:15,960 00:23:17,790 NOBODY'S EVER SEEN OLD BUSHY TAIL, NOBODY'S EVER SEEN OLD BUSHY TAIL,
387 00:23:17,830 00:23:20,890 AND I DON'T THINK SIMON HAS, EITHER. AND I DON'T THINK SIMON HAS, EITHER.
388 00:23:20,930 00:23:23,900 [ MOURNFUL MUSIC PLAYING ] [ MOURNFUL MUSIC PLAYING ]
389 00:23:23,930 00:23:26,800 [ BELL TOLLING ] [ BELL TOLLING ]
390 00:24:49,080 00:24:50,980 [ SCREAMS ] [ SCREAMS ]
391 00:24:59,830 00:25:01,930 PLEASE, LET ME HELP. PLEASE, LET ME HELP.
392 00:25:06,470 00:25:08,370 HAVE LILLIAN PREPARE HER ROOM. HAVE LILLIAN PREPARE HER ROOM.
393 00:25:08,400 00:25:10,440 I'LL TAKE CARE OF HER. I'LL TAKE CARE OF HER.
394 00:25:15,840 00:25:18,140 WHAT HAPPENED? WHAT HAPPENED?
395 00:25:18,180 00:25:21,080 ONE OF THE FLOWERS DIED WHEN IT TOUCHED HER GRAVE. ONE OF THE FLOWERS DIED WHEN IT TOUCHED HER GRAVE.
396 00:25:21,120 00:25:23,580 [ BREATHES DEEPLY ] [ BREATHES DEEPLY ]
397 00:25:49,180 00:25:50,710 [ MOANS ] [ MOANS ]
398 00:25:50,750 00:25:54,580 Shhhhh. Shhhhh.
399 00:25:54,620 00:25:57,680 REST. REST.
400 00:26:02,060 00:26:06,490 THERE'S SOMETHING IN THIS HOUSE, THERE'S SOMETHING IN THIS HOUSE,
401 00:26:06,530 00:26:11,200 LIKE MUSIC IN THE HALLWAYS... LIKE MUSIC IN THE HALLWAYS...
402 00:26:11,230 00:26:14,130 LIKE A CHILD'S MUSIC, LIKE A CHILD'S MUSIC,
403 00:26:14,170 00:26:17,500 ASKING ME SOMETHING, ASKING ME SOMETHING,
404 00:26:17,540 00:26:20,910 BUT MORE LIKE BEGGING ME. BUT MORE LIKE BEGGING ME.
405 00:26:20,940 00:26:23,040 BEGGING FOR WHAT? BEGGING FOR WHAT?
406 00:26:23,080 00:26:26,080 BEGGING FOR HER MOTHER TO LISTEN TO HER. BEGGING FOR HER MOTHER TO LISTEN TO HER.
407 00:26:34,520 00:26:37,760 YOU KNOW? YOU KNOW?
408 00:26:37,790 00:26:40,590 I'VE HEARD HER. I'VE HEARD HER.
409 00:26:40,630 00:26:44,730 SHE ASKS FOR YOU. SHE ASKS FOR YOU.
410 00:26:44,770 00:26:48,870 POOR TINY THING. POOR TINY THING.
411 00:26:48,900 00:26:51,770 SHE WANTS YOU TO LISTEN TO HER, SHE WANTS YOU TO LISTEN TO HER,
412 00:26:51,810 00:26:54,840 TO WATCH FOR HER SIGNS. TO WATCH FOR HER SIGNS.
413 00:26:54,880 00:26:57,910 OH, I DO TRY. OH, I DO TRY.
414 00:26:57,950 00:27:00,880 DO YOU KNOW WHAT SHE WANTS? DO YOU KNOW WHAT SHE WANTS?
415 00:27:00,920 00:27:02,980 SHE'LL TELL ME. SHE'LL TELL ME.
416 00:27:03,020 00:27:06,520 I PROMISE YOU. I PROMISE YOU.
417 00:27:06,550 00:27:08,190 SHE'LL TELL ME. SHE'LL TELL ME.
418 00:27:08,220 00:27:10,890 [ EXHALES HAPPILY ] [ EXHALES HAPPILY ]
419 00:27:10,930 00:27:12,930 NOW REST. NOW REST.
420 00:27:12,960 00:27:15,060 SHE'LL GIVE US A SIGN. SHE'LL GIVE US A SIGN.
421 00:27:15,100 00:27:17,260 I PROMISE YOU. I PROMISE YOU.
422 00:27:17,300 00:27:19,730 Shh. Shh.
423 00:27:27,940 00:27:32,210 [ DOOR OPENS, CLOSES ] [ DOOR OPENS, CLOSES ]
424 00:28:33,710 00:28:36,210 [ DOOR CREAKS ] [ DOOR CREAKS ]
425 00:28:45,850 00:28:48,350 [ DOOR CREAKS ] [ DOOR CREAKS ]
426 00:29:37,140 00:29:39,840 [ TOY WHIRRING ] [ TOY WHIRRING ]
427 00:29:42,240 00:29:44,040 [ WHIRRING STOPS ] [ WHIRRING STOPS ]
428 00:30:06,330 00:30:07,800 [ BALL THUDS ] [ GASPS ] [ BALL THUDS ] [ GASPS ]
429 00:30:07,840 00:30:10,340 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
430 00:30:24,820 00:30:27,490 [ TOY WHIRRING ] [ TOY WHIRRING ]
431 00:30:31,260 00:30:33,760 [ WHIRRING STOPS ] [ WHIRRING STOPS ]
432 00:30:33,790 00:30:34,990 [ WHIRRING RESUMES ] [ WHIRRING RESUMES ]
433 00:30:35,030 00:30:36,230 [ WHIRRING STOPS ] [ WHIRRING STOPS ]
434 00:30:40,000 00:30:42,870 [ WHIRRING RESUMES ] [ WHIRRING RESUMES ]
435 00:30:52,080 00:30:54,580 [ DOOR CREAKS ] [ DOOR CREAKS ]
436 00:31:12,470 00:31:15,170 [ DOOR CREAKS ] [ DOOR CREAKS ]
437 00:31:23,910 00:31:25,940 [ DOOR CREAKS ] [ DOOR CREAKS ]
438 00:31:28,920 00:31:30,920 [ DOOR CREAKS ] [ DOOR CREAKS ]
439 00:31:42,330 00:31:44,300 ARE YOU LOST? ARE YOU LOST?
440 00:31:46,030 00:31:47,470 NO. ARE YOU? NO. ARE YOU?
441 00:31:47,500 00:31:51,000 I THINK YOU'LL FIND THAT YOU'RE IN QUITE THE WRONG PART I THINK YOU'LL FIND THAT YOU'RE IN QUITE THE WRONG PART
442 00:31:51,040 00:31:53,340 OF CASTLE HALORAN TO FIND YOUR ROOM. OF CASTLE HALORAN TO FIND YOUR ROOM.
443 00:31:53,370 00:31:56,280 GOOD NIGHT, LOUISE. GOOD NIGHT, LOUISE.
444 00:32:00,150 00:32:01,550 GOOD NIGHT. GOOD NIGHT.
445 00:32:09,260 00:32:11,320 [ SUSPENSEFUL MUSIC PLAYING ] [ SUSPENSEFUL MUSIC PLAYING ]
446 00:32:11,360 00:32:14,230 [ FROGS CROAKING ] [ FROGS CROAKING ]
447 00:34:38,510 00:34:42,740 [ SUSPENSEFUL MUSIC CLIMAXES ] [ SUSPENSEFUL MUSIC CLIMAXES ]
448 00:34:42,780 00:34:45,580 AAH! AAH!
449 00:34:53,490 00:34:54,790 [ GASPS ] [ GASPS ]
450 00:34:54,820 00:34:58,360 [ SCREAMING ] [ SCREAMING ]
451 00:35:12,440 00:35:16,070 [ GASPING ] [ GASPING ]
452 00:35:29,490 00:35:32,160 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
453 00:36:05,260 00:36:08,530 CONSIDER YOUR MIND AS A BIRD IN YOUR HAND. CONSIDER YOUR MIND AS A BIRD IN YOUR HAND.
454 00:36:08,560 00:36:12,060 WHEN IT'S RELAXED, IT LIES QUIET AND EASY. WHEN IT'S RELAXED, IT LIES QUIET AND EASY.
455 00:36:12,100 00:36:14,800 BUT WHEN IT'S TENSE AND FRIGHTENED, BUT WHEN IT'S TENSE AND FRIGHTENED,
456 00:36:14,840 00:36:17,570 IT STRAINS TO LEAVE YOU. IT STRAINS TO LEAVE YOU.
457 00:36:24,140 00:36:26,810 QUITE A SIMPLE PRINCIPLE, ISN'T IT? QUITE A SIMPLE PRINCIPLE, ISN'T IT?
458 00:36:26,850 00:36:29,780 YOU'RE ENGAGED TO TREAT MY BODY, YOU'RE ENGAGED TO TREAT MY BODY,
459 00:36:29,820 00:36:31,150 NOT MY MIND. NOT MY MIND.
460 00:36:31,190 00:36:32,350 NOW, DON'T YOU TRY TO SEPARATE NOW, DON'T YOU TRY TO SEPARATE
461 00:36:32,390 00:36:34,090 THAT WHICH NATURE HAS JOINED. THAT WHICH NATURE HAS JOINED.
462 00:36:34,120 00:36:36,190 WHAT I'M TRYING TO SAY IS THIS, WHAT I'M TRYING TO SAY IS THIS,
463 00:36:36,220 00:36:38,220 THAT EVERY YEAR AT THIS TIME, THAT EVERY YEAR AT THIS TIME,
464 00:36:38,260 00:36:41,130 YOU WORK YOURSELF TOWARD A POINT OF HYSTERIA. YOU WORK YOURSELF TOWARD A POINT OF HYSTERIA.
465 00:36:41,160 00:36:43,500 YOU REMEMBER, YOU WORRY, YOU IMAGINE, YOU REMEMBER, YOU WORRY, YOU IMAGINE,
466 00:36:43,530 00:36:46,130 AND THEN YOU COLLAPSE. AND THEN YOU COLLAPSE.
467 00:36:46,170 00:36:48,770 I JUST CAN'T BELIEVE THAT SUCH A PUNCTUAL CYCLE I JUST CAN'T BELIEVE THAT SUCH A PUNCTUAL CYCLE
468 00:36:48,800 00:36:50,500 IS PHYSIOLOGICAL. IS PHYSIOLOGICAL.
469 00:36:50,540 00:36:54,840 ASIDE FROM ALL THIS, AM I WELL? ASIDE FROM ALL THIS, AM I WELL?
470 00:36:54,880 00:36:57,480 ASIDE FROM ALL THIS? ASIDE FROM ALL THIS?
471 00:36:57,510 00:36:59,240 OH, YES. OH, YES.
472 00:36:59,280 00:37:04,750 WHAT I WANT YOU TO DO IS TO REST AND TO RELAX YOUR MIND. WHAT I WANT YOU TO DO IS TO REST AND TO RELAX YOUR MIND.
473 00:37:04,790 00:37:07,690 REMEMBER THE, UH, BIRD IN YOUR HAND. REMEMBER THE, UH, BIRD IN YOUR HAND.
474 00:37:10,620 00:37:12,390 [ KNOCK ON DOOR ] [ KNOCK ON DOOR ]
475 00:37:12,430 00:37:13,690 COME IN. COME IN.
476 00:37:16,800 00:37:19,160 WILL YOU BRING A SUMMER DRESS FOR MADAM, WILL YOU BRING A SUMMER DRESS FOR MADAM,
477 00:37:19,200 00:37:21,300 SOMETHING YOUTHFUL AND CHEERFUL, SOMETHING YOUTHFUL AND CHEERFUL,
478 00:37:21,340 00:37:24,540 SO THAT WE CAN HAVE LUNCH ON THE TERRACE? SO THAT WE CAN HAVE LUNCH ON THE TERRACE?
479 00:37:24,570 00:37:26,810 AND MY DAUGHTER-IN-LAW -- LOUISE? AND MY DAUGHTER-IN-LAW -- LOUISE?
480 00:37:26,840 00:37:28,740 Lillian: SHE ISN'T IN HER ROOM. Lillian: SHE ISN'T IN HER ROOM.
481 00:37:28,780 00:37:30,140 I DON'T THINK SHE SLEPT THERE LAST NIGHT, I DON'T THINK SHE SLEPT THERE LAST NIGHT,
482 00:37:30,180 00:37:31,540 IF YOU WERE TO ASK ME. IF YOU WERE TO ASK ME.
483 00:37:31,580 00:37:33,750 YEAH, BUT NOBODY'S ASKING YOU, LITTLE GIRL. YEAH, BUT NOBODY'S ASKING YOU, LITTLE GIRL.
484 00:37:33,780 00:37:35,410 NOW HURRY UP WITH THE LUNCH, NOW HURRY UP WITH THE LUNCH,
485 00:37:35,450 00:37:37,520 OR I'LL WISH FIVE YEARS OF SPINSTERHOOD ON YOU. OR I'LL WISH FIVE YEARS OF SPINSTERHOOD ON YOU.
486 00:37:37,550 00:37:39,920 I MUST KNOW WHERE LOUISE IS. I MUST KNOW WHERE LOUISE IS.
487 00:37:39,950 00:37:41,690 I'VE NEVER NOTICED THIS INTEREST I'VE NEVER NOTICED THIS INTEREST
488 00:37:41,720 00:37:43,420 IN YOUR DAUGHTER-IN-LAW BEFORE. IN YOUR DAUGHTER-IN-LAW BEFORE.
489 00:37:43,460 00:37:45,760 WILL YOU PLEASE FIND HER, LILLIAN? WILL YOU PLEASE FIND HER, LILLIAN?
490 00:37:45,790 00:37:47,160 YES, MA'AM. YES, MA'AM.
491 00:37:47,190 00:37:50,300 HER LADYSHIP'S SUMMER DRESS. HER LADYSHIP'S SUMMER DRESS.
492 00:37:50,330 00:37:52,400 ANYTHING WILL DO. ANYTHING WILL DO.
493 00:37:58,840 00:38:00,870 TELL HER I MUST SEE HER. TELL HER I MUST SEE HER.
494 00:38:00,910 00:38:02,340 DO YOU UNDERSTAND? DO YOU UNDERSTAND?
495 00:38:16,460 00:38:17,860 [ ENGINE SHUTS OFF ] [ ENGINE SHUTS OFF ]
496 00:38:17,890 00:38:20,760 [ BIRDS CHIRPING ] [ BIRDS CHIRPING ]
497 00:38:26,200 00:38:27,770 EXCUSE ME, MR. HALORAN. EXCUSE ME, MR. HALORAN.
498 00:38:27,800 00:38:31,300 THE MISTRESS SENT ME TO FIND YOUR SISTER-IN-LAW, LOUISE. THE MISTRESS SENT ME TO FIND YOUR SISTER-IN-LAW, LOUISE.
499 00:38:31,340 00:38:33,270 HAVE YOU SEEN HER, SIR? I'M SORRY, LILLIAN. HAVE YOU SEEN HER, SIR? I'M SORRY, LILLIAN.
500 00:38:33,310 00:38:34,640 WE LEFT PRETTY EARLY THIS MORNING. WE LEFT PRETTY EARLY THIS MORNING.
501 00:38:34,680 00:38:35,840 SHE'S NOT IN HER ROOM? SHE'S NOT IN HER ROOM?
502 00:38:35,880 00:38:36,940 NO, SIR. NO, SIR.
503 00:38:36,980 00:38:38,380 HER ROOM WASN'T EVEN SLEPT IN. HER ROOM WASN'T EVEN SLEPT IN.
504 00:38:38,410 00:38:39,710 TRY ASKING MY BROTHER. TRY ASKING MY BROTHER.
505 00:38:39,750 00:38:40,950 YES, SIR. YES, SIR.
506 00:38:40,980 00:38:42,350 LUNCHEON IS SERVED ON THE TERRACE. LUNCHEON IS SERVED ON THE TERRACE.
507 00:38:42,380 00:38:44,550 THANK YOU. I WONDER WHERE SHE IS. THANK YOU. I WONDER WHERE SHE IS.
508 00:38:44,580 00:38:45,850 I DON'T KNOW. I DON'T KNOW.
509 00:38:59,730 00:39:01,370 ASK ME WHAT I DID TODAY. ASK ME WHAT I DID TODAY.
510 00:39:01,400 00:39:03,270 [ CHUCKLES ] RIGHT. WHAT DID YOU DO TODAY? [ CHUCKLES ] RIGHT. WHAT DID YOU DO TODAY?
511 00:39:03,300 00:39:04,540 NOTHING. ASK ME WHY. NOTHING. ASK ME WHY.
512 00:39:04,570 00:39:05,800 WHY? WHY?
513 00:39:05,840 00:39:07,940 BECAUSE YOU WEREN'T THERE. BECAUSE YOU WEREN'T THERE.
514 00:39:07,970 00:39:10,310 I THOUGHT YOU WERE GOING TO WORK. I THOUGHT YOU WERE GOING TO WORK.
515 00:39:10,340 00:39:12,340 IF YOU'RE GOING TO BE MY WIFE, IF YOU'RE GOING TO BE MY WIFE,
516 00:39:12,380 00:39:15,480 YOU'LL HAVE TO BE OF THE TRUSTING, SILENT VARIETY. YOU'LL HAVE TO BE OF THE TRUSTING, SILENT VARIETY.
517 00:39:16,820 00:39:17,980 HEY, RICHARD, YOU SEEN LOUISE? HEY, RICHARD, YOU SEEN LOUISE?
518 00:39:18,020 00:39:19,850 UH, NO, I HAVEN'T. WHY? UH, NO, I HAVEN'T. WHY?
519 00:39:19,890 00:39:21,690 I DON'T KNOW. MOTHER'S LOOKING FOR HER. I DON'T KNOW. MOTHER'S LOOKING FOR HER.
520 00:39:21,720 00:39:24,420 OH, IS THAT CALEB? OH, IS THAT CALEB?
521 00:39:24,460 00:39:25,690 HE'S BACK. HE'S BACK.
522 00:39:29,530 00:39:31,530 GOOD AFTERNOON, MOTHER. GOOD AFTERNOON, MOTHER.
523 00:39:31,570 00:39:32,860 GOOD MORNING, CALEB. GOOD MORNING, CALEB.
524 00:39:32,900 00:39:34,900 HOW ARE YOU, RICHARD? HOW ARE YOU, RICHARD?
525 00:39:34,940 00:39:37,000 I'M FINE, CALEB. I'M FINE, CALEB.
526 00:39:37,040 00:39:39,400 AND NO MORE HEADACHES, I TRUST? AND NO MORE HEADACHES, I TRUST?
527 00:39:39,440 00:39:41,570 UNPLEASANT THINGS, HEADACHES, UNPLEASANT THINGS, HEADACHES,
528 00:39:41,610 00:39:45,310 GNAWING AWAY AT A MAN'S MOST VALUABLE POSSESSION. GNAWING AWAY AT A MAN'S MOST VALUABLE POSSESSION.
529 00:39:45,350 00:39:47,750 AND CONGRATULATIONS ON YOUR CHARMING FIANCéE. AND CONGRATULATIONS ON YOUR CHARMING FIANCéE.
530 00:39:49,550 00:39:50,880 LILLIAN. LILLIAN.
531 00:39:50,920 00:39:52,850 PATRICK HASN'T SEEN HER, MA'AM, PATRICK HASN'T SEEN HER, MA'AM,
532 00:39:52,890 00:39:55,020 AND ARTHUR SAYS THAT NONE OF THE CARS AND ARTHUR SAYS THAT NONE OF THE CARS
533 00:39:55,060 00:39:56,620 EXCEPT MASTER BILLY'S HAS BEEN USED. EXCEPT MASTER BILLY'S HAS BEEN USED.
534 00:39:56,660 00:39:58,760 HAVE YOU COUNTED THE SILVER? HAVE YOU COUNTED THE SILVER?
535 00:39:58,790 00:40:00,890 PROBABLY THE MOST ASTUTE DIAGNOSE PROBABLY THE MOST ASTUTE DIAGNOSE
536 00:40:00,930 00:40:02,630 YOU'VE EVER MADE, CALEB. YOU'VE EVER MADE, CALEB.
537 00:40:02,660 00:40:05,300 YOU'RE ALL BEING RIDICULOUS. YOU'RE ALL BEING RIDICULOUS.
538 00:40:05,330 00:40:07,430 [ WATER BUBBLING ] [ WATER BUBBLING ]
539 00:40:10,040 00:40:11,940 KATHLEEN? KATHLEEN?
540 00:40:39,570 00:40:41,930 THE TIARA. THE TIARA.
541 00:40:41,970 00:40:44,800 SHE WANTS THE TIARA. SHE WANTS THE TIARA.
542 00:40:44,840 00:40:48,110 DOLLS? DOLLS?
543 00:40:48,140 00:40:50,840 NOW, THIS IS RIDICULOUS. NOW, THIS IS RIDICULOUS.
544 00:40:54,210 00:40:55,910 PUT IT AWAY. PUT IT AWAY.
545 00:40:55,950 00:40:57,980 PROBABLY BELONGS TO THE GARDENER'S CHILD. PROBABLY BELONGS TO THE GARDENER'S CHILD.
546 00:40:58,020 00:41:02,090 NOW, THIS IS VERY BAD FOR YOUR MOTHER. NOW, THIS IS VERY BAD FOR YOUR MOTHER.
547 00:41:02,120 00:41:03,860 THEY'RE KATHLEEN'S DOLLS. THEY'RE KATHLEEN'S DOLLS.
548 00:41:03,890 00:41:06,460 I SAW THEM FLOAT UP FROM THE BOTTOM OF THE POND. I SAW THEM FLOAT UP FROM THE BOTTOM OF THE POND.
549 00:41:06,490 00:41:09,730 ONE OF YOU HAS A BRILLIANTLY IMAGINATIVE ONE OF YOU HAS A BRILLIANTLY IMAGINATIVE
550 00:41:09,760 00:41:11,500 AND SADISTICALLY EFFECTIVE MIND. AND SADISTICALLY EFFECTIVE MIND.
551 00:41:11,530 00:41:12,930 I WISH I COULD KEEP UP WITH IT. I WISH I COULD KEEP UP WITH IT.
552 00:41:12,970 00:41:17,500 DR. CALEB, TAKE THIS HOME AND STUDY IT! DR. CALEB, TAKE THIS HOME AND STUDY IT!
553 00:41:20,440 00:41:22,870 FISH THE REST OF THEM OUT. BURN THEM. FISH THE REST OF THEM OUT. BURN THEM.
554 00:41:38,630 00:41:40,090 [ WATER BUBBLES ] [ WATER BUBBLES ]
555 00:41:59,980 00:42:02,050 ARE YOU GONNA POUND IT ALL OUT ARE YOU GONNA POUND IT ALL OUT
556 00:42:02,080 00:42:03,980 ON THAT ONE LITTLE PIECE OF METAL? ON THAT ONE LITTLE PIECE OF METAL?
557 00:42:04,020 00:42:06,750 [ SIGHS ] I DON'T KNOW. [ SIGHS ] I DON'T KNOW.
558 00:42:06,790 00:42:09,590 YOU KNOW, SOMETIMES I GET THE FEELING YOU KNOW, SOMETIMES I GET THE FEELING
559 00:42:09,620 00:42:11,920 YOU THINK I'M SOME SORT OF A CHRISTMAS-TREE DECORATION. YOU THINK I'M SOME SORT OF A CHRISTMAS-TREE DECORATION.
560 00:42:11,960 00:42:15,060 HANG ME UP AND LOOK AT ME ON ALL THE HAPPY DAYS, HANG ME UP AND LOOK AT ME ON ALL THE HAPPY DAYS,
561 00:42:15,100 00:42:17,060 AND TIE ME UP IN A BOX AND PUT ME IN A CLOSET AND TIE ME UP IN A BOX AND PUT ME IN A CLOSET
562 00:42:17,100 00:42:18,730 WHEN IT GETS GLOOMY. WHEN IT GETS GLOOMY.
563 00:42:18,770 00:42:20,060 YOU KNEW WHAT I WAS LIKE. YOU KNEW WHAT I WAS LIKE.
564 00:42:20,100 00:42:22,630 OH, YES, I KNEW YOU WERE QUIET, OH, YES, I KNEW YOU WERE QUIET,
565 00:42:22,670 00:42:24,440 BUT WHEN WE FIRST MET, BUT WHEN WE FIRST MET,
566 00:42:24,470 00:42:26,440 I COULD SIT NEXT TO YOU IN THAT LITTLE APARTMENT, I COULD SIT NEXT TO YOU IN THAT LITTLE APARTMENT,
567 00:42:26,470 00:42:28,870 WATCHING YOU WORKING AND THINKING FOR HOURS. WATCHING YOU WORKING AND THINKING FOR HOURS.
568 00:42:28,910 00:42:32,010 IT'S THIS PLACE. YOU KNOW IT IS. IT'S THIS PLACE. YOU KNOW IT IS.
569 00:42:32,050 00:42:33,810 WHAT DO YOU WANT ME TO SAY? WHAT DO YOU WANT ME TO SAY?
570 00:42:33,850 00:42:36,210 NOTHING. NOTHING.
571 00:42:36,250 00:42:37,750 KANE. KANE.
572 00:42:40,090 00:42:41,550 BELIEVE ME -- I AM SORRY. BELIEVE ME -- I AM SORRY.
573 00:42:41,590 00:42:45,220 I DON'T CARE WHETHER YOU'RE SORRY OR NOT. I DON'T CARE WHETHER YOU'RE SORRY OR NOT.
574 00:42:45,260 00:42:46,790 [ EXHALES SHARPLY ] [ EXHALES SHARPLY ]
575 00:42:46,830 00:42:48,190 OH, RICHARD, OH, RICHARD,
576 00:42:48,230 00:42:49,860 RICHARD, I KNOW THERE ARE A LOT OF THINGS RICHARD, I KNOW THERE ARE A LOT OF THINGS
577 00:42:49,900 00:42:51,200 RUNNING AROUND IN THAT BEAUTIFUL HEAD OF YOURS. RUNNING AROUND IN THAT BEAUTIFUL HEAD OF YOURS.
578 00:42:51,230 00:42:54,500 I KNOW THAT ONE OF THEM IS YOU LOVE ME. I KNOW THAT ONE OF THEM IS YOU LOVE ME.
579 00:42:54,530 00:42:55,900 OF COURSE I LOVE YOU. OF COURSE I LOVE YOU.
580 00:42:57,940 00:43:00,540 BUT YOU MUST UNDERSTAND. BUT YOU MUST UNDERSTAND.
581 00:43:00,570 00:43:02,240 EVER SINCE KATHLEEN DIED, EVER SINCE KATHLEEN DIED,
582 00:43:02,280 00:43:05,040 MY MOTHER'S BEEN RUNNING AROUND WITH SOME SORT OF CRAZY GUILT, MY MOTHER'S BEEN RUNNING AROUND WITH SOME SORT OF CRAZY GUILT,
583 00:43:05,080 00:43:07,110 LOOKING TO EVERY ONE OF US, LOOKING TO EVERY ONE OF US,
584 00:43:07,150 00:43:09,850 TRYING TO PUT IT ON ONE OF OUR HEADS. TRYING TO PUT IT ON ONE OF OUR HEADS.
585 00:43:09,880 00:43:13,220 BILLY WAS ONLY 13, TWO MONTHS AFTER IT HAPPENED. BILLY WAS ONLY 13, TWO MONTHS AFTER IT HAPPENED.
586 00:43:13,250 00:43:15,050 HE USED TO WAKE UP IN THE MIDDLE OF THE NIGHT HE USED TO WAKE UP IN THE MIDDLE OF THE NIGHT
587 00:43:15,090 00:43:16,750 AND COME SCREAMING INTO MY ROOM AND COME SCREAMING INTO MY ROOM
588 00:43:16,790 00:43:18,520 BECAUSE HE HAD NIGHTMARES ABOUT HER. BECAUSE HE HAD NIGHTMARES ABOUT HER.
589 00:43:18,560 00:43:23,490 MY OWN FATHER DIED WITH HIS WIFE REFUSING TO SEE HIM. MY OWN FATHER DIED WITH HIS WIFE REFUSING TO SEE HIM.
590 00:43:23,530 00:43:26,200 NOW I FEEL IT'S BEEN PASSED ON TO ME. NOW I FEEL IT'S BEEN PASSED ON TO ME.
591 00:43:26,230 00:43:27,730 I'VE GOT TO WAIT, I'VE GOT TO WAIT,
592 00:43:27,770 00:43:30,100 AND I'VE GOT TO WATCH AND I'VE GOT TO WATCH
593 00:43:30,140 00:43:33,140 TILL I CAN MAKE SOME SENSE OUT OF ALL THIS. TILL I CAN MAKE SOME SENSE OUT OF ALL THIS.
594 00:43:34,940 00:43:37,080 THAT LEAVES IT UP TO YOU TO DECIDE THAT LEAVES IT UP TO YOU TO DECIDE
595 00:43:37,110 00:43:38,940 WHETHER YOU WANT TO SIT AND WAIT WITH ME. WHETHER YOU WANT TO SIT AND WAIT WITH ME.
596 00:43:42,850 00:43:44,080 [ STOOL THUDS ] [ STOOL THUDS ]
597 00:43:59,630 00:44:02,300 [ INSECTS CHIRPING ] [ INSECTS CHIRPING ]
598 00:44:17,920 00:44:19,020 [ GUNSHOTS ] [ GUNSHOTS ]
599 00:45:02,700 00:45:04,230 [ RUSTLING ] [ RUSTLING ]
600 00:45:49,440 00:45:51,410 [ RUSTLING ] [ RUSTLING ]
601 00:45:53,780 00:45:56,780 [ BIRDS CHIRPING, FROGS CROAKING ] [ BIRDS CHIRPING, FROGS CROAKING ]
602 00:46:24,040 00:46:25,180 [ WATER SPLASHES ] [ WATER SPLASHES ]
603 00:46:25,210 00:46:27,080 [ FROG CROAKS ] [ FROG CROAKS ]
604 00:46:43,930 00:46:45,100 [ RUSTLING ] [ RUSTLING ]
605 00:46:53,270 00:46:55,840 [ TWIG SNAPS ] [ TWIG SNAPS ]
606 00:47:24,970 00:47:26,040 [ OWL SCREECHES ] [ OWL SCREECHES ]
607 00:47:26,070 00:47:28,240 [ WINGS FLAP ] [ WINGS FLAP ]
608 00:47:50,930 00:47:53,800 [ DRAMATIC MUSIC PLAYING ] [ DRAMATIC MUSIC PLAYING ]
609 00:48:04,810 00:48:07,480 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
610 00:48:23,900 00:48:26,230 [ WATER BUBBLING ] [ WATER BUBBLING ]
611 00:48:42,180 00:48:45,350 WHAT DO YOU THINK OF THE POND, ARTHUR? WHAT DO YOU THINK OF THE POND, ARTHUR?
612 00:48:45,390 00:48:48,090 I DON'T UNDERSTAND, SIR. I DON'T UNDERSTAND, SIR.
613 00:48:48,120 00:48:49,550 OF COURSE NOT. OF COURSE NOT.
614 00:48:49,590 00:48:51,420 HOW LONG WOULD IT TAKE YOU TO DRAIN IT? HOW LONG WOULD IT TAKE YOU TO DRAIN IT?
615 00:48:51,460 00:48:53,020 WELL, I DON'T KNOW, SIR. WELL, I DON'T KNOW, SIR.
616 00:48:53,060 00:48:54,990 I'VE NEVER DRAINED IT BEFORE, I'VE NEVER DRAINED IT BEFORE,
617 00:48:55,030 00:48:56,930 AND I DON'T KNOW THAT I'D DRAIN IT PROPERLY. AND I DON'T KNOW THAT I'D DRAIN IT PROPERLY.
618 00:48:56,960 00:49:01,030 THERE ARE THREE GEAR CHANNEL DOORS ON THE POND. THERE ARE THREE GEAR CHANNEL DOORS ON THE POND.
619 00:49:01,070 00:49:02,400 OPEN THEM. OPEN THEM.
620 00:49:04,900 00:49:07,270 IF I WAS YOU, I'D SAVE THAT UP FOR A VISIT TO MY OFFICE. IF I WAS YOU, I'D SAVE THAT UP FOR A VISIT TO MY OFFICE.
621 00:49:07,310 00:49:08,510 YOU'RE LOSING WEIGHT. YOU'RE LOSING WEIGHT.
622 00:49:08,540 00:49:11,140 SKIN'S PALE. SKIN'S PALE.
623 00:49:18,420 00:49:21,120 [ METAL SCREECHING ] [ METAL SCREECHING ]
624 00:49:36,340 00:49:39,600 SHE ALWAYS LOVED THE TIARA. SHE ALWAYS LOVED THE TIARA.
625 00:49:39,640 00:49:42,110 I WANTED TO PUT IT IN HER COFFIN. I WANTED TO PUT IT IN HER COFFIN.
626 00:49:42,140 00:49:45,140 THEY WOULDN'T LET ME. THEY WOULDN'T LET ME.
627 00:49:45,180 00:49:47,350 I'LL BRING IT TO HER PLAYHOUSE I'LL BRING IT TO HER PLAYHOUSE
628 00:49:47,380 00:49:50,210 AND PUT IT WITH HER OTHER THINGS. AND PUT IT WITH HER OTHER THINGS.
629 00:50:23,620 00:50:25,420 [ DOOR CREAKS ] [ DOOR CREAKS ]
630 00:50:25,450 00:50:27,990 [ LOCK CLICKS ] [ LOCK CLICKS ]
631 00:50:40,000 00:50:42,170 THE TIARA. THE TIARA.
632 00:50:45,410 00:50:47,410 YOU WANT THE TIARA. YOU WANT THE TIARA.
633 00:50:58,120 00:51:00,080 AAH! AAH!
634 00:51:00,120 00:51:02,220 [ AX SLAMS ] [ AX SLAMS ]
635 00:51:02,260 00:51:03,550 AAH! AAH!
636 00:51:18,000 00:51:20,200 [ SCREAMING ] [ SCREAMING ]
637 00:51:36,290 00:51:40,090 [ BREATHING HEAVILY ] [ BREATHING HEAVILY ]
638 00:52:02,320 00:52:03,710 RICHARD! RICHARD!
639 00:52:03,750 00:52:06,250 RICHARD, PLEASE COME! RICHARD, PLEASE COME!
640 00:52:06,290 00:52:09,590 SOMEBODY, PLEASE COME! SOMEBODY, PLEASE COME!
641 00:52:09,620 00:52:12,420 LILLIAN, CALL THE DOCTOR. LILLIAN, CALL THE DOCTOR.
642 00:52:12,460 00:52:13,660 WILL IT BE DR. CALEB? WILL IT BE DR. CALEB?
643 00:52:13,690 00:52:17,330 ANYBODY. AND GET RICHARD HERE. ANYBODY. AND GET RICHARD HERE.
644 00:52:25,400 00:52:27,100 RICHARD! RICHARD!
645 00:52:27,140 00:52:29,210 HURRY. HURRY.
646 00:52:33,580 00:52:35,550 STILL BREATHING. STILL BREATHING.
647 00:52:45,590 00:52:47,830 [ BREATHING HEAVILY ] [ BREATHING HEAVILY ]
648 00:52:47,860 00:52:49,690 LET'S GET HER INTO THE HOUSE. LET'S GET HER INTO THE HOUSE.
649 00:53:27,270 00:53:28,870 WHY DON'T YOU GO TO BED, BILLY? WHY DON'T YOU GO TO BED, BILLY?
650 00:53:28,900 00:53:31,400 I WILL IN A MINUTE. I WILL IN A MINUTE.
651 00:53:31,440 00:53:34,470 YOU'RE GONNA GET ALL DEPRESSED SITTING HERE BY YOURSELF. YOU'RE GONNA GET ALL DEPRESSED SITTING HERE BY YOURSELF.
652 00:53:34,510 00:53:38,280 DID YOU EVER SEE WHERE MY ROOM IS? DID YOU EVER SEE WHERE MY ROOM IS?
653 00:53:38,310 00:53:40,310 YOU HAVE TO GO DOWN A CORRIDOR YOU HAVE TO GO DOWN A CORRIDOR
654 00:53:40,350 00:53:43,410 WHERE NOBODY'S LIVED FOR THE PAST 50 YEARS, WHERE NOBODY'S LIVED FOR THE PAST 50 YEARS,
655 00:53:43,450 00:53:44,750 THEN UP A FLIGHT OF STAIRS THEN UP A FLIGHT OF STAIRS
656 00:53:44,780 00:53:46,720 WHERE MY GREAT GRANDUNCLE OR SOMEBODY WHERE MY GREAT GRANDUNCLE OR SOMEBODY
657 00:53:46,750 00:53:49,150 TRIPPED AND BROKE HIS NECK... TRIPPED AND BROKE HIS NECK...
658 00:53:49,190 00:53:51,920 AND THEN PAST THE SPOT WHERE MY GRANDFATHER AND THEN PAST THE SPOT WHERE MY GRANDFATHER
659 00:53:51,960 00:53:53,660 DIED OF A HEART ATTACK. DIED OF A HEART ATTACK.
660 00:53:55,930 00:53:57,900 I'D RATHER BE DEPRESSED HERE THAN IN THERE. I'D RATHER BE DEPRESSED HERE THAN IN THERE.
661 00:53:57,930 00:53:59,560 POOR BILLY. POOR BILLY.
662 00:53:59,600 00:54:01,830 NO WONDER YOU USED TO GET ALL THOSE NIGHTMARES. NO WONDER YOU USED TO GET ALL THOSE NIGHTMARES.
663 00:54:01,870 00:54:03,630 USED TO? I STILL GET THEM. USED TO? I STILL GET THEM.
664 00:54:03,670 00:54:05,870 WHAT ARE THEY LIKE? ARE THEY TERRIBLE? WHAT ARE THEY LIKE? ARE THEY TERRIBLE?
665 00:54:05,910 00:54:09,140 I DON'T KNOW. I DON'T KNOW.
666 00:54:09,180 00:54:12,610 THEY'RE MORE STRANGE THAN TERRIBLE. THEY'RE MORE STRANGE THAN TERRIBLE.
667 00:54:15,250 00:54:19,220 I'M ALWAYS A LITTLE BOY, AND I'M IN MY ROOM. I'M ALWAYS A LITTLE BOY, AND I'M IN MY ROOM.
668 00:54:19,250 00:54:20,750 IT'S LATE. IT'S LATE.
669 00:54:20,790 00:54:26,760 I HEAR SOMEBODY OUTSIDE MAKING A KIND OF A SCRAPING SOUND. I HEAR SOMEBODY OUTSIDE MAKING A KIND OF A SCRAPING SOUND.
670 00:54:26,790 00:54:31,600 I GET OUT OF BED, LOOK OUT OF THE WINDOW, I GET OUT OF BED, LOOK OUT OF THE WINDOW,
671 00:54:31,630 00:54:34,530 AND THERE'S A MAN CLIMBING UP THE WALL, AND THERE'S A MAN CLIMBING UP THE WALL,
672 00:54:34,570 00:54:37,270 COMING CLOSER TOWARD MY WINDOW. COMING CLOSER TOWARD MY WINDOW.
673 00:54:37,300 00:54:38,500 I YELL FOR MY MOTHER, I YELL FOR MY MOTHER,
674 00:54:38,540 00:54:39,970 AND SHE COMES INTO THE ROOM AND SHE COMES INTO THE ROOM
675 00:54:40,010 00:54:42,870 JUST AS THE MAN IS COMING IN THROUGH THE WINDOW. JUST AS THE MAN IS COMING IN THROUGH THE WINDOW.
676 00:54:42,910 00:54:47,310 I HOLD ON TO HER LEGS, CRYING. I HOLD ON TO HER LEGS, CRYING.
677 00:54:47,350 00:54:50,750 I'M SO SMALL I ONLY COME UP TO HER WAIST. I'M SO SMALL I ONLY COME UP TO HER WAIST.
678 00:54:53,320 00:54:54,690 THE MAN IS IN THE SHADOWS. THE MAN IS IN THE SHADOWS.
679 00:54:54,720 00:54:57,420 YOU CAN ALMOST RECOGNIZE HIM, BUT NOT REALLY. YOU CAN ALMOST RECOGNIZE HIM, BUT NOT REALLY.
680 00:54:57,460 00:55:02,490 HE SAYS THAT HE'S INSANE HE SAYS THAT HE'S INSANE
681 00:55:02,530 00:55:06,200 AND THAT SOMEONE ELSE IN THE ROOM IS INSANE ALSO AND THAT SOMEONE ELSE IN THE ROOM IS INSANE ALSO
682 00:55:06,230 00:55:09,530 AND THAT HE'S GOING TO NOD HIS HEAD, AND THAT HE'S GOING TO NOD HIS HEAD,
683 00:55:09,570 00:55:10,870 AND WHEN HE DOES, AND WHEN HE DOES,
684 00:55:10,900 00:55:13,500 THAT OTHER INSANE PERSON WILL NOD THEIR HEAD. THAT OTHER INSANE PERSON WILL NOD THEIR HEAD.
685 00:55:17,240 00:55:20,240 HE NODS... HE NODS...
686 00:55:20,280 00:55:24,850 AND I LOOK UP AT MY MOTHER. AND I LOOK UP AT MY MOTHER.
687 00:55:24,880 00:55:28,990 AND SHE'S NODDING HER HEAD. AND SHE'S NODDING HER HEAD.
688 00:55:29,020 00:55:30,550 AND THEN... AND THEN...
689 00:55:30,590 00:55:35,530 SHE STARTS LAUGHING AT ME. SHE STARTS LAUGHING AT ME.
690 00:55:35,560 00:55:39,960 AND SHE PICKS ME UP IN HER ARMS, AND SHE PICKS ME UP IN HER ARMS,
691 00:55:40,000 00:55:42,600 AND RUNS OUTSIDE AND... AND RUNS OUTSIDE AND...
692 00:55:42,640 00:55:45,540 THROWS ME INTO THE POND. THROWS ME INTO THE POND.
693 00:55:45,570 00:55:49,340 [ EXHALES SHARPLY ] [ EXHALES SHARPLY ]
694 00:55:49,380 00:55:53,440 OH, BILLY, WE'VE ALL GOT TO GET OUT OF HERE. OH, BILLY, WE'VE ALL GOT TO GET OUT OF HERE.
695 00:55:53,480 00:55:55,650 COME ON. GO TO BED. COME ON. GO TO BED.
696 00:55:55,680 00:55:57,680 I'LL WALK YOU PAST ALL THOSE SPOOKY CORRIDORS. I'LL WALK YOU PAST ALL THOSE SPOOKY CORRIDORS.
697 00:55:57,720 00:55:59,780 HURRY AND GET THERE BEFORE RICHARD THROWS US BOTH HURRY AND GET THERE BEFORE RICHARD THROWS US BOTH
698 00:55:59,820 00:56:01,320 IN THE POND. IN THE POND.
699 00:56:03,320 00:56:04,620 WHAT'S WRONG? WHAT'S WRONG?
700 00:56:04,660 00:56:06,420 OH, NOTHING. OH, NOTHING.
701 00:56:06,460 00:56:07,960 YOU JUST MADE ME REALIZE -- YOU JUST MADE ME REALIZE --
702 00:56:07,990 00:56:11,930 THE MAN IN MY DREAM WHO CLIMBS UP MY WALL IS RICHARD. THE MAN IN MY DREAM WHO CLIMBS UP MY WALL IS RICHARD.
703 00:56:11,960 00:56:13,660 I'M SORRY. I'M SORRY.
704 00:56:13,700 00:56:16,570 I JUST NEVER THOUGHT OF IT BEFORE. I JUST NEVER THOUGHT OF IT BEFORE.
705 00:56:16,600 00:56:18,770 JUST A DREAM. JUST A DREAM.
706 00:56:22,580 00:56:24,440 [ KNOCK ON DOOR ] [ KNOCK ON DOOR ]
707 00:56:24,480 00:56:26,810 [ BIRDS CHIRPING ] [ BIRDS CHIRPING ]
708 00:56:32,950 00:56:34,320 WHAT IS IT, ARTHUR? WHAT IS IT, ARTHUR?
709 00:56:34,350 00:56:35,550 IS DR. CALEB IN? IS DR. CALEB IN?
710 00:56:35,590 00:56:37,690 HE'S AT BREAKFAST. IS IT IMPORTANT? HE'S AT BREAKFAST. IS IT IMPORTANT?
711 00:56:37,720 00:56:38,990 YES. YES.
712 00:56:39,020 00:56:41,060 ALL RIGHT, THEN. ALL RIGHT, THEN.
713 00:56:41,090 00:56:42,930 COME ON IN. COME ON IN.
714 00:56:52,140 00:56:55,010 EXCUSE ME, BUT ARTHUR'S HERE. EXCUSE ME, BUT ARTHUR'S HERE.
715 00:56:55,040 00:56:57,610 HE SAYS HE HAS SOMETHING IMPORTANT TO TELL YOU. HE SAYS HE HAS SOMETHING IMPORTANT TO TELL YOU.
716 00:57:00,680 00:57:01,880 EXCUSE ME. EXCUSE ME.
717 00:57:07,890 00:57:09,050 HELLO, ARTHUR. HELLO, ARTHUR.
718 00:57:09,090 00:57:12,020 I DRAINED THE POND, LIKE YOU TOLD ME TO. I DRAINED THE POND, LIKE YOU TOLD ME TO.
719 00:57:16,830 00:57:20,860 AND THERE'S SOMETHING THERE I THINK YOU'D WANT TO SEE. AND THERE'S SOMETHING THERE I THINK YOU'D WANT TO SEE.
720 00:57:20,900 00:57:22,700 SHOW ME. SHOW ME.
721 00:57:27,540 00:57:29,370 RICHARD? RICHARD?
722 00:57:35,480 00:57:37,510 [ DOOR OPENS ] [ DOOR OPENS ]
723 00:58:04,910 00:58:07,680 A SHRINE -- BEAUTIFULLY DONE. A SHRINE -- BEAUTIFULLY DONE.
724 00:58:07,710 00:58:11,350 I NEVER SAW THAT BEFORE. I NEVER SAW THAT BEFORE.
725 00:58:11,380 00:58:16,490 WHY, IT'S SKILLFULLY CARVED, I MUST SAY. WHY, IT'S SKILLFULLY CARVED, I MUST SAY.
726 00:58:16,520 00:58:18,860 I WORK IN IRON. REMEMBER? I WORK IN IRON. REMEMBER?
727 00:58:18,890 00:58:21,530 SIX YEARS AGO, YOU WORKED IN STONE. SIX YEARS AGO, YOU WORKED IN STONE.
728 00:58:21,560 00:58:24,830 I NEVER DID THAT. I NEVER DID THAT.
729 00:58:24,860 00:58:26,830 EVERY ONE OF US WORKED IN STONE. EVERY ONE OF US WORKED IN STONE.
730 00:58:26,870 00:58:28,670 MY FATHER LOVED TEACHING US. MY FATHER LOVED TEACHING US.
731 00:58:28,700 00:58:31,440 SOMEONE ELSE DID THAT. I DIDN'T. SOMEONE ELSE DID THAT. I DIDN'T.
732 00:58:31,470 00:58:35,670 NO ONE ELSE PURSUED THIS INHERITED TALENT -- NOBODY. NO ONE ELSE PURSUED THIS INHERITED TALENT -- NOBODY.
733 00:58:35,710 00:58:37,610 LEAVE HIM ALONE. LEAVE HIM ALONE.
734 00:58:37,640 00:58:40,010 HE TOLD YOU BEFORE HE'S NEVER SEEN IT, AND HE MEANT IT. HE TOLD YOU BEFORE HE'S NEVER SEEN IT, AND HE MEANT IT.
735 00:58:40,050 00:58:41,650 COME ON, RICHARD. LET'S GO. COME ON, RICHARD. LET'S GO.
736 00:58:41,680 00:58:43,080 NO. NO.
737 00:58:43,120 00:58:44,480 HE'S TRYING TO PLAY A GAME WITH ME. HE'S TRYING TO PLAY A GAME WITH ME.
738 00:58:44,520 00:58:45,850 DON'T YOU SEE? DON'T YOU SEE?
739 00:58:45,890 00:58:47,650 YOUR MOTHER LIES IN BED IN A STATE OF SHOCK YOUR MOTHER LIES IN BED IN A STATE OF SHOCK
740 00:58:47,690 00:58:49,020 CAUSED BY SOMETHING OR SOMEBODY. CAUSED BY SOMETHING OR SOMEBODY.
741 00:58:49,050 00:58:50,620 I DON'T CALL THAT A GAME, RICHARD. I DON'T CALL THAT A GAME, RICHARD.
742 00:58:50,660 00:58:52,860 HAS THE ALL-SEEING DOCTOR NOTICED HAS THE ALL-SEEING DOCTOR NOTICED
743 00:58:52,890 00:58:55,090 THAT A CERTAIN MONEY-HUNGRY, CONNIVING LITTLE WOMAN THAT A CERTAIN MONEY-HUNGRY, CONNIVING LITTLE WOMAN
744 00:58:55,130 00:58:56,860 HAS LEFT OUR MIDST, HAS LEFT OUR MIDST,
745 00:58:56,900 00:58:58,700 THAT MY MOTHER, IN A STRUGGLE, THAT MY MOTHER, IN A STRUGGLE,
746 00:58:58,730 00:59:01,800 CLUNG ON DESPERATELY TO A VERY VALUABLE DIAMOND TIARA? CLUNG ON DESPERATELY TO A VERY VALUABLE DIAMOND TIARA?
747 00:59:01,830 00:59:03,770 BUT I THINK THAT SHRINE HAS BEEN IN THAT POND BUT I THINK THAT SHRINE HAS BEEN IN THAT POND
748 00:59:03,800 00:59:05,470 FOR FIVE OR SIX YEARS. FOR FIVE OR SIX YEARS.
749 00:59:05,500 00:59:07,670 I DON'T THINK THAT FIVE OR SIX YEARS AGO I DON'T THINK THAT FIVE OR SIX YEARS AGO
750 00:59:07,710 00:59:09,740 LOUISE HAD EVEN HEARD OF CASTLE HALORAN. LOUISE HAD EVEN HEARD OF CASTLE HALORAN.
751 00:59:09,780 00:59:11,510 DO YOU? DO YOU?
752 00:59:14,580 00:59:16,850 WHAT DO YOU WANT OUT OF THIS, DOCTOR? WHAT DO YOU WANT OUT OF THIS, DOCTOR?
753 00:59:16,880 00:59:18,050 OH, I DON'T KNOW -- OH, I DON'T KNOW --
754 00:59:18,080 00:59:20,080 JUST A SOLUTION TO THE NIGHTMARE JUST A SOLUTION TO THE NIGHTMARE
755 00:59:20,120 00:59:23,650 THAT HAS DISTURBED THIS FAMILY FOR SIX YEARS. THAT HAS DISTURBED THIS FAMILY FOR SIX YEARS.
756 00:59:23,690 00:59:27,020 AFTER ALL, I AM THE FAMILY DOCTOR, YOU KNOW. AFTER ALL, I AM THE FAMILY DOCTOR, YOU KNOW.
757 00:59:32,130 00:59:34,100 I DIDN'T MEAN TO ANNOY YOUR BROTHER, I DIDN'T MEAN TO ANNOY YOUR BROTHER,
758 00:59:34,130 00:59:36,770 'CAUSE I THINK HE'S RIGHT. 'CAUSE I THINK HE'S RIGHT.
759 00:59:36,800 00:59:40,640 I THINK LOUISE DID TRY TO STEAL YOUR MOTHER'S TIARA, I THINK LOUISE DID TRY TO STEAL YOUR MOTHER'S TIARA,
760 00:59:40,670 00:59:42,570 AND I THINK SHE'LL COME BACK. AND I THINK SHE'LL COME BACK.
761 00:59:42,610 00:59:44,880 I THINK SHE'S HIDING SOMEWHERE IN TOWN. I THINK SHE'S HIDING SOMEWHERE IN TOWN.
762 00:59:44,910 00:59:46,810 WILL YOU HELP ME LOOK FOR HER? WILL YOU HELP ME LOOK FOR HER?
763 00:59:46,850 00:59:48,150 SURE, IF YOU WANT ME TO. SURE, IF YOU WANT ME TO.
764 00:59:48,180 00:59:50,150 I DO, BECAUSE YOUR BROTHER'S UPSET, I DO, BECAUSE YOUR BROTHER'S UPSET,
765 00:59:50,180 00:59:51,820 AND THE YOUNG GIRL, TOO. AND THE YOUNG GIRL, TOO.
766 00:59:51,850 00:59:55,050 THAT LEAVES THE TWO OF US. WHAT DO YOU THINK? THAT LEAVES THE TWO OF US. WHAT DO YOU THINK?
767 00:59:55,090 00:59:57,020 SURE, I GUESS YOU'RE RIGHT. SURE, I GUESS YOU'RE RIGHT.
768 00:59:57,060 00:59:59,920 WE'LL LOOK FOR HER TONIGHT. WE'LL LOOK FOR HER TONIGHT.
769 00:59:59,960 01:00:02,960 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
770 01:02:01,850 01:02:03,050 [ RAT SQUEAKING ] [ RAT SQUEAKING ]
771 01:02:03,080 01:02:04,980 [ KANE GASPS ] [ KANE GASPS ]
772 01:02:09,320 01:02:11,390 NO! I TOLD YOU NOT TO FOLLOW ME. NO! I TOLD YOU NOT TO FOLLOW ME.
773 01:02:11,420 01:02:13,160 LOOK AT YOU. YOU'RE FRIGHTENED TO DEATH. LOOK AT YOU. YOU'RE FRIGHTENED TO DEATH.
774 01:02:13,190 01:02:14,360 NOW SETTLE DOWN. NOW SETTLE DOWN.
775 01:02:14,390 01:02:15,760 WHAT ARE YOU DOING HERE? WHAT ARE YOU DOING HERE?
776 01:02:15,790 01:02:17,660 THE STUDIO WHERE MY FATHER WORKED -- THE STUDIO WHERE MY FATHER WORKED --
777 01:02:17,700 01:02:19,300 KEPT HIS STONECUTTING TOOLS HERE. KEPT HIS STONECUTTING TOOLS HERE.
778 01:02:19,330 01:02:21,830 I WAS TRYING TO FIND OUT WHO MADE THAT MONUMENT. I WAS TRYING TO FIND OUT WHO MADE THAT MONUMENT.
779 01:02:21,870 01:02:24,740 OH, RICHARD. RICHARD, I'M SORRY. OH, RICHARD. RICHARD, I'M SORRY.
780 01:02:24,770 01:02:27,900 I'LL NEVER DOUBT YOU AGAIN. I PROMISE. I'LL NEVER DOUBT YOU AGAIN. I PROMISE.
781 01:02:27,940 01:02:30,010 WE CAN GET MARRIED NOW. WE CAN GET MARRIED NOW.
782 01:02:30,040 01:02:31,410 YOUR MOTHER'S STILL SICK, YOUR MOTHER'S STILL SICK,
783 01:02:31,440 01:02:33,880 AND SHE WON'T BE ABLE TO STOP US. AND SHE WON'T BE ABLE TO STOP US.
784 01:02:33,910 01:02:36,150 NO ONE WILL BE ABLE TO STOP US. NO ONE WILL BE ABLE TO STOP US.
785 01:02:36,180 01:02:38,720 [ DRAMATIC MUSIC PLAYS ] [ DRAMATIC MUSIC PLAYS ]
786 01:02:42,960 01:02:45,390 [ LAUGHTER ] [ LAUGHTER ]
787 01:02:51,500 01:02:53,730 WELL, THIS IS THE DEVIL'S OWN CLIMATE. WELL, THIS IS THE DEVIL'S OWN CLIMATE.
788 01:02:53,770 01:02:56,030 GOOD FOR THE GROUSE AND THE COUNTRY DOCTORS. GOOD FOR THE GROUSE AND THE COUNTRY DOCTORS.
789 01:02:56,070 01:02:58,340 IF I HAD TO SURVIVE BY TREATING THE COMMON COLD, IF I HAD TO SURVIVE BY TREATING THE COMMON COLD,
790 01:02:58,370 01:03:00,240 I MIGHT AS WELL RETIRE. I MIGHT AS WELL RETIRE.
791 01:03:00,270 01:03:03,210 TWO LARGE IRISH FOR MASTER HALORAN. TWO LARGE IRISH FOR MASTER HALORAN.
792 01:03:03,240 01:03:04,980 OH, NO, NO, I DON'T CARE FOR ANY. OH, NO, NO, I DON'T CARE FOR ANY.
793 01:03:05,010 01:03:07,180 OH, JUST TO TAKE THE CHILL FROM YOUR BONES. OH, JUST TO TAKE THE CHILL FROM YOUR BONES.
794 01:03:07,210 01:03:10,150 DRINK'S THE ONLY ROAD TO SURVIVAL IN THIS CLIMATE. DRINK'S THE ONLY ROAD TO SURVIVAL IN THIS CLIMATE.
795 01:03:10,180 01:03:13,080 DESPITE YOUR USELESS AMERICAN EDUCATION, DESPITE YOUR USELESS AMERICAN EDUCATION,
796 01:03:13,120 01:03:14,380 YOU'RE STILL IRISH, YOU KNOW. YOU'RE STILL IRISH, YOU KNOW.
797 01:03:14,420 01:03:16,220 DRINK UP. DRINK UP.
798 01:03:16,260 01:03:18,090 DO YOU KNOW HIS SISTER-IN-LAW, DO YOU KNOW HIS SISTER-IN-LAW,
799 01:03:18,120 01:03:19,990 JOHN'S WIFE, AN AMERICAN GIRL -- JOHN'S WIFE, AN AMERICAN GIRL --
800 01:03:20,030 01:03:22,230 FAIR HAIR, FAIR COMPLEXION? YOU'D KNOW HER. FAIR HAIR, FAIR COMPLEXION? YOU'D KNOW HER.
801 01:03:22,260 01:03:24,190 NO, I HAVE NEVER SEEN HER. NO, I HAVE NEVER SEEN HER.
802 01:03:24,230 01:03:26,330 I SEEN HER AT THE CHEMIST'S, DOC, I SEEN HER AT THE CHEMIST'S, DOC,
803 01:03:26,370 01:03:27,860 ABOUT TWO OR THREE DAYS AGO. ABOUT TWO OR THREE DAYS AGO.
804 01:03:27,900 01:03:30,100 THANKS. THANK YOU. THANKS. THANK YOU.
805 01:03:30,140 01:03:33,470 OVER HERE, BILLY, NEARER THE HEAT. OVER HERE, BILLY, NEARER THE HEAT.
806 01:03:40,950 01:03:42,180 DRINK UP. DRINK UP.
807 01:03:44,880 01:03:48,750 WHAT DO YOU THINK, BILLY? WHERE DID SHE GO? WHAT DO YOU THINK, BILLY? WHERE DID SHE GO?
808 01:03:48,790 01:03:50,920 I DON'T KNOW. I DON'T KNOW.
809 01:03:50,960 01:03:52,260 COME ON. LET'S GO. COME ON. LET'S GO.
810 01:03:52,290 01:03:54,420 OH, THERE. OH, THERE.
811 01:03:54,460 01:03:58,060 YOU WOULDN'T BEGRUDGE AN AGING MAN HIS MOMENT'S REST, YOU WOULDN'T BEGRUDGE AN AGING MAN HIS MOMENT'S REST,
812 01:03:58,100 01:04:00,500 WOULD YOU? WOULD YOU?
813 01:04:00,530 01:04:02,430 YOU KNOW, I THINK YOU KNOW THE ANSWER YOU KNOW, I THINK YOU KNOW THE ANSWER
814 01:04:02,470 01:04:04,970 TO ALL THE PROBLEMS YOUR FAMILY'S BEEN HAVING TO ALL THE PROBLEMS YOUR FAMILY'S BEEN HAVING
815 01:04:05,000 01:04:08,810 BECAUSE, BILLY, YOU SAW YOUR LITTLE SISTER DROWN BECAUSE, BILLY, YOU SAW YOUR LITTLE SISTER DROWN
816 01:04:08,840 01:04:11,110 ALL THOSE YEARS AGO. ALL THOSE YEARS AGO.
817 01:04:11,140 01:04:12,810 NO, I DIDN'T. NO, I DIDN'T.
818 01:04:12,850 01:04:15,250 OH, YES, YOU DID. OH, YES, YOU DID.
819 01:04:15,280 01:04:16,480 YOU KNOW HOW I KNOW YOU DID? YOU KNOW HOW I KNOW YOU DID?
820 01:04:16,520 01:04:18,320 NO. NO.
821 01:04:18,350 01:04:20,480 'CAUSE YOU TOLD ME. 'CAUSE YOU TOLD ME.
822 01:04:20,520 01:04:22,750 I DID NOT. I DID NOT.
823 01:04:22,790 01:04:24,420 OH, BILLY. OH, BILLY.
824 01:04:24,460 01:04:26,760 COME ON. DRINK UP. COME ON. DRINK UP.
825 01:04:26,790 01:04:29,860 [ LIQUID POURS ] [ LIQUID POURS ]
826 01:04:29,900 01:04:32,060 DO YOU REMEMBER ALL THOSE YEARS AGO, DO YOU REMEMBER ALL THOSE YEARS AGO,
827 01:04:32,100 01:04:34,000 WHEN YOU COULDN'T SLEEP? WHEN YOU COULDN'T SLEEP?
828 01:04:34,030 01:04:35,870 DO YOU REMEMBER WHO IT WAS GAVE YOU DO YOU REMEMBER WHO IT WAS GAVE YOU
829 01:04:35,900 01:04:38,500 THE LITTLE PILL THAT MADE YOU SLEEP? THE LITTLE PILL THAT MADE YOU SLEEP?
830 01:04:38,540 01:04:41,910 REMEMBER THE DREAMS, FACES IN THE SHADOWS, REMEMBER THE DREAMS, FACES IN THE SHADOWS,
831 01:04:41,940 01:04:44,840 THE MAN CLIMBING UP YOUR WALL? THE MAN CLIMBING UP YOUR WALL?
832 01:04:44,880 01:04:48,810 I HAVEN'T FORGOTTEN. I HAVEN'T FORGOTTEN.
833 01:04:48,850 01:04:50,510 WHO WAS THAT MAN? WHO WAS THAT MAN?
834 01:04:50,550 01:04:52,350 NO. I DON'T KNOW. NO. I DON'T KNOW.
835 01:04:52,380 01:04:55,450 WHO WAS IT THAT TRIED TO THROW YOU IN THE POND? WHO WAS IT THAT TRIED TO THROW YOU IN THE POND?
836 01:04:57,490 01:04:59,320 RICHARD. RICHARD.
837 01:04:59,360 01:05:01,890 TELL ME WHAT HAPPENED. TELL ME WHAT HAPPENED.
838 01:05:01,930 01:05:03,590 WHAT HAPPENED TO LOUISE? WHAT HAPPENED TO LOUISE?
839 01:05:03,630 01:05:11,000 ♪ FISHY, FISHY IN THE BROOK ♪ ♪ FISHY, FISHY IN THE BROOK ♪
840 01:05:11,040 01:05:17,110 ♪ DADDY CAUGHT YOU ON A HOOK ♪ ♪ DADDY CAUGHT YOU ON A HOOK ♪
841 01:05:17,140 01:05:23,580 ♪ FISHY, FISHY IN THE BROOK ♪ ♪ FISHY, FISHY IN THE BROOK ♪
842 01:05:23,620 01:05:29,450 ♪ DADDY CAUGHT YOU ON A HOOK ♪ ♪ DADDY CAUGHT YOU ON A HOOK ♪
843 01:05:33,030 01:05:34,390 [ LAUGHTER ] [ LAUGHTER ]
844 01:05:34,430 01:05:36,860 [ INDISTINCT CONVERSATIONS ] [ INDISTINCT CONVERSATIONS ]
845 01:05:36,900 01:05:41,200 [ MID-TEMPO ORCHESTRA MUSIC PLAYING ] [ MID-TEMPO ORCHESTRA MUSIC PLAYING ]
846 01:05:41,230 01:05:42,600 HAS ANYONE HERE SEEN RICHARD? HAS ANYONE HERE SEEN RICHARD?
847 01:05:42,630 01:05:44,400 NO, I HAVEN'T SEEN HIM. NO, I HAVEN'T SEEN HIM.
848 01:05:56,950 01:05:59,020 CONGRATULATIONS. CONGRATULATIONS.
849 01:05:59,050 01:06:01,320 THANK YOU. THANK YOU.
850 01:06:01,350 01:06:03,450 [ CONVERSATIONS AND MUSIC CONTINUE ] [ CONVERSATIONS AND MUSIC CONTINUE ]
851 01:06:31,250 01:06:32,980 EXCUSE ME. EXCUSE ME.
852 01:06:33,020 01:06:34,420 YES? YES?
853 01:06:34,450 01:06:36,420 YOU KNOW, THE ONE THING IN THE WORLD YOU KNOW, THE ONE THING IN THE WORLD
854 01:06:36,460 01:06:38,250 THAT REALLY CHILLS MY BONES TO THE MARROW THAT REALLY CHILLS MY BONES TO THE MARROW
855 01:06:38,290 01:06:39,560 IS WHEN A PRETTY GIRL IN A WEDDING DRESS IS WHEN A PRETTY GIRL IN A WEDDING DRESS
856 01:06:39,590 01:06:41,160 LOOKS AT ME AND FINDS ME REPULSIVE. LOOKS AT ME AND FINDS ME REPULSIVE.
857 01:06:41,190 01:06:42,560 OH, DON'T BE SILLY, DOCTOR. OH, DON'T BE SILLY, DOCTOR.
858 01:06:42,590 01:06:44,890 OH, I'M OFTEN SILLY -- ONE OF MY MAJOR VICES. OH, I'M OFTEN SILLY -- ONE OF MY MAJOR VICES.
859 01:06:44,930 01:06:47,430 ANOTHER ONE IS THE DESIRE ON MY PART TO HELP OTHERS, ANOTHER ONE IS THE DESIRE ON MY PART TO HELP OTHERS,
860 01:06:47,470 01:06:49,430 HOWEVER RANCID THAT MAY SOUND. HOWEVER RANCID THAT MAY SOUND.
861 01:06:49,470 01:06:52,200 THEN YOU CAN HELP ME BY TELLING ME WHERE RICHARD IS. THEN YOU CAN HELP ME BY TELLING ME WHERE RICHARD IS.
862 01:06:52,240 01:06:54,140 I'M NOT SURE WHERE RICHARD IS, I'M NOT SURE WHERE RICHARD IS,
863 01:06:54,170 01:06:56,970 OR, INDEED, UH, WHAT HE IS. OR, INDEED, UH, WHAT HE IS.
864 01:06:57,010 01:06:59,280 OH, AND YOU WONDER WHY YOUNG GIRLS OH, AND YOU WONDER WHY YOUNG GIRLS
865 01:06:59,310 01:07:00,640 IN WEDDING DRESSES GIVE YOU DIRTY LOOKS. IN WEDDING DRESSES GIVE YOU DIRTY LOOKS.
866 01:07:00,680 01:07:02,650 NO, NO, NO. NO, NO, NO.
867 01:07:02,680 01:07:04,610 I'M QUITE SERIOUS. I'M QUITE SERIOUS.
868 01:07:04,650 01:07:06,980 I'VE KNOWN THIS FAMILY FOR A VERY LONG TIME. I'VE KNOWN THIS FAMILY FOR A VERY LONG TIME.
869 01:07:07,020 01:07:09,220 I'VE BEEN AWARE OF THE ATMOSPHERE OF DEPRESSION I'VE BEEN AWARE OF THE ATMOSPHERE OF DEPRESSION
870 01:07:09,250 01:07:11,890 AND THE SLIGHTLY DEMENTED QUALITY THAT HANGS OVER IT. AND THE SLIGHTLY DEMENTED QUALITY THAT HANGS OVER IT.
871 01:07:11,920 01:07:15,060 BUT THESE ARE SUBTLE MATTERS, SO I NEVER SPOKE. BUT THESE ARE SUBTLE MATTERS, SO I NEVER SPOKE.
872 01:07:15,090 01:07:16,990 I WILL TELL YOU, YOUNG LADY, I WILL TELL YOU, YOUNG LADY,
873 01:07:17,030 01:07:19,330 THAT I KNOW THAT LOUISE DID NOT LEAVE, THAT I KNOW THAT LOUISE DID NOT LEAVE,
874 01:07:19,360 01:07:23,200 BUT WAS TAKEN AWAY FROM CASTLE HALORAN. BUT WAS TAKEN AWAY FROM CASTLE HALORAN.
875 01:07:23,240 01:07:25,500 PERHAPS EVEN HER HUSBAND, JOHN, PERHAPS EVEN HER HUSBAND, JOHN,
876 01:07:25,540 01:07:27,540 DIDN'T ACTUALLY GO ON THAT BUSINESS TRIP. DIDN'T ACTUALLY GO ON THAT BUSINESS TRIP.
877 01:07:27,570 01:07:29,540 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. I DON'T KNOW WHAT YOU'RE TALKING ABOUT.
878 01:07:29,570 01:07:31,940 BECAUSE YOU DON'T KNOW WHAT I'M TALKING ABOUT, BECAUSE YOU DON'T KNOW WHAT I'M TALKING ABOUT,
879 01:07:31,980 01:07:35,180 YOU THINK I'M SOME KIND OF VILLAIN. YOU THINK I'M SOME KIND OF VILLAIN.
880 01:07:35,210 01:07:36,980 CAN YOU IMAGINE WHAT IT'S LIKE CAN YOU IMAGINE WHAT IT'S LIKE
881 01:07:37,020 01:07:39,650 TO TRY TO HELP OTHERS AND TO BE MISTRUSTED EVERY TIME? TO TRY TO HELP OTHERS AND TO BE MISTRUSTED EVERY TIME?
882 01:07:39,680 01:07:41,620 MY LIP TWISTS. MY LIP TWISTS.
883 01:07:41,650 01:07:44,250 THIS DOESN'T MEAN THAT EVERY WORD I SAY IS SINISTER. THIS DOESN'T MEAN THAT EVERY WORD I SAY IS SINISTER.
884 01:07:44,290 01:07:46,260 I DON'T KNOW WHAT YOU'RE TRYING TO SAY. I DON'T KNOW WHAT YOU'RE TRYING TO SAY.
885 01:07:46,290 01:07:48,020 WHAT I'M TRYING TO SAY TO YOU -- WHAT I'M TRYING TO SAY TO YOU --
886 01:07:48,060 01:07:50,660 THAT I'VE DISCOVERED THINGS IN THIS HOUSE THAT I'VE DISCOVERED THINGS IN THIS HOUSE
887 01:07:50,700 01:07:52,700 THAT MAKE ME UNEASY, THAT MAKE ME UNEASY,
888 01:07:52,730 01:07:56,700 AND THAT YOU ARE PROBABLY IN A POSITION OF SOME DANGER. AND THAT YOU ARE PROBABLY IN A POSITION OF SOME DANGER.
889 01:07:56,740 01:07:58,500 FROM RICHARD? FROM RICHARD?
890 01:07:58,540 01:08:01,340 PRIMARILY FROM RICHARD, BUT I'M NOT SURE. PRIMARILY FROM RICHARD, BUT I'M NOT SURE.
891 01:08:01,370 01:08:02,710 IT COULD BE ANYONE. IT COULD BE ANYONE.
892 01:08:02,740 01:08:04,470 WELL, MAYBE YOU HAVE FORGOTTEN, WELL, MAYBE YOU HAVE FORGOTTEN,
893 01:08:04,510 01:08:05,610 BUT I CERTAINLY HAVEN'T. BUT I CERTAINLY HAVEN'T.
894 01:08:05,640 01:08:07,010 I'M HIS WIFE NOW. I'M HIS WIFE NOW.
895 01:08:07,050 01:08:09,010 AND THERE'S A SISTER AND A SISTER-IN-LAW AND THERE'S A SISTER AND A SISTER-IN-LAW
896 01:08:09,050 01:08:11,050 AND HIS MOTHER... AND HIS MOTHER...
897 01:08:11,080 01:08:14,250 AND PERHAPS HIS ELDEST BROTHER. AND PERHAPS HIS ELDEST BROTHER.
898 01:08:14,290 01:08:20,060 I SWEAR TO YOU, DR. CALEB, YOU ARE A VERY SICK MAN. I SWEAR TO YOU, DR. CALEB, YOU ARE A VERY SICK MAN.
899 01:08:21,760 01:08:23,230 KANE. KANE.
900 01:08:25,730 01:08:27,160 WHAT'S THE MATTER, HONEY? WHAT'S THE MATTER, HONEY?
901 01:08:27,200 01:08:28,400 WHERE HAVE YOU BEEN?! WHERE HAVE YOU BEEN?!
902 01:08:28,430 01:08:30,170 I WAS JUST OUTSIDE HAVING A SMOKE. I WAS JUST OUTSIDE HAVING A SMOKE.
903 01:08:30,200 01:08:31,730 WELL, LET'S GET OUT OF HERE. WELL, LET'S GET OUT OF HERE.
904 01:08:31,770 01:08:33,800 I DON'T WANT ANYONE TO SEE ME CRYING. I DON'T WANT ANYONE TO SEE ME CRYING.
905 01:08:45,450 01:08:50,520 [ Singsong voice ] COME OUT, COME OUT, WHEREVER YOU ARE. [ Singsong voice ] COME OUT, COME OUT, WHEREVER YOU ARE.
906 01:08:50,560 01:08:54,760 THESE LITTLE NURSERY RHYMES ARE NOTORIOUSLY EXPRESSIVE. THESE LITTLE NURSERY RHYMES ARE NOTORIOUSLY EXPRESSIVE.
907 01:08:57,100 01:08:59,460 [ FROGS CROAKING ] [ FROGS CROAKING ]
908 01:09:14,410 01:09:16,710 COME ON. I DON'T CARE WHAT ANYONE SAYS ABOUT YOU. COME ON. I DON'T CARE WHAT ANYONE SAYS ABOUT YOU.
909 01:09:16,750 01:09:19,220 WHO SAID ANYTHING ABOUT ME? WHO SAID ANYTHING ABOUT ME?
910 01:09:19,250 01:09:22,690 NO ONE! EVERYONE! I DON'T CARE! NO ONE! EVERYONE! I DON'T CARE!
911 01:09:41,110 01:09:44,670 LITTLE FISHY IN THE BROOK... LITTLE FISHY IN THE BROOK...
912 01:09:52,120 01:09:55,120 ...PAPA'S HANGED YOU ON A HOOK. ...PAPA'S HANGED YOU ON A HOOK.
913 01:10:11,170 01:10:14,540 PAPA'S CAUGHT YOU ON THE HOOK? PAPA'S CAUGHT YOU ON THE HOOK?
914 01:10:16,340 01:10:18,470 [ DRAMATIC MUSIC PLAYING ] [ DRAMATIC MUSIC PLAYING ]
915 01:10:43,670 01:10:46,670 [ EERIE MUSIC PLAYING ] [ EERIE MUSIC PLAYING ]
916 01:10:53,580 01:10:55,910 [ DOOR CREAKS, CLOSES ] [ DOOR CREAKS, CLOSES ]
917 01:11:17,300 01:11:19,940 [ WOMAN SCREAMS IN DISTANCE ] [ WOMAN SCREAMS IN DISTANCE ]
918 01:11:19,970 01:11:21,940 WHAT IS IT? WHAT IS IT?
919 01:11:21,970 01:11:26,010 [ INDISTINCT CONVERSATIONS, FROGS CROAKING ] [ INDISTINCT CONVERSATIONS, FROGS CROAKING ]
920 01:11:59,840 01:12:01,980 DON'T TOUCH HER! DON'T TOUCH HER!
921 01:12:02,010 01:12:04,050 [ SCREAMS ] [ SCREAMS ]
922 01:12:10,660 01:12:12,290 [ KANE SCREAMS ] [ KANE SCREAMS ]
923 01:12:12,320 01:12:14,990 [ GUNSHOT ] [ GUNSHOT ]
924 01:12:39,780 01:12:40,880 [ GASPS ] [ GASPS ]
925 01:12:50,430 01:12:53,430 FORGIVE ME, KATHLEEN. FORGIVE ME, KATHLEEN.
926 01:12:58,640 01:13:00,370 YOU CHILDREN PLAYED WITH STONE YOU CHILDREN PLAYED WITH STONE
927 01:13:00,410 01:13:04,070 THE WAY OTHER CHILDREN PLAYED WITH BUILDING BRICKS. THE WAY OTHER CHILDREN PLAYED WITH BUILDING BRICKS.
928 01:13:04,110 01:13:07,940 THEY ALL FORGOT WHAT A TALENTED LITTLE BOY BILLY WAS. THEY ALL FORGOT WHAT A TALENTED LITTLE BOY BILLY WAS.
929 01:13:07,980 01:13:09,850 WHAT ABOUT KATHLEEN? WHAT ABOUT KATHLEEN?
930 01:13:09,880 01:13:13,620 HE MADE A WAX DOLL, HE MADE A WAX DOLL,
931 01:13:13,650 01:13:18,650 SOMETHING HE COULD PROTECT, TO RELIEVE HIS GUILT. SOMETHING HE COULD PROTECT, TO RELIEVE HIS GUILT.