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#	Start	End	Original	Translated
1	00:01:30,133	00:01:33,300	BEER, LEMONADE!	BEER, LEMONADE!
2	00:01:33,367	00:01:36,300	GUM, CIGARETTES!	GUM, CIGARETTES!
3	00:01:36,367	00:01:39,033	SANDWICHES! BEER!	SANDWICHES! BEER!
4	00:01:39,100	00:01:40,100	PAPER!	PAPER!
5	00:01:41,434	00:01:42,601	EVENING PAPER!	EVENING PAPER!
6	00:01:49,400	00:01:51,834	THANK YOU.	THANK YOU.
7	00:01:51,901	00:01:53,100	LISA, DARLING,	LISA, DARLING,
8	00:01:53,167	00:01:55,467	DON'T LOOK SO DOWNCAST.	DON'T LOOK SO DOWNCAST.
9	00:01:55,534	00:01:57,534	I WON'T BE GONE FOREVER.	I WON'T BE GONE FOREVER.
10	00:01:57,601	00:01:59,000	I WAS JUST THINKING	I WAS JUST THINKING
11	00:01:59,067	00:02:00,567	THIS IS OUR FIRST REAL SEPARATION.	THIS IS OUR FIRST REAL SEPARATION.
12	00:02:00,634	00:02:02,567	3 DAYS.	3 DAYS.
13	00:02:02,634	00:02:04,868	3 DAYS, THAT'S HALF A WEEK.	3 DAYS, THAT'S HALF A WEEK.
14	00:02:04,934	00:02:06,767	NOW DON'T FORGET YOUR PIANO,	NOW DON'T FORGET YOUR PIANO,
15	00:02:06,834	00:02:08,200	TWO HOURS EVERY DAY.	TWO HOURS EVERY DAY.
16	00:02:08,267	00:02:10,400	OH MOTHER, I'M NOT A BEGINNER ANYMORE.	OH MOTHER, I'M NOT A BEGINNER ANYMORE.
17	00:02:10,467	00:02:11,400	ONE HOUR'S PLENTY.	ONE HOUR'S PLENTY.
18	00:02:11,467	00:02:13,267	TWO HOURS	TWO HOURS
19	00:02:13,334	00:02:14,868	AND NO PUSHING THE CLOCK AHEAD.	AND NO PUSHING THE CLOCK AHEAD.
20	00:02:14,934	00:02:17,200	ALL RIGHT, I'LL MAKE A BARGAIN WITH YOU.	ALL RIGHT, I'LL MAKE A BARGAIN WITH YOU.
21	00:02:17,267	00:02:19,367	IF YOU'LL STAY AWAY TWO DAYS INSTEAD OF 3,	IF YOU'LL STAY AWAY TWO DAYS INSTEAD OF 3,
22	00:02:19,434	00:02:21,300	I'LL PRACTICE TWO HOURS INSTEAD OF ONE.	I'LL PRACTICE TWO HOURS INSTEAD OF ONE.
23	00:02:21,367	00:02:22,601	IT'S A BARGAIN, LISA.	IT'S A BARGAIN, LISA.
24	00:02:22,667	00:02:23,801	GOOD-BYE, DARLING.	GOOD-BYE, DARLING.
25	00:02:23,868	00:02:25,067	WATCH THINGS AT THE HOUSE	WATCH THINGS AT THE HOUSE
26	00:02:25,133	00:02:26,243	AND KEEP AN EYE ON THE MAID.	AND KEEP AN EYE ON THE MAID.
27	00:02:26,267	00:02:27,834	YES, I WILL.	YES, I WILL.
28	00:02:27,901	00:02:29,601	DON'T FORGET-ONLY TWO DAYS.	DON'T FORGET-ONLY TWO DAYS.
29	00:02:32,133	00:02:34,033	GIVE MY LOVE TO EVERYONE!	GIVE MY LOVE TO EVERYONE!
30	00:02:48,434	00:02:50,334	HILDEGARD!	HILDEGARD!
31	00:02:50,400	00:02:51,400	DID I MISS HER?	DID I MISS HER?
32	00:02:51,434	00:02:52,601	BY 3 MINUTES.	BY 3 MINUTES.
33	00:02:52,667	00:02:53,534	GOOD, I TIMED IT RIGHT.	GOOD, I TIMED IT RIGHT.
34	00:02:53,601	00:02:54,934	I HATE FAREWELLS.	I HATE FAREWELLS.
35	00:02:55,000	00:02:56,300	WHAT ARE YOUR PLANS FOR TONIGHT?	WHAT ARE YOUR PLANS FOR TONIGHT?
36	00:02:56,367	00:02:58,000	OH, AN HOUR OR SO OF PRACTICE,	OH, AN HOUR OR SO OF PRACTICE,
37	00:02:58,067	00:02:59,334	A BOOK, AND BED.	A BOOK, AND BED.
38	00:02:59,400	00:03:00,577	YOU MEAN TO SAY YOU'RE NOT GOING TO	YOU MEAN TO SAY YOU'RE NOT GOING TO
39	00:03:00,601	00:03:03,234	TAKE ADVANTAGE, CELEBRATE, HAVE FUN?	TAKE ADVANTAGE, CELEBRATE, HAVE FUN?
40	00:03:03,300	00:03:04,300	FUN.	FUN.
41	00:03:04,334	00:03:06,267	I'LL BE IN BED AT 9:00.	I'LL BE IN BED AT 9:00.
42	00:03:06,334	00:03:08,033	POLLYANNA COMES TO LIFE.	POLLYANNA COMES TO LIFE.
43	00:03:28,934	00:03:29,934	THANK YOU.	THANK YOU.
44	00:03:32,167	00:03:34,367	AND SOME OF THOSE MIXED CHOCOLATES,	AND SOME OF THOSE MIXED CHOCOLATES,
45	00:03:34,434	00:03:35,734	AND...	AND...
46	00:03:35,801	00:03:37,934	OOH, SOME OF THOSE CARAMELS OVER THERE.	OOH, SOME OF THOSE CARAMELS OVER THERE.
47	00:03:38,000	00:03:39,467	THAT ALL RIGHT WITH YOU, POLLYANNA?	THAT ALL RIGHT WITH YOU, POLLYANNA?
48	00:03:41,400	00:03:42,434	WHAT'S UP?	WHAT'S UP?
49	00:03:42,501	00:03:45,067	OH, NOTHING.	OH, NOTHING.
50	00:03:45,133	00:03:46,701	THAT MAN OVER THERE,	THAT MAN OVER THERE,
51	00:03:46,767	00:03:49,167	I THINK SAW HIM AT THE CONSERVATORY THIS MORNING, THAT'S ALL.	I THINK SAW HIM AT THE CONSERVATORY THIS MORNING, THAT'S ALL.
52	00:03:51,467	00:03:53,367	HE FOLLOWED YOU HERE.	HE FOLLOWED YOU HERE.
53	00:03:53,434	00:03:54,934	DON'T BE SILLY.	DON'T BE SILLY.
54	00:03:55,000	00:03:58,501	MMM, NICE-LOOKING.	MMM, NICE-LOOKING.
55	00:03:58,567	00:04:00,767	I WAS AT THE CONSERVATORY THIS MORNING.	I WAS AT THE CONSERVATORY THIS MORNING.
56	00:04:00,834	00:04:03,300	MAYBE HE FOLLOWED ME.	MAYBE HE FOLLOWED ME.
57	00:04:03,367	00:04:05,000	DON'T STARE AT HIM LIKE THAT.	DON'T STARE AT HIM LIKE THAT.
58	00:04:05,067	00:04:06,701	HERE YOU ARE, MISS. THANK YOU.	HERE YOU ARE, MISS. THANK YOU.
59	00:04:06,767	00:04:08,534	I BEG YOUR PARDON, BUT YOU DROPPED THIS.	I BEG YOUR PARDON, BUT YOU DROPPED THIS.
60	00:04:08,601	00:04:10,300	I DIDN'T HAVE ANY LETTERS.	I DIDN'T HAVE ANY LETTERS.
61	00:04:10,367	00:04:13,334	PARDON ME, I SAW IT DROP FROM YOUR PURSE.	PARDON ME, I SAW IT DROP FROM YOUR PURSE.
62	00:04:13,400	00:04:16,033	WHY, I DON'T RECALL HAVING ANY ENVELOPE.	WHY, I DON'T RECALL HAVING ANY ENVELOPE.
63	00:04:16,100	00:04:17,033	WHAT'S THE DIFFERENCE?	WHAT'S THE DIFFERENCE?
64	00:04:17,100	00:04:18,267	THANK YOU VERY MUCH.	THANK YOU VERY MUCH.
65	00:04:22,601	00:04:23,601	OH, HERE. YOU OPEN THIS.	OH, HERE. YOU OPEN THIS.
66	00:04:23,667	00:04:24,767	I'M NO GOOD IN A CRISIS.	I'M NO GOOD IN A CRISIS.
67	00:04:29,100	00:04:30,734	A CONCERT.	A CONCERT.
68	00:04:30,801	00:04:32,868	PRETTY TAME BEGINNING FOR AN ADVENTURE.	PRETTY TAME BEGINNING FOR AN ADVENTURE.
69	00:04:32,934	00:04:35,200	OH, THEY ALL START SLOWLY.	OH, THEY ALL START SLOWLY.
70	00:04:35,267	00:04:38,734	BOX SEATS, 2 AND 3.	BOX SEATS, 2 AND 3.
71	00:04:38,801	00:04:39,734	THAT MEANS HE'S RESERVED	THAT MEANS HE'S RESERVED
72	00:04:39,801	00:04:41,334	SEAT NUMBER 1 FOR HIMSELF.	SEAT NUMBER 1 FOR HIMSELF.
73	00:04:43,868	00:04:44,901	DO YOU THINK HE-	DO YOU THINK HE-
74	00:04:44,968	00:04:46,467	OH, DON'T BE RIDICULOUS.	OH, DON'T BE RIDICULOUS.
75	00:04:46,534	00:04:48,000	OH LISA, HE'S COMING THIS WAY.	OH LISA, HE'S COMING THIS WAY.
76	00:04:48,067	00:04:49,567	DON'T GET EXCITED.	DON'T GET EXCITED.
77	00:04:49,634	00:04:50,801	BE CASUAL. NONCHALANT.	BE CASUAL. NONCHALANT.
78	00:05:00,634	00:05:01,701	OH, IT'S THRILLING!	OH, IT'S THRILLING!
79	00:05:01,767	00:05:02,701	YOU'RE GOING, OF COURSE!	YOU'RE GOING, OF COURSE!
80	00:05:02,767	00:05:03,801	I'M NOT GOING, OF COURSE.	I'M NOT GOING, OF COURSE.
81	00:05:03,868	00:05:05,167	OH, THEN I WON'T BE ABLE TO GO.	OH, THEN I WON'T BE ABLE TO GO.
82	00:05:05,234	00:05:06,376	YOU KNOW MY FATHER ONLY LETS ME	YOU KNOW MY FATHER ONLY LETS ME
83	00:05:06,400	00:05:07,434	GO OUT WITH YOU.	GO OUT WITH YOU.
84	00:05:07,501	00:05:09,234	OTHERWISE I'LL HAVE TO BE IN BED AT 10:00.	OTHERWISE I'LL HAVE TO BE IN BED AT 10:00.
85	00:05:09,300	00:05:11,834	PLEASE, LISA.	PLEASE, LISA.
86	00:05:11,901	00:05:13,868	ALL RIGHT, HILDEGARD, I'LL GO.	ALL RIGHT, HILDEGARD, I'LL GO.
87	00:05:13,934	00:05:16,033	BUT YOU HAVE TO SIT NEXT TO SEAT NUMBER 1.	BUT YOU HAVE TO SIT NEXT TO SEAT NUMBER 1.
88	00:05:40,968	00:05:42,634	SEAT NUMBER 1, OVER THERE, PLEASE.	SEAT NUMBER 1, OVER THERE, PLEASE.
89	00:06:57,934	00:06:59,434	Isn't it thrilling?	Isn't it thrilling?
90	00:07:00,934	00:07:02,667	Open it before I burst.	Open it before I burst.
91	00:07:02,734	00:07:03,801	Don't be so childish.	Don't be so childish.
92	00:07:31,367	00:07:32,734	What does it say?	What does it say?
93	00:07:53,167	00:07:54,100	What is it?	What is it?
94	00:07:54,167	00:07:55,734	Is he-is he-	Is he-is he-
95	00:07:55,801	00:07:56,834	you know, very fresh?	you know, very fresh?
96	00:08:11,501	00:08:13,100	Show it to me.	Show it to me.
97	00:08:13,167	00:08:15,434	Don't be such a pig.	Don't be such a pig.
98	00:08:15,501	00:08:16,834	Let me see it.	Let me see it.
99	00:08:16,901	00:08:17,901	It's from him, isn't it?	It's from him, isn't it?
100	00:08:17,968	00:08:18,968	Yes, it is.	Yes, it is.
101	00:08:26,667	00:08:28,434	You might tell me what it says.	You might tell me what it says.
102	00:08:28,501	00:08:30,133	A bunch of nonsense.	A bunch of nonsense.
103	00:08:30,200	00:08:31,601	No, no, you wouldn't.	No, no, you wouldn't.
104	00:08:31,667	00:08:32,667	Shh!	Shh!
105	00:08:50,601	00:08:51,767	HILDEGARD, LET'S GO HOME.	HILDEGARD, LET'S GO HOME.
106	00:08:51,834	00:08:53,834	DON'T BE SILLY. YOU MUST TELL HIM.	DON'T BE SILLY. YOU MUST TELL HIM.
107	00:09:16,467	00:09:18,033	THANK YOU FOR COMING.	THANK YOU FOR COMING.
108	00:09:18,100	00:09:19,234	DID YOU ENJOY THE PROGRAM?	DID YOU ENJOY THE PROGRAM?
109	00:09:19,300	00:09:21,801	WE THOUGHT YOU WERE SIMPLY DIVINE.	WE THOUGHT YOU WERE SIMPLY DIVINE.
110	00:09:21,868	00:09:23,133	WHAT DID YOU LIKE BEST?	WHAT DID YOU LIKE BEST?
111	00:09:23,200	00:09:24,834	THE BRAHMS WAS WONDERFUL.	THE BRAHMS WAS WONDERFUL.
112	00:09:24,901	00:09:26,301	I NEVER REALLY UNDERSTOOD IT BEFORE.	I NEVER REALLY UNDERSTOOD IT BEFORE.
113	00:09:28,968	00:09:30,643	YOU SEE, I'M A STUDENT AT THE CONSERVATORY.	YOU SEE, I'M A STUDENT AT THE CONSERVATORY.
114	00:09:30,667	00:09:31,667	YES, I KNOW.	YES, I KNOW.
115	00:09:31,734	00:09:32,834	I SAW YOU THERE YESTERDAY.	I SAW YOU THERE YESTERDAY.
116	00:09:32,901	00:09:34,276	PLEASE MR. MICHAILOW, WOULD YOU SIGN THIS?	PLEASE MR. MICHAILOW, WOULD YOU SIGN THIS?
117	00:09:34,300	00:09:35,667	OF COURSE.	OF COURSE.
118	00:09:35,734	00:09:37,834	A FELLOW MUSICIAN?	A FELLOW MUSICIAN?
119	00:09:37,901	00:09:39,367	AND A VERY GOOD ONE, TOO.	AND A VERY GOOD ONE, TOO.
120	00:09:39,434	00:09:41,601	YOU HAD THE SENSE TO PREFER BRAHMS TO MY MAZURKA.	YOU HAD THE SENSE TO PREFER BRAHMS TO MY MAZURKA.
121	00:09:41,667	00:09:42,734	OH, I DIDN'T MEAN-	OH, I DIDN'T MEAN-
122	00:09:45,067	00:09:46,200	MR. MICHAILOW,	MR. MICHAILOW,
123	00:09:46,267	00:09:49,167	I WANTED TO TELL YOU THAT	I WANTED TO TELL YOU THAT
124	00:09:49,234	00:09:50,610	A LITTLE WHILE AGO IN THE CONCERT HALL	A LITTLE WHILE AGO IN THE CONCERT HALL
125	00:09:50,634	00:09:51,901	I WASN'T NODDING TO YOU AT ALL.	I WASN'T NODDING TO YOU AT ALL.
126	00:09:51,968	00:09:53,534	I WAS NODDING TO MY FRIEND HERE.	I WAS NODDING TO MY FRIEND HERE.
127	00:09:53,601	00:09:55,367	THEN I'M GLAD I MISUNDERSTOOD.	THEN I'M GLAD I MISUNDERSTOOD.
128	00:09:55,434	00:09:56,543	WON'T YOU COME TO THE CASCADE	WON'T YOU COME TO THE CASCADE
129	00:09:56,567	00:09:58,501	AND HAVE A BITE OF SUPPER WITH ME?	AND HAVE A BITE OF SUPPER WITH ME?
130	00:09:58,567	00:10:00,601	OH, WHAT A BORE.	OH, WHAT A BORE.
131	00:10:00,667	00:10:01,747	I HAVE TO BE HOME AT 11:00,	I HAVE TO BE HOME AT 11:00,
132	00:10:01,801	00:10:03,634	MY FATHER'S EXPECTING ME.	MY FATHER'S EXPECTING ME.
133	00:10:03,701	00:10:04,634	LISA CAN GO.	LISA CAN GO.
134	00:10:04,701	00:10:05,701	OH NO, HILDEGARD,	OH NO, HILDEGARD,
135	00:10:05,767	00:10:06,844	I COULDN'T POSSIBLY GO WITHOUT YOU.	I COULDN'T POSSIBLY GO WITHOUT YOU.
136	00:10:06,868	00:10:08,109	OF COURSE YOU CAN, DON'T BE SILLY.	OF COURSE YOU CAN, DON'T BE SILLY.
137	00:10:08,133	00:10:09,601	OH NO, I COULDN'T. NO. NO.	OH NO, I COULDN'T. NO. NO.
138	00:10:18,234	00:10:20,267	WHAT WOULD YOU LIKE?	WHAT WOULD YOU LIKE?
139	00:10:20,334	00:10:22,300	SOME ORANGE ICE, PLEASE.	SOME ORANGE ICE, PLEASE.
140	00:10:22,367	00:10:24,367	MOTHER NEVER LETS ME EAT IN HERE.	MOTHER NEVER LETS ME EAT IN HERE.
141	00:10:29,968	00:10:30,968	MERCI.	MERCI.
142	00:10:31,901	00:10:34,501	YOU LIKE IT HERE?	YOU LIKE IT HERE?
143	00:10:34,567	00:10:36,467	IT'S VERY NICE.	IT'S VERY NICE.
144	00:10:36,534	00:10:38,667	MY DEAR, FORGIVE ME, BUT UM...	MY DEAR, FORGIVE ME, BUT UM...
145	00:10:38,734	00:10:41,767	YOU SHOULD NEVER USE THAT WORD IN A RESTAURANT BECAUSE...	YOU SHOULD NEVER USE THAT WORD IN A RESTAURANT BECAUSE...
146	00:10:41,834	00:10:45,234	AND AFTER THAT, A NICE OMELET OR A NICE DESSERT.	AND AFTER THAT, A NICE OMELET OR A NICE DESSERT.
147	00:10:45,300	00:10:46,901	YOU SEE?	YOU SEE?
148	00:10:46,968	00:10:49,334	YOU'RE MAKING FUN OF ME.	YOU'RE MAKING FUN OF ME.
149	00:10:49,400	00:10:51,033	NO, NO, FAR FROM IT.	NO, NO, FAR FROM IT.
150	00:10:51,100	00:10:53,234	I'M MUCH TOO GRATEFUL TO YOU.	I'M MUCH TOO GRATEFUL TO YOU.
151	00:10:53,300	00:10:54,620	YOU KNOW, AFTER ONE OF MY CONCERTS	YOU KNOW, AFTER ONE OF MY CONCERTS
152	00:10:54,667	00:10:56,501	WHEN THE MUSIC STOPS	WHEN THE MUSIC STOPS
153	00:10:56,567	00:10:58,868	THERE'S A TERRIFYING SILENCE AROUND ME	THERE'S A TERRIFYING SILENCE AROUND ME
154	00:10:58,934	00:11:00,801	WHICH TONIGHT YOU FILL	WHICH TONIGHT YOU FILL
155	00:11:00,868	00:11:03,267	WITH YOUR DELICIOUS HARMONY.	WITH YOUR DELICIOUS HARMONY.
156	00:11:03,334	00:11:04,934	YOU DO SAY THE NICEST THINGS-	YOU DO SAY THE NICEST THINGS-
157	00:11:06,133	00:11:07,534	I'VE SAID THAT WORD AGAIN.	I'VE SAID THAT WORD AGAIN.
158	00:11:19,734	00:11:21,000	NOW TELL ME,	NOW TELL ME,
159	00:11:21,067	00:11:22,443	WITH WHOM ARE YOU STUDYING AT THE CONSERVATORY?	WITH WHOM ARE YOU STUDYING AT THE CONSERVATORY?
160	00:11:22,467	00:11:24,133	PROFESSOR RAYFIELD.	PROFESSOR RAYFIELD.
161	00:11:24,200	00:11:26,267	OH, AN EXCELLENT MUSICIAN.	OH, AN EXCELLENT MUSICIAN.
162	00:11:26,334	00:11:27,801	INCIDENTALLY, AN OLD FRIEND OF MINE.	INCIDENTALLY, AN OLD FRIEND OF MINE.
163	00:11:27,868	00:11:29,834	DO YOU KNOW, I DON'T BELIEVE	DO YOU KNOW, I DON'T BELIEVE
164	00:11:29,901	00:11:32,334	I EVER THANKED YOU FOR THE TICKETS.	I EVER THANKED YOU FOR THE TICKETS.
165	00:11:32,400	00:11:34,634	YOU CAME. THAT WAS THE IMPORTANT THING.	YOU CAME. THAT WAS THE IMPORTANT THING.
166	00:11:36,667	00:11:37,801	YOU SEE,	YOU SEE,
167	00:11:37,868	00:11:39,367	I'VE NEVER BEEN OUT BEFORE,	I'VE NEVER BEEN OUT BEFORE,
168	00:11:39,434	00:11:41,200	ALONE, WITH A...	ALONE, WITH A...
169	00:11:41,267	00:11:42,267	A MAN?	A MAN?
170	00:11:42,300	00:11:44,167	MM-HMM.	MM-HMM.
171	00:11:44,234	00:11:45,801	YOU SORRY YOU CAME?	YOU SORRY YOU CAME?
172	00:11:45,868	00:11:47,601	NO.	NO.
173	00:11:47,667	00:11:48,947	BUT IT'S ALL SO NEW AND EXCITING.	BUT IT'S ALL SO NEW AND EXCITING.
174	00:11:49,000	00:11:50,200	IT'S AN ADVENTURE.	IT'S AN ADVENTURE.
175	00:11:52,100	00:11:53,734	YOU SEE, THE GIRLS AT THE CONSERVATORY	YOU SEE, THE GIRLS AT THE CONSERVATORY
176	00:11:53,801	00:11:55,210	ARE ALWAYS LYING ABOUT THEIR ADVENTURES-	ARE ALWAYS LYING ABOUT THEIR ADVENTURES-
177	00:11:55,234	00:11:57,100	WELL, I WON'T HAVE TO LIE	WELL, I WON'T HAVE TO LIE
178	00:11:57,167	00:11:58,801	BECAUSE THIS IS A REAL ONE.	BECAUSE THIS IS A REAL ONE.
179	00:11:58,868	00:12:02,567	WHY DID YOU SEND ME THE TICKETS?	WHY DID YOU SEND ME THE TICKETS?
180	00:12:02,634	00:12:05,868	IT'S HARD TO EXPLAIN, BUT...	IT'S HARD TO EXPLAIN, BUT...
181	00:12:05,934	00:12:07,000	YOU LOVE MUSIC, TOO,	YOU LOVE MUSIC, TOO,
182	00:12:07,067	00:12:10,133	SO I THINK YOU'LL UNDERSTAND.	SO I THINK YOU'LL UNDERSTAND.
183	00:12:10,200	00:12:12,868	SOMETIMES MUSIC BECOMES ALMOST HATEFUL TO ME	SOMETIMES MUSIC BECOMES ALMOST HATEFUL TO ME
184	00:12:12,934	00:12:15,501	AND THE CONCERT, AN UNBEARABLE ORDEAL.	AND THE CONCERT, AN UNBEARABLE ORDEAL.
185	00:12:15,567	00:12:19,334	I'M ONLY CONSCIOUS OF A GREAT LONELINESS.	I'M ONLY CONSCIOUS OF A GREAT LONELINESS.
186	00:12:19,400	00:12:22,100	BUT WHEN I MET YOU,	BUT WHEN I MET YOU,
187	00:12:22,167	00:12:23,767	I DIDN'T FEEL LONELY ANY LONGER.	I DIDN'T FEEL LONELY ANY LONGER.
188	00:12:23,834	00:12:26,400	I LOOKED FORWARD TO THE CONCERT.	I LOOKED FORWARD TO THE CONCERT.
189	00:12:26,467	00:12:27,901	I FELT THAT YOU MUST BE THERE,	I FELT THAT YOU MUST BE THERE,
190	00:12:27,968	00:12:29,701	THAT I MUST PLAY FOR YOU.	THAT I MUST PLAY FOR YOU.
191	00:12:32,000	00:12:34,100	I- I THINK I MUST GO HOME NOW.	I- I THINK I MUST GO HOME NOW.
192	00:12:34,167	00:12:35,601	WHEN CAN I SEE YOU TOMORROW?	WHEN CAN I SEE YOU TOMORROW?
193	00:12:35,667	00:12:37,143	YOU CAN'T, I HAVE TO BE AT THE CONSERVATORY AT HALF PAST-	YOU CAN'T, I HAVE TO BE AT THE CONSERVATORY AT HALF PAST-
194	00:12:37,167	00:12:38,167	BEFORE THAT.	BEFORE THAT.
195	00:12:38,234	00:12:39,734	I'M BUSY. AND AFTERWARDS?	I'M BUSY. AND AFTERWARDS?
196	00:12:39,801	00:12:41,200	IT'S IMPOSSIBLE.	IT'S IMPOSSIBLE.
197	00:12:41,267	00:12:43,267	AW, THEN DON'T GO TO THE CONSERVATORY ONCE.	AW, THEN DON'T GO TO THE CONSERVATORY ONCE.
198	00:12:43,334	00:12:45,167	IT'LL DO YOU GOOD TO MISS A LESSON.	IT'LL DO YOU GOOD TO MISS A LESSON.
199	00:12:45,234	00:12:46,810	I'VE ALWAYS SAID IT WAS THE LESSONS I MISSED	I'VE ALWAYS SAID IT WAS THE LESSONS I MISSED
200	00:12:46,834	00:12:47,834	THAT MADE ME A PIANIST.	THAT MADE ME A PIANIST.
201	00:12:47,901	00:12:49,834	PLEASE,	PLEASE,
202	00:12:49,901	00:12:53,033	I MUST SEE YOU AGAIN.	I MUST SEE YOU AGAIN.
203	00:12:53,100	00:12:54,410	I'LL WAIT FOR YOU AT THE CONCERT HALL AT HALF PAST 5:00.	I'LL WAIT FOR YOU AT THE CONCERT HALL AT HALF PAST 5:00.
204	00:12:54,434	00:12:55,567	YOU'LL COME?	YOU'LL COME?
205	00:12:55,634	00:12:57,200	I BELIEVE...	I BELIEVE...
206	00:12:59,434	00:13:00,434	I CAN'T.	I CAN'T.
207	00:13:24,267	00:13:25,577	HERE'S YOUR MUSIC CASE, MISS LISA.	HERE'S YOUR MUSIC CASE, MISS LISA.
208	00:13:25,601	00:13:26,634	YOU LEFT IT.	YOU LEFT IT.
209	00:13:26,701	00:13:28,367	OH, THANK YOU VERY MUCH.	OH, THANK YOU VERY MUCH.
210	00:14:20,834	00:14:22,033	WHAT ARE YOU DOING HERE?	WHAT ARE YOU DOING HERE?
211	00:14:22,100	00:14:23,567	WAITING FOR YOU...	WAITING FOR YOU...
212	00:14:23,634	00:14:25,434	SINCE YOU COULDN'T ARRANGE TO MEET ME.	SINCE YOU COULDN'T ARRANGE TO MEET ME.
213	00:14:27,834	00:14:29,767	BUT THE PROFESSOR WILL BE HERE ANY MINUTE.	BUT THE PROFESSOR WILL BE HERE ANY MINUTE.
214	00:14:29,834	00:14:30,834	HE'S NOT COMING.	HE'S NOT COMING.
215	00:14:30,901	00:14:32,467	I'M THE PROFESSOR TODAY.	I'M THE PROFESSOR TODAY.
216	00:14:34,167	00:14:36,234	WELL LISA, QUITE A SURPRISE, EH?	WELL LISA, QUITE A SURPRISE, EH?
217	00:14:36,300	00:14:38,276	WHAT DO YOU THINK OF YOUR FORMER PUPIL NOW, MICHAEL?	WHAT DO YOU THINK OF YOUR FORMER PUPIL NOW, MICHAEL?
218	00:14:38,300	00:14:39,901	GROWN TO BE A BIG GIRL, HASN'T SHE?	GROWN TO BE A BIG GIRL, HASN'T SHE?
219	00:14:39,968	00:14:41,934	NOW, DON'T YOU DISGRACE ME.	NOW, DON'T YOU DISGRACE ME.
220	00:14:42,000	00:14:45,501	YOU SHOW THIS FAMOUS FELLOW THAT WE KNOW OUR MUSIC, TOO.	YOU SHOW THIS FAMOUS FELLOW THAT WE KNOW OUR MUSIC, TOO.
221	00:14:45,567	00:14:46,801	SEE YOU LATER, MICHAEL.	SEE YOU LATER, MICHAEL.
222	00:14:49,534	00:14:50,334	YOU SHOULDN'T HAVE DONE IT.	YOU SHOULDN'T HAVE DONE IT.
223	00:14:50,400	00:14:51,634	IT'S ALL YOUR FAULT.	IT'S ALL YOUR FAULT.
224	00:14:51,701	00:14:52,968	JUST FANCY, AT MY AGE,	JUST FANCY, AT MY AGE,
225	00:14:53,033	00:14:55,601	YOU CAN PERMIT A LIE TO DEAR OLD PROFESSORS.	YOU CAN PERMIT A LIE TO DEAR OLD PROFESSORS.
226	00:14:55,667	00:14:58,200	HOW COULD YOU DO SUCH A THING?	HOW COULD YOU DO SUCH A THING?
227	00:14:58,267	00:15:00,868	BECAUSE I WANTED TO SEE YOU AGAIN.	BECAUSE I WANTED TO SEE YOU AGAIN.
228	00:15:00,934	00:15:03,501	BECAUSE I HAD TO SEE YOU AGAIN.	BECAUSE I HAD TO SEE YOU AGAIN.
229	00:15:03,567	00:15:06,667	DON'T BE ANGRY, PLEASE.	DON'T BE ANGRY, PLEASE.
230	00:15:06,734	00:15:07,734	LET'S WORK.	LET'S WORK.
231	00:15:32,200	00:15:35,100	THE 12th SONATA IN A MAJOR BY MOZART.	THE 12th SONATA IN A MAJOR BY MOZART.
232	00:15:35,167	00:15:37,167	THE FIRST MOVEMENT OF MOZART'S SONATA IN A MAJOR	THE FIRST MOVEMENT OF MOZART'S SONATA IN A MAJOR
233	00:15:37,234	00:15:38,643	IS WRITTEN IN THE FORM OF VARIATIONS.	IS WRITTEN IN THE FORM OF VARIATIONS.
234	00:15:38,667	00:15:40,634	IN THE FIRST VARIATION, THE RHYTHM CHANGES	IN THE FIRST VARIATION, THE RHYTHM CHANGES
235	00:15:40,701	00:15:43,400	BUT THE HARMONIC SEQUENCE REMAINS UNCHANGED.	BUT THE HARMONIC SEQUENCE REMAINS UNCHANGED.
236	00:15:43,467	00:15:45,143	AND THE MELODY IS ALTERED ONLY TO THIS EXTENT	AND THE MELODY IS ALTERED ONLY TO THIS EXTENT
237	00:15:45,167	00:15:46,767	SO THAT THE EAR CAN STILL RECOGNIZE IT.	SO THAT THE EAR CAN STILL RECOGNIZE IT.
238	00:15:52,701	00:15:54,801	INDEED, ITS DOMINANT TONES REMAIN INTACT.	INDEED, ITS DOMINANT TONES REMAIN INTACT.
239	00:15:57,067	00:15:58,677	AND THEY'RE EMPHASIZED BY THE INTRODUCTION	AND THEY'RE EMPHASIZED BY THE INTRODUCTION
240	00:15:58,701	00:16:00,734	OF 3 HALFTONE FIGURATIONS.	OF 3 HALFTONE FIGURATIONS.
241	00:16:03,033	00:16:05,601	HOWEVER, THE TRI-VOCALIZED CHARACTER-	HOWEVER, THE TRI-VOCALIZED CHARACTER-
242	00:16:05,667	00:16:06,968	THE THEME OF THE FIRST VARIATION-	THE THEME OF THE FIRST VARIATION-
243	00:16:07,033	00:16:08,844	BECOMES A SEQUENCE INSTEAD OF A COMPLETE MINGLING	BECOMES A SEQUENCE INSTEAD OF A COMPLETE MINGLING
244	00:16:08,868	00:16:10,834	OF THE 3 VOICES BECAUSE OF THE FACT	OF THE 3 VOICES BECAUSE OF THE FACT
245	00:16:10,901	00:16:13,400	THAT THE TWO LOWER VOICES SIMPLY ROUND OUT	THAT THE TWO LOWER VOICES SIMPLY ROUND OUT
246	00:16:13,467	00:16:14,743	AND COMPLETE THE BABBLING MELODY.	AND COMPLETE THE BABBLING MELODY.
247	00:16:14,767	00:16:17,167	NOW THE DESIRE OF THE MELODY TO FREE ITSELF	NOW THE DESIRE OF THE MELODY TO FREE ITSELF
248	00:16:17,234	00:16:18,477	FROM TONAL ACCESSORIES ARE MODEST,	FROM TONAL ACCESSORIES ARE MODEST,
249	00:16:18,501	00:16:19,868	WHICH IS THE ORIGINAL PURPOSE.	WHICH IS THE ORIGINAL PURPOSE.
250	00:16:19,934	00:16:21,334	THE INBORN URGE OF EVERY MELODY-	THE INBORN URGE OF EVERY MELODY-
251	00:16:21,400	00:16:22,567	NAMELY, TO ACHIEVE UNISON-	NAMELY, TO ACHIEVE UNISON-
252	00:16:22,634	00:16:24,300	IS IN THIS WAY ACCOMPLISHED.	IS IN THIS WAY ACCOMPLISHED.
253	00:16:24,367	00:16:26,467	THIS TECHNIQUE BY WHICH THE PARTS COMPLETE THEMSELVES	THIS TECHNIQUE BY WHICH THE PARTS COMPLETE THEMSELVES
254	00:16:26,534	00:16:27,710	IN THE POINT OF VIEW OF RHYTHM	IN THE POINT OF VIEW OF RHYTHM
255	00:16:27,734	00:16:32,133	IS DESIGNATED AS COMPLEMENTARY RHYTHMIC.	IS DESIGNATED AS COMPLEMENTARY RHYTHMIC.
256	00:16:32,200	00:16:34,667	IS IT ALL QUITE CLEAR TO YOU, MISS LISA?	IS IT ALL QUITE CLEAR TO YOU, MISS LISA?
257	00:17:05,534	00:17:08,133	PLEASE LET ME ALONE.	PLEASE LET ME ALONE.
258	00:17:08,200	00:17:09,367	IT'S QUITE IMPOSSIBLE.	IT'S QUITE IMPOSSIBLE.
259	00:17:09,434	00:17:10,434	WHAT'S IMPOSSIBLE?	WHAT'S IMPOSSIBLE?
260	00:17:12,667	00:17:14,200	GOING OUT WITH YOU,	GOING OUT WITH YOU,
261	00:17:14,267	00:17:16,033	LETTING YOU LIE TO THE PROFESSOR,	LETTING YOU LIE TO THE PROFESSOR,
262	00:17:16,100	00:17:17,300	THIS KISSING IN THE CORNER.	THIS KISSING IN THE CORNER.
263	00:17:17,367	00:17:18,501	IT ISN'T LIKE ME, I HATE IT.	IT ISN'T LIKE ME, I HATE IT.
264	00:17:20,701	00:17:22,234	MY MOTHER COMES HOME TOMORROW.	MY MOTHER COMES HOME TOMORROW.
265	00:17:22,300	00:17:24,200	I CAN'T LIE TO HER,	I CAN'T LIE TO HER,
266	00:17:24,267	00:17:25,701	BUT I'D HAVE TO.	BUT I'D HAVE TO.
267	00:17:27,667	00:17:28,734	I'LL SAY GOOD-BYE NOW.	I'LL SAY GOOD-BYE NOW.
268	00:17:28,801	00:17:30,534	NO, LISA, DEAR-	NO, LISA, DEAR-
269	00:17:30,601	00:17:32,067	WE MUST NEVER SEE EACH OTHER AGAIN.	WE MUST NEVER SEE EACH OTHER AGAIN.
270	00:17:32,133	00:17:33,300	PLEASE.	PLEASE.
271	00:17:33,367	00:17:35,033	YOU MUSTN'T EVEN THINK OF ME AGAIN.	YOU MUSTN'T EVEN THINK OF ME AGAIN.
272	00:17:48,267	00:17:49,400	DARLING,	DARLING,
273	00:17:49,467	00:17:50,467	COME HERE.	COME HERE.
274	00:17:52,467	00:17:53,467	YES, MOTHER.	YES, MOTHER.
275	00:17:58,167	00:18:00,133	THOSE TRAIN TRIPS ARE SO TIRING.	THOSE TRAIN TRIPS ARE SO TIRING.
276	00:18:00,200	00:18:03,334	I WISH I HAD THE COURAGE TO FLY.	I WISH I HAD THE COURAGE TO FLY.
277	00:18:03,400	00:18:05,167	WHAT DID YOU DO WHILE I WAS AWAY?	WHAT DID YOU DO WHILE I WAS AWAY?
278	00:18:06,501	00:18:07,567	OH...	OH...
279	00:18:07,634	00:18:08,901	NOT MUCH OF ANYTHING.	NOT MUCH OF ANYTHING.
280	00:18:08,968	00:18:10,968	GO ANYWHERE?	GO ANYWHERE?
281	00:18:11,033	00:18:12,033	YES,	YES,
282	00:18:13,767	00:18:15,133	THE OTHER DAY WITH HILDEGARD.	THE OTHER DAY WITH HILDEGARD.
283	00:18:17,367	00:18:18,834	WE WENT TO THE MOVIES.	WE WENT TO THE MOVIES.
284	00:18:18,901	00:18:20,801	WAS IT FUN?	WAS IT FUN?
285	00:18:20,868	00:18:22,501	MM-HMM.	MM-HMM.
286	00:18:22,567	00:18:25,067	IF MADAM WOULD COME OUTSIDE A MOMENT,	IF MADAM WOULD COME OUTSIDE A MOMENT,
287	00:18:25,133	00:18:27,300	THERE'S A WOMAN OUT THERE.	THERE'S A WOMAN OUT THERE.
288	00:18:27,367	00:18:28,534	I'LL COME AT ONCE.	I'LL COME AT ONCE.
289	00:18:31,234	00:18:32,634	HERE'S SOMETHING SPECIAL	HERE'S SOMETHING SPECIAL
290	00:18:32,701	00:18:34,834	FOR A LONG-LEGGED CHILD I USED TO KNOW.	FOR A LONG-LEGGED CHILD I USED TO KNOW.
291	00:18:54,267	00:18:56,234	MOMMY, MOMMY, COME HERE!	MOMMY, MOMMY, COME HERE!
292	00:18:57,734	00:18:59,801	MOMMY, COME AND LOOK!	MOMMY, COME AND LOOK!
293	00:18:59,868	00:19:00,868	QUICK!	QUICK!
294	00:19:02,667	00:19:03,667	MOMMY!	MOMMY!
295	00:19:05,133	00:19:08,000	OH, YOU DARLING! YOU ANGEL!	OH, YOU DARLING! YOU ANGEL!
296	00:19:08,067	00:19:10,267	OH, IT'S THE MOST BEAUTIFUL GOWN IN THE WHOLE WORLD.	OH, IT'S THE MOST BEAUTIFUL GOWN IN THE WHOLE WORLD.
297	00:19:11,567	00:19:13,367	WON'T I LOOK DRESSY?	WON'T I LOOK DRESSY?
298	00:19:13,434	00:19:14,901	A BACKLESS EVENING GOWN!	A BACKLESS EVENING GOWN!
299	00:19:14,968	00:19:16,801	THAT MAKES IT OFFICIAL, I AM GROWN UP.	THAT MAKES IT OFFICIAL, I AM GROWN UP.
300	00:19:16,868	00:19:19,267	OH, YOU'RE THE SWEETEST MOTHER IN THE WHOLE WORLD	OH, YOU'RE THE SWEETEST MOTHER IN THE WHOLE WORLD
301	00:19:19,334	00:19:20,367	AND I LOVE YOU SO MUCH.	AND I LOVE YOU SO MUCH.
302	00:19:20,434	00:19:21,300	AND I LOVE THE GOWN SO MUCH	AND I LOVE THE GOWN SO MUCH
303	00:19:21,367	00:19:22,667	AND I'M SO GLAD YOU'RE HOME-	AND I'M SO GLAD YOU'RE HOME-
304	00:19:22,734	00:19:24,267	WAS IT EXPENSIVE?	WAS IT EXPENSIVE?
305	00:19:24,334	00:19:27,100	DARLING, YOU MUST LET ME GO NOW.	DARLING, YOU MUST LET ME GO NOW.
306	00:19:27,167	00:19:29,133	THERE'S A WOMAN OUTSIDE I'VE GOT TO TALK TO.	THERE'S A WOMAN OUTSIDE I'VE GOT TO TALK TO.
307	00:19:29,200	00:19:30,200	OH, I'M SORRY.	OH, I'M SORRY.
308	00:19:30,267	00:19:31,767	BUT I WAS SO THRILLED.	BUT I WAS SO THRILLED.
309	00:19:50,767	00:19:51,767	YES?	YES?
310	00:19:54,767	00:19:55,810	BUT YOU KNOW YOU SHOULDN'T HAVE PHONED ME,	BUT YOU KNOW YOU SHOULDN'T HAVE PHONED ME,
311	00:19:55,834	00:19:57,200	I TOLD YOU I-	I TOLD YOU I-
312	00:19:59,067	00:20:00,701	ON NO, THAT'S QUITE IMPOSSIBLE.	ON NO, THAT'S QUITE IMPOSSIBLE.
313	00:20:02,200	00:20:03,834	NO, I TELL YOU I WON'T.	NO, I TELL YOU I WON'T.
314	00:20:05,901	00:20:07,701	NO, I'M GOING TO HANG UP NOW. I-	NO, I'M GOING TO HANG UP NOW. I-
315	00:20:09,434	00:20:10,968	YOU'RE GOING AWAY?	YOU'RE GOING AWAY?
316	00:20:12,567	00:20:14,601	YES, I HEARD YOU BUT-	YES, I HEARD YOU BUT-
317	00:20:14,667	00:20:16,534	I CAN'T MEET YOU.	I CAN'T MEET YOU.
318	00:20:18,934	00:20:20,567	OH, I-I COULDN'T DO THAT-	OH, I-I COULDN'T DO THAT-
319	00:20:21,868	00:20:23,868	NO, YOU MUSTN'T EXPECT ME.	NO, YOU MUSTN'T EXPECT ME.
320	00:20:23,934	00:20:25,501	YOU MUSTN'T EVEN WAIT FOR ME, I-	YOU MUSTN'T EVEN WAIT FOR ME, I-
321	00:20:27,267	00:20:29,968	NO, I'M AFRAID NOT.	NO, I'M AFRAID NOT.
322	00:20:30,033	00:20:31,033	NO.	NO.
323	00:20:32,367	00:20:33,734	YES.	YES.
324	00:20:50,934	00:20:52,367	WELL, WHAT DO YOU SAY, LET'S DANCE!	WELL, WHAT DO YOU SAY, LET'S DANCE!
325	00:21:26,267	00:21:29,033	I KNOW THIS ISN'T QUITE THE SORT OF PLACE FOR YOU, LISA, DEAR,	I KNOW THIS ISN'T QUITE THE SORT OF PLACE FOR YOU, LISA, DEAR,
326	00:21:29,100	00:21:32,267	BUT THERE'S CERTAINLY NOBODY HERE WHO COULD POSSIBLY KNOW YOU OR ME.	BUT THERE'S CERTAINLY NOBODY HERE WHO COULD POSSIBLY KNOW YOU OR ME.
327	00:21:32,334	00:21:33,701	I CAN ONLY STAY A HALF AN HOUR.	I CAN ONLY STAY A HALF AN HOUR.
328	00:21:33,767	00:21:34,834	HALF AN HOUR, ALL RIGHT.	HALF AN HOUR, ALL RIGHT.
329	00:21:37,667	00:21:38,734	WE WANT SOME DESSERT.	WE WANT SOME DESSERT.
330	00:21:44,033	00:21:45,234	ARE YOU STILL ANGRY WITH ME	ARE YOU STILL ANGRY WITH ME
331	00:21:45,300	00:21:46,300	FOR TELEPHONING YOU?	FOR TELEPHONING YOU?
332	00:21:46,367	00:21:48,501	I BEGGED YOU NOT TO DO IT.	I BEGGED YOU NOT TO DO IT.
333	00:21:48,567	00:21:49,567	I HAD TO SLIP OUT	I HAD TO SLIP OUT
334	00:21:49,634	00:21:50,434	AFTER MOTHER WENT TO BED.	AFTER MOTHER WENT TO BED.
335	00:21:50,501	00:21:52,167	I COULDN'T HELP IT.	I COULDN'T HELP IT.
336	00:21:52,234	00:21:54,343	IT WAS IMPOSSIBLE FOR ME TO LEAVE WITHOUT SEEING YOU AGAIN.	IT WAS IMPOSSIBLE FOR ME TO LEAVE WITHOUT SEEING YOU AGAIN.
337	00:21:54,367	00:21:55,367	LISA-	LISA-
338	00:22:01,734	00:22:02,868	ALL RIGHT, THANK YOU.	ALL RIGHT, THANK YOU.
339	00:22:07,067	00:22:09,400	WHY SO QUIET?	WHY SO QUIET?
340	00:22:09,467	00:22:11,601	AREN'T YOU JUST A LITTLE BIT HAPPY	AREN'T YOU JUST A LITTLE BIT HAPPY
341	00:22:11,667	00:22:13,834	WE CAN SEE EACH OTHER AGAIN	WE CAN SEE EACH OTHER AGAIN
342	00:22:13,901	00:22:15,868	ONCE MORE BEFORE I LEAVE.	ONCE MORE BEFORE I LEAVE.
343	00:22:15,934	00:22:17,934	WHERE ARE YOU GOING?	WHERE ARE YOU GOING?
344	00:22:18,000	00:22:19,434	PARIS,	PARIS,
345	00:22:19,501	00:22:21,367	TOMORROW.	TOMORROW.
346	00:22:21,434	00:22:23,100	WHEN WILL YOU BE BACK?	WHEN WILL YOU BE BACK?
347	00:22:23,167	00:22:26,067	I DON'T KNOW, PERHAPS...	I DON'T KNOW, PERHAPS...
348	00:22:26,133	00:22:28,834	WHAT I CAN'T REALIZE	WHAT I CAN'T REALIZE
349	00:22:28,901	00:22:30,834	IS GOING AWAY,	IS GOING AWAY,
350	00:22:30,901	00:22:32,300	LEAVING YOU.	LEAVING YOU.
351	00:22:50,267	00:22:56,300	ONE HOUR OF ROMANCE	ONE HOUR OF ROMANCE
352	00:22:56,367	00:22:59,567	I OWE TO YOU	I OWE TO YOU
353	00:23:01,133	00:23:04,934	ONE HOUR OF ROMANCE	ONE HOUR OF ROMANCE
354	00:23:05,033	00:23:09,734	WHEN MY KISSES WHIRL YOU	WHEN MY KISSES WHIRL YOU
355	00:23:11,133	00:23:15,133	YOU HELD ME NEAR YOU	YOU HELD ME NEAR YOU
356	00:23:15,200	00:23:19,968	CLOSE TO YOUR HEART	CLOSE TO YOUR HEART
357	00:23:20,033	00:23:23,734	I STILL CAN HEAR YOU SAY	I STILL CAN HEAR YOU SAY
358	00:23:23,801	00:23:28,834	"WE NEVER WILL PART"	"WE NEVER WILL PART"
359	00:23:28,901	00:23:33,200	WE PLANNED OUR FUTURE	WE PLANNED OUR FUTURE
360	00:23:33,267	00:23:37,467	AND WE REALLY BELIEVED IT	AND WE REALLY BELIEVED IT
361	00:23:37,534	00:23:42,467	THOUGH WE NEVER ACHIEVED IT	THOUGH WE NEVER ACHIEVED IT
362	00:23:42,534	00:23:47,367	ALL THAT ONLY WAS MEANT TO BE	ALL THAT ONLY WAS MEANT TO BE
363	00:23:47,434	00:23:53,701	ONE HOUR OF ROMANCE	ONE HOUR OF ROMANCE
364	00:23:54,968	00:23:56,767	A MEMORY...	A MEMORY...
365	00:23:59,067	00:24:03,901	ONE HOUR OF ROMANCE.	ONE HOUR OF ROMANCE.
366	00:24:03,968	00:24:11,667	THAT WAS HEAVEN TO ME	THAT WAS HEAVEN TO ME
367	00:24:12,968	00:24:15,300	THE MAN WHO KISSED ME YESTERDAY	THE MAN WHO KISSED ME YESTERDAY
368	00:24:15,367	00:24:17,901	WAS JUST A STRANGER, STRANGE TO SAY.	WAS JUST A STRANGER, STRANGE TO SAY.
369	00:24:17,968	00:24:21,901	LIFE WAS MEANT THAT WAY	LIFE WAS MEANT THAT WAY
370	00:24:21,968	00:24:24,634	THERE'S NO SUCH THING AS LOVE, I FIND,	THERE'S NO SUCH THING AS LOVE, I FIND,
371	00:24:24,701	00:24:27,567	IT'S JUST A MASK WE HIDE BEHIND.	IT'S JUST A MASK WE HIDE BEHIND.
372	00:24:27,634	00:24:31,234	AND THEN PRETEND WE'RE GAY	AND THEN PRETEND WE'RE GAY
373	00:24:31,300	00:24:34,033	WE SAY "THIS TIME IS REAL, AT LAST,"	WE SAY "THIS TIME IS REAL, AT LAST,"
374	00:24:34,133	00:24:36,234	AND AFTER LOVE HAS COME AND PASSED	AND AFTER LOVE HAS COME AND PASSED
375	00:24:36,300	00:24:39,968	WE BRUSH THE TEARS AWAY.	WE BRUSH THE TEARS AWAY.
376	00:24:40,033	00:24:42,601	BEFORE I GO STRAIGHT TO THE DEVIL	BEFORE I GO STRAIGHT TO THE DEVIL
377	00:24:42,667	00:24:45,767	I'LL BE FRANK AND ON THE LEVEL	I'LL BE FRANK AND ON THE LEVEL
378	00:24:45,834	00:24:51,434	BECAUSE I STILL REMEMBER-	BECAUSE I STILL REMEMBER-
379	00:24:51,501	00:24:58,033	ONE HOUR OF ROMANCE	ONE HOUR OF ROMANCE
380	00:24:58,100	00:25:02,000	I OWE TO YOU	I OWE TO YOU
381	00:25:02,067	00:25:07,167	ONE HOUR OF ROMANCE	ONE HOUR OF ROMANCE
382	00:25:07,234	00:25:11,400	WHEN MY KISSES WHIRL YOU	WHEN MY KISSES WHIRL YOU
383	00:25:12,901	00:25:15,267	YOU HELD ME NEAR	YOU HELD ME NEAR
384	00:25:17,734	00:25:21,567	CLOSE TO YOUR HEART	CLOSE TO YOUR HEART
385	00:25:21,634	00:25:26,133	I STILL CAN HEAR YOU SAY	I STILL CAN HEAR YOU SAY
386	00:25:26,200	00:25:29,267	"WE NEVER WILL PART"	"WE NEVER WILL PART"
387	00:25:40,000	00:25:43,667	WE PLANNED OUR FUTURE	WE PLANNED OUR FUTURE
388	00:25:43,734	00:25:47,400	AND WE REALLY BELIEVED IT	AND WE REALLY BELIEVED IT
389	00:25:47,467	00:25:49,701	I'LL REMEMBER OUR KISS-	I'LL REMEMBER OUR KISS-
390	00:26:09,567	00:26:12,667	WELL, WHAT'S THE MATTER WITH HER?	WELL, WHAT'S THE MATTER WITH HER?
391	00:26:12,734	00:26:14,100	NOTHING, I HOPE.	NOTHING, I HOPE.
392	00:26:16,734	00:26:17,734	WAITER, CHECK!	WAITER, CHECK!
393	00:26:17,801	00:26:18,801	RIGHT AWAY, SIR.	RIGHT AWAY, SIR.
394	00:26:21,234	00:26:22,300	BUT WHAT IS ALL THIS?	BUT WHAT IS ALL THIS?
395	00:26:22,367	00:26:23,868	NOTHING AT ALL, DEAR.	NOTHING AT ALL, DEAR.
396	00:26:23,934	00:26:25,100	THIS PLACE MAKES ME NERVOUS.	THIS PLACE MAKES ME NERVOUS.
397	00:26:25,167	00:26:26,667	LET'S GET AWAY FROM HERE.	LET'S GET AWAY FROM HERE.
398	00:26:26,734	00:26:28,100	YES, OF COURSE.	YES, OF COURSE.
399	00:26:34,133	00:26:36,534	GOOD EVENING, LADIES AND GENTLEMEN.	GOOD EVENING, LADIES AND GENTLEMEN.
400	00:26:36,601	00:26:37,881	BEFORE BEGINNING MY ENTERTAINMENT	BEFORE BEGINNING MY ENTERTAINMENT
401	00:26:37,934	00:26:39,134	I SHOULD LIKE TO ANNOUNCE THAT	I SHOULD LIKE TO ANNOUNCE THAT
402	00:26:39,167	00:26:41,200	THIS IS ALL STRICTLY ON THE LEVEL.	THIS IS ALL STRICTLY ON THE LEVEL.
403	00:26:41,267	00:26:43,267	NO TRICKERY, NO SLEIGHT OF HAND,	NO TRICKERY, NO SLEIGHT OF HAND,
404	00:26:43,334	00:26:44,734	NO FRAUD OR DECEIT.	NO FRAUD OR DECEIT.
405	00:26:44,801	00:26:46,667	I SHOOT GENUINE BULLETS COME.	I SHOOT GENUINE BULLETS COME.
406	00:26:46,734	00:26:48,200	AT GENUINE LIVING TARGETS.	AT GENUINE LIVING TARGETS.
407	00:26:48,267	00:26:51,534	UNLESS MY AIM IS PERFECT, AND MY HAND STEADY,	UNLESS MY AIM IS PERFECT, AND MY HAND STEADY,
408	00:26:51,601	00:26:54,534	EVERY SHOT WOULD BE FATAL.	EVERY SHOT WOULD BE FATAL.
409	00:27:03,968	00:27:05,634	MICHAEL MICHAILOW!	MICHAEL MICHAILOW!
410	00:27:21,501	00:27:23,901	YES, SIR.	YES, SIR.
411	00:27:23,968	00:27:25,033	THAT'S ALL I CAN TELL YOU	THAT'S ALL I CAN TELL YOU
412	00:27:25,100	00:27:27,467	ABOUT MY ASSOCIATION WITH MICHAEL MICHAILOW.	ABOUT MY ASSOCIATION WITH MICHAEL MICHAILOW.
413	00:27:27,534	00:27:29,234	HAS THE ATTORNEY FOR THE PROSECUTION	HAS THE ATTORNEY FOR THE PROSECUTION
414	00:27:29,300	00:27:31,300	ANY FURTHER QUESTIONS TO ASK THE WITNESS?	ANY FURTHER QUESTIONS TO ASK THE WITNESS?
415	00:27:31,367	00:27:34,167	YES, MISTER PRESIDENT.	YES, MISTER PRESIDENT.
416	00:27:34,234	00:27:35,701	WITNESS,	WITNESS,
417	00:27:35,767	00:27:37,200	SOMEWHERE BETWEEN THE TIME	SOMEWHERE BETWEEN THE TIME
418	00:27:37,267	00:27:40,534	WHEN THE ACCUSED FAINTED AND SHE SHOT MICHAEL MICHAILOW,	WHEN THE ACCUSED FAINTED AND SHE SHOT MICHAEL MICHAILOW,
419	00:27:40,601	00:27:43,801	DIDN'T YOU ASK HIM IF HE KNEW HER?	DIDN'T YOU ASK HIM IF HE KNEW HER?
420	00:27:43,868	00:27:46,234	IT HAS BEEN TESTIFIED THAT THE ACCUSED AND THE MURDERED MAN	IT HAS BEEN TESTIFIED THAT THE ACCUSED AND THE MURDERED MAN
421	00:27:46,300	00:27:48,334	STARED AT EACH OTHER FOR A LONG TIME	STARED AT EACH OTHER FOR A LONG TIME
422	00:27:48,400	00:27:50,200	AND THEN SHE SUDDENLY FAINTED.	AND THEN SHE SUDDENLY FAINTED.
423	00:27:50,267	00:27:52,334	THIS HAPPENED RIGHT IN FRONT OF YOU.	THIS HAPPENED RIGHT IN FRONT OF YOU.
424	00:27:52,400	00:27:54,234	DIDN'T YOU COUPLE THIS THINGS TOGETHER	DIDN'T YOU COUPLE THIS THINGS TOGETHER
425	00:27:54,300	00:27:55,634	IN YOUR OWN MIND?	IN YOUR OWN MIND?
426	00:27:55,701	00:27:58,334	I MEAN, DIDN'T THEY STRIKE YOU AS CAUSE AND EFFECT?	I MEAN, DIDN'T THEY STRIKE YOU AS CAUSE AND EFFECT?
427	00:27:58,400	00:27:59,834	WEREN'T YOU CURIOUS ABOUT IT?	WEREN'T YOU CURIOUS ABOUT IT?
428	00:27:59,901	00:28:02,167	DIDN'T YOU GET ANY EXPLANATION?	DIDN'T YOU GET ANY EXPLANATION?
429	00:28:02,234	00:28:03,467	NO, SIR.	NO, SIR.
430	00:28:03,534	00:28:05,167	NONE.	NONE.
431	00:28:05,234	00:28:07,167	THAT'S ALL. THANK YOU.	THAT'S ALL. THANK YOU.
432	00:28:07,234	00:28:09,767	ATTORNEY FOR THE DEFENSE?	ATTORNEY FOR THE DEFENSE?
433	00:28:09,834	00:28:11,567	WAIVE QUESTIONING.	WAIVE QUESTIONING.
434	00:28:11,634	00:28:14,267	YOU MAY SIT DOWN, WITNESS.	YOU MAY SIT DOWN, WITNESS.
435	00:28:14,334	00:28:16,133	MR. ATTORNEY FOR THE PROSECUTION,	MR. ATTORNEY FOR THE PROSECUTION,
436	00:28:16,200	00:28:18,767	DO YOU WISH TO CALL ANY MORE WITNESSES?	DO YOU WISH TO CALL ANY MORE WITNESSES?
437	00:28:18,834	00:28:19,834	NO, MR. PRESIDENT.	NO, MR. PRESIDENT.
438	00:28:21,200	00:28:22,300	AND THE DEFENSE?	AND THE DEFENSE?
439	00:28:22,367	00:28:24,667	WE'VE NO TESTIMONY TO OFFER.	WE'VE NO TESTIMONY TO OFFER.
440	00:28:24,734	00:28:27,767	ACCUSED, BY YOUR CONTINUED SILENCE	ACCUSED, BY YOUR CONTINUED SILENCE
441	00:28:27,834	00:28:30,767	YOU HAVE SO FAR OBSTRUCTED EVERY EFFORT OF THIS COURT	YOU HAVE SO FAR OBSTRUCTED EVERY EFFORT OF THIS COURT
442	00:28:30,834	00:28:33,701	TO REACH AN UNDERSTANDING OF YOUR CRIME.	TO REACH AN UNDERSTANDING OF YOUR CRIME.
443	00:28:33,767	00:28:38,133	YOU KILLED A HUMAN BEING.	YOU KILLED A HUMAN BEING.
444	00:28:38,200	00:28:39,200	WHY?	WHY?
445	00:28:42,601	00:28:44,100	I'VE NOTHING TO SAY.	I'VE NOTHING TO SAY.
446	00:28:44,167	00:28:46,234	YOU MUST HAVE STOOD IN SOME SORT OF RELATIONSHIP	YOU MUST HAVE STOOD IN SOME SORT OF RELATIONSHIP
447	00:28:46,300	00:28:47,767	TO THE MAN YOU SHOT.	TO THE MAN YOU SHOT.
448	00:28:49,767	00:28:52,334	SOMETHING MUST HAVE OCCURRED BETWEEN YOU IN THE PAST.	SOMETHING MUST HAVE OCCURRED BETWEEN YOU IN THE PAST.
449	00:28:55,200	00:28:58,000	IF YOU WILL ONLY TELL US WHAT IT WAS,	IF YOU WILL ONLY TELL US WHAT IT WAS,
450	00:28:58,067	00:29:00,133	PERHAPS WE, THE JUDGES AND THE JURY	PERHAPS WE, THE JUDGES AND THE JURY
451	00:29:00,200	00:29:02,467	WHO HAVE TO DECIDE YOUR FATE,	WHO HAVE TO DECIDE YOUR FATE,
452	00:29:02,534	00:29:04,767	WILL FIND MITIGATING CIRCUMSTANCES	WILL FIND MITIGATING CIRCUMSTANCES
453	00:29:04,834	00:29:06,567	WHICH WILL PERMIT US TO LOOK AT YOUR CRIME	WHICH WILL PERMIT US TO LOOK AT YOUR CRIME
454	00:29:06,634	00:29:07,934	IN A DIFFERENT LIGHT.	IN A DIFFERENT LIGHT.
455	00:29:08,000	00:29:11,133	CIRCUMSTANCES WHICH WILL JUSTIFY US	CIRCUMSTANCES WHICH WILL JUSTIFY US
456	00:29:11,200	00:29:15,200	PERHAPS IN LIGHTENING YOUR PUNISHMENT.	PERHAPS IN LIGHTENING YOUR PUNISHMENT.
457	00:29:15,267	00:29:17,267	MADAM KOWALSKA,	MADAM KOWALSKA,
458	00:29:17,334	00:29:19,133	IT IS A QUESTION OF YOUR LIFE.	IT IS A QUESTION OF YOUR LIFE.
459	00:29:24,334	00:29:25,443	Why don't you say something?	Why don't you say something?
460	00:29:25,467	00:29:28,067	WHAT DO YOU ALL WANT OF ME?	WHAT DO YOU ALL WANT OF ME?
461	00:29:28,133	00:29:30,200	I KILLED HIM.	I KILLED HIM.
462	00:29:30,267	00:29:31,701	SENTENCE ME.	SENTENCE ME.
463	00:29:44,067	00:29:46,567	THERE BEING NO FURTHER TESTIMONY,	THERE BEING NO FURTHER TESTIMONY,
464	00:29:46,634	00:29:47,834	WE WILL HEAR THE FINAL SPEECH	WE WILL HEAR THE FINAL SPEECH
465	00:29:47,901	00:29:49,701	OF THE ATTORNEY FOR THE PROSECUTIONS.	OF THE ATTORNEY FOR THE PROSECUTIONS.
466	00:29:53,200	00:29:55,310	MAY IT PLEASE THE HIGH COURT OF JUSTICE AND GENTLEMEN OF THE JURY,	MAY IT PLEASE THE HIGH COURT OF JUSTICE AND GENTLEMEN OF THE JURY,
467	00:29:55,334	00:29:57,300	I SHALL TAKE VERY LITTLE OF YOUR TIME.	I SHALL TAKE VERY LITTLE OF YOUR TIME.
468	00:29:59,133	00:30:03,000	THE ACCUSED ADMITTED HER GUILT WHEN SHE WAS ARRESTED.	THE ACCUSED ADMITTED HER GUILT WHEN SHE WAS ARRESTED.
469	00:30:03,067	00:30:04,834	IN ADDITION, YOU HAVE HEARD THE TESTIMONY	IN ADDITION, YOU HAVE HEARD THE TESTIMONY
470	00:30:04,901	00:30:07,701	OF MANY EYEWITNESSES OF THE CRIME.	OF MANY EYEWITNESSES OF THE CRIME.
471	00:30:07,767	00:30:09,167	IT WAS MURDER!-	IT WAS MURDER!-
472	00:30:09,234	00:30:13,167	DELIBERATE, PREMEDITATED, COLD-BLOODED MURDER!	DELIBERATE, PREMEDITATED, COLD-BLOODED MURDER!
473	00:30:13,234	00:30:15,467	BEFORE THE LAW, THE ACCUSED IS GUILTY-	BEFORE THE LAW, THE ACCUSED IS GUILTY-
474	00:30:15,534	00:30:17,334	GUILTY TO THE FULLEST EXTENT!	GUILTY TO THE FULLEST EXTENT!
475	00:30:17,400	00:30:20,200	IT'S OF NO IMPORTANCE WHAT HER MOTIVES MAY HAVE BEEN:	IT'S OF NO IMPORTANCE WHAT HER MOTIVES MAY HAVE BEEN:
476	00:30:20,267	00:30:22,834	JEALOUSY, HATE, REVENGE.	JEALOUSY, HATE, REVENGE.
477	00:30:22,901	00:30:25,968	YOU MUST NOT LET HER SILENCE INFLUENCE YOU, GENTLEMEN.	YOU MUST NOT LET HER SILENCE INFLUENCE YOU, GENTLEMEN.
478	00:30:26,033	00:30:30,133	IT MUST NOT AWAKEN IN YOU ANY SYMPATHY FOR HER WHATEVER!	IT MUST NOT AWAKEN IN YOU ANY SYMPATHY FOR HER WHATEVER!
479	00:30:30,200	00:30:32,701	IT'S MURDER, ISN'T IT?	IT'S MURDER, ISN'T IT?
480	00:30:32,767	00:30:34,701	MITIGATING CIRCUMSTANCES?	MITIGATING CIRCUMSTANCES?
481	00:30:34,767	00:30:36,868	THEY HAVEN'T PUT IN THEIR APPEARANCE YET.	THEY HAVEN'T PUT IN THEIR APPEARANCE YET.
482	00:30:36,934	00:30:38,667	YEAH, THAT'S ALL FOR NOW.	YEAH, THAT'S ALL FOR NOW.
483	00:30:38,734	00:30:40,734	HER LAWYER'S JUST STARTING HIS SPEECH TO THE JURY.	HER LAWYER'S JUST STARTING HIS SPEECH TO THE JURY.
484	00:30:40,801	00:30:43,033	HAVE YOU NOT ALL FELT,	HAVE YOU NOT ALL FELT,
485	00:30:43,100	00:30:45,100	GENTLEMEN OF THE JURY,	GENTLEMEN OF THE JURY,
486	00:30:45,167	00:30:48,267	THAT THE ACCUSED WAS FORCED TO KEEP SILENT?	THAT THE ACCUSED WAS FORCED TO KEEP SILENT?
487	00:30:48,334	00:30:51,868	BECAUSE SHE WAS SHAKEN TO THE DEPTH OF HER BEING,	BECAUSE SHE WAS SHAKEN TO THE DEPTH OF HER BEING,
488	00:30:51,934	00:30:56,467	INCAPABLE OF UTTERING A SINGLE WORD.	INCAPABLE OF UTTERING A SINGLE WORD.
489	00:30:56,534	00:30:58,834	HAVE YOU NEVER SEEN A HUMAN BEING	HAVE YOU NEVER SEEN A HUMAN BEING
490	00:30:58,901	00:31:03,067	WHOM A CRUSHING EXPERIENCE HAS RENDERED SPEECHLESS?	WHOM A CRUSHING EXPERIENCE HAS RENDERED SPEECHLESS?
491	00:31:03,133	00:31:06,501	SPEECHLESS WITH TERROR AND CONSTERNATION,	SPEECHLESS WITH TERROR AND CONSTERNATION,
492	00:31:06,567	00:31:09,901	SO COMPLETELY... SHATTERED	SO COMPLETELY... SHATTERED
493	00:31:09,968	00:31:12,934	AS TO BE ENTIRELY INDIFFERENT TO HER FATE.	AS TO BE ENTIRELY INDIFFERENT TO HER FATE.
494	00:31:14,467	00:31:16,767	SURELY IT WOULD HAVE BEEN A SIMPLE MATTER	SURELY IT WOULD HAVE BEEN A SIMPLE MATTER
495	00:31:16,834	00:31:20,901	FOR THE ACCUSED TO APPEAR BEFORE YOU AS A REPENTANT SINNER,	FOR THE ACCUSED TO APPEAR BEFORE YOU AS A REPENTANT SINNER,
496	00:31:20,968	00:31:23,934	AND TO HAVE INSISTED THAT THE MURDERED MAN HAD PERSECUTED HER	AND TO HAVE INSISTED THAT THE MURDERED MAN HAD PERSECUTED HER
497	00:31:24,000	00:31:25,934	WITH A LIFETIME OF TORTURE.	WITH A LIFETIME OF TORTURE.
498	00:31:26,033	00:31:28,968	IN SHORT, TO HAVE APPEALED TO YOUR PITY.	IN SHORT, TO HAVE APPEALED TO YOUR PITY.
499	00:31:29,033	00:31:32,601	THE SILENCE OF THE ACCUSED PLEADS NOT AGAINST HER,	THE SILENCE OF THE ACCUSED PLEADS NOT AGAINST HER,
500	00:31:32,667	00:31:33,901	BUT FOR HER!	BUT FOR HER!
501	00:31:33,968	00:31:35,009	I WILL ASK THE ATTORNEY FOR THE DEFENSE	I WILL ASK THE ATTORNEY FOR THE DEFENSE
502	00:31:35,033	00:31:36,567	TO PAUSE A MOMENT.	TO PAUSE A MOMENT.
503	00:31:36,634	00:31:38,534	CERTAINLY, MR. PRESIDENT.	CERTAINLY, MR. PRESIDENT.
504	00:31:38,601	00:31:39,968	THANK YOU. PUT IT DOWN THERE.	THANK YOU. PUT IT DOWN THERE.
505	00:31:42,334	00:31:44,067	IT IS MY DUTY TO PLACE BEFORE YOU	IT IS MY DUTY TO PLACE BEFORE YOU
506	00:31:44,133	00:31:46,901	CERTAIN INFORMATION WHICH HAS JUST REACHED ME.	CERTAIN INFORMATION WHICH HAS JUST REACHED ME.
507	00:31:46,968	00:31:49,234	THE POLICE DEPARTMENT HAS FOUND THIS SUITCASE	THE POLICE DEPARTMENT HAS FOUND THIS SUITCASE
508	00:31:49,300	00:31:51,033	IN THE BAGGAGE ROOM OF THE UNION STATION.	IN THE BAGGAGE ROOM OF THE UNION STATION.
509	00:31:51,100	00:31:53,300	IT IS THE PROPERTY OF THE ACCUSED.	IT IS THE PROPERTY OF THE ACCUSED.
510	00:31:53,367	00:31:55,834	IT IS POSSIBLE, THEREFORE, THAT IT CONTAINS EVIDENCE	IT IS POSSIBLE, THEREFORE, THAT IT CONTAINS EVIDENCE
511	00:31:55,901	00:31:58,434	WHICH MAY TELL US SOMETHING OF THE RELATIONSHIP	WHICH MAY TELL US SOMETHING OF THE RELATIONSHIP
512	00:31:58,501	00:32:01,801	BETWEEN MICHAEL MICHAILOW AND THE ACCUSED...	BETWEEN MICHAEL MICHAILOW AND THE ACCUSED...
513	00:32:01,868	00:32:04,567	A RELATIONSHIP WHICH THE ACCUSED HAS PERSISTENTLY	A RELATIONSHIP WHICH THE ACCUSED HAS PERSISTENTLY
514	00:32:04,634	00:32:07,100	REFUSED TO EXPLAIN.	REFUSED TO EXPLAIN.
515	00:32:07,167	00:32:08,801	SHOULD ITS CONTENTS PROVE TO HAVE	SHOULD ITS CONTENTS PROVE TO HAVE
516	00:32:08,868	00:32:10,501	SUCH A BEARING ON THIS CASE,	SUCH A BEARING ON THIS CASE,
517	00:32:10,567	00:32:12,000	I SHALL PROBABLY INSIST UPON	I SHALL PROBABLY INSIST UPON
518	00:32:12,067	00:32:14,767	RECALLING CERTAIN WITNESSES.	RECALLING CERTAIN WITNESSES.
519	00:32:14,834	00:32:15,868	OPEN THAT SUITCASE.	OPEN THAT SUITCASE.
520	00:32:15,934	00:32:17,567	NO. NO, NO!	NO. NO, NO!
521	00:32:25,100	00:32:27,667	MY CLIENT IS WILLING TO MAKE A FULL AND COMPLETE STATEMENT-	MY CLIENT IS WILLING TO MAKE A FULL AND COMPLETE STATEMENT-
522	00:32:29,434	00:32:31,844	BUT ONLY ON CONDITION THAT THE COURT DOES NOT OPEN THAT SUITCASE	BUT ONLY ON CONDITION THAT THE COURT DOES NOT OPEN THAT SUITCASE
523	00:32:31,868	00:32:33,701	UNTIL IT HAS HEARD WHAT SHE HAS TO SAY!	UNTIL IT HAS HEARD WHAT SHE HAS TO SAY!
524	00:32:33,767	00:32:35,868	CONDITIONS FROM THE ACCUSED?	CONDITIONS FROM THE ACCUSED?
525	00:32:35,934	00:32:37,734	TOO RIDICULOUS TO CONSIDER!	TOO RIDICULOUS TO CONSIDER!
526	00:32:37,801	00:32:39,100	THEN I'LL NEVER TALK!	THEN I'LL NEVER TALK!
527	00:32:39,167	00:32:41,448	THE HIGH COURT SHOULD NOT PERMIT ITSELF TO BE BLACKMAILED.	THE HIGH COURT SHOULD NOT PERMIT ITSELF TO BE BLACKMAILED.
528	00:32:41,501	00:32:43,901	I INSIST THAT THAT SUITCASE BE OPENED AT ONCE!	I INSIST THAT THAT SUITCASE BE OPENED AT ONCE!
529	00:32:43,968	00:32:47,000	I PROTEST AGAINST THE TONE AND MANNER OF THE ATTORNEY FOR THE PROSECUTION,	I PROTEST AGAINST THE TONE AND MANNER OF THE ATTORNEY FOR THE PROSECUTION,
530	00:32:47,067	00:32:50,200	AND I RESPECTFULLY ASK THE COURT TO GRANT THE REQUEST OF THE ACCUSED.	AND I RESPECTFULLY ASK THE COURT TO GRANT THE REQUEST OF THE ACCUSED.
531	00:32:50,267	00:32:53,033	THERE MUST BE ABSOLUTE QUIET AMONG THE SPECTATORS!	THERE MUST BE ABSOLUTE QUIET AMONG THE SPECTATORS!
532	00:32:53,100	00:32:55,467	OTHERWISE I WILL HAVE THE COURTROOM CLEARED.	OTHERWISE I WILL HAVE THE COURTROOM CLEARED.
533	00:32:59,334	00:33:02,100	THE ATTORNEY FOR THE PROSECUTION WILL BELIEVE WITH ME	THE ATTORNEY FOR THE PROSECUTION WILL BELIEVE WITH ME
534	00:33:02,167	00:33:04,100	THAT WE ALL HAVE ONLY ONE DESIRE,	THAT WE ALL HAVE ONLY ONE DESIRE,
535	00:33:04,167	00:33:06,601	AND THAT IS TO ARRIVE AT THE TRUTH.	AND THAT IS TO ARRIVE AT THE TRUTH.
536	00:33:06,667	00:33:09,634	I AM SURE WE SHALL ALL BE ACTING IN THE INTEREST OF JUSTICE	I AM SURE WE SHALL ALL BE ACTING IN THE INTEREST OF JUSTICE
537	00:33:09,701	00:33:11,701	BY PERMITTING THE ACCUSED TO TESTIFY.	BY PERMITTING THE ACCUSED TO TESTIFY.
538	00:33:11,767	00:33:13,400	I DON'T MEAN TO CRITICIZE THE MANNER	I DON'T MEAN TO CRITICIZE THE MANNER
539	00:33:13,467	00:33:16,000	IN WHICH THE COURT IS CONDUCTING THIS CASE, MR. PRESIDENT,	IN WHICH THE COURT IS CONDUCTING THIS CASE, MR. PRESIDENT,
540	00:33:16,067	00:33:18,868	BUT AS REPRESENTATIVE OF THE STATE, I MUST PROTEST!	BUT AS REPRESENTATIVE OF THE STATE, I MUST PROTEST!
541	00:33:18,934	00:33:22,200	OH, THE SUITCASE WILL NOT BE LOST WHILE WE LISTEN.	OH, THE SUITCASE WILL NOT BE LOST WHILE WE LISTEN.
542	00:33:22,267	00:33:24,234	THE ACCUSED WILL NOW MAKE HER STATEMENT.	THE ACCUSED WILL NOW MAKE HER STATEMENT.
543	00:33:28,801	00:33:31,167	BECAUSE OF INFORMATION WHICH MY CLIENT HAS JUST GIVEN ME,	BECAUSE OF INFORMATION WHICH MY CLIENT HAS JUST GIVEN ME,
544	00:33:31,234	00:33:33,901	I WISH TO CITE PARAGRAPH 48 OF THE CRIMINAL CODE.	I WISH TO CITE PARAGRAPH 48 OF THE CRIMINAL CODE.
545	00:33:33,968	00:33:37,000	WHAT SHE IS ABOUT TO SAY MAY BE A VIOLATION OF PUBLIC DECENCY.	WHAT SHE IS ABOUT TO SAY MAY BE A VIOLATION OF PUBLIC DECENCY.
546	00:33:37,067	00:33:39,167	THEREFORE, I MUST ASK THAT THE COURTROOM BE CLEARED	THEREFORE, I MUST ASK THAT THE COURTROOM BE CLEARED
547	00:33:39,234	00:33:41,868	AND HER STATEMENT BE HEARD BEHIND CLOSED DOORS!	AND HER STATEMENT BE HEARD BEHIND CLOSED DOORS!
548	00:33:50,267	00:33:53,367	THE REQUEST OF THE ATTORNEY FOR THE DEFENSE IS GRANTED.	THE REQUEST OF THE ATTORNEY FOR THE DEFENSE IS GRANTED.
549	00:33:53,434	00:33:56,701	THE TESTIMONY WILL BE HEARD BEHIND CLOSED DOORS.	THE TESTIMONY WILL BE HEARD BEHIND CLOSED DOORS.
550	00:33:56,767	00:33:57,767	CLEAR THE COURT.	CLEAR THE COURT.
551	00:34:05,734	00:34:08,667	THE WITNESSES WILL PLEASE HOLD THEMSELVES AVAILABLE	THE WITNESSES WILL PLEASE HOLD THEMSELVES AVAILABLE
552	00:34:08,734	00:34:10,601	OUTSIDE FOR FURTHER QUESTIONING.	OUTSIDE FOR FURTHER QUESTIONING.
553	00:34:29,801	00:34:32,434	NOBODY HAS ANY RIGHT TO PUSH PEOPLE OUT OF THE WAY.	NOBODY HAS ANY RIGHT TO PUSH PEOPLE OUT OF THE WAY.
554	00:34:44,133	00:34:46,467	ACCUSED, MAKE YOUR STATEMENT.	ACCUSED, MAKE YOUR STATEMENT.
555	00:34:55,200	00:34:59,234	IT WAS IN 1912, IN WARSAW.	IT WAS IN 1912, IN WARSAW.
556	00:35:22,234	00:35:29,834	I FEEL THE FLOOD WITHIN ME SURGE	I FEEL THE FLOOD WITHIN ME SURGE
557	00:35:29,901	00:35:36,968	I LIVE BUT FOR TODAY	I LIVE BUT FOR TODAY
558	00:35:37,033	00:35:44,300	I FEEL A WILD IMPULSIVE URGE	I FEEL A WILD IMPULSIVE URGE
559	00:35:44,367	00:35:51,934	TO GIVE MY SOUL AWAY	TO GIVE MY SOUL AWAY
560	00:35:52,000	00:35:56,100	THE MUSIC IN MY HEART SEEMS TO SING	THE MUSIC IN MY HEART SEEMS TO SING
561	00:35:56,167	00:35:58,767	DANCE WITH ME AS FAIR AS THE SPRING	DANCE WITH ME AS FAIR AS THE SPRING
562	00:35:58,834	00:36:02,267	HOLD ME TIGHT, KISS ME DEAR, FOR TONIGHT YOU CAN HEAR	HOLD ME TIGHT, KISS ME DEAR, FOR TONIGHT YOU CAN HEAR
563	00:36:02,334	00:36:05,033	THEM PRAY	THEM PRAY
564	00:36:05,100	00:36:11,634	MAZURKA RULES THE SAVAGE LIGHT	MAZURKA RULES THE SAVAGE LIGHT
565	00:36:11,701	00:36:17,801	AND GUIDES MY FOOLISH HEART	AND GUIDES MY FOOLISH HEART
566	00:36:17,868	00:36:21,968	SO DANCE WITH ME	SO DANCE WITH ME
567	00:36:22,033	00:36:25,067	AND KISS ME, MY LOVE	AND KISS ME, MY LOVE
568	00:36:25,133	00:36:29,234	TAKE MY LOVE	TAKE MY LOVE
569	00:36:29,300	00:36:33,067	IT'S YOURS DEAR, ALONE	IT'S YOURS DEAR, ALONE
570	00:36:33,133	00:36:37,667	I BELONG TO YOU	I BELONG TO YOU
571	00:36:44,634	00:36:49,501	TELL ME THAT YOU'RE...	TELL ME THAT YOU'RE...
572	00:37:44,234	00:37:45,634	LOUISE, TAKE THIS BASKET.	LOUISE, TAKE THIS BASKET.
573	00:37:45,701	00:37:48,667	PUT THOSE OVER THERE, AND THAT ONE THERE.	PUT THOSE OVER THERE, AND THAT ONE THERE.
574	00:37:48,734	00:37:50,100	YOU WERE MARVELOUS!	YOU WERE MARVELOUS!
575	00:37:50,167	00:37:52,167	THANK YOU, DEAR. YOU'RE SWEET. GOOD-BYE!	THANK YOU, DEAR. YOU'RE SWEET. GOOD-BYE!
576	00:37:52,234	00:37:53,801	GOOD-BYE! THANK YOU, DEAR.	GOOD-BYE! THANK YOU, DEAR.
577	00:37:53,868	00:37:56,367	WHAT DARLINGS. WHAT A HOUSE. WHAT A NIGHT!	WHAT DARLINGS. WHAT A HOUSE. WHAT A NIGHT!
578	00:37:56,434	00:37:58,868	WHAT FLOWERS! SOME OF THEM MUST BE ARTIFICIAL.	WHAT FLOWERS! SOME OF THEM MUST BE ARTIFICIAL.
579	00:37:58,934	00:38:00,801	STELLA, LOCK THAT DOOR. NO VISITORS.	STELLA, LOCK THAT DOOR. NO VISITORS.
580	00:38:00,868	00:38:02,310	VERA, YOU'RE A FOOL TO GIVE ALL THIS UP.	VERA, YOU'RE A FOOL TO GIVE ALL THIS UP.
581	00:38:02,334	00:38:03,567	OF COURSE I AM,	OF COURSE I AM,
582	00:38:03,634	00:38:05,400	BUT I'M SO HAPPY I COULD SCREAM!	BUT I'M SO HAPPY I COULD SCREAM!
583	00:38:05,467	00:38:06,868	WHAT'S MARRIAGE TO ALL THIS?	WHAT'S MARRIAGE TO ALL THIS?
584	00:38:06,934	00:38:08,601	NOW, I APPROVE OF MARRIAGE,	NOW, I APPROVE OF MARRIAGE,
585	00:38:08,667	00:38:11,200	AND I OUGHT TO KNOW- I'VE HAD 4 HUSBANDS,	AND I OUGHT TO KNOW- I'VE HAD 4 HUSBANDS,
586	00:38:11,267	00:38:13,033	TWO OF WHOM I REMEMBER.	TWO OF WHOM I REMEMBER.
587	00:38:13,100	00:38:14,834	I WISH I WERE A BIGGER STAR,	I WISH I WERE A BIGGER STAR,
588	00:38:14,901	00:38:17,167	THERE WAS MORE APPLAUSE, MORE FLOWERS,	THERE WAS MORE APPLAUSE, MORE FLOWERS,
589	00:38:17,234	00:38:18,934	SO I COULD GIVE UP MORE FOR LEONIDE.	SO I COULD GIVE UP MORE FOR LEONIDE.
590	00:38:19,000	00:38:20,701	YOU'RE RIGHT. I ENVY YOU.	YOU'RE RIGHT. I ENVY YOU.
591	00:38:20,767	00:38:21,801	WHAT'S THE MATTER, WANDA?	WHAT'S THE MATTER, WANDA?
592	00:38:21,868	00:38:23,367	MICHAEL STRAYING AGAIN?	MICHAEL STRAYING AGAIN?
593	00:38:25,100	00:38:26,267	WON'T SEE ME ANYMORE.	WON'T SEE ME ANYMORE.
594	00:38:26,334	00:38:27,400	HARDLY EVER SPEAKS TO ME.	HARDLY EVER SPEAKS TO ME.
595	00:38:28,567	00:38:30,701	SEE WHO IT IS, LOUISE-	SEE WHO IT IS, LOUISE-
596	00:38:30,767	00:38:32,133	THEN I SHAN'T NEED YOU ANYMORE.	THEN I SHAN'T NEED YOU ANYMORE.
597	00:38:37,767	00:38:38,767	HELLO, MICHAEL.	HELLO, MICHAEL.
598	00:38:38,834	00:38:39,834	EVENING.	EVENING.
599	00:38:41,901	00:38:43,133	HELLO.	HELLO.
600	00:38:43,200	00:38:45,400	VERA, MY DEAR, THANK YOU SO MUCH FOR THIS EVENING.	VERA, MY DEAR, THANK YOU SO MUCH FOR THIS EVENING.
601	00:38:45,467	00:38:48,234	YOU WERE A MAGNIFICENT VOICE AND YOU DANCED LIKE A DREAM.	YOU WERE A MAGNIFICENT VOICE AND YOU DANCED LIKE A DREAM.
602	00:38:48,300	00:38:49,734	IT WAS ALL YOUR MUSIC.	IT WAS ALL YOUR MUSIC.
603	00:38:49,801	00:38:52,200	OH, TO THINK I SHALL NEVER CONDUCT FOR YOU AGAIN.	OH, TO THINK I SHALL NEVER CONDUCT FOR YOU AGAIN.
604	00:38:52,267	00:38:54,000	YOU WERE SUPERB.	YOU WERE SUPERB.
605	00:38:54,067	00:38:57,067	WE WERE ALL SUPERB. CONSIDERING WHAT WE HAD TO SING!	WE WERE ALL SUPERB. CONSIDERING WHAT WE HAD TO SING!
606	00:39:02,634	00:39:05,100	YOU KNOW, MICHAEL, YOU OUGHT TO BE KINDER TO WANDA.	YOU KNOW, MICHAEL, YOU OUGHT TO BE KINDER TO WANDA.
607	00:39:05,167	00:39:07,300	AH, WANDA. ANCIENT HISTORY.	AH, WANDA. ANCIENT HISTORY.
608	00:39:07,367	00:39:08,601	AS USUAL WITH YOU.	AS USUAL WITH YOU.
609	00:39:08,667	00:39:10,143	NOW VERA, DON'T FLY THROUGH ALL OF MY HABITS.	NOW VERA, DON'T FLY THROUGH ALL OF MY HABITS.
610	00:39:10,167	00:39:11,267	THEY'RE VERY REGULAR.	THEY'RE VERY REGULAR.
611	00:39:11,334	00:39:12,434	THE BAD ONES, TOO.	THE BAD ONES, TOO.
612	00:39:14,434	00:39:16,667	HOW'D YOU LIKE MY FLOWERS?	HOW'D YOU LIKE MY FLOWERS?
613	00:39:16,734	00:39:18,810	YOUR FLOWERS WERE THE MOST BEAUTIFUL THAT I'VE EVER SEEN.	YOUR FLOWERS WERE THE MOST BEAUTIFUL THAT I'VE EVER SEEN.
614	00:39:18,834	00:39:20,601	THE MOST BEAUTIFUL, PERHAPS, BUT I FEAR	THE MOST BEAUTIFUL, PERHAPS, BUT I FEAR
615	00:39:20,667	00:39:22,767	NOT AS IMPORTANT TO YOU AS THESE-	NOT AS IMPORTANT TO YOU AS THESE-
616	00:39:22,834	00:39:26,567	"FROM YOUR ADORING HUSBAND-TO-BE, LEONIDE."	"FROM YOUR ADORING HUSBAND-TO-BE, LEONIDE."
617	00:39:26,634	00:39:28,033	OH, MY DEAR VERA.	OH, MY DEAR VERA.
618	00:39:28,100	00:39:29,868	YOU'RE A FOOL, YOU'RE AN IDIOT!	YOU'RE A FOOL, YOU'RE AN IDIOT!
619	00:39:29,934	00:39:31,877	YOU CAN'T GIVE UP ALL THIS FOR A SILLY WEDDING RING.	YOU CAN'T GIVE UP ALL THIS FOR A SILLY WEDDING RING.
620	00:39:31,901	00:39:33,400	SILLY WEDDING RING?	SILLY WEDDING RING?
621	00:39:33,467	00:39:35,167	YOU SCOFF AT MARRIAGE, DON'T YOU, MICHAEL?	YOU SCOFF AT MARRIAGE, DON'T YOU, MICHAEL?
622	00:39:35,234	00:39:37,434	BUT YOU BELONG HERE! YOU'RE AN ARTIST.	BUT YOU BELONG HERE! YOU'RE AN ARTIST.
623	00:39:37,501	00:39:39,210	YOU'LL NEVER BE CONTENTED LIVING OUT YOUR LIFE	YOU'LL NEVER BE CONTENTED LIVING OUT YOUR LIFE
624	00:39:39,234	00:39:42,267	WITH A... WITH A DULL, STOLID SOLDIER.	WITH A... WITH A DULL, STOLID SOLDIER.
625	00:39:42,334	00:39:44,467	NOT VERY COMPLIMENTARY TO MY FIANCE.	NOT VERY COMPLIMENTARY TO MY FIANCE.
626	00:39:44,534	00:39:47,801	I HOPE HE BEATS YOU DAILY TILL YOU'RE BLACK AND BLUE.	I HOPE HE BEATS YOU DAILY TILL YOU'RE BLACK AND BLUE.
627	00:39:47,868	00:39:49,901	OH HO! YOU'RE HOPELESS.	OH HO! YOU'RE HOPELESS.
628	00:39:53,968	00:39:57,267	OH, SILLY, RIDICULOUS WOMAN.	OH, SILLY, RIDICULOUS WOMAN.
629	00:39:57,334	00:40:00,534	YOU KNOW THAT I'M TRAGICALLY IN LOVE WITH YOU.	YOU KNOW THAT I'M TRAGICALLY IN LOVE WITH YOU.
630	00:40:00,601	00:40:03,000	HOW CAN YOU BE SO CRUEL AS TO LEAVE ME LIKE THIS?	HOW CAN YOU BE SO CRUEL AS TO LEAVE ME LIKE THIS?
631	00:40:05,234	00:40:06,634	NOW, MICHAEL,	NOW, MICHAEL,
632	00:40:06,701	00:40:09,300	I'VE KNOWN YOU TOO LONG AND TOO WELL.	I'VE KNOWN YOU TOO LONG AND TOO WELL.
633	00:40:09,367	00:40:12,734	YOU KNOW NOTHING ABOUT REAL LOVE, BECAUSE YOU LOVE ONLY YOURSELF.	YOU KNOW NOTHING ABOUT REAL LOVE, BECAUSE YOU LOVE ONLY YOURSELF.
634	00:40:12,801	00:40:14,801	YOU MAY BE ABLE TO FOOL OTHER WOMEN,	YOU MAY BE ABLE TO FOOL OTHER WOMEN,
635	00:40:14,868	00:40:17,868	BUT YOU DON'T IMPRESS ME ONE LITTLE BIT.	BUT YOU DON'T IMPRESS ME ONE LITTLE BIT.
636	00:40:17,934	00:40:20,033	ALL RIGHT, GET MARRIED!	ALL RIGHT, GET MARRIED!
637	00:40:20,100	00:40:23,267	BUT I WARN YOU: I'LL NEVER REST UNTIL I'VE GOT YOU BACK WHERE YOU BELONG,	BUT I WARN YOU: I'LL NEVER REST UNTIL I'VE GOT YOU BACK WHERE YOU BELONG,
638	00:40:23,334	00:40:25,367	EVEN IF I HAVE TO COMPROMISE YOU.	EVEN IF I HAVE TO COMPROMISE YOU.
639	00:40:25,434	00:40:26,934	YES?	YES?
640	00:40:30,100	00:40:31,567	WONDERFUL OPERA, MICHAEL.	WONDERFUL OPERA, MICHAEL.
641	00:40:31,634	00:40:32,734	THANKS.	THANKS.
642	00:40:32,801	00:40:34,410	I'VE JUST BEEN TRYING TO PERSUADE YOUR FIANCEE	I'VE JUST BEEN TRYING TO PERSUADE YOUR FIANCEE
643	00:40:34,434	00:40:35,934	TO RUN AWAY WITH ME.	TO RUN AWAY WITH ME.
644	00:40:36,000	00:40:37,701	I'VE CHANGED MY MIND ABOUT THAT OPERA.	I'VE CHANGED MY MIND ABOUT THAT OPERA.
645	00:40:37,767	00:40:38,810	I THINK IT'S PRETTY TERRIBLE.	I THINK IT'S PRETTY TERRIBLE.
646	00:40:38,834	00:40:40,133	THAT'S WHAT I'VE ALWAYS SAID.	THAT'S WHAT I'VE ALWAYS SAID.
647	00:40:40,200	00:40:41,467	BUT NOBODY WOULD BELIEVE ME.	BUT NOBODY WOULD BELIEVE ME.
648	00:40:45,033	00:40:47,934	WELL, YOU TWO... WORST OF LUCK.	WELL, YOU TWO... WORST OF LUCK.
649	00:40:52,133	00:40:54,601	MY NAME IS LEONIDE KIROW.	MY NAME IS LEONIDE KIROW.
650	00:40:54,667	00:40:56,267	MINE'S VERA KOWALSKA.	MINE'S VERA KOWALSKA.
651	00:41:00,667	00:41:02,167	AH, NOW I REMEMBER YOU!	AH, NOW I REMEMBER YOU!
652	00:41:02,234	00:41:03,343	I THOUGHT YOU LOOKED FAMILIAR.	I THOUGHT YOU LOOKED FAMILIAR.
653	00:41:03,367	00:41:04,643	ARE YOU DOING ANYTHING TOMORROW?	ARE YOU DOING ANYTHING TOMORROW?
654	00:41:04,667	00:41:05,767	GETTING MARRIED.	GETTING MARRIED.
655	00:41:05,834	00:41:07,434	THAT'S FUNNY. SO AM I.	THAT'S FUNNY. SO AM I.
656	00:41:07,501	00:41:10,634	ARE YOU GOING TO HATE ME FOR TAKING YOU AWAY FROM ALL THIS?	ARE YOU GOING TO HATE ME FOR TAKING YOU AWAY FROM ALL THIS?
657	00:41:10,701	00:41:12,968	NICE LITTLE WORD FOR MY COOKING NOW AND THEN-	NICE LITTLE WORD FOR MY COOKING NOW AND THEN-
658	00:41:13,033	00:41:14,367	THAT'S ALL THE APPLAUSE I WANT.	THAT'S ALL THE APPLAUSE I WANT.
659	00:41:14,434	00:41:16,968	YOU KNOW, SEEING YOU LIKE THIS ON A STAGE-	YOU KNOW, SEEING YOU LIKE THIS ON A STAGE-
660	00:41:17,033	00:41:20,067	OH, I KNOW IT'S JUST ACTING, BUT...	OH, I KNOW IT'S JUST ACTING, BUT...
661	00:41:20,133	00:41:21,968	I COULD'VE KILLED THAT MAN.	I COULD'VE KILLED THAT MAN.
662	00:41:22,033	00:41:24,267	YOU'LL NEVER HAVE TO FEEL THAT WAY AGAIN.	YOU'LL NEVER HAVE TO FEEL THAT WAY AGAIN.
663	00:41:25,567	00:41:26,601	MY NAME IS LEONIDE-	MY NAME IS LEONIDE-
664	00:41:26,667	00:41:27,907	I DON'T CARE WHAT YOUR NAME IS.	I DON'T CARE WHAT YOUR NAME IS.
665	00:41:27,968	00:41:29,400	I LOVE YOU.	I LOVE YOU.
666	00:41:31,000	00:41:33,200	JUST LET ME...	JUST LET ME...
667	00:42:00,167	00:42:01,400	IS IT SERIOUS, DOCTOR?	IS IT SERIOUS, DOCTOR?
668	00:42:01,467	00:42:05,334	SERIOUS! THERE'S NOTHING THE MATTER WITH YOUR BABY.	SERIOUS! THERE'S NOTHING THE MATTER WITH YOUR BABY.
669	00:42:05,400	00:42:08,467	MY DEAR, YOUNG BABE.	MY DEAR, YOUNG BABE.
670	00:42:08,534	00:42:10,901	GOOD NIGHT, SCHNICKELPITZ.	GOOD NIGHT, SCHNICKELPITZ.
671	00:42:10,968	00:42:14,067	UNCLE DOCTOR'S GOING NOW...	UNCLE DOCTOR'S GOING NOW...
672	00:42:14,133	00:42:16,834	TO GIVE OTHER MOTHERS A CHANCE TO WAKE HIM UP.	TO GIVE OTHER MOTHERS A CHANCE TO WAKE HIM UP.
673	00:42:16,901	00:42:18,767	THERE'S A GOOD GIRL.	THERE'S A GOOD GIRL.
674	00:42:21,133	00:42:22,801	GOOD NIGHT, DARLING.	GOOD NIGHT, DARLING.
675	00:42:22,868	00:42:24,267	GOOD NIGHT, DARLING!	GOOD NIGHT, DARLING!
676	00:42:24,334	00:42:25,434	GOOD NIGHT, MAMA.	GOOD NIGHT, MAMA.
677	00:42:39,667	00:42:41,200	HEARD FROM YOUR HUSBAND LATELY?	HEARD FROM YOUR HUSBAND LATELY?
678	00:42:41,267	00:42:42,434	ONLY LAST WEEK.	ONLY LAST WEEK.
679	00:42:42,501	00:42:44,009	HE SAID THERE WAS SOME PRETTY HEAVY FIGHTING,	HE SAID THERE WAS SOME PRETTY HEAVY FIGHTING,
680	00:42:44,033	00:42:45,610	BUT HE WASN'T EVEN SCRATCHED, THANK HEAVEN.	BUT HE WASN'T EVEN SCRATCHED, THANK HEAVEN.
681	00:42:45,634	00:42:47,334	FINE, FINE.	FINE, FINE.
682	00:42:47,400	00:42:49,667	THE ONLY PROBLEM HE HAS IS PHYSICAL.	THE ONLY PROBLEM HE HAS IS PHYSICAL.
683	00:42:49,734	00:42:52,567	THE MINUTE THE SHELLS START TO FALL, HE RUNS FOR THE NEAREST GENERAL.	THE MINUTE THE SHELLS START TO FALL, HE RUNS FOR THE NEAREST GENERAL.
684	00:42:56,601	00:42:58,267	SORRY I GOT YOU OUT OF BED, DOCTOR.	SORRY I GOT YOU OUT OF BED, DOCTOR.
685	00:42:58,334	00:43:01,200	BUT HER EYES LOOKED SO FEVERISH ALL EVENING.	BUT HER EYES LOOKED SO FEVERISH ALL EVENING.
686	00:43:01,267	00:43:03,434	ARE YOU SURE- OF COURSE I'M SURE.	ARE YOU SURE- OF COURSE I'M SURE.
687	00:43:03,501	00:43:05,334	YOUR CHILD'S IN PERFECT HEALTH.	YOUR CHILD'S IN PERFECT HEALTH.
688	00:43:05,400	00:43:07,133	IT'S YOU I'M WORRIED ABOUT.	IT'S YOU I'M WORRIED ABOUT.
689	00:43:07,200	00:43:10,167	WHY DO YOU COOP YOURSELF UP HERE LIKE A HERMIT HEN?	WHY DO YOU COOP YOURSELF UP HERE LIKE A HERMIT HEN?
690	00:43:10,234	00:43:11,801	LET ME TELL YOU SOMETHING:	LET ME TELL YOU SOMETHING:
691	00:43:11,868	00:43:13,767	IF YOUR BABY EVER GETS SICK OF ANYTHING,	IF YOUR BABY EVER GETS SICK OF ANYTHING,
692	00:43:13,834	00:43:15,667	IT'LL BE YOU.	IT'LL BE YOU.
693	00:43:15,734	00:43:17,501	GIVE HER A VACATION.	GIVE HER A VACATION.
694	00:43:17,567	00:43:19,667	TAKE ONE YOURSELF.	TAKE ONE YOURSELF.
695	00:43:19,734	00:43:22,067	LET A NURSE TAKE CARE OF HER.	LET A NURSE TAKE CARE OF HER.
696	00:43:22,133	00:43:24,834	YES, BUT... YOU DON'T UNDERSTAND, DOCTOR.	YES, BUT... YOU DON'T UNDERSTAND, DOCTOR.
697	00:43:24,901	00:43:26,634	YOU SEE, YOU'RE NOT A MOTHER.	YOU SEE, YOU'RE NOT A MOTHER.
698	00:43:26,701	00:43:28,467	DON'T CHANGE THE SUBJECT.	DON'T CHANGE THE SUBJECT.
699	00:43:28,534	00:43:31,968	YOU'VE BEEN INVITED EVERYWHERE; YOU GO NOWHERE.	YOU'VE BEEN INVITED EVERYWHERE; YOU GO NOWHERE.
700	00:43:32,033	00:43:34,467	LIVE THE PASSION. SEE PEOPLE-HA HA-	LIVE THE PASSION. SEE PEOPLE-HA HA-
701	00:43:34,534	00:43:36,234	ESPECIALLY AMUSING PEOPLE,	ESPECIALLY AMUSING PEOPLE,
702	00:43:36,300	00:43:38,133	if you can find any.	if you can find any.
703	00:43:38,200	00:43:39,443	YOU'RE COMING IN TOMORROW, AREN'T YOU?	YOU'RE COMING IN TOMORROW, AREN'T YOU?
704	00:43:39,467	00:43:40,767	I AM NOT!	I AM NOT!
705	00:43:40,834	00:43:44,167	I'M GOING HOME, I'M GOING TO STAY THERE,	I'M GOING HOME, I'M GOING TO STAY THERE,
706	00:43:44,234	00:43:46,033	AND LEARN HOW TO BECOME A MOTHER.	AND LEARN HOW TO BECOME A MOTHER.
707	00:43:46,100	00:43:47,300	HA HA! GOOD NIGHT.	HA HA! GOOD NIGHT.
708	00:44:25,968	00:44:28,000	HEY, IT'S VERA!	HEY, IT'S VERA!
709	00:44:28,067	00:44:29,167	STELLA!	STELLA!
710	00:44:29,234	00:44:30,801	FORGIVE ME-	FORGIVE ME-
711	00:44:30,868	00:44:33,000	LOOK, LOOK, IT'S VERA!	LOOK, LOOK, IT'S VERA!
712	00:44:36,200	00:44:38,200	WE'VE A WONDERFUL TABLE OVER HERE	WE'VE A WONDERFUL TABLE OVER HERE
713	00:44:38,267	00:44:41,067	RESERVED JUST FOR MEMBERS OF THE OPERA.	RESERVED JUST FOR MEMBERS OF THE OPERA.
714	00:44:41,133	00:44:43,000	GLAD TO HAVE YOU BACK WITH US AGAIN.	GLAD TO HAVE YOU BACK WITH US AGAIN.
715	00:44:49,234	00:44:50,934	LADIES AND GENTLEMEN!	LADIES AND GENTLEMEN!
716	00:44:51,000	00:44:53,367	TAKE YOUR PARTNERS FOR THE MAZURKA!	TAKE YOUR PARTNERS FOR THE MAZURKA!
717	00:45:25,701	00:45:27,634	MAY I HAVE THIS DANCE, MADAM KIROW?	MAY I HAVE THIS DANCE, MADAM KIROW?
718	00:45:27,701	00:45:28,767	MICHAEL!	MICHAEL!
719	00:45:28,834	00:45:30,200	YOU LEFT ME AFTER ONE MAZURKA;	YOU LEFT ME AFTER ONE MAZURKA;
720	00:45:30,267	00:45:31,343	WE MEET AGAIN TO THE TUNE OF ANOTHER.	WE MEET AGAIN TO THE TUNE OF ANOTHER.
721	00:45:31,367	00:45:32,367	WHAT A COINCIDENCE!	WHAT A COINCIDENCE!
722	00:45:32,434	00:45:33,510	OH, NO, NO. I ASKED THEM TO PLAY IT	OH, NO, NO. I ASKED THEM TO PLAY IT
723	00:45:33,534	00:45:34,834	ESPECIALLY FOR US.	ESPECIALLY FOR US.
724	00:45:34,901	00:45:36,234	SAME OLD MICHAEL.	SAME OLD MICHAEL.
725	00:45:36,300	00:45:39,767	WELL, INTO EACH PARTY A LITTLE RAIN MUST FALL.	WELL, INTO EACH PARTY A LITTLE RAIN MUST FALL.
726	00:45:39,834	00:45:40,767	SHALL WE DANCE?	SHALL WE DANCE?
727	00:45:40,834	00:45:41,901	THANK YOU.	THANK YOU.
728	00:45:43,634	00:45:45,167	WELL, HOW HAVE YOU BEEN, VERA DEAR?	WELL, HOW HAVE YOU BEEN, VERA DEAR?
729	00:45:45,234	00:45:46,634	HAPPY.	HAPPY.
730	00:45:46,701	00:45:48,834	JUST NOW, A NURSERY'S MY WORLD.	JUST NOW, A NURSERY'S MY WORLD.
731	00:45:48,901	00:45:50,234	I FIND IT VERY EXCITING.	I FIND IT VERY EXCITING.
732	00:45:50,300	00:45:52,180	GOOD, I'M SO GLAD YOU WERE ABLE TO COME TONIGHT.	GOOD, I'M SO GLAD YOU WERE ABLE TO COME TONIGHT.
733	00:45:52,234	00:45:53,534	I SENT YOU THAT INVITATION.	I SENT YOU THAT INVITATION.
734	00:45:53,601	00:45:54,667	YOU DID? YES.	YOU DID? YES.
735	00:45:54,734	00:45:56,367	THE FIRST STEP IN MY...	THE FIRST STEP IN MY...
736	00:45:56,434	00:45:58,300	"GET VERA OUT OF THE NURSERY" CAMPAIGN.	"GET VERA OUT OF THE NURSERY" CAMPAIGN.
737	00:47:10,100	00:47:12,267	ANYWAY, I ENJOYED IT VERY MUCH.	ANYWAY, I ENJOYED IT VERY MUCH.
738	00:47:12,334	00:47:14,133	WELL, I'M GLAD ONE OF US DID.	WELL, I'M GLAD ONE OF US DID.
739	00:47:18,701	00:47:20,167	REMEMBER, WE HAVE THE NEXT DANCE.	REMEMBER, WE HAVE THE NEXT DANCE.
740	00:47:20,234	00:47:21,300	CERTAINLY.	CERTAINLY.
741	00:47:21,367	00:47:22,901	WON'T YOU INTRODUCE ME?	WON'T YOU INTRODUCE ME?
742	00:47:22,968	00:47:24,868	OF COURSE. UM...	OF COURSE. UM...
743	00:47:24,934	00:47:27,234	VERA, THIS IS XENIA, A NEW MEMBER OF OUR OPERA COMPANY.	VERA, THIS IS XENIA, A NEW MEMBER OF OUR OPERA COMPANY.
744	00:47:27,300	00:47:28,234	MADAM KIROW.	MADAM KIROW.
745	00:47:28,300	00:47:29,467	HOW DO YOU DO.	HOW DO YOU DO.
746	00:47:29,534	00:47:30,534	CHARMED.	CHARMED.
747	00:47:33,801	00:47:36,100	ISN'T THERE SOME WINE AROUND HERE SOMEWHERE?	ISN'T THERE SOME WINE AROUND HERE SOMEWHERE?
748	00:47:36,167	00:47:37,367	OH HO HO!	OH HO HO!
749	00:47:45,400	00:47:48,534	OH, NOW THAT'S THE LAST DANCE, AND WHAT A PITY!	OH, NOW THAT'S THE LAST DANCE, AND WHAT A PITY!
750	00:47:48,601	00:47:51,000	JUST WHEN WE WERE HAVING SUCH A GOOD TIME!	JUST WHEN WE WERE HAVING SUCH A GOOD TIME!
751	00:47:51,067	00:47:52,868	WAIT A MINUTE! I'VE GOT AN IDEA.	WAIT A MINUTE! I'VE GOT AN IDEA.
752	00:47:52,934	00:47:54,133	LET'S CONTINUE AT MY PLACE.	LET'S CONTINUE AT MY PLACE.
753	00:49:00,634	00:49:03,801	OH, DANCE WITH ME	OH, DANCE WITH ME
754	00:49:03,868	00:49:07,801	AND GIVE ME MY OWN	AND GIVE ME MY OWN
755	00:49:07,868	00:49:10,567	TAKE MY LOVE	TAKE MY LOVE
756	00:49:10,634	00:49:15,100	IT'S YOURS AND YOURS ALONE	IT'S YOURS AND YOURS ALONE
757	00:49:15,167	00:49:19,968	I BELONG TO YOU	I BELONG TO YOU
758	00:49:25,767	00:49:33,334	TELL ME THAT YOU'RE MINE	TELL ME THAT YOU'RE MINE
759	00:49:40,767	00:49:42,534	I BELONG TO YOU	I BELONG TO YOU
760	00:49:42,601	00:49:49,033	TELL ME THAT YOU'RE MINE	TELL ME THAT YOU'RE MINE
761	00:49:55,567	00:49:57,834	A BEAUTIFUL VOICE.	A BEAUTIFUL VOICE.
762	00:49:57,901	00:50:00,701	A BEAUTIFUL VOICE LIKE THAT WASTED ON US.	A BEAUTIFUL VOICE LIKE THAT WASTED ON US.
763	00:50:05,033	00:50:06,667	WHO CAN FEEL A DRINK?	WHO CAN FEEL A DRINK?
764	00:50:12,767	00:50:13,767	NO!	NO!
765	00:50:13,801	00:50:15,400	COME ON, NOW.	COME ON, NOW.
766	00:50:15,467	00:50:17,501	PLEASE! PLEASE!	PLEASE! PLEASE!
767	00:50:17,567	00:50:19,400	I'M DIZZY.	I'M DIZZY.
768	00:50:29,601	00:50:31,767	PLEASE! OH, MICHAEL!	PLEASE! OH, MICHAEL!
769	00:50:31,834	00:50:33,634	OH! OH!	OH! OH!
770	00:50:33,701	00:50:35,534	OLD TIMES, VERA?	OLD TIMES, VERA?
771	00:50:35,601	00:50:36,934	YOU REMEMBER THEM?	YOU REMEMBER THEM?
772	00:50:37,000	00:50:39,467	SOMETIMES.	SOMETIMES.
773	00:50:39,534	00:50:41,868	DO YOU REMEMBER THAT NIGHT IN PARIS?	DO YOU REMEMBER THAT NIGHT IN PARIS?
774	00:50:41,934	00:50:43,934	ABOUT YOUR GLORIOUS PERFORMANCE?	ABOUT YOUR GLORIOUS PERFORMANCE?
775	00:50:44,000	00:50:47,467	WHEN A LOT OF STUDENTS DREW YOUR CARRIAGE THROUGH THE STREETS	WHEN A LOT OF STUDENTS DREW YOUR CARRIAGE THROUGH THE STREETS
776	00:50:47,534	00:50:49,143	AND ALL THOSE PEOPLE SINGING AND SHOUTING YOUR PRAISES.	AND ALL THOSE PEOPLE SINGING AND SHOUTING YOUR PRAISES.
777	00:50:49,167	00:50:50,434	YOU RESCUED ME.	YOU RESCUED ME.
778	00:50:50,501	00:50:52,234	I EVEN THINK YOU WERE A LITTLE JEALOUS.	I EVEN THINK YOU WERE A LITTLE JEALOUS.
779	00:50:52,300	00:50:54,009	JEALOUS? I COULD HAVE WRUNG THEIR SILLY NECKS!	JEALOUS? I COULD HAVE WRUNG THEIR SILLY NECKS!
780	00:50:54,033	00:50:55,801	OH, MICHAEL.	OH, MICHAEL.
781	00:50:55,868	00:50:57,400	OH, LOVE THE GOOD OLD DAYS.	OH, LOVE THE GOOD OLD DAYS.
782	00:50:57,467	00:51:00,167	THE HARD WORK FOR THE PLAY.	THE HARD WORK FOR THE PLAY.
783	00:51:00,234	00:51:01,968	YES, YOU WERE SWEET THEN.	YES, YOU WERE SWEET THEN.
784	00:51:02,033	00:51:03,801	HAVE I CHANGED SO MUCH?	HAVE I CHANGED SO MUCH?
785	00:51:03,868	00:51:07,667	NURSERIES NEVER ENHANCE A LADY'S CHARMS, MY DEAR VERA.	NURSERIES NEVER ENHANCE A LADY'S CHARMS, MY DEAR VERA.
786	00:51:07,734	00:51:09,667	WELL, MY HUSBAND DOESN'T FEEL THAT WAY.	WELL, MY HUSBAND DOESN'T FEEL THAT WAY.
787	00:51:09,734	00:51:11,801	OH, THEN CHUCK ALL THIS NURSERY BUSINESS	OH, THEN CHUCK ALL THIS NURSERY BUSINESS
788	00:51:11,868	00:51:13,076	AND COME BACK WHERE YOU BELONG!	AND COME BACK WHERE YOU BELONG!
789	00:51:13,100	00:51:15,834	OOH, NOW I'M BEGINNING TO SEE.	OOH, NOW I'M BEGINNING TO SEE.
790	00:51:15,901	00:51:17,767	YOU'RE GOING TO START ALL OVER AGAIN.	YOU'RE GOING TO START ALL OVER AGAIN.
791	00:51:17,834	00:51:19,100	YOU'RE NOT GOING TO TEMPT ME.	YOU'RE NOT GOING TO TEMPT ME.
792	00:51:19,167	00:51:20,667	I'M GOING RIGHT HOME TO MY NURSERY.	I'M GOING RIGHT HOME TO MY NURSERY.
793	00:51:20,734	00:51:22,133	ALL RIGHT.	ALL RIGHT.
794	00:51:22,200	00:51:23,320	BUT IN THE END, I SHALL WIN.	BUT IN THE END, I SHALL WIN.
795	00:51:23,367	00:51:25,501	NEVER.	NEVER.
796	00:51:32,868	00:51:35,534	XENIA, FILL THAT UP FOR ME, WILL YOU?	XENIA, FILL THAT UP FOR ME, WILL YOU?
797	00:51:45,701	00:51:47,167	OOH.	OOH.
798	00:51:47,234	00:51:48,701	I BETTER GO.	I BETTER GO.
799	00:51:54,200	00:51:56,000	DON'T WANT TO BREAK UP ANY HAPPY HOMES.	DON'T WANT TO BREAK UP ANY HAPPY HOMES.
800	00:51:56,067	00:51:58,133	NO, VERA, ONE DANCE BEFORE YOU GO, PLEASE.	NO, VERA, ONE DANCE BEFORE YOU GO, PLEASE.
801	00:51:58,200	00:51:59,801	YES, MAX! MAX! PUT ON A WALTZ.	YES, MAX! MAX! PUT ON A WALTZ.
802	00:51:59,868	00:52:01,834	YES, MICHAEL.	YES, MICHAEL.
803	00:52:14,601	00:52:16,100	OH, MICHAEL!	OH, MICHAEL!
804	00:52:16,167	00:52:18,834	OOH! OOH...	OOH! OOH...
805	00:52:18,901	00:52:20,167	LOOK.	LOOK.
806	00:52:24,234	00:52:26,501	OH, THIS IS AWFUL.	OH, THIS IS AWFUL.
807	00:52:26,567	00:52:29,400	EVERYTHING IS GOING ROUND AND ROUND.	EVERYTHING IS GOING ROUND AND ROUND.
808	00:52:31,534	00:52:34,801	OH, MICHAEL, PLEASE, PLEASE TAKE ME HOME.	OH, MICHAEL, PLEASE, PLEASE TAKE ME HOME.
809	00:52:34,868	00:52:38,501	CARRY ON, EVERYBODY. I'M GOING TO TAKE MADAME KOWALSKA HOME.	CARRY ON, EVERYBODY. I'M GOING TO TAKE MADAME KOWALSKA HOME.
810	00:54:50,367	00:54:52,534	IS THE BABY AWAKE YET?	IS THE BABY AWAKE YET?
811	00:54:52,601	00:54:55,400	NO, SHE'S STILL ASLEEP.	NO, SHE'S STILL ASLEEP.
812	00:55:24,100	00:55:27,334	IT'S NOT POSSIBLE...	IT'S NOT POSSIBLE...
813	00:55:39,667	00:55:42,801	BUT I MUST... FORGIVE ME...	BUT I MUST... FORGIVE ME...
814	00:55:50,901	00:55:52,434	THE BABY'S AWAKE NOW.	THE BABY'S AWAKE NOW.
815	00:56:29,934	00:56:31,601	AW...	AW...
816	00:56:34,267	00:56:37,000	GO TO SLEEP AGAIN, MY DARLING.	GO TO SLEEP AGAIN, MY DARLING.
817	00:56:37,067	00:56:39,267	SHH.	SHH.
818	00:56:44,300	00:56:45,300	MOMMY'S HERE.	MOMMY'S HERE.
819	00:56:48,000	00:56:50,567	THAT'S MY GOOD GIRL.	THAT'S MY GOOD GIRL.
820	00:57:20,868	00:57:23,667	LEON.	LEON.
821	00:57:28,868	00:57:30,334	DEAREST...	DEAREST...
822	00:57:52,834	00:57:54,267	LEONIDE KIROW IS THE NAME.	LEONIDE KIROW IS THE NAME.
823	00:57:54,334	00:57:57,634	AND I'M VERA...	AND I'M VERA...
824	00:57:57,701	00:57:59,701	OH, LEONIDE.	OH, LEONIDE.
825	00:57:59,767	00:58:05,734	LEONIDE, THERE'S SOMETHING THAT I'VE GOT TO TELL YOU.	LEONIDE, THERE'S SOMETHING THAT I'VE GOT TO TELL YOU.
826	00:58:05,801	00:58:08,601	HOLD ME CLOSE!	HOLD ME CLOSE!
827	00:58:08,667	00:58:10,000	CLOSER!	CLOSER!
828	00:58:27,367	00:58:29,300	THERE WASN'T A GENERAL FOR MILES AROUND.	THERE WASN'T A GENERAL FOR MILES AROUND.
829	00:58:59,067	00:59:00,434	THANK YOU.	THANK YOU.
830	00:59:00,501	00:59:03,234	COME ON, DEAREST.	COME ON, DEAREST.
831	00:59:03,300	00:59:05,133	THERE'S A GOOD GIRL.	THERE'S A GOOD GIRL.
832	00:59:05,200	00:59:06,334	GIVE ME YOUR HAND.	GIVE ME YOUR HAND.
833	00:59:09,701	00:59:11,701	STAND STILL, NOW, DARLING.	STAND STILL, NOW, DARLING.
834	00:59:13,367	00:59:14,367	YES.	YES.
835	00:59:16,567	00:59:18,934	WE'LL TIE YOU, PUT YOUR BOW ON PRETTY FOR YOU.	WE'LL TIE YOU, PUT YOUR BOW ON PRETTY FOR YOU.
836	00:59:20,767	00:59:23,334	AND YOU'RE GOING TO GO FOR A NICE, LONG WALK.	AND YOU'RE GOING TO GO FOR A NICE, LONG WALK.
837	00:59:26,033	00:59:27,734	OOPS-A-DAISY.	OOPS-A-DAISY.
838	00:59:27,801	00:59:30,834	THERE YOU ARE, DARLING.	THERE YOU ARE, DARLING.
839	00:59:30,901	00:59:32,834	SAY, "GOOD-BYE, MAMA. GOOD-BYE, DADDY."	SAY, "GOOD-BYE, MAMA. GOOD-BYE, DADDY."
840	00:59:32,901	00:59:35,434	BYE, MAMA, BYE DADDY.	BYE, MAMA, BYE DADDY.
841	00:59:35,501	00:59:36,767	GOOD-BYE, DARLING.	GOOD-BYE, DARLING.
842	00:59:36,834	00:59:38,234	AND NO FLIRTING WITH POLICEMEN.	AND NO FLIRTING WITH POLICEMEN.
843	00:59:50,300	00:59:53,467	WILL YOU HAVE SOME MORE COFFEE?	WILL YOU HAVE SOME MORE COFFEE?
844	00:59:53,534	00:59:55,901	NO THANKS.	NO THANKS.
845	00:59:55,968	00:59:57,367	VERA, WHAT'S WRONG?	VERA, WHAT'S WRONG?
846	00:59:57,434	00:59:59,167	WHAT'S TROUBLING YOU?	WHAT'S TROUBLING YOU?
847	00:59:59,234	01:00:01,300	NOTHING'S WRONG. NOTHING.	NOTHING'S WRONG. NOTHING.
848	01:00:01,367	01:00:03,567	THERE IS SOMETHING.	THERE IS SOMETHING.
849	01:00:03,634	01:00:04,567	YOU'RE SO NERVOUS.	YOU'RE SO NERVOUS.
850	01:00:04,634	01:00:06,234	NO, I'M NOT. REALLY.	NO, I'M NOT. REALLY.
851	01:00:06,300	01:00:10,267	IS THIS DEPRESSING YOU SO MUCH?	IS THIS DEPRESSING YOU SO MUCH?
852	01:00:10,334	01:00:14,834	OH, LEONIDE. YOU MUSTN'T EVEN THINK SUCH A THING.	OH, LEONIDE. YOU MUSTN'T EVEN THINK SUCH A THING.
853	01:00:14,901	01:00:16,677	I WAS BEGINNING TO THINK YOU DIDN'T LOVE ME ANYMORE.	I WAS BEGINNING TO THINK YOU DIDN'T LOVE ME ANYMORE.
854	01:00:16,701	01:00:19,667	OH, MY DARLING.	OH, MY DARLING.
855	01:00:19,734	01:00:21,501	I LOVE YOU MORE THAN YOU'LL EVER KNOW.	I LOVE YOU MORE THAN YOU'LL EVER KNOW.
856	01:00:25,167	01:00:26,601	SOMEONE'S AT THE DOOR.	SOMEONE'S AT THE DOOR.
857	01:00:29,367	01:00:31,834	I'LL JUST GO AND SEE WHO IT IS.	I'LL JUST GO AND SEE WHO IT IS.
858	01:01:16,701	01:01:17,634	GOING OUT?	GOING OUT?
859	01:01:17,701	01:01:20,868	YES. STELLA'S NOT WELL.	YES. STELLA'S NOT WELL.
860	01:01:20,934	01:01:23,634	I JUST GOT WORD SHE WANTS TO SEE ME.	I JUST GOT WORD SHE WANTS TO SEE ME.
861	01:01:23,701	01:01:24,901	I SHAN'T BE LONG.	I SHAN'T BE LONG.
862	01:01:58,067	01:01:59,567	VERA.	VERA.
863	01:01:59,634	01:02:01,868	I MUST TALK TO YOU, MICHAEL.	I MUST TALK TO YOU, MICHAEL.
864	01:02:09,901	01:02:11,834	HOW NICE OF YOU TO COME.	HOW NICE OF YOU TO COME.
865	01:02:11,901	01:02:14,133	LET'S UNDERSTAND EACH OTHER RIGHT FROM THE BEGINNING.	LET'S UNDERSTAND EACH OTHER RIGHT FROM THE BEGINNING.
866	01:02:14,200	01:02:16,467	I DIDN'T COME HERE FOR ANY STUPID RENDEZVOUS WITH YOU.	I DIDN'T COME HERE FOR ANY STUPID RENDEZVOUS WITH YOU.
867	01:02:16,534	01:02:17,901	VERA.	VERA.
868	01:02:17,968	01:02:21,667	CAN'T YOU REALIZE WHAT YOU'VE DONE, WHAT YOU'RE DOING?	CAN'T YOU REALIZE WHAT YOU'VE DONE, WHAT YOU'RE DOING?
869	01:02:21,734	01:02:23,267	I'VE HAD TO LIE TO MY HUSBAND.	I'VE HAD TO LIE TO MY HUSBAND.
870	01:02:23,334	01:02:25,934	OH, I WOULD HAVE TOLD HIM THE MOMENT HE CAME HOME,	OH, I WOULD HAVE TOLD HIM THE MOMENT HE CAME HOME,
871	01:02:26,000	01:02:27,133	BUT I COULDN'T.	BUT I COULDN'T.
872	01:02:27,200	01:02:29,167	I HADN'T THE COURAGE.	I HADN'T THE COURAGE.
873	01:02:29,234	01:02:31,567	HE CAME HOME FROM THE FRONT A SICK MAN,	HE CAME HOME FROM THE FRONT A SICK MAN,
874	01:02:31,634	01:02:33,234	HYPER-SENSITIVE.	HYPER-SENSITIVE.
875	01:02:33,300	01:02:34,334	HE NEEDS ME.	HE NEEDS ME.
876	01:02:34,400	01:02:35,767	I HAVEN'T BEEN ABLE TO HELP HIM.	I HAVEN'T BEEN ABLE TO HELP HIM.
877	01:02:35,834	01:02:37,100	WHAT ARE YOU DRIVING AT?	WHAT ARE YOU DRIVING AT?
878	01:02:37,167	01:02:39,667	I TOLD YOU NOT TO CALL ME ANYMORE, NOT TO WRITE.	I TOLD YOU NOT TO CALL ME ANYMORE, NOT TO WRITE.
879	01:02:39,734	01:02:42,400	BUT YOU HAVE CALLED. YOU'VE WRITTEN EVERY DAY.	BUT YOU HAVE CALLED. YOU'VE WRITTEN EVERY DAY.
880	01:02:42,467	01:02:44,033	WHY I...	WHY I...
881	01:02:44,100	01:02:47,834	I WAS SO FRIGHTENED I-I HADN'T EVEN BEEN ABLE TO SPEAK TO LEONIDE.	I WAS SO FRIGHTENED I-I HADN'T EVEN BEEN ABLE TO SPEAK TO LEONIDE.
882	01:02:47,901	01:02:50,667	WE'RE DRIFTING APART.	WE'RE DRIFTING APART.
883	01:02:50,734	01:02:52,033	WHAT ARE YOU TRYING TO DO?	WHAT ARE YOU TRYING TO DO?
884	01:02:52,100	01:02:54,200	BLACKMAIL ME WITH THE MEMORY OF THAT NIGHT?	BLACKMAIL ME WITH THE MEMORY OF THAT NIGHT?
885	01:02:54,267	01:02:57,400	OH, VERA, HOW CAN YOU? DON'T YOU-	OH, VERA, HOW CAN YOU? DON'T YOU-
886	01:02:57,467	01:02:59,701	LET ME ALONE.	LET ME ALONE.
887	01:02:59,767	01:03:01,501	I LOVE MY HUSBAND.	I LOVE MY HUSBAND.
888	01:03:01,567	01:03:03,267	I LOVE MY CHILD.	I LOVE MY CHILD.
889	01:03:03,334	01:03:05,434	THEY'RE ALL THAT MATTER TO ME.	THEY'RE ALL THAT MATTER TO ME.
890	01:03:05,501	01:03:09,300	TO KEEP THAT LOVE, TO PRESERVE MY HOME,	TO KEEP THAT LOVE, TO PRESERVE MY HOME,
891	01:03:09,367	01:03:12,767	THERE ISN'T ANYTHING I WOULDN'T DO.	THERE ISN'T ANYTHING I WOULDN'T DO.
892	01:03:12,834	01:03:15,300	THAT SOUNDS MELODRAMATIC, MICHAEL.	THAT SOUNDS MELODRAMATIC, MICHAEL.
893	01:03:15,367	01:03:18,934	BUT I MEAN EVERY WORD OF IT.	BUT I MEAN EVERY WORD OF IT.
894	01:03:19,000	01:03:20,801	THAT'S ALL I CAME TO SAY.	THAT'S ALL I CAME TO SAY.
895	01:04:22,467	01:04:23,934	LEONIDE.	LEONIDE.
896	01:04:24,000	01:04:26,534	WANT TO DENY IT?	WANT TO DENY IT?
897	01:04:26,601	01:04:28,000	THANKS.	THANKS.
898	01:04:53,133	01:04:55,167	MR. STAGOFF, YOU DO ANYTHING?	MR. STAGOFF, YOU DO ANYTHING?
899	01:04:55,234	01:04:57,601	ACCORDING TO THE STATUES AND LAWS ENACTED BY-	ACCORDING TO THE STATUES AND LAWS ENACTED BY-
900	01:04:57,667	01:05:00,234	NEVER MIND ALL THAT. TELL ME QUICKLY.	NEVER MIND ALL THAT. TELL ME QUICKLY.
901	01:05:00,300	01:05:04,801	THE FACT THAT MR. MICHAILOW EVADED EVERY OPPORTUNITY TO TESTIFY ON YOUR BEHALF,	THE FACT THAT MR. MICHAILOW EVADED EVERY OPPORTUNITY TO TESTIFY ON YOUR BEHALF,
902	01:05:04,868	01:05:08,234	THE FURTHER FACT THAT HE AVOIDED ALL RESPONSIBILITY BY RUNNING AWAY,	THE FURTHER FACT THAT HE AVOIDED ALL RESPONSIBILITY BY RUNNING AWAY,
903	01:05:08,300	01:05:10,267	CERTAINLY ADDED TO THE APPEARANCE OF YOUR GUILT.	CERTAINLY ADDED TO THE APPEARANCE OF YOUR GUILT.
904	01:05:10,334	01:05:14,133	IT SUBSTANTIATED YOUR HUSBAND'S BELIEF AND THAT OF THE JUDGE	IT SUBSTANTIATED YOUR HUSBAND'S BELIEF AND THAT OF THE JUDGE
905	01:05:14,200	01:05:17,167	THAT YOU HAD BEEN MORE THAN MERELY INDISCREET.	THAT YOU HAD BEEN MORE THAN MERELY INDISCREET.
906	01:05:20,267	01:05:22,634	BUT COULDN'T MY HUSBAND HAVE FORGIVEN ME?	BUT COULDN'T MY HUSBAND HAVE FORGIVEN ME?
907	01:05:22,701	01:05:25,000	HIS HONOR.	HIS HONOR.
908	01:05:25,067	01:05:27,100	YES, OF COURSE.	YES, OF COURSE.
909	01:05:27,167	01:05:28,167	HIS HONOR.	HIS HONOR.
910	01:05:30,834	01:05:32,767	BUT WHAT ABOUT MY BABY?	BUT WHAT ABOUT MY BABY?
911	01:05:32,834	01:05:35,065	THE LAW STATES SPECIFICALLY THAT IF THE	THE LAW STATES SPECIFICALLY THAT IF THE
912	01:05:35,066	01:05:37,868	MARRIAGE IS BROKEN THROUGH THE FAULT OF THE WIFE,	MARRIAGE IS BROKEN THROUGH THE FAULT OF THE WIFE,
913	01:05:37,934	01:05:41,767	THE CHILD IS AUTOMATICALLY AWARDED TO THE HUSBAND.	THE CHILD IS AUTOMATICALLY AWARDED TO THE HUSBAND.
914	01:05:41,834	01:05:46,334	THOSE ARE CONSEQUENCES, MADAME, WHICH ONE JUST HAS TO BEAR.	THOSE ARE CONSEQUENCES, MADAME, WHICH ONE JUST HAS TO BEAR.
915	01:05:46,400	01:05:48,467	HOW EASY IT IS FOR YOU TO CONDEMN.	HOW EASY IT IS FOR YOU TO CONDEMN.
916	01:05:48,534	01:05:51,868	MADAME, IT IS SIMPLY MY DUTY TO INFORM YOU	MADAME, IT IS SIMPLY MY DUTY TO INFORM YOU
917	01:05:51,934	01:05:54,734	THAT THE DIVORCE DECREE OF MY CLIENT HAS BEEN GRANTED.	THAT THE DIVORCE DECREE OF MY CLIENT HAS BEEN GRANTED.
918	01:05:54,801	01:05:57,634	CAPTAIN KIROW EXPECTS THAT YOU WILL VACATE THIS APARTMENT,	CAPTAIN KIROW EXPECTS THAT YOU WILL VACATE THIS APARTMENT,
919	01:05:57,701	01:06:00,133	HERETO OCCUPIED BY YOU JOINTLY, AS QUICKLY AS POSSIBLE.	HERETO OCCUPIED BY YOU JOINTLY, AS QUICKLY AS POSSIBLE.
920	01:06:00,200	01:06:02,200	BUT MY BABY.	BUT MY BABY.
921	01:06:02,267	01:06:03,801	SHE WAS TAKEN FROM ME.	SHE WAS TAKEN FROM ME.
922	01:06:09,033	01:06:12,000	AFTER THAT, MONTHS IN THE HOSPITAL.	AFTER THAT, MONTHS IN THE HOSPITAL.
923	01:06:12,067	01:06:15,968	WHEN I CAME OUT, LEONIDE AND MY CHILD HAD DISAPPEARED.	WHEN I CAME OUT, LEONIDE AND MY CHILD HAD DISAPPEARED.
924	01:06:16,033	01:06:20,167	STELLA TOLD ME HE HAD CHANGED HIS NAME FROM KIROW TO KOSLOV,	STELLA TOLD ME HE HAD CHANGED HIS NAME FROM KIROW TO KOSLOV,
925	01:06:20,234	01:06:22,901	BUT NO ONE KNEW WHERE HE HAD GONE.	BUT NO ONE KNEW WHERE HE HAD GONE.
926	01:06:22,968	01:06:25,434	I HAD TO TAKE MY SINGING UP AGAIN.	I HAD TO TAKE MY SINGING UP AGAIN.
927	01:06:25,501	01:06:27,767	I DIDN'T WANT TO STARVE.	I DIDN'T WANT TO STARVE.
928	01:06:27,834	01:06:31,968	BUT MY VOICE WAS ALMOST GONE.	BUT MY VOICE WAS ALMOST GONE.
929	01:06:32,033	01:06:34,334	I COULD STILL FIND EMPLOYMENT	I COULD STILL FIND EMPLOYMENT
930	01:06:34,400	01:06:36,434	BUT ONLY IN LITTLE CHEAP CABARETS.	BUT ONLY IN LITTLE CHEAP CABARETS.
931	01:06:38,634	01:06:43,133	THE ONE THING THAT KEPT ME GOING FOR 15 YEARS	THE ONE THING THAT KEPT ME GOING FOR 15 YEARS
932	01:06:43,200	01:06:47,133	WAS THE DREAM THAT I MIGHT SEE MY CHILD AGAIN.	WAS THE DREAM THAT I MIGHT SEE MY CHILD AGAIN.
933	01:06:47,200	01:06:51,234	MY FIRST THOUGHT IN EVERY STRANGE CITY WAS,	MY FIRST THOUGHT IN EVERY STRANGE CITY WAS,
934	01:06:51,300	01:06:54,033	"PERHAPS LEONIDE LIVES HERE...	"PERHAPS LEONIDE LIVES HERE...
935	01:06:54,100	01:06:55,634	WITH HER."	WITH HER."
936	01:06:58,467	01:07:02,334	I HAD ALMOST GIVEN UP HOPE WHEN I CAME TO THIS CITY.	I HAD ALMOST GIVEN UP HOPE WHEN I CAME TO THIS CITY.
937	01:07:40,000	01:07:42,133	I WANT TO SPEAK TO MR. KOSLOV.	I WANT TO SPEAK TO MR. KOSLOV.
938	01:07:47,300	01:07:48,501	JUST A MOMENT, PLEASE.	JUST A MOMENT, PLEASE.
939	01:07:52,033	01:07:53,434	OH, MADAME.	OH, MADAME.
940	01:07:53,501	01:07:56,133	IF MADAME WOULD COME OUTSIDE A MOMENT,	IF MADAME WOULD COME OUTSIDE A MOMENT,
941	01:07:56,200	01:07:58,200	THERE'S A WOMAN OUT THERE.	THERE'S A WOMAN OUT THERE.
942	01:07:58,267	01:08:00,634	I'LL COME AT ONCE.	I'LL COME AT ONCE.
943	01:08:00,701	01:08:04,300	HERE'S SOMETHING SPECIAL FOR A LONG-LEGGED CHILD I USED TO KNOW.	HERE'S SOMETHING SPECIAL FOR A LONG-LEGGED CHILD I USED TO KNOW.
944	01:08:07,834	01:08:09,801	WHAT IS IT, PLEASE?	WHAT IS IT, PLEASE?
945	01:08:09,868	01:08:11,167	I AM MRS. KOSLOV.	I AM MRS. KOSLOV.
946	01:08:13,734	01:08:15,067	WELL, I...	WELL, I...
947	01:08:15,133	01:08:18,100	I REALLY WANTED TO SPEAK TO MR. KOSLOV.	I REALLY WANTED TO SPEAK TO MR. KOSLOV.
948	01:08:18,167	01:08:21,367	MY HUSBAND DIED 3 YEARS AGO.	MY HUSBAND DIED 3 YEARS AGO.
949	01:08:21,434	01:08:23,501	AND HIS CHILD?	AND HIS CHILD?
950	01:08:23,567	01:08:24,501	MY DAUGHTER?	MY DAUGHTER?
951	01:08:24,567	01:08:25,734	YOUR DAUGHTER?	YOUR DAUGHTER?
952	01:08:29,968	01:08:33,033	HOW DID YOU KNOW THAT?	HOW DID YOU KNOW THAT?
953	01:08:33,100	01:08:38,033	I I USED TO KNOW CAPTAIN KOSLOV IN WARSAW.	I I USED TO KNOW CAPTAIN KOSLOV IN WARSAW.
954	01:08:38,100	01:08:41,067	HE WAS ALWAYS VERY KIND TO ME.	HE WAS ALWAYS VERY KIND TO ME.
955	01:08:41,133	01:08:42,934	I ALSO KNEW HIS FIRST WIFE.	I ALSO KNEW HIS FIRST WIFE.
956	01:08:43,000	01:08:44,734	MOMMY, MOMMY, COME HERE!	MOMMY, MOMMY, COME HERE!
957	01:08:44,801	01:08:46,033	OH, PLEASE, I-	OH, PLEASE, I-
958	01:08:46,100	01:08:48,701	MOMMY, COME AND LOOK, QUICK.	MOMMY, COME AND LOOK, QUICK.
959	01:08:48,767	01:08:50,501	EXCUSE ME A MOMENT.	EXCUSE ME A MOMENT.
960	01:08:50,567	01:08:52,100	MOMMY.	MOMMY.
961	01:08:52,167	01:08:53,434	LISA, WHAT IS IT?	LISA, WHAT IS IT?
962	01:08:53,501	01:08:55,968	OH, YOU DARLING, YOU ANGEL.	OH, YOU DARLING, YOU ANGEL.
963	01:08:56,033	01:08:59,400	OH, IT'S THE MOST BEAUTIFUL GOWN IN THE WHOLE WORLD.	OH, IT'S THE MOST BEAUTIFUL GOWN IN THE WHOLE WORLD.
964	01:08:59,467	01:09:01,667	WON'T I LOOK DRESSY?	WON'T I LOOK DRESSY?
965	01:09:01,734	01:09:03,167	A BACKLESS EVENING GOWN.	A BACKLESS EVENING GOWN.
966	01:09:03,234	01:09:05,834	THAT MAKES IT OFFICIAL. I AM GROWN UP.	THAT MAKES IT OFFICIAL. I AM GROWN UP.
967	01:09:05,901	01:09:08,634	OH, YOU'RE THE SWEETEST MOTHER IN THE WHOLE WORLD,	OH, YOU'RE THE SWEETEST MOTHER IN THE WHOLE WORLD,
968	01:09:08,701	01:09:10,421	AND I LOVE YOU SO MUCH, AND I LOVE THE GOWN,	AND I LOVE YOU SO MUCH, AND I LOVE THE GOWN,
969	01:09:10,467	01:09:12,868	AND I'M SO GLAD YOU'RE HOME. WAS IT EXPENSIVE?	AND I'M SO GLAD YOU'RE HOME. WAS IT EXPENSIVE?
970	01:09:12,934	01:09:14,834	PLEASE LET ME GO NOW, DEAR.	PLEASE LET ME GO NOW, DEAR.
971	01:09:14,901	01:09:16,477	THERE'S A WOMAN OUTSIDE. I HAVE TO TALK TO HER.	THERE'S A WOMAN OUTSIDE. I HAVE TO TALK TO HER.
972	01:09:16,501	01:09:19,267	OH, I'M SORRY. BUT I WAS SO THRILLED.	OH, I'M SORRY. BUT I WAS SO THRILLED.
973	01:09:25,467	01:09:28,834	I MUST TELL YOU SOMETHING IN CONFIDENCE	I MUST TELL YOU SOMETHING IN CONFIDENCE
974	01:09:28,901	01:09:32,067	BEFORE WE TALK ANY FURTHER ABOUT THIS.	BEFORE WE TALK ANY FURTHER ABOUT THIS.
975	01:09:32,133	01:09:35,701	WHY, I'M SURE IT WASN'T YOUR INTENTIONS.	WHY, I'M SURE IT WASN'T YOUR INTENTIONS.
976	01:09:35,767	01:09:39,267	IT WOULD BE THE LAST THING YOU'D WANT TO DO TO UPSET A YOUNG GIRL,	IT WOULD BE THE LAST THING YOU'D WANT TO DO TO UPSET A YOUNG GIRL,
977	01:09:39,334	01:09:42,767	HARDLY MORE THAN A CHILD.	HARDLY MORE THAN A CHILD.
978	01:09:42,834	01:09:46,367	SHE MAY COME IN ANY MOMENT.	SHE MAY COME IN ANY MOMENT.
979	01:09:46,434	01:09:53,901	SHE HAS NO SUSPICION, NO IDEA, THAT I'M NOT HER REAL MOTHER.	SHE HAS NO SUSPICION, NO IDEA, THAT I'M NOT HER REAL MOTHER.
980	01:09:53,968	01:09:58,634	LISA WAS NEVER TOLD THAT HER OWN MOTHER DIED IN WARSAW DURING THE WAR.	LISA WAS NEVER TOLD THAT HER OWN MOTHER DIED IN WARSAW DURING THE WAR.
981	01:09:58,701	01:10:02,534	SHE WAS A CHILD, OF COURSE-REMEMBERS NOTHING OF THAT TIME.	SHE WAS A CHILD, OF COURSE-REMEMBERS NOTHING OF THAT TIME.
982	01:10:02,601	01:10:07,133	IT-IT WAS LEONIDE'S WISH THAT LISA SHOULD NEVER LEARN THE TRUTH.	IT-IT WAS LEONIDE'S WISH THAT LISA SHOULD NEVER LEARN THE TRUTH.
983	01:10:07,200	01:10:09,167	I STRONGLY OPPOSED THIS AT FIRST,	I STRONGLY OPPOSED THIS AT FIRST,
984	01:10:09,234	01:10:16,100	BUT THEN I REALIZED THAT SHE WAS TOO YOUNG TO GRASP THE TRUTH AT THE TIME.	BUT THEN I REALIZED THAT SHE WAS TOO YOUNG TO GRASP THE TRUTH AT THE TIME.
985	01:10:16,167	01:10:24,167	AND THEN, WHEN I SAW HER GROWING UP, SAW HOW FOND SHE WAS OF ME,	AND THEN, WHEN I SAW HER GROWING UP, SAW HOW FOND SHE WAS OF ME,
986	01:10:24,234	01:10:29,133	I- I COULDN'T BRING MYSELF TO CONFUSE, TO STARTLE HER, TO TELL HER THAT...	I- I COULDN'T BRING MYSELF TO CONFUSE, TO STARTLE HER, TO TELL HER THAT...
987	01:10:29,200	01:10:32,467	OH, PLEASE BELIEVE ME.	OH, PLEASE BELIEVE ME.
988	01:10:32,534	01:10:35,968	I'VE DEVOTED MY LIFE TO HER.	I'VE DEVOTED MY LIFE TO HER.
989	01:10:36,033	01:10:42,901	WHY, I'VE COMPLETELY FORGOTTEN THAT SHE WAS NOT MY OWN.	WHY, I'VE COMPLETELY FORGOTTEN THAT SHE WAS NOT MY OWN.
990	01:10:42,968	01:10:46,200	PLEASE FORGIVE ME. WON'T YOU SIT DOWN?	PLEASE FORGIVE ME. WON'T YOU SIT DOWN?
991	01:10:46,267	01:10:47,367	IN MY EXCITEMENT, I-	IN MY EXCITEMENT, I-
992	01:10:47,434	01:10:48,701	NO THANK YOU.	NO THANK YOU.
993	01:10:48,767	01:10:50,968	MAY I ASK WHAT BROUGHT YOU HERE?	MAY I ASK WHAT BROUGHT YOU HERE?
994	01:10:51,033	01:10:53,667	CAN I BE OF ANY HELP TO YOU?	CAN I BE OF ANY HELP TO YOU?
995	01:10:53,734	01:10:56,000	YOU'RE VERY KIND.	YOU'RE VERY KIND.
996	01:10:56,067	01:10:58,434	NO, IT WAS-IT WAS NOTHING IMPORTANT.	NO, IT WAS-IT WAS NOTHING IMPORTANT.
997	01:10:58,501	01:11:01,133	I WANTED...	I WANTED...
998	01:11:01,200	01:11:04,601	WELL, YOU SEE, I FOUND THE NAME OF KOSLOV IN THE DIRECTORY,	WELL, YOU SEE, I FOUND THE NAME OF KOSLOV IN THE DIRECTORY,
999	01:11:04,667	01:11:06,534	QUITE BY ACCIDENT.	QUITE BY ACCIDENT.
1000	01:11:06,601	01:11:09,501	AND I JUST THOUGHT I'D LIKE TO SEE HIM AGAIN.	AND I JUST THOUGHT I'D LIKE TO SEE HIM AGAIN.
1001	01:11:09,567	01:11:12,634	CURIOSITY. JUST TO TALK OVER OLD TIMES.	CURIOSITY. JUST TO TALK OVER OLD TIMES.
1002	01:11:12,701	01:11:14,400	MAYN'T I PERHAPS-NO, NO.	MAYN'T I PERHAPS-NO, NO.
1003	01:11:14,467	01:11:16,534	LISA WILL COME.	LISA WILL COME.
1004	01:11:16,601	01:11:18,234	I'M SORRY.	I'M SORRY.
1005	01:11:18,300	01:11:22,934	BUT-BUT YOU MUST REALIZE THAT I WAS SO TERRIFIED I COULDN'T...	BUT-BUT YOU MUST REALIZE THAT I WAS SO TERRIFIED I COULDN'T...
1006	01:11:23,000	01:11:25,801	DON'T APOLOGIZE.	DON'T APOLOGIZE.
1007	01:11:25,868	01:11:28,667	YOU'RE QUITE RIGHT.	YOU'RE QUITE RIGHT.
1008	01:11:28,734	01:11:30,901	GOOD-BYE.	GOOD-BYE.
1009	01:11:37,734	01:11:39,534	I HAD SEEN MY DAUGHTER AGAIN.	I HAD SEEN MY DAUGHTER AGAIN.
1010	01:11:42,400	01:11:47,067	IT WAS HARD TO REALIZE THAT I MUST NEVER SEE HER AGAIN.	IT WAS HARD TO REALIZE THAT I MUST NEVER SEE HER AGAIN.
1011	01:11:47,133	01:11:49,534	THAT I COULD NEVER SAY TO HER,	THAT I COULD NEVER SAY TO HER,
1012	01:11:49,601	01:11:52,601	"LISA, I AM YOUR MOTHER."	"LISA, I AM YOUR MOTHER."
1013	01:11:56,234	01:11:58,033	I COULD GIVE HER NOTHING.	I COULD GIVE HER NOTHING.
1014	01:11:58,100	01:12:00,767	MY LIFE WOULD DISGUST HER.	MY LIFE WOULD DISGUST HER.
1015	01:12:00,834	01:12:03,868	MY LOVE WOULD ONLY FRIGHTEN HER.	MY LOVE WOULD ONLY FRIGHTEN HER.
1016	01:12:03,934	01:12:06,334	SO I SAID, "ALL RIGHT."	SO I SAID, "ALL RIGHT."
1017	01:12:09,167	01:12:12,367	"BE HAPPY BECAUSE AT LAST YOU'VE SEEN HER HAPPY."	"BE HAPPY BECAUSE AT LAST YOU'VE SEEN HER HAPPY."
1018	01:12:15,901	01:12:18,133	AND THEN THAT SAME NIGHT...	AND THEN THAT SAME NIGHT...
1019	01:12:21,634	01:12:25,434	WE FEEL SO BEAUTIFUL	WE FEEL SO BEAUTIFUL
1020	01:12:25,501	01:12:29,267	AND WE REALLY BELIEVE IT	AND WE REALLY BELIEVE IT
1021	01:12:29,334	01:12:31,968	SO WE'RE NEVER-*	SO WE'RE NEVER-*
1022	01:12:40,234	01:12:41,234	WHAT HAPPENED TO HER?	WHAT HAPPENED TO HER?
1023	01:12:41,267	01:12:42,467	WHAT'S THE MATTER WITH HER?	WHAT'S THE MATTER WITH HER?
1024	01:12:42,534	01:12:47,367	WHY, SHE FAINTED RIGHT IN THE MIDDLE OF HER ACT.	WHY, SHE FAINTED RIGHT IN THE MIDDLE OF HER ACT.
1025	01:12:47,434	01:12:50,534	THERE. SHE'S COMING TO NOW.	THERE. SHE'S COMING TO NOW.
1026	01:12:50,601	01:12:52,143	WELL, WELL, WHAT'S THE MATTER HERE? WHAT'S THE MATTER?	WELL, WELL, WHAT'S THE MATTER HERE? WHAT'S THE MATTER?
1027	01:12:52,167	01:12:53,100	WELL, SHE'S...	WELL, SHE'S...
1028	01:12:53,167	01:12:54,167	COME ON, COME ON.	COME ON, COME ON.
1029	01:12:54,234	01:12:56,234	GET REAL-YOU'RE HOLDING THE CURTAIN.	GET REAL-YOU'RE HOLDING THE CURTAIN.
1030	01:13:01,234	01:13:02,734	GOOD EVENING, LADIES AND GENTLEMEN.	GOOD EVENING, LADIES AND GENTLEMEN.
1031	01:13:02,801	01:13:04,810	BEFORE BEGINNING MY ENTERTAINMENT, I SHOULD LIKE TO ANNOUNCE	BEFORE BEGINNING MY ENTERTAINMENT, I SHOULD LIKE TO ANNOUNCE
1032	01:13:04,834	01:13:06,901	THAT THIS IS ALL STRICTLY ON THE LEVEL.	THAT THIS IS ALL STRICTLY ON THE LEVEL.
1033	01:13:06,968	01:13:09,467	NO TRICKERY, NO SLEIGHT OF HAND, NO FRAUD OR DECEIT.	NO TRICKERY, NO SLEIGHT OF HAND, NO FRAUD OR DECEIT.
1034	01:13:09,534	01:13:12,400	I SHOOT GENUINE BULLETS AT GENUINE LIVING TARGETS.	I SHOOT GENUINE BULLETS AT GENUINE LIVING TARGETS.
1035	01:13:12,467	01:13:15,067	UNLESS MY AIM IS PERFECT, MY HAND STEADY,	UNLESS MY AIM IS PERFECT, MY HAND STEADY,
1036	01:13:15,133	01:13:17,367	EVERY SHOT WOULD BE FATAL. THANK YOU.	EVERY SHOT WOULD BE FATAL. THANK YOU.
1037	01:13:32,534	01:13:34,033	MICHAEL MICHAILOW.	MICHAEL MICHAILOW.
1038	01:13:37,167	01:13:38,667	AND THEN I SHOT HIM.	AND THEN I SHOT HIM.
1039	01:13:41,634	01:13:44,701	IN THAT SUITCASE YOU'LL FIND MY PAPERS.	IN THAT SUITCASE YOU'LL FIND MY PAPERS.
1040	01:13:44,767	01:13:48,167	THEY'LL PROVE THAT I TOLD YOU THE TRUTH.	THEY'LL PROVE THAT I TOLD YOU THE TRUTH.
1041	01:13:48,234	01:13:50,667	IF YOU'D EXAMINE THEM IN AN OPEN COURT,	IF YOU'D EXAMINE THEM IN AN OPEN COURT,
1042	01:13:50,734	01:13:55,767	LISA, THE WHOLE WORLD WOULD HAVE KNOWN THAT I WAS HER MOTHER.	LISA, THE WHOLE WORLD WOULD HAVE KNOWN THAT I WAS HER MOTHER.
1043	01:13:55,834	01:13:58,400	SHE MUST NEVER KNOW.	SHE MUST NEVER KNOW.
1044	01:13:58,467	01:14:00,434	THAT WAS MY REASON-	THAT WAS MY REASON-
1045	01:14:00,501	01:14:03,300	MY ONLY REASON FOR REFUSING TO TESTIFY IN PUBLIC.	MY ONLY REASON FOR REFUSING TO TESTIFY IN PUBLIC.
1046	01:14:06,033	01:14:10,767	AND NOW I BEG YOU: HELP ME TO KEEP THIS STORY FROM MY DAUGHTER.	AND NOW I BEG YOU: HELP ME TO KEEP THIS STORY FROM MY DAUGHTER.
1047	01:14:22,968	01:14:24,167	MADAM KOWALSKA.	MADAM KOWALSKA.
1048	01:14:26,534	01:14:28,901	WHAT YOU HAVE JUST TOLD US PERMITS US	WHAT YOU HAVE JUST TOLD US PERMITS US
1049	01:14:28,968	01:14:34,601	TO LOOK AT THE CRIME YOU HAVE COMMITTED IN A DIFFERENT LIGHT.	TO LOOK AT THE CRIME YOU HAVE COMMITTED IN A DIFFERENT LIGHT.
1050	01:14:34,667	01:14:37,400	MR. ATTORNEY FOR THE PROSECUTION.	MR. ATTORNEY FOR THE PROSECUTION.
1051	01:14:37,467	01:14:40,200	I ASK THAT THE PUBLIC BE AGAIN ADMITTED TO THE COURTROOM.	I ASK THAT THE PUBLIC BE AGAIN ADMITTED TO THE COURTROOM.
1052	01:14:40,267	01:14:42,118	THE TESTIMONY OF THE ACCUSED HAS NOT	THE TESTIMONY OF THE ACCUSED HAS NOT
1053	01:14:42,119	01:14:44,534	CONSTITUTED ANY OFFENSE AGAINST PUBLIC DECENCY,	CONSTITUTED ANY OFFENSE AGAINST PUBLIC DECENCY,
1054	01:14:44,601	01:14:47,367	SO THERE'S NO REAL REASON FOR KEEPING ANY OF THE FACTS FROM THIS CASE	SO THERE'S NO REAL REASON FOR KEEPING ANY OF THE FACTS FROM THIS CASE
1055	01:14:47,434	01:14:49,501	FROM THE PUBLIC IN OPEN COURT.	FROM THE PUBLIC IN OPEN COURT.
1056	01:14:49,567	01:14:50,767	OPEN COURT.	OPEN COURT.
1057	01:14:50,834	01:14:53,000	OH, NO. YOU MUSTN'T.	OH, NO. YOU MUSTN'T.
1058	01:14:53,067	01:14:55,183	THE ACCUSED HAS TAKEN ADVANTAGE OF THE MAGNANIMITY	THE ACCUSED HAS TAKEN ADVANTAGE OF THE MAGNANIMITY
1059	01:14:55,184	01:14:56,801	OF THIS COURT ON MORE THAN ONE OCCASION.	OF THIS COURT ON MORE THAN ONE OCCASION.
1060	01:14:56,868	01:14:59,467	SHE HAS CONTINUALLY MEDDLED WITH THE CONDUCT OF THIS TRIAL.	SHE HAS CONTINUALLY MEDDLED WITH THE CONDUCT OF THIS TRIAL.
1061	01:14:59,534	01:15:01,467	I MUST WARN YOU MOST SERIOUSLY NOT-	I MUST WARN YOU MOST SERIOUSLY NOT-
1062	01:15:01,534	01:15:03,701	DON'T YOU UNDERSTAND YET WHAT I WANT?	DON'T YOU UNDERSTAND YET WHAT I WANT?
1063	01:15:03,767	01:15:06,100	YOU ARE THE ONE WHO DOESN'T UNDERSTAND.	YOU ARE THE ONE WHO DOESN'T UNDERSTAND.
1064	01:15:06,167	01:15:08,133	YOU ARE THE ONE WHO KILLED A HUMAN BEING.	YOU ARE THE ONE WHO KILLED A HUMAN BEING.
1065	01:15:08,200	01:15:11,868	YOU ARE THE ONE WHO IS ON TRIAL.	YOU ARE THE ONE WHO IS ON TRIAL.
1066	01:15:11,934	01:15:15,267	WE ARE IN THE PROCESS OF TESTING THE TRUTH OF YOUR STATEMENTS.	WE ARE IN THE PROCESS OF TESTING THE TRUTH OF YOUR STATEMENTS.
1067	01:15:15,334	01:15:18,234	AFTER THAT, THE CASE GOES TO THE JURY FOR CONSIDERATION.	AFTER THAT, THE CASE GOES TO THE JURY FOR CONSIDERATION.
1068	01:15:18,300	01:15:20,868	THE COURT MUST RULE OBJECTIVELY.	THE COURT MUST RULE OBJECTIVELY.
1069	01:15:20,934	01:15:25,734	WHATEVER IS VITAL TO RENDERING A JUST AND PROPER VERDICT MUST BE MADE PUBLIC.	WHATEVER IS VITAL TO RENDERING A JUST AND PROPER VERDICT MUST BE MADE PUBLIC.
1070	01:15:25,801	01:15:27,367	IT CANNOT BE CONCEALED.	IT CANNOT BE CONCEALED.
1071	01:15:27,434	01:15:30,767	QUITE SO. THEREFORE, I RESPECTFULLY MOVE THE PUBLIC BE READMITTED.	QUITE SO. THEREFORE, I RESPECTFULLY MOVE THE PUBLIC BE READMITTED.
1072	01:15:30,834	01:15:31,834	NO, NO!	NO, NO!
1073	01:15:31,901	01:15:32,767	WILL YOU PLEASE BE QUIET?	WILL YOU PLEASE BE QUIET?
1074	01:15:32,834	01:15:33,767	I CAN'T BE QUIET.	I CAN'T BE QUIET.
1075	01:15:33,834	01:15:35,033	PLEASE, MY DEAR.	PLEASE, MY DEAR.
1076	01:15:35,100	01:15:37,234	I DIDN'T CONFESS JUST TO WIN SYMPATHY FOR MYSELF	I DIDN'T CONFESS JUST TO WIN SYMPATHY FOR MYSELF
1077	01:15:37,300	01:15:38,968	IT WAS ONLY FOR LISA.	IT WAS ONLY FOR LISA.
1078	01:15:39,033	01:15:41,100	SHE MUSTN'T KNOW I'M HER MOTHER. SHE MUSTN'T KNOW!	SHE MUSTN'T KNOW I'M HER MOTHER. SHE MUSTN'T KNOW!
1079	01:15:41,167	01:15:42,100	THAT'S ENOUGH.	THAT'S ENOUGH.
1080	01:15:42,167	01:15:43,534	WHAT DO YOU WANT?	WHAT DO YOU WANT?
1081	01:15:43,601	01:15:44,767	GO AHEAD, SENTENCE ME.	GO AHEAD, SENTENCE ME.
1082	01:15:44,834	01:15:46,034	I DON'T CARE IF I LIVE OR NOT.	I DON'T CARE IF I LIVE OR NOT.
1083	01:15:46,067	01:15:48,701	MY LIFE ISN'T WORTH LIVING. I'VE SAVED MY DAUGHTER.	MY LIFE ISN'T WORTH LIVING. I'VE SAVED MY DAUGHTER.
1084	01:15:48,767	01:15:51,667	HOW COULD I STAND BY NOW AND WATCH YOU WRECK HER HAPPINESS,	HOW COULD I STAND BY NOW AND WATCH YOU WRECK HER HAPPINESS,
1085	01:15:51,734	01:15:54,234	DELIBERATELY DRAG HER MOTHER'S LIFE BEFORE THE PUBLIC?	DELIBERATELY DRAG HER MOTHER'S LIFE BEFORE THE PUBLIC?
1086	01:15:54,300	01:15:56,901	YOU SHOULD HAVE THOUGHT OF THAT BEFORE YOU COMMITTED MURDER.	YOU SHOULD HAVE THOUGHT OF THAT BEFORE YOU COMMITTED MURDER.
1087	01:15:56,968	01:15:58,267	MR. ATTORNEY FOR THE PROSECUTION,	MR. ATTORNEY FOR THE PROSECUTION,
1088	01:15:58,334	01:15:59,801	SAVE THAT FOR THE JURY.	SAVE THAT FOR THE JURY.
1089	01:16:02,167	01:16:04,634	NOW, I WANT YOU TO BE SENSIBLE.	NOW, I WANT YOU TO BE SENSIBLE.
1090	01:16:04,701	01:16:09,434	AND I WARN YOU FOR THE LAST TIME NOT TO INTERRUPT THESE PROCEEDINGS AGAIN.	AND I WARN YOU FOR THE LAST TIME NOT TO INTERRUPT THESE PROCEEDINGS AGAIN.
1091	01:16:09,501	01:16:12,834	IF YOU DO NOT CONTROL YOURSELF, I SHALL HAVE YOU REMOVED.	IF YOU DO NOT CONTROL YOURSELF, I SHALL HAVE YOU REMOVED.
1092	01:16:12,901	01:16:15,534	THE PUBLIC MAY ONCE MORE BE ADMITTED. BAILIFF, PLEASE.	THE PUBLIC MAY ONCE MORE BE ADMITTED. BAILIFF, PLEASE.
1093	01:16:23,267	01:16:26,033	WHAT WILL THEY DO? WILL THEY TELL HER?	WHAT WILL THEY DO? WILL THEY TELL HER?
1094	01:16:26,100	01:16:27,634	I'M AFRAID THEY MUST.	I'M AFRAID THEY MUST.
1095	01:16:27,701	01:16:31,334	BUT YOU. I REALLY CAN'T UNDERSTAND YOU.	BUT YOU. I REALLY CAN'T UNDERSTAND YOU.
1096	01:16:31,400	01:16:34,801	WHY ON EARTH DIDN'T YOU TELL ME ALL THIS LONG AGO?	WHY ON EARTH DIDN'T YOU TELL ME ALL THIS LONG AGO?
1097	01:17:07,901	01:17:10,400	WE WILL NOW CONTINUE WITH THE PROCEEDINGS.	WE WILL NOW CONTINUE WITH THE PROCEEDINGS.
1098	01:17:10,467	01:17:15,100	SO I WILL ASK THE ATTORNEY FOR THE PROSECUTION TO RESUME HIS FINAL SPEECH.	SO I WILL ASK THE ATTORNEY FOR THE PROSECUTION TO RESUME HIS FINAL SPEECH.
1099	01:17:18,067	01:17:21,200	MAY IT PLEASE THE HIGH COURT OF JUSTICE, GENTLEMEN OF THE JURY,	MAY IT PLEASE THE HIGH COURT OF JUSTICE, GENTLEMEN OF THE JURY,
1100	01:17:21,267	01:17:26,267	WHEN I FIRST ADDRESSED YOU, I PROVED THE ACCUSED WAS GUILTY OF PREMEDITATED MURDER.	WHEN I FIRST ADDRESSED YOU, I PROVED THE ACCUSED WAS GUILTY OF PREMEDITATED MURDER.
1101	01:17:26,334	01:17:30,667	NO NEW ASPECTS OF HER ADMITTED GUILT HAVE COME TO LIGHT IN HER STATEMENT.	NO NEW ASPECTS OF HER ADMITTED GUILT HAVE COME TO LIGHT IN HER STATEMENT.
1102	01:17:30,734	01:17:34,133	NEVERTHELESS, THE GROUNDS FOR DECIDING THE TERMS OF HER PUNISHMENT	NEVERTHELESS, THE GROUNDS FOR DECIDING THE TERMS OF HER PUNISHMENT
1103	01:17:34,200	01:17:38,501	HAVE BEEN SUBSTANTIALLY ALTERED BECAUSE OF THE EXPLANATION SHE GAVE US OF HER MOTIVES.	HAVE BEEN SUBSTANTIALLY ALTERED BECAUSE OF THE EXPLANATION SHE GAVE US OF HER MOTIVES.
1104	01:17:38,567	01:17:40,267	SO I WISH TO WITHDRAW MY FORMER DEMAND	SO I WISH TO WITHDRAW MY FORMER DEMAND
1105	01:17:40,334	01:17:42,734	AND ASK THAT BECAUSE OF MITIGATING CIRCUMSTANCES	AND ASK THAT BECAUSE OF MITIGATING CIRCUMSTANCES
1106	01:17:42,801	01:17:50,567	THE COURT SENTENCE THE ACCUSED TO 5 YEARS IMPRISONMENT FOR SECOND-DEGREE MURDER.	THE COURT SENTENCE THE ACCUSED TO 5 YEARS IMPRISONMENT FOR SECOND-DEGREE MURDER.
1107	01:17:59,100	01:18:01,834	DEFENSE MAY MAKE ITS FINAL PLEA.	DEFENSE MAY MAKE ITS FINAL PLEA.
1108	01:18:01,901	01:18:06,167	MR. PRESIDENT, GENTLEMEN OF THE JURY, THAT PART OF THE PROCEEDINGS	MR. PRESIDENT, GENTLEMEN OF THE JURY, THAT PART OF THE PROCEEDINGS
1109	01:18:06,234	01:18:08,334	WHICH TOOK PLACE BEHIND CLOSED DOORS	WHICH TOOK PLACE BEHIND CLOSED DOORS
1110	01:18:08,400	01:18:11,033	DEMONSTRATED WITHOUT THE SHADOW OF A DOUBT	DEMONSTRATED WITHOUT THE SHADOW OF A DOUBT
1111	01:18:11,100	01:18:14,901	THAT THE DEAD MAN, MICHAEL MICHAILOW, DESTROYED NOT ONLY THE MARRIAGE	THAT THE DEAD MAN, MICHAEL MICHAILOW, DESTROYED NOT ONLY THE MARRIAGE
1112	01:18:14,968	01:18:17,634	BUT THE HOME LIFE AND HAPPINESS OF MY CLIENT.	BUT THE HOME LIFE AND HAPPINESS OF MY CLIENT.
1113	01:18:17,701	01:18:20,667	SINCE THE ACCUSED ACTED UNDER THE STRESS	SINCE THE ACCUSED ACTED UNDER THE STRESS
1114	01:18:20,734	01:18:24,200	OF THE MOST EASILY COMPREHENDED OF HUMAN EMOTIONS,	OF THE MOST EASILY COMPREHENDED OF HUMAN EMOTIONS,
1115	01:18:24,267	01:18:27,567	THE PREMISES FOR HER CONVICTION OF MURDER DO NOT EXIST.	THE PREMISES FOR HER CONVICTION OF MURDER DO NOT EXIST.
1116	01:18:27,634	01:18:30,467	AND IF YOU WILL CONSID-	AND IF YOU WILL CONSID-
1117	01:18:30,534	01:18:32,934	I THEREFORE DEMAND THAT THE ACCUSED BE ACQUITTED.	I THEREFORE DEMAND THAT THE ACCUSED BE ACQUITTED.
1118	01:18:35,167	01:18:39,567	ACCUSED, THE LAW GIVES YOU THE LAST WORD.	ACCUSED, THE LAW GIVES YOU THE LAST WORD.
1119	01:18:39,634	01:18:42,133	HAVE YOU ANYTHING THAT YOU WISH TO SAY?	HAVE YOU ANYTHING THAT YOU WISH TO SAY?
1120	01:18:45,267	01:18:46,934	NOTHING.	NOTHING.
1121	01:18:47,000	01:18:49,968	THEN I HEREBY CLOSE THIS PART OF THE PROCEEDINGS.	THEN I HEREBY CLOSE THIS PART OF THE PROCEEDINGS.
1122	01:18:50,033	01:18:52,501	THE JURY WILL RETIRE TO CONSIDER ITS VERDICT.	THE JURY WILL RETIRE TO CONSIDER ITS VERDICT.
1123	01:19:09,534	01:19:11,501	WHAT HAPPENS NOW?	WHAT HAPPENS NOW?
1124	01:19:11,567	01:19:13,067	SAY SOMETHING, FOR HEAVEN'S SAKE.	SAY SOMETHING, FOR HEAVEN'S SAKE.
1125	01:19:13,133	01:19:16,334	WELL, MY DEAR LADY, YOU SEE,	WELL, MY DEAR LADY, YOU SEE,
1126	01:19:16,400	01:19:19,200	YOU HAD VERY GOOD LUCK WITH THE ATTORNEY FOR THE PROSECUTION.	YOU HAD VERY GOOD LUCK WITH THE ATTORNEY FOR THE PROSECUTION.
1127	01:19:19,267	01:19:21,834	AS FOR ME, WELL, YOU FORCED ME TO KEEP SILENT.	AS FOR ME, WELL, YOU FORCED ME TO KEEP SILENT.
1128	01:19:21,901	01:19:23,234	BUT THE JUDGE IS-	BUT THE JUDGE IS-
1129	01:19:23,300	01:19:24,934	WE BOTH KNOW. WILL THEY TELL?	WE BOTH KNOW. WILL THEY TELL?
1130	01:19:25,000	01:19:27,968	THEY MUST. WHEN THE COURT PRONOUNCES JUDGEMENT,	THEY MUST. WHEN THE COURT PRONOUNCES JUDGEMENT,
1131	01:19:28,033	01:19:30,767	IT MUST MAKE CLEAR THE GROUNDS ON WHICH ITS SENTENCE RESTS.	IT MUST MAKE CLEAR THE GROUNDS ON WHICH ITS SENTENCE RESTS.
1132	01:19:30,834	01:19:32,314	IT CAN'T OMIT THE FACT THAT YOUR CRIME	IT CAN'T OMIT THE FACT THAT YOUR CRIME
1133	01:19:32,367	01:19:34,234	WAS COMMITTED TO PROTECT YOUR DAUGHTER.	WAS COMMITTED TO PROTECT YOUR DAUGHTER.
1134	01:21:11,334	01:21:15,901	"THE ACCUSED, MADAM KOWALSKA, IS GUILTY OF MURDER IN THE SECOND DEGREE.	"THE ACCUSED, MADAM KOWALSKA, IS GUILTY OF MURDER IN THE SECOND DEGREE.
1135	01:21:15,968	01:21:18,734	"HOWEVER, DUE TO MITIGATING CIRCUMSTANCES,	"HOWEVER, DUE TO MITIGATING CIRCUMSTANCES,
1136	01:21:18,801	01:21:20,801	"SHE IS HEREBY SENTENCED UNDER THE PROVISIONS	"SHE IS HEREBY SENTENCED UNDER THE PROVISIONS
1137	01:21:20,868	01:21:27,234	"OF PARAGRAPH 148 OF THE CRIMINAL CODE TO PRISON FOR A TERM OF 3 YEARS.	"OF PARAGRAPH 148 OF THE CRIMINAL CODE TO PRISON FOR A TERM OF 3 YEARS.
1138	01:21:27,300	01:21:30,300	"THE TIME DURING WHICH THE ACCUSED HAS BEEN UNDER ARREST	"THE TIME DURING WHICH THE ACCUSED HAS BEEN UNDER ARREST
1139	01:21:30,367	01:21:34,067	IS TO BE SUBTRACTED FROM HER SENTENCE."	IS TO BE SUBTRACTED FROM HER SENTENCE."
1140	01:21:34,133	01:21:38,667	NOW HE'S GOT TO TELL WHY THEY'VE BEEN SO LENIENT.	NOW HE'S GOT TO TELL WHY THEY'VE BEEN SO LENIENT.
1141	01:21:38,734	01:21:42,834	ACCORDING TO THE EVIDENCE AND THE CREDIBLE TESTIMONY OF THE ACCUSED,	ACCORDING TO THE EVIDENCE AND THE CREDIBLE TESTIMONY OF THE ACCUSED,
1142	01:21:42,901	01:21:45,334	SHE IS GUILTY AS CHARGED IN THE INDICTMENT.	SHE IS GUILTY AS CHARGED IN THE INDICTMENT.
1143	01:21:45,400	01:21:49,167	THE ACCUSED DELIBERATELY KILLED A HUMAN BEING,	THE ACCUSED DELIBERATELY KILLED A HUMAN BEING,
1144	01:21:49,234	01:21:52,167	NAMELY THE PIANIST, MICHAEL MICHAILOW,	NAMELY THE PIANIST, MICHAEL MICHAILOW,
1145	01:21:52,234	01:21:55,968	BY FIRING TWO BULLETS INTO HIS BODY WITH A REVOLVER.	BY FIRING TWO BULLETS INTO HIS BODY WITH A REVOLVER.
1146	01:21:56,033	01:21:59,567	PUNISHMENT IS THEREFORE INEVITABLE.	PUNISHMENT IS THEREFORE INEVITABLE.
1147	01:21:59,634	01:22:02,734	THE COURT, HOWEVER, HAS NOT ONLY CONCEDED TO THE ACCUSED	THE COURT, HOWEVER, HAS NOT ONLY CONCEDED TO THE ACCUSED
1148	01:22:02,801	01:22:05,801	THE EXISTENCE OF MITIGATING CIRCUMSTANCES	THE EXISTENCE OF MITIGATING CIRCUMSTANCES
1149	01:22:05,868	01:22:09,234	BECAUSE SHE PROVED THAT MICHAEL MICHAILOW BEHAVED TOWARD HER	BECAUSE SHE PROVED THAT MICHAEL MICHAILOW BEHAVED TOWARD HER
1150	01:22:09,300	01:22:12,434	IN A THOROUGHLY REPREHENSIBLE MANNER,	IN A THOROUGHLY REPREHENSIBLE MANNER,
1151	01:22:12,501	01:22:15,300	BUT THE COURT HAS EVEN AGREED UNANIMOUSLY	BUT THE COURT HAS EVEN AGREED UNANIMOUSLY
1152	01:22:15,367	01:22:17,934	THAT IT WILL ENDORSE A PLEA FOR PARDON	THAT IT WILL ENDORSE A PLEA FOR PARDON
1153	01:22:18,000	01:22:20,934	WHEN THE ACCUSED SHALL ENTER THAT PLEA,	WHEN THE ACCUSED SHALL ENTER THAT PLEA,
1154	01:22:21,000	01:22:27,868	BECAUSE DURING THAT PART OF THE TRIAL WHICH TOOK PLACE BEHIND CLOSED DOORS,	BECAUSE DURING THAT PART OF THE TRIAL WHICH TOOK PLACE BEHIND CLOSED DOORS,
1155	01:22:27,934	01:22:33,434	IT BECAME CLEAR TO ALL OF US THAT THE ACTUATING MOTIVE OF THE CRIME	IT BECAME CLEAR TO ALL OF US THAT THE ACTUATING MOTIVE OF THE CRIME
1156	01:22:33,501	01:22:38,801	WAS THE DESIRE, THE DETERMINATION I MIGHT SAY,	WAS THE DESIRE, THE DETERMINATION I MIGHT SAY,
1157	01:22:38,868	01:22:45,701	OF THE ACCUSED TO SAVE A YOUNG GIRL	OF THE ACCUSED TO SAVE A YOUNG GIRL
1158	01:22:45,767	01:22:50,834	FROM THE SEDUCTIONS OF A MAN WHO CAN ONLY BE REGARDED AS MORALLY DEGRADED.	FROM THE SEDUCTIONS OF A MAN WHO CAN ONLY BE REGARDED AS MORALLY DEGRADED.
1159	01:23:11,100	01:23:12,801	THIS CASE IS CLOSED.	THIS CASE IS CLOSED.
1160	01:24:10,400	01:24:11,801	AND JUST REMEMBER THIS:	AND JUST REMEMBER THIS:
1161	01:24:11,868	01:24:13,434	YOU CAN ALWAYS RELY ON ME.	YOU CAN ALWAYS RELY ON ME.
1162	01:24:13,501	01:24:16,300	I'LL ATTEND TO EVERYTHING.	I'LL ATTEND TO EVERYTHING.
1163	01:24:16,367	01:24:18,167	PLEASE, EXCUSE ME A MOMENT, MOMMY.	PLEASE, EXCUSE ME A MOMENT, MOMMY.
1164	01:24:24,901	01:24:26,300	VERA KOWALSKA.	VERA KOWALSKA.
1165	01:24:29,234	01:24:32,434	I JUST WANTED TO TELL YOU THAT-	I JUST WANTED TO TELL YOU THAT-
1166	01:24:32,501	01:24:37,567	I JUST HAD TO TELL YOU THAT I WANT TO WISH YOU THE BEST OF EVERYTHING.	I JUST HAD TO TELL YOU THAT I WANT TO WISH YOU THE BEST OF EVERYTHING.
1167	01:25:07,200	01:25:09,300	THANK YOU, MISS LISA.	THANK YOU, MISS LISA.