1 00:01:26,962 --> 00:01:28,529 IT'S OPEN! 2 00:01:29,617 --> 00:01:31,271 HEY, HENRY. 3 00:01:31,314 --> 00:01:32,315 HEY. 4 00:01:32,359 --> 00:01:33,316 THE HERSHEY PEOPLE EMAILED. 5 00:01:33,360 --> 00:01:34,448 I JUST FORWARDED IT TO YOU. 6 00:01:34,492 --> 00:01:36,406 WHAT'S GOING ON IN HERE? 7 00:01:36,450 --> 00:01:38,974 A MINOR PANIC 8 00:01:39,018 --> 00:01:41,455 OVER THIS DISH FOR THE CONFERENCE. 9 00:01:41,499 --> 00:01:42,804 WELL, IT SMELLS GREAT. 10 00:01:42,848 --> 00:01:43,936 DON'T WORRY, 11 00:01:43,979 --> 00:01:45,304 YOU ALWAYS FREAK OUT BEFORE THESE THINGS, 12 00:01:45,328 --> 00:01:46,939 AND END UP MAKING SOMETHING AMAZING. 13 00:01:46,982 --> 00:01:48,244 AH... 14 00:01:48,288 --> 00:01:49,855 CAN I HAVE SOME, I SKIPPED BREAKFAST. 15 00:01:51,117 --> 00:01:52,901 YES, YOU CAN, BUT DO ME A FAVOR, OKAY? 16 00:01:52,945 --> 00:01:54,120 DON'T SKIP BREAKFAST. 17 00:01:54,163 --> 00:01:55,948 YOU ALWAYS GET HANGRY WITH THE CLIENTS. 18 00:01:55,991 --> 00:01:57,558 "HANGRY?" 19 00:01:57,602 --> 00:01:59,691 HUNGRY PLUS ANGRY EQUALS "HANGRY." 20 00:02:00,996 --> 00:02:02,563 OH, SPEAKING OF CLIENTS, 21 00:02:02,607 --> 00:02:04,478 I GOT A WEIRD CALL FOR YOU TODAY. 22 00:02:04,522 --> 00:02:05,958 FROM A KATHLEEN EVANS? 23 00:02:06,001 --> 00:02:06,959 SHE SAYS SHE'S A JOURNALIST, 24 00:02:07,002 --> 00:02:08,003 SHE MET YOU AT A PARTY. 25 00:02:08,047 --> 00:02:09,483 SHE'S DESPERATE TO TALK WITH YOU. 26 00:02:09,527 --> 00:02:11,093 SHE SAID IT WAS QUITE URGENT. 27 00:02:11,137 --> 00:02:12,312 THEY ALWAYS SAY THAT. 28 00:02:12,355 --> 00:02:13,313 NO, IT SOUNDED SERIOUS. 29 00:02:13,356 --> 00:02:14,619 SHE WAS JUST CONFIRMING 30 00:02:14,662 --> 00:02:16,205 THAT SHE'D SEE YOU AT THE EVENT THIS WEEKEND. 31 00:02:16,229 --> 00:02:18,405 HMM. DID SHE LEAVE A NUMBER? 32 00:02:18,448 --> 00:02:19,643 NO, SHE WANTS TO TALK TO YOU IN PERSON. 33 00:02:19,667 --> 00:02:21,495 DOES SHE SOUND CUTE? 34 00:02:22,540 --> 00:02:23,671 YOU KNOW, LUCY, 35 00:02:23,715 --> 00:02:24,735 MOST PEOPLE WOULD KILL TO COME WITH ME 36 00:02:24,759 --> 00:02:25,804 THIS WEEKEND. 37 00:02:25,847 --> 00:02:27,414 OBVIOUSLY, I'D TAG ALONG IF I COULD, 38 00:02:27,457 --> 00:02:28,589 BUT I'M GOING TO BE 39 00:02:28,633 --> 00:02:30,193 THE ONLY SINGLE GIRL AT A BRIDAL SHOWER. 40 00:02:32,898 --> 00:02:34,508 OH, WOW. 41 00:02:34,552 --> 00:02:35,988 ISN'T IT GORGEOUS? 42 00:02:36,031 --> 00:02:37,226 I CAN DELIVER IT TO THE STATION FOR YOU IF YOU WANT. 43 00:02:37,250 --> 00:02:38,599 NO, NO. 44 00:02:38,643 --> 00:02:40,470 I'VE GOT IT. 45 00:02:40,514 --> 00:02:41,794 YEAH. THOUGHT YOU MIGHT SAY THAT. 46 00:02:49,855 --> 00:02:51,354 THE CROSS-CHECKS ON THE ST. VINCENT CASE. 47 00:02:51,378 --> 00:02:52,683 THANK YOU. 48 00:02:54,424 --> 00:02:55,904 PRICE, YOU ALL RIGHT? 49 00:02:55,948 --> 00:02:57,732 YOU'RE LOOKING KIND OF PALE. 50 00:02:57,776 --> 00:02:58,733 I'M FINE. 51 00:02:58,777 --> 00:02:59,865 I'M JUST A LITTLE TIRED. 52 00:02:59,908 --> 00:03:01,344 ALL RIGHT. 53 00:03:01,388 --> 00:03:03,172 THERE YOU ARE, PRICE. 54 00:03:03,216 --> 00:03:04,410 I NEED TO HAVE A WORD WITH YOU. 55 00:03:04,434 --> 00:03:06,132 I JUST GOT OFF THE PHONE WITH HR, 56 00:03:06,175 --> 00:03:08,569 WHO ARE ALL OVER ME 57 00:03:08,612 --> 00:03:11,485 BECAUSE APPARENTLY YOU HAVE SIX WEEKS OF VACATION TIME 58 00:03:11,528 --> 00:03:12,616 YOU HAVEN'T USED UP YET. 59 00:03:12,660 --> 00:03:13,835 I, UH... 60 00:03:13,879 --> 00:03:15,073 YOU'VE ALSO RACKED UP TOO MUCH OVERTIME, 61 00:03:15,097 --> 00:03:16,248 AND YOU HAVEN'T USED YOUR ROLLOVER DAYS, 62 00:03:16,272 --> 00:03:19,058 WHICH THE UNION IS ON MY BACK ABOUT. 63 00:03:19,101 --> 00:03:20,363 I NEED YOU TO TAKE A VACATION. 64 00:03:20,407 --> 00:03:22,080 WELL, I CAN'T TAKE ONE NOW, I'VE GOT CASES. 65 00:03:22,104 --> 00:03:23,212 WELL, THE BOYS CAN TAKE OVER. 66 00:03:23,236 --> 00:03:24,585 DONE. - NO, NO, NO... 67 00:03:24,628 --> 00:03:25,629 MUNRO? 68 00:03:25,673 --> 00:03:27,327 LET GO. 69 00:03:27,370 --> 00:03:30,460 WHERE'S THE BIRTHDAY GIRL? 70 00:03:30,504 --> 00:03:32,288 HENRY? WHAT ARE YOU DOING HERE? 71 00:03:32,332 --> 00:03:34,595 THERE SHE IS. 72 00:03:34,638 --> 00:03:36,336 WHAT ARE YOU UP TO? 73 00:03:36,379 --> 00:03:37,554 OH, JUST BRINGING YOU 74 00:03:37,598 --> 00:03:39,165 A TRIPLE CHOCOLATE CAKE FROM PORTOLLA'S 75 00:03:39,208 --> 00:03:41,428 ON YOUR SPECIAL DAY. 76 00:03:41,471 --> 00:03:42,864 THAT'S MY FAVORITE PLACE. 77 00:03:43,909 --> 00:03:44,866 HOW DID YOU KNOW THAT? 78 00:03:44,910 --> 00:03:45,911 I LISTEN. 79 00:03:45,954 --> 00:03:47,477 IT'S YOUR BIRTHDAY? 80 00:03:47,521 --> 00:03:48,522 HAPPY BIRTHDAY! 81 00:03:49,740 --> 00:03:50,654 I GOT YOU A LITTLE, UH, YOU KNOW, UH... 82 00:03:50,698 --> 00:03:51,612 YEAH, SOMETHING IN THE CAR... 83 00:03:51,655 --> 00:03:52,613 YEAH... 84 00:03:52,656 --> 00:03:53,764 A CARD. - UH, FLOWERS! FLOWERS... 85 00:03:53,788 --> 00:03:55,834 CHOCOLATE. YEAH, YOU'LL LOVE IT. 86 00:03:55,877 --> 00:03:56,985 NICE TO SEE YOU AGAIN, MAGGIE. 87 00:03:57,009 --> 00:03:58,140 YEAH, HI. 88 00:03:58,184 --> 00:03:59,315 SO, IF WE DIDN'T KNOW, 89 00:03:59,359 --> 00:04:00,839 HOW DID YOU KNOW? 90 00:04:00,882 --> 00:04:01,927 WE'RE FACEBOOK FRIENDS. 91 00:04:01,970 --> 00:04:03,929 YOU SHOULD TRY IT SOMETIME. 92 00:04:03,972 --> 00:04:05,713 FACEBOOK? - FRIENDS. 93 00:04:07,149 --> 00:04:09,369 ALL RIGHT, GUYS, I'LL GET SOME PLATES. 94 00:04:10,805 --> 00:04:12,285 SO WHAT'S NEW IN THE GOURMET WORLD? 95 00:04:12,328 --> 00:04:14,069 WHERE ARE YOU JETTING OFF TO THIS WEEK? 96 00:04:14,113 --> 00:04:16,289 WELL, THIS WEEKEND, I'M STAYING LOCAL, ACTUALLY. 97 00:04:16,332 --> 00:04:17,899 I'M ATTENDING A GOURMET CONFERENCE 98 00:04:17,943 --> 00:04:19,727 AT THE LARKSPUR PINES RESORT. 99 00:04:19,770 --> 00:04:20,859 FANCY. 100 00:04:20,902 --> 00:04:21,772 MAN, I PICKED THE WRONG JOB. 101 00:04:21,816 --> 00:04:24,253 YOU KNOW WHAT, 102 00:04:24,297 --> 00:04:27,343 I HAVE A SECOND SUITE PAID FOR AND SITTING EMPTY ALL WEEKEND. 103 00:04:27,387 --> 00:04:28,538 MY ASSISTANT HAD TO CANCEL ON ME. 104 00:04:28,562 --> 00:04:29,563 YOU'RE WELCOME TO IT. 105 00:04:29,606 --> 00:04:30,694 TEMPTING, 106 00:04:30,738 --> 00:04:32,131 BUT I WORK ALL WEEKEND. 107 00:04:32,174 --> 00:04:33,219 THAT'S TOO BAD. 108 00:04:33,262 --> 00:04:34,394 WE HAVE TOP CHEFS COMING IN 109 00:04:34,437 --> 00:04:35,482 FROM ALL OVER THE COUNTRY, 110 00:04:35,525 --> 00:04:37,701 SERVING INCREDIBLE FOOD AND WINE. 111 00:04:37,745 --> 00:04:38,702 THERE'S A FREE SPA PACKAGE. 112 00:04:38,746 --> 00:04:40,226 YOU'RE MAKING IT WORSE. 113 00:04:40,269 --> 00:04:41,705 WELL, THAT'S PERFECT 114 00:04:41,749 --> 00:04:42,663 BECAUSE PRICE IS TAKING 115 00:04:42,706 --> 00:04:44,708 SOME FORCED R&R. 116 00:04:44,752 --> 00:04:45,753 WAIT, WHAT? 117 00:04:45,796 --> 00:04:47,233 AS OF 6:00 TONIGHT, 118 00:04:47,276 --> 00:04:48,930 YOU ARE ON VACATION, 119 00:04:48,974 --> 00:04:49,888 WHETHER YOU LIKE IT OR NOT. 120 00:04:49,931 --> 00:04:51,039 NOW, IF YOU WANT TO STAY HOME 121 00:04:51,063 --> 00:04:52,020 AND WATCH PAINT DRY, THAT'S UP TO YOU, 122 00:04:52,064 --> 00:04:53,630 BUT ONLY A CRAZY PERSON 123 00:04:53,674 --> 00:04:56,111 TURNS DOWN A FREE VACATION. 124 00:04:56,155 --> 00:04:57,939 THAT IS A GREAT IDEA. 125 00:04:57,983 --> 00:04:59,506 I'M NOT GOING AWAY WITH YOU. 126 00:04:59,549 --> 00:05:01,116 AWAY WITH ME? 127 00:05:01,160 --> 00:05:02,857 NO, WE'D BE GOING IN TANDEM, NOT TOGETHER. 128 00:05:02,901 --> 00:05:04,139 I'M GOING TO BE WORKING THE WHOLE EVENT, 129 00:05:04,163 --> 00:05:06,121 SO YOU'D HARDLY EVEN SEE ME. 130 00:05:06,165 --> 00:05:07,166 A SELLING POINT FOR SURE. 131 00:05:07,209 --> 00:05:08,123 THANK YOU, 132 00:05:08,167 --> 00:05:09,168 BUT NO THANK YOU. 133 00:05:09,211 --> 00:05:10,473 WHY? 134 00:05:10,517 --> 00:05:11,518 WHAT ARE YOU AFRAID OF? 135 00:05:11,561 --> 00:05:12,998 BEING SURROUNDED 136 00:05:13,041 --> 00:05:13,999 BY A HOTEL FULL OF PRETENTIOUS FOODIES 137 00:05:14,042 --> 00:05:15,000 TOPS THE LIST. 138 00:05:15,043 --> 00:05:16,436 AH. 139 00:05:16,479 --> 00:05:18,307 OKAY, I GET IT. 140 00:05:21,180 --> 00:05:22,746 WHAT DO YOU GET? 141 00:05:22,790 --> 00:05:23,878 IT'S NOT YOUR THING. 142 00:05:23,922 --> 00:05:25,358 YOU'D BE UNCOMFORTABLE. 143 00:05:25,401 --> 00:05:26,750 YOU DON'T THINK I COULD FIT IN? 144 00:05:26,794 --> 00:05:28,206 NO, I'M SURE YOU COULD, IT'S JUST NOT YOUR SCENE. 145 00:05:28,230 --> 00:05:30,232 HOW DO YOU KNOW WHAT MY SCENE IS? 146 00:05:30,276 --> 00:05:31,755 FOR THE RECORD, I FIT IN EVERYWHERE. 147 00:05:31,799 --> 00:05:33,192 SURE. 148 00:05:33,235 --> 00:05:35,498 YOU JUST CAN'T RELAX ENOUGH TO ACTUALLY ENJOY IT. 149 00:05:35,542 --> 00:05:37,500 THAT IS SO TRUE. 150 00:05:37,544 --> 00:05:39,111 THAT IS SO NOT TRUE. 151 00:05:39,154 --> 00:05:41,591 WHAT ABOUT THE HOLIDAY OFFICE PARTY, HMM? 152 00:05:41,635 --> 00:05:43,202 WE DO KARAOKE. 153 00:05:43,245 --> 00:05:45,073 MY CYNDI LAUPER BLEW THE ROOF OFF. 154 00:05:46,205 --> 00:05:47,293 LOOK, I KNOW 155 00:05:47,336 --> 00:05:49,251 YOU LIKE TO THINK OF ME 156 00:05:49,295 --> 00:05:50,687 AS BORING, OLD UPTIGHT MAGGIE, 157 00:05:50,731 --> 00:05:52,994 BUT YOU HAVE NEVER SPENT ANY DOWNTIME WITH ME. 158 00:05:53,038 --> 00:05:54,450 GREAT, COME WITH ME. LET YOUR HAIR DOWN. 159 00:05:54,474 --> 00:05:55,518 FINE, I WILL. 160 00:05:55,562 --> 00:05:56,563 REALLY? - YEAH. 161 00:05:56,606 --> 00:05:58,130 GREAT! THAT'S SETTLED. 162 00:06:02,351 --> 00:06:03,874 WHAT, DID YOU GO HOME FOR THESE? 163 00:06:06,747 --> 00:06:07,966 I'LL PICK YOU UP TOMORROW. 164 00:06:08,009 --> 00:06:09,009 PERFECT. 165 00:06:16,226 --> 00:06:17,227 THERE YOU GO. 166 00:06:17,271 --> 00:06:19,360 THANK YOU. 167 00:06:19,403 --> 00:06:21,101 MOM, THIS SHIRT IS TRAGIC. 168 00:06:21,144 --> 00:06:23,625 WHEN DID YOU BECOME THE FASHION POLICE? 169 00:06:23,669 --> 00:06:24,626 WHEN YOU STARTED COMMITTING FASHION CRIMES. 170 00:06:24,670 --> 00:06:25,671 SEE? 171 00:06:25,714 --> 00:06:26,672 I DON'T HAVE ANYTHING TO WEAR. 172 00:06:26,715 --> 00:06:28,674 I SHOULDN'T EVEN GO. 173 00:06:28,717 --> 00:06:29,675 OF COURSE YOU'RE GOING. 174 00:06:29,718 --> 00:06:30,763 PLEASE GO, MOM. 175 00:06:30,806 --> 00:06:32,591 WHY ARE YOU SO HAPPY TO SEE ME LEAVE? 176 00:06:36,595 --> 00:06:39,249 AH, WHEN MOM'S AWAY, ALL THE RULES GO OUT THE WINDOW? 177 00:06:39,293 --> 00:06:41,077 WE'RE SPENDING ALL DAY TOMORROW 178 00:06:41,121 --> 00:06:42,383 AT THE BOARDWALK. 179 00:06:42,426 --> 00:06:43,665 FIRST, WE'RE GOING ON THE GIANT DIPPER, 180 00:06:43,689 --> 00:06:44,820 THEN THE UNDERTOW... 181 00:06:44,864 --> 00:06:46,189 THEN THE FIREBALL, THEN THE CLIFF HANGER... 182 00:06:46,213 --> 00:06:47,886 AND THEN WE'RE GONNA GO SEE A DOUBLE FEATURE. 183 00:06:47,910 --> 00:06:50,870 AND GET POPCORN WITH EXTRA BUTTER. 184 00:06:50,913 --> 00:06:52,611 AND SOUR PATCH KIDS FOR DESSERT. 185 00:06:53,916 --> 00:06:55,788 WOW, YOU GUYS HAVE IT ALL WORKED OUT, HUH? 186 00:06:55,831 --> 00:06:56,876 YES, WE DO, 187 00:06:56,919 --> 00:06:57,746 SO THERE'S NO POINT IN ARGUING. 188 00:06:57,790 --> 00:06:58,878 GET PACKING. 189 00:06:58,921 --> 00:07:00,836 SAY HI TO HENRY FOR US. 190 00:07:03,404 --> 00:07:05,449 I'M GOING TO MISS YOU GUYS. 191 00:07:21,552 --> 00:07:23,642 SO, WHAT IS THIS WEEKEND ABOUT EXACTLY, ANYWAY? 192 00:07:23,685 --> 00:07:24,599 OH, IT'S JUST A GATHERING OF CHEFS 193 00:07:24,643 --> 00:07:25,905 FROM AROUND THE COUNTRY, 194 00:07:25,948 --> 00:07:27,428 ALL TRYING TO OUTDO ONE ANOTHER 195 00:07:27,471 --> 00:07:29,517 WHILE ACTING VERY NONCHALANT ABOUT THE WHOLE THING. 196 00:07:30,605 --> 00:07:31,606 SO, ARE YOU NERVOUS? 197 00:07:31,650 --> 00:07:32,651 ME? 198 00:07:33,782 --> 00:07:35,828 NO. NO... 199 00:07:35,871 --> 00:07:36,959 NO? 200 00:07:37,982 --> 00:07:39,177 I MEAN, YOU MUST BE FEELING THE PRESSURE A LITTLE BIT. 201 00:07:39,201 --> 00:07:41,247 NO. NO PRESSURE. 202 00:07:41,290 --> 00:07:42,398 I'M JUST GOING TO ENJOY THE WEEKEND. 203 00:07:42,422 --> 00:07:44,032 THAT'S ALL. 204 00:07:44,075 --> 00:07:45,773 HMM. 205 00:07:45,816 --> 00:07:48,210 WELL, THEN, THAT MAKES TWO OF US. 206 00:07:48,254 --> 00:07:50,299 I ALREADY BOOKED A MASSAGE FOR WHEN WE FIRST ARRIVE. 207 00:07:50,343 --> 00:07:51,300 REALLY? - MM-HMM. 208 00:07:51,344 --> 00:07:52,538 WAY TO EMBRACE THE EXPERIENCE. 209 00:07:52,562 --> 00:07:53,520 THANK YOU. 210 00:07:53,563 --> 00:07:54,521 I'M JUST SORRY 211 00:07:54,564 --> 00:07:55,826 THERE'S NO KARAOKE. 212 00:07:55,870 --> 00:07:56,958 CYNDI LAUPER? 213 00:07:57,001 --> 00:07:59,134 I WOULD LITERALLY PAY TO SEE THAT. 214 00:07:59,178 --> 00:08:00,416 BECAUSE YOU ASSUME I'M TERRIBLE. 215 00:08:00,440 --> 00:08:01,963 NO, NO, NOT AT ALL. 216 00:08:02,006 --> 00:08:02,877 YOU'D NEVER DO ANYTHING IN PUBLIC 217 00:08:02,920 --> 00:08:04,000 IF YOU WEREN'T GREAT AT IT. 218 00:08:05,227 --> 00:08:07,708 OH, COME ON, THAT WAS A COMPLIMENT. 219 00:08:07,751 --> 00:08:08,665 WRAPPED UP IN A PUT DOWN. 220 00:08:08,709 --> 00:08:09,666 MY EX-HUSBAND USED TO DO THAT. 221 00:08:09,710 --> 00:08:11,015 IT WAS REALLY ANNOYING. 222 00:08:11,059 --> 00:08:12,626 ALL I'M SAYING IS THAT I'M GLAD 223 00:08:12,669 --> 00:08:13,690 YOU HAVEN'T COMPLETELY SHUT THE DOOR TO HAVING FUN IN LIFE... 224 00:08:13,714 --> 00:08:15,368 YOU LITERALLY JUST DID IT AGAIN! 225 00:08:15,411 --> 00:08:16,978 YOU MAKE ME SOUND 226 00:08:17,021 --> 00:08:18,109 LIKE I AM A TOTAL DRUDGE. 227 00:08:18,153 --> 00:08:19,546 WHEN, IN FACT, I AM A FUN PERSON. 228 00:08:19,589 --> 00:08:20,634 OKAY. 229 00:08:20,677 --> 00:08:21,678 A REALLY FUN PERSON. 230 00:08:21,722 --> 00:08:24,246 GREAT. I BELIEVE YOU. - GOOD. 231 00:08:24,290 --> 00:08:25,987 OF COURSE, IF THAT WERE TRUE, 232 00:08:26,030 --> 00:08:27,989 YOU WOULDN'T BE QUITE SO DEFENSIVE. 233 00:08:28,032 --> 00:08:29,991 YOU KNOW YOU HAVE A RIDICULOUSLY CLEAN CAR. 234 00:08:30,034 --> 00:08:31,427 THANK YOU. 235 00:08:31,471 --> 00:08:32,907 THAT WASN'T A COMPLIMENT. 236 00:08:52,709 --> 00:08:53,667 NOT BAD. 237 00:08:53,710 --> 00:08:55,538 I TOLD YOU. 238 00:08:55,582 --> 00:08:57,497 BY THE WAY, I GAVE YOU THE PRESIDENTIAL SUITE. 239 00:08:57,540 --> 00:09:00,239 I'M TAKING LUCY'S ROOM. 240 00:09:00,282 --> 00:09:02,589 YOU'RE WELCOME. 241 00:09:03,446 --> 00:09:04,403 HENRY... 242 00:09:04,447 --> 00:09:05,535 HENRY ROSS? 243 00:09:05,579 --> 00:09:06,492 I'M EVELYNN DE WITT. 244 00:09:06,536 --> 00:09:07,537 OF COURSE. 245 00:09:07,581 --> 00:09:08,494 NICE TO MEET YOU FINALLY IN PERSON. 246 00:09:08,538 --> 00:09:09,538 HI. DETECTIVE PRICE. 247 00:09:10,845 --> 00:09:12,368 UH, MAGGIE PRICE. 248 00:09:12,411 --> 00:09:15,632 OFF DUTY AND READY TO RELAX. 249 00:09:15,676 --> 00:09:17,199 WELL, YOU'VE COME TO THE RIGHT PLACE. 250 00:09:17,242 --> 00:09:18,896 THE BELLMAN WILL TAKE YOUR BAGS. 251 00:09:18,940 --> 00:09:20,637 IF YOU'LL FOLLOW ME, PLEASE. 252 00:09:20,681 --> 00:09:21,681 ALL RIGHT. 253 00:09:26,512 --> 00:09:28,253 I'M SORRY, I WAS UNDER THE IMPRESSION 254 00:09:28,297 --> 00:09:29,777 THAT YOU WERE BRINGING YOUR ASSISTANT. 255 00:09:31,343 --> 00:09:33,345 I BOOKED TWO SEPARATE SUITES. 256 00:09:33,389 --> 00:09:34,390 YEAH. OH. 257 00:09:34,433 --> 00:09:35,913 OH, NO, WE'RE NOT... 258 00:09:35,957 --> 00:09:37,480 NO, NO, NO. 259 00:09:37,523 --> 00:09:38,437 NO, NO, WE WORK TOGETHER. 260 00:09:38,481 --> 00:09:39,438 NO, WE DON'T. 261 00:09:39,482 --> 00:09:40,439 WELL, SOMETIMES, WE DO. 262 00:09:40,483 --> 00:09:41,658 ONE TIME WE DID, 263 00:09:41,702 --> 00:09:42,702 AND NOT BY CHOICE. 264 00:09:43,834 --> 00:09:44,792 OKAY, WELL, 265 00:09:44,835 --> 00:09:48,012 THE WELCOME RECEPTION IS AT 6:00. 266 00:09:48,056 --> 00:09:49,361 I HOPE YOU CAN BOTH JOIN US. 267 00:09:49,405 --> 00:09:50,469 OH, AND, JUST A LITTLE FYI, 268 00:09:50,493 --> 00:09:52,016 DANIELLE STARK WILL BE JOINING US 269 00:09:52,060 --> 00:09:53,080 AT THE CONFERENCE THIS WEEKEND. 270 00:09:53,104 --> 00:09:55,237 WAIT, THE DANIELLE STARK? 271 00:09:55,280 --> 00:09:58,501 SHE'S PREPARING TO PLAY A CHEF IN HER NEXT MOVIE. 272 00:09:58,544 --> 00:10:00,131 WELL, LOOK, I MEAN, IF SHE WOULD LIKE SOME TIPS, 273 00:10:00,155 --> 00:10:01,591 I WOULD BE MORE THAN HAPPY 274 00:10:01,635 --> 00:10:03,114 TO SHOW HER A COUPLE OF THINGS. 275 00:10:03,158 --> 00:10:04,289 MM-HMM. 276 00:10:04,333 --> 00:10:05,769 JUST... 277 00:10:05,813 --> 00:10:08,032 SHALL I SHOW YOU UPSTAIRS? 278 00:10:09,512 --> 00:10:11,708 ACTUALLY, I'D LIKE TO FIRST CHECK ON MY FOOD DELIVERIES, 279 00:10:11,732 --> 00:10:12,839 MAKE SURE THAT EVERYTHING HAS ARRIVED 280 00:10:12,863 --> 00:10:14,303 FOR MY PRESENTATION TOMORROW MORNING. 281 00:10:14,343 --> 00:10:15,387 OF COURSE. 282 00:10:15,431 --> 00:10:16,301 WOULD YOU LIKE TO SEE THE KITCHEN? 283 00:10:16,345 --> 00:10:17,868 UH... 284 00:10:17,912 --> 00:10:19,609 I'D LOVE TO, 285 00:10:19,653 --> 00:10:22,264 BUT, UM, I ACTUALLY HAVE A MASSAGE BOOKED, 286 00:10:22,307 --> 00:10:25,267 AND A PRESIDENTIAL SUITE TO SETTLE INTO. 287 00:10:25,310 --> 00:10:27,008 HMM. 288 00:10:29,750 --> 00:10:31,273 I GAVE HER MY ROOM. 289 00:10:31,316 --> 00:10:32,535 SMART MOVE. 290 00:10:33,667 --> 00:10:34,905 NO, HONESTLY, IT'S NOT LIKE THAT. 291 00:10:34,929 --> 00:10:36,147 I'M REALLY NOT TRYING TO... 292 00:10:50,292 --> 00:10:52,903 WOW. 293 00:10:58,474 --> 00:11:00,084 THIS I COULD GET USED TO. 294 00:11:07,788 --> 00:11:09,441 YEAH. 295 00:11:19,800 --> 00:11:21,671 SO, YOU'RE SURE... 296 00:11:21,715 --> 00:11:23,673 YES, THE REST OF YOUR INGREDIENTS 297 00:11:23,717 --> 00:11:25,172 WILL ARRIVE THIS AFTERNOON, I PROMISE. 298 00:11:25,196 --> 00:11:26,347 WE HAVE MORE DELIVERIES COMING. 299 00:11:26,371 --> 00:11:28,765 LUCAS, LOOK WHO I HAVE. 300 00:11:28,809 --> 00:11:31,637 OH... 301 00:11:31,681 --> 00:11:33,117 HENRY ROSS! 302 00:11:33,161 --> 00:11:35,250 THE GOURMET DETECTIVE HIMSELF, 303 00:11:35,293 --> 00:11:36,164 GREAT TO FINALLY MEET YOU. 304 00:11:36,207 --> 00:11:37,339 IT'S A PLEASURE. 305 00:11:37,382 --> 00:11:38,514 GRETCHEN, GET OVER HERE. 306 00:11:38,557 --> 00:11:39,994 OH. 307 00:11:40,037 --> 00:11:41,082 GRETCHEN IS MY SOUS-CHEF 308 00:11:41,125 --> 00:11:42,387 AND MY WIFE. 309 00:11:42,431 --> 00:11:43,475 HI. IT'S NICE TO MEET YOU. 310 00:11:43,519 --> 00:11:45,086 NICE MEETING YOU. 311 00:11:45,129 --> 00:11:47,305 LUCAS, I HAVE READ ALL OF YOUR REVIEWS. 312 00:11:47,349 --> 00:11:48,829 CONGRATULATIONS. - THANK YOU. 313 00:11:48,872 --> 00:11:51,135 SO, WHERE DID YOU STUDY? 314 00:11:51,179 --> 00:11:52,547 I DON'T REALLY BELIEVE IN CULINARY SCHOOLS. 315 00:11:52,571 --> 00:11:53,940 I LEARNED EVERYTHING I NEEDED TO KNOW 316 00:11:53,964 --> 00:11:56,706 FROM MENTORS IN REAL KITCHENS, IN THE REAL WORLD. 317 00:11:56,750 --> 00:11:58,926 I HEAR YOU, I CAME UP EXACTLY THE SAME WAY. 318 00:11:58,969 --> 00:12:00,754 HOW DID YOU END UP HERE? 319 00:12:00,797 --> 00:12:02,016 THAT WAS ALL ME. 320 00:12:02,059 --> 00:12:02,930 I STOLE HIM AWAY FROM A WEALTHY FAMILY 321 00:12:02,973 --> 00:12:04,366 IN COLORADO. 322 00:12:04,409 --> 00:12:05,865 THEY USED TO THROW THESE HUGE FUNDRAISERS, 323 00:12:05,889 --> 00:12:07,238 WHICH IS A GREAT TRAINING GROUND 324 00:12:07,282 --> 00:12:10,024 FOR WORKING HERE. 325 00:12:10,067 --> 00:12:11,227 WE'RE VERY LUCKY TO HAVE THEM. 326 00:12:12,374 --> 00:12:14,506 WELL, THE RECEPTION STARTS 327 00:12:14,550 --> 00:12:15,812 IN ABOUT AN HOUR, 328 00:12:15,856 --> 00:12:16,963 AND I STILL HAVE SOME PREPARATIONS TO MAKE. 329 00:12:16,987 --> 00:12:18,946 IF YOU'LL EXCUSE ME. 330 00:12:18,989 --> 00:12:20,077 OF COURSE. 331 00:12:20,121 --> 00:12:21,315 HENRY, I'M SURE WE'LL HAVE A CHANCE 332 00:12:21,339 --> 00:12:23,080 TO CATCH UP OVER THE WEEKEND, BUT I GOTTA... 333 00:12:23,124 --> 00:12:24,038 YEAH, YUP, GO. 334 00:12:24,081 --> 00:12:25,300 HEY! WHO'S WATCHING THIS? 335 00:12:25,343 --> 00:12:26,712 HOW HARD IT IS TO KEEP STIRRING A POT? 336 00:12:26,736 --> 00:12:28,303 JUST LIKE THIS... 337 00:12:28,346 --> 00:12:30,174 PICK IT UP, PLEASE. 338 00:12:33,461 --> 00:12:36,377 SO... A PRIVATE CHEF. 339 00:12:36,420 --> 00:12:37,943 SOUNDS LIKE A DREAM JOB. 340 00:12:37,987 --> 00:12:40,163 IT WAS. 341 00:12:40,206 --> 00:12:42,034 MUST BE A BIG CHANGE 342 00:12:42,078 --> 00:12:44,341 COMING TO A BUSY PLACE LIKE THIS FROM A PRIVATE HOME. 343 00:12:44,385 --> 00:12:45,821 ASHFORD WAS MUCH QUIETER. 344 00:12:45,864 --> 00:12:48,824 EVERYTHING NOW IS... 345 00:12:48,867 --> 00:12:50,129 BUSY, 346 00:12:50,173 --> 00:12:51,217 AS YOU CAN SEE. 347 00:12:52,915 --> 00:12:54,109 IF YOU'LL EXCUSE ME, I NEED TO GET BACK TO WORK. 348 00:12:54,133 --> 00:12:55,483 OF COURSE. 349 00:13:01,750 --> 00:13:05,275 OH, WOW, THESE ARE SOME TIGHT SHOULDERS. 350 00:13:05,319 --> 00:13:08,104 HOW LONG HAS IT BEEN SINCE YOUR LAST MASSAGE? 351 00:13:08,147 --> 00:13:09,323 UM... 352 00:13:10,454 --> 00:13:12,282 I THINK MY DAUGHTER WAS SIX? 353 00:13:12,326 --> 00:13:14,937 SO, I'VE GOT MY WORK CUT OUT FOR ME. 354 00:13:14,980 --> 00:13:17,026 DEFINITELY. 355 00:13:17,069 --> 00:13:18,593 WELL, FEEL FREE TO DIG IN. 356 00:13:18,636 --> 00:13:19,657 I'M SPENDING THE WEEKEND WITH SOMEONE 357 00:13:19,681 --> 00:13:21,770 WHO DRIVES ME COMPLETELY CRAZY. 358 00:13:21,813 --> 00:13:23,815 SOUNDS LIKE THERE'S A STORY THERE. 359 00:13:23,859 --> 00:13:25,513 OH, NO. NO STORY. 360 00:13:25,556 --> 00:13:27,863 HE'S JUST A FRIEND. 361 00:13:27,906 --> 00:13:29,995 SORT OF. 362 00:13:30,039 --> 00:13:31,301 I MEAN, DON'T GET ME WRONG, 363 00:13:31,345 --> 00:13:32,931 HE DID GIVE UP THE PRESIDENTIAL SUITE FOR ME, 364 00:13:32,955 --> 00:13:34,348 WHICH WAS A BIT SURPRISING, 365 00:13:34,391 --> 00:13:35,958 BUT MOST OF THE TIME, 366 00:13:36,001 --> 00:13:39,396 HE'S JUST QUITE OPINIONATED AND A TOTAL SNOB. 367 00:13:39,440 --> 00:13:41,442 AND HE'S ONE OF THOSE PEOPLE 368 00:13:41,485 --> 00:13:43,400 WHO THINKS THEY HAVE YOUR NUMBER, 369 00:13:43,444 --> 00:13:44,638 WHEN REALLY THEY DO NOT KNOW YOU AT ALL, 370 00:13:44,662 --> 00:13:45,822 AND YOU JUST WANT TO, LIKE... 371 00:13:48,449 --> 00:13:50,755 SORRY. 372 00:13:50,799 --> 00:13:51,887 PUT ME ON A MASSAGE TABLE, 373 00:13:51,930 --> 00:13:53,168 AND, APPARENTLY, I START OVER-SHARING. 374 00:13:53,192 --> 00:13:54,585 OH, DON'T WORRY ABOUT IT. 375 00:13:54,629 --> 00:13:56,979 YOU'D BE AMAZED WHAT PEOPLE TELL ME IN THIS ROOM. 376 00:13:58,415 --> 00:13:59,415 I'M SURE. 377 00:14:12,734 --> 00:14:14,649 YOUR FRIEND IS ATTRACTING 378 00:14:14,692 --> 00:14:16,259 A LOT OF ATTENTION. 379 00:14:17,869 --> 00:14:19,001 BETTER GET IN LINE. 380 00:14:21,656 --> 00:14:23,092 NEXT TIME YOU'RE IN NEW YORK, 381 00:14:23,135 --> 00:14:24,398 YOU GIVE ME A CALL, 382 00:14:24,441 --> 00:14:25,897 AND I'LL GET YOU INTO ANY SHOW YOU WANT TO SEE. 383 00:14:25,921 --> 00:14:27,575 WELL, I MIGHT JUST TAKE YOU UP ON THAT. 384 00:14:27,618 --> 00:14:29,185 HERE'S HENRY. 385 00:14:29,228 --> 00:14:31,143 WHY ARE YOU STANDING THERE EMPTY-HANDED? 386 00:14:31,187 --> 00:14:32,667 THANK YOU, LUCAS. - MY PLEASURE. 387 00:14:32,710 --> 00:14:33,755 DO YOU KNOW MAGGIE PRICE? 388 00:14:33,798 --> 00:14:35,496 OH, MAGGIE AND I GO WAY BACK. 389 00:14:35,539 --> 00:14:37,628 HIGH SCHOOL SWEETHEARTS, IN FACT. 390 00:14:38,760 --> 00:14:39,674 REALLY? 391 00:14:39,717 --> 00:14:40,762 HE'S JOKING. 392 00:14:40,805 --> 00:14:41,893 DO YOU ALL KNOW EACH OTHER? 393 00:14:41,937 --> 00:14:43,417 HENRY, MICHAEL CASTELLANO. 394 00:14:43,460 --> 00:14:45,201 MICHAEL. - PLEASURE. 395 00:14:45,244 --> 00:14:46,483 HE OWNS TWO RESTAURANTS IN NEW YORK. 396 00:14:46,507 --> 00:14:49,074 AND THIS IS... - ERIC HELBERG. 397 00:14:49,118 --> 00:14:50,617 YOU KNOW, I KEEP READING ABOUT YOUR NEW RESTAURANT. 398 00:14:50,641 --> 00:14:51,816 I HAVE TO CONFESS, THOUGH, 399 00:14:51,860 --> 00:14:53,054 I HAVEN'T BEEN OVER TO MARIN COUNTY YET 400 00:14:53,078 --> 00:14:54,515 TO SEE IT MYSELF. 401 00:14:54,558 --> 00:14:55,429 I WOULD BE HONORED IF YOU DROPPED BY, 402 00:14:55,472 --> 00:14:56,778 TO BE HONEST, 403 00:14:56,821 --> 00:14:57,972 I'M ACTUALLY A PRETTY BIG FAN OF YOURS. 404 00:14:57,996 --> 00:14:59,389 AH. 405 00:14:59,433 --> 00:15:00,627 YEAH, I'VE BEEN READING THE GOURMET DETECTIVE BLOG 406 00:15:00,651 --> 00:15:01,522 SINCE COLLEGE. 407 00:15:01,565 --> 00:15:02,871 WOW. I DON'T FEEL OLD AT ALL. 408 00:15:03,959 --> 00:15:05,221 ERIC WAS JUST INVITING ME 409 00:15:05,264 --> 00:15:06,265 OVER TO HIS RESTAURANT, 410 00:15:06,309 --> 00:15:08,137 AND PROMISED ME THE CHEF'S TABLE 411 00:15:08,180 --> 00:15:09,791 IN HIS KITCHEN. 412 00:15:09,834 --> 00:15:11,662 WELL, AREN'T YOU THE BELLE OF THE BALL? 413 00:15:11,706 --> 00:15:13,751 I'M JUST KEEPING THE DOOR OPEN TO FUN. 414 00:15:13,795 --> 00:15:16,058 DIDN'T TAKE YOU LONG, DID IT? 415 00:15:16,101 --> 00:15:17,339 MICHAEL, COME OVER WITH ME, PLEASE, 416 00:15:17,363 --> 00:15:18,819 I'D LOVE TO INTRODUCE YOU TO A FRIEND OF MINE. 417 00:15:18,843 --> 00:15:20,243 MAGGIE, CAN I GET YOU ANOTHER DRINK? 418 00:15:20,279 --> 00:15:22,325 WELL, THAT WOULD BE LOVELY, THANK YOU. 419 00:15:25,676 --> 00:15:26,851 THERE SHE IS. 420 00:15:26,895 --> 00:15:28,940 DANIELLE STARK. 421 00:15:28,984 --> 00:15:30,507 OH, GOOD. 422 00:15:30,551 --> 00:15:32,727 HENRY WAS WANTING TO GIVE HER SOME COOKING TIPS. 423 00:15:32,770 --> 00:15:34,119 HERE'S YOUR CHANCE. 424 00:15:34,163 --> 00:15:35,563 WHY DON'T YOU GO INTRODUCE YOURSELF? 425 00:15:37,688 --> 00:15:39,211 OH, WELL, UM... 426 00:15:40,604 --> 00:15:42,214 SHE, UH... 427 00:15:42,258 --> 00:15:43,738 YOU KNOW, SHE LOOKS A LITTLE BUSY. 428 00:15:45,566 --> 00:15:46,567 I THINK I'LL WAIT A BIT. 429 00:15:46,610 --> 00:15:47,655 ARE YOU NERVOUS? 430 00:15:47,698 --> 00:15:48,743 WHAT? 431 00:15:48,786 --> 00:15:49,787 YOU ARE. 432 00:15:49,831 --> 00:15:50,832 NO. 433 00:15:50,875 --> 00:15:51,833 YOU'RE TOO NERVOUS 434 00:15:51,876 --> 00:15:52,834 TO GO AND INTRODUCE YOURSELF 435 00:15:52,877 --> 00:15:54,705 TO A MOVIE STAR, AREN'T YOU? 436 00:15:54,749 --> 00:15:56,011 THAT'S TOO BAD. 437 00:15:56,054 --> 00:15:58,143 I THOUGHT YOU WERE GOING TO SHOW HER YOUR MOVES. 438 00:15:58,187 --> 00:16:00,668 I MEANT SHOW HER SOME COOKING TIPS. 439 00:16:00,711 --> 00:16:02,496 OF COURSE. 440 00:16:04,846 --> 00:16:06,369 HI. 441 00:16:07,588 --> 00:16:08,763 HERE YOU ARE. 442 00:16:08,806 --> 00:16:10,068 HI. 443 00:16:10,112 --> 00:16:11,505 THIS IS KATHLEEN EVANS, 444 00:16:11,548 --> 00:16:14,072 SHE IS WRITING A PROFILE ON ME 445 00:16:14,116 --> 00:16:15,552 FOR "MODERN TRENDS MAGAZINE." 446 00:16:15,596 --> 00:16:17,119 KATHLEEN, 447 00:16:17,162 --> 00:16:18,294 THIS IS HENRY ROSS. 448 00:16:18,337 --> 00:16:19,208 I BELIEVE WE'VE MET, 449 00:16:19,251 --> 00:16:20,209 RIGHT? 450 00:16:20,252 --> 00:16:21,253 THAT'S RIGHT, YEAH. 451 00:16:21,297 --> 00:16:22,559 KATHLEEN, THIS IS MAGGIE PRICE. 452 00:16:22,603 --> 00:16:23,473 HI. - NICE MEETING YOU. 453 00:16:23,517 --> 00:16:24,518 YOU TOO. 454 00:16:24,561 --> 00:16:25,606 MM! HAVE YOU TRIED THESE? 455 00:16:25,649 --> 00:16:28,043 OH. NO, I HAVEN'T... 456 00:16:28,086 --> 00:16:29,827 UH, MY ASSISTANT SAID 457 00:16:29,871 --> 00:16:31,960 THAT YOU WANTED TO TALK TO ME ABOUT SOMETHING? 458 00:16:32,003 --> 00:16:34,440 YES, BUT, UM, I CAN'T TALK HERE. 459 00:16:34,484 --> 00:16:35,485 CAN I CALL YOU LATER, 460 00:16:35,529 --> 00:16:36,399 AND WE CAN SET UP A TIME TO MEET? 461 00:16:36,442 --> 00:16:37,705 YEAH, OF COURSE. 462 00:16:37,748 --> 00:16:38,793 PERFECT. - YOU! 463 00:16:38,836 --> 00:16:40,621 DANIELLE... 464 00:16:40,664 --> 00:16:42,971 YOU HAVE A LOT OF NERVE SHOWING UP HERE. 465 00:16:43,014 --> 00:16:44,581 WELL, I DIDN'T KNOW YOU'D BE HERE. 466 00:16:44,625 --> 00:16:46,148 WHY DON'T WE GO TALK OUTSIDE? 467 00:16:46,191 --> 00:16:47,628 OH, NOW YOU WANT TO BE DISCREET? 468 00:16:47,671 --> 00:16:49,325 THAT'S PRETTY FUNNY. 469 00:16:49,368 --> 00:16:51,129 COME ON, DANIELLE, WE DON'T WANT TO CAUSE A SCENE. 470 00:16:51,153 --> 00:16:52,067 DO YOU KNOW WHAT THAT LITTLE VIDEO 471 00:16:52,110 --> 00:16:54,156 AND YOUR ARTICLE COST ME? 472 00:16:54,199 --> 00:16:56,462 THE STUDIO TOOK AWAY MY THREE-PICTURE DEAL, 473 00:16:56,506 --> 00:16:58,595 AND NO ONE WOULD HIRE ME FOR THREE YEARS 474 00:16:58,639 --> 00:16:59,727 BECAUSE OF YOU. 475 00:16:59,770 --> 00:17:01,816 YOU RUINED ME. 476 00:17:01,859 --> 00:17:04,819 SO, ONE OF US IS LEAVING THIS HOTEL, 477 00:17:04,862 --> 00:17:05,907 AND IT'S NOT GONNA BE ME. 478 00:17:05,950 --> 00:17:07,038 DANIELLE, LET'S GO OUTSIDE 479 00:17:07,082 --> 00:17:09,084 FOR SOME AIR, ALL RIGHT? 480 00:17:14,322 --> 00:17:16,019 HOW DARE YOU SHOW YOUR FACE 481 00:17:16,062 --> 00:17:18,891 ANYWHERE NEAR MY CLIENT AFTER EVERYTHING YOU DID. 482 00:17:18,935 --> 00:17:19,892 YOU'RE LUCKY WE DIDN'T SUE YOU. 483 00:17:19,936 --> 00:17:21,285 I DIDN'T MAKE HER BEHAVE THAT WAY. 484 00:17:21,329 --> 00:17:22,828 NO, YOU JUST TAPED IT AND PUT IT ONLINE. 485 00:17:22,852 --> 00:17:24,221 YOU NEED TO PACK YOUR BAGS AND LEAVE. 486 00:17:24,245 --> 00:17:25,700 HEY, MAN, WHY DON'T YOU CALM DOWN? HEY... 487 00:17:25,724 --> 00:17:26,724 ERIC, IT'S FINE. 488 00:17:27,770 --> 00:17:29,989 I'M NOT GOING ANYWHERE. 489 00:17:30,033 --> 00:17:31,643 WELL, WE'LL SEE ABOUT THAT. 490 00:17:39,172 --> 00:17:41,305 WHO WAS THAT GUY? 491 00:17:41,349 --> 00:17:43,133 DANIELLE'S MANAGER, JOHN HARPER. 492 00:17:43,176 --> 00:17:45,396 HE'S A LITTLE OVER-PROTECTIVE. 493 00:17:45,440 --> 00:17:47,093 JOURNALISTS AREN'T ALWAYS 494 00:17:47,137 --> 00:17:48,462 THE MOST POPULAR PEOPLE IN THE ROOM. 495 00:17:48,486 --> 00:17:51,141 IF YOU'LL EXCUSE ME. 496 00:17:51,184 --> 00:17:52,447 AS FUN AS THIS IS, 497 00:17:52,490 --> 00:17:54,884 I HAVE A DATE WITH A HOT BATH AND A GOOD BOOK, 498 00:17:54,927 --> 00:17:56,842 SO GOOD NIGHT. 499 00:17:56,886 --> 00:17:59,149 GOOD NIGHT. 500 00:18:04,881 --> 00:18:07,492 AWKWARD. 501 00:18:14,717 --> 00:18:16,806 I CAN'T BELIEVE IT'S ONLY 8:00. 502 00:18:16,849 --> 00:18:20,679 I GUESS THAT MASSAGE REALLY KNOCKED ME OUT. 503 00:18:20,723 --> 00:18:23,290 TURNS OUT RELAXATION IS EXHAUSTING. 504 00:18:23,334 --> 00:18:24,334 AH... 505 00:18:26,380 --> 00:18:29,383 WELL, I GUESS THIS IS GOOD NIGHT. 506 00:18:29,427 --> 00:18:30,820 I'LL SEE YOU TOMORROW. 507 00:18:30,863 --> 00:18:32,038 OKAY. 508 00:18:32,082 --> 00:18:33,518 OKAY. 509 00:18:35,825 --> 00:18:39,263 SO, JUST TELL ME, THOUGH, 510 00:18:39,306 --> 00:18:40,525 IS THE SUITE AMAZING? 511 00:18:41,657 --> 00:18:43,702 INCREDIBLE. 512 00:18:43,746 --> 00:18:45,704 YEAH. I KNEW IT WOULD BE. 513 00:18:45,748 --> 00:18:48,054 WELL, I'M JUST GOING TO BE DOWN THE HALL, 514 00:18:48,098 --> 00:18:49,336 IN MY VERY UN-PRESIDENTIAL SUITE 515 00:18:49,360 --> 00:18:50,361 IF YOU NEED ME. 516 00:18:50,404 --> 00:18:51,623 GOOD TO KNOW. 517 00:18:51,667 --> 00:18:53,190 YUP. 518 00:18:53,233 --> 00:18:54,233 GOOD NIGHT. 519 00:18:56,323 --> 00:18:57,934 HEY, HENRY. 520 00:18:57,977 --> 00:18:58,935 HMM? 521 00:18:58,978 --> 00:19:00,458 THANK YOU. 522 00:19:00,501 --> 00:19:01,633 FOR THE ROOM. 523 00:19:01,677 --> 00:19:03,374 YOU'RE WELCOME. 524 00:19:46,199 --> 00:19:48,245 OH, MY GOD. 525 00:19:55,009 --> 00:19:56,707 MAGGIE! 526 00:19:59,318 --> 00:20:00,232 MAGGIE! 527 00:20:00,275 --> 00:20:01,886 WHAT? 528 00:20:01,929 --> 00:20:02,950 THERE'S A WOMAN IN THE MINERAL BATHS, FACE DOWN. 529 00:20:02,974 --> 00:20:04,584 WHAT? - PLEASE, COME ON! 530 00:20:04,628 --> 00:20:05,803 OKAY, HOLD ON. 531 00:20:35,659 --> 00:20:36,747 SHE WAS RIGHT HERE. 532 00:20:38,357 --> 00:20:39,357 I'M TELLING YOU. 533 00:20:41,273 --> 00:20:42,642 THAT YOU SAW A WOMAN RELAXING IN A HOT TUB? 534 00:20:42,666 --> 00:20:44,145 NO, MAGGIE, I'M TELLING YOU, 535 00:20:44,189 --> 00:20:46,109 THERE WAS A WOMAN FLOATING FACE DOWN, RIGHT HERE. 536 00:20:47,671 --> 00:20:49,111 WELL, YOU WERE PRETTY HIGH UP, HENRY. 537 00:21:03,991 --> 00:21:05,166 HEY, LOOK AT THIS. 538 00:21:13,218 --> 00:21:14,698 THIS IS KATHLEEN'S. 539 00:21:14,741 --> 00:21:16,830 SHE WAS WEARING THIS THIS EVENING. 540 00:21:18,310 --> 00:21:21,574 SHE WANTED TO TALK TO ME ABOUT SOMETHING. 541 00:21:21,618 --> 00:21:23,576 SHE CALLED LUCY AND SAID THAT IT WAS URGENT 542 00:21:23,620 --> 00:21:24,969 THAT SHE SEE ME THIS WEEKEND. 543 00:21:25,012 --> 00:21:25,970 ABOUT WHAT? 544 00:21:26,013 --> 00:21:27,406 I HAVE NO IDEA. 545 00:21:27,449 --> 00:21:28,905 WELL, MAYBE SHE JUST HAD TOO MUCH TO DRINK 546 00:21:28,929 --> 00:21:31,366 AND SHE FELL IN THE POOL, 547 00:21:31,410 --> 00:21:33,151 AND CAME TO AND PULLED HERSELF OUT, 548 00:21:33,194 --> 00:21:35,196 OR SOMEBODY HELPED HER. 549 00:21:35,240 --> 00:21:37,634 WELL, IF THAT'S THE CASE, SHE COULDN'T HAVE GOT VERY FAR. 550 00:21:43,988 --> 00:21:44,989 MS. EVANS? 551 00:21:47,644 --> 00:21:49,080 IT'S EVELYNN DE WITT. 552 00:21:49,123 --> 00:21:50,516 LOOK, WE CHECKED THE LOCKER ROOM 553 00:21:50,559 --> 00:21:51,735 DOWN IN THE SPA, 554 00:21:51,778 --> 00:21:52,561 THE FRONT DESK HAS CALLED HER ON HER CELL 555 00:21:52,605 --> 00:21:53,519 AND IN HER ROOM. 556 00:21:53,562 --> 00:21:54,651 SHE'S NOT ANSWERING. 557 00:21:54,694 --> 00:21:56,130 WE'D REALLY JUST APPRECIATE IT 558 00:21:56,174 --> 00:21:58,294 IF YOU WOULD LET US LOOK INSIDE HER ROOM, MS. DE WITT. 559 00:21:59,046 --> 00:22:00,047 MS. PRICE, I... 560 00:22:00,091 --> 00:22:01,701 DETECTIVE PRICE. 561 00:22:01,745 --> 00:22:02,745 IF YOU DON'T MIND. 562 00:22:06,575 --> 00:22:07,838 THANK YOU. 563 00:22:07,881 --> 00:22:09,535 HELLO? 564 00:22:11,972 --> 00:22:14,192 MS. EVANS? 565 00:22:20,981 --> 00:22:22,591 HENRY, ARE YOU SURE ABOUT WHAT YOU SAW? 566 00:22:22,635 --> 00:22:25,246 MAYBE MS. EVANS STUMBLED... 567 00:22:25,290 --> 00:22:26,615 WELL, THEN SHE'D BE UP HERE GETTING CHANGED. 568 00:22:26,639 --> 00:22:28,479 SHE'S NOT WALKING AROUND THE HOTEL SOAKING WET. 569 00:22:30,861 --> 00:22:32,297 WAIT, THERE'S HER COMPUTER CHARGER. 570 00:22:32,340 --> 00:22:34,734 MAGGIE, DO YOU SEE HER COMPUTER ANYWHERE 571 00:22:34,778 --> 00:22:36,344 OR HER CELL PHONE? 572 00:22:36,388 --> 00:22:39,347 THIS LOOKS LIKE HER COMPUTER BAG, BUT IT'S EMPTY. 573 00:22:39,391 --> 00:22:41,175 LOOK, I THINK WE NEED TO CALL THIS IN. 574 00:22:41,219 --> 00:22:42,176 WHOA, WAIT A MINUTE. 575 00:22:42,220 --> 00:22:43,395 THE POLICE? 576 00:22:43,438 --> 00:22:45,136 NO, WE'RE NOT CALLING ANYBODY YET, OKAY? 577 00:22:45,179 --> 00:22:46,180 WE DON'T HAVE A BODY. 578 00:22:46,224 --> 00:22:47,181 WITHOUT A BODY, 579 00:22:47,225 --> 00:22:49,009 THIS IS A MISSING PERSONS CASE 580 00:22:49,053 --> 00:22:50,315 AT BEST. 581 00:22:50,358 --> 00:22:51,490 AND EVEN THEN, 582 00:22:51,533 --> 00:22:53,231 NOT UNTIL SHE'S BEEN GONE FOR 24 HOURS. 583 00:22:53,274 --> 00:22:54,295 MAGGIE, SOMEBODY MOVED HER. 584 00:22:54,319 --> 00:22:57,322 SOMEBODY MAY HAVE MOVED HER, 585 00:22:57,365 --> 00:23:00,499 AND IF SOMETHING DID HAPPEN HERE, 586 00:23:00,542 --> 00:23:02,607 THEN WHOEVER DID IT IS PROBABLY STAYING AT THIS HOTEL, 587 00:23:02,631 --> 00:23:04,198 IN WHICH CASE, 588 00:23:04,242 --> 00:23:06,176 THEY'RE NOT GOING TO WANT TO ATTRACT ATTENTION BY LEAVING. 589 00:23:06,200 --> 00:23:07,245 ARE THERE SECURITY CAMERAS 590 00:23:07,288 --> 00:23:08,507 AT THE MINERAL BATH? 591 00:23:08,550 --> 00:23:09,682 NO. 592 00:23:09,726 --> 00:23:11,684 WHAT ABOUT INSIDE THE SPA DOORS? 593 00:23:11,728 --> 00:23:12,816 NO, MOST OF THE CAMERAS 594 00:23:12,859 --> 00:23:15,122 COVER THE FRONT DESK, THE LOBBY, 595 00:23:15,166 --> 00:23:17,124 AND SOME OF THE HALLWAYS. 596 00:23:17,168 --> 00:23:19,083 I NEED YOU TO KEEP THIS UNDER WRAPS 597 00:23:19,126 --> 00:23:20,345 FOR THE TIME BEING, 598 00:23:20,388 --> 00:23:21,670 AND JUST KEEP THE CONFERENCE GOING AS PLANNED, 599 00:23:21,694 --> 00:23:24,349 IF POSSIBLE. 600 00:23:24,392 --> 00:23:25,480 THAT'S FINE. 601 00:23:25,524 --> 00:23:28,919 JUST PLEASE LET ME KNOW IF YOU FIND HER. - OF COURSE. 602 00:23:39,394 --> 00:23:41,701 SO... 603 00:23:41,744 --> 00:23:45,096 SO, I THINK THE BEST PLAN 604 00:23:45,139 --> 00:23:48,447 IS FOR US TO START LOOKING INTO THIS QUIETLY. 605 00:23:48,490 --> 00:23:49,926 I CAN DO THAT. 606 00:23:49,970 --> 00:23:52,581 I MEAN, UNDER THE RADAR. 607 00:23:52,625 --> 00:23:54,017 I CAN DO THAT, TOO. 608 00:23:55,367 --> 00:23:57,412 JUST FOLLOW MY LEAD. 609 00:23:57,456 --> 00:23:58,457 FINE. 610 00:24:10,295 --> 00:24:11,470 OKAY, I CHECKED EVERY LOCKER, 611 00:24:11,513 --> 00:24:12,732 THERE'S NOTHING IN THERE. 612 00:24:12,775 --> 00:24:14,057 THERE'S NO TOWEL, THERE'S NO CLOTHES, 613 00:24:14,081 --> 00:24:15,561 THERE'S NO CELL PHONE. 614 00:24:15,604 --> 00:24:16,910 TAKE A LOOK AT THIS. 615 00:24:16,953 --> 00:24:20,174 LOOKS LIKE A MEN'S 10 OR 11 TO ME 616 00:24:20,218 --> 00:24:23,438 OR MAYBE A WOMAN WEARING A MAN'S SHOE 617 00:24:23,482 --> 00:24:25,701 TO THROW US OFF. 618 00:24:27,573 --> 00:24:28,835 OKAY... 619 00:24:30,750 --> 00:24:32,926 UH, IF SHE WAS KILLED, 620 00:24:32,969 --> 00:24:34,449 THEN WHOEVER KILLED HER 621 00:24:34,493 --> 00:24:36,712 MUST HAVE LEFT HER IN THE MINERAL BATHS FOR A MINUTE. 622 00:24:36,756 --> 00:24:38,584 MAYBE HE NEEDED TO GET A COAT, 623 00:24:38,627 --> 00:24:41,108 OR SOMETHING TO COVER HER UP TO GET HER OUT OF HERE? 624 00:24:41,152 --> 00:24:43,110 I HEARD PEOPLE LAUGHING 625 00:24:43,154 --> 00:24:44,329 OVER THERE ON THE TERRACE. 626 00:24:44,372 --> 00:24:45,567 THAT'S WHAT BROUGHT ME OUT ON MY BALCONY. 627 00:24:45,591 --> 00:24:48,028 THAT MIGHT HAVE SCARED HIM OFF FOR A MINUTE. 628 00:24:48,071 --> 00:24:50,596 HE CAME BACK HERE, 629 00:24:50,639 --> 00:24:52,902 TRACKED THESE PRINTS ALL OVER THE PLACE, 630 00:24:52,946 --> 00:24:54,687 PULLED HER OUT AND WENT TO HIDE THE BODY? 631 00:24:55,949 --> 00:24:57,840 IT'S NOT LIKELY THAT HE WENT BACK INTO THE HOTEL, 632 00:24:57,864 --> 00:24:59,387 WHICH MEANS THAT SHE IS... 633 00:25:00,823 --> 00:25:02,129 OUT THERE. 634 00:25:02,173 --> 00:25:04,044 THAT'S GOING TO BE EASY, 635 00:25:04,087 --> 00:25:06,655 TRYING TO FIND A HIDDEN BODY 636 00:25:06,699 --> 00:25:08,266 IN OVER 50 ACRES OF WOODS, 637 00:25:08,309 --> 00:25:10,703 IN THE DARK. 638 00:25:12,313 --> 00:25:15,098 WE HAVE TO GO LOOK FOR HER. NOW. 639 00:25:15,142 --> 00:25:16,883 WE DON'T EVEN KNOW IF SHE REALLY WAS KILLED. 640 00:25:16,926 --> 00:25:18,885 I THINK WHAT WE NEED TO DO 641 00:25:18,928 --> 00:25:20,234 IS JUST GET FOCUSED 642 00:25:20,278 --> 00:25:22,280 AND TRY TO FIGURE OUT WHO MAY HAVE DONE THIS. 643 00:25:23,498 --> 00:25:25,058 AT LEAST THEN WE'LL KNOW WHERE TO START. 644 00:25:27,198 --> 00:25:30,549 COME ON, LET'S GO BACK INSIDE. 645 00:25:43,389 --> 00:25:44,993 OH, WOW. 646 00:25:46,173 --> 00:25:49,524 SERIOUSLY? THIS IS WHAT I GAVE UP? 647 00:25:49,568 --> 00:25:51,091 YUP. 648 00:25:52,223 --> 00:25:55,226 OH, COME ON, THERE'S AN UPSTAIRS? 649 00:25:58,552 --> 00:26:00,945 HEY, BAILEY, IT'S PRICE. 650 00:26:00,989 --> 00:26:02,184 I NEED YOU TO RUN A BACKGROUND CHECK FOR ME. 651 00:26:02,208 --> 00:26:03,252 YOU SERIOUS? 652 00:26:03,296 --> 00:26:04,210 YOU'RE SUPPOSED TO BE ON VACATION. 653 00:26:04,253 --> 00:26:05,298 I KNOW, I KNOW. 654 00:26:05,341 --> 00:26:06,342 JUST PLEASE... 655 00:26:06,386 --> 00:26:07,450 OH, COME ON, YOU GOTTA BE KIDDING ME. 656 00:26:07,474 --> 00:26:08,518 LOOK AT THIS PLACE. 657 00:26:08,562 --> 00:26:09,998 OKAY, WHAT'S THE NAME? 658 00:26:10,042 --> 00:26:11,434 KATHLEEN EVANS. 659 00:26:11,478 --> 00:26:14,742 SHE'S A REPORTER FOR "MODERN TRENDS MAGAZINE." 660 00:26:14,785 --> 00:26:16,135 WHAT'S GOING ON? 661 00:26:16,178 --> 00:26:17,266 WELL, I DON'T KNOW. 662 00:26:17,310 --> 00:26:18,417 THAT'S WHAT I'M TRYING TO FIND OUT. 663 00:26:18,441 --> 00:26:19,877 WHAT? 664 00:26:19,921 --> 00:26:20,617 AND YOU'RE NOT GOING TO TELL US, ARE YOU? 665 00:26:20,661 --> 00:26:21,792 NOPE. 666 00:26:21,836 --> 00:26:23,881 YOU HAVE A FUNNY WAY OF RELAXING, PRICE. 667 00:26:23,925 --> 00:26:25,100 SO I'VE BEEN TOLD. 668 00:26:25,144 --> 00:26:26,406 HEY, LISTEN, 669 00:26:26,449 --> 00:26:27,363 DON'T TELL FORSYTH I CALLED, OKAY? 670 00:26:27,407 --> 00:26:28,973 ALL RIGHT. YOU GOT IT. 671 00:26:29,017 --> 00:26:30,062 THANK YOU. 672 00:26:30,105 --> 00:26:31,454 OKAY, THAT BATHROOM 673 00:26:31,498 --> 00:26:32,692 IS BIGGER THAN MY FIRST APARTMENT. 674 00:26:32,716 --> 00:26:34,216 YOU COULD FIT SIX PEOPLE IN THAT SHOWER. 675 00:26:34,240 --> 00:26:36,155 DO YOU WANT TO TRADE SUITES AGAIN? 676 00:26:36,198 --> 00:26:37,112 KINDA. 677 00:26:37,156 --> 00:26:38,113 TOO BAD. 678 00:26:38,157 --> 00:26:39,288 CHECK THIS OUT. 679 00:26:39,332 --> 00:26:40,768 I THINK I FOUND SOMETHING. 680 00:26:41,943 --> 00:26:43,292 EXCUSE ME, 681 00:26:43,336 --> 00:26:46,382 YOU'RE TALKING WHILE I'M REHEARSING? 682 00:26:46,426 --> 00:26:49,690 DO YOU UNDERSTAND WHAT REHEARSING IS? 683 00:26:49,733 --> 00:26:52,214 I AM THE REASON PEOPLE COME TO THE MOVIE! 684 00:26:52,258 --> 00:26:54,782 ALL OF YOU HAVE YOUR JOBS BECAUSE OF ME! 685 00:26:54,825 --> 00:26:58,002 ANY IF ANYBODY TALKS WHILE I'M TRYING TO WORK AGAIN, 686 00:26:58,046 --> 00:26:59,526 I WILL HAVE YOU FIRED. 687 00:26:59,569 --> 00:27:00,831 DO YOU UNDERSTAND ME? 688 00:27:00,875 --> 00:27:02,703 FIRED! 689 00:27:02,746 --> 00:27:03,660 ARE YOU RECORDING THIS? 690 00:27:03,704 --> 00:27:05,575 YIKES. 691 00:27:05,619 --> 00:27:06,576 WOW. 692 00:27:06,620 --> 00:27:08,056 DOESN'T LOOK LIKE 693 00:27:08,100 --> 00:27:10,667 THIS ARTICLE IS VERY FLATTERING EITHER. 694 00:27:10,711 --> 00:27:13,714 DANIELLE SAID THIS BAD PUBLICITY COST HER A THREE-PICTURE DEAL. 695 00:27:15,063 --> 00:27:19,328 OKAY, SO, KATHLEEN TANKS THIS WOMAN'S CAREER, 696 00:27:19,372 --> 00:27:21,156 THEN THEY BUMP INTO EACH OTHER AT A SPA, 697 00:27:21,200 --> 00:27:22,462 AND ALL OF A SUDDEN, 698 00:27:22,505 --> 00:27:24,028 DANIELLE GOES INTO AN OUTRAGE 699 00:27:24,072 --> 00:27:26,944 AND KILLS HER? 700 00:27:26,988 --> 00:27:28,400 I DON'T KNOW, IT JUST DOESN'T MAKE SENSE. 701 00:27:28,424 --> 00:27:29,991 I THINK I HAVE A BETTER THEORY. 702 00:27:31,210 --> 00:27:32,124 THE MANAGER? 703 00:27:32,167 --> 00:27:33,603 EXACTLY. 704 00:27:33,647 --> 00:27:35,207 YEAH, WE SHOULD DEFINITELY QUESTION HIM. 705 00:27:35,953 --> 00:27:36,780 I THINK I KNOW WHERE TO FIND HIM. 706 00:27:36,824 --> 00:27:38,782 REALLY? WHERE? 707 00:27:38,826 --> 00:27:40,523 UM... RIGHT DOWN THERE, 708 00:27:40,567 --> 00:27:44,484 CARRYING WHAT APPEARS TO BE A DEAD BODY. 709 00:27:45,528 --> 00:27:46,790 WHERE? 710 00:27:46,834 --> 00:27:48,009 LOOK. 711 00:27:54,929 --> 00:27:57,323 THEY WERE HEADING THIS WAY. 712 00:27:57,366 --> 00:27:59,760 THERE THEY ARE. 713 00:27:59,803 --> 00:28:01,196 HEY! - WHAT ARE YOU DOING? 714 00:28:02,458 --> 00:28:03,416 WHO IS THAT? 715 00:28:03,459 --> 00:28:04,459 WHAT'S IT TO YOU? 716 00:28:08,638 --> 00:28:09,552 LOOK, WE'RE JUST GETTING SOME AIR. 717 00:28:09,596 --> 00:28:10,988 IS THAT OKAY WITH YOU? 718 00:28:11,032 --> 00:28:11,989 IT'S STILL EARLY. LET'S GO BACK INSIDE. 719 00:28:12,033 --> 00:28:13,600 LOOK, I WAS GOING TO BRING HER 720 00:28:13,643 --> 00:28:15,602 UPSTAIRS TO HER ROOM 721 00:28:15,645 --> 00:28:17,045 AS SOON AS I COULD GET HER VERTICAL. 722 00:28:18,039 --> 00:28:19,669 BUT I'D APPRECIATE IT IF YOU COULD, YOU KNOW, 723 00:28:19,693 --> 00:28:21,216 BE DISCREET ABOUT THIS. 724 00:28:21,260 --> 00:28:22,174 OF COURSE. 725 00:28:22,217 --> 00:28:23,784 SHE MUST BE PRETTY UPSET 726 00:28:23,827 --> 00:28:25,612 ABOUT WHAT HAPPENED AT THE RECEPTION. 727 00:28:25,655 --> 00:28:26,700 YEAH, YOU COULD SAY THAT. 728 00:28:26,743 --> 00:28:27,918 SHE'S GOT QUITE A TEMPER, 729 00:28:27,962 --> 00:28:28,919 DOESN'T SHE? 730 00:28:28,963 --> 00:28:30,094 SHE'S EMOTIONAL. 731 00:28:30,138 --> 00:28:31,420 THAT'S WHAT MAKES HER A GOOD ACTRESS. 732 00:28:31,444 --> 00:28:32,812 OH, HEY, I KNOW, I'M A HUGE FAN OF HERS. 733 00:28:32,836 --> 00:28:33,750 IN FACT, I WANTED TO TALK TO HER 734 00:28:33,794 --> 00:28:34,795 ABOUT HER NEXT PICTURE. 735 00:28:34,838 --> 00:28:36,753 EVELYN MENTIONED THAT DANIELLE 736 00:28:36,797 --> 00:28:38,340 MIGHT WANT TO LEARN A FEW TRICKS OF THE TRADE FROM ME, 737 00:28:38,364 --> 00:28:40,192 BUT THEN YOU TWO LEFT THE RECEPTION 738 00:28:40,235 --> 00:28:41,802 SO EARLY. 739 00:28:41,845 --> 00:28:43,214 WELL, WE WENT UP TO MY ROOM SO SHE COULD COOL OFF A BIT, 740 00:28:43,238 --> 00:28:45,240 AND THEN SHE WENT DOWN TO THE BAR. 741 00:28:45,284 --> 00:28:46,502 YOU DIDN'T GO WITH HER? 742 00:28:46,546 --> 00:28:48,722 I CAN'T BABYSIT HER EVERY MINUTE, 743 00:28:48,765 --> 00:28:49,810 WHICH I REGRET NOW, 744 00:28:49,853 --> 00:28:51,159 BECAUSE THE BARTENDER CALLED ME 745 00:28:51,203 --> 00:28:52,563 AND TOLD ME SHE WAS MAKING A SCENE. 746 00:28:54,249 --> 00:28:55,207 LOOK, THE LAST THING WE NEED 747 00:28:55,250 --> 00:28:56,271 IS PEOPLE PULLING OUT THEIR PHONES 748 00:28:56,295 --> 00:28:57,992 AND PUTTING MORE OF HER ANTICS ONLINE. 749 00:28:58,035 --> 00:28:59,602 YEAH, WE SAW THAT VIDEO OF HERS. 750 00:28:59,646 --> 00:29:00,646 FEISTY. 751 00:29:01,822 --> 00:29:04,303 YOU'RE UNDERSTANDABLY PROTECTIVE. 752 00:29:04,346 --> 00:29:05,715 ALTHOUGH YOU WERE KIND OF HARD ON KATHLEEN, 753 00:29:05,739 --> 00:29:06,827 IF YOU DON'T MIND MY SAYING. 754 00:29:06,870 --> 00:29:09,569 I MEAN YOU BASICALLY TH... THREATENED HER. 755 00:29:09,612 --> 00:29:12,180 SHE'S GOT A LOT OF NERVE SHOWING HER FACE AROUND HERE. 756 00:29:12,224 --> 00:29:13,486 AND NOT JUST DANIELLE. 757 00:29:13,529 --> 00:29:15,836 SHE WROTE AN ARTICLE ABOUT MICHAEL CASTELLANO, TOO, 758 00:29:15,879 --> 00:29:17,664 AND IT RUINED HIS LIFE. 759 00:29:17,707 --> 00:29:19,100 HE WAS TELLING ME ALL ABOUT IT. 760 00:29:19,143 --> 00:29:23,365 IT'S SO EASY TO HIDE AT HOME BEHIND YOUR COMPUTER, 761 00:29:23,409 --> 00:29:25,324 BUT PEOPLE LIKE HER NEED TO REALIZE 762 00:29:25,367 --> 00:29:27,848 THAT THEIR TARGETS ARE REAL PEOPLE, 763 00:29:27,891 --> 00:29:29,110 AND WORDS HAVE CONSEQUENCES. 764 00:29:32,262 --> 00:29:33,437 LOOK, IT'S GETTING COLD, 765 00:29:33,481 --> 00:29:34,936 AND I'VE GOT TO GET DANIELLE UPSTAIRS. 766 00:29:34,960 --> 00:29:35,961 IF YOU'LL EXCUSE ME? 767 00:29:36,005 --> 00:29:37,224 OF COURSE. 768 00:29:38,355 --> 00:29:40,140 DANI, COME ON, WE'VE GOT TO GO. 769 00:29:40,183 --> 00:29:41,183 DANI? 770 00:29:42,490 --> 00:29:43,926 OKAY, THAT BACK THERE 771 00:29:43,969 --> 00:29:46,624 IS CALLED ANTAGONIZING A SUSPECT. 772 00:29:46,668 --> 00:29:47,886 WHAT? 773 00:29:47,930 --> 00:29:49,125 I THOUGHT WE WERE DOING GOOD COP-BAD COP. 774 00:29:49,149 --> 00:29:50,324 I'M JUST SAYING 775 00:29:50,367 --> 00:29:51,692 YOU'RE LUCKY THAT HE DIDN'T GET SCARED AWAY. 776 00:29:51,716 --> 00:29:53,892 HEY, I GOT INFORMATION OUT OF HIM. 777 00:29:53,936 --> 00:29:56,373 HENRY, CAN YOU PLEASE JUST LET ME TAKE THE LEAD? 778 00:29:58,027 --> 00:29:59,178 ALL RIGHT, I'M GOING TO CALL MICHAEL CASTELLANO 779 00:29:59,202 --> 00:30:00,353 AND INVITE DOWN TO THE BAR FOR A DRINK, 780 00:30:00,377 --> 00:30:01,248 BUT FIRST, I'M GOING TO FRESHEN UP. 781 00:30:01,291 --> 00:30:02,466 SOUNDS LIKE A PLAN, 782 00:30:02,510 --> 00:30:05,382 ALL RIGHT, I WILL MEET YOU DOWN AT THE BAR. 783 00:30:05,426 --> 00:30:07,080 UH... NO. 784 00:30:07,123 --> 00:30:08,429 I DIDN'T MEAN US. 785 00:30:08,472 --> 00:30:10,431 I MEANT JUST ME. 786 00:30:10,474 --> 00:30:11,474 BUT WE'RE A TEAM. 787 00:30:12,998 --> 00:30:15,194 I JUST I THINK THAT I'LL GET MORE ANSWERS OUT OF MICHAEL 788 00:30:15,218 --> 00:30:16,350 IF I HANDLE HIM ON MY OWN. 789 00:30:16,393 --> 00:30:17,786 ARE YOU SURE? 790 00:30:17,829 --> 00:30:18,980 BECAUSE I REALLY THINK THIS GOOD COP-BAD COP THING 791 00:30:19,004 --> 00:30:20,049 IS WORKING FOR US. 792 00:30:20,093 --> 00:30:22,051 HENRY, LET ME QUESTION HIM ALONE. 793 00:30:22,095 --> 00:30:23,139 IF I LEARN ANYTHING NEW, 794 00:30:23,183 --> 00:30:24,358 I WILL CALL YOU. 795 00:30:24,401 --> 00:30:25,726 OTHERWISE, I'LL SEE YOU IN THE MORNING. 796 00:30:25,750 --> 00:30:26,795 UH-HUH. 797 00:30:26,838 --> 00:30:27,946 YOU SURE THAT'S ALL THIS IS? 798 00:30:27,970 --> 00:30:29,276 JUST QUESTIONING? 799 00:30:29,319 --> 00:30:30,277 OH, PLEASE. 800 00:30:30,320 --> 00:30:31,234 HE'S VERY CHARMING. 801 00:30:31,278 --> 00:30:32,235 I'M GOING NOW. 802 00:30:32,279 --> 00:30:33,715 JUST REMEMBER 803 00:30:33,758 --> 00:30:35,171 HE IS A SUSPECT IN A MURDER INVESTIGATION. 804 00:30:35,195 --> 00:30:38,154 ARE YOU JEALOUS? 805 00:30:38,198 --> 00:30:39,199 NO. 806 00:30:39,242 --> 00:30:41,157 I AM JUST LOOKING OUT FOR YOU. 807 00:30:41,201 --> 00:30:42,245 MM-HMM. 808 00:30:43,377 --> 00:30:45,640 THANK YOU. GOODNIGHT. 809 00:30:47,032 --> 00:30:48,164 I GOT IT. 810 00:30:50,210 --> 00:30:52,037 YOU'RE LAUGHING AT ME. 811 00:30:52,081 --> 00:30:52,995 NO. 812 00:30:53,038 --> 00:30:53,952 IT'S NOT FUNNY. 813 00:30:53,996 --> 00:30:55,171 I WAS ALREADY 5'8" 814 00:30:55,215 --> 00:30:57,042 BY THE TIME I WAS IN MIDDLE SCHOOL. 815 00:30:57,086 --> 00:30:58,150 YOU SHOULD HAVE SEEN MY JUNIOR PROM DATE. 816 00:30:58,174 --> 00:30:59,282 HE LITERALLY CAME UP TO MY SHOULDER. 817 00:30:59,306 --> 00:31:01,569 YOU'RE BREAKING MY HEART. 818 00:31:01,612 --> 00:31:02,570 I'M SERIOUS. 819 00:31:02,613 --> 00:31:03,658 HAVE YOU SEEN THESE SHOES? 820 00:31:03,701 --> 00:31:05,007 SIZE 10. 821 00:31:05,050 --> 00:31:06,748 YOU WOULDN'T UNDERSTAND, 822 00:31:06,791 --> 00:31:07,899 YOU LOOK LIKE YOU HAVE NORMAL-SIZED FEET. 823 00:31:07,923 --> 00:31:08,924 SIZE 11. 824 00:31:08,967 --> 00:31:10,447 SEE? MEN'S 11. 825 00:31:10,491 --> 00:31:11,579 PERFECTLY AVERAGE. 826 00:31:11,622 --> 00:31:12,942 THERE'S NOTHING AVERAGE ABOUT YOU. 827 00:31:22,111 --> 00:31:23,330 OR THIS PLACE, 828 00:31:23,373 --> 00:31:26,550 BECAUSE IT IS SO BEAUTIFUL. 829 00:31:26,594 --> 00:31:29,553 YEAH, THIS IS MY THIRD VISIT, 830 00:31:29,597 --> 00:31:32,948 AND IT NEVER, EVER DISAPPOINTS. 831 00:31:32,991 --> 00:31:36,343 NO, BECAUSE IT'S SO ELEGANT HERE. 832 00:31:42,827 --> 00:31:44,655 THAT ARGUMENT AT THE RECEPTION 833 00:31:44,699 --> 00:31:46,179 WAS A BIT AWKWARD, WASN'T IT? 834 00:31:47,528 --> 00:31:49,791 DANIELLE STARK REALLY LIT INTO THAT JOURNALIST. 835 00:31:49,834 --> 00:31:51,662 I GUESS THAT'S MOVIE STARS FOR YOU. 836 00:31:51,706 --> 00:31:53,229 KATHLEEN HAD IT COMING. 837 00:31:53,273 --> 00:31:54,361 REALLY? 838 00:31:54,404 --> 00:31:55,231 OH, YEAH, I'VE BEEN ON THE RECEIVING END 839 00:31:55,275 --> 00:31:56,580 OF HER SO-CALLED JOURNALISM. 840 00:31:56,624 --> 00:31:57,799 YOU'RE KIDDING ME. 841 00:31:57,842 --> 00:31:59,017 WHAT HAPPENED? 842 00:31:59,061 --> 00:32:00,212 WELL, LET'S JUST SAY THAT CERTAIN THINGS 843 00:32:00,236 --> 00:32:01,411 THAT I THOUGHT 844 00:32:01,455 --> 00:32:02,934 WERE OFF THE RECORD 845 00:32:02,978 --> 00:32:04,240 WERE CLEARLY NOT. 846 00:32:04,284 --> 00:32:05,981 AND THE ARTICLE COST ME MY MARRIAGE. 847 00:32:06,024 --> 00:32:07,765 OH, THAT'S TERRIBLE. 848 00:32:07,809 --> 00:32:08,952 YEAH, YOU DON'T KNOW THE HALF OF IT. 849 00:32:09,941 --> 00:32:10,986 YOU KNOW, 850 00:32:11,029 --> 00:32:13,467 I HAVE A SMALL CONFESSION TO MAKE. 851 00:32:13,510 --> 00:32:17,210 I, UM, I LOOKED FOR YOU AFTER THE RECEPTION. 852 00:32:17,253 --> 00:32:18,254 YOU DID? 853 00:32:18,298 --> 00:32:20,256 I THOUGHT MAYBE WE COULD, YOU KNOW, 854 00:32:20,300 --> 00:32:22,824 TAKE A WALK AROUND THE GROUNDS, 855 00:32:22,867 --> 00:32:23,912 OR SOMETHING. 856 00:32:24,305 --> 00:32:26,369 I WAS UP IN MY ROOM. YOU SHOULD HAVE CALLED ME. 857 00:32:26,393 --> 00:32:28,351 OH, WELL, I WOULD HAVE, 858 00:32:28,395 --> 00:32:30,266 BUT, UM, YOU KNOW, 859 00:32:30,310 --> 00:32:33,748 I DIDN'T KNOW IF MAYBE YOU HAD A GUEST, OR... 860 00:32:33,791 --> 00:32:35,315 NO, I WAS TOTALLY ALONE. 861 00:32:35,358 --> 00:32:36,359 TRUST ME, 862 00:32:36,403 --> 00:32:37,447 A CALL FROM YOU 863 00:32:37,491 --> 00:32:41,756 WOULD HAVE BEEN MOST WELCOME. 864 00:32:48,980 --> 00:32:51,113 GRETCHEN. 865 00:32:51,156 --> 00:32:52,723 HI. - OH, HI. 866 00:32:52,767 --> 00:32:53,855 HOW CAN I HELP YOU? 867 00:32:53,898 --> 00:32:55,465 WOW. 868 00:32:55,509 --> 00:32:57,250 THAT... 869 00:32:57,293 --> 00:32:58,293 IS A BEAUTIFUL TERRINE. 870 00:32:59,469 --> 00:33:00,470 THANK YOU. 871 00:33:00,514 --> 00:33:01,689 THOSE AREN'T EASY TO MAKE. 872 00:33:03,125 --> 00:33:04,866 IT'S LUCAS'S. 873 00:33:04,909 --> 00:33:06,060 IT'S ONE OF HIS SIGNATURE DISHES. 874 00:33:06,084 --> 00:33:07,497 I'M JUST FINISHING IT OFF FOR TOMORROW. 875 00:33:07,521 --> 00:33:09,827 IF I DIDN'T KNOW ANY BETTER, 876 00:33:09,871 --> 00:33:11,109 I'D THINK YOU WERE SPYING ON MY KITCHEN, HENRY. 877 00:33:11,133 --> 00:33:14,179 NO, I'M JUST ADMIRING YOUR WORK. 878 00:33:14,223 --> 00:33:16,573 I TOLD HIM IT WAS YOURS, LUCAS. 879 00:33:16,617 --> 00:33:18,358 OH, SHE'S VERY TALENTED IN HER OWN RIGHT. 880 00:33:19,489 --> 00:33:21,099 I BET. 881 00:33:21,143 --> 00:33:22,362 HOW CAN I HELP YOU? 882 00:33:22,405 --> 00:33:24,929 I JUST WANTED TO CHECK ON THE REST OF MY ORDER, 883 00:33:24,973 --> 00:33:27,323 SEE IF IT HAD ARRIVED FOR MY PRESENTATION TOMORROW. 884 00:33:27,367 --> 00:33:29,064 SURE THING, I'LL TAKE YOU RIGHT BACK. 885 00:33:29,107 --> 00:33:30,107 OKAY. 886 00:33:40,858 --> 00:33:42,295 SO, ABOUT LAST NIGHT. 887 00:33:42,338 --> 00:33:43,513 JUST SO YOU KNOW, 888 00:33:43,557 --> 00:33:45,210 I WASN'T SPYING ON YOU. 889 00:33:45,254 --> 00:33:46,821 OF COURSE NOT. 890 00:33:46,864 --> 00:33:47,972 MAGGIE, I JUST HAPPENED TO SEE YOU, THAT'S ALL. 891 00:33:47,996 --> 00:33:48,997 YEAH. 892 00:33:49,040 --> 00:33:50,433 OKAY. 893 00:33:50,477 --> 00:33:52,348 SO, HERE'S WHAT WE KNOW. 894 00:33:52,392 --> 00:33:54,568 I READ KATHLEEN'S ARTICLE THAT SHE WROTE ABOUT MICHAEL, 895 00:33:54,611 --> 00:33:57,048 WHERE SHE BROADLY HINTED THAT HE WAS HAVING AN AFFAIR. 896 00:33:57,633 --> 00:33:58,958 WHICH I'M GUESSING WAS PROBABLY TRUE, 897 00:33:58,982 --> 00:34:00,853 SINCE RIGHT AFTER THE ARTICLE CAME OUT, 898 00:34:00,897 --> 00:34:02,333 HIS WIFE FILED FOR DIVORCE. 899 00:34:02,377 --> 00:34:03,291 OH, AND... 900 00:34:03,334 --> 00:34:05,597 HE'S A SIZE 11. 901 00:34:05,641 --> 00:34:07,208 NOT ENTIRELY SURE 902 00:34:07,251 --> 00:34:10,080 HOW YOU GOT HIM TO TELL YOU HE'S A SIZE 11, 903 00:34:10,124 --> 00:34:11,560 BUT OKAY. 904 00:34:11,603 --> 00:34:15,129 WHICH MEANS WE NOW HAVE THREE SUSPECTS WITH MOTIVE. 905 00:34:15,172 --> 00:34:17,914 WE HAVE DANIELLE, JOHN AND MICHAEL. 906 00:34:17,957 --> 00:34:19,413 HOWEVER, DANIELLE WE CAN CROSS OFF THE LIST, 907 00:34:19,437 --> 00:34:20,719 BECAUSE I SPOKE TO THE BARTENDER LAST NIGHT, 908 00:34:20,743 --> 00:34:22,397 AND HE CONFIRMED THAT SHE WAS, INDEED, 909 00:34:22,440 --> 00:34:24,181 MAKING A SCENE IN THE BAR 910 00:34:24,225 --> 00:34:25,878 AT THE TIME OF THE MURDER. 911 00:34:25,922 --> 00:34:27,053 HOWEVER, MICHAEL TOLD ME 912 00:34:27,097 --> 00:34:30,187 THAT HE WAS UP IN HIS HOTEL ROOM ALONE. 913 00:34:30,231 --> 00:34:31,884 SO NEITHER HE NOR JOHN 914 00:34:31,928 --> 00:34:32,885 HAVE AN ALIBI. 915 00:34:32,929 --> 00:34:34,496 NOPE. 916 00:34:34,539 --> 00:34:38,239 THERE'S ALSO SOMETHING GOING ON BETWEEN ERIC AND KATHLEEN. 917 00:34:39,631 --> 00:34:40,806 WHAT MAKES YOU SAY THAT? 918 00:34:40,850 --> 00:34:42,765 WELL, I SAW THEM AT THE RECEPTION LAST NIGHT. 919 00:34:42,808 --> 00:34:46,638 ERIC PUT HIS HAND ON HER BACK, AND SHE JUST... PULLED AWAY. 920 00:34:46,682 --> 00:34:48,771 MAYBE THEY WERE DATING 921 00:34:48,814 --> 00:34:50,599 AND GOT INTO A FIGHT? 922 00:34:50,642 --> 00:34:52,905 WELL, MURDER ALWAYS COMES DOWN 923 00:34:52,949 --> 00:34:55,256 TO ONE OF TWO THINGS, LOVE OR MONEY. 924 00:34:55,299 --> 00:34:57,432 SO, IT IS A MURDER? 925 00:34:57,475 --> 00:34:59,956 WHAT IT IS... 926 00:34:59,999 --> 00:35:01,436 IS STRANGE. 927 00:35:01,479 --> 00:35:05,614 AND UNLESS SHE MAGICALLY APPEARS TODAY, 928 00:35:05,657 --> 00:35:08,007 YES, I BELIEVE IT IS. 929 00:35:08,051 --> 00:35:10,706 OKAY. 930 00:35:10,749 --> 00:35:12,447 YOU KNOW, 931 00:35:12,490 --> 00:35:14,449 I'M GIVING MY PRESENTATION THIS MORNING, 932 00:35:14,492 --> 00:35:16,277 RIGHT AFTER BREAKFAST. 933 00:35:16,320 --> 00:35:17,428 EVERYONE'S GOING TO BE THERE. 934 00:35:17,452 --> 00:35:18,366 WHY DON'T YOU COME WATCH 935 00:35:18,409 --> 00:35:19,758 AND DO A LITTLE SNOOPING AROUND? 936 00:35:19,802 --> 00:35:20,803 YEAH, THAT'S A GOOD IDEA. 937 00:35:20,846 --> 00:35:22,246 YOU KNOW, I ALSO WANT TO ASK EVELYNN 938 00:35:22,283 --> 00:35:25,808 IF SHE'LL LET US INTO THE SECURITY ROOM AFTER THAT. 939 00:35:25,851 --> 00:35:27,491 DID YOU JUST ADMIT THAT I HAD A GOOD IDEA? 940 00:35:28,550 --> 00:35:31,466 HEY, HEY, COME ON, I TOLD YOU, IT'S FINE! 941 00:35:31,509 --> 00:35:33,772 OH, MAN, COME ON... 942 00:35:33,816 --> 00:35:35,948 STOP CALLING ME ABOUT THIS. 943 00:35:35,992 --> 00:35:38,255 IT'S DONE. I TOOK CARE OF IT. 944 00:35:38,299 --> 00:35:40,475 NAH, SHE NEVER SAW IT COMING. 945 00:35:40,518 --> 00:35:42,390 NAH, GOOD RIDDANCE. SHE DESERVED IT. 946 00:35:50,526 --> 00:35:52,620 HEY, GUYS, IT'S ME. I NEED YOU TO RUN ANOTHER BACKGROUND. 947 00:35:52,733 --> 00:35:54,256 HIS NAME IS MICHAEL CASTELLANO. 948 00:35:54,299 --> 00:35:56,258 HE'S A WELL KNOWN CHEF OUT OF NEW YORK CITY. 949 00:35:56,301 --> 00:35:57,738 ANOTHER BACKGROUND CHECK? 950 00:35:57,781 --> 00:35:59,280 ARE YOU SURE THIS ISN'T AN INVESTIGATION? 951 00:35:59,304 --> 00:36:00,218 NOPE. 952 00:36:00,262 --> 00:36:01,481 NOT YET. 953 00:36:01,524 --> 00:36:02,960 OH, AND ANOTHER THING. 954 00:36:03,004 --> 00:36:04,895 CAN YOU CALL THE EDITOR OF "MODERN TRENDS MAGAZINE"? 955 00:36:04,919 --> 00:36:06,070 TRY NOT TO RAISE ANY ALARM BELLS, 956 00:36:06,094 --> 00:36:07,443 BUT SEE IF YOU CAN FIND OUT 957 00:36:07,487 --> 00:36:09,053 WHAT KATHLEEN WAS WORKING ON. 958 00:36:09,097 --> 00:36:10,490 PRICE, WHAT'S GOING ON? 959 00:36:10,533 --> 00:36:11,533 THAT'S PRICE? 960 00:36:13,667 --> 00:36:14,711 YEAH, HI. 961 00:36:14,755 --> 00:36:16,017 I WAS JUST CALLING IN 962 00:36:16,060 --> 00:36:17,018 TO LET YOU GUYS KNOW 963 00:36:17,061 --> 00:36:18,106 I'M HAVING A GREAT TIME, 964 00:36:18,149 --> 00:36:19,455 RELAXING, ET CETERA. 965 00:36:19,499 --> 00:36:20,804 GOOD. 966 00:36:20,848 --> 00:36:22,066 SEE, I TOLD YOU 967 00:36:22,110 --> 00:36:23,470 YOU WOULD APPRECIATE SOME TIME OFF. 968 00:36:23,503 --> 00:36:25,635 YOU WERE 100% RIGHT. 969 00:36:25,679 --> 00:36:27,115 I WILL SEE YOU BACK AT WORK. 970 00:36:27,158 --> 00:36:28,158 BYE. 971 00:36:38,822 --> 00:36:39,780 OH, THANK YOU. 972 00:36:39,823 --> 00:36:41,695 THANK YOU. 973 00:36:41,738 --> 00:36:44,219 WOW. DELICIOUS. 974 00:36:51,531 --> 00:36:53,968 MM. 975 00:36:54,011 --> 00:36:55,641 THIS MAY BE THE BEST OMELET I'VE EVER HAD. 976 00:36:55,665 --> 00:36:58,625 BETTER THAN THE ONE THAT I MADE YOU? 977 00:36:58,668 --> 00:37:01,889 HOW YOUR EGO CAN BE BOTH ENORMOUS AND FRAGILE 978 00:37:01,932 --> 00:37:02,890 AT THE SAME TIME 979 00:37:02,933 --> 00:37:03,891 IS BEYOND ME. 980 00:37:03,934 --> 00:37:05,632 IT'S A GIFT. 981 00:37:08,678 --> 00:37:09,636 HENRY, MAGGIE, GOOD MORNING. 982 00:37:09,679 --> 00:37:11,028 AH, GOOD MORNING, ERIC. 983 00:37:11,072 --> 00:37:12,203 HI. 984 00:37:12,247 --> 00:37:13,398 ARE YOU COMING TO MY PRESENTATION LATER? 985 00:37:13,422 --> 00:37:14,510 YEAH, ABSOLUTELY. 986 00:37:14,554 --> 00:37:15,990 I WOULDN'T MISS THAT. 987 00:37:16,033 --> 00:37:18,688 LISTEN, HAVE YOU, UM, HAVE YOU SEEN KATHLEEN ANYWHERE? 988 00:37:18,732 --> 00:37:20,536 BECAUSE I WAS SUPPOSED TO MEET HER FOR BREAKFAST, 989 00:37:20,560 --> 00:37:22,649 BUT SHE DIDN'T SHOW UP. 990 00:37:22,692 --> 00:37:24,912 I'VE BEEN CALLING HER AND TEXTING HER, 991 00:37:24,955 --> 00:37:26,435 AND SHE'S JUST NOT ANSWERING. 992 00:37:26,478 --> 00:37:29,177 UH, NO, I HAVEN'T SEEN HER, I'M SORRY. 993 00:37:29,220 --> 00:37:31,005 I DIDN'T KNOW THAT YOU TWO WERE AN ITEM? 994 00:37:31,048 --> 00:37:32,833 ME AND KATHLEEN? 995 00:37:32,876 --> 00:37:34,225 NO. NO... 996 00:37:34,269 --> 00:37:35,400 AH. MY MISTAKE. 997 00:37:35,444 --> 00:37:36,532 ANYWAYS, 998 00:37:36,576 --> 00:37:39,056 IF YOU DO SEE HER, CAN YOU JUST... 999 00:37:39,100 --> 00:37:40,231 HAVE HER TEXT ME? 1000 00:37:40,275 --> 00:37:41,581 OF COURSE. 1001 00:37:41,624 --> 00:37:42,732 WE'LL LET HER KNOW THAT YOU'RE LOOKING FOR HER. 1002 00:37:42,756 --> 00:37:43,757 GREAT. THANK YOU. 1003 00:37:43,800 --> 00:37:44,800 OKAY. 1004 00:37:46,673 --> 00:37:50,024 LYING. 1005 00:37:50,067 --> 00:37:52,417 TOTALLY. 1006 00:38:08,520 --> 00:38:09,521 HEY... 1007 00:38:09,565 --> 00:38:11,698 I WAS HOPING YOU'D COME. 1008 00:38:11,741 --> 00:38:12,829 I SAVED YOU A SEAT. 1009 00:38:12,873 --> 00:38:15,005 OH, THANK YOU. 1010 00:38:20,968 --> 00:38:22,360 SO, I WAS THINKING 1011 00:38:22,404 --> 00:38:25,146 MAYBE WE COULD GO FOR THAT WALK LATER? 1012 00:38:25,189 --> 00:38:26,626 JUST TAKE IN THE GROUNDS? 1013 00:38:26,669 --> 00:38:28,671 THAT'S AN IDEA... 1014 00:38:28,715 --> 00:38:30,586 I DON'T KNOW IF YOU'RE AWARE OF THIS, 1015 00:38:30,630 --> 00:38:32,719 BUT, UM, OUR HOTEL SUITES 1016 00:38:32,762 --> 00:38:33,957 ARE ACROSS THE HALL FROM ONE ANOTHER. 1017 00:38:33,981 --> 00:38:34,938 ARE THEY NOW? 1018 00:38:34,982 --> 00:38:38,246 WELL, THAT'S CONVENIENT. 1019 00:38:40,465 --> 00:38:41,858 OKAY, WELCOME, EVERYONE. 1020 00:38:41,902 --> 00:38:43,773 IN KEEPING WITH THE SPRING THEME 1021 00:38:43,817 --> 00:38:45,383 OF THE CONFERENCE, 1022 00:38:45,427 --> 00:38:48,691 TODAY, I AM GOING TO BE MAKING MY SPICY SHRIMP PANZANELLA. 1023 00:38:48,735 --> 00:38:50,171 IT'S A VERSATILE DISH, 1024 00:38:50,214 --> 00:38:53,043 AND IT ALSO MAKES USE OF THE TAIL-END WINTER GREENS, 1025 00:38:53,087 --> 00:38:54,131 WHICH ARE STILL AVAILABLE. 1026 00:38:56,177 --> 00:38:58,005 I HEARD THE WEIRDEST THING THIS MORNING. 1027 00:38:58,048 --> 00:39:01,922 YOU WERE IN THE HALLWAY ON YOUR PHONE. 1028 00:39:01,965 --> 00:39:04,204 I COULDN'T HELP BUT OVERHEAR YOU SAY SOMETHING A LITTLE STRANGE. 1029 00:39:04,228 --> 00:39:05,292 YOU SAID, UH, "GOOD RIDDANCE? 1030 00:39:05,316 --> 00:39:09,190 SHE NEVER SAW IT COMING"? 1031 00:39:10,626 --> 00:39:12,976 SO, WHAT ARE YOU, EAVESDROPPING ON ME NOW? 1032 00:39:13,020 --> 00:39:15,109 WHO WERE YOU TALKING TO? 1033 00:39:15,152 --> 00:39:18,068 WHY DO YOU NEED TO KNOW? 1034 00:39:18,112 --> 00:39:23,944 UM, CALL IT PROFESSIONAL CURIOSITY. 1035 00:39:25,423 --> 00:39:26,773 YOU'VE GOT TO BE KIDDING ME. 1036 00:39:26,816 --> 00:39:28,035 YOU'RE A COP? 1037 00:39:28,078 --> 00:39:31,429 DETECTIVE, ACTUALLY. 1038 00:39:31,473 --> 00:39:33,083 DID I NOT MENTION THAT LAST NIGHT? 1039 00:39:33,127 --> 00:39:34,737 NO, YOU FAILED TO MENTION IT. 1040 00:39:34,781 --> 00:39:36,870 CAN YOU PLEASE KEEP YOUR VOICE DOWN? 1041 00:39:36,913 --> 00:39:38,088 I NEED TO KNOW 1042 00:39:38,132 --> 00:39:40,090 IF YOU REALLY WERE ALONE IN YOUR HOTEL ROOM 1043 00:39:40,134 --> 00:39:41,613 FROM 6:30 TO 8:00, 1044 00:39:41,657 --> 00:39:43,703 AND I NEED TO KNOW WHO YOU WERE TALKING TO. 1045 00:39:43,746 --> 00:39:45,139 WHAT'S GOING ON HERE? 1046 00:39:45,182 --> 00:39:49,099 NOW, BEFORE I BEGIN, I AM GOING TO NEED AN ASSISTANT. 1047 00:39:49,143 --> 00:39:50,797 I'M NOT AT LIBERTY TO SAY, 1048 00:39:50,840 --> 00:39:52,799 BUT I NEED YOU TO ANSWER THE QUESTIONS. 1049 00:39:52,842 --> 00:39:53,800 OH, REALLY? 1050 00:39:53,843 --> 00:39:55,192 DANIELLE... 1051 00:39:55,236 --> 00:39:56,672 WHAT DO YOU SAY, HUH? 1052 00:39:58,805 --> 00:39:59,825 ARE YOU GOING TO CHARGE ME WITH SOMETHING? 1053 00:39:59,849 --> 00:40:02,156 BECAUSE IF YOU ARE, 1054 00:40:02,199 --> 00:40:03,350 I THINK I SHOULD GO CALL MY LAWYER, 1055 00:40:03,374 --> 00:40:05,725 AND IF YOU'RE NOT, WE'RE DONE HERE. 1056 00:40:05,768 --> 00:40:07,944 IT WAS NICE MEETING YOU, DETECTIVE. 1057 00:40:09,076 --> 00:40:10,077 FOR THOSE OF YOU 1058 00:40:10,120 --> 00:40:11,165 THAT DON'T KNOW, 1059 00:40:11,208 --> 00:40:12,403 DANIELLE IS HERE AT THE CONFERENCE 1060 00:40:12,427 --> 00:40:14,385 LEARNING HOW TO LOOK LIKE A PROFESSIONAL CHEF 1061 00:40:14,429 --> 00:40:15,865 IN PREPARATION FOR HER NEXT ROLE. 1062 00:40:15,909 --> 00:40:17,258 SO, DANIELLE, 1063 00:40:17,301 --> 00:40:20,696 LET'S GET YOU SUITED UP WITH THIS APRON FIRST, OKAY? 1064 00:40:20,740 --> 00:40:22,829 WOULD YOU MIND TYING THAT FOR ME, PLEASE? 1065 00:40:22,872 --> 00:40:24,700 YEAH. YEAH, I CAN DO THAT. 1066 00:40:24,744 --> 00:40:27,529 OKAY, I'M JUST, UH, I'M GOING AROUND. 1067 00:40:27,572 --> 00:40:29,096 OOH. 1068 00:40:30,662 --> 00:40:33,013 SO, UH, DANIELLE, HOW DO YOU FEEL ABOUT SPICE? 1069 00:40:33,056 --> 00:40:35,189 I LIKE MY PANZANELLA WITH A LITTLE KICK. 1070 00:40:35,232 --> 00:40:37,060 OH, I SAY THE HOTTER, THE BETTER. 1071 00:40:38,453 --> 00:40:41,586 WELL, YOU AND ME BOTH. 1072 00:40:43,110 --> 00:40:44,435 AND WHAT IS YOUR EXPERIENCE LIKE WITH SHRIMP? 1073 00:40:44,459 --> 00:40:45,808 ORDERING IT? TONS. 1074 00:40:45,852 --> 00:40:48,289 COOKING IT, NOT SO MUCH. 1075 00:40:49,464 --> 00:40:50,833 ALL RIGHT, LET'S GET TO THE BASICS HERE. 1076 00:40:50,857 --> 00:40:52,704 I'M GOING TO SHOW YOU THE BEST WAY TO PEEL THESE 1077 00:40:52,728 --> 00:40:54,251 SO THAT THEY DON'T FALL APART. 1078 00:40:54,295 --> 00:40:55,644 I CAN BE GENTLE. 1079 00:40:55,687 --> 00:40:58,386 I CAN SEE THAT. 1080 00:40:58,429 --> 00:40:59,517 WHERE WAS I? 1081 00:41:00,780 --> 00:41:01,998 OH, YES, I ALMOST FORGOT... 1082 00:41:02,042 --> 00:41:03,521 THE MOST IMPORTANT INGREDIENT... 1083 00:41:03,565 --> 00:41:05,480 PREMIUM AGED RUM. 1084 00:41:05,523 --> 00:41:06,568 THE DARKER, THE BETTER. 1085 00:41:06,611 --> 00:41:08,178 OKAY, HOW MUCH OF THIS DO WE NEED? 1086 00:41:08,222 --> 00:41:09,286 NO, IT'S NOT FOR THE SHRIMP, 1087 00:41:09,310 --> 00:41:10,964 IT'S FOR YOU AND ME. 1088 00:41:11,007 --> 00:41:12,226 IT MAKES COOKING WAY MORE FUN. 1089 00:41:13,270 --> 00:41:14,576 HERE YOU GO. 1090 00:41:14,619 --> 00:41:15,619 BOTTOMS UP. 1091 00:41:20,792 --> 00:41:21,880 HEY! 1092 00:41:21,924 --> 00:41:23,752 SO DANIELLE'S TOTALLY FUN. 1093 00:41:23,795 --> 00:41:25,057 YEAH, IT LOOKED LIKE 1094 00:41:25,101 --> 00:41:26,209 YOU GUYS WERE HAVING A GREAT TIME. 1095 00:41:26,233 --> 00:41:27,756 HOW'D I DO? - GREAT. 1096 00:41:27,799 --> 00:41:29,192 YEAH? I MEAN, 1097 00:41:29,236 --> 00:41:30,150 I TRIED TO BE INFORMATIVE YET STILL ENTERTAINING. 1098 00:41:30,193 --> 00:41:31,238 YOU NAILED IT. 1099 00:41:31,281 --> 00:41:32,587 READY TO GET BACK TO THE CASE? 1100 00:41:32,630 --> 00:41:34,241 BECAUSE EVELYNN'S BEEN WAITING. 1101 00:41:34,284 --> 00:41:35,546 YEAH. OF COURSE. 1102 00:41:40,495 --> 00:41:41,887 OKAY, WHAT WE NEED TO KNOW 1103 00:41:41,931 --> 00:41:44,107 IS WHERE MICHAEL CASTELLANO AND JOHN HARPER WERE 1104 00:41:44,150 --> 00:41:46,718 BETWEEN 7:00 AND 8:00. 1105 00:41:46,762 --> 00:41:48,130 NOW, DO YOU HAVE CAMERAS ON EVERY FLOOR 1106 00:41:48,154 --> 00:41:49,199 COVERING THE HALLWAYS? 1107 00:41:49,242 --> 00:41:51,027 YES, BUT THEY DON'T COVER EVERY ROOM. 1108 00:41:51,070 --> 00:41:52,507 RIGHT. 1109 00:41:52,550 --> 00:41:54,944 MICHAEL WAS PRACTICALLY ACROSS THE HALL FROM ME IN 708. 1110 00:41:54,987 --> 00:41:56,027 CAN WE CHECK THAT, PLEASE? 1111 00:42:00,602 --> 00:42:02,865 THAT WHOLE WING ISN'T COVERED. 1112 00:42:02,908 --> 00:42:04,606 OF COURSE NOT. THAT WOULD BE TOO EASY. 1113 00:42:04,649 --> 00:42:08,218 WHAT ROOM WAS JOHN, DANIELLE'S MANAGER, IN? 1114 00:42:10,742 --> 00:42:11,787 ROOM 507. 1115 00:42:11,830 --> 00:42:14,093 507 I'LL CHECK THAT ONE. 1116 00:42:14,137 --> 00:42:17,357 THERE'S 507 THERE. 1117 00:42:17,401 --> 00:42:18,707 THIS IS AT 6:35 P.M. 1118 00:42:22,362 --> 00:42:24,162 SO, THERE THEY ARE ENTERING THE ROOM TOGETHER. 1119 00:42:24,843 --> 00:42:25,843 CAN YOU SPEED THAT UP? 1120 00:42:27,411 --> 00:42:29,021 ALL RIGHT, STOP. 1121 00:42:29,065 --> 00:42:31,937 7:32, SHE LEAVES THE ROOM ALONE. 1122 00:42:31,981 --> 00:42:33,939 NOW, THE BARTENDER SAID 1123 00:42:33,983 --> 00:42:35,874 THAT HE REMEMBERS HER BEING INTO THE BAR AROUND 7:30, 1124 00:42:35,898 --> 00:42:36,986 AND THAT HE CALLED JOHN 1125 00:42:37,029 --> 00:42:38,814 TO SEE IF HE COULD COME DOWN AND GET HER 1126 00:42:38,857 --> 00:42:40,076 AROUND 8:45. 1127 00:42:40,119 --> 00:42:41,164 LET'S CHECK AND SEE 1128 00:42:41,207 --> 00:42:42,607 IF JOHN LEAVES THE ROOM BEFORE THEN. 1129 00:42:46,473 --> 00:42:47,474 OKAY, THERE'S JOHN, 1130 00:42:47,518 --> 00:42:50,652 LEAVING THE ROOM... 1131 00:42:50,695 --> 00:42:54,743 OKAY, HERE'S JOHN LEAVING THE ELEVATOR... 1132 00:42:57,397 --> 00:43:00,183 AND ENTERING THE BAR RIGHT THERE. 1133 00:43:00,226 --> 00:43:02,315 SO, JOHN WAS TELLING THE TRUTH, 1134 00:43:02,359 --> 00:43:03,423 HE DIDN'T LEAVE HIS ROOM ALL EVENING 1135 00:43:03,447 --> 00:43:05,231 UNTIL HE WENT DOWN TO COLLECT HER. 1136 00:43:05,275 --> 00:43:06,668 NOW, HE'S ON THE FIFTH FLOOR, 1137 00:43:06,711 --> 00:43:08,452 SO IT'S NOT LIKE HE JUMPED OFF THE BALCONY. 1138 00:43:09,584 --> 00:43:11,542 OKAY. 1139 00:43:11,586 --> 00:43:13,849 CAN WE HAVE A LOOK AT WHEN KATHLEEN LEFT HER ROOM? 1140 00:43:13,892 --> 00:43:18,636 THAT WOULD HAVE BEEN BETWEEN 6:45 AND 7:45. 1141 00:43:18,680 --> 00:43:19,985 SHE WAS IN 304. 1142 00:43:20,029 --> 00:43:22,118 SURE, JUST GIVE ME A SECOND. 1143 00:43:25,948 --> 00:43:27,427 THERE SHE IS. 1144 00:43:27,471 --> 00:43:30,039 7:30, LEAVING HER ROOM. 1145 00:43:30,082 --> 00:43:32,041 WAIT, WHO IS TALKING TO? 1146 00:43:35,000 --> 00:43:36,262 THERE, YOU SEE? 1147 00:43:36,306 --> 00:43:37,829 I TOLD YOU THEY WERE AN ITEM. 1148 00:43:37,873 --> 00:43:40,179 NOT A VERY HAPPY ONE. 1149 00:43:42,617 --> 00:43:44,401 LET'S FOLLOW WHERE SHE GOES. 1150 00:43:46,272 --> 00:43:49,362 7:40, SHE ENTERS THE SPA. 1151 00:43:49,406 --> 00:43:52,670 EVELYNN, WAS THERE ANYONE WORKING THE SPA DESK LAST NIGHT? 1152 00:43:52,714 --> 00:43:54,890 THE RECEPTIONIST LEAVES AT 6:30. 1153 00:43:54,933 --> 00:43:57,066 LOOK, THERE'S ERIC. 1154 00:43:57,109 --> 00:44:00,156 OH, MY GOD, HE FOLLOWED HER INTO THE SPA. 1155 00:44:01,200 --> 00:44:04,726 FAST-FORWARD FOR US. 1156 00:44:04,769 --> 00:44:06,989 LET'S SEE IF HE COMES BACK OUT. 1157 00:44:16,694 --> 00:44:17,695 STOP. 1158 00:44:17,739 --> 00:44:19,131 THAT'S US. 1159 00:44:19,175 --> 00:44:20,393 8:02. 1160 00:44:22,744 --> 00:44:25,398 ERIC NEVER CAME BACK OUT. 1161 00:44:27,705 --> 00:44:29,207 OKAY, GREAT. THANKS, MUNRO. 1162 00:44:30,161 --> 00:44:32,293 ALL RIGHT, THE BOYS ARE DOING A CHECK ON ERIC. 1163 00:44:32,337 --> 00:44:34,818 OKAY, WHAT NUMBER IS ERIC'S ROOM AGAIN? 1164 00:44:34,861 --> 00:44:36,820 EVELYNN SAID 306. 1165 00:44:36,863 --> 00:44:38,299 OKAY, IT'S THIS ONE UP HERE. 1166 00:44:38,343 --> 00:44:39,692 HE MUST NOT BE IN. 1167 00:44:39,736 --> 00:44:41,259 OH, THANK YOU, UH, LISTEN, 1168 00:44:41,302 --> 00:44:43,566 COULD I GET A COUPLE OF EXTRA PACKETS OF COFFEE, PLEASE? 1169 00:44:43,609 --> 00:44:45,176 SURE. 1170 00:44:45,219 --> 00:44:46,220 THERE YOU GO. 1171 00:44:46,264 --> 00:44:47,613 THANK YOU. YOU'RE A LIFE-SAVER. 1172 00:44:53,140 --> 00:44:55,012 ERIC? 1173 00:44:56,579 --> 00:44:58,494 HELLO? 1174 00:45:00,713 --> 00:45:02,802 ERIC? 1175 00:45:09,766 --> 00:45:12,029 HERE WE GO, ERIC'S SHOES. 1176 00:45:12,072 --> 00:45:13,726 20 BUCKS SAYS THAT THESE ARE A SIZE 10. 1177 00:45:15,946 --> 00:45:17,643 WELL, THAT'S INCONVENIENT. 1178 00:45:17,687 --> 00:45:18,687 SIZE 12. 1179 00:45:20,385 --> 00:45:22,430 HEY, LOOK AT THIS. 1180 00:45:22,474 --> 00:45:24,302 THIS LOOKS LIKE KATHLEEN'S DAY PLANNER. 1181 00:45:24,345 --> 00:45:26,043 WHAT WOULD THIS BE DOING HERE? 1182 00:45:27,348 --> 00:45:30,961 LOOKS LIKE A BUNCH OF INTERVIEW QUESTIONS FOR ERIC. 1183 00:45:33,224 --> 00:45:34,225 NO, WAIT, WAIT. 1184 00:45:34,268 --> 00:45:35,574 WAIT, STOP. 1185 00:45:35,618 --> 00:45:37,141 WHAT DOES THAT SAY RIGHT HERE? 1186 00:45:37,184 --> 00:45:38,446 "WHILE CLEARLY A TALENTED CHEF, 1187 00:45:38,490 --> 00:45:40,163 THE FIRST THING ONE NOTICES ABOUT ERIC HELBERG 1188 00:45:40,187 --> 00:45:42,581 IS HIS EGO. 1189 00:45:42,625 --> 00:45:45,018 HE APPEARS TO CARE MORE ABOUT HIS PR 1190 00:45:45,062 --> 00:45:45,976 AND GROWING CELEBRITY 1191 00:45:46,019 --> 00:45:47,586 THAN HE DOES ABOUT FOOD. 1192 00:45:47,630 --> 00:45:49,129 WHETHER OR NOT HE'LL BE A LASTING FIXTURE 1193 00:45:49,153 --> 00:45:50,589 ON THE BAY AREA'S CULINARY SCENE, 1194 00:45:50,633 --> 00:45:52,896 OR JUST ANOTHER FLASH IN THE PAN, 1195 00:45:52,939 --> 00:45:55,420 ONLY TIME WILL TELL." 1196 00:45:55,463 --> 00:45:57,248 OUCH. 1197 00:46:11,262 --> 00:46:12,524 WHERE DID YOU GET THAT? 1198 00:46:12,568 --> 00:46:14,874 I THINK YOU KNOW EXACTLY WHERE WE GOT THAT. 1199 00:46:14,918 --> 00:46:16,876 WHAT WERE YOU DOING IN MY ROOM? 1200 00:46:16,920 --> 00:46:18,027 WE'RE MORE INTERESTED IN KNOWING 1201 00:46:18,051 --> 00:46:19,357 WHAT YOU WERE DOING LAST NIGHT 1202 00:46:19,400 --> 00:46:21,751 WHEN YOU WALKED INTO THE SPA RIGHT AFTER KATHLEEN. 1203 00:46:21,794 --> 00:46:22,926 OKAY, WHAT'S GOING ON HERE? 1204 00:46:22,969 --> 00:46:25,624 SFPD. 1205 00:46:25,668 --> 00:46:27,931 WE NEED TO ASK YOU A COUPLE OF QUESTIONS. 1206 00:46:27,974 --> 00:46:29,212 WHERE'S KATHLEEN? IS SHE ALL RIGHT? 1207 00:46:29,236 --> 00:46:32,631 THIS NEEDS TO STAY BETWEEN US, 1208 00:46:32,675 --> 00:46:34,677 BUT KATHLEEN'S BEEN MISSING SINCE LAST NIGHT. 1209 00:46:34,720 --> 00:46:36,069 OH, MY GOD. 1210 00:46:36,113 --> 00:46:38,245 A HOTEL SECURITY CAMERA 1211 00:46:38,289 --> 00:46:39,203 CAUGHT YOU AND KATHLEEN FIGHTING 1212 00:46:39,246 --> 00:46:40,552 RIGHT OUT SIDE HER DOOR 1213 00:46:40,596 --> 00:46:42,051 BEFORE SHE LEFT FOR THE MINERAL BATHS. 1214 00:46:42,075 --> 00:46:43,355 WHAT WERE YOU TWO FIGHTING ABOUT? 1215 00:46:45,078 --> 00:46:47,080 ABOUT WHAT WAS IN THERE. 1216 00:46:47,124 --> 00:46:49,561 SHE LEFT HER NOTEBOOK IN MY ROOM, 1217 00:46:49,605 --> 00:46:51,345 AND I WAS DUMB ENOUGH TO READ IT. 1218 00:46:51,389 --> 00:46:53,870 CAN YOU PLEASE TELL ME WHAT IS GOING ON? 1219 00:46:53,913 --> 00:46:55,132 JUST ANSWER THE QUESTIONS. 1220 00:46:57,047 --> 00:46:58,048 YEAH, YOU WERE RIGHT. 1221 00:46:58,091 --> 00:46:59,397 KATHLEEN AND I WERE TOGETHER, 1222 00:46:59,440 --> 00:47:00,703 AND I GUESS I'M AN IDIOT 1223 00:47:00,746 --> 00:47:03,575 BECAUSE I THOUGHT THAT SHE ACTUALLY LIKED ME. 1224 00:47:03,619 --> 00:47:06,317 THE CAMERA SHOWED YOU FOLLOWING KATHLEEN 1225 00:47:06,360 --> 00:47:07,797 RIGHT INTO THE SPA. 1226 00:47:07,840 --> 00:47:09,842 YEAH? SO? 1227 00:47:09,886 --> 00:47:11,322 I WAS UPSET. 1228 00:47:11,365 --> 00:47:12,604 I WANTED TO TALK TO HER, SHE DIDN'T WANT TO TALK TO ME, 1229 00:47:12,628 --> 00:47:13,672 SO I LEFT. 1230 00:47:13,716 --> 00:47:14,717 HOW DID YOU LEAVE? 1231 00:47:14,760 --> 00:47:16,327 I WALKED OFF THE TERRACE 1232 00:47:16,370 --> 00:47:17,609 AND THEN I WALKED ALONG ONE OF THE PATHS. 1233 00:47:17,633 --> 00:47:19,373 TO WHERE? - I DON'T KNOW. 1234 00:47:19,417 --> 00:47:20,418 JUST AROUND THE PROPERTY. 1235 00:47:20,461 --> 00:47:21,593 I NEEDED TO CLEAR MY HEAD. 1236 00:47:21,637 --> 00:47:22,701 HOW LONG WERE YOU GONE? - ABOUT AN HOUR. 1237 00:47:22,725 --> 00:47:24,596 AND THEN I WENT BACK TO MY ROOM. 1238 00:47:25,119 --> 00:47:26,120 ALL RIGHT. 1239 00:47:26,164 --> 00:47:28,209 LOOK, ERIC... 1240 00:47:29,646 --> 00:47:32,300 SINCE YOU WERE CLOSE WITH KATHLEEN, 1241 00:47:32,344 --> 00:47:34,128 DID SHE SAY ANYTHING TO YOU 1242 00:47:34,172 --> 00:47:35,434 ABOUT ANOTHER ARTICLE, 1243 00:47:35,477 --> 00:47:37,566 OR MAYBE ANOTHER STORY SHE WAS WORKING ON? 1244 00:47:37,610 --> 00:47:39,656 ANYTHING THAT COULD HAVE PUT HER IN DANGER? 1245 00:47:39,699 --> 00:47:41,614 ACTUALLY, YEAH. 1246 00:47:41,658 --> 00:47:42,809 SHE SAID THAT SHE WAS WORKING ON SOMETHING BIG. 1247 00:47:42,833 --> 00:47:45,052 SHE DIDN'T WANT TO TALK TO ME ABOUT IT, 1248 00:47:45,096 --> 00:47:46,639 BUT I KNOW THAT SHE KEEPS EVERYTHING IN HER COMPUTER, 1249 00:47:46,663 --> 00:47:47,857 AND THERE'S A LOT OF NOTES IN THAT BOOK. 1250 00:47:47,881 --> 00:47:48,926 BUT THAT IS... 1251 00:47:48,969 --> 00:47:50,797 THAT'S EVERYTHING I KNOW. 1252 00:47:53,365 --> 00:47:55,628 ALL RIGHT. 1253 00:47:55,672 --> 00:47:57,258 WELL, IF YOU THINK OF ANYTHING, LET US KNOW. 1254 00:47:57,282 --> 00:47:58,413 OF COURSE. 1255 00:48:00,241 --> 00:48:01,721 I JUST WANT TO HELP. 1256 00:48:01,765 --> 00:48:03,027 OKAY. 1257 00:48:08,423 --> 00:48:10,991 SO, WHAT DO YOU THINK? 1258 00:48:11,035 --> 00:48:13,472 I STILL DON'T TRUST HIM. 1259 00:48:13,515 --> 00:48:14,536 I THINK WE NEED TO FIGURE OUT 1260 00:48:14,560 --> 00:48:15,430 WHAT THE KILLER DID WITH THE BODY 1261 00:48:15,474 --> 00:48:16,736 IN THE MIDDLE OF THE NIGHT. 1262 00:48:16,780 --> 00:48:18,496 HE WOULD HAVE TAKEN IT AS FAR AWAY FROM THE HOTEL 1263 00:48:18,520 --> 00:48:20,087 AS POSSIBLE. 1264 00:48:20,131 --> 00:48:21,436 NOT TOO FAR, 1265 00:48:21,480 --> 00:48:22,587 BECAUSE HE'D HAVE TO BE ABLE TO GET THERE QUICKLY. 1266 00:48:22,611 --> 00:48:24,526 AN OUT BUILDING MAYBE? 1267 00:48:24,570 --> 00:48:25,571 EXACTLY. 1268 00:48:25,614 --> 00:48:27,878 LET'S GO FOR A DRIVE. 1269 00:48:27,921 --> 00:48:29,401 WHERE? 1270 00:48:31,055 --> 00:48:32,099 THERE. 1271 00:48:50,335 --> 00:48:51,336 HENRY... 1272 00:48:51,379 --> 00:48:52,424 LET ME DRIVE. 1273 00:48:52,467 --> 00:48:53,381 NOPE, I'M DRIVING! 1274 00:48:53,425 --> 00:48:54,576 COME ON, HENRY, GIVE ME A BREAK. 1275 00:48:54,600 --> 00:48:56,602 NO, I'M DRIVING. YOU ALWAYS DRIVE. 1276 00:48:56,645 --> 00:48:57,690 WHAT ARE YOU TALKING ABOUT? 1277 00:48:57,734 --> 00:48:59,126 YOU DROVE US HERE. TO THE RESORT. 1278 00:48:59,170 --> 00:49:01,912 ON THE OTHER CASE, YOU ALWAYS DROVE THE SQUAD CAR. 1279 00:49:01,955 --> 00:49:03,755 OF COURSE, I DROVE THE SQUAD CAR, IT'S MY CAR. 1280 00:49:07,831 --> 00:49:08,919 I CAN'T BELIEVE 1281 00:49:08,962 --> 00:49:10,572 WE'RE EVEN HAVING THIS CONVERSATION. 1282 00:49:10,616 --> 00:49:11,616 IT'S RIDICULOUS. 1283 00:49:12,749 --> 00:49:14,074 YOU'RE VERY CONTROLLING, YOU KNOW THAT? 1284 00:49:14,098 --> 00:49:16,448 HOW AM I BEING CONTROLLING? I'M LETTING YOU DRIVE! 1285 00:49:16,491 --> 00:49:18,189 JUST SAYING. 1286 00:49:18,232 --> 00:49:19,232 OH, MY... 1287 00:49:20,452 --> 00:49:22,933 YOU MIGHT WANT TO PUT IT IN FORWARD, GENIUS. 1288 00:49:22,976 --> 00:49:25,022 I KNOW THAT. 1289 00:49:25,065 --> 00:49:26,066 SORRY! 1290 00:49:27,981 --> 00:49:29,722 YOU KEEP WALLS UP 1291 00:49:29,766 --> 00:49:30,917 BETWEEN YOURSELF AND OTHER PEOPLE, 1292 00:49:30,941 --> 00:49:31,855 DO YOU KNOW THAT? 1293 00:49:31,898 --> 00:49:32,856 WHAT WALLS? 1294 00:49:32,899 --> 00:49:34,335 I DON'T HAVE WALLS. 1295 00:49:34,379 --> 00:49:35,467 REALLY? 1296 00:49:35,510 --> 00:49:36,816 REALLY. SERIOUSLY. 1297 00:49:36,860 --> 00:49:37,817 WHAT WALLS ARE YOU TALKING ABOUT? 1298 00:49:37,861 --> 00:49:39,297 WHAT WALLS? 1299 00:49:39,340 --> 00:49:40,578 WELL, YOU DON'T SHARE ANYTHING ABOUT YOURSELF. 1300 00:49:40,602 --> 00:49:41,560 I DO TOO. 1301 00:49:41,603 --> 00:49:42,624 I SHARE WITH A LOT OF PEOPLE, 1302 00:49:42,648 --> 00:49:44,302 JUST NOT PEOPLE THAT I WORK WITH. 1303 00:49:44,345 --> 00:49:45,912 OH, SO THAT'S WHAT I AM, 1304 00:49:45,956 --> 00:49:47,020 JUST SOME GUY YOU WORK WITH? 1305 00:49:47,044 --> 00:49:48,480 NO, HENRY, 1306 00:49:48,523 --> 00:49:50,090 YOU'RE IN A CATEGORY ALL ON YOUR OWN. 1307 00:49:50,134 --> 00:49:51,744 THANK YOU. 1308 00:49:51,788 --> 00:49:54,660 THAT WASN'T A COMPLIMENT, HENRY. 1309 00:49:56,575 --> 00:49:57,750 SO, COME ON, 1310 00:49:57,794 --> 00:50:00,579 YOU MUST BE A LITTLE GLAD YOU CAME, RIGHT? 1311 00:50:00,622 --> 00:50:04,409 YOU MEAN, IN SPITE OF THIS WHOLE MURDER? 1312 00:50:04,452 --> 00:50:06,411 SURE. 1313 00:50:06,454 --> 00:50:08,456 AND YOU HAVE TO ADMIT, WE'RE A PRETTY GREAT TEAM. 1314 00:50:09,501 --> 00:50:11,372 LET'S NOT GET CARRIED AWAY. 1315 00:50:11,416 --> 00:50:14,419 WE HAVEN'T SOLVED ANYTHING YET. 1316 00:50:15,986 --> 00:50:17,988 MUNRO, WHAT DO YOU GOT? 1317 00:50:18,031 --> 00:50:20,468 WELL, I PULLED SOMETHING UP ON ERIC HELBERG. 1318 00:50:20,512 --> 00:50:21,619 THIS GUY IS NO ANGEL, THAT'S FOR SURE. 1319 00:50:21,643 --> 00:50:23,341 HE'S GOT ONE DUI, 1320 00:50:23,384 --> 00:50:24,664 AND ONE PRIOR FOR DOMESTIC ABUSE, 1321 00:50:24,690 --> 00:50:26,300 COUPLED WITH A RESTRAINING ORDER. 1322 00:50:26,344 --> 00:50:27,432 RESTRAINING ORDER, HUH? 1323 00:50:27,475 --> 00:50:29,216 YEAH, FILED BY HIS EX-GIRLFRIEND. 1324 00:50:29,260 --> 00:50:31,610 WE ALSO FOLLOWED UP WITH KATHLEEN'S EDITOR 1325 00:50:31,653 --> 00:50:32,698 LIKE YOU ASKED. 1326 00:50:32,741 --> 00:50:34,178 GET THIS. 1327 00:50:34,221 --> 00:50:36,441 KATHLEEN RECEIVED SEVERAL DEATH THREATS 1328 00:50:36,484 --> 00:50:37,659 THREE MONTHS AGO. 1329 00:50:37,703 --> 00:50:38,965 THREE MONTHS AGO? 1330 00:50:39,009 --> 00:50:40,729 THAT'S WHEN HER ARTICLE CAME OUT ON MICHAEL. 1331 00:50:43,535 --> 00:50:44,623 SPEAKING OF CASTELLANO, 1332 00:50:44,666 --> 00:50:47,800 TURNS OUT HIS WIFE OWNED EVERYTHING, 1333 00:50:47,844 --> 00:50:49,019 INCLUDING BOTH RESTAURANTS. 1334 00:50:54,285 --> 00:50:55,068 WHEN SHE FOUND OUT ABOUT THE AFFAIR, 1335 00:50:55,112 --> 00:50:56,461 SHE BASICALLY FIRED HIM. 1336 00:50:56,504 --> 00:50:58,680 HE'S FILED FOR A CHAPTER ELEVEN. 1337 00:50:58,724 --> 00:50:59,986 REALLY? 1338 00:51:00,030 --> 00:51:01,466 WOW, OKAY, THANKS GUYS. 1339 00:51:01,509 --> 00:51:03,076 CALL ME IF YOU GET ANYTHING ELSE. 1340 00:51:09,417 --> 00:51:13,160 SO ERIC'S NOT SUCH A NICE GUY AFTER ALL. 1341 00:51:14,944 --> 00:51:16,772 MAGGIE? 1342 00:51:20,428 --> 00:51:21,864 AND GET THIS, 1343 00:51:21,908 --> 00:51:24,258 MICHAEL HAS MORE MOTIVE THAN WE THOUGHT. 1344 00:51:24,302 --> 00:51:26,086 KATHLEEN DIDN'T JUST DESTROY HIS MARRIAGE, 1345 00:51:26,129 --> 00:51:28,436 SHE ALSO RUINED HIM FINANCIALLY. 1346 00:51:28,480 --> 00:51:30,656 MAGGIE! 1347 00:51:32,136 --> 00:51:33,138 WHAT? 1348 00:51:39,055 --> 00:51:41,971 I THINK WE JUST FOUND KATHLEEN. 1349 00:51:51,719 --> 00:51:53,765 WELL, JUDGING FROM THE CYANOSIS 1350 00:51:53,808 --> 00:51:56,202 AND PETECHIAE FROM AROUND HER MOUTH AND EYES, 1351 00:51:56,246 --> 00:51:57,638 I'D SAY IT'S A PRETTY GOOD BET 1352 00:51:57,682 --> 00:51:59,597 THE VICTIM DIED OF ASPHYXIATION BY DROWNING. 1353 00:51:59,640 --> 00:52:02,034 I ALSO NOTICED THERE WAS SOME BRUISING AROUND HER NECK. 1354 00:52:02,077 --> 00:52:03,731 SOMEONE HELD HER UNDER? 1355 00:52:03,775 --> 00:52:05,820 YEAH, IT LOOKS LIKE IT. 1356 00:52:05,864 --> 00:52:07,648 OH, MY GOD. 1357 00:52:07,692 --> 00:52:09,346 POOR KATHLEEN. 1358 00:52:09,389 --> 00:52:12,566 I WILL ALSO RUN A DNA CHECK FOR UNDERNEATH HER FINGERNAILS. 1359 00:52:12,610 --> 00:52:14,220 SHE WOULD OBVIOUSLY HAVE BEEN STRUGGLING. 1360 00:52:14,264 --> 00:52:15,502 WE SHOULD KEEP AN EYE OUT FOR ANYBODY 1361 00:52:15,526 --> 00:52:16,633 WALKING AROUND WITH SCRATCH MARKS. 1362 00:52:16,657 --> 00:52:17,657 YEAH. 1363 00:52:18,980 --> 00:52:20,155 PRICE! 1364 00:52:20,198 --> 00:52:22,026 I'D LIKE YOU TO COME WITH ME... 1365 00:52:22,070 --> 00:52:24,812 WHAT THE HELL IS GOING ON HERE? 1366 00:52:24,855 --> 00:52:26,161 HEY, CAPTAIN. 1367 00:52:26,204 --> 00:52:27,989 THE BOYS TELL ME THAT YOU'VE BEEN CALLING IN 1368 00:52:28,032 --> 00:52:30,295 FOR BACKGROUND CHECKS FOR THE LAST 24 HOURS. 1369 00:52:30,339 --> 00:52:31,644 TELL ME 1370 00:52:31,688 --> 00:52:32,796 YOU HAVEN'T BEEN HIDING A MURDER INVESTIGATION 1371 00:52:32,820 --> 00:52:33,995 WHILE ON VACATION. 1372 00:52:34,038 --> 00:52:36,171 CAPTAIN, I NEED YOU TO TRUST ME ON THIS. 1373 00:52:36,214 --> 00:52:37,670 I HAVE PURPOSELY BEEN KEEPING THIS QUIET 1374 00:52:37,694 --> 00:52:40,218 BECAUSE I BELIEVE THE KILLER IS STILL HERE. 1375 00:52:40,262 --> 00:52:41,350 WHICH IS EXACTLY WHY 1376 00:52:41,393 --> 00:52:42,743 WE NEED TO LOCK THIS PLACE DOWN. 1377 00:52:42,786 --> 00:52:43,850 I DON'T WANT HIM TO GET SPOOKED. 1378 00:52:43,874 --> 00:52:45,789 I'M TELLING YOU, WE'RE ONTO SOMETHING. 1379 00:52:45,833 --> 00:52:47,530 WE USED THE REAR SERVICE ENTRANCE 1380 00:52:47,573 --> 00:52:49,140 TO KEEP A LOW PROFILE. 1381 00:52:49,184 --> 00:52:50,185 FORENSICS IS ALMOST DONE. 1382 00:52:50,228 --> 00:52:51,142 THEY'RE GOING TO BE OUT OF HERE 1383 00:52:51,186 --> 00:52:52,187 IN A COUPLE OF HOURS. 1384 00:52:52,230 --> 00:52:53,144 OH, PRICE... 1385 00:52:53,188 --> 00:52:54,624 CAPTAIN, PLEASE, 1386 00:52:54,667 --> 00:52:56,689 WE CAN USE THE ELEMENT OF SURPRISE TO OUR ADVANTAGE. 1387 00:52:56,713 --> 00:52:59,977 MY INSTINCTS ARE TELLING ME THAT THIS IS THE RIGHT PLAY. 1388 00:53:00,021 --> 00:53:01,457 I JUST NEED 24 HOURS. 1389 00:53:01,500 --> 00:53:04,460 YOUR INSTINCTS, HUH? 1390 00:53:04,503 --> 00:53:06,343 I'M SO CLOSE TO CRACKING THIS, I'M TELLING YOU. 1391 00:53:12,207 --> 00:53:14,035 OKAY, YOU'VE GOT 24 HOURS, PRICE, 1392 00:53:14,078 --> 00:53:16,037 AND NOT A MOMENT LONGER. 1393 00:53:16,080 --> 00:53:18,779 BUT IF YOU SCREW THIS UP, IT'S ON YOU. 1394 00:53:25,698 --> 00:53:27,613 WHAT DO YOU WANT US TO DO? 1395 00:53:27,657 --> 00:53:28,745 GO TO KATHLEEN'S OFFICE, 1396 00:53:28,789 --> 00:53:29,896 AND TAKE THE DEATH THREATS INTO EVIDENCE, 1397 00:53:29,920 --> 00:53:31,574 SEE WHAT THE LAB GUYS FIND OUT ON THEM. 1398 00:53:31,617 --> 00:53:32,617 YOU GOT IT. 1399 00:53:35,970 --> 00:53:38,189 LET'S GO FIND MICHAEL. 1400 00:53:38,233 --> 00:53:39,669 LEAD THE WAY. 1401 00:54:24,279 --> 00:54:25,541 EXCUSE ME, MICHAEL. 1402 00:54:25,584 --> 00:54:28,370 WE NEED TO ASK YOU A FEW MORE QUESTIONS. 1403 00:54:28,413 --> 00:54:29,719 YOU KNOW WHAT? 1404 00:54:29,762 --> 00:54:31,044 I THINK I'M GOING TO CALL MY LAWYER NOW. 1405 00:54:31,068 --> 00:54:32,548 THAT'S A GOOD IDEA. 1406 00:54:32,591 --> 00:54:33,984 BECAUSE WE FOUND KATHLEEN'S BODY. 1407 00:54:34,028 --> 00:54:37,031 SHE WAS MURDERED. 1408 00:54:37,074 --> 00:54:38,162 WHAT? 1409 00:54:38,206 --> 00:54:39,574 YOUR WIFE HAS A CONTROLLING INTEREST 1410 00:54:39,598 --> 00:54:40,643 IN YOUR RESTAURANTS. 1411 00:54:40,686 --> 00:54:42,006 WHEN KATHLEEN EXPOSED YOUR AFFAIR, 1412 00:54:42,036 --> 00:54:44,734 YOU DIDN'T JUST LOSE YOUR MARRIAGE, 1413 00:54:44,777 --> 00:54:46,170 YOU LOST EVERYTHING. 1414 00:54:46,214 --> 00:54:47,278 SHE CUT YOU OFF FINANCIALLY, 1415 00:54:47,302 --> 00:54:48,912 AND NOW YOU'RE VIRTUALLY BANKRUPT. 1416 00:54:48,956 --> 00:54:50,740 WE ALSO LEARNED 1417 00:54:50,783 --> 00:54:51,935 THAT KATHLEEN RECEIVED SEVERAL DEATH THREATS 1418 00:54:51,959 --> 00:54:53,482 AT EXACTLY THE SAME TIME 1419 00:54:53,525 --> 00:54:54,483 HER ARTICLE ON YOU WAS WRITTEN. 1420 00:54:54,526 --> 00:54:55,571 ALL OF WHICH POINTS AT YOU 1421 00:54:55,614 --> 00:54:56,833 BEING OUR NUMBER ONE SUSPECT 1422 00:54:56,877 --> 00:54:58,835 IN THE DEATH OF KATHLEEN EVANS. 1423 00:54:58,879 --> 00:55:00,968 NOW, HOLD ON A SECOND, OKAY, JUST HOLD ON. 1424 00:55:01,011 --> 00:55:03,492 NOW, EVERYTHING THAT YOU JUST SAID IS TRUE, 1425 00:55:03,535 --> 00:55:04,948 BUT I DIDN'T DO ANYTHING TO KATHLEEN. 1426 00:55:04,972 --> 00:55:06,190 REALLY? 1427 00:55:06,234 --> 00:55:07,975 BECAUSE THAT PHONE CALL THIS MORNING 1428 00:55:08,018 --> 00:55:09,411 SOUNDED PRETTY INCRIMINATING. 1429 00:55:09,454 --> 00:55:10,736 I WAS ON THE PHONE WITH MY INVESTORS, OKAY? 1430 00:55:10,760 --> 00:55:13,502 WE JUST CLOSED THE DEAL ON A NEW RESTAURANT. 1431 00:55:13,545 --> 00:55:15,721 THE "GOOD RIDDANCE" WAS IN REFERENCE TO MY EX-WIFE. 1432 00:55:15,765 --> 00:55:17,680 YOU STILL HAVE NO ALIBI FOR LAST NIGHT 1433 00:55:17,723 --> 00:55:19,464 BETWEEN 7:00 AND 8:00 P.M. 1434 00:55:19,508 --> 00:55:22,772 I JUST TOLD YOU, I WAS IN MY ROOM, MAKING CALLS. 1435 00:55:22,815 --> 00:55:24,078 YOU DON'T BELIEVE ME, 1436 00:55:24,121 --> 00:55:25,514 CHECK MY PHONE RECORDS. 1437 00:55:28,091 --> 00:55:29,310 HOLD ON. 1438 00:55:29,353 --> 00:55:30,963 I DO HAVE AN ALIBI. 1439 00:55:31,007 --> 00:55:34,271 SOMEBODY WAS COMPLAINING ABOUT MY CIGAR SMOKE ON MY BALCONY. 1440 00:55:34,315 --> 00:55:35,185 THE FRONT DESK MUST HAVE CALLED UP 1441 00:55:35,228 --> 00:55:36,308 AT LEAST A COUPLE OF TIMES. 1442 00:55:37,361 --> 00:55:38,556 THEY EVEN SENT SOMEBODY UP TO MY ROOM. 1443 00:55:38,580 --> 00:55:40,451 CHECK WITH THE CONCIERGE, 1444 00:55:40,495 --> 00:55:42,323 HE'LL BACK ME UP. 1445 00:55:44,150 --> 00:55:46,239 MICHAEL'S TELLING THE TRUTH. 1446 00:55:46,283 --> 00:55:47,763 A PERSON IN THE ROOM ABOVE HIM 1447 00:55:47,806 --> 00:55:49,112 CALLED DOWNSTAIRS TWICE. 1448 00:55:49,155 --> 00:55:51,244 WE LOG ALL COMPLAINTS. 1449 00:55:51,288 --> 00:55:53,943 A MEMBER OF OUR STAFF WENT UP AND SPOKE WITH MICHAEL 1450 00:55:53,986 --> 00:55:55,510 PERSONALLY AT 8:00. 1451 00:55:55,553 --> 00:55:56,902 OKAY. 1452 00:55:56,946 --> 00:55:59,165 WE KNOW THAT KATHLEEN DIDN'T ENTER THE SPA 1453 00:55:59,209 --> 00:56:00,602 UNTIL A QUARTER TO 8:00. 1454 00:56:00,645 --> 00:56:01,796 THERE'S NO WAY THAT MICHAEL COULD HAVE KILLED HER 1455 00:56:01,820 --> 00:56:03,909 THEN WAS BACK UP ON HIS BALCONY 1456 00:56:03,953 --> 00:56:05,234 FIVE MINUTES LATER SMOKING A CIGAR. 1457 00:56:05,258 --> 00:56:06,216 HOW LONG AM I SUPPOSED TO ACT 1458 00:56:06,259 --> 00:56:07,217 LIKE THERE'S NOTHING GOING ON HERE? 1459 00:56:07,260 --> 00:56:09,219 I KNOW THAT THIS IS DIFFICULT. 1460 00:56:09,262 --> 00:56:12,048 PLEASE JUST BEAR WITH US A LITTLE BIT LONGER. 1461 00:56:12,091 --> 00:56:14,026 ALL RIGHT, BUT I'M GETTING VERY UNCOMFORTABLE WITH THIS. 1462 00:56:14,050 --> 00:56:15,051 WE UNDERSTAND. 1463 00:56:15,094 --> 00:56:16,174 THANK YOU FOR YOUR PATIENCE. 1464 00:56:22,711 --> 00:56:23,997 WHAT ABOUT EVELYNN? 1465 00:56:24,772 --> 00:56:27,108 DOES SHE HAVE ANY MOTIVE FOR HURTING KATHLEEN? 1466 00:56:28,510 --> 00:56:30,903 I'M IMPRESSED. 1467 00:56:30,947 --> 00:56:33,515 YOU'RE STARTING TO VIEW THE WORLD LIKE A DETECTIVE. 1468 00:56:33,558 --> 00:56:35,299 EVERYONE'S A SUSPECT. 1469 00:56:35,343 --> 00:56:37,127 WELL, SHE IS ACTING PRETTY CALM 1470 00:56:37,170 --> 00:56:39,148 FOR SOMEONE WHO JUST HAD A MURDER HAPPEN IN HER HOTEL. 1471 00:56:39,172 --> 00:56:40,348 I AGREE. 1472 00:56:41,436 --> 00:56:43,351 BUT I DID A BASIC CHECK ON HER. 1473 00:56:43,394 --> 00:56:44,526 NO PRIORS CAME UP. 1474 00:56:45,744 --> 00:56:48,312 I THINK I'M GOING TO GO UP TO MY SUITE 1475 00:56:48,356 --> 00:56:49,550 AND START GOING THROUGH KATHLEEN'S NOTEBOOK. 1476 00:56:49,574 --> 00:56:51,030 SEE IF I CAN FIND ANYTHING USEFUL IN THERE. 1477 00:56:51,054 --> 00:56:52,403 OKAY. 1478 00:56:52,447 --> 00:56:53,839 WHILE YOU DO THAT, 1479 00:56:53,883 --> 00:56:56,233 I'M GOING TO GO SIT IN ON SOME MORE PRESENTATIONS. 1480 00:56:57,408 --> 00:56:58,801 TO INVESTIGATE. 1481 00:56:58,844 --> 00:57:00,629 MM-HMM. - FOR THE CASE. 1482 00:57:00,672 --> 00:57:01,910 WE'RE SUPPOSED TO... ACT NATURAL. 1483 00:57:01,934 --> 00:57:02,892 YEAH. 1484 00:57:02,935 --> 00:57:04,067 BRING ME A DOGGIE BAG. 1485 00:57:06,678 --> 00:57:07,810 THERE YOU HAVE IT. 1486 00:57:07,853 --> 00:57:10,334 SPRING HALIBUT WITH VIERGE SAUCE 1487 00:57:10,378 --> 00:57:13,337 ALONG WITH FRIED GNOCCHI AND ASPARAGUS. 1488 00:57:13,381 --> 00:57:14,381 THANK YOU. 1489 00:57:20,170 --> 00:57:21,650 THANK YOU. 1490 00:57:21,693 --> 00:57:22,781 THIS RECIPE, 1491 00:57:22,825 --> 00:57:23,932 ALONG WITH ALL OF MY OTHER FAVORITES, 1492 00:57:23,956 --> 00:57:25,523 WILL BE ON MY RESTAURANT'S WEBSITE. 1493 00:57:25,567 --> 00:57:27,612 PLEASE COME CHECK US OUT. 1494 00:57:27,656 --> 00:57:29,614 THANK YOU, EVERYONE. 1495 00:57:29,658 --> 00:57:32,748 EXCUSE ME, I'LL BE WITH YOU IN JUST A MINUTE. 1496 00:57:35,272 --> 00:57:36,795 HENRY, TELL ME THAT YOU FOUND KATHLEEN. 1497 00:57:36,839 --> 00:57:39,624 UH... NO, NOT YET. 1498 00:57:39,668 --> 00:57:41,060 WELL, WE NEED TO DO SOMETHING THEN. 1499 00:57:41,104 --> 00:57:42,627 WE ARE. THE POLICE ARE IN INVOLVED. 1500 00:57:42,671 --> 00:57:44,911 BUT, LISTEN, ERIC, I HAVE TO ASK YOU SOME MORE QUESTIONS. 1501 00:57:46,152 --> 00:57:48,503 DETECTIVE PRICE DISCOVERED 1502 00:57:48,546 --> 00:57:51,114 THAT YOU HAVE A PRIOR FOR DOMESTIC ASSAULT. 1503 00:57:51,157 --> 00:57:53,246 THAT YOUR EX-GIRLFRIEND FILED A RESTRAINING ORDER 1504 00:57:53,290 --> 00:57:54,334 AGAINST YOU. 1505 00:57:56,119 --> 00:57:57,947 YEAH, LOOK... 1506 00:57:57,990 --> 00:57:59,688 THAT WAS MY OLD GIRLFRIEND. 1507 00:57:59,731 --> 00:58:01,472 SHE WAS REALLY ANGRY WHEN WE BROKE UP, 1508 00:58:01,516 --> 00:58:03,996 AND SHE STARTED ACCUSING ME OF ALL THESE THINGS. 1509 00:58:04,040 --> 00:58:05,433 MY RESTAURANT HAD JUST OPENED UP, 1510 00:58:05,476 --> 00:58:06,975 I COULDN'T AFFORD THAT KIND OF NEGATIVE PUBLICITY. 1511 00:58:06,999 --> 00:58:08,803 MY LAWYER TOLD ME TO JUST TAKE A PLEA AGREEMENT, 1512 00:58:08,827 --> 00:58:10,220 HAVE IT ALL GO AWAY. 1513 00:58:10,263 --> 00:58:11,395 I DID. I REGRET IT, 1514 00:58:11,439 --> 00:58:13,353 BECAUSE I WAS COMPLETELY INNOCENT. 1515 00:58:13,397 --> 00:58:15,225 HOW DID YOU GET THAT SCRATCH? 1516 00:58:15,268 --> 00:58:16,661 I DON'T KNOW. 1517 00:58:16,705 --> 00:58:18,010 I MUST HAVE DONE IT THIS MORNING. 1518 00:58:18,054 --> 00:58:19,664 WHAT ARE WE GOING TO DO ABOUT KATHLEEN? 1519 00:58:20,274 --> 00:58:22,146 THAT'S WHAT MAGGIE'S WORKING ON RIGHT NOW. 1520 00:59:00,097 --> 00:59:03,230 THE KEY IN BEEF WELLINGTON, AS IN LIFE, IS BALANCE. 1521 00:59:03,274 --> 00:59:04,623 MANY DELICATE INGREDIENTS... 1522 00:59:04,667 --> 00:59:07,147 FILET MIGNON, PATE, TRUFFLE, PASTRY... 1523 00:59:07,191 --> 00:59:09,236 IN JUST THE RIGHT PROPORTIONS. 1524 00:59:14,546 --> 00:59:17,506 AND THE ARROWROOT, PLEASE. 1525 00:59:19,899 --> 00:59:21,205 QUICKLY. 1526 00:59:22,728 --> 00:59:26,340 NO, I SAID THE ARROWROOT. 1527 00:59:26,384 --> 00:59:27,535 ARE YOU SURE YOU DON'T WANT THE MADEIRA 1528 00:59:27,559 --> 00:59:30,040 AND THEN THE TRUFFLES? 1529 00:59:30,083 --> 00:59:33,304 TRADITIONALLY, YES. 1530 00:59:33,347 --> 00:59:35,959 BUT IF MY WIFE WOULD ALLOW ME A LITTLE LEEWAY, 1531 00:59:36,002 --> 00:59:37,787 THIS IS MY TAKE ON THE DISH. 1532 00:59:42,269 --> 00:59:43,444 THANK YOU. 1533 00:59:59,460 --> 01:00:03,943 I GUESS NOW THAT WE KNOW MICHAEL HAS A CONFIRMED ALIBI, 1534 01:00:03,987 --> 01:00:06,337 THAT MAKES ERIC OUR NUMBER ONE SUSPECT. 1535 01:00:06,380 --> 01:00:08,339 I DON'T KNOW, 1536 01:00:08,382 --> 01:00:11,472 I JUST DON'T THINK HE'S GOT THE EYES OF A KILLER, YOU KNOW? 1537 01:00:11,516 --> 01:00:12,865 YOU HAVE A LOT OF EXPERIENCE 1538 01:00:12,909 --> 01:00:14,693 LOOKING INTO THE EYES OF A KILLER? 1539 01:00:14,737 --> 01:00:15,825 I HAVE A FEELING 1540 01:00:15,868 --> 01:00:19,089 IF I KEEP HANGING OUT WITH YOU, I WILL. 1541 01:00:21,700 --> 01:00:24,268 YOU KNOW, I SAW SOMETHING TODAY AT LUCAS' PRESENTATION. 1542 01:00:24,311 --> 01:00:25,617 HE MADE A MISTAKE, 1543 01:00:25,661 --> 01:00:27,837 AND GRETCHEN CORRECTED HIM. 1544 01:00:27,880 --> 01:00:31,188 I ACTUALLY THINK THAT, OF THE TWO OF THEM, 1545 01:00:31,231 --> 01:00:32,319 SHE'S THE REAL TALENT. 1546 01:00:32,363 --> 01:00:33,732 HE'S JUST GOOD AT PUTTING ON A SHOW. 1547 01:00:33,756 --> 01:00:36,280 I'LL TELL YOU ONE THING I KNOW, THOUGH, 1548 01:00:36,323 --> 01:00:38,369 THAT IS AN UNHAPPY MARRIAGE. 1549 01:00:38,412 --> 01:00:43,200 HE STRIKES ME AS SOMEONE WITH A FRAGILE EGO. 1550 01:00:43,243 --> 01:00:45,811 I KIND OF RECOGNIZE THE TYPE. 1551 01:00:47,204 --> 01:00:48,724 IS THAT A REFERENCE TO YOUR EX-HUSBAND? 1552 01:00:50,511 --> 01:00:53,471 YEAH, ACTUALLY. 1553 01:00:58,389 --> 01:01:01,218 HIS NAME WAS RICHARD. 1554 01:01:01,261 --> 01:01:03,437 WE WERE MARRIED FOR 13 YEARS. 1555 01:01:03,481 --> 01:01:06,484 WOW, THAT'S A LONG TIME. 1556 01:01:06,527 --> 01:01:07,572 WHAT HAPPENED? 1557 01:01:07,616 --> 01:01:09,618 ANOTHER WOMAN IS WHAT HAPPENED. 1558 01:01:11,881 --> 01:01:13,099 I KNEW 1559 01:01:13,143 --> 01:01:16,407 THINGS WEREN'T PERFECT BETWEEN US, BUT, UM, 1560 01:01:16,450 --> 01:01:18,322 I KIND OF THOUGHT WE WERE OKAY. 1561 01:01:19,453 --> 01:01:21,673 HE MET HER WHILE WE WERE ON VACATION IN HAWAII. 1562 01:01:23,414 --> 01:01:26,330 PEOPLE WONDER WHY I'M AGAINST VACATIONING. 1563 01:01:29,028 --> 01:01:30,682 WHAT ABOUT YOU? 1564 01:01:30,726 --> 01:01:32,597 YOU EVER BEEN MARRIED? 1565 01:01:33,816 --> 01:01:35,644 UH, NO. 1566 01:01:35,687 --> 01:01:37,558 WHY NOT? 1567 01:01:37,602 --> 01:01:38,951 YOU DON'T WANT TO BE TIED DOWN? 1568 01:01:38,995 --> 01:01:40,649 NO, IT'S NOT THAT. 1569 01:01:43,739 --> 01:01:46,698 I JUST HAVEN'T MET THE RIGHT WOMAN YET, THAT'S ALL. 1570 01:01:50,528 --> 01:01:53,183 YEAH, IT'S GETTING LATE. 1571 01:01:58,884 --> 01:01:59,929 SEE YOU TOMORROW? 1572 01:01:59,972 --> 01:02:01,800 SOUNDS GOOD. 1573 01:02:07,937 --> 01:02:09,982 ENJOY YOUR ROOM. 1574 01:02:10,026 --> 01:02:11,680 WILL DO. 1575 01:02:33,702 --> 01:02:34,920 WHAT IS GOING ON WITH YOU? 1576 01:02:34,964 --> 01:02:36,443 YOU WANT TO DO THIS NOW? 1577 01:02:36,487 --> 01:02:37,488 YEAH, I DO! 1578 01:02:37,531 --> 01:02:38,663 THIS IS NOT THE TIME. 1579 01:02:38,707 --> 01:02:39,708 IT DOESN'T MATTER, LUCAS. 1580 01:02:39,751 --> 01:02:41,318 WHY WON'T YOU LISTEN TO ME? 1581 01:02:41,361 --> 01:02:43,320 I DON'T KNOW WHAT YOU'RE TALKING ABOUT! 1582 01:02:43,363 --> 01:02:45,365 YOU KNOW EXACTLY WHAT I'M TALKING ABOUT. 1583 01:02:45,409 --> 01:02:46,758 JUST CALM DOWN. 1584 01:02:46,802 --> 01:02:48,629 HOW AM I SUPPOSED TO CALM DOWN? 1585 01:02:50,849 --> 01:02:51,807 WHAT ABOUT OUR PLANS? 1586 01:02:51,850 --> 01:02:53,634 EVERYTHING YOU PROMISED ME? 1587 01:02:53,678 --> 01:02:57,682 BABY, YOU KNOW I LOVE YOU. 1588 01:02:57,726 --> 01:03:00,424 I DON'T KNOW ANYTHING ANYMORE. 1589 01:03:00,467 --> 01:03:02,513 WAIT. 1590 01:03:02,556 --> 01:03:03,557 COME HERE. 1591 01:03:05,734 --> 01:03:08,258 COME HERE. 1592 01:03:16,146 --> 01:03:17,234 I HAVE TO GO TO WORK. 1593 01:03:17,277 --> 01:03:18,496 I KNOW. MEET ME LATER. 1594 01:03:18,539 --> 01:03:20,628 I WANT TO TALK ABOUT THIS. 1595 01:03:20,672 --> 01:03:21,673 OKAY? 1596 01:03:21,716 --> 01:03:22,761 OKAY. 1597 01:03:28,941 --> 01:03:31,161 COME ON. COME ON, HENRY. 1598 01:03:31,204 --> 01:03:33,424 COME ON, COME ON. 1599 01:03:33,467 --> 01:03:34,642 HELLO? 1600 01:03:34,686 --> 01:03:36,142 HEY, IT'S ME. I'VE BEEN LOOKING FOR YOU. 1601 01:03:36,166 --> 01:03:37,079 WHERE ARE YOU? 1602 01:03:37,123 --> 01:03:39,212 UM... 1603 01:03:39,256 --> 01:03:41,258 I'M AT THE GYM. WHY? 1604 01:03:41,301 --> 01:03:42,757 I HAVE SOMETHING IMPORTANT TO TELL YOU, I'LL BE RIGHT DOWN. 1605 01:03:42,781 --> 01:03:43,869 NO, NO, NO, DON'T DO THAT. 1606 01:03:43,912 --> 01:03:44,783 YEAH, I'LL BE THERE IN TWO MINUTES. 1607 01:03:44,826 --> 01:03:46,698 NO! WAIT! WAIT, HOLD ON. 1608 01:03:46,741 --> 01:03:48,395 UH... 1609 01:03:48,439 --> 01:03:50,702 I MAY NOT BE AT THE GYM. 1610 01:03:58,449 --> 01:04:00,277 I'LL GIVE YOU TWO A MOMENT. 1611 01:04:00,320 --> 01:04:01,365 THANKS, RUBY. 1612 01:04:04,258 --> 01:04:05,477 REALLY? 1613 01:04:05,520 --> 01:04:07,063 I THOUGHT WE WERE INVESTIGATING A MURDER, 1614 01:04:07,087 --> 01:04:08,175 BUT, APPARENTLY, 1615 01:04:08,219 --> 01:04:09,742 YOU STILL HAVE TIME FOR A MASSAGE. 1616 01:04:09,786 --> 01:04:11,135 WELL, IT WAS ALREADY PAID FOR. 1617 01:04:11,178 --> 01:04:12,484 I DIDN'T WANT IT TO GO TO WASTE. 1618 01:04:13,703 --> 01:04:15,530 LISTEN, I SAW SOMETHING VERY INTERESTING 1619 01:04:15,574 --> 01:04:16,880 THIS MORNING. 1620 01:04:16,923 --> 01:04:18,142 I WENT DOWN TO THE KITCHEN, 1621 01:04:18,185 --> 01:04:20,013 AND I NEARLY WALKED IN ON LUCAS AND EVELYNN 1622 01:04:20,057 --> 01:04:21,449 KISSING. 1623 01:04:21,493 --> 01:04:22,450 WHAT? 1624 01:04:22,494 --> 01:04:23,495 I KNOW. 1625 01:04:23,538 --> 01:04:24,452 THEY WERE FIGHTING ABOUT SOMETHING. 1626 01:04:24,496 --> 01:04:26,106 I DON'T KNOW WHAT IT WAS, 1627 01:04:26,150 --> 01:04:28,476 BUT I DID HEAR EVELYNN MENTION THAT THEY HAD SOME SORT OF PLAN. 1628 01:04:28,500 --> 01:04:30,067 INTERESTING. 1629 01:04:30,110 --> 01:04:31,633 SO... 1630 01:04:31,677 --> 01:04:33,766 GRETCHEN IS SECRETLY THE BETTER COOK, 1631 01:04:33,810 --> 01:04:35,376 AND HE IS HAVING AN AFFAIR 1632 01:04:35,420 --> 01:04:37,552 WITH HIS BOSS. 1633 01:04:39,032 --> 01:04:40,164 WHAT DOES ANY OF THIS 1634 01:04:40,207 --> 01:04:41,731 HAVE TO DO WITH KATHLEEN'S MURDER? 1635 01:04:45,256 --> 01:04:46,256 I KNOW. 1636 01:04:49,913 --> 01:04:50,957 CUCUMBER WATER. 1637 01:04:51,001 --> 01:04:51,958 WANT SOME? 1638 01:04:52,002 --> 01:04:53,090 NO, THANK YOU. 1639 01:04:54,656 --> 01:04:57,485 SO, RUBY, 1640 01:04:57,529 --> 01:05:00,053 HOW LONG HAVE YOU WORKED HERE? 1641 01:05:00,097 --> 01:05:01,359 ABOUT FOUR YEARS. 1642 01:05:01,402 --> 01:05:02,839 FOUR YEARS. 1643 01:05:02,882 --> 01:05:04,077 AND YOU WERE TELLING ME EARLIER 1644 01:05:04,101 --> 01:05:05,276 ABOUT HOW YOU'RE PLUGGED INTO 1645 01:05:05,319 --> 01:05:06,364 ALL THE GOSSIP AROUND HERE. 1646 01:05:08,061 --> 01:05:08,888 WHAT COULD YOU TELL ME 1647 01:05:08,932 --> 01:05:11,369 ABOUT LUCAS AND EVELYNN? 1648 01:05:11,412 --> 01:05:12,892 LIKE WHAT? 1649 01:05:12,936 --> 01:05:14,111 LIKE... 1650 01:05:14,154 --> 01:05:16,635 HOW LONG THEY'VE BEEN HAVING AN AFFAIR? 1651 01:05:16,678 --> 01:05:18,419 OH... 1652 01:05:18,463 --> 01:05:19,464 YOU'VE HEARD ABOUT THAT. 1653 01:05:19,507 --> 01:05:20,813 YEAH. 1654 01:05:20,857 --> 01:05:24,121 I DON'T KNOW HOW LONG IT'S BEEN GOING ON EXACTLY. 1655 01:05:24,164 --> 01:05:25,296 FOR YEARS, THOUGH. 1656 01:05:25,339 --> 01:05:27,341 DO YOU THINK GRETCHEN KNOWS? 1657 01:05:27,385 --> 01:05:28,342 IT'S AN OPEN SECRET AROUND HERE, 1658 01:05:28,386 --> 01:05:30,214 SO I HAVE TO IMAGINE SHE DOES. 1659 01:05:30,257 --> 01:05:31,757 THAT SEEMS LIKE A PRETTY DANGEROUS MOVE, 1660 01:05:31,781 --> 01:05:33,608 STARTING AN AFFAIR WITH YOUR HEAD CHEF. 1661 01:05:33,652 --> 01:05:35,393 OH, YOU DON'T KNOW EVELYNN. 1662 01:05:35,436 --> 01:05:37,153 SHE'S THE KIND OF PERSON WHO GETS WHAT SHE WANTS. 1663 01:05:37,177 --> 01:05:38,962 WHAT DOES THAT MEAN? 1664 01:05:39,005 --> 01:05:40,790 WELL... 1665 01:05:42,269 --> 01:05:44,489 YOU'RE PROBABLY GOING TO FIND THIS OUT ANYWAY, SO... 1666 01:05:46,752 --> 01:05:49,973 THERE'S ALWAYS BEEN TALK ABOUT EVELYNN'S DEAD HUSBAND. 1667 01:05:51,365 --> 01:05:54,020 HE DIED UNDER PRETTY MYSTERIOUS CIRCUMSTANCES. 1668 01:05:54,064 --> 01:05:56,762 SHE INHERITED A LOT OF MONEY, 1669 01:05:56,806 --> 01:05:58,242 INCLUDING LARKSPUR. 1670 01:05:58,285 --> 01:05:59,983 WHAT KIND OF MYSTERIOUS CIRCUMSTANCES? 1671 01:06:00,026 --> 01:06:02,072 IT WAS A BOATING ACCIDENT. 1672 01:06:02,115 --> 01:06:04,248 HE FELL OVERBOARD. 1673 01:06:04,291 --> 01:06:06,554 NO ONE EVER CHARGED HER WITH HIS DEATH, 1674 01:06:06,598 --> 01:06:07,729 BUT PEOPLE AROUND HERE TALK. 1675 01:06:07,773 --> 01:06:11,342 SHE CHARTERED A BOAT FOR HIS BIRTHDAY. 1676 01:06:11,385 --> 01:06:13,518 HE DIDN'T KNOW HOW TO SWIM. 1677 01:06:15,520 --> 01:06:17,217 WHEN DID THIS HAPPEN? 1678 01:06:17,261 --> 01:06:20,307 I DON'T KNOW, SEVERAL YEARS AGO. 1679 01:06:20,351 --> 01:06:21,526 BEFORE I WORKED HERE. 1680 01:06:25,182 --> 01:06:26,661 THANKS, RUBY. 1681 01:06:33,494 --> 01:06:34,800 HEY... 1682 01:06:34,844 --> 01:06:36,473 HERE'S A LINK TO THE ARTICLE ON EVELYNN'S HUSBAND. 1683 01:06:36,497 --> 01:06:38,630 "MAX DE WITT, 1684 01:06:38,673 --> 01:06:40,173 OWNER OF THE LARKSPUR PINES RESORT AND SPA 1685 01:06:40,197 --> 01:06:41,914 DROWNED OFF THE COAST OF SAN FRANCISCO YESTERDAY, 1686 01:06:41,938 --> 01:06:44,723 WHEN HE FELL OFF A BOAT HE HAD CHARTERED WITH HIS WIFE. 1687 01:06:44,766 --> 01:06:47,378 HE IS SURVIVED BY HIS WIFE, EVELYNN DE WITT." 1688 01:06:47,421 --> 01:06:48,945 LOOK AT THE DATE. 1689 01:06:48,988 --> 01:06:50,816 SIX YEARS AGO. 1690 01:06:50,860 --> 01:06:53,906 KATHLEEN WAS INVESTIGATING A SIX-YEAR COVER-UP. 1691 01:06:53,950 --> 01:06:55,429 WE NEED TO FIND EVELYNN. 1692 01:07:06,963 --> 01:07:08,703 WHITE FEMALE, 40s, POSSIBLE CARDIAC ARREST. 1693 01:07:08,747 --> 01:07:12,359 BP 82 OVER 55 AND DROPPING, DIFFICULTY BREATHING... 1694 01:07:12,403 --> 01:07:13,665 VICTIM CALLED HERSELF IN 1695 01:07:13,708 --> 01:07:15,319 WITH NAUSEA, TREMORS, BLURRED VISION... 1696 01:07:20,933 --> 01:07:22,369 EVERYTHING'S FINE, GUYS. 1697 01:07:22,413 --> 01:07:25,503 LET'S PLEASE LET THE PARAMEDICS DO THEIR JOB, OKAY? 1698 01:07:25,546 --> 01:07:29,463 WE NEED TO KEEP THIS WHOLE AREA BACK HERE CLEAR. 1699 01:07:30,943 --> 01:07:32,597 THANK YOU. 1700 01:07:52,834 --> 01:07:54,488 OKAY, THIS MAY NOT BE A HEART ATTACK. 1701 01:07:54,532 --> 01:07:55,750 EXCUSE ME. 1702 01:07:55,794 --> 01:07:57,076 MAGGIE, I THINK SHE MAY HAVE BEEN POISONED 1703 01:07:57,100 --> 01:07:58,536 WITH TETRAHYDROZOLINE. 1704 01:07:58,579 --> 01:08:00,190 EYE DROPS. 1705 01:08:00,233 --> 01:08:01,645 YOU NEED TO PUMP HER STOMACH IMMEDIATELY. 1706 01:08:01,669 --> 01:08:03,758 LOOK, THE SYMPTOMS ARE EXACTLY THE SAME 1707 01:08:03,802 --> 01:08:05,238 AS A HEART ATTACK, RIGHT? 1708 01:08:05,282 --> 01:08:06,607 THE DIZZINESS, THE LOW BLOOD PRESSURE, 1709 01:08:06,631 --> 01:08:08,111 THE NAUSEA. 1710 01:08:08,154 --> 01:08:09,721 MAGGIE, 1711 01:08:09,764 --> 01:08:11,375 I TASTED THE SALINE IN HER DRINK. 1712 01:08:11,418 --> 01:08:12,680 TRUST ME. 1713 01:08:12,724 --> 01:08:13,725 YOU'RE SURE. 1714 01:08:13,768 --> 01:08:15,248 YES. 1715 01:08:17,990 --> 01:08:18,991 HE WORKS WITH US. 1716 01:08:19,035 --> 01:08:20,099 IF HE SAYS HE DETECTS THE DRUG, 1717 01:08:20,123 --> 01:08:21,515 THEN YOU SHOULD BELIEVE HIM. 1718 01:08:23,169 --> 01:08:25,389 REASON TO SUSPECT TETRAHYDROZOLINE POISONING. 1719 01:08:25,432 --> 01:08:26,477 WE'LL INTUBATE 1720 01:08:26,520 --> 01:08:27,715 AND PERFORM GASTRIC LAVAGE EN ROUTE. 1721 01:08:27,739 --> 01:08:29,132 LET'S GET HER MOVING. 1722 01:08:45,278 --> 01:08:46,627 I JUST HEARD. 1723 01:08:46,671 --> 01:08:48,083 WHAT'S GOING ON, HENRY? WHAT HAPPENED? 1724 01:08:48,107 --> 01:08:49,737 WELL, MAGGIE'S ON THE PHONE WITH THE HOSPITAL NOW 1725 01:08:49,761 --> 01:08:50,980 SEEING HOW EVELYNN'S DOING. 1726 01:08:51,023 --> 01:08:52,503 HOW DID SHE SEEM TO YOU THIS MORNING? 1727 01:08:52,546 --> 01:08:55,506 UM, I DON'T THINK I SAW HER THIS MORNING. 1728 01:08:56,637 --> 01:08:59,727 NO, I THINK YOU DID. 1729 01:08:59,771 --> 01:09:01,491 THE TWO OF YOU WERE IN THE KITCHEN TOGETHER. 1730 01:09:02,948 --> 01:09:04,558 UM... 1731 01:09:04,602 --> 01:09:05,951 WELL... 1732 01:09:05,995 --> 01:09:07,648 SHE SEEMED LIKE SHE WAS FEELING FINE. 1733 01:09:07,692 --> 01:09:08,954 HMM. 1734 01:09:08,998 --> 01:09:09,999 DID SHE? 1735 01:09:11,783 --> 01:09:13,654 YEAH. 1736 01:09:15,265 --> 01:09:16,179 MAGGIE, 1737 01:09:16,222 --> 01:09:17,243 WHAT DID THE HOSPITAL SAY? 1738 01:09:17,267 --> 01:09:18,485 IS SHE ALL RIGHT? 1739 01:09:18,529 --> 01:09:19,549 YEAH, THEY PUMPED HER STOMACH, 1740 01:09:19,573 --> 01:09:21,445 HER VITALS ARE STABILIZING. 1741 01:09:21,488 --> 01:09:22,968 SO, THAT WAS A GOOD CALL. 1742 01:09:23,012 --> 01:09:24,709 LOOKS LIKE SHE'S GOING TO BE OKAY. 1743 01:09:24,752 --> 01:09:26,711 THANK GOD. 1744 01:09:29,931 --> 01:09:31,455 LUCAS, IF YOU'LL EXCUSE US A MINUTE. 1745 01:09:31,498 --> 01:09:32,630 YEAH, SURE. 1746 01:09:32,673 --> 01:09:33,761 OKAY. 1747 01:09:39,680 --> 01:09:42,596 HOW DID YOU KNOW SHE WAS POISONED? 1748 01:09:42,640 --> 01:09:45,077 I SAW THIS EMPTY BOTTLE OF EYE DROPS, 1749 01:09:45,121 --> 01:09:47,079 AND THEN I TASTED THE SALINE IN HER DRINK. 1750 01:09:47,123 --> 01:09:49,299 I WORKED AT A RESTAURANT ONCE, 1751 01:09:49,342 --> 01:09:50,537 WHERE A WAITER WAS POISONED BY HIS EX-GIRLFRIEND 1752 01:09:50,561 --> 01:09:51,997 USING EYE DROPS. 1753 01:09:52,041 --> 01:09:53,085 YOU KNOW, PEOPLE THINK 1754 01:09:53,129 --> 01:09:54,826 THAT IT JUST CAUSES STOMACH UPSET, 1755 01:09:54,869 --> 01:09:56,958 BUT IT'S ACTUALLY A VERY DANGEROUS PRANK. 1756 01:09:57,002 --> 01:09:58,371 IT CAUSES SYMPTOMS SIMILAR TO A HEART ATTACK, 1757 01:09:58,395 --> 01:10:00,571 AND IF YOU CONSUME ENOUGH OF IT, IT CAN BE FATAL. 1758 01:10:01,702 --> 01:10:02,702 HMM. 1759 01:10:04,096 --> 01:10:06,185 I'M GOING TO BAG THESE THINGS UP FOR EVIDENCE 1760 01:10:06,229 --> 01:10:07,926 AND GET THEM CHECKED FOR PRINTS. 1761 01:10:08,970 --> 01:10:09,970 WAIT. 1762 01:10:13,366 --> 01:10:14,324 WHAT WAS THE NAME OF THE DRUG 1763 01:10:14,367 --> 01:10:15,194 YOU MENTIONED TO THE PARAMEDIC? 1764 01:10:15,238 --> 01:10:16,587 TETRAHYDROZOLINE. 1765 01:10:19,677 --> 01:10:21,287 "TETRA." 1766 01:10:21,331 --> 01:10:22,743 I COULDN'T FIND OUT WHAT "TETRA" MEANT. 1767 01:10:22,767 --> 01:10:23,985 ON ITS OWN, NOTHING COMES UP, 1768 01:10:24,029 --> 01:10:26,075 BUT LET'S CROSS-REFERENCE TETRAHYDROZOLINE 1769 01:10:26,118 --> 01:10:27,554 WITH THESE NAMES. 1770 01:10:33,343 --> 01:10:34,779 SHOOT. 1771 01:10:37,042 --> 01:10:39,610 A WHOLE BUNCH OF RESULTS ADDING UP TO NOTHING. 1772 01:10:40,611 --> 01:10:42,482 LET'S GO BACK TO BASICS. 1773 01:10:42,526 --> 01:10:43,788 IT'S LIKE YOU SAY, 1774 01:10:43,831 --> 01:10:46,834 MURDER ALWAYS COMES DOWN TO ONE OF TWO THINGS... 1775 01:10:46,878 --> 01:10:50,229 LOVE OR MONEY. 1776 01:10:50,273 --> 01:10:52,275 WHO WOULD WANT TO KILL EVELYNN? 1777 01:10:52,318 --> 01:10:54,233 GRETCHEN, 1778 01:10:54,277 --> 01:10:56,105 THE BETRAYED WIFE. 1779 01:10:57,193 --> 01:10:58,150 ASHFORD. 1780 01:10:58,194 --> 01:11:00,457 ADD ASHFORD TO YOUR SEARCH. 1781 01:11:04,852 --> 01:11:06,550 OOH, LOOK AT THIS. 1782 01:11:06,593 --> 01:11:07,507 "MYSTERIOUS EYE DROPS, 1783 01:11:07,551 --> 01:11:09,727 ASHFORD, ENGLAND." 1784 01:11:09,770 --> 01:11:10,771 ENGLAND? 1785 01:11:10,815 --> 01:11:12,164 NOT COLORADO? 1786 01:11:12,208 --> 01:11:14,601 APRIL 6, 2009. 1787 01:11:14,645 --> 01:11:15,657 SIX YEARS AGO. 1788 01:11:16,752 --> 01:11:18,058 "RESTAURATEUR EDWARD TAYLOR 1789 01:11:18,102 --> 01:11:19,383 COLLAPSED WHILE JOGGING THROUGH THE COUNTRYSIDE 1790 01:11:19,407 --> 01:11:21,018 EARLIER THIS WEEK. 1791 01:11:21,061 --> 01:11:23,542 WHILE HIS DEATH WAS INITIALLY ATTRIBUTED TO A HEART ATTACK, 1792 01:11:23,585 --> 01:11:24,935 THE AUTOPSY REVEALED 1793 01:11:24,978 --> 01:11:26,980 TAYLOR HAD BEEN POISONED WITH TETRAHYDROZOLINE, 1794 01:11:27,024 --> 01:11:28,764 THE MAIN INGREDIENT IN EYE DROPS. 1795 01:11:28,808 --> 01:11:30,766 POLICE ARE LOOKING FOR TWO SUSPECTS, 1796 01:11:30,810 --> 01:11:33,726 BOB SMITH AND LINDA FRENCH, 1797 01:11:33,769 --> 01:11:36,120 CO-OWNERS WITH TAYLOR OF THE BELLE AURORA, 1798 01:11:36,163 --> 01:11:37,599 A POPULAR LOCAL BISTRO. 1799 01:11:37,643 --> 01:11:39,577 AN ARREST WARRANT HAS BEEN ISSUED FOR FRENCH AND SMITH, 1800 01:11:39,601 --> 01:11:41,560 WHOSE WHEREABOUTS ARE UNKNOWN." 1801 01:11:41,603 --> 01:11:43,083 CLICK ON THEIR NAMES. 1802 01:11:43,127 --> 01:11:44,345 YEAH. 1803 01:11:45,781 --> 01:11:47,261 OH, MY GOD. 1804 01:11:47,305 --> 01:11:48,741 LOOK AT THAT. 1805 01:11:48,784 --> 01:11:53,006 THEY LIED TO EVELYNN ABOUT COLORADO. 1806 01:11:56,836 --> 01:11:57,880 EXCUSE ME, 1807 01:11:57,924 --> 01:11:58,794 HAVE YOU SEEN LUCAS OR GRETCHEN? 1808 01:11:58,838 --> 01:11:59,839 THEY DON'T WORK SUNDAYS, 1809 01:11:59,882 --> 01:12:01,406 BUT GRETCHEN WAS JUST IN HERE. 1810 01:12:01,449 --> 01:12:02,557 SHE WENT DOWN TO THE STORAGE ROOM. 1811 01:12:02,581 --> 01:12:03,408 YEAH? WHERE'S THAT? 1812 01:12:03,451 --> 01:12:04,583 DOWN IN THE BASEMENT. 1813 01:12:04,626 --> 01:12:05,714 THANK YOU. 1814 01:12:11,285 --> 01:12:14,201 MUNRO, I NEED YOU AND BAILEY TO GET TO LARKSPUR A.S.A.P. 1815 01:12:14,245 --> 01:12:16,769 I'M ABOUT TO APPREHEND TWO FUGITIVES WANTED FOR MURDER. 1816 01:12:16,812 --> 01:12:20,773 THEIR ALIASES ARE GRETCHEN AND LUCAS MILLER. 1817 01:12:20,816 --> 01:12:21,837 I'M HEADED INTO THE HOTEL BASEMENT NOW. 1818 01:12:21,861 --> 01:12:23,341 WE'RE ON OUR WAY. 1819 01:12:23,384 --> 01:12:24,429 MAGGIE, WAIT FOR BACK-UP. 1820 01:12:24,472 --> 01:12:25,672 I CAN'T. THEY'RE A FLIGHT RISK. 1821 01:12:30,609 --> 01:12:31,914 AREN'T YOU FULL OF SURPRISES? 1822 01:12:31,958 --> 01:12:33,873 YOU SHOULD GO BACK TO YOUR ROOM AND STAY THERE. 1823 01:12:33,916 --> 01:12:35,092 NOT A CHANCE. 1824 01:13:23,713 --> 01:13:24,539 FREEZE! 1825 01:13:25,105 --> 01:13:27,062 SFPD. PUT YOUR HANDS UP. 1826 01:13:31,917 --> 01:13:34,789 I HAVE TO LEAVE. 1827 01:13:34,833 --> 01:13:36,530 YOU DON'T KNOW WHAT HE'S LIKE. 1828 01:13:36,574 --> 01:13:38,184 STOP. 1829 01:13:38,228 --> 01:13:40,186 YOU MEAN LUCAS? 1830 01:13:40,230 --> 01:13:41,361 HE KILLED KATHLEEN, 1831 01:13:41,405 --> 01:13:44,669 AND I'M NEXT. 1832 01:13:44,712 --> 01:13:45,931 AND I THINK HE'S THE ONE 1833 01:13:45,975 --> 01:13:47,106 THAT POISONED EVELYNN. 1834 01:13:48,499 --> 01:13:50,501 I'M SO SCARED. 1835 01:13:50,544 --> 01:13:51,981 YOU DON'T HAVE TO WORRY ABOUT LUCAS, 1836 01:13:52,024 --> 01:13:53,504 BUT WE NEED YOU TO COME WITH US, OKAY? 1837 01:13:54,374 --> 01:13:56,550 THAT'S NOT GOING TO HAPPEN. 1838 01:14:00,032 --> 01:14:01,251 PUT THE GUN DOWN. 1839 01:14:04,080 --> 01:14:05,168 PUT IT DOWN! 1840 01:14:08,475 --> 01:14:10,521 KICK IT OVER TO ME. 1841 01:14:18,572 --> 01:14:19,704 YOU KILLED KATHLEEN 1842 01:14:19,747 --> 01:14:20,879 BECAUSE SHE WAS ONTO YOU. 1843 01:14:20,922 --> 01:14:22,315 WHAT I DON'T UNDERSTAND 1844 01:14:22,359 --> 01:14:24,491 IS WHY YOU KILLED THAT MAN IN ENGLAND. 1845 01:14:24,535 --> 01:14:25,535 I POISONED HIM. 1846 01:14:27,799 --> 01:14:30,062 BUT IT WAS AN ACCIDENT... 1847 01:14:30,106 --> 01:14:31,803 GRETCHEN, DON'T. - WHAT DO YOU CARE? 1848 01:14:31,846 --> 01:14:35,546 YOU HAVEN'T CARED ABOUT ME FOR YEARS. 1849 01:14:36,982 --> 01:14:38,984 EDWARD KEPT MAKING ADVANCES. 1850 01:14:39,028 --> 01:14:40,614 HE DIDN'T CARE THAT I WAS A MARRIED WOMAN. 1851 01:14:40,638 --> 01:14:42,118 HE DIDN'T EVEN CARE 1852 01:14:42,161 --> 01:14:43,771 THAT WE WERE BUSINESS PARTNERS. 1853 01:14:43,815 --> 01:14:46,774 HE JUST, HE WOULDN'T STOP. 1854 01:14:48,124 --> 01:14:49,492 I SWEAR TO YOU, I DIDN'T MEAN TO KILL HIM, 1855 01:14:49,516 --> 01:14:50,952 I JUST... 1856 01:14:50,996 --> 01:14:54,043 I JUST WANTED TO TEACH HIM A LESSON. 1857 01:14:55,348 --> 01:14:58,090 AND I HEARD THAT EYE DROPS CAN MAKE A PERSON SICK. 1858 01:14:58,134 --> 01:14:59,961 BUT I USED TOO MUCH. 1859 01:15:01,093 --> 01:15:02,399 AND THEN 1860 01:15:02,442 --> 01:15:04,203 WHEN THE AUTOPSY REVEALED THAT HE'D BEEN POISONED, 1861 01:15:04,227 --> 01:15:05,750 THEY SUSPECTED US RIGHT AWAY. 1862 01:15:05,793 --> 01:15:06,838 OF COURSE THEY DID. 1863 01:15:06,881 --> 01:15:08,492 WE WERE HIS BUSINESS PARTNERS. 1864 01:15:08,535 --> 01:15:10,407 WHAT DID YOU THINK WOULD HAPPEN? 1865 01:15:10,450 --> 01:15:11,930 HE WASN'T SUPPOSED TO DIE! 1866 01:15:11,973 --> 01:15:13,149 THEY SUSPECTED US 1867 01:15:13,192 --> 01:15:14,498 BECAUSE ED'S WILL 1868 01:15:14,541 --> 01:15:15,890 LEFT THE RESTAURANT TO US. 1869 01:15:15,934 --> 01:15:18,415 WE DIDN'T EVEN KNOW THAT. 1870 01:15:18,458 --> 01:15:20,243 THEN THE POLICE FOUND GRETCHEN'S FINGERPRINTS 1871 01:15:20,286 --> 01:15:21,244 ALL OVER HIS WATER BOTTLE, 1872 01:15:21,287 --> 01:15:22,854 AND THAT WAS ENOUGH. 1873 01:15:22,897 --> 01:15:23,937 THEY WANTED TO CONVICT US. 1874 01:15:26,053 --> 01:15:28,403 WE HAD TO RUN. 1875 01:15:28,447 --> 01:15:29,796 WE HAD NO CHOICE. 1876 01:15:29,840 --> 01:15:33,495 AND NOW I HAVE TO DO IT AGAIN. 1877 01:15:36,324 --> 01:15:37,369 COME WITH ME. 1878 01:15:38,762 --> 01:15:39,676 ALL OF YOU. 1879 01:15:39,719 --> 01:15:41,503 MOVE! 1880 01:16:00,219 --> 01:16:02,700 HURRY IT UP. 1881 01:16:05,050 --> 01:16:06,094 ENOUGH. 1882 01:16:06,138 --> 01:16:08,488 STEP AWAY. 1883 01:16:14,625 --> 01:16:15,974 OKAY, YOU'RE COMING WITH ME. 1884 01:16:16,017 --> 01:16:17,105 WALK. 1885 01:16:19,020 --> 01:16:20,021 DON'T DO THIS! 1886 01:16:20,065 --> 01:16:21,065 DON'T! DON'T! 1887 01:16:22,067 --> 01:16:23,067 DON'T DO THIS AGAIN! 1888 01:16:28,029 --> 01:16:30,553 MOVE. 1889 01:16:54,242 --> 01:16:55,280 SO WHY WOULD YOU KILL KATHLEEN 1890 01:16:55,300 --> 01:16:56,696 IN SUCH A PUBLIC PLACE? 1891 01:16:56,716 --> 01:16:59,086 I DIDN'T WANT TO KILL HER. I JUST NEEDED TO TALK TO HER. 1892 01:17:01,410 --> 01:17:03,151 WE MET BY THE MINERAL BATHS 1893 01:17:03,195 --> 01:17:04,761 AND I BEGGED HER NOT TO PRINT THE STORY, 1894 01:17:04,805 --> 01:17:06,198 BUT SHE DIDN'T CARE. 1895 01:17:06,241 --> 01:17:07,827 SHE DIDN'T CARE WHAT IT WOULD TO DO TO US. 1896 01:17:07,851 --> 01:17:09,220 WE STARTED TO ARGUE, AND I PUSHED HER, 1897 01:17:09,244 --> 01:17:11,159 AND SHE JUST FELL INTO THE WATER. 1898 01:17:25,739 --> 01:17:27,349 SO YOU HELD HER UNDER? 1899 01:17:27,393 --> 01:17:29,438 I DIDN'T HAVE TIME TO THINK. 1900 01:17:29,482 --> 01:17:33,094 I COULDN'T JUST LET HER RUIN EVERYTHING. 1901 01:17:33,138 --> 01:17:34,202 AND WHEN KATHLEEN STARTED ASKING QUESTIONS, 1902 01:17:34,226 --> 01:17:36,576 EVELYNN GOT SUSPICIOUS 1903 01:17:36,619 --> 01:17:38,186 AND STARTED DIGGING INTO YOUR PAST. 1904 01:17:49,980 --> 01:17:51,808 WHY WOULD YOU USE THE EYE DROPS AGAIN? 1905 01:17:51,852 --> 01:17:55,290 DIDN'T YOU REALIZE THAT THAT WOULD LEAD US RIGHT TO YOU? 1906 01:17:55,334 --> 01:17:58,250 I'M NOT A COLD-BLOODED KILLER, DESPITE WHAT YOU MIGHT THINK. 1907 01:17:58,293 --> 01:18:00,861 I'M NOT AN EXPERT IN HOW TO GET RID OF SOMEBODY. 1908 01:18:01,949 --> 01:18:04,386 I NEVER WANTED TO HURT HER. 1909 01:18:04,430 --> 01:18:05,779 I LOVE EVELYNN. 1910 01:18:05,822 --> 01:18:07,520 BUT SHE WOULDN'T STOP ASKING QUESTIONS. 1911 01:18:07,563 --> 01:18:10,218 SO YOU SILENCED HER. 1912 01:18:10,262 --> 01:18:11,567 IF YOU DON'T STOP TALKING, 1913 01:18:11,611 --> 01:18:12,960 I'LL SILENCE YOU, TOO. 1914 01:18:21,403 --> 01:18:23,884 OKAY. 1915 01:18:23,927 --> 01:18:25,146 LET'S GO. 1916 01:18:26,495 --> 01:18:28,367 OPEN THE DOOR. 1917 01:18:31,587 --> 01:18:32,695 THERE'S NOWHERE TO RUN, LUCAS. 1918 01:18:32,719 --> 01:18:34,155 BACK-UP IS ALREADY ON THE WAY. 1919 01:18:34,199 --> 01:18:35,156 THAT'S WHY YOU'RE COMING WITH ME, 1920 01:18:35,200 --> 01:18:36,157 AS INSURANCE. 1921 01:18:36,201 --> 01:18:37,245 TO WHERE? 1922 01:18:37,289 --> 01:18:38,464 NONE OF YOUR BUSINESS. 1923 01:18:38,507 --> 01:18:40,422 I'VE DISAPPEARED ONCE, I CAN DO IT AGAIN. 1924 01:18:40,466 --> 01:18:42,076 KEEP MOVING. 1925 01:19:07,884 --> 01:19:08,842 HEY, CHEF. 1926 01:19:08,885 --> 01:19:09,886 HEY. 1927 01:19:09,930 --> 01:19:11,584 JUST KEEP MOVING. 1928 01:19:18,112 --> 01:19:19,113 OKAY... 1929 01:19:23,726 --> 01:19:25,250 I'M SORRY, I HAVE TO LEAVE YOU HERE. 1930 01:19:25,293 --> 01:19:27,164 NO! NO, PLEASE DON'T LEAVE ME HERE. 1931 01:19:27,208 --> 01:19:28,296 DON'T LEAVE ME! 1932 01:19:59,066 --> 01:20:00,328 FREEZE! 1933 01:20:01,895 --> 01:20:03,070 DROP THE WEAPON! 1934 01:20:03,113 --> 01:20:05,028 DROP IT! 1935 01:20:05,072 --> 01:20:06,552 LUCAS, DON'T DO ANYTHING STUPID, OKAY? 1936 01:20:06,595 --> 01:20:08,380 IT'S OVER. 1937 01:20:08,423 --> 01:20:09,642 I'M WARNING YOU, BACK OFF. 1938 01:20:11,078 --> 01:20:13,167 LUCAS, JUST PUT THE GUN DOWN. 1939 01:20:13,210 --> 01:20:14,386 WE CAN TALK THIS THROUGH. 1940 01:20:14,429 --> 01:20:15,735 I'M NOT GOING TO PRISON. 1941 01:20:15,778 --> 01:20:16,953 JUST LET ME WALK OUT OF HERE, 1942 01:20:16,997 --> 01:20:18,564 I PROMISE I'LL LET HER GO UNHARMED. 1943 01:20:18,607 --> 01:20:20,047 THAT'S NOT THE WAY THIS WORKS, LUCAS. 1944 01:20:20,740 --> 01:20:21,697 PUT THE GUN DOWN... 1945 01:20:21,741 --> 01:20:23,090 STAY BACK! 1946 01:20:26,485 --> 01:20:27,834 NO, LUCAS, WAIT! 1947 01:20:33,230 --> 01:20:34,230 LUCAS! 1948 01:20:49,508 --> 01:20:52,249 I AM SO BUYING A SET OF THOSE. 1949 01:20:52,293 --> 01:20:54,034 REALLY? 1950 01:20:57,124 --> 01:20:58,124 COME ON, GET UP! 1951 01:21:03,652 --> 01:21:04,977 YOU HAVE THE RIGHT TO REMAIN SILENT. 1952 01:21:05,001 --> 01:21:06,176 ANYTHING YOU SAY 1953 01:21:06,220 --> 01:21:07,328 CAN AND WILL BE USED AGAINST YOU 1954 01:21:07,352 --> 01:21:08,744 IN A COURT OF LAW. 1955 01:21:08,788 --> 01:21:09,982 YOU HAVE THE RIGHT TO AN ATTORNEY... 1956 01:21:10,006 --> 01:21:11,399 DID YOU SEE THAT? 1957 01:21:11,443 --> 01:21:12,400 HUH? 1958 01:21:12,444 --> 01:21:13,401 THE FRYING PAN? 1959 01:21:13,445 --> 01:21:14,446 RIGHT? 1960 01:21:14,489 --> 01:21:15,925 OH, BROTHER. 1961 01:21:38,426 --> 01:21:41,124 WELL... 1962 01:21:41,168 --> 01:21:42,430 WE DID IT AGAIN. 1963 01:21:44,389 --> 01:21:46,042 YOU KNOW WHAT THIS MEANS? 1964 01:21:46,086 --> 01:21:47,392 WE'RE A GOOD TEAM? 1965 01:21:47,435 --> 01:21:49,002 THAT I SHOULD RUN IN THE OTHER DIRECTION 1966 01:21:49,045 --> 01:21:50,177 WHEN I SEE YOU COMING. 1967 01:21:50,220 --> 01:21:51,526 YOU ARE BAD LUCK. 1968 01:21:51,570 --> 01:21:53,136 WAIT A SECOND. 1969 01:21:53,180 --> 01:21:54,790 I HAD NEVER EVEN SEEN A DEAD BODY 1970 01:21:54,834 --> 01:21:56,052 BEFORE I MET YOU. 1971 01:21:56,096 --> 01:21:57,096 MAYBE YOU'RE THE BAD LUCK. 1972 01:21:58,185 --> 01:21:59,491 HENRY... 1973 01:21:59,534 --> 01:22:01,884 BAILEY AND MUNRO TOLD ME THAT YOU SAVED THE DAY. 1974 01:22:01,928 --> 01:22:03,103 THANK YOU. 1975 01:22:03,146 --> 01:22:05,584 IT'S MY PLEASURE, CAPTAIN. 1976 01:22:05,627 --> 01:22:06,802 I'M THE ONE 1977 01:22:06,846 --> 01:22:08,519 WHO HAD TO WRESTLE THE GUN AWAY FROM LUCAS. 1978 01:22:08,543 --> 01:22:10,284 YOU NEARLY GOT YOURSELF SHOT. 1979 01:22:10,327 --> 01:22:12,504 AND YET HERE I AM, UNSCATHED. 1980 01:22:12,547 --> 01:22:14,157 OH, AND JUST SO YOU KNOW, PRICE, 1981 01:22:14,201 --> 01:22:16,464 THIS WEEKEND DOES NOT COUNT TOWARD YOUR VACATION DAYS. 1982 01:22:16,508 --> 01:22:18,292 BUT I... - AH, TALK TO HR. 1983 01:22:20,425 --> 01:22:21,687 I HAVE A FEELING 1984 01:22:21,730 --> 01:22:22,949 THAT I'LL BE SEEING YOU AGAIN. 1985 01:22:30,435 --> 01:22:33,089 YOU KNOW, I REALLY LIKE HER. 1986 01:22:34,526 --> 01:22:37,267 SO... SHOULD WE PACK UP? 1987 01:22:37,311 --> 01:22:39,792 YES. I THINK I'VE HAD ENOUGH OF THIS PLACE. 1988 01:22:42,447 --> 01:22:44,361 YOU HAD ME WORRIED THERE FOR A MOMENT. 1989 01:22:44,405 --> 01:22:46,233 I HAD IT ALL UNDER CONTROL. 1990 01:22:46,276 --> 01:22:47,452 CLEARLY. 1991 01:22:47,495 --> 01:22:48,820 YOU HAD HIM RIGHT WHERE YOU WANTED HIM. 1992 01:22:48,844 --> 01:22:49,889 I DID. 1993 01:22:49,932 --> 01:22:51,499 IF YOU'D GIVEN ME ANOTHER MOMENT, 1994 01:22:51,543 --> 01:22:52,761 I WOULD HAVE DISARMED HIM. 1995 01:22:52,805 --> 01:22:53,869 OH, IS THAT WHAT I WAS WATCHING? 1996 01:22:53,893 --> 01:22:55,174 YEAH, THAT'S WHAT YOU WERE WATCHING. 1997 01:22:55,198 --> 01:22:58,071 WHO BRINGS A FRYING PAN TO A GUN FIGHT? 1998 01:22:58,114 --> 01:23:00,073 THAT FRYING PAN SAVED YOUR LIFE. 1999 01:23:00,116 --> 01:23:01,248 NO, IT DIDN'T. 2000 01:23:01,291 --> 01:23:02,379 IT SAVED YOUR LIFE. 2001 01:23:02,423 --> 01:23:03,705 NO, NO, NO, THAT WAS ALL PART OF MY PLAN 2002 01:23:03,729 --> 01:23:05,165 TO DISTRACT HIM... 2003 01:23:05,208 --> 01:23:06,471 OH, SURE IT WAS. 2004 01:23:06,514 --> 01:23:08,429 LOOK, YOU SHOULD JUST THANK ME FOR ESCAPING...