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# | Start | End | Original | Translated |
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1 | 00:00:28,485 | 00:00:30,480 | IT'S ALL THERE | IT'S ALL THERE |
2 | 00:00:30,721 | 00:00:33,891 | TELL ME WHERE I CAN FIND THE JACK NAPIER PAINTING. | TELL ME WHERE I CAN FIND THE JACK NAPIER PAINTING. |
3 | 00:00:33,933 | 00:00:35,852 | YOUR PAINTING IS BEING HELD BY THE COLLECTIVE, | YOUR PAINTING IS BEING HELD BY THE COLLECTIVE, |
4 | 00:00:35,893 | 00:00:37,395 | PRIVATE CLUB OF CONNOISSEURS | PRIVATE CLUB OF CONNOISSEURS |
5 | 00:00:37,437 | 00:00:39,689 | OF OUTLAWED ARTWORK AND ANTIQUITIES. | OF OUTLAWED ARTWORK AND ANTIQUITIES. |
6 | 00:00:39,730 | 00:00:41,941 | YOU WANT TO TIE THE ROOM TOGETHER | YOU WANT TO TIE THE ROOM TOGETHER |
7 | 00:00:41,983 | 00:00:44,610 | WITH A VINTAGE CANVAS THAT TAKES YOU | WITH A VINTAGE CANVAS THAT TAKES YOU |
8 | 00:00:44,652 | 00:00:47,613 | INSIDE THE MIND OF PSYCHOTIC CRIMINALITY? | INSIDE THE MIND OF PSYCHOTIC CRIMINALITY? |
9 | 00:00:47,655 | 00:00:49,240 | THESE ARE THE PEOPLE YOU NEED TO KNOW. | THESE ARE THE PEOPLE YOU NEED TO KNOW. |
10 | 00:00:49,282 | 00:00:50,575 | I WANT AN INTRODUCTION. | I WANT AN INTRODUCTION. |
11 | 00:00:50,616 | 00:00:52,285 | OH. THE TOP CROW? | OH. THE TOP CROW? |
12 | 00:00:52,326 | 00:00:54,370 | YOUR BIGGEST CLIENTS ARE IN THE COLLECTIVE. | YOUR BIGGEST CLIENTS ARE IN THE COLLECTIVE. |
13 | 00:00:54,412 | 00:00:55,746 | THEY PAY YOUR BILLS. | THEY PAY YOUR BILLS. |
14 | 00:00:55,788 | 00:00:57,665 | YOU WALK UP TO THEIR DOORSTEP | YOU WALK UP TO THEIR DOORSTEP |
15 | 00:00:57,707 | 00:00:59,292 | TRYING TO GRAB THAT NAPIER, | TRYING TO GRAB THAT NAPIER, |
16 | 00:00:59,333 | 00:01:01,335 | THEY'RE GONNA ASK YOU FOR A REFUND. UNH! | THEY'RE GONNA ASK YOU FOR A REFUND. UNH! |
17 | 00:01:15,850 | 00:01:18,519 | YOU'RE FROM CORYANA. | YOU'RE FROM CORYANA. |
18 | 00:01:18,561 | 00:01:21,606 | YOU'RE GONNA TELL SAFIYAH TO GIVE MY DAUGHTER BACK. | YOU'RE GONNA TELL SAFIYAH TO GIVE MY DAUGHTER BACK. |
19 | 00:01:21,647 | 00:01:22,815 | UNH! | UNH! |
20 | 00:01:26,110 | 00:01:27,612 | AAH! | AAH! |
21 | 00:01:33,576 | 00:01:35,912 | I GOT A REPORT OF A GUY LURKING AROUND EAST END | I GOT A REPORT OF A GUY LURKING AROUND EAST END |
22 | 00:01:35,953 | 00:01:37,413 | WITH A SPIKY POLE. | WITH A SPIKY POLE. |
23 | 00:01:37,455 | 00:01:39,665 | IT DOESN'T CONCERN YOU, BATWOMAN. | IT DOESN'T CONCERN YOU, BATWOMAN. |
24 | 00:01:39,707 | 00:01:41,959 | THAT SO? BECAUSE HE'S HANGING OFF MY LINE, | THAT SO? BECAUSE HE'S HANGING OFF MY LINE, |
25 | 00:01:42,001 | 00:01:44,212 | SO WHY DON'T YOU TELL ME WHAT KIND OF FISH I CAUGHT? | SO WHY DON'T YOU TELL ME WHAT KIND OF FISH I CAUGHT? |
26 | 00:01:44,253 | 00:01:46,881 | THERE'S AN ITEM I'M LOOKING FOR. | THERE'S AN ITEM I'M LOOKING FOR. |
27 | 00:01:46,923 | 00:01:49,342 | IT'S GONNA HELP ME FIND MY DAUGHTER. | IT'S GONNA HELP ME FIND MY DAUGHTER. |
28 | 00:01:49,383 | 00:01:52,261 | THE WOMAN HOLDING HER CAPTIVE DOESN'T WANT ME TO FIND IT. | THE WOMAN HOLDING HER CAPTIVE DOESN'T WANT ME TO FIND IT. |
29 | 00:01:52,303 | 00:01:54,764 | SAFIYAH? SHE SENT THIS GUY? | SAFIYAH? SHE SENT THIS GUY? |
30 | 00:01:54,805 | 00:01:57,683 | WEAPON FITS THE M.O. OF HER ASSASSINS, | WEAPON FITS THE M.O. OF HER ASSASSINS, |
31 | 00:01:57,725 | 00:02:00,811 | BUT I'LL CONFIRM AFTER YOU HAND HIM OVER NOW. | BUT I'LL CONFIRM AFTER YOU HAND HIM OVER NOW. |
32 | 00:02:00,853 | 00:02:03,189 | I DON'T TAKE ORDERS FROM CROWS, | I DON'T TAKE ORDERS FROM CROWS, |
33 | 00:02:03,231 | 00:02:06,734 | AND I GOT A BETTER SHOT AT FINDING KATE KANE BEFORE YOU DO. | AND I GOT A BETTER SHOT AT FINDING KATE KANE BEFORE YOU DO. |
34 | 00:02:09,987 | 00:02:12,240 | "ALL CROWS ARE BASTARDS." | "ALL CROWS ARE BASTARDS." |
35 | 00:02:24,377 | 00:02:26,379 | MORNING, GOTHAM. GUESS THE EARLY BIRD | MORNING, GOTHAM. GUESS THE EARLY BIRD |
36 | 00:02:26,420 | 00:02:28,214 | GIVES US THE BIRD. | GIVES US THE BIRD. |
37 | 00:02:28,256 | 00:02:30,424 | ACROBATIC ART PRANKSTER WOLF SPIDER WAS AT IT AGAIN, | ACROBATIC ART PRANKSTER WOLF SPIDER WAS AT IT AGAIN, |
38 | 00:02:30,466 | 00:02:32,468 | ROLLING HIS EYES AT THE ENTIRE CITY | ROLLING HIS EYES AT THE ENTIRE CITY |
39 | 00:02:32,510 | 00:02:35,054 | FROM THE TOP OF THE GOTHAM CENTURY SKYSCRAPER | FROM THE TOP OF THE GOTHAM CENTURY SKYSCRAPER |
40 | 00:02:35,096 | 00:02:37,056 | WITH AN IRIDESCENT EMOJI, | WITH AN IRIDESCENT EMOJI, |
41 | 00:02:37,098 | 00:02:39,100 | MILLENNIAL HACKTIVISM AT ITS FINEST | MILLENNIAL HACKTIVISM AT ITS FINEST |
42 | 00:02:39,141 | 00:02:42,645 | AND ALMOST ENOUGH TO DISTRACT US FROM AN EVEN JUICIER BAT STORY. | AND ALMOST ENOUGH TO DISTRACT US FROM AN EVEN JUICIER BAT STORY. |
43 | 00:02:42,687 | 00:02:45,356 | ANOTHER SIGHTING OF BATWOMAN 2.0 | ANOTHER SIGHTING OF BATWOMAN 2.0 |
44 | 00:02:45,398 | 00:02:47,692 | AND TOP CROW JACOB KANE TOGETHER, | AND TOP CROW JACOB KANE TOGETHER, |
45 | 00:02:47,733 | 00:02:49,777 | THIS TIME WORKING IN THE EAST END CRIME SCENE. | THIS TIME WORKING IN THE EAST END CRIME SCENE. |
46 | 00:02:49,819 | 00:02:52,613 | ARE WE LOOKING AT GOTHAM'S NEWEST POWER COUPLE? | ARE WE LOOKING AT GOTHAM'S NEWEST POWER COUPLE? |
47 | 00:02:52,655 | 00:02:55,157 | NO. JEEZ. | NO. JEEZ. |
48 | 00:02:55,199 | 00:02:56,951 | I THOUGHT BATWOMAN WAS COOL. | I THOUGHT BATWOMAN WAS COOL. |
49 | 00:02:56,993 | 00:02:59,870 | HEY. WE DON'T KNOW WHAT THEY WERE DOING. | HEY. WE DON'T KNOW WHAT THEY WERE DOING. |
50 | 00:02:59,912 | 00:03:02,415 | MAYBE BATWOMAN WAS SAVING HIS ASS. | MAYBE BATWOMAN WAS SAVING HIS ASS. |
51 | 00:03:02,456 | 00:03:03,791 | THOUGHT YOU MIGHT BE HUNGRY | THOUGHT YOU MIGHT BE HUNGRY |
52 | 00:03:03,833 | 00:03:06,502 | AFTER LAST NIGHT'S RECONNECTING. | AFTER LAST NIGHT'S RECONNECTING. |
53 | 00:03:06,544 | 00:03:08,170 | STILL SLEEPY. | STILL SLEEPY. |
54 | 00:03:08,212 | 00:03:11,132 | I WISH YOU COULD DO SOMETHING ABOUT THAT. | I WISH YOU COULD DO SOMETHING ABOUT THAT. |
55 | 00:03:11,173 | 00:03:14,385 | YOU CAN TAKE THE DAY OFF. | YOU CAN TAKE THE DAY OFF. |
56 | 00:03:14,427 | 00:03:16,387 | MMM. I CAN'T. | MMM. I CAN'T. |
57 | 00:03:16,429 | 00:03:21,183 | AS CUTE AS I LOOK IN YOUR RIDICULOUS ROBE, | AS CUTE AS I LOOK IN YOUR RIDICULOUS ROBE, |
58 | 00:03:21,225 | 00:03:23,686 | I SHOULD GET HOME AND CHANGE FIRST. | I SHOULD GET HOME AND CHANGE FIRST. |
59 | 00:03:23,728 | 00:03:25,813 | YOU WALK OF SHAMING FOR ME? | YOU WALK OF SHAMING FOR ME? |
60 | 00:03:25,855 | 00:03:29,692 | LIKE THE OLD DAYS. | LIKE THE OLD DAYS. |
61 | 00:03:29,734 | 00:03:33,362 | SPEAKING OF THE OLD DAYS, | SPEAKING OF THE OLD DAYS, |
62 | 00:03:33,404 | 00:03:36,616 | IT'S TIME YOU GOT THAT APOLOGY I OWE YOU. | IT'S TIME YOU GOT THAT APOLOGY I OWE YOU. |
63 | 00:03:39,577 | 00:03:41,495 | MY PARTYING WAS OUT OF CONTROL, | MY PARTYING WAS OUT OF CONTROL, |
64 | 00:03:41,537 | 00:03:43,914 | AND YOU TOOK MY STASH THINKING IT WOULD HELP ME, | AND YOU TOOK MY STASH THINKING IT WOULD HELP ME, |
65 | 00:03:43,956 | 00:03:47,710 | AND INSTEAD, IT GOT YOUR ASS THROWN IN JAIL, | AND INSTEAD, IT GOT YOUR ASS THROWN IN JAIL, |
66 | 00:03:47,752 | 00:03:49,795 | AND I GET WHY YOU DIDN'T WANT ME TO VISIT YOU. | AND I GET WHY YOU DIDN'T WANT ME TO VISIT YOU. |
67 | 00:03:49,837 | 00:03:52,715 | YOU SERVED 18 MONTHS FOR ME, RY, | YOU SERVED 18 MONTHS FOR ME, RY, |
68 | 00:03:52,757 | 00:03:54,800 | AND IT'S TIME I START PAYING YOU BACK. | AND IT'S TIME I START PAYING YOU BACK. |
69 | 00:03:59,764 | 00:04:02,433 | ONE FOR YOU, ONE FOR ME? | ONE FOR YOU, ONE FOR ME? |
70 | 00:04:05,102 | 00:04:07,104 | I LOVE IT, | I LOVE IT, |
71 | 00:04:07,146 | 00:04:08,731 | BUT WE'RE GOOD. | BUT WE'RE GOOD. |
72 | 00:04:08,773 | 00:04:10,316 | YOU GOT YOUR LIFE TOGETHER. | YOU GOT YOUR LIFE TOGETHER. |
73 | 00:04:10,358 | 00:04:11,984 | THAT'S ALL I WANTED. | THAT'S ALL I WANTED. |
74 | 00:04:14,362 | 00:04:16,781 | OHH! HEY. WHAT IS THIS? | OHH! HEY. WHAT IS THIS? |
75 | 00:04:16,822 | 00:04:18,240 | IT'S.. A WORK INJURY. | IT'S.. A WORK INJURY. |
76 | 00:04:18,282 | 00:04:20,951 | YOU FALL ON A CORKSCREW? | YOU FALL ON A CORKSCREW? |
77 | 00:04:20,993 | 00:04:22,745 | RYAN, YOU NEED TO GET THAT LOOKED AT. | RYAN, YOU NEED TO GET THAT LOOKED AT. |
78 | 00:04:22,787 | 00:04:24,497 | YEAH. I JUST GOT THIS JOB. | YEAH. I JUST GOT THIS JOB. |
79 | 00:04:24,538 | 00:04:26,957 | I DON'T NEED MY BOSS THINKING I CAN'T HACK IT. | I DON'T NEED MY BOSS THINKING I CAN'T HACK IT. |
80 | 00:04:26,999 | 00:04:30,002 | YOU TEND BAR. SHE'LL UNDERSTAND. | YOU TEND BAR. SHE'LL UNDERSTAND. |
81 | 00:04:30,044 | 00:04:32,922 | ALL THESE YEARS LATER STILL WORRYING ABOUT ME. | ALL THESE YEARS LATER STILL WORRYING ABOUT ME. |
82 | 00:04:32,963 | 00:04:34,799 | IT'S KIND OF CUTE. | IT'S KIND OF CUTE. |
83 | 00:04:34,840 | 00:04:36,384 | YOU KNOW WHAT'S KIND OF CUTE? HMM? | YOU KNOW WHAT'S KIND OF CUTE? HMM? |
84 | 00:04:36,425 | 00:04:38,803 | YOU... | YOU... |
85 | 00:04:38,844 | 00:04:42,515 | WITHOUT THAT NASTINESS ON YOUR SHOULDER. | WITHOUT THAT NASTINESS ON YOUR SHOULDER. |
86 | 00:04:42,556 | 00:04:45,017 | YOU TAKE CARE OF EVERYONE ELSE. | YOU TAKE CARE OF EVERYONE ELSE. |
87 | 00:04:45,059 | 00:04:47,478 | TAKE CARE OF YOURSELF FOR ONCE. | TAKE CARE OF YOURSELF FOR ONCE. |
88 | 00:04:51,107 | 00:04:52,817 | GIVING YOU AN ANTIBIOTIC. | GIVING YOU AN ANTIBIOTIC. |
89 | 00:04:52,858 | 00:04:55,194 | SO...IT'S JUST AN INFECTION? | SO...IT'S JUST AN INFECTION? |
90 | 00:04:55,236 | 00:04:56,904 | WELL, IT MIGHT HAVE TURNED NECROTIC | WELL, IT MIGHT HAVE TURNED NECROTIC |
91 | 00:04:56,946 | 00:05:01,075 | IF YOU HAD WAITED ANY LONGER. | IF YOU HAD WAITED ANY LONGER. |
92 | 00:05:01,117 | 00:05:03,911 | ARE YOU SURE YOU'RE NOT HAVING ANY OTHER SYMPTOMS | ARE YOU SURE YOU'RE NOT HAVING ANY OTHER SYMPTOMS |
93 | 00:05:03,953 | 00:05:06,122 | THAT YOU'RE NOT TELLING ME ABOUT? | THAT YOU'RE NOT TELLING ME ABOUT? |
94 | 00:05:06,163 | 00:05:07,665 | NO. I... | NO. I... |
95 | 00:05:07,707 | 00:05:10,876 | MAYBE A LITTLE MORE TIRED THAN NORMAL. | MAYBE A LITTLE MORE TIRED THAN NORMAL. |
96 | 00:05:10,918 | 00:05:12,503 | OK. OK. | OK. OK. |
97 | 00:05:16,173 | 00:05:17,842 | KATE WOULD POP TWO OF THESE, | KATE WOULD POP TWO OF THESE, |
98 | 00:05:17,883 | 00:05:19,385 | AND SHE'D BE BACK IN FIGHTING SHAPE. | AND SHE'D BE BACK IN FIGHTING SHAPE. |
99 | 00:05:19,427 | 00:05:21,595 | OK. COOL. BUT IF YOU'RE HURT, | OK. COOL. BUT IF YOU'RE HURT, |
100 | 00:05:21,637 | 00:05:23,556 | YOU SHOULD SIT OUT A FEW DAYS. | YOU SHOULD SIT OUT A FEW DAYS. |
101 | 00:05:23,597 | 00:05:25,057 | RIGHT. DID KATE EVER SIT OUT? | RIGHT. DID KATE EVER SIT OUT? |
102 | 00:05:25,099 | 00:05:26,851 | KATE WAS NEVER SHOT WITH ANYTHING | KATE WAS NEVER SHOT WITH ANYTHING |
103 | 00:05:26,892 | 00:05:29,395 | THAT PIERCED THROUGH THE BATSUIT, | THAT PIERCED THROUGH THE BATSUIT, |
104 | 00:05:29,437 | 00:05:32,231 | AND YOU SHOULDN'T COMPARE YOURSELF TO HER. | AND YOU SHOULDN'T COMPARE YOURSELF TO HER. |
105 | 00:05:32,273 | 00:05:35,651 | WHAT'S MY CHOICE, HUH? EVERYBODY ELSE IS. | WHAT'S MY CHOICE, HUH? EVERYBODY ELSE IS. |
106 | 00:05:35,693 | 00:05:37,778 | I KNOW YOU DON'T HAVE A TWITTER, | I KNOW YOU DON'T HAVE A TWITTER, |
107 | 00:05:37,820 | 00:05:40,823 | SO I ASSUME YOU MEAN LUKE. | SO I ASSUME YOU MEAN LUKE. |
108 | 00:05:40,865 | 00:05:43,826 | JUST DON'T TELL HIM ABOUT THIS, OK? | JUST DON'T TELL HIM ABOUT THIS, OK? |
109 | 00:05:43,868 | 00:05:45,870 | I DON'T NEED ANOTHER REASON FOR HIM NOT TO TRUST ME. | I DON'T NEED ANOTHER REASON FOR HIM NOT TO TRUST ME. |
110 | 00:05:45,911 | 00:05:48,456 | HE'S BEEN QUESTIONING EVERY DECISION I MAKE. | HE'S BEEN QUESTIONING EVERY DECISION I MAKE. |
111 | 00:05:48,497 | 00:05:50,124 | NOT TO BACKSEAT DRIVE, BUT AREN'T YOU | NOT TO BACKSEAT DRIVE, BUT AREN'T YOU |
112 | 00:05:50,166 | 00:05:52,209 | PROFICIENT IN 6 DIFFERENT FORMS OF MARTIAL ARTS? | PROFICIENT IN 6 DIFFERENT FORMS OF MARTIAL ARTS? |
113 | 00:05:52,251 | 00:05:53,794 | WHAT'S THE POINT OF JUST LEAVING HIM HERE? | WHAT'S THE POINT OF JUST LEAVING HIM HERE? |
114 | 00:05:53,836 | 00:05:56,046 | I TOLD HIM WE WANTED THE LOCATION OF CORYANA. | I TOLD HIM WE WANTED THE LOCATION OF CORYANA. |
115 | 00:05:56,088 | 00:05:57,631 | HE'LL GIVE IT UP. TAKE IT FROM A FOSTER KID. | HE'LL GIVE IT UP. TAKE IT FROM A FOSTER KID. |
116 | 00:05:57,673 | 00:05:59,592 | IT IS AMAZING HOW WELL YOU BEHAVE | IT IS AMAZING HOW WELL YOU BEHAVE |
117 | 00:05:59,633 | 00:06:01,051 | WHEN YOU ARE LITERALLY STARVING. | WHEN YOU ARE LITERALLY STARVING. |
118 | 00:06:01,093 | 00:06:02,720 | WE DON'T HAVE TIME TO WAIT HIM OUT. | WE DON'T HAVE TIME TO WAIT HIM OUT. |
119 | 00:06:02,762 | 00:06:05,139 | IF ALICE FINDS OCEAN BEFORE WE FIND CORYANA, | IF ALICE FINDS OCEAN BEFORE WE FIND CORYANA, |
120 | 00:06:05,181 | 00:06:06,557 | SAFIYAH'S GONNA GIVE KATE TO HER, | SAFIYAH'S GONNA GIVE KATE TO HER, |
121 | 00:06:06,599 | 00:06:07,933 | AND ALICE IS GOING TO KILL HER. | AND ALICE IS GOING TO KILL HER. |
122 | 00:06:07,975 | 00:06:09,602 | OK. SO DO YOUR HACKER THING | OK. SO DO YOUR HACKER THING |
123 | 00:06:09,643 | 00:06:11,187 | AND GET SOME INFO ON THE SPIKY POLE GUY | AND GET SOME INFO ON THE SPIKY POLE GUY |
124 | 00:06:11,228 | 00:06:12,730 | TO SPEED THIS UP. | TO SPEED THIS UP. |
125 | 00:06:15,065 | 00:06:16,859 | I ALREADY TRIED. | I ALREADY TRIED. |
126 | 00:06:16,901 | 00:06:18,360 | I TRACKED HIS MOVEMENTS AND CONFIRMED | I TRACKED HIS MOVEMENTS AND CONFIRMED |
127 | 00:06:18,402 | 00:06:20,196 | THAT HE WASN'T AFTER JACOB KANE. | THAT HE WASN'T AFTER JACOB KANE. |
128 | 00:06:20,237 | 00:06:21,781 | HE WAS STALKING THE GUY THAT HE KILLED IN THE ALLEY, | HE WAS STALKING THE GUY THAT HE KILLED IN THE ALLEY, |
129 | 00:06:21,822 | 00:06:23,616 | BUT THE VICTIM WAS AN INVESTMENT ANALYST | BUT THE VICTIM WAS AN INVESTMENT ANALYST |
130 | 00:06:23,657 | 00:06:25,117 | AT GOTHAM CAPITAL WITH NO RECORD. | AT GOTHAM CAPITAL WITH NO RECORD. |
131 | 00:06:25,159 | 00:06:27,578 | WHAT'S HE GOT TO DO WITH CORYANA? | WHAT'S HE GOT TO DO WITH CORYANA? |
132 | 00:06:27,620 | 00:06:29,246 | SIR, I'M NOT DEFENDING HER ACTIONS, | SIR, I'M NOT DEFENDING HER ACTIONS, |
133 | 00:06:29,288 | 00:06:31,916 | BUT MY GUESS IS SHE'S AFTER WHAT WE'RE AFTER-- | BUT MY GUESS IS SHE'S AFTER WHAT WE'RE AFTER-- |
134 | 00:06:31,957 | 00:06:33,417 | KATE'S LOCATION. | KATE'S LOCATION. |
135 | 00:06:33,459 | 00:06:35,336 | LET HER KEEP SAFIYAH'S THUG. | LET HER KEEP SAFIYAH'S THUG. |
136 | 00:06:35,377 | 00:06:37,463 | WE GOT A NEW LEAD ON THE NAPIER-- | WE GOT A NEW LEAD ON THE NAPIER-- |
137 | 00:06:37,505 | 00:06:39,673 | EVAN BLAKE, OLD FRIEND OF KATE'S | EVAN BLAKE, OLD FRIEND OF KATE'S |
138 | 00:06:39,715 | 00:06:41,175 | AND A FIXTURE ON THE GOTHAM ART SCENE. | AND A FIXTURE ON THE GOTHAM ART SCENE. |
139 | 00:06:41,217 | 00:06:43,135 | JUST FLEW BACK FROM A TRIP TO BERLIN. | JUST FLEW BACK FROM A TRIP TO BERLIN. |
140 | 00:06:43,177 | 00:06:45,137 | HE WAS CAUGHT A COUPLE OF YEARS AGO | HE WAS CAUGHT A COUPLE OF YEARS AGO |
141 | 00:06:45,179 | 00:06:48,015 | WITH PLUNDERED ARTIFACT AND FORCED TO PAY RESTITUTION. | WITH PLUNDERED ARTIFACT AND FORCED TO PAY RESTITUTION. |
142 | 00:06:48,057 | 00:06:51,101 | IN OTHER WORDS, A LIKELY MEMBER OF THE COLLECTIVE | IN OTHER WORDS, A LIKELY MEMBER OF THE COLLECTIVE |
143 | 00:06:51,143 | 00:06:53,062 | WHO MIGHT COOPERATE. | WHO MIGHT COOPERATE. |
144 | 00:06:53,103 | 00:06:55,815 | COMMANDER, YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY. | COMMANDER, YOU'RE UNDERSELLING OUR ENTIRE ORIGIN STORY. |
145 | 00:06:55,856 | 00:06:57,775 | KATIE KANE SAVED MY LIFE. | KATIE KANE SAVED MY LIFE. |
146 | 00:06:57,817 | 00:06:59,902 | REALLY? GOTHAM PREP. | REALLY? GOTHAM PREP. |
147 | 00:06:59,944 | 00:07:01,529 | IT'S EIGHTH GRADE, AND THE WINTER FORMAL | IT'S EIGHTH GRADE, AND THE WINTER FORMAL |
148 | 00:07:01,570 | 00:07:03,405 | IS A MULTIVERSE SHATTERING CRISIS | IS A MULTIVERSE SHATTERING CRISIS |
149 | 00:07:03,447 | 00:07:05,449 | BECAUSE I'M "STRAIGHT." | BECAUSE I'M "STRAIGHT." |
150 | 00:07:05,491 | 00:07:06,951 | KATE WAS WAY OUT BY THEN, | KATE WAS WAY OUT BY THEN, |
151 | 00:07:06,992 | 00:07:08,619 | I HAD THIS TRAGIC CRUSH, | I HAD THIS TRAGIC CRUSH, |
152 | 00:07:08,661 | 00:07:10,454 | AND I ASKED HER TO THE DANCE. | AND I ASKED HER TO THE DANCE. |
153 | 00:07:10,496 | 00:07:12,456 | I'M SURE SHE WANTED TO ROLL HER EYES SO HARD, | I'M SURE SHE WANTED TO ROLL HER EYES SO HARD, |
154 | 00:07:12,498 | 00:07:14,834 | BUT WITH THE GRACE OF A SAINT, | BUT WITH THE GRACE OF A SAINT, |
155 | 00:07:14,875 | 00:07:16,460 | SHE SAID YES. | SHE SAID YES. |
156 | 00:07:16,502 | 00:07:17,962 | THE ONLY TIME YOU'LL EVER HEAR TEENAGE KATE | THE ONLY TIME YOU'LL EVER HEAR TEENAGE KATE |
157 | 00:07:18,003 | 00:07:19,463 | DESCRIBED AS A SAINT. | DESCRIBED AS A SAINT. |
158 | 00:07:19,505 | 00:07:21,006 | MY PARENTS TAKE ME TO PICK HER UP, | MY PARENTS TAKE ME TO PICK HER UP, |
159 | 00:07:21,048 | 00:07:22,508 | AND KATE IS JAW-DROPPING | AND KATE IS JAW-DROPPING |
160 | 00:07:22,550 | 00:07:25,344 | IN THIS TAILORED VELVET SUIT, | IN THIS TAILORED VELVET SUIT, |
161 | 00:07:25,386 | 00:07:27,388 | JUST RADIATING QUEER CONFIDENCE. | JUST RADIATING QUEER CONFIDENCE. |
162 | 00:07:27,429 | 00:07:29,932 | I ON THE OTHER HAND DISSOLVE INTO A MONSOON OF TEARS. | I ON THE OTHER HAND DISSOLVE INTO A MONSOON OF TEARS. |
163 | 00:07:29,974 | 00:07:31,767 | KATE RACES ME UP TO HER BEDROOM, | KATE RACES ME UP TO HER BEDROOM, |
164 | 00:07:31,809 | 00:07:33,227 | AND WE GO THROUGH THE WHOLE THING. | AND WE GO THROUGH THE WHOLE THING. |
165 | 00:07:33,269 | 00:07:35,271 | "I'M GAY." "I KNOW." | "I'M GAY." "I KNOW." |
166 | 00:07:35,312 | 00:07:36,981 | WE MAKE IT TO THE DANCE, | WE MAKE IT TO THE DANCE, |
167 | 00:07:37,022 | 00:07:39,275 | AND I CAME OUT BY DEFAULT | AND I CAME OUT BY DEFAULT |
168 | 00:07:39,316 | 00:07:41,485 | BECAUSE I WORE KATE'S ALEXANDER McQUEEN | BECAUSE I WORE KATE'S ALEXANDER McQUEEN |
169 | 00:07:41,527 | 00:07:43,237 | OFF-THE-SHOULDER MINI, | OFF-THE-SHOULDER MINI, |
170 | 00:07:43,279 | 00:07:45,573 | WHICH BEGGED A LOT OF QUESTIONS, | WHICH BEGGED A LOT OF QUESTIONS, |
171 | 00:07:45,614 | 00:07:48,450 | BUT I WASN'T AFRAID ANYMORE. | BUT I WASN'T AFRAID ANYMORE. |
172 | 00:07:48,492 | 00:07:51,120 | I WAS GLOWING, | I WAS GLOWING, |
173 | 00:07:51,161 | 00:07:55,082 | AND THEN KATE DITCHED ME TO MAKE OUT WITH MAGGIE WATSON. | AND THEN KATE DITCHED ME TO MAKE OUT WITH MAGGIE WATSON. |
174 | 00:07:55,124 | 00:07:57,334 | SOUNDS LIKE OUR GIRL. | SOUNDS LIKE OUR GIRL. |
175 | 00:07:57,376 | 00:08:00,838 | SO YOU NEED MY HELP WITH KATE'S DISAPPEARANCE. | SO YOU NEED MY HELP WITH KATE'S DISAPPEARANCE. |
176 | 00:08:00,880 | 00:08:02,381 | I'M HERE FOR YOU. | I'M HERE FOR YOU. |
177 | 00:08:02,423 | 00:08:04,300 | KATE WAS LOOKING FOR A PIECE OF ARTWORK, | KATE WAS LOOKING FOR A PIECE OF ARTWORK, |
178 | 00:08:04,341 | 00:08:06,135 | SOMETHING THAT MAY HAVE GOTTEN HER | SOMETHING THAT MAY HAVE GOTTEN HER |
179 | 00:08:06,176 | 00:08:07,845 | ON THE WRONG SIDE OF SOMEONE VERY DANGEROUS. | ON THE WRONG SIDE OF SOMEONE VERY DANGEROUS. |
180 | 00:08:07,887 | 00:08:09,722 | OUR THEORY IS IF WE FIND THE ITEM | OUR THEORY IS IF WE FIND THE ITEM |
181 | 00:08:09,763 | 00:08:11,307 | IT WILL LEAD US TO HER CAPTOR. | IT WILL LEAD US TO HER CAPTOR. |
182 | 00:08:11,348 | 00:08:13,559 | WELL, YOU'VE COME TO THE RIGHT ART SNOB. | WELL, YOU'VE COME TO THE RIGHT ART SNOB. |
183 | 00:08:13,601 | 00:08:16,312 | I WAS SENIOR EDITOR AT THE GOTHAM MUSEUM OF ANTIQUITIES, | I WAS SENIOR EDITOR AT THE GOTHAM MUSEUM OF ANTIQUITIES, |
184 | 00:08:16,353 | 00:08:18,397 | I CURATE MY OWN PRIVATE COLLECTIONS, | I CURATE MY OWN PRIVATE COLLECTIONS, |
185 | 00:08:18,439 | 00:08:21,108 | I'VE GOT MY HANDS IN A BIT OF EVERYTHING. | I'VE GOT MY HANDS IN A BIT OF EVERYTHING. |
186 | 00:08:21,150 | 00:08:24,236 | YEAH. WE KNOW. AGENT MOORE. | YEAH. WE KNOW. AGENT MOORE. |
187 | 00:08:24,278 | 00:08:26,989 | KATE WAS LOOKING FOR A CANVAS PAINTED BY JACK NAPIER, | KATE WAS LOOKING FOR A CANVAS PAINTED BY JACK NAPIER, |
188 | 00:08:27,031 | 00:08:28,490 | ALIAS THE JOKER. | ALIAS THE JOKER. |
189 | 00:08:28,532 | 00:08:29,992 | YOU'RE AWARE OF IT, YES? | YOU'RE AWARE OF IT, YES? |
190 | 00:08:30,034 | 00:08:31,952 | I KNOW THE LEGEND. | I KNOW THE LEGEND. |
191 | 00:08:31,994 | 00:08:33,996 | PSYCHOTIC EVILDOER BREAKS INTO HOME, | PSYCHOTIC EVILDOER BREAKS INTO HOME, |
192 | 00:08:34,038 | 00:08:36,373 | SPLASHES HOMEOWNER'S GUTS ALL OVER SOME OLD PAINTING | SPLASHES HOMEOWNER'S GUTS ALL OVER SOME OLD PAINTING |
193 | 00:08:36,415 | 00:08:39,293 | IN THE FOYER AND CALLS IT MODERN ART. | IN THE FOYER AND CALLS IT MODERN ART. |
194 | 00:08:39,335 | 00:08:40,920 | IT'S A BIT ON THE NOSE IF YOU ASK ME. | IT'S A BIT ON THE NOSE IF YOU ASK ME. |
195 | 00:08:40,961 | 00:08:43,297 | NOT TO MENTION ILLEGAL TO BUY, SELL, OR POSSESS | NOT TO MENTION ILLEGAL TO BUY, SELL, OR POSSESS |
196 | 00:08:43,339 | 00:08:46,091 | SINCE IT WAS STOLEN FROM AN ACTIVE CRIME SCENE. | SINCE IT WAS STOLEN FROM AN ACTIVE CRIME SCENE. |
197 | 00:08:46,133 | 00:08:47,843 | I'M SORRY. SHOULD THERE BE A HARSH LIGHT | I'M SORRY. SHOULD THERE BE A HARSH LIGHT |
198 | 00:08:47,885 | 00:08:50,304 | SHINING IN MY EYES RIGHT NOW? | SHINING IN MY EYES RIGHT NOW? |
199 | 00:08:50,346 | 00:08:53,807 | BECAUSE THE KATE I KNEW NEVER GAVE A CRAP ABOUT ART, | BECAUSE THE KATE I KNEW NEVER GAVE A CRAP ABOUT ART, |
200 | 00:08:53,849 | 00:08:55,726 | AND I HAVEN'T SPOKEN WITH HER IN YEARS. | AND I HAVEN'T SPOKEN WITH HER IN YEARS. |
201 | 00:08:55,768 | 00:08:57,978 | WE HAVE REASON TO BELIEVE THAT YOU'RE AFFILIATED | WE HAVE REASON TO BELIEVE THAT YOU'RE AFFILIATED |
202 | 00:08:58,020 | 00:09:00,439 | WITH THE COLLECTIVE. | WITH THE COLLECTIVE. |
203 | 00:09:00,481 | 00:09:01,815 | HEH. | HEH. |
204 | 00:09:01,857 | 00:09:03,192 | WE'LL WORK TO GET YOU FULL IMMUNITY | WE'LL WORK TO GET YOU FULL IMMUNITY |
205 | 00:09:03,233 | 00:09:04,818 | IF YOU HELP US MAKE CONTACT. | IF YOU HELP US MAKE CONTACT. |
206 | 00:09:04,860 | 00:09:07,488 | IMMUNITY FROM WHAT, MS. MOORE? | IMMUNITY FROM WHAT, MS. MOORE? |
207 | 00:09:07,529 | 00:09:09,031 | I'M A PERFECT ANGEL. | I'M A PERFECT ANGEL. |
208 | 00:09:09,073 | 00:09:11,075 | I THOUGHT YOU WERE HERE FRIEND. | I THOUGHT YOU WERE HERE FRIEND. |
209 | 00:09:11,116 | 00:09:14,662 | I LOVE KATIE, BUT THIS FEELS LIKE ENTRAPMENT. | I LOVE KATIE, BUT THIS FEELS LIKE ENTRAPMENT. |
210 | 00:09:14,703 | 00:09:16,789 | IF YOU NEED TO CONTACT ME AGAIN, | IF YOU NEED TO CONTACT ME AGAIN, |
211 | 00:09:16,830 | 00:09:18,874 | I'LL REFER YOU TO MY LAWYERS. | I'LL REFER YOU TO MY LAWYERS. |
212 | 00:09:25,130 | 00:09:28,008 | I WANT ALL OUR TECH INSIDE EVERY DEVICE EVAN OWNS, | I WANT ALL OUR TECH INSIDE EVERY DEVICE EVAN OWNS, |
213 | 00:09:28,050 | 00:09:31,011 | ROUND-THE-CLOCK REVOLVING TAILS. | ROUND-THE-CLOCK REVOLVING TAILS. |
214 | 00:09:31,053 | 00:09:33,013 | YES, SIR, BUT THERE COULD BE | YES, SIR, BUT THERE COULD BE |
215 | 00:09:33,055 | 00:09:35,224 | AN EASIER WAY TO LOCATE CORYANA-- | AN EASIER WAY TO LOCATE CORYANA-- |
216 | 00:09:35,265 | 00:09:37,267 | WITH BATWOMAN'S HELP. | WITH BATWOMAN'S HELP. |
217 | 00:09:37,309 | 00:09:39,603 | LET ME ASK HER FOR ACCESS TO HER PRISONER. | LET ME ASK HER FOR ACCESS TO HER PRISONER. |
218 | 00:09:39,645 | 00:09:41,563 | BATWOMAN OR WHOEVER IT IS | BATWOMAN OR WHOEVER IT IS |
219 | 00:09:41,605 | 00:09:43,232 | WHO STEPPED IN FOR MY DAUGHTER, | WHO STEPPED IN FOR MY DAUGHTER, |
220 | 00:09:43,273 | 00:09:45,734 | I AM NOT GONNA GROVEL AT HER FEET. | I AM NOT GONNA GROVEL AT HER FEET. |
221 | 00:09:45,776 | 00:09:47,111 | THEN LET ME DO IT | THEN LET ME DO IT |
222 | 00:09:47,152 | 00:09:49,196 | OR AT LEAST ASK NICELY | OR AT LEAST ASK NICELY |
223 | 00:09:49,238 | 00:09:51,365 | BECAUSE ALICE WILL DO A LOT WORSE THAN GROVEL | BECAUSE ALICE WILL DO A LOT WORSE THAN GROVEL |
224 | 00:09:51,407 | 00:09:53,325 | TO FIND KATE BEFORE WE DO. | TO FIND KATE BEFORE WE DO. |
225 | 00:10:16,557 | 00:10:18,225 | OCEAN. | OCEAN. |
226 | 00:10:21,311 | 00:10:23,063 | HI. | HI. |
227 | 00:10:23,105 | 00:10:24,440 | HI. | HI. |
228 | 00:10:32,781 | 00:10:35,034 | WHAT DO YOU CALL IT WHEN YOU'RE SURE | WHAT DO YOU CALL IT WHEN YOU'RE SURE |
229 | 00:10:35,075 | 00:10:37,244 | YOU'VE MET SOMEONE... | YOU'VE MET SOMEONE... |
230 | 00:10:38,912 | 00:10:41,290 | YOU'RE SURE YOU'VE NEVER MET? | YOU'RE SURE YOU'VE NEVER MET? |
231 | 00:10:46,295 | 00:10:48,255 | A STAY OF EXECUTION. | A STAY OF EXECUTION. |
232 | 00:10:55,971 | 00:10:57,973 | VODKA ON THE ROCKS. | VODKA ON THE ROCKS. |
233 | 00:11:03,562 | 00:11:06,106 | VISITING FROM GOTHAM? | VISITING FROM GOTHAM? |
234 | 00:11:06,148 | 00:11:10,319 | WHY? DO I LOOK DEPRESSED? | WHY? DO I LOOK DEPRESSED? |
235 | 00:11:10,360 | 00:11:13,197 | YOU'VE GOT THE SOPHISTICATION OF A CITY MOUSE. | YOU'VE GOT THE SOPHISTICATION OF A CITY MOUSE. |
236 | 00:11:13,238 | 00:11:19,828 | HEH. MOUSE. AHEM. TOUCHY SUBJECT. | HEH. MOUSE. AHEM. TOUCHY SUBJECT. |
237 | 00:11:19,870 | 00:11:22,122 | DON'T YOU THINK MICE ARE CUTE? | DON'T YOU THINK MICE ARE CUTE? |
238 | 00:11:24,124 | 00:11:27,503 | I HAD A MOUSE IN MY LIFE. | I HAD A MOUSE IN MY LIFE. |
239 | 00:11:27,544 | 00:11:29,630 | I LOVED HIM LIKE A BROTHER, | I LOVED HIM LIKE A BROTHER, |
240 | 00:11:29,671 | 00:11:31,173 | AND WHEN HE STARTED HOLDING ME BACK | AND WHEN HE STARTED HOLDING ME BACK |
241 | 00:11:31,215 | 00:11:34,093 | FROM MY DREAMS, I KILLED HIM. | FROM MY DREAMS, I KILLED HIM. |
242 | 00:11:34,134 | 00:11:35,677 | HEH. | HEH. |
243 | 00:11:39,098 | 00:11:41,266 | SHOOT. UM... | SHOOT. UM... |
244 | 00:11:42,643 | 00:11:45,395 | I THINK IT'S MY TURN TO, UH... | I THINK IT'S MY TURN TO, UH... |
245 | 00:11:53,737 | 00:11:57,658 | THAT IS THE FASTEST I'VE EVER SEEN HIM TAKE THE HINT. | THAT IS THE FASTEST I'VE EVER SEEN HIM TAKE THE HINT. |
246 | 00:11:57,699 | 00:11:59,535 | CAN I JOIN YOU | CAN I JOIN YOU |
247 | 00:11:59,576 | 00:12:02,621 | IN CASE HE DECIDES TO TRY IT AGAIN? | IN CASE HE DECIDES TO TRY IT AGAIN? |
248 | 00:12:02,663 | 00:12:04,665 | PRETTY SURE HE'S IN THE NEXT COUNTY BY NOW, | PRETTY SURE HE'S IN THE NEXT COUNTY BY NOW, |
249 | 00:12:04,706 | 00:12:07,084 | BUT BY ALL MEANS. | BUT BY ALL MEANS. |
250 | 00:12:27,437 | 00:12:29,815 | LAST TIME I CAME HERE TO MEET A BATWOMAN, | LAST TIME I CAME HERE TO MEET A BATWOMAN, |
251 | 00:12:29,857 | 00:12:33,443 | THE VIBES... WERE DIFFERENT. | THE VIBES... WERE DIFFERENT. |
252 | 00:12:33,485 | 00:12:36,196 | PLEASE SAY THIS ISN'T A BOOTY CALL. | PLEASE SAY THIS ISN'T A BOOTY CALL. |
253 | 00:12:36,238 | 00:12:38,991 | LOOK. I DON'T KNOW WHERE YOU GOT THIS IDEA | LOOK. I DON'T KNOW WHERE YOU GOT THIS IDEA |
254 | 00:12:39,032 | 00:12:40,868 | THAT ALL CROWS ARE BASTARDS, | THAT ALL CROWS ARE BASTARDS, |
255 | 00:12:40,909 | 00:12:42,536 | BUT SOME OF US ARE TRYING TO MAKE A DIFFERENCE. | BUT SOME OF US ARE TRYING TO MAKE A DIFFERENCE. |
256 | 00:12:42,578 | 00:12:44,580 | WELL, IN MY EXPERIENCE, WHEN THE CROWS FLY TOGETHER, | WELL, IN MY EXPERIENCE, WHEN THE CROWS FLY TOGETHER, |
257 | 00:12:44,621 | 00:12:46,748 | THEY CALL IT A MURDER FOR A REASON. | THEY CALL IT A MURDER FOR A REASON. |
258 | 00:12:46,790 | 00:12:48,750 | I WANT TO OFFER YOU A DEAL. | I WANT TO OFFER YOU A DEAL. |
259 | 00:12:48,792 | 00:12:50,919 | YOU GET EVERYTHING WE KNOW ABOUT SAFIYAH AND CORYANA, | YOU GET EVERYTHING WE KNOW ABOUT SAFIYAH AND CORYANA, |
260 | 00:12:50,961 | 00:12:52,963 | AND WE GET ACCESS TO YOUR PRISONER. | AND WE GET ACCESS TO YOUR PRISONER. |
261 | 00:12:53,005 | 00:12:54,923 | SO YOU CAN BEAT HIM WITHIN AN INCH OF HIS LIFE. | SO YOU CAN BEAT HIM WITHIN AN INCH OF HIS LIFE. |
262 | 00:12:54,965 | 00:12:57,509 | HE'S A MURDERER WHO KNOWS WHERE KATE'S BEING HELD. | HE'S A MURDERER WHO KNOWS WHERE KATE'S BEING HELD. |
263 | 00:12:57,551 | 00:12:59,553 | I'LL THINK ABOUT IT. YOU SHOULD BE DOING | I'LL THINK ABOUT IT. YOU SHOULD BE DOING |
264 | 00:12:59,595 | 00:13:01,346 | EVERYTHING IN YOUR POWER TO HELP KATE. | EVERYTHING IN YOUR POWER TO HELP KATE. |
265 | 00:13:01,388 | 00:13:04,349 | I DON'T NEED A CROW TELLING ME HOW TO DO MY JOB. | I DON'T NEED A CROW TELLING ME HOW TO DO MY JOB. |
266 | 00:13:04,391 | 00:13:07,811 | I'M NOT SPEAKING TO YOU AS A CROW. | I'M NOT SPEAKING TO YOU AS A CROW. |
267 | 00:13:07,853 | 00:13:10,397 | KATE'S THE LOVE OF MY LIFE, | KATE'S THE LOVE OF MY LIFE, |
268 | 00:13:10,439 | 00:13:12,900 | AND I NEED YOUR HELP TO GET HER BACK. | AND I NEED YOUR HELP TO GET HER BACK. |
269 | 00:13:26,246 | 00:13:27,664 | HELL TO THE NO. NO. | HELL TO THE NO. NO. |
270 | 00:13:27,706 | 00:13:29,208 | WORKING WITH THE CROWS MAKES MY SKIN CRAWL. | WORKING WITH THE CROWS MAKES MY SKIN CRAWL. |
271 | 00:13:29,249 | 00:13:31,084 | SCREW THAT. NO. | SCREW THAT. NO. |
272 | 00:13:31,126 | 00:13:32,920 | IT'S NOT LIKE WE'RE HOSTING THEM A FUNDRAISER. | IT'S NOT LIKE WE'RE HOSTING THEM A FUNDRAISER. |
273 | 00:13:32,961 | 00:13:35,339 | TRUST ME. WE MAKE A DEAL THAT SOUNDS GOOD, | TRUST ME. WE MAKE A DEAL THAT SOUNDS GOOD, |
274 | 00:13:35,380 | 00:13:36,632 | THEY'LL BREAK IT. | THEY'LL BREAK IT. |
275 | 00:13:36,673 | 00:13:38,217 | NOT IF WE'RE DEALING WITH SOPHIE. | NOT IF WE'RE DEALING WITH SOPHIE. |
276 | 00:13:38,258 | 00:13:40,010 | SOPHIE HAS HAULED MY ASS IN FOR QUESTIONING | SOPHIE HAS HAULED MY ASS IN FOR QUESTIONING |
277 | 00:13:40,052 | 00:13:44,223 | SO MANY TIMES SHE KNOWS MY DAMN COFFEE ORDER. NO! | SO MANY TIMES SHE KNOWS MY DAMN COFFEE ORDER. NO! |
278 | 00:13:44,264 | 00:13:47,059 | WILL YOU TALK SOME SENSE INTO HER, PLEASE? | WILL YOU TALK SOME SENSE INTO HER, PLEASE? |
279 | 00:13:47,100 | 00:13:49,728 | WE'RE AT A DEAD END, RYAN. LOOK. I'M SORRY, | WE'RE AT A DEAD END, RYAN. LOOK. I'M SORRY, |
280 | 00:13:49,770 | 00:13:52,105 | BUT YOU'RE OUTVOTED. | BUT YOU'RE OUTVOTED. |
281 | 00:13:52,147 | 00:13:54,816 | I GET IT. YOU WANT KATE BACK, | I GET IT. YOU WANT KATE BACK, |
282 | 00:13:54,858 | 00:13:58,445 | BUT THE CROWS HAVE TRIED TO RUIN MY LIFE FOR FUN. | BUT THE CROWS HAVE TRIED TO RUIN MY LIFE FOR FUN. |
283 | 00:13:58,487 | 00:14:00,197 | I'M NOT HELPING THEM! | I'M NOT HELPING THEM! |
284 | 00:14:18,548 | 00:14:21,969 | OK. SO. | OK. SO. |
285 | 00:14:22,010 | 00:14:24,304 | CROWS HORROR STORIES. | CROWS HORROR STORIES. |
286 | 00:14:24,346 | 00:14:26,181 | YOU WANT ME TO GO, OR... | YOU WANT ME TO GO, OR... |
287 | 00:14:26,223 | 00:14:28,642 | DO YOU WANT TO DO YOUR FIRST? | DO YOU WANT TO DO YOUR FIRST? |
288 | 00:14:28,684 | 00:14:33,939 | MY GIRL ANGELIQUE HAD A DRUG HABIT, | MY GIRL ANGELIQUE HAD A DRUG HABIT, |
289 | 00:14:33,981 | 00:14:37,776 | AND ON A VERY UGLY NIGHT, | AND ON A VERY UGLY NIGHT, |
290 | 00:14:37,818 | 00:14:41,905 | SHE WAS GONE, LIKE A DIFFERENT PERSON, | SHE WAS GONE, LIKE A DIFFERENT PERSON, |
291 | 00:14:41,947 | 00:14:44,074 | SO I FOUND HER STASH, AND I TOOK IT, | SO I FOUND HER STASH, AND I TOOK IT, |
292 | 00:14:44,116 | 00:14:47,577 | THINKING I COULD SOMEHOW STRAIGHTEN HER OUT, | THINKING I COULD SOMEHOW STRAIGHTEN HER OUT, |
293 | 00:14:47,619 | 00:14:51,540 | BRING HER BACK. | BRING HER BACK. |
294 | 00:14:51,581 | 00:14:54,668 | I'M ON THE STREET, CRYING, | I'M ON THE STREET, CRYING, |
295 | 00:14:54,710 | 00:14:56,461 | NO QUESTION WHAT KIND OF NIGHT I'M HAVING, | NO QUESTION WHAT KIND OF NIGHT I'M HAVING, |
296 | 00:14:56,503 | 00:14:58,964 | AND I PASS THESE TWO CROWS, | AND I PASS THESE TWO CROWS, |
297 | 00:14:59,006 | 00:15:01,550 | AND ONE OF THEM YELLS OUT, | AND ONE OF THEM YELLS OUT, |
298 | 00:15:01,591 | 00:15:05,304 | "YOU'D BE CUTER WITH A SMILE ON YOUR FACE." | "YOU'D BE CUTER WITH A SMILE ON YOUR FACE." |
299 | 00:15:05,345 | 00:15:07,639 | AND MY MAMA TOLD ME WHAT TO DO ABOUT IT. | AND MY MAMA TOLD ME WHAT TO DO ABOUT IT. |
300 | 00:15:07,681 | 00:15:10,559 | I PAY THEM NO MIND AND KEEP MOVING, | I PAY THEM NO MIND AND KEEP MOVING, |
301 | 00:15:10,600 | 00:15:13,437 | BUT THEY--THEY WOULDN'T LET ME GO, | BUT THEY--THEY WOULDN'T LET ME GO, |
302 | 00:15:13,478 | 00:15:16,398 | SO MY HAND WENT OUT, MY FINGER WENT UP, AND BOOM, | SO MY HAND WENT OUT, MY FINGER WENT UP, AND BOOM, |
303 | 00:15:16,440 | 00:15:18,108 | THOSE CROWS HAD WHAT THEY WANTED. | THOSE CROWS HAD WHAT THEY WANTED. |
304 | 00:15:18,150 | 00:15:22,446 | THEY FOUND THE DRUGS AND THOUGHT THEY WERE YOURS. | THEY FOUND THE DRUGS AND THOUGHT THEY WERE YOURS. |
305 | 00:15:22,487 | 00:15:24,823 | SORRY THAT HAPPENED TO YOU. | SORRY THAT HAPPENED TO YOU. |
306 | 00:15:24,865 | 00:15:27,534 | WHAT WAS YOURS? | WHAT WAS YOURS? |
307 | 00:15:27,576 | 00:15:30,871 | UM...THE CROWS... | UM...THE CROWS... |
308 | 00:15:34,166 | 00:15:37,419 | KILLED MY FATHER. | KILLED MY FATHER. |
309 | 00:15:37,461 | 00:15:40,130 | WAIT. WHAT? | WAIT. WHAT? |
310 | 00:15:40,172 | 00:15:42,007 | REALLY? | REALLY? |
311 | 00:15:42,049 | 00:15:43,675 | REALLY. | REALLY. |
312 | 00:15:45,886 | 00:15:47,679 | IT'S, UH, NOT A STORY FOR TODAY, | IT'S, UH, NOT A STORY FOR TODAY, |
313 | 00:15:47,721 | 00:15:51,308 | BUT, UM... | BUT, UM... |
314 | 00:15:51,350 | 00:15:53,810 | IT'S THE WORST THING THAT EVER HAPPENED TO ME. | IT'S THE WORST THING THAT EVER HAPPENED TO ME. |
315 | 00:16:05,572 | 00:16:07,783 | I SHOULD HAVE LET YOU GO FIRST. | I SHOULD HAVE LET YOU GO FIRST. |
316 | 00:16:12,788 | 00:16:16,166 | LOOK. I WILL NEVER FORGIVE THEM, | LOOK. I WILL NEVER FORGIVE THEM, |
317 | 00:16:16,208 | 00:16:20,087 | AND I DON'T WANT TO HELP THE CROWS EITHER, | AND I DON'T WANT TO HELP THE CROWS EITHER, |
318 | 00:16:20,128 | 00:16:23,799 | BUT WE NEED THEM TO HELP US. | BUT WE NEED THEM TO HELP US. |
319 | 00:16:33,558 | 00:16:35,352 | REMEMBER, THIS ISN'T PUNISHMENT | REMEMBER, THIS ISN'T PUNISHMENT |
320 | 00:16:35,394 | 00:16:36,895 | JUST FOR THE SAKE OF IT. | JUST FOR THE SAKE OF IT. |
321 | 00:16:36,937 | 00:16:39,523 | GIVEN THIS MURDERER EVERY OPPORTUNITY TO TALK, | GIVEN THIS MURDERER EVERY OPPORTUNITY TO TALK, |
322 | 00:16:39,564 | 00:16:42,359 | SO UNLESS YOU HAVE ANY OTHER IDEAS, | SO UNLESS YOU HAVE ANY OTHER IDEAS, |
323 | 00:16:42,401 | 00:16:45,737 | IT'S TIME TO TAKE THIS TO THE NEXT LEVEL. | IT'S TIME TO TAKE THIS TO THE NEXT LEVEL. |
324 | 00:16:45,779 | 00:16:47,697 | YOU'VE GOT SOME CHOICES. | YOU'VE GOT SOME CHOICES. |
325 | 00:16:47,739 | 00:16:50,700 | YOU CAN GIVE US THE LOCATION OF CORYANA... | YOU CAN GIVE US THE LOCATION OF CORYANA... |
326 | 00:16:50,742 | 00:16:52,369 | UNH! | UNH! |
327 | 00:16:52,411 | 00:16:53,995 | YOU CAN GET US IN TOUCH WITH SAFIYAH | YOU CAN GET US IN TOUCH WITH SAFIYAH |
328 | 00:16:54,037 | 00:16:57,207 | OR THE MAN KNOWN AS OCEAN. | OR THE MAN KNOWN AS OCEAN. |
329 | 00:16:57,249 | 00:17:00,210 | HELP US FIND THE NAPIER PAINTING. | HELP US FIND THE NAPIER PAINTING. |
330 | 00:17:02,212 | 00:17:04,131 | LISTEN TO ME. IT IS NOT WORTH | LISTEN TO ME. IT IS NOT WORTH |
331 | 00:17:04,172 | 00:17:05,590 | WHAT THEY'RE GONNA DO TO YOU. | WHAT THEY'RE GONNA DO TO YOU. |
332 | 00:17:05,632 | 00:17:07,134 | THE MANY ARMS WILL KILL WHOEVER | THE MANY ARMS WILL KILL WHOEVER |
333 | 00:17:07,175 | 00:17:09,177 | LAYS HANDS ON THAT PAINTING. | LAYS HANDS ON THAT PAINTING. |
334 | 00:17:09,219 | 00:17:12,139 | YOU'LL NEVER FIND CORYANA. | YOU'LL NEVER FIND CORYANA. |
335 | 00:17:12,180 | 00:17:14,349 | I NEVER SAID THE TWO WERE RELATED. | I NEVER SAID THE TWO WERE RELATED. |
336 | 00:17:16,518 | 00:17:19,521 | THE PAINTING GETS US TO CORYANA? IS IT A MAP? | THE PAINTING GETS US TO CORYANA? IS IT A MAP? |
337 | 00:17:27,028 | 00:17:28,864 | CYANIDE CAPSULE! LET'S GET HIM DOWN! | CYANIDE CAPSULE! LET'S GET HIM DOWN! |
338 | 00:17:28,905 | 00:17:31,158 | IT'S TOO LATE. IT'S TOO LATE. | IT'S TOO LATE. IT'S TOO LATE. |
339 | 00:17:36,371 | 00:17:37,664 | KANE PUSHED HIM TOO HARD, | KANE PUSHED HIM TOO HARD, |
340 | 00:17:37,706 | 00:17:39,166 | AND NOW WE'RE AT A DEAD END. | AND NOW WE'RE AT A DEAD END. |
341 | 00:17:39,207 | 00:17:41,251 | MAYBE NOT. | MAYBE NOT. |
342 | 00:17:41,293 | 00:17:43,420 | WE'VE BEEN SURVEILLING A SUSPECT WE LINKED TO THE NAPIER, | WE'VE BEEN SURVEILLING A SUSPECT WE LINKED TO THE NAPIER, |
343 | 00:17:43,462 | 00:17:45,839 | AND WE JUST GOT A HIT ON ITS LOCATION. | AND WE JUST GOT A HIT ON ITS LOCATION. |
344 | 00:17:45,881 | 00:17:47,591 | A GROUP CALLED THE COLLECTIVE | A GROUP CALLED THE COLLECTIVE |
345 | 00:17:47,632 | 00:17:49,509 | IS HAVING A SPECIAL EXHIBITION TOMORROW NIGHT | IS HAVING A SPECIAL EXHIBITION TOMORROW NIGHT |
346 | 00:17:49,551 | 00:17:51,428 | TO AUCTION THE PAINTING OFF. | TO AUCTION THE PAINTING OFF. |
347 | 00:17:51,470 | 00:17:53,388 | WHY NOW? | WHY NOW? |
348 | 00:17:53,430 | 00:17:54,931 | WORD MUST HAVE GOTTEN BACK TO THE OWNER | WORD MUST HAVE GOTTEN BACK TO THE OWNER |
349 | 00:17:54,973 | 00:17:56,516 | ABOUT THE BODY THAT DROPPED THE OTHER NIGHT. | ABOUT THE BODY THAT DROPPED THE OTHER NIGHT. |
350 | 00:17:56,558 | 00:17:59,227 | TOO MUCH HEAT. | TOO MUCH HEAT. |
351 | 00:17:59,269 | 00:18:00,729 | YOU DOING ANYTHING TOMORROW NIGHT? | YOU DOING ANYTHING TOMORROW NIGHT? |
352 | 00:18:00,770 | 00:18:02,606 | YOU LOOKING FOR A DATE TO THIS THING? | YOU LOOKING FOR A DATE TO THIS THING? |
353 | 00:18:02,647 | 00:18:04,608 | WE DON'T HAVE AN INSIDER, | WE DON'T HAVE AN INSIDER, |
354 | 00:18:04,649 | 00:18:06,693 | BUT WE NEED SOMEONE WITH NO CONNECTION TO THE CROWS | BUT WE NEED SOMEONE WITH NO CONNECTION TO THE CROWS |
355 | 00:18:06,735 | 00:18:08,570 | WHO CAN INFILTRATE THE EVENT | WHO CAN INFILTRATE THE EVENT |
356 | 00:18:08,612 | 00:18:12,991 | AND GRAB THE NAPIER WITHOUT GETTING CAUGHT. | AND GRAB THE NAPIER WITHOUT GETTING CAUGHT. |
357 | 00:18:13,033 | 00:18:14,868 | I GO ALONE. | I GO ALONE. |
358 | 00:18:14,910 | 00:18:16,661 | NO CROWS AT THE LOCATION, | NO CROWS AT THE LOCATION, |
359 | 00:18:16,703 | 00:18:18,079 | NO SURVEILLANCE, | NO SURVEILLANCE, |
360 | 00:18:18,121 | 00:18:19,623 | AND I WANT YOU DIRECTLY IN CHARGE | AND I WANT YOU DIRECTLY IN CHARGE |
361 | 00:18:19,664 | 00:18:21,791 | OF ANY CROWS ASSIGNED TO THIS MISSION. | OF ANY CROWS ASSIGNED TO THIS MISSION. |
362 | 00:18:24,794 | 00:18:27,964 | THIS IS A ONE-OFF. WE'RE NOT PARTNERS. | THIS IS A ONE-OFF. WE'RE NOT PARTNERS. |
363 | 00:18:35,013 | 00:18:40,060 | SO...OCEAN... WHAT DO YOU DO? | SO...OCEAN... WHAT DO YOU DO? |
364 | 00:18:40,101 | 00:18:42,854 | I...BORE PEOPLE TO DEATH BY TELLING THEM | I...BORE PEOPLE TO DEATH BY TELLING THEM |
365 | 00:18:42,896 | 00:18:45,106 | I'M A SOIL TECHNICIAN. | I'M A SOIL TECHNICIAN. |
366 | 00:18:45,148 | 00:18:48,568 | OOH. THAT SOUNDS LIKE A FANCY NAME | OOH. THAT SOUNDS LIKE A FANCY NAME |
367 | 00:18:48,610 | 00:18:51,363 | FOR DIRT NERD, | FOR DIRT NERD, |
368 | 00:18:51,404 | 00:18:52,989 | BUT YOU SMILED WHEN YOU SAID IT, | BUT YOU SMILED WHEN YOU SAID IT, |
369 | 00:18:53,031 | 00:18:55,450 | SO...YOU MUST LIKE YOUR WORK. | SO...YOU MUST LIKE YOUR WORK. |
370 | 00:18:55,492 | 00:18:58,245 | I GREW UP IN NATURE. | I GREW UP IN NATURE. |
371 | 00:18:58,286 | 00:19:00,247 | MY FAMILY CULTIVATED EVERYTHING WE EVER NEEDED | MY FAMILY CULTIVATED EVERYTHING WE EVER NEEDED |
372 | 00:19:00,288 | 00:19:02,707 | FROM THE LAND. | FROM THE LAND. |
373 | 00:19:02,749 | 00:19:07,921 | IN A PLACE LIKE GOTHAM, WHERE EVERYTHING IS CONCRETE, | IN A PLACE LIKE GOTHAM, WHERE EVERYTHING IS CONCRETE, |
374 | 00:19:07,963 | 00:19:11,258 | ISN'T THAT INCREDIBLE? | ISN'T THAT INCREDIBLE? |
375 | 00:19:11,299 | 00:19:13,093 | SO TELL ME, | SO TELL ME, |
376 | 00:19:13,134 | 00:19:18,265 | WHERE IS THIS MAGICAL PLACE YOU HAIL FROM? | WHERE IS THIS MAGICAL PLACE YOU HAIL FROM? |
377 | 00:19:21,518 | 00:19:23,103 | I'M MEETING AN ASSOCIATE. | I'M MEETING AN ASSOCIATE. |
378 | 00:19:23,144 | 00:19:25,355 | SHOULD SPLASH SOME WATER ON MY FACE. | SHOULD SPLASH SOME WATER ON MY FACE. |
379 | 00:19:25,397 | 00:19:30,026 | 5 SHOTS...NO REGRETS. | 5 SHOTS...NO REGRETS. |
380 | 00:19:33,154 | 00:19:35,448 | HEY. CAN I ASK YOU SOMETHING? | HEY. CAN I ASK YOU SOMETHING? |
381 | 00:19:35,490 | 00:19:38,410 | HAVE WE MET SOMEWHERE BEFORE? | HAVE WE MET SOMEWHERE BEFORE? |
382 | 00:19:38,451 | 00:19:40,120 | THINK I'D REMEMBER YOU. | THINK I'D REMEMBER YOU. |
383 | 00:19:42,706 | 00:19:45,375 | PROBABLY JUST THINKING ABOUT SOMEBODY ELSE. | PROBABLY JUST THINKING ABOUT SOMEBODY ELSE. |
384 | 00:19:50,922 | 00:19:52,591 | OH, WELL. | OH, WELL. |
385 | 00:20:21,661 | 00:20:23,747 | DO YOU MIND... | DO YOU MIND... |
386 | 00:20:23,788 | 00:20:25,832 | SHUTTING THE SHADE? | SHUTTING THE SHADE? |
387 | 00:20:31,087 | 00:20:34,466 | YOU SLEPT THROUGH HALF THE DAY. | YOU SLEPT THROUGH HALF THE DAY. |
388 | 00:20:34,507 | 00:20:38,303 | 5 SHOTS, NO REGRETS. | 5 SHOTS, NO REGRETS. |
389 | 00:20:41,765 | 00:20:43,933 | SHALL I EXPLAIN? | SHALL I EXPLAIN? |
390 | 00:20:43,975 | 00:20:45,894 | I DO WISH YOU WOULD. | I DO WISH YOU WOULD. |
391 | 00:20:45,935 | 00:20:47,729 | SOME LUNATIC ON A FAR-AWAY ISLAND | SOME LUNATIC ON A FAR-AWAY ISLAND |
392 | 00:20:47,771 | 00:20:49,230 | IS HOLDING MY SISTER HOSTAGE, | IS HOLDING MY SISTER HOSTAGE, |
393 | 00:20:49,272 | 00:20:50,774 | AND SHE WON'T HAND HER OVER UNTIL I GUT YOU | AND SHE WON'T HAND HER OVER UNTIL I GUT YOU |
394 | 00:20:50,815 | 00:20:53,026 | AND AIR MAIL THE EVIDENCE. | AND AIR MAIL THE EVIDENCE. |
395 | 00:20:53,068 | 00:20:55,445 | THIS WOMAN GOT A NAME? | THIS WOMAN GOT A NAME? |
396 | 00:20:55,487 | 00:20:58,448 | ENOUGH WOMEN WANT YOU DEAD I NEED TO BE SPECIFIC? | ENOUGH WOMEN WANT YOU DEAD I NEED TO BE SPECIFIC? |
397 | 00:20:58,490 | 00:21:00,367 | JUST ANSWER THE DAMN QUESTION. | JUST ANSWER THE DAMN QUESTION. |
398 | 00:21:00,408 | 00:21:02,327 | SAFIYAH. | SAFIYAH. |
399 | 00:21:02,369 | 00:21:06,998 | ALTHOUGH HER OBEDIENT ISLAND FOLLOWERS CALL HER QUEEN. | ALTHOUGH HER OBEDIENT ISLAND FOLLOWERS CALL HER QUEEN. |
400 | 00:21:09,876 | 00:21:12,545 | NOT ME. | NOT ME. |
401 | 00:21:12,587 | 00:21:14,631 | I CALLED HER SISTER. | I CALLED HER SISTER. |
402 | 00:21:20,804 | 00:21:24,265 | I HAVE 3 WORDS. | I HAVE 3 WORDS. |
403 | 00:21:24,307 | 00:21:27,435 | WHO...IS SHE? | WHO...IS SHE? |
404 | 00:21:27,477 | 00:21:30,939 | OHH! MM-WHA! LOOK! | OHH! MM-WHA! LOOK! |
405 | 00:21:32,774 | 00:21:35,652 | WAIT. ARE YOU SURE ART COLLECTORS | WAIT. ARE YOU SURE ART COLLECTORS |
406 | 00:21:35,694 | 00:21:38,947 | ARE SUPPOSED TO HAVE THIS MUCH SWAG? | ARE SUPPOSED TO HAVE THIS MUCH SWAG? |
407 | 00:21:38,988 | 00:21:41,032 | WELL, FIRST OF ALL, THEY'RE NOT ART COLLECTORS. | WELL, FIRST OF ALL, THEY'RE NOT ART COLLECTORS. |
408 | 00:21:41,074 | 00:21:44,744 | THEY'RE OUTLAWS, AND IF EVAN BLAKE IS THE STYLE GUIDE, | THEY'RE OUTLAWS, AND IF EVAN BLAKE IS THE STYLE GUIDE, |
409 | 00:21:44,786 | 00:21:47,038 | THIS PARTY'S ABOUT TO LOOK LIKE "THE HUNGER GAMES." | THIS PARTY'S ABOUT TO LOOK LIKE "THE HUNGER GAMES." |
410 | 00:21:47,080 | 00:21:49,791 | WHAT'S EVAN BLAKE'S DEAL? | WHAT'S EVAN BLAKE'S DEAL? |
411 | 00:21:49,833 | 00:21:52,794 | OHH. | OHH. |
412 | 00:21:52,836 | 00:21:56,965 | HE AND I WERE ALWAYS ANGLING FOR KATE'S AFFECTION. | HE AND I WERE ALWAYS ANGLING FOR KATE'S AFFECTION. |
413 | 00:21:57,006 | 00:22:00,635 | NOPE. HE WAS WAY MORE COMPETITIVE | NOPE. HE WAS WAY MORE COMPETITIVE |
414 | 00:22:00,677 | 00:22:07,016 | AND HAD--HEH-- A LOT MORE FLAIR THAN ME. | AND HAD--HEH-- A LOT MORE FLAIR THAN ME. |
415 | 00:22:07,058 | 00:22:09,769 | NOW HE'S OVEREDUCATED, AND APPARENTLY, | NOW HE'S OVEREDUCATED, AND APPARENTLY, |
416 | 00:22:09,811 | 00:22:11,896 | HE'S ADDICTED TO MISCHIEF. | HE'S ADDICTED TO MISCHIEF. |
417 | 00:22:11,938 | 00:22:15,483 | THE CROWS SAY THAT HE RUNS THE DOOR FOR THE COLLECTIVE. | THE CROWS SAY THAT HE RUNS THE DOOR FOR THE COLLECTIVE. |
418 | 00:22:15,525 | 00:22:17,026 | OH. NO. | OH. NO. |
419 | 00:22:19,988 | 00:22:22,115 | YEAH. OK. | YEAH. OK. |
420 | 00:22:22,157 | 00:22:25,160 | WELL, I THINK I CAN MAKE THIS WORK. | WELL, I THINK I CAN MAKE THIS WORK. |
421 | 00:22:25,201 | 00:22:28,163 | I'D SAY SO. | I'D SAY SO. |
422 | 00:22:28,204 | 00:22:31,750 | H-HEY. I--I BROUGHT THE PLAN-- | H-HEY. I--I BROUGHT THE PLAN-- |
423 | 00:22:31,791 | 00:22:34,377 | I--I BROUGHT THE GAME PLAN. | I--I BROUGHT THE GAME PLAN. |
424 | 00:22:37,380 | 00:22:38,882 | THE EVENT IS INSIDE A PRIVATE HANGAR | THE EVENT IS INSIDE A PRIVATE HANGAR |
425 | 00:22:38,923 | 00:22:40,550 | AT GOTHAM INTERNATIONAL. | AT GOTHAM INTERNATIONAL. |
426 | 00:22:40,592 | 00:22:42,385 | IT'S ACTUALLY A PRETTY CLEVER WAY OF DOING THIS. | IT'S ACTUALLY A PRETTY CLEVER WAY OF DOING THIS. |
427 | 00:22:42,427 | 00:22:44,763 | SO THE COLLECTIVE FLIES IN, THEY UNLOAD THEIR PIECES, | SO THE COLLECTIVE FLIES IN, THEY UNLOAD THEIR PIECES, |
428 | 00:22:44,804 | 00:22:46,723 | THEY BUY, SELL, PARTY, | THEY BUY, SELL, PARTY, |
429 | 00:22:46,765 | 00:22:48,892 | THEN THEY LOAD BACK UP, FLY AWAY. | THEN THEY LOAD BACK UP, FLY AWAY. |
430 | 00:22:48,933 | 00:22:51,936 | NO CUSTOMS, NO TSA, MAXIMUM SECURITY. | NO CUSTOMS, NO TSA, MAXIMUM SECURITY. |
431 | 00:22:51,978 | 00:22:54,314 | HOW ARE WE SNEAKING THE BATSUIT THROUGH THAT SECURITY? | HOW ARE WE SNEAKING THE BATSUIT THROUGH THAT SECURITY? |
432 | 00:22:54,355 | 00:22:56,065 | SEE, WE JUST HAPPEN TO HAVE VIP ACCESS | SEE, WE JUST HAPPEN TO HAVE VIP ACCESS |
433 | 00:22:56,107 | 00:22:58,902 | TO EVERY SQUARE INCH OF THAT TERMINAL. | TO EVERY SQUARE INCH OF THAT TERMINAL. |
434 | 00:22:58,943 | 00:23:02,322 | YEAH. BETWEEN WAYNE ENTERPRISES AND HAMILTON DYNAMICS, | YEAH. BETWEEN WAYNE ENTERPRISES AND HAMILTON DYNAMICS, |
435 | 00:23:02,363 | 00:23:04,824 | WE BURN MORE PRIVATE JET FUEL | WE BURN MORE PRIVATE JET FUEL |
436 | 00:23:04,866 | 00:23:06,534 | THAN THE HADIDS, KARDASHIANS, | THAN THE HADIDS, KARDASHIANS, |
437 | 00:23:06,576 | 00:23:08,536 | AND THE AIR FORCE COMBINED. | AND THE AIR FORCE COMBINED. |
438 | 00:23:08,578 | 00:23:10,079 | YEAH. SO WITH OUR RESOURCES, | YEAH. SO WITH OUR RESOURCES, |
439 | 00:23:10,121 | 00:23:11,873 | CROWS' INTELLIGENCE, AND A SECRET AGENT | CROWS' INTELLIGENCE, AND A SECRET AGENT |
440 | 00:23:11,915 | 00:23:15,835 | THAT NO ONE'S GOING TO SUSPECT--RYAN WILDER. | THAT NO ONE'S GOING TO SUSPECT--RYAN WILDER. |
441 | 00:23:15,877 | 00:23:18,963 | WAIT. I'M JUST SUPPOSED TO TALK MY WAY INSIDE? | WAIT. I'M JUST SUPPOSED TO TALK MY WAY INSIDE? |
442 | 00:23:19,005 | 00:23:21,132 | OH, NO. | OH, NO. |
443 | 00:23:21,174 | 00:23:23,301 | DID YOU THINK MARY HAD ALL THE ACCESSORIES? | DID YOU THINK MARY HAD ALL THE ACCESSORIES? |
444 | 00:23:28,139 | 00:23:30,141 | LOOK AT THIS PRECISION METALWORK. | LOOK AT THIS PRECISION METALWORK. |
445 | 00:23:30,183 | 00:23:33,394 | THE WEIGHT IS PERFECTLY BALANCED. | THE WEIGHT IS PERFECTLY BALANCED. |
446 | 00:23:33,436 | 00:23:35,438 | WHAT'S THE PROVENANCE? | WHAT'S THE PROVENANCE? |
447 | 00:23:35,480 | 00:23:37,023 | WHICH BAT DID IT BELONG TO? | WHICH BAT DID IT BELONG TO? |
448 | 00:23:37,065 | 00:23:39,025 | WOMAN. | WOMAN. |
449 | 00:23:39,067 | 00:23:41,444 | 1.0 OR-- CURRENT MODEL. | 1.0 OR-- CURRENT MODEL. |
450 | 00:23:43,738 | 00:23:46,616 | THE BATARANG IS A STUNNING PIECE. | THE BATARANG IS A STUNNING PIECE. |
451 | 00:23:46,658 | 00:23:48,576 | WE'LL MAKE AN EXCEPTION | WE'LL MAKE AN EXCEPTION |
452 | 00:23:48,618 | 00:23:52,747 | AND ALLOW IT INTO THE EXHIBITION. | AND ALLOW IT INTO THE EXHIBITION. |
453 | 00:23:52,789 | 00:23:55,750 | OK. I'M REALLY LOVING THAT DRESS. | OK. I'M REALLY LOVING THAT DRESS. |
454 | 00:23:55,792 | 00:23:57,168 | DIDN'T IT DEBUT IN LONDON? | DIDN'T IT DEBUT IN LONDON? |
455 | 00:23:57,210 | 00:23:58,670 | NAILED IT. HUH. | NAILED IT. HUH. |
456 | 00:23:58,711 | 00:24:02,215 | ACTUALLY, IT WAS NEW YORK, WINTER '18. | ACTUALLY, IT WAS NEW YORK, WINTER '18. |
457 | 00:24:02,257 | 00:24:03,883 | WELL, I HEARD THERE WAS A DRESS CODE, | WELL, I HEARD THERE WAS A DRESS CODE, |
458 | 00:24:03,925 | 00:24:06,010 | SO I BORROWED IT FROM A FRIEND. | SO I BORROWED IT FROM A FRIEND. |
459 | 00:24:06,052 | 00:24:08,054 | HEARD FROM WHO EXACTLY? | HEARD FROM WHO EXACTLY? |
460 | 00:24:08,096 | 00:24:10,139 | OF COURSE, I'M A BIG BELIEVER IN THE FIRST AMENDMENT | OF COURSE, I'M A BIG BELIEVER IN THE FIRST AMENDMENT |
461 | 00:24:10,181 | 00:24:12,183 | EXCEPT WHEN IT COMES TO THE SHENANIGANS THAT GO ON | EXCEPT WHEN IT COMES TO THE SHENANIGANS THAT GO ON |
462 | 00:24:12,225 | 00:24:14,269 | BEHIND THE COLLECTIVE'S CLOSED DOORS. | BEHIND THE COLLECTIVE'S CLOSED DOORS. |
463 | 00:24:14,310 | 00:24:16,521 | HA HA! EVAN BABY, | HA HA! EVAN BABY, |
464 | 00:24:16,563 | 00:24:20,108 | WHAT ARE YOU DOING TO MY GIRL HERE? | WHAT ARE YOU DOING TO MY GIRL HERE? |
465 | 00:24:20,149 | 00:24:21,818 | YOU BEAT ME HERE. | YOU BEAT ME HERE. |
466 | 00:24:21,860 | 00:24:25,572 | ANG, BIG NIGHT. PATRONS NEED THEIR PARTY FAVORS. | ANG, BIG NIGHT. PATRONS NEED THEIR PARTY FAVORS. |
467 | 00:24:25,613 | 00:24:27,657 | AHH. | AHH. |
468 | 00:24:27,699 | 00:24:29,784 | AND THIS ONE'S YOURS? | AND THIS ONE'S YOURS? |
469 | 00:24:29,826 | 00:24:33,204 | YEAH. I TOTALLY SPACED ON THE HEADS UP. | YEAH. I TOTALLY SPACED ON THE HEADS UP. |
470 | 00:24:33,246 | 00:24:35,540 | IT'S FINE. YOU'RE FORGIVEN. | IT'S FINE. YOU'RE FORGIVEN. |
471 | 00:24:35,582 | 00:24:36,749 | ANY QUESTIONS? | ANY QUESTIONS? |
472 | 00:24:36,791 | 00:24:39,586 | PRONOUNS? | PRONOUNS? |
473 | 00:24:39,627 | 00:24:41,713 | HE/HIM, THEY/THEM. | HE/HIM, THEY/THEM. |
474 | 00:24:41,754 | 00:24:44,048 | I GO WITH THE FLOW. | I GO WITH THE FLOW. |
475 | 00:24:44,090 | 00:24:48,052 | NOW, YOU TWO, GO FORTH AND DO CRIMES. | NOW, YOU TWO, GO FORTH AND DO CRIMES. |
476 | 00:24:48,094 | 00:24:50,430 | ANG, WHAT ARE YOU DOING HERE? | ANG, WHAT ARE YOU DOING HERE? |
477 | 00:24:50,471 | 00:24:52,640 | SAVING YOUR ASS AT THE DOOR. | SAVING YOUR ASS AT THE DOOR. |
478 | 00:24:52,682 | 00:24:54,392 | YOU CAN'T JUST SLIDE INTO THE DMs. | YOU CAN'T JUST SLIDE INTO THE DMs. |
479 | 00:24:54,434 | 00:24:55,977 | YOU NEED A REFERRAL. | YOU NEED A REFERRAL. |
480 | 00:24:56,019 | 00:24:59,480 | WHAT PARTY FAVORS WAS HE TALKING ABOUT? | WHAT PARTY FAVORS WAS HE TALKING ABOUT? |
481 | 00:24:59,522 | 00:25:01,316 | ANG, NO. | ANG, NO. |
482 | 00:25:01,357 | 00:25:02,859 | WHAT DO YOU WANT ME TO SAY? | WHAT DO YOU WANT ME TO SAY? |
483 | 00:25:02,901 | 00:25:04,694 | THAT YOU WEREN'T LYING THROUGH YOUR TEETH | THAT YOU WEREN'T LYING THROUGH YOUR TEETH |
484 | 00:25:04,736 | 00:25:06,154 | WHEN YOU TOLD ME YOU'D PULED YOUR LIFE TOGETHER. | WHEN YOU TOLD ME YOU'D PULED YOUR LIFE TOGETHER. |
485 | 00:25:06,195 | 00:25:08,114 | FOR YOUR INFORMATION, I'M CLEAN. | FOR YOUR INFORMATION, I'M CLEAN. |
486 | 00:25:08,156 | 00:25:10,366 | 4 MONTHS, BUT DO YOU KNOW WHAT PEOPLE NEED | 4 MONTHS, BUT DO YOU KNOW WHAT PEOPLE NEED |
487 | 00:25:10,408 | 00:25:13,828 | TO PULL THEIR LIVES TOGETHER? MONEY. | TO PULL THEIR LIVES TOGETHER? MONEY. |
488 | 00:25:13,870 | 00:25:17,582 | IF YOU GET CAUGHT, DISTRIBUTION IS 8-10 AT BLACKGATE. | IF YOU GET CAUGHT, DISTRIBUTION IS 8-10 AT BLACKGATE. |
489 | 00:25:17,624 | 00:25:21,085 | SAYS THE GIRL TURNING BATWOMAN'S MISSING HARDWARE | SAYS THE GIRL TURNING BATWOMAN'S MISSING HARDWARE |
490 | 00:25:21,127 | 00:25:23,296 | INTO AN ETSY SHOP. | INTO AN ETSY SHOP. |
491 | 00:25:23,338 | 00:25:25,089 | WE KNOW WHAT I'M DOING HERE. | WE KNOW WHAT I'M DOING HERE. |
492 | 00:25:25,131 | 00:25:27,300 | WHAT ARE YOU DOING HERE? | WHAT ARE YOU DOING HERE? |
493 | 00:25:29,302 | 00:25:31,095 | SAVE IT. | SAVE IT. |
494 | 00:25:31,137 | 00:25:34,432 | YOU ARE THE ONLY ONE HERE WHO'S JUDGING. | YOU ARE THE ONLY ONE HERE WHO'S JUDGING. |
495 | 00:25:38,519 | 00:25:40,647 | IS THIS THING ON? LOUD AND CLEAR. | IS THIS THING ON? LOUD AND CLEAR. |
496 | 00:25:40,688 | 00:25:42,398 | WANT TO TRY CHANNEL TWO? | WANT TO TRY CHANNEL TWO? |
497 | 00:25:42,440 | 00:25:44,400 | NO, NOT REALLY. | NO, NOT REALLY. |
498 | 00:25:46,402 | 00:25:47,779 | BATWOMAN TO MOORE. | BATWOMAN TO MOORE. |
499 | 00:25:47,820 | 00:25:49,948 | COPY. YOU'RE LATE. | COPY. YOU'RE LATE. |
500 | 00:25:49,989 | 00:25:51,741 | THOUGHT MAYBE YOU GOT COLD FEET. | THOUGHT MAYBE YOU GOT COLD FEET. |
501 | 00:25:51,783 | 00:25:55,328 | BELIEVE IT OR NOT, I RAN INTO AN EX. | BELIEVE IT OR NOT, I RAN INTO AN EX. |
502 | 00:25:55,370 | 00:25:59,207 | OH. OK. WELL, I HOPE HE'S NOT GONNA BE DRAMA. | OH. OK. WELL, I HOPE HE'S NOT GONNA BE DRAMA. |
503 | 00:25:59,248 | 00:26:01,918 | SHE, AND ALWAYS. | SHE, AND ALWAYS. |
504 | 00:26:01,960 | 00:26:03,503 | LET YOU KNOW WHEN I FIND THE PAINTING. | LET YOU KNOW WHEN I FIND THE PAINTING. |
505 | 00:26:03,544 | 00:26:05,046 | STAND BY. | STAND BY. |
506 | 00:26:11,719 | 00:26:14,472 | LUKE...GOT THE TARGET. | LUKE...GOT THE TARGET. |
507 | 00:26:14,514 | 00:26:16,432 | OK. GREAT. | OK. GREAT. |
508 | 00:26:16,474 | 00:26:18,393 | GIVE ME A GOOD LOOK. | GIVE ME A GOOD LOOK. |
509 | 00:26:28,945 | 00:26:31,489 | OK. MOVING ON TO THE NEXT PHASE. | OK. MOVING ON TO THE NEXT PHASE. |
510 | 00:27:02,645 | 00:27:05,023 | A LOT OF INTEREST IN THIS ONE. | A LOT OF INTEREST IN THIS ONE. |
511 | 00:27:05,064 | 00:27:08,651 | YEAH. IT'S KIND OF GIMMICKY, ISN'T IT? | YEAH. IT'S KIND OF GIMMICKY, ISN'T IT? |
512 | 00:27:08,693 | 00:27:10,570 | OH, IT'S DREADFUL, ZERO TECHNIQUE, | OH, IT'S DREADFUL, ZERO TECHNIQUE, |
513 | 00:27:10,611 | 00:27:13,406 | BUT, YOU KNOW, CELEBRITY ARTISTS. | BUT, YOU KNOW, CELEBRITY ARTISTS. |
514 | 00:27:13,448 | 00:27:15,575 | HMM. HELP ME TO UNDERSTAND THE APPEAL | HMM. HELP ME TO UNDERSTAND THE APPEAL |
515 | 00:27:15,616 | 00:27:18,202 | IN OWNING SOMETHING LIKE THIS. | IN OWNING SOMETHING LIKE THIS. |
516 | 00:27:18,244 | 00:27:20,663 | SOME OF THE PEOPLE HERE--TOTAL SICKOS. | SOME OF THE PEOPLE HERE--TOTAL SICKOS. |
517 | 00:27:20,705 | 00:27:22,373 | AND YOU? I DON'T LIKE BEING TOLD | AND YOU? I DON'T LIKE BEING TOLD |
518 | 00:27:22,415 | 00:27:24,459 | WHAT I CAN AND CAN'T DO IN LIFE. | WHAT I CAN AND CAN'T DO IN LIFE. |
519 | 00:27:24,500 | 00:27:26,294 | WHETHER IT'S THE ART I COLLECT | WHETHER IT'S THE ART I COLLECT |
520 | 00:27:26,335 | 00:27:27,879 | OR THE CLOTHES I WEAR, | OR THE CLOTHES I WEAR, |
521 | 00:27:27,920 | 00:27:29,964 | I'M NOT DESPERATE FOR ANYONE'S APPROVAL. | I'M NOT DESPERATE FOR ANYONE'S APPROVAL. |
522 | 00:27:30,006 | 00:27:32,300 | STILL THROWING SHADE AT MY BORROWED COUTURE. | STILL THROWING SHADE AT MY BORROWED COUTURE. |
523 | 00:27:32,341 | 00:27:35,511 | HEH. WHAT CAN I SAY? | HEH. WHAT CAN I SAY? |
524 | 00:27:35,553 | 00:27:38,556 | I JUST PREFER TO SEE EVERYONE'S TRUE COLORS. | I JUST PREFER TO SEE EVERYONE'S TRUE COLORS. |
525 | 00:27:45,772 | 00:27:47,190 | SO I RAN A SPECTRAL ANALYSIS | SO I RAN A SPECTRAL ANALYSIS |
526 | 00:27:47,231 | 00:27:48,733 | TO ISOLATE THE ORIGINAL CANVAS | TO ISOLATE THE ORIGINAL CANVAS |
527 | 00:27:48,775 | 00:27:50,735 | UNDERNEATH THE GORE. | UNDERNEATH THE GORE. |
528 | 00:27:50,777 | 00:27:52,487 | I THINK IT'S A PAINTING OF OCEAN CURRENTS. | I THINK IT'S A PAINTING OF OCEAN CURRENTS. |
529 | 00:27:52,528 | 00:27:53,946 | YOU WERE RIGHT. | YOU WERE RIGHT. |
530 | 00:27:53,988 | 00:27:55,448 | THE JOKER SPLATTERED SOME POOR GUY | THE JOKER SPLATTERED SOME POOR GUY |
531 | 00:27:55,490 | 00:27:57,366 | ALL OVER A MAP TO CORYANA? | ALL OVER A MAP TO CORYANA? |
532 | 00:27:57,408 | 00:27:59,786 | BUT WE'LL NEED TO RESTORE THE CANVAS | BUT WE'LL NEED TO RESTORE THE CANVAS |
533 | 00:27:59,827 | 00:28:01,245 | TO LOCATE THE ISLAND. | TO LOCATE THE ISLAND. |
534 | 00:28:01,287 | 00:28:02,497 | BUT THAT MEANS... | BUT THAT MEANS... |
535 | 00:28:02,538 | 00:28:03,998 | YOU'RE GONNA NEED TO STEAL IT. | YOU'RE GONNA NEED TO STEAL IT. |
536 | 00:28:12,673 | 00:28:15,218 | I DIDN'T KNOW SAFIYAH HAD FAMILY. | I DIDN'T KNOW SAFIYAH HAD FAMILY. |
537 | 00:28:15,259 | 00:28:16,969 | WE WEREN'T BLOOD. | WE WEREN'T BLOOD. |
538 | 00:28:17,011 | 00:28:19,931 | APPARENTLY, WE WEREN'T ANYTHING. | APPARENTLY, WE WEREN'T ANYTHING. |
539 | 00:28:21,599 | 00:28:22,892 | WHY DOES SHE WANT ME DEAD? | WHY DOES SHE WANT ME DEAD? |
540 | 00:28:22,934 | 00:28:24,477 | OH, NO OFFENSE, BUT I HAVE | OH, NO OFFENSE, BUT I HAVE |
541 | 00:28:24,519 | 00:28:26,312 | WAY TOO MUCH DRAMA IN MY LIFE TO CARE. | WAY TOO MUCH DRAMA IN MY LIFE TO CARE. |
542 | 00:28:26,354 | 00:28:30,233 | SHE'S OBVIOUSLY LOSING HER TOUCH IF SHE SENT YOU. | SHE'S OBVIOUSLY LOSING HER TOUCH IF SHE SENT YOU. |
543 | 00:28:30,274 | 00:28:32,443 | I'M SORRY. DID YOU JUST CALL ME A BAD ASSASSIN? | I'M SORRY. DID YOU JUST CALL ME A BAD ASSASSIN? |
544 | 00:28:32,485 | 00:28:34,112 | NOT TO MONDAY MORNING QUARTERBACK, | NOT TO MONDAY MORNING QUARTERBACK, |
545 | 00:28:34,153 | 00:28:36,864 | BUT YOU HAD AMPLE OPPORTUNITY TO KILL ME. | BUT YOU HAD AMPLE OPPORTUNITY TO KILL ME. |
546 | 00:28:36,906 | 00:28:38,533 | YOU KNEW I WAS STAYING HERE, | YOU KNEW I WAS STAYING HERE, |
547 | 00:28:38,574 | 00:28:40,701 | WHICH MEANS YOU COULD HAVE KILLED ME IN MY SLEEP, | WHICH MEANS YOU COULD HAVE KILLED ME IN MY SLEEP, |
548 | 00:28:40,743 | 00:28:43,287 | BUT MAYBE YOU DON'T KNOW HOW TO PICK A LOCK. | BUT MAYBE YOU DON'T KNOW HOW TO PICK A LOCK. |
549 | 00:28:43,329 | 00:28:45,039 | FINE. SURPRISE ATTACK IN THE BAR BATHROOM-- | FINE. SURPRISE ATTACK IN THE BAR BATHROOM-- |
550 | 00:28:45,081 | 00:28:47,959 | EASY, PRIVATE. | EASY, PRIVATE. |
551 | 00:28:48,000 | 00:28:51,379 | AT THE VERY LEAST, YOU CAN AMBUSH ME IN MY TRUCK. | AT THE VERY LEAST, YOU CAN AMBUSH ME IN MY TRUCK. |
552 | 00:28:51,420 | 00:28:53,840 | I HAVE A BACKSEAT, AND I DON'T LOCK MY DOORS, | I HAVE A BACKSEAT, AND I DON'T LOCK MY DOORS, |
553 | 00:28:53,881 | 00:28:58,928 | BUT INSTEAD, YOU, WHAT, MAKE A SCENE AT THE BAR, | BUT INSTEAD, YOU, WHAT, MAKE A SCENE AT THE BAR, |
554 | 00:28:58,970 | 00:29:00,388 | GET MY ATTENTION, | GET MY ATTENTION, |
555 | 00:29:00,429 | 00:29:03,307 | INDULGE IN SMALLTALK, GET DRUNK. | INDULGE IN SMALLTALK, GET DRUNK. |
556 | 00:29:03,349 | 00:29:08,813 | HEH. SAFIYAH MUST BE DESPERATE IF SHE SENT YOU. | HEH. SAFIYAH MUST BE DESPERATE IF SHE SENT YOU. |
557 | 00:29:08,855 | 00:29:14,152 | I NEEDED MORE ANSWERS BEFORE I COULD KILL YOU. | I NEEDED MORE ANSWERS BEFORE I COULD KILL YOU. |
558 | 00:29:14,193 | 00:29:15,987 | I'VE NEVER SEEN YOU BEFORE IN MY LIFE. | I'VE NEVER SEEN YOU BEFORE IN MY LIFE. |
559 | 00:29:16,028 | 00:29:18,781 | NOR I YOU, WHICH IS WHY I NEEDED TO KNOW MORE | NOR I YOU, WHICH IS WHY I NEEDED TO KNOW MORE |
560 | 00:29:18,823 | 00:29:21,117 | BEFORE I MADE OCEAN BLEED THE RED SEA. | BEFORE I MADE OCEAN BLEED THE RED SEA. |
561 | 00:29:25,621 | 00:29:28,374 | HOW DO YOU EVEN KNOW WHAT CORYANA LOOKS LIKE? | HOW DO YOU EVEN KNOW WHAT CORYANA LOOKS LIKE? |
562 | 00:29:28,416 | 00:29:31,752 | BECAUSE I WAS THERE 5 YEARS AGO. | BECAUSE I WAS THERE 5 YEARS AGO. |
563 | 00:29:31,794 | 00:29:33,504 | THAT'S IMPOSSIBLE. | THAT'S IMPOSSIBLE. |
564 | 00:29:33,546 | 00:29:35,464 | I WAS THERE 5 YEARS AGO. | I WAS THERE 5 YEARS AGO. |
565 | 00:29:37,216 | 00:29:39,218 | HOW PECULIAR. HMM. | HOW PECULIAR. HMM. |
566 | 00:29:41,095 | 00:29:44,098 | WELL, I SUPPOSE YOU COULD KILL ME | WELL, I SUPPOSE YOU COULD KILL ME |
567 | 00:29:44,140 | 00:29:45,725 | AND THEN SPEND THE REST OF YOUR LIFE ON THE RUN, | AND THEN SPEND THE REST OF YOUR LIFE ON THE RUN, |
568 | 00:29:45,766 | 00:29:47,643 | SEEING AS NONE OF THIS CHANGES THE FACT | SEEING AS NONE OF THIS CHANGES THE FACT |
569 | 00:29:47,685 | 00:29:49,979 | THE ISLAND QUEEN STILL WANTS YOU DEAD, | THE ISLAND QUEEN STILL WANTS YOU DEAD, |
570 | 00:29:50,021 | 00:29:53,065 | OR WE COULD GIVE HER A JINGLE. | OR WE COULD GIVE HER A JINGLE. |
571 | 00:29:53,107 | 00:29:55,109 | I'M GOOD WITH OPTION "A." | I'M GOOD WITH OPTION "A." |
572 | 00:29:57,612 | 00:29:59,739 | SAFIYAH, WE BOTH KNOW THIS ISN'T ABOUT A STUPID FLOWER. | SAFIYAH, WE BOTH KNOW THIS ISN'T ABOUT A STUPID FLOWER. |
573 | 00:29:59,780 | 00:30:01,574 | AND WHAT DO YOU THINK IT'S ABOUT? | AND WHAT DO YOU THINK IT'S ABOUT? |
574 | 00:30:01,616 | 00:30:03,618 | ME HAVING THE ONE THING YOU CAN'T. | ME HAVING THE ONE THING YOU CAN'T. |
575 | 00:30:09,248 | 00:30:10,583 | WHAT THE HELL WAS THAT? | WHAT THE HELL WAS THAT? |
576 | 00:30:10,625 | 00:30:12,210 | EXACTLY. | EXACTLY. |
577 | 00:30:12,251 | 00:30:14,503 | OPTION "B" IT IS. | OPTION "B" IT IS. |
578 | 00:30:14,545 | 00:30:17,048 | AHEM. | AHEM. |
579 | 00:30:20,259 | 00:30:22,053 | THERE SHOULD BE A DISPENSER NEXT TO THE SINK | THERE SHOULD BE A DISPENSER NEXT TO THE SINK |
580 | 00:30:22,094 | 00:30:26,349 | WITH...UH, YOU KNOW, PRODUCTS. | WITH...UH, YOU KNOW, PRODUCTS. |
581 | 00:30:26,390 | 00:30:27,600 | I SEE IT. | I SEE IT. |
582 | 00:30:27,642 | 00:30:28,976 | A LOT OF FIREPOWER IN THAT ROOM, | A LOT OF FIREPOWER IN THAT ROOM, |
583 | 00:30:29,018 | 00:30:30,561 | SO YOU'RE GONNA HAVE TO MOVE FAST. | SO YOU'RE GONNA HAVE TO MOVE FAST. |
584 | 00:30:30,603 | 00:30:32,605 | BATWOMAN, STATUS CHECK. YOU FIND IT? | BATWOMAN, STATUS CHECK. YOU FIND IT? |
585 | 00:30:34,398 | 00:30:36,025 | TARGET IDENTIFIED. I JUST NEED TO TAKE IT | TARGET IDENTIFIED. I JUST NEED TO TAKE IT |
586 | 00:30:36,067 | 00:30:38,736 | FOR FURTHER ANALYSIS. | FOR FURTHER ANALYSIS. |
587 | 00:30:38,778 | 00:30:40,446 | WE'LL MONITOR FROM HERE. | WE'LL MONITOR FROM HERE. |
588 | 00:30:55,253 | 00:30:57,630 | UH...BATWOMAN? | UH...BATWOMAN? |
589 | 00:31:06,305 | 00:31:08,849 | I THINK WE HAVE COMPETITION. | I THINK WE HAVE COMPETITION. |
590 | 00:31:08,891 | 00:31:10,226 | WHO? | WHO? |
591 | 00:31:10,268 | 00:31:11,727 | YOU EVER HEARD OF WOLF SPIDER? | YOU EVER HEARD OF WOLF SPIDER? |
592 | 00:31:17,483 | 00:31:19,485 | SHOOT HIM BEFORE HE GETS TOO HIGH! | SHOOT HIM BEFORE HE GETS TOO HIGH! |
593 | 00:31:19,527 | 00:31:20,778 | MISS--MISS, THIS WAY, PLEASE. | MISS--MISS, THIS WAY, PLEASE. |
594 | 00:31:20,820 | 00:31:22,738 | NO. RYAN! | NO. RYAN! |
595 | 00:31:26,158 | 00:31:27,827 | HAND IT OVER. | HAND IT OVER. |
596 | 00:31:44,802 | 00:31:46,345 | HYAH! UNH! | HYAH! UNH! |
597 | 00:31:47,513 | 00:31:48,973 | UGH! | UGH! |
598 | 00:31:57,106 | 00:31:58,649 | DAMN. | DAMN. |
599 | 00:32:06,157 | 00:32:07,992 | UNH! | UNH! |
600 | 00:32:08,034 | 00:32:10,786 | UGH! OHH. | UGH! OHH. |
601 | 00:32:12,872 | 00:32:14,707 | PAINTING'S ON THE MOVE. | PAINTING'S ON THE MOVE. |
602 | 00:32:14,749 | 00:32:16,250 | DO YOU NEED MEDICAL? | DO YOU NEED MEDICAL? |
603 | 00:32:16,292 | 00:32:18,044 | UGH. JUST SLOW HIM DOWN. I'LL BE THERE. | UGH. JUST SLOW HIM DOWN. I'LL BE THERE. |
604 | 00:32:18,085 | 00:32:19,587 | WE'RE ON IT. | WE'RE ON IT. |
605 | 00:32:41,400 | 00:32:42,777 | NIMBLE LITTLE BASTARD. | NIMBLE LITTLE BASTARD. |
606 | 00:32:42,818 | 00:32:44,737 | LITTLE TASER ACTION WILL SLOW HIM DOWN. | LITTLE TASER ACTION WILL SLOW HIM DOWN. |
607 | 00:32:53,496 | 00:32:54,914 | DAMN IT! GET ME CLOSER. | DAMN IT! GET ME CLOSER. |
608 | 00:32:54,955 | 00:32:56,582 | I'M ON IT. | I'M ON IT. |
609 | 00:33:01,629 | 00:33:04,507 | AW. FRICKING CARTRIDGE IS JAMMED! | AW. FRICKING CARTRIDGE IS JAMMED! |
610 | 00:33:10,221 | 00:33:11,764 | DUDE, WHAT DID YOU DO? | DUDE, WHAT DID YOU DO? |
611 | 00:33:11,806 | 00:33:13,641 | HE JUMPED IN FRONT OF ME. | HE JUMPED IN FRONT OF ME. |
612 | 00:33:19,146 | 00:33:22,316 | GET SOME TIES ON HIM. | GET SOME TIES ON HIM. |
613 | 00:33:22,358 | 00:33:25,778 | THIS ISN'T GOOD. CALL FOR MEDICAL. | THIS ISN'T GOOD. CALL FOR MEDICAL. |
614 | 00:33:25,820 | 00:33:28,322 | STATUS CHECK. | STATUS CHECK. |
615 | 00:33:28,364 | 00:33:30,908 | TARGET ACQUIRED. WE GOT THE PAINTING. | TARGET ACQUIRED. WE GOT THE PAINTING. |
616 | 00:33:30,950 | 00:33:32,618 | LET'S GO. WHAT? WHAT ARE YOU DOING? | LET'S GO. WHAT? WHAT ARE YOU DOING? |
617 | 00:33:32,660 | 00:33:35,204 | WE CAN'T LEAVE HIM HERE. | WE CAN'T LEAVE HIM HERE. |
618 | 00:33:35,246 | 00:33:36,705 | MOORE WANTS THE PAINTING, | MOORE WANTS THE PAINTING, |
619 | 00:33:36,747 | 00:33:39,250 | NOT AN EXCESSIVE FORCE HEADLINE. | NOT AN EXCESSIVE FORCE HEADLINE. |
620 | 00:33:39,291 | 00:33:41,293 | LET'S GO. | LET'S GO. |
621 | 00:33:41,335 | 00:33:43,003 | SOMEONE ELSE WILL CLEAN HIM UP. | SOMEONE ELSE WILL CLEAN HIM UP. |
622 | 00:34:12,741 | 00:34:14,034 | EVAN? | EVAN? |
623 | 00:34:14,076 | 00:34:17,079 | EVAN! EVAN,CAN YOU HEAR ME? | EVAN! EVAN,CAN YOU HEAR ME? |
624 | 00:34:27,548 | 00:34:29,300 | WE'RE GONNA NEED A BLOOD DRIVE AFTER THIS. | WE'RE GONNA NEED A BLOOD DRIVE AFTER THIS. |
625 | 00:34:29,341 | 00:34:30,759 | HE'S GONNA RECOVER, RIGHT? WELL, CONSIDERING HE WAS | HE'S GONNA RECOVER, RIGHT? WELL, CONSIDERING HE WAS |
626 | 00:34:30,801 | 00:34:32,303 | HIP CHECKED BY A 4,800-POUND HUNK | HIP CHECKED BY A 4,800-POUND HUNK |
627 | 00:34:32,344 | 00:34:34,180 | OF TOXIC MASCULINITY, | OF TOXIC MASCULINITY, |
628 | 00:34:34,221 | 00:34:36,765 | HE'S DOING GREAT. | HE'S DOING GREAT. |
629 | 00:34:36,807 | 00:34:38,851 | DISTAL FEMUR FRACTURE, DISLOCATED ELBOW, | DISTAL FEMUR FRACTURE, DISLOCATED ELBOW, |
630 | 00:34:38,893 | 00:34:41,187 | MINOR CONCUSSION, | MINOR CONCUSSION, |
631 | 00:34:41,228 | 00:34:43,439 | BUT WHEN THE BONE SHATTERED, | BUT WHEN THE BONE SHATTERED, |
632 | 00:34:43,481 | 00:34:45,441 | IT NICKED HIS FEMORAL ARTERY, | IT NICKED HIS FEMORAL ARTERY, |
633 | 00:34:45,483 | 00:34:46,901 | SO IF YOU HADN'T BEEN THERE TO BRING HIM IN IN TIME, | SO IF YOU HADN'T BEEN THERE TO BRING HIM IN IN TIME, |
634 | 00:34:46,942 | 00:34:48,652 | HE WOULD HAVE BLED OUT. | HE WOULD HAVE BLED OUT. |
635 | 00:34:48,694 | 00:34:50,362 | OK. WHAT--WHAT HAPPENED BACK THERE? | OK. WHAT--WHAT HAPPENED BACK THERE? |
636 | 00:34:50,404 | 00:34:52,656 | YOU WANT TO KNOW WHAT HAPPENED? | YOU WANT TO KNOW WHAT HAPPENED? |
637 | 00:34:52,698 | 00:34:55,409 | I LISTENED TO YOU OVER MY GUT, AND NOW LOOK. | I LISTENED TO YOU OVER MY GUT, AND NOW LOOK. |
638 | 00:34:55,451 | 00:34:57,203 | I MEANT WHAT HAPPENED TO YOU? | I MEANT WHAT HAPPENED TO YOU? |
639 | 00:34:57,244 | 00:34:58,537 | YOU SOUNDED LIKE YOU WERE IN ROUGH SHAPE. | YOU SOUNDED LIKE YOU WERE IN ROUGH SHAPE. |
640 | 00:34:58,579 | 00:34:59,788 | YOU CALLED FOR BACKUP. | YOU CALLED FOR BACKUP. |
641 | 00:34:59,830 | 00:35:01,040 | THIS ISN'T ABOUT ME. | THIS ISN'T ABOUT ME. |
642 | 00:35:01,081 | 00:35:02,666 | THIS IS ABOUT US, | THIS IS ABOUT US, |
643 | 00:35:02,708 | 00:35:05,002 | THIS TEAM AND HOW I CAN'T KEEP WORKING | THIS TEAM AND HOW I CAN'T KEEP WORKING |
644 | 00:35:05,044 | 00:35:06,712 | FOR YOUR APPROVAL. | FOR YOUR APPROVAL. |
645 | 00:35:06,754 | 00:35:08,214 | I WANTED TO SUIT UP AND NOT THINK | I WANTED TO SUIT UP AND NOT THINK |
646 | 00:35:08,255 | 00:35:10,966 | ABOUT YOU COMPARING ME TO KATE KANE FOR ONCE, | ABOUT YOU COMPARING ME TO KATE KANE FOR ONCE, |
647 | 00:35:11,008 | 00:35:13,010 | SO I AGREED TO PARTNER WITH THE CROWS, | SO I AGREED TO PARTNER WITH THE CROWS, |
648 | 00:35:13,052 | 00:35:15,095 | AND FOR WHAT? | AND FOR WHAT? |
649 | 00:35:15,137 | 00:35:17,932 | YOU SIDED WITH THE GUYS WHO KILLED YOUR OLD MAN. | YOU SIDED WITH THE GUYS WHO KILLED YOUR OLD MAN. |
650 | 00:35:17,973 | 00:35:21,018 | YOUR TASTE SUCKS, | YOUR TASTE SUCKS, |
651 | 00:35:21,060 | 00:35:23,145 | BUT YOU KNOW WHAT? | BUT YOU KNOW WHAT? |
652 | 00:35:23,187 | 00:35:25,856 | I WEAR THE SUIT, I TAKE THE BULLETS, | I WEAR THE SUIT, I TAKE THE BULLETS, |
653 | 00:35:25,898 | 00:35:28,692 | SO WHEN I SAY I HAVE A BAD FEELING ABOUT SOMETHING, | SO WHEN I SAY I HAVE A BAD FEELING ABOUT SOMETHING, |
654 | 00:35:28,734 | 00:35:30,402 | YOU TWO, LISTEN! | YOU TWO, LISTEN! |
655 | 00:35:36,492 | 00:35:40,246 | DID HER MAJESTY SAY WHEN SHE'D GRACE US WITH A CALLBACK? | DID HER MAJESTY SAY WHEN SHE'D GRACE US WITH A CALLBACK? |
656 | 00:35:40,287 | 00:35:42,456 | WOULD YOU JUST SIT THERE | WOULD YOU JUST SIT THERE |
657 | 00:35:42,498 | 00:35:44,333 | WITHOUT TALKING? | WITHOUT TALKING? |
658 | 00:35:44,375 | 00:35:46,043 | I HAVE SPENT MORE YEARS OF MY LIFE | I HAVE SPENT MORE YEARS OF MY LIFE |
659 | 00:35:46,085 | 00:35:49,713 | IN CAPTIVITY THAN ANY ELEPHANT IN THE GOTHAM ZOO. | IN CAPTIVITY THAN ANY ELEPHANT IN THE GOTHAM ZOO. |
660 | 00:35:49,755 | 00:35:54,385 | THE KEY TO SURVIVING-- KEEP YOURSELF ENTERTAINED. | THE KEY TO SURVIVING-- KEEP YOURSELF ENTERTAINED. |
661 | 00:35:54,426 | 00:35:55,928 | ROUGH CHILDHOOD? | ROUGH CHILDHOOD? |
662 | 00:35:55,970 | 00:35:57,346 | YOU COULD SAY I COME BY MY ABANDONMENT ISSUES | YOU COULD SAY I COME BY MY ABANDONMENT ISSUES |
663 | 00:35:57,388 | 00:35:59,598 | HONESTLY, YEAH. | HONESTLY, YEAH. |
664 | 00:35:59,640 | 00:36:02,476 | HOW DO YOU KNOW SAFIYAH? | HOW DO YOU KNOW SAFIYAH? |
665 | 00:36:02,518 | 00:36:06,397 | I WAS SQUATTING ON A YACHT IN GOTHAM HARBOR. | I WAS SQUATTING ON A YACHT IN GOTHAM HARBOR. |
666 | 00:36:06,438 | 00:36:08,816 | SAFIYAH'S MINIONS WERE PIRATING IT WHILE I WAS ON BOARD, | SAFIYAH'S MINIONS WERE PIRATING IT WHILE I WAS ON BOARD, |
667 | 00:36:08,857 | 00:36:12,361 | AND APPARENTLY,SHE WAS IMPRESSED | AND APPARENTLY,SHE WAS IMPRESSED |
668 | 00:36:12,403 | 00:36:13,946 | BY THE FIGHT I PUT UP. | BY THE FIGHT I PUT UP. |
669 | 00:36:13,988 | 00:36:15,531 | AND SHE LET YOU STAY? | AND SHE LET YOU STAY? |
670 | 00:36:15,573 | 00:36:17,616 | YEAH. NO WAY. | YEAH. NO WAY. |
671 | 00:36:17,658 | 00:36:20,578 | THE ISLAND'S CARDINAL RULE IS NO OUTSIDERS. | THE ISLAND'S CARDINAL RULE IS NO OUTSIDERS. |
672 | 00:36:20,619 | 00:36:23,038 | HMM. | HMM. |
673 | 00:36:23,080 | 00:36:24,748 | WHY DON'T I REMEMBER ANY OF THIS? | WHY DON'T I REMEMBER ANY OF THIS? |
674 | 00:36:24,790 | 00:36:26,458 | THAT'S THE THING. | THAT'S THE THING. |
675 | 00:36:26,500 | 00:36:29,336 | YOU SHOULD, AND I SHOULD REMEMBER YOU. | YOU SHOULD, AND I SHOULD REMEMBER YOU. |
676 | 00:36:29,378 | 00:36:31,338 | THE FACT THAT WE BOTH HAVE THE SAME MEMORIES | THE FACT THAT WE BOTH HAVE THE SAME MEMORIES |
677 | 00:36:31,380 | 00:36:33,591 | MAKES ME THINK THAT SAFIYAH DID SOMETHING | MAKES ME THINK THAT SAFIYAH DID SOMETHING |
678 | 00:36:33,632 | 00:36:36,302 | TO GET US TO FORGET. | TO GET US TO FORGET. |
679 | 00:36:36,343 | 00:36:38,429 | YOU THINK SAFIYAH ERASED OUR MEMORY? | YOU THINK SAFIYAH ERASED OUR MEMORY? |
680 | 00:36:39,847 | 00:36:41,265 | SOME OF THEM. | SOME OF THEM. |
681 | 00:36:43,392 | 00:36:47,021 | THE THING IS WE MIGHT NEVER KNOW. | THE THING IS WE MIGHT NEVER KNOW. |
682 | 00:36:47,062 | 00:36:48,731 | TELL ME YOU ORDERED DELIVERY | TELL ME YOU ORDERED DELIVERY |
683 | 00:36:48,772 | 00:36:50,024 | AND THOSE AREN'T | AND THOSE AREN'T |
684 | 00:36:50,065 | 00:36:54,153 | 1, 2...3 ASSASSINS APPROACHING. | 1, 2...3 ASSASSINS APPROACHING. |
685 | 00:36:54,194 | 00:36:56,030 | HMM. | HMM. |
686 | 00:36:56,071 | 00:36:58,824 | THE MANY ARMS OF DEATH. | THE MANY ARMS OF DEATH. |
687 | 00:36:58,866 | 00:37:01,660 | OH. MORE RELATIVES OF YOURS, I PRESUME. | OH. MORE RELATIVES OF YOURS, I PRESUME. |
688 | 00:37:01,702 | 00:37:04,872 | YEAH. CAN YOU, UH, CUT ME LOOSE? | YEAH. CAN YOU, UH, CUT ME LOOSE? |
689 | 00:37:04,913 | 00:37:06,790 | I CAN'T TRUST YOU. | I CAN'T TRUST YOU. |
690 | 00:37:06,832 | 00:37:08,917 | YOU DON'T TRUST ME TO DEFEND MYSELF | YOU DON'T TRUST ME TO DEFEND MYSELF |
691 | 00:37:08,959 | 00:37:10,586 | FROM MURDER? | FROM MURDER? |
692 | 00:37:27,561 | 00:37:28,854 | WHERE'S OCEAN? | WHERE'S OCEAN? |
693 | 00:37:28,896 | 00:37:30,022 | HEY. | HEY. |
694 | 00:37:30,064 | 00:37:31,357 | SURPRISE. | SURPRISE. |
695 | 00:37:33,108 | 00:37:34,401 | AAH! | AAH! |
696 | 00:37:40,240 | 00:37:42,159 | HEY. DO YOU HAVE ANY CASH? | HEY. DO YOU HAVE ANY CASH? |
697 | 00:37:42,201 | 00:37:43,952 | WE SHOULD PROBABLY LEAVE THE MAID A TIP. | WE SHOULD PROBABLY LEAVE THE MAID A TIP. |
698 | 00:37:43,994 | 00:37:45,245 | YOU'RE DARK. | YOU'RE DARK. |
699 | 00:37:45,287 | 00:37:46,664 | SHOULDN'THAVE DOUBTED ME. | SHOULDN'THAVE DOUBTED ME. |
700 | 00:37:46,705 | 00:37:48,374 | LET'S GO. YOU'RE DRIVING. | LET'S GO. YOU'RE DRIVING. |
701 | 00:37:57,299 | 00:37:59,093 | BADGES OF THE CROWS WHO DID THIS. | BADGES OF THE CROWS WHO DID THIS. |
702 | 00:37:59,134 | 00:38:00,969 | THAT'S NOT ENOUGH, | THAT'S NOT ENOUGH, |
703 | 00:38:01,011 | 00:38:03,681 | BURN IT ALL DOWN, GIRL, THE WHOLE THING. | BURN IT ALL DOWN, GIRL, THE WHOLE THING. |
704 | 00:38:03,722 | 00:38:05,724 | I CAN'T DO THAT. | I CAN'T DO THAT. |
705 | 00:38:05,766 | 00:38:07,393 | I BELIEVE IN THE MISSION OF THE CROWS. | I BELIEVE IN THE MISSION OF THE CROWS. |
706 | 00:38:07,434 | 00:38:09,645 | AN ORGANIZATION THAT DECIDES WHAT JUSTICE IS | AN ORGANIZATION THAT DECIDES WHAT JUSTICE IS |
707 | 00:38:09,687 | 00:38:11,814 | BASED ON WHO CAN PAY THE MOST MONEY, | BASED ON WHO CAN PAY THE MOST MONEY, |
708 | 00:38:11,855 | 00:38:14,400 | THAT BEATS INFORMATION OUT OF ITS SUSPECTS, | THAT BEATS INFORMATION OUT OF ITS SUSPECTS, |
709 | 00:38:14,441 | 00:38:16,735 | THAT RUNS SOMEONE OVER FOR STEALING A PAINTING? | THAT RUNS SOMEONE OVER FOR STEALING A PAINTING? |
710 | 00:38:16,777 | 00:38:18,696 | THAT'S WHAT YOU BELIEVE IN? | THAT'S WHAT YOU BELIEVE IN? |
711 | 00:38:18,737 | 00:38:21,115 | YOU THINK TWO MEN LOSING THEIR JOBS ISN'T ENOUGH? | YOU THINK TWO MEN LOSING THEIR JOBS ISN'T ENOUGH? |
712 | 00:38:21,156 | 00:38:24,535 | YOU'RE RIGHT, BUT I'M FIGHTING TO CHANGE THE CULTURE. | YOU'RE RIGHT, BUT I'M FIGHTING TO CHANGE THE CULTURE. |
713 | 00:38:24,576 | 00:38:26,537 | YEAH? WELL, GOOD LUCK WITH THAT, | YEAH? WELL, GOOD LUCK WITH THAT, |
714 | 00:38:26,578 | 00:38:28,163 | BUT IF YOU WANT TO PARTY WITH ME, | BUT IF YOU WANT TO PARTY WITH ME, |
715 | 00:38:28,205 | 00:38:30,332 | ADD YOUR BADGE TO THAT LITTLE PILE OVER THERE. | ADD YOUR BADGE TO THAT LITTLE PILE OVER THERE. |
716 | 00:38:30,374 | 00:38:33,836 | UNTIL THEN, THIS PARTNERSHIP IS OVER. | UNTIL THEN, THIS PARTNERSHIP IS OVER. |
717 | 00:38:33,877 | 00:38:36,255 | WHAT ABOUT THE PAINTING? | WHAT ABOUT THE PAINTING? |
718 | 00:38:36,296 | 00:38:38,382 | OUR FORENSICS TEAM IS STILL WORKING ON IT. | OUR FORENSICS TEAM IS STILL WORKING ON IT. |
719 | 00:38:38,424 | 00:38:40,426 | DON'T YOU WANT TO KNOW WHERE CORYANA IS? | DON'T YOU WANT TO KNOW WHERE CORYANA IS? |
720 | 00:38:40,467 | 00:38:42,594 | WE'LL SEE WHO GETS THERE FIRST. | WE'LL SEE WHO GETS THERE FIRST. |
721 | 00:39:00,154 | 00:39:04,950 | MARY HAMILTON. HEH HEH. AWKWARD. | MARY HAMILTON. HEH HEH. AWKWARD. |
722 | 00:39:04,992 | 00:39:06,994 | BECAUSE I KNOW YOU'RE WOLF SPIDER? | BECAUSE I KNOW YOU'RE WOLF SPIDER? |
723 | 00:39:07,035 | 00:39:08,871 | BECAUSE I'M PRETTY SURE I'M NAKED. | BECAUSE I'M PRETTY SURE I'M NAKED. |
724 | 00:39:08,912 | 00:39:12,124 | OH, VERY MUCH SO. | OH, VERY MUCH SO. |
725 | 00:39:12,166 | 00:39:15,127 | EVAN, YOU NEED TO FIND A BETTER SUIT. | EVAN, YOU NEED TO FIND A BETTER SUIT. |
726 | 00:39:15,169 | 00:39:18,464 | SPANDEX IS NO MATCH FOR AN ONCOMING SUV. | SPANDEX IS NO MATCH FOR AN ONCOMING SUV. |
727 | 00:39:18,505 | 00:39:20,841 | MMM. BUT IT'S SO COMFORTABLE. | MMM. BUT IT'S SO COMFORTABLE. |
728 | 00:39:20,883 | 00:39:24,762 | THEN MAYBE FIND A SAFER EXCUSE TO PLAY DRESS-UP. | THEN MAYBE FIND A SAFER EXCUSE TO PLAY DRESS-UP. |
729 | 00:39:24,803 | 00:39:28,056 | GOTHAM'S ELITE TAKE THEMSELVES TOO SERIOUSLY. | GOTHAM'S ELITE TAKE THEMSELVES TOO SERIOUSLY. |
730 | 00:39:28,098 | 00:39:29,892 | WHO ELSE IS GONNA EYE-ROLL THEM | WHO ELSE IS GONNA EYE-ROLL THEM |
731 | 00:39:29,933 | 00:39:32,561 | WITH AS MUCH STYLE AS ME? | WITH AS MUCH STYLE AS ME? |
732 | 00:39:34,605 | 00:39:36,857 | THE CROWS GOT THE PAINTING. | THE CROWS GOT THE PAINTING. |
733 | 00:39:39,359 | 00:39:41,195 | I WAS STEALING IT FOR KATE. | I WAS STEALING IT FOR KATE. |
734 | 00:39:43,739 | 00:39:45,365 | THOUGHT I HAD A BETTER CHANCE AT GRABBING IT | THOUGHT I HAD A BETTER CHANCE AT GRABBING IT |
735 | 00:39:45,407 | 00:39:47,034 | THAN THE CROWS. | THAN THE CROWS. |
736 | 00:39:47,075 | 00:39:48,952 | HEY. DON'T BEAT YOURSELF UP ABOUT IT | HEY. DON'T BEAT YOURSELF UP ABOUT IT |
737 | 00:39:48,994 | 00:39:51,663 | BECAUSE IT TURNS OUT NOBODY ACTUALLY GOT THE NAPIER PAINTING. | BECAUSE IT TURNS OUT NOBODY ACTUALLY GOT THE NAPIER PAINTING. |
738 | 00:39:51,705 | 00:39:53,373 | IT WAS A FORGERY. | IT WAS A FORGERY. |
739 | 00:39:53,415 | 00:39:55,083 | THAT'S IMPOSSIBLE. NO. | THAT'S IMPOSSIBLE. NO. |
740 | 00:39:55,125 | 00:39:57,002 | BATWOMAN TOOK A SAMPLE OF THE ORGANIC COMPOUND | BATWOMAN TOOK A SAMPLE OF THE ORGANIC COMPOUND |
741 | 00:39:57,044 | 00:39:58,921 | THAT WAS PAINTED OVER THE ORIGINAL CANVAS, | THAT WAS PAINTED OVER THE ORIGINAL CANVAS, |
742 | 00:39:58,962 | 00:40:00,923 | AND IT WAS PIG'S BLOOD. | AND IT WAS PIG'S BLOOD. |
743 | 00:40:02,966 | 00:40:05,135 | NAPIER WOULD'VE NEVER USED PIG'S BLOOD. | NAPIER WOULD'VE NEVER USED PIG'S BLOOD. |
744 | 00:40:05,177 | 00:40:07,846 | RIGHT. SO THE CROWS ENDED UP | RIGHT. SO THE CROWS ENDED UP |
745 | 00:40:07,888 | 00:40:10,307 | WITH A DECOY COPY, AND THE ORIGINAL | WITH A DECOY COPY, AND THE ORIGINAL |
746 | 00:40:10,349 | 00:40:13,310 | IS STILL OUT THERE SOMEWHERE, | IS STILL OUT THERE SOMEWHERE, |
747 | 00:40:13,352 | 00:40:15,229 | AND SO IS KATE. | AND SO IS KATE. |
748 | 00:40:54,476 | 00:40:56,395 | OH, MY GOD. | OH, MY GOD. |
749 | 00:41:04,570 | 00:41:06,446 | ONCE WE GET SOME DISTANCE FROM THE MANY ARMS, | ONCE WE GET SOME DISTANCE FROM THE MANY ARMS, |
750 | 00:41:06,488 | 00:41:08,657 | WE CAN TRY TO FIGURE OUT WHAT SAFIYAH DID TO US | WE CAN TRY TO FIGURE OUT WHAT SAFIYAH DID TO US |
751 | 00:41:08,699 | 00:41:10,492 | AND WHY. | AND WHY. |
752 | 00:41:10,534 | 00:41:13,412 | LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK, BUDDY BOY. | LOOKS LIKE YOU'RE NOT AS FAST AS YOU THINK, BUDDY BOY. |
753 | 00:41:13,453 | 00:41:15,330 | THEY GOT YOU PRETTY BAD BACK THERE. | THEY GOT YOU PRETTY BAD BACK THERE. |
754 | 00:41:23,547 | 00:41:26,174 | HEY. YOU ALL RIGHT? | HEY. YOU ALL RIGHT? |
755 | 00:41:26,216 | 00:41:29,428 | UH...YEAH. EYES ON THE ROAD. | UH...YEAH. EYES ON THE ROAD. |
756 | 00:41:30,971 | 00:41:32,931 | WHAT'S WITH YOU? | WHAT'S WITH YOU? |
757 | 00:41:32,973 | 00:41:35,893 | NOTHING. | NOTHING. |
758 | 00:41:35,934 | 00:41:37,352 | CAN YOU CHECK IN THE BACK REAL QUICK? | CAN YOU CHECK IN THE BACK REAL QUICK? |
759 | 00:41:37,394 | 00:41:39,646 | IS THERE A WHITE TUBE BACK THERE? | IS THERE A WHITE TUBE BACK THERE? |
760 | 00:41:39,688 | 00:41:41,273 | YEAH. | YEAH. |
761 | 00:41:44,860 | 00:41:47,654 | WHAT IS THIS? | WHAT IS THIS? |
762 | 00:41:47,696 | 00:41:49,907 | GREG, MOVE YOUR HEAD! | GREG, MOVE YOUR HEAD! |
762 | 00:41:47,696 | 00:41:49,907 | GREG, MOVE YOUR HEAD! | GREG, MOVE YOUR HEAD! |