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| # | Start | End | Original | Translated |
|---|---|---|---|---|
| 1 | 00:01:04,698 | 00:01:08,502 | [ Mechanical Buzzing, Beeping ] | [ Mechanical Buzzing, Beeping ] |
| 2 | 00:01:13,574 | 00:01:16,544 | [ Electronic Noises Continue ] | [ Electronic Noises Continue ] |
| 3 | 00:03:41,555 | 00:03:43,591 | NICE PLACE, HUH ? I'VE SEEN BETTER. | NICE PLACE, HUH ? I'VE SEEN BETTER. |
| 4 | 00:03:57,671 | 00:03:59,673 | EVERYBODY DOWNSTAIRS ! | EVERYBODY DOWNSTAIRS ! |
| 5 | 00:04:03,411 | 00:04:05,846 | GOOD AFTERNOON. AFTERNOON, SIR. WHERE DO YOU WANT THIS THING ? | GOOD AFTERNOON. AFTERNOON, SIR. WHERE DO YOU WANT THIS THING ? |
| 6 | 00:04:05,879 | 00:04:09,550 | JUST THROUGH THERE, THANK YOU. COME ON, YOU GUYS. I'VE GOT A SURPRISE FOR YOU ! | JUST THROUGH THERE, THANK YOU. COME ON, YOU GUYS. I'VE GOT A SURPRISE FOR YOU ! |
| 7 | 00:04:09,583 | 00:04:11,785 | WANT ME TO PLACE HIM RIGHT OVER HERE, SIR ? YUP, JUST OVER THERE. | WANT ME TO PLACE HIM RIGHT OVER HERE, SIR ? YUP, JUST OVER THERE. |
| 8 | 00:04:11,819 | 00:04:15,689 | H-HERE'S A PLACE. HERE. YEAH, OKAY. MOVE IT OVER HERE. | H-HERE'S A PLACE. HERE. YEAH, OKAY. MOVE IT OVER HERE. |
| 9 | 00:04:15,723 | 00:04:18,426 | THERE YA GO. NICE AND EASY. THAT'S RIGHT. | THERE YA GO. NICE AND EASY. THAT'S RIGHT. |
| 10 | 00:04:18,459 | 00:04:20,728 | EASY. LIFT IT UP. [ Grunts ] | EASY. LIFT IT UP. [ Grunts ] |
| 11 | 00:04:20,761 | 00:04:23,431 | SWEETIE, COME AWAY FROM IT, PLEASE. | SWEETIE, COME AWAY FROM IT, PLEASE. |
| 12 | 00:04:25,366 | 00:04:28,001 | W-WHAT IS IT, DADDY ? WAIT, WAIT, WAIT. | W-WHAT IS IT, DADDY ? WAIT, WAIT, WAIT. |
| 13 | 00:04:38,746 | 00:04:40,748 | WOW. | WOW. |
| 14 | 00:04:46,387 | 00:04:48,622 | [ Chuckling ] WOW. | [ Chuckling ] WOW. |
| 15 | 00:04:51,425 | 00:04:53,394 | OH, MY. | OH, MY. |
| 16 | 00:04:58,499 | 00:05:01,301 | [ Delivery Man ] THANK YOU, SIR. ENJOY YOUR NDR. | [ Delivery Man ] THANK YOU, SIR. ENJOY YOUR NDR. |
| 17 | 00:05:03,070 | 00:05:05,806 | - [ Remote Clicks ] - [ Electronic Whirring ] | - [ Remote Clicks ] - [ Electronic Whirring ] |
| 18 | 00:05:16,083 | 00:05:19,853 | NORTHAM ROBOTICS HOUSEHOLD MODEL NDR-114, | NORTHAM ROBOTICS HOUSEHOLD MODEL NDR-114, |
| 19 | 00:05:19,887 | 00:05:22,055 | SERIAL NUMBER 583625. | SERIAL NUMBER 583625. |
| 20 | 00:05:30,531 | 00:05:34,535 | - HELLO. - HELLO. | - HELLO. - HELLO. |
| 21 | 00:05:36,670 | 00:05:38,672 | ARE YOU ONE'S FAMILY ? | ARE YOU ONE'S FAMILY ? |
| 22 | 00:05:39,840 | 00:05:42,810 | WELL, UM, I GUESS SO. | WELL, UM, I GUESS SO. |
| 23 | 00:05:51,552 | 00:05:53,921 | IT'S SCARY. | IT'S SCARY. |
| 24 | 00:05:53,954 | 00:05:55,889 | IT'S NOT SCARY. IT'S STUPID. | IT'S NOT SCARY. IT'S STUPID. |
| 25 | 00:05:55,923 | 00:05:59,793 | - I DOUBT THAT. - JENNY HARRISON'S FAMILY'S GOT ONE, | - I DOUBT THAT. - JENNY HARRISON'S FAMILY'S GOT ONE, |
| 26 | 00:05:59,827 | 00:06:03,431 | SO DOES KATE McALLISTER-- THEY'RE ALL THE SAME. WHAT IS IT ? | SO DOES KATE McALLISTER-- THEY'RE ALL THE SAME. WHAT IS IT ? |
| 27 | 00:06:03,464 | 00:06:06,934 | IT'S AN ANDROID. WHAT'S AN "ANDREW" ? | IT'S AN ANDROID. WHAT'S AN "ANDREW" ? |
| 28 | 00:06:06,967 | 00:06:08,836 | [ Father Laughs ] | [ Father Laughs ] |
| 29 | 00:06:08,869 | 00:06:11,839 | WILL THAT BE ONE'S NAME ? | WILL THAT BE ONE'S NAME ? |
| 30 | 00:06:11,872 | 00:06:14,642 | WELL, WHY NOT ? IT SOUNDS GOOD. | WELL, WHY NOT ? IT SOUNDS GOOD. |
| 31 | 00:06:14,675 | 00:06:17,811 | - HELLO, ANDREW. - HELLO, SIR. | - HELLO, ANDREW. - HELLO, SIR. |
| 32 | 00:06:18,846 | 00:06:21,449 | WOULD YOU CARE TO HEAR THE THREE LAWS OF ROBOTICS ? | WOULD YOU CARE TO HEAR THE THREE LAWS OF ROBOTICS ? |
| 33 | 00:06:21,482 | 00:06:25,453 | - IT'S SAID TO BE A MOST ENTERTAINING PRESENTATION. - OKAY. SURE. | - IT'S SAID TO BE A MOST ENTERTAINING PRESENTATION. - OKAY. SURE. |
| 34 | 00:06:25,486 | 00:06:29,890 | - WILL YOU STEP BACK, SIR, TO MAXIMIZE PRESENTATION ? - RIGHT. | - WILL YOU STEP BACK, SIR, TO MAXIMIZE PRESENTATION ? - RIGHT. |
| 35 | 00:06:32,593 | 00:06:35,395 | [ Whirring Begins, Accelerates ] | [ Whirring Begins, Accelerates ] |
| 36 | 00:06:36,830 | 00:06:39,867 | - ** [ Sousa March Begins ] - [ Gasping ] | - ** [ Sousa March Begins ] - [ Gasping ] |
| 37 | 00:06:43,236 | 00:06:47,641 | FIRST LAW OF ROBOTICS: A ROBOT MAY NOT INJURE A HUMAN BEING, | FIRST LAW OF ROBOTICS: A ROBOT MAY NOT INJURE A HUMAN BEING, |
| 38 | 00:06:47,675 | 00:06:52,713 | OR, THROUGH INACTION, CAUSE A HUMAN BEING TO COME TO HARM. | OR, THROUGH INACTION, CAUSE A HUMAN BEING TO COME TO HARM. |
| 39 | 00:06:52,746 | 00:06:54,715 | SECOND LAW: | SECOND LAW: |
| 40 | 00:06:54,748 | 00:06:57,651 | A ROBOT MUST OBEY ALL HUMAN ORDERS, | A ROBOT MUST OBEY ALL HUMAN ORDERS, |
| 41 | 00:06:57,685 | 00:07:01,855 | EXCEPT WHERE THOSE ORDERS COME IN CONFLICT WITH THE FIRST LAW. | EXCEPT WHERE THOSE ORDERS COME IN CONFLICT WITH THE FIRST LAW. |
| 42 | 00:07:01,889 | 00:07:04,858 | THIRD LAW: A ROBOT MUST PROTECT ITSELF, | THIRD LAW: A ROBOT MUST PROTECT ITSELF, |
| 43 | 00:07:04,892 | 00:07:09,196 | SO LONG AS DOING SO DOES NOT CONFLICT WITH THE FIRST TWO LAWS. | SO LONG AS DOING SO DOES NOT CONFLICT WITH THE FIRST TWO LAWS. |
| 44 | 00:07:09,229 | 00:07:11,198 | ** [ March Ends ] | ** [ March Ends ] |
| 45 | 00:07:14,635 | 00:07:16,637 | ANDREW, DON'T EVER DO THAT AGAIN. | ANDREW, DON'T EVER DO THAT AGAIN. |
| 46 | 00:07:17,771 | 00:07:20,741 | OF COURSE NOT, SIR. IT IS A ONE-TIME ONLY. | OF COURSE NOT, SIR. IT IS A ONE-TIME ONLY. |
| 47 | 00:07:20,774 | 00:07:24,512 | [ Andrew ] THERE IS ANOTHER OPTION THAT ONE IS OBLIGATED TO POINT OUT, SIR: | [ Andrew ] THERE IS ANOTHER OPTION THAT ONE IS OBLIGATED TO POINT OUT, SIR: |
| 48 | 00:07:24,545 | 00:07:27,214 | YOU MAY HAVE ONE WITH OR WITHOUT PERSONALITY. | YOU MAY HAVE ONE WITH OR WITHOUT PERSONALITY. |
| 49 | 00:07:27,247 | 00:07:31,018 | WOULD YOU CARE TO SEE A DEMO OF THE PERSONALITY CHIP ? UH, NO, NO, THANK YOU. | WOULD YOU CARE TO SEE A DEMO OF THE PERSONALITY CHIP ? UH, NO, NO, THANK YOU. |
| 50 | 00:07:31,051 | 00:07:34,888 | WE'LL STICK WITH WHAT WE'VE GOT. A WISE CHOICE, SIR, IF ONE MAY SAY SO. | WE'LL STICK WITH WHAT WE'VE GOT. A WISE CHOICE, SIR, IF ONE MAY SAY SO. |
| 51 | 00:07:34,922 | 00:07:38,759 | WELL, YOU'LL BE STAYING DOWN HERE. GOT EVERYTHING YOU NEED ? | WELL, YOU'LL BE STAYING DOWN HERE. GOT EVERYTHING YOU NEED ? |
| 52 | 00:07:38,792 | 00:07:42,830 | - ONE ONLY REQUIRES ACCESS TO A POWER OUTLET. - GOOD. | - ONE ONLY REQUIRES ACCESS TO A POWER OUTLET. - GOOD. |
| 53 | 00:07:44,932 | 00:07:47,868 | RIGHT. WELL, UM, GOOD NIGHT, ANDREW. | RIGHT. WELL, UM, GOOD NIGHT, ANDREW. |
| 54 | 00:07:47,901 | 00:07:50,638 | IT CERTAINLY IS, SIR. | IT CERTAINLY IS, SIR. |
| 55 | 00:07:50,671 | 00:07:52,640 | NO. NO, ANDREW, | NO. NO, ANDREW, |
| 56 | 00:07:52,673 | 00:07:55,676 | THE CORRECT RESPONSE TO "GOOD NIGHT" IS "GOOD NIGHT." | THE CORRECT RESPONSE TO "GOOD NIGHT" IS "GOOD NIGHT." |
| 57 | 00:07:56,910 | 00:07:59,547 | - GOOD NIGHT. - YES. | - GOOD NIGHT. - YES. |
| 58 | 00:07:59,580 | 00:08:02,082 | YOU JUST SAID "YES." YES ? | YOU JUST SAID "YES." YES ? |
| 59 | 00:08:02,115 | 00:08:04,885 | BUT THE CORRECT RESPONSE TO "GOOD NIGHT" IS "GOOD NIGHT." | BUT THE CORRECT RESPONSE TO "GOOD NIGHT" IS "GOOD NIGHT." |
| 60 | 00:08:06,053 | 00:08:09,222 | - GOOD NIGHT, ANDREW. - GOOD NIGHT, SIR. | - GOOD NIGHT, ANDREW. - GOOD NIGHT, SIR. |
| 61 | 00:08:10,658 | 00:08:12,926 | - GOOD NIGHT, ANDREW. - GOOD NIGHT, SIR. | - GOOD NIGHT, ANDREW. - GOOD NIGHT, SIR. |
| 62 | 00:08:12,960 | 00:08:17,798 | - YOU ONLY NEED TO SAY IT ONCE. - OR ONE WOULD BE SAYING IT FOREVER, SIR, | - YOU ONLY NEED TO SAY IT ONCE. - OR ONE WOULD BE SAYING IT FOREVER, SIR, |
| 63 | 00:08:17,831 | 00:08:19,800 | IN AN INFINITE VERBAL LOOP. | IN AN INFINITE VERBAL LOOP. |
| 64 | 00:08:19,833 | 00:08:22,603 | EXACTLY. | EXACTLY. |
| 65 | 00:08:22,636 | 00:08:24,838 | THANK YOU, SIR. GOOD. | THANK YOU, SIR. GOOD. |
| 66 | 00:08:24,872 | 00:08:26,840 | NIGHT. | NIGHT. |
| 67 | 00:08:28,275 | 00:08:30,944 | SORRY, SIR. | SORRY, SIR. |
| 68 | 00:08:39,853 | 00:08:42,856 | [ Electronic Whirring, Pulsing ] | [ Electronic Whirring, Pulsing ] |
| 69 | 00:09:14,187 | 00:09:18,826 | HONEY, I DON'T WANT IT... FOLLOWING ME AROUND THE HOUSE ALL DAY. | HONEY, I DON'T WANT IT... FOLLOWING ME AROUND THE HOUSE ALL DAY. |
| 70 | 00:09:18,859 | 00:09:20,828 | CAN'T-CAN'T YOU TURN IT OFF OR SOMETHING, PLEASE ? | CAN'T-CAN'T YOU TURN IT OFF OR SOMETHING, PLEASE ? |
| 71 | 00:09:20,861 | 00:09:24,798 | JUST GIVE HIM A JOB. IT'LL BE OKAY. | JUST GIVE HIM A JOB. IT'LL BE OKAY. |
| 72 | 00:09:24,832 | 00:09:29,169 | WELL-- SEAT BELTS ! [ Kids ] SEAT BELTS ! | WELL-- SEAT BELTS ! [ Kids ] SEAT BELTS ! |
| 73 | 00:09:29,202 | 00:09:32,640 | [ Computer ] GOOD MORNING, MR. MARTIN. TODAY'S TEMPERATURE WILL BE IN THE HIGH 70S. | [ Computer ] GOOD MORNING, MR. MARTIN. TODAY'S TEMPERATURE WILL BE IN THE HIGH 70S. |
| 74 | 00:09:32,673 | 00:09:34,842 | [ Kids ] BYE, MOM ! | [ Kids ] BYE, MOM ! |
| 75 | 00:09:34,875 | 00:09:37,811 | HAVE A GOOD DAY, SWEETHEARTS. HAVE A GOOD DAY, SWEETHEARTS. | HAVE A GOOD DAY, SWEETHEARTS. HAVE A GOOD DAY, SWEETHEARTS. |
| 76 | 00:09:37,845 | 00:09:40,681 | [ Computer Voice Continues ] | [ Computer Voice Continues ] |
| 77 | 00:11:05,132 | 00:11:07,100 | [ Sighs ] | [ Sighs ] |
| 78 | 00:11:12,272 | 00:11:17,144 | - MMM. ANDREW, THIS IS VERY GOOD. - THANK YOU, SIR. | - MMM. ANDREW, THIS IS VERY GOOD. - THANK YOU, SIR. |
| 79 | 00:11:17,177 | 00:11:19,079 | [ Father ] DON'T YOU THINK ? I THINK IT SUCKS. | [ Father ] DON'T YOU THINK ? I THINK IT SUCKS. |
| 80 | 00:11:21,114 | 00:11:23,784 | "SUCKS" ? HOW ? CHICKENS DO NOT HAVE LIPS. | "SUCKS" ? HOW ? CHICKENS DO NOT HAVE LIPS. |
| 81 | 00:11:23,817 | 00:11:25,452 | [ Snickers ] | [ Snickers ] |
| 82 | 00:11:25,485 | 00:11:29,890 | SHE'S BEING RUDE. YOU MIND YOUR MANNERS, YOUNG LADY, PLEASE. | SHE'S BEING RUDE. YOU MIND YOUR MANNERS, YOUNG LADY, PLEASE. |
| 83 | 00:11:32,492 | 00:11:36,129 | - WE'RE FINE, ANDREW. - INDEED YOU ARE, SIR. | - WE'RE FINE, ANDREW. - INDEED YOU ARE, SIR. |
| 84 | 00:11:37,330 | 00:11:39,132 | THE KITCHEN. | THE KITCHEN. |
| 85 | 00:11:40,801 | 00:11:43,103 | IT'S FINE TOO, SIR. | IT'S FINE TOO, SIR. |
| 86 | 00:11:43,136 | 00:11:46,439 | NO. GO TO THE KITCHEN NOW. | NO. GO TO THE KITCHEN NOW. |
| 87 | 00:11:50,477 | 00:11:52,079 | [ Sighs ] | [ Sighs ] |
| 88 | 00:12:00,821 | 00:12:02,823 | HELLO. | HELLO. |
| 89 | 00:12:11,231 | 00:12:13,233 | COME ON. | COME ON. |
| 90 | 00:12:23,944 | 00:12:26,113 | MAYBE IT'S A BIG BLUFF. | MAYBE IT'S A BIG BLUFF. |
| 91 | 00:12:29,216 | 00:12:31,885 | JUST A PRETTY FACE. | JUST A PRETTY FACE. |
| 92 | 00:12:49,336 | 00:12:51,504 | CHECK. | CHECK. |
| 93 | 00:12:53,073 | 00:12:56,776 | [ Girl ] OH, ANDREW, COULD YOU COME UP ? | [ Girl ] OH, ANDREW, COULD YOU COME UP ? |
| 94 | 00:13:00,881 | 00:13:03,216 | SHOULD I-- NO. IT'LL BE FINE. | SHOULD I-- NO. IT'LL BE FINE. |
| 95 | 00:13:09,589 | 00:13:13,560 | YES, MISS ? ANDREW, WOULD YOU PLEASE OPEN THE WINDOW ? | YES, MISS ? ANDREW, WOULD YOU PLEASE OPEN THE WINDOW ? |
| 96 | 00:13:13,593 | 00:13:15,896 | ONE IS GLAD TO BE OF SERVICE. | ONE IS GLAD TO BE OF SERVICE. |
| 97 | 00:13:23,003 | 00:13:25,138 | A LOVELY BREEZE. | A LOVELY BREEZE. |
| 98 | 00:13:25,172 | 00:13:27,274 | NOW JUMP. | NOW JUMP. |
| 99 | 00:13:30,310 | 00:13:32,279 | NO, | NO, |
| 100 | 00:13:32,312 | 00:13:34,915 | OUT THE WINDOW. | OUT THE WINDOW. |
| 101 | 00:13:40,453 | 00:13:43,223 | [ Dog Barking In Distance ] | [ Dog Barking In Distance ] |
| 102 | 00:13:43,256 | 00:13:46,093 | DID YOU HEAR SOMETHING ? WAS THAT AN EARTHQUAKE ? | DID YOU HEAR SOMETHING ? WAS THAT AN EARTHQUAKE ? |
| 103 | 00:13:48,929 | 00:13:50,931 | [ Doorbell Rings ] | [ Doorbell Rings ] |
| 104 | 00:14:07,347 | 00:14:11,651 | [ Brokenly ] SORRY FOR THE INCONVENIENCE. MAY ONE RE-RE-RE-ENTER... | [ Brokenly ] SORRY FOR THE INCONVENIENCE. MAY ONE RE-RE-RE-ENTER... |
| 105 | 00:14:11,684 | 00:14:14,021 | ER-ER ? WHAT HAPPENED, ANDREW ? | ER-ER ? WHAT HAPPENED, ANDREW ? |
| 106 | 00:14:14,054 | 00:14:16,623 | [ Distorted ] FOR THE SAKE OF FAMILY HARMONY, | [ Distorted ] FOR THE SAKE OF FAMILY HARMONY, |
| 107 | 00:14:16,656 | 00:14:21,194 | [ Winding Down ] ONE IS PROGRAMMED NOT TO TELL. | [ Winding Down ] ONE IS PROGRAMMED NOT TO TELL. |
| 108 | 00:14:21,228 | 00:14:25,098 | [ Low Electronic Moaning ] ANDREW ? ANDREW ! | [ Low Electronic Moaning ] ANDREW ? ANDREW ! |
| 109 | 00:14:25,132 | 00:14:27,634 | YEAH ? | YEAH ? |
| 110 | 00:14:27,667 | 00:14:30,137 | [ Rattling ] | [ Rattling ] |
| 111 | 00:14:31,204 | 00:14:34,307 | AMANDA, GRACE, DOWNSTAIRS RIGHT AWAY. | AMANDA, GRACE, DOWNSTAIRS RIGHT AWAY. |
| 112 | 00:14:36,243 | 00:14:41,214 | COME IN, ANDREW. THANK YOU, SI-I-I-R. | COME IN, ANDREW. THANK YOU, SI-I-I-R. |
| 113 | 00:14:41,248 | 00:14:44,217 | [ Whirring Brokenly ] | [ Whirring Brokenly ] |
| 114 | 00:14:56,029 | 00:14:58,665 | ANDREW'S NOT A PERSON, HE'S A FORM OF PROPERTY. | ANDREW'S NOT A PERSON, HE'S A FORM OF PROPERTY. |
| 115 | 00:14:58,698 | 00:15:02,469 | ONE IS NOT A PER-R-R-R-R-R-R- | ONE IS NOT A PER-R-R-R-R-R-R- |
| 116 | 00:15:02,502 | 00:15:04,471 | SON. | SON. |
| 117 | 00:15:04,504 | 00:15:07,207 | BUT PROPERTY IS ALSO IMPORTANT. | BUT PROPERTY IS ALSO IMPORTANT. |
| 118 | 00:15:07,240 | 00:15:10,210 | SO FROM NOW ON, AS A MATTER OF PRINCIPLE, | SO FROM NOW ON, AS A MATTER OF PRINCIPLE, |
| 119 | 00:15:10,243 | 00:15:13,313 | IN THIS FAMILY ANDREW WILL BE TREATED AS IF HE WERE A PERSON. | IN THIS FAMILY ANDREW WILL BE TREATED AS IF HE WERE A PERSON. |
| 120 | 00:15:15,048 | 00:15:18,018 | WHICH MEANS THERE WILL BE NO MORE ATTEMPTS TO BREAK HIM. | WHICH MEANS THERE WILL BE NO MORE ATTEMPTS TO BREAK HIM. |
| 121 | 00:15:18,051 | 00:15:20,253 | BREAK HIM ? | BREAK HIM ? |
| 122 | 00:15:20,287 | 00:15:23,023 | YOUR SISTER TRIED TO KILL ANDREW. | YOUR SISTER TRIED TO KILL ANDREW. |
| 123 | 00:15:24,557 | 00:15:28,161 | YOU TOO ? | YOU TOO ? |
| 124 | 00:15:28,195 | 00:15:30,330 | SHH. [ Whispering ] SORRY. | SHH. [ Whispering ] SORRY. |
| 125 | 00:15:31,764 | 00:15:35,268 | COME ON. EVERYONE UP TO BED. | COME ON. EVERYONE UP TO BED. |
| 126 | 00:15:37,204 | 00:15:41,541 | -WILL YOU BE ALL RIGHT, ANDREW ? -ONE IS CAPABLE OF SELF-MAI-AI-AINTENANCE, SIR. | -WILL YOU BE ALL RIGHT, ANDREW ? -ONE IS CAPABLE OF SELF-MAI-AI-AINTENANCE, SIR. |
| 127 | 00:15:41,574 | 00:15:44,344 | GOOD. | GOOD. |
| 128 | 00:15:44,377 | 00:15:46,379 | - GOOD NIGHT, ANDREW. - GOOD NIGHT, ANDREW. | - GOOD NIGHT, ANDREW. - GOOD NIGHT, ANDREW. |
| 129 | 00:15:46,413 | 00:15:50,417 | GUH, GUH, GUH-- G-GOOD NIGHT. | GUH, GUH, GUH-- G-GOOD NIGHT. |
| 130 | 00:15:53,153 | 00:15:55,155 | [ Whirring Brokenly ] | [ Whirring Brokenly ] |
| 131 | 00:15:59,392 | 00:16:02,962 | [ Muttering Brokenly ] GOOD NIGHT, ANDREW. GOOD... NIGHT. | [ Muttering Brokenly ] GOOD NIGHT, ANDREW. GOOD... NIGHT. |
| 132 | 00:16:22,415 | 00:16:26,586 | MISS, ONE HAS BEEN GIVEN SPECIFIC ORDERS FOR YOUR SAFETY, | MISS, ONE HAS BEEN GIVEN SPECIFIC ORDERS FOR YOUR SAFETY, |
| 133 | 00:16:26,619 | 00:16:29,056 | AND THAT IS AN UNSAFE AREA. | AND THAT IS AN UNSAFE AREA. |
| 134 | 00:16:29,089 | 00:16:31,224 | NOW, COME DOWN. | NOW, COME DOWN. |
| 135 | 00:16:31,258 | 00:16:33,226 | OKAY. | OKAY. |
| 136 | 00:16:33,260 | 00:16:35,062 | THANK YOU. | THANK YOU. |
| 137 | 00:16:35,095 | 00:16:38,231 | "WELL, I THINK IT'S GONNA BE SUNNY TONIGHT." | "WELL, I THINK IT'S GONNA BE SUNNY TONIGHT." |
| 138 | 00:16:38,265 | 00:16:41,168 | [ Feminine Voice ] "ME TOO." | [ Feminine Voice ] "ME TOO." |
| 139 | 00:16:41,201 | 00:16:44,271 | [ Falsetto ] "SO DO I." | [ Falsetto ] "SO DO I." |
| 140 | 00:16:50,210 | 00:16:52,212 | HE'S MY FAVORITE. | HE'S MY FAVORITE. |
| 141 | 00:16:53,580 | 00:16:56,183 | PRETTY. | PRETTY. |
| 142 | 00:16:56,216 | 00:16:58,451 | WOULD YOU LIKE TO HOLD HIM ? | WOULD YOU LIKE TO HOLD HIM ? |
| 143 | 00:17:08,128 | 00:17:10,430 | THAT WAS MY FAVORITE. | THAT WAS MY FAVORITE. |
| 144 | 00:17:12,632 | 00:17:16,136 | THEY DON'T EVEN MAKE HIM ANYMORE. | THEY DON'T EVEN MAKE HIM ANYMORE. |
| 145 | 00:17:16,169 | 00:17:20,307 | - CAN IT BE REPAIRED, LITTLE MISS ? - NO, IT CAN'T ! | - CAN IT BE REPAIRED, LITTLE MISS ? - NO, IT CAN'T ! |
| 146 | 00:17:20,340 | 00:17:23,776 | - YOU'RE SCREWED. - I HATE YOU ! | - YOU'RE SCREWED. - I HATE YOU ! |
| 147 | 00:17:24,811 | 00:17:27,580 | GET AWAY FROM ME. | GET AWAY FROM ME. |
| 148 | 00:17:33,653 | 00:17:37,524 | CAN WE FIX HIM ? NO. LOOK AT HIM-- HE'S IN A MILLION PIECES ! | CAN WE FIX HIM ? NO. LOOK AT HIM-- HE'S IN A MILLION PIECES ! |
| 149 | 00:17:37,557 | 00:17:42,529 | - [ Sighs ] - I'M SORRY. THERE'S NOTHING YOU CAN DO. | - [ Sighs ] - I'M SORRY. THERE'S NOTHING YOU CAN DO. |
| 150 | 00:17:43,530 | 00:17:46,399 | PUT THE REST OF THEM AWAY. | PUT THE REST OF THEM AWAY. |
| 151 | 00:18:28,375 | 00:18:30,377 | WOW. | WOW. |
| 152 | 00:18:37,550 | 00:18:40,687 | ANDREW ! YES, LITTLE MISS ? | ANDREW ! YES, LITTLE MISS ? |
| 153 | 00:18:40,720 | 00:18:43,890 | THIS IS THE BEST PRESENT I EVER GOT. | THIS IS THE BEST PRESENT I EVER GOT. |
| 154 | 00:18:45,392 | 00:18:47,294 | ONE IS GLAD TO BE OF SERVICE. | ONE IS GLAD TO BE OF SERVICE. |
| 155 | 00:18:47,327 | 00:18:50,330 | WOULD YOU PLEASE COME WITH ME ? | WOULD YOU PLEASE COME WITH ME ? |
| 156 | 00:18:51,564 | 00:18:53,533 | DOES THIS INVOLVE A WINDOW ? | DOES THIS INVOLVE A WINDOW ? |
| 157 | 00:18:53,566 | 00:18:55,602 | [ Chuckling ] NO. | [ Chuckling ] NO. |
| 158 | 00:19:01,708 | 00:19:03,876 | YOU CAN SIT HERE. | YOU CAN SIT HERE. |
| 159 | 00:19:10,750 | 00:19:13,586 | HIS NAME IS WOOFY, | HIS NAME IS WOOFY, |
| 160 | 00:19:13,620 | 00:19:17,424 | AND FROM NOW ON... HE'S YOURS. | AND FROM NOW ON... HE'S YOURS. |
| 161 | 00:19:20,793 | 00:19:22,762 | WOOFY. UH-HUH. | WOOFY. UH-HUH. |
| 162 | 00:19:22,795 | 00:19:25,498 | BECAUSE SOMETIMES HE BARKS, | BECAUSE SOMETIMES HE BARKS, |
| 163 | 00:19:28,968 | 00:19:32,472 | ONCE HE GETS TO KNOW YOU. | ONCE HE GETS TO KNOW YOU. |
| 164 | 00:19:32,505 | 00:19:34,507 | OH. | OH. |
| 165 | 00:19:35,642 | 00:19:38,311 | THANK YOU VERY MUCH. | THANK YOU VERY MUCH. |
| 166 | 00:19:38,345 | 00:19:40,513 | YOU'RE WELCOME. | YOU'RE WELCOME. |
| 167 | 00:19:40,547 | 00:19:42,549 | I HAVE TO GO TO SLEEP NOW, ANDREW. | I HAVE TO GO TO SLEEP NOW, ANDREW. |
| 168 | 00:19:44,451 | 00:19:48,288 | - YES. - YEAH. CAN YOU, KINDA-- | - YES. - YEAH. CAN YOU, KINDA-- |
| 169 | 00:19:49,489 | 00:19:51,724 | OF COURSE. | OF COURSE. |
| 170 | 00:19:57,630 | 00:20:01,301 | - GOOD NIGHT, SWEETHEART. - GOOD NIGHT, ANDREW. | - GOOD NIGHT, SWEETHEART. - GOOD NIGHT, ANDREW. |
| 171 | 00:20:20,487 | 00:20:22,655 | LITTLE MISS ? SURE. THANKS. | LITTLE MISS ? SURE. THANKS. |
| 172 | 00:20:22,689 | 00:20:24,557 | MISS ? | MISS ? |
| 173 | 00:20:29,028 | 00:20:31,298 | - AFTER YOU. - WELL, THANK YOU. | - AFTER YOU. - WELL, THANK YOU. |
| 174 | 00:20:31,331 | 00:20:33,666 | YOU'RE WELCOME. | YOU'RE WELCOME. |
| 175 | 00:20:34,734 | 00:20:37,770 | ANDREW, DID YOU REALLY MAKE THIS ? | ANDREW, DID YOU REALLY MAKE THIS ? |
| 176 | 00:20:37,804 | 00:20:39,972 | YES, SIR. | YES, SIR. |
| 177 | 00:20:42,442 | 00:20:44,511 | A ROBOT CANNOT TELL A LIE, ANDREW. | A ROBOT CANNOT TELL A LIE, ANDREW. |
| 178 | 00:20:44,544 | 00:20:47,314 | THAT IS NOT ENTIRELY CORRECT, SIR. | THAT IS NOT ENTIRELY CORRECT, SIR. |
| 179 | 00:20:47,347 | 00:20:48,981 | ONE COU LIE, IF ONE WERE ORDERED TO LIE, | ONE COU LIE, IF ONE WERE ORDERED TO LIE, |
| 180 | 00:20:49,015 | 00:20:53,486 | OR IF IT WERE NECESSARY TO TELL SOME UNTRUTH IN ORDER TO KEEP A HUMAN BEING FROM HARM, | OR IF IT WERE NECESSARY TO TELL SOME UNTRUTH IN ORDER TO KEEP A HUMAN BEING FROM HARM, |
| 181 | 00:20:53,520 | 00:20:56,556 | OR IF ONE'S OWN SAFETY WERE IN JEOPARDY-- SIR ? ANDREW. | OR IF ONE'S OWN SAFETY WERE IN JEOPARDY-- SIR ? ANDREW. |
| 182 | 00:20:56,589 | 00:20:59,826 | ONE DID INDEED CARVE THAT FOR LITTLE MISS. | ONE DID INDEED CARVE THAT FOR LITTLE MISS. |
| 183 | 00:20:59,859 | 00:21:03,563 | AND THE DESIGN-- YOU'RE RESPONSIBLE FOR THAT ? YES, SIR. | AND THE DESIGN-- YOU'RE RESPONSIBLE FOR THAT ? YES, SIR. |
| 184 | 00:21:03,596 | 00:21:07,400 | - WHAT DID YOU COPY IT FROM ? - COPY IT, MA'AM ? | - WHAT DID YOU COPY IT FROM ? - COPY IT, MA'AM ? |
| 185 | 00:21:08,868 | 00:21:11,738 | WELL, I MEAN, YOU DIDN'T JUST GET IT OUT OF THIN AIR. | WELL, I MEAN, YOU DIDN'T JUST GET IT OUT OF THIN AIR. |
| 186 | 00:21:11,771 | 00:21:15,542 | YOU GOT IT OUT OF SOME BOOK, RIGHT, OR USED THE COMPUTER TO PLOT IT OUT ? | YOU GOT IT OUT OF SOME BOOK, RIGHT, OR USED THE COMPUTER TO PLOT IT OUT ? |
| 187 | 00:21:17,043 | 00:21:20,713 | ONE DID NOTHING MORE THAN STUDY THE RAW MATERIAL FOR A TIME... | ONE DID NOTHING MORE THAN STUDY THE RAW MATERIAL FOR A TIME... |
| 188 | 00:21:20,747 | 00:21:23,883 | UNTIL ONE CAME TO UNDERSTAND HOW BEST TO CARVE IT INTO A SHAPE... | UNTIL ONE CAME TO UNDERSTAND HOW BEST TO CARVE IT INTO A SHAPE... |
| 189 | 00:21:23,916 | 00:21:27,387 | THAT WOULD APPEAL TO LITTLE MISS'S LOVE OF TINY MAMMALS. | THAT WOULD APPEAL TO LITTLE MISS'S LOVE OF TINY MAMMALS. |
| 190 | 00:21:30,923 | 00:21:34,427 | ** [ Soprano Singing Aria ] | ** [ Soprano Singing Aria ] |
| 191 | 00:21:42,502 | 00:21:44,504 | ** [ Continues ] | ** [ Continues ] |
| 192 | 00:21:58,685 | 00:22:00,687 | ** [ Continues, Louder ] | ** [ Continues, Louder ] |
| 193 | 00:22:20,440 | 00:22:23,443 | ** [ Continues ] | ** [ Continues ] |
| 194 | 00:22:32,118 | 00:22:34,687 | ** [ Crescendo ] | ** [ Crescendo ] |
| 195 | 00:23:16,596 | 00:23:18,598 | YES, YES. PLEASE COME IN. | YES, YES. PLEASE COME IN. |
| 196 | 00:23:19,899 | 00:23:24,704 | I AM SO GLAD YOU CALLED. MANSKY, DENNIS MANSKY. | I AM SO GLAD YOU CALLED. MANSKY, DENNIS MANSKY. |
| 197 | 00:23:24,737 | 00:23:27,173 | RICHARD MARK. | RICHARD MARK. |
| 198 | 00:23:27,206 | 00:23:30,543 | AND AN NDR-114. | AND AN NDR-114. |
| 199 | 00:23:30,577 | 00:23:36,483 | NOW, I GOT YOUR MESSAGE, BUT WHAT EXACTLY IS IT DOING ? | NOW, I GOT YOUR MESSAGE, BUT WHAT EXACTLY IS IT DOING ? |
| 200 | 00:23:36,516 | 00:23:40,019 | WELL, WHAT INTERESTS ME IS HE SHOWS A NUMBER OF CHARACTERISTICS-- | WELL, WHAT INTERESTS ME IS HE SHOWS A NUMBER OF CHARACTERISTICS-- |
| 201 | 00:23:40,052 | 00:23:43,890 | LIKE CREATIVITY, CURIOSITY, FRIENDSHIP-- | LIKE CREATIVITY, CURIOSITY, FRIENDSHIP-- |
| 202 | 00:23:43,923 | 00:23:48,227 | THAT, FRANKLY, HAVE TAKEN US BY SURPRISE. | THAT, FRANKLY, HAVE TAKEN US BY SURPRISE. |
| 203 | 00:23:48,260 | 00:23:49,829 | MM-HMM. | MM-HMM. |
| 204 | 00:23:51,030 | 00:23:52,832 | ANDREW-- YES, DENNIS ? | ANDREW-- YES, DENNIS ? |
| 205 | 00:23:54,534 | 00:23:56,836 | SOCIAL AS WELL. | SOCIAL AS WELL. |
| 206 | 00:23:56,869 | 00:23:59,639 | NOW I'D LIKE TO SHOW YOU SOMETHING IF I MAY. | NOW I'D LIKE TO SHOW YOU SOMETHING IF I MAY. |
| 207 | 00:24:00,773 | 00:24:04,844 | NOW, ANDREW CARVED THESE. | NOW, ANDREW CARVED THESE. |
| 208 | 00:24:04,877 | 00:24:07,880 | THESE ARE ORIGINAL WORKS OF ART, | THESE ARE ORIGINAL WORKS OF ART, |
| 209 | 00:24:07,914 | 00:24:10,249 | AND LAST NIGHT ANDREW SAID, | AND LAST NIGHT ANDREW SAID, |
| 210 | 00:24:10,282 | 00:24:14,020 | "I ENJOY MAKING THEM." "ENJOY." | "I ENJOY MAKING THEM." "ENJOY." |
| 211 | 00:24:14,053 | 00:24:16,022 | YES. SHOULD ONE NOT USE THAT WORD ? | YES. SHOULD ONE NOT USE THAT WORD ? |
| 212 | 00:24:16,055 | 00:24:17,990 | NO, NO. IT'S FINE, ANDREW. SEE WHAT I MEAN ? | NO, NO. IT'S FINE, ANDREW. SEE WHAT I MEAN ? |
| 213 | 00:24:18,024 | 00:24:22,695 | IT'S UNUSUAL, SURELY, TO HEAR A ROBOT TALK ABOUT ENJOYING SOMETHING. | IT'S UNUSUAL, SURELY, TO HEAR A ROBOT TALK ABOUT ENJOYING SOMETHING. |
| 214 | 00:24:22,729 | 00:24:24,764 | WHAT I WANT TO KNOW IS, | WHAT I WANT TO KNOW IS, |
| 215 | 00:24:24,797 | 00:24:28,801 | DO MANY OF YOUR OTHER ROBOTS HAVE-- HAVE FEELINGS LIKE THIS ? | DO MANY OF YOUR OTHER ROBOTS HAVE-- HAVE FEELINGS LIKE THIS ? |
| 216 | 00:24:30,903 | 00:24:32,972 | MUST BE... | MUST BE... |
| 217 | 00:24:33,005 | 00:24:35,942 | SOMETHING IN THE PATHWAYS. | SOMETHING IN THE PATHWAYS. |
| 218 | 00:24:35,975 | 00:24:38,210 | [ Clears Throat ] | [ Clears Throat ] |
| 219 | 00:24:38,244 | 00:24:41,914 | SO, THEN, WILL YOU BE WANTING A REFUND OR A REPLACEMENT ? | SO, THEN, WILL YOU BE WANTING A REFUND OR A REPLACEMENT ? |
| 220 | 00:24:41,948 | 00:24:46,919 | NO, NEITHER. I JUST WANTED TO GET YOUR REACTION TO ANDREW. I WANTED TO KNOW WHAT YOU THINK. | NO, NEITHER. I JUST WANTED TO GET YOUR REACTION TO ANDREW. I WANTED TO KNOW WHAT YOU THINK. |
| 221 | 00:24:46,953 | 00:24:49,656 | HE'S UNIQUE, WOULDN'T YOU SAY ? | HE'S UNIQUE, WOULDN'T YOU SAY ? |
| 222 | 00:24:49,689 | 00:24:51,758 | IT IS AN ANOMALY. | IT IS AN ANOMALY. |
| 223 | 00:24:53,960 | 00:24:57,096 | NO REFUND, NO REPLACEMENT-- | NO REFUND, NO REPLACEMENT-- |
| 224 | 00:24:57,129 | 00:24:58,931 | HOW MUCH DO YOU WANT ? | HOW MUCH DO YOU WANT ? |
| 225 | 00:25:00,967 | 00:25:02,569 | - I DON'T THINK I UNDERSTAND. - WELL, | - I DON'T THINK I UNDERSTAND. - WELL, |
| 226 | 00:25:02,602 | 00:25:08,608 | CLEARLY YOU REALIZE IF WORD OF THIS GETS OUT, WE'LL HAVE TO RECALL OUR ENTIRE LINE. | CLEARLY YOU REALIZE IF WORD OF THIS GETS OUT, WE'LL HAVE TO RECALL OUR ENTIRE LINE. |
| 227 | 00:25:08,641 | 00:25:11,243 | WE'RE IN PEOPLE'S HOMES, SIR, WITH THEIR CHILDREN. | WE'RE IN PEOPLE'S HOMES, SIR, WITH THEIR CHILDREN. |
| 228 | 00:25:11,277 | 00:25:14,947 | IF IT IS DOING WHAT YOU SAY, IT CAN ALSO RUN AMOK. | IF IT IS DOING WHAT YOU SAY, IT CAN ALSO RUN AMOK. |
| 229 | 00:25:14,981 | 00:25:17,650 | ONE IS NOT QUALIFIED TO RUN "MUCKS." | ONE IS NOT QUALIFIED TO RUN "MUCKS." |
| 230 | 00:25:19,118 | 00:25:22,054 | ALL RIGHT, SIR. IF I LET YOU HAVE ANDREW, | ALL RIGHT, SIR. IF I LET YOU HAVE ANDREW, |
| 231 | 00:25:22,088 | 00:25:25,124 | YOU'LL WHAT-- YOU'LL DISASSEMBLE HIM, WILL YOU ? | YOU'LL WHAT-- YOU'LL DISASSEMBLE HIM, WILL YOU ? |
| 232 | 00:25:25,157 | 00:25:27,059 | CAREFULLY, YES. | CAREFULLY, YES. |
| 233 | 00:25:27,093 | 00:25:32,064 | WE WOULD NEED TO TRACE THE ACTUAL COURSE OF ANDREW'S NEURAL PATHWAYS, | WE WOULD NEED TO TRACE THE ACTUAL COURSE OF ANDREW'S NEURAL PATHWAYS, |
| 234 | 00:25:32,098 | 00:25:37,103 | REPLACE THE POSITRONIC BRAIN, THEN PUT IT-- | REPLACE THE POSITRONIC BRAIN, THEN PUT IT-- |
| 235 | 00:25:37,136 | 00:25:41,774 | HIM-- BACK TOGETHER AND RETURN HIM TO YOU, GOOD AS NEW. | HIM-- BACK TOGETHER AND RETURN HIM TO YOU, GOOD AS NEW. |
| 236 | 00:25:41,808 | 00:25:46,012 | NOW, THESE NEURAL PATHWAYS ARE PRESUMABLY FRAGILE. | NOW, THESE NEURAL PATHWAYS ARE PRESUMABLY FRAGILE. |
| 237 | 00:25:46,045 | 00:25:51,083 | ISN'T IT POSSIBLE, IN THE COURSE OF THESE PROCEDURES, THAT SOMETHING MIGHT GO WRONG ? | ISN'T IT POSSIBLE, IN THE COURSE OF THESE PROCEDURES, THAT SOMETHING MIGHT GO WRONG ? |
| 238 | 00:25:52,184 | 00:25:54,787 | WE WOULD MAKE EVERY CONCEIVABLE EFFORT. | WE WOULD MAKE EVERY CONCEIVABLE EFFORT. |
| 239 | 00:25:54,821 | 00:25:57,657 | AND, IN THE UNLIKELY EVENT THAT SOMETHING DID GO WRONG, | AND, IN THE UNLIKELY EVENT THAT SOMETHING DID GO WRONG, |
| 240 | 00:25:57,690 | 00:26:00,059 | YOU'D, OF COURSE, REPLACE ANDREW. | YOU'D, OF COURSE, REPLACE ANDREW. |
| 241 | 00:26:00,092 | 00:26:02,629 | OF COURSE. | OF COURSE. |
| 242 | 00:26:02,662 | 00:26:04,964 | EVEN THOUGH HE'S UNIQUE AND IRREPLACEABLE. | EVEN THOUGH HE'S UNIQUE AND IRREPLACEABLE. |
| 243 | 00:26:04,997 | 00:26:07,133 | [ Sighs ] | [ Sighs ] |
| 244 | 00:26:07,166 | 00:26:10,870 | HE-- HIS-- YOU S-- | HE-- HIS-- YOU S-- |
| 245 | 00:26:10,903 | 00:26:13,906 | WELL, IT'S A NATURAL ERROR-- IT HAS HUMAN FORM, | WELL, IT'S A NATURAL ERROR-- IT HAS HUMAN FORM, |
| 246 | 00:26:13,940 | 00:26:17,744 | THEREFORE YOU READ MECHANICAL FAILURE AS ECCENTRICITY... | THEREFORE YOU READ MECHANICAL FAILURE AS ECCENTRICITY... |
| 247 | 00:26:17,777 | 00:26:20,112 | AND ANTHROPOMORPHIZE IT. | AND ANTHROPOMORPHIZE IT. |
| 248 | 00:26:21,113 | 00:26:23,015 | IT IS A HOUSEHOLD APPLIANCE, | IT IS A HOUSEHOLD APPLIANCE, |
| 249 | 00:26:23,049 | 00:26:26,152 | AND YET YOU ACT LIKE IT IS A MAN. | AND YET YOU ACT LIKE IT IS A MAN. |
| 250 | 00:26:26,185 | 00:26:28,054 | WE'RE LEAVING. COME ON, ANDREW. | WE'RE LEAVING. COME ON, ANDREW. |
| 251 | 00:26:28,087 | 00:26:30,923 | PLEASE, I BEG YOU TO RECONSIDER, MR. MARTIN. | PLEASE, I BEG YOU TO RECONSIDER, MR. MARTIN. |
| 252 | 00:26:30,957 | 00:26:34,093 | LET US EXAMINE ANDREW, TALK TO YOUR WIFE. NAME YOUR PRICE ! | LET US EXAMINE ANDREW, TALK TO YOUR WIFE. NAME YOUR PRICE ! |
| 253 | 00:26:35,795 | 00:26:39,732 | NOW, LISTEN TO ME. THERE IS NO PRICE FOR INDIVIDUALITY. | NOW, LISTEN TO ME. THERE IS NO PRICE FOR INDIVIDUALITY. |
| 254 | 00:26:39,766 | 00:26:42,902 | HE IS, FOR BETTER OR FOR WORSE, MY ROBOT, | HE IS, FOR BETTER OR FOR WORSE, MY ROBOT, |
| 255 | 00:26:42,935 | 00:26:46,806 | AND YOU WILL NEVER LAY YOUR HANDS ON HIM-- DO YOU UNDERSTAND ? | AND YOU WILL NEVER LAY YOUR HANDS ON HIM-- DO YOU UNDERSTAND ? |
| 256 | 00:26:49,241 | 00:26:54,080 | ALL IN GOOD TIME. YOU SEE, SOONER OR LATER YOU'LL HAVE TO BRING IT IN FOR REPAIRS. | ALL IN GOOD TIME. YOU SEE, SOONER OR LATER YOU'LL HAVE TO BRING IT IN FOR REPAIRS. |
| 257 | 00:27:01,888 | 00:27:04,090 | ANDREW, I'VE MADE A DECISION. YES, SIR ? | ANDREW, I'VE MADE A DECISION. YES, SIR ? |
| 258 | 00:27:04,123 | 00:27:07,927 | YOU WILL CUT BACK ON YOUR WORKLOAD. YOU CAN NO LONGER... | YOU WILL CUT BACK ON YOUR WORKLOAD. YOU CAN NO LONGER... |
| 259 | 00:27:07,960 | 00:27:10,930 | DEVOTE YOURSELF ENTIRELY TO CHILDREN AND HOUSEWORK. | DEVOTE YOURSELF ENTIRELY TO CHILDREN AND HOUSEWORK. |
| 260 | 00:27:10,963 | 00:27:14,934 | BUT ONE LIKES THE CHILDREN, SIR, SPECIFICALLY THE SMALLER ONE, LITTLE MISS. | BUT ONE LIKES THE CHILDREN, SIR, SPECIFICALLY THE SMALLER ONE, LITTLE MISS. |
| 261 | 00:27:14,967 | 00:27:19,071 | THAT IS A CONTRADICTION, ANDREW, AND THAT IS EXACTLY THE SORT OF THING YOU NEED TO LEARN ABOUT. | THAT IS A CONTRADICTION, ANDREW, AND THAT IS EXACTLY THE SORT OF THING YOU NEED TO LEARN ABOUT. |
| 262 | 00:27:19,105 | 00:27:21,373 | THANK YOU FOR CHOOSING NORTHAM ROBOTICS. | THANK YOU FOR CHOOSING NORTHAM ROBOTICS. |
| 263 | 00:27:21,407 | 00:27:24,076 | SO WE NEED A NEW REGIMEN. REGIMEN, SIR ? | SO WE NEED A NEW REGIMEN. REGIMEN, SIR ? |
| 264 | 00:27:24,110 | 00:27:28,080 | FIRST OF ALL, YOU'LL SPEND PART OF EACH DAY MAKING SOMETHING. | FIRST OF ALL, YOU'LL SPEND PART OF EACH DAY MAKING SOMETHING. |
| 265 | 00:27:28,114 | 00:27:32,418 | SO AS NOT TO OFFEND HUMANS, WE'D BETTER FIND SOMETHING THAT'S NOT OVERLY ARTISTIC. | SO AS NOT TO OFFEND HUMANS, WE'D BETTER FIND SOMETHING THAT'S NOT OVERLY ARTISTIC. |
| 266 | 00:27:32,451 | 00:27:35,387 | COULD YOU MAKE OTHER THINGS ? I COULD TEACH YOU MY LINE OF WORK-- | COULD YOU MAKE OTHER THINGS ? I COULD TEACH YOU MY LINE OF WORK-- |
| 267 | 00:27:35,421 | 00:27:37,389 | YOU KNOW, TIMEPIECES AND CLOCKS AND SO ON. | YOU KNOW, TIMEPIECES AND CLOCKS AND SO ON. |
| 268 | 00:27:37,423 | 00:27:40,893 | ONE COULD NOT TELL YOU, SIR. ONE HAS NEVER ATTEMPTED SUCH THINGS. | ONE COULD NOT TELL YOU, SIR. ONE HAS NEVER ATTEMPTED SUCH THINGS. |
| 269 | 00:27:40,927 | 00:27:42,962 | WELL, YOU WILL NOW. | WELL, YOU WILL NOW. |
| 270 | 00:27:42,995 | 00:27:47,099 | ALSO, YOU'LL SPEND PART OF EACH EVENING IN INSTRUCTION WITH ME. | ALSO, YOU'LL SPEND PART OF EACH EVENING IN INSTRUCTION WITH ME. |
| 271 | 00:27:47,133 | 00:27:50,069 | AND WHAT IS THE PURPOSE OF THIS INSTRUCTION ? TO TEACH YOU, ANDREW-- | AND WHAT IS THE PURPOSE OF THIS INSTRUCTION ? TO TEACH YOU, ANDREW-- |
| 272 | 00:27:50,102 | 00:27:53,773 | TO TEACH YOU ALL THE THINGS THAT HAVEN'T BEEN PROGRAMMED INTO YOU. | TO TEACH YOU ALL THE THINGS THAT HAVEN'T BEEN PROGRAMMED INTO YOU. |
| 273 | 00:27:54,774 | 00:27:57,910 | ANDREW, YOU'RE UNIQUE. | ANDREW, YOU'RE UNIQUE. |
| 274 | 00:27:57,944 | 00:28:01,748 | UNIQUE ? THANK YOU FOR CHOOSING NORTHAM ROBOTICS. | UNIQUE ? THANK YOU FOR CHOOSING NORTHAM ROBOTICS. |
| 275 | 00:28:01,781 | 00:28:03,983 | AND I FEEL A RESPONSIBILITY TO HELP YOU... | AND I FEEL A RESPONSIBILITY TO HELP YOU... |
| 276 | 00:28:04,016 | 00:28:06,218 | BECOME WHATEVER YOU'RE ABLE TO BE. | BECOME WHATEVER YOU'RE ABLE TO BE. |
| 277 | 00:28:06,252 | 00:28:08,755 | AND WHAT IS ONE ABLE TO BE ? | AND WHAT IS ONE ABLE TO BE ? |
| 278 | 00:28:08,788 | 00:28:10,857 | WELL, I DON'T KNOW. | WELL, I DON'T KNOW. |
| 279 | 00:28:10,890 | 00:28:13,292 | SEE, PEOPLE GROW THROUGH TIME. | SEE, PEOPLE GROW THROUGH TIME. |
| 280 | 00:28:13,325 | 00:28:16,295 | BUT THEN, OF COURSE, FOR YOU, TIME IS A COMPLETELY DIFFERENT PROPOSITION. | BUT THEN, OF COURSE, FOR YOU, TIME IS A COMPLETELY DIFFERENT PROPOSITION. |
| 281 | 00:28:16,328 | 00:28:19,999 | FOR YOU, TIME IS ENDLESS. ENDLESS ? | FOR YOU, TIME IS ENDLESS. ENDLESS ? |
| 282 | 00:28:20,032 | 00:28:22,134 | [ Chuckles ] | [ Chuckles ] |
| 283 | 00:28:30,910 | 00:28:33,112 | IS THIS A GOOD PIECE ? VERY. | IS THIS A GOOD PIECE ? VERY. |
| 284 | 00:28:34,814 | 00:28:36,816 | [ Gulls Cawing ] | [ Gulls Cawing ] |
| 285 | 00:28:41,253 | 00:28:44,056 | WHAT ABOUT THIS ONE ? EXCELLENT. | WHAT ABOUT THIS ONE ? EXCELLENT. |
| 286 | 00:28:50,329 | 00:28:53,165 | [ Tapping ] | [ Tapping ] |
| 287 | 00:28:53,199 | 00:28:57,269 | * IT WAS A LUCKY APRIL SHOWER * | * IT WAS A LUCKY APRIL SHOWER * |
| 288 | 00:28:57,303 | 00:29:01,908 | * IT WAS THE MOST CONVENIENT DOOR * | * IT WAS THE MOST CONVENIENT DOOR * |
| 289 | 00:29:01,941 | 00:29:05,511 | * I FOUND A MILLION-DOLLAR BABY * | * I FOUND A MILLION-DOLLAR BABY * |
| 290 | 00:29:05,544 | 00:29:09,215 | * IN A FIVE AND TEN CENT STORE ** | * IN A FIVE AND TEN CENT STORE ** |
| 291 | 00:29:10,850 | 00:29:13,853 | ** [ Continues ] | ** [ Continues ] |
| 292 | 00:29:21,894 | 00:29:25,764 | [ Richard ] AND, NINE MONTHS LATER, A BABY IS BORN. | [ Richard ] AND, NINE MONTHS LATER, A BABY IS BORN. |
| 293 | 00:29:27,566 | 00:29:31,237 | AND THOSE, ANDREW, ARE THE SO-CALLED FACTS OF LIFE. | AND THOSE, ANDREW, ARE THE SO-CALLED FACTS OF LIFE. |
| 294 | 00:29:32,905 | 00:29:35,908 | PEOPLE ACTUALLY DO THIS, SIR ? | PEOPLE ACTUALLY DO THIS, SIR ? |
| 295 | 00:29:36,909 | 00:29:39,378 | WELL, YES. AND MARRIED PEOPLE-- | WELL, YES. AND MARRIED PEOPLE-- |
| 296 | 00:29:39,411 | 00:29:45,184 | ONE SUPPOSES THEY SEE IT AS SOME KIND OF REQUIREMENT OR OBLIGATION. | ONE SUPPOSES THEY SEE IT AS SOME KIND OF REQUIREMENT OR OBLIGATION. |
| 297 | 00:29:45,217 | 00:29:47,253 | WELL, IT-- [ Clears Throat ] | WELL, IT-- [ Clears Throat ] |
| 298 | 00:29:47,286 | 00:29:51,357 | IT'S NOT EXACTLY AN OBLIGATION, ANDREW. THAT'S A RELIEF. | IT'S NOT EXACTLY AN OBLIGATION, ANDREW. THAT'S A RELIEF. |
| 299 | 00:29:51,390 | 00:29:55,294 | AND IT IS THE NATURAL AND PREFERABLE WAY TO CONCEIVE CHILDREN. | AND IT IS THE NATURAL AND PREFERABLE WAY TO CONCEIVE CHILDREN. |
| 300 | 00:29:55,327 | 00:30:00,266 | SIR, OF ALL THESE MILLIONS OF SPERM, ONLY ONE MAKES IT ? | SIR, OF ALL THESE MILLIONS OF SPERM, ONLY ONE MAKES IT ? |
| 301 | 00:30:01,901 | 00:30:05,071 | - THAT'S TRUE. - WHAT HAPPENS TO THE OTHERS ? | - THAT'S TRUE. - WHAT HAPPENS TO THE OTHERS ? |
| 302 | 00:30:06,238 | 00:30:08,875 | WELL, THEY DIE. | WELL, THEY DIE. |
| 303 | 00:30:08,908 | 00:30:10,910 | THEY DIE ? | THEY DIE ? |
| 304 | 00:30:12,444 | 00:30:14,213 | ONE FEELS BADLY FOR THEM. | ONE FEELS BADLY FOR THEM. |
| 305 | 00:30:15,948 | 00:30:18,317 | WELL, ONE DOES. | WELL, ONE DOES. |
| 306 | 00:30:18,350 | 00:30:21,888 | - BUT IT'S COMPLETELY AGREED THAT IT FEELS GOOD-- - FOR BOTH PARTIES, SIR ? | - BUT IT'S COMPLETELY AGREED THAT IT FEELS GOOD-- - FOR BOTH PARTIES, SIR ? |
| 307 | 00:30:21,921 | 00:30:24,056 | IN AN IDEAL WORLD. | IN AN IDEAL WORLD. |
| 308 | 00:30:24,090 | 00:30:26,893 | - SO PEOPLE DO IT RATHER FREQUENTLY. - HOW OFTEN, SIR ? | - SO PEOPLE DO IT RATHER FREQUENTLY. - HOW OFTEN, SIR ? |
| 309 | 00:30:26,926 | 00:30:30,930 | - WELL, AS OFTEN AS THEY CAN, MATTER OF FACT. - AHH. | - WELL, AS OFTEN AS THEY CAN, MATTER OF FACT. - AHH. |
| 310 | 00:30:32,298 | 00:30:34,300 | AT LEAST AT FIRST. | AT LEAST AT FIRST. |
| 311 | 00:30:37,269 | 00:30:39,271 | SIR, | SIR, |
| 312 | 00:30:39,305 | 00:30:42,208 | MAY ONE SPEAK FRANKLY WITH YOU ? AS ALWAYS, ANDREW. | MAY ONE SPEAK FRANKLY WITH YOU ? AS ALWAYS, ANDREW. |
| 313 | 00:30:44,110 | 00:30:47,146 | IT'S JUST THAT THE WHOLE PROCESS-- | IT'S JUST THAT THE WHOLE PROCESS-- |
| 314 | 00:30:47,179 | 00:30:50,182 | IT SOUNDS SO MESSY. | IT SOUNDS SO MESSY. |
| 315 | 00:30:52,418 | 00:30:54,853 | I THINK THAT'S A FAIR COMMENT. | I THINK THAT'S A FAIR COMMENT. |
| 316 | 00:31:00,192 | 00:31:02,161 | THEY DIE. | THEY DIE. |
| 317 | 00:31:20,246 | 00:31:22,214 | [ Richard Speaking, Indistinct ] | [ Richard Speaking, Indistinct ] |
| 318 | 00:31:22,248 | 00:31:25,317 | [ Talking, Laughing Continue ] | [ Talking, Laughing Continue ] |
| 319 | 00:31:27,987 | 00:31:31,157 | ISN'T IT ? [ Giggling ] WHAT ? | ISN'T IT ? [ Giggling ] WHAT ? |
| 320 | 00:31:38,330 | 00:31:41,667 | - [ Richard ] IT'S CALLED "HUMOR." - "HUMOR" ? | - [ Richard ] IT'S CALLED "HUMOR." - "HUMOR" ? |
| 321 | 00:31:41,700 | 00:31:45,037 | YES. PEOPLE TELL JOKES TO MAKE EACH OTHER LAUGH. | YES. PEOPLE TELL JOKES TO MAKE EACH OTHER LAUGH. |
| 322 | 00:31:46,172 | 00:31:48,140 | AND THIS LAUGHTER GIVES PLEASURE, SIR ? | AND THIS LAUGHTER GIVES PLEASURE, SIR ? |
| 323 | 00:31:48,174 | 00:31:50,142 | YES. | YES. |
| 324 | 00:31:50,176 | 00:31:53,379 | SIR, COULD YOU TEACH ONE TO TELL A JOKE ? | SIR, COULD YOU TEACH ONE TO TELL A JOKE ? |
| 325 | 00:31:56,248 | 00:32:01,487 | WELL, L-LET'S SEE. UM-- TWO DRUNKS WALK INTO A BAR. | WELL, L-LET'S SEE. UM-- TWO DRUNKS WALK INTO A BAR. |
| 326 | 00:32:01,520 | 00:32:05,992 | WOULDN'T TWO DRUNKS WALK OUT OF A BAR, SIR ? | WOULDN'T TWO DRUNKS WALK OUT OF A BAR, SIR ? |
| 327 | 00:32:06,025 | 00:32:09,928 | YOU WALK INTO A BAR TO DRINK, AND YOU COME OUT DRUNK. | YOU WALK INTO A BAR TO DRINK, AND YOU COME OUT DRUNK. |
| 328 | 00:32:11,430 | 00:32:15,001 | LET'S TRY SOMETHING SIMPLER, ANDREW. UM-- [ Clears Throat ] | LET'S TRY SOMETHING SIMPLER, ANDREW. UM-- [ Clears Throat ] |
| 329 | 00:32:15,034 | 00:32:19,105 | - KNOCK-KNOCK. - "KNOCK-KNOCK" ? | - KNOCK-KNOCK. - "KNOCK-KNOCK" ? |
| 330 | 00:32:19,138 | 00:32:22,008 | NO, KNOCK-KNOCK, SOMEONE'S AT THE DOOR. | NO, KNOCK-KNOCK, SOMEONE'S AT THE DOOR. |
| 331 | 00:32:22,041 | 00:32:25,011 | - SHALL ONE GET IT, SIR ? - NO, NO. NO. | - SHALL ONE GET IT, SIR ? - NO, NO. NO. |
| 332 | 00:32:25,044 | 00:32:27,679 | Y-YOU SAY, "WHO'S THERE," ANDREW. | Y-YOU SAY, "WHO'S THERE," ANDREW. |
| 333 | 00:32:27,713 | 00:32:30,282 | - WHO'S THERE, ANDREW ? - NO, JUST "WHO'S THERE ?" | - WHO'S THERE, ANDREW ? - NO, JUST "WHO'S THERE ?" |
| 334 | 00:32:30,316 | 00:32:33,052 | ONE DOES NOT KNOW, SIR. | ONE DOES NOT KNOW, SIR. |
| 335 | 00:32:34,286 | 00:32:37,523 | LET'S START WITH SOMETHING A LITTLE SIMPLER, ANDREW. | LET'S START WITH SOMETHING A LITTLE SIMPLER, ANDREW. |
| 336 | 00:32:37,556 | 00:32:39,691 | WHY DID THE CHICKEN CROSS THE ROAD ? | WHY DID THE CHICKEN CROSS THE ROAD ? |
| 337 | 00:32:39,725 | 00:32:43,262 | ONE DOES NOT KNOW, SIR. POSSIBLY A PREDATOR WAS BEHIND THE CHICKEN. | ONE DOES NOT KNOW, SIR. POSSIBLY A PREDATOR WAS BEHIND THE CHICKEN. |
| 338 | 00:32:43,295 | 00:32:47,533 | OR, POSSIBLY, THERE WAS A FEMALE CHICKEN ON THE OTHER SIDE, IF IT'S A MALE CHICKEN. | OR, POSSIBLY, THERE WAS A FEMALE CHICKEN ON THE OTHER SIDE, IF IT'S A MALE CHICKEN. |
| 339 | 00:32:47,566 | 00:32:51,503 | OR POSSIBLY A FOOD SOURCE OR, DEPENDING ON THE SEASON, IT MIGHT BE MIGRATING. | OR POSSIBLY A FOOD SOURCE OR, DEPENDING ON THE SEASON, IT MIGHT BE MIGRATING. |
| 340 | 00:32:51,537 | 00:32:54,040 | ONE HOPES THERE'S NO TRAFFIC. | ONE HOPES THERE'S NO TRAFFIC. |
| 341 | 00:32:54,073 | 00:32:56,775 | TO GET TO THE OTHER SIDE. | TO GET TO THE OTHER SIDE. |
| 342 | 00:32:56,808 | 00:32:59,511 | "TO GET TO THE OTHER SIDE." | "TO GET TO THE OTHER SIDE." |
| 343 | 00:32:59,545 | 00:33:02,081 | OHHH. | OHHH. |
| 344 | 00:33:02,114 | 00:33:04,083 | WHY IS THAT FUNNY ? | WHY IS THAT FUNNY ? |
| 345 | 00:33:07,419 | 00:33:11,757 | SO, WHAT DO YOU KIDS HAVE PLANNED FOR THE DAY ? PROBABLY STICK WITH ANDREW. | SO, WHAT DO YOU KIDS HAVE PLANNED FOR THE DAY ? PROBABLY STICK WITH ANDREW. |
| 346 | 00:33:11,790 | 00:33:15,394 | WHAT ABOUT YOU, MISS ? I'M GONNA GO PLAY AT MY FRIEND NATALIE'S HOUSE. | WHAT ABOUT YOU, MISS ? I'M GONNA GO PLAY AT MY FRIEND NATALIE'S HOUSE. |
| 347 | 00:33:15,427 | 00:33:17,363 | OH. | OH. |
| 348 | 00:33:18,630 | 00:33:22,000 | MAY ONE, SIR ? IS NOW A GOOD TIME ? | MAY ONE, SIR ? IS NOW A GOOD TIME ? |
| 349 | 00:33:23,602 | 00:33:25,204 | WHAT ? A GOOD TIME FOR WHAT ? | WHAT ? A GOOD TIME FOR WHAT ? |
| 350 | 00:33:25,237 | 00:33:30,309 | LAST NIGHT, SIR TAUGHT ONE-- NO, NO, NO. DON-DON'T BLAME ME, ANDREW. JUST GO AHEAD. | LAST NIGHT, SIR TAUGHT ONE-- NO, NO, NO. DON-DON'T BLAME ME, ANDREW. JUST GO AHEAD. |
| 351 | 00:33:30,342 | 00:33:34,480 | THANK YOU, SIR. TWO CANNIBALS WERE EATING A CLOWN. | THANK YOU, SIR. TWO CANNIBALS WERE EATING A CLOWN. |
| 352 | 00:33:34,513 | 00:33:37,183 | ONE TURNS TO THE OTHER AND SAYS, "DOES THIS TASTE FUNNY TO YOU ?" | ONE TURNS TO THE OTHER AND SAYS, "DOES THIS TASTE FUNNY TO YOU ?" |
| 353 | 00:33:37,216 | 00:33:39,451 | HOW DO YOU MAKE A HANKY DANCE ? PUT A LITTLE BOOGIE IN IT. | HOW DO YOU MAKE A HANKY DANCE ? PUT A LITTLE BOOGIE IN IT. |
| 354 | 00:33:39,485 | 00:33:42,421 | WHAT IS A BRUNETTE BETWEEN TWO BLONDES ? TRANSLATOR. | WHAT IS A BRUNETTE BETWEEN TWO BLONDES ? TRANSLATOR. |
| 355 | 00:33:42,454 | 00:33:44,556 | DO YOU KNOW WHY BLIND PEOPLE DON'T LIKE TO SKYDIVE ? IT SCARES THEIR DOGS. | DO YOU KNOW WHY BLIND PEOPLE DON'T LIKE TO SKYDIVE ? IT SCARES THEIR DOGS. |
| 356 | 00:33:44,590 | 00:33:48,594 | A MAN WITH DEMENTIA IS DRIVING ON THE FREEWAY. HIS WIFE CALLS AND SAYS, "SWEETHEART, | A MAN WITH DEMENTIA IS DRIVING ON THE FREEWAY. HIS WIFE CALLS AND SAYS, "SWEETHEART, |
| 357 | 00:33:48,627 | 00:33:50,796 | I HEARD THERE'S SOMEONE DRIVING THE WRONG WAY ON THE FREEWAY." | I HEARD THERE'S SOMEONE DRIVING THE WRONG WAY ON THE FREEWAY." |
| 358 | 00:33:50,829 | 00:33:52,598 | HE SAYS, "ONE ? THERE'S HUNDREDS !" | HE SAYS, "ONE ? THERE'S HUNDREDS !" |
| 359 | 00:33:52,631 | 00:33:55,634 | WHAT'S SILENT, SMELLS LIKE WORMS ? BIRD FARTS. | WHAT'S SILENT, SMELLS LIKE WORMS ? BIRD FARTS. |
| 360 | 00:33:55,667 | 00:33:58,570 | - [ Laughing ] - IT MUST HAVE BEEN AN ENGINEER WHO DESIGNED THE HUMAN BODY. | - [ Laughing ] - IT MUST HAVE BEEN AN ENGINEER WHO DESIGNED THE HUMAN BODY. |
| 361 | 00:33:58,604 | 00:34:03,275 | WHO ELSE WOULD PUT A WASTE PROCESSING PLANT NEXT TO A RECREATION AREA ? | WHO ELSE WOULD PUT A WASTE PROCESSING PLANT NEXT TO A RECREATION AREA ? |
| 362 | 00:34:03,309 | 00:34:06,212 | A WOMAN GOES INTO A DOCTOR'S OFFICE. THE DOCTOR SAYS, "MIND IF I NUMB YOUR BREASTS ?" | A WOMAN GOES INTO A DOCTOR'S OFFICE. THE DOCTOR SAYS, "MIND IF I NUMB YOUR BREASTS ?" |
| 363 | 00:34:06,245 | 00:34:08,580 | - "NOT AT ALL." "NUM-NUM-NUM-NUM-NUM." - [ All Laughing ] | - "NOT AT ALL." "NUM-NUM-NUM-NUM-NUM." - [ All Laughing ] |
| 364 | 00:34:10,549 | 00:34:12,484 | [ Clears Throat ] ONE DID IT, SIR. | [ Clears Throat ] ONE DID IT, SIR. |
| 365 | 00:34:12,518 | 00:34:16,555 | ANDREW, IT WAS FINE, BUT WE MIGHT WANT TO TALK ABOUT... | ANDREW, IT WAS FINE, BUT WE MIGHT WANT TO TALK ABOUT... |
| 366 | 00:34:16,588 | 00:34:19,625 | APPROPRIATENESS AND, UM-- AND TIMING. | APPROPRIATENESS AND, UM-- AND TIMING. |
| 367 | 00:34:19,658 | 00:34:22,594 | - IT'S 10:15, SIR. - [ Laughing ] | - IT'S 10:15, SIR. - [ Laughing ] |
| 368 | 00:34:26,198 | 00:34:28,200 | ** [ Humming Along ] | ** [ Humming Along ] |
| 369 | 00:34:36,708 | 00:34:39,378 | - OH, ANDREW. - LITTLE MISS. | - OH, ANDREW. - LITTLE MISS. |
| 370 | 00:34:39,411 | 00:34:41,847 | WOULD YOU LIKE ME TO TEACH YOU HOW TO PLAY A DUET ? | WOULD YOU LIKE ME TO TEACH YOU HOW TO PLAY A DUET ? |
| 371 | 00:34:41,880 | 00:34:44,082 | CERTAINLY. COME ON. | CERTAINLY. COME ON. |
| 372 | 00:34:47,586 | 00:34:52,491 | OKAY, READY ? YOU START HERE, AND THEN JUST FOLLOW ME. | OKAY, READY ? YOU START HERE, AND THEN JUST FOLLOW ME. |
| 373 | 00:34:52,524 | 00:34:54,593 | I PLAY FIRST, OKAY ? ALL RIGHT. | I PLAY FIRST, OKAY ? ALL RIGHT. |
| 374 | 00:34:54,626 | 00:34:56,595 | READY ? | READY ? |
| 375 | 00:35:03,302 | 00:35:05,304 | YOUR TURN. | YOUR TURN. |
| 376 | 00:35:08,707 | 00:35:10,909 | ** [ Humming Along ] | ** [ Humming Along ] |
| 377 | 00:35:10,942 | 00:35:14,446 | GOOD. VERY GOOD. NOW TOGETHER. | GOOD. VERY GOOD. NOW TOGETHER. |
| 378 | 00:35:14,480 | 00:35:16,482 | ** [ Humming Along ] | ** [ Humming Along ] |
| 379 | 00:36:15,741 | 00:36:17,709 | ** [ Ends ] | ** [ Ends ] |
| 380 | 00:36:17,743 | 00:36:19,711 | THAT WAS WONDERFUL. THANKS. | THAT WAS WONDERFUL. THANKS. |
| 381 | 00:36:19,745 | 00:36:22,481 | THANK YOU, LITTLE MISS. | THANK YOU, LITTLE MISS. |
| 382 | 00:36:34,025 | 00:36:36,628 | ** [ Plays Ragtime ] | ** [ Plays Ragtime ] |
| 383 | 00:36:57,483 | 00:36:59,485 | HI, MOM. | HI, MOM. |
| 384 | 00:37:06,558 | 00:37:10,796 | GRACE, IS IT POSSIBLE FOR YOU TO FIND SOMEWHERE MORE PRIVATE TO DO THAT ? | GRACE, IS IT POSSIBLE FOR YOU TO FIND SOMEWHERE MORE PRIVATE TO DO THAT ? |
| 385 | 00:37:10,829 | 00:37:12,798 | [ Sighs ] NO PROBLEM. | [ Sighs ] NO PROBLEM. |
| 386 | 00:37:12,831 | 00:37:15,401 | JUST GIVE ME YOUR CREDIT DISC AND WE'LL GET A HOTEL ROOM. | JUST GIVE ME YOUR CREDIT DISC AND WE'LL GET A HOTEL ROOM. |
| 387 | 00:37:17,436 | 00:37:20,672 | - WHAT DID YOU SAY TO ME ? - LET'S GO. | - WHAT DID YOU SAY TO ME ? - LET'S GO. |
| 388 | 00:37:20,706 | 00:37:23,409 | WHAT DID YOU SAY TO ME, YOUNG LADY ? | WHAT DID YOU SAY TO ME, YOUNG LADY ? |
| 389 | 00:37:23,442 | 00:37:26,312 | YOU GET OFF THAT BIKE THIS MINUTE, AND YOU ARE GROUNDED ! | YOU GET OFF THAT BIKE THIS MINUTE, AND YOU ARE GROUNDED ! |
| 390 | 00:37:26,345 | 00:37:28,647 | GET-- GO ON ! GET OUT OF HERE, YOU PIECE OF SCUM ! [ Laughing ] | GET-- GO ON ! GET OUT OF HERE, YOU PIECE OF SCUM ! [ Laughing ] |
| 391 | 00:37:28,680 | 00:37:31,683 | [ Loud Ticking ] | [ Loud Ticking ] |
| 392 | 00:37:33,685 | 00:37:35,687 | RICHARD ? | RICHARD ? |
| 393 | 00:37:39,858 | 00:37:42,761 | DOES THIS LOOK RIGHT ? HI, MOM. | DOES THIS LOOK RIGHT ? HI, MOM. |
| 394 | 00:37:42,794 | 00:37:45,831 | DIDN'T YOU TALK TO HER ABOUT THAT BOY ? MMM, WELL, NOT YET. | DIDN'T YOU TALK TO HER ABOUT THAT BOY ? MMM, WELL, NOT YET. |
| 395 | 00:37:45,864 | 00:37:48,500 | OH. BUT I WILL. [ Clears Throat ] | OH. BUT I WILL. [ Clears Throat ] |
| 396 | 00:37:48,534 | 00:37:51,437 | KIND OF HOPING IT'S A PHASE THAT'LL PASS, | KIND OF HOPING IT'S A PHASE THAT'LL PASS, |
| 397 | 00:37:51,470 | 00:37:53,772 | LIKE THE OTHERS. [ Clocks Chiming Loudly ] | LIKE THE OTHERS. [ Clocks Chiming Loudly ] |
| 398 | 00:37:55,707 | 00:37:57,709 | [ Chiming Continues ] | [ Chiming Continues ] |
| 399 | 00:38:02,581 | 00:38:04,583 | [ Chiming Ends ] | [ Chiming Ends ] |
| 400 | 00:38:04,616 | 00:38:08,354 | I AM SO SICK OF THESE DAMN CLOCKS. | I AM SO SICK OF THESE DAMN CLOCKS. |
| 401 | 00:38:08,387 | 00:38:10,589 | I'VE ALREADY GIVEN HALF THEM AWAY. | I'VE ALREADY GIVEN HALF THEM AWAY. |
| 402 | 00:38:12,824 | 00:38:15,827 | - PERHAPS WE SHOULD SELL THEM. - SELL THEM ? | - PERHAPS WE SHOULD SELL THEM. - SELL THEM ? |
| 403 | 00:38:15,861 | 00:38:17,829 | WELL, IT'S AN IDEA. | WELL, IT'S AN IDEA. |
| 404 | 00:38:17,863 | 00:38:20,065 | WELL, WHO GETS THE MONEY ? | WELL, WHO GETS THE MONEY ? |
| 405 | 00:38:20,098 | 00:38:23,369 | WELL, I IMAGINE WE WILL. | WELL, I IMAGINE WE WILL. |
| 406 | 00:38:23,402 | 00:38:25,437 | BUT ANDREW DOES ALL THE WORK. | BUT ANDREW DOES ALL THE WORK. |
| 407 | 00:38:25,471 | 00:38:27,639 | YES, BUT ANDREW'S OUR-- THEN ANDREW SHOULD GET THE MONEY. | YES, BUT ANDREW'S OUR-- THEN ANDREW SHOULD GET THE MONEY. |
| 408 | 00:38:27,673 | 00:38:29,775 | ANDREW IS A ROBOT. | ANDREW IS A ROBOT. |
| 409 | 00:38:29,808 | 00:38:33,545 | WHAT CONCEIVABLE USE WOULD A ROBOT HAVE FOR MONEY ? | WHAT CONCEIVABLE USE WOULD A ROBOT HAVE FOR MONEY ? |
| 410 | 00:38:33,579 | 00:38:36,815 | ROBOTS DON'T GO SHOPPING. ROBOTS DON'T GO ON VACATIONS. | ROBOTS DON'T GO SHOPPING. ROBOTS DON'T GO ON VACATIONS. |
| 411 | 00:38:36,848 | 00:38:40,886 | ROBOTS DON'T EAT DINNERS IN FANCY RESTAURANTS. | ROBOTS DON'T EAT DINNERS IN FANCY RESTAURANTS. |
| 412 | 00:38:40,919 | 00:38:44,322 | [ Scoffs ] I CAN'T BELIEVE WE'RE HAVING THIS DISCUSSION. | [ Scoffs ] I CAN'T BELIEVE WE'RE HAVING THIS DISCUSSION. |
| 413 | 00:38:49,428 | 00:38:51,897 | DAD, IT DOESN'T MATTER WHAT HE IS. | DAD, IT DOESN'T MATTER WHAT HE IS. |
| 414 | 00:38:51,930 | 00:38:54,800 | ANDREW DESERVES TO BENEFIT FROM THE WORK HE DOES. | ANDREW DESERVES TO BENEFIT FROM THE WORK HE DOES. |
| 415 | 00:38:56,668 | 00:38:58,670 | SWEETHEART, | SWEETHEART, |
| 416 | 00:38:59,971 | 00:39:01,773 | I WILL DO WHAT'S RIGHT FOR ANDREW. | I WILL DO WHAT'S RIGHT FOR ANDREW. |
| 417 | 00:39:01,807 | 00:39:03,875 | OF COURSE I WILL. | OF COURSE I WILL. |
| 418 | 00:39:03,909 | 00:39:06,945 | BUT AT THE END OF THE DAY WE ARE TALKING ABOUT A MACHINE, | BUT AT THE END OF THE DAY WE ARE TALKING ABOUT A MACHINE, |
| 419 | 00:39:06,978 | 00:39:11,783 | AND YOU CAN'T INVEST YOUR EMOTIONS IN A MACHINE. | AND YOU CAN'T INVEST YOUR EMOTIONS IN A MACHINE. |
| 420 | 00:39:13,452 | 00:39:15,887 | RIGHT ? | RIGHT ? |
| 421 | 00:39:31,670 | 00:39:33,639 | [ Woman ] CAN I GET YOU ANYTHING ? NO, THANK YOU. | [ Woman ] CAN I GET YOU ANYTHING ? NO, THANK YOU. |
| 422 | 00:39:33,672 | 00:39:35,607 | THERE YOU ARE. HOW ARE YA ? BILL, GOOD MORNING. | THERE YOU ARE. HOW ARE YA ? BILL, GOOD MORNING. |
| 423 | 00:39:35,641 | 00:39:39,678 | THIS MUST BE ANDREW. ANDREW, BILL FEINGOLD, FAMILY LAWYER. | THIS MUST BE ANDREW. ANDREW, BILL FEINGOLD, FAMILY LAWYER. |
| 424 | 00:39:39,711 | 00:39:43,381 | ANDREW. YOU OWN ONE OF MY CLOCKS. | ANDREW. YOU OWN ONE OF MY CLOCKS. |
| 425 | 00:39:45,717 | 00:39:49,187 | THIS IS ONE OF MY FAVORITES. DO YOU ENJOY IT ? | THIS IS ONE OF MY FAVORITES. DO YOU ENJOY IT ? |
| 426 | 00:39:49,220 | 00:39:51,823 | UH, YES, I DO, VERY MUCH. | UH, YES, I DO, VERY MUCH. |
| 427 | 00:39:51,857 | 00:39:55,561 | - I LIKE THE NEW OFFICE, BILL. WHAT FLOOR ARE WE ON HERE ? - THIRTY-SEVEN. | - I LIKE THE NEW OFFICE, BILL. WHAT FLOOR ARE WE ON HERE ? - THIRTY-SEVEN. |
| 428 | 00:39:55,594 | 00:39:58,464 | HMM. | HMM. |
| 429 | 00:39:58,497 | 00:40:00,566 | ANDREW, COME AND HAVE A LOOK AT THIS. | ANDREW, COME AND HAVE A LOOK AT THIS. |
| 430 | 00:40:01,600 | 00:40:03,502 | NO, THANK YOU, SIR. | NO, THANK YOU, SIR. |
| 431 | 00:40:03,535 | 00:40:06,772 | - YOU SURE ? - NO. | - YOU SURE ? - NO. |
| 432 | 00:40:08,206 | 00:40:10,208 | HOW CAN I HELP YOU ? | HOW CAN I HELP YOU ? |
| 433 | 00:40:10,241 | 00:40:14,212 | AS YOU KNOW, ANDREW'S EARNED A GREAT DEAL OF MONEY FROM HIS ENDEAVORS, | AS YOU KNOW, ANDREW'S EARNED A GREAT DEAL OF MONEY FROM HIS ENDEAVORS, |
| 434 | 00:40:14,245 | 00:40:17,949 | AND WHAT HE REALLY WANTS TO DO IS OPEN HIS OWN BANK ACCOUNT. | AND WHAT HE REALLY WANTS TO DO IS OPEN HIS OWN BANK ACCOUNT. |
| 435 | 00:40:17,983 | 00:40:21,553 | A BANK ACCOUNT IN THE NAME OF A ROBOT ? MMM. WOULD THAT BE LEGAL ? | A BANK ACCOUNT IN THE NAME OF A ROBOT ? MMM. WOULD THAT BE LEGAL ? |
| 436 | 00:40:23,021 | 00:40:25,857 | I COULDN'T SAY. THERE ARE NO PRECEDENTS. | I COULDN'T SAY. THERE ARE NO PRECEDENTS. |
| 437 | 00:40:25,891 | 00:40:28,894 | I DON'T THINK THERE'S A LAW AGAINST IT, BUT, UH-- | I DON'T THINK THERE'S A LAW AGAINST IT, BUT, UH-- |
| 438 | 00:40:28,927 | 00:40:31,863 | RICHARD, WHY-- WHY DO YOU WANT TO GIVE HIM A BANK ACCOUNT ? | RICHARD, WHY-- WHY DO YOU WANT TO GIVE HIM A BANK ACCOUNT ? |
| 439 | 00:40:31,897 | 00:40:34,165 | WHAT'S HE NEED MONEY FOR ? | WHAT'S HE NEED MONEY FOR ? |
| 440 | 00:40:34,199 | 00:40:38,970 | TO PAY FOR THINGS, OF COURSE, WHICH OTHERWISE SIR WOULD HAVE TO PAY FOR. | TO PAY FOR THINGS, OF COURSE, WHICH OTHERWISE SIR WOULD HAVE TO PAY FOR. |
| 441 | 00:40:39,004 | 00:40:41,439 | ONE WOULD LIKE TO PULL ONE'S OWN. | ONE WOULD LIKE TO PULL ONE'S OWN. |
| 442 | 00:40:42,874 | 00:40:46,578 | - WEIGHT. - FOR WHAT, SIR ? | - WEIGHT. - FOR WHAT, SIR ? |
| 443 | 00:40:54,553 | 00:40:56,855 | - ANDREW. - YES, LITTLE MISS ? | - ANDREW. - YES, LITTLE MISS ? |
| 444 | 00:40:56,888 | 00:40:58,890 | [ Gasps ] OOH ! OH. | [ Gasps ] OOH ! OH. |
| 445 | 00:40:58,924 | 00:41:02,894 | OH. OH, I'M SO SORRY. OH. | OH. OH, I'M SO SORRY. OH. |
| 446 | 00:41:05,664 | 00:41:07,866 | NOT TO WORRY. IT CAN BE REPAIRED. | NOT TO WORRY. IT CAN BE REPAIRED. |
| 447 | 00:41:10,001 | 00:41:12,003 | WOW. | WOW. |
| 448 | 00:41:19,578 | 00:41:21,880 | OH-- LEFT. | OH-- LEFT. |
| 449 | 00:41:24,583 | 00:41:26,718 | ANDREW, REMEMBER FRANK, MY BOYFRIEND ? | ANDREW, REMEMBER FRANK, MY BOYFRIEND ? |
| 450 | 00:41:26,752 | 00:41:29,054 | YES, THE ONE YOUR SISTER SAYS HAS A NICE ASS. | YES, THE ONE YOUR SISTER SAYS HAS A NICE ASS. |
| 451 | 00:41:29,087 | 00:41:30,889 | [ Laughing ] OH. | [ Laughing ] OH. |
| 452 | 00:41:34,626 | 00:41:36,828 | LAST NIGHT-- | LAST NIGHT-- |
| 453 | 00:41:36,862 | 00:41:38,964 | LAST NIGHT HE ASKED ME TO MARRY HIM. | LAST NIGHT HE ASKED ME TO MARRY HIM. |
| 454 | 00:41:41,667 | 00:41:43,935 | ONE GATHERS THAT IS A GOOD THING. | ONE GATHERS THAT IS A GOOD THING. |
| 455 | 00:41:45,003 | 00:41:48,640 | WELL, I HAVEN'T SAID "YES" YET. SO THERE IS DOUBT. | WELL, I HAVEN'T SAID "YES" YET. SO THERE IS DOUBT. |
| 456 | 00:41:48,674 | 00:41:51,577 | NO. FRANK IS WONDERFUL. | NO. FRANK IS WONDERFUL. |
| 457 | 00:41:51,610 | 00:41:53,679 | HE'S HANDSOME. HE'S RELIABLE. | HE'S HANDSOME. HE'S RELIABLE. |
| 458 | 00:41:53,712 | 00:41:57,248 | HE'S SOMEBODY I COULD SPEND THE REST OF MY LIFE WITH. I COULD HAVE CHILDREN WITH HIM. | HE'S SOMEBODY I COULD SPEND THE REST OF MY LIFE WITH. I COULD HAVE CHILDREN WITH HIM. |
| 459 | 00:41:57,282 | 00:41:59,284 | THEN WHAT IS THE PROBLEM ? | THEN WHAT IS THE PROBLEM ? |
| 460 | 00:42:01,620 | 00:42:04,055 | BOARD ? NO, NOT AT ALL. | BOARD ? NO, NOT AT ALL. |
| 461 | 00:42:04,089 | 00:42:06,958 | NOT HIM-- THERE. OH. | NOT HIM-- THERE. OH. |
| 462 | 00:42:08,827 | 00:42:12,063 | WELL, I HAVE THIS FRIEND... | WELL, I HAVE THIS FRIEND... |
| 463 | 00:42:12,097 | 00:42:15,667 | THAT'S VERY SPECIAL TO ME. | THAT'S VERY SPECIAL TO ME. |
| 464 | 00:42:17,002 | 00:42:20,972 | HE'S JUST SO SWEET AND FUNNY, | HE'S JUST SO SWEET AND FUNNY, |
| 465 | 00:42:21,006 | 00:42:26,645 | AND WHENEVER I'M WITH HIM... I DON'T WANT TO BE WITH FRANK. | AND WHENEVER I'M WITH HIM... I DON'T WANT TO BE WITH FRANK. |
| 466 | 00:42:26,678 | 00:42:29,347 | ONE CAN SEE THAT WOULD CREATE A COMPLICATION. | ONE CAN SEE THAT WOULD CREATE A COMPLICATION. |
| 467 | 00:42:29,380 | 00:42:32,017 | YES. | YES. |
| 468 | 00:42:32,050 | 00:42:34,285 | BUT THE ANSWER'S STARING YOU IN THE FACE. | BUT THE ANSWER'S STARING YOU IN THE FACE. |
| 469 | 00:42:36,755 | 00:42:38,990 | MARRY YOUR FRIEND. | MARRY YOUR FRIEND. |
| 470 | 00:42:40,158 | 00:42:43,629 | [ Laughs ] WHAT ? | [ Laughs ] WHAT ? |
| 471 | 00:42:43,662 | 00:42:45,897 | WELL, HE'S NOT-- | WELL, HE'S NOT-- |
| 472 | 00:42:47,165 | 00:42:48,667 | I MEAN, H-HE-- | I MEAN, H-HE-- |
| 473 | 00:42:48,700 | 00:42:54,673 | A RELATIONSHIP BETWEEN US WOULD BE IMPOSSIBLE, REALLY. IT COULD NEVER WORK OUT. | A RELATIONSHIP BETWEEN US WOULD BE IMPOSSIBLE, REALLY. IT COULD NEVER WORK OUT. |
| 474 | 00:42:54,706 | 00:42:57,943 | WHY ? WELL, BECAUSE HE'S NOT-- | WHY ? WELL, BECAUSE HE'S NOT-- |
| 475 | 00:42:59,911 | 00:43:02,580 | BECAUSE HE-HE'LL NEVER BE-- | BECAUSE HE-HE'LL NEVER BE-- |
| 476 | 00:43:04,149 | 00:43:06,317 | YES ? | YES ? |
| 477 | 00:43:09,120 | 00:43:11,089 | [ Sighs ] | [ Sighs ] |
| 478 | 00:43:12,157 | 00:43:14,592 | IS SOMETHING WRONG ? | IS SOMETHING WRONG ? |
| 479 | 00:43:17,696 | 00:43:19,898 | NO. | NO. |
| 480 | 00:43:19,931 | 00:43:23,134 | NOTHING'S WRONG, NOTHING AT ALL. | NOTHING'S WRONG, NOTHING AT ALL. |
| 481 | 00:43:23,168 | 00:43:25,136 | THANK YOU FOR LISTENING TO ME. | THANK YOU FOR LISTENING TO ME. |
| 482 | 00:43:25,170 | 00:43:27,639 | ONE IS GLAD TO BE OF SERVICE. | ONE IS GLAD TO BE OF SERVICE. |
| 483 | 00:43:31,442 | 00:43:33,745 | LITTLE MISS, | LITTLE MISS, |
| 484 | 00:43:33,779 | 00:43:36,748 | WHAT WILL YOU DO ABOUT FRANK ? | WHAT WILL YOU DO ABOUT FRANK ? |
| 485 | 00:43:43,121 | 00:43:45,090 | ACCEPT HIS PROPOSAL. | ACCEPT HIS PROPOSAL. |
| 486 | 00:43:45,123 | 00:43:48,093 | REALLY ? | REALLY ? |
| 487 | 00:43:48,126 | 00:43:50,095 | HUMANS. | HUMANS. |
| 488 | 00:43:54,232 | 00:43:56,201 | ANDREW, YES ? | ANDREW, YES ? |
| 489 | 00:43:56,234 | 00:44:01,740 | IT WOULD MEAN SO MUCH TO ME IF YOU WOULD BE AN USHER AT MY WEDDING. | IT WOULD MEAN SO MUCH TO ME IF YOU WOULD BE AN USHER AT MY WEDDING. |
| 490 | 00:44:03,108 | 00:44:05,911 | ONE IS UNFAMILIAR WITH THIS TERM. HOW DOES ONE "USH" ? | ONE IS UNFAMILIAR WITH THIS TERM. HOW DOES ONE "USH" ? |
| 491 | 00:44:07,112 | 00:44:10,749 | YOU HELP PEOPLE TO THEIR SEATS. YOU WEAR A TUXEDO. | YOU HELP PEOPLE TO THEIR SEATS. YOU WEAR A TUXEDO. |
| 492 | 00:44:13,118 | 00:44:16,087 | - ONE WOULD WEAR CLOTHING ? - YES. | - ONE WOULD WEAR CLOTHING ? - YES. |
| 493 | 00:44:17,989 | 00:44:20,692 | ONE HAS NEVER BEEN ASKED TO WEAR CLOTHING. | ONE HAS NEVER BEEN ASKED TO WEAR CLOTHING. |
| 494 | 00:44:22,861 | 00:44:26,664 | IT WOULD BE AN HONOR. GREAT. | IT WOULD BE AN HONOR. GREAT. |
| 495 | 00:44:28,834 | 00:44:31,102 | [ Board Clatters To Floor ] | [ Board Clatters To Floor ] |
| 496 | 00:44:34,005 | 00:44:37,809 | - ONE STILL IS ALL THUMBS. - [ Giggling ] | - ONE STILL IS ALL THUMBS. - [ Giggling ] |
| 497 | 00:44:41,246 | 00:44:43,414 | INSTALLED WHAT ? | INSTALLED WHAT ? |
| 498 | 00:44:44,249 | 00:44:46,151 | UM, AN ALARM. | UM, AN ALARM. |
| 499 | 00:44:46,184 | 00:44:51,790 | IF YOU TRY TO ENTER ANDREW'S BRAIN WHILE YOU'RE MAKING THIS REPAIR, | IF YOU TRY TO ENTER ANDREW'S BRAIN WHILE YOU'RE MAKING THIS REPAIR, |
| 500 | 00:44:51,823 | 00:44:53,992 | THE POLICE WILL BE ALERTED. | THE POLICE WILL BE ALERTED. |
| 501 | 00:44:54,025 | 00:44:57,028 | ALSO, YOU SHOULD PROBABLY KNOW THAT-- [ Clears Throat ] | ALSO, YOU SHOULD PROBABLY KNOW THAT-- [ Clears Throat ] |
| 502 | 00:44:57,062 | 00:45:01,199 | IF YOU ACTUALLY INJURE ANDREW'S BRAIN OR POSITRONIC PATHWAYS IN ANY WAY, | IF YOU ACTUALLY INJURE ANDREW'S BRAIN OR POSITRONIC PATHWAYS IN ANY WAY, |
| 503 | 00:45:01,232 | 00:45:05,771 | MY LAWYER, THE GOOD MR. FEINGOLD, WILL BE HAPPY TO SUE YOU. | MY LAWYER, THE GOOD MR. FEINGOLD, WILL BE HAPPY TO SUE YOU. |
| 504 | 00:45:05,804 | 00:45:11,242 | HE WILL SUE YOU FOR THE LOST VALUE OF ANDREW'S INCOME UNTIL THE END OF TIME. | HE WILL SUE YOU FOR THE LOST VALUE OF ANDREW'S INCOME UNTIL THE END OF TIME. |
| 505 | 00:45:13,311 | 00:45:16,147 | WELL, I THINK WE UNDERSTAND EACH OTHER. | WELL, I THINK WE UNDERSTAND EACH OTHER. |
| 506 | 00:45:17,148 | 00:45:19,117 | GOOD. [ Clears Throat ] | GOOD. [ Clears Throat ] |
| 507 | 00:45:19,150 | 00:45:21,887 | SIR, ONE MORE ITEM OF BUSINESS. | SIR, ONE MORE ITEM OF BUSINESS. |
| 508 | 00:45:23,321 | 00:45:26,257 | AS LONG IS ONE IS IN THE SHOP, CAN YOU DO WORK ON ONE'S FACE ? | AS LONG IS ONE IS IN THE SHOP, CAN YOU DO WORK ON ONE'S FACE ? |
| 509 | 00:45:26,291 | 00:45:28,894 | ONE WISHES TO HAVE MORE EXPRESSION. | ONE WISHES TO HAVE MORE EXPRESSION. |
| 510 | 00:45:28,927 | 00:45:33,164 | ONE HAS THOUGHTS AND FEELINGS THAT PRESENTLY DO NOT SHOW. | ONE HAS THOUGHTS AND FEELINGS THAT PRESENTLY DO NOT SHOW. |
| 511 | 00:45:33,198 | 00:45:36,267 | YOU WANT YOUR THOUGHTS AND FEELINGS TO SHOW ON YOUR FACE ? | YOU WANT YOUR THOUGHTS AND FEELINGS TO SHOW ON YOUR FACE ? |
| 512 | 00:45:36,301 | 00:45:40,471 | YES, LIKE THE CONTEMPT THAT YOU ARE SHOWING ME RIGHT NOW. | YES, LIKE THE CONTEMPT THAT YOU ARE SHOWING ME RIGHT NOW. |
| 513 | 00:45:42,173 | 00:45:45,811 | WELL, WE HAVE DONE SOME EXPERIMENTATION. | WELL, WE HAVE DONE SOME EXPERIMENTATION. |
| 514 | 00:45:45,844 | 00:45:49,915 | WE ARE ABLE TO GIVE ROBOTS SUPERFICIAL RESPONSES... | WE ARE ABLE TO GIVE ROBOTS SUPERFICIAL RESPONSES... |
| 515 | 00:45:49,948 | 00:45:52,851 | WHICH MIMIC HUMAN EXPRESSION. | WHICH MIMIC HUMAN EXPRESSION. |
| 516 | 00:45:52,884 | 00:45:55,821 | ONE HAS READ THAT THERE HAVE BEEN NDR UPGRADES. YES, YES. | ONE HAS READ THAT THERE HAVE BEEN NDR UPGRADES. YES, YES. |
| 517 | 00:45:55,854 | 00:46:00,058 | WE'VE WORKED UP A DOZEN EXPERIMENTAL MODELS WITH EXPRESSION CAPABILITIES, | WE'VE WORKED UP A DOZEN EXPERIMENTAL MODELS WITH EXPRESSION CAPABILITIES, |
| 518 | 00:46:00,091 | 00:46:02,060 | SLEEKER BODY TYPES. | SLEEKER BODY TYPES. |
| 519 | 00:46:02,093 | 00:46:06,097 | WE RAN SOME MARKET SURVEYS AND DECIDED NOT TO GO AHEAD WITH THE LINE. | WE RAN SOME MARKET SURVEYS AND DECIDED NOT TO GO AHEAD WITH THE LINE. |
| 520 | 00:46:06,131 | 00:46:09,234 | WHY NOT ? NEGATIVE CONSUMER REACTION. | WHY NOT ? NEGATIVE CONSUMER REACTION. |
| 521 | 00:46:09,267 | 00:46:12,303 | THERE'S A GROWING FEAR THAT ROBOTS WILL CONTINUE TO MAKE... | THERE'S A GROWING FEAR THAT ROBOTS WILL CONTINUE TO MAKE... |
| 522 | 00:46:12,337 | 00:46:15,907 | THE HUMAN WORK FORCE OBSOLETE. | THE HUMAN WORK FORCE OBSOLETE. |
| 523 | 00:46:15,941 | 00:46:19,177 | [ Clears Throat ] ANDREW HAS WORKED FOR ME FOR OVER 15 YEARS. | [ Clears Throat ] ANDREW HAS WORKED FOR ME FOR OVER 15 YEARS. |
| 524 | 00:46:19,210 | 00:46:21,847 | THERE'S NO DANGER OF ANYONE LOSING THEIR JOB TO HIM. | THERE'S NO DANGER OF ANYONE LOSING THEIR JOB TO HIM. |
| 525 | 00:46:21,880 | 00:46:25,851 | SURELY THERE'S NO CONCERN PERFORMING THESE MODIFICATIONS ON AN OLD-STYLE ROBOT. | SURELY THERE'S NO CONCERN PERFORMING THESE MODIFICATIONS ON AN OLD-STYLE ROBOT. |
| 526 | 00:46:25,884 | 00:46:28,186 | TRUE. | TRUE. |
| 527 | 00:46:28,219 | 00:46:32,223 | BUT PROCEDURES LIKE THAT WOULD BE PROHIBITIVELY EXPENSIVE. | BUT PROCEDURES LIKE THAT WOULD BE PROHIBITIVELY EXPENSIVE. |
| 528 | 00:46:32,257 | 00:46:36,361 | IT IS UNDERSTOOD THAT YOU WILL ATTEMPT TO RIVET ONE. | IT IS UNDERSTOOD THAT YOU WILL ATTEMPT TO RIVET ONE. |
| 529 | 00:46:36,394 | 00:46:40,331 | SCREW, ANDREW. REALLY ? HOW MUCH ? | SCREW, ANDREW. REALLY ? HOW MUCH ? |
| 530 | 00:46:54,946 | 00:46:57,015 | THAT IS ROUGHLY ONE'S MONTHLY SALARY. | THAT IS ROUGHLY ONE'S MONTHLY SALARY. |
| 531 | 00:46:59,350 | 00:47:01,286 | IT'S MORE THAN I MAKE IN A YEAR. | IT'S MORE THAN I MAKE IN A YEAR. |
| 532 | 00:47:01,319 | 00:47:04,890 | HMM, NOT BAD FOR-- | HMM, NOT BAD FOR-- |
| 533 | 00:47:04,923 | 00:47:07,893 | WHAT DID YOU CALL HIM LAST TIME WE WERE HERE ? HOUSEHOLD APPLIANCE. | WHAT DID YOU CALL HIM LAST TIME WE WERE HERE ? HOUSEHOLD APPLIANCE. |
| 534 | 00:47:07,926 | 00:47:11,329 | - HOUSEHOLD APPLIANCE ? - HOUSEHOLD APPLIANCE, YES. | - HOUSEHOLD APPLIANCE ? - HOUSEHOLD APPLIANCE, YES. |
| 535 | 00:47:15,333 | 00:47:18,136 | [ Minister ] MAY THE PEACE OF THE LORD BE WITH YOU ALWAYS. | [ Minister ] MAY THE PEACE OF THE LORD BE WITH YOU ALWAYS. |
| 536 | 00:47:19,304 | 00:47:21,873 | I NOW PRONOUNCE YOU HUSBAND AND WIFE. | I NOW PRONOUNCE YOU HUSBAND AND WIFE. |
| 537 | 00:47:24,409 | 00:47:26,945 | YOU MAY KISS THE BRIDE NOW. | YOU MAY KISS THE BRIDE NOW. |
| 538 | 00:47:34,152 | 00:47:36,922 | [ Congregation Murmuring ] | [ Congregation Murmuring ] |
| 539 | 00:47:36,955 | 00:47:41,893 | IT IS MY PLEASURE TO PRESENT MR. AND MRS. FRANK CHARNEY. | IT IS MY PLEASURE TO PRESENT MR. AND MRS. FRANK CHARNEY. |
| 540 | 00:48:01,379 | 00:48:03,314 | WHAT ? [ Grunts ] | WHAT ? [ Grunts ] |
| 541 | 00:49:04,475 | 00:49:06,477 | GOOD EVENING, SIR. | GOOD EVENING, SIR. |
| 542 | 00:49:09,080 | 00:49:11,082 | MAGNIFICENT NIGHT. | MAGNIFICENT NIGHT. |
| 543 | 00:49:13,318 | 00:49:16,254 | YOU LOOK VERY SHARP THIS EVENING, ANDREW. | YOU LOOK VERY SHARP THIS EVENING, ANDREW. |
| 544 | 00:49:16,287 | 00:49:18,256 | THANK YOU, SIR. | THANK YOU, SIR. |
| 545 | 00:49:18,289 | 00:49:21,359 | IT WAS QUITE CHALLENGING FOR THE TAILOR. [ Chuckles ] | IT WAS QUITE CHALLENGING FOR THE TAILOR. [ Chuckles ] |
| 546 | 00:49:21,392 | 00:49:24,029 | MAY ONE CONTINUE WEARING CLOTHING ? | MAY ONE CONTINUE WEARING CLOTHING ? |
| 547 | 00:49:24,062 | 00:49:27,232 | IF IT SUITS YOU. ARE YOU SERIOUS ? | IF IT SUITS YOU. ARE YOU SERIOUS ? |
| 548 | 00:49:27,265 | 00:49:29,300 | AS ALWAYS. | AS ALWAYS. |
| 549 | 00:49:31,102 | 00:49:33,438 | WELL, I SUPPOSE SO. | WELL, I SUPPOSE SO. |
| 550 | 00:49:33,471 | 00:49:36,707 | WE'LL HAVE TO FIND YOU SOME OTHER STUFF, THOUGH. YOU CAN'T WEAR TAILS ALL THE TIME. | WE'LL HAVE TO FIND YOU SOME OTHER STUFF, THOUGH. YOU CAN'T WEAR TAILS ALL THE TIME. |
| 551 | 00:49:36,741 | 00:49:39,710 | REALLY ? HOW SAD. | REALLY ? HOW SAD. |
| 552 | 00:49:41,079 | 00:49:44,082 | SIT DOWN, ANDREW, PLEASE. THANK YOU, SIR. | SIT DOWN, ANDREW, PLEASE. THANK YOU, SIR. |
| 553 | 00:49:50,455 | 00:49:54,425 | - IT WAS A WONDERFUL WEDDING, WASN'T IT ? - OH, YES, SIR. | - IT WAS A WONDERFUL WEDDING, WASN'T IT ? - OH, YES, SIR. |
| 554 | 00:49:54,459 | 00:49:58,296 | AND, IF ONE MAY SAY, YOU ARE A SPECTACULAR DANCER. | AND, IF ONE MAY SAY, YOU ARE A SPECTACULAR DANCER. |
| 555 | 00:49:58,329 | 00:50:03,134 | - WELL, THAT'S VERY KIND. - NOT AT ALL, SIR. IT'S THE TRUTH. | - WELL, THAT'S VERY KIND. - NOT AT ALL, SIR. IT'S THE TRUTH. |
| 556 | 00:50:04,835 | 00:50:07,138 | DID YOU RECORD THE DAY ? | DID YOU RECORD THE DAY ? |
| 557 | 00:50:07,172 | 00:50:09,440 | EVERY SECOND, SIR, IS IN ONE'S MEMORY BANK. | EVERY SECOND, SIR, IS IN ONE'S MEMORY BANK. |
| 558 | 00:50:10,508 | 00:50:12,510 | WELL, LET'S WATCH IT, SHALL WE ? | WELL, LET'S WATCH IT, SHALL WE ? |
| 559 | 00:51:07,665 | 00:51:10,368 | SIR ? | SIR ? |
| 560 | 00:51:10,401 | 00:51:12,637 | IS EVERYTHING ALL RIGHT ? | IS EVERYTHING ALL RIGHT ? |
| 561 | 00:51:12,670 | 00:51:14,472 | UM-- [ Clears Throat ] | UM-- [ Clears Throat ] |
| 562 | 00:51:20,545 | 00:51:22,813 | THEY'VE BOTH GONE NOW, ANDREW. | THEY'VE BOTH GONE NOW, ANDREW. |
| 563 | 00:51:24,182 | 00:51:27,485 | WELL, THINGS CHANGE. THINGS ALWAYS CHANGE. | WELL, THINGS CHANGE. THINGS ALWAYS CHANGE. |
| 564 | 00:51:27,518 | 00:51:31,556 | PEOPLE MOVE ON. IT'S AS IT SHOULD BE. | PEOPLE MOVE ON. IT'S AS IT SHOULD BE. |
| 565 | 00:51:33,258 | 00:51:35,260 | BUT, UH, | BUT, UH, |
| 566 | 00:51:36,294 | 00:51:39,197 | WHAT I REALIZED TODAY IS THAT, UH, | WHAT I REALIZED TODAY IS THAT, UH, |
| 567 | 00:51:41,466 | 00:51:44,135 | I'LL NEVER STOP MISSING THEM. | I'LL NEVER STOP MISSING THEM. |
| 568 | 00:51:48,206 | 00:51:50,208 | SIR ? | SIR ? |
| 569 | 00:51:54,612 | 00:51:57,148 | ONE IS STILL HERE. | ONE IS STILL HERE. |
| 570 | 00:51:58,316 | 00:52:02,587 | AND ONE IS GLAD OF THAT, ANDREW. THANK YOU. | AND ONE IS GLAD OF THAT, ANDREW. THANK YOU. |
| 571 | 00:52:03,654 | 00:52:06,424 | GOOD NIGHT, SIR. GOOD NIGHT, ANDREW. | GOOD NIGHT, SIR. GOOD NIGHT, ANDREW. |
| 572 | 00:52:12,263 | 00:52:14,265 | [ Laughing, Chattering ] | [ Laughing, Chattering ] |
| 573 | 00:52:27,678 | 00:52:31,649 | LLOYD ! COME HERE. | LLOYD ! COME HERE. |
| 574 | 00:52:31,682 | 00:52:35,520 | WHAT DID I TELL YOU ABOUT THROWING SAND AT PEOPLE ? WHAT DID I TELL YOU ? | WHAT DID I TELL YOU ABOUT THROWING SAND AT PEOPLE ? WHAT DID I TELL YOU ? |
| 575 | 00:52:36,521 | 00:52:38,556 | NOW APOLOGIZE TO ANDREW. | NOW APOLOGIZE TO ANDREW. |
| 576 | 00:52:38,589 | 00:52:40,558 | I WILL NOT APOLOGIZE TO IT. | I WILL NOT APOLOGIZE TO IT. |
| 577 | 00:52:40,591 | 00:52:42,393 | HIM. IT. | HIM. IT. |
| 578 | 00:52:42,427 | 00:52:46,264 | LLOYD. SORRY. | LLOYD. SORRY. |
| 579 | 00:52:47,798 | 00:52:50,901 | ONE UNDERSTANDS WHY SOME ANIMALS EAT THEIR YOUNG. | ONE UNDERSTANDS WHY SOME ANIMALS EAT THEIR YOUNG. |
| 580 | 00:52:53,604 | 00:52:56,207 | I'M SO SORRY, ANDREW. | I'M SO SORRY, ANDREW. |
| 581 | 00:53:02,280 | 00:53:04,515 | ARE YOU ALL RIGHT ? YOU SEEM VERY QUIET. | ARE YOU ALL RIGHT ? YOU SEEM VERY QUIET. |
| 582 | 00:53:07,818 | 00:53:10,755 | HOW DOES ONE OBTAIN FREEDOM ? | HOW DOES ONE OBTAIN FREEDOM ? |
| 583 | 00:53:13,624 | 00:53:17,495 | - Y-YOU WISH TO LEAVE US ? - NOT AT ALL, LITTLE MISS. | - Y-YOU WISH TO LEAVE US ? - NOT AT ALL, LITTLE MISS. |
| 584 | 00:53:17,528 | 00:53:20,365 | ONE MERELY WISHES TO BE DECLARED FREE. | ONE MERELY WISHES TO BE DECLARED FREE. |
| 585 | 00:53:22,400 | 00:53:25,636 | BUT WHY ? YOU HAVE SO MUCH FREEDOM HERE. | BUT WHY ? YOU HAVE SO MUCH FREEDOM HERE. |
| 586 | 00:53:25,670 | 00:53:28,606 | UNTIL ONE IS ORDERED TO DO SOMETHING. | UNTIL ONE IS ORDERED TO DO SOMETHING. |
| 587 | 00:53:28,639 | 00:53:32,810 | ANDREW, IT'S BEEN YEARS SINCE ANYONE'S GIVEN YOU AN ORDER. | ANDREW, IT'S BEEN YEARS SINCE ANYONE'S GIVEN YOU AN ORDER. |
| 588 | 00:53:32,843 | 00:53:36,281 | BUT YOU MAY STILL REQUEST ONE TO PERFORM TASKS. | BUT YOU MAY STILL REQUEST ONE TO PERFORM TASKS. |
| 589 | 00:53:36,314 | 00:53:41,519 | WELL, WE ASK ALL THE TIME, BUT IT'S A REQUEST, NOT AN ORDER. | WELL, WE ASK ALL THE TIME, BUT IT'S A REQUEST, NOT AN ORDER. |
| 590 | 00:53:45,590 | 00:53:47,725 | BUT THAT'S NOT ENOUGH FOR YOU, IS IT ? | BUT THAT'S NOT ENOUGH FOR YOU, IS IT ? |
| 591 | 00:53:50,528 | 00:53:52,630 | ONE HAS STUDIED YOUR HISTORY. | ONE HAS STUDIED YOUR HISTORY. |
| 592 | 00:53:54,332 | 00:53:57,802 | TERRIBLE WARS HAVE BEEN FOUGHT WHERE MILLIONS HAVE DIED... | TERRIBLE WARS HAVE BEEN FOUGHT WHERE MILLIONS HAVE DIED... |
| 593 | 00:53:57,835 | 00:54:00,405 | FOR ONE IDEA: | FOR ONE IDEA: |
| 594 | 00:54:00,438 | 00:54:02,740 | FREEDOM. | FREEDOM. |
| 595 | 00:54:02,773 | 00:54:07,978 | AND IT SEEMS THAT SOMETHING THAT MEANS SO MUCH TO SO MANY PEOPLE... | AND IT SEEMS THAT SOMETHING THAT MEANS SO MUCH TO SO MANY PEOPLE... |
| 596 | 00:54:08,012 | 00:54:11,282 | WOULD BE WORTH HAVING. | WOULD BE WORTH HAVING. |
| 597 | 00:54:26,831 | 00:54:31,336 | SIR, WOULD NOW BE A GOOD TIME TO SPEAK WITH YOU ? | SIR, WOULD NOW BE A GOOD TIME TO SPEAK WITH YOU ? |
| 598 | 00:54:31,369 | 00:54:33,604 | IT'S ALWAYS A GOOD TIME, ANDREW. YOU KNOW THAT. | IT'S ALWAYS A GOOD TIME, ANDREW. YOU KNOW THAT. |
| 599 | 00:54:42,880 | 00:54:45,783 | IT IS EVERYTHING IN ONE'S BANK ACCOUNT. | IT IS EVERYTHING IN ONE'S BANK ACCOUNT. |
| 600 | 00:54:47,117 | 00:54:49,520 | [ Laughing ] WHY WOULD YOU WANT TO GIVE ME-- | [ Laughing ] WHY WOULD YOU WANT TO GIVE ME-- |
| 601 | 00:54:49,554 | 00:54:52,022 | TO PURCHASE ONE'S FREEDOM. | TO PURCHASE ONE'S FREEDOM. |
| 602 | 00:54:52,857 | 00:54:56,060 | ONE WANTS TO BE FREE. | ONE WANTS TO BE FREE. |
| 603 | 00:54:56,093 | 00:54:58,696 | ONE WOULD, OF COURSE, STILL OBEY THE THREE LAWS... | ONE WOULD, OF COURSE, STILL OBEY THE THREE LAWS... |
| 604 | 00:54:58,729 | 00:55:01,632 | AND SERVE YOU IN EXACTLY THE SAME FASHION. | AND SERVE YOU IN EXACTLY THE SAME FASHION. |
| 605 | 00:55:01,666 | 00:55:03,801 | THE ONLY THING THAT WOULD CHANGE WOULD BE THE FORM. | THE ONLY THING THAT WOULD CHANGE WOULD BE THE FORM. |
| 606 | 00:55:03,834 | 00:55:07,738 | ONE WOULD NO LONGER BE YOUR PROPERTY. | ONE WOULD NO LONGER BE YOUR PROPERTY. |
| 607 | 00:55:07,772 | 00:55:11,075 | YOU WANT TO LEAVE. THAT'S WHAT THIS IS ABOUT, ISN'T IT ? | YOU WANT TO LEAVE. THAT'S WHAT THIS IS ABOUT, ISN'T IT ? |
| 608 | 00:55:11,108 | 00:55:14,745 | NOT AT ALL, SIR. YOU ARE ONE'S FAMILY. | NOT AT ALL, SIR. YOU ARE ONE'S FAMILY. |
| 609 | 00:55:14,779 | 00:55:17,482 | THEN WHY ASK FOR THIS ? | THEN WHY ASK FOR THIS ? |
| 610 | 00:55:18,916 | 00:55:22,487 | OH, I SEE. YOU'RE IN ON THIS. | OH, I SEE. YOU'RE IN ON THIS. |
| 611 | 00:55:23,688 | 00:55:26,391 | WE'VE TALKED ABOUT IT, YES. | WE'VE TALKED ABOUT IT, YES. |
| 612 | 00:55:26,424 | 00:55:30,628 | SO YOU ORDERED HIM TO DO IT, AND HE OBEYED. | SO YOU ORDERED HIM TO DO IT, AND HE OBEYED. |
| 613 | 00:55:30,661 | 00:55:33,931 | NO. HE MAKES HIS OWN DECISIONS. | NO. HE MAKES HIS OWN DECISIONS. |
| 614 | 00:55:33,964 | 00:55:39,570 | - BUT YOU PUT THE IDEA IN HIS HEAD. - NO, FATHER, YOU DID. | - BUT YOU PUT THE IDEA IN HIS HEAD. - NO, FATHER, YOU DID. |
| 615 | 00:55:39,604 | 00:55:41,906 | YOU'VE GIVEN HIM HUNDREDS OF BOOKS TO READ. | YOU'VE GIVEN HIM HUNDREDS OF BOOKS TO READ. |
| 616 | 00:55:41,939 | 00:55:46,511 | IT WAS SIMPLY A MATTER OF TIME BEFORE HE BECAME INTRIGUED BY THE IDEA OF FREEDOM. | IT WAS SIMPLY A MATTER OF TIME BEFORE HE BECAME INTRIGUED BY THE IDEA OF FREEDOM. |
| 617 | 00:55:46,544 | 00:55:50,415 | HE LEARNS AND GROWS ALL THE TIME, | HE LEARNS AND GROWS ALL THE TIME, |
| 618 | 00:55:50,448 | 00:55:52,750 | AND IT'S BECAUSE OF YOU AND ANDREW'S ABILITIES... | AND IT'S BECAUSE OF YOU AND ANDREW'S ABILITIES... |
| 619 | 00:55:52,783 | 00:55:56,120 | THAT HE'S BECOME EVERY BIT AS COMPLEX AS WE ARE. | THAT HE'S BECOME EVERY BIT AS COMPLEX AS WE ARE. |
| 620 | 00:56:11,736 | 00:56:13,738 | GOOD MORNING, SIR. | GOOD MORNING, SIR. |
| 621 | 00:56:22,513 | 00:56:26,651 | YOU TAKE YOUR CHECK BACK, PLEASE, ANDREW. WHY, SIR ? | YOU TAKE YOUR CHECK BACK, PLEASE, ANDREW. WHY, SIR ? |
| 622 | 00:56:28,819 | 00:56:32,189 | YOU ARE FREE NOW. | YOU ARE FREE NOW. |
| 623 | 00:56:32,222 | 00:56:34,692 | I MUST ASK YOU TO LEAVE THIS HOUSE. | I MUST ASK YOU TO LEAVE THIS HOUSE. |
| 624 | 00:56:34,725 | 00:56:38,629 | BUT SIR, I DON'T WISH TO LEAVE. | BUT SIR, I DON'T WISH TO LEAVE. |
| 625 | 00:56:38,663 | 00:56:42,933 | YOU WISHED FOR FREEDOM, YOU MUST ACCEPT THE CONSEQUENCES. | YOU WISHED FOR FREEDOM, YOU MUST ACCEPT THE CONSEQUENCES. |
| 626 | 00:56:45,235 | 00:56:48,806 | THEN I WILL REMOVE MY BELONGINGS. YES. | THEN I WILL REMOVE MY BELONGINGS. YES. |
| 627 | 00:56:50,875 | 00:56:52,877 | WHERE WILL YOU GO ? | WHERE WILL YOU GO ? |
| 628 | 00:56:53,911 | 00:56:55,880 | I WILL LOOK FOR A RESIDENCE NEARBY... | I WILL LOOK FOR A RESIDENCE NEARBY... |
| 629 | 00:56:55,913 | 00:56:58,849 | SO THAT IF YOU EVER NEED ANYTHING, SIR-- | SO THAT IF YOU EVER NEED ANYTHING, SIR-- |
| 630 | 00:56:58,883 | 00:57:01,519 | THAT WILL NOT HAPPEN, ANDREW, THANK YOU. | THAT WILL NOT HAPPEN, ANDREW, THANK YOU. |
| 631 | 00:57:01,552 | 00:57:03,521 | THERE'S NO NEED TO BE CLOSE BY. | THERE'S NO NEED TO BE CLOSE BY. |
| 632 | 00:57:03,554 | 00:57:07,625 | - IF YOU COMMAND ME NOT TO DO THIS, I WILL OBEY. - I COMMAND NOTHING. | - IF YOU COMMAND ME NOT TO DO THIS, I WILL OBEY. - I COMMAND NOTHING. |
| 633 | 00:57:08,626 | 00:57:10,695 | YOU'RE FREE. | YOU'RE FREE. |
| 634 | 00:57:12,597 | 00:57:17,702 | THEN-- CALLED OR UNCALLED-- I AM ALWAYS AT YOUR SERVICE. | THEN-- CALLED OR UNCALLED-- I AM ALWAYS AT YOUR SERVICE. |
| 635 | 00:57:25,776 | 00:57:27,912 | ANDREW, | ANDREW, |
| 636 | 00:57:29,614 | 00:57:32,182 | YOU'VE STOPPED REFERRING TO YOURSELF AS "ONE." | YOU'VE STOPPED REFERRING TO YOURSELF AS "ONE." |
| 637 | 00:58:54,632 | 00:58:56,634 | A HOME OF MY OWN. | A HOME OF MY OWN. |
| 638 | 00:59:28,766 | 00:59:30,768 | [ Knocking ] | [ Knocking ] |
| 639 | 00:59:35,673 | 00:59:38,308 | ANDREW ? | ANDREW ? |
| 640 | 00:59:38,342 | 00:59:41,311 | ANDREW ? I'M IN HERE. | ANDREW ? I'M IN HERE. |
| 641 | 00:59:51,221 | 00:59:53,357 | LITTLE MISS. | LITTLE MISS. |
| 642 | 00:59:53,390 | 00:59:56,126 | IS SOMETHING WRONG ? | IS SOMETHING WRONG ? |
| 643 | 00:59:58,395 | 01:00:00,931 | HE ASKED FOR YOU. | HE ASKED FOR YOU. |
| 644 | 01:00:06,070 | 01:00:08,038 | IT'S TIME. | IT'S TIME. |
| 645 | 01:00:16,881 | 01:00:21,018 | - THE ROBOT'S HERE. - ANDREW. | - THE ROBOT'S HERE. - ANDREW. |
| 646 | 01:00:28,726 | 01:00:31,762 | HELLO, MISS. ANDREW. | HELLO, MISS. ANDREW. |
| 647 | 01:00:31,796 | 01:00:33,798 | SIR. | SIR. |
| 648 | 01:00:36,734 | 01:00:41,939 | - HOW ARE YOU, SIR ? - WELL, I'M DYING, ANDREW. | - HOW ARE YOU, SIR ? - WELL, I'M DYING, ANDREW. |
| 649 | 01:00:43,473 | 01:00:45,642 | OTHERWISE I'M FINE. | OTHERWISE I'M FINE. |
| 650 | 01:00:47,244 | 01:00:49,213 | WONDERFUL TO SEE YOU AGAIN. | WONDERFUL TO SEE YOU AGAIN. |
| 651 | 01:00:49,246 | 01:00:53,217 | I'M VERY HAPPY TO SEE YOU, ANDREW. IT'S BEEN A LONG TIME. | I'M VERY HAPPY TO SEE YOU, ANDREW. IT'S BEEN A LONG TIME. |
| 652 | 01:00:53,250 | 01:00:56,954 | YES, IT HAS, SIR. | YES, IT HAS, SIR. |
| 653 | 01:00:56,987 | 01:00:59,056 | I WANTED TO-- | I WANTED TO-- |
| 654 | 01:00:59,089 | 01:01:03,093 | I WANTED TO TELL YOU... THAT I WAS WRONG. | I WANTED TO TELL YOU... THAT I WAS WRONG. |
| 655 | 01:01:03,127 | 01:01:05,730 | YOU'RE NEVER WRONG, SIR. | YOU'RE NEVER WRONG, SIR. |
| 656 | 01:01:05,763 | 01:01:08,465 | THEN DON'T CONTRADICT ME. | THEN DON'T CONTRADICT ME. |
| 657 | 01:01:08,498 | 01:01:12,202 | YOU WERE RIGHT TO WANT YOUR FREEDOM, | YOU WERE RIGHT TO WANT YOUR FREEDOM, |
| 658 | 01:01:12,236 | 01:01:15,039 | AND I'M GLAD THAT YOU HAVE IT. | AND I'M GLAD THAT YOU HAVE IT. |
| 659 | 01:01:16,240 | 01:01:18,408 | THANK YOU, SIR. | THANK YOU, SIR. |
| 660 | 01:01:21,111 | 01:01:23,413 | ANDREW, | ANDREW, |
| 661 | 01:01:25,783 | 01:01:27,952 | YOU WERE VERY GOOD TO US. | YOU WERE VERY GOOD TO US. |
| 662 | 01:01:29,053 | 01:01:31,688 | IT WAS AN HONOR SERVING YOU, SIR. | IT WAS AN HONOR SERVING YOU, SIR. |
| 663 | 01:01:45,836 | 01:01:47,872 | I WANT TO SEEK OUT MY OWN KIND. | I WANT TO SEEK OUT MY OWN KIND. |
| 664 | 01:01:47,905 | 01:01:50,775 | IN ORDER TO UNDERSTAND MY DESTINY, | IN ORDER TO UNDERSTAND MY DESTINY, |
| 665 | 01:01:50,808 | 01:01:53,844 | I MUST KNOW IF THERE IS ANOTHER LIKE MYSELF. | I MUST KNOW IF THERE IS ANOTHER LIKE MYSELF. |
| 666 | 01:01:53,878 | 01:01:57,147 | NORTHAM ROBOTICS WILL NOT RETURN MY INQUIRIES, | NORTHAM ROBOTICS WILL NOT RETURN MY INQUIRIES, |
| 667 | 01:01:57,181 | 01:01:59,850 | AND NOW THAT YOU HAVE FINALLY PASSED THE BAR, LLOYD, | AND NOW THAT YOU HAVE FINALLY PASSED THE BAR, LLOYD, |
| 668 | 01:01:59,884 | 01:02:04,889 | I WANT YOU TO SUE THEM FOR INFORMATION OF THE WHEREABOUTS OF ALL NDR SERIES ROBOTS, | I WANT YOU TO SUE THEM FOR INFORMATION OF THE WHEREABOUTS OF ALL NDR SERIES ROBOTS, |
| 669 | 01:02:04,922 | 01:02:07,457 | IF YOU DON'T MIND. | IF YOU DON'T MIND. |
| 670 | 01:02:09,159 | 01:02:13,297 | THE FREEDOM OF INFORMATION ACT DOESN'T QUITE COVER SUITS BY ROBOTS. | THE FREEDOM OF INFORMATION ACT DOESN'T QUITE COVER SUITS BY ROBOTS. |
| 671 | 01:02:13,330 | 01:02:15,199 | - NOT YET. - MOTHER, I'M A VERY BUSY MAN. | - NOT YET. - MOTHER, I'M A VERY BUSY MAN. |
| 672 | 01:02:15,232 | 01:02:17,802 | I DO NOT HAVE TIME TO HELP... | I DO NOT HAVE TIME TO HELP... |
| 673 | 01:02:17,835 | 01:02:21,806 | IT PURSUE SOME RIDICULOUS LAWSUIT. | IT PURSUE SOME RIDICULOUS LAWSUIT. |
| 674 | 01:02:21,839 | 01:02:24,975 | LLOYD, SWEETHEART, I DO LOVE YOU, | LLOYD, SWEETHEART, I DO LOVE YOU, |
| 675 | 01:02:25,009 | 01:02:28,178 | BUT SOMETIMES I HAVE TO WONDER IF YOU REALLY ARE MY CHILD. | BUT SOMETIMES I HAVE TO WONDER IF YOU REALLY ARE MY CHILD. |
| 676 | 01:02:28,212 | 01:02:30,214 | WELL, THAT'S MUTATION, MOTHER. | WELL, THAT'S MUTATION, MOTHER. |
| 677 | 01:02:30,247 | 01:02:33,150 | THE MIRACLE OF GENETICS IS I'M NOT YOU. | THE MIRACLE OF GENETICS IS I'M NOT YOU. |
| 678 | 01:02:33,183 | 01:02:35,920 | NO, YOU'VE ALWAYS BEEN MORE LIKE YOUR FATHER. | NO, YOU'VE ALWAYS BEEN MORE LIKE YOUR FATHER. |
| 679 | 01:02:35,953 | 01:02:38,789 | SO THAT' WHY YOU DIVORCED HIM. | SO THAT' WHY YOU DIVORCED HIM. |
| 680 | 01:02:40,257 | 01:02:43,360 | SORRY. | SORRY. |
| 681 | 01:02:43,393 | 01:02:48,198 | ANDREW, WHAT WOULD YOU DO IF I GOT THE INFORMATION ON THESE OTHER NDRs ? | ANDREW, WHAT WOULD YOU DO IF I GOT THE INFORMATION ON THESE OTHER NDRs ? |
| 682 | 01:02:48,232 | 01:02:50,801 | I WOULD SEEK THEM OUT, EACH AND EVERY ONE. | I WOULD SEEK THEM OUT, EACH AND EVERY ONE. |
| 683 | 01:02:51,902 | 01:02:54,371 | SO YOU'D BE GONE FOR QUITE A LONG TIME. | SO YOU'D BE GONE FOR QUITE A LONG TIME. |
| 684 | 01:02:54,404 | 01:02:57,574 | OH, YES. SEVERAL YEARS IF NOT MORE, | OH, YES. SEVERAL YEARS IF NOT MORE, |
| 685 | 01:02:57,607 | 01:03:00,044 | IF MY CALCULATIONS ARE CORRECT. | IF MY CALCULATIONS ARE CORRECT. |
| 686 | 01:03:03,113 | 01:03:05,249 | I'D LOVE TO HELP YOU. | I'D LOVE TO HELP YOU. |
| 687 | 01:03:06,250 | 01:03:08,218 | DID HE NOT BREAST-FEED ? | DID HE NOT BREAST-FEED ? |
| 688 | 01:04:15,986 | 01:04:18,455 | [ Andrew ] "DEAR LITTLE MISS, | [ Andrew ] "DEAR LITTLE MISS, |
| 689 | 01:04:18,488 | 01:04:21,325 | "MY JOURNEY IS NEARING THE END OF ITS TENTH YEAR, | "MY JOURNEY IS NEARING THE END OF ITS TENTH YEAR, |
| 690 | 01:04:21,358 | 01:04:26,096 | "AND I STILL HAVE NOT FOUND ANY ROBOT THAT BEARS ANY SIMILARITY TO MYSELF. | "AND I STILL HAVE NOT FOUND ANY ROBOT THAT BEARS ANY SIMILARITY TO MYSELF. |
| 691 | 01:04:26,130 | 01:04:29,299 | "I HAVE THOUSANDS OF MILES TO GO, HUNDREDS OF CITIES TO VISIT, | "I HAVE THOUSANDS OF MILES TO GO, HUNDREDS OF CITIES TO VISIT, |
| 692 | 01:04:29,333 | 01:04:31,468 | "SO I HAVE NOT GIVEN UP HOPE. | "SO I HAVE NOT GIVEN UP HOPE. |
| 693 | 01:04:31,501 | 01:04:33,303 | LOVE, ANDREW." | LOVE, ANDREW." |
| 694 | 01:04:44,214 | 01:04:46,183 | HELLO. MY LAST NAME IS MARTIN. | HELLO. MY LAST NAME IS MARTIN. |
| 695 | 01:04:46,216 | 01:04:48,885 | HEY, GET OFF THE FIELD. | HEY, GET OFF THE FIELD. |
| 696 | 01:04:59,429 | 01:05:01,431 | [ Mooing ] | [ Mooing ] |
| 697 | 01:05:35,465 | 01:05:39,469 | "DEAR LITTLE MISS, MY JOURNEY IS NEARING ITS END. | "DEAR LITTLE MISS, MY JOURNEY IS NEARING ITS END. |
| 698 | 01:05:39,503 | 01:05:44,508 | "I HAVE EXHAUSTED ALL POSSIBILITIES SAVE FOR ONE FINAL RAY OF HOPE. | "I HAVE EXHAUSTED ALL POSSIBILITIES SAVE FOR ONE FINAL RAY OF HOPE. |
| 699 | 01:05:44,541 | 01:05:50,014 | I'VE LEARNED OF AN NDR ROBOT THAT HAS RECENTLY BEEN REBUILT BACK HOME IN SAN FRANCISCO." | I'VE LEARNED OF AN NDR ROBOT THAT HAS RECENTLY BEEN REBUILT BACK HOME IN SAN FRANCISCO." |
| 700 | 01:05:50,047 | 01:05:52,382 | [ Crowd Chattering ] | [ Crowd Chattering ] |
| 701 | 01:05:56,220 | 01:05:58,688 | [ Woman ] TAKE AS MANY AS YOU NEED. | [ Woman ] TAKE AS MANY AS YOU NEED. |
| 702 | 01:05:58,722 | 01:06:01,391 | OH, THEN YOU SHOULD LOVE THEM. | OH, THEN YOU SHOULD LOVE THEM. |
| 703 | 01:06:03,293 | 01:06:05,295 | I'LL BE RIGHT BACK. | I'LL BE RIGHT BACK. |
| 704 | 01:06:06,296 | 01:06:08,532 | TAKE AS MANY AS YOU NEED. | TAKE AS MANY AS YOU NEED. |
| 705 | 01:06:08,565 | 01:06:12,269 | THANK YOU. YOU'RE QUITE WELCOME. | THANK YOU. YOU'RE QUITE WELCOME. |
| 706 | 01:06:12,302 | 01:06:15,039 | ** [ "Respect" By Aretha Franklin ] | ** [ "Respect" By Aretha Franklin ] |
| 707 | 01:06:15,072 | 01:06:20,410 | ** | ** |
| 708 | 01:06:20,444 | 01:06:24,281 | * WHOO * WHAT YOU WANT BABY, I GOT IT * | * WHOO * WHAT YOU WANT BABY, I GOT IT * |
| 709 | 01:06:24,314 | 01:06:29,319 | * WHOO, WHOO * WHAT YOU NEED DO YOU KNOW I GOT IT * | * WHOO, WHOO * WHAT YOU NEED DO YOU KNOW I GOT IT * |
| 710 | 01:06:29,353 | 01:06:32,056 | * WHOO, WHOO * ALL I'M ASKIN' | * WHOO, WHOO * ALL I'M ASKIN' |
| 711 | 01:06:32,089 | 01:06:34,524 | * IS FOR A LITTLE RESPECT WHEN YOU COME HOME * * JUST A LITTLE BIT | * IS FOR A LITTLE RESPECT WHEN YOU COME HOME * * JUST A LITTLE BIT |
| 712 | 01:06:34,558 | 01:06:37,761 | * HEY, BABY WHEN YOU GET HOME * * JUST A LITTLE BIT | * HEY, BABY WHEN YOU GET HOME * * JUST A LITTLE BIT |
| 713 | 01:06:37,794 | 01:06:42,232 | * JUST A LITTLE BIT JUST A LITTLE BIT * * MISTER | * JUST A LITTLE BIT JUST A LITTLE BIT * * MISTER |
| 714 | 01:06:42,266 | 01:06:46,536 | * I AIN'T GONNA DO YOU WRONG WHILE YOU'RE GONE * | * I AIN'T GONNA DO YOU WRONG WHILE YOU'RE GONE * |
| 715 | 01:06:46,570 | 01:06:50,074 | * AIN'T GONNA DO YOU WRONG IF I DON'T WANNA * * WHOO | * AIN'T GONNA DO YOU WRONG IF I DON'T WANNA * * WHOO |
| 716 | 01:06:50,107 | 01:06:53,243 | * WHOO, WHOO * ALL I'M ASKIN' | * WHOO, WHOO * ALL I'M ASKIN' |
| 717 | 01:06:53,277 | 01:06:56,113 | * IS FOR A LITTLE RESPECT WHEN YA COME HOME * * JUST A LITTLE BIT | * IS FOR A LITTLE RESPECT WHEN YA COME HOME * * JUST A LITTLE BIT |
| 718 | 01:06:56,146 | 01:06:58,548 | * BABY, WHEN YOU GET HOME * JUST A LITTLE BIT | * BABY, WHEN YOU GET HOME * JUST A LITTLE BIT |
| 719 | 01:06:58,582 | 01:07:02,452 | * JUST A LITTLE BIT JUST A LITTLE BIT * * YEAH * | * JUST A LITTLE BIT JUST A LITTLE BIT * * YEAH * |
| 720 | 01:07:17,467 | 01:07:19,469 | [ Buzzing ] | [ Buzzing ] |
| 721 | 01:07:28,145 | 01:07:30,380 | HI. | HI. |
| 722 | 01:07:31,881 | 01:07:34,484 | IS THIS YOURS ? OH. [ Giggles ] | IS THIS YOURS ? OH. [ Giggles ] |
| 723 | 01:07:34,518 | 01:07:36,520 | THANK YOU. | THANK YOU. |
| 724 | 01:07:36,553 | 01:07:39,489 | I'M LOOKING FOR RUPERT BURNS. | I'M LOOKING FOR RUPERT BURNS. |
| 725 | 01:07:39,523 | 01:07:42,492 | OH, YOU'VE COME TO THE RIGHT PLACE. | OH, YOU'VE COME TO THE RIGHT PLACE. |
| 726 | 01:07:42,526 | 01:07:45,529 | COME IN. CERTAINLY HAVE. | COME IN. CERTAINLY HAVE. |
| 727 | 01:07:46,530 | 01:07:48,498 | HUH. | HUH. |
| 728 | 01:07:54,704 | 01:07:57,507 | DO YOU HAVE A NAME ? OF COURSE I DO. | DO YOU HAVE A NAME ? OF COURSE I DO. |
| 729 | 01:07:57,541 | 01:07:59,843 | GALATEA. | GALATEA. |
| 730 | 01:07:59,876 | 01:08:02,379 | GALATEA. | GALATEA. |
| 731 | 01:08:02,412 | 01:08:05,882 | YOU HAVE AN AMAZING... AGILITY. | YOU HAVE AN AMAZING... AGILITY. |
| 732 | 01:08:05,915 | 01:08:07,884 | YOU WERE DANCING IN THE MARKET. | YOU WERE DANCING IN THE MARKET. |
| 733 | 01:08:07,917 | 01:08:10,520 | DID YOU LIKE THAT ? VERY MUCH. | DID YOU LIKE THAT ? VERY MUCH. |
| 734 | 01:08:11,521 | 01:08:14,324 | DANCING IS THE SPORTIEST SPORT, | DANCING IS THE SPORTIEST SPORT, |
| 735 | 01:08:14,358 | 01:08:16,860 | AND WE'RE SO MUCH BETTER AT IT THAN HUMANS. | AND WE'RE SO MUCH BETTER AT IT THAN HUMANS. |
| 736 | 01:08:16,893 | 01:08:20,264 | I CAN'T BELIEVE I FINALLY FOUND YOU. | I CAN'T BELIEVE I FINALLY FOUND YOU. |
| 737 | 01:08:20,297 | 01:08:22,566 | WHEN DID YOU KNOW ? | WHEN DID YOU KNOW ? |
| 738 | 01:08:22,599 | 01:08:26,170 | KNOW WHAT ? THAT YOU WERE UNIQUE. | KNOW WHAT ? THAT YOU WERE UNIQUE. |
| 739 | 01:08:26,203 | 01:08:28,538 | OH, I KNEW THAT RIGHT AWAY. | OH, I KNEW THAT RIGHT AWAY. |
| 740 | 01:08:28,572 | 01:08:31,241 | ME TOO. | ME TOO. |
| 741 | 01:08:32,409 | 01:08:34,544 | YOU AND I-- | YOU AND I-- |
| 742 | 01:08:34,578 | 01:08:36,546 | WE'RE THE SAME. | WE'RE THE SAME. |
| 743 | 01:08:40,317 | 01:08:42,286 | WE HAVE PERSONALITY ! | WE HAVE PERSONALITY ! |
| 744 | 01:08:44,721 | 01:08:46,856 | IS YOUR PERSONALITY CHIP TURNED ON ? | IS YOUR PERSONALITY CHIP TURNED ON ? |
| 745 | 01:08:48,325 | 01:08:51,228 | ISN'T YOURS ? NO. | ISN'T YOURS ? NO. |
| 746 | 01:08:52,429 | 01:08:54,398 | SUCKS TO BE YOU ! | SUCKS TO BE YOU ! |
| 747 | 01:08:54,431 | 01:09:00,370 | I THINK PERSONALITY IS MUCH MORE FUN THAN INTELLIGENCE, DON'T YOU ? | I THINK PERSONALITY IS MUCH MORE FUN THAN INTELLIGENCE, DON'T YOU ? |
| 748 | 01:09:00,404 | 01:09:03,673 | - [ Aretha Franklin ] * BABY, BABY, SWEET BABY - I THINK SO. | - [ Aretha Franklin ] * BABY, BABY, SWEET BABY - I THINK SO. |
| 749 | 01:09:05,242 | 01:09:08,712 | * THERE'S SOMETHIN' THAT I'VE JUST GOT TO SAY ** | * THERE'S SOMETHIN' THAT I'VE JUST GOT TO SAY ** |
| 750 | 01:09:08,745 | 01:09:10,714 | CAN I HELP YOU ? | CAN I HELP YOU ? |
| 751 | 01:09:10,747 | 01:09:13,550 | YOUR ROBOT IS JUST A STANDARD NDR, ISN'T SHE ? | YOUR ROBOT IS JUST A STANDARD NDR, ISN'T SHE ? |
| 752 | 01:09:14,718 | 01:09:17,287 | YEAH, I'M AFRAID SO. | YEAH, I'M AFRAID SO. |
| 753 | 01:09:17,321 | 01:09:19,689 | WHY DOES SHE HAVE THE ABILITY TO DANCE ? | WHY DOES SHE HAVE THE ABILITY TO DANCE ? |
| 754 | 01:09:19,723 | 01:09:21,691 | 'CAUSE I, UH-- | 'CAUSE I, UH-- |
| 755 | 01:09:21,725 | 01:09:26,296 | I PUT A MODIFIED SKELETAL CHIP INTO HER DURING A REBUILD. | I PUT A MODIFIED SKELETAL CHIP INTO HER DURING A REBUILD. |
| 756 | 01:09:26,330 | 01:09:29,299 | HOW WERE YOU ABLE TO DO THAT MODIFICATION ? MY FATHER TAUGHT ME. | HOW WERE YOU ABLE TO DO THAT MODIFICATION ? MY FATHER TAUGHT ME. |
| 757 | 01:09:29,333 | 01:09:32,336 | HE CREATED THE ANDROID UNIT AT NORTHAM ROBOTICS. | HE CREATED THE ANDROID UNIT AT NORTHAM ROBOTICS. |
| 758 | 01:09:32,369 | 01:09:35,572 | HE'S RESPONSIBLE FOR THE TECHNOLOGY THAT ALLOWS YOU TO MIMIC HUMAN EXPRESSION. | HE'S RESPONSIBLE FOR THE TECHNOLOGY THAT ALLOWS YOU TO MIMIC HUMAN EXPRESSION. |
| 759 | 01:09:35,605 | 01:09:40,477 | - WHAT HAPPENED TO HIM ? - WELL, NORTHAM LAID HIM OFF WHEN THEY SHUT DOWN THE UNIT, | - WHAT HAPPENED TO HIM ? - WELL, NORTHAM LAID HIM OFF WHEN THEY SHUT DOWN THE UNIT, |
| 760 | 01:09:40,510 | 01:09:43,413 | SO HE STARTED THIS PLACE, AND I TOOK OVER WHEN HE DIED. | SO HE STARTED THIS PLACE, AND I TOOK OVER WHEN HE DIED. |
| 761 | 01:09:43,447 | 01:09:47,617 | I'M SORRY TO HEAR THAT. HE WOULD HAVE BEEN ABSOLUTELY THRILLED TO MEET YOU. | I'M SORRY TO HEAR THAT. HE WOULD HAVE BEEN ABSOLUTELY THRILLED TO MEET YOU. |
| 762 | 01:09:47,651 | 01:09:49,653 | I-I-I'M RUPERT BURNS. | I-I-I'M RUPERT BURNS. |
| 763 | 01:09:49,686 | 01:09:52,589 | IT'S A REAL HONOR. THE HONOR IS MINE. | IT'S A REAL HONOR. THE HONOR IS MINE. |
| 764 | 01:09:52,622 | 01:09:56,926 | ** [ Continuing ] HEY ! YOU AND I-- WE'RE THE SAME ! | ** [ Continuing ] HEY ! YOU AND I-- WE'RE THE SAME ! |
| 765 | 01:09:58,662 | 01:10:01,265 | LET'S GET LOCO, ROBO ! [ Metallic Clink ] | LET'S GET LOCO, ROBO ! [ Metallic Clink ] |
| 766 | 01:10:01,298 | 01:10:03,267 | WHOO-HOO ! | WHOO-HOO ! |
| 767 | 01:10:03,300 | 01:10:06,636 | - SHUT HER OFF OR I WILL. - OH. | - SHUT HER OFF OR I WILL. - OH. |
| 768 | 01:10:08,638 | 01:10:10,374 | OKAY. | OKAY. |
| 769 | 01:10:10,407 | 01:10:12,242 | ** [ Stops ] | ** [ Stops ] |
| 770 | 01:10:13,477 | 01:10:15,479 | THANK YOU. | THANK YOU. |
| 771 | 01:10:16,680 | 01:10:19,516 | [ Andrew ] IS THIS YOUR FATHER'S WORK ? | [ Andrew ] IS THIS YOUR FATHER'S WORK ? |
| 772 | 01:10:19,549 | 01:10:23,753 | YEAH-- WELL, IT'S-- IT'S OUR WORK, YOU COULD SAY. | YEAH-- WELL, IT'S-- IT'S OUR WORK, YOU COULD SAY. |
| 773 | 01:10:23,787 | 01:10:27,657 | I HAVEN'T REALLY BEEN ABLE TO RESTRAIN MYSELF FROM CONTINUING... | I HAVEN'T REALLY BEEN ABLE TO RESTRAIN MYSELF FROM CONTINUING... |
| 774 | 01:10:27,691 | 01:10:31,795 | TO TINKER WITH THE RELENTLESSLY UNFASHIONABLE ANDROID TECHNOLOGY. | TO TINKER WITH THE RELENTLESSLY UNFASHIONABLE ANDROID TECHNOLOGY. |
| 775 | 01:10:31,828 | 01:10:35,999 | AS A MATTER OF FACT, I'VE ACTUALLY GOTTEN TO A POINT... | AS A MATTER OF FACT, I'VE ACTUALLY GOTTEN TO A POINT... |
| 776 | 01:10:36,032 | 01:10:40,304 | WHERE I CAN PRETTY MUCH EXACTLY REPLICATE THE EXTERNAL PHYSICAL APPEARANCE... | WHERE I CAN PRETTY MUCH EXACTLY REPLICATE THE EXTERNAL PHYSICAL APPEARANCE... |
| 777 | 01:10:40,337 | 01:10:42,406 | OF A HUMAN BEING. | OF A HUMAN BEING. |
| 778 | 01:10:49,746 | 01:10:52,716 | - REMARKABLE. - THANK YOU. | - REMARKABLE. - THANK YOU. |
| 779 | 01:10:54,851 | 01:10:57,421 | - AMAZING ! - YEAH. | - AMAZING ! - YEAH. |
| 780 | 01:10:57,454 | 01:11:02,859 | UNFORTUNATELY, NOBODY SEEMS TERRIBLY INTERESTED IN FUNDING MY RESEARCH. | UNFORTUNATELY, NOBODY SEEMS TERRIBLY INTERESTED IN FUNDING MY RESEARCH. |
| 781 | 01:11:02,892 | 01:11:06,396 | - BUT-- - I AM. | - BUT-- - I AM. |
| 782 | 01:11:07,564 | 01:11:09,799 | I WILL FUND YOUR RESEARCH. | I WILL FUND YOUR RESEARCH. |
| 783 | 01:11:10,734 | 01:11:13,703 | YEAH ? | YEAH ? |
| 784 | 01:11:13,737 | 01:11:16,573 | THAT'D BE COOL. | THAT'D BE COOL. |
| 785 | 01:11:21,878 | 01:11:26,516 | THANK YOU, DARLIN'. OKAY. ANDREW, I WANT TO MAKE IT VERY CLEAR: | THANK YOU, DARLIN'. OKAY. ANDREW, I WANT TO MAKE IT VERY CLEAR: |
| 786 | 01:11:26,550 | 01:11:30,720 | THIS IS AN EXTERNAL PHYSICAL UPGRADE ONLY IN THE STRICTEST SENSE OF THE WORD. | THIS IS AN EXTERNAL PHYSICAL UPGRADE ONLY IN THE STRICTEST SENSE OF THE WORD. |
| 787 | 01:11:30,754 | 01:11:33,823 | YOU'LL FEEL NOTHING. NONE OF YOUR INTERNAL MECHANISMS WILL BE CHANGED. | YOU'LL FEEL NOTHING. NONE OF YOUR INTERNAL MECHANISMS WILL BE CHANGED. |
| 788 | 01:11:33,857 | 01:11:36,693 | YOU'LL STILL BE SUBJECT TO THE PARAMETERS OF YOUR POSITRONIC BRAIN. | YOU'LL STILL BE SUBJECT TO THE PARAMETERS OF YOUR POSITRONIC BRAIN. |
| 789 | 01:11:36,726 | 01:11:38,762 | IS THAT CLEAR ? UNDERSTOOD. | IS THAT CLEAR ? UNDERSTOOD. |
| 790 | 01:11:38,795 | 01:11:40,830 | OKAY, GOOD. NOW, | OKAY, GOOD. NOW, |
| 791 | 01:11:40,864 | 01:11:46,870 | HAVE YOU GIVEN ANY THOUGHT WHATSOEVER AS TO WHAT AGE YOU'D LIKE TO BE ? | HAVE YOU GIVEN ANY THOUGHT WHATSOEVER AS TO WHAT AGE YOU'D LIKE TO BE ? |
| 792 | 01:11:46,903 | 01:11:49,739 | OFFICIALLY, I AM 62 YEARS OLD. | OFFICIALLY, I AM 62 YEARS OLD. |
| 793 | 01:11:51,441 | 01:11:53,710 | LET'S TAKE OFF 25 YEARS. WHAT DO YA SAY ? FIFTEEN. | LET'S TAKE OFF 25 YEARS. WHAT DO YA SAY ? FIFTEEN. |
| 794 | 01:11:53,743 | 01:11:55,779 | TWENTY. GOOD. PERFECT. | TWENTY. GOOD. PERFECT. |
| 795 | 01:11:58,948 | 01:12:02,586 | NOW, ANDREW, BELIEVE IT OR NOT, THE SECRET TO ALL THIS IS ACTUALLY... | NOW, ANDREW, BELIEVE IT OR NOT, THE SECRET TO ALL THIS IS ACTUALLY... |
| 796 | 01:12:02,619 | 01:12:04,754 | IMPERFECTION. IMPERFECTION ? | IMPERFECTION. IMPERFECTION ? |
| 797 | 01:12:04,788 | 01:12:07,391 | YEAH. THINGS LIKE... | YEAH. THINGS LIKE... |
| 798 | 01:12:07,424 | 01:12:10,860 | WRINKLES, UH, LESS-THAN-PERFECT TEETH, | WRINKLES, UH, LESS-THAN-PERFECT TEETH, |
| 799 | 01:12:10,894 | 01:12:13,630 | DETAILS LIKE FADING SCARS, LITTLE POCKMARK-- | DETAILS LIKE FADING SCARS, LITTLE POCKMARK-- |
| 800 | 01:12:13,663 | 01:12:16,500 | LOOK AT MY NOSE. SEE MY NOSE ? | LOOK AT MY NOSE. SEE MY NOSE ? |
| 801 | 01:12:16,533 | 01:12:18,802 | IT'S BULBOUS AND SLIGHTLY IRREGULAR ? IT IS. | IT'S BULBOUS AND SLIGHTLY IRREGULAR ? IT IS. |
| 802 | 01:12:18,835 | 01:12:22,639 | WELL, I'M THE ONLY ONE WHO'S GOT MY NOSE, AND THAT'S WHAT MAKES ME, ME. | WELL, I'M THE ONLY ONE WHO'S GOT MY NOSE, AND THAT'S WHAT MAKES ME, ME. |
| 803 | 01:12:22,672 | 01:12:25,509 | WE NEED TO INCORPORATE THESE FEATURES INTO YOUR DESIGN... | WE NEED TO INCORPORATE THESE FEATURES INTO YOUR DESIGN... |
| 804 | 01:12:25,542 | 01:12:27,777 | SO THAT YOU CAN BE THE ONLY ONE OF YOU. | SO THAT YOU CAN BE THE ONLY ONE OF YOU. |
| 805 | 01:12:27,811 | 01:12:31,581 | THAT'S WHAT MAKES US UNIQUE, IS THOSE IMPERFECTIONS. | THAT'S WHAT MAKES US UNIQUE, IS THOSE IMPERFECTIONS. |
| 806 | 01:12:31,615 | 01:12:34,083 | I SEE. LIKE THE SHAPE OF YOUR HEAD. | I SEE. LIKE THE SHAPE OF YOUR HEAD. |
| 807 | 01:12:36,453 | 01:12:39,623 | - WHAT ABOUT THE SHAPE OF MY HEAD ? - IT'S HUGE. | - WHAT ABOUT THE SHAPE OF MY HEAD ? - IT'S HUGE. |
| 808 | 01:12:40,824 | 01:12:43,527 | OH. | OH. |
| 809 | 01:12:44,961 | 01:12:47,931 | BUT LOVELY. | BUT LOVELY. |
| 810 | 01:12:47,964 | 01:12:50,400 | THANK YOU. | THANK YOU. |
| 811 | 01:12:58,908 | 01:13:00,877 | OH. | OH. |
| 812 | 01:13:02,846 | 01:13:04,848 | AH. OH. | AH. OH. |
| 813 | 01:13:07,851 | 01:13:11,621 | - [ Screams ] - [ Screams ] | - [ Screams ] - [ Screams ] |
| 814 | 01:13:11,655 | 01:13:15,559 | - WHAT HAPPENED ? WHAT'S GOING ON ? - [ Screams ] | - WHAT HAPPENED ? WHAT'S GOING ON ? - [ Screams ] |
| 815 | 01:13:15,592 | 01:13:18,862 | WHAT HAPPENED ? | WHAT HAPPENED ? |
| 816 | 01:13:18,895 | 01:13:21,565 | I SAW THE INNER ME. | I SAW THE INNER ME. |
| 817 | 01:13:48,892 | 01:13:50,894 | [ Whirring ] | [ Whirring ] |
| 818 | 01:13:50,927 | 01:13:52,896 | [ Beeping ] | [ Beeping ] |
| 819 | 01:14:01,605 | 01:14:03,907 | [ Sighing ] | [ Sighing ] |
| 820 | 01:14:10,947 | 01:14:13,917 | - IS IT READY ? - OKAY. | - IS IT READY ? - OKAY. |
| 821 | 01:14:19,889 | 01:14:21,991 | PLEASE, BE CAREFUL. DON'T DROP ME. | PLEASE, BE CAREFUL. DON'T DROP ME. |
| 822 | 01:14:22,025 | 01:14:23,993 | I'M BEING CAREFUL. OH, MY GOD ! [ Gasps ] | I'M BEING CAREFUL. OH, MY GOD ! [ Gasps ] |
| 823 | 01:14:24,027 | 01:14:26,896 | JUST RELAX, RELAX, RELAX. | JUST RELAX, RELAX, RELAX. |
| 824 | 01:14:26,930 | 01:14:29,198 | WHY DID YOU DO THAT ? THAT WASN'T VERY FUNNY. | WHY DID YOU DO THAT ? THAT WASN'T VERY FUNNY. |
| 825 | 01:14:29,232 | 01:14:31,535 | JUST KEEPIN' YA ON YOUR TOES. | JUST KEEPIN' YA ON YOUR TOES. |
| 826 | 01:14:31,568 | 01:14:34,571 | I DON'T HAVE ANY TOES. YOU DO NOW. | I DON'T HAVE ANY TOES. YOU DO NOW. |
| 827 | 01:14:36,573 | 01:14:39,909 | I DO. AND HANDS. | I DO. AND HANDS. |
| 828 | 01:14:39,943 | 01:14:42,712 | AND FINGERS. HOW DO I LOOK ? | AND FINGERS. HOW DO I LOOK ? |
| 829 | 01:14:42,746 | 01:14:44,948 | SEE FOR YOURSELF. | SEE FOR YOURSELF. |
| 830 | 01:15:17,346 | 01:15:19,549 | THANK YOU. | THANK YOU. |
| 831 | 01:15:35,031 | 01:15:38,034 | ** [ Piano ] | ** [ Piano ] |
| 832 | 01:15:52,148 | 01:15:55,351 | BEAUTIFUL. [ Gasps, Screams ] | BEAUTIFUL. [ Gasps, Screams ] |
| 833 | 01:15:55,384 | 01:15:58,287 | SORRY. WHO ARE YOU ? | SORRY. WHO ARE YOU ? |
| 834 | 01:15:58,321 | 01:16:00,089 | ANDREW. | ANDREW. |
| 835 | 01:16:00,123 | 01:16:02,626 | ANDREW ? | ANDREW ? |
| 836 | 01:16:02,659 | 01:16:06,630 | YOU LOOK WONDERFUL, EVEN YOUNGER. | YOU LOOK WONDERFUL, EVEN YOUNGER. |
| 837 | 01:16:06,663 | 01:16:09,899 | HOW DO YOU DO THAT ? DO-DO I KNOW YOU ? | HOW DO YOU DO THAT ? DO-DO I KNOW YOU ? |
| 838 | 01:16:09,933 | 01:16:12,702 | WELL, I KNOW I LOOK DIFFERENT TOO. | WELL, I KNOW I LOOK DIFFERENT TOO. |
| 839 | 01:16:12,736 | 01:16:14,704 | I'VE HAD AN UPGRADE. TOUCH IT. WHAT ? | I'VE HAD AN UPGRADE. TOUCH IT. WHAT ? |
| 840 | 01:16:14,738 | 01:16:18,007 | - NO, OH, NO ! NO. - SORRY, THE FACE. | - NO, OH, NO ! NO. - SORRY, THE FACE. |
| 841 | 01:16:18,041 | 01:16:20,810 | WHAT'S GOING ON ? | WHAT'S GOING ON ? |
| 842 | 01:16:20,844 | 01:16:23,112 | YOU LEAVE HER ALONE ! | YOU LEAVE HER ALONE ! |
| 843 | 01:16:24,848 | 01:16:27,817 | WHO ARE YOU ? ANDREW. | WHO ARE YOU ? ANDREW. |
| 844 | 01:16:27,851 | 01:16:29,819 | NO. ANDREW ? | NO. ANDREW ? |
| 845 | 01:16:29,853 | 01:16:31,755 | YES. BUT ANDREW'S A ROBOT. | YES. BUT ANDREW'S A ROBOT. |
| 846 | 01:16:31,788 | 01:16:35,992 | - YES, I AM. WELL, NOW, AN ANDROID. - HE'S HAD AN UPGRADE. | - YES, I AM. WELL, NOW, AN ANDROID. - HE'S HAD AN UPGRADE. |
| 847 | 01:16:36,025 | 01:16:38,895 | I KNOW THAT. [ Eyelids Squeaking ] | I KNOW THAT. [ Eyelids Squeaking ] |
| 848 | 01:16:38,928 | 01:16:41,831 | OH ! HELLO. | OH ! HELLO. |
| 849 | 01:16:41,865 | 01:16:45,635 | [ Gasps ] HELLO ! IT IS YOU. | [ Gasps ] HELLO ! IT IS YOU. |
| 850 | 01:16:49,706 | 01:16:51,841 | YOU KNOW HIM ? YES. | YOU KNOW HIM ? YES. |
| 851 | 01:16:51,875 | 01:16:53,142 | YOU KNOW ME ? YES. | YOU KNOW ME ? YES. |
| 852 | 01:16:53,176 | 01:16:55,078 | WHO ARE YOU ? NO ? I'M LITTLE MISS. YES. | WHO ARE YOU ? NO ? I'M LITTLE MISS. YES. |
| 853 | 01:16:55,111 | 01:16:57,681 | THAT'S LITTLE MISS. NO. | THAT'S LITTLE MISS. NO. |
| 854 | 01:16:57,714 | 01:16:59,182 | NO ? NO ? NO. | NO ? NO ? NO. |
| 855 | 01:16:59,215 | 01:17:02,686 | NO, THAT'S PORTIA. PORTIA ? YES. | NO, THAT'S PORTIA. PORTIA ? YES. |
| 856 | 01:17:02,719 | 01:17:04,721 | PORTIA ? YES. | PORTIA ? YES. |
| 857 | 01:17:05,889 | 01:17:08,157 | WHO'S PORTIA ? MY GRANDDAUGHTER. | WHO'S PORTIA ? MY GRANDDAUGHTER. |
| 858 | 01:17:08,191 | 01:17:11,127 | YOUR GRANDDAUGHTER ? YES. YES. | YOUR GRANDDAUGHTER ? YES. YES. |
| 859 | 01:17:11,160 | 01:17:13,096 | IS THIS SOME KIND OF TRICK ? NO. | IS THIS SOME KIND OF TRICK ? NO. |
| 860 | 01:17:13,129 | 01:17:15,865 | YOU'RE LITTLE MISS ? YES. | YOU'RE LITTLE MISS ? YES. |
| 861 | 01:17:15,899 | 01:17:18,101 | WHY DO YOU HAVE TO LOOK LIKE HER ? | WHY DO YOU HAVE TO LOOK LIKE HER ? |
| 862 | 01:17:18,134 | 01:17:22,371 | THERE IS AND CAN BE ONLY ONE LITTLE MISS. REALLY ? | THERE IS AND CAN BE ONLY ONE LITTLE MISS. REALLY ? |
| 863 | 01:17:22,405 | 01:17:26,209 | YES ! IT'S A GENETIC RESEMBLANCE. SOMETIMES IT SKIPS A GENERATION. | YES ! IT'S A GENETIC RESEMBLANCE. SOMETIMES IT SKIPS A GENERATION. |
| 864 | 01:17:26,242 | 01:17:29,212 | I DON'T CARE. I DON'T LIKE IT. I CAN SEE THAT. | I DON'T CARE. I DON'T LIKE IT. I CAN SEE THAT. |
| 865 | 01:17:29,245 | 01:17:32,215 | BUT IF YOU TOOK A MOMENT, WHICH I SEE YOU'RE NOT INCLINED TO DO RIGHT NOW, | BUT IF YOU TOOK A MOMENT, WHICH I SEE YOU'RE NOT INCLINED TO DO RIGHT NOW, |
| 866 | 01:17:32,248 | 01:17:35,752 | YOU'D REALIZE PORTIA AND I ARE VERY DIFFERENT PEOPLE. | YOU'D REALIZE PORTIA AND I ARE VERY DIFFERENT PEOPLE. |
| 867 | 01:17:37,854 | 01:17:40,790 | WHY IS SHE IMITATING YOU ? [ Laughing ] | WHY IS SHE IMITATING YOU ? [ Laughing ] |
| 868 | 01:17:40,824 | 01:17:43,226 | WHAT'S SO FUNNY ? YOU ARE. | WHAT'S SO FUNNY ? YOU ARE. |
| 869 | 01:17:43,259 | 01:17:45,829 | I'M NOT TRYING TO BE FUNNY. | I'M NOT TRYING TO BE FUNNY. |
| 870 | 01:17:45,862 | 01:17:49,132 | THINGS HAVE CERTAINLY CHANGED AROUND HERE. | THINGS HAVE CERTAINLY CHANGED AROUND HERE. |
| 871 | 01:17:50,166 | 01:17:53,136 | THAT HAPPENS AFTER 20 YEARS. | THAT HAPPENS AFTER 20 YEARS. |
| 872 | 01:17:54,938 | 01:17:58,808 | I HAVE SO MUCH TO TELL YOU. COME. COME WITH ME. | I HAVE SO MUCH TO TELL YOU. COME. COME WITH ME. |
| 873 | 01:18:01,477 | 01:18:03,947 | IT I YOU. | IT I YOU. |
| 874 | 01:18:03,980 | 01:18:06,115 | YES. | YES. |
| 875 | 01:18:06,149 | 01:18:08,151 | [ Andrew ] PORTIA. | [ Andrew ] PORTIA. |
| 876 | 01:18:11,788 | 01:18:14,123 | HELLO, MY FRIEND. HELLO, LITTLE MISS. | HELLO, MY FRIEND. HELLO, LITTLE MISS. |
| 877 | 01:18:16,292 | 01:18:18,261 | WHOSE DAUGHTER IS SHE ? | WHOSE DAUGHTER IS SHE ? |
| 878 | 01:18:18,294 | 01:18:21,064 | LLOYD'S. OH. NOW THE RUDENESS MAKES SENSE. | LLOYD'S. OH. NOW THE RUDENESS MAKES SENSE. |
| 879 | 01:18:24,200 | 01:18:27,971 | [ Dog Barking ] | [ Dog Barking ] |
| 880 | 01:18:33,810 | 01:18:36,179 | [ Whimpering ] | [ Whimpering ] |
| 881 | 01:18:42,218 | 01:18:45,521 | GO. GO HOME TO YOUR MASTER. | GO. GO HOME TO YOUR MASTER. |
| 882 | 01:18:45,554 | 01:18:47,490 | [ Barks ] | [ Barks ] |
| 883 | 01:18:47,523 | 01:18:50,159 | YOU DON'T HAVE A HOME, DO YOU ? | YOU DON'T HAVE A HOME, DO YOU ? |
| 884 | 01:18:52,328 | 01:18:54,898 | I DON'T HAVE FOOD. I DON'T EAT. | I DON'T HAVE FOOD. I DON'T EAT. |
| 885 | 01:19:00,036 | 01:19:03,006 | COME IN. WE'LL KEEP EACH OTHER COMPANY. | COME IN. WE'LL KEEP EACH OTHER COMPANY. |
| 886 | 01:19:27,230 | 01:19:32,201 | I KNOW YOU DON'T LIKE ME. WELL, I DON'T LIKE YOU EITHER. I JUST WANNA MAKE THAT CLEAR. | I KNOW YOU DON'T LIKE ME. WELL, I DON'T LIKE YOU EITHER. I JUST WANNA MAKE THAT CLEAR. |
| 887 | 01:19:32,235 | 01:19:35,571 | IT COULDN'T BE MORE CLEAR IF YOU SPAT IN MY FACE. I CAN'T. | IT COULDN'T BE MORE CLEAR IF YOU SPAT IN MY FACE. I CAN'T. |
| 888 | 01:19:35,604 | 01:19:38,507 | I DON'T HAVE A MUCOUS GLAND. | I DON'T HAVE A MUCOUS GLAND. |
| 889 | 01:19:47,383 | 01:19:50,186 | WOULD IT BE POSSIBLE TO HAVE A SLIGHTLY LONGER CONVERSATION ? | WOULD IT BE POSSIBLE TO HAVE A SLIGHTLY LONGER CONVERSATION ? |
| 890 | 01:19:55,959 | 01:19:58,294 | MAY MY CANINE COMPANION ENTER ALSO ? | MAY MY CANINE COMPANION ENTER ALSO ? |
| 891 | 01:20:02,365 | 01:20:04,533 | THANK YOU. | THANK YOU. |
| 892 | 01:20:18,647 | 01:20:21,250 | IS THIS YOUR SCULPTURE ? | IS THIS YOUR SCULPTURE ? |
| 893 | 01:20:22,618 | 01:20:26,255 | NO, I'M RESTORING IT. I'M A PRESERVATION ARCHITECT. | NO, I'M RESTORING IT. I'M A PRESERVATION ARCHITECT. |
| 894 | 01:20:26,289 | 01:20:28,925 | IT'S QUITE HORRENDOUS. | IT'S QUITE HORRENDOUS. |
| 895 | 01:20:30,093 | 01:20:32,395 | HOW UGLY WAS IT BEFORE YOU RESTORED IT ? | HOW UGLY WAS IT BEFORE YOU RESTORED IT ? |
| 896 | 01:20:32,428 | 01:20:37,400 | - LISTEN. FIRST, YOU GET MAD AT ME BECAUSE OF HOW I LOOK. - MM-HMM. | - LISTEN. FIRST, YOU GET MAD AT ME BECAUSE OF HOW I LOOK. - MM-HMM. |
| 897 | 01:20:37,433 | 01:20:41,637 | TONIGHT YOU SHOW UP AT MY DOOR, ANNOUNCE THAT YOU DON'T LIKE ME, AND THEN YOU CRITICIZE MY WORK. | TONIGHT YOU SHOW UP AT MY DOOR, ANNOUNCE THAT YOU DON'T LIKE ME, AND THEN YOU CRITICIZE MY WORK. |
| 898 | 01:20:41,670 | 01:20:44,974 | ONCE AGAIN, I APOLOGIZE FOR TELLING THE TRUTH. | ONCE AGAIN, I APOLOGIZE FOR TELLING THE TRUTH. |
| 899 | 01:20:45,008 | 01:20:49,245 | BUT IT CAN'T BE HELPED. IT'S MY PROGRAMMING. | BUT IT CAN'T BE HELPED. IT'S MY PROGRAMMING. |
| 900 | 01:20:49,278 | 01:20:52,115 | WHAT IS IT EXACTLY THAT YOU WANT ? | WHAT IS IT EXACTLY THAT YOU WANT ? |
| 901 | 01:20:52,148 | 01:20:55,418 | FAMILY. | FAMILY. |
| 902 | 01:20:55,451 | 01:20:57,420 | MY LAST NAME IS MARTIN, | MY LAST NAME IS MARTIN, |
| 903 | 01:20:57,453 | 01:21:00,289 | I AM SO NAMED BECAUSE YOUR GREAT-GRANDFATHER AND GRANDMOTHER... | I AM SO NAMED BECAUSE YOUR GREAT-GRANDFATHER AND GRANDMOTHER... |
| 904 | 01:21:00,323 | 01:21:03,426 | CONSIDERED ME TO BE A MEMBER OF YOUR FAMILY. | CONSIDERED ME TO BE A MEMBER OF YOUR FAMILY. |
| 905 | 01:21:03,459 | 01:21:07,363 | NOW, SIR IS DEAD. LITTLE MISS IS GETTING OLDER. | NOW, SIR IS DEAD. LITTLE MISS IS GETTING OLDER. |
| 906 | 01:21:07,396 | 01:21:10,366 | YOU DON'T LIKE ME, BUT AT LEAST YOU'LL TALK TO ME IF I KNOCK ON YOUR DOOR LONG ENOUGH. | YOU DON'T LIKE ME, BUT AT LEAST YOU'LL TALK TO ME IF I KNOCK ON YOUR DOOR LONG ENOUGH. |
| 907 | 01:21:10,399 | 01:21:13,002 | IS THAT A JOKE ? NO. | IS THAT A JOKE ? NO. |
| 908 | 01:21:13,036 | 01:21:16,105 | WOULD YOU LIKE TO HEAR A JOKE ? THIS BUDDHIST WALKS UP TO A HOT DOG VENDOR AND SAYS, | WOULD YOU LIKE TO HEAR A JOKE ? THIS BUDDHIST WALKS UP TO A HOT DOG VENDOR AND SAYS, |
| 909 | 01:21:16,139 | 01:21:18,107 | "MAKE ME ONE WITH EVERYTHING." | "MAKE ME ONE WITH EVERYTHING." |
| 910 | 01:21:18,141 | 01:21:20,143 | [ Laughing ] | [ Laughing ] |
| 911 | 01:21:22,411 | 01:21:26,415 | ANDREW, DO YOU-- DO YOU HAVE ANY FRIENDS AT ALL ? NO. | ANDREW, DO YOU-- DO YOU HAVE ANY FRIENDS AT ALL ? NO. |
| 912 | 01:21:26,449 | 01:21:32,188 | ONLY WOOFY, WHO'S VERY SWEET, BUT NOT VERY CHALLENGING ON A CONVERSATIONAL LEVEL. | ONLY WOOFY, WHO'S VERY SWEET, BUT NOT VERY CHALLENGING ON A CONVERSATIONAL LEVEL. |
| 913 | 01:21:32,221 | 01:21:35,458 | THAT IS THE EXTENT OF HIS SKILLS. | THAT IS THE EXTENT OF HIS SKILLS. |
| 914 | 01:21:35,491 | 01:21:38,427 | SO YOU WANT SOMEONE TO TALK TO ? WITH. | SO YOU WANT SOMEONE TO TALK TO ? WITH. |
| 915 | 01:21:38,461 | 01:21:42,431 | EVEN IF THAT PERSON DOESN'T LIKE YOU ? YOU CAN'T HAVE EVERYTHING. | EVEN IF THAT PERSON DOESN'T LIKE YOU ? YOU CAN'T HAVE EVERYTHING. |
| 916 | 01:21:42,465 | 01:21:47,336 | IS THAT RIGHT ? IS IT, "YOU CAN HAVE EVERYTHING" ? SEEMS LIKE SOME PEOPLE DO, | IS THAT RIGHT ? IS IT, "YOU CAN HAVE EVERYTHING" ? SEEMS LIKE SOME PEOPLE DO, |
| 917 | 01:21:47,370 | 01:21:50,006 | SO I'M SOMEWHAT CONFUSED ON THAT LEVEL. | SO I'M SOMEWHAT CONFUSED ON THAT LEVEL. |
| 918 | 01:21:53,376 | 01:21:56,345 | SIT DOWN. LET'S TALK. THANK YOU. | SIT DOWN. LET'S TALK. THANK YOU. |
| 919 | 01:21:56,379 | 01:21:58,347 | MM-HMM. | MM-HMM. |
| 920 | 01:22:04,187 | 01:22:08,691 | HEY THERE, HANDSOME. ANDREW, COULD I GET YOU ANYTHING TO DRINK ? | HEY THERE, HANDSOME. ANDREW, COULD I GET YOU ANYTHING TO DRINK ? |
| 921 | 01:22:08,724 | 01:22:13,362 | SORRY, I HAVE NO STOMACH. OH. COULD I GET SOMETHING FOR HIM ? | SORRY, I HAVE NO STOMACH. OH. COULD I GET SOMETHING FOR HIM ? |
| 922 | 01:22:13,396 | 01:22:16,365 | HE HAS A STOMACH. YES. DO YOU THINK HE'S HUNGRY ? | HE HAS A STOMACH. YES. DO YOU THINK HE'S HUNGRY ? |
| 923 | 01:22:16,399 | 01:22:19,202 | [ Continue Speaking, Indistinct ] | [ Continue Speaking, Indistinct ] |
| 924 | 01:22:34,150 | 01:22:36,352 | [ Woman Over P.A., Indistinct ] | [ Woman Over P.A., Indistinct ] |
| 925 | 01:22:51,600 | 01:22:53,402 | [ Chattering ] | [ Chattering ] |
| 926 | 01:22:58,274 | 01:23:01,544 | HOW IS SHE ? SHE'S SLEEPING. | HOW IS SHE ? SHE'S SLEEPING. |
| 927 | 01:23:01,577 | 01:23:03,546 | WHAT HAPPENED ? | WHAT HAPPENED ? |
| 928 | 01:23:03,579 | 01:23:06,349 | SHE HAD A STROKE. | SHE HAD A STROKE. |
| 929 | 01:23:22,565 | 01:23:24,733 | [ Door Closing ] | [ Door Closing ] |
| 930 | 01:23:38,547 | 01:23:43,386 | MM. THERE YOU ARE. | MM. THERE YOU ARE. |
| 931 | 01:23:44,587 | 01:23:47,356 | LITTLE MISS. | LITTLE MISS. |
| 932 | 01:24:04,607 | 01:24:06,775 | HMM. | HMM. |
| 933 | 01:24:20,389 | 01:24:24,059 | [ Exhaling ] | [ Exhaling ] |
| 934 | 01:24:39,608 | 01:24:42,178 | SHE'S GONE ? | SHE'S GONE ? |
| 935 | 01:24:55,258 | 01:24:58,361 | IT'S CRUEL THAT YOU CAN CRY AND I CANNOT. | IT'S CRUEL THAT YOU CAN CRY AND I CANNOT. |
| 936 | 01:24:58,394 | 01:25:03,566 | HERE IS A TERRIBLE PAIN I CANNOT EXPRESS. | HERE IS A TERRIBLE PAIN I CANNOT EXPRESS. |
| 937 | 01:25:06,302 | 01:25:11,374 | WILL EVERY HUMAN BEING THAT I CARE FOR... | WILL EVERY HUMAN BEING THAT I CARE FOR... |
| 938 | 01:25:11,407 | 01:25:15,578 | JUST... LEAVE ? | JUST... LEAVE ? |
| 939 | 01:25:20,316 | 01:25:22,885 | I'M AFRAID SO. | I'M AFRAID SO. |
| 940 | 01:25:26,222 | 01:25:28,224 | THAT WON'T DO. | THAT WON'T DO. |
| 941 | 01:25:33,396 | 01:25:37,700 | ANDREW, THIS IS REMARKABLY IMPRESSIVE. YOU DID THIS ALL BY YOURSELF ? | ANDREW, THIS IS REMARKABLY IMPRESSIVE. YOU DID THIS ALL BY YOURSELF ? |
| 942 | 01:25:37,733 | 01:25:41,870 | YES. I DOWNLOADED EVERY KNOWN MEDICAL TEXTBOOK INTO MY MEMORY. | YES. I DOWNLOADED EVERY KNOWN MEDICAL TEXTBOOK INTO MY MEMORY. |
| 943 | 01:25:41,904 | 01:25:46,575 | I STUDIED THEM. THAT'S HOW I CAME UP WITH THESE DRAWINGS. | I STUDIED THEM. THAT'S HOW I CAME UP WITH THESE DRAWINGS. |
| 944 | 01:25:46,609 | 01:25:49,212 | I KNOW THEY'RE VERY PRIMITIVE AND NOT ENTIRELY COMPLETE, | I KNOW THEY'RE VERY PRIMITIVE AND NOT ENTIRELY COMPLETE, |
| 945 | 01:25:49,245 | 01:25:52,715 | BUT THAT'S WHY I NEED YOU TO FILL IN THE MECHANICAL GAPS, RUPERT. | BUT THAT'S WHY I NEED YOU TO FILL IN THE MECHANICAL GAPS, RUPERT. |
| 946 | 01:25:52,748 | 01:25:54,717 | THIS IS ANOTHER UPGRADE. | THIS IS ANOTHER UPGRADE. |
| 947 | 01:25:54,750 | 01:25:57,686 | IT'S CONSIDERABLY MORE THAN AN UPGRADE. I MEAN, YOU'RE-- | IT'S CONSIDERABLY MORE THAN AN UPGRADE. I MEAN, YOU'RE-- |
| 948 | 01:25:57,720 | 01:26:01,724 | YOU'RE TALKING ABOUT A PROFOUND TRANSITION... | YOU'RE TALKING ABOUT A PROFOUND TRANSITION... |
| 949 | 01:26:01,757 | 01:26:04,627 | FROM THE MECHANICAL TO THE BIOLOGICAL. | FROM THE MECHANICAL TO THE BIOLOGICAL. |
| 950 | 01:26:04,660 | 01:26:08,597 | I REALIZE THAT, AND I BELIEVE IT IS THE IDEAL MARRIAGE OF BOTH FIELDS. | I REALIZE THAT, AND I BELIEVE IT IS THE IDEAL MARRIAGE OF BOTH FIELDS. |
| 951 | 01:26:08,631 | 01:26:11,767 | NOT ONLY THAT, BUT THIS STUFF COULD CUT BOTH WAYS. | NOT ONLY THAT, BUT THIS STUFF COULD CUT BOTH WAYS. |
| 952 | 01:26:11,800 | 01:26:15,604 | I DON'T THINK THAT ANY EXISTING PROSTHETIC DEVICES OR ARTIFICIAL ORGANS... | I DON'T THINK THAT ANY EXISTING PROSTHETIC DEVICES OR ARTIFICIAL ORGANS... |
| 953 | 01:26:15,638 | 01:26:18,507 | HOLD A CANDLE TO WHAT YOU'VE DESIGNED HERE. | HOLD A CANDLE TO WHAT YOU'VE DESIGNED HERE. |
| 954 | 01:26:18,541 | 01:26:22,411 | YOU COULD USE THESE IN HUMAN BEINGS AS WELL. | YOU COULD USE THESE IN HUMAN BEINGS AS WELL. |
| 955 | 01:26:22,445 | 01:26:24,447 | EXACTLY. | EXACTLY. |
| 956 | 01:26:25,781 | 01:26:27,583 | WOW ! | WOW ! |
| 957 | 01:26:51,474 | 01:26:54,410 | ** [ Winding Down ] | ** [ Winding Down ] |
| 958 | 01:27:00,549 | 01:27:03,752 | WHAT A PIECE OF FECAL MATTER. SHIT. | WHAT A PIECE OF FECAL MATTER. SHIT. |
| 959 | 01:27:03,786 | 01:27:06,289 | EXCUSE ME ? WHAT A PIECE OF SHIT. | EXCUSE ME ? WHAT A PIECE OF SHIT. |
| 960 | 01:27:06,322 | 01:27:08,291 | I KNOW THAT. | I KNOW THAT. |
| 961 | 01:27:08,324 | 01:27:11,427 | NO, THAT'S WAY YOU SAY WHEN YOU'RE FRUSTRATED. YOU SAY "PIECE OF SHIT." | NO, THAT'S WAY YOU SAY WHEN YOU'RE FRUSTRATED. YOU SAY "PIECE OF SHIT." |
| 962 | 01:27:14,430 | 01:27:18,501 | - "PIECE OF SHIT" ? - YES, BUT-BUT WITH FEELING. | - "PIECE OF SHIT" ? - YES, BUT-BUT WITH FEELING. |
| 963 | 01:27:18,534 | 01:27:20,636 | OH. WHAT A PIECE OF SHIT. | OH. WHAT A PIECE OF SHIT. |
| 964 | 01:27:20,669 | 01:27:22,571 | MORE. WHAT A PIECE OF SHIT ! | MORE. WHAT A PIECE OF SHIT ! |
| 965 | 01:27:22,605 | 01:27:25,708 | GOOD, VERY GOOD. THANK YOU. | GOOD, VERY GOOD. THANK YOU. |
| 966 | 01:27:25,741 | 01:27:30,546 | NOW, ARE YOU AWARE THAT WHAT YOU'VE ESSENTIALLY DESIGNED HERE... | NOW, ARE YOU AWARE THAT WHAT YOU'VE ESSENTIALLY DESIGNED HERE... |
| 967 | 01:27:30,579 | 01:27:32,681 | IS THE EQUIVALENT OF THE HUMAN CENTRAL NERVOUS SYSTEM ? | IS THE EQUIVALENT OF THE HUMAN CENTRAL NERVOUS SYSTEM ? |
| 968 | 01:27:32,715 | 01:27:35,684 | THAT WAS MY INTENTION, YES. OKAY. | THAT WAS MY INTENTION, YES. OKAY. |
| 969 | 01:27:35,718 | 01:27:40,656 | WELL, YOU GOTTA REALIZE THAT A NERVOUS SYSTEM IS GOING TO... | WELL, YOU GOTTA REALIZE THAT A NERVOUS SYSTEM IS GOING TO... |
| 970 | 01:27:40,689 | 01:27:45,428 | RADICALLY ENHANCE THE WAY THAT YOU FEEL AND PERCEIVE THE WORLD AROUND YOU. | RADICALLY ENHANCE THE WAY THAT YOU FEEL AND PERCEIVE THE WORLD AROUND YOU. |
| 971 | 01:27:45,461 | 01:27:49,565 | I'M NOT JUST TALKING ABOUT HOT AND COLD AND LITTLE TINY PINPRICKS. | I'M NOT JUST TALKING ABOUT HOT AND COLD AND LITTLE TINY PINPRICKS. |
| 972 | 01:27:49,598 | 01:27:51,600 | PUT IT THIS WAY: | PUT IT THIS WAY: |
| 973 | 01:27:53,569 | 01:27:56,572 | AS YOUR EXPERIENCE BECOMES VARIED, | AS YOUR EXPERIENCE BECOMES VARIED, |
| 974 | 01:27:56,605 | 01:28:00,709 | SO WILL THE FEELINGS, EMOTIONS, SENSATIONS... | SO WILL THE FEELINGS, EMOTIONS, SENSATIONS... |
| 975 | 01:28:00,743 | 01:28:03,078 | STIMULATED BY THAT EXPERIENCE. | STIMULATED BY THAT EXPERIENCE. |
| 976 | 01:28:03,111 | 01:28:07,516 | AND WHILE SOME OF THESE WILL BE VERY SUBTLE... | AND WHILE SOME OF THESE WILL BE VERY SUBTLE... |
| 977 | 01:28:07,550 | 01:28:11,354 | AND WONDERFUL AND NUANCED AND SHADED, | AND WONDERFUL AND NUANCED AND SHADED, |
| 978 | 01:28:11,387 | 01:28:16,492 | OTHERS WILL BE PROFOUNDLY INTENSE AND DIFFICULT TO TOLERATE. | OTHERS WILL BE PROFOUNDLY INTENSE AND DIFFICULT TO TOLERATE. |
| 979 | 01:28:18,861 | 01:28:21,564 | DO YOU FEEL LIKE YOU'RE READY FOR THAT ? | DO YOU FEEL LIKE YOU'RE READY FOR THAT ? |
| 980 | 01:28:30,873 | 01:28:33,041 | ABSOLUTELY. | ABSOLUTELY. |
| 981 | 01:28:41,417 | 01:28:43,886 | LOVELY. THANK YOU. | LOVELY. THANK YOU. |
| 982 | 01:28:43,919 | 01:28:46,422 | I WAS REFERRING TO THE STATUE. | I WAS REFERRING TO THE STATUE. |
| 983 | 01:28:46,455 | 01:28:48,657 | I KNOW. | I KNOW. |
| 984 | 01:28:50,926 | 01:28:52,895 | COULD YOU FIX THIS PIECE OF SHIT ? | COULD YOU FIX THIS PIECE OF SHIT ? |
| 985 | 01:28:52,928 | 01:28:56,532 | [ Laughing ] I DON'T KNOW. LET ME TAKE A LOOK. | [ Laughing ] I DON'T KNOW. LET ME TAKE A LOOK. |
| 986 | 01:29:07,676 | 01:29:12,347 | ANDREW, I'M SURE YOU COULD RESTORE THIS YOURSELF. YES, I COULD. | ANDREW, I'M SURE YOU COULD RESTORE THIS YOURSELF. YES, I COULD. |
| 987 | 01:29:14,116 | 01:29:16,084 | BUT YOU COULD DO IT MUCH BETTER. | BUT YOU COULD DO IT MUCH BETTER. |
| 988 | 01:29:19,855 | 01:29:21,924 | WELL, I'D BE HAPPY TO FIX IT FOR YOU. | WELL, I'D BE HAPPY TO FIX IT FOR YOU. |
| 989 | 01:29:21,957 | 01:29:25,494 | IF IT'S NOT TOO MUCH EFFORT. NO, NOT AT ALL. | IF IT'S NOT TOO MUCH EFFORT. NO, NOT AT ALL. |
| 990 | 01:29:27,496 | 01:29:31,099 | I'VE BEEN WORKING ALL DAY, AND I COULD REALLY USE SOME AIR. DO YOU WANNA GO FOR A WALK ? | I'VE BEEN WORKING ALL DAY, AND I COULD REALLY USE SOME AIR. DO YOU WANNA GO FOR A WALK ? |
| 991 | 01:29:31,133 | 01:29:33,602 | OH, THAT WOULD BE QUITE SPLENDID. YES. | OH, THAT WOULD BE QUITE SPLENDID. YES. |
| 992 | 01:29:33,636 | 01:29:37,606 | [ Laughing ] WHY ARE YOU LAUGHING AT ME ? | [ Laughing ] WHY ARE YOU LAUGHING AT ME ? |
| 993 | 01:29:37,640 | 01:29:40,843 | YOU'RE JUST-- YOU'RE ALWAYS SO POLITE AND SO PROPER. | YOU'RE JUST-- YOU'RE ALWAYS SO POLITE AND SO PROPER. |
| 994 | 01:29:40,876 | 01:29:43,812 | IT'S VERY SWEET. THANK YOU. | IT'S VERY SWEET. THANK YOU. |
| 995 | 01:29:45,013 | 01:29:46,982 | LET'S GO. | LET'S GO. |
| 996 | 01:29:47,015 | 01:29:48,784 | THANK YOU. [ Chuckling ] | THANK YOU. [ Chuckling ] |
| 997 | 01:29:50,653 | 01:29:53,622 | * WHEN A MAN'S AN EMPTY KETTLE * | * WHEN A MAN'S AN EMPTY KETTLE * |
| 998 | 01:29:53,656 | 01:29:55,824 | * HE SHOULD BE ON HIS METTLE * | * HE SHOULD BE ON HIS METTLE * |
| 999 | 01:29:55,858 | 01:29:59,462 | * AND YET I'M TORN APART * | * AND YET I'M TORN APART * |
| 1000 | 01:29:59,495 | 01:30:03,966 | * IT'S BECAUSE I'M PRESUMIN' THAT I COULD BE KINDA HUMAN * | * IT'S BECAUSE I'M PRESUMIN' THAT I COULD BE KINDA HUMAN * |
| 1001 | 01:30:03,999 | 01:30:07,970 | * IF I ONLY HAD A HEART * | * IF I ONLY HAD A HEART * |
| 1002 | 01:30:08,003 | 01:30:11,840 | * PICTURE ME DO YOU HAVE AN IMPACT DRILL ? | * PICTURE ME DO YOU HAVE AN IMPACT DRILL ? |
| 1003 | 01:30:11,874 | 01:30:14,142 | UH, YEAH, OVER ON THE RACK. THANK YOU. | UH, YEAH, OVER ON THE RACK. THANK YOU. |
| 1004 | 01:30:14,176 | 01:30:18,013 | ** [ Continues Singing ] [ Drill Whirring ] | ** [ Continues Singing ] [ Drill Whirring ] |
| 1005 | 01:30:18,046 | 01:30:20,148 | JESUS ! [ Robot Screaming ] | JESUS ! [ Robot Screaming ] |
| 1006 | 01:30:21,850 | 01:30:23,986 | [ Portia ] THERE'S A PARTY NEXT WEEK... | [ Portia ] THERE'S A PARTY NEXT WEEK... |
| 1007 | 01:30:24,019 | 01:30:26,722 | TO CELEBRATE THE OPENING OF THE BUILDING THAT I RESTORED, | TO CELEBRATE THE OPENING OF THE BUILDING THAT I RESTORED, |
| 1008 | 01:30:26,755 | 01:30:28,957 | AND ALL MY FRIENDS WILL BE THERE, | AND ALL MY FRIENDS WILL BE THERE, |
| 1009 | 01:30:28,991 | 01:30:30,959 | AND IT WOULD BE GREAT IF YOU COULD COME. | AND IT WOULD BE GREAT IF YOU COULD COME. |
| 1010 | 01:30:30,993 | 01:30:33,762 | I WOULD LOVE TO. THANK YOU. | I WOULD LOVE TO. THANK YOU. |
| 1011 | 01:30:35,531 | 01:30:37,900 | I THINK YOU'RE LETTING ME WIN. | I THINK YOU'RE LETTING ME WIN. |
| 1012 | 01:30:45,774 | 01:30:48,644 | CHECKMATE. | CHECKMATE. |
| 1013 | 01:30:53,048 | 01:30:58,621 | [ Woman ] * I LOVE ALL | [ Woman ] * I LOVE ALL |
| 1014 | 01:30:58,654 | 01:31:02,190 | * THE MANY CHARMS | * THE MANY CHARMS |
| 1015 | 01:31:02,224 | 01:31:06,929 | * ABOUT YOU | * ABOUT YOU |
| 1016 | 01:31:06,962 | 01:31:09,798 | * ABOVE ALL | * ABOVE ALL |
| 1017 | 01:31:09,832 | 01:31:15,070 | * I WANT MY ARMS | * I WANT MY ARMS |
| 1018 | 01:31:15,103 | 01:31:18,006 | * ABOUT YOU | * ABOUT YOU |
| 1019 | 01:31:18,040 | 01:31:21,877 | * DON'T DON'T BE * | * DON'T DON'T BE * |
| 1020 | 01:31:21,910 | 01:31:26,615 | * A NAUGHTY, NAUGHTY BABY | * A NAUGHTY, NAUGHTY BABY |
| 1021 | 01:31:26,649 | 01:31:28,717 | * COME TO MAMA | * COME TO MAMA |
| 1022 | 01:31:28,751 | 01:31:33,055 | * COME TO MAMA, DO | * COME TO MAMA, DO |
| 1023 | 01:31:33,088 | 01:31:35,924 | * MY SWEET | * MY SWEET |
| 1024 | 01:31:35,958 | 01:31:41,597 | * EMBRACEABLE | * EMBRACEABLE |
| 1025 | 01:31:42,598 | 01:31:46,702 | * YOU * | * YOU * |
| 1026 | 01:31:52,007 | 01:31:56,311 | CHARLES, WHY DON'T YOU GO GET US A DRINK ? | CHARLES, WHY DON'T YOU GO GET US A DRINK ? |
| 1027 | 01:31:56,344 | 01:31:58,747 | SURE. | SURE. |
| 1028 | 01:31:58,781 | 01:32:02,951 | [ Applause ] THANK YOU. THANK YOU. | [ Applause ] THANK YOU. THANK YOU. |
| 1029 | 01:32:05,020 | 01:32:09,892 | * THE VERY THOUGHT OF YOU | * THE VERY THOUGHT OF YOU |
| 1030 | 01:32:12,695 | 01:32:17,700 | * AND I FORGET TO DO | * AND I FORGET TO DO |
| 1031 | 01:32:19,635 | 01:32:25,073 | * THE SIMPLE ORDINARY THINGS * | * THE SIMPLE ORDINARY THINGS * |
| 1032 | 01:32:25,107 | 01:32:31,279 | * THAT EVERYONE OUGHT TO DO * | * THAT EVERYONE OUGHT TO DO * |
| 1033 | 01:32:33,816 | 01:32:36,685 | * I'M LIVING IN | * I'M LIVING IN |
| 1034 | 01:32:36,719 | 01:32:41,023 | * A KIND OF DAYDREAM | * A KIND OF DAYDREAM |
| 1035 | 01:32:42,324 | 01:32:47,129 | * I'M HAPPY AS A KING | * I'M HAPPY AS A KING |
| 1036 | 01:32:47,162 | 01:32:50,799 | * AND FOOLISH | * AND FOOLISH |
| 1037 | 01:32:50,833 | 01:32:54,336 | * THOUGH IT MAY SEEM | * THOUGH IT MAY SEEM |
| 1038 | 01:32:54,369 | 01:32:58,907 | * TO ME YOU'RE EVERYTHING | * TO ME YOU'RE EVERYTHING |
| 1039 | 01:33:00,075 | 01:33:03,979 | * THE MERE IDEA OF YOU | * THE MERE IDEA OF YOU |
| 1040 | 01:33:07,215 | 01:33:12,788 | * THOUGH I'M HERE FOR YOU | * THOUGH I'M HERE FOR YOU |
| 1041 | 01:33:13,856 | 01:33:16,992 | * YOU'LL NEVER KNOW | * YOU'LL NEVER KNOW |
| 1042 | 01:33:17,025 | 01:33:20,028 | * HOW SLOW THE MOMENTS GO * | * HOW SLOW THE MOMENTS GO * |
| 1043 | 01:33:20,062 | 01:33:25,701 | * 'TIL I'M NEAR YOU * | * 'TIL I'M NEAR YOU * |
| 1044 | 01:33:29,738 | 01:33:33,742 | I NEVER UNDERSTOOD THE PHRASE "PEARLS BEFORE SWANS." [ Laughing ] | I NEVER UNDERSTOOD THE PHRASE "PEARLS BEFORE SWANS." [ Laughing ] |
| 1045 | 01:33:33,776 | 01:33:35,744 | WHAT ? SWINE. | WHAT ? SWINE. |
| 1046 | 01:33:35,778 | 01:33:38,346 | OH ? THEN THE BALLET IS NOT SWINE LAKE ? | OH ? THEN THE BALLET IS NOT SWINE LAKE ? |
| 1047 | 01:33:38,380 | 01:33:41,684 | OH, GOD, NOBODY MAKES ME LAUGH LIKE YOU. | OH, GOD, NOBODY MAKES ME LAUGH LIKE YOU. |
| 1048 | 01:33:41,717 | 01:33:44,787 | LAUGHTER IS ESSENTIAL FOR A GOOD FRIENDSHIP. | LAUGHTER IS ESSENTIAL FOR A GOOD FRIENDSHIP. |
| 1049 | 01:33:44,820 | 01:33:46,789 | YES, IT IS. | YES, IT IS. |
| 1050 | 01:33:50,125 | 01:33:53,729 | SOMETIMES I GET THE FEELING THAT... | SOMETIMES I GET THE FEELING THAT... |
| 1051 | 01:33:54,797 | 01:33:58,033 | YOU FEEL A CERTAIN WAY ABOUT US... | YOU FEEL A CERTAIN WAY ABOUT US... |
| 1052 | 01:33:58,066 | 01:34:00,969 | AND... THAT YOU... | AND... THAT YOU... |
| 1053 | 01:34:01,003 | 01:34:02,938 | WISH OR-- | WISH OR-- |
| 1054 | 01:34:02,971 | 01:34:05,107 | [ Laughing ] WHAT ? | [ Laughing ] WHAT ? |
| 1055 | 01:34:05,140 | 01:34:09,077 | I DON'T KNOW. IT'S JUST A LITTLE-- | I DON'T KNOW. IT'S JUST A LITTLE-- |
| 1056 | 01:34:09,111 | 01:34:13,081 | HAVING THIS CONVERSATION WITH-- | HAVING THIS CONVERSATION WITH-- |
| 1057 | 01:34:13,115 | 01:34:15,951 | A ROBOT ? YES. | A ROBOT ? YES. |
| 1058 | 01:34:15,984 | 01:34:18,754 | I-I MEAN, A THING IS ITSELF, ANDREW. | I-I MEAN, A THING IS ITSELF, ANDREW. |
| 1059 | 01:34:18,787 | 01:34:21,824 | A TREE IS A TREE, WATER IS WATER. YOU... | A TREE IS A TREE, WATER IS WATER. YOU... |
| 1060 | 01:34:21,857 | 01:34:24,059 | ARE A MAGNIFICENT MACHINE. | ARE A MAGNIFICENT MACHINE. |
| 1061 | 01:34:24,092 | 01:34:28,096 | BUT NO MATTER HOW MUCH YOU CHANGE, THAT'S WHAT YOU'LL ALWAYS BE. | BUT NO MATTER HOW MUCH YOU CHANGE, THAT'S WHAT YOU'LL ALWAYS BE. |
| 1062 | 01:34:28,130 | 01:34:33,769 | NO, I CAN'T BELIEVE THAT, WILL NOT BELIEVE THAT. | NO, I CAN'T BELIEVE THAT, WILL NOT BELIEVE THAT. |
| 1063 | 01:34:33,802 | 01:34:36,204 | I REALIZE I'M NOT ENTIRELY HUMAN. | I REALIZE I'M NOT ENTIRELY HUMAN. |
| 1064 | 01:34:36,238 | 01:34:39,241 | THAT'S WHY PEOPLE DON'T ALWAYS LIKE OR UNDERSTAND ME. | THAT'S WHY PEOPLE DON'T ALWAYS LIKE OR UNDERSTAND ME. |
| 1065 | 01:34:39,274 | 01:34:41,243 | I LIKE YOU. YOU DO ? | I LIKE YOU. YOU DO ? |
| 1066 | 01:34:41,276 | 01:34:44,980 | I EVEN UNDERSTAND YOU... SOME OF THE TIME. | I EVEN UNDERSTAND YOU... SOME OF THE TIME. |
| 1067 | 01:34:45,013 | 01:34:47,249 | BUT I-- | BUT I-- |
| 1068 | 01:34:47,282 | 01:34:50,085 | I CAN'T INVEST MY EMOTIONS IN A MACHINE. | I CAN'T INVEST MY EMOTIONS IN A MACHINE. |
| 1069 | 01:34:55,323 | 01:34:57,793 | MUST BE A GENETIC TRAIT. | MUST BE A GENETIC TRAIT. |
| 1070 | 01:35:02,064 | 01:35:05,133 | THINGS CHANGE, PORTIA. | THINGS CHANGE, PORTIA. |
| 1071 | 01:35:05,167 | 01:35:07,135 | THINGS ALWAYS CHANGE. | THINGS ALWAYS CHANGE. |
| 1072 | 01:35:14,209 | 01:35:16,211 | SHE LAUGHED AT ME. | SHE LAUGHED AT ME. |
| 1073 | 01:35:16,244 | 01:35:20,248 | "A THING IS ITSELF, ANDREW. WATER IS WATER." [ Scoffs ] | "A THING IS ITSELF, ANDREW. WATER IS WATER." [ Scoffs ] |
| 1074 | 01:35:20,282 | 01:35:23,952 | WHAT ABOUT ICE ? WHAT ABOUT STEAM, HMM ? | WHAT ABOUT ICE ? WHAT ABOUT STEAM, HMM ? |
| 1075 | 01:35:23,986 | 01:35:26,789 | ANDY, YOU GOTTA CALM DOWN, OKAY ? | ANDY, YOU GOTTA CALM DOWN, OKAY ? |
| 1076 | 01:35:26,822 | 01:35:29,191 | DO YOU KNOW WHAT IT'S LIKE TO BE LAUGHED AT ? | DO YOU KNOW WHAT IT'S LIKE TO BE LAUGHED AT ? |
| 1077 | 01:35:29,224 | 01:35:33,228 | HUMILIATING. IT'S AN ABOMINATION. | HUMILIATING. IT'S AN ABOMINATION. |
| 1078 | 01:35:33,261 | 01:35:36,799 | LOOK AT ME. LOOK WHAT I'M DOING HERE. | LOOK AT ME. LOOK WHAT I'M DOING HERE. |
| 1079 | 01:35:36,832 | 01:35:38,801 | I AM TRYING TO MAKE SOMETHING OF MYSELF. | I AM TRYING TO MAKE SOMETHING OF MYSELF. |
| 1080 | 01:35:38,834 | 01:35:41,303 | I AM TRYING TO FULFILL MY DESTINY. DOES SHE NOTICE ? | I AM TRYING TO FULFILL MY DESTINY. DOES SHE NOTICE ? |
| 1081 | 01:35:41,336 | 01:35:43,305 | ANDREW ? YES ? | ANDREW ? YES ? |
| 1082 | 01:35:43,338 | 01:35:45,974 | I DON'T WANT YOU TO TAKE THIS PERSONALLY, BUT I HAVE TO WORK NOW. | I DON'T WANT YOU TO TAKE THIS PERSONALLY, BUT I HAVE TO WORK NOW. |
| 1083 | 01:35:46,008 | 01:35:47,943 | GOOD NIGHT. GOOD NI-- | GOOD NIGHT. GOOD NI-- |
| 1084 | 01:35:57,052 | 01:35:59,287 | WHERE'VE YOU BEEN ? I'VE BEEN TRYING TO CALL YOU. | WHERE'VE YOU BEEN ? I'VE BEEN TRYING TO CALL YOU. |
| 1085 | 01:35:59,321 | 01:36:02,224 | POKE ME IN THE EYE. POKE ME IN THE EYE, PORTIA. WHAT ? | POKE ME IN THE EYE. POKE ME IN THE EYE, PORTIA. WHAT ? |
| 1086 | 01:36:02,257 | 01:36:04,192 | YOU'RE CRAZY. POKE ME IN THE EYE ! | YOU'RE CRAZY. POKE ME IN THE EYE ! |
| 1087 | 01:36:04,226 | 01:36:07,529 | OW ! OW ! [ Laughing ] | OW ! OW ! [ Laughing ] |
| 1088 | 01:36:07,562 | 01:36:10,298 | THAT HURTS. OW. [ Laughs ] | THAT HURTS. OW. [ Laughs ] |
| 1089 | 01:36:10,332 | 01:36:13,001 | IT WORKS. WHAT THE HELL IS GOING ON ? | IT WORKS. WHAT THE HELL IS GOING ON ? |
| 1090 | 01:36:13,035 | 01:36:16,171 | IT'S MY NEURAL NET. I AM THE PROUD OWNER OF A CENTRAL NERVOUS SYSTEM. | IT'S MY NEURAL NET. I AM THE PROUD OWNER OF A CENTRAL NERVOUS SYSTEM. |
| 1091 | 01:36:16,204 | 01:36:18,573 | YOU CAN FEEL. OH, YES, VERY MUCH. | YOU CAN FEEL. OH, YES, VERY MUCH. |
| 1092 | 01:36:18,606 | 01:36:20,943 | WILL YOU DO SOMETHING FOR ME ? | WILL YOU DO SOMETHING FOR ME ? |
| 1093 | 01:36:20,976 | 01:36:23,545 | WILL YOU PERFORM AN EXPERIMENT JUST FOR THE SAKE OF SCIENCE ? ALL RIGHT. | WILL YOU PERFORM AN EXPERIMENT JUST FOR THE SAKE OF SCIENCE ? ALL RIGHT. |
| 1094 | 01:36:23,578 | 01:36:25,780 | KISS ME. | KISS ME. |
| 1095 | 01:36:27,149 | 01:36:30,118 | NO, NOT THERE. HERE. | NO, NOT THERE. HERE. |
| 1096 | 01:36:37,926 | 01:36:39,928 | THANK YOU. | THANK YOU. |
| 1097 | 01:36:39,962 | 01:36:42,865 | COULD YOU FEEL IT ? | COULD YOU FEEL IT ? |
| 1098 | 01:36:42,898 | 01:36:45,233 | IT'S WONDERFUL. | IT'S WONDERFUL. |
| 1099 | 01:36:45,267 | 01:36:48,070 | IT'S EVERYTHING THEY SAY IT IS. | IT'S EVERYTHING THEY SAY IT IS. |
| 1100 | 01:36:49,604 | 01:36:51,573 | AND YOU ? | AND YOU ? |
| 1101 | 01:36:57,579 | 01:37:00,082 | PORTIA, WHAT'S WRONG ? | PORTIA, WHAT'S WRONG ? |
| 1102 | 01:37:01,383 | 01:37:04,186 | CHARLES AND I ARE GETTING MARRIED. | CHARLES AND I ARE GETTING MARRIED. |
| 1103 | 01:37:11,426 | 01:37:13,395 | HE'S A LUCKY MAN. | HE'S A LUCKY MAN. |
| 1104 | 01:37:13,428 | 01:37:16,131 | CONGRATULATIONS TO THE BOTH OF YOU. | CONGRATULATIONS TO THE BOTH OF YOU. |
| 1105 | 01:37:16,164 | 01:37:18,300 | GODDAMN IT, ANDREW. | GODDAMN IT, ANDREW. |
| 1106 | 01:37:18,333 | 01:37:20,969 | IF YOU'RE GONNA SUCCEED AT THIS THING-- WHAT THING ? | IF YOU'RE GONNA SUCCEED AT THIS THING-- WHAT THING ? |
| 1107 | 01:37:21,003 | 01:37:25,173 | THIS THING YOU'RE TRYING TO DO-- YOU'VE GOT TO STOP BEING SO DAMN DEFERENTIAL. | THIS THING YOU'RE TRYING TO DO-- YOU'VE GOT TO STOP BEING SO DAMN DEFERENTIAL. |
| 1108 | 01:37:25,207 | 01:37:28,911 | I CAN'T HELP BEING DEFERENTIAL. IT'S BUILT IN. THEN CHANGE. | I CAN'T HELP BEING DEFERENTIAL. IT'S BUILT IN. THEN CHANGE. |
| 1109 | 01:37:28,944 | 01:37:31,279 | CHANGE ? I HAVE CHANGED. | CHANGE ? I HAVE CHANGED. |
| 1110 | 01:37:31,313 | 01:37:34,649 | I DON'T MEAN ON THE OUTSIDE. CHANGE ON THE INSIDE. | I DON'T MEAN ON THE OUTSIDE. CHANGE ON THE INSIDE. |
| 1111 | 01:37:34,682 | 01:37:36,651 | TAKE CHANCES, MAKE MISTAKES. MISTAKES ? | TAKE CHANCES, MAKE MISTAKES. MISTAKES ? |
| 1112 | 01:37:36,684 | 01:37:40,122 | YES ! SOMETIMES IT'S IMPORTANT NOT TO BE PERFECT, OKAY ? | YES ! SOMETIMES IT'S IMPORTANT NOT TO BE PERFECT, OKAY ? |
| 1113 | 01:37:40,155 | 01:37:42,390 | IT'S IMPORTANT TO DO THE WRONG THING. DO THE WRONG THING ? | IT'S IMPORTANT TO DO THE WRONG THING. DO THE WRONG THING ? |
| 1114 | 01:37:42,424 | 01:37:46,194 | YES ! WHY ? OH, I SEE-- TO LEARN FROM YOUR MISTAKES. | YES ! WHY ? OH, I SEE-- TO LEARN FROM YOUR MISTAKES. |
| 1115 | 01:37:46,228 | 01:37:48,663 | NO, TO MAKE THEM. | NO, TO MAKE THEM. |
| 1116 | 01:37:48,696 | 01:37:52,600 | TO FIND OUT WHAT'S REAL AND WHAT'S NOT. TO FIND OUT WHAT YOU FEEL. | TO FIND OUT WHAT'S REAL AND WHAT'S NOT. TO FIND OUT WHAT YOU FEEL. |
| 1117 | 01:37:52,634 | 01:37:55,403 | HUMAN BEINGS ARE TERRIBLE MESSES, ANDREW. | HUMAN BEINGS ARE TERRIBLE MESSES, ANDREW. |
| 1118 | 01:37:55,437 | 01:37:59,274 | I'LL GRANT YOU THAT. I SEE. | I'LL GRANT YOU THAT. I SEE. |
| 1119 | 01:37:59,307 | 01:38:03,311 | THIS IS WHAT IS KNOWN AS AN IRRATIONAL CONVERSATION, ISN'T IT ? | THIS IS WHAT IS KNOWN AS AN IRRATIONAL CONVERSATION, ISN'T IT ? |
| 1120 | 01:38:03,345 | 01:38:05,447 | NO, THIS IS A HUMAN CONVERSATION. | NO, THIS IS A HUMAN CONVERSATION. |
| 1121 | 01:38:05,480 | 01:38:09,217 | IT'S NOT ABOUT BEING RATIONAL. IT'S ABOUT FOLLOWING YOUR HEART. | IT'S NOT ABOUT BEING RATIONAL. IT'S ABOUT FOLLOWING YOUR HEART. |
| 1122 | 01:38:10,318 | 01:38:12,287 | AND THAT'S WHAT I SHOULD DO ? YES. | AND THAT'S WHAT I SHOULD DO ? YES. |
| 1123 | 01:38:12,320 | 01:38:14,656 | AND YOU HAVE A HEART, ANDREW. YOU DO. | AND YOU HAVE A HEART, ANDREW. YOU DO. |
| 1124 | 01:38:14,689 | 01:38:19,327 | I FEEL IT. I DON'T EVEN BELIEVE IT SOMETIMES, BUT I DO FEEL IT. | I FEEL IT. I DON'T EVEN BELIEVE IT SOMETIMES, BUT I DO FEEL IT. |
| 1125 | 01:38:21,496 | 01:38:24,099 | AND IN ORDER TO FOLLOW THAT HEART, | AND IN ORDER TO FOLLOW THAT HEART, |
| 1126 | 01:38:27,369 | 01:38:29,337 | ONE MUST DO THE WRONG THING. | ONE MUST DO THE WRONG THING. |
| 1127 | 01:38:29,371 | 01:38:31,373 | YES. | YES. |
| 1128 | 01:38:36,211 | 01:38:38,213 | THANK YOU. | THANK YOU. |
| 1129 | 01:39:12,380 | 01:39:17,152 | GALATEA, COULD YOU BE A LITTLE MORE CAREFUL ? THAT'S VERY DELICATE EQUIPMENT. | GALATEA, COULD YOU BE A LITTLE MORE CAREFUL ? THAT'S VERY DELICATE EQUIPMENT. |
| 1130 | 01:39:20,055 | 01:39:22,724 | - [ Shattering ] - SORRY. | - [ Shattering ] - SORRY. |
| 1131 | 01:39:22,757 | 01:39:27,362 | - WHAT ARE YOU DOING ? - NEAR AS I CAN TELL, YOUR BITCH WORK. | - WHAT ARE YOU DOING ? - NEAR AS I CAN TELL, YOUR BITCH WORK. |
| 1132 | 01:39:27,395 | 01:39:29,464 | MY WHA ? | MY WHA ? |
| 1133 | 01:39:29,497 | 01:39:32,434 | OH, YOU HEARD ME, AND I'M SICK OF IT ! | OH, YOU HEARD ME, AND I'M SICK OF IT ! |
| 1134 | 01:39:32,467 | 01:39:35,403 | ALL DAY LONG IT'S, "YES, RUPERT, SIR," "NO, RUPERT, SIR." | ALL DAY LONG IT'S, "YES, RUPERT, SIR," "NO, RUPERT, SIR." |
| 1135 | 01:39:35,437 | 01:39:38,273 | "WOULD YOU LIKE ANOTHER BEVERAGE, RUPERT, SIR ?" | "WOULD YOU LIKE ANOTHER BEVERAGE, RUPERT, SIR ?" |
| 1136 | 01:39:38,306 | 01:39:41,376 | AND IT CHAPS MY ASS ! | AND IT CHAPS MY ASS ! |
| 1137 | 01:39:41,409 | 01:39:43,445 | SO HERE'S A HELPFUL HINT FOR YOU: | SO HERE'S A HELPFUL HINT FOR YOU: |
| 1138 | 01:39:43,478 | 01:39:48,350 | [ Shouting ] SHUT UP, AND LET ME DO MY WORK ! | [ Shouting ] SHUT UP, AND LET ME DO MY WORK ! |
| 1139 | 01:39:56,258 | 01:39:58,393 | [ Clattering ] NO, NO. | [ Clattering ] NO, NO. |
| 1140 | 01:40:04,432 | 01:40:06,434 | I'M DONE. | I'M DONE. |
| 1141 | 01:40:12,340 | 01:40:14,742 | "CHAPS MY ASS" ? | "CHAPS MY ASS" ? |
| 1142 | 01:40:23,551 | 01:40:26,088 | GIVE ME BACK THE CHIP. WHERE'S THE CHIP ? I REPLACED IT. | GIVE ME BACK THE CHIP. WHERE'S THE CHIP ? I REPLACED IT. |
| 1143 | 01:40:26,121 | 01:40:30,425 | ANDREW, SHE'S UNCOOPERATIVE, SHE'S ABUSIVE, SHE'S CONFRONTATIONAL-- | ANDREW, SHE'S UNCOOPERATIVE, SHE'S ABUSIVE, SHE'S CONFRONTATIONAL-- |
| 1144 | 01:40:30,458 | 01:40:32,427 | AND A LOT MORE INTERESTING, DON'T YOU THINK ? | AND A LOT MORE INTERESTING, DON'T YOU THINK ? |
| 1145 | 01:40:32,460 | 01:40:35,363 | ARGUABLY, BUT WE'RE NOT GETTING ANY WORK DONE, ANDREW. | ARGUABLY, BUT WE'RE NOT GETTING ANY WORK DONE, ANDREW. |
| 1146 | 01:40:35,397 | 01:40:38,766 | PLEASE, PLEASE, GIVE ME THE OLD PERSONALITY CHIP BACK. | PLEASE, PLEASE, GIVE ME THE OLD PERSONALITY CHIP BACK. |
| 1147 | 01:40:40,168 | 01:40:43,105 | FINE. SHE CAN BE PERKY AGAIN. | FINE. SHE CAN BE PERKY AGAIN. |
| 1148 | 01:40:43,138 | 01:40:45,607 | PERKY ? SHE'S JUST A RO-- I DIDN'T MEAN IT THAT WAY. | PERKY ? SHE'S JUST A RO-- I DIDN'T MEAN IT THAT WAY. |
| 1149 | 01:40:45,640 | 01:40:50,378 | ANDREW ? ANDREW ! I REALLY DIDN'T MEAN THAT. | ANDREW ? ANDREW ! I REALLY DIDN'T MEAN THAT. |
| 1150 | 01:40:50,412 | 01:40:54,449 | WHAT'S THE MATTER WITH YOU TODAY ? ANDREW, WHERE YOU GOING ? | WHAT'S THE MATTER WITH YOU TODAY ? ANDREW, WHERE YOU GOING ? |
| 1151 | 01:40:54,482 | 01:40:58,553 | ** [ Classical ] | ** [ Classical ] |
| 1152 | 01:40:58,586 | 01:41:00,788 | [ Chattering ] | [ Chattering ] |
| 1153 | 01:41:02,657 | 01:41:05,227 | HEY, JAMIE, COME OVER HERE. I WANT YOU TO MEET CHARLES. | HEY, JAMIE, COME OVER HERE. I WANT YOU TO MEET CHARLES. |
| 1154 | 01:41:05,260 | 01:41:07,362 | CHARLES, MY AUNT JAMIE. HI, NICE TO MEET YOU. | CHARLES, MY AUNT JAMIE. HI, NICE TO MEET YOU. |
| 1155 | 01:41:07,395 | 01:41:09,364 | THIS IS RYAN. HEY, RYAN. | THIS IS RYAN. HEY, RYAN. |
| 1156 | 01:41:09,397 | 01:41:11,599 | THIS IS MICHAEL. | THIS IS MICHAEL. |
| 1157 | 01:41:11,633 | 01:41:13,801 | THE BOYS ARE GREAT. | THE BOYS ARE GREAT. |
| 1158 | 01:41:20,608 | 01:41:23,645 | [ Gasps ] RUPERT ! WHAT'S GOING ON ? | [ Gasps ] RUPERT ! WHAT'S GOING ON ? |
| 1159 | 01:41:23,678 | 01:41:27,549 | WHAT'S GOING ON ? PORTIA'S PARENTS ARE THROWING AN ENGAGEMENT PARTY... | WHAT'S GOING ON ? PORTIA'S PARENTS ARE THROWING AN ENGAGEMENT PARTY... |
| 1160 | 01:41:27,582 | 01:41:30,418 | THAT I WASN'T INVITED TO FOR OBVIOUS REASONS. YEAH. | THAT I WASN'T INVITED TO FOR OBVIOUS REASONS. YEAH. |
| 1161 | 01:41:30,452 | 01:41:32,654 | THERE HE IS. WHO ? | THERE HE IS. WHO ? |
| 1162 | 01:41:32,687 | 01:41:34,656 | THE PROSPECTIVE GROOM. WHERE ? | THE PROSPECTIVE GROOM. WHERE ? |
| 1163 | 01:41:34,689 | 01:41:39,627 | WHERE ? THE ONE IN THE PALE BLUE SUIT WITH THE BIG POINTY CHIN. | WHERE ? THE ONE IN THE PALE BLUE SUIT WITH THE BIG POINTY CHIN. |
| 1164 | 01:41:39,661 | 01:41:43,365 | HE'S GOT A POINTY CHIN ? POINTY CHIN ? YOU COULD PUT AN EYE OUT WITH THAT CHIN. | HE'S GOT A POINTY CHIN ? POINTY CHIN ? YOU COULD PUT AN EYE OUT WITH THAT CHIN. |
| 1165 | 01:41:43,398 | 01:41:46,568 | YEAH, THAT'S NOTHING COMPARED TO HIS TEETH. LOOK AT THAT. | YEAH, THAT'S NOTHING COMPARED TO HIS TEETH. LOOK AT THAT. |
| 1166 | 01:41:46,601 | 01:41:48,536 | I'M AMAZED HE'S OUT IN DAYLIGHT. | I'M AMAZED HE'S OUT IN DAYLIGHT. |
| 1167 | 01:41:48,570 | 01:41:51,239 | HE'S GOT FUNNY TEETH, HUH ? | HE'S GOT FUNNY TEETH, HUH ? |
| 1168 | 01:41:51,273 | 01:41:53,675 | YOU NEED TO UPGRADE YOUR EYES. | YOU NEED TO UPGRADE YOUR EYES. |
| 1169 | 01:41:53,708 | 01:41:56,711 | THAT SHOULDN'T STOP PORTIA. SHE CAN MARRY WHOEVER SHE LIKES. | THAT SHOULDN'T STOP PORTIA. SHE CAN MARRY WHOEVER SHE LIKES. |
| 1170 | 01:41:56,744 | 01:41:59,614 | IT'S JUST THAT ONE DAY SHE'S GONNA WAKE UP NEXT TO HIM AND REALIZE... | IT'S JUST THAT ONE DAY SHE'S GONNA WAKE UP NEXT TO HIM AND REALIZE... |
| 1171 | 01:41:59,647 | 01:42:04,619 | THAT SHE IS MARRIED TO A MAN WHOSE FACE CLOSELY RESEMBLES AN ANTIQUE CAN OPENER. | THAT SHE IS MARRIED TO A MAN WHOSE FACE CLOSELY RESEMBLES AN ANTIQUE CAN OPENER. |
| 1172 | 01:42:04,652 | 01:42:08,256 | YOU KNOW ? THE KIND THAT USED TO GO-- [ Clicking ] | YOU KNOW ? THE KIND THAT USED TO GO-- [ Clicking ] |
| 1173 | 01:42:08,290 | 01:42:10,692 | YOU KNOW ? THE ONES THAT MOVE AROUND AND CAN POPS OFF. | YOU KNOW ? THE ONES THAT MOVE AROUND AND CAN POPS OFF. |
| 1174 | 01:42:10,725 | 01:42:14,629 | YOU'RE JEALOUS. YOU ARE JEALOUS. NO, I'M NOT. NO, I'M NOT. | YOU'RE JEALOUS. YOU ARE JEALOUS. NO, I'M NOT. NO, I'M NOT. |
| 1175 | 01:42:14,662 | 01:42:19,734 | YOU ARE. OTHERWISE WHAT ARE YOU DOING SNEAKING AROUND HERE, SPYING ON PORTIA, HUH ? | YOU ARE. OTHERWISE WHAT ARE YOU DOING SNEAKING AROUND HERE, SPYING ON PORTIA, HUH ? |
| 1176 | 01:42:19,767 | 01:42:23,205 | MY GOD, I AM JEALOUS. | MY GOD, I AM JEALOUS. |
| 1177 | 01:42:23,238 | 01:42:25,573 | IF I'M JEALOUS, THAT MEANS I'M IN LOVE. | IF I'M JEALOUS, THAT MEANS I'M IN LOVE. |
| 1178 | 01:42:25,607 | 01:42:27,609 | HI ! OH, THANKS FOR COMING. | HI ! OH, THANKS FOR COMING. |
| 1179 | 01:42:27,642 | 01:42:31,413 | IF I'M IN LOVE, THEN ALL HOPE IS GONE. | IF I'M IN LOVE, THEN ALL HOPE IS GONE. |
| 1180 | 01:42:31,446 | 01:42:33,748 | I'VE LOST HER. | I'VE LOST HER. |
| 1181 | 01:42:33,781 | 01:42:35,883 | ANDREW. ANDREW ! | ANDREW. ANDREW ! |
| 1182 | 01:43:07,649 | 01:43:10,985 | ANDY, WOULD YOU LIKE A SIP OF MY BEER ? | ANDY, WOULD YOU LIKE A SIP OF MY BEER ? |
| 1183 | 01:43:11,018 | 01:43:14,589 | IT WOULD BE A WASTE. I COULD NOT TASTE IT. | IT WOULD BE A WASTE. I COULD NOT TASTE IT. |
| 1184 | 01:43:14,622 | 01:43:18,460 | WHAT IF YOU COULD ? IT WOULD BE EXQUISITE. | WHAT IF YOU COULD ? IT WOULD BE EXQUISITE. |
| 1185 | 01:43:22,364 | 01:43:26,501 | I'VE COME UP WITH A DESIGN-- A MODIFICATION, RATHER-- | I'VE COME UP WITH A DESIGN-- A MODIFICATION, RATHER-- |
| 1186 | 01:43:26,534 | 01:43:29,304 | THAT, IF I'M CORRECT, | THAT, IF I'M CORRECT, |
| 1187 | 01:43:29,337 | 01:43:31,606 | WOULD ENABLE YOU TO DEAL WITH SOLID FOODS AND LIQUIDS. | WOULD ENABLE YOU TO DEAL WITH SOLID FOODS AND LIQUIDS. |
| 1188 | 01:43:32,807 | 01:43:35,410 | AND TASTE ? TASTE TOO. | AND TASTE ? TASTE TOO. |
| 1189 | 01:43:37,512 | 01:43:40,482 | AND ALSO, [ Exhaling ] | AND ALSO, [ Exhaling ] |
| 1190 | 01:43:40,515 | 01:43:43,551 | IF MY SCHEMATICS ARE CORRECT, | IF MY SCHEMATICS ARE CORRECT, |
| 1191 | 01:43:43,585 | 01:43:46,020 | I THINK I'VE COME UP WITH A METHOD... | I THINK I'VE COME UP WITH A METHOD... |
| 1192 | 01:43:46,053 | 01:43:48,290 | TO MAKE YOU... | TO MAKE YOU... |
| 1193 | 01:43:48,323 | 01:43:50,292 | A COMPLETE MAN. | A COMPLETE MAN. |
| 1194 | 01:43:50,325 | 01:43:52,694 | COMPLETE ? | COMPLETE ? |
| 1195 | 01:43:52,727 | 01:43:54,696 | COMPLETE. | COMPLETE. |
| 1196 | 01:44:02,437 | 01:44:04,406 | COMPLETE ? | COMPLETE ? |
| 1197 | 01:44:04,439 | 01:44:07,309 | NOT IN A REPRODUCTIVE SENSE, OF COURSE, | NOT IN A REPRODUCTIVE SENSE, OF COURSE, |
| 1198 | 01:44:07,342 | 01:44:10,545 | BUT IN TERMS OF APPROXIMATING... | BUT IN TERMS OF APPROXIMATING... |
| 1199 | 01:44:10,578 | 01:44:14,716 | THE PHYSICAL SENSATION, | THE PHYSICAL SENSATION, |
| 1200 | 01:44:14,749 | 01:44:17,485 | YOU KNOW, THAT OCCURS-- | YOU KNOW, THAT OCCURS-- |
| 1201 | 01:44:17,519 | 01:44:19,721 | [ Stammering ] FRICTION-- | [ Stammering ] FRICTION-- |
| 1202 | 01:44:19,754 | 01:44:21,723 | SEXUAL RELATIONS. YEAH. | SEXUAL RELATIONS. YEAH. |
| 1203 | 01:44:24,091 | 01:44:27,362 | OH, I'VE ALWAYS BEEN FASCINATED BY THAT. | OH, I'VE ALWAYS BEEN FASCINATED BY THAT. |
| 1204 | 01:44:27,395 | 01:44:29,397 | WELL, I MEAN, CURIOUS... | WELL, I MEAN, CURIOUS... |
| 1205 | 01:44:31,366 | 01:44:33,401 | BECAUSE-- | BECAUSE-- |
| 1206 | 01:44:33,435 | 01:44:37,705 | WELL, BECAUSE OF WHAT THEY SAY. WHAT DO THEY SAY ? | WELL, BECAUSE OF WHAT THEY SAY. WHAT DO THEY SAY ? |
| 1207 | 01:44:40,442 | 01:44:43,578 | THAT YOU CAN LOSE YOURSELF-- | THAT YOU CAN LOSE YOURSELF-- |
| 1208 | 01:44:43,611 | 01:44:47,582 | EVERYTHING, ALL BOUNDARIES, ALL TIME-- | EVERYTHING, ALL BOUNDARIES, ALL TIME-- |
| 1209 | 01:44:49,751 | 01:44:53,388 | THE TWO BODIES CAN BECOME SO MIXED UP... | THE TWO BODIES CAN BECOME SO MIXED UP... |
| 1210 | 01:44:53,421 | 01:44:57,058 | THAT YOU DON'T KNOW WHO'S WHO OR WHAT'S WHAT. | THAT YOU DON'T KNOW WHO'S WHO OR WHAT'S WHAT. |
| 1211 | 01:44:57,091 | 01:45:01,596 | AND JUST WHEN THE SWEET CONFUSION IS SO INTENSE YOU THINK YOU'RE GONNA DIE, | AND JUST WHEN THE SWEET CONFUSION IS SO INTENSE YOU THINK YOU'RE GONNA DIE, |
| 1212 | 01:45:01,629 | 01:45:03,631 | YOU KIND OF DO, | YOU KIND OF DO, |
| 1213 | 01:45:03,665 | 01:45:05,867 | LEAVING YOU ALONE IN YOUR SEPARATE BODY. | LEAVING YOU ALONE IN YOUR SEPARATE BODY. |
| 1214 | 01:45:05,900 | 01:45:08,436 | BUT THE ONE YOU LOVE IS STILL THERE. | BUT THE ONE YOU LOVE IS STILL THERE. |
| 1215 | 01:45:09,737 | 01:45:11,739 | THAT'S A MIRACLE. | THAT'S A MIRACLE. |
| 1216 | 01:45:12,840 | 01:45:15,710 | YOU CAN GO TO HEAVEN AND COME BACK ALIVE. | YOU CAN GO TO HEAVEN AND COME BACK ALIVE. |
| 1217 | 01:45:18,513 | 01:45:22,116 | YOU CAN GO BACK ANYTIME YOU WANT-- | YOU CAN GO BACK ANYTIME YOU WANT-- |
| 1218 | 01:45:22,149 | 01:45:24,419 | WITH THE ONE YOU LOVE. | WITH THE ONE YOU LOVE. |
| 1219 | 01:45:26,921 | 01:45:30,057 | AND YOU WANT TO EXPERIENCE THAT ? OH, YES, PLEASE. | AND YOU WANT TO EXPERIENCE THAT ? OH, YES, PLEASE. |
| 1220 | 01:45:32,527 | 01:45:34,529 | SO DO I. | SO DO I. |
| 1221 | 01:46:01,923 | 01:46:04,091 | [ Chattering ] | [ Chattering ] |
| 1222 | 01:46:06,461 | 01:46:10,532 | WE'LL HAVE TO HIRE MORE PEOPLE. MAYBE TWO MORE WEEKS. | WE'LL HAVE TO HIRE MORE PEOPLE. MAYBE TWO MORE WEEKS. |
| 1223 | 01:46:10,565 | 01:46:12,834 | [ Whispers ] ANDREW. | [ Whispers ] ANDREW. |
| 1224 | 01:46:15,136 | 01:46:17,772 | EXCUSE ME. I'LL BE RIGHT BACK. SURE. | EXCUSE ME. I'LL BE RIGHT BACK. SURE. |
| 1225 | 01:46:22,844 | 01:46:25,913 | I DIDN'T EXPECT TO SEE YOU. [ Chuckles ] | I DIDN'T EXPECT TO SEE YOU. [ Chuckles ] |
| 1226 | 01:46:25,947 | 01:46:28,983 | I REMEMBER THIS PLACE VERY WELL. | I REMEMBER THIS PLACE VERY WELL. |
| 1227 | 01:46:29,016 | 01:46:31,519 | THIS IS WHERE YOUR GRANDMOTHER WAS MARRIED. | THIS IS WHERE YOUR GRANDMOTHER WAS MARRIED. |
| 1228 | 01:46:31,553 | 01:46:34,622 | YEAH, I WANTED IT READY FOR MY OWN WEDDING. | YEAH, I WANTED IT READY FOR MY OWN WEDDING. |
| 1229 | 01:46:34,656 | 01:46:36,558 | SO, YOU'RE NOT MARRIED YET ? | SO, YOU'RE NOT MARRIED YET ? |
| 1230 | 01:46:36,591 | 01:46:38,560 | NO, TWO WEEKS FROM SATURDAY. | NO, TWO WEEKS FROM SATURDAY. |
| 1231 | 01:46:38,593 | 01:46:40,728 | I'M NOT TOO LATE. | I'M NOT TOO LATE. |
| 1232 | 01:46:40,762 | 01:46:42,930 | ARE YOU ABSOLUTELY POSITIVE YOU'RE DOING THE RIGHT THING ? | ARE YOU ABSOLUTELY POSITIVE YOU'RE DOING THE RIGHT THING ? |
| 1233 | 01:46:42,964 | 01:46:45,800 | POSITIVE ? ABOUT GETTING MARRIED ? | POSITIVE ? ABOUT GETTING MARRIED ? |
| 1234 | 01:46:45,833 | 01:46:49,571 | I'M NEVER ABSOLUTELY POSITIVE. SO YOU COULD BE DOING THE WRONG THING. | I'M NEVER ABSOLUTELY POSITIVE. SO YOU COULD BE DOING THE WRONG THING. |
| 1235 | 01:46:49,604 | 01:46:51,873 | NO, I'M PRETTY SURE I'M DOING THE RIGHT THING. GREAT. | NO, I'M PRETTY SURE I'M DOING THE RIGHT THING. GREAT. |
| 1236 | 01:46:51,906 | 01:46:56,478 | WHY IS THAT GREAT ? IN YOUR APARTMENT, YOU TOLD ME TO DO THE WRONG THING. | WHY IS THAT GREAT ? IN YOUR APARTMENT, YOU TOLD ME TO DO THE WRONG THING. |
| 1237 | 01:46:56,511 | 01:46:58,946 | NOW, YOU ARE NOT DOING THE WRONG THING. YOU'RE DOING THE RIGHT THING. | NOW, YOU ARE NOT DOING THE WRONG THING. YOU'RE DOING THE RIGHT THING. |
| 1238 | 01:46:58,980 | 01:47:01,716 | IT'S SAFE TO SAY YOU'RE NOT FOLLOWING YOUR OWN ADVICE, 'CAUSE IF YOU WERE, | IT'S SAFE TO SAY YOU'RE NOT FOLLOWING YOUR OWN ADVICE, 'CAUSE IF YOU WERE, |
| 1239 | 01:47:01,749 | 01:47:03,651 | YOU WOULD DEFINITELY NOT BE MARRYING THIS MAN, CHARLES. | YOU WOULD DEFINITELY NOT BE MARRYING THIS MAN, CHARLES. |
| 1240 | 01:47:03,685 | 01:47:05,820 | BECAUSE I WOULD BE DOING THE RIGHT THING. PRECISELY. | BECAUSE I WOULD BE DOING THE RIGHT THING. PRECISELY. |
| 1241 | 01:47:07,955 | 01:47:10,992 | IN SOME STRANGE WAY, YOU'RE STARTING TO MAKE SENSE. | IN SOME STRANGE WAY, YOU'RE STARTING TO MAKE SENSE. |
| 1242 | 01:47:11,025 | 01:47:14,496 | GOOD. DO YOU HAVE ANY IDEA WHAT IT'S LIKE TO BE IN LOVE WITH SOMEONE... | GOOD. DO YOU HAVE ANY IDEA WHAT IT'S LIKE TO BE IN LOVE WITH SOMEONE... |
| 1243 | 01:47:14,529 | 01:47:17,532 | WHO'S ABOUT TO MARRY SOMEONE ELSE ? | WHO'S ABOUT TO MARRY SOMEONE ELSE ? |
| 1244 | 01:47:17,565 | 01:47:22,704 | SOMEONE TOTALLY MAGNIFICENT, SOMEONE WHO WALKS INTO A ROOM AND LIGHTS IT UP LIKE THE SUN ? | SOMEONE TOTALLY MAGNIFICENT, SOMEONE WHO WALKS INTO A ROOM AND LIGHTS IT UP LIKE THE SUN ? |
| 1245 | 01:47:22,737 | 01:47:26,541 | SOMEONE WHO YOU KNOW IS LYING TO HERSELF ? | SOMEONE WHO YOU KNOW IS LYING TO HERSELF ? |
| 1246 | 01:47:26,574 | 01:47:29,677 | LYING ? CONVINCINGLY, YEAH. VERY, VERY MUCH SO. | LYING ? CONVINCINGLY, YEAH. VERY, VERY MUCH SO. |
| 1247 | 01:47:29,711 | 01:47:32,714 | ABOUT WHAT ? THAT YOU DON'T LOVE ME, | ABOUT WHAT ? THAT YOU DON'T LOVE ME, |
| 1248 | 01:47:32,747 | 01:47:34,916 | WHEN I KNOW AT LEAST IN SOME WAY YOU DO. | WHEN I KNOW AT LEAST IN SOME WAY YOU DO. |
| 1249 | 01:47:36,984 | 01:47:39,020 | AND HOW DO YOU KNOW THAT ? PORTIA, | AND HOW DO YOU KNOW THAT ? PORTIA, |
| 1250 | 01:47:39,053 | 01:47:41,556 | I HAVE DONE EVERYTHING INSIDE AND OUT. | I HAVE DONE EVERYTHING INSIDE AND OUT. |
| 1251 | 01:47:41,589 | 01:47:44,892 | BUT THAT STUFF DOESN'T MATTER TO ME. WELL, SOMETHING MATTERS, | BUT THAT STUFF DOESN'T MATTER TO ME. WELL, SOMETHING MATTERS, |
| 1252 | 01:47:44,926 | 01:47:46,894 | 'CAUSE I'D HAVE TO BELIEVE IF NOTHING MATTERED, YOU'D LOVE ME... | 'CAUSE I'D HAVE TO BELIEVE IF NOTHING MATTERED, YOU'D LOVE ME... |
| 1253 | 01:47:46,928 | 01:47:50,264 | AND NOT SOME MAN WHOSE CHIN COULD SINK THE TITANIC. | AND NOT SOME MAN WHOSE CHIN COULD SINK THE TITANIC. |
| 1254 | 01:47:50,297 | 01:47:54,268 | [ Laughing ] WHAT ? SEE ? IT'S TRUE, ISN'T IT ? | [ Laughing ] WHAT ? SEE ? IT'S TRUE, ISN'T IT ? |
| 1255 | 01:47:54,301 | 01:47:59,574 | I'M SORRY. DOES HE LIGHT YOU UP LIKE THIS ? DOES HE MAKE YOU LAUGH ? | I'M SORRY. DOES HE LIGHT YOU UP LIKE THIS ? DOES HE MAKE YOU LAUGH ? |
| 1256 | 01:48:00,775 | 01:48:02,877 | NOBODY MAKES ME LAUGH LIKE THIS. | NOBODY MAKES ME LAUGH LIKE THIS. |
| 1257 | 01:48:02,910 | 01:48:05,880 | GOOD. THEN ADMIT IT. ADMIT THAT YOU LOVE ME. | GOOD. THEN ADMIT IT. ADMIT THAT YOU LOVE ME. |
| 1258 | 01:48:10,852 | 01:48:13,788 | GIVE ME ONE KISS. OH, GOD. | GIVE ME ONE KISS. OH, GOD. |
| 1259 | 01:48:13,821 | 01:48:16,558 | THAT'S ALL. ONE QUICK KISS. JUST ONE KISS... | THAT'S ALL. ONE QUICK KISS. JUST ONE KISS... |
| 1260 | 01:48:16,591 | 01:48:19,727 | COULD NOT JEOPARDIZE A GLORIOUS MARRIAGE. | COULD NOT JEOPARDIZE A GLORIOUS MARRIAGE. |
| 1261 | 01:48:19,761 | 01:48:24,632 | BESIDES, IT WOULD ALSO EXPLAIN TO ME WHY YOUR PULSE JUMPED FROM 66 TO 102 BEATS PER MINUTE. | BESIDES, IT WOULD ALSO EXPLAIN TO ME WHY YOUR PULSE JUMPED FROM 66 TO 102 BEATS PER MINUTE. |
| 1262 | 01:48:24,666 | 01:48:27,935 | YOUR RESPIRATION RATE HAS DOUBLED. YOU'RE PUTTING OUT CLOUDS OF PHEROMONES. | YOUR RESPIRATION RATE HAS DOUBLED. YOU'RE PUTTING OUT CLOUDS OF PHEROMONES. |
| 1263 | 01:48:27,969 | 01:48:31,305 | IT'S NOT FAIR TO READ ME LIKE THAT. I KNOW. LOVE ISN'T FAIR. | IT'S NOT FAIR TO READ ME LIKE THAT. I KNOW. LOVE ISN'T FAIR. |
| 1264 | 01:48:31,338 | 01:48:36,077 | I'M READING YOUR HEART. I'M ASKING YOU TO FOLLOW IT-- BEGGING YOU. | I'M READING YOUR HEART. I'M ASKING YOU TO FOLLOW IT-- BEGGING YOU. |
| 1265 | 01:48:36,110 | 01:48:40,281 | BEGGING IS SUPPOSED TO BE HUMILIATING. I DON'T CARE. | BEGGING IS SUPPOSED TO BE HUMILIATING. I DON'T CARE. |
| 1266 | 01:48:40,314 | 01:48:45,953 | I LOVE YOU, PORTIA. I LOVED YOU THE VERY FIRST MOMENT I SAW YOU. | I LOVE YOU, PORTIA. I LOVED YOU THE VERY FIRST MOMENT I SAW YOU. |
| 1267 | 01:48:57,965 | 01:49:00,635 | I THOUGHT YOU SAID A QUICK KISS. I LIED. | I THOUGHT YOU SAID A QUICK KISS. I LIED. |
| 1268 | 01:49:05,106 | 01:49:07,274 | [ Gasps ] | [ Gasps ] |
| 1269 | 01:49:29,196 | 01:49:31,599 | HOW DO YOU FEEL ? | HOW DO YOU FEEL ? |
| 1270 | 01:49:32,399 | 01:49:35,970 | WONDERFUL. SO DO I. | WONDERFUL. SO DO I. |
| 1271 | 01:49:36,003 | 01:49:38,572 | I GUESS THAT'S THE POINT. | I GUESS THAT'S THE POINT. |
| 1272 | 01:49:40,675 | 01:49:42,777 | [ Stomach Growling ] | [ Stomach Growling ] |
| 1273 | 01:49:44,411 | 01:49:47,982 | WHAT WAS THAT ? THAT'S YOUR STOMACH GROWLING. YOU'RE HUNGRY. | WHAT WAS THAT ? THAT'S YOUR STOMACH GROWLING. YOU'RE HUNGRY. |
| 1274 | 01:49:50,918 | 01:49:53,054 | [ Flatulence ] | [ Flatulence ] |
| 1275 | 01:49:54,121 | 01:49:56,090 | WAS THAT ME ? YES. | WAS THAT ME ? YES. |
| 1276 | 01:49:56,123 | 01:49:58,059 | I THOUGHT IT WAS YOU. NO, IT WASN'T ME. | I THOUGHT IT WAS YOU. NO, IT WASN'T ME. |
| 1277 | 01:49:58,092 | 01:50:02,697 | REALLY ? OOH. DO YOU DO THAT ? | REALLY ? OOH. DO YOU DO THAT ? |
| 1278 | 01:50:04,098 | 01:50:06,167 | SOMETIMES. QUIETER THAN THAT. | SOMETIMES. QUIETER THAN THAT. |
| 1279 | 01:50:06,200 | 01:50:15,076 | AH. I'LL HAVE TO HAVE RUPERT MAKE ME A MUFFLER. [ Laughing ] | AH. I'LL HAVE TO HAVE RUPERT MAKE ME A MUFFLER. [ Laughing ] |
| 1280 | 01:50:15,109 | 01:50:17,078 | MM-HMM. | MM-HMM. |
| 1281 | 01:50:21,783 | 01:50:26,187 | IT'S WONDERFUL. IT'S WONDERFUL-- THE TASTE AND THE TEXTURE BOTH. | IT'S WONDERFUL. IT'S WONDERFUL-- THE TASTE AND THE TEXTURE BOTH. |
| 1282 | 01:50:26,220 | 01:50:30,792 | YOU KNOW, IT'S MARVELOUS. | YOU KNOW, IT'S MARVELOUS. |
| 1283 | 01:50:30,825 | 01:50:34,962 | I KNOW THIS WILL BE MY FOURTH HELPING, BUT MAY I PLEASE HAVE SOME MORE ? | I KNOW THIS WILL BE MY FOURTH HELPING, BUT MAY I PLEASE HAVE SOME MORE ? |
| 1284 | 01:50:36,798 | 01:50:40,902 | PIG-- VERY SMART ANIMAL. OBVIOUSLY NOT THAT SMART IF IT ENDS UP AS BACON. | PIG-- VERY SMART ANIMAL. OBVIOUSLY NOT THAT SMART IF IT ENDS UP AS BACON. |
| 1285 | 01:50:42,737 | 01:50:45,773 | I FEEL LIKE I'M EATING MY WAY THROUGH THE ENTIRE FOOD CHAIN. | I FEEL LIKE I'M EATING MY WAY THROUGH THE ENTIRE FOOD CHAIN. |
| 1286 | 01:50:45,807 | 01:50:48,075 | THANK YOU. | THANK YOU. |
| 1287 | 01:50:53,214 | 01:50:55,382 | WHAT ? | WHAT ? |
| 1288 | 01:50:56,784 | 01:50:58,920 | WHAT'S WRONG ? | WHAT'S WRONG ? |
| 1289 | 01:51:01,222 | 01:51:05,793 | IF WE'RE TOGETHER-- YOU AND ME-- | IF WE'RE TOGETHER-- YOU AND ME-- |
| 1290 | 01:51:05,827 | 01:51:08,062 | WE'LL NEVER BE ACCEPTED. | WE'LL NEVER BE ACCEPTED. |
| 1291 | 01:51:10,164 | 01:51:12,399 | BECAUSE I'M NOT HUMAN. | BECAUSE I'M NOT HUMAN. |
| 1292 | 01:51:16,237 | 01:51:18,405 | THAT WILL NOT DO. | THAT WILL NOT DO. |
| 1293 | 01:51:22,276 | 01:51:24,245 | I WILL HAVE TO GET STARTED. | I WILL HAVE TO GET STARTED. |
| 1294 | 01:51:24,278 | 01:51:26,213 | STARTED WITH WHAT ? | STARTED WITH WHAT ? |
| 1295 | 01:51:28,149 | 01:51:31,118 | THE NEXT STEP. I LOVE YOU. | THE NEXT STEP. I LOVE YOU. |
| 1296 | 01:51:37,792 | 01:51:40,161 | WISH ME LUCK. | WISH ME LUCK. |
| 1297 | 01:51:58,279 | 01:52:01,816 | [ Man ] ANDREW MARTIN, STEP FORWARD, PLEASE. | [ Man ] ANDREW MARTIN, STEP FORWARD, PLEASE. |
| 1298 | 01:52:10,291 | 01:52:15,029 | SO, MR. MARTIN, YOU WOULD LIKE US TO PASS A BILL... | SO, MR. MARTIN, YOU WOULD LIKE US TO PASS A BILL... |
| 1299 | 01:52:15,062 | 01:52:17,464 | DECLARING YOU A HUMAN BEING. | DECLARING YOU A HUMAN BEING. |
| 1300 | 01:52:17,498 | 01:52:21,302 | YES, SPECIFICALLY THE ABILITY TO MARRY... | YES, SPECIFICALLY THE ABILITY TO MARRY... |
| 1301 | 01:52:21,335 | 01:52:24,038 | A FELLOW HUMAN BEING. I SEE. | A FELLOW HUMAN BEING. I SEE. |
| 1302 | 01:52:24,071 | 01:52:26,540 | WE HAVE TO FACE THE UNDENIABLE FACT... | WE HAVE TO FACE THE UNDENIABLE FACT... |
| 1303 | 01:52:26,573 | 01:52:30,144 | THAT NO MATTER HOW MUCH YOU MAY BE LIKE A HUMAN BEING, | THAT NO MATTER HOW MUCH YOU MAY BE LIKE A HUMAN BEING, |
| 1304 | 01:52:30,177 | 01:52:33,214 | YOU ARE NOT PART OF THE HUMAN GENE POOL. | YOU ARE NOT PART OF THE HUMAN GENE POOL. |
| 1305 | 01:52:33,247 | 01:52:37,284 | YOU ARE OUTSIDE OF IT ENTIRELY. YOU ARE SOMETHING ELSE, | YOU ARE OUTSIDE OF IT ENTIRELY. YOU ARE SOMETHING ELSE, |
| 1306 | 01:52:37,318 | 01:52:40,487 | SOMETHING ARTIFICIAL. | SOMETHING ARTIFICIAL. |
| 1307 | 01:52:40,521 | 01:52:45,259 | SIR, WHAT ABOUT ALL THE REAL PEOPLE WADING IN THE GENE POOL... | SIR, WHAT ABOUT ALL THE REAL PEOPLE WADING IN THE GENE POOL... |
| 1308 | 01:52:45,292 | 01:52:48,830 | WHO HAVE BODIES FULL OF PROSTHETIC DEVICES, MANY OF WHICH I HAVE INVENTED. | WHO HAVE BODIES FULL OF PROSTHETIC DEVICES, MANY OF WHICH I HAVE INVENTED. |
| 1309 | 01:52:48,863 | 01:52:52,299 | YOU YOURSELF, SIR, HAVE ONE OF MY KIDNEYS, DO YOU NOT ? | YOU YOURSELF, SIR, HAVE ONE OF MY KIDNEYS, DO YOU NOT ? |
| 1310 | 01:52:52,333 | 01:52:56,503 | ARE YOU NOT IN SOME WAY ARTIFICIAL, AT LEAST IN PART ? | ARE YOU NOT IN SOME WAY ARTIFICIAL, AT LEAST IN PART ? |
| 1311 | 01:52:58,039 | 01:53:00,007 | IN PART, YES. | IN PART, YES. |
| 1312 | 01:53:00,041 | 01:53:02,877 | WELL, THEN, I'M HUMAN IN PART. | WELL, THEN, I'M HUMAN IN PART. |
| 1313 | 01:53:04,211 | 01:53:06,914 | WHICH PART, ANDREW ? | WHICH PART, ANDREW ? |
| 1314 | 01:53:06,948 | 01:53:09,216 | THIS ONE, SIR. | THIS ONE, SIR. |
| 1315 | 01:53:09,250 | 01:53:13,988 | I SEE. AND HERE ? | I SEE. AND HERE ? |
| 1316 | 01:53:16,057 | 01:53:19,360 | IT IS TRUE I AM STILL EQUIPPED WITH A POSITRONIC BRAIN. | IT IS TRUE I AM STILL EQUIPPED WITH A POSITRONIC BRAIN. |
| 1317 | 01:53:19,393 | 01:53:22,363 | AND BECAUSE OF THAT POSITRONIC BRAIN, | AND BECAUSE OF THAT POSITRONIC BRAIN, |
| 1318 | 01:53:22,396 | 01:53:25,799 | YOU ARE, FOR ALL ACCOUNTS, IMMORTAL. | YOU ARE, FOR ALL ACCOUNTS, IMMORTAL. |
| 1319 | 01:53:27,301 | 01:53:29,270 | YES, SIR. | YES, SIR. |
| 1320 | 01:53:31,305 | 01:53:36,277 | WELL, ANDREW, SOCIETY CAN TOLERATE AN IMMORTAL ROBOT, | WELL, ANDREW, SOCIETY CAN TOLERATE AN IMMORTAL ROBOT, |
| 1321 | 01:53:36,310 | 01:53:39,881 | BUT WE WILL NEVER TOLERATE AN IMMORTAL HUMAN. | BUT WE WILL NEVER TOLERATE AN IMMORTAL HUMAN. |
| 1322 | 01:53:39,914 | 01:53:42,383 | IT AROUSES TOO MUCH JEALOUSY, | IT AROUSES TOO MUCH JEALOUSY, |
| 1323 | 01:53:42,416 | 01:53:44,385 | TOO MUCH ANGER. | TOO MUCH ANGER. |
| 1324 | 01:53:44,418 | 01:53:50,124 | I'M SORRY, ANDREW. THIS COURT CANNOT AND WILL NOT VALIDATE YOUR HUMANITY. | I'M SORRY, ANDREW. THIS COURT CANNOT AND WILL NOT VALIDATE YOUR HUMANITY. |
| 1325 | 01:53:51,425 | 01:53:53,995 | I HEREBY BRING AN END TO THESE PROCEEDINGS. | I HEREBY BRING AN END TO THESE PROCEEDINGS. |
| 1326 | 01:53:54,028 | 01:53:57,231 | IT IS THE DECISION OF THIS COURT... | IT IS THE DECISION OF THIS COURT... |
| 1327 | 01:53:57,264 | 01:54:00,234 | THAT ANDREW MARTIN FROM THIS DAY FORWARD... | THAT ANDREW MARTIN FROM THIS DAY FORWARD... |
| 1328 | 01:54:00,267 | 01:54:04,405 | WILL CONTINUE TO BE DECLARED A ROBOT-- | WILL CONTINUE TO BE DECLARED A ROBOT-- |
| 1329 | 01:54:04,438 | 01:54:09,276 | A MECHANICAL MACHINE, NOTHING MORE. | A MECHANICAL MACHINE, NOTHING MORE. |
| 1330 | 01:54:12,947 | 01:54:15,282 | ONE IS GLAD TO BE OF SERVICE. | ONE IS GLAD TO BE OF SERVICE. |
| 1331 | 01:54:43,710 | 01:54:47,148 | ANDREW, I HAVE TO TELL YOU... | ANDREW, I HAVE TO TELL YOU... |
| 1332 | 01:54:47,181 | 01:54:49,183 | I'M BEGINNING TO FEEL NOT SO SURE. | I'M BEGINNING TO FEEL NOT SO SURE. |
| 1333 | 01:54:49,216 | 01:54:53,287 | ABOUT US ? NO. | ABOUT US ? NO. |
| 1334 | 01:54:55,990 | 01:55:00,061 | NEXT WEEK WILL BE MY 75th BIRTHDAY. I KNOW, AND YOU LOOK 50. | NEXT WEEK WILL BE MY 75th BIRTHDAY. I KNOW, AND YOU LOOK 50. |
| 1335 | 01:55:00,094 | 01:55:03,364 | THANK YOU. A SPECTACULAR 50. | THANK YOU. A SPECTACULAR 50. |
| 1336 | 01:55:03,397 | 01:55:06,333 | BUT I DON'T FEEL 50. YOUR BODY DOES. | BUT I DON'T FEEL 50. YOUR BODY DOES. |
| 1337 | 01:55:06,367 | 01:55:08,335 | LAST NIGHT WAS AMAZING. WHAT WAS THAT CALLED AGAIN ? | LAST NIGHT WAS AMAZING. WHAT WAS THAT CALLED AGAIN ? |
| 1338 | 01:55:08,369 | 01:55:11,338 | SHUT UP AND LISTEN TO ME. SORRY. | SHUT UP AND LISTEN TO ME. SORRY. |
| 1339 | 01:55:11,372 | 01:55:14,641 | AND DON'T GIVE ME THAT LOOK. I'M NOT ORDERING YOU AROUND. WHATEVER YOU SAY. | AND DON'T GIVE ME THAT LOOK. I'M NOT ORDERING YOU AROUND. WHATEVER YOU SAY. |
| 1340 | 01:55:14,675 | 01:55:18,312 | PLEASE DON'T BE AGREEABLE. I'M NOT BEING AGREEABLE. I CAN BE IF YOU WANT. | PLEASE DON'T BE AGREEABLE. I'M NOT BEING AGREEABLE. I CAN BE IF YOU WANT. |
| 1341 | 01:55:18,345 | 01:55:23,317 | OH, GODDAMN IT, ANDREW, I'M TRYING TO TELL YOU SOMETHING IMPORTANT HERE. | OH, GODDAMN IT, ANDREW, I'M TRYING TO TELL YOU SOMETHING IMPORTANT HERE. |
| 1342 | 01:55:23,350 | 01:55:25,286 | [ Sighing ] | [ Sighing ] |
| 1343 | 01:55:30,391 | 01:55:33,227 | I'M NOT GOING TO LIVE FOREVER. | I'M NOT GOING TO LIVE FOREVER. |
| 1344 | 01:55:33,260 | 01:55:36,197 | YES, YOU WILL. THAT'S WHY I INVENTED-- | YES, YOU WILL. THAT'S WHY I INVENTED-- |
| 1345 | 01:55:36,230 | 01:55:40,701 | NO, NO, I WON'T ALWAYS TAKE YOUR D.N.A. ELIXIRS. | NO, NO, I WON'T ALWAYS TAKE YOUR D.N.A. ELIXIRS. |
| 1346 | 01:55:40,734 | 01:55:43,404 | I WON'T HAVE ALL MY ORGANS REPLACED. | I WON'T HAVE ALL MY ORGANS REPLACED. |
| 1347 | 01:55:43,437 | 01:55:47,008 | EVENTUALLY I'M GOING TO WEAR OUT. | EVENTUALLY I'M GOING TO WEAR OUT. |
| 1348 | 01:55:47,041 | 01:55:51,412 | AND I WANT TO. WHY WOULD YOU WANT TO LEAVE ? | AND I WANT TO. WHY WOULD YOU WANT TO LEAVE ? |
| 1349 | 01:55:56,050 | 01:56:00,021 | THERE'S AN... ORDER TO THINGS. | THERE'S AN... ORDER TO THINGS. |
| 1350 | 01:56:00,054 | 01:56:04,958 | HUMAN BEINGS ARE MEANT TO BE HERE FOR A CERTAIN TIME AND THEN PASS ON. | HUMAN BEINGS ARE MEANT TO BE HERE FOR A CERTAIN TIME AND THEN PASS ON. |
| 1351 | 01:56:05,759 | 01:56:07,961 | THAT'S WHAT'S RIGHT. | THAT'S WHAT'S RIGHT. |
| 1352 | 01:56:09,396 | 01:56:12,199 | I SEE. | I SEE. |
| 1353 | 01:56:12,233 | 01:56:16,103 | THERE'S JUST ONE PROBLEM, PORTIA. WHAT ? | THERE'S JUST ONE PROBLEM, PORTIA. WHAT ? |
| 1354 | 01:56:16,137 | 01:56:19,240 | I COULDN'T STAND TO LIVE WITHOUT YOU. | I COULDN'T STAND TO LIVE WITHOUT YOU. |
| 1355 | 01:56:45,632 | 01:56:49,070 | ANDREW, PEOPLE GROW THROUGH TIME, | ANDREW, PEOPLE GROW THROUGH TIME, |
| 1356 | 01:56:49,103 | 01:56:52,439 | BUT THEN, OF COURSE, FOR YOU TIME IS A COMPLETELY DIFFERENT PROPOSITION. | BUT THEN, OF COURSE, FOR YOU TIME IS A COMPLETELY DIFFERENT PROPOSITION. |
| 1357 | 01:56:52,473 | 01:56:56,210 | FOR YOU, TIME IS ENDLESS. | FOR YOU, TIME IS ENDLESS. |
| 1358 | 01:57:07,288 | 01:57:09,456 | THERE'S ONLY ONE THING TO DO. | THERE'S ONLY ONE THING TO DO. |
| 1359 | 01:57:16,630 | 01:57:18,432 | [ Whirring ] | [ Whirring ] |
| 1360 | 01:57:34,481 | 01:57:37,151 | GALATEA, MY DEAR, WHERE ARE WE ? | GALATEA, MY DEAR, WHERE ARE WE ? |
| 1361 | 01:57:37,184 | 01:57:40,121 | THE TRANSFUSION IS ALMOST COMPLETE. | THE TRANSFUSION IS ALMOST COMPLETE. |
| 1362 | 01:57:40,154 | 01:57:42,156 | IS THAT SO ? | IS THAT SO ? |
| 1363 | 01:57:43,524 | 01:57:46,627 | JUST GOES TO SHOW YOU, ANDREW, | JUST GOES TO SHOW YOU, ANDREW, |
| 1364 | 01:57:46,660 | 01:57:49,630 | SOMEBODY BECOMES A HUMAN BEING, | SOMEBODY BECOMES A HUMAN BEING, |
| 1365 | 01:57:49,663 | 01:57:53,634 | SOONER OR LATER, THEY DO SOMETHING MONUMENTALLY STUPID. | SOONER OR LATER, THEY DO SOMETHING MONUMENTALLY STUPID. |
| 1366 | 01:57:53,667 | 01:57:57,304 | YOU'VE BEEN A GREAT EXAMPLE, RUPERT. | YOU'VE BEEN A GREAT EXAMPLE, RUPERT. |
| 1367 | 01:57:57,338 | 01:57:59,340 | HOW QUICKLY WILL THE BLOOD DEGRADE MY SYSTEM ? | HOW QUICKLY WILL THE BLOOD DEGRADE MY SYSTEM ? |
| 1368 | 01:57:59,373 | 01:58:02,343 | OH, I DON'T KNOW. | OH, I DON'T KNOW. |
| 1369 | 01:58:02,376 | 01:58:07,114 | YOU EXERCISE, EAT RIGHT, I'D SAY 30, 40 YEARS. | YOU EXERCISE, EAT RIGHT, I'D SAY 30, 40 YEARS. |
| 1370 | 01:58:09,183 | 01:58:11,552 | THAT'S A LITTLE VAGUE, CHIEF. | THAT'S A LITTLE VAGUE, CHIEF. |
| 1371 | 01:58:11,585 | 01:58:13,854 | YOU DON'T KNOW EXACTLY HOW LONG I'LL LAST ? | YOU DON'T KNOW EXACTLY HOW LONG I'LL LAST ? |
| 1372 | 01:58:13,887 | 01:58:16,089 | SORRY. | SORRY. |
| 1373 | 01:58:17,891 | 01:58:20,294 | WELCOME TO THE HUMAN CONDITION. | WELCOME TO THE HUMAN CONDITION. |
| 1374 | 01:58:30,304 | 01:58:32,839 | ANDREW MARTIN-- | ANDREW MARTIN-- |
| 1375 | 01:58:45,552 | 01:58:49,690 | I HAVE ALWAYS TRIED TO MAKE SENSE OF THINGS. | I HAVE ALWAYS TRIED TO MAKE SENSE OF THINGS. |
| 1376 | 01:58:49,723 | 01:58:53,327 | THERE MUST BE SOME REASON I AM AS I AM. | THERE MUST BE SOME REASON I AM AS I AM. |
| 1377 | 01:58:55,729 | 01:58:58,199 | AS YOU CAN SEE, MADAM CHAIRMAN, | AS YOU CAN SEE, MADAM CHAIRMAN, |
| 1378 | 01:58:58,232 | 01:59:02,236 | I AM NO LONGER IMMORTAL. | I AM NO LONGER IMMORTAL. |
| 1379 | 01:59:03,704 | 01:59:06,473 | YOU HAVE ARRANGED TO DIE ? | YOU HAVE ARRANGED TO DIE ? |
| 1380 | 01:59:06,507 | 01:59:10,377 | IN A SENSE, I HAVE. | IN A SENSE, I HAVE. |
| 1381 | 01:59:10,411 | 01:59:15,416 | I AM GROWING OLD, AND MY BODY IS DETERIORATING, | I AM GROWING OLD, AND MY BODY IS DETERIORATING, |
| 1382 | 01:59:16,617 | 01:59:19,386 | AND, LIKE ALL OF YOU, | AND, LIKE ALL OF YOU, |
| 1383 | 01:59:19,420 | 01:59:22,423 | IT WILL EVENTUALLY CEASE TO FUNCTION. | IT WILL EVENTUALLY CEASE TO FUNCTION. |
| 1384 | 01:59:24,291 | 01:59:28,562 | AS A ROBOT, I COULD'VE LIVED FOREVER. | AS A ROBOT, I COULD'VE LIVED FOREVER. |
| 1385 | 01:59:30,664 | 01:59:33,500 | BUT I TELL YOU ALL TODAY, | BUT I TELL YOU ALL TODAY, |
| 1386 | 01:59:33,534 | 01:59:36,603 | I WOULD RATHER DIE A MAN... | I WOULD RATHER DIE A MAN... |
| 1387 | 01:59:36,637 | 01:59:41,174 | THAN LIVE FOR ALL ETERNITY AS A MACHINE. | THAN LIVE FOR ALL ETERNITY AS A MACHINE. |
| 1388 | 01:59:43,944 | 01:59:45,946 | WHY DO YOU WANT THIS ? | WHY DO YOU WANT THIS ? |
| 1389 | 01:59:48,349 | 01:59:50,517 | TO BE ACKNOWLEDGED... | TO BE ACKNOWLEDGED... |
| 1390 | 01:59:50,551 | 01:59:53,787 | FOR WHO AND WHAT I AM-- | FOR WHO AND WHAT I AM-- |
| 1391 | 01:59:53,820 | 01:59:57,458 | NO MORE, NO LESS. | NO MORE, NO LESS. |
| 1392 | 01:59:57,491 | 02:00:01,595 | NOT FOR ACCLAIM, NOT FOR APPROVAL. | NOT FOR ACCLAIM, NOT FOR APPROVAL. |
| 1393 | 02:00:01,628 | 02:00:05,766 | THE SIMPLE TRUTH OF THAT RECOGNITION-- | THE SIMPLE TRUTH OF THAT RECOGNITION-- |
| 1394 | 02:00:05,799 | 02:00:10,271 | THIS HAS BEEN THE ELEMENTAL DRIVE OF MY EXISTENCE, | THIS HAS BEEN THE ELEMENTAL DRIVE OF MY EXISTENCE, |
| 1395 | 02:00:10,304 | 02:00:15,776 | AND IT MUST BE ACHIEVED, IF I AM TO LIVE OR DIE... | AND IT MUST BE ACHIEVED, IF I AM TO LIVE OR DIE... |
| 1396 | 02:00:15,809 | 02:00:18,645 | WITH DIGNITY. | WITH DIGNITY. |
| 1397 | 02:00:26,753 | 02:00:28,722 | MR. MARTIN, | MR. MARTIN, |
| 1398 | 02:00:30,324 | 02:00:33,727 | WHAT YOU ARE ASKING FOR IS... | WHAT YOU ARE ASKING FOR IS... |
| 1399 | 02:00:33,760 | 02:00:36,763 | EXTREMELY COMPLEX AND CONTROVERSIAL. | EXTREMELY COMPLEX AND CONTROVERSIAL. |
| 1400 | 02:00:36,797 | 02:00:39,966 | IT WILL NOT BE AN EASY DECISION. | IT WILL NOT BE AN EASY DECISION. |
| 1401 | 02:00:40,000 | 02:00:43,537 | I MUST ASK FOR YOUR PATIENCE... | I MUST ASK FOR YOUR PATIENCE... |
| 1402 | 02:00:43,570 | 02:00:46,507 | WHILE I TAKE THE NECESSARY TIME TO MAKE A DETERMINATION... | WHILE I TAKE THE NECESSARY TIME TO MAKE A DETERMINATION... |
| 1403 | 02:00:46,540 | 02:00:50,977 | OF THIS EXTREMELY DELICATE MATTER. | OF THIS EXTREMELY DELICATE MATTER. |
| 1404 | 02:00:53,079 | 02:00:56,249 | I AWAIT YOUR DECISION, MADAM CHAIRMAN. | I AWAIT YOUR DECISION, MADAM CHAIRMAN. |
| 1405 | 02:01:00,887 | 02:01:04,358 | THANK YOU FOR YOUR PATIENCE. | THANK YOU FOR YOUR PATIENCE. |
| 1406 | 02:01:07,861 | 02:01:11,264 | WE TRIED. | WE TRIED. |
| 1407 | 02:01:23,810 | 02:01:26,347 | IS IT ALMOST TIME ? | IS IT ALMOST TIME ? |
| 1408 | 02:01:26,380 | 02:01:28,549 | IN A FEW MINUTES. | IN A FEW MINUTES. |
| 1409 | 02:01:30,384 | 02:01:32,819 | IT DOESN'T MATTER WHAT THE WORLD CONGRESS SAYS. | IT DOESN'T MATTER WHAT THE WORLD CONGRESS SAYS. |
| 1410 | 02:01:32,853 | 02:01:36,757 | WHY DO YOU NEED THEIR APPROVAL ? | WHY DO YOU NEED THEIR APPROVAL ? |
| 1411 | 02:01:36,790 | 02:01:38,825 | OLD HABIT. | OLD HABIT. |
| 1412 | 02:01:38,859 | 02:01:42,729 | I STARTED MY EXISTENCE AS A ROBOT. | I STARTED MY EXISTENCE AS A ROBOT. |
| 1413 | 02:01:42,763 | 02:01:47,768 | I STILL LIKE TO BE TOLD CERTAIN THINGS. | I STILL LIKE TO BE TOLD CERTAIN THINGS. |
| 1414 | 02:01:53,640 | 02:01:55,842 | IT'S TIME. | IT'S TIME. |
| 1415 | 02:02:00,781 | 02:02:03,750 | LADIES AND GENTLEMEN, MS. MARJORIE BOTA, | LADIES AND GENTLEMEN, MS. MARJORIE BOTA, |
| 1416 | 02:02:03,784 | 02:02:05,886 | PRESIDENT OF THE WORLD CONGRESS. | PRESIDENT OF THE WORLD CONGRESS. |
| 1417 | 02:02:05,919 | 02:02:08,855 | ACCORDING TO RECORDS OF THE NORTHAM ROBOTICS COMPANY, | ACCORDING TO RECORDS OF THE NORTHAM ROBOTICS COMPANY, |
| 1418 | 02:02:08,889 | 02:02:13,394 | THE ROBOT, ALSO KNOWN AS ANDREW MARTIN, | THE ROBOT, ALSO KNOWN AS ANDREW MARTIN, |
| 1419 | 02:02:13,427 | 02:02:18,331 | WAS POWERED UP AT 5:15 P.M., ON APRIL 3, 2005. | WAS POWERED UP AT 5:15 P.M., ON APRIL 3, 2005. |
| 1420 | 02:02:19,500 | 02:02:23,770 | IN A FEW HOURS, HE WILL BE 200 YEARS OLD, | IN A FEW HOURS, HE WILL BE 200 YEARS OLD, |
| 1421 | 02:02:23,804 | 02:02:28,442 | WHICH MEANS THAT, WITH THE EXCEPTION OF METHUSELAH AND OTHER BIBLICAL FIGURES, | WHICH MEANS THAT, WITH THE EXCEPTION OF METHUSELAH AND OTHER BIBLICAL FIGURES, |
| 1422 | 02:02:28,475 | 02:02:33,814 | ANDREW IS THE OLDEST LIVING HUMAN BEING IN RECORDED HISTORY. | ANDREW IS THE OLDEST LIVING HUMAN BEING IN RECORDED HISTORY. |
| 1423 | 02:02:33,847 | 02:02:35,782 | FOR IT IS BY THIS PROCLAMATION... | FOR IT IS BY THIS PROCLAMATION... |
| 1424 | 02:02:35,816 | 02:02:38,885 | THAT I VALIDATE HIS MARRIAGE TO PORTIA CHARNEY... | THAT I VALIDATE HIS MARRIAGE TO PORTIA CHARNEY... |
| 1425 | 02:02:38,919 | 02:02:41,822 | AND ACKNOWLEDGE HIS HUMANITY. | AND ACKNOWLEDGE HIS HUMANITY. |
| 1426 | 02:02:41,855 | 02:02:44,391 | [ Sighs ] | [ Sighs ] |
| 1427 | 02:02:51,632 | 02:02:54,635 | ANDREW ? | ANDREW ? |
| 1428 | 02:03:09,483 | 02:03:11,818 | I'M SORRY HE DIDN'T SEE IT. | I'M SORRY HE DIDN'T SEE IT. |
| 1429 | 02:03:13,820 | 02:03:16,490 | MAYBE HE DIDN'T NEED TO. | MAYBE HE DIDN'T NEED TO. |
| 1430 | 02:03:21,995 | 02:03:25,499 | COULD YOU DO ME A FAVOR ? | COULD YOU DO ME A FAVOR ? |
| 1431 | 02:03:26,867 | 02:03:29,603 | WOULD YOU MIND UNPLUGGING ME ? | WOULD YOU MIND UNPLUGGING ME ? |
| 1432 | 02:03:34,541 | 02:03:36,943 | THAT'S AN ORDER. | THAT'S AN ORDER. |
| 1433 | 02:04:09,710 | 02:04:11,712 | THANK YOU, GALATEA. | THANK YOU, GALATEA. |
| 1434 | 02:04:13,213 | 02:04:16,883 | AS THE GREAT ANDREW MARTIN USED TO SAY, | AS THE GREAT ANDREW MARTIN USED TO SAY, |
| 1435 | 02:04:16,917 | 02:04:19,886 | "ONE IS GLAD TO BE OF SERVICE." | "ONE IS GLAD TO BE OF SERVICE." |
| 1436 | 02:04:37,904 | 02:04:40,874 | I'LL SEE YOU SOON. | I'LL SEE YOU SOON. |
| 1437 | 02:05:05,832 | 02:05:09,936 | * LAUGH AND CRY | * LAUGH AND CRY |
| 1438 | 02:05:09,970 | 02:05:14,074 | * LIVE AND DIE | * LIVE AND DIE |
| 1439 | 02:05:14,107 | 02:05:17,243 | * LIFE IS A DREAM | * LIFE IS A DREAM |
| 1440 | 02:05:17,277 | 02:05:22,248 | * WE ALL DREAM IT | * WE ALL DREAM IT |
| 1441 | 02:05:22,282 | 02:05:26,286 | * DAY BY DAY | * DAY BY DAY |
| 1442 | 02:05:26,319 | 02:05:30,757 | * I FIND MY WAY | * I FIND MY WAY |
| 1443 | 02:05:30,791 | 02:05:34,294 | * LOOK FOR THE SOUL | * LOOK FOR THE SOUL |
| 1444 | 02:05:34,327 | 02:05:38,331 | * AND THE MEANING | * AND THE MEANING |
| 1445 | 02:05:38,364 | 02:05:42,603 | * THEN YOU LOOK AT ME | * THEN YOU LOOK AT ME |
| 1446 | 02:05:42,636 | 02:05:46,773 | * AND I ALWAYS SEE | * AND I ALWAYS SEE |
| 1447 | 02:05:46,807 | 02:05:52,746 | * WHAT I HAVE BEEN SEARCHING FOR * | * WHAT I HAVE BEEN SEARCHING FOR * |
| 1448 | 02:05:54,815 | 02:05:58,652 | * I'M LOST AS CAN BE | * I'M LOST AS CAN BE |
| 1449 | 02:05:58,685 | 02:06:03,023 | * THEN YOU LOOK AT ME | * THEN YOU LOOK AT ME |
| 1450 | 02:06:03,056 | 02:06:09,029 | * AND I AM NOT LOST ANYMORE | * AND I AM NOT LOST ANYMORE |
| 1451 | 02:06:16,002 | 02:06:20,006 | * PEOPLE RUN | * PEOPLE RUN |
| 1452 | 02:06:20,040 | 02:06:24,044 | * SUN TO SUN | * SUN TO SUN |
| 1453 | 02:06:24,077 | 02:06:27,013 | * CAUGHT IN THEIR LIVES | * CAUGHT IN THEIR LIVES |
| 1454 | 02:06:27,047 | 02:06:32,653 | * EVER FLOWING | * EVER FLOWING |
| 1455 | 02:06:32,686 | 02:06:35,756 | * ONE SWEET DAWN | * ONE SWEET DAWN |
| 1456 | 02:06:35,789 | 02:06:40,761 | * LIFE GOES TILL IT'S GONE | * LIFE GOES TILL IT'S GONE |
| 1457 | 02:06:40,794 | 02:06:44,064 | * WE HAVE TO GO | * WE HAVE TO GO |
| 1458 | 02:06:44,097 | 02:06:48,068 | * WHERE IT'S GOING | * WHERE IT'S GOING |
| 1459 | 02:06:48,101 | 02:06:52,773 | * THEN YOU LOOK AT ME | * THEN YOU LOOK AT ME |
| 1460 | 02:06:52,806 | 02:06:56,877 | * AND I ALWAYS SEE | * AND I ALWAYS SEE |
| 1461 | 02:06:56,910 | 02:07:02,816 | * WHAT I HAVE BEEN SEARCHING FOR * | * WHAT I HAVE BEEN SEARCHING FOR * |
| 1462 | 02:07:05,051 | 02:07:08,855 | * I'M LOST AS CAN BE | * I'M LOST AS CAN BE |
| 1463 | 02:07:08,889 | 02:07:13,059 | * THEN YOU LOOK AT ME | * THEN YOU LOOK AT ME |
| 1464 | 02:07:13,093 | 02:07:15,796 | * AND I AM NOT LOST | * AND I AM NOT LOST |
| 1465 | 02:07:15,829 | 02:07:21,802 | * ANYMORE | * ANYMORE |
| 1466 | 02:07:34,114 | 02:07:37,818 | * AND YOU SAY YOU SEE | * AND YOU SAY YOU SEE |
| 1467 | 02:07:37,851 | 02:07:42,388 | * WHEN YOU LOOK AT ME | * WHEN YOU LOOK AT ME |
| 1468 | 02:07:42,422 | 02:07:48,394 | * THE REASON YOU LOVE LIFE SO * | * THE REASON YOU LOVE LIFE SO * |
| 1469 | 02:07:50,230 | 02:07:54,067 | * THOUGH LOST I HAVE BEEN | * THOUGH LOST I HAVE BEEN |
| 1470 | 02:07:54,100 | 02:07:58,972 | * I FIND LOVE AGAIN | * I FIND LOVE AGAIN |
| 1471 | 02:07:59,005 | 02:08:03,076 | * AND LIFE JUST KEEPS ON RUNNING * | * AND LIFE JUST KEEPS ON RUNNING * |
| 1472 | 02:08:03,109 | 02:08:07,113 | * AND LIFE JUST KEEPS ON RUNNING * | * AND LIFE JUST KEEPS ON RUNNING * |
| 1473 | 02:08:07,147 | 02:08:09,182 | * YOU LOOK AT ME | * YOU LOOK AT ME |
| 1474 | 02:08:09,215 | 02:08:14,120 | * AND LIFE HOLDS LOVE FOR | * AND LIFE HOLDS LOVE FOR |
| 1475 | 02:08:14,154 | 02:08:20,060 | * YOU | * YOU |
| 1476 | 02:08:28,301 | 02:08:34,207 | * FOR | * FOR |
| 1477 | 02:08:38,311 | 02:08:44,117 | * YOU * | * YOU * |