The Hobbit: The Desolation of Smaug English Subtitles

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That's the end of our lunch time.
It's time we went back to work.

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WOMAN:
All right, here we go. Thank you.

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God, it's so brilliant up here.

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You realize how much work
was put into this set.

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I mean, it's-- We're one, two--
We're three stories up now.

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And we're outside in a car park.

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This is where you can really see the situation.
That's the back lot...

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...and the trailer village where we all stay
in Stone Street Studios.

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[CHATTERING]

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My name is Tom Marsh.

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I'm never gonna be on this
because I never am.

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[ALL LAUGHING]

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It's quite a hands-on job.

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They'll definitely get a repaint.

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[SHOUTING]

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It's actually quite tasty.

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MAN:
"A" marker.

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Thank you for joining us here
at Portsmouth Studios.

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I'm Jed Brophy,
I play Nori in the Hobbit films.

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This morning,
you get to see behind the scenes...

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...and how we make these movies
and where we make them.

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And later on, you get to ask Peter Jackson
some questions live.

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And speaking of which,
here's Peter Jackson himself.

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- Good morning, Peter.
- Jed, how are you?

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- What are we gonna look at today?
- Well, we're gonna end up in the cutting room.

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There's something about New Zealand
and Middle-earth that makes sense.

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LILLY:
I loved shooting on location.

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I thought it was the most rewarding part
of the filming experience.

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I love it. I love being outdoors.

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I love being in these locations.
I love being in New Zealand.

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They've really discovered some
insanely beautiful places to shoot at.

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HADLOW:
And here we were making a film...

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...a New Zealand film, The Hobbit.

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Gandalf.

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If what you say is true...

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...the world is in grave danger.

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MAN:
Action!

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Our new blog is sweeping in from the north!
Aah!

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Fall in!

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JACKSON:
And cut!

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Hello. Welcome to the first blog of 2013.

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And this is a block of a few weeks
of shooting we're doing.

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Okay, you ready for this?

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- Ahh!
MAN: Action!

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That's cool.

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Back into it again. It's either a joy or a
bad dream. I'm not actually sure which.

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Action.

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The landing gear for this plane is coming
down again. We have a lot of work to do...

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...to deliver the movie by mid-November.

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SAINDON:
Peter is sort of an arachnophobe...

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...so showing him spider sequences
always freaks him out.

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All right, let's shoot something.

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Feels like being home again.

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JACKSON: We wanna kick
into this movie with a lot of urgency.

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- It's just like the race is on.
- The race is on.

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MAN: Sword.
WILLERTON: We keep saying:

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"Can it get any more intense?"
Then the next week we start the week out...

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...and go, "Yep, this one's more intense."

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BROPHY: Nineteen.
- See?

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Yeah, I've been playing table tennis a lot.

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Hi, I'm Doug Adams. I'm the author
of The Music of Lord of the Rings Films.

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We are here in New York
at Howard Shore's studio.

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So let's head inside
and see who's home.

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Welcome to the writing studio.

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We're gonna talk a little bit about the new score
to The Desolation of Smaug.

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SHORE: This film has the most new
thematic material.

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Everything expands.

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It's kind of like Two Towers.
It's very much a mystery.

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