1 00:00:05,060 --> 00:00:08,500 GIRL: OK. GET ON HER, GET ON HER. 2 00:00:08,550 --> 00:00:09,980 GO, GO, GO, GO! 3 00:00:13,030 --> 00:00:15,380 OK, OK. SHAKES HER DEFENDER. 4 00:00:15,420 --> 00:00:17,690 PULLS UP FROM WAY DOWNTOWN, FIRES, AAAAND... 5 00:00:17,730 --> 00:00:21,080 MISSES. AW. BRICK CITY, BABY. 6 00:00:21,120 --> 00:00:22,430 SHUT UP. 7 00:00:29,700 --> 00:00:32,180 YO! COME ON. LET'S GO! 8 00:00:32,220 --> 00:00:33,530 HANG ON A SECOND. 9 00:00:36,440 --> 00:00:38,050 WHAT THE? 10 00:01:11,170 --> 00:01:13,960 OH, HELL, NO! 11 00:01:14,000 --> 00:01:17,090 [GRUNTING] 12 00:01:17,140 --> 00:01:20,270 HELP--HELP ME. 13 00:01:20,310 --> 00:01:21,880 [BEES BUZZING] 14 00:01:21,920 --> 00:01:23,140 RAAGGGH! 15 00:01:23,190 --> 00:01:24,670 AAH! 16 00:01:24,710 --> 00:01:27,190 [BUZZING] 17 00:01:35,500 --> 00:01:37,940 [INDISTINCT CHATTER] 18 00:01:40,290 --> 00:01:41,770 OH, MY GOD. 19 00:01:44,950 --> 00:01:46,950 YOU'RE STANDING ON THE FREAKING EVIDENCE. 20 00:01:46,990 --> 00:01:48,560 MA'AM, THIS AREA'S OFF LIMITS. 21 00:01:48,600 --> 00:01:50,390 I'M GONNA PRETEND YOU DIDN'T JUST CALL ME MA'AM 22 00:01:50,430 --> 00:01:52,300 AND INSTEAD ASK YOU TO LEAVE. 23 00:01:52,350 --> 00:01:54,170 THIS CASE BELONGS TO CITY HALL NOW. 24 00:01:54,220 --> 00:01:55,650 PACK IT UP, BOYS. 25 00:01:55,700 --> 00:01:57,180 FREAK PATROL'S ON THE SCENE. 26 00:01:57,220 --> 00:01:59,180 YOUR AMBIGUOUS YET FAR-REACHING POWER 27 00:01:59,220 --> 00:02:00,700 SUPERSEDES OURS. 28 00:02:00,750 --> 00:02:02,790 MISS YOU, TOO, DETECTIVE. 29 00:02:02,830 --> 00:02:04,180 -ALL RIGHT. LET'S GO. -TAKE HIM TO THE CLINIC 30 00:02:04,230 --> 00:02:06,050 ON BENNETT, ASK FOR MARY HAMILTON. 31 00:02:06,100 --> 00:02:10,760 WHO IS IT NOW, MONTOYA-- POLLEN BOY, CANDYMAN? 32 00:02:32,260 --> 00:02:36,430 TELL THE COMMISSIONER TO PREP FOR ALL HANDS ON DECK. 33 00:02:36,480 --> 00:02:38,570 THINGS ARE ABOUT TO GET UGLY AROUND HERE. 34 00:02:41,440 --> 00:02:43,000 THE VICTIM IS CHRIS HAYNER, 35 00:02:43,050 --> 00:02:45,310 TRICORNER RESIDENT FOUND ENCASED IN A BEEHIVE 36 00:02:45,360 --> 00:02:46,920 IN ROBISON PARK. 37 00:02:46,970 --> 00:02:48,310 YOU THINK SOMEONE WENT THROUGH THE TROUBLE 38 00:02:48,360 --> 00:02:49,970 OF FILLING A SHED WITH FLOWERS 39 00:02:50,010 --> 00:02:52,360 TO DRAW IN BEES TO, WHAT, STING THIS GUY TO DEATH? 40 00:02:52,410 --> 00:02:54,410 I THINK THE PERP LITERALLY BLOOMED 41 00:02:54,450 --> 00:02:56,150 THE FLOWERS THEMSELVES, WEAPONIZING 42 00:02:56,190 --> 00:02:57,850 THE NATURAL WORLD AROUND THEM. 43 00:03:01,760 --> 00:03:03,240 WHAT AM I MISSING? 44 00:03:03,290 --> 00:03:04,980 POISON IVY. 45 00:03:05,030 --> 00:03:06,680 MORE SPECIFICALLY, HER NEW HOST. 46 00:03:06,720 --> 00:03:08,680 ALICE TURNED OVER IVY'S VINE TO ME YESTERDAY. 47 00:03:08,730 --> 00:03:12,250 IT WAS DEAD, MEANING IT HAD ALREADY INFECTED SOMEONE. 48 00:03:12,300 --> 00:03:15,040 I THINK WHOEVER DID THIS IS THAT SOMEONE. 49 00:03:15,080 --> 00:03:17,340 HOW DID YOU GET POISON IVY'S VINE? 50 00:03:17,390 --> 00:03:19,520 WHILE YOU WERE SLURPING CAVIAR OFF OF MUMMY'S FINE CHINA, 51 00:03:19,560 --> 00:03:22,310 SOME OF US WERE IN THE FIELD PROTECTING THIS CITY. 52 00:03:22,350 --> 00:03:24,440 MM-HMM. YOU JUST SO HAPPENED TO STUMBLE 53 00:03:24,480 --> 00:03:27,480 ACROSS A BATMAN TROPHY WHILE YOU WERE TAKING A STROLL THROUGH THE PARK? 54 00:03:27,530 --> 00:03:30,490 THE CHERRY BLOSSOMS ARE SO GORGEOUS THIS TIME OF YEAR. 55 00:03:30,530 --> 00:03:33,320 TRUST ME. I ALREADY TRIED TO GET IT OUT OF HER. 56 00:03:33,360 --> 00:03:36,540 WHY AREN'T YOU TELLING ME WHAT YOU'RE NOT TELLING ME? 57 00:03:36,580 --> 00:03:38,360 YOU LOST ME ON THE DOUBLE NEGATIVE. 58 00:03:38,410 --> 00:03:40,320 GUYS, WE DON'T HAVE TIME FOR THIS. 59 00:03:40,370 --> 00:03:42,410 TRUST ME. I TRIED. 60 00:03:42,460 --> 00:03:43,890 FOUND THE VIC'S PHONE AT THE SCENE. 61 00:03:43,940 --> 00:03:45,500 IT'S PASSCODE-PROTECTED, BUT I THINK 62 00:03:45,550 --> 00:03:47,290 THERE'S A GOOD CHANCE HE HAD CONTACT 63 00:03:47,330 --> 00:03:48,900 WITH WHOEVER DID THIS TO HIM. 64 00:03:48,940 --> 00:03:50,720 MY COMPUTER CAN CRACK HIS PASSCODE. 65 00:03:50,770 --> 00:03:52,510 GOOD. I TOLD MARY HAMILTON TO GIVE ME A CALL 66 00:03:52,550 --> 00:03:54,640 AS SOON AS OUR VIC WAKES UP. 67 00:03:54,690 --> 00:03:56,730 UH, YOU SENT HIM TO MARY HAMILTON? 68 00:03:56,770 --> 00:03:59,260 SHE'S BEEN OVERSEEING ALL THE RIVER ROGUE CASES. 69 00:03:59,300 --> 00:04:00,950 IS THERE A PROBLEM? 70 00:04:01,000 --> 00:04:04,040 NO. NO PROBLEM AT ALL. 71 00:04:04,090 --> 00:04:07,130 IN FACT, MARY HAMILTON IS THE PERFECT PERSON 72 00:04:07,180 --> 00:04:09,050 TO HELP US WITH THIS CASE. 73 00:04:09,090 --> 00:04:11,700 AMEM. I'M GONNA GO CHECK ON THE VIC'S PROGRESS. 74 00:04:11,750 --> 00:04:14,620 BECAUSE YOU CARE ABOUT A STRANGER'S LIFE ALL OF A SUDDEN? 75 00:04:16,840 --> 00:04:19,100 YOU'RE RIGHT. I DON'T. 76 00:04:19,140 --> 00:04:21,970 LET'S YOU AND I GO SIT IN THE BATCAVE TOGETHER 77 00:04:22,020 --> 00:04:23,800 AND WATCH THE COMPUTER TEDIOUSLY CYCLE 78 00:04:23,840 --> 00:04:26,590 THROUGH ALL THE ANTI-ENCRYPTION CIPHERS. 79 00:04:26,630 --> 00:04:29,110 HAVE FUN WITH MARY. 80 00:04:29,150 --> 00:04:30,420 WILL DO. 81 00:04:37,210 --> 00:04:40,340 RYAN: SOPHIE, MAKE YOURSELF AT HOME. 82 00:04:40,380 --> 00:04:43,340 SOPHIE: SORRY. HOPE YOU DON'T MIND. 83 00:04:43,390 --> 00:04:47,610 ALICE SPILLED CHERRY SODA ALL OVER MY LAPTOP. 84 00:04:47,650 --> 00:04:50,390 BESIDES, YOU HAVE MORE EYES IN THIS CITY THAN I DO. 85 00:04:50,440 --> 00:04:52,130 BLACK GLOVE'S MERCENARIES STAY INVISIBLE 86 00:04:52,180 --> 00:04:54,180 BY DOING THINGS THE OLD-FASHIONED WAY. 87 00:04:54,220 --> 00:04:56,180 THEY'RE OFF THE GRID, THEY'RE OFF THE CLOUD. 88 00:04:56,220 --> 00:04:58,920 SURPRISED THEY USE ELECTRICITY AT ALL. 89 00:04:58,970 --> 00:05:00,880 FOUND THIS SURVEILLANCE OF JORDAN'S ATTACKER 90 00:05:00,930 --> 00:05:02,360 LEAVING HER APARTMENT, 91 00:05:02,410 --> 00:05:05,840 BUT I LOST HIM A BLOCK LATER. 92 00:05:05,890 --> 00:05:07,890 SO YOU'RE WAITING FOR HIM TO SHOW UP ON CAMERAS AGAIN? 93 00:05:07,930 --> 00:05:09,980 UNLESS YOUR MOM MIRACULOUSLY CAME CLEAN 94 00:05:10,020 --> 00:05:12,070 AND OFFERED UP HER ROLODEX. 95 00:05:12,110 --> 00:05:14,160 I FIGURED WHEN YOU DIDN'T CALL LAST NIGHT, 96 00:05:14,200 --> 00:05:16,110 CONFRONTING HER ABOUT WHAT THESE GUYS DID TO MY SISTER 97 00:05:16,160 --> 00:05:19,510 WAS A DEAD END, SO IT'S JUST YOU 98 00:05:19,550 --> 00:05:21,210 AND ME 99 00:05:21,250 --> 00:05:23,340 AND CRISPY JOE'S WONTONS. 100 00:05:25,650 --> 00:05:28,520 MY MOM WASN'T RESPONSIBLE FOR WHAT HAPPENED TO JORDAN. 101 00:05:28,560 --> 00:05:31,390 HEH HEH. AND YOU BELIEVE HER? 102 00:05:34,260 --> 00:05:37,090 YOU BELIEVE HER. 103 00:05:37,140 --> 00:05:39,440 AND NOW I NEED YOU TO BELIEVE ME. 104 00:05:39,490 --> 00:05:43,270 MY MOM ISN'T THE MONSTER YOU THINK SHE IS. 105 00:05:43,320 --> 00:05:45,750 I THINK YOU SHOULD DROP IT. 106 00:05:45,800 --> 00:05:48,840 RYAN, MY SISTER HAD EVIDENCE. 107 00:05:48,890 --> 00:05:51,320 I MEAN, A DRAWING OF VICTOR FRIES' CRYO CHAMBER 108 00:05:51,370 --> 00:05:53,060 WAS FAXED DIRECTLY TO YOUR MOM'S OFFICE. 109 00:05:53,110 --> 00:05:56,110 I AM NOT SAYING SHE DIDN'T INITIATE THE PROJECT. 110 00:05:56,150 --> 00:05:58,460 SO YOU'RE SAYING SHE IS INVOLVED? 111 00:05:58,500 --> 00:06:01,990 I AM SAYING THAT JADA PROMISED ME SHE HAD NO IDEA 112 00:06:02,030 --> 00:06:04,160 PEOPLE WERE GOING TO GET HURT. 113 00:06:04,210 --> 00:06:06,770 AND THAT'S GOOD ENOUGH? 114 00:06:06,820 --> 00:06:08,510 3 OF JORDAN'S FRIENDS DIED BECAUSE 115 00:06:08,560 --> 00:06:10,560 OF YOUR MOM'S INVOLVEMENT WITH THE FREEZE SERUM. 116 00:06:10,600 --> 00:06:13,430 JORDAN IS STILL IN RECOVERY. 117 00:06:13,480 --> 00:06:16,220 WHAT HAPPENED WAS HORRIBLE. 118 00:06:16,260 --> 00:06:17,700 I AM NOT SAYING IT'S OK. 119 00:06:17,740 --> 00:06:20,180 THEN WHY AREN'T YOU WONDERING WHY, 120 00:06:20,220 --> 00:06:23,050 AND WHY DOES SHE WANT IT, AND WHY AREN'T YOU STOPPING HER? 121 00:06:23,090 --> 00:06:26,140 BECAUSE IT'S COMPLICATED. 122 00:06:26,180 --> 00:06:30,230 I PROMISE YOU I WILL TELL YOU EVERYTHING WHEN I CAN. 123 00:06:30,280 --> 00:06:32,450 WHEN YOU CAN? 124 00:06:32,500 --> 00:06:34,150 RYAN, IT'S ME. 125 00:06:37,410 --> 00:06:40,290 WHAT DOES SHE HAVE OVER YOU? 126 00:06:40,330 --> 00:06:42,420 LET ME HELP. I CAN GET YOU OUT OF IT. 127 00:06:42,460 --> 00:06:46,070 SHE DOESN'T HAVE ANYTHING OVER ME. 128 00:06:46,120 --> 00:06:49,510 THEN WHY ARE YOU PROTECTING HER? 129 00:06:49,560 --> 00:06:54,820 SOPHIE, I JUST NEED YOU TO TRUST ME ON THIS. 130 00:06:54,870 --> 00:06:56,870 -BECAUSE SHE'S YOUR MOM? -IT'S NOT THAT SIMPLE. 131 00:06:56,910 --> 00:07:00,390 OH, REALLY? BECAUSE YOU'RE MAKING IT SOUND PRETTY FREAKING SIMPLE. 132 00:07:08,620 --> 00:07:10,880 [HEART MONITOR BEEPING] 133 00:07:17,410 --> 00:07:20,500 MMM. TELL ME THERE'S A JAR OF THIS SOMEWHERE. 134 00:07:20,540 --> 00:07:23,890 WHY DID BATWOMAN SEND YOU HERE TO TORTURE ME? 135 00:07:23,940 --> 00:07:26,460 OH, SHE DIDN'T. I VOLUNTEERED. 136 00:07:26,510 --> 00:07:29,770 OF COURSE YOU DID. 137 00:07:29,810 --> 00:07:31,510 APPARENTLY, THIS IS THE WORK 138 00:07:31,550 --> 00:07:34,250 OF A POISON IVY WANNABE. 139 00:07:38,000 --> 00:07:42,000 THE QUESTION IS WHAT KIND OF MONSTER 140 00:07:42,040 --> 00:07:45,570 WOULD ENTOMB A MAN IN A SWARM OF RAVENOUS BEES? 141 00:07:45,610 --> 00:07:48,480 YOU KNOW IT'S BAD IF IT MAKES ME CRINGE. 142 00:07:48,530 --> 00:07:50,660 OH. I HAVE AN IDEA. 143 00:07:50,700 --> 00:07:53,050 WHY DON'T YOU LEAVE AND GO FIND OUT? 144 00:07:53,100 --> 00:07:55,060 THAT'S THE THING, STEPPY. 145 00:07:55,100 --> 00:07:58,490 I THINK I ALREADY KNOW WHO THIS DISTURBED CREATURE IS. 146 00:08:00,760 --> 00:08:02,150 YOU. 147 00:08:06,110 --> 00:08:10,240 I SEE. YOU'RE HAVING DELUSIONS AGAIN, 148 00:08:10,290 --> 00:08:11,940 AND INSTEAD OF ADMITTING IT 149 00:08:11,990 --> 00:08:14,680 LIKE A NORMAL PERSON, YOU'RE GASLIGHTING ME 150 00:08:14,730 --> 00:08:16,510 TO AVOID BEING VULNERABLE 151 00:08:16,560 --> 00:08:19,430 WHEN I TELL YOU I STOPPED CARING. 152 00:08:19,470 --> 00:08:22,910 SWEET, NAIVE MARY. TSK, TSK, TSK. 153 00:08:22,950 --> 00:08:27,130 LOOK AROUND. YOU'VE TURNED YOUR CLINIC INTO JUMANJI, 154 00:08:27,170 --> 00:08:28,650 YOU'RE DOWNING WATER LIKE YOU JUST RAN 155 00:08:28,700 --> 00:08:30,400 THE GOTHAM CITY MARATHON, 156 00:08:30,440 --> 00:08:32,700 AND IF YOU THINK THAT THAT IS ANYTHING 157 00:08:32,750 --> 00:08:34,490 OTHER THAN A POISON IVY RASH, 158 00:08:34,530 --> 00:08:37,490 YOU SHOULD GIVE BACK THAT SHINY MEDICAL DEGREE. 159 00:08:37,530 --> 00:08:40,410 SERIOUSLY? LOOK AT ME. 160 00:08:40,450 --> 00:08:42,580 I'M DR. MARY HAMILTON. 161 00:08:42,630 --> 00:08:45,150 DO YOU ACTUALLY THINK I'M CAPABLE 162 00:08:45,190 --> 00:08:47,110 OF HURTING ANYONE, 163 00:08:47,150 --> 00:08:50,890 MUCH LESS DOING THIS? 164 00:08:50,940 --> 00:08:53,240 CHRIS? 165 00:08:53,290 --> 00:08:55,590 -AAH! AAH! -CHRIS? 166 00:08:55,640 --> 00:08:56,940 IT'S OK. YOU'RE SAFE NOW. 167 00:08:56,990 --> 00:08:59,160 -HELP ME! -HEY. RELAX. 168 00:08:59,210 --> 00:09:01,250 PLEASE, PLEASE GET AWAY FROM ME. 169 00:09:01,300 --> 00:09:02,820 CHRIS, I'M YOUR DOCTOR. 170 00:09:02,860 --> 00:09:04,430 YOU'RE SAFE NOW. I'M TAKING CARE OF YOU. 171 00:09:04,470 --> 00:09:07,130 TAKING CARE OF ME? YOU DID THIS TO ME! 172 00:09:08,610 --> 00:09:11,390 OHH. AS I WAS SAYING. 173 00:09:17,830 --> 00:09:20,230 LUKE: OK. TEAM MEETING 174 00:09:20,270 --> 00:09:22,620 IN THE LITERAL DEAD OF THE NIGHT. 175 00:09:22,670 --> 00:09:24,140 SO WHY ARE WE HERE? 176 00:09:24,190 --> 00:09:26,630 SO YOU KNOW HOW WE HAVE THE BATTEAM RULES 177 00:09:26,670 --> 00:09:29,720 AND THE FIRST RULE IS HOLDING EACH OTHER ACCOUNTABLE? 178 00:09:29,760 --> 00:09:32,110 YEAH. 179 00:09:32,150 --> 00:09:34,020 SO... 180 00:09:34,070 --> 00:09:36,030 SO? 181 00:09:36,070 --> 00:09:38,640 I'M... 182 00:09:38,680 --> 00:09:41,470 YOU'RE... 183 00:09:41,510 --> 00:09:43,160 ALICE: OH, WOW! 184 00:09:43,210 --> 00:09:44,770 I THOUGHT WATCHING KATE COME OUT WAS TORTURE. 185 00:09:44,820 --> 00:09:46,600 WAIT. YOU'RE COMING OUT? 186 00:09:46,650 --> 00:09:49,780 MARY: WHAT? NO. OH. IN A WAY. 187 00:09:49,820 --> 00:09:53,300 I--I'M NOT COMING OUT BECAUSE I'M NOT GAY, 188 00:09:53,350 --> 00:09:55,000 BUT THAT'S BESIDE THE POINT. 189 00:09:55,050 --> 00:09:57,050 MARY, MY GOD. 190 00:09:57,090 --> 00:09:58,660 I'M POISON IVY. 191 00:10:04,400 --> 00:10:08,750 AND I...KNOW WHAT YOU ALL MUST BE THINKING. 192 00:10:08,800 --> 00:10:13,240 "MARY, THAT'S IMPOSSIBLE BECAUSE YOU'RE SO NORMAL 193 00:10:13,280 --> 00:10:16,680 "AND COMPASSIONATE, SO HOW COULD YOU BECOME 194 00:10:16,720 --> 00:10:20,810 SOME PLANT WHISPERING ATTEMPTED MURDERER?" 195 00:10:20,850 --> 00:10:22,460 AND THEN I REALIZE I CAN'T EVEN REMEMBER 196 00:10:22,510 --> 00:10:26,990 WHERE I...WAS EARLIER TODAY. 197 00:10:27,030 --> 00:10:29,860 IT'S BECAUSE I WAS IN SOME FUGUE STATE 198 00:10:29,910 --> 00:10:33,520 TORTURING CHRIS HAYNER, WHO I DON'T EVEN KNOW. 199 00:10:33,560 --> 00:10:36,220 I'M--I'M SORRY. WHAT?! 200 00:10:36,260 --> 00:10:38,180 ALICE: SEE, THE LITTLE WORKER BEE 201 00:10:38,220 --> 00:10:41,530 IN THE HIVE, WHEN HE CRACKED HIS EYES OPEN, 202 00:10:41,570 --> 00:10:45,180 HE BLAMED QUEEN MARY FOR TURNING HIM INTO AN EPIPEN AD. 203 00:10:45,230 --> 00:10:46,790 RYAN: THEN HE'S SEEING THINGS. 204 00:10:46,840 --> 00:10:48,930 I MEAN, HIS EYES ARE PRACTICALLY SWOLLEN SHUT. 205 00:10:48,970 --> 00:10:50,710 I MEAN, HE JUST EXPERIENCED A MAJOR TRAUMA. 206 00:10:50,750 --> 00:10:54,800 OK. THEN EXPLAIN MY SUDDEN OBSESSION WITH PLANTS. 207 00:10:54,840 --> 00:10:57,410 LUKE: YOU'RE A DOCTOR. YOU CARE FOR THINGS. 208 00:10:57,460 --> 00:11:00,980 OR MY SUDDEN CONSTANT, UNQUENCHABLE THIRST. 209 00:11:01,020 --> 00:11:03,030 YOU'RE DEHYDRATED. MARY, YOU WORK 210 00:11:03,070 --> 00:11:04,900 IN THE CLINIC ALL DAY AND NIGHT. 211 00:11:04,940 --> 00:11:06,730 YOU DON'T EAT OR SLEEP. YOU'RE ALWAYS PUTTING 212 00:11:06,770 --> 00:11:08,680 EVERYONE'S NEEDS BEFORE YOUR OWN. 213 00:11:08,730 --> 00:11:11,160 UH, GUYS, WHY WERE CHRIS HAYNER'S 214 00:11:11,210 --> 00:11:14,340 LAST 3 TEXTS TO MARY THIS MORNING? 215 00:11:14,390 --> 00:11:16,000 ALICE: AND WE'RE ALL ON THE SAME PAGE. 216 00:11:16,040 --> 00:11:19,090 WELL, THAT WAS AN EXCRUCIATING PROCESS. 217 00:11:19,130 --> 00:11:21,090 YOU KNEW MARY WAS INFECTED BY THE VINE. 218 00:11:21,130 --> 00:11:23,220 THAT'S WHY YOU WERE BEING SO COY IN MONTOYA'S OFFICE. 219 00:11:23,260 --> 00:11:25,050 I JUST FIGURED THE LAST THING ANYONE NEEDED 220 00:11:25,090 --> 00:11:27,180 WAS FOR MARY TO END UP ON RENEE'S WALL OF WEIRD. 221 00:11:27,220 --> 00:11:29,660 [CELL PHONE VIBRATING] 222 00:11:32,190 --> 00:11:34,230 OH. MUTING THE BOSS. 223 00:11:34,270 --> 00:11:35,930 I'M SURE THAT'S GONNA END REALLY WELL. 224 00:11:35,970 --> 00:11:38,190 MONTOYA DOESN'T NEED TO KNOW ANYTHING ABOUT THIS. 225 00:11:38,240 --> 00:11:42,670 OK. I SEE. IT'S FINE WHEN WE THROW ALICE IN ARKHAM, 226 00:11:42,720 --> 00:11:46,110 BUT, OH, POOR, SWEET, INNOCENT MARY, 227 00:11:46,160 --> 00:11:48,720 YEAH, WE SHOULD PROTECT HER AT ALL COSTS. 228 00:11:51,070 --> 00:11:53,080 -WHAT ARE YOU DOING? -WHAT ONE DOES 229 00:11:53,120 --> 00:11:54,640 WHEN THEY REALIZE THEY CAN CONTROL 230 00:11:54,690 --> 00:11:56,600 MOTHER FREAKING EARTH. 231 00:11:56,640 --> 00:11:59,170 I NEARLY KILLED SOMEONE, AND I DON'T KNOW WHY 232 00:11:59,210 --> 00:12:02,910 OR WHEN THIS INFECTION IS GONNA MAKE ME TRANSFORM AGAIN, 233 00:12:02,960 --> 00:12:04,740 AND UNTIL WE FIGURE IT OUT, 234 00:12:04,780 --> 00:12:07,530 I AM A THREAT TO EVERYONE... 235 00:12:07,570 --> 00:12:09,090 [MOUTHS WORDS] NOT ME. 236 00:12:09,140 --> 00:12:11,090 SO I'M STAYING RIGHT HERE. 237 00:12:23,670 --> 00:12:26,850 WELL, YOU CAN TAKE THE GIRL OUT OF THE GCPD. 238 00:12:28,680 --> 00:12:30,370 LOOKS LIKE YOU GOT THE SAME PARTNER. 239 00:12:30,420 --> 00:12:31,900 SOPHIE MOORE. 240 00:12:31,940 --> 00:12:33,550 ONLY A FELLOW WORKAHOLIC WOULD ASSUME 241 00:12:33,590 --> 00:12:36,340 I'D BE AT THE OFFICE AT 2 A.M. 242 00:12:36,380 --> 00:12:37,950 THIS IS AN OFFICE? 243 00:12:37,990 --> 00:12:39,510 WOULDN'T HAVE GUESSED. 244 00:12:39,560 --> 00:12:41,300 I MEAN, I THOUGHT DETECTIVE MONTOYA 245 00:12:41,340 --> 00:12:43,390 WAS ON TRACK TO BE THE NEXT COMMISSIONER. 246 00:12:43,430 --> 00:12:46,610 NOW YOU'RE SHARING A BASEMENT WITH A LEAKY PIPE. OUCH. 247 00:12:46,650 --> 00:12:49,480 AT LEAST I HAVE A JOB. 248 00:12:49,520 --> 00:12:51,310 I QUIT THE CROWS BY CHOICE. 249 00:12:51,350 --> 00:12:54,180 RIGHT BEFORE KANE'S OWN AGENTS TRIED TO KILL HIM? 250 00:12:54,220 --> 00:12:56,180 REAL PROFILE IN COURAGE. 251 00:12:56,230 --> 00:12:58,750 I'M HERE TO LET YOU RETURN A FAVOR. 252 00:12:58,790 --> 00:13:01,620 EXCUSE ME. THEN PLEASE GO ON. 253 00:13:01,670 --> 00:13:03,280 I'D LOVE TO HEAR WHAT YOU'VE DONE FOR ME 254 00:13:03,320 --> 00:13:04,930 OTHER THAN FLASH YOUR CROWS BADGE 255 00:13:04,970 --> 00:13:07,930 TO STEAL MY BEST CASES. 256 00:13:07,980 --> 00:13:10,850 IF I WEREN'T WILLING TO BABYSIT ALICE, 257 00:13:10,890 --> 00:13:12,980 YOU'D NEVER BE ABLE TO PROVE TO THE MAYOR 258 00:13:13,030 --> 00:13:16,380 THAT YOU'RE CAPABLE OF COLLECTING ALL THESE BATMAN WEAPONS, 259 00:13:16,420 --> 00:13:18,640 AND WE BOTH KNOW WITHOUT ALICE 260 00:13:18,680 --> 00:13:21,640 NONE OF THESE CASES ARE GETTING SOLVED. 261 00:13:21,690 --> 00:13:24,600 FINE. I'LL BITE. WHAT? 262 00:13:26,910 --> 00:13:29,350 SOMEONE EXPERIMENTED ON MY SISTER 263 00:13:29,390 --> 00:13:32,040 WITH A VARIANT OF VICTOR FRIES' FREEZE SERUM. 264 00:13:32,090 --> 00:13:34,350 I NEED ALL THE DATA YOUR TASKFORCE COLLECTED ON FRIES 265 00:13:34,390 --> 00:13:35,830 AND THAT SERUM. 266 00:13:35,870 --> 00:13:37,220 WE DON'T HAVE HALF OF WHAT BATWOMAN DOES. 267 00:13:37,270 --> 00:13:38,570 AREN'T YOU PALS? 268 00:13:38,620 --> 00:13:39,880 GO SHINE A FLASHLIGHT IN THE AIR. 269 00:13:39,920 --> 00:13:41,180 I WOULD EXCEPT WE'RE NOT SEEING 270 00:13:41,230 --> 00:13:43,230 EYE TO EYE ON THIS. 271 00:13:43,270 --> 00:13:44,970 DRAMA. 272 00:13:45,010 --> 00:13:47,760 YOU WANT ME TO GET TWO STRAWS? 273 00:13:47,800 --> 00:13:49,670 WHAT DO YOU KNOW ABOUT THE BLACK GLOVE SOCIETY, 274 00:13:49,710 --> 00:13:51,240 SPECIFICALLY HIM? 275 00:13:51,280 --> 00:13:54,370 THIS GUY LED THE EXPERIMENTS. 276 00:13:54,410 --> 00:13:56,330 IS YOUR SISTER OK? 277 00:13:56,370 --> 00:13:59,460 DO YOU ACTUALLY CARE? 278 00:13:59,510 --> 00:14:01,600 IF YOUR SISTER SURVIVED WHAT THEY DID TO HER, 279 00:14:01,640 --> 00:14:03,290 THEN I'D COUNT MY LUCKY STARS, 280 00:14:03,340 --> 00:14:05,300 AND THEN I'D FORGET I EVER HEARD OF BLACK GLOVE. 281 00:14:05,340 --> 00:14:08,080 -WELL, WHAT DO YOU KNOW? -ABSOLUTELY NOTHING 282 00:14:08,120 --> 00:14:10,080 EXCEPT THAT EVERYONE WHO KNOWS ANYTHING 283 00:14:10,130 --> 00:14:13,220 ABOUT BLACK GLOVE USUALLY ENDS UP DEAD. 284 00:14:15,000 --> 00:14:17,830 CAREFUL, MOORE. 285 00:14:17,870 --> 00:14:19,960 THERE ARE WORSE THINGS THAN ENDING UP LIKE ME. 286 00:14:24,530 --> 00:14:26,490 DO YOU REMEMBER MEETING HIM ON TWINGE? 287 00:14:26,530 --> 00:14:28,620 I DIDN'T EVEN KNOW I WAS ON TWINGE. 288 00:14:28,670 --> 00:14:31,150 I'VE NEVER SEEN THIS GUY BEFORE IN MY LIFE. 289 00:14:31,190 --> 00:14:34,800 ARE YOUR EYES GREEN IN YOUR PROFILE PICTURE? 290 00:14:34,850 --> 00:14:38,680 NO. I THINK IT'S JUST BAD LIGHTING. 291 00:14:38,720 --> 00:14:40,290 MARY: MAYBE HE WAS STALKING ME, 292 00:14:40,330 --> 00:14:43,380 OR MAYBE HE WAS SOME DATE RAPE GUY 293 00:14:43,420 --> 00:14:45,290 AND I FOUND OUT ABOUT IT. 294 00:14:45,340 --> 00:14:46,990 [COMPUTER BEEPS] 295 00:14:47,030 --> 00:14:50,340 LUKE: UH, SEEMS LIKE HE JUST WASN'T THAT INTO YOU. 296 00:14:50,380 --> 00:14:51,860 YEAH. ACCORDING TO YOUR DMs, 297 00:14:51,910 --> 00:14:54,740 WHICH I MERELY SKIMMED FOR KEY WORDS, 298 00:14:54,780 --> 00:14:58,350 HE SAID YOU SEEMED "SWEET." 299 00:14:58,390 --> 00:15:02,350 OHH! OH. 300 00:15:02,400 --> 00:15:04,880 SO YOU SUFFOCATED HIM IN HONEY. 301 00:15:04,920 --> 00:15:07,620 CLEVER GIRL. HEH. 302 00:15:07,660 --> 00:15:10,230 I THINK I WANT TO DATE POISON IVY MARY. 303 00:15:10,270 --> 00:15:12,100 WHOA, WHOA, WHOA, WHOA. 304 00:15:12,140 --> 00:15:15,670 HOLD ON. REJECTION? 305 00:15:15,710 --> 00:15:18,240 I ALMOST TOOK AN INNOCENT MAN'S LIFE. 306 00:15:18,280 --> 00:15:20,850 OK. MARY'S RIGHT. THAT'S A PRETTY SCREWED UP REASON 307 00:15:20,890 --> 00:15:22,590 TO NEARLY DROWN A GUY. 308 00:15:22,630 --> 00:15:25,590 I DON'T KNOW. IS IT, THOUGH? 309 00:15:25,640 --> 00:15:29,120 I MEAN, I'VE NEVER BEEN ACCUSED OF BEING, UM, SWEET, 310 00:15:29,160 --> 00:15:32,030 BUT, UH, IT'S BASICALLY LIKE SAYING, 311 00:15:32,080 --> 00:15:35,560 YOU KNOW, "YOU'RE PLEASANT BUT INSTANTLY FORGETTABLE." 312 00:15:35,600 --> 00:15:38,560 IT'S LIKE THE BEIGE OF COMPLIMENTS, 313 00:15:38,610 --> 00:15:40,780 -THE SWIPE LEFT OF NICE-- -WE GET IT. 314 00:15:40,830 --> 00:15:44,310 RYAN: YOU DON'T REALLY THINK THAT'S HOW PEOPLE SEE YOU, RIGHT? 315 00:15:44,350 --> 00:15:47,700 LUKE: HEY. DO YOU REMEMBER GOING TO A HARDWARE STORE THIS MORNING? 316 00:15:47,750 --> 00:15:49,230 MARY: SHOULD I? 317 00:15:49,270 --> 00:15:51,490 LUKE: WELL, YOU BOUGHT A FLOWERING POT, 318 00:15:51,530 --> 00:15:53,790 FERTILIZER, AND A WATERING CAN, 319 00:15:53,840 --> 00:15:55,540 AND ACCORDING TO YOUR PHONE'S GEO DATA, 320 00:15:55,580 --> 00:15:57,490 ONCE YOU LEFT THE STORE, YOU WENT TO A VACANT LOT 321 00:15:57,540 --> 00:15:59,240 IN BURNSIDE. 322 00:16:01,240 --> 00:16:03,590 PLEASE DON'T TELL ME I HURT ANYONE ELSE. 323 00:16:21,950 --> 00:16:24,870 WHY DIDN'T YOU SAY ANYTHING ABOUT MARY? 324 00:16:24,910 --> 00:16:26,870 I WAS WONDERING HOW THIS WOULD END UP MY FAULT. 325 00:16:26,910 --> 00:16:29,350 YOU OBVIOUSLY KNEW SOMETHING WAS UP. 326 00:16:29,400 --> 00:16:30,960 HOW'D YOU FIGURE IT OUT? 327 00:16:31,010 --> 00:16:32,490 UH, THE QUESTION ISN'T HOW I FIGURED IT OUT. 328 00:16:32,530 --> 00:16:33,830 IT'S HOW THE HELL YOU DIDN'T. 329 00:16:33,880 --> 00:16:35,270 YOU'RE HER ROOMMATE, 330 00:16:35,310 --> 00:16:36,620 YOU HAVE A BILLION DOLLARS 331 00:16:36,660 --> 00:16:38,270 OF BATTECH AT YOUR DISPOSAL, 332 00:16:38,320 --> 00:16:40,100 AND YOUR NUMBER TWO IS A CERTIFIABLE GENIUS. 333 00:16:40,150 --> 00:16:42,150 ONE OF YOU SHOULD HAVE NOTICED. 334 00:16:42,190 --> 00:16:44,110 THE FERTILIZER BAG IS EMPTY, 335 00:16:44,150 --> 00:16:46,800 BUT THE GROUND'S NOT DISTURBED. 336 00:16:46,850 --> 00:16:51,070 NOTHING WAS PLANTED. WHY WAS MARY HERE? 337 00:16:51,110 --> 00:16:53,330 [GASPS] 338 00:16:53,380 --> 00:16:56,680 MARY HAMILTON, YOU DIRTY GIRL. 339 00:16:56,730 --> 00:16:58,470 [COUGHS] 340 00:16:58,510 --> 00:17:00,510 HE'S STILL ALIVE. 341 00:17:00,560 --> 00:17:02,950 OH. WELL, IT'S ONLY HER FIRST DAY. 342 00:17:02,990 --> 00:17:04,820 I WONDER WHAT THIS GUY DID TO MARY. 343 00:17:04,870 --> 00:17:07,520 I DON'T KNOW, BUT HE TRIED TO KILL SOPHIE AND ME 344 00:17:07,560 --> 00:17:09,350 AND FREEZE SOPHIE'S SISTER. 345 00:17:09,390 --> 00:17:11,130 SOMEHOW, MARY MANAGED TO TURN ONE 346 00:17:11,180 --> 00:17:13,530 OF BLACK GLOVE'S MOST DANGEROUS OPERATIVES 347 00:17:13,570 --> 00:17:17,100 INTO A, UH, GARDEN TURNIP. 348 00:17:17,140 --> 00:17:19,620 I'M NOT SURE IF THAT'S IMPRESSIVE OR JUST 349 00:17:19,660 --> 00:17:21,320 REALLY, REALLY BAD. 350 00:17:21,360 --> 00:17:22,800 I DON'T SUPPOSE YOU HAVE A BATSHOVEL 351 00:17:22,840 --> 00:17:25,760 IN THAT BELT. 352 00:17:25,800 --> 00:17:27,110 RIGHT. 353 00:17:27,150 --> 00:17:28,240 [COUGHS] 354 00:17:33,850 --> 00:17:36,420 OH. SORRY. HOW DID I TRACK DOWN 355 00:17:36,460 --> 00:17:38,900 AN ELUSIVE BLACK OPS ORGANIZATION? 356 00:17:38,940 --> 00:17:41,030 UH, YOU TRACKED THE P.O. BOX VIRGIL GETTY WAS USING 357 00:17:41,080 --> 00:17:42,470 THROUGH THE COMPANY THAT SOLD HIM 358 00:17:42,510 --> 00:17:43,950 THE CRYOGENIC MEDICAL SUPPLIES 359 00:17:43,990 --> 00:17:46,040 THAT HE USED ON THE FREEZE SERUM VICTIMS. 360 00:17:46,080 --> 00:17:47,390 RYAN: SOPHIE'S BEEN A BLOODHOUND WITH THIS GUY. 361 00:17:47,430 --> 00:17:49,130 I'M SURE SHE TRIED THAT. 362 00:17:49,170 --> 00:17:51,870 YEAH. WELL, SOPHIE DOESN'T HAVE AN MD AFTER HER NAME. 363 00:17:51,910 --> 00:17:54,310 IT LOOKS LIKE DR. HAMILTON USED HER TITLE 364 00:17:54,350 --> 00:17:56,440 TO BYPASS PRIVACY LAWS. 365 00:17:56,480 --> 00:17:58,310 ALICE: VIOLATION OF MEDICAL ETHICS. 366 00:17:58,350 --> 00:18:00,570 HARLEY QUINN, HERE YOU COME. 367 00:18:00,620 --> 00:18:02,490 PERHAPS SOMEONE SHOULD TELL SOPHIE 368 00:18:02,530 --> 00:18:04,140 THAT THE GUY WHO TRIED TO BURN US ALIVE 369 00:18:04,190 --> 00:18:05,800 AND FREEZE HER SISTER TO DEATH IS HANGING 370 00:18:05,840 --> 00:18:07,620 FROM A SEWER PIPE UNDER WAYNE. 371 00:18:07,670 --> 00:18:11,190 NO. WE HAVE ENOUGH PROBLEMS WITHOUT SOPHIE FINDING MORE. 372 00:18:11,240 --> 00:18:13,240 WELL, "MOORE" IS LITERALLY HER NAME, 373 00:18:13,280 --> 00:18:15,720 AND AS A VICTIM OF SOPHIE'S BACKHAND, 374 00:18:15,760 --> 00:18:17,160 I'D SAY SHE CAN HANDLE HERSELF. 375 00:18:17,200 --> 00:18:19,550 I SAID SHE STAYS OUT OF IT! 376 00:18:19,590 --> 00:18:21,810 MARY: OK. CAN WE GET BACK TO ME 377 00:18:21,860 --> 00:18:23,470 FREAKING OUT OVER THE FACT THAT I'M TURNING 378 00:18:23,510 --> 00:18:26,030 INTO AN UBERVILLAIN AGAINST MY WILL? 379 00:18:26,080 --> 00:18:27,470 WHY IS THIS HAPPENING? 380 00:18:27,510 --> 00:18:29,470 LUKE: POISON IVY'S AN ECOTERRORIST. 381 00:18:29,520 --> 00:18:31,650 NEITHER OF YOUR VICTIMS HAD ANY PUBLIC RECORD 382 00:18:31,690 --> 00:18:33,220 OF ACTIVELY HURTING THE ENVIRONMENT. 383 00:18:33,260 --> 00:18:34,870 RYAN: YEAH, BUT THE BATVILLAIN WEAPONS 384 00:18:34,910 --> 00:18:37,090 DON'T NECESSARILY MEAN THE SAME M.O. 385 00:18:37,130 --> 00:18:38,790 LIAM CRANDLE DIDN'T HAVE THE SAME AGENDA 386 00:18:38,830 --> 00:18:40,310 AS THE OG MAD HATTER. 387 00:18:40,350 --> 00:18:41,530 THAT'S A GOOD POINT. 388 00:18:41,570 --> 00:18:42,920 UM, CHRIS CALLED YOU SWEET, 389 00:18:42,960 --> 00:18:44,440 YOU DIPPED HIM IN HONEY. 390 00:18:44,490 --> 00:18:45,970 VIRGIL FROZE JORDAN, 391 00:18:46,010 --> 00:18:47,580 SO YOU USED MOTHER NATURE TO IMMOBILIZE HIM. 392 00:18:47,620 --> 00:18:50,280 [SIGHS] 393 00:18:50,320 --> 00:18:52,890 SO...MAYBE THE CHEMICAL PHEROMONES 394 00:18:52,930 --> 00:18:54,800 FROM THE POISON IVY ALLOW ME TO COMMUNICATE 395 00:18:54,850 --> 00:18:56,460 WITH NATURE WHILE HEIGHTENING THE THINGS 396 00:18:56,500 --> 00:18:59,590 THAT I'M PASSIONATE ABOUT LIKE JUSTICE? 397 00:18:59,630 --> 00:19:01,940 ALICE: WELL, SEEING AS THAT M.O. TRACKS 398 00:19:01,980 --> 00:19:05,120 AND, UH--AHEM-- I KILLED YOUR MOTHER, 399 00:19:05,160 --> 00:19:07,070 I'M REALLY NOT LOOKING FORWARD TO BEING TURNED 400 00:19:07,120 --> 00:19:10,510 INTO A CABBAGE, SO WE SHOULD FIND OUT 401 00:19:10,560 --> 00:19:12,470 EXACTLY WHAT TURNS DR. JEKYLL 402 00:19:12,520 --> 00:19:16,210 INTO MRS. HIDE MY VICTIMS UNDER A POT. 403 00:19:16,260 --> 00:19:18,650 DAMN IT. 404 00:19:18,700 --> 00:19:20,480 WHAT DOES SHE WANT? 405 00:19:20,520 --> 00:19:23,570 YOU, MY DEAR, 406 00:19:23,610 --> 00:19:25,880 DEAD OR ALIVE. 407 00:19:30,230 --> 00:19:31,840 RYAN: MAKING HOUSE CALLS NOW? 408 00:19:33,840 --> 00:19:35,230 WHY DIDN'T YOU TELL ME YOU FOUND 409 00:19:35,280 --> 00:19:36,670 ANOTHER POISON IVY VIC? 410 00:19:36,710 --> 00:19:37,980 IT'S 5:00 IN THE MORNING. 411 00:19:38,020 --> 00:19:39,500 I FIGURED YOU WERE ASLEEP. 412 00:19:39,540 --> 00:19:40,930 I DON'T SLEEP, RYAN, ESPECIALLY WHEN SOMEONE'S 413 00:19:40,980 --> 00:19:42,760 OUT THERE WITH PAM'S ABILITIES. 414 00:19:42,810 --> 00:19:44,680 -WHERE'S THE VIC? -IN MY CUSTODY. 415 00:19:44,720 --> 00:19:46,160 YEAH. WELL, I NEED TO TALK TO HIM. 416 00:19:46,200 --> 00:19:48,120 I NEED TO KNOW WHAT HE SAW, WHAT HE KNOWS. 417 00:19:48,160 --> 00:19:49,940 HE'S UNCONSCIOUS AT THE MOMENT. 418 00:19:49,990 --> 00:19:52,030 WHEN HE'S TALKING, I WILL CALL YOU. 419 00:19:52,080 --> 00:19:53,730 OH. JUST LIKE CHRIS HAYNER? 420 00:19:53,770 --> 00:19:56,520 IS THAT A COINCIDENCE OR CONVENIENCE? 421 00:19:56,560 --> 00:19:58,820 YOU WANTED TO PARTNER WITH BATWOMAN, RIGHT? 422 00:19:58,870 --> 00:20:01,650 THEN YOU NEED TO TRUST MY PROCESS. 423 00:20:01,690 --> 00:20:03,570 ALICE: RYAN IS FLAILING. 424 00:20:05,310 --> 00:20:08,700 WHAT DID YOU MEAN RENEE WANTED ME DEAD OR ALIVE? 425 00:20:08,750 --> 00:20:12,530 OH. RENEE AND POISON PAM HAVE A BACKSTORY. 426 00:20:12,580 --> 00:20:14,750 WHAT KIND OF BACKSTORY? 427 00:20:14,790 --> 00:20:18,230 OH. I DON'T WANT TO BE A GOSSIP. 428 00:20:18,280 --> 00:20:20,280 LUKE AND MARY: SPILL. 429 00:20:20,320 --> 00:20:22,450 IF YOU INSIST. 430 00:20:22,500 --> 00:20:26,760 SO...THEY MET, FELL MADLY IN LOVE, 431 00:20:26,810 --> 00:20:28,720 KISSY, KISSY, KISSY. 432 00:20:28,770 --> 00:20:31,940 THEN PAM FELL VICTIM TO SOME EVIL SCIENTIST'S EXPERIMENT. 433 00:20:31,990 --> 00:20:33,940 OBVIOUSLY PAM'S METAMORPHOSIS 434 00:20:33,990 --> 00:20:35,860 INTO "LITTLE SHOP OF HORRORS" 435 00:20:35,900 --> 00:20:37,860 GOT IN THE WAY OF SEXY TIME, 436 00:20:37,900 --> 00:20:39,520 WHICH WAS A BIG PROBLEM FOR RENEE 437 00:20:39,560 --> 00:20:42,260 AS SHE WAS A GCPD DETECTIVE. 438 00:20:42,300 --> 00:20:45,480 CRISIS OF THE HEART, BORING, BORING, BORING. 439 00:20:45,520 --> 00:20:47,390 ULTIMATELY, RENEE CALLED BATMAN, 440 00:20:47,440 --> 00:20:48,960 WHO CONVINCED HER TO LURE 441 00:20:49,000 --> 00:20:52,750 THE LOVE OF HER LIFE INTO HIS TRAP. 442 00:20:52,790 --> 00:20:55,100 RENEE: WHY WOULD SOMEONE INFECTED WITH POISON IVY 443 00:20:55,140 --> 00:20:56,920 TARGET A BLACK GLOVE OPERATIVE? 444 00:20:56,970 --> 00:20:59,360 IT DOESN'T MAKE SENSE UNLESS HE HAD 445 00:20:59,400 --> 00:21:01,360 A PERSONAL CONNECTION TO THEM. 446 00:21:01,410 --> 00:21:02,800 IF I KNEW, I WOULD TELL YOU. 447 00:21:02,840 --> 00:21:04,890 WOULD YOU? 448 00:21:04,930 --> 00:21:06,410 BECAUSE I'M BEGINNING TO FEEL LIKE 449 00:21:06,460 --> 00:21:08,500 YOU'RE HIDING THINGS FROM ME, RYAN. 450 00:21:10,890 --> 00:21:13,030 WHERE'S THE VIC? 451 00:21:13,070 --> 00:21:15,290 MARY: THAT'S REALLY INTENSE. 452 00:21:15,330 --> 00:21:19,380 SO RENEE SOLD OUT THE LOVE OF HER LIFE TO BATMAN? 453 00:21:19,420 --> 00:21:22,430 AND HE BURIED HER DEEP UNDERGROUND 454 00:21:22,470 --> 00:21:24,820 AWAY FROM WATER AND SUNLIGHT 455 00:21:24,860 --> 00:21:28,740 TO SHRIVEL UP AND NOT DIE. 456 00:21:28,780 --> 00:21:31,220 CAN YOU IMAGINE GOING WITHOUT SKIN CREAM 457 00:21:31,260 --> 00:21:33,350 FOR ALL THOSE YEARS? 458 00:21:33,400 --> 00:21:34,960 IMAGINE WHAT SHE'D DO TO SOMEONE 459 00:21:35,010 --> 00:21:36,570 SHE BARELY EVEN KNOWS. 460 00:21:36,620 --> 00:21:38,400 LUKE: OK. I THINK MARY'S HEARD ENOUGH. 461 00:21:38,440 --> 00:21:41,320 WHAT? I'M NOT TRYING TO SCARE HER. 462 00:21:41,360 --> 00:21:42,930 IT'S JUST LIAM ENDED UP IN ARKHAM, 463 00:21:42,970 --> 00:21:44,450 KILLER CROC IN A CAGE, 464 00:21:44,490 --> 00:21:46,540 AND NORA FRIES WOULD RATHER FACE DEATH 465 00:21:46,580 --> 00:21:48,370 OVER BEING HELD CAPTIVE AGAIN. 466 00:21:48,410 --> 00:21:51,060 I JUST THINK WE ARE DOING OURSELVES A DISSERVICE 467 00:21:51,110 --> 00:21:53,760 TO DENY THE PREDICTABLE OUTCOME 468 00:21:53,810 --> 00:21:55,200 OF ANYONE WHO COMES IN CONTACT 469 00:21:55,240 --> 00:21:56,850 WITH BATMAN'S TROPHIES. 470 00:22:01,600 --> 00:22:04,380 AS A GIRL WHO SPENT OVER A DECADE OF HER LIFE LOCKED 471 00:22:04,430 --> 00:22:06,430 IN A SMALL ROOM, 472 00:22:06,470 --> 00:22:09,690 I JUST WANT YOU TO AVOID ENDING UP THE WAY THEY DID. 473 00:22:09,740 --> 00:22:11,870 WATCHING THE WOMAN I LOVED GO 474 00:22:11,910 --> 00:22:14,480 FROM THIS COMPASSIONATE, SELFLESS PERSON 475 00:22:14,520 --> 00:22:16,440 TO THIS THING THAT COULD JUSTIFY KILLING 476 00:22:16,480 --> 00:22:18,880 DOZENS OF PEOPLE, IT BROKE ME, RYAN, 477 00:22:18,920 --> 00:22:20,920 AND NOW SHE'S INFECTED SOMEONE ELSE, 478 00:22:20,960 --> 00:22:23,530 SO TO PRETEND LIKE I DON'T KNOW HOW THIS ENDS 479 00:22:23,580 --> 00:22:26,230 AND NOT DO EVERYTHING IN MY POWER TO STOP IT, 480 00:22:26,270 --> 00:22:28,450 IT WOULDN'T BE FAIR TO ME, TO THE CITY, 481 00:22:28,490 --> 00:22:31,150 OR TO THE PAM I USED TO KNOW. 482 00:22:33,590 --> 00:22:35,980 SO CALL ME WHEN YOUR GUY WAKES UP. 483 00:22:51,860 --> 00:22:54,260 MARY: WE NEED TO FIGURE OUT WHAT MY TRIGGER IS. 484 00:22:54,300 --> 00:22:57,220 MAYBE IT'S A WORD OR A SERIES OF WORDS. 485 00:22:57,260 --> 00:23:00,180 ACTUALLY, I'M STARTING TO FEEL A LITTLE FUNNY. 486 00:23:00,220 --> 00:23:01,660 OK. FUNNY HOW? 487 00:23:01,700 --> 00:23:03,400 MY VISION'S A LITTLE BLURRY. 488 00:23:03,440 --> 00:23:04,790 OK. MAYBE YOU'RE DEHYDRATED. 489 00:23:09,060 --> 00:23:11,230 RENEE'S ON MY ASS. 490 00:23:11,280 --> 00:23:13,150 WE DON'T HAVE A LOT OF TIME TO FIGURE THIS OUT. 491 00:23:13,190 --> 00:23:14,760 ALICE: WE COULD ASK SOPHIE TO ASK VIRGIL 492 00:23:14,800 --> 00:23:17,370 IF HE SAID OR DID ANYTHING THAT TRIGGERED MARY. 493 00:23:17,410 --> 00:23:20,370 SOPHIE'S NOT WITH VIRGIL. 494 00:23:20,420 --> 00:23:23,510 OH. HEH HEH. OOPS. 495 00:23:23,550 --> 00:23:26,290 WHAT DID YOU DO? 496 00:23:26,330 --> 00:23:30,210 SO...SOPHIE HAS BEEN A GREAT ROOMMATE. 497 00:23:30,250 --> 00:23:32,430 YOU KNOW, SHE PUTS MY DISHES AWAY, 498 00:23:32,470 --> 00:23:34,340 SHE CLEANS MY CLOTHES WITH THAT FABRIC SOFTENER 499 00:23:34,390 --> 00:23:36,000 THAT DOESN'T IRRITATE MY SENSITIVE SKIN. 500 00:23:36,040 --> 00:23:40,520 ALICE, WHAT DID YOU DO? 501 00:23:40,570 --> 00:23:42,740 SOPHIE REALLY WANTED TO INTERROGATE VIRGIL, 502 00:23:42,790 --> 00:23:44,790 AND I DIDN'T WANT TO KEEP SECRETS FROM MY ROOMIE. 503 00:23:44,830 --> 00:23:47,400 YOU'RE AN IDIOT. YOU HAVE NO IDEA 504 00:23:47,440 --> 00:23:49,010 WHAT YOU'VE JUST DONE. 505 00:23:49,050 --> 00:23:52,140 SO SUE ME FOR HAVING GUILT FOR ONCE IN MY LIFE. 506 00:23:52,190 --> 00:23:54,840 SERIOUSLY, JUST STOP TALKING. 507 00:23:54,880 --> 00:23:56,410 I DON'T GET IT. 508 00:23:56,450 --> 00:23:58,190 WHY CAN'T SOPHIE KNOW WHERE VIRGIL IS? 509 00:24:00,930 --> 00:24:02,850 I'LL BE BACK. CALL ME IF ANYTHING 510 00:24:02,890 --> 00:24:04,460 CHANGES HERE. 511 00:24:04,500 --> 00:24:06,070 LUKE: WHERE ARE YOU GOING? 512 00:24:06,110 --> 00:24:08,290 TO STOP SOPHIE FROM MAKING A HUGE MISTAKE. 513 00:24:14,380 --> 00:24:16,560 [FOOTSTEPS] 514 00:24:21,650 --> 00:24:24,000 HELLO AGAIN. 515 00:24:24,040 --> 00:24:28,350 I KNOW. YOU THOUGHT YOU BURNED ME ALIVE, 516 00:24:28,400 --> 00:24:31,880 BUT NOPE, I LIVED 517 00:24:31,920 --> 00:24:33,840 TO DO THE SAME TO YOU. 518 00:24:36,360 --> 00:24:39,280 I'VE GOT SOME QUESTIONS ABOUT YOUR EMPLOYER. 519 00:24:39,320 --> 00:24:41,710 WHO HIRED YOU TO TAKE MY SISTER? 520 00:24:45,150 --> 00:24:47,370 LET ME REPHRASE THAT. 521 00:24:47,410 --> 00:24:49,110 WAS IT JADA JET? 522 00:24:49,160 --> 00:24:53,420 TECHNICALLY, I WAS HIRED BY MARLA ELLIOT DECADES AGO. 523 00:24:53,460 --> 00:24:56,820 ELLIOT. AS IN TOMMY ELLIOT? 524 00:24:56,860 --> 00:24:59,820 HIS MOTHER. THOUGHT TOMMY HAD BEHAVIORAL PROBLEMS. 525 00:24:59,860 --> 00:25:01,390 WELL, SHE GOT THAT RIGHT 526 00:25:01,430 --> 00:25:03,340 SINCE HE TURNED INTO THAT PSYCHO HUSH. 527 00:25:03,390 --> 00:25:05,170 BEFORE THAT, SHE FORMED A GROUP OF OTHER PARENTS 528 00:25:05,220 --> 00:25:07,780 WITH BAD SEED KIDS, SWAPPED HORROR STORIES, 529 00:25:07,830 --> 00:25:10,180 DISCUSSED TREATMENTS, MEDS, WHATEVER. 530 00:25:10,220 --> 00:25:12,740 LIKE SECRET GROUP THERAPY FOR RICH PEOPLE 531 00:25:12,790 --> 00:25:15,010 TO TALK ABOUT THEIR SCREWED UP KIDS. 532 00:25:15,050 --> 00:25:18,010 I DON'T KNOW OF ANY SELF-HELP GROUPS THAT EMPLOY A MILITIA. 533 00:25:18,050 --> 00:25:19,840 THEY'RE CALLED BLACK GLOVE BECAUSE THEY DON'T LEAVE A TRACE. 534 00:25:19,880 --> 00:25:21,930 TITANS OF INDUSTRY SPENDING MILLIONS ON R&D 535 00:25:21,970 --> 00:25:23,490 TO FIX THEIR KIDS' BRAINS-- 536 00:25:23,540 --> 00:25:25,150 NOT GREAT FOR PUBLIC IMAGE. 537 00:25:25,190 --> 00:25:26,980 YEAH. NEITHER IS INJECTING TWENTYSOMETHINGS 538 00:25:27,020 --> 00:25:28,410 WITH FATAL FREEZE SERUM. 539 00:25:28,460 --> 00:25:30,070 MY CLIENTS WOULD AGREE WITH YOU, 540 00:25:30,110 --> 00:25:31,890 WHICH IS EXACTLY WHY WE CLEAN UP AFTER OURSELVES. 541 00:25:31,940 --> 00:25:34,240 [GROANING] 542 00:25:34,290 --> 00:25:36,290 MY SISTER NEARLY DIED! 543 00:25:36,330 --> 00:25:38,160 3 OF HER FRIENDS DID! 544 00:25:38,200 --> 00:25:40,860 WHY? WHAT DOES JADA WANT? 545 00:25:40,900 --> 00:25:42,300 VIRGIL: FINE. RYAN: ENOUGH! 546 00:25:45,600 --> 00:25:47,520 SERIOUSLY? 547 00:25:47,560 --> 00:25:49,300 I HAVE TO FIND OUT FROM ALICE 548 00:25:49,350 --> 00:25:51,040 THAT YOU FOUND THIS GUY? 549 00:25:51,090 --> 00:25:52,390 I SAID I WOULD TELL YOU EVERYTHING! 550 00:25:52,440 --> 00:25:54,610 -WHEN? -WHEN IT'S SAFE. 551 00:25:54,660 --> 00:25:57,310 SAFE FROM WHAT? 552 00:25:57,350 --> 00:25:59,970 SAFE FROM WHAT, RYAN? 553 00:26:00,010 --> 00:26:02,970 FROM HER? FROM JADA? WHO? 554 00:26:03,010 --> 00:26:04,540 I'M SORRY. 555 00:26:04,580 --> 00:26:06,100 YOU WANT MY TRUST? 556 00:26:06,150 --> 00:26:07,630 YOU'RE GONNA HAVE TO EARN IT 557 00:26:07,670 --> 00:26:09,500 BECAUSE RIGHT NOW IT LOOKS LIKE 558 00:26:09,540 --> 00:26:10,930 YOU'RE TAKING THE SIDE OF A WOMAN 559 00:26:10,980 --> 00:26:12,890 WHO SANCTIONED MURDER OVER ME, 560 00:26:12,940 --> 00:26:14,550 YOUR ACTUAL FRIEND! 561 00:26:14,590 --> 00:26:16,900 [VIRGIL GROANS, CHAINS RATTLE] 562 00:26:16,940 --> 00:26:18,240 NO, NO! 563 00:26:23,640 --> 00:26:25,380 HE'S DEAD. 564 00:26:27,300 --> 00:26:29,950 GUESS YOU GET TO KEEP MOMMY'S SECRET A LITTLE LONGER. 565 00:26:38,960 --> 00:26:40,570 LUKE: WHEN BRUCE MET PAM ISLEY, 566 00:26:40,620 --> 00:26:43,530 SHE WAS POISON IVY 24/7. 567 00:26:43,570 --> 00:26:45,450 MARY: WELL, WHEREVER HE PUT HER 568 00:26:45,490 --> 00:26:48,060 OBVIOUSLY CONTAINED HER, RIGHT? 569 00:26:48,100 --> 00:26:50,800 MAYBE THE KEY IS FIGURING OUT HOW HE DID THAT. 570 00:26:50,840 --> 00:26:52,150 WELL, THIS IS BEFORE MY TIME, 571 00:26:52,190 --> 00:26:53,800 BUT FROM WHAT HE TOLD THE PRESS, 572 00:26:53,850 --> 00:26:55,930 HE PUT HER IN A PLACE NO ONE WOULD EVER FIND HER. 573 00:26:55,980 --> 00:26:59,680 IT DOESN'T EVEN AFFECT YOU ANYMORE, DOES IT? 574 00:26:59,720 --> 00:27:01,510 WHAT DOESN'T AFFECT ME? 575 00:27:01,550 --> 00:27:03,330 OH. BEING SECOND FIDDLE TO WHATEVER OTHER DRAMA'S 576 00:27:03,380 --> 00:27:05,030 GOING ON IN RYAN'S LIFE. 577 00:27:05,070 --> 00:27:06,900 LUKE: WOW. UH, YOU KNOW WHAT'S FUNNY? 578 00:27:06,950 --> 00:27:08,990 I DON'T THINK WE ACTUALLY NEED YOU HERE ANYMORE, ALICE, 579 00:27:09,030 --> 00:27:11,210 SO IF YOU'D LIKE TO GO SNIFF YOUR FLUFF AND FOLD, 580 00:27:11,250 --> 00:27:12,690 NOW WOULD BE A GREAT TIME. 581 00:27:12,730 --> 00:27:14,470 ARE NEITHER OF YOU CONCERNED 582 00:27:14,520 --> 00:27:17,300 THAT OUR LEADER BATWOMAN LEFT 583 00:27:17,350 --> 00:27:19,700 HER BESTIE INFECTED, 584 00:27:19,740 --> 00:27:24,270 VULNERABLE, TERRIFIED TO GO "HELP" A WOMAN 585 00:27:24,310 --> 00:27:27,840 WHO LITERALLY SHARES A BEDROOM WALL WITH A SERIAL KILLER? 586 00:27:27,880 --> 00:27:30,060 -SHE KNOWS WHAT SHE'S DOING. -HA HA HA! 587 00:27:30,100 --> 00:27:32,010 OH, I KNOW SHE KNOWS WHAT SHE'S DOING, 588 00:27:32,060 --> 00:27:35,280 BUT DO YOU KNOW WHAT SHE'S DOING? 589 00:27:35,320 --> 00:27:37,450 UH-UH. 590 00:27:37,500 --> 00:27:40,460 SEE, RYAN DOESN'T CARE ABOUT PROTECTING SOPHIE 591 00:27:40,500 --> 00:27:42,240 FROM VIRGIL. NO. 592 00:27:42,290 --> 00:27:45,200 SHE CARES ABOUT PROTECTING VIRGIL FROM SOPHIE, 593 00:27:45,240 --> 00:27:47,380 SPECIFICALLY HIS SECRETS 594 00:27:47,420 --> 00:27:49,810 PRESUMABLY BECAUSE THEY'RE ABOUT HER MOTHER, 595 00:27:49,860 --> 00:27:52,160 THE WOMAN WHOSE NEEDS SHE ONCE AGAIN PRIORITIZES 596 00:27:52,210 --> 00:27:53,910 OVER THE BATTEAM. 597 00:27:53,950 --> 00:27:56,950 -RYAN WOULDN'T DO THAT. -SHE ALREADY DID, LUKE, 598 00:27:57,000 --> 00:27:58,610 WHICH HAS ME WONDERING IF IT'S ONLY 599 00:27:58,650 --> 00:28:00,430 A MATTER OF TIME BEFORE RYAN WALTZES 600 00:28:00,480 --> 00:28:02,780 INTO RENEE'S OFFICE WITH MARY IN BATCUFFS. 601 00:28:02,830 --> 00:28:04,260 ARE YOU JOKING? 602 00:28:04,310 --> 00:28:05,830 RYAN WOULDN'T ARREST HER BEST FRIEND. 603 00:28:05,870 --> 00:28:07,270 SHE--SHE'S GONNA FIND A WAY TO FIX THIS. 604 00:28:07,310 --> 00:28:08,750 MARY: HYAH! 605 00:28:31,250 --> 00:28:32,990 ALICE: GOOD MORNING, SUNSHINE. 606 00:28:39,120 --> 00:28:41,740 I WAS WONDERING WHEN YOU'D COME OUT TO PLAY. 607 00:28:44,350 --> 00:28:47,350 YOU FIGURED OUT SUNLIGHT WAS MY TRIGGER. 608 00:28:47,390 --> 00:28:51,750 WELL, THEY DON'T CALL ME A SUPERVILLAIN FOR NOTHING, 609 00:28:51,790 --> 00:28:53,970 BUT BATTY WILL BE HOME SOON, 610 00:28:54,010 --> 00:28:56,490 SO I HOPE YOU KNOW WHAT YOU'RE DOING. 611 00:28:56,530 --> 00:28:58,670 WHY ARE YOU HELPING ME? 612 00:28:58,710 --> 00:29:01,890 WELL, WHY DOES ANYONE HELP ANYONE? 613 00:29:01,930 --> 00:29:03,850 TO ACCRUE FAVORS OWED, 614 00:29:03,890 --> 00:29:05,590 BUT UNTIL I REDEEM THIS ONE, 615 00:29:05,630 --> 00:29:08,680 I NEED YOU TO BE CAREFUL. 616 00:29:08,720 --> 00:29:10,420 ONCE YOU SLITHER OUT OF THIS BATCAVE, 617 00:29:10,460 --> 00:29:12,380 RENEE MONTOYA'S GONNA BE HUNTING YOU DOWN 618 00:29:12,420 --> 00:29:15,990 LIKE A GARDNER WITH A WEED WHACKER. 619 00:29:16,030 --> 00:29:17,680 RENEE: MONTOYA. 620 00:29:17,730 --> 00:29:21,990 OH, HI. SOMEONE TOLD ME TO CALL THIS NUMBER 621 00:29:22,040 --> 00:29:25,820 WITH A POSSIBLE TIP ABOUT A POISON IVY SIGHTING. 622 00:29:25,870 --> 00:29:28,520 WHERE ARE YOU? I'LL BE RIGHT THERE. 623 00:29:28,570 --> 00:29:30,790 GOTHAM CITY BOTANICAL GARDENS. 624 00:30:16,530 --> 00:30:17,700 [LEAVES RUSTLE] 625 00:30:19,180 --> 00:30:21,270 RENEE MONTOYA. 626 00:30:21,310 --> 00:30:23,490 MARY. 627 00:30:23,530 --> 00:30:24,880 YOU NEED TO GET OUT OF HERE. 628 00:30:24,930 --> 00:30:26,140 IT'S NOT SAFE. 629 00:30:26,190 --> 00:30:28,490 TRUST ME I'M WELL AWARE. 630 00:30:28,540 --> 00:30:31,410 NOWHERE AROUND YOU IS SAFE, RENEE. 631 00:30:36,240 --> 00:30:38,550 WHO ARE YOU? 632 00:30:38,590 --> 00:30:41,030 I'M THE ONE WHO CALLED IN THE TIP. 633 00:30:42,860 --> 00:30:46,640 RYAN: VIRGIL'S DEAD, ALICE. I HOPE YOU'RE HAPP-- 634 00:30:46,690 --> 00:30:47,990 LUKE? 635 00:30:48,040 --> 00:30:50,910 -LUKE! -HEY. YEAH. I'M OK. 636 00:30:50,950 --> 00:30:53,870 WHAT HAPPENED? DID ALICE DO SOMETHING WITH MARY? 637 00:30:53,910 --> 00:30:55,910 -SUNLIGHT. -WHAT? 638 00:30:55,960 --> 00:30:58,700 SUNLIGHT IS HER TRIGGER. 639 00:30:58,740 --> 00:31:01,400 SHE'S NOT MARY ANYMORE. 640 00:31:01,440 --> 00:31:03,700 RENEE: WHERE DID YOU GET INFECTED? 641 00:31:03,750 --> 00:31:06,790 THE PARK, THE RIVER? 642 00:31:06,840 --> 00:31:08,930 WHERE WAS THE VINE, MARY? 643 00:31:08,970 --> 00:31:10,280 IT'S NOT A HOMING PIGEON 644 00:31:10,320 --> 00:31:12,800 FOR THE BROKENHEARTED, RAY-RAY. 645 00:31:12,840 --> 00:31:14,580 YOU DON'T WHISPER, "PAMELA ISLEY," 646 00:31:14,630 --> 00:31:16,760 INTO THE LEAVES AND FOLLOW 647 00:31:16,800 --> 00:31:18,110 AS IT SLITHERS ITS WAY 648 00:31:18,150 --> 00:31:20,070 TO HER SECRET BURIAL SITE. 649 00:31:20,110 --> 00:31:21,850 YOU KNOW ABOUT PAM? 650 00:31:21,900 --> 00:31:25,250 ENOUGH TO KNOW THAT SHE DOESN'T WANT YOU TO FIND HER. 651 00:31:25,290 --> 00:31:27,380 LOOK. YOU NEED TO COME WITH ME 652 00:31:27,420 --> 00:31:29,030 SO I CAN GET YOU HELP. 653 00:31:29,080 --> 00:31:31,080 IS THAT WHAT I NEED? 654 00:31:31,120 --> 00:31:33,910 DID YOU USE THAT SOFT, GENTLE TONE 655 00:31:33,950 --> 00:31:36,870 TO LURE POISON PAM INTO CAPTIVITY? 656 00:31:36,910 --> 00:31:40,610 NO. SHE WAS OUT OF CONTROL. 657 00:31:40,650 --> 00:31:43,700 YOU'RE NOT THERE YET. LET'S KEEP IT THAT WAY. 658 00:31:43,740 --> 00:31:47,530 WHAT DO YOU THINK SHE THINKS ABOUT DOWN THERE? 659 00:31:47,570 --> 00:31:50,620 I MEAN... BESIDES FREEDOM 660 00:31:50,660 --> 00:31:53,580 AND WATER AND HOW HER VEINS 661 00:31:53,620 --> 00:31:55,930 SCRAPE TOGETHER LIKE SANDPAPER? 662 00:31:55,970 --> 00:31:58,540 EASY. LET'S NOT MAKE THIS UGLY. 663 00:31:58,580 --> 00:32:02,760 SHE THINKS ABOUT HOW MUCH SHE HATES YOU, RENEE. 664 00:32:02,810 --> 00:32:06,070 MARY, COME WITH ME NOW, AND NO ONE WILL GET HURT. 665 00:32:06,110 --> 00:32:09,770 OR I STAY, AND ONLY YOU DO. 666 00:32:15,470 --> 00:32:19,000 MARY, PLEASE DON'T DO THIS. 667 00:32:26,090 --> 00:32:27,440 AAH! 668 00:32:31,050 --> 00:32:32,400 RYAN: MARY'S PHONE JUST PINGED 669 00:32:32,440 --> 00:32:33,920 AT THE OLD GOTHAM BOTANICAL GARDENS. 670 00:32:33,970 --> 00:32:35,360 I NEED TO GET THERE. 671 00:32:35,400 --> 00:32:36,880 -COMING WITH YOU. -I THOUGHT YOU SAID 672 00:32:36,930 --> 00:32:38,230 YOU WEREN'T READY TO WEAR THE SUIT. 673 00:32:38,280 --> 00:32:39,670 ACTUALLY, MY DAD DECIDED THAT. 674 00:32:39,710 --> 00:32:41,110 I MAY NOT BE READY TO WEAR THE SUIT, 675 00:32:41,150 --> 00:32:42,800 BUT I'M NOT READY TO LOSE MARY EITHER. 676 00:32:42,850 --> 00:32:44,540 MY DAD WILL UNDERSTAND, AND IF NOT, 677 00:32:44,590 --> 00:32:46,020 I'M SURE I'LL HEAR ABOUT IT ON THE WAY. 678 00:32:46,070 --> 00:32:47,460 LET'S GET OUT OF HERE. 679 00:32:47,500 --> 00:32:49,370 [ENGINE REVVING] 680 00:33:09,310 --> 00:33:12,350 RYAN: I'M READING SOME SORT OF ENERGY HERE. 681 00:33:12,400 --> 00:33:14,880 YEAH. DEFINITELY PICKING UP 682 00:33:14,920 --> 00:33:16,310 ONE ABNORMALLY HIGH THERMAL PRESENCE 683 00:33:16,360 --> 00:33:18,450 IN THESE TREES. 684 00:33:18,490 --> 00:33:21,150 DO YOU FEEL LIKE YOU'RE BEING WATCHED? 685 00:33:21,190 --> 00:33:22,710 TINY BIT. 686 00:33:28,940 --> 00:33:32,070 YELLOW ROSES? 687 00:33:32,110 --> 00:33:34,120 YELLOW ROSES SYMBOLIZE FRIENDSHIP. 688 00:33:36,550 --> 00:33:38,250 MARY KNOWS US BETTER THAN ANYONE. 689 00:33:38,290 --> 00:33:41,250 SHE KNEW WE'D TRACK HER PHONE. 690 00:33:41,300 --> 00:33:42,910 YOU THINK SHE WANTED US TO FIND HER? 691 00:33:45,080 --> 00:33:46,950 I THINK SHE WANTED TO DRAW US OUT. 692 00:33:47,000 --> 00:33:49,130 [LEAVES RUSTLING] 693 00:33:52,790 --> 00:33:54,480 -UNH! -AAH! 694 00:34:05,060 --> 00:34:08,020 BATWOMAN TO BATWING. 695 00:34:08,060 --> 00:34:11,240 [GRUNTS] 696 00:34:11,280 --> 00:34:15,200 BATWING, WHERE ARE YOU? YOU GOOD? 697 00:34:15,240 --> 00:34:16,940 [GRUNTING] 698 00:34:16,980 --> 00:34:19,600 ACROSS THE DOME. MY SHOULDER'S JACKED. 699 00:34:31,560 --> 00:34:33,830 SHE CAN'T BE FAR. 700 00:34:33,870 --> 00:34:35,260 STAY ALERT. 701 00:34:41,440 --> 00:34:43,530 HEY. WHAT'S UP, DAD? 702 00:34:43,580 --> 00:34:45,230 NO COMMENT FROM THE PEANUT GALLERY? 703 00:34:47,880 --> 00:34:49,670 I JUST GOT MY ASS BLOWN OFF MY FEET, 704 00:34:49,710 --> 00:34:51,450 AND YOU GOT NOTHING TO SAY, HUH? 705 00:34:54,500 --> 00:34:57,150 DAD? DAD, YOU THERE? 706 00:34:57,200 --> 00:35:00,200 MARY: WHAT KIND OF HERO STILL NEEDS HIS DADDY? 707 00:35:00,240 --> 00:35:04,030 EAST GARDEN. I FOUND MARY...I THINK. 708 00:35:04,070 --> 00:35:07,210 PLEASE. YOU DIDN'T FIND ME. 709 00:35:07,250 --> 00:35:10,950 I FOUND MYSELF, AND HERE I AM. 710 00:35:10,990 --> 00:35:13,170 WE'RE GONNA FIND A WAY TO FIX THIS, MARY. 711 00:35:13,210 --> 00:35:14,480 WE'RE GONNA HELP YOU. 712 00:35:14,520 --> 00:35:16,260 EVERYONE KEEPS SAYING THAT. 713 00:35:16,300 --> 00:35:17,650 THEY'RE GONNA HELP ME. 714 00:35:17,700 --> 00:35:19,700 HELP ME WHAT-- 715 00:35:19,740 --> 00:35:23,960 BE LESS HAPPY, LESS MYSELF, LESS ALIVE? 716 00:35:24,010 --> 00:35:25,230 THIS ISN'T YOU, AND YOU KNOW IT. 717 00:35:25,270 --> 00:35:27,710 YOU'RE NOT HEARING ME, LUKE. 718 00:35:27,750 --> 00:35:29,400 THIS IS EXACTLY ME 719 00:35:29,450 --> 00:35:33,540 JUST WITHOUT THE PART THAT DOES EVERYTHING YOU WANT. 720 00:35:33,580 --> 00:35:35,890 [CHOKING] 721 00:35:40,850 --> 00:35:42,900 DAD, DAD, HELP! HELP ME! 722 00:35:42,940 --> 00:35:45,120 [GROANING] 723 00:35:48,900 --> 00:35:50,990 YOUR DAD'S GONE, LUKE. 724 00:35:53,780 --> 00:35:55,600 I TOOK OUT YOUR FAILSAFE 725 00:35:55,650 --> 00:35:57,870 AND THE AI THAT CAME WITH IT. 726 00:35:57,910 --> 00:36:00,000 I FIGURE LUCIUS FOX'S BRAIN COULD REALLY 727 00:36:00,040 --> 00:36:02,920 OPEN UP SOME DOORS FOR ME IN THE FUTURE. 728 00:36:02,960 --> 00:36:04,400 THAT'S MY DAD! 729 00:36:04,440 --> 00:36:05,660 YOU DON'T NEED HIM. 730 00:36:05,700 --> 00:36:07,310 YOU SAID IT YOURSELF. 731 00:36:07,360 --> 00:36:09,620 YOU DON'T HAVE PTSD. 732 00:36:09,660 --> 00:36:11,580 YOU DON'T NEED A TEAM DOCTOR, 733 00:36:11,620 --> 00:36:13,450 AND YOU CERTAINLY DON'T NEED YOUR DADDY 734 00:36:13,490 --> 00:36:16,190 TELLING YOU WHAT YOU CAN AND CAN'T DO, AM I RIGHT? 735 00:36:20,240 --> 00:36:21,670 WELL, WELL, WELL. 736 00:36:21,720 --> 00:36:25,590 I FINALLY HAVE YOUR FULL ATTENTION. 737 00:36:25,630 --> 00:36:28,990 I'VE BEEN A CRAPPY FRIEND. 738 00:36:29,030 --> 00:36:31,680 I'M SORRY, MARY. 739 00:36:31,730 --> 00:36:37,210 FRIEND? YOU NEVER ASK NE HOW I AM. 740 00:36:37,250 --> 00:36:40,170 YOU NEVER GIVE ME ANY OF YOUR TIME. 741 00:36:40,210 --> 00:36:42,740 YOU GIVE MORE OF YOURSELF TO A WOMAN 742 00:36:42,780 --> 00:36:44,390 WHO LITERALLY GAVE YOU AWAY 743 00:36:44,440 --> 00:36:46,440 AND SAID SHE WANTED NOTHING TO DO WITH YOU 744 00:36:46,480 --> 00:36:50,050 THAN YOU DO YOUR OWN TEAMMATE! 745 00:36:50,090 --> 00:36:53,790 AND THAT IS NOT FRIENDSHIP. 746 00:36:53,840 --> 00:36:56,530 [AIRPLANE FLYING, SIRENS] 747 00:36:56,580 --> 00:36:59,230 OK. MARY, WE NEED TO GO NOW. 748 00:36:59,280 --> 00:37:01,320 LOOK. THESE COPS WON'T CARE WHO YOU ARE 749 00:37:01,370 --> 00:37:02,850 OR WHAT HAPPENED TO YOU. 750 00:37:02,890 --> 00:37:05,410 THEY WILL JUST LOCK YOUR ASS UP FOR GOOD! 751 00:37:05,460 --> 00:37:09,630 -MARY, COME WITH ME! -I'M DONE WITH TEAM SPIRIT! 752 00:37:09,680 --> 00:37:12,640 IT'S TIME YOU HEARD MY VOICE FOR ONCE 753 00:37:12,680 --> 00:37:14,340 LOUD AND CLEAR. 754 00:37:20,650 --> 00:37:23,080 MARY! MARY! 755 00:37:23,130 --> 00:37:26,560 YOU'VE BEEN SO WRAPPED UP IN YOUR OWN DRAMA, RYAN. 756 00:37:26,610 --> 00:37:28,220 MARY! 757 00:37:28,260 --> 00:37:30,570 IT'S TIME YOU GOT WRAPPED UP IN MINE FOR ONCE. 758 00:37:30,610 --> 00:37:31,830 [RYAN GROANS] 759 00:37:34,440 --> 00:37:36,230 [MOANING] 760 00:37:38,360 --> 00:37:40,450 ALL RIGHT. DON'T FLINCH. 761 00:37:44,410 --> 00:37:46,280 [GASPS] 762 00:37:46,320 --> 00:37:48,410 LET ME HELP. 763 00:37:48,460 --> 00:37:50,890 YOU CALLED THE COPS? 764 00:37:50,940 --> 00:37:53,330 YOU KNEW WHO WE WERE LOOKING FOR ALL ALONG, DIDN'T YOU? 765 00:37:53,370 --> 00:37:55,550 YOU DON'T UNDERSTAND. MARY'S OUR BEST FRIEND. 766 00:37:55,590 --> 00:37:57,860 NO. YOU TWO DON'T UNDERSTAND! 767 00:37:57,900 --> 00:37:59,510 YOUR BEST FRIEND IS CURRENTLY 768 00:37:59,550 --> 00:38:01,690 THE MOST DANGEROUS PERSON IN GOTHAM, 769 00:38:01,730 --> 00:38:04,340 AND YOU JUST SET HER LOOSE ON THIS CITY. 770 00:38:15,700 --> 00:38:18,530 RYAN: YOU NEED A HAND? 771 00:38:18,570 --> 00:38:20,270 I NEED A MARY. 772 00:38:26,620 --> 00:38:30,370 I THOUGHT...I COULD RECONNECT WITH MY FAMILY 773 00:38:30,410 --> 00:38:31,850 AND HANDLE BAT DUTIES, 774 00:38:31,890 --> 00:38:34,550 BUT...I BECAME OBLIVIOUS 775 00:38:34,590 --> 00:38:36,330 TO WHAT WAS GOING ON WITH MARY. 776 00:38:38,850 --> 00:38:40,510 I DON'T KNOW WHAT'S WORSE--THAT SHE FELT THAT WAY 777 00:38:40,550 --> 00:38:43,340 OR THAT WE DIDN'T REALIZE IT. 778 00:38:43,380 --> 00:38:46,340 SHE MAY BE INFECTED WITH POISON IVY, 779 00:38:46,380 --> 00:38:49,560 BUT THAT ANGER WAS ALL HER. 780 00:38:49,600 --> 00:38:52,390 I DON'T THINK AN APOLOGY'S GONNA FIX THIS. 781 00:38:52,430 --> 00:38:54,090 EVERYTHING SHE SAID TO ME WAS TRUE. 782 00:38:54,130 --> 00:38:57,390 SHE TRIED TO TELL ME ABOUT AN INCIDENT AT THE PARK, 783 00:38:57,440 --> 00:38:59,350 AND I WAS SO DISTRACTED WITH MY FAMILY DRAMA 784 00:38:59,400 --> 00:39:02,440 I DIDN'T EVEN GIVE HER THE TIME OF DAY. 785 00:39:02,490 --> 00:39:04,360 THIS IS MY FAULT. 786 00:39:06,530 --> 00:39:08,450 WHAT'S THE DAMAGE? 787 00:39:08,490 --> 00:39:12,500 TORN ROTATOR CUFF. I DESERVE IT. 788 00:39:12,540 --> 00:39:14,540 I DIDN'T TAKE HER WARNING ABOUT THE SUIT SERIOUSLY. 789 00:39:14,590 --> 00:39:16,850 OK. WELL, WE'RE TAKING HER SERIOUSLY NOW. 790 00:39:16,890 --> 00:39:18,420 ANY WORD FROM ALICE? 791 00:39:18,460 --> 00:39:19,760 NOT YET. 792 00:39:19,810 --> 00:39:21,640 YEAH. I TOLD SOPHIE TO SHOOT ME A TEXT 793 00:39:21,680 --> 00:39:23,200 WHEN SHE GETS HOME. 794 00:39:23,250 --> 00:39:24,640 IN THE MEANTIME, HAVE EVERY WAYNE SATELLITE 795 00:39:24,680 --> 00:39:26,290 SCANNING FOR HER FACE 24/7 796 00:39:26,340 --> 00:39:27,990 UNTIL WE FIND HER. 797 00:39:28,030 --> 00:39:30,380 -OK. AND THEN WHAT? -IT'S AN INFECTION, RIGHT? 798 00:39:30,430 --> 00:39:32,560 WE'LL MAKE A CURE. 799 00:39:32,600 --> 00:39:34,300 HOW DO YOU SUPPOSE WE DO THAT 800 00:39:34,340 --> 00:39:37,830 WITHOUT OUR TEAM SCIENTIST? 801 00:39:37,870 --> 00:39:39,480 I CALL IN A FAVOR. 802 00:39:41,570 --> 00:39:45,660 GALLEAUX: ♪ SHEDDING A SNAKESKIN ♪ 803 00:39:45,700 --> 00:39:49,620 ♪ HEALING IN THE HEAT OF THE SUN ♪ 804 00:39:49,660 --> 00:39:52,140 ♪ I'M WATCHING... 805 00:39:52,190 --> 00:39:56,060 RENEE: BETTER MAKE THAT TWO. 806 00:39:56,110 --> 00:39:58,720 BAD DAY? 807 00:39:58,760 --> 00:40:03,240 NOT THAT I EVER NEEDED AN EXCUSE. YOU? 808 00:40:03,290 --> 00:40:06,250 YEP. 809 00:40:06,290 --> 00:40:10,470 OH. HOPE I'M NOT MAKING IT WORSE. 810 00:40:10,510 --> 00:40:13,300 BELIEVE IT OR NOT, MONTOYA, 811 00:40:13,340 --> 00:40:14,690 THERE ARE OTHER PEOPLE I'D RATHER NOT 812 00:40:14,730 --> 00:40:16,520 BE DRINKING WITH RIGHT NOW. 813 00:40:16,560 --> 00:40:20,390 GALLEAUX: ♪ AGAIN 814 00:40:20,430 --> 00:40:23,870 ♪ LET THE FIRE BURN TO THE GROUND ♪ 815 00:40:23,920 --> 00:40:28,050 THAT'S THE NICEST THING ANYONE SAID TO ME ALL DAY. 816 00:40:28,090 --> 00:40:32,180 GALLEAUX: ♪ BREATHE THE SMOKE, BREATHE IT IN ♪ 817 00:40:32,230 --> 00:40:35,710 ♪ DON'T STOP UNTIL IT CLEANSES MY SINS ♪ 818 00:40:35,750 --> 00:40:39,670 ♪ I AM REBORN 819 00:40:39,710 --> 00:40:43,410 ♪ I AM REBORN 820 00:40:43,460 --> 00:40:47,850 ♪ OH, I AM REBORN 821 00:40:47,900 --> 00:40:54,080 ♪ I AM REBORN 822 00:40:58,560 --> 00:41:01,340 JADA, IT'S RYAN. 823 00:41:01,390 --> 00:41:02,910 I NEED YOUR HELP. 824 00:41:04,700 --> 00:41:07,440 [BIRDS CHIRPING] 825 00:41:07,480 --> 00:41:09,400 MARY, MARY QUITE CONTRARY, 826 00:41:09,440 --> 00:41:11,530 HOW DOES YOUR GARDEN GROW? 827 00:41:11,570 --> 00:41:13,270 QUITE WELL IT SEEMS FROM ALL THE SIRENS 828 00:41:13,310 --> 00:41:15,620 I'VE BEEN HEARING AROUND TOWN. 829 00:41:15,660 --> 00:41:17,450 IT'S FULLY ELECTRIC, STEPPY. 830 00:41:17,490 --> 00:41:19,540 MARY: IS THAT SUPPOSED TO IMPRESS ME? 831 00:41:19,580 --> 00:41:22,150 UH, YEAH. CONSIDERING IT WAS 10 TIMES HARDER TO HOTWIRE. 832 00:41:22,190 --> 00:41:23,630 SO YOU GONNA TELL ME WHAT YOU DID 833 00:41:23,670 --> 00:41:25,060 TO EVERYONE'S FAVORITE CELLAR DWELLER 834 00:41:25,110 --> 00:41:26,540 AT THE MAYOR'S OFFICE OR WHAT? 835 00:41:26,590 --> 00:41:28,370 ON THE ROAD. 836 00:41:28,410 --> 00:41:30,420 AW. THERE'S THAT PATENTED DR. HAMILTON BEDSIDE MANNER-- 837 00:41:30,460 --> 00:41:32,330 ALL WARM AND CHATTY. 838 00:41:32,380 --> 00:41:33,810 GET IN. 839 00:41:33,860 --> 00:41:37,080 GALLEAUX: ♪ I AM REBORN 840 00:41:37,120 --> 00:41:41,520 ♪ OH, I AM REBORN 841 00:41:41,560 --> 00:41:47,430 ♪ I AM REBORN 842 00:42:13,680 --> 00:42:15,590 MAN: GREG, MOVE YOUR HEAD!