Star Wars: Episode VII - The Force Awakens English Subtitles

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J.J. ABRAMS:
One of the very early things

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that we talked about wanting to do

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was have a lightsaber fight
at night in the snow.

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And I did think that it would be
a beautiful thing to do.

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It just felt like something
that was appropriate for this story,

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and visually, really interesting.

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The idea of how these blades
would interact with the snow,

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and lighting the characters,
knowing we were going to have actual,

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Don't follow me. Town is that way.

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(BB-8 SIGHS)

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(BB-8 CHIRPS INQUISITIVELY)

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No!

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(BB-8 MOANS DEJECTEDLY)

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J.J. ABRAMS". We were working
on this list of things

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we knew we wanted in this movie,

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and we wanted a droid
that had a strong personality,

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and a big role in the film.

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Maz is a bit of an acquired taste,
so let me do the talking.

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And whatever you do, don't stare.

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BOTH: At what?

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Any of it.

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(CHITTERING)

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(GROWLS)

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That's great, yeah.

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(CAMERA CLICKING)

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NEAL SCANLAN: At the core
of Star Wars is that charm.

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(WOMAN SOBBING)

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(BOTH EXCLAIM)

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(PANTING)

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- (GRUNTS)
- Sorry.

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- Any word from Poe?
- No.

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General,

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the Jakku village was wiped out.

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I'm sorry, Your Highness,
there was no sign of the map anywhere.

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If they get to Luke first,
we haven't got a chance.

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I'm Kathleen Kennedy.

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President of Lucasfilm,

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and producer of
Star Wars: The Force Awakens.

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In the late '70s,

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following the massive global success
of Star Wars: A New Hope,

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fans began to embrace
Star Wars stories of struggle

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and inspiration
on a more personal level.

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Over the course of
the last three decades,

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fans have volunteered their time

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J.J. ABRAMS: Star Wars is a gift
everywhere you look at it,

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one of those gifts is
the ability to work with ILM.

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Every time they do a project,
they solve a new problem.

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Part of the DNA needs to be
that audacity to think

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that we'll figure it out,

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that same spirit of fearlessness,

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that thread goes throughout ILM
and its history.

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ROGER GUYETT: It's not a singular mission.

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It's like an army collaborating

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You would think that after spending
a couple years working on this movie

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and getting to work with Larry Kasdan
and getting to work with Harrison Ford,

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and getting to be on these
incredible, beautifully designed sets...

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But then you go onto the scoring stage
with John Williams.

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It's a whole other
God-like presence.

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LAWRENCE KASDAN: When you have
John Williams writing the music,

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he has all the gifts that you need

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to make a dynamic, exciting,
delightful Star Wars movie.

9

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- Are we allowed to talk about that?
- MAN: Yeah, absolutely.

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- (LAUGHS)
- MAN: Okay. Here we go then.

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Am I allowed to talk about the process?

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- (INDISTINCT CHATTER)
- (LAUGHING)

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(GASPS) I said it out loud!

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I can't talk about that.

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I've locked it all away, like in a vault.

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In an internal vault.

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This would be
after the movie comes out, so...

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J.J. ABRAMS:
For this read through we did,

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we didn't want it to be too ceremonious,

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and feel like "Oh, my God, we are
gonna actually hear this script."

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On the other hand,

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this was gonna be the first gathering
of this original cast, the new cast,

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and this core group of people that were
gonna be part of making this movie.

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And we wanted to document it, but
the most important thing was to hear it.

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That moment when we all sat in a circle,

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and we saw all these faces and you