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1 | 00:00:14,110 | 00:00:18,280 | [ ROCKABILLY MUSIC PLAYING ON RADIO ] | [ ROCKABILLY MUSIC PLAYING ON RADIO ] |
2 | 00:00:18,310 | 00:00:21,580 | [ Garbled ] ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪ | [ Garbled ] ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪ |
3 | 00:00:21,620 | 00:00:24,080 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
4 | 00:00:24,120 | 00:00:26,420 | ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ | ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ |
5 | 00:00:26,460 | 00:00:29,160 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
6 | 00:00:29,190 | 00:00:32,330 | JOHN, LET'S GO TO BED. | JOHN, LET'S GO TO BED. |
7 | 00:00:32,360 | 00:00:34,060 | I WANT TO TAKE THE BOAT OUT ALONE. | I WANT TO TAKE THE BOAT OUT ALONE. |
8 | 00:00:34,100 | 00:00:35,360 | I'LL BE UP LATER. | I'LL BE UP LATER. |
9 | 00:00:35,400 | 00:00:37,200 | NO, I'LL GO WITH YOU. | NO, I'LL GO WITH YOU. |
10 | 00:00:39,670 | 00:00:43,040 | ♪ TELL ME THAT SHE LOVES ME TOO ♪ | ♪ TELL ME THAT SHE LOVES ME TOO ♪ |
11 | 00:00:43,070 | 00:00:45,110 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
12 | 00:00:45,140 | 00:00:47,470 | ♪ WELL, THEY'RE ONLY ONES THAT I'LL EVER LOVE ♪ | ♪ WELL, THEY'RE ONLY ONES THAT I'LL EVER LOVE ♪ |
13 | 00:00:47,510 | 00:00:49,610 | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ |
14 | 00:00:49,650 | 00:00:52,050 | ♪ I SEE SPARKS ♪ | ♪ I SEE SPARKS ♪ |
15 | 00:00:52,080 | 00:00:54,650 | ♪ OH, EVERY TIME I'M NEAR HER ♪ | ♪ OH, EVERY TIME I'M NEAR HER ♪ |
16 | 00:00:54,680 | 00:00:56,220 | JOHN... | JOHN... |
17 | 00:00:58,250 | 00:01:01,420 | THAT WILL IS NO GOOD. | THAT WILL IS NO GOOD. |
18 | 00:01:01,460 | 00:01:02,720 | YOUR MOTHER'S STILL ALIVE. | YOUR MOTHER'S STILL ALIVE. |
19 | 00:01:02,760 | 00:01:05,160 | WE CAN TALK HER INTO CHANGING IT. | WE CAN TALK HER INTO CHANGING IT. |
20 | 00:01:05,190 | 00:01:08,430 | YOU WERE ALWAYS TOO GREEDY, LOUISE. | YOU WERE ALWAYS TOO GREEDY, LOUISE. |
21 | 00:01:08,460 | 00:01:11,330 | I JUST DON'T LIKE TO SEE HER EXPLOITING YOU. | I JUST DON'T LIKE TO SEE HER EXPLOITING YOU. |
22 | 00:01:11,370 | 00:01:16,970 | HONEY, SHE'S LEAVING ALL OF YOUR FAMILY'S MONEY TO CHARITY | HONEY, SHE'S LEAVING ALL OF YOUR FAMILY'S MONEY TO CHARITY |
23 | 00:01:17,010 | 00:01:19,410 | IN THE NAME OF THIS MYSTERIOUS KATHLEEN. | IN THE NAME OF THIS MYSTERIOUS KATHLEEN. |
24 | 00:01:19,440 | 00:01:20,970 | IT'S RIDICULOUS. | IT'S RIDICULOUS. |
25 | 00:01:21,010 | 00:01:23,310 | YOUR MOTHER IS CRAZY. | YOUR MOTHER IS CRAZY. |
26 | 00:01:23,350 | 00:01:25,680 | YOU DON'T KNOW ANYTHING ABOUT IT. | YOU DON'T KNOW ANYTHING ABOUT IT. |
27 | 00:01:25,710 | 00:01:28,120 | I KNOW THAT MUSIC'S TERRIBLE. | I KNOW THAT MUSIC'S TERRIBLE. |
28 | 00:01:29,820 | 00:01:33,650 | [ VOLUME INCREASES ] | [ VOLUME INCREASES ] |
29 | 00:01:33,690 | 00:01:36,790 | ♪ OH, WHEN SHE'S NEAR I CAN HARDLY SPEAK ♪ | ♪ OH, WHEN SHE'S NEAR I CAN HARDLY SPEAK ♪ |
30 | 00:01:36,830 | 00:01:39,660 | ♪ ...AND MY KNEES GET WEAK ♪ | ♪ ...AND MY KNEES GET WEAK ♪ |
31 | 00:01:39,700 | 00:01:42,360 | JOHN, YOU'RE ROWING TOO HARD. LET ME ROW. | JOHN, YOU'RE ROWING TOO HARD. LET ME ROW. |
32 | 00:01:42,400 | 00:01:44,730 | YOU'RE CONCERNED ABOUT ME, LOUISE. | YOU'RE CONCERNED ABOUT ME, LOUISE. |
33 | 00:01:44,770 | 00:01:46,230 | IS IT MY HEART? | IS IT MY HEART? |
34 | 00:01:46,270 | 00:01:47,770 | STOP IT. | STOP IT. |
35 | 00:01:47,800 | 00:01:49,800 | YOU'RE ONLY A MEMBER OF THE FAMILY | YOU'RE ONLY A MEMBER OF THE FAMILY |
36 | 00:01:49,840 | 00:01:51,270 | AS LONG AS YOU'RE MY WIFE. | AS LONG AS YOU'RE MY WIFE. |
37 | 00:01:51,310 | 00:01:53,770 | IF I DIE BEFORE MOTHER, | IF I DIE BEFORE MOTHER, |
38 | 00:01:53,810 | 00:01:57,310 | YOU'RE A STRANGER... | YOU'RE A STRANGER... |
39 | 00:01:57,350 | 00:02:00,250 | [ Straining ] ENTITLED TO NOTHING. | [ Straining ] ENTITLED TO NOTHING. |
40 | 00:02:03,490 | 00:02:06,090 | NOW YOU'VE DONE IT. | NOW YOU'VE DONE IT. |
41 | 00:02:06,120 | 00:02:07,420 | ♪ LOOK AT ME WITH STARRY EYES ♪ | ♪ LOOK AT ME WITH STARRY EYES ♪ |
42 | 00:02:07,460 | 00:02:09,090 | ♪ AND THEN I GET ALL HYPNOTIZED ♪ | ♪ AND THEN I GET ALL HYPNOTIZED ♪ |
43 | 00:02:09,130 | 00:02:10,190 | WHERE ARE THE PILLS? | WHERE ARE THE PILLS? |
44 | 00:02:10,230 | 00:02:11,790 | I-IN THE COAT. | I-IN THE COAT. |
45 | 00:02:11,830 | 00:02:14,130 | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ |
46 | 00:02:14,160 | 00:02:15,660 | ♪ I SEE SPARKS ♪ | ♪ I SEE SPARKS ♪ |
47 | 00:02:15,700 | 00:02:18,400 | ♪ WELL, EVERY TIME I'M NEAR HER ♪ | ♪ WELL, EVERY TIME I'M NEAR HER ♪ |
48 | 00:02:18,430 | 00:02:21,170 | IT'S EMPTY, YOU IDIOT! | IT'S EMPTY, YOU IDIOT! |
49 | 00:02:21,200 | 00:02:23,470 | ♪ MY HEART STARTS BEATING MADLY ♪ | ♪ MY HEART STARTS BEATING MADLY ♪ |
50 | 00:02:23,510 | 00:02:26,070 | ♪ WELL, WHERE DID SHE CAUSE THE PAIN? ♪ | ♪ WELL, WHERE DID SHE CAUSE THE PAIN? ♪ |
51 | 00:02:26,110 | 00:02:29,780 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
52 | 00:02:29,810 | 00:02:33,110 | ♪ LOOK AT ME WITH STARRY EYES ♪ | ♪ LOOK AT ME WITH STARRY EYES ♪ |
53 | 00:02:33,150 | 00:02:35,750 | ROW FASTER, LOUISE. [ CHUCKLES ] | ROW FASTER, LOUISE. [ CHUCKLES ] |
54 | 00:02:35,780 | 00:02:38,790 | IF I DIE, THERE'S NOTHING IN IT FOR YOU. | IF I DIE, THERE'S NOTHING IN IT FOR YOU. |
55 | 00:02:38,820 | 00:02:40,720 | SHUT UP. | SHUT UP. |
56 | 00:02:40,760 | 00:02:43,220 | [ GASPING ] | [ GASPING ] |
57 | 00:02:43,260 | 00:02:47,630 | [ ROCKABILLY MUSIC CONTINUES ] | [ ROCKABILLY MUSIC CONTINUES ] |
58 | 00:02:47,660 | 00:02:49,500 | JOHN? | JOHN? |
59 | 00:02:52,130 | 00:02:53,600 | JOHN! | JOHN! |
60 | 00:02:56,710 | 00:02:58,740 | [ SLAP! ] | [ SLAP! ] |
61 | 00:02:58,770 | 00:03:01,040 | UGH! | UGH! |
62 | 00:03:01,080 | 00:03:03,380 | AAH! | AAH! |
63 | 00:03:03,410 | 00:03:05,610 | [ GASPING ] | [ GASPING ] |
64 | 00:03:05,650 | 00:03:08,780 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
65 | 00:03:08,820 | 00:03:10,480 | NOW WHAT DO I DO? | NOW WHAT DO I DO? |
66 | 00:03:10,520 | 00:03:12,720 | ♪ YOU'RE THE ONE THAT I'M THINKING OF ♪ | ♪ YOU'RE THE ONE THAT I'M THINKING OF ♪ |
67 | 00:03:12,760 | 00:03:14,820 | I GOT TO GET RID OF HIM. | I GOT TO GET RID OF HIM. |
68 | 00:03:14,860 | 00:03:17,620 | ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪ | ♪ WELL, I GOT A GIRL THAT'S REALLY GREAT ♪ |
69 | 00:03:17,660 | 00:03:19,490 | ♪ ...AND I START TO SHAKE ♪ | ♪ ...AND I START TO SHAKE ♪ |
70 | 00:03:19,530 | 00:03:22,130 | ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ | ♪ WHEN SHE'S NEAR, MY HEART STARTS TO BEAT ♪ |
71 | 00:03:22,160 | 00:03:24,200 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
72 | 00:03:24,230 | 00:03:26,870 | ♪ THEY'RE THE ONES THAT I'LL EVER LOVE ♪ | ♪ THEY'RE THE ONES THAT I'LL EVER LOVE ♪ |
73 | 00:03:26,900 | 00:03:28,570 | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ | ♪ SHE'S THE ONE THAT I'M THINKING OF ♪ |
74 | 00:03:28,600 | 00:03:30,670 | ♪ I SEE SPARKS ♪ | ♪ I SEE SPARKS ♪ |
75 | 00:03:30,710 | 00:03:34,410 | ♪ OH, EVERY TIME I'M NEAR HER ♪ | ♪ OH, EVERY TIME I'M NEAR HER ♪ |
76 | 00:03:34,440 | 00:03:36,540 | ♪ I FEEL SO STRANGE ♪ | ♪ I FEEL SO STRANGE ♪ |
77 | 00:03:36,580 | 00:03:39,510 | ♪ MY HEART STARTS BEATING MADLY ♪ | ♪ MY HEART STARTS BEATING MADLY ♪ |
78 | 00:03:39,550 | 00:03:40,810 | ♪ WHERE DID SHE CAUSE THE PAIN? ♪ | ♪ WHERE DID SHE CAUSE THE PAIN? ♪ |
79 | 00:03:40,850 | 00:03:45,790 | [ SINGING INDISTINCTLY ] | [ SINGING INDISTINCTLY ] |
80 | 00:03:45,820 | 00:03:48,620 | ♪ LOOK AT ME WITH STARRY EYES ♪ | ♪ LOOK AT ME WITH STARRY EYES ♪ |
81 | 00:03:48,660 | 00:03:51,190 | ♪ AND THEN I GET ALL HYPNOTIZED ♪ | ♪ AND THEN I GET ALL HYPNOTIZED ♪ |
82 | 00:03:51,230 | 00:03:55,530 | [ MUSIC DISTORTING ] | [ MUSIC DISTORTING ] |
83 | 00:03:55,560 | 00:03:57,800 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
84 | 00:05:22,580 | 00:05:25,220 | [ ENGINE TURNS OVER ] | [ ENGINE TURNS OVER ] |
85 | 00:05:25,250 | 00:05:26,890 | [ BREATHING HEAVILY ] | [ BREATHING HEAVILY ] |
86 | 00:05:32,660 | 00:05:34,860 | I'LL HAVE TO GET RID OF HIS THINGS, | I'LL HAVE TO GET RID OF HIS THINGS, |
87 | 00:05:34,900 | 00:05:39,370 | SAY HE WENT BACK TO NEW YORK ON BUSINESS OR SOMETHING. | SAY HE WENT BACK TO NEW YORK ON BUSINESS OR SOMETHING. |
88 | 00:05:39,400 | 00:05:42,270 | [ FROGS CROAKING ] | [ FROGS CROAKING ] |
89 | 00:05:42,300 | 00:05:44,600 | "MOTHER... | "MOTHER... |
90 | 00:05:44,640 | 00:05:48,610 | "I AM TERRIBLY SORRY... | "I AM TERRIBLY SORRY... |
91 | 00:05:48,640 | 00:05:52,650 | "BUT I HAVE RECEIVED... | "BUT I HAVE RECEIVED... |
92 | 00:05:52,680 | 00:05:56,280 | "AN URGENT... | "AN URGENT... |
93 | 00:05:56,320 | 00:05:59,950 | "WIRE FROM NEW YORK. | "WIRE FROM NEW YORK. |
94 | 00:05:59,990 | 00:06:05,460 | "SINCE I MUST LEAVE TONIGHT... | "SINCE I MUST LEAVE TONIGHT... |
95 | 00:06:05,490 | 00:06:10,500 | "I WILL BE FORCED TO MISS... | "I WILL BE FORCED TO MISS... |
96 | 00:06:10,530 | 00:06:14,000 | "KATHLEEN'S... | "KATHLEEN'S... |
97 | 00:06:14,040 | 00:06:17,940 | "MEMORIAL CEREMONY. | "MEMORIAL CEREMONY. |
98 | 00:06:17,970 | 00:06:23,340 | "BUT YOU ALL KNOW... | "BUT YOU ALL KNOW... |
99 | 00:06:23,380 | 00:06:26,780 | "MY THOUGHTS | "MY THOUGHTS |
100 | 00:06:26,820 | 00:06:32,450 | "WILL BE WITH HER, | "WILL BE WITH HER, |
101 | 00:06:32,490 | 00:06:34,990 | IN LOVING MEMORY." | IN LOVING MEMORY." |
102 | 00:06:37,630 | 00:06:40,330 | [ SUSPENSEFUL MUSIC PLAYING ] | [ SUSPENSEFUL MUSIC PLAYING ] |
103 | 00:07:10,530 | 00:07:14,930 | "YOUR LOVING SON, JOHN." | "YOUR LOVING SON, JOHN." |
104 | 00:07:14,960 | 00:07:17,630 | I'LL PACK THE THINGS HE WOULD HAVE TAKEN -- | I'LL PACK THE THINGS HE WOULD HAVE TAKEN -- |
105 | 00:07:17,670 | 00:07:20,370 | A SUIT, SOME SHIRTS. | A SUIT, SOME SHIRTS. |
106 | 00:07:20,400 | 00:07:25,710 | I'M FINALLY RID OF HIM. | I'M FINALLY RID OF HIM. |
107 | 00:07:25,740 | 00:07:31,750 | I KNOW I CAN HANDLE HIS MOTHER WITHOUT HIM AROUND. | I KNOW I CAN HANDLE HIS MOTHER WITHOUT HIM AROUND. |
108 | 00:07:31,780 | 00:07:33,810 | SHE'S HALF-CRAZY ANYWAY. | SHE'S HALF-CRAZY ANYWAY. |
109 | 00:07:33,850 | 00:07:36,350 | I CAN GET RID OF HER, | I CAN GET RID OF HER, |
110 | 00:07:36,390 | 00:07:38,620 | ONE WAY OR THE OTHER. | ONE WAY OR THE OTHER. |
111 | 00:07:38,650 | 00:07:41,620 | I'D BETTER WATCH OUT FOR HIS BROTHERS, THOUGH, | I'D BETTER WATCH OUT FOR HIS BROTHERS, THOUGH, |
112 | 00:07:41,660 | 00:07:44,720 | ESPECIALLY THE OLDER ONE, RICHARD. | ESPECIALLY THE OLDER ONE, RICHARD. |
113 | 00:07:49,530 | 00:07:51,570 | THE TYPEWRITER -- | THE TYPEWRITER -- |
114 | 00:07:51,600 | 00:07:54,870 | HE WOULDN'T FORGET THAT. | HE WOULDN'T FORGET THAT. |
115 | 00:07:54,900 | 00:07:58,510 | HE'D HAVE TO WRITE LETTERS ON THE PLANE. | HE'D HAVE TO WRITE LETTERS ON THE PLANE. |
116 | 00:07:58,540 | 00:08:02,940 | I WONDER IF HE'LL ROT UNDERWATER. | I WONDER IF HE'LL ROT UNDERWATER. |
117 | 00:08:02,980 | 00:08:06,880 | EVERYTHING, EVERYTHING. | EVERYTHING, EVERYTHING. |
118 | 00:08:06,920 | 00:08:09,450 | [ SUSPENSEFUL MUSIC PLAYING ] | [ SUSPENSEFUL MUSIC PLAYING ] |
119 | 00:08:15,460 | 00:08:19,530 | I'LL MAKE HER CHANGE THAT RIDICULOUS WILL. | I'LL MAKE HER CHANGE THAT RIDICULOUS WILL. |
120 | 00:08:34,110 | 00:08:35,840 | "YOUR LOVING SON, JOHN." | "YOUR LOVING SON, JOHN." |
121 | 00:08:35,880 | 00:08:38,450 | FAT JOHN. | FAT JOHN. |
122 | 00:08:43,190 | 00:08:45,890 | [ FROGS CROAKING ] | [ FROGS CROAKING ] |
123 | 00:09:07,480 | 00:09:11,550 | I HOPE EVERYTHING WORKS OUT WITH JOHN'S BUSINESS. | I HOPE EVERYTHING WORKS OUT WITH JOHN'S BUSINESS. |
124 | 00:09:11,580 | 00:09:14,880 | I'M SURE EVERYTHING WILL BE FINE. | I'M SURE EVERYTHING WILL BE FINE. |
125 | 00:09:14,920 | 00:09:17,720 | YOUR BROTHER'S ALWAYS HAD A WAY OF SOLVING HIS OWN PROBLEMS. | YOUR BROTHER'S ALWAYS HAD A WAY OF SOLVING HIS OWN PROBLEMS. |
126 | 00:09:17,750 | 00:09:19,150 | [ METAL TINGS ] OH, I'M SORRY. | [ METAL TINGS ] OH, I'M SORRY. |
127 | 00:09:19,190 | 00:09:20,720 | WE'RE IN YOUR WAY. | WE'RE IN YOUR WAY. |
128 | 00:09:20,760 | 00:09:23,960 | WHAT DO YOU THINK OF IRELAND, CASTLE HALORAN? | WHAT DO YOU THINK OF IRELAND, CASTLE HALORAN? |
129 | 00:09:23,990 | 00:09:26,630 | IRELAND'S FINE. | IRELAND'S FINE. |
130 | 00:09:26,660 | 00:09:30,200 | CASTLE HALORAN IS A BIT PERPLEXING, | CASTLE HALORAN IS A BIT PERPLEXING, |
131 | 00:09:30,230 | 00:09:34,630 | A VERY STRANGE PLACE, REALLY -- OLD AND MUSTY, | A VERY STRANGE PLACE, REALLY -- OLD AND MUSTY, |
132 | 00:09:34,670 | 00:09:36,870 | THE KIND OF PLACE YOU'D EXPECT A GHOST | THE KIND OF PLACE YOU'D EXPECT A GHOST |
133 | 00:09:36,910 | 00:09:38,740 | TO LIKE TO WANDER AROUND IN, | TO LIKE TO WANDER AROUND IN, |
134 | 00:09:38,770 | 00:09:40,970 | KIND OF A HAUNTED CASTLE. | KIND OF A HAUNTED CASTLE. |
135 | 00:09:41,010 | 00:09:43,580 | CASTLE HALORAN IS HAUNTED. | CASTLE HALORAN IS HAUNTED. |
136 | 00:09:43,610 | 00:09:44,810 | BY YOUR MOTHER? | BY YOUR MOTHER? |
137 | 00:09:44,850 | 00:09:48,050 | BY KATHLEEN. | BY KATHLEEN. |
138 | 00:09:48,080 | 00:09:52,120 | I KNOW VERY LITTLE ABOUT HER. | I KNOW VERY LITTLE ABOUT HER. |
139 | 00:09:52,150 | 00:09:54,650 | IN FACT, I DIDN'T EVEN KNOW YOU HAD A SISTER | IN FACT, I DIDN'T EVEN KNOW YOU HAD A SISTER |
140 | 00:09:54,690 | 00:09:56,190 | UNTIL WE ARRIVED HERE. | UNTIL WE ARRIVED HERE. |
141 | 00:09:56,220 | 00:10:00,660 | THERE'S NOT THAT MUCH TO KNOW ABOUT HER, REALLY. | THERE'S NOT THAT MUCH TO KNOW ABOUT HER, REALLY. |
142 | 00:10:00,700 | 00:10:06,200 | MY MOTHER WAS ABOUT 40 WHEN SHE GAVE BIRTH TO KATHLEEN. | MY MOTHER WAS ABOUT 40 WHEN SHE GAVE BIRTH TO KATHLEEN. |
143 | 00:10:06,230 | 00:10:09,600 | IT WAS LIKE A GIFT, SHE USED TO SAY -- | IT WAS LIKE A GIFT, SHE USED TO SAY -- |
144 | 00:10:09,640 | 00:10:13,110 | "AN APPLE FOR THE STARVING AND KATHLEEN FOR ME." | "AN APPLE FOR THE STARVING AND KATHLEEN FOR ME." |
145 | 00:10:13,140 | 00:10:17,280 | SHE EVEN HAD A POEM -- | SHE EVEN HAD A POEM -- |
146 | 00:10:17,310 | 00:10:22,150 | "THREE SONS, EACH WHO WOULD MARRY AND GO AWAY, | "THREE SONS, EACH WHO WOULD MARRY AND GO AWAY, |
147 | 00:10:22,180 | 00:10:28,790 | BUT LITTLE KATHLEEN WOULD ALWAYS STAY." | BUT LITTLE KATHLEEN WOULD ALWAYS STAY." |
148 | 00:10:28,820 | 00:10:31,760 | IT'S ENGRAVEN ON HER LITTLE TOMBSTONE NOW. | IT'S ENGRAVEN ON HER LITTLE TOMBSTONE NOW. |
149 | 00:10:31,790 | 00:10:33,230 | HOW DID SHE DIE? | HOW DID SHE DIE? |
150 | 00:10:33,260 | 00:10:35,560 | SHE DROWNED IN THE POND. | SHE DROWNED IN THE POND. |
151 | 00:10:35,600 | 00:10:38,670 | [ DRAMATIC MUSIC PLAYING ] | [ DRAMATIC MUSIC PLAYING ] |
152 | 00:10:45,840 | 00:10:49,640 | Woman: PASSENGERS ARRIVING FROM LONDON AND PRAGUE, | Woman: PASSENGERS ARRIVING FROM LONDON AND PRAGUE, |
153 | 00:10:49,680 | 00:10:53,280 | AER LINGUS IRISH INTERNATIONAL AIRLINES | AER LINGUS IRISH INTERNATIONAL AIRLINES |
154 | 00:10:53,320 | 00:10:56,250 | WISH YOU CéAD MíLE FáILTE. | WISH YOU CéAD MíLE FáILTE. |
155 | 00:10:56,280 | 00:11:02,820 | YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. | YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. |
156 | 00:11:02,860 | 00:11:06,990 | PASSENGERS TRAVELING ONWARDS BY AIR TODAY | PASSENGERS TRAVELING ONWARDS BY AIR TODAY |
157 | 00:11:07,030 | 00:11:10,230 | SHOULD CHECK AT THE PASSENGER SERVICE DESK. | SHOULD CHECK AT THE PASSENGER SERVICE DESK. |
158 | 00:11:10,270 | 00:11:13,270 | EXCUSE ME, MISS. A-ARE YOU KANE? | EXCUSE ME, MISS. A-ARE YOU KANE? |
159 | 00:11:13,300 | 00:11:14,730 | YES. HELLO. | YES. HELLO. |
160 | 00:11:14,770 | 00:11:16,100 | WELL, I'M BILLY, RICHARD'S BROTHER. | WELL, I'M BILLY, RICHARD'S BROTHER. |
161 | 00:11:16,140 | 00:11:17,340 | I CAME TO GET YOU. | I CAME TO GET YOU. |
162 | 00:11:17,370 | 00:11:18,740 | OH, HI. I'M SO HAPPY TO MEET YOU. | OH, HI. I'M SO HAPPY TO MEET YOU. |
163 | 00:11:18,770 | 00:11:20,140 | NICE TO MEET YOU. | NICE TO MEET YOU. |
164 | 00:11:20,180 | 00:11:22,080 | UH, RICHARD'S SORRY HE COULDN'T COME TO GET YOU, | UH, RICHARD'S SORRY HE COULDN'T COME TO GET YOU, |
165 | 00:11:22,110 | 00:11:23,710 | BUT HE'S -- WELL, HE'S UP TO HIS ELBOWS IN STATUES, | BUT HE'S -- WELL, HE'S UP TO HIS ELBOWS IN STATUES, |
166 | 00:11:23,750 | 00:11:25,180 | SO I SAID I WOULDN'T MIND PICKING YOU UP. | SO I SAID I WOULDN'T MIND PICKING YOU UP. |
167 | 00:11:25,210 | 00:11:28,820 | THANKS. THAT'S AWFULLY NICE OF YOU, BILLY. | THANKS. THAT'S AWFULLY NICE OF YOU, BILLY. |
168 | 00:11:28,850 | 00:11:32,150 | AER LINGUS IRISH INTERNATIONAL AIRLINES | AER LINGUS IRISH INTERNATIONAL AIRLINES |
169 | 00:11:32,190 | 00:11:35,290 | WISH YOU CéAD MíLE FáILTE. | WISH YOU CéAD MíLE FáILTE. |
170 | 00:11:35,320 | 00:11:40,290 | YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. | YOUR BAGGAGE WILL BE DELIVERED SHORTLY ON THE CONVEYOR BELT. |
171 | 00:11:43,130 | 00:11:45,370 | MY OLDEST BROTHER, JOHN, HAD TO LEAVE EARLY THIS MORNING, | MY OLDEST BROTHER, JOHN, HAD TO LEAVE EARLY THIS MORNING, |
172 | 00:11:45,400 | 00:11:47,030 | BUT HIS WIFE, LOUISE, IS STILL HERE. | BUT HIS WIFE, LOUISE, IS STILL HERE. |
173 | 00:11:47,070 | 00:11:49,140 | SHE'S FROM AMERICA, SO YOU WON'T GET HOMESICK. | SHE'S FROM AMERICA, SO YOU WON'T GET HOMESICK. |
174 | 00:11:49,170 | 00:11:50,940 | UH, THAT'S MY BAG. OH. | UH, THAT'S MY BAG. OH. |
175 | 00:12:01,920 | 00:12:03,120 | IS IT COLD? | IS IT COLD? |
176 | 00:12:03,150 | 00:12:04,350 | FREEZING. | FREEZING. |
177 | 00:12:04,390 | 00:12:07,250 | BUT ALL OLD CASTLES ARE LIKE THAT. | BUT ALL OLD CASTLES ARE LIKE THAT. |
178 | 00:12:07,290 | 00:12:08,660 | TO TELL YOU THE TRUTH, | TO TELL YOU THE TRUTH, |
179 | 00:12:08,690 | 00:12:09,820 | CASTLE HALORAN GIVES ME NIGHTMARES. | CASTLE HALORAN GIVES ME NIGHTMARES. |
180 | 00:12:09,860 | 00:12:11,020 | [ CHUCKLES ] | [ CHUCKLES ] |
181 | 00:12:16,260 | 00:12:18,300 | THERE IT IS. | THERE IT IS. |
182 | 00:12:42,320 | 00:12:44,190 | UNBELIEVABLE. | UNBELIEVABLE. |
183 | 00:12:44,230 | 00:12:45,430 | [ BIRDS CHIRPING ] | [ BIRDS CHIRPING ] |
184 | 00:12:48,230 | 00:12:50,700 | WE'LL LEAVE THE LUGGAGE FOR A MINUTE. | WE'LL LEAVE THE LUGGAGE FOR A MINUTE. |
185 | 00:12:50,730 | 00:12:52,930 | COME ON. I'LL TAKE YOU TO HIM. | COME ON. I'LL TAKE YOU TO HIM. |
186 | 00:12:57,140 | 00:12:59,110 | THIS IS WHERE HE WORKS. | THIS IS WHERE HE WORKS. |
187 | 00:13:01,180 | 00:13:03,780 | [ LOUD HISSING ] | [ LOUD HISSING ] |
188 | 00:13:14,020 | 00:13:15,050 | [ CLATTER ] | [ CLATTER ] |
189 | 00:13:15,090 | 00:13:17,190 | WHAT IS IT?! | WHAT IS IT?! |
190 | 00:13:17,230 | 00:13:19,130 | I'M SORRY, RICHARD. | I'M SORRY, RICHARD. |
191 | 00:13:22,200 | 00:13:23,930 | KANE. | KANE. |
192 | 00:13:28,900 | 00:13:29,970 | OH, I MISSED YOU. | OH, I MISSED YOU. |
193 | 00:13:30,010 | 00:13:31,470 | I MISSED YOU, TOO. | I MISSED YOU, TOO. |
194 | 00:13:31,510 | 00:13:33,740 | WELL, I'M SORRY I DIDN'T PICK YOU UP MYSELF, HONEY, | WELL, I'M SORRY I DIDN'T PICK YOU UP MYSELF, HONEY, |
195 | 00:13:33,780 | 00:13:35,040 | BUT I WANTED TO FINISH THIS STATUE. | BUT I WANTED TO FINISH THIS STATUE. |
196 | 00:13:35,080 | 00:13:37,180 | YOU LOOK WONDERFUL. | YOU LOOK WONDERFUL. |
197 | 00:13:44,990 | 00:13:48,250 | Lady Haloran: WELL, I FIND A STATUE REMINDS ME OF DEATH. | Lady Haloran: WELL, I FIND A STATUE REMINDS ME OF DEATH. |
198 | 00:13:48,290 | 00:13:50,460 | HOW VERY UNUSUAL, LADY HALORAN, | HOW VERY UNUSUAL, LADY HALORAN, |
199 | 00:13:50,490 | 00:13:54,260 | FOR A WOMAN TO HAVE BEEN MARRIED TO SUCH A FAMOUS SCULPTOR | FOR A WOMAN TO HAVE BEEN MARRIED TO SUCH A FAMOUS SCULPTOR |
200 | 00:13:54,300 | 00:13:56,000 | AND YET FEEL THAT WAY. | AND YET FEEL THAT WAY. |
201 | 00:13:56,030 | 00:13:59,900 | DID, UH, JOHN MENTION WHEN HE WAS GOING TO RETURN? | DID, UH, JOHN MENTION WHEN HE WAS GOING TO RETURN? |
202 | 00:13:59,940 | 00:14:01,270 | HE WASN'T SURE. | HE WASN'T SURE. |
203 | 00:14:01,300 | 00:14:04,770 | WE THOUGHT I'D STAY ON FOR A WHILE | WE THOUGHT I'D STAY ON FOR A WHILE |
204 | 00:14:04,810 | 00:14:07,010 | TO GET TO KNOW THE FAMILY, | TO GET TO KNOW THE FAMILY, |
205 | 00:14:07,040 | 00:14:09,880 | AND THEN IF HE COULDN'T MAKE IT BACK, | AND THEN IF HE COULDN'T MAKE IT BACK, |
206 | 00:14:09,910 | 00:14:11,740 | I'D JUST RETURN TO NEW YORK. | I'D JUST RETURN TO NEW YORK. |
207 | 00:14:11,780 | 00:14:15,280 | HOW LONG IS A LITTLE WHILE? | HOW LONG IS A LITTLE WHILE? |
208 | 00:14:15,320 | 00:14:17,320 | AS LONG AS YOU LIKE, MOTHER. | AS LONG AS YOU LIKE, MOTHER. |
209 | 00:14:17,350 | 00:14:19,950 | WELL, YOU'RE VERY WELCOME HERE, LOUISE, | WELL, YOU'RE VERY WELCOME HERE, LOUISE, |
210 | 00:14:19,990 | 00:14:24,260 | AS LONG AS YOU UNDERSTAND THE PRIVACY | AS LONG AS YOU UNDERSTAND THE PRIVACY |
211 | 00:14:24,290 | 00:14:27,360 | OF OUR PERSONAL DUTIES. | OF OUR PERSONAL DUTIES. |
212 | 00:14:27,400 | 00:14:29,830 | I SPEAK OF THE CEREMONY TOMORROW. | I SPEAK OF THE CEREMONY TOMORROW. |
213 | 00:14:29,870 | 00:14:32,100 | I'M SURE JOHN EXPLAINED IT TO YOU. | I'M SURE JOHN EXPLAINED IT TO YOU. |
214 | 00:14:32,130 | 00:14:34,170 | I'M AFRAID JOHN WAS USUALLY TOO BUSY | I'M AFRAID JOHN WAS USUALLY TOO BUSY |
215 | 00:14:34,200 | 00:14:36,400 | TO TALK MUCH ABOUT THE FAMILY. | TO TALK MUCH ABOUT THE FAMILY. |
216 | 00:14:36,440 | 00:14:40,310 | THAT'S WHY I'M SO HAPPY TO BE HERE, FINALLY. | THAT'S WHY I'M SO HAPPY TO BE HERE, FINALLY. |
217 | 00:14:40,340 | 00:14:41,980 | YOU'LL HAVE A PLEASANT STAY. | YOU'LL HAVE A PLEASANT STAY. |
218 | 00:14:42,010 | 00:14:44,380 | AND I'M SURE YOU CAN FIND SOMETHING TO OCCUPY YOUR TIME | AND I'M SURE YOU CAN FIND SOMETHING TO OCCUPY YOUR TIME |
219 | 00:14:44,410 | 00:14:45,810 | DURING THE CEREMONY. | DURING THE CEREMONY. |
220 | 00:14:45,850 | 00:14:47,980 | IT WON'T TAKE VERY LONG. | IT WON'T TAKE VERY LONG. |
221 | 00:14:48,020 | 00:14:49,250 | [ SIGHS ] | [ SIGHS ] |
222 | 00:14:49,280 | 00:14:50,950 | PERHAPS I AM SUPERSTITIOUS, | PERHAPS I AM SUPERSTITIOUS, |
223 | 00:14:50,990 | 00:14:54,420 | BUT I THINK IT'S IMPORTANT THAT ONLY THE IMMEDIATE MEMBERS | BUT I THINK IT'S IMPORTANT THAT ONLY THE IMMEDIATE MEMBERS |
224 | 00:14:54,460 | 00:14:57,120 | OF THE FAMILY SHOULD GIVE THEIR THOUGHTS TO... | OF THE FAMILY SHOULD GIVE THEIR THOUGHTS TO... |
225 | 00:14:57,160 | 00:14:59,390 | KATHLEEN. | KATHLEEN. |
226 | 00:15:10,310 | 00:15:12,440 | EXCUSE ME. | EXCUSE ME. |
227 | 00:15:22,450 | 00:15:25,180 | MOTHER, I DON'T CARE WHAT TRAGEDY HANGS OVER THIS FAMILY. | MOTHER, I DON'T CARE WHAT TRAGEDY HANGS OVER THIS FAMILY. |
228 | 00:15:25,220 | 00:15:28,150 | I WANT TO GET MARRIED. I'M ENGAGED TO BE MARRIED. | I WANT TO GET MARRIED. I'M ENGAGED TO BE MARRIED. |
229 | 00:15:28,190 | 00:15:31,490 | AND I'M GOING TO GET MARRIED. | AND I'M GOING TO GET MARRIED. |
230 | 00:15:31,530 | 00:15:33,860 | MOREOVER, I'M GOING TO MARRY KANE. | MOREOVER, I'M GOING TO MARRY KANE. |
231 | 00:15:38,170 | 00:15:42,370 | OH, MOTHER, KATHLEEN'S DEAD. | OH, MOTHER, KATHLEEN'S DEAD. |
232 | 00:15:42,400 | 00:15:44,470 | SHE'S BEEN DEAD FOR SEVEN YEARS. | SHE'S BEEN DEAD FOR SEVEN YEARS. |
233 | 00:15:44,510 | 00:15:48,540 | YOU NEVER TALKED SO MUCH WHEN YOU WERE A CHILD. | YOU NEVER TALKED SO MUCH WHEN YOU WERE A CHILD. |
234 | 00:15:48,580 | 00:15:52,010 | AH. | AH. |
235 | 00:15:52,050 | 00:15:54,310 | WELL, I CRIED A LOT, DIDN'T I? | WELL, I CRIED A LOT, DIDN'T I? |
236 | 00:15:54,350 | 00:15:56,520 | AFRAID I MIGHT BE DOING THAT AGAIN | AFRAID I MIGHT BE DOING THAT AGAIN |
237 | 00:15:56,550 | 00:16:00,220 | IF YOU FRIGHTEN HER AWAY FROM ME. | IF YOU FRIGHTEN HER AWAY FROM ME. |
238 | 00:16:00,260 | 00:16:04,920 | YOU WANT ME TO INCLUDE HER, TO TALK TO HER? | YOU WANT ME TO INCLUDE HER, TO TALK TO HER? |
239 | 00:16:04,960 | 00:16:06,430 | YES. | YES. |
240 | 00:16:08,600 | 00:16:10,400 | YES, I DO. | YES, I DO. |
241 | 00:16:10,430 | 00:16:14,070 | VERY WELL. I WILL. | VERY WELL. I WILL. |
242 | 00:16:14,100 | 00:16:17,240 | I'LL TELL HER I DON'T CARE FOR HER. | I'LL TELL HER I DON'T CARE FOR HER. |
243 | 00:16:19,340 | 00:16:20,610 | MOTHER! | MOTHER! |
244 | 00:16:23,110 | 00:16:25,080 | YOU HURT HER, | YOU HURT HER, |
245 | 00:16:25,110 | 00:16:28,580 | AND I PROMISE YOU I'LL NEVER FORGET IT. | AND I PROMISE YOU I'LL NEVER FORGET IT. |
246 | 00:16:51,470 | 00:16:53,940 | THOUGHT YOU SAID YOU DIDN'T RIDE VERY MUCH. | THOUGHT YOU SAID YOU DIDN'T RIDE VERY MUCH. |
247 | 00:16:53,980 | 00:16:55,640 | [ CHUCKLES ] I DON'T. I'M JUST SHOWING OFF | [ CHUCKLES ] I DON'T. I'M JUST SHOWING OFF |
248 | 00:16:55,680 | 00:16:57,640 | 'CAUSE I FINALLY GOT YOU TO MYSELF. | 'CAUSE I FINALLY GOT YOU TO MYSELF. |
249 | 00:17:01,120 | 00:17:02,650 | GOOD MORNING. | GOOD MORNING. |
250 | 00:17:02,680 | 00:17:04,380 | OH, GOOD MORNING, LOUISE. | OH, GOOD MORNING, LOUISE. |
251 | 00:17:04,420 | 00:17:06,990 | IT'S NICE TO SEE HER ENJOYING HERSELF FOR A CHANGE. | IT'S NICE TO SEE HER ENJOYING HERSELF FOR A CHANGE. |
252 | 00:17:07,020 | 00:17:09,420 | THE MOOD AROUND THIS PLACE ISN'T GOOD FOR HER. | THE MOOD AROUND THIS PLACE ISN'T GOOD FOR HER. |
253 | 00:17:09,460 | 00:17:11,660 | AH, SHE MAY BE RIGHT. | AH, SHE MAY BE RIGHT. |
254 | 00:17:11,690 | 00:17:14,090 | ESPECIALLY AN AMERICAN GIRL. | ESPECIALLY AN AMERICAN GIRL. |
255 | 00:17:14,130 | 00:17:17,030 | YOU CAN TELL SHE'S BEEN RAISED ON PROMISES. | YOU CAN TELL SHE'S BEEN RAISED ON PROMISES. |
256 | 00:17:17,070 | 00:17:19,300 | WHAT ARE YOU GONNA DO ABOUT THAT? | WHAT ARE YOU GONNA DO ABOUT THAT? |
257 | 00:17:19,330 | 00:17:21,900 | WHAT ARE YOU GOING TO DO ABOUT THAT? | WHAT ARE YOU GOING TO DO ABOUT THAT? |
258 | 00:17:21,940 | 00:17:24,100 | I DON'T UNDERSTAND. [ CHUCKLES ] | I DON'T UNDERSTAND. [ CHUCKLES ] |
259 | 00:17:24,140 | 00:17:27,110 | I SAW YOU SQUIRMING WHEN MOTHER READ THE WILL. | I SAW YOU SQUIRMING WHEN MOTHER READ THE WILL. |
260 | 00:17:27,140 | 00:17:30,980 | YOU GAVE JOHN ENOUGH DIRTY LOOKS TO GIVE HIM A HEART ATTACK. | YOU GAVE JOHN ENOUGH DIRTY LOOKS TO GIVE HIM A HEART ATTACK. |
261 | 00:17:31,010 | 00:17:34,580 | DON'T JOKE ABOUT THAT. | DON'T JOKE ABOUT THAT. |
262 | 00:17:34,620 | 00:17:38,180 | YOU KNOW HE HAS A BAD HEART. | YOU KNOW HE HAS A BAD HEART. |
263 | 00:17:38,220 | 00:17:40,190 | [ CHUCKLES ] | [ CHUCKLES ] |
264 | 00:17:40,220 | 00:17:42,490 | BUT I KNOW YOU DIDN'T MEAN ANYTHING BY IT. | BUT I KNOW YOU DIDN'T MEAN ANYTHING BY IT. |
265 | 00:17:42,520 | 00:17:45,090 | YOU KNOW, I THINK YOU OUGHT TO SPEND MORE TIME | YOU KNOW, I THINK YOU OUGHT TO SPEND MORE TIME |
266 | 00:17:45,130 | 00:17:46,390 | WITH YOUR WIFE-TO-BE. | WITH YOUR WIFE-TO-BE. |
267 | 00:17:46,430 | 00:17:48,330 | YOU'RE AN INTELLIGENT WOMAN, LOUISE. | YOU'RE AN INTELLIGENT WOMAN, LOUISE. |
268 | 00:17:48,360 | 00:17:50,160 | YOU NOTICE THINGS, SIZE PEOPLE UP. | YOU NOTICE THINGS, SIZE PEOPLE UP. |
269 | 00:17:50,200 | 00:17:51,460 | YOU KNOW WHEN THEY'RE HAPPY | YOU KNOW WHEN THEY'RE HAPPY |
270 | 00:17:51,500 | 00:17:53,530 | AND KNOW WHEN SOMETHING'S BOTHERING THEM. | AND KNOW WHEN SOMETHING'S BOTHERING THEM. |
271 | 00:17:53,570 | 00:17:55,570 | I WANT YOU TO DO ME A LITTLE FAVOR. | I WANT YOU TO DO ME A LITTLE FAVOR. |
272 | 00:17:55,600 | 00:17:57,470 | OF COURSE. | OF COURSE. |
273 | 00:17:57,510 | 00:17:59,710 | KEEP THAT MICROSCOPE YOU'VE GOT BUILT INTO YOUR EYE | KEEP THAT MICROSCOPE YOU'VE GOT BUILT INTO YOUR EYE |
274 | 00:17:59,740 | 00:18:01,110 | OFF OF ME. | OFF OF ME. |
275 | 00:18:01,140 | 00:18:03,140 | I'LL SEE YOU. | I'LL SEE YOU. |
276 | 00:18:11,220 | 00:18:13,350 | [ BIRDS CHIRPING ] | [ BIRDS CHIRPING ] |
277 | 00:18:13,390 | 00:18:15,490 | THIS WILL TAKE YOU IN, ALL RIGHT. | THIS WILL TAKE YOU IN, ALL RIGHT. |
278 | 00:18:15,520 | 00:18:19,030 | OH, THERE'S PLENTY OF VIEW FROM UP THERE. | OH, THERE'S PLENTY OF VIEW FROM UP THERE. |
279 | 00:18:24,300 | 00:18:25,630 | MUST BE VERY INTERESTING | MUST BE VERY INTERESTING |
280 | 00:18:25,670 | 00:18:27,470 | TO KNOW ABOUT ALL THE SECRET PASSAGEWAYS. | TO KNOW ABOUT ALL THE SECRET PASSAGEWAYS. |
281 | 00:18:27,500 | 00:18:30,640 | OH, I KNOW THEM ALL. I'VE BEEN HERE 20 YEARS. | OH, I KNOW THEM ALL. I'VE BEEN HERE 20 YEARS. |
282 | 00:18:30,670 | 00:18:32,370 | 20 YEARS? HOW WONDERFUL. | 20 YEARS? HOW WONDERFUL. |
283 | 00:18:32,410 | 00:18:34,340 | AH, WELL, YOU KNOW HOW IT IS. | AH, WELL, YOU KNOW HOW IT IS. |
284 | 00:18:34,380 | 00:18:37,610 | YOU GET USED TO A FAMILY AND YOU GET TO LIKE YOUR ROOM | YOU GET USED TO A FAMILY AND YOU GET TO LIKE YOUR ROOM |
285 | 00:18:37,650 | 00:18:40,280 | AND YOU GET TO KNOW THE RUN OF THE HOUSE. | AND YOU GET TO KNOW THE RUN OF THE HOUSE. |
286 | 00:18:40,320 | 00:18:43,350 | AND BEFORE YOU KNOW IT, THERE YOU ARE -- 20 YEARS. | AND BEFORE YOU KNOW IT, THERE YOU ARE -- 20 YEARS. |
287 | 00:18:43,380 | 00:18:45,120 | YOU MUST HAVE BEEN HERE, THEN, | YOU MUST HAVE BEEN HERE, THEN, |
288 | 00:18:45,150 | 00:18:48,420 | WHEN, UH, THE LITTLE GIRL... | WHEN, UH, THE LITTLE GIRL... |
289 | 00:18:48,460 | 00:18:50,460 | AH, YES. | AH, YES. |
290 | 00:18:50,490 | 00:18:53,530 | THAT WAS A SAD THING, THAT WAS. | THAT WAS A SAD THING, THAT WAS. |
291 | 00:18:53,560 | 00:18:55,560 | LORD HALORAN WAS A MUCH-LOVED MAN, | LORD HALORAN WAS A MUCH-LOVED MAN, |
292 | 00:18:55,600 | 00:18:58,060 | AND HE INVITED ONE OF THE COUNTRY FELLOWS | AND HE INVITED ONE OF THE COUNTRY FELLOWS |
293 | 00:18:58,100 | 00:18:59,370 | UP HERE FOR HIS WEDDING. | UP HERE FOR HIS WEDDING. |
294 | 00:18:59,400 | 00:19:01,070 | OH, A BIG WEDDING THAT WAS -- | OH, A BIG WEDDING THAT WAS -- |
295 | 00:19:01,100 | 00:19:02,540 | A BIG BANQUET, AND EVERYONE INVITED. | A BIG BANQUET, AND EVERYONE INVITED. |
296 | 00:19:02,570 | 00:19:06,470 | SHE WAS ALL DRESSED UP AS THE BRIDESMAID, | SHE WAS ALL DRESSED UP AS THE BRIDESMAID, |
297 | 00:19:06,510 | 00:19:10,340 | RUNNING ABOUT TO HER HEART'S CONTENT ALL OVER THE PLACE. | RUNNING ABOUT TO HER HEART'S CONTENT ALL OVER THE PLACE. |
298 | 00:19:10,380 | 00:19:13,080 | THERE'S NEVER BEEN A WEDDING HERE SINCE. | THERE'S NEVER BEEN A WEDDING HERE SINCE. |
299 | 00:19:13,110 | 00:19:15,080 | WHAT ABOUT KANE AND RICHARD? | WHAT ABOUT KANE AND RICHARD? |
300 | 00:19:15,120 | 00:19:16,580 | WELL, IT'S NOT MY BUSINESS, | WELL, IT'S NOT MY BUSINESS, |
301 | 00:19:16,620 | 00:19:19,090 | BUT I WOULDN'T BE BETTING YOU'D SEE ANOTHER WEDDING HERE. | BUT I WOULDN'T BE BETTING YOU'D SEE ANOTHER WEDDING HERE. |
302 | 00:19:19,120 | 00:19:21,720 | WELL, I MUST GO BACK TO WORK. | WELL, I MUST GO BACK TO WORK. |
303 | 00:19:28,630 | 00:19:32,330 | [ FROGS CROAKING ] | [ FROGS CROAKING ] |
304 | 00:19:46,850 | 00:19:50,350 | [ OFF-KILTER WHIMSICAL MUSIC PLAYING ] | [ OFF-KILTER WHIMSICAL MUSIC PLAYING ] |
305 | 00:20:00,130 | 00:20:03,130 | Kane: BILLY? BILLY? | Kane: BILLY? BILLY? |
306 | 00:20:03,160 | 00:20:04,860 | BILLY, ARE YOU ALL RIGHT? | BILLY, ARE YOU ALL RIGHT? |
307 | 00:20:04,900 | 00:20:07,730 | OH, HELLO, KANE. OH, SURE, SURE, I'M -- I'M FINE. | OH, HELLO, KANE. OH, SURE, SURE, I'M -- I'M FINE. |
308 | 00:20:07,770 | 00:20:10,670 | I WAS JUST REMEMBERING ABOUT KATHLEEN. | I WAS JUST REMEMBERING ABOUT KATHLEEN. |
309 | 00:20:10,710 | 00:20:12,740 | KATHLEEN? | KATHLEEN? |
310 | 00:20:12,770 | 00:20:14,640 | OH, YES, THE LITTLE GIRL. | OH, YES, THE LITTLE GIRL. |
311 | 00:20:14,680 | 00:20:16,710 | RICHARD TOLD ME ALL ABOUT HER. | RICHARD TOLD ME ALL ABOUT HER. |
312 | 00:20:16,740 | 00:20:19,480 | WE USED TO PLAY TOGETHER RIGHT HERE. | WE USED TO PLAY TOGETHER RIGHT HERE. |
313 | 00:20:19,510 | 00:20:22,620 | SOMETIMES I THINK I CAN STILL HEAR HER LAUGHING, | SOMETIMES I THINK I CAN STILL HEAR HER LAUGHING, |
314 | 00:20:22,650 | 00:20:24,350 | JUST LIKE THEN. | JUST LIKE THEN. |
315 | 00:20:24,390 | 00:20:27,220 | IS -- IS THIS THE POND WHERE...? | IS -- IS THIS THE POND WHERE...? |
316 | 00:20:27,260 | 00:20:28,450 | YES. | YES. |
317 | 00:20:28,490 | 00:20:30,660 | SHE WAS MISSING ALL NIGHT. | SHE WAS MISSING ALL NIGHT. |
318 | 00:20:30,690 | 00:20:34,260 | MOTHER WAS FRANTIC, ALMOST UNCONTROLLABLE. | MOTHER WAS FRANTIC, ALMOST UNCONTROLLABLE. |
319 | 00:20:34,300 | 00:20:36,160 | THE NEXT MORNING, | THE NEXT MORNING, |
320 | 00:20:36,200 | 00:20:39,600 | WE FOUND KATHLEEN FLOATING IN THE WATER RIGHT OVER THERE. | WE FOUND KATHLEEN FLOATING IN THE WATER RIGHT OVER THERE. |
321 | 00:20:39,630 | 00:20:42,200 | I'M SORRY, BILLY. | I'M SORRY, BILLY. |
322 | 00:20:42,240 | 00:20:44,540 | NO, KANE, I'M SORRY. | NO, KANE, I'M SORRY. |
323 | 00:20:47,710 | 00:20:49,940 | I'M NOT ALWAYS SO MORBID. | I'M NOT ALWAYS SO MORBID. |
324 | 00:20:49,980 | 00:20:53,450 | IT'S JUST THAT THE FUNERAL CEREMONY IS TODAY. | IT'S JUST THAT THE FUNERAL CEREMONY IS TODAY. |
325 | 00:20:53,480 | 00:20:56,280 | IT'S A VERY BEAUTIFUL POND. | IT'S A VERY BEAUTIFUL POND. |
326 | 00:20:56,320 | 00:20:57,650 | YOU KNOW, THIS IS ALL JUST | YOU KNOW, THIS IS ALL JUST |
327 | 00:20:57,690 | 00:20:59,790 | EXACTLY LIKE I IMAGINED IRELAND WOULD BE. | EXACTLY LIKE I IMAGINED IRELAND WOULD BE. |
328 | 00:20:59,820 | 00:21:03,520 | IT RAINED THE DAY OF THE FUNERAL. | IT RAINED THE DAY OF THE FUNERAL. |
329 | 00:21:03,560 | 00:21:06,730 | WE STOOD AROUND HER GRAVE UNDER BLACK UMBRELLAS, | WE STOOD AROUND HER GRAVE UNDER BLACK UMBRELLAS, |
330 | 00:21:06,760 | 00:21:11,560 | AND THEN WE THREW FLOWERS UNDER HER LITTLE HEADSTONE. | AND THEN WE THREW FLOWERS UNDER HER LITTLE HEADSTONE. |
331 | 00:21:11,600 | 00:21:14,270 | MOTHER LOOKED AT THE FLOWERS, | MOTHER LOOKED AT THE FLOWERS, |
332 | 00:21:14,300 | 00:21:16,240 | AND THEN SHE COLLAPSED. | AND THEN SHE COLLAPSED. |
333 | 00:21:18,310 | 00:21:20,940 | EVERY YEAR IT'S BEEN THE SAME -- | EVERY YEAR IT'S BEEN THE SAME -- |
334 | 00:21:20,980 | 00:21:24,810 | THE UMBRELLAS, FLOWERS... | THE UMBRELLAS, FLOWERS... |
335 | 00:21:24,850 | 00:21:27,510 | AND MOTHER'S COLLAPSE. | AND MOTHER'S COLLAPSE. |
336 | 00:21:29,680 | 00:21:31,550 | BUT THAT WAS YEARS AGO. | BUT THAT WAS YEARS AGO. |
337 | 00:21:31,590 | 00:21:34,550 | WHY DO YOU KEEP HAVING THE SAME CEREMONY OVER AND OVER AGAIN? | WHY DO YOU KEEP HAVING THE SAME CEREMONY OVER AND OVER AGAIN? |
338 | 00:21:34,590 | 00:21:39,460 | THERE'S SOME THINGS YOU DON'T UNDERSTAND, NOT YET. | THERE'S SOME THINGS YOU DON'T UNDERSTAND, NOT YET. |
339 | 00:21:39,490 | 00:21:40,830 | MOTHER'S PROBABLY WAITING. | MOTHER'S PROBABLY WAITING. |
340 | 00:21:40,860 | 00:21:42,860 | IS RICHARD READY FOR THE CEREMONY? | IS RICHARD READY FOR THE CEREMONY? |
341 | 00:21:42,900 | 00:21:44,730 | I DON'T KNOW. I THINK HE'S IN HIS STUDIO. | I DON'T KNOW. I THINK HE'S IN HIS STUDIO. |
342 | 00:21:44,770 | 00:21:47,300 | HE SAID HE HAD A SUDDEN INSPIRATION, | HE SAID HE HAD A SUDDEN INSPIRATION, |
343 | 00:21:47,340 | 00:21:50,000 | SOMETHING ABOUT WANTING TO FINISH A STATUE BEFORE -- | SOMETHING ABOUT WANTING TO FINISH A STATUE BEFORE -- |
344 | 00:21:50,040 | 00:21:51,470 | ALL RIGHT, SIMON, I'VE SEEN YOU. | ALL RIGHT, SIMON, I'VE SEEN YOU. |
345 | 00:21:51,510 | 00:21:52,670 | COME OUT OF THERE NOW. | COME OUT OF THERE NOW. |
346 | 00:21:52,710 | 00:21:55,010 | [ Irish accent ] I GIVE UP. | [ Irish accent ] I GIVE UP. |
347 | 00:21:55,040 | 00:21:57,840 | YOU CAUGHT ME FAIR AND SQUARE, MASTER BILLY. | YOU CAUGHT ME FAIR AND SQUARE, MASTER BILLY. |
348 | 00:21:57,880 | 00:21:59,850 | I GIVE MESELF UP. | I GIVE MESELF UP. |
349 | 00:21:59,880 | 00:22:02,380 | SO, IT'S POACHING AGAIN, ARE YOU, SIMON? | SO, IT'S POACHING AGAIN, ARE YOU, SIMON? |
350 | 00:22:02,420 | 00:22:03,880 | WELL, LET ME TELL YOU -- | WELL, LET ME TELL YOU -- |
351 | 00:22:03,920 | 00:22:07,290 | YOU JUST ABOUT SCARED THE WITS OUT OF POOR MISS KANE HERE. | YOU JUST ABOUT SCARED THE WITS OUT OF POOR MISS KANE HERE. |
352 | 00:22:07,320 | 00:22:08,490 | SHAME ON YOU, SIMON. | SHAME ON YOU, SIMON. |
353 | 00:22:08,520 | 00:22:09,690 | SHAME ON YOU! | SHAME ON YOU! |
354 | 00:22:09,720 | 00:22:11,890 | 'TWAS ONLY OLD BUSHY TAIL I'M AFTER, | 'TWAS ONLY OLD BUSHY TAIL I'M AFTER, |
355 | 00:22:11,930 | 00:22:13,630 | MAY HIS SOUL ROT. | MAY HIS SOUL ROT. |
356 | 00:22:13,660 | 00:22:16,660 | I SWEAR BY THE SHADE OF FINN McCOOL, MASTER BILLY. | I SWEAR BY THE SHADE OF FINN McCOOL, MASTER BILLY. |
357 | 00:22:16,700 | 00:22:18,800 | I'M NOT POACHING YOUR LEGAL GAME. | I'M NOT POACHING YOUR LEGAL GAME. |
358 | 00:22:18,830 | 00:22:21,730 | NO, 'TWAS ONLY THAT NO-GOOD RABBIT-STEALING FOX | NO, 'TWAS ONLY THAT NO-GOOD RABBIT-STEALING FOX |
359 | 00:22:21,770 | 00:22:23,240 | WHICH BRINGS ME HERE. | WHICH BRINGS ME HERE. |
360 | 00:22:23,270 | 00:22:24,940 | PLEASE, MASTER BILLY, | PLEASE, MASTER BILLY, |
361 | 00:22:24,970 | 00:22:27,440 | FOR THE MEMORY OF YOUR LATE, GREAT FATHER -- | FOR THE MEMORY OF YOUR LATE, GREAT FATHER -- |
362 | 00:22:27,480 | 00:22:31,310 | GOD REST HIS SOUL -- DON'T TURN ME OVER TO THE BULLS. | GOD REST HIS SOUL -- DON'T TURN ME OVER TO THE BULLS. |
363 | 00:22:31,350 | 00:22:32,780 | OF COURSE NOT, SIMON, | OF COURSE NOT, SIMON, |
364 | 00:22:32,810 | 00:22:34,380 | BUT DON'T LET ME CATCH YOU | BUT DON'T LET ME CATCH YOU |
365 | 00:22:34,420 | 00:22:35,880 | RUNNING AROUND THROUGH THE BRUSH AGAIN LIKE THIS. | RUNNING AROUND THROUGH THE BRUSH AGAIN LIKE THIS. |
366 | 00:22:35,920 | 00:22:37,280 | NOW OFF WITH YOU. | NOW OFF WITH YOU. |
367 | 00:22:37,320 | 00:22:38,920 | OH, GOD BLESS YOU, MY BOY. | OH, GOD BLESS YOU, MY BOY. |
368 | 00:22:38,950 | 00:22:42,490 | IT IS A TRUE SIGN OF THE LATE, GREAT LORD OF THIS ESTATE, | IT IS A TRUE SIGN OF THE LATE, GREAT LORD OF THIS ESTATE, |
369 | 00:22:42,520 | 00:22:43,760 | YOU ARE. | YOU ARE. |
370 | 00:22:43,790 | 00:22:45,520 | FORGIVE ME, MISS. | FORGIVE ME, MISS. |
371 | 00:22:45,560 | 00:22:48,490 | THE LAST THING IN THE WORLD OLD SIMON WOULD WANT TO DO | THE LAST THING IN THE WORLD OLD SIMON WOULD WANT TO DO |
372 | 00:22:48,530 | 00:22:51,400 | IS TO FRIGHTEN A FRESH YOUNG BEAUTY... | IS TO FRIGHTEN A FRESH YOUNG BEAUTY... |
373 | 00:22:51,430 | 00:22:54,300 | LIKE YOURSELF. | LIKE YOURSELF. |
374 | 00:22:54,340 | 00:22:56,540 | BYE, SIMON. | BYE, SIMON. |
375 | 00:22:56,570 | 00:22:58,400 | OLD SIMON LIKES TO THINK OF HIMSELF | OLD SIMON LIKES TO THINK OF HIMSELF |
376 | 00:22:58,440 | 00:23:00,040 | AS THE LAST OF THE GREAT IRISH POACHERS. | AS THE LAST OF THE GREAT IRISH POACHERS. |
377 | 00:23:00,070 | 00:23:02,380 | ISN'T THAT DANGEROUS, RUNNING AROUND WITH A GUN LIKE THAT? | ISN'T THAT DANGEROUS, RUNNING AROUND WITH A GUN LIKE THAT? |
378 | 00:23:02,410 | 00:23:03,880 | I DON'T THINK IT'S BEEN FIRED FOR 30 YEARS. | I DON'T THINK IT'S BEEN FIRED FOR 30 YEARS. |
379 | 00:23:03,910 | 00:23:05,510 | I'M NOT EVEN SURE IT'S LOADED. | I'M NOT EVEN SURE IT'S LOADED. |
380 | 00:23:05,550 | 00:23:07,410 | WELL, THEN HOW DOES HE CATCH ANYTHING, OR DOES HE? | WELL, THEN HOW DOES HE CATCH ANYTHING, OR DOES HE? |
381 | 00:23:07,450 | 00:23:09,720 | WELL, HE SETS OUT SNARES FOR RABBITS, | WELL, HE SETS OUT SNARES FOR RABBITS, |
382 | 00:23:09,750 | 00:23:11,050 | AND WHEN HE FINDS THEM EMPTY, | AND WHEN HE FINDS THEM EMPTY, |
383 | 00:23:11,090 | 00:23:12,450 | HE BLAMES IT ON OLD BUSHY TAIL. | HE BLAMES IT ON OLD BUSHY TAIL. |
384 | 00:23:12,490 | 00:23:13,950 | OLD BUSHY TAIL'S A FOX, | OLD BUSHY TAIL'S A FOX, |
385 | 00:23:13,990 | 00:23:15,920 | OR AT LEAST SIMON THINKS SO. | OR AT LEAST SIMON THINKS SO. |
386 | 00:23:15,960 | 00:23:17,790 | NOBODY'S EVER SEEN OLD BUSHY TAIL, | NOBODY'S EVER SEEN OLD BUSHY TAIL, |
387 | 00:23:17,830 | 00:23:20,890 | AND I DON'T THINK SIMON HAS, EITHER. | AND I DON'T THINK SIMON HAS, EITHER. |
388 | 00:23:20,930 | 00:23:23,900 | [ MOURNFUL MUSIC PLAYING ] | [ MOURNFUL MUSIC PLAYING ] |
389 | 00:23:23,930 | 00:23:26,800 | [ BELL TOLLING ] | [ BELL TOLLING ] |
390 | 00:24:49,080 | 00:24:50,980 | [ SCREAMS ] | [ SCREAMS ] |
391 | 00:24:59,830 | 00:25:01,930 | PLEASE, LET ME HELP. | PLEASE, LET ME HELP. |
392 | 00:25:06,470 | 00:25:08,370 | HAVE LILLIAN PREPARE HER ROOM. | HAVE LILLIAN PREPARE HER ROOM. |
393 | 00:25:08,400 | 00:25:10,440 | I'LL TAKE CARE OF HER. | I'LL TAKE CARE OF HER. |
394 | 00:25:15,840 | 00:25:18,140 | WHAT HAPPENED? | WHAT HAPPENED? |
395 | 00:25:18,180 | 00:25:21,080 | ONE OF THE FLOWERS DIED WHEN IT TOUCHED HER GRAVE. | ONE OF THE FLOWERS DIED WHEN IT TOUCHED HER GRAVE. |
396 | 00:25:21,120 | 00:25:23,580 | [ BREATHES DEEPLY ] | [ BREATHES DEEPLY ] |
397 | 00:25:49,180 | 00:25:50,710 | [ MOANS ] | [ MOANS ] |
398 | 00:25:50,750 | 00:25:54,580 | Shhhhh. | Shhhhh. |
399 | 00:25:54,620 | 00:25:57,680 | REST. | REST. |
400 | 00:26:02,060 | 00:26:06,490 | THERE'S SOMETHING IN THIS HOUSE, | THERE'S SOMETHING IN THIS HOUSE, |
401 | 00:26:06,530 | 00:26:11,200 | LIKE MUSIC IN THE HALLWAYS... | LIKE MUSIC IN THE HALLWAYS... |
402 | 00:26:11,230 | 00:26:14,130 | LIKE A CHILD'S MUSIC, | LIKE A CHILD'S MUSIC, |
403 | 00:26:14,170 | 00:26:17,500 | ASKING ME SOMETHING, | ASKING ME SOMETHING, |
404 | 00:26:17,540 | 00:26:20,910 | BUT MORE LIKE BEGGING ME. | BUT MORE LIKE BEGGING ME. |
405 | 00:26:20,940 | 00:26:23,040 | BEGGING FOR WHAT? | BEGGING FOR WHAT? |
406 | 00:26:23,080 | 00:26:26,080 | BEGGING FOR HER MOTHER TO LISTEN TO HER. | BEGGING FOR HER MOTHER TO LISTEN TO HER. |
407 | 00:26:34,520 | 00:26:37,760 | YOU KNOW? | YOU KNOW? |
408 | 00:26:37,790 | 00:26:40,590 | I'VE HEARD HER. | I'VE HEARD HER. |
409 | 00:26:40,630 | 00:26:44,730 | SHE ASKS FOR YOU. | SHE ASKS FOR YOU. |
410 | 00:26:44,770 | 00:26:48,870 | POOR TINY THING. | POOR TINY THING. |
411 | 00:26:48,900 | 00:26:51,770 | SHE WANTS YOU TO LISTEN TO HER, | SHE WANTS YOU TO LISTEN TO HER, |
412 | 00:26:51,810 | 00:26:54,840 | TO WATCH FOR HER SIGNS. | TO WATCH FOR HER SIGNS. |
413 | 00:26:54,880 | 00:26:57,910 | OH, I DO TRY. | OH, I DO TRY. |
414 | 00:26:57,950 | 00:27:00,880 | DO YOU KNOW WHAT SHE WANTS? | DO YOU KNOW WHAT SHE WANTS? |
415 | 00:27:00,920 | 00:27:02,980 | SHE'LL TELL ME. | SHE'LL TELL ME. |
416 | 00:27:03,020 | 00:27:06,520 | I PROMISE YOU. | I PROMISE YOU. |
417 | 00:27:06,550 | 00:27:08,190 | SHE'LL TELL ME. | SHE'LL TELL ME. |
418 | 00:27:08,220 | 00:27:10,890 | [ EXHALES HAPPILY ] | [ EXHALES HAPPILY ] |
419 | 00:27:10,930 | 00:27:12,930 | NOW REST. | NOW REST. |
420 | 00:27:12,960 | 00:27:15,060 | SHE'LL GIVE US A SIGN. | SHE'LL GIVE US A SIGN. |
421 | 00:27:15,100 | 00:27:17,260 | I PROMISE YOU. | I PROMISE YOU. |
422 | 00:27:17,300 | 00:27:19,730 | Shh. | Shh. |
423 | 00:27:27,940 | 00:27:32,210 | [ DOOR OPENS, CLOSES ] | [ DOOR OPENS, CLOSES ] |
424 | 00:28:33,710 | 00:28:36,210 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
425 | 00:28:45,850 | 00:28:48,350 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
426 | 00:29:37,140 | 00:29:39,840 | [ TOY WHIRRING ] | [ TOY WHIRRING ] |
427 | 00:29:42,240 | 00:29:44,040 | [ WHIRRING STOPS ] | [ WHIRRING STOPS ] |
428 | 00:30:06,330 | 00:30:07,800 | [ BALL THUDS ] [ GASPS ] | [ BALL THUDS ] [ GASPS ] |
429 | 00:30:07,840 | 00:30:10,340 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
430 | 00:30:24,820 | 00:30:27,490 | [ TOY WHIRRING ] | [ TOY WHIRRING ] |
431 | 00:30:31,260 | 00:30:33,760 | [ WHIRRING STOPS ] | [ WHIRRING STOPS ] |
432 | 00:30:33,790 | 00:30:34,990 | [ WHIRRING RESUMES ] | [ WHIRRING RESUMES ] |
433 | 00:30:35,030 | 00:30:36,230 | [ WHIRRING STOPS ] | [ WHIRRING STOPS ] |
434 | 00:30:40,000 | 00:30:42,870 | [ WHIRRING RESUMES ] | [ WHIRRING RESUMES ] |
435 | 00:30:52,080 | 00:30:54,580 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
436 | 00:31:12,470 | 00:31:15,170 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
437 | 00:31:23,910 | 00:31:25,940 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
438 | 00:31:28,920 | 00:31:30,920 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
439 | 00:31:42,330 | 00:31:44,300 | ARE YOU LOST? | ARE YOU LOST? |
440 | 00:31:46,030 | 00:31:47,470 | NO. ARE YOU? | NO. ARE YOU? |
441 | 00:31:47,500 | 00:31:51,000 | I THINK YOU'LL FIND THAT YOU'RE IN QUITE THE WRONG PART | I THINK YOU'LL FIND THAT YOU'RE IN QUITE THE WRONG PART |
442 | 00:31:51,040 | 00:31:53,340 | OF CASTLE HALORAN TO FIND YOUR ROOM. | OF CASTLE HALORAN TO FIND YOUR ROOM. |
443 | 00:31:53,370 | 00:31:56,280 | GOOD NIGHT, LOUISE. | GOOD NIGHT, LOUISE. |
444 | 00:32:00,150 | 00:32:01,550 | GOOD NIGHT. | GOOD NIGHT. |
445 | 00:32:09,260 | 00:32:11,320 | [ SUSPENSEFUL MUSIC PLAYING ] | [ SUSPENSEFUL MUSIC PLAYING ] |
446 | 00:32:11,360 | 00:32:14,230 | [ FROGS CROAKING ] | [ FROGS CROAKING ] |
447 | 00:34:38,510 | 00:34:42,740 | [ SUSPENSEFUL MUSIC CLIMAXES ] | [ SUSPENSEFUL MUSIC CLIMAXES ] |
448 | 00:34:42,780 | 00:34:45,580 | AAH! | AAH! |
449 | 00:34:53,490 | 00:34:54,790 | [ GASPS ] | [ GASPS ] |
450 | 00:34:54,820 | 00:34:58,360 | [ SCREAMING ] | [ SCREAMING ] |
451 | 00:35:12,440 | 00:35:16,070 | [ GASPING ] | [ GASPING ] |
452 | 00:35:29,490 | 00:35:32,160 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
453 | 00:36:05,260 | 00:36:08,530 | CONSIDER YOUR MIND AS A BIRD IN YOUR HAND. | CONSIDER YOUR MIND AS A BIRD IN YOUR HAND. |
454 | 00:36:08,560 | 00:36:12,060 | WHEN IT'S RELAXED, IT LIES QUIET AND EASY. | WHEN IT'S RELAXED, IT LIES QUIET AND EASY. |
455 | 00:36:12,100 | 00:36:14,800 | BUT WHEN IT'S TENSE AND FRIGHTENED, | BUT WHEN IT'S TENSE AND FRIGHTENED, |
456 | 00:36:14,840 | 00:36:17,570 | IT STRAINS TO LEAVE YOU. | IT STRAINS TO LEAVE YOU. |
457 | 00:36:24,140 | 00:36:26,810 | QUITE A SIMPLE PRINCIPLE, ISN'T IT? | QUITE A SIMPLE PRINCIPLE, ISN'T IT? |
458 | 00:36:26,850 | 00:36:29,780 | YOU'RE ENGAGED TO TREAT MY BODY, | YOU'RE ENGAGED TO TREAT MY BODY, |
459 | 00:36:29,820 | 00:36:31,150 | NOT MY MIND. | NOT MY MIND. |
460 | 00:36:31,190 | 00:36:32,350 | NOW, DON'T YOU TRY TO SEPARATE | NOW, DON'T YOU TRY TO SEPARATE |
461 | 00:36:32,390 | 00:36:34,090 | THAT WHICH NATURE HAS JOINED. | THAT WHICH NATURE HAS JOINED. |
462 | 00:36:34,120 | 00:36:36,190 | WHAT I'M TRYING TO SAY IS THIS, | WHAT I'M TRYING TO SAY IS THIS, |
463 | 00:36:36,220 | 00:36:38,220 | THAT EVERY YEAR AT THIS TIME, | THAT EVERY YEAR AT THIS TIME, |
464 | 00:36:38,260 | 00:36:41,130 | YOU WORK YOURSELF TOWARD A POINT OF HYSTERIA. | YOU WORK YOURSELF TOWARD A POINT OF HYSTERIA. |
465 | 00:36:41,160 | 00:36:43,500 | YOU REMEMBER, YOU WORRY, YOU IMAGINE, | YOU REMEMBER, YOU WORRY, YOU IMAGINE, |
466 | 00:36:43,530 | 00:36:46,130 | AND THEN YOU COLLAPSE. | AND THEN YOU COLLAPSE. |
467 | 00:36:46,170 | 00:36:48,770 | I JUST CAN'T BELIEVE THAT SUCH A PUNCTUAL CYCLE | I JUST CAN'T BELIEVE THAT SUCH A PUNCTUAL CYCLE |
468 | 00:36:48,800 | 00:36:50,500 | IS PHYSIOLOGICAL. | IS PHYSIOLOGICAL. |
469 | 00:36:50,540 | 00:36:54,840 | ASIDE FROM ALL THIS, AM I WELL? | ASIDE FROM ALL THIS, AM I WELL? |
470 | 00:36:54,880 | 00:36:57,480 | ASIDE FROM ALL THIS? | ASIDE FROM ALL THIS? |
471 | 00:36:57,510 | 00:36:59,240 | OH, YES. | OH, YES. |
472 | 00:36:59,280 | 00:37:04,750 | WHAT I WANT YOU TO DO IS TO REST AND TO RELAX YOUR MIND. | WHAT I WANT YOU TO DO IS TO REST AND TO RELAX YOUR MIND. |
473 | 00:37:04,790 | 00:37:07,690 | REMEMBER THE, UH, BIRD IN YOUR HAND. | REMEMBER THE, UH, BIRD IN YOUR HAND. |
474 | 00:37:10,620 | 00:37:12,390 | [ KNOCK ON DOOR ] | [ KNOCK ON DOOR ] |
475 | 00:37:12,430 | 00:37:13,690 | COME IN. | COME IN. |
476 | 00:37:16,800 | 00:37:19,160 | WILL YOU BRING A SUMMER DRESS FOR MADAM, | WILL YOU BRING A SUMMER DRESS FOR MADAM, |
477 | 00:37:19,200 | 00:37:21,300 | SOMETHING YOUTHFUL AND CHEERFUL, | SOMETHING YOUTHFUL AND CHEERFUL, |
478 | 00:37:21,340 | 00:37:24,540 | SO THAT WE CAN HAVE LUNCH ON THE TERRACE? | SO THAT WE CAN HAVE LUNCH ON THE TERRACE? |
479 | 00:37:24,570 | 00:37:26,810 | AND MY DAUGHTER-IN-LAW -- LOUISE? | AND MY DAUGHTER-IN-LAW -- LOUISE? |
480 | 00:37:26,840 | 00:37:28,740 | Lillian: SHE ISN'T IN HER ROOM. | Lillian: SHE ISN'T IN HER ROOM. |
481 | 00:37:28,780 | 00:37:30,140 | I DON'T THINK SHE SLEPT THERE LAST NIGHT, | I DON'T THINK SHE SLEPT THERE LAST NIGHT, |
482 | 00:37:30,180 | 00:37:31,540 | IF YOU WERE TO ASK ME. | IF YOU WERE TO ASK ME. |
483 | 00:37:31,580 | 00:37:33,750 | YEAH, BUT NOBODY'S ASKING YOU, LITTLE GIRL. | YEAH, BUT NOBODY'S ASKING YOU, LITTLE GIRL. |
484 | 00:37:33,780 | 00:37:35,410 | NOW HURRY UP WITH THE LUNCH, | NOW HURRY UP WITH THE LUNCH, |
485 | 00:37:35,450 | 00:37:37,520 | OR I'LL WISH FIVE YEARS OF SPINSTERHOOD ON YOU. | OR I'LL WISH FIVE YEARS OF SPINSTERHOOD ON YOU. |
486 | 00:37:37,550 | 00:37:39,920 | I MUST KNOW WHERE LOUISE IS. | I MUST KNOW WHERE LOUISE IS. |
487 | 00:37:39,950 | 00:37:41,690 | I'VE NEVER NOTICED THIS INTEREST | I'VE NEVER NOTICED THIS INTEREST |
488 | 00:37:41,720 | 00:37:43,420 | IN YOUR DAUGHTER-IN-LAW BEFORE. | IN YOUR DAUGHTER-IN-LAW BEFORE. |
489 | 00:37:43,460 | 00:37:45,760 | WILL YOU PLEASE FIND HER, LILLIAN? | WILL YOU PLEASE FIND HER, LILLIAN? |
490 | 00:37:45,790 | 00:37:47,160 | YES, MA'AM. | YES, MA'AM. |
491 | 00:37:47,190 | 00:37:50,300 | HER LADYSHIP'S SUMMER DRESS. | HER LADYSHIP'S SUMMER DRESS. |
492 | 00:37:50,330 | 00:37:52,400 | ANYTHING WILL DO. | ANYTHING WILL DO. |
493 | 00:37:58,840 | 00:38:00,870 | TELL HER I MUST SEE HER. | TELL HER I MUST SEE HER. |
494 | 00:38:00,910 | 00:38:02,340 | DO YOU UNDERSTAND? | DO YOU UNDERSTAND? |
495 | 00:38:16,460 | 00:38:17,860 | [ ENGINE SHUTS OFF ] | [ ENGINE SHUTS OFF ] |
496 | 00:38:17,890 | 00:38:20,760 | [ BIRDS CHIRPING ] | [ BIRDS CHIRPING ] |
497 | 00:38:26,200 | 00:38:27,770 | EXCUSE ME, MR. HALORAN. | EXCUSE ME, MR. HALORAN. |
498 | 00:38:27,800 | 00:38:31,300 | THE MISTRESS SENT ME TO FIND YOUR SISTER-IN-LAW, LOUISE. | THE MISTRESS SENT ME TO FIND YOUR SISTER-IN-LAW, LOUISE. |
499 | 00:38:31,340 | 00:38:33,270 | HAVE YOU SEEN HER, SIR? I'M SORRY, LILLIAN. | HAVE YOU SEEN HER, SIR? I'M SORRY, LILLIAN. |
500 | 00:38:33,310 | 00:38:34,640 | WE LEFT PRETTY EARLY THIS MORNING. | WE LEFT PRETTY EARLY THIS MORNING. |
501 | 00:38:34,680 | 00:38:35,840 | SHE'S NOT IN HER ROOM? | SHE'S NOT IN HER ROOM? |
502 | 00:38:35,880 | 00:38:36,940 | NO, SIR. | NO, SIR. |
503 | 00:38:36,980 | 00:38:38,380 | HER ROOM WASN'T EVEN SLEPT IN. | HER ROOM WASN'T EVEN SLEPT IN. |
504 | 00:38:38,410 | 00:38:39,710 | TRY ASKING MY BROTHER. | TRY ASKING MY BROTHER. |
505 | 00:38:39,750 | 00:38:40,950 | YES, SIR. | YES, SIR. |
506 | 00:38:40,980 | 00:38:42,350 | LUNCHEON IS SERVED ON THE TERRACE. | LUNCHEON IS SERVED ON THE TERRACE. |
507 | 00:38:42,380 | 00:38:44,550 | THANK YOU. I WONDER WHERE SHE IS. | THANK YOU. I WONDER WHERE SHE IS. |
508 | 00:38:44,580 | 00:38:45,850 | I DON'T KNOW. | I DON'T KNOW. |
509 | 00:38:59,730 | 00:39:01,370 | ASK ME WHAT I DID TODAY. | ASK ME WHAT I DID TODAY. |
510 | 00:39:01,400 | 00:39:03,270 | [ CHUCKLES ] RIGHT. WHAT DID YOU DO TODAY? | [ CHUCKLES ] RIGHT. WHAT DID YOU DO TODAY? |
511 | 00:39:03,300 | 00:39:04,540 | NOTHING. ASK ME WHY. | NOTHING. ASK ME WHY. |
512 | 00:39:04,570 | 00:39:05,800 | WHY? | WHY? |
513 | 00:39:05,840 | 00:39:07,940 | BECAUSE YOU WEREN'T THERE. | BECAUSE YOU WEREN'T THERE. |
514 | 00:39:07,970 | 00:39:10,310 | I THOUGHT YOU WERE GOING TO WORK. | I THOUGHT YOU WERE GOING TO WORK. |
515 | 00:39:10,340 | 00:39:12,340 | IF YOU'RE GOING TO BE MY WIFE, | IF YOU'RE GOING TO BE MY WIFE, |
516 | 00:39:12,380 | 00:39:15,480 | YOU'LL HAVE TO BE OF THE TRUSTING, SILENT VARIETY. | YOU'LL HAVE TO BE OF THE TRUSTING, SILENT VARIETY. |
517 | 00:39:16,820 | 00:39:17,980 | HEY, RICHARD, YOU SEEN LOUISE? | HEY, RICHARD, YOU SEEN LOUISE? |
518 | 00:39:18,020 | 00:39:19,850 | UH, NO, I HAVEN'T. WHY? | UH, NO, I HAVEN'T. WHY? |
519 | 00:39:19,890 | 00:39:21,690 | I DON'T KNOW. MOTHER'S LOOKING FOR HER. | I DON'T KNOW. MOTHER'S LOOKING FOR HER. |
520 | 00:39:21,720 | 00:39:24,420 | OH, IS THAT CALEB? | OH, IS THAT CALEB? |
521 | 00:39:24,460 | 00:39:25,690 | HE'S BACK. | HE'S BACK. |
522 | 00:39:29,530 | 00:39:31,530 | GOOD AFTERNOON, MOTHER. | GOOD AFTERNOON, MOTHER. |
523 | 00:39:31,570 | 00:39:32,860 | GOOD MORNING, CALEB. | GOOD MORNING, CALEB. |
524 | 00:39:32,900 | 00:39:34,900 | HOW ARE YOU, RICHARD? | HOW ARE YOU, RICHARD? |
525 | 00:39:34,940 | 00:39:37,000 | I'M FINE, CALEB. | I'M FINE, CALEB. |
526 | 00:39:37,040 | 00:39:39,400 | AND NO MORE HEADACHES, I TRUST? | AND NO MORE HEADACHES, I TRUST? |
527 | 00:39:39,440 | 00:39:41,570 | UNPLEASANT THINGS, HEADACHES, | UNPLEASANT THINGS, HEADACHES, |
528 | 00:39:41,610 | 00:39:45,310 | GNAWING AWAY AT A MAN'S MOST VALUABLE POSSESSION. | GNAWING AWAY AT A MAN'S MOST VALUABLE POSSESSION. |
529 | 00:39:45,350 | 00:39:47,750 | AND CONGRATULATIONS ON YOUR CHARMING FIANCéE. | AND CONGRATULATIONS ON YOUR CHARMING FIANCéE. |
530 | 00:39:49,550 | 00:39:50,880 | LILLIAN. | LILLIAN. |
531 | 00:39:50,920 | 00:39:52,850 | PATRICK HASN'T SEEN HER, MA'AM, | PATRICK HASN'T SEEN HER, MA'AM, |
532 | 00:39:52,890 | 00:39:55,020 | AND ARTHUR SAYS THAT NONE OF THE CARS | AND ARTHUR SAYS THAT NONE OF THE CARS |
533 | 00:39:55,060 | 00:39:56,620 | EXCEPT MASTER BILLY'S HAS BEEN USED. | EXCEPT MASTER BILLY'S HAS BEEN USED. |
534 | 00:39:56,660 | 00:39:58,760 | HAVE YOU COUNTED THE SILVER? | HAVE YOU COUNTED THE SILVER? |
535 | 00:39:58,790 | 00:40:00,890 | PROBABLY THE MOST ASTUTE DIAGNOSE | PROBABLY THE MOST ASTUTE DIAGNOSE |
536 | 00:40:00,930 | 00:40:02,630 | YOU'VE EVER MADE, CALEB. | YOU'VE EVER MADE, CALEB. |
537 | 00:40:02,660 | 00:40:05,300 | YOU'RE ALL BEING RIDICULOUS. | YOU'RE ALL BEING RIDICULOUS. |
538 | 00:40:05,330 | 00:40:07,430 | [ WATER BUBBLING ] | [ WATER BUBBLING ] |
539 | 00:40:10,040 | 00:40:11,940 | KATHLEEN? | KATHLEEN? |
540 | 00:40:39,570 | 00:40:41,930 | THE TIARA. | THE TIARA. |
541 | 00:40:41,970 | 00:40:44,800 | SHE WANTS THE TIARA. | SHE WANTS THE TIARA. |
542 | 00:40:44,840 | 00:40:48,110 | DOLLS? | DOLLS? |
543 | 00:40:48,140 | 00:40:50,840 | NOW, THIS IS RIDICULOUS. | NOW, THIS IS RIDICULOUS. |
544 | 00:40:54,210 | 00:40:55,910 | PUT IT AWAY. | PUT IT AWAY. |
545 | 00:40:55,950 | 00:40:57,980 | PROBABLY BELONGS TO THE GARDENER'S CHILD. | PROBABLY BELONGS TO THE GARDENER'S CHILD. |
546 | 00:40:58,020 | 00:41:02,090 | NOW, THIS IS VERY BAD FOR YOUR MOTHER. | NOW, THIS IS VERY BAD FOR YOUR MOTHER. |
547 | 00:41:02,120 | 00:41:03,860 | THEY'RE KATHLEEN'S DOLLS. | THEY'RE KATHLEEN'S DOLLS. |
548 | 00:41:03,890 | 00:41:06,460 | I SAW THEM FLOAT UP FROM THE BOTTOM OF THE POND. | I SAW THEM FLOAT UP FROM THE BOTTOM OF THE POND. |
549 | 00:41:06,490 | 00:41:09,730 | ONE OF YOU HAS A BRILLIANTLY IMAGINATIVE | ONE OF YOU HAS A BRILLIANTLY IMAGINATIVE |
550 | 00:41:09,760 | 00:41:11,500 | AND SADISTICALLY EFFECTIVE MIND. | AND SADISTICALLY EFFECTIVE MIND. |
551 | 00:41:11,530 | 00:41:12,930 | I WISH I COULD KEEP UP WITH IT. | I WISH I COULD KEEP UP WITH IT. |
552 | 00:41:12,970 | 00:41:17,500 | DR. CALEB, TAKE THIS HOME AND STUDY IT! | DR. CALEB, TAKE THIS HOME AND STUDY IT! |
553 | 00:41:20,440 | 00:41:22,870 | FISH THE REST OF THEM OUT. BURN THEM. | FISH THE REST OF THEM OUT. BURN THEM. |
554 | 00:41:38,630 | 00:41:40,090 | [ WATER BUBBLES ] | [ WATER BUBBLES ] |
555 | 00:41:59,980 | 00:42:02,050 | ARE YOU GONNA POUND IT ALL OUT | ARE YOU GONNA POUND IT ALL OUT |
556 | 00:42:02,080 | 00:42:03,980 | ON THAT ONE LITTLE PIECE OF METAL? | ON THAT ONE LITTLE PIECE OF METAL? |
557 | 00:42:04,020 | 00:42:06,750 | [ SIGHS ] I DON'T KNOW. | [ SIGHS ] I DON'T KNOW. |
558 | 00:42:06,790 | 00:42:09,590 | YOU KNOW, SOMETIMES I GET THE FEELING | YOU KNOW, SOMETIMES I GET THE FEELING |
559 | 00:42:09,620 | 00:42:11,920 | YOU THINK I'M SOME SORT OF A CHRISTMAS-TREE DECORATION. | YOU THINK I'M SOME SORT OF A CHRISTMAS-TREE DECORATION. |
560 | 00:42:11,960 | 00:42:15,060 | HANG ME UP AND LOOK AT ME ON ALL THE HAPPY DAYS, | HANG ME UP AND LOOK AT ME ON ALL THE HAPPY DAYS, |
561 | 00:42:15,100 | 00:42:17,060 | AND TIE ME UP IN A BOX AND PUT ME IN A CLOSET | AND TIE ME UP IN A BOX AND PUT ME IN A CLOSET |
562 | 00:42:17,100 | 00:42:18,730 | WHEN IT GETS GLOOMY. | WHEN IT GETS GLOOMY. |
563 | 00:42:18,770 | 00:42:20,060 | YOU KNEW WHAT I WAS LIKE. | YOU KNEW WHAT I WAS LIKE. |
564 | 00:42:20,100 | 00:42:22,630 | OH, YES, I KNEW YOU WERE QUIET, | OH, YES, I KNEW YOU WERE QUIET, |
565 | 00:42:22,670 | 00:42:24,440 | BUT WHEN WE FIRST MET, | BUT WHEN WE FIRST MET, |
566 | 00:42:24,470 | 00:42:26,440 | I COULD SIT NEXT TO YOU IN THAT LITTLE APARTMENT, | I COULD SIT NEXT TO YOU IN THAT LITTLE APARTMENT, |
567 | 00:42:26,470 | 00:42:28,870 | WATCHING YOU WORKING AND THINKING FOR HOURS. | WATCHING YOU WORKING AND THINKING FOR HOURS. |
568 | 00:42:28,910 | 00:42:32,010 | IT'S THIS PLACE. YOU KNOW IT IS. | IT'S THIS PLACE. YOU KNOW IT IS. |
569 | 00:42:32,050 | 00:42:33,810 | WHAT DO YOU WANT ME TO SAY? | WHAT DO YOU WANT ME TO SAY? |
570 | 00:42:33,850 | 00:42:36,210 | NOTHING. | NOTHING. |
571 | 00:42:36,250 | 00:42:37,750 | KANE. | KANE. |
572 | 00:42:40,090 | 00:42:41,550 | BELIEVE ME -- I AM SORRY. | BELIEVE ME -- I AM SORRY. |
573 | 00:42:41,590 | 00:42:45,220 | I DON'T CARE WHETHER YOU'RE SORRY OR NOT. | I DON'T CARE WHETHER YOU'RE SORRY OR NOT. |
574 | 00:42:45,260 | 00:42:46,790 | [ EXHALES SHARPLY ] | [ EXHALES SHARPLY ] |
575 | 00:42:46,830 | 00:42:48,190 | OH, RICHARD, | OH, RICHARD, |
576 | 00:42:48,230 | 00:42:49,860 | RICHARD, I KNOW THERE ARE A LOT OF THINGS | RICHARD, I KNOW THERE ARE A LOT OF THINGS |
577 | 00:42:49,900 | 00:42:51,200 | RUNNING AROUND IN THAT BEAUTIFUL HEAD OF YOURS. | RUNNING AROUND IN THAT BEAUTIFUL HEAD OF YOURS. |
578 | 00:42:51,230 | 00:42:54,500 | I KNOW THAT ONE OF THEM IS YOU LOVE ME. | I KNOW THAT ONE OF THEM IS YOU LOVE ME. |
579 | 00:42:54,530 | 00:42:55,900 | OF COURSE I LOVE YOU. | OF COURSE I LOVE YOU. |
580 | 00:42:57,940 | 00:43:00,540 | BUT YOU MUST UNDERSTAND. | BUT YOU MUST UNDERSTAND. |
581 | 00:43:00,570 | 00:43:02,240 | EVER SINCE KATHLEEN DIED, | EVER SINCE KATHLEEN DIED, |
582 | 00:43:02,280 | 00:43:05,040 | MY MOTHER'S BEEN RUNNING AROUND WITH SOME SORT OF CRAZY GUILT, | MY MOTHER'S BEEN RUNNING AROUND WITH SOME SORT OF CRAZY GUILT, |
583 | 00:43:05,080 | 00:43:07,110 | LOOKING TO EVERY ONE OF US, | LOOKING TO EVERY ONE OF US, |
584 | 00:43:07,150 | 00:43:09,850 | TRYING TO PUT IT ON ONE OF OUR HEADS. | TRYING TO PUT IT ON ONE OF OUR HEADS. |
585 | 00:43:09,880 | 00:43:13,220 | BILLY WAS ONLY 13, TWO MONTHS AFTER IT HAPPENED. | BILLY WAS ONLY 13, TWO MONTHS AFTER IT HAPPENED. |
586 | 00:43:13,250 | 00:43:15,050 | HE USED TO WAKE UP IN THE MIDDLE OF THE NIGHT | HE USED TO WAKE UP IN THE MIDDLE OF THE NIGHT |
587 | 00:43:15,090 | 00:43:16,750 | AND COME SCREAMING INTO MY ROOM | AND COME SCREAMING INTO MY ROOM |
588 | 00:43:16,790 | 00:43:18,520 | BECAUSE HE HAD NIGHTMARES ABOUT HER. | BECAUSE HE HAD NIGHTMARES ABOUT HER. |
589 | 00:43:18,560 | 00:43:23,490 | MY OWN FATHER DIED WITH HIS WIFE REFUSING TO SEE HIM. | MY OWN FATHER DIED WITH HIS WIFE REFUSING TO SEE HIM. |
590 | 00:43:23,530 | 00:43:26,200 | NOW I FEEL IT'S BEEN PASSED ON TO ME. | NOW I FEEL IT'S BEEN PASSED ON TO ME. |
591 | 00:43:26,230 | 00:43:27,730 | I'VE GOT TO WAIT, | I'VE GOT TO WAIT, |
592 | 00:43:27,770 | 00:43:30,100 | AND I'VE GOT TO WATCH | AND I'VE GOT TO WATCH |
593 | 00:43:30,140 | 00:43:33,140 | TILL I CAN MAKE SOME SENSE OUT OF ALL THIS. | TILL I CAN MAKE SOME SENSE OUT OF ALL THIS. |
594 | 00:43:34,940 | 00:43:37,080 | THAT LEAVES IT UP TO YOU TO DECIDE | THAT LEAVES IT UP TO YOU TO DECIDE |
595 | 00:43:37,110 | 00:43:38,940 | WHETHER YOU WANT TO SIT AND WAIT WITH ME. | WHETHER YOU WANT TO SIT AND WAIT WITH ME. |
596 | 00:43:42,850 | 00:43:44,080 | [ STOOL THUDS ] | [ STOOL THUDS ] |
597 | 00:43:59,630 | 00:44:02,300 | [ INSECTS CHIRPING ] | [ INSECTS CHIRPING ] |
598 | 00:44:17,920 | 00:44:19,020 | [ GUNSHOTS ] | [ GUNSHOTS ] |
599 | 00:45:02,700 | 00:45:04,230 | [ RUSTLING ] | [ RUSTLING ] |
600 | 00:45:49,440 | 00:45:51,410 | [ RUSTLING ] | [ RUSTLING ] |
601 | 00:45:53,780 | 00:45:56,780 | [ BIRDS CHIRPING, FROGS CROAKING ] | [ BIRDS CHIRPING, FROGS CROAKING ] |
602 | 00:46:24,040 | 00:46:25,180 | [ WATER SPLASHES ] | [ WATER SPLASHES ] |
603 | 00:46:25,210 | 00:46:27,080 | [ FROG CROAKS ] | [ FROG CROAKS ] |
604 | 00:46:43,930 | 00:46:45,100 | [ RUSTLING ] | [ RUSTLING ] |
605 | 00:46:53,270 | 00:46:55,840 | [ TWIG SNAPS ] | [ TWIG SNAPS ] |
606 | 00:47:24,970 | 00:47:26,040 | [ OWL SCREECHES ] | [ OWL SCREECHES ] |
607 | 00:47:26,070 | 00:47:28,240 | [ WINGS FLAP ] | [ WINGS FLAP ] |
608 | 00:47:50,930 | 00:47:53,800 | [ DRAMATIC MUSIC PLAYING ] | [ DRAMATIC MUSIC PLAYING ] |
609 | 00:48:04,810 | 00:48:07,480 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
610 | 00:48:23,900 | 00:48:26,230 | [ WATER BUBBLING ] | [ WATER BUBBLING ] |
611 | 00:48:42,180 | 00:48:45,350 | WHAT DO YOU THINK OF THE POND, ARTHUR? | WHAT DO YOU THINK OF THE POND, ARTHUR? |
612 | 00:48:45,390 | 00:48:48,090 | I DON'T UNDERSTAND, SIR. | I DON'T UNDERSTAND, SIR. |
613 | 00:48:48,120 | 00:48:49,550 | OF COURSE NOT. | OF COURSE NOT. |
614 | 00:48:49,590 | 00:48:51,420 | HOW LONG WOULD IT TAKE YOU TO DRAIN IT? | HOW LONG WOULD IT TAKE YOU TO DRAIN IT? |
615 | 00:48:51,460 | 00:48:53,020 | WELL, I DON'T KNOW, SIR. | WELL, I DON'T KNOW, SIR. |
616 | 00:48:53,060 | 00:48:54,990 | I'VE NEVER DRAINED IT BEFORE, | I'VE NEVER DRAINED IT BEFORE, |
617 | 00:48:55,030 | 00:48:56,930 | AND I DON'T KNOW THAT I'D DRAIN IT PROPERLY. | AND I DON'T KNOW THAT I'D DRAIN IT PROPERLY. |
618 | 00:48:56,960 | 00:49:01,030 | THERE ARE THREE GEAR CHANNEL DOORS ON THE POND. | THERE ARE THREE GEAR CHANNEL DOORS ON THE POND. |
619 | 00:49:01,070 | 00:49:02,400 | OPEN THEM. | OPEN THEM. |
620 | 00:49:04,900 | 00:49:07,270 | IF I WAS YOU, I'D SAVE THAT UP FOR A VISIT TO MY OFFICE. | IF I WAS YOU, I'D SAVE THAT UP FOR A VISIT TO MY OFFICE. |
621 | 00:49:07,310 | 00:49:08,510 | YOU'RE LOSING WEIGHT. | YOU'RE LOSING WEIGHT. |
622 | 00:49:08,540 | 00:49:11,140 | SKIN'S PALE. | SKIN'S PALE. |
623 | 00:49:18,420 | 00:49:21,120 | [ METAL SCREECHING ] | [ METAL SCREECHING ] |
624 | 00:49:36,340 | 00:49:39,600 | SHE ALWAYS LOVED THE TIARA. | SHE ALWAYS LOVED THE TIARA. |
625 | 00:49:39,640 | 00:49:42,110 | I WANTED TO PUT IT IN HER COFFIN. | I WANTED TO PUT IT IN HER COFFIN. |
626 | 00:49:42,140 | 00:49:45,140 | THEY WOULDN'T LET ME. | THEY WOULDN'T LET ME. |
627 | 00:49:45,180 | 00:49:47,350 | I'LL BRING IT TO HER PLAYHOUSE | I'LL BRING IT TO HER PLAYHOUSE |
628 | 00:49:47,380 | 00:49:50,210 | AND PUT IT WITH HER OTHER THINGS. | AND PUT IT WITH HER OTHER THINGS. |
629 | 00:50:23,620 | 00:50:25,420 | [ DOOR CREAKS ] | [ DOOR CREAKS ] |
630 | 00:50:25,450 | 00:50:27,990 | [ LOCK CLICKS ] | [ LOCK CLICKS ] |
631 | 00:50:40,000 | 00:50:42,170 | THE TIARA. | THE TIARA. |
632 | 00:50:45,410 | 00:50:47,410 | YOU WANT THE TIARA. | YOU WANT THE TIARA. |
633 | 00:50:58,120 | 00:51:00,080 | AAH! | AAH! |
634 | 00:51:00,120 | 00:51:02,220 | [ AX SLAMS ] | [ AX SLAMS ] |
635 | 00:51:02,260 | 00:51:03,550 | AAH! | AAH! |
636 | 00:51:18,000 | 00:51:20,200 | [ SCREAMING ] | [ SCREAMING ] |
637 | 00:51:36,290 | 00:51:40,090 | [ BREATHING HEAVILY ] | [ BREATHING HEAVILY ] |
638 | 00:52:02,320 | 00:52:03,710 | RICHARD! | RICHARD! |
639 | 00:52:03,750 | 00:52:06,250 | RICHARD, PLEASE COME! | RICHARD, PLEASE COME! |
640 | 00:52:06,290 | 00:52:09,590 | SOMEBODY, PLEASE COME! | SOMEBODY, PLEASE COME! |
641 | 00:52:09,620 | 00:52:12,420 | LILLIAN, CALL THE DOCTOR. | LILLIAN, CALL THE DOCTOR. |
642 | 00:52:12,460 | 00:52:13,660 | WILL IT BE DR. CALEB? | WILL IT BE DR. CALEB? |
643 | 00:52:13,690 | 00:52:17,330 | ANYBODY. AND GET RICHARD HERE. | ANYBODY. AND GET RICHARD HERE. |
644 | 00:52:25,400 | 00:52:27,100 | RICHARD! | RICHARD! |
645 | 00:52:27,140 | 00:52:29,210 | HURRY. | HURRY. |
646 | 00:52:33,580 | 00:52:35,550 | STILL BREATHING. | STILL BREATHING. |
647 | 00:52:45,590 | 00:52:47,830 | [ BREATHING HEAVILY ] | [ BREATHING HEAVILY ] |
648 | 00:52:47,860 | 00:52:49,690 | LET'S GET HER INTO THE HOUSE. | LET'S GET HER INTO THE HOUSE. |
649 | 00:53:27,270 | 00:53:28,870 | WHY DON'T YOU GO TO BED, BILLY? | WHY DON'T YOU GO TO BED, BILLY? |
650 | 00:53:28,900 | 00:53:31,400 | I WILL IN A MINUTE. | I WILL IN A MINUTE. |
651 | 00:53:31,440 | 00:53:34,470 | YOU'RE GONNA GET ALL DEPRESSED SITTING HERE BY YOURSELF. | YOU'RE GONNA GET ALL DEPRESSED SITTING HERE BY YOURSELF. |
652 | 00:53:34,510 | 00:53:38,280 | DID YOU EVER SEE WHERE MY ROOM IS? | DID YOU EVER SEE WHERE MY ROOM IS? |
653 | 00:53:38,310 | 00:53:40,310 | YOU HAVE TO GO DOWN A CORRIDOR | YOU HAVE TO GO DOWN A CORRIDOR |
654 | 00:53:40,350 | 00:53:43,410 | WHERE NOBODY'S LIVED FOR THE PAST 50 YEARS, | WHERE NOBODY'S LIVED FOR THE PAST 50 YEARS, |
655 | 00:53:43,450 | 00:53:44,750 | THEN UP A FLIGHT OF STAIRS | THEN UP A FLIGHT OF STAIRS |
656 | 00:53:44,780 | 00:53:46,720 | WHERE MY GREAT GRANDUNCLE OR SOMEBODY | WHERE MY GREAT GRANDUNCLE OR SOMEBODY |
657 | 00:53:46,750 | 00:53:49,150 | TRIPPED AND BROKE HIS NECK... | TRIPPED AND BROKE HIS NECK... |
658 | 00:53:49,190 | 00:53:51,920 | AND THEN PAST THE SPOT WHERE MY GRANDFATHER | AND THEN PAST THE SPOT WHERE MY GRANDFATHER |
659 | 00:53:51,960 | 00:53:53,660 | DIED OF A HEART ATTACK. | DIED OF A HEART ATTACK. |
660 | 00:53:55,930 | 00:53:57,900 | I'D RATHER BE DEPRESSED HERE THAN IN THERE. | I'D RATHER BE DEPRESSED HERE THAN IN THERE. |
661 | 00:53:57,930 | 00:53:59,560 | POOR BILLY. | POOR BILLY. |
662 | 00:53:59,600 | 00:54:01,830 | NO WONDER YOU USED TO GET ALL THOSE NIGHTMARES. | NO WONDER YOU USED TO GET ALL THOSE NIGHTMARES. |
663 | 00:54:01,870 | 00:54:03,630 | USED TO? I STILL GET THEM. | USED TO? I STILL GET THEM. |
664 | 00:54:03,670 | 00:54:05,870 | WHAT ARE THEY LIKE? ARE THEY TERRIBLE? | WHAT ARE THEY LIKE? ARE THEY TERRIBLE? |
665 | 00:54:05,910 | 00:54:09,140 | I DON'T KNOW. | I DON'T KNOW. |
666 | 00:54:09,180 | 00:54:12,610 | THEY'RE MORE STRANGE THAN TERRIBLE. | THEY'RE MORE STRANGE THAN TERRIBLE. |
667 | 00:54:15,250 | 00:54:19,220 | I'M ALWAYS A LITTLE BOY, AND I'M IN MY ROOM. | I'M ALWAYS A LITTLE BOY, AND I'M IN MY ROOM. |
668 | 00:54:19,250 | 00:54:20,750 | IT'S LATE. | IT'S LATE. |
669 | 00:54:20,790 | 00:54:26,760 | I HEAR SOMEBODY OUTSIDE MAKING A KIND OF A SCRAPING SOUND. | I HEAR SOMEBODY OUTSIDE MAKING A KIND OF A SCRAPING SOUND. |
670 | 00:54:26,790 | 00:54:31,600 | I GET OUT OF BED, LOOK OUT OF THE WINDOW, | I GET OUT OF BED, LOOK OUT OF THE WINDOW, |
671 | 00:54:31,630 | 00:54:34,530 | AND THERE'S A MAN CLIMBING UP THE WALL, | AND THERE'S A MAN CLIMBING UP THE WALL, |
672 | 00:54:34,570 | 00:54:37,270 | COMING CLOSER TOWARD MY WINDOW. | COMING CLOSER TOWARD MY WINDOW. |
673 | 00:54:37,300 | 00:54:38,500 | I YELL FOR MY MOTHER, | I YELL FOR MY MOTHER, |
674 | 00:54:38,540 | 00:54:39,970 | AND SHE COMES INTO THE ROOM | AND SHE COMES INTO THE ROOM |
675 | 00:54:40,010 | 00:54:42,870 | JUST AS THE MAN IS COMING IN THROUGH THE WINDOW. | JUST AS THE MAN IS COMING IN THROUGH THE WINDOW. |
676 | 00:54:42,910 | 00:54:47,310 | I HOLD ON TO HER LEGS, CRYING. | I HOLD ON TO HER LEGS, CRYING. |
677 | 00:54:47,350 | 00:54:50,750 | I'M SO SMALL I ONLY COME UP TO HER WAIST. | I'M SO SMALL I ONLY COME UP TO HER WAIST. |
678 | 00:54:53,320 | 00:54:54,690 | THE MAN IS IN THE SHADOWS. | THE MAN IS IN THE SHADOWS. |
679 | 00:54:54,720 | 00:54:57,420 | YOU CAN ALMOST RECOGNIZE HIM, BUT NOT REALLY. | YOU CAN ALMOST RECOGNIZE HIM, BUT NOT REALLY. |
680 | 00:54:57,460 | 00:55:02,490 | HE SAYS THAT HE'S INSANE | HE SAYS THAT HE'S INSANE |
681 | 00:55:02,530 | 00:55:06,200 | AND THAT SOMEONE ELSE IN THE ROOM IS INSANE ALSO | AND THAT SOMEONE ELSE IN THE ROOM IS INSANE ALSO |
682 | 00:55:06,230 | 00:55:09,530 | AND THAT HE'S GOING TO NOD HIS HEAD, | AND THAT HE'S GOING TO NOD HIS HEAD, |
683 | 00:55:09,570 | 00:55:10,870 | AND WHEN HE DOES, | AND WHEN HE DOES, |
684 | 00:55:10,900 | 00:55:13,500 | THAT OTHER INSANE PERSON WILL NOD THEIR HEAD. | THAT OTHER INSANE PERSON WILL NOD THEIR HEAD. |
685 | 00:55:17,240 | 00:55:20,240 | HE NODS... | HE NODS... |
686 | 00:55:20,280 | 00:55:24,850 | AND I LOOK UP AT MY MOTHER. | AND I LOOK UP AT MY MOTHER. |
687 | 00:55:24,880 | 00:55:28,990 | AND SHE'S NODDING HER HEAD. | AND SHE'S NODDING HER HEAD. |
688 | 00:55:29,020 | 00:55:30,550 | AND THEN... | AND THEN... |
689 | 00:55:30,590 | 00:55:35,530 | SHE STARTS LAUGHING AT ME. | SHE STARTS LAUGHING AT ME. |
690 | 00:55:35,560 | 00:55:39,960 | AND SHE PICKS ME UP IN HER ARMS, | AND SHE PICKS ME UP IN HER ARMS, |
691 | 00:55:40,000 | 00:55:42,600 | AND RUNS OUTSIDE AND... | AND RUNS OUTSIDE AND... |
692 | 00:55:42,640 | 00:55:45,540 | THROWS ME INTO THE POND. | THROWS ME INTO THE POND. |
693 | 00:55:45,570 | 00:55:49,340 | [ EXHALES SHARPLY ] | [ EXHALES SHARPLY ] |
694 | 00:55:49,380 | 00:55:53,440 | OH, BILLY, WE'VE ALL GOT TO GET OUT OF HERE. | OH, BILLY, WE'VE ALL GOT TO GET OUT OF HERE. |
695 | 00:55:53,480 | 00:55:55,650 | COME ON. GO TO BED. | COME ON. GO TO BED. |
696 | 00:55:55,680 | 00:55:57,680 | I'LL WALK YOU PAST ALL THOSE SPOOKY CORRIDORS. | I'LL WALK YOU PAST ALL THOSE SPOOKY CORRIDORS. |
697 | 00:55:57,720 | 00:55:59,780 | HURRY AND GET THERE BEFORE RICHARD THROWS US BOTH | HURRY AND GET THERE BEFORE RICHARD THROWS US BOTH |
698 | 00:55:59,820 | 00:56:01,320 | IN THE POND. | IN THE POND. |
699 | 00:56:03,320 | 00:56:04,620 | WHAT'S WRONG? | WHAT'S WRONG? |
700 | 00:56:04,660 | 00:56:06,420 | OH, NOTHING. | OH, NOTHING. |
701 | 00:56:06,460 | 00:56:07,960 | YOU JUST MADE ME REALIZE -- | YOU JUST MADE ME REALIZE -- |
702 | 00:56:07,990 | 00:56:11,930 | THE MAN IN MY DREAM WHO CLIMBS UP MY WALL IS RICHARD. | THE MAN IN MY DREAM WHO CLIMBS UP MY WALL IS RICHARD. |
703 | 00:56:11,960 | 00:56:13,660 | I'M SORRY. | I'M SORRY. |
704 | 00:56:13,700 | 00:56:16,570 | I JUST NEVER THOUGHT OF IT BEFORE. | I JUST NEVER THOUGHT OF IT BEFORE. |
705 | 00:56:16,600 | 00:56:18,770 | JUST A DREAM. | JUST A DREAM. |
706 | 00:56:22,580 | 00:56:24,440 | [ KNOCK ON DOOR ] | [ KNOCK ON DOOR ] |
707 | 00:56:24,480 | 00:56:26,810 | [ BIRDS CHIRPING ] | [ BIRDS CHIRPING ] |
708 | 00:56:32,950 | 00:56:34,320 | WHAT IS IT, ARTHUR? | WHAT IS IT, ARTHUR? |
709 | 00:56:34,350 | 00:56:35,550 | IS DR. CALEB IN? | IS DR. CALEB IN? |
710 | 00:56:35,590 | 00:56:37,690 | HE'S AT BREAKFAST. IS IT IMPORTANT? | HE'S AT BREAKFAST. IS IT IMPORTANT? |
711 | 00:56:37,720 | 00:56:38,990 | YES. | YES. |
712 | 00:56:39,020 | 00:56:41,060 | ALL RIGHT, THEN. | ALL RIGHT, THEN. |
713 | 00:56:41,090 | 00:56:42,930 | COME ON IN. | COME ON IN. |
714 | 00:56:52,140 | 00:56:55,010 | EXCUSE ME, BUT ARTHUR'S HERE. | EXCUSE ME, BUT ARTHUR'S HERE. |
715 | 00:56:55,040 | 00:56:57,610 | HE SAYS HE HAS SOMETHING IMPORTANT TO TELL YOU. | HE SAYS HE HAS SOMETHING IMPORTANT TO TELL YOU. |
716 | 00:57:00,680 | 00:57:01,880 | EXCUSE ME. | EXCUSE ME. |
717 | 00:57:07,890 | 00:57:09,050 | HELLO, ARTHUR. | HELLO, ARTHUR. |
718 | 00:57:09,090 | 00:57:12,020 | I DRAINED THE POND, LIKE YOU TOLD ME TO. | I DRAINED THE POND, LIKE YOU TOLD ME TO. |
719 | 00:57:16,830 | 00:57:20,860 | AND THERE'S SOMETHING THERE I THINK YOU'D WANT TO SEE. | AND THERE'S SOMETHING THERE I THINK YOU'D WANT TO SEE. |
720 | 00:57:20,900 | 00:57:22,700 | SHOW ME. | SHOW ME. |
721 | 00:57:27,540 | 00:57:29,370 | RICHARD? | RICHARD? |
722 | 00:57:35,480 | 00:57:37,510 | [ DOOR OPENS ] | [ DOOR OPENS ] |
723 | 00:58:04,910 | 00:58:07,680 | A SHRINE -- BEAUTIFULLY DONE. | A SHRINE -- BEAUTIFULLY DONE. |
724 | 00:58:07,710 | 00:58:11,350 | I NEVER SAW THAT BEFORE. | I NEVER SAW THAT BEFORE. |
725 | 00:58:11,380 | 00:58:16,490 | WHY, IT'S SKILLFULLY CARVED, I MUST SAY. | WHY, IT'S SKILLFULLY CARVED, I MUST SAY. |
726 | 00:58:16,520 | 00:58:18,860 | I WORK IN IRON. REMEMBER? | I WORK IN IRON. REMEMBER? |
727 | 00:58:18,890 | 00:58:21,530 | SIX YEARS AGO, YOU WORKED IN STONE. | SIX YEARS AGO, YOU WORKED IN STONE. |
728 | 00:58:21,560 | 00:58:24,830 | I NEVER DID THAT. | I NEVER DID THAT. |
729 | 00:58:24,860 | 00:58:26,830 | EVERY ONE OF US WORKED IN STONE. | EVERY ONE OF US WORKED IN STONE. |
730 | 00:58:26,870 | 00:58:28,670 | MY FATHER LOVED TEACHING US. | MY FATHER LOVED TEACHING US. |
731 | 00:58:28,700 | 00:58:31,440 | SOMEONE ELSE DID THAT. I DIDN'T. | SOMEONE ELSE DID THAT. I DIDN'T. |
732 | 00:58:31,470 | 00:58:35,670 | NO ONE ELSE PURSUED THIS INHERITED TALENT -- NOBODY. | NO ONE ELSE PURSUED THIS INHERITED TALENT -- NOBODY. |
733 | 00:58:35,710 | 00:58:37,610 | LEAVE HIM ALONE. | LEAVE HIM ALONE. |
734 | 00:58:37,640 | 00:58:40,010 | HE TOLD YOU BEFORE HE'S NEVER SEEN IT, AND HE MEANT IT. | HE TOLD YOU BEFORE HE'S NEVER SEEN IT, AND HE MEANT IT. |
735 | 00:58:40,050 | 00:58:41,650 | COME ON, RICHARD. LET'S GO. | COME ON, RICHARD. LET'S GO. |
736 | 00:58:41,680 | 00:58:43,080 | NO. | NO. |
737 | 00:58:43,120 | 00:58:44,480 | HE'S TRYING TO PLAY A GAME WITH ME. | HE'S TRYING TO PLAY A GAME WITH ME. |
738 | 00:58:44,520 | 00:58:45,850 | DON'T YOU SEE? | DON'T YOU SEE? |
739 | 00:58:45,890 | 00:58:47,650 | YOUR MOTHER LIES IN BED IN A STATE OF SHOCK | YOUR MOTHER LIES IN BED IN A STATE OF SHOCK |
740 | 00:58:47,690 | 00:58:49,020 | CAUSED BY SOMETHING OR SOMEBODY. | CAUSED BY SOMETHING OR SOMEBODY. |
741 | 00:58:49,050 | 00:58:50,620 | I DON'T CALL THAT A GAME, RICHARD. | I DON'T CALL THAT A GAME, RICHARD. |
742 | 00:58:50,660 | 00:58:52,860 | HAS THE ALL-SEEING DOCTOR NOTICED | HAS THE ALL-SEEING DOCTOR NOTICED |
743 | 00:58:52,890 | 00:58:55,090 | THAT A CERTAIN MONEY-HUNGRY, CONNIVING LITTLE WOMAN | THAT A CERTAIN MONEY-HUNGRY, CONNIVING LITTLE WOMAN |
744 | 00:58:55,130 | 00:58:56,860 | HAS LEFT OUR MIDST, | HAS LEFT OUR MIDST, |
745 | 00:58:56,900 | 00:58:58,700 | THAT MY MOTHER, IN A STRUGGLE, | THAT MY MOTHER, IN A STRUGGLE, |
746 | 00:58:58,730 | 00:59:01,800 | CLUNG ON DESPERATELY TO A VERY VALUABLE DIAMOND TIARA? | CLUNG ON DESPERATELY TO A VERY VALUABLE DIAMOND TIARA? |
747 | 00:59:01,830 | 00:59:03,770 | BUT I THINK THAT SHRINE HAS BEEN IN THAT POND | BUT I THINK THAT SHRINE HAS BEEN IN THAT POND |
748 | 00:59:03,800 | 00:59:05,470 | FOR FIVE OR SIX YEARS. | FOR FIVE OR SIX YEARS. |
749 | 00:59:05,500 | 00:59:07,670 | I DON'T THINK THAT FIVE OR SIX YEARS AGO | I DON'T THINK THAT FIVE OR SIX YEARS AGO |
750 | 00:59:07,710 | 00:59:09,740 | LOUISE HAD EVEN HEARD OF CASTLE HALORAN. | LOUISE HAD EVEN HEARD OF CASTLE HALORAN. |
751 | 00:59:09,780 | 00:59:11,510 | DO YOU? | DO YOU? |
752 | 00:59:14,580 | 00:59:16,850 | WHAT DO YOU WANT OUT OF THIS, DOCTOR? | WHAT DO YOU WANT OUT OF THIS, DOCTOR? |
753 | 00:59:16,880 | 00:59:18,050 | OH, I DON'T KNOW -- | OH, I DON'T KNOW -- |
754 | 00:59:18,080 | 00:59:20,080 | JUST A SOLUTION TO THE NIGHTMARE | JUST A SOLUTION TO THE NIGHTMARE |
755 | 00:59:20,120 | 00:59:23,650 | THAT HAS DISTURBED THIS FAMILY FOR SIX YEARS. | THAT HAS DISTURBED THIS FAMILY FOR SIX YEARS. |
756 | 00:59:23,690 | 00:59:27,020 | AFTER ALL, I AM THE FAMILY DOCTOR, YOU KNOW. | AFTER ALL, I AM THE FAMILY DOCTOR, YOU KNOW. |
757 | 00:59:32,130 | 00:59:34,100 | I DIDN'T MEAN TO ANNOY YOUR BROTHER, | I DIDN'T MEAN TO ANNOY YOUR BROTHER, |
758 | 00:59:34,130 | 00:59:36,770 | 'CAUSE I THINK HE'S RIGHT. | 'CAUSE I THINK HE'S RIGHT. |
759 | 00:59:36,800 | 00:59:40,640 | I THINK LOUISE DID TRY TO STEAL YOUR MOTHER'S TIARA, | I THINK LOUISE DID TRY TO STEAL YOUR MOTHER'S TIARA, |
760 | 00:59:40,670 | 00:59:42,570 | AND I THINK SHE'LL COME BACK. | AND I THINK SHE'LL COME BACK. |
761 | 00:59:42,610 | 00:59:44,880 | I THINK SHE'S HIDING SOMEWHERE IN TOWN. | I THINK SHE'S HIDING SOMEWHERE IN TOWN. |
762 | 00:59:44,910 | 00:59:46,810 | WILL YOU HELP ME LOOK FOR HER? | WILL YOU HELP ME LOOK FOR HER? |
763 | 00:59:46,850 | 00:59:48,150 | SURE, IF YOU WANT ME TO. | SURE, IF YOU WANT ME TO. |
764 | 00:59:48,180 | 00:59:50,150 | I DO, BECAUSE YOUR BROTHER'S UPSET, | I DO, BECAUSE YOUR BROTHER'S UPSET, |
765 | 00:59:50,180 | 00:59:51,820 | AND THE YOUNG GIRL, TOO. | AND THE YOUNG GIRL, TOO. |
766 | 00:59:51,850 | 00:59:55,050 | THAT LEAVES THE TWO OF US. WHAT DO YOU THINK? | THAT LEAVES THE TWO OF US. WHAT DO YOU THINK? |
767 | 00:59:55,090 | 00:59:57,020 | SURE, I GUESS YOU'RE RIGHT. | SURE, I GUESS YOU'RE RIGHT. |
768 | 00:59:57,060 | 00:59:59,920 | WE'LL LOOK FOR HER TONIGHT. | WE'LL LOOK FOR HER TONIGHT. |
769 | 00:59:59,960 | 01:00:02,960 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
770 | 01:02:01,850 | 01:02:03,050 | [ RAT SQUEAKING ] | [ RAT SQUEAKING ] |
771 | 01:02:03,080 | 01:02:04,980 | [ KANE GASPS ] | [ KANE GASPS ] |
772 | 01:02:09,320 | 01:02:11,390 | NO! I TOLD YOU NOT TO FOLLOW ME. | NO! I TOLD YOU NOT TO FOLLOW ME. |
773 | 01:02:11,420 | 01:02:13,160 | LOOK AT YOU. YOU'RE FRIGHTENED TO DEATH. | LOOK AT YOU. YOU'RE FRIGHTENED TO DEATH. |
774 | 01:02:13,190 | 01:02:14,360 | NOW SETTLE DOWN. | NOW SETTLE DOWN. |
775 | 01:02:14,390 | 01:02:15,760 | WHAT ARE YOU DOING HERE? | WHAT ARE YOU DOING HERE? |
776 | 01:02:15,790 | 01:02:17,660 | THE STUDIO WHERE MY FATHER WORKED -- | THE STUDIO WHERE MY FATHER WORKED -- |
777 | 01:02:17,700 | 01:02:19,300 | KEPT HIS STONECUTTING TOOLS HERE. | KEPT HIS STONECUTTING TOOLS HERE. |
778 | 01:02:19,330 | 01:02:21,830 | I WAS TRYING TO FIND OUT WHO MADE THAT MONUMENT. | I WAS TRYING TO FIND OUT WHO MADE THAT MONUMENT. |
779 | 01:02:21,870 | 01:02:24,740 | OH, RICHARD. RICHARD, I'M SORRY. | OH, RICHARD. RICHARD, I'M SORRY. |
780 | 01:02:24,770 | 01:02:27,900 | I'LL NEVER DOUBT YOU AGAIN. I PROMISE. | I'LL NEVER DOUBT YOU AGAIN. I PROMISE. |
781 | 01:02:27,940 | 01:02:30,010 | WE CAN GET MARRIED NOW. | WE CAN GET MARRIED NOW. |
782 | 01:02:30,040 | 01:02:31,410 | YOUR MOTHER'S STILL SICK, | YOUR MOTHER'S STILL SICK, |
783 | 01:02:31,440 | 01:02:33,880 | AND SHE WON'T BE ABLE TO STOP US. | AND SHE WON'T BE ABLE TO STOP US. |
784 | 01:02:33,910 | 01:02:36,150 | NO ONE WILL BE ABLE TO STOP US. | NO ONE WILL BE ABLE TO STOP US. |
785 | 01:02:36,180 | 01:02:38,720 | [ DRAMATIC MUSIC PLAYS ] | [ DRAMATIC MUSIC PLAYS ] |
786 | 01:02:42,960 | 01:02:45,390 | [ LAUGHTER ] | [ LAUGHTER ] |
787 | 01:02:51,500 | 01:02:53,730 | WELL, THIS IS THE DEVIL'S OWN CLIMATE. | WELL, THIS IS THE DEVIL'S OWN CLIMATE. |
788 | 01:02:53,770 | 01:02:56,030 | GOOD FOR THE GROUSE AND THE COUNTRY DOCTORS. | GOOD FOR THE GROUSE AND THE COUNTRY DOCTORS. |
789 | 01:02:56,070 | 01:02:58,340 | IF I HAD TO SURVIVE BY TREATING THE COMMON COLD, | IF I HAD TO SURVIVE BY TREATING THE COMMON COLD, |
790 | 01:02:58,370 | 01:03:00,240 | I MIGHT AS WELL RETIRE. | I MIGHT AS WELL RETIRE. |
791 | 01:03:00,270 | 01:03:03,210 | TWO LARGE IRISH FOR MASTER HALORAN. | TWO LARGE IRISH FOR MASTER HALORAN. |
792 | 01:03:03,240 | 01:03:04,980 | OH, NO, NO, I DON'T CARE FOR ANY. | OH, NO, NO, I DON'T CARE FOR ANY. |
793 | 01:03:05,010 | 01:03:07,180 | OH, JUST TO TAKE THE CHILL FROM YOUR BONES. | OH, JUST TO TAKE THE CHILL FROM YOUR BONES. |
794 | 01:03:07,210 | 01:03:10,150 | DRINK'S THE ONLY ROAD TO SURVIVAL IN THIS CLIMATE. | DRINK'S THE ONLY ROAD TO SURVIVAL IN THIS CLIMATE. |
795 | 01:03:10,180 | 01:03:13,080 | DESPITE YOUR USELESS AMERICAN EDUCATION, | DESPITE YOUR USELESS AMERICAN EDUCATION, |
796 | 01:03:13,120 | 01:03:14,380 | YOU'RE STILL IRISH, YOU KNOW. | YOU'RE STILL IRISH, YOU KNOW. |
797 | 01:03:14,420 | 01:03:16,220 | DRINK UP. | DRINK UP. |
798 | 01:03:16,260 | 01:03:18,090 | DO YOU KNOW HIS SISTER-IN-LAW, | DO YOU KNOW HIS SISTER-IN-LAW, |
799 | 01:03:18,120 | 01:03:19,990 | JOHN'S WIFE, AN AMERICAN GIRL -- | JOHN'S WIFE, AN AMERICAN GIRL -- |
800 | 01:03:20,030 | 01:03:22,230 | FAIR HAIR, FAIR COMPLEXION? YOU'D KNOW HER. | FAIR HAIR, FAIR COMPLEXION? YOU'D KNOW HER. |
801 | 01:03:22,260 | 01:03:24,190 | NO, I HAVE NEVER SEEN HER. | NO, I HAVE NEVER SEEN HER. |
802 | 01:03:24,230 | 01:03:26,330 | I SEEN HER AT THE CHEMIST'S, DOC, | I SEEN HER AT THE CHEMIST'S, DOC, |
803 | 01:03:26,370 | 01:03:27,860 | ABOUT TWO OR THREE DAYS AGO. | ABOUT TWO OR THREE DAYS AGO. |
804 | 01:03:27,900 | 01:03:30,100 | THANKS. THANK YOU. | THANKS. THANK YOU. |
805 | 01:03:30,140 | 01:03:33,470 | OVER HERE, BILLY, NEARER THE HEAT. | OVER HERE, BILLY, NEARER THE HEAT. |
806 | 01:03:40,950 | 01:03:42,180 | DRINK UP. | DRINK UP. |
807 | 01:03:44,880 | 01:03:48,750 | WHAT DO YOU THINK, BILLY? WHERE DID SHE GO? | WHAT DO YOU THINK, BILLY? WHERE DID SHE GO? |
808 | 01:03:48,790 | 01:03:50,920 | I DON'T KNOW. | I DON'T KNOW. |
809 | 01:03:50,960 | 01:03:52,260 | COME ON. LET'S GO. | COME ON. LET'S GO. |
810 | 01:03:52,290 | 01:03:54,420 | OH, THERE. | OH, THERE. |
811 | 01:03:54,460 | 01:03:58,060 | YOU WOULDN'T BEGRUDGE AN AGING MAN HIS MOMENT'S REST, | YOU WOULDN'T BEGRUDGE AN AGING MAN HIS MOMENT'S REST, |
812 | 01:03:58,100 | 01:04:00,500 | WOULD YOU? | WOULD YOU? |
813 | 01:04:00,530 | 01:04:02,430 | YOU KNOW, I THINK YOU KNOW THE ANSWER | YOU KNOW, I THINK YOU KNOW THE ANSWER |
814 | 01:04:02,470 | 01:04:04,970 | TO ALL THE PROBLEMS YOUR FAMILY'S BEEN HAVING | TO ALL THE PROBLEMS YOUR FAMILY'S BEEN HAVING |
815 | 01:04:05,000 | 01:04:08,810 | BECAUSE, BILLY, YOU SAW YOUR LITTLE SISTER DROWN | BECAUSE, BILLY, YOU SAW YOUR LITTLE SISTER DROWN |
816 | 01:04:08,840 | 01:04:11,110 | ALL THOSE YEARS AGO. | ALL THOSE YEARS AGO. |
817 | 01:04:11,140 | 01:04:12,810 | NO, I DIDN'T. | NO, I DIDN'T. |
818 | 01:04:12,850 | 01:04:15,250 | OH, YES, YOU DID. | OH, YES, YOU DID. |
819 | 01:04:15,280 | 01:04:16,480 | YOU KNOW HOW I KNOW YOU DID? | YOU KNOW HOW I KNOW YOU DID? |
820 | 01:04:16,520 | 01:04:18,320 | NO. | NO. |
821 | 01:04:18,350 | 01:04:20,480 | 'CAUSE YOU TOLD ME. | 'CAUSE YOU TOLD ME. |
822 | 01:04:20,520 | 01:04:22,750 | I DID NOT. | I DID NOT. |
823 | 01:04:22,790 | 01:04:24,420 | OH, BILLY. | OH, BILLY. |
824 | 01:04:24,460 | 01:04:26,760 | COME ON. DRINK UP. | COME ON. DRINK UP. |
825 | 01:04:26,790 | 01:04:29,860 | [ LIQUID POURS ] | [ LIQUID POURS ] |
826 | 01:04:29,900 | 01:04:32,060 | DO YOU REMEMBER ALL THOSE YEARS AGO, | DO YOU REMEMBER ALL THOSE YEARS AGO, |
827 | 01:04:32,100 | 01:04:34,000 | WHEN YOU COULDN'T SLEEP? | WHEN YOU COULDN'T SLEEP? |
828 | 01:04:34,030 | 01:04:35,870 | DO YOU REMEMBER WHO IT WAS GAVE YOU | DO YOU REMEMBER WHO IT WAS GAVE YOU |
829 | 01:04:35,900 | 01:04:38,500 | THE LITTLE PILL THAT MADE YOU SLEEP? | THE LITTLE PILL THAT MADE YOU SLEEP? |
830 | 01:04:38,540 | 01:04:41,910 | REMEMBER THE DREAMS, FACES IN THE SHADOWS, | REMEMBER THE DREAMS, FACES IN THE SHADOWS, |
831 | 01:04:41,940 | 01:04:44,840 | THE MAN CLIMBING UP YOUR WALL? | THE MAN CLIMBING UP YOUR WALL? |
832 | 01:04:44,880 | 01:04:48,810 | I HAVEN'T FORGOTTEN. | I HAVEN'T FORGOTTEN. |
833 | 01:04:48,850 | 01:04:50,510 | WHO WAS THAT MAN? | WHO WAS THAT MAN? |
834 | 01:04:50,550 | 01:04:52,350 | NO. I DON'T KNOW. | NO. I DON'T KNOW. |
835 | 01:04:52,380 | 01:04:55,450 | WHO WAS IT THAT TRIED TO THROW YOU IN THE POND? | WHO WAS IT THAT TRIED TO THROW YOU IN THE POND? |
836 | 01:04:57,490 | 01:04:59,320 | RICHARD. | RICHARD. |
837 | 01:04:59,360 | 01:05:01,890 | TELL ME WHAT HAPPENED. | TELL ME WHAT HAPPENED. |
838 | 01:05:01,930 | 01:05:03,590 | WHAT HAPPENED TO LOUISE? | WHAT HAPPENED TO LOUISE? |
839 | 01:05:03,630 | 01:05:11,000 | ♪ FISHY, FISHY IN THE BROOK ♪ | ♪ FISHY, FISHY IN THE BROOK ♪ |
840 | 01:05:11,040 | 01:05:17,110 | ♪ DADDY CAUGHT YOU ON A HOOK ♪ | ♪ DADDY CAUGHT YOU ON A HOOK ♪ |
841 | 01:05:17,140 | 01:05:23,580 | ♪ FISHY, FISHY IN THE BROOK ♪ | ♪ FISHY, FISHY IN THE BROOK ♪ |
842 | 01:05:23,620 | 01:05:29,450 | ♪ DADDY CAUGHT YOU ON A HOOK ♪ | ♪ DADDY CAUGHT YOU ON A HOOK ♪ |
843 | 01:05:33,030 | 01:05:34,390 | [ LAUGHTER ] | [ LAUGHTER ] |
844 | 01:05:34,430 | 01:05:36,860 | [ INDISTINCT CONVERSATIONS ] | [ INDISTINCT CONVERSATIONS ] |
845 | 01:05:36,900 | 01:05:41,200 | [ MID-TEMPO ORCHESTRA MUSIC PLAYING ] | [ MID-TEMPO ORCHESTRA MUSIC PLAYING ] |
846 | 01:05:41,230 | 01:05:42,600 | HAS ANYONE HERE SEEN RICHARD? | HAS ANYONE HERE SEEN RICHARD? |
847 | 01:05:42,630 | 01:05:44,400 | NO, I HAVEN'T SEEN HIM. | NO, I HAVEN'T SEEN HIM. |
848 | 01:05:56,950 | 01:05:59,020 | CONGRATULATIONS. | CONGRATULATIONS. |
849 | 01:05:59,050 | 01:06:01,320 | THANK YOU. | THANK YOU. |
850 | 01:06:01,350 | 01:06:03,450 | [ CONVERSATIONS AND MUSIC CONTINUE ] | [ CONVERSATIONS AND MUSIC CONTINUE ] |
851 | 01:06:31,250 | 01:06:32,980 | EXCUSE ME. | EXCUSE ME. |
852 | 01:06:33,020 | 01:06:34,420 | YES? | YES? |
853 | 01:06:34,450 | 01:06:36,420 | YOU KNOW, THE ONE THING IN THE WORLD | YOU KNOW, THE ONE THING IN THE WORLD |
854 | 01:06:36,460 | 01:06:38,250 | THAT REALLY CHILLS MY BONES TO THE MARROW | THAT REALLY CHILLS MY BONES TO THE MARROW |
855 | 01:06:38,290 | 01:06:39,560 | IS WHEN A PRETTY GIRL IN A WEDDING DRESS | IS WHEN A PRETTY GIRL IN A WEDDING DRESS |
856 | 01:06:39,590 | 01:06:41,160 | LOOKS AT ME AND FINDS ME REPULSIVE. | LOOKS AT ME AND FINDS ME REPULSIVE. |
857 | 01:06:41,190 | 01:06:42,560 | OH, DON'T BE SILLY, DOCTOR. | OH, DON'T BE SILLY, DOCTOR. |
858 | 01:06:42,590 | 01:06:44,890 | OH, I'M OFTEN SILLY -- ONE OF MY MAJOR VICES. | OH, I'M OFTEN SILLY -- ONE OF MY MAJOR VICES. |
859 | 01:06:44,930 | 01:06:47,430 | ANOTHER ONE IS THE DESIRE ON MY PART TO HELP OTHERS, | ANOTHER ONE IS THE DESIRE ON MY PART TO HELP OTHERS, |
860 | 01:06:47,470 | 01:06:49,430 | HOWEVER RANCID THAT MAY SOUND. | HOWEVER RANCID THAT MAY SOUND. |
861 | 01:06:49,470 | 01:06:52,200 | THEN YOU CAN HELP ME BY TELLING ME WHERE RICHARD IS. | THEN YOU CAN HELP ME BY TELLING ME WHERE RICHARD IS. |
862 | 01:06:52,240 | 01:06:54,140 | I'M NOT SURE WHERE RICHARD IS, | I'M NOT SURE WHERE RICHARD IS, |
863 | 01:06:54,170 | 01:06:56,970 | OR, INDEED, UH, WHAT HE IS. | OR, INDEED, UH, WHAT HE IS. |
864 | 01:06:57,010 | 01:06:59,280 | OH, AND YOU WONDER WHY YOUNG GIRLS | OH, AND YOU WONDER WHY YOUNG GIRLS |
865 | 01:06:59,310 | 01:07:00,640 | IN WEDDING DRESSES GIVE YOU DIRTY LOOKS. | IN WEDDING DRESSES GIVE YOU DIRTY LOOKS. |
866 | 01:07:00,680 | 01:07:02,650 | NO, NO, NO. | NO, NO, NO. |
867 | 01:07:02,680 | 01:07:04,610 | I'M QUITE SERIOUS. | I'M QUITE SERIOUS. |
868 | 01:07:04,650 | 01:07:06,980 | I'VE KNOWN THIS FAMILY FOR A VERY LONG TIME. | I'VE KNOWN THIS FAMILY FOR A VERY LONG TIME. |
869 | 01:07:07,020 | 01:07:09,220 | I'VE BEEN AWARE OF THE ATMOSPHERE OF DEPRESSION | I'VE BEEN AWARE OF THE ATMOSPHERE OF DEPRESSION |
870 | 01:07:09,250 | 01:07:11,890 | AND THE SLIGHTLY DEMENTED QUALITY THAT HANGS OVER IT. | AND THE SLIGHTLY DEMENTED QUALITY THAT HANGS OVER IT. |
871 | 01:07:11,920 | 01:07:15,060 | BUT THESE ARE SUBTLE MATTERS, SO I NEVER SPOKE. | BUT THESE ARE SUBTLE MATTERS, SO I NEVER SPOKE. |
872 | 01:07:15,090 | 01:07:16,990 | I WILL TELL YOU, YOUNG LADY, | I WILL TELL YOU, YOUNG LADY, |
873 | 01:07:17,030 | 01:07:19,330 | THAT I KNOW THAT LOUISE DID NOT LEAVE, | THAT I KNOW THAT LOUISE DID NOT LEAVE, |
874 | 01:07:19,360 | 01:07:23,200 | BUT WAS TAKEN AWAY FROM CASTLE HALORAN. | BUT WAS TAKEN AWAY FROM CASTLE HALORAN. |
875 | 01:07:23,240 | 01:07:25,500 | PERHAPS EVEN HER HUSBAND, JOHN, | PERHAPS EVEN HER HUSBAND, JOHN, |
876 | 01:07:25,540 | 01:07:27,540 | DIDN'T ACTUALLY GO ON THAT BUSINESS TRIP. | DIDN'T ACTUALLY GO ON THAT BUSINESS TRIP. |
877 | 01:07:27,570 | 01:07:29,540 | I DON'T KNOW WHAT YOU'RE TALKING ABOUT. | I DON'T KNOW WHAT YOU'RE TALKING ABOUT. |
878 | 01:07:29,570 | 01:07:31,940 | BECAUSE YOU DON'T KNOW WHAT I'M TALKING ABOUT, | BECAUSE YOU DON'T KNOW WHAT I'M TALKING ABOUT, |
879 | 01:07:31,980 | 01:07:35,180 | YOU THINK I'M SOME KIND OF VILLAIN. | YOU THINK I'M SOME KIND OF VILLAIN. |
880 | 01:07:35,210 | 01:07:36,980 | CAN YOU IMAGINE WHAT IT'S LIKE | CAN YOU IMAGINE WHAT IT'S LIKE |
881 | 01:07:37,020 | 01:07:39,650 | TO TRY TO HELP OTHERS AND TO BE MISTRUSTED EVERY TIME? | TO TRY TO HELP OTHERS AND TO BE MISTRUSTED EVERY TIME? |
882 | 01:07:39,680 | 01:07:41,620 | MY LIP TWISTS. | MY LIP TWISTS. |
883 | 01:07:41,650 | 01:07:44,250 | THIS DOESN'T MEAN THAT EVERY WORD I SAY IS SINISTER. | THIS DOESN'T MEAN THAT EVERY WORD I SAY IS SINISTER. |
884 | 01:07:44,290 | 01:07:46,260 | I DON'T KNOW WHAT YOU'RE TRYING TO SAY. | I DON'T KNOW WHAT YOU'RE TRYING TO SAY. |
885 | 01:07:46,290 | 01:07:48,020 | WHAT I'M TRYING TO SAY TO YOU -- | WHAT I'M TRYING TO SAY TO YOU -- |
886 | 01:07:48,060 | 01:07:50,660 | THAT I'VE DISCOVERED THINGS IN THIS HOUSE | THAT I'VE DISCOVERED THINGS IN THIS HOUSE |
887 | 01:07:50,700 | 01:07:52,700 | THAT MAKE ME UNEASY, | THAT MAKE ME UNEASY, |
888 | 01:07:52,730 | 01:07:56,700 | AND THAT YOU ARE PROBABLY IN A POSITION OF SOME DANGER. | AND THAT YOU ARE PROBABLY IN A POSITION OF SOME DANGER. |
889 | 01:07:56,740 | 01:07:58,500 | FROM RICHARD? | FROM RICHARD? |
890 | 01:07:58,540 | 01:08:01,340 | PRIMARILY FROM RICHARD, BUT I'M NOT SURE. | PRIMARILY FROM RICHARD, BUT I'M NOT SURE. |
891 | 01:08:01,370 | 01:08:02,710 | IT COULD BE ANYONE. | IT COULD BE ANYONE. |
892 | 01:08:02,740 | 01:08:04,470 | WELL, MAYBE YOU HAVE FORGOTTEN, | WELL, MAYBE YOU HAVE FORGOTTEN, |
893 | 01:08:04,510 | 01:08:05,610 | BUT I CERTAINLY HAVEN'T. | BUT I CERTAINLY HAVEN'T. |
894 | 01:08:05,640 | 01:08:07,010 | I'M HIS WIFE NOW. | I'M HIS WIFE NOW. |
895 | 01:08:07,050 | 01:08:09,010 | AND THERE'S A SISTER AND A SISTER-IN-LAW | AND THERE'S A SISTER AND A SISTER-IN-LAW |
896 | 01:08:09,050 | 01:08:11,050 | AND HIS MOTHER... | AND HIS MOTHER... |
897 | 01:08:11,080 | 01:08:14,250 | AND PERHAPS HIS ELDEST BROTHER. | AND PERHAPS HIS ELDEST BROTHER. |
898 | 01:08:14,290 | 01:08:20,060 | I SWEAR TO YOU, DR. CALEB, YOU ARE A VERY SICK MAN. | I SWEAR TO YOU, DR. CALEB, YOU ARE A VERY SICK MAN. |
899 | 01:08:21,760 | 01:08:23,230 | KANE. | KANE. |
900 | 01:08:25,730 | 01:08:27,160 | WHAT'S THE MATTER, HONEY? | WHAT'S THE MATTER, HONEY? |
901 | 01:08:27,200 | 01:08:28,400 | WHERE HAVE YOU BEEN?! | WHERE HAVE YOU BEEN?! |
902 | 01:08:28,430 | 01:08:30,170 | I WAS JUST OUTSIDE HAVING A SMOKE. | I WAS JUST OUTSIDE HAVING A SMOKE. |
903 | 01:08:30,200 | 01:08:31,730 | WELL, LET'S GET OUT OF HERE. | WELL, LET'S GET OUT OF HERE. |
904 | 01:08:31,770 | 01:08:33,800 | I DON'T WANT ANYONE TO SEE ME CRYING. | I DON'T WANT ANYONE TO SEE ME CRYING. |
905 | 01:08:45,450 | 01:08:50,520 | [ Singsong voice ] COME OUT, COME OUT, WHEREVER YOU ARE. | [ Singsong voice ] COME OUT, COME OUT, WHEREVER YOU ARE. |
906 | 01:08:50,560 | 01:08:54,760 | THESE LITTLE NURSERY RHYMES ARE NOTORIOUSLY EXPRESSIVE. | THESE LITTLE NURSERY RHYMES ARE NOTORIOUSLY EXPRESSIVE. |
907 | 01:08:57,100 | 01:08:59,460 | [ FROGS CROAKING ] | [ FROGS CROAKING ] |
908 | 01:09:14,410 | 01:09:16,710 | COME ON. I DON'T CARE WHAT ANYONE SAYS ABOUT YOU. | COME ON. I DON'T CARE WHAT ANYONE SAYS ABOUT YOU. |
909 | 01:09:16,750 | 01:09:19,220 | WHO SAID ANYTHING ABOUT ME? | WHO SAID ANYTHING ABOUT ME? |
910 | 01:09:19,250 | 01:09:22,690 | NO ONE! EVERYONE! I DON'T CARE! | NO ONE! EVERYONE! I DON'T CARE! |
911 | 01:09:41,110 | 01:09:44,670 | LITTLE FISHY IN THE BROOK... | LITTLE FISHY IN THE BROOK... |
912 | 01:09:52,120 | 01:09:55,120 | ...PAPA'S HANGED YOU ON A HOOK. | ...PAPA'S HANGED YOU ON A HOOK. |
913 | 01:10:11,170 | 01:10:14,540 | PAPA'S CAUGHT YOU ON THE HOOK? | PAPA'S CAUGHT YOU ON THE HOOK? |
914 | 01:10:16,340 | 01:10:18,470 | [ DRAMATIC MUSIC PLAYING ] | [ DRAMATIC MUSIC PLAYING ] |
915 | 01:10:43,670 | 01:10:46,670 | [ EERIE MUSIC PLAYING ] | [ EERIE MUSIC PLAYING ] |
916 | 01:10:53,580 | 01:10:55,910 | [ DOOR CREAKS, CLOSES ] | [ DOOR CREAKS, CLOSES ] |
917 | 01:11:17,300 | 01:11:19,940 | [ WOMAN SCREAMS IN DISTANCE ] | [ WOMAN SCREAMS IN DISTANCE ] |
918 | 01:11:19,970 | 01:11:21,940 | WHAT IS IT? | WHAT IS IT? |
919 | 01:11:21,970 | 01:11:26,010 | [ INDISTINCT CONVERSATIONS, FROGS CROAKING ] | [ INDISTINCT CONVERSATIONS, FROGS CROAKING ] |
920 | 01:11:59,840 | 01:12:01,980 | DON'T TOUCH HER! | DON'T TOUCH HER! |
921 | 01:12:02,010 | 01:12:04,050 | [ SCREAMS ] | [ SCREAMS ] |
922 | 01:12:10,660 | 01:12:12,290 | [ KANE SCREAMS ] | [ KANE SCREAMS ] |
923 | 01:12:12,320 | 01:12:14,990 | [ GUNSHOT ] | [ GUNSHOT ] |
924 | 01:12:39,780 | 01:12:40,880 | [ GASPS ] | [ GASPS ] |
925 | 01:12:50,430 | 01:12:53,430 | FORGIVE ME, KATHLEEN. | FORGIVE ME, KATHLEEN. |
926 | 01:12:58,640 | 01:13:00,370 | YOU CHILDREN PLAYED WITH STONE | YOU CHILDREN PLAYED WITH STONE |
927 | 01:13:00,410 | 01:13:04,070 | THE WAY OTHER CHILDREN PLAYED WITH BUILDING BRICKS. | THE WAY OTHER CHILDREN PLAYED WITH BUILDING BRICKS. |
928 | 01:13:04,110 | 01:13:07,940 | THEY ALL FORGOT WHAT A TALENTED LITTLE BOY BILLY WAS. | THEY ALL FORGOT WHAT A TALENTED LITTLE BOY BILLY WAS. |
929 | 01:13:07,980 | 01:13:09,850 | WHAT ABOUT KATHLEEN? | WHAT ABOUT KATHLEEN? |
930 | 01:13:09,880 | 01:13:13,620 | HE MADE A WAX DOLL, | HE MADE A WAX DOLL, |
931 | 01:13:13,650 | 01:13:18,650 | SOMETHING HE COULD PROTECT, TO RELIEVE HIS GUILT. | SOMETHING HE COULD PROTECT, TO RELIEVE HIS GUILT. |