The Alfred Hitchcock Hour English Subtitles

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Dialogue: 0,0:00:02.90,0:00:05.57,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.09,0:00:26.52,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:37.37,0:00:40.87,Default,,0,0,0,,If you see three young\Nmen with electric guitars,
Dialogue: 0,0:00:40.90,0:00:42.34,Default,,0,0,0,,please send them back.
Dialogue: 0,0:00:42.37,0:00:44.97,Default,,0,0,0,,They seem to have wandered off.
Dialogue: 0,0:00:46.01,0:00:47.88,Default,,0,0,0,,They can't be far, however,
Dialogue: 0,0:00:47.91,0:00:50.08,Default,,0,0,0,,for they are still plugged in,
Dialogue: 0,0:00:50.11,0:00:52.75,Default,,0,0,0,,all evident to the contrary.
Dialogue: 0,0:00:52.78,0:00:55.88,Default,,0,0,0,,I'm convinced that\Nmusic had charms
Dialogue: 0,0:00:55.92,0:00:58.39,Default,,0,0,0,,to soothe the savage breast.
Dialogue: 0,0:00:58.42,0:01:01.26,Default,,0,0,0,,For example, this set of drums
Dialogue: 0,0:01:01.29,0:01:03.53,Default,,0,0,0,,was made by a tribe\Nof Aborigines,
Dialogue: 0,0:01:03.56,0:01:06.90,Default,,0,0,0,,a people completely uncivilized,
Dialogue: 0,0:01:06.93,0:01:09.56,Default,,0,0,0,,yet they built every one
Dialogue: 0,0:01:09.60,0:01:14.14,Default,,0,0,0,,of these lovely instruments\Nout of human skin.
Dialogue: 0,0:01:14.17,0:01:16.20,Default,,0,0,0,,Of course when it\Ncame to drum sticks
Dialogue: 0,0:01:16.24,0:01:18.47,Default,,0,0,0,,they were rather unoriginal.
Dialogue: 0,0:01:19.54,0:01:21.68,Default,,0,0,0,,They made these out of plastic,
Dialogue: 0,0:01:21.71,0:01:25.58,Default,,0,0,0,,which we supply them\Nat a modest profit.
Dialogue: 0,0:01:25.61,0:01:28.25,Default,,0,0,0,,Unfortunately we keep\Nrunning out of salesmen.
Dialogue: 0,0:01:28.28,0:01:32.32,Default,,0,0,0,,This evening's program is\Nnot completely musical.
Dialogue: 0,0:01:32.35,0:01:34.42,Default,,0,0,0,,We also bring you a play.
Dialogue: 0,0:01:34.46,0:01:37.63,Default,,0,0,0,,It concerns violence and revenge
Dialogue: 0,0:01:37.66,0:01:40.13,Default,,0,0,0,,in a small mountain town.
Dialogue: 0,0:01:40.16,0:01:43.23,Default,,0,0,0,,The time, one minute from now.
Dialogue: 0,0:01:46.84,0:01:49.60,Default,,0,0,0,,(dramatic music)

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Dialogue: 0,0:00:03.00,0:00:05.73,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.79,0:00:26.15,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:30.56,0:00:33.36,Default,,0,0,0,,Welcome to the\NDead Letter Office.
Dialogue: 0,0:00:33.40,0:00:36.40,Default,,0,0,0,,I trust you have not\Ncome to mail any letters
Dialogue: 0,0:00:36.43,0:00:38.13,Default,,0,0,0,,that are still wriggling.
Dialogue: 0,0:00:38.17,0:00:40.47,Default,,0,0,0,,We now have a firm\Npolicy from which
Dialogue: 0,0:00:40.50,0:00:43.64,Default,,0,0,0,,we are not permitted to waiver.
Dialogue: 0,0:00:43.67,0:00:46.34,Default,,0,0,0,,All letters must\Nbe dead on arrival.
Dialogue: 0,0:00:46.37,0:00:48.84,Default,,0,0,0,,I don't know why\Nthis was necessary.
Dialogue: 0,0:00:48.88,0:00:52.21,Default,,0,0,0,,If any of the letters were\Nnot dead when they arrived,
Dialogue: 0,0:00:52.25,0:00:55.82,Default,,0,0,0,,they certainly would be\Nbefore we finished with them.
Dialogue: 0,0:00:55.85,0:00:56.95,Default,,0,0,0,,(thunking)
Dialogue: 0,0:00:56.99,0:00:58.49,Default,,0,0,0,,(woman screams)
Dialogue: 0,0:00:58.52,0:01:00.56,Default,,0,0,0,,(thunking)
Dialogue: 0,0:01:00.59,0:01:03.76,Default,,0,0,0,,This evening we present\NChange of Address.
Dialogue: 0,0:01:03.79,0:01:07.20,Default,,0,0,0,,It is about a woman who\Nhas definite reservations
Dialogue: 0,0:01:07.23,0:01:11.20,Default,,0,0,0,,about the house she and\Nher husband are renting,
Dialogue: 0,0:01:11.23,0:01:15.87,Default,,0,0,0,,doubts which are vague\Nbut very disturbing.
Dialogue: 0,0:01:15.90,0:01:18.87,Default,,0,0,0,,There is one person whose\Nmessages unfortunately
Dialogue: 0,0:01:18.91,0:01:22.18,Default,,0,0,0,,never find their\Nway into our office.
Dialogue: 0,0:01:22.21,0:01:25.75,Default,,0,0,0,,They are all too\Nclearly addressed.
Dialogue: 0,0:01:25.78,0:01:29.38,Default,,0,0,0,,That person is our sponsor
Dialogue: 0,0:01:29.42,0:01:32.22,Default,,0,0,0,,and an example of\Nhis work follows.
Dialogue: 0,0:01:36.62,0:01:39.13,Default,,0,0,0,,(gentle music)
Dialogue: 0,0:02:03.12,0:02:05.59,Default,,0,0,0,,(tense music)
Dialogue: 0,0:03:58.53,0:04:00.67,Default,,0,0,0,,(laughing)

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Dialogue: 0,0:00:02.90,0:00:05.43,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.05,0:00:25.89,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:28.56,0:00:33.56,Default,,0,0,0,,Fellow citizens, I am now about\Nto launch another campaign.
Dialogue: 0,0:00:34.73,0:00:38.53,Default,,0,0,0,,My party chose this\Nas their platform.
Dialogue: 0,0:00:38.57,0:00:41.14,Default,,0,0,0,,It is a very practical party.
Dialogue: 0,0:00:41.17,0:00:44.71,Default,,0,0,0,,I have always thought it\Nwas much more dignified
Dialogue: 0,0:00:44.74,0:00:49.54,Default,,0,0,0,,to stand for a seat than\Nto run for an office.
Dialogue: 0,0:00:49.58,0:00:51.85,Default,,0,0,0,,But if it is necessary to run,
Dialogue: 0,0:00:51.88,0:00:56.05,Default,,0,0,0,,then I say be as\Ncomfortable as possible.
Dialogue: 0,0:00:56.08,0:01:01.06,Default,,0,0,0,,By the way, I'm not\Nlooking for an honest man.
Dialogue: 0,0:01:01.09,0:01:05.13,Default,,0,0,0,,That would be rather absurd\Non a political campaign.
Dialogue: 0,0:01:05.16,0:01:10.17,Default,,0,0,0,,In order to conserve funds,\NI'm also doubling as brake man.
Dialogue: 0,0:01:12.07,0:01:15.37,Default,,0,0,0,,(steam whistle toots)
Dialogue: 0,0:01:15.40,0:01:20.41,Default,,0,0,0,,During my absence, our players\Nwill present Water's Edge,
Dialogue: 0,0:01:21.58,0:01:25.08,Default,,0,0,0,,a story which is as far\Nremoved from politics
Dialogue: 0,0:01:25.08,0:01:26.51,Default,,0,0,0,,as one could get.
Dialogue: 0,0:01:26.55,0:01:28.52,Default,,0,0,0,,It begins in a prison.
Dialogue: 0,0:01:28.55,0:01:32.09,Default,,0,0,0,,It concerns thieves and\Nmurderers, but most of all
Dialogue: 0,0:01:32.09,0:01:35.52,Default,,0,0,0,,it concerns an uncontrollable\Nlust for money.
Dialogue: 0,0:01:36.69,0:01:40.23,Default,,0,0,0,,And money reminds me\Nof this next item.
Dialogue: 0,0:01:42.86,0:01:45.63,Default,,0,0,0,,(dramatic music)
Dialogue: 0,0:02:09.06,0:02:11.73,Default,,0,0,0,,(Mike coughing)
Dialogue: 0,0:02:20.50,0:02:22.94,Default,,0,0,0,,- [Guard] You okay, Krause?
Dialogue: 0,0:02:22.97,0:02:24.31,Default,,0,0,0,,- I'm all right.
Dialogue: 0,0:02:27.38,0:02:30.08,Default,,0,0,0,,(Mike coughing)
Dialogue: 0,0:02:33.88,0:02:34.72,Default,,0,0,0,,- Mike?

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Dialogue: 0,0:00:02.46,0:00:06.30,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.65,0:00:26.82,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:28.59,0:00:31.23,Default,,0,0,0,,(spring uncoils)
Dialogue: 0,0:00:36.20,0:00:40.60,Default,,0,0,0,,I trust I didn't\Nfrighten you unduly.
Dialogue: 0,0:00:40.64,0:00:43.87,Default,,0,0,0,,I customarily pop up\Nmuch more quickly,
Dialogue: 0,0:00:43.91,0:00:46.61,Default,,0,0,0,,but my spring is bent.
Dialogue: 0,0:00:46.64,0:00:48.04,Default,,0,0,0,,I also hope you will\Nexcuse this rather
Dialogue: 0,0:00:48.08,0:00:51.91,Default,,0,0,0,,light-hearted\Nopening for our show.
Dialogue: 0,0:00:51.95,0:00:55.85,Default,,0,0,0,,But tonight's story is some\Nwhat different than usual.
Dialogue: 0,0:00:55.88,0:01:00.82,Default,,0,0,0,,I thought that my usual gallows\Nhumor might not be suitable.
Dialogue: 0,0:01:01.86,0:01:03.53,Default,,0,0,0,,Our story takes place in Mexico.
Dialogue: 0,0:01:03.56,0:01:08.53,Default,,0,0,0,,It concerns death and burial\Nand tells of an eerie battle
Dialogue: 0,0:01:09.73,0:01:11.83,Default,,0,0,0,,between a grave digger\Nand a courageous woman.
Dialogue: 0,0:01:11.87,0:01:18.97,Default,,0,0,0,,It follows in 60 seconds.
Dialogue: 0,0:01:46.37,0:01:48.84,Default,,0,0,0,,(horn honks)
Dialogue: 0,0:01:52.11,0:01:54.51,Default,,0,0,0,,(dark dramatic music)
Dialogue: 0,0:02:08.06,0:02:09.52,Default,,0,0,0,,- [Female Tourist] No thank you.
Dialogue: 0,0:02:11.33,0:02:12.16,Default,,0,0,0,,- No thanks, we have one.
Dialogue: 0,0:02:15.70,0:02:16.16,Default,,0,0,0,,- This is the cemetery, yes.
Dialogue: 0,0:02:18.53,0:02:21.44,Default,,0,0,0,,Yes, this is the cemetery...
Dialogue: 0,0:02:21.47,0:02:23.87,Default,,0,0,0,,Yes, you come to see the mummies
Dialogue: 0,0:02:23.91,0:02:25.74,Default,,0,0,0,,and you come a long way.
Dialogue: 0,0:02:25.77,0:02:27.41,Default,,0,0,0,,They're here, they're\Nhere, come in, come in.
Dialogue: 0,0:02:27.44,0:02:31.71,Default,,0,0,0,,Admission one peso,\Nvery reasonable.
Dialogue: 0,0:02:31.75,0:02:33.88,Default,,0,0,0,,The only mummies of their kind
Dialogue: 0,0:02:33.92,0:02:36.35,Default,,0,0,0,,on the whole North\NAmerican continent.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:24.09,0:00:25.15,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:29.66,0:00:33.19,Default,,0,0,0,,I am attempting to assist\Nmy brother, Alfred,
Dialogue: 0,0:00:33.23,0:00:36.50,Default,,0,0,0,,in introducing this\Nevening's chilling shocker.
Dialogue: 0,0:00:36.53,0:00:39.93,Default,,0,0,0,,It is called See the Monkey\NDance.
Dialogue: 0,0:00:41.17,0:00:44.61,Default,,0,0,0,,There seems to be no\Nend to the humiliations
Dialogue: 0,0:00:44.64,0:00:48.41,Default,,0,0,0,,which I suffer in the\Nname of art and profit.
Dialogue: 0,0:00:48.44,0:00:51.61,Default,,0,0,0,,See the Monkey Dance, indeed.
Dialogue: 0,0:00:51.65,0:00:54.65,Default,,0,0,0,,One of the disadvantages of show\Nbusiness
Dialogue: 0,0:00:54.68,0:00:57.89,Default,,0,0,0,,is that although it is sometimes\Npossible
Dialogue: 0,0:00:57.92,0:00:59.92,Default,,0,0,0,,to put the actors on strings,
Dialogue: 0,0:00:59.95,0:01:04.33,Default,,0,0,0,,the audience is considerably\Nmore difficult to manage.
Dialogue: 0,0:01:04.36,0:01:08.36,Default,,0,0,0,,We are experimenting with\Na limited type of control,
Dialogue: 0,0:01:08.40,0:01:13.57,Default,,0,0,0,,using a single string and\Ntying them to their seats.
Dialogue: 0,0:01:13.60,0:01:18.27,Default,,0,0,0,,Tonight's play is indeed\Nentitled See the Monkey Dance.
Dialogue: 0,0:01:18.31,0:01:22.11,Default,,0,0,0,,It is a story of a man who finds\Nhimself
Dialogue: 0,0:01:22.14,0:01:24.55,Default,,0,0,0,,involved in a mad charade
Dialogue: 0,0:01:24.58,0:01:28.15,Default,,0,0,0,,which he neither\Nunderstands nor can escape.
Dialogue: 0,0:01:28.18,0:01:31.25,Default,,0,0,0,,It begins in a few moments.
Dialogue: 0,0:02:19.57,0:02:21.67,Default,,0,0,0,,- [Conductor] Langendolen.
Dialogue: 0,0:02:23.81,0:02:24.97,Default,,0,0,0,,- I say, how long are we\Nstopping here?
Dialogue: 0,0:02:25.07,0:02:27.08,Default,,0,0,0,,- [Conductor] Three or four\Nminutes, that's all, sir.
Dialogue: 0,0:02:27.08,0:02:28.08,Default,,0,0,0,,- Thank you.
Dialogue: 0,0:02:36.95,0:02:38.99,Default,,0,0,0,,(phone dinging)
Dialogue: 0,0:02:44.89,0:02:46.39,Default,,0,0,0,,- [Operator] Linwood exchange.
Dialogue: 0,0:02:46.43,0:02:47.60,Default,,0,0,0,,- Hello, miss?
Dialogue: 0,0:02:47.63,0:02:48.33,Default,,0,0,0,,- [Operator] Number please.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.30,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.15,0:00:26.09,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.76,0:00:29.96,Default,,0,0,0,,This is a wishing well.
Dialogue: 0,0:00:29.99,0:00:33.80,Default,,0,0,0,,It is a very ancient, romantic,
Dialogue: 0,0:00:33.83,0:00:38.47,Default,,0,0,0,,and profitable institution.\N(water burbling)
Dialogue: 0,0:00:41.30,0:00:42.64,Default,,0,0,0,,Naturally.
Dialogue: 0,0:00:42.67,0:00:45.01,Default,,0,0,0,,(coins clanking)
Dialogue: 0,0:00:45.04,0:00:47.24,Default,,0,0,0,,We through the\Nsmaller ones back.
Dialogue: 0,0:00:47.28,0:00:48.58,Default,,0,0,0,,(coin splashing)
Dialogue: 0,0:00:48.61,0:00:50.58,Default,,0,0,0,,Into the water, of course.
Dialogue: 0,0:00:50.61,0:00:52.95,Default,,0,0,0,,It's the sporting thing to do.
Dialogue: 0,0:00:52.98,0:00:56.42,Default,,0,0,0,,It is very interesting how\Nthe wishing well got its name.
Dialogue: 0,0:00:56.45,0:00:58.49,Default,,0,0,0,,It seems a young man was wishing
Dialogue: 0,0:00:58.52,0:01:00.89,Default,,0,0,0,,he could find a\Nway to make money,
Dialogue: 0,0:01:00.92,0:01:02.59,Default,,0,0,0,,then he though of this.
Dialogue: 0,0:01:02.62,0:01:05.79,Default,,0,0,0,,You will find no wishing\Nwell in tonight's story,
Dialogue: 0,0:01:05.83,0:01:08.30,Default,,0,0,0,,but the setting\Nis a bucolic one,
Dialogue: 0,0:01:08.33,0:01:10.70,Default,,0,0,0,,where there is\Nprivacy and quiet,
Dialogue: 0,0:01:10.73,0:01:14.60,Default,,0,0,0,,and where help is far, far away.
Dialogue: 0,0:01:14.64,0:01:17.57,Default,,0,0,0,,All this begins in\Njust 60 seconds.
Dialogue: 0,0:01:19.84,0:01:22.41,Default,,0,0,0,,(gentle music)
Dialogue: 0,0:01:46.67,0:01:49.64,Default,,0,0,0,,(utensils clanking)
Dialogue: 0,0:02:03.05,0:02:05.79,Default,,0,0,0,,- It's some hard\Nwork ahead of you.
Dialogue: 0,0:02:05.82,0:02:06.86,Default,,0,0,0,,Take some more ham.
Dialogue: 0,0:02:08.69,0:02:10.26,Default,,0,0,0,,- I guess I'll need the energy.
Dialogue: 0,0:02:12.96,0:02:14.43,Default,,0,0,0,,- Want another glass of milk?

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Dialogue: 0,0:00:02.90,0:00:06.63,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.15,0:00:26.02,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:28.39,0:00:30.73,Default,,0,0,0,,Appearances to the contrary,
Dialogue: 0,0:00:30.76,0:00:34.33,Default,,0,0,0,,this is not a hip flask\Nfor scotch whisky.
Dialogue: 0,0:00:34.36,0:00:36.46,Default,,0,0,0,,These are bagpipes.
Dialogue: 0,0:00:36.50,0:00:40.07,Default,,0,0,0,,I understand that the\Ninventor of the bagpipes
Dialogue: 0,0:00:40.10,0:00:43.10,Default,,0,0,0,,was inspired when he saw a man
Dialogue: 0,0:00:43.14,0:00:48.11,Default,,0,0,0,,carrying an indignant,\Nasthmatic pig under his arm.
Dialogue: 0,0:00:49.28,0:00:51.08,Default,,0,0,0,,Unfortunately,\Nthe man-made music
Dialogue: 0,0:00:51.11,0:00:55.88,Default,,0,0,0,,has never equaled the purity\Nof sound achieved by the pig.
Dialogue: 0,0:00:55.92,0:00:58.39,Default,,0,0,0,,Two of the characters\Nin tonight's story
Dialogue: 0,0:00:58.42,0:01:02.56,Default,,0,0,0,,are people who actually lived\Nduring the 19th century.
Dialogue: 0,0:01:02.59,0:01:07.16,Default,,0,0,0,,These two made a large number\Nof contributions to science,
Dialogue: 0,0:01:07.20,0:01:09.90,Default,,0,0,0,,and science returned the favor.
Dialogue: 0,0:01:09.93,0:01:12.80,Default,,0,0,0,,And now a word from a\Nladdie who wants you
Dialogue: 0,0:01:12.83,0:01:16.07,Default,,0,0,0,,to buy his product so\Nthat he can continue
Dialogue: 0,0:01:16.07,0:01:19.71,Default,,0,0,0,,making trips to those\Nbonny, bonny banks.
Dialogue: 0,0:01:22.14,0:01:24.88,Default,,0,0,0,,(Scottish music)
Dialogue: 0,0:01:46.47,0:01:47.64,Default,,0,0,0,,- Rags, bones.
Dialogue: 0,0:01:51.94,0:01:53.68,Default,,0,0,0,,Hair, bones--
Dialogue: 0,0:01:53.71,0:01:57.61,Default,,0,0,0,,* Won't someone buy my matches *
Dialogue: 0,0:02:07.49,0:02:09.59,Default,,0,0,0,,(snores)
Dialogue: 0,0:02:20.90,0:02:22.50,Default,,0,0,0,,- Thief!
Dialogue: 0,0:02:22.54,0:02:23.67,Default,,0,0,0,,Robber!
Dialogue: 0,0:02:23.71,0:02:24.94,Default,,0,0,0,,Whisky stealer!
Dialogue: 0,0:02:26.11,0:02:27.98,Default,,0,0,0,,- Oh Aggie, love,\Ngive us a wee drop.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.97,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.99,0:00:26.42,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.79,0:00:30.79,Default,,0,0,0,,Welcome to the Hitchcock\NPavilion of the World's Fair.
Dialogue: 0,0:00:32.23,0:00:36.83,Default,,0,0,0,,The lack of activity at this\Nstand is rather embarrassing,
Dialogue: 0,0:00:37.70,0:00:39.27,Default,,0,0,0,,especially when I tell you that
Dialogue: 0,0:00:39.30,0:00:42.57,Default,,0,0,0,,I'm buying kisses\Nnot selling them.
Dialogue: 0,0:00:42.60,0:00:45.91,Default,,0,0,0,,It all seemed like\Nsuch a good idea,
Dialogue: 0,0:00:45.94,0:00:48.08,Default,,0,0,0,,buying some kisses for a dollar
Dialogue: 0,0:00:48.11,0:00:51.28,Default,,0,0,0,,and then turning around\Nand selling them for two.
Dialogue: 0,0:00:51.31,0:00:55.35,Default,,0,0,0,,Unfortunately, just after\Ngoing into business,
Dialogue: 0,0:00:55.38,0:00:59.62,Default,,0,0,0,,I discovered that several\Nunscrupulous persons
Dialogue: 0,0:00:59.65,0:01:01.52,Default,,0,0,0,,were giving them away.
Dialogue: 0,0:01:01.56,0:01:04.63,Default,,0,0,0,,I shall probably lose\Nmy entire investment,
Dialogue: 0,0:01:04.66,0:01:09.30,Default,,0,0,0,,this stand, a crate of\Nlemons and a pound of alum.
Dialogue: 0,0:01:09.33,0:01:12.43,Default,,0,0,0,,After all, with lips like mine,
Dialogue: 0,0:01:12.47,0:01:15.07,Default,,0,0,0,,puckering could be a problem.
Dialogue: 0,0:01:15.07,0:01:18.91,Default,,0,0,0,,This evening's story concerns\Nsome rather bizarre events,
Dialogue: 0,0:01:18.94,0:01:21.61,Default,,0,0,0,,which take place in\Na very ordinary home
Dialogue: 0,0:01:21.64,0:01:24.08,Default,,0,0,0,,in very ordinary surroundings,
Dialogue: 0,0:01:24.08,0:01:26.61,Default,,0,0,0,,the suburbs of a large city.
Dialogue: 0,0:01:26.65,0:01:29.42,Default,,0,0,0,,It is called "Misadventure",
Dialogue: 0,0:01:29.45,0:01:31.92,Default,,0,0,0,,and begins just as\Nquickly as we can
Dialogue: 0,0:01:31.95,0:01:33.62,Default,,0,0,0,,run through this\Nnext commercial.
Dialogue: 0,0:02:11.26,0:02:14.26,Default,,0,0,0,,(telephone ringing)
Dialogue: 0,0:02:17.77,0:02:21.50,Default,,0,0,0,,- [George] If that's for me,\NI'll be right there, darling.
Dialogue: 0,0:02:21.54,0:02:23.47,Default,,0,0,0,,- Hello.\N- Hello.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.03,0:00:06.27,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.82,0:00:25.82,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.32,0:00:31.06,Default,,0,0,0,,A palmist recommended that\NI open a butcher shop.
Dialogue: 0,0:00:31.09,0:00:32.86,Default,,0,0,0,,Actually, she\Ndidn't read my palm.
Dialogue: 0,0:00:34.20,0:00:37.47,Default,,0,0,0,,She got no further\Nthan my thumb.
Dialogue: 0,0:00:37.50,0:00:41.37,Default,,0,0,0,,She felt I was well\Nendowed for the position.
Dialogue: 0,0:00:41.40,0:00:42.90,Default,,0,0,0,,I have a chopping block
Dialogue: 0,0:00:44.11,0:00:45.61,Default,,0,0,0,,and a cold room.
Dialogue: 0,0:00:47.91,0:00:49.18,Default,,0,0,0,,Are you decent?
Dialogue: 0,0:00:50.38,0:00:53.25,Default,,0,0,0,,I want to be sure that\Nall the meat is dressed.
Dialogue: 0,0:01:02.72,0:01:06.76,Default,,0,0,0,,This evening's play takes\Nplace in the Far East.
Dialogue: 0,0:01:06.80,0:01:11.40,Default,,0,0,0,,However, it is the Occidentals\Nwho prove inscrutable.
Dialogue: 0,0:01:11.43,0:01:14.57,Default,,0,0,0,,The story also shatters\Nanother cliche,
Dialogue: 0,0:01:14.60,0:01:17.41,Default,,0,0,0,,when it demonstrates\Nthat a rectangle
Dialogue: 0,0:01:17.44,0:01:20.11,Default,,0,0,0,,can be just as\Ndramatic as a triangle.
Dialogue: 0,0:01:20.14,0:01:23.98,Default,,0,0,0,,But first, a word\Nfrom a gentleman
Dialogue: 0,0:01:24.08,0:01:27.12,Default,,0,0,0,,who is always welcome\Nto enjoy the hospitality
Dialogue: 0,0:01:27.15,0:01:30.19,Default,,0,0,0,,of my air-conditioned\Nguest room.
Dialogue: 0,0:01:30.99,0:01:31.22,Default,,0,0,0,,Our sponsor.
Dialogue: 0,0:01:59.11,0:02:01.68,Default,,0,0,0,,(birds chirping)
Dialogue: 0,0:02:10.96,0:02:13.43,Default,,0,0,0,,- [Mary] Do not be too\Neffusive until you know
Dialogue: 0,0:02:13.46,0:02:16.06,Default,,0,0,0,,why the Society sent him.
Dialogue: 0,0:02:16.06,0:02:17.40,Default,,0,0,0,,- [Thomas] You told me before.
Dialogue: 0,0:02:19.07,0:02:20.27,Default,,0,0,0,,- [Mary] Warned you.
Dialogue: 0,0:02:20.30,0:02:23.07,Default,,0,0,0,,- [Thomas] Warned me\Na dozen times before.
Dialogue: 0,0:02:23.10,0:02:24.27,Default,,0,0,0,,- [Mary] Would you rather I not

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.33,0:00:04.87,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.79,0:00:24.89,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.39,0:00:29.72,Default,,0,0,0,,The game of hockey\Nseems to combine
Dialogue: 0,0:00:29.76,0:00:33.96,Default,,0,0,0,,all the best elements\Nof ice skating, polo,
Dialogue: 0,0:00:34.00,0:00:36.33,Default,,0,0,0,,and World War II.
Dialogue: 0,0:00:36.36,0:00:40.27,Default,,0,0,0,,However, we have found a method\Nfor reducing the fighting
Dialogue: 0,0:00:40.30,0:00:42.37,Default,,0,0,0,,and speeding up the game.
Dialogue: 0,0:00:42.40,0:00:45.97,Default,,0,0,0,,We play over 10 feet of\Nwater on melting ice,
Dialogue: 0,0:00:46.01,0:00:48.38,Default,,0,0,0,,it keeps the players\Nquite lively.
Dialogue: 0,0:00:48.41,0:00:49.84,Default,,0,0,0,,While dangerous, of course,
Dialogue: 0,0:00:49.88,0:00:53.95,Default,,0,0,0,,occasionally a bobbing head\Nis mistaken for the puck.
Dialogue: 0,0:00:53.98,0:00:57.85,Default,,0,0,0,,This is most unfortunate\Nbecause goals scored in this way
Dialogue: 0,0:00:57.89,0:00:59.79,Default,,0,0,0,,are not counted.
Dialogue: 0,0:00:59.82,0:01:03.79,Default,,0,0,0,,Tonight's tale is called\N"Memo from Purgatory"
Dialogue: 0,0:01:03.83,0:01:05.56,Default,,0,0,0,,and is about a young man
Dialogue: 0,0:01:05.59,0:01:07.83,Default,,0,0,0,,who wanted to learn\Nabout youth gangs
Dialogue: 0,0:01:07.86,0:01:10.53,Default,,0,0,0,,by personal experience.
Dialogue: 0,0:01:10.57,0:01:14.07,Default,,0,0,0,,He discovers that viewing\Njuvenile delinquents
Dialogue: 0,0:01:14.07,0:01:17.47,Default,,0,0,0,,at close range can be\Nextremely dangerous.
Dialogue: 0,0:01:17.51,0:01:21.34,Default,,0,0,0,,And now we are only a few\Nseconds away from a commercial
Dialogue: 0,0:01:21.38,0:01:23.88,Default,,0,0,0,,which is as close\Nas I care to get.
Dialogue: 0,0:01:27.28,0:01:30.19,Default,,0,0,0,,(bright jazz music)
Dialogue: 0,0:01:47.24,0:01:51.41,Default,,0,0,0,,- I have finally made it to\NNew York to become a writer
Dialogue: 0,0:01:51.44,0:01:54.54,Default,,0,0,0,,with $300 I'd saved from\Nworking in a lithographing shop
Dialogue: 0,0:01:54.58,0:01:57.25,Default,,0,0,0,,I had quite Ohio\NState University
Dialogue: 0,0:01:57.28,0:02:00.05,Default,,0,0,0,,and come to find out if\Nthe streets of Manhattan

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.17,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.15,0:00:26.15,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:29.06,0:00:31.36,Default,,0,0,0,,Perhaps you have already\Nheard of the latest
Dialogue: 0,0:00:31.39,0:00:35.83,Default,,0,0,0,,in telephone services,\NDial Analysis.
Dialogue: 0,0:00:35.86,0:00:38.37,Default,,0,0,0,,It has been instituted in places
Dialogue: 0,0:00:38.40,0:00:41.60,Default,,0,0,0,,suffering from a shortage\Nof psychoanalysts
Dialogue: 0,0:00:41.64,0:00:44.91,Default,,0,0,0,,or a shortage of money\Nwith which to pay them.
Dialogue: 0,0:00:52.75,0:00:54.05,Default,,0,0,0,,(phone ringing)
Dialogue: 0,0:00:54.08,0:00:55.45,Default,,0,0,0,,- [Man On Recording]\NHow do you do?
Dialogue: 0,0:00:55.48,0:00:56.99,Default,,0,0,0,,This is Dial Analysis.
Dialogue: 0,0:00:58.29,0:00:59.49,Default,,0,0,0,,When you hear the signal,
Dialogue: 0,0:00:59.52,0:01:01.62,Default,,0,0,0,,begin telling Dial\NAnalysis your problem.
Dialogue: 0,0:01:02.72,0:01:04.83,Default,,0,0,0,,Continue until you\Nhear the second signal.
Dialogue: 0,0:01:06.09,0:01:07.93,Default,,0,0,0,,The recording you will\Nmake will be monitored
Dialogue: 0,0:01:07.96,0:01:11.20,Default,,0,0,0,,at a later time by one of\Nour resident psychiatrists.
Dialogue: 0,0:01:11.23,0:01:13.90,Default,,0,0,0,,(machine beeps)
Dialogue: 0,0:01:14.84,0:01:15.67,Default,,0,0,0,,- Dear sir.
Dialogue: 0,0:01:19.71,0:01:21.08,Default,,0,0,0,,Gentlemen.
Dialogue: 0,0:01:23.58,0:01:25.08,Default,,0,0,0,,Mama?
Dialogue: 0,0:01:25.11,0:01:26.31,Default,,0,0,0,,(machine beeps)
Dialogue: 0,0:01:26.35,0:01:27.35,Default,,0,0,0,,- [Man On Recording] I'm\Nafraid that is the end
Dialogue: 0,0:01:27.38,0:01:28.95,Default,,0,0,0,,of today's session.
Dialogue: 0,0:01:28.98,0:01:31.75,Default,,0,0,0,,Please call tomorrow\Nat the same time.
Dialogue: 0,0:01:31.79,0:01:32.62,Default,,0,0,0,,Pleasant dreams.
Dialogue: 0,0:01:37.43,0:01:40.96,Default,,0,0,0,,- Any problems or\Nneuroses indicated
Dialogue: 0,0:01:41.00,0:01:43.37,Default,,0,0,0,,by the preceding are my own

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.33,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.09,0:00:26.52,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:31.16,0:00:33.53,Default,,0,0,0,,I'm doing a bit of surveying.
Dialogue: 0,0:00:33.56,0:00:36.67,Default,,0,0,0,,We thought we would\Nstraighten out this channel.
Dialogue: 0,0:00:36.70,0:00:39.60,Default,,0,0,0,,Some of the commercials have\Nbeen scraping their sides
Dialogue: 0,0:00:39.63,0:00:41.30,Default,,0,0,0,,as they go through.
Dialogue: 0,0:00:41.34,0:00:43.00,Default,,0,0,0,,It would be dreadful\Nif one of them
Dialogue: 0,0:00:43.04,0:00:44.77,Default,,0,0,0,,were to become stuck.
Dialogue: 0,0:00:44.81,0:00:48.58,Default,,0,0,0,,Since no one will hear of\Nmaking the commercials smaller
Dialogue: 0,0:00:48.61,0:00:51.41,Default,,0,0,0,,we must make the channel larger.
Dialogue: 0,0:00:51.45,0:00:54.15,Default,,0,0,0,,So much for television surveys.
Dialogue: 0,0:00:54.18,0:00:56.32,Default,,0,0,0,,This evening we are\Npresenting a story
Dialogue: 0,0:00:56.35,0:00:57.49,Default,,0,0,0,,of the business world.
Dialogue: 0,0:00:57.52,0:01:00.82,Default,,0,0,0,,And of an ingeniously\Nplanned crime.
Dialogue: 0,0:01:00.86,0:01:04.53,Default,,0,0,0,,It is called "Crimson Witness".
Dialogue: 0,0:01:04.56,0:01:09.43,Default,,0,0,0,,I have a target in my sight\Nthat is most tempting.
Dialogue: 0,0:01:09.46,0:01:11.67,Default,,0,0,0,,But I have no ammunition.
Dialogue: 0,0:01:13.07,0:01:14.80,Default,,0,0,0,,You may see for yourselves.
Dialogue: 0,0:01:19.64,0:01:22.21,Default,,0,0,0,,(gentle music)
Dialogue: 0,0:01:43.50,0:01:46.00,Default,,0,0,0,,(jazzy music)
Dialogue: 0,0:03:17.13,0:03:17.96,Default,,0,0,0,,- You're early.
Dialogue: 0,0:03:21.06,0:03:23.06,Default,,0,0,0,,- What's the matter?
Dialogue: 0,0:03:23.06,0:03:24.83,Default,,0,0,0,,- Ernest, it's just too early.
Dialogue: 0,0:03:29.37,0:03:31.17,Default,,0,0,0,,- It is never too early.
Dialogue: 0,0:03:33.11,0:03:33.94,Default,,0,0,0,,- [Woman] Don't.
Dialogue: 0,0:03:35.94,0:03:38.51,Default,,0,0,0,,- Barbara you've been\Nbrushing me off all week.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.37,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.35,0:00:26.22,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:31.06,0:00:36.06,Default,,0,0,0,,As you can see, I'm in training\Nfor a pie-eating contest.
Dialogue: 0,0:00:37.93,0:00:41.74,Default,,0,0,0,,I take all athletic\Nmatches seriously.
Dialogue: 0,0:00:41.77,0:00:44.01,Default,,0,0,0,,I've been practicing\Nfor some weeks now
Dialogue: 0,0:00:44.04,0:00:48.41,Default,,0,0,0,,and have myself honed\Nto a razor-sharp edge.
Dialogue: 0,0:00:48.44,0:00:51.98,Default,,0,0,0,,Furthermore, I do not\Nexpect to have any trouble
Dialogue: 0,0:00:52.01,0:00:52.95,Default,,0,0,0,,making the weight.
Dialogue: 0,0:00:54.42,0:00:57.75,Default,,0,0,0,,This evening, in addition\Nto a pie-eating contest,
Dialogue: 0,0:00:57.79,0:01:00.69,Default,,0,0,0,,we are presenting\Na story entitled
Dialogue: 0,0:01:00.72,0:01:03.06,Default,,0,0,0,,Where the Woodbine Twineth,
Dialogue: 0,0:01:03.09,0:01:07.73,Default,,0,0,0,,or, as our network insists\Non calling it, WT2.
Dialogue: 0,0:01:09.13,0:01:12.67,Default,,0,0,0,,Where the Woodbine Twineth\Nis about a little girl
Dialogue: 0,0:01:12.70,0:01:15.40,Default,,0,0,0,,who had some\Nimaginary playmates.
Dialogue: 0,0:01:15.44,0:01:18.54,Default,,0,0,0,,This would not seem to be\Na very serious problem,
Dialogue: 0,0:01:18.57,0:01:20.08,Default,,0,0,0,,but it was.
Dialogue: 0,0:01:20.08,0:01:21.58,Default,,0,0,0,,It was.
Dialogue: 0,0:01:21.61,0:01:24.51,Default,,0,0,0,,We now have a different\Nkind of competition,
Dialogue: 0,0:01:24.55,0:01:26.65,Default,,0,0,0,,an endurance contest.
Dialogue: 0,0:01:26.68,0:01:28.08,Default,,0,0,0,,The question is,
Dialogue: 0,0:01:28.12,0:01:32.92,Default,,0,0,0,,how many of you can endure\Nthe next 60 seconds?
Dialogue: 0,0:01:36.22,0:01:39.89,Default,,0,0,0,,(haunting orchestral music)
Dialogue: 0,0:02:03.72,0:02:06.69,Default,,0,0,0,,- To everything,\Nthere is a season
Dialogue: 0,0:02:06.72,0:02:10.36,Default,,0,0,0,,and a time to every\Npurpose under the heaven.
Dialogue: 0,0:02:11.56,0:02:14.70,Default,,0,0,0,,A time to be born\Nand a time to die.
Dialogue: 0,0:02:15.56,0:02:17.13,Default,,0,0,0,,A time to plant,

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.80,0:00:05.40,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.09,0:00:26.42,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.99,0:00:30.66,Default,,0,0,0,,(guns roaring)
Dialogue: 0,0:00:36.26,0:00:39.40,Default,,0,0,0,,Seems to have been a\Nbit of an uprising here
Dialogue: 0,0:00:39.43,0:00:42.00,Default,,0,0,0,,by a group that is\Nlong on principle
Dialogue: 0,0:00:42.04,0:00:44.51,Default,,0,0,0,,and short on marksmanship.
Dialogue: 0,0:00:48.74,0:00:51.95,Default,,0,0,0,,If you're disturbed by\Nwhat they did to the wall,
Dialogue: 0,0:00:51.98,0:00:52.95,Default,,0,0,0,,just imagine what\Nthey did to my shirt
Dialogue: 0,0:00:55.58,0:00:56.79,Default,,0,0,0,,and my tie.
Dialogue: 0,0:00:58.89,0:01:01.26,Default,,0,0,0,,It's completely ruined.
Dialogue: 0,0:01:01.29,0:01:04.89,Default,,0,0,0,,The leader of the firing squad\Nused to do this at parties
Dialogue: 0,0:01:04.93,0:01:06.73,Default,,0,0,0,,using a pair of scissors.
Dialogue: 0,0:01:06.76,0:01:08.56,Default,,0,0,0,,It is comforting to know
Dialogue: 0,0:01:08.60,0:01:11.73,Default,,0,0,0,,he has not lost\Nhis sense of humor.
Dialogue: 0,0:01:11.77,0:01:15.44,Default,,0,0,0,,Tonight's narrative is\Ncalled Final Performance.
Dialogue: 0,0:01:15.47,0:01:17.17,Default,,0,0,0,,Although whose performance,
Dialogue: 0,0:01:17.21,0:01:19.84,Default,,0,0,0,,I shall let you\Ndiscover for yourselves.
Dialogue: 0,0:01:19.87,0:01:21.38,Default,,0,0,0,,It begins in one minute.
Dialogue: 0,0:02:11.06,0:02:13.09,Default,,0,0,0,,- Hi, you goin' to Rawlins?
Dialogue: 0,0:02:13.13,0:02:15.06,Default,,0,0,0,,- Yeah, yeah, get in.
Dialogue: 0,0:02:15.10,0:02:16.06,Default,,0,0,0,,- Good.
Dialogue: 0,0:02:16.06,0:02:19.57,Default,,0,0,0,,Oh, it's cool in here.
Dialogue: 0,0:02:19.60,0:02:20.77,Default,,0,0,0,,How come it's so cool?
Dialogue: 0,0:02:21.97,0:02:23.07,Default,,0,0,0,,- Air conditioning.
Dialogue: 0,0:02:23.10,0:02:24.61,Default,,0,0,0,,- Oh.
Dialogue: 0,0:02:24.64,0:02:26.51,Default,,0,0,0,,- Look, I wanna warn you,

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:04.00,0:00:06.87,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.92,0:00:25.82,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.22,0:00:31.63,Default,,0,0,0,,Has anyone seen a\Nsteeple run by here?
Dialogue: 0,0:00:31.66,0:00:35.66,Default,,0,0,0,,Horseback riding is\Nan exhausting sport.
Dialogue: 0,0:00:35.70,0:00:39.87,Default,,0,0,0,,Actually, the riding isn't\Ntiring, it's getting up here.
Dialogue: 0,0:00:39.90,0:00:41.97,Default,,0,0,0,,The ladder broke twice.
Dialogue: 0,0:00:42.00,0:00:45.61,Default,,0,0,0,,As for getting down,\Neveryone assures me
Dialogue: 0,0:00:45.64,0:00:47.54,Default,,0,0,0,,that will be no problem.
Dialogue: 0,0:00:47.58,0:00:51.38,Default,,0,0,0,,This horse has thrown\Nits last five riders.
Dialogue: 0,0:00:51.41,0:00:53.88,Default,,0,0,0,,While I continue with\Nthe steeple chase,
Dialogue: 0,0:00:53.92,0:00:57.85,Default,,0,0,0,,you shall witness a story\Nabout a very strange
Dialogue: 0,0:00:57.89,0:00:59.79,Default,,0,0,0,,type of resort hotel.
Dialogue: 0,0:00:59.82,0:01:04.63,Default,,0,0,0,,It offers a unique service\Nto a very select clientele.
Dialogue: 0,0:01:04.66,0:01:07.06,Default,,0,0,0,,But first we have\Nanother one-minute egg,
Dialogue: 0,0:01:07.10,0:01:11.43,Default,,0,0,0,,laid by the golden\Ngoose of television.
Dialogue: 0,0:01:40.70,0:01:43.26,Default,,0,0,0,,(siren wailing)
Dialogue: 0,0:01:45.80,0:01:48.47,Default,,0,0,0,,(horn honking)
Dialogue: 0,0:02:03.05,0:02:05.22,Default,,0,0,0,,(people chattering)
Dialogue: 0,0:02:17.80,0:02:20.37,Default,,0,0,0,,(siren wailing)
Dialogue: 0,0:03:04.65,0:03:09.65,Default,,0,0,0,,(dramatic music)\N(people screaming)
Dialogue: 0,0:03:10.75,0:03:12.85,Default,,0,0,0,,(people chattering)
Dialogue: 0,0:03:47.09,0:03:49.66,Default,,0,0,0,,- Good afternoon, Mr. Manners.
Dialogue: 0,0:03:52.53,0:03:53.40,Default,,0,0,0,,My card, sir.
Dialogue: 0,0:03:57.33,0:04:00.87,Default,,0,0,0,,I am Mr. J. Smith, of the\NThanatos Palace Hotel.
Dialogue: 0,0:04:00.90,0:04:01.77,Default,,0,0,0,,- How'd you get in?
Dialogue: 0,0:04:01.80,0:04:02.70,Default,,0,0,0,,- The door was unlocked.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.53,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.12,0:00:26.02,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:31.59,0:00:34.13,Default,,0,0,0,,Just trying out a new product.
Dialogue: 0,0:00:34.16,0:00:37.87,Default,,0,0,0,,It's for people who are\Nafraid to face reality,
Dialogue: 0,0:00:37.90,0:00:40.27,Default,,0,0,0,,for the man who has everything
Dialogue: 0,0:00:40.30,0:00:42.64,Default,,0,0,0,,and can't stand to look at it.
Dialogue: 0,0:00:42.67,0:00:44.91,Default,,0,0,0,,We're doing a very\Nbrisk business.
Dialogue: 0,0:00:44.94,0:00:48.78,Default,,0,0,0,,One of the appeals of\Nthe box is its anonymity,
Dialogue: 0,0:00:48.81,0:00:52.98,Default,,0,0,0,,but inside our boxes are\Nsome very important people,
Dialogue: 0,0:00:53.01,0:00:55.42,Default,,0,0,0,,several heads of state.
Dialogue: 0,0:00:55.45,0:00:57.72,Default,,0,0,0,,At a very modest\Nadditional cost,
Dialogue: 0,0:00:57.75,0:01:00.62,Default,,0,0,0,,we have this popular attachment.
Dialogue: 0,0:01:00.66,0:01:03.93,Default,,0,0,0,,You will observe,\Nthere are no eye holes.
Dialogue: 0,0:01:05.36,0:01:08.73,Default,,0,0,0,,It is for those people\Nwho buy one of these
Dialogue: 0,0:01:08.76,0:01:11.27,Default,,0,0,0,,and then find they\Ncannot face the reality
Dialogue: 0,0:01:11.30,0:01:13.80,Default,,0,0,0,,of the inside of the box.
Dialogue: 0,0:01:13.84,0:01:17.71,Default,,0,0,0,,As you can see, we have\Nboxes to fit any size
Dialogue: 0,0:01:17.74,0:01:20.71,Default,,0,0,0,,or shape of head or problem.
Dialogue: 0,0:01:20.74,0:01:23.61,Default,,0,0,0,,All this has nothing to\Ndo with tonight's story,
Dialogue: 0,0:01:23.65,0:01:24.85,Default,,0,0,0,,One of the Family,
Dialogue: 0,0:01:24.88,0:01:28.08,Default,,0,0,0,,which begins after the\Nfollowing commercial
Dialogue: 0,0:01:28.08,0:01:31.85,Default,,0,0,0,,and that is one minute of\Nreality I intend to miss.
Dialogue: 0,0:01:36.99,0:01:40.00,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:02:00.88,0:02:03.79,Default,,0,0,0,,(mysterious music)
Dialogue: 0,0:02:36.22,0:02:37.82,Default,,0,0,0,,- Mrs. Dailey?
Dialogue: 0,0:02:37.85,0:02:38.69,Default,,0,0,0,,- Yes.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.94,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.39,0:00:26.32,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.72,0:00:31.13,Default,,0,0,0,,We are broadcasting my portion\Nof this evening's program
Dialogue: 0,0:00:31.16,0:00:33.63,Default,,0,0,0,,by radio instead of television.
Dialogue: 0,0:00:33.66,0:00:35.10,Default,,0,0,0,,I seem to have lost some weight,
Dialogue: 0,0:00:35.13,0:00:37.43,Default,,0,0,0,,and I don't wish\Nto mar my image.
Dialogue: 0,0:00:37.47,0:00:39.80,Default,,0,0,0,,I cannot reveal exactly\Nhow much weight.
Dialogue: 0,0:00:39.83,0:00:42.84,Default,,0,0,0,,I can only say that had\NI lost 10 more pounds,
Dialogue: 0,0:00:42.87,0:00:47.18,Default,,0,0,0,,I would have had to file\Na missing persons report.
Dialogue: 0,0:00:47.21,0:00:49.58,Default,,0,0,0,,For the uninitiated,\NI should explain
Dialogue: 0,0:00:49.61,0:00:53.58,Default,,0,0,0,,that radio is simply television\Nwith the tube burned out.
Dialogue: 0,0:00:53.62,0:00:57.82,Default,,0,0,0,,In radio, sound is a rather\Nimportant ingredient.
Dialogue: 0,0:00:57.85,0:01:01.22,Default,,0,0,0,,When it does not exist,\Nit is manufactured.
Dialogue: 0,0:01:01.26,0:01:02.22,Default,,0,0,0,,For example.
Dialogue: 0,0:01:03.66,0:01:08.66,Default,,0,0,0,,This cellophane simulates the\Nsound of a crackling fire.
Dialogue: 0,0:01:09.86,0:01:11.83,Default,,0,0,0,,This sound effect\Nis so authentic
Dialogue: 0,0:01:11.87,0:01:15.60,Default,,0,0,0,,one can almost smell the smoke.
Dialogue: 0,0:01:15.64,0:01:17.81,Default,,0,0,0,,This evening's play\Ntells of two nurses
Dialogue: 0,0:01:17.84,0:01:20.81,Default,,0,0,0,,who spend one terrifying night
Dialogue: 0,0:01:20.84,0:01:23.81,Default,,0,0,0,,in a large house in the country.
Dialogue: 0,0:01:23.85,0:01:27.42,Default,,0,0,0,,But first, some sound\Nand fury, signifying
Dialogue: 0,0:01:27.45,0:01:31.59,Default,,0,0,0,,our sponsor's product.\N(siren blaring)
Dialogue: 0,0:02:09.79,0:02:11.89,Default,,0,0,0,,- Thank you for everything.
Dialogue: 0,0:02:11.93,0:02:13.13,Default,,0,0,0,,You're sure you're all right?
Dialogue: 0,0:02:13.16,0:02:14.26,Default,,0,0,0,,'Cause I can go\Nin and get my coat
Dialogue: 0,0:02:14.30,0:02:16.16,Default,,0,0,0,,and walk you back to the clinic.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.80,0:00:06.90,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.42,0:00:26.82,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:28.19,0:00:31.03,Default,,0,0,0,,We seem to have a\Ncompulsion these days
Dialogue: 0,0:00:31.06,0:00:33.16,Default,,0,0,0,,to bury time capsules
Dialogue: 0,0:00:33.19,0:00:34.63,Default,,0,0,0,,in order to give those living
Dialogue: 0,0:00:34.66,0:00:36.70,Default,,0,0,0,,in the next century or so
Dialogue: 0,0:00:36.73,0:00:38.93,Default,,0,0,0,,some idea of what we are like.
Dialogue: 0,0:00:38.97,0:00:41.74,Default,,0,0,0,,I have prepared one of my own.
Dialogue: 0,0:00:41.77,0:00:43.81,Default,,0,0,0,,In it, I have placed\Nsome rather large
Dialogue: 0,0:00:43.84,0:00:48.21,Default,,0,0,0,,samples of dynamite,\Ngunpowder, and nitroglycerin.
Dialogue: 0,0:00:48.24,0:00:53.21,Default,,0,0,0,,My time capsule is set to\Ngo off in the year 3000.
Dialogue: 0,0:00:54.42,0:00:56.48,Default,,0,0,0,,It will show them what\Nwe are really like.
Dialogue: 0,0:00:56.52,0:00:58.02,Default,,0,0,0,,This evening's drama is about
Dialogue: 0,0:00:58.05,0:01:00.32,Default,,0,0,0,,a different type\Nof time capsule.
Dialogue: 0,0:01:00.36,0:01:03.59,Default,,0,0,0,,It is called The Trap,\Nand it set to go off
Dialogue: 0,0:01:03.63,0:01:04.93,Default,,0,0,0,,in just 60 seconds.
Dialogue: 0,0:01:52.61,0:01:54.21,Default,,0,0,0,,- Yes, sir?
Dialogue: 0,0:01:54.24,0:01:55.44,Default,,0,0,0,,- I have an appointment\Nwith Mr. Beale,
Dialogue: 0,0:01:55.48,0:01:56.64,Default,,0,0,0,,the agency sent me.
Dialogue: 0,0:01:56.68,0:01:58.11,Default,,0,0,0,,I'm Mr. Cochran.
Dialogue: 0,0:01:58.11,0:01:59.58,Default,,0,0,0,,- Oh.
Dialogue: 0,0:01:59.61,0:02:01.38,Default,,0,0,0,,You're a bit early.
Dialogue: 0,0:02:01.42,0:02:03.72,Default,,0,0,0,,- No, you're clock is\Nslow, I'm exactly right.
Dialogue: 0,0:02:03.75,0:02:05.82,Default,,0,0,0,,- Well, may I have your coat?
Dialogue: 0,0:02:09.39,0:02:11.13,Default,,0,0,0,,The elevator please.
Dialogue: 0,0:02:11.16,0:02:12.16,Default,,0,0,0,,- Thank you.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.10,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.15,0:00:26.59,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.99,0:00:30.76,Default,,0,0,0,,Have you ever wondered\Nwhat it would be like
Dialogue: 0,0:00:30.79,0:00:33.50,Default,,0,0,0,,to be the absolute\Nruler of a nation?
Dialogue: 0,0:00:34.73,0:00:37.07,Default,,0,0,0,,I'm finding out.
Dialogue: 0,0:00:37.10,0:00:40.64,Default,,0,0,0,,I am the winner on a\Ntelevision show called,
Dialogue: 0,0:00:40.67,0:00:42.84,Default,,0,0,0,,"King For A Day".
Dialogue: 0,0:00:42.87,0:00:45.71,Default,,0,0,0,,I'm a trifle disturbed, however.
Dialogue: 0,0:00:45.74,0:00:48.98,Default,,0,0,0,,I just learned how they\Nare able to provide
Dialogue: 0,0:00:49.01,0:00:51.55,Default,,0,0,0,,for a different winner each day.
Dialogue: 0,0:00:51.58,0:00:53.72,Default,,0,0,0,,This country, like the Earth,
Dialogue: 0,0:00:53.75,0:00:57.95,Default,,0,0,0,,has one revolution\Nevery 24 hours.
Dialogue: 0,0:00:57.99,0:01:00.39,Default,,0,0,0,,It is reassuring\Nto know, however,
Dialogue: 0,0:01:00.42,0:01:03.29,Default,,0,0,0,,that the state funerals\Nare among the best.
Dialogue: 0,0:01:04.16,0:01:06.80,Default,,0,0,0,,As usual this prologue,
Dialogue: 0,0:01:06.83,0:01:10.43,Default,,0,0,0,,has absolutely nothing to\Ndo with tonight's play,
Dialogue: 0,0:01:10.47,0:01:13.30,Default,,0,0,0,,which tells the\Nstory of a little man
Dialogue: 0,0:01:13.34,0:01:17.11,Default,,0,0,0,,who becomes involved\Nin a very odd charade.
Dialogue: 0,0:01:18.11,0:01:21.48,Default,,0,0,0,,One of my first acts as king,
Dialogue: 0,0:01:21.51,0:01:24.98,Default,,0,0,0,,was to ban from\Nthe country forever
Dialogue: 0,0:01:25.08,0:01:27.55,Default,,0,0,0,,all television commercials.
Dialogue: 0,0:01:27.58,0:01:30.89,Default,,0,0,0,,They were deported\Nto the United States.
Dialogue: 0,0:01:30.92,0:01:32.49,Default,,0,0,0,,Here is one of them.
Dialogue: 0,0:01:35.16,0:01:37.76,Default,,0,0,0,,(gentle music)
Dialogue: 0,0:02:17.67,0:02:20.24,Default,,0,0,0,,(bell ringing)
Dialogue: 0,0:02:25.61,0:02:26.74,Default,,0,0,0,,- Lucy.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:05.43,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.05,0:00:26.42,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.86,0:00:30.93,Default,,0,0,0,,Someone seems to have left\Nthis interesting object
Dialogue: 0,0:00:30.96,0:00:32.06,Default,,0,0,0,,at my doorstep.
Dialogue: 0,0:00:32.09,0:00:33.73,Default,,0,0,0,,(clock ticking)
Dialogue: 0,0:00:33.76,0:00:35.70,Default,,0,0,0,,I don't believe it's a baby.
Dialogue: 0,0:00:37.03,0:00:39.53,Default,,0,0,0,,At least, I've never\Nbefore heard a baby ticking
Dialogue: 0,0:00:39.57,0:00:41.14,Default,,0,0,0,,quite so loudly.
Dialogue: 0,0:00:41.17,0:00:43.97,Default,,0,0,0,,(zipper whizzing)
Dialogue: 0,0:00:47.38,0:00:49.64,Default,,0,0,0,,What a unique gift,
Dialogue: 0,0:00:49.68,0:00:52.28,Default,,0,0,0,,a clock that is\Npowered by dynamite.
Dialogue: 0,0:00:53.52,0:00:57.49,Default,,0,0,0,,Tempus fugit, I'll\Nwager it does.
Dialogue: 0,0:00:57.52,0:01:01.19,Default,,0,0,0,,I see the alarm is set to\Ngo off in a moment or two,
Dialogue: 0,0:01:01.22,0:01:02.89,Default,,0,0,0,,so I should speak quickly.
Dialogue: 0,0:01:02.92,0:01:06.70,Default,,0,0,0,,I wouldn't want to\Nbe interrupted by\Nany unseemly ringing.
Dialogue: 0,0:01:06.73,0:01:09.63,Default,,0,0,0,,Tonight, we have a drama\Nconcerning some people
Dialogue: 0,0:01:09.66,0:01:12.13,Default,,0,0,0,,who are in the motion\Npicture business.
Dialogue: 0,0:01:12.17,0:01:16.37,Default,,0,0,0,,And speaking of business,\Nwe come to this item.
Dialogue: 0,0:01:18.94,0:01:21.88,Default,,0,0,0,,(foreboding music)
Dialogue: 0,0:01:56.98,0:01:59.95,Default,,0,0,0,,(birds twittering)
Dialogue: 0,0:02:07.69,0:02:12.69,Default,,0,0,0,,(door thuds)\N(slow dramatic music)
Dialogue: 0,0:02:14.10,0:02:17.27,Default,,0,0,0,,(high heels clacking)
Dialogue: 0,0:02:40.52,0:02:45.53,Default,,0,0,0,,(door bangs)\N(engine rumbling)
Dialogue: 0,0:02:51.57,0:02:54.30,Default,,0,0,0,,(motor whirring)
Dialogue: 0,0:02:59.77,0:03:02.91,Default,,0,0,0,,(slow sinister music)
Dialogue: 0,0:03:11.55,0:03:16.56,Default,,0,0,0,,(door bangs)\N(engine ticking)

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.20,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.82,0:00:26.22,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.59,0:00:31.66,Default,,0,0,0,,I have been asked to\Nexplain American football.
Dialogue: 0,0:00:31.69,0:00:33.76,Default,,0,0,0,,Actually, in various forms,
Dialogue: 0,0:00:33.80,0:00:37.00,Default,,0,0,0,,the game of football is\Nplayed all over the world.
Dialogue: 0,0:00:37.03,0:00:38.43,Default,,0,0,0,,In some countries,
Dialogue: 0,0:00:38.47,0:00:41.54,Default,,0,0,0,,such a game may be\Ncalled a soccer match.
Dialogue: 0,0:00:41.57,0:00:43.64,Default,,0,0,0,,In others, a revolution.
Dialogue: 0,0:00:43.67,0:00:45.54,Default,,0,0,0,,However, there are\Nseveral differences
Dialogue: 0,0:00:45.57,0:00:48.48,Default,,0,0,0,,between a football\Ngame and a revolution.
Dialogue: 0,0:00:48.51,0:00:52.75,Default,,0,0,0,,For one thing, a football\Ngame usually lasts longer
Dialogue: 0,0:00:52.78,0:00:55.38,Default,,0,0,0,,and the participants\Nwear uniforms.
Dialogue: 0,0:00:55.42,0:00:59.45,Default,,0,0,0,,Also, there are usually more\Ncasualties in a football game.
Dialogue: 0,0:00:59.49,0:01:02.09,Default,,0,0,0,,The object of the game\Nis to move this ball
Dialogue: 0,0:01:02.12,0:01:04.43,Default,,0,0,0,,past the other team's goal line.
Dialogue: 0,0:01:04.46,0:01:06.83,Default,,0,0,0,,This counts as six points.
Dialogue: 0,0:01:06.86,0:01:09.06,Default,,0,0,0,,No points are given\Nfor lacerations,
Dialogue: 0,0:01:09.06,0:01:11.70,Default,,0,0,0,,contusions, or abrasions,
Dialogue: 0,0:01:11.73,0:01:14.47,Default,,0,0,0,,but then no points\Nare deducted, either.
Dialogue: 0,0:01:14.50,0:01:17.14,Default,,0,0,0,,Kicking is very\Nimportant in football.
Dialogue: 0,0:01:17.17,0:01:20.21,Default,,0,0,0,,In fact, some of the\Nmore enthusiastic players
Dialogue: 0,0:01:20.24,0:01:22.61,Default,,0,0,0,,even kick the ball occasionally.
Dialogue: 0,0:01:22.64,0:01:26.31,Default,,0,0,0,,I trust that I have made\Neverything perfectly clear.
Dialogue: 0,0:01:26.35,0:01:29.08,Default,,0,0,0,,This evening's tale\Nis not about football.
Dialogue: 0,0:01:29.08,0:01:31.19,Default,,0,0,0,,It concerns another sport.
Dialogue: 0,0:01:31.22,0:01:32.42,Default,,0,0,0,,Murder.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.86,0:00:06.67,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.09,0:00:25.92,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:28.86,0:00:33.16,Default,,0,0,0,,The suggestion box is the mark\Nof the enlightened company.
Dialogue: 0,0:00:33.19,0:00:35.36,Default,,0,0,0,,We have had one for years.
Dialogue: 0,0:00:35.40,0:00:40.24,Default,,0,0,0,,We offer prizes to our workers\Nfor the best suggestions,
Dialogue: 0,0:00:40.27,0:00:43.77,Default,,0,0,0,,but so far have been\Nunable to make any awards,
Dialogue: 0,0:00:43.81,0:00:47.71,Default,,0,0,0,,since these suggestions\Nare usually unsigned.
Dialogue: 0,0:00:47.74,0:00:50.55,Default,,0,0,0,,We used to have a\Nwoman do this work,
Dialogue: 0,0:00:50.58,0:00:54.28,Default,,0,0,0,,but some of the\Nsuggestions were improper.
Dialogue: 0,0:00:57.02,0:00:59.75,Default,,0,0,0,,This first suggestion\Nis directed at me.
Dialogue: 0,0:01:03.43,0:01:06.13,Default,,0,0,0,,I'm touched, but I'll\Nhave to return it.
Dialogue: 0,0:01:06.16,0:01:09.43,Default,,0,0,0,,I never accept gifts\Nfrom employees.
Dialogue: 0,0:01:10.47,0:01:13.23,Default,,0,0,0,,And now this\Nevening's drama, it is
Dialogue: 0,0:01:13.27,0:01:17.57,Default,,0,0,0,,about a disappearance, sudden,\Nstartling, and frightening.
Dialogue: 0,0:01:17.61,0:01:21.51,Default,,0,0,0,,It follows this suggestion\Nfrom our sponsor.
Dialogue: 0,0:01:24.41,0:01:27.78,Default,,0,0,0,,(engaging dramatic music)
Dialogue: 0,0:02:10.06,0:02:13.26,Default,,0,0,0,,- Dear, dear, come back here.
Dialogue: 0,0:02:13.29,0:02:14.06,Default,,0,0,0,,Come back!
Dialogue: 0,0:02:21.94,0:02:24.44,Default,,0,0,0,,Hey, you come away from here.
Dialogue: 0,0:02:24.47,0:02:26.74,Default,,0,0,0,,(dark dramatic music)
Dialogue: 0,0:02:58.37,0:03:00.14,Default,,0,0,0,,- Welcome home.
Dialogue: 0,0:03:00.18,0:03:01.38,Default,,0,0,0,,- [Thomas] Huh?
Dialogue: 0,0:03:01.41,0:03:04.31,Default,,0,0,0,,- Thomas, my lad, the\Nwandering boy returns.
Dialogue: 0,0:03:08.38,0:03:12.45,Default,,0,0,0,,Is greeted warmly, a\Nsmall crowd to be sure
Dialogue: 0,0:03:12.49,0:03:15.42,Default,,0,0,0,,but all heart, warm, friendly.
Dialogue: 0,0:03:15.46,0:03:17.39,Default,,0,0,0,,- Knock it off Steve.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.73,0:00:05.23,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.92,0:00:26.22,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:33.46,0:00:36.50,Default,,0,0,0,,This is the latest\Nin private yachts.
Dialogue: 0,0:00:36.53,0:00:39.53,Default,,0,0,0,,I bought it at a\Nwar surplus store.
Dialogue: 0,0:00:39.57,0:00:42.64,Default,,0,0,0,,It has many advantages\Nover the normal yacht.
Dialogue: 0,0:00:42.67,0:00:45.84,Default,,0,0,0,,I find that fewer of\Nmy friends freeload,
Dialogue: 0,0:00:45.87,0:00:47.51,Default,,0,0,0,,and then of course, the fact
Dialogue: 0,0:00:47.54,0:00:50.41,Default,,0,0,0,,that my little craft\Ncame with torpedoes
Dialogue: 0,0:00:50.45,0:00:53.58,Default,,0,0,0,,adds zest to yacht racing.
Dialogue: 0,0:00:53.62,0:00:56.95,Default,,0,0,0,,I am not merely the first\Nto cross the finish line,
Dialogue: 0,0:00:56.99,0:00:59.75,Default,,0,0,0,,I am frequently the only one.
Dialogue: 0,0:00:59.79,0:01:02.19,Default,,0,0,0,,Tonight's story is about\Nthe battle of the sexes.
Dialogue: 0,0:01:02.22,0:01:05.19,Default,,0,0,0,,Actually in the\Ncase of this couple,
Dialogue: 0,0:01:05.23,0:01:08.46,Default,,0,0,0,,open warfare would\Nbe a better phrase.
Dialogue: 0,0:01:09.53,0:01:12.60,Default,,0,0,0,,I believe I am\Ndirectly on target.
Dialogue: 0,0:01:13.84,0:01:15.57,Default,,0,0,0,,Suppose you take a look.
Dialogue: 0,0:01:20.84,0:01:23.48,Default,,0,0,0,,(dramatic music)
Dialogue: 0,0:02:50.37,0:02:52.20,Default,,0,0,0,,- You're late, Baines.
Dialogue: 0,0:02:52.23,0:02:55.87,Default,,0,0,0,,- I was working on your zoning\Ndifficulty, Mr. Brisson.
Dialogue: 0,0:02:55.90,0:02:57.94,Default,,0,0,0,,- Just tell me,\Nam I in the clear?
Dialogue: 0,0:02:57.97,0:03:00.84,Default,,0,0,0,,- Oh, the council votes\Ntomorrow afternoon.
Dialogue: 0,0:03:00.88,0:03:02.08,Default,,0,0,0,,- Yes, I know.
Dialogue: 0,0:03:02.11,0:03:03.11,Default,,0,0,0,,- Oh, I think so.
Dialogue: 0,0:03:03.14,0:03:04.35,Default,,0,0,0,,It's just a formality then.
Dialogue: 0,0:03:04.38,0:03:06.05,Default,,0,0,0,,- Baines, I'm paying you to--
Dialogue: 0,0:03:06.05,0:03:07.82,Default,,0,0,0,,- Yes, Mr. Brisson.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.93,0:00:05.93,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.12,0:00:26.55,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.96,0:00:29.99,Default,,0,0,0,,Please do not be alarmed.
Dialogue: 0,0:00:30.03,0:00:33.03,Default,,0,0,0,,This is not a remote broadcast.
Dialogue: 0,0:00:33.06,0:00:35.76,Default,,0,0,0,,I'm still very much with you.
Dialogue: 0,0:00:35.80,0:00:40.17,Default,,0,0,0,,Actually, this is from my\Ncollection of ancient weapons.
Dialogue: 0,0:00:42.70,0:00:46.01,Default,,0,0,0,,In the days of the bow and\Narrow, this could strike
Dialogue: 0,0:00:46.04,0:00:48.18,Default,,0,0,0,,with a force of a machine gun.
Dialogue: 0,0:00:48.21,0:00:52.41,Default,,0,0,0,,Furthermore, instead of the\Nbothersome rattle of explosions,
Dialogue: 0,0:00:52.45,0:00:55.65,Default,,0,0,0,,a burst of shots from this\Ninstrument was accompanied
Dialogue: 0,0:00:55.68,0:01:00.06,Default,,0,0,0,,by sweet music, a feature which\Nwas undoubtedly appreciated
Dialogue: 0,0:01:00.09,0:01:01.62,Default,,0,0,0,,by the victims.
Dialogue: 0,0:01:01.66,0:01:05.06,Default,,0,0,0,,Actually, you will find quite\Na number of these about today.
Dialogue: 0,0:01:05.06,0:01:08.60,Default,,0,0,0,,Most of them are in our\Nlarger symphony orchestras.
Dialogue: 0,0:01:08.63,0:01:12.60,Default,,0,0,0,,They help keep the conductors\Nfrom becoming obstreperous.
Dialogue: 0,0:01:12.63,0:01:15.07,Default,,0,0,0,,With that thought in my\Nmind, I can't help but turn
Dialogue: 0,0:01:15.07,0:01:19.54,Default,,0,0,0,,to our sponsor, that dear\Nperson would like to spend
Dialogue: 0,0:01:19.57,0:01:22.61,Default,,0,0,0,,the next minute\Ntalking about himself.
Dialogue: 0,0:01:22.64,0:01:26.61,Default,,0,0,0,,This will be followed by\NPower of Attorney, a drama
Dialogue: 0,0:01:26.65,0:01:29.82,Default,,0,0,0,,about a woman and her devoted\Ncompanion and about a man
Dialogue: 0,0:01:29.85,0:01:34.16,Default,,0,0,0,,who helped her with her\Ninvestments, and so in just one
Dialogue: 0,0:01:34.19,0:01:37.49,Default,,0,0,0,,lamentable minute,\NPower of Attorney.
Dialogue: 0,0:01:42.63,0:01:45.63,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:02:17.57,0:02:20.07,Default,,0,0,0,,- [Man] It was so unexpected.
Dialogue: 0,0:02:24.81,0:02:25.64,Default,,0,0,0,,- It isn't true.
Dialogue: 0,0:02:26.64,0:02:27.74,Default,,0,0,0,,- [Man] I'm afraid so.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:07.74,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.12,0:00:26.15,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.96,0:00:30.49,Default,,0,0,0,,This is not one of\Nour regular writers.
Dialogue: 0,0:00:30.53,0:00:33.06,Default,,0,0,0,,We think it best that we\Nkeep them out of sight.
Dialogue: 0,0:00:34.70,0:00:36.87,Default,,0,0,0,,This is one of our apprentices.
Dialogue: 0,0:00:36.90,0:00:39.37,Default,,0,0,0,,You have of course\Nheard the theory
Dialogue: 0,0:00:39.40,0:00:41.47,Default,,0,0,0,,that if a room full of\Nmonkey's were allowed
Dialogue: 0,0:00:41.50,0:00:43.67,Default,,0,0,0,,to type for a million years,
Dialogue: 0,0:00:43.71,0:00:45.57,Default,,0,0,0,,they would eventually\Nreproduce all
Dialogue: 0,0:00:45.61,0:00:48.08,Default,,0,0,0,,the classics in\Nthe British museum.
Dialogue: 0,0:00:48.11,0:00:49.68,Default,,0,0,0,,This is not so.
Dialogue: 0,0:00:49.71,0:00:51.55,Default,,0,0,0,,We have tried it, and\Nwhile they stories
Dialogue: 0,0:00:51.58,0:00:53.15,Default,,0,0,0,,they wrote were quite good,
Dialogue: 0,0:00:53.18,0:00:55.12,Default,,0,0,0,,and many of them publishable.
Dialogue: 0,0:00:55.15,0:00:57.25,Default,,0,0,0,,They are not classics, yet.
Dialogue: 0,0:00:58.45,0:01:01.12,Default,,0,0,0,,This gentleman is\None of our trainees.
Dialogue: 0,0:01:01.16,0:01:03.43,Default,,0,0,0,,He types nothing but gibberish.
Dialogue: 0,0:01:03.46,0:01:05.66,Default,,0,0,0,,But he is not to be\Nfaulted for this.
Dialogue: 0,0:01:05.69,0:01:08.96,Default,,0,0,0,,His ideas are quite good and\Nhe has a flare for dialogue.
Dialogue: 0,0:01:09.06,0:01:10.83,Default,,0,0,0,,He just can't type.
Dialogue: 0,0:01:11.97,0:01:13.97,Default,,0,0,0,,However, he has\Nmade some progress.
Dialogue: 0,0:01:14.07,0:01:16.94,Default,,0,0,0,,For example, he now\Nknows that it is
Dialogue: 0,0:01:16.97,0:01:19.07,Default,,0,0,0,,naughty to eat the paper.
Dialogue: 0,0:01:19.07,0:01:20.78,Default,,0,0,0,,Before tonight's\Nstory, we would like to
Dialogue: 0,0:01:20.81,0:01:23.61,Default,,0,0,0,,present an example of\Nour young student's work.
Dialogue: 0,0:01:23.65,0:01:26.88,Default,,0,0,0,,Notice the skill with\Nwhich he has captured.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:07.64,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.05,0:00:26.42,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:27.56,0:00:30.73,Default,,0,0,0,,(hypnotic horn music)
Dialogue: 0,0:00:35.16,0:00:36.93,Default,,0,0,0,,I'm sorry, I was\Nunder the impression
Dialogue: 0,0:00:36.97,0:00:38.73,Default,,0,0,0,,this was to be a smoker.
Dialogue: 0,0:00:38.77,0:00:42.64,Default,,0,0,0,,This jar was built in this\Nshape especially for me.
Dialogue: 0,0:00:42.67,0:00:44.91,Default,,0,0,0,,The jars come in\None other shape.
Dialogue: 0,0:00:44.94,0:00:49.91,Default,,0,0,0,,It is 76 inches, 38\Ninches, and 75 inches.
Dialogue: 0,0:00:51.35,0:00:53.98,Default,,0,0,0,,When he uses that jar, he\Ndoesn't have to use his flute.
Dialogue: 0,0:00:54.02,0:00:55.95,Default,,0,0,0,,He just whistles at it.
Dialogue: 0,0:00:55.98,0:00:58.89,Default,,0,0,0,,This evening's story does\Nnot take place in India,
Dialogue: 0,0:00:58.92,0:01:01.19,Default,,0,0,0,,but it has its beginnings there.
Dialogue: 0,0:01:01.22,0:01:03.09,Default,,0,0,0,,Before our friend\Nthe snake charmer
Dialogue: 0,0:01:03.12,0:01:05.56,Default,,0,0,0,,would allow me to take\Npart in this charade,
Dialogue: 0,0:01:05.59,0:01:08.66,Default,,0,0,0,,he insisted that my\Nvenom be removed.
Dialogue: 0,0:01:09.86,0:01:12.57,Default,,0,0,0,,Oh, I continue to strike\Nout at the commercials,
Dialogue: 0,0:01:12.60,0:01:15.34,Default,,0,0,0,,but my insults are\Nno longer lethal.
Dialogue: 0,0:01:17.07,0:01:19.41,Default,,0,0,0,,Here comes a commercial now.
Dialogue: 0,0:01:19.44,0:01:24.45,Default,,0,0,0,,Boring, repetitive,\Nnoisy, tedious, soporific.
Dialogue: 0,0:01:25.51,0:01:27.38,Default,,0,0,0,,You see, I'm\Ncompletely harmless.
Dialogue: 0,0:01:27.42,0:01:30.09,Default,,0,0,0,,Juvenile, dull, ridiculous.
Dialogue: 0,0:01:32.09,0:01:35.89,Default,,0,0,0,,(dramatic instrumental music)
Dialogue: 0,0:02:19.50,0:02:24.51,Default,,0,0,0,,(rattling instrumental music)\N(speaking foreign language)
Dialogue: 0,0:02:34.82,0:02:36.79,Default,,0,0,0,,- Oh, yeah, you say it, mother!
Dialogue: 0,0:02:36.82,0:02:41.82,Default,,0,0,0,,(rattling instrumental music)\N(speaking foreign language)
Dialogue: 0,0:03:04.08,0:03:06.11,Default,,0,0,0,,Mm hmm, amen, mother!

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.77,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.79,0:00:26.22,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:29.86,0:00:32.59,Default,,0,0,0,,are becoming more\Nand more unreal.
Dialogue: 0,0:00:32.63,0:00:36.46,Default,,0,0,0,,We have robots, monsters,\Nwitches, martians.
Dialogue: 0,0:00:36.50,0:00:39.80,Default,,0,0,0,,In some cases, whole\Nfamilies are unreal.
Dialogue: 0,0:00:39.83,0:00:43.30,Default,,0,0,0,,In one, for example, the\Nleading lady is a witch,
Dialogue: 0,0:00:43.34,0:00:46.47,Default,,0,0,0,,and her husband is\Nan advertising man.
Dialogue: 0,0:00:46.51,0:00:48.98,Default,,0,0,0,,In a series which\Nwe are planning,
Dialogue: 0,0:00:50.38,0:00:53.42,Default,,0,0,0,,we have taken the\Nnext logical step.
Dialogue: 0,0:00:53.45,0:00:55.78,Default,,0,0,0,,We have eliminated the actors
Dialogue: 0,0:00:55.82,0:00:59.82,Default,,0,0,0,,and are using actual\Nrobots for all the parts.
Dialogue: 0,0:00:59.85,0:01:02.96,Default,,0,0,0,,Other workers have been\Nliberated by the machine age.
Dialogue: 0,0:01:03.06,0:01:04.76,Default,,0,0,0,,Why not the actor?
Dialogue: 0,0:01:04.79,0:01:07.60,Default,,0,0,0,,Let him enjoy the\Nbenefits of automation,
Dialogue: 0,0:01:07.63,0:01:09.70,Default,,0,0,0,,the relief from heavy labor,
Dialogue: 0,0:01:09.73,0:01:13.64,Default,,0,0,0,,the added leisure\Ntime, the unemployment.
Dialogue: 0,0:01:13.67,0:01:16.40,Default,,0,0,0,,Actually, only a few\Nactors have objected,
Dialogue: 0,0:01:16.44,0:01:20.78,Default,,0,0,0,,and they only on the grounds\Nthat this is typecasting.
Dialogue: 0,0:01:20.81,0:01:22.71,Default,,0,0,0,,There are many advantages.
Dialogue: 0,0:01:22.74,0:01:26.08,Default,,0,0,0,,For one thing, they\Nnever forget their lines,
Dialogue: 0,0:01:26.11,0:01:28.65,Default,,0,0,0,,provided they are\Nproperly programed.
Dialogue: 0,0:01:28.68,0:01:31.59,Default,,0,0,0,,For example, here\Nare a few lines
Dialogue: 0,0:01:31.62,0:01:34.09,Default,,0,0,0,,from one of Hamlet's\Nsoliloquies.
Dialogue: 0,0:01:34.09,0:01:36.76,Default,,0,0,0,,(robot beeping)
Dialogue: 0,0:01:42.63,0:01:47.24,Default,,0,0,0,,Being method actors, they\Nare inclined to mumble a bit.
Dialogue: 0,0:01:47.27,0:01:49.14,Default,,0,0,0,,Our play this\Nevening will be acted

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:06.07,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:24.85,0:00:25.82,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:32.66,0:00:36.56,Default,,0,0,0,,We have here all that remains\Nof a television series.
Dialogue: 0,0:00:37.97,0:00:41.30,Default,,0,0,0,,It succumbed, not to the\Nindifference of the viewers,
Dialogue: 0,0:00:41.34,0:00:44.04,Default,,0,0,0,,but to a passion for reality.
Dialogue: 0,0:00:44.94,0:00:46.41,Default,,0,0,0,,Everyone thought the idea
Dialogue: 0,0:00:46.44,0:00:49.18,Default,,0,0,0,,would make a very\Namusing series.
Dialogue: 0,0:00:49.21,0:00:52.48,Default,,0,0,0,,A family of cannibals\Nmoves into the middle
Dialogue: 0,0:00:52.51,0:00:55.28,Default,,0,0,0,,of a typical suburban community.
Dialogue: 0,0:00:55.32,0:00:58.25,Default,,0,0,0,,The possibilities were endless.
Dialogue: 0,0:00:58.29,0:01:01.39,Default,,0,0,0,,The clash of cultures\Nwould produce the laughter
Dialogue: 0,0:01:01.42,0:01:06.06,Default,,0,0,0,,and underlying it all would\Nbe a subtle social criticism.
Dialogue: 0,0:01:06.06,0:01:09.46,Default,,0,0,0,,Actually, the cannibals\Nweren't difficult as actors,
Dialogue: 0,0:01:09.50,0:01:13.37,Default,,0,0,0,,they weren't\Ntemperamental, just hungry.
Dialogue: 0,0:01:14.50,0:01:16.81,Default,,0,0,0,,And considering the\Nfood at the commissary,
Dialogue: 0,0:01:16.84,0:01:18.14,Default,,0,0,0,,I'm not sure I blame them.
Dialogue: 0,0:01:21.14,0:01:24.48,Default,,0,0,0,,(slow mysterious music)
Dialogue: 0,0:01:47.14,0:01:49.47,Default,,0,0,0,,- I'm Detective\NSergeant Martinez.
Dialogue: 0,0:01:49.50,0:01:51.34,Default,,0,0,0,,- I'm Detective Gabe Greeley.
Dialogue: 0,0:01:51.37,0:01:52.97,Default,,0,0,0,,- [Ellen] Oh, he's\Nin recovery now.
Dialogue: 0,0:01:53.01,0:01:55.68,Default,,0,0,0,,They'll be moving him\Nto room 114 very soon.
Dialogue: 0,0:01:55.71,0:01:56.51,Default,,0,0,0,,- Thank you miss.
Dialogue: 0,0:01:58.35,0:01:59.51,Default,,0,0,0,,- An intelligent girl.
Dialogue: 0,0:02:01.22,0:02:02.05,Default,,0,0,0,,Pretty girl.
Dialogue: 0,0:02:06.89,0:02:07.72,Default,,0,0,0,,- This is it.
Dialogue: 0,0:02:10.19,0:02:11.06,Default,,0,0,0,,- Here he comes.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.90,0:00:07.80,Default,,0,0,0,,("Alfred Hitchcock" theme music)
Dialogue: 0,0:00:25.19,0:00:26.15,Default,,0,0,0,,- Good evening.
Dialogue: 0,0:00:36.53,0:00:40.04,Default,,0,0,0,,I have made a rather\Ninteresting discovery,
Dialogue: 0,0:00:40.07,0:00:44.27,Default,,0,0,0,,an Indian village in\Na remarkable state\Nof preservation.
Dialogue: 0,0:00:44.31,0:00:47.28,Default,,0,0,0,,Judging from the items\NI've found around here,
Dialogue: 0,0:00:47.31,0:00:50.01,Default,,0,0,0,,this was the barbershop.
Dialogue: 0,0:00:50.05,0:00:53.78,Default,,0,0,0,,I imagine it was originally\Npart of a large shopping center
Dialogue: 0,0:00:53.82,0:00:56.38,Default,,0,0,0,,which stood on this very spot.
Dialogue: 0,0:00:56.42,0:01:00.06,Default,,0,0,0,,Actually, this a peace pipe.
Dialogue: 0,0:01:01.26,0:01:04.09,Default,,0,0,0,,It was by far the most\Npopular style of pipe,
Dialogue: 0,0:01:04.13,0:01:07.33,Default,,0,0,0,,because it was so\Nhandy in case the peace
Dialogue: 0,0:01:07.36,0:01:09.66,Default,,0,0,0,,conference didn't work out.
Dialogue: 0,0:01:09.70,0:01:12.90,Default,,0,0,0,,Tonight, we shall show you a\Nseries of commercial messages,
Dialogue: 0,0:01:12.93,0:01:15.10,Default,,0,0,0,,and if you watch\Nclosely, a play.
Dialogue: 0,0:01:17.87,0:01:20.88,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:01:56.34,0:01:58.78,Default,,0,0,0,,(footsteps)
Dialogue: 0,0:01:58.81,0:02:01.78,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:02:49.10,0:02:51.60,Default,,0,0,0,,(car passing)
Dialogue: 0,0:02:52.60,0:02:55.60,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:03:10.85,0:03:14.46,Default,,0,0,0,,(traffic passing)
Dialogue: 0,0:03:14.49,0:03:17.49,Default,,0,0,0,,(suspenseful music)
Dialogue: 0,0:03:37.65,0:03:40.42,Default,,0,0,0,,(glass smashing)
Dialogue: 0,0:03:40.45,0:03:43.12,Default,,0,0,0,,(alarm blaring)
Dialogue: 0,0:03:53.86,0:03:56.33,Default,,0,0,0,,(horn honking)
Dialogue: 0,0:03:56.36,0:03:59.60,Default,,0,0,0,,(alarm blaring)
Dialogue: 0,0:03:59.63,0:04:00.84,Default,,0,0,0,,- Come on.