Alfred Hitchcock Presents - Third Season English Subtitles

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Dialogue: 0,0:00:28.39,0:00:30.29,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.33,0:00:33.16,Default,,0,0,0,,Tonight's narrative\Nis about a private eye.
Dialogue: 0,0:00:34.03,0:00:36.03,Default,,0,0,0,,A very private eye.
Dialogue: 0,0:00:40.50,0:00:43.54,Default,,0,0,0,,A glass eye\Nis a very interesting object.
Dialogue: 0,0:00:44.47,0:00:46.07,Default,,0,0,0,,For one thing,
Dialogue: 0,0:00:46.11,0:00:50.21,Default,,0,0,0,,I've always thought\Na glass eye would be better\Nthan the real article.
Dialogue: 0,0:00:50.25,0:00:52.78,Default,,0,0,0,,It never gets bloodshot.
Dialogue: 0,0:00:52.81,0:00:56.38,Default,,0,0,0,,And being made of glass,\Nit will certainly be easier\Nto see through.
Dialogue: 0,0:00:58.25,0:01:02.36,Default,,0,0,0,,This evening,\Ndue to one of those\Ndelightful coincidences,
Dialogue: 0,0:01:02.39,0:01:05.16,Default,,0,0,0,,our story happens to be\Nabout a glass eye.
Dialogue: 0,0:01:06.56,0:01:10.10,Default,,0,0,0,,It is entitled,\N"The Glass Eye."
Dialogue: 0,0:01:11.20,0:01:13.07,Default,,0,0,0,,You see, everything fits in.
Dialogue: 0,0:01:37.09,0:01:40.76,Default,,0,0,0,,What appalls me is\Nthat cousin Julia had no one\Nto leave her things to.
Dialogue: 0,0:01:40.80,0:01:43.47,Default,,0,0,0,,No one except us, that is.
Dialogue: 0,0:01:43.50,0:01:46.80,Default,,0,0,0,,Did she ever let you know\Nhow lonely she was?
Dialogue: 0,0:01:46.84,0:01:51.31,Default,,0,0,0,,Nobody in the family\Never knew much about Julia.\NShe was impossible to know.
Dialogue: 0,0:01:51.34,0:01:53.44,Default,,0,0,0,,She never talked\Nabout herself.
Dialogue: 0,0:01:53.48,0:01:55.41,Default,,0,0,0,,Well, I simply\Ndon't understand
Dialogue: 0,0:01:55.44,0:01:59.41,Default,,0,0,0,,how she could possibly\Nhave stood it,\Nliving here so alone.
Dialogue: 0,0:01:59.45,0:02:02.52,Default,,0,0,0,,I wonder what went on\Nin her mind.
Dialogue: 0,0:02:02.55,0:02:05.35,Default,,0,0,0,,Do you suppose\Nshe ever stood here,\Nstaring at these ships,
Dialogue: 0,0:02:05.39,0:02:07.39,Default,,0,0,0,,and dreaming\Nthat she one day might sail
Dialogue: 0,0:02:07.42,0:02:09.52,Default,,0,0,0,,right out of\Nthis drab little room?
Dialogue: 0,0:02:11.39,0:02:13.19,Default,,0,0,0,,Once she very nearly did.
Dialogue: 0,0:02:14.90,0:02:16.20,Default,,0,0,0,,Just once.
Dialogue: 0,0:02:17.97,0:02:20.07,Default,,0,0,0,,Let me show you\Nsomething, Dorothy.

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Dialogue: 0,0:00:34.50,0:00:37.40,Default,,0,0,0,,Hello, fellow speculators.
Dialogue: 0,0:00:37.43,0:00:40.07,Default,,0,0,0,,I've just made\Na killing in the stock market,
Dialogue: 0,0:00:40.10,0:00:41.67,Default,,0,0,0,,nothing to it.
Dialogue: 0,0:00:41.70,0:00:44.87,Default,,0,0,0,,I simply told my partner\Nwe've been wiped out.
Dialogue: 0,0:00:44.91,0:00:47.21,Default,,0,0,0,,He's a very excitable fellow.
Dialogue: 0,0:00:47.24,0:00:49.74,Default,,0,0,0,,(CLICKING TONGUE)
Dialogue: 0,0:00:49.78,0:00:53.05,Default,,0,0,0,,Actually I was joking.\NWe haven't been wiped out.
Dialogue: 0,0:00:53.08,0:00:54.95,Default,,0,0,0,,Actually we have\Nmade a tidy profit.
Dialogue: 0,0:00:54.98,0:00:56.69,Default,,0,0,0,,I wish he hadn't done it.
Dialogue: 0,0:00:58.22,0:01:01.06,Default,,0,0,0,,We have a very\Nsensitive elevator man.
Dialogue: 0,0:01:01.09,0:01:03.39,Default,,0,0,0,,He doesn't like it\Nwhen he brings people up,
Dialogue: 0,0:01:03.43,0:01:04.93,Default,,0,0,0,,and then they\Ndon't ride down again.
Dialogue: 0,0:01:04.96,0:01:07.06,Default,,0,0,0,,It confuses him.
Dialogue: 0,0:01:07.06,0:01:11.83,Default,,0,0,0,,As for our story, it is called\N"The Mail Order Prophet."
Dialogue: 0,0:01:11.87,0:01:14.87,Default,,0,0,0,,And it too is set\Nin the background\Nof stocks and bonds.
Dialogue: 0,0:01:49.50,0:01:52.84,Default,,0,0,0,,And, so begins another day\Nat the old jute mill.
Dialogue: 0,0:01:52.87,0:01:54.88,Default,,0,0,0,,You'd think after\N17 years we could
Dialogue: 0,0:01:54.91,0:01:57.51,Default,,0,0,0,,be trusted to\Nopen our own mail.
Dialogue: 0,0:01:57.55,0:01:59.18,Default,,0,0,0,,That's the trouble\Nwith this office,
Dialogue: 0,0:01:59.21,0:02:02.05,Default,,0,0,0,,there's no power of decision.
Dialogue: 0,0:02:02.05,0:02:05.19,Default,,0,0,0,,(TELEPHONE RINGING)\NRonald,\Nthere's only one power.
Dialogue: 0,0:02:05.22,0:02:08.52,Default,,0,0,0,,They throw the switch\Nand start the assembly line.
Dialogue: 0,0:02:08.56,0:02:10.26,Default,,0,0,0,,Why do we put up\Nwith it, George?
Dialogue: 0,0:02:10.29,0:02:13.70,Default,,0,0,0,,Why do we go on\Nyear after year\Nbeing treated like the robots?
Dialogue: 0,0:02:13.73,0:02:17.07,Default,,0,0,0,,Because we're not robots.\NWe're cogs.
Dialogue: 0,0:02:17.07,0:02:19.60,Default,,0,0,0,,Only small cogs\Nin a very large machine.

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Dialogue: 0,0:00:36.56,0:00:39.47,Default,,0,0,0,,Good evening,\Nladies and gentlemen,
Dialogue: 0,0:00:39.50,0:00:41.27,Default,,0,0,0,,and Doctor Watson,\Nwherever you are.
Dialogue: 0,0:00:47.64,0:00:49.14,Default,,0,0,0,,Tonight's case is...
Dialogue: 0,0:00:53.48,0:00:56.32,Default,,0,0,0,,Tonight's case is called,\N"The Perfect Crime."
Dialogue: 0,0:00:57.62,0:01:00.52,Default,,0,0,0,,I'm not sure\Nwho it was who said,
Dialogue: 0,0:01:00.56,0:01:05.49,Default,,0,0,0,,"A perfect crime\Nis exactly the same\Nas a perfect marriage.
Dialogue: 0,0:01:05.53,0:01:09.96,Default,,0,0,0,,"Their being perfect\Ndepends on your\Nnot being caught."
Dialogue: 0,0:01:10.80,0:01:12.53,Default,,0,0,0,,Tonight we plan...
Dialogue: 0,0:01:14.70,0:01:17.64,Default,,0,0,0,,This is exactly\Nwhy I never take\Nmy pipe to bed.
Dialogue: 0,0:01:17.67,0:01:20.38,Default,,0,0,0,,If you fall asleep,\Nyou could be\Nbubbled to death.
Dialogue: 0,0:01:23.48,0:01:25.61,Default,,0,0,0,,And now join me,\Nif you will,
Dialogue: 0,0:01:25.65,0:01:28.48,Default,,0,0,0,,while we contemplate\Nthe perfect crime.
Dialogue: 0,0:02:27.74,0:02:29.11,Default,,0,0,0,,(BELL RINGS)
Dialogue: 0,0:02:40.86,0:02:42.39,Default,,0,0,0,,JOHN: Good evening,\NMr. Courtney.
Dialogue: 0,0:02:42.42,0:02:44.46,Default,,0,0,0,,I know it's late\Nto be calling uninvited,
Dialogue: 0,0:02:44.49,0:02:47.66,Default,,0,0,0,,but I just returned\Nfrom abroad,\Nthe ship was late docking,
Dialogue: 0,0:02:47.70,0:02:48.93,Default,,0,0,0,,and I just saw\Nthe newspapers.
Dialogue: 0,0:02:48.96,0:02:50.33,Default,,0,0,0,,Haven't I seen you\Nsomewhere before?
Dialogue: 0,0:02:50.37,0:02:51.50,Default,,0,0,0,,I'm John Gregory.
Dialogue: 0,0:02:51.53,0:02:52.70,Default,,0,0,0,,Oh, yes, of course.\NDo come in.
Dialogue: 0,0:02:52.73,0:02:54.10,Default,,0,0,0,,Thank you.
Dialogue: 0,0:02:54.14,0:02:55.57,Default,,0,0,0,,My man is off\Nthis evening,
Dialogue: 0,0:02:55.60,0:02:57.47,Default,,0,0,0,,so, if you don't mind,\NI'll just put\Nyour coat here.
Dialogue: 0,0:02:57.51,0:02:58.84,Default,,0,0,0,,All right.
Dialogue: 0,0:02:58.87,0:02:59.51,Default,,0,0,0,,Won't you come in\Nand sit down?
Dialogue: 0,0:02:59.54,0:03:01.28,Default,,0,0,0,,Thank you.

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Dialogue: 0,0:00:27.02,0:00:28.72,Default,,0,0,0,,(MACHINE WHIRRING)
Dialogue: 0,0:00:33.70,0:00:35.86,Default,,0,0,0,,Oh, there you are. Pardon me.
Dialogue: 0,0:00:36.40,0:00:37.90,Default,,0,0,0,,(WHIRRING STOPS)
Dialogue: 0,0:00:39.30,0:00:42.47,Default,,0,0,0,,Good evening,\Nfellow hobbyists.
Dialogue: 0,0:00:42.50,0:00:45.47,Default,,0,0,0,,I've decided to do it myself.
Dialogue: 0,0:00:45.51,0:00:48.44,Default,,0,0,0,,I'm sure most of you would\Nexpect me to be all thumbs.
Dialogue: 0,0:00:48.48,0:00:51.38,Default,,0,0,0,,This is definitely untrue.
Dialogue: 0,0:00:51.41,0:00:54.75,Default,,0,0,0,,The way things are going,\NI should be lucky to have\Nany thumbs at all.
Dialogue: 0,0:00:54.78,0:00:58.19,Default,,0,0,0,,Tonight's story is about\Na parolee,
Dialogue: 0,0:00:58.22,0:01:01.89,Default,,0,0,0,,and so I thought you might be\Ninterested in this machinery
Dialogue: 0,0:01:01.92,0:01:04.36,Default,,0,0,0,,which has been designed\Nas a therapeutic measure
Dialogue: 0,0:01:04.39,0:01:06.56,Default,,0,0,0,,for paroled convicts
Dialogue: 0,0:01:06.59,0:01:10.57,Default,,0,0,0,,who may still harbor\Nhomicidal tendencies.
Dialogue: 0,0:01:10.60,0:01:13.67,Default,,0,0,0,,It gives them a healthy outlet\Nfor their energies.
Dialogue: 0,0:01:13.70,0:01:17.47,Default,,0,0,0,,We have a saw, lathe, drill.
Dialogue: 0,0:01:17.51,0:01:19.34,Default,,0,0,0,,As my first project,
Dialogue: 0,0:01:19.37,0:01:24.28,Default,,0,0,0,,I've been converting\NChippendale furniture\Ninto kindling.
Dialogue: 0,0:01:24.31,0:01:27.62,Default,,0,0,0,,I'm sure my work here\Nwould only bore you,
Dialogue: 0,0:01:27.65,0:01:32.12,Default,,0,0,0,,so we've arranged\Nto show you tonight's story\Nin just a moment.
Dialogue: 0,0:01:32.15,0:01:35.32,Default,,0,0,0,,Perhaps I should explain.\NThis is a circular saw.
Dialogue: 0,0:02:38.72,0:02:39.55,Default,,0,0,0,,Yes?
Dialogue: 0,0:02:43.22,0:02:45.09,Default,,0,0,0,,Are you Mr. Collins?
Dialogue: 0,0:02:45.09,0:02:46.26,Default,,0,0,0,,Right.
Dialogue: 0,0:02:47.80,0:02:50.67,Default,,0,0,0,,I'm Jackie Blake. I'm a friend\Nof your brother Allie's.
Dialogue: 0,0:02:51.87,0:02:54.10,Default,,0,0,0,,What do you want?
Dialogue: 0,0:02:54.10,0:02:57.77,Default,,0,0,0,,Well, Allie asked me to come\Nby and see you and his mother.

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Dialogue: 0,0:00:23.02,0:00:25.22,Default,,0,0,0,,Good evening,\Nfellow inmates.
Dialogue: 0,0:00:26.92,0:00:30.33,Default,,0,0,0,,I suppose you're wondering\Nwhy I'm here.
Dialogue: 0,0:00:30.36,0:00:34.00,Default,,0,0,0,,I was picked up by an agent\Nfrom the Federal Bureau...
Dialogue: 0,0:00:35.20,0:00:38.30,Default,,0,0,0,,The Bureau of Standards,\Nthat is.
Dialogue: 0,0:00:38.33,0:00:42.17,Default,,0,0,0,,He claims I was lying\Nabout my weight.
Dialogue: 0,0:00:42.20,0:00:46.81,Default,,0,0,0,,The vertical stripes\Nwere my tailor's idea.
Dialogue: 0,0:00:46.84,0:00:49.58,Default,,0,0,0,,They not only\Ngive me that slim look,
Dialogue: 0,0:00:49.61,0:00:53.58,Default,,0,0,0,,they also make it impossible\Nfor the guards to tell
Dialogue: 0,0:00:53.62,0:00:57.09,Default,,0,0,0,,where the bars leave off\Nand I begin.
Dialogue: 0,0:00:57.12,0:01:00.22,Default,,0,0,0,,I have a different uniform\Nfor each day.
Dialogue: 0,0:01:00.26,0:01:03.26,Default,,0,0,0,,And on each one,\Nthe stripes are\Ncloser together.
Dialogue: 0,0:01:04.96,0:01:08.06,Default,,0,0,0,,In 10 days I expect\Nto disappear completely.
Dialogue: 0,0:01:08.93,0:01:10.90,Default,,0,0,0,,As for tonight's story,
Dialogue: 0,0:01:10.93,0:01:13.37,Default,,0,0,0,,it is a somber\Nlittle jape entitled
Dialogue: 0,0:01:13.94,0:01:16.27,Default,,0,0,0,,"Silent Witness."
Dialogue: 0,0:01:16.30,0:01:19.31,Default,,0,0,0,,It will occupy this space\Nin just a moment.
Dialogue: 0,0:01:36.26,0:01:39.36,Default,,0,0,0,,"My conscience hath\Na thousand several tongues.
Dialogue: 0,0:01:39.39,0:01:42.16,Default,,0,0,0,,"And every tongue\Nbrings in a several tale.
Dialogue: 0,0:01:42.20,0:01:44.10,Default,,0,0,0,,"And every tale\Ncondemns me for a villain.
Dialogue: 0,0:01:45.47,0:01:48.40,Default,,0,0,0,,"Perjury. Perjury\Nin the highest degree.
Dialogue: 0,0:01:48.44,0:01:51.14,Default,,0,0,0,,"Murder. Stern murder\Nin the direst degree.
Dialogue: 0,0:01:51.17,0:01:54.41,Default,,0,0,0,,"All several sins,\Nall used in each degree.
Dialogue: 0,0:01:54.44,0:01:56.88,Default,,0,0,0,,"Thronged to the bar\Ncrying all guilty!
Dialogue: 0,0:01:57.45,0:01:58.25,Default,,0,0,0,,"Guilty!
Dialogue: 0,0:02:00.42,0:02:01.95,Default,,0,0,0,,"I shall despair.
Dialogue: 0,0:02:03.52,0:02:05.65,Default,,0,0,0,,"There is no creature\Nloves me.

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Dialogue: 0,0:00:27.72,0:00:29.22,Default,,0,0,0,,I'll be with you in a moment.
Dialogue: 0,0:00:34.10,0:00:38.00,Default,,0,0,0,,I suppose you're as surprised\Nas I was to see\Na money tree like this.
Dialogue: 0,0:00:38.03,0:00:40.44,Default,,0,0,0,,The ones I've seen\Nhave always been much taller.
Dialogue: 0,0:00:42.27,0:00:43.27,Default,,0,0,0,,(EXCLAIMS)
Dialogue: 0,0:00:44.57,0:00:48.11,Default,,0,0,0,,I smudged that one.\NThe ink wasn't dry yet.
Dialogue: 0,0:00:48.14,0:00:51.81,Default,,0,0,0,,Last year, my entire crop was\Nwiped out by grasshoppers.
Dialogue: 0,0:00:53.11,0:00:55.78,Default,,0,0,0,,I finally tried insect spray.
Dialogue: 0,0:00:55.82,0:00:58.59,Default,,0,0,0,,But by that time,\Nthe grasshoppers were so rich,
Dialogue: 0,0:00:58.62,0:01:01.09,Default,,0,0,0,,they could afford gas masks.
Dialogue: 0,0:01:01.12,0:01:03.56,Default,,0,0,0,,Actually, I have\Nno regard for money.
Dialogue: 0,0:01:03.59,0:01:06.16,Default,,0,0,0,,Aside from\Nits purchasing power,
Dialogue: 0,0:01:06.19,0:01:08.93,Default,,0,0,0,,it's completely useless\Nas far as I'm concerned.
Dialogue: 0,0:01:08.96,0:01:11.50,Default,,0,0,0,,Unfortunately,\Nthe leading characters\Nin tonight's play
Dialogue: 0,0:01:11.53,0:01:13.97,Default,,0,0,0,,do not share my detachment.
Dialogue: 0,0:01:14.07,0:01:16.24,Default,,0,0,0,,You shall see what befell them\Nin a moment.
Dialogue: 0,0:02:10.23,0:02:12.06,Default,,0,0,0,,You home already?
Dialogue: 0,0:02:12.06,0:02:13.83,Default,,0,0,0,,I was washing.\NI didn't know it was so late.
Dialogue: 0,0:02:15.16,0:02:16.46,Default,,0,0,0,,I'll dish your supper\Nright up.
Dialogue: 0,0:02:17.80,0:02:19.13,Default,,0,0,0,,Don't get mad.
Dialogue: 0,0:02:19.17,0:02:21.07,Default,,0,0,0,,Tonight I won't get\Nmad at nothing, Anna.
Dialogue: 0,0:02:22.67,0:02:25.37,Default,,0,0,0,,One of the tenants give\Nyou a nice tip, Carl?
Dialogue: 0,0:02:25.41,0:02:28.08,Default,,0,0,0,,The tips I get from them\Ncheapskate tenants,\Nwe could starve.
Dialogue: 0,0:02:29.78,0:02:32.28,Default,,0,0,0,,The tenants think a janitor's\Na dog or something,
Dialogue: 0,0:02:32.31,0:02:33.75,Default,,0,0,0,,good enough to throw\Nhim a bone.
Dialogue: 0,0:02:35.45,0:02:37.49,Default,,0,0,0,,If them cheapskates\Nonly knew.
Dialogue: 0,0:02:37.52,0:02:39.15,Default,,0,0,0,,Knew what?

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.36,0:00:30.66,Default,,0,0,0,,Good evening,\Ntelevision addicts.
Dialogue: 0,0:00:30.69,0:00:33.16,Default,,0,0,0,,Thank you for\Nyour kind attention.
Dialogue: 0,0:00:33.19,0:00:35.70,Default,,0,0,0,,Please don't\Njump to conclusions.
Dialogue: 0,0:00:35.73,0:00:40.40,Default,,0,0,0,,We have not\Njoined the stampede\Nfor Western stories.
Dialogue: 0,0:00:40.44,0:00:44.17,Default,,0,0,0,,Tonight's story does\Ntake place in the Far West.
Dialogue: 0,0:00:44.21,0:00:47.58,Default,,0,0,0,,But it is not about cowboys\Nand their playmates.
Dialogue: 0,0:00:48.24,0:00:50.55,Default,,0,0,0,,I feel that the cow
Dialogue: 0,0:00:50.58,0:00:54.15,Default,,0,0,0,,has been very much\Noverrated as a performer.
Dialogue: 0,0:00:54.18,0:00:56.35,Default,,0,0,0,,By way of\Nfurther contrast,
Dialogue: 0,0:00:56.38,0:00:59.25,Default,,0,0,0,,my portion of\Ntonight's potpourri
Dialogue: 0,0:00:59.29,0:01:02.12,Default,,0,0,0,,will have a definite\NEastern flavor.
Dialogue: 0,0:01:02.16,0:01:05.29,Default,,0,0,0,,Now for an amazing\Ndemonstration.
Dialogue: 0,0:01:16.74,0:01:18.07,Default,,0,0,0,,Charles!
Dialogue: 0,0:01:35.26,0:01:37.73,Default,,0,0,0,,I can see that\Nthis is especially useful
Dialogue: 0,0:01:37.76,0:01:40.26,Default,,0,0,0,,when you have a place\Nyou want to get away from,
Dialogue: 0,0:01:40.30,0:01:42.10,Default,,0,0,0,,but no place\Nyou want to go to.
Dialogue: 0,0:01:45.63,0:01:47.37,Default,,0,0,0,,He doesn't seem\Nto be coming down.
Dialogue: 0,0:01:47.40,0:01:49.10,Default,,0,0,0,,Perhaps we'd\Nbetter have our play.
Dialogue: 0,0:01:49.14,0:01:50.64,Default,,0,0,0,,It will begin in a moment
Dialogue: 0,0:01:50.67,0:01:53.88,Default,,0,0,0,,and is called\N"Enough Rope for Two."
Dialogue: 0,0:01:53.91,0:01:57.21,Default,,0,0,0,,I hope you\Nappreciate how skillfully\Nwe have woven the theme
Dialogue: 0,0:01:57.25,0:01:58.55,Default,,0,0,0,,throughout our introduction.
Dialogue: 0,0:02:14.63,0:02:15.80,Default,,0,0,0,,(KNOCK ON DOOR)
Dialogue: 0,0:02:17.70,0:02:19.17,Default,,0,0,0,,Who is it?
Dialogue: 0,0:02:19.20,0:02:20.34,Default,,0,0,0,,It's me. Maxie.
Dialogue: 0,0:02:29.08,0:02:30.98,Default,,0,0,0,,Joe's out.\NHe got out yesterday.

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Timer: 100.0
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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:25.05,0:00:28.52,Default,,0,0,0,,(BUBBLING)
Dialogue: 0,0:00:28.56,0:00:31.79,Default,,0,0,0,,Good evening, fellow gourmet.
Dialogue: 0,0:00:31.83,0:00:34.06,Default,,0,0,0,,Have you ever\Nbeen in a position
Dialogue: 0,0:00:34.10,0:00:37.37,Default,,0,0,0,,where the success or failure\Nof a dinner party
Dialogue: 0,0:00:37.40,0:00:39.73,Default,,0,0,0,,depended entirely on you?
Dialogue: 0,0:00:41.27,0:00:45.84,Default,,0,0,0,,Of course all this\Nis not without\Nits compensations.
Dialogue: 0,0:00:45.87,0:00:49.14,Default,,0,0,0,,It is always\Nreassuring to learn
Dialogue: 0,0:00:49.18,0:00:53.18,Default,,0,0,0,,that other human beings\Nstill find you desirable.
Dialogue: 0,0:00:53.21,0:00:57.55,Default,,0,0,0,,And I am the main course.
Dialogue: 0,0:00:57.59,0:00:59.82,Default,,0,0,0,,It would be\Nhorrible to go through this
Dialogue: 0,0:00:59.85,0:01:02.62,Default,,0,0,0,,and be nothing but\Nan hors d'oeuvre.
Dialogue: 0,0:01:02.66,0:01:07.23,Default,,0,0,0,,Confidentially,\Nthey are miserable chefs.
Dialogue: 0,0:01:07.26,0:01:10.87,Default,,0,0,0,,I certainly would never\Ncook a pot roast\Nwith its shoes on.
Dialogue: 0,0:01:12.27,0:01:16.60,Default,,0,0,0,,Actually, I still haven't\Nexplained why I'm here.
Dialogue: 0,0:01:16.64,0:01:20.51,Default,,0,0,0,,It seems that\None of the natives\Nwas condemned to death
Dialogue: 0,0:01:20.54,0:01:23.14,Default,,0,0,0,,and as a last request
Dialogue: 0,0:01:23.18,0:01:27.25,Default,,0,0,0,,was granted\Nthe right to indulge\Nin a hearty meal.
Dialogue: 0,0:01:28.58,0:01:32.52,Default,,0,0,0,,I'm proud to say I\Nwas his first choice.
Dialogue: 0,0:01:33.46,0:01:36.86,Default,,0,0,0,,And now,\Nwhile I'm coming to a boil,
Dialogue: 0,0:01:36.89,0:01:39.79,Default,,0,0,0,,suppose you\Nwatch tonight's story
Dialogue: 0,0:01:39.83,0:01:42.76,Default,,0,0,0,,which is also\Nabout a condemned man.
Dialogue: 0,0:01:42.80,0:01:44.20,Default,,0,0,0,,(SPLASHING)
Dialogue: 0,0:02:16.36,0:02:17.93,Default,,0,0,0,,He's all yours, Mike.
Dialogue: 0,0:02:20.14,0:02:21.67,Default,,0,0,0,,Never mind the bald job.
Dialogue: 0,0:02:21.70,0:02:23.47,Default,,0,0,0,,You'd better let him\Ndo it, Daniels.
Dialogue: 0,0:02:23.51,0:02:26.07,Default,,0,0,0,,There aren't\Ngoing to be any women\Nwitnessing the execution.

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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.06,0:00:31.13,Default,,0,0,0,,Good evening,\Nand thank you for\Nbeing so prompt.
Dialogue: 0,0:00:31.16,0:00:34.20,Default,,0,0,0,,I detest being kept waiting.
Dialogue: 0,0:00:34.23,0:00:36.40,Default,,0,0,0,,I thought you\Nmight be interested
Dialogue: 0,0:00:36.43,0:00:38.80,Default,,0,0,0,,in this collection\Nof gift selections.
Dialogue: 0,0:00:38.83,0:00:41.50,Default,,0,0,0,,They range from\Nconventional to rare.
Dialogue: 0,0:00:42.67,0:00:46.01,Default,,0,0,0,,Here is the ever\Npopular revolver.
Dialogue: 0,0:00:46.04,0:00:50.45,Default,,0,0,0,,It is an excellent means\Nof establishing\Ncredit in a strange city.
Dialogue: 0,0:00:51.21,0:00:53.35,Default,,0,0,0,,It is equally useful
Dialogue: 0,0:00:53.38,0:00:57.39,Default,,0,0,0,,in the removal of unwanted\Nor unsightly persons.
Dialogue: 0,0:00:59.05,0:01:02.52,Default,,0,0,0,,Here is a jar of\Npoison mushrooms
Dialogue: 0,0:01:02.56,0:01:06.29,Default,,0,0,0,,for those smart alecks\Nwho know toadstools\Nwhen they see them.
Dialogue: 0,0:01:08.06,0:01:12.20,Default,,0,0,0,,Here we have a weapon\Nthat is\Nprimitive but effective.
Dialogue: 0,0:01:12.23,0:01:16.27,Default,,0,0,0,,It is guaranteed\Nto be 50% painless.
Dialogue: 0,0:01:16.30,0:01:19.67,Default,,0,0,0,,You, see, it takes\Ntwo men to operate it
Dialogue: 0,0:01:19.71,0:01:23.38,Default,,0,0,0,,and the one at this end\Ndoesn't feel a thing.
Dialogue: 0,0:01:25.75,0:01:29.68,Default,,0,0,0,,And for the {\i1}Hausfrau{\i0}\Nwhose aim with\Nthe family china
Dialogue: 0,0:01:29.72,0:01:31.85,Default,,0,0,0,,is not what it use to be,
Dialogue: 0,0:01:31.89,0:01:34.79,Default,,0,0,0,,here is a very handsome item,
Dialogue: 0,0:01:34.82,0:01:38.39,Default,,0,0,0,,an exploding cream pitcher.
Dialogue: 0,0:01:38.43,0:01:42.46,Default,,0,0,0,,Says on it,\N"God bless our happy home."
Dialogue: 0,0:01:43.80,0:01:46.13,Default,,0,0,0,,As for tonight's story
Dialogue: 0,0:01:46.17,0:01:50.24,Default,,0,0,0,,I won't tell\Nyou whether or not\Nany of these weapons are used.
Dialogue: 0,0:01:50.27,0:01:53.91,Default,,0,0,0,,You'll have to watch and see.
Dialogue: 0,0:01:53.94,0:01:57.75,Default,,0,0,0,,I did think I had an example\Nof a blunt\Ninstrument to show you.
Dialogue: 0,0:02:00.82,0:02:05.12,Default,,0,0,0,,Ah,\Nyes, what could be more blunt\Nthan the following?
Dialogue: 0,0:02:21.77,0:02:24.67,Default,,0,0,0,,(UPBEAT MUSIC PLAYING)

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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:30.69,0:00:32.56,Default,,0,0,0,,(BOTH SNORING)
Dialogue: 0,0:00:42.57,0:00:46.01,Default,,0,0,0,,Good evening,\N{\i1}senors{\i0}and {\i1}senoras,{\i0}
Dialogue: 0,0:00:46.04,0:00:50.05,Default,,0,0,0,,and members of our little\Nbook of the week club.
Dialogue: 0,0:00:50.08,0:00:53.05,Default,,0,0,0,,Originally, I was to play\Na different role,
Dialogue: 0,0:00:53.08,0:00:57.32,Default,,0,0,0,,but I proved to be\Na rather bulky bookmark.
Dialogue: 0,0:00:57.35,0:01:03.19,Default,,0,0,0,,Tonight's little volume takes\Nus to exotic nearby Mexico,
Dialogue: 0,0:01:03.22,0:01:08.13,Default,,0,0,0,,home of the tortilla,\Nthe bullfight and\Nthe 40-hour coffee break.
Dialogue: 0,0:01:08.16,0:01:11.37,Default,,0,0,0,,It is called,\N"The Diplomatic Corpse."
Dialogue: 0,0:01:11.40,0:01:12.63,Default,,0,0,0,,Allow me.
Dialogue: 0,0:01:44.47,0:01:47.37,Default,,0,0,0,,Desert.\NThat's all it is, desert.
Dialogue: 0,0:01:47.40,0:01:50.87,Default,,0,0,0,,Nothing but sand and rocks\Nand a few wretched palm trees.
Dialogue: 0,0:01:50.91,0:01:53.31,Default,,0,0,0,,Well, don't forget\Nthe geraniums, Auntie.
Dialogue: 0,0:01:53.34,0:01:57.21,Default,,0,0,0,,Chin up, darling.\NWe've only got\Nanother week of it.
Dialogue: 0,0:01:57.25,0:02:01.55,Default,,0,0,0,,Geraniums belong in pots,\Nnot growing wild all over\Nthe place like weeds.
Dialogue: 0,0:02:01.58,0:02:04.32,Default,,0,0,0,,Well, after all, Auntie,\Nthis is California.
Dialogue: 0,0:02:04.35,0:02:06.49,Default,,0,0,0,,For the life of me, Janet,\NI cannot understand
Dialogue: 0,0:02:06.52,0:02:09.19,Default,,0,0,0,,why you would want\Nto leave England for this.
Dialogue: 0,0:02:09.22,0:02:12.49,Default,,0,0,0,,It's easy, Auntie. This is\Nwhere my husband lives.
Dialogue: 0,0:02:14.06,0:02:16.36,Default,,0,0,0,,Where are we now, Evan?
Dialogue: 0,0:02:16.40,0:02:19.70,Default,,0,0,0,,We're just coming\Nto an old Spanish mission.
Dialogue: 0,0:02:19.73,0:02:22.37,Default,,0,0,0,,It's very historic.\NIt's over 200 years old.
Dialogue: 0,0:02:24.07,0:02:28.98,Default,,0,0,0,,Westminster Abbey\Nwas consecrated in 1050.\NThat's over 900 years old.
Dialogue: 0,0:02:32.08,0:02:36.12,Default,,0,0,0,,This style of architecture\Nwas brought up from Mexico\Nby the Franciscan monks.
Dialogue: 0,0:02:40.49,0:02:44.89,Default,,0,0,0,,Now admit it, Auntie.\NIt's a lovely old building.
Dialogue: 0,0:02:44.93,0:02:49.10,Default,,0,0,0,,It's certainly an improvement\Non those biscuit tins\Nthat Evan builds.
Dialogue: 0,0:02:49.13,0:02:53.37,Default,,0,0,0,,Evan is a modern architect\Nand a very good one, too.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:29.69,0:00:30.39,Default,,0,0,0,,Oh, good evening.
Dialogue: 0,0:00:32.43,0:00:36.70,Default,,0,0,0,,I guess if you want\Nsomething done right,\Nyou have to do it yourself.
Dialogue: 0,0:00:36.73,0:00:41.57,Default,,0,0,0,,The plumber keeps\Nfixing the leak,\Nand I don't want it fixed.
Dialogue: 0,0:00:41.60,0:00:45.17,Default,,0,0,0,,I'm sure many of you have\None of these in your homes.
Dialogue: 0,0:00:45.21,0:00:47.88,Default,,0,0,0,,But for\Nthe benefit of the backward,\NI shall explain.
Dialogue: 0,0:00:50.21,0:00:53.18,Default,,0,0,0,,The subject is\Nstrapped in this chair.
Dialogue: 0,0:00:54.58,0:00:56.82,Default,,0,0,0,,I then turn this valve,
Dialogue: 0,0:00:58.15,0:00:59.95,Default,,0,0,0,,and the water\Ndrips on his head.
Dialogue: 0,0:01:00.86,0:01:02.89,Default,,0,0,0,,One drop each minute.
Dialogue: 0,0:01:04.53,0:01:09.40,Default,,0,0,0,,After about a week of this,\NI suddenly turn the water off.
Dialogue: 0,0:01:09.43,0:01:13.17,Default,,0,0,0,,It produces the most\Nastounding effects.
Dialogue: 0,0:01:13.20,0:01:16.07,Default,,0,0,0,,It is especially\Nvaluable if you have a friend
Dialogue: 0,0:01:16.07,0:01:19.47,Default,,0,0,0,,who wishes to\Nlose his inhibitions.
Dialogue: 0,0:01:19.51,0:01:22.41,Default,,0,0,0,,Naturally,\Nyou may lose your friend too.
Dialogue: 0,0:01:22.44,0:01:26.31,Default,,0,0,0,,However,\Nthere is one serious danger.
Dialogue: 0,0:01:26.35,0:01:29.78,Default,,0,0,0,,Don't ever leave it running\Nwhen there is no\None in the chair.
Dialogue: 0,0:01:29.82,0:01:32.09,Default,,0,0,0,,Because in a few days,
Dialogue: 0,0:01:32.09,0:01:38.23,Default,,0,0,0,,the force of the dripping\Nwater can actually\Ndrill a hole through the wood.
Dialogue: 0,0:01:38.26,0:01:43.23,Default,,0,0,0,,Now,\Nwhile I go back to the shop\Nto get the proper tools,
Dialogue: 0,0:01:43.26,0:01:48.10,Default,,0,0,0,,we shall have the rest of\Nthis evening's entertainment.
Dialogue: 0,0:02:13.26,0:02:16.80,Default,,0,0,0,,A honeymoon\Ncan't last forever.\NBut some people expect it to.
Dialogue: 0,0:02:16.83,0:02:19.10,Default,,0,0,0,,Is this a conspiracy, Myra,\Nor may I have a light?
Dialogue: 0,0:02:21.84,0:02:25.07,Default,,0,0,0,,We were just\Ntalking about Ann Warren\Nand her husband.
Dialogue: 0,0:02:25.07,0:02:26.88,Default,,0,0,0,,What's the matter?\NTrouble in paradise?
Dialogue: 0,0:02:26.91,0:02:28.21,Default,,0,0,0,,So I hear.
Dialogue: 0,0:02:29.71,0:02:32.78,Default,,0,0,0,,Well,\Nshe doesn't exactly look like\Nthe happy young bride.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.52,0:00:30.13,Default,,0,0,0,,Oh, good evening.
Dialogue: 0,0:00:31.53,0:00:36.13,Default,,0,0,0,,The leading man in tonight's\Nsaga is an alley cat.
Dialogue: 0,0:00:36.16,0:00:39.63,Default,,0,0,0,,He must be fed\Nbefore each performance,
Dialogue: 0,0:00:39.67,0:00:43.54,Default,,0,0,0,,it keeps him\Nfrom eating the actors.
Dialogue: 0,0:00:43.57,0:00:48.64,Default,,0,0,0,,Today he's having\Na finely chopped mice burger.
Dialogue: 0,0:00:48.68,0:00:52.85,Default,,0,0,0,,Naturally we used nothing\Nbut contented mice.
Dialogue: 0,0:00:52.88,0:00:56.75,Default,,0,0,0,,For two weeks, they have been\Nfed nothing but tranquilizers.
Dialogue: 0,0:00:56.79,0:01:00.46,Default,,0,0,0,,Now, just as soon\Nas I can feed our star,
Dialogue: 0,0:01:00.49,0:01:04.33,Default,,0,0,0,,you shall see our story\N"Miss Paisley's Cat."
Dialogue: 0,0:01:25.88,0:01:29.08,Default,,0,0,0,,Oh, dear,\Nthere's a spot on the table.
Dialogue: 0,0:01:29.08,0:01:31.39,Default,,0,0,0,,What would Papa have said?
Dialogue: 0,0:01:31.42,0:01:32.99,Default,,0,0,0,,(CLICKING TONGUE)
Dialogue: 0,0:01:33.09,0:01:34.72,Default,,0,0,0,,It must have been\Nsomething hot.
Dialogue: 0,0:01:35.66,0:01:38.93,Default,,0,0,0,,How could I have been\Nso careless?
Dialogue: 0,0:01:38.96,0:01:42.73,Default,,0,0,0,,Papa always told the servants,\Nthere was no excuse\Nfor carelessness.
Dialogue: 0,0:01:44.13,0:01:47.34,Default,,0,0,0,,Even when one is always alone,\Nit doesn't do to let down.
Dialogue: 0,0:01:48.84,0:01:51.37,Default,,0,0,0,,Papa always said a lady\Nbehaves like a lady,
Dialogue: 0,0:01:51.41,0:01:54.31,Default,,0,0,0,,(MEOWING)\Nwhether anyone\Ncan see her or...
Dialogue: 0,0:01:58.01,0:02:02.58,Default,,0,0,0,,How on earth did you get here?
Dialogue: 0,0:02:02.62,0:02:06.76,Default,,0,0,0,,Oh, animals aren't allowed\Nin the Piedmont Apartments,\Nso you must go.
Dialogue: 0,0:02:08.09,0:02:09.46,Default,,0,0,0,,Go please.
Dialogue: 0,0:02:10.56,0:02:11.79,Default,,0,0,0,,(SHOOING)
Dialogue: 0,0:02:18.87,0:02:21.70,Default,,0,0,0,,What an ugly cat.
Dialogue: 0,0:02:21.74,0:02:24.91,Default,,0,0,0,,I don't suppose anyone\Never wants to stroke you.
Dialogue: 0,0:02:26.17,0:02:29.08,Default,,0,0,0,,Well, I suppose\Nyou may stay for dinner.
Dialogue: 0,0:02:31.18,0:02:32.35,Default,,0,0,0,,Goodbye, Stanley.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.36,0:00:29.36,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.93,0:00:34.26,Default,,0,0,0,,This looks like\Na hand grenade, doesn't it?
Dialogue: 0,0:00:34.30,0:00:40.00,Default,,0,0,0,,Please don't be frightened.\NIt really isn't\Na grenade, it's a music box.
Dialogue: 0,0:00:40.04,0:00:43.74,Default,,0,0,0,,You see, if this were real,\Nand I were to pull the pin,
Dialogue: 0,0:00:43.77,0:00:46.47,Default,,0,0,0,,I'd be blown into\Nbits in a few minutes.
Dialogue: 0,0:00:46.51,0:00:49.08,Default,,0,0,0,,But when I pull\Nthe pin on this one,
Dialogue: 0,0:00:49.11,0:00:52.75,Default,,0,0,0,,we shall hear\Nthe sweet strains of\N{\i1}I'm All Shook Up.{\i0}
Dialogue: 0,0:00:53.55,0:00:54.42,Default,,0,0,0,,Watch.
Dialogue: 0,0:00:59.29,0:01:00.69,Default,,0,0,0,,There must be something wrong.
Dialogue: 0,0:01:03.76,0:01:06.76,Default,,0,0,0,,Oh, it's all right.\NI just got the wrong grenade.
Dialogue: 0,0:01:06.80,0:01:10.57,Default,,0,0,0,,The musical ones didn't have\Nthis inscription on it.
Dialogue: 0,0:01:10.60,0:01:16.17,Default,,0,0,0,,It says,\N"Whoever finds this grenade,\NI love you."
Dialogue: 0,0:01:18.07,0:01:19.64,Default,,0,0,0,,(SIGHING)
Dialogue: 0,0:01:19.67,0:01:22.31,Default,,0,0,0,,While I stand here waiting\Nfor something to happen,
Dialogue: 0,0:01:22.34,0:01:25.15,Default,,0,0,0,,suppose you observe\Nas our drama unfolds.
Dialogue: 0,0:01:41.20,0:01:43.16,Default,,0,0,0,,SIDNEY: The Harolds case.\NAcquittal.
Dialogue: 0,0:01:44.13,0:01:46.50,Default,,0,0,0,,The Rogers case. Acquittal.
Dialogue: 0,0:01:47.34,0:01:48.87,Default,,0,0,0,,The Williams case...
Dialogue: 0,0:01:48.90,0:01:51.91,Default,,0,0,0,,I fought for a conviction\Nin every one of them.
Dialogue: 0,0:01:51.94,0:01:55.78,Default,,0,0,0,,Warren,\Nmy dear boy, a Prosecuting\NAttorney is like a race horse.
Dialogue: 0,0:01:55.81,0:01:58.11,Default,,0,0,0,,It doesn't matter\Nhow hard he runs.
Dialogue: 0,0:01:58.11,0:02:02.32,Default,,0,0,0,,Either he wins\Nmost of the time\Nor he's put out to pasture.
Dialogue: 0,0:02:02.35,0:02:04.49,Default,,0,0,0,,And if I can't gallop\Ninto the homestretch
Dialogue: 0,0:02:04.52,0:02:06.62,Default,,0,0,0,,with this case,\Nit may be my last race.
Dialogue: 0,0:02:06.65,0:02:08.26,Default,,0,0,0,,Warren,\NI'm your father-in-law,
Dialogue: 0,0:02:08.29,0:02:09.82,Default,,0,0,0,,I'm deeply\Nconcerned about your future.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:29.89,0:00:31.46,Default,,0,0,0,,Oh, good evening.
Dialogue: 0,0:00:31.49,0:00:34.13,Default,,0,0,0,,I bring good news\Nto those of you who
Dialogue: 0,0:00:34.16,0:00:36.30,Default,,0,0,0,,are plagued with\Nfaulty television sets.
Dialogue: 0,0:00:37.37,0:00:40.14,Default,,0,0,0,,I am prepared to\Nrepair your set.
Dialogue: 0,0:00:40.17,0:00:44.07,Default,,0,0,0,,It only stands to reason\Nmore can be accomplished
Dialogue: 0,0:00:44.11,0:00:47.54,Default,,0,0,0,,working from the inside-out,\Nthan from the outside-in.
Dialogue: 0,0:00:47.58,0:00:50.75,Default,,0,0,0,,Let's see. Perhaps I\Nshould tighten this a bit.
Dialogue: 0,0:00:55.55,0:00:57.75,Default,,0,0,0,,On second thought,\Nit looked very\Ngood the way it was.
Dialogue: 0,0:01:04.09,0:01:07.56,Default,,0,0,0,,Oh, here's the trouble.\NWe can't have loose\Nwires hanging around.
Dialogue: 0,0:01:13.20,0:01:15.74,Default,,0,0,0,,Tonight's playlet is\Ncalled "The Percentage",
Dialogue: 0,0:01:15.77,0:01:18.84,Default,,0,0,0,,and it's about a professional\Nhoodlum named Big Eddie,
Dialogue: 0,0:01:18.87,0:01:20.78,Default,,0,0,0,,who meets up with\Na television repair man.
Dialogue: 0,0:01:25.55,0:01:28.32,Default,,0,0,0,,As you see,\Nit has exciting prospects.
Dialogue: 0,0:01:30.19,0:01:32.45,Default,,0,0,0,,Someone has sent me the bird.
Dialogue: 0,0:01:32.49,0:01:34.19,Default,,0,0,0,,But let's go on with the show.
Dialogue: 0,0:01:34.22,0:01:44.27,Default,,0,0,0,,Perhaps we\Nshould get some ideas
Dialogue: 0,0:01:44.27,0:01:54.28,Default,,0,0,0,,Perhaps we\Nshould get some ideas
Dialogue: 0,0:02:09.79,0:02:11.36,Default,,0,0,0,,I phoned that shop\Nover an hour ago.
Dialogue: 0,0:02:11.39,0:02:12.73,Default,,0,0,0,,Oh, keep your shirt on.
Dialogue: 0,0:02:15.06,0:02:17.50,Default,,0,0,0,,Hundreds of TV\Nrepair shops in Manhattan,
Dialogue: 0,0:02:17.53,0:02:19.77,Default,,0,0,0,,and you phone for\None way out in Queens.
Dialogue: 0,0:02:19.80,0:02:21.07,Default,,0,0,0,,So?
Dialogue: 0,0:02:21.07,0:02:22.70,Default,,0,0,0,,So how dumb do you think I am?
Dialogue: 0,0:02:22.74,0:02:24.07,Default,,0,0,0,,I don't know what\Nyou're talking about.
Dialogue: 0,0:02:24.07,0:02:26.27,Default,,0,0,0,,No? I'm talking how\Nthis set was working
Dialogue: 0,0:02:26.31,0:02:28.41,Default,,0,0,0,,fine until you\Nbegan fiddling with it.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:30.03,0:00:32.56,Default,,0,0,0,,Good evening, fellow revelers.
Dialogue: 0,0:00:32.59,0:00:37.03,Default,,0,0,0,,Tonight we are indulging\Nin an old city tradition.
Dialogue: 0,0:00:37.07,0:00:42.14,Default,,0,0,0,,It is the event that turns\Na mild-mannered\Nwhite-collar worker
Dialogue: 0,0:00:42.17,0:00:45.04,Default,,0,0,0,,into a four\Narmed beast of prey.
Dialogue: 0,0:00:45.07,0:00:47.91,Default,,0,0,0,,The office party.
Dialogue: 0,0:00:47.94,0:00:51.98,Default,,0,0,0,,However, we had this room\Ndesigned\Nespecially for the party
Dialogue: 0,0:00:52.01,0:00:53.98,Default,,0,0,0,,by the girls in the office.
Dialogue: 0,0:00:54.02,0:00:56.72,Default,,0,0,0,,It has no corners.
Dialogue: 0,0:00:56.75,0:01:01.39,Default,,0,0,0,,I am in charge of\Nthe entertainment,\Nwhich all should enjoy.
Dialogue: 0,0:01:01.42,0:01:04.56,Default,,0,0,0,,After most of\Nthe hors d'oeuvres\Nhave been eaten,
Dialogue: 0,0:01:04.59,0:01:07.56,Default,,0,0,0,,we're going to throw\Nour company\Ndirector to the lions.
Dialogue: 0,0:01:08.46,0:01:09.96,Default,,0,0,0,,I realize it isn't much
Dialogue: 0,0:01:10.07,0:01:12.20,Default,,0,0,0,,but the lions are\Na great deal cheaper
Dialogue: 0,0:01:12.23,0:01:15.07,Default,,0,0,0,,than the string\Nquartet we had last year.
Dialogue: 0,0:01:15.07,0:01:17.07,Default,,0,0,0,,They don't drink\Nas much either.
Dialogue: 0,0:01:17.07,0:01:19.67,Default,,0,0,0,,And now for our party.
Dialogue: 0,0:01:36.16,0:01:39.79,Default,,0,0,0,,(PEOPLE CHATTERING)
Dialogue: 0,0:01:50.17,0:01:53.31,Default,,0,0,0,,May I please speak\Nto Tony Gould...
Dialogue: 0,0:01:53.34,0:01:58.58,Default,,0,0,0,,No, no, Gould, G-O-U-L-D.
Dialogue: 0,0:01:58.61,0:01:59.81,Default,,0,0,0,,I can't hear you.
Dialogue: 0,0:01:59.85,0:02:01.12,Default,,0,0,0,,What?
Dialogue: 0,0:02:01.15,0:02:03.52,Default,,0,0,0,,Do you know where\Nhe can be reached?
Dialogue: 0,0:02:05.15,0:02:08.49,Default,,0,0,0,,Would you have him call\Nthe Courtney\NPublishing Company
Dialogue: 0,0:02:08.52,0:02:10.73,Default,,0,0,0,,Merry Christmas,\Nwhoever you are.
Dialogue: 0,0:02:12.63,0:02:15.93,Default,,0,0,0,,Hello! Hello.
Dialogue: 0,0:02:17.67,0:02:19.07,Default,,0,0,0,,Merry Christmas.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.22,0:00:31.03,Default,,0,0,0,,Good evening,\Nparents, children,
Dialogue: 0,0:00:31.06,0:00:34.73,Default,,0,0,0,,babysitters and sittees.
Dialogue: 0,0:00:34.76,0:00:38.57,Default,,0,0,0,,Tonight's\Ndiscussion is concerned\Nwith that thorny problem
Dialogue: 0,0:00:38.60,0:00:42.20,Default,,0,0,0,,that all parents face\Nas they survey their children.
Dialogue: 0,0:00:43.17,0:00:46.74,Default,,0,0,0,,Is coexistence\Nreally possible?
Dialogue: 0,0:00:46.78,0:00:49.84,Default,,0,0,0,,The problems of the teenager\Nare well discussed,
Dialogue: 0,0:00:49.88,0:00:55.18,Default,,0,0,0,,but I would like to say a word\Nfor his father,\Nthe middle-ager.
Dialogue: 0,0:00:55.22,0:00:59.32,Default,,0,0,0,,The middle-ager is truly\Nan outcast from society.
Dialogue: 0,0:00:59.35,0:01:04.06,Default,,0,0,0,,Youth pays no attention to him\Nexcept to steal his hubcaps,
Dialogue: 0,0:01:04.06,0:01:07.53,Default,,0,0,0,,those traditional symbols\Nof virility.
Dialogue: 0,0:01:07.56,0:01:11.60,Default,,0,0,0,,He can only drive down\Nthe dusty road toward senility
Dialogue: 0,0:01:11.63,0:01:14.10,Default,,0,0,0,,in a cooled-off hotrod.
Dialogue: 0,0:01:14.14,0:01:17.07,Default,,0,0,0,,Forever doomed to\Nbe a mere spectator
Dialogue: 0,0:01:17.07,0:01:20.81,Default,,0,0,0,,in the great\Ndrag race of life.
Dialogue: 0,0:01:20.84,0:01:25.38,Default,,0,0,0,,Of course, any connection\Nbetween this\Ntreacle and tonight's
Dialogue: 0,0:01:53.81,0:01:54.58,Default,,0,0,0,,Sylvia!
Dialogue: 0,0:01:56.61,0:01:58.35,Default,,0,0,0,,Sylvia, what on earth are you\Ndoing with that thing?
Dialogue: 0,0:01:59.68,0:02:02.28,Default,,0,0,0,,Nothing. I was just trying\Nto see how it works.
Dialogue: 0,0:02:04.59,0:02:07.32,Default,,0,0,0,,You know, I've never even\Nseen a gun before, except\Nin the movies.
Dialogue: 0,0:02:07.36,0:02:09.09,Default,,0,0,0,,But where did you get it?
Dialogue: 0,0:02:09.12,0:02:09.86,Default,,0,0,0,,I bought it.
Dialogue: 0,0:02:11.66,0:02:14.23,Default,,0,0,0,,Why are you looking at me\Nlike that? It isn't loaded.
Dialogue: 0,0:02:14.26,0:02:15.90,Default,,0,0,0,,Guns are always dangerous.
Dialogue: 0,0:02:15.93,0:02:17.60,Default,,0,0,0,,That's why I never have one\Nin the house.
Dialogue: 0,0:02:17.63,0:02:20.20,Default,,0,0,0,,Well, you don't have to get\Nso excited about it, Daddy.
Dialogue: 0,0:02:20.24,0:02:21.87,Default,,0,0,0,,I only bought it because

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.02,0:00:30.39,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.43,0:00:33.33,Default,,0,0,0,,I always sew on\Nmy own buttons.
Dialogue: 0,0:00:33.36,0:00:35.76,Default,,0,0,0,,It's out of sentiment.
Dialogue: 0,0:00:35.80,0:00:40.17,Default,,0,0,0,,You see, an ancestor of mine\Nwas the inventor\Nof the buttonhole.
Dialogue: 0,0:00:40.20,0:00:42.94,Default,,0,0,0,,It happened during a duel,
Dialogue: 0,0:00:42.97,0:00:45.94,Default,,0,0,0,,although his opponent\Nnever knew it was a duel.
Dialogue: 0,0:00:45.97,0:00:49.74,Default,,0,0,0,,Unfortunately, this resulted\Nin the false notion
Dialogue: 0,0:00:49.78,0:00:53.28,Default,,0,0,0,,that the buttonhole should be\Nin the back of the coat.
Dialogue: 0,0:00:53.31,0:00:55.75,Default,,0,0,0,,Actually, the invention\Nof the buttonhole
Dialogue: 0,0:00:55.78,0:00:58.92,Default,,0,0,0,,brought a great sigh of relief\Nfrom the whole world.
Dialogue: 0,0:00:58.95,0:01:02.39,Default,,0,0,0,,You see, the button had\Nbeen invented long before.
Dialogue: 0,0:01:02.42,0:01:07.16,Default,,0,0,0,,And for over a hundred years,\Nthe world hadn't known\Nwhat to do with it.
Dialogue: 0,0:01:27.08,0:01:28.68,Default,,0,0,0,,(HUMMING)
Dialogue: 0,0:01:30.15,0:01:31.99,Default,,0,0,0,,(SLURRING) That's what I said.
Dialogue: 0,0:01:32.09,0:01:35.42,Default,,0,0,0,,Man and boy,\Nwe've been pals\Nsince knee-high.
Dialogue: 0,0:01:36.69,0:01:39.79,Default,,0,0,0,,Not high to a grasshopper,\Nbut knee-high.
Dialogue: 0,0:01:40.83,0:01:42.20,Default,,0,0,0,,Tommy!
Dialogue: 0,0:01:42.86,0:01:44.50,Default,,0,0,0,,You're a real pal.
Dialogue: 0,0:01:46.10,0:01:47.60,Default,,0,0,0,,Boy, you sure have a glow on.
Dialogue: 0,0:01:50.17,0:01:54.41,Default,,0,0,0,,I haven't glowed in years,\Nbut I'm gonna keep on glowing.
Dialogue: 0,0:01:55.48,0:01:58.85,Default,,0,0,0,,The whole point of\Nlife is to glow and...
Dialogue: 0,0:01:59.51,0:02:00.58,Default,,0,0,0,,Oh.
Dialogue: 0,0:02:02.05,0:02:04.25,Default,,0,0,0,,Another dead soldier.
Dialogue: 0,0:02:04.29,0:02:07.72,Default,,0,0,0,,I shall go across\Nthe hall to my room\Nto get reinforcements.
Dialogue: 0,0:02:07.76,0:02:10.29,Default,,0,0,0,,Oh, forget it.
Dialogue: 0,0:02:10.33,0:02:15.96,Default,,0,0,0,,Sandra! Sandra,\Ncome on down here with us,\Nyou beautiful creature.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:29.49,0:00:31.16,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:31.19,0:00:32.56,Default,,0,0,0,,(THUDDING)
Dialogue: 0,0:00:36.87,0:00:40.37,Default,,0,0,0,,That sound you just heard\Nwas made by a guillotine.
Dialogue: 0,0:00:41.47,0:00:44.34,Default,,0,0,0,,I brought it home from\Na recent trip to France.
Dialogue: 0,0:00:45.41,0:00:48.31,Default,,0,0,0,,We just can't make them\Nthe way the French do.
Dialogue: 0,0:00:48.34,0:00:49.68,Default,,0,0,0,,(THUDDING)
Dialogue: 0,0:00:50.95,0:00:53.72,Default,,0,0,0,,A motion picture\Ncompany borrowed it
Dialogue: 0,0:00:53.75,0:00:56.95,Default,,0,0,0,,to use on\Nthe adjoining sound stage.
Dialogue: 0,0:00:56.99,0:01:00.22,Default,,0,0,0,,They are\Nshooting a picture about
Dialogue: 0,0:01:00.26,0:01:03.49,Default,,0,0,0,,the tragedy of\Na rich middle-aged roué
Dialogue: 0,0:01:03.53,0:01:07.93,Default,,0,0,0,,who falls hopelessly in love\Nwith a woman old\Nenough to be his wife.
Dialogue: 0,0:01:09.46,0:01:12.93,Default,,0,0,0,,Of course they are not using\Nthe guillotine in the picture.
Dialogue: 0,0:01:12.97,0:01:15.77,Default,,0,0,0,,They just happen to\Nhave a leading man
Dialogue: 0,0:01:15.80,0:01:18.94,Default,,0,0,0,,who's very vain and\Nexceedingly short.
Dialogue: 0,0:01:20.38,0:01:23.35,Default,,0,0,0,,Every one of the actresses\Nwho reported this morning
Dialogue: 0,0:01:23.38,0:01:25.75,Default,,0,0,0,,was about a head too tall.
Dialogue: 0,0:01:25.78,0:01:26.85,Default,,0,0,0,,(THUDDING)
Dialogue: 0,0:01:27.78,0:01:30.22,Default,,0,0,0,,We have no such problem.
Dialogue: 0,0:01:30.25,0:01:34.49,Default,,0,0,0,,The leading\Ncharacter in our picture\Nis an English spinster.
Dialogue: 0,0:01:34.52,0:01:36.09,Default,,0,0,0,,You shall meet\Nher in a moment.
Dialogue: 0,0:01:37.99,0:01:42.43,Default,,0,0,0,,Many of our\Nfinest motion pictures\Nare made from bestsellers.
Dialogue: 0,0:01:43.53,0:01:46.50,Default,,0,0,0,,Here is one made\Nabout a bestseller.
Dialogue: 0,0:02:03.52,0:02:05.25,Default,,0,0,0,,SEPTIMUS: Have your tea\Nbefore you go, Millicent.
Dialogue: 0,0:02:05.29,0:02:07.29,Default,,0,0,0,,Yes, do.\NYes, I'm going to.
Dialogue: 0,0:02:12.23,0:02:14.60,Default,,0,0,0,,Oh, let me do it\Nfor you, dear.
Dialogue: 0,0:02:14.63,0:02:17.13,Default,,0,0,0,,On your last day\Nand everything.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.06,0:00:30.13,Default,,0,0,0,,Good evening\Nand welcome to tee time.
Dialogue: 0,0:00:32.06,0:00:34.60,Default,,0,0,0,,I'm taking up golf.
Dialogue: 0,0:00:34.63,0:00:39.03,Default,,0,0,0,,I've learned to\Nplay by watching\Na demonstration on television.
Dialogue: 0,0:00:39.07,0:00:42.90,Default,,0,0,0,,I'm convinced\Nthat it's very easy\Nto make a hole in one.
Dialogue: 0,0:00:42.94,0:00:44.21,Default,,0,0,0,,At least this one.
Dialogue: 0,0:00:55.75,0:00:57.99,Default,,0,0,0,,In the demonstration,\Nthe golfer
Dialogue: 0,0:00:58.02,0:01:00.52,Default,,0,0,0,,knocked a ball off\Nhis friend's head.
Dialogue: 0,0:01:00.56,0:01:03.76,Default,,0,0,0,,I'm not using a ball.\NBeing a beginner,
Dialogue: 0,0:01:03.79,0:01:07.50,Default,,0,0,0,,I feel I'm entitled\Nto a larger target.
Dialogue: 0,0:01:07.53,0:01:10.83,Default,,0,0,0,,Perhaps you'd better look\Nthe other way. I know I shall.
Dialogue: 0,0:01:29.88,0:01:34.29,Default,,0,0,0,,Well,\Ncoming into the back nine,\Nhe had me by three strokes,
Dialogue: 0,0:01:34.32,0:01:35.52,Default,,0,0,0,,and, boy, was he crowing.
Dialogue: 0,0:01:36.59,0:01:37.69,Default,,0,0,0,,You know how Mr. Sloan is.
Dialogue: 0,0:01:37.73,0:01:39.26,Default,,0,0,0,,He loves to rub it in.
Dialogue: 0,0:01:39.29,0:01:40.43,Default,,0,0,0,,How did you finish?
Dialogue: 0,0:01:40.46,0:01:42.76,Default,,0,0,0,,I was one up.
Dialogue: 0,0:01:42.80,0:01:44.97,Default,,0,0,0,,He was mad enough to\Njump into the water hazard.
Dialogue: 0,0:01:45.00,0:01:47.10,Default,,0,0,0,,I don't know how\Nyou do it, Eldon.
Dialogue: 0,0:01:47.14,0:01:50.11,Default,,0,0,0,,The old man gets at least\N280 yards on his drives.
Dialogue: 0,0:01:50.11,0:01:52.87,Default,,0,0,0,,Yeah, well,\Nhe's strong enough,
Dialogue: 0,0:01:52.91,0:01:54.71,Default,,0,0,0,,but I've got\Nthe old equalizer.
Dialogue: 0,0:01:57.61,0:02:00.22,Default,,0,0,0,,His strength doesn't do him\Nany good on the green at all.
Dialogue: 0,0:02:00.25,0:02:03.05,Default,,0,0,0,,He three-putted\Nthe last five holes.
Dialogue: 0,0:02:03.08,0:02:05.55,Default,,0,0,0,,Well, I'm going up\Nand collect my drink.
Dialogue: 0,0:02:06.25,0:02:07.62,Default,,0,0,0,,See you later, Eldon.
Dialogue: 0,0:02:07.66,0:02:09.69,Default,,0,0,0,,Charlie,\Nput my clubs in the rack.

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[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.29,0:00:30.39,Default,,0,0,0,,Good evening,\Nladies and gentlemen.
Dialogue: 0,0:00:30.43,0:00:33.03,Default,,0,0,0,,And good evening\Nto the rest of you as well.
Dialogue: 0,0:00:33.06,0:00:35.73,Default,,0,0,0,,We've ceased being particular.
Dialogue: 0,0:00:35.76,0:00:38.10,Default,,0,0,0,,I'm training to become\Na jockey.
Dialogue: 0,0:00:38.13,0:00:40.40,Default,,0,0,0,,And this is the mount\Nthey assigned me.
Dialogue: 0,0:00:48.64,0:00:52.28,Default,,0,0,0,,This is an improvement.\NIt usually takes three cents.
Dialogue: 0,0:00:57.79,0:01:00.62,Default,,0,0,0,,"Will one of you\Nplease get off?"
Dialogue: 0,0:01:00.66,0:01:04.23,Default,,0,0,0,,I forgot to tell you\Nthis machine is very impudent.
Dialogue: 0,0:01:04.26,0:01:07.10,Default,,0,0,0,,It's all very discouraging.\NI don't know what to do.
Dialogue: 0,0:01:07.13,0:01:08.20,Default,,0,0,0,,(MACHINE WHIRRING)
Dialogue: 0,0:01:14.07,0:01:16.81,Default,,0,0,0,,"Why don't you cut out\Nthat 2:00 feeding?"
Dialogue: 0,0:01:16.84,0:01:19.11,Default,,0,0,0,,I think I better\Nget off these scales.
Dialogue: 0,0:01:20.31,0:01:23.98,Default,,0,0,0,,Tonight's story\Ntouches on racing
Dialogue: 0,0:01:24.08,0:01:27.18,Default,,0,0,0,,and is called, "On the Nose."
Dialogue: 0,0:01:27.22,0:01:32.39,Default,,0,0,0,,But before we see it,\Na very worthy organization
Dialogue: 0,0:01:32.42,0:01:34.96,Default,,0,0,0,,would like to make\Nthis urgent appeal.
Dialogue: 0,0:01:56.24,0:01:57.55,Default,,0,0,0,,I'll have some more, honey.
Dialogue: 0,0:01:57.58,0:01:59.15,Default,,0,0,0,,Okay.
Dialogue: 0,0:01:59.18,0:02:00.38,Default,,0,0,0,,You better hurry, dear.\NYou'll be late.
Dialogue: 0,0:02:02.58,0:02:04.12,Default,,0,0,0,,Hey, my watch has stopped.
Dialogue: 0,0:02:04.15,0:02:05.59,Default,,0,0,0,,What time is it?
Dialogue: 0,0:02:07.12,0:02:08.49,Default,,0,0,0,,Twenty-five to.
Dialogue: 0,0:02:10.09,0:02:11.09,Default,,0,0,0,,Where's your watch?
Dialogue: 0,0:02:13.16,0:02:14.56,Default,,0,0,0,,It's being fixed.
Dialogue: 0,0:02:16.93,0:02:18.27,Default,,0,0,0,,I over-wound it.
Dialogue: 0,0:02:19.07,0:02:21.27,Default,,0,0,0,,Again?

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.72,0:00:27.86,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:27.89,0:00:31.19,Default,,0,0,0,,I just happened upon this\Nabandoned breakfast table.
Dialogue: 0,0:00:31.23,0:00:34.33,Default,,0,0,0,,It was set for two persons\Nand is complete,
Dialogue: 0,0:00:34.36,0:00:38.57,Default,,0,0,0,,down to the morning paper,\Nwhich was lying on the floor.
Dialogue: 0,0:00:38.60,0:00:41.30,Default,,0,0,0,,With, incidentally,
Dialogue: 0,0:00:42.77,0:00:45.41,Default,,0,0,0,,a bullet hole through it.
Dialogue: 0,0:00:45.44,0:00:49.18,Default,,0,0,0,,It looks as though\Nsomeone's husband\Nmissed the 8:20 this morning.
Dialogue: 0,0:00:49.21,0:00:52.11,Default,,0,0,0,,In fact, he may have\Nmissed it for good,
Dialogue: 0,0:00:52.15,0:00:53.92,Default,,0,0,0,,for the bullet seems\Nto have struck him
Dialogue: 0,0:00:53.95,0:00:57.39,Default,,0,0,0,,between the society section\Nand the want ads.
Dialogue: 0,0:00:57.42,0:01:01.12,Default,,0,0,0,,While you are\Nwatching tonight's show,\N"Guest for Breakfast,"
Dialogue: 0,0:01:01.16,0:01:04.33,Default,,0,0,0,,I think I shall help myself\Nto some toast.
Dialogue: 0,0:01:04.36,0:01:08.23,Default,,0,0,0,,First, however, let us pause
Dialogue: 0,0:01:08.26,0:01:11.53,Default,,0,0,0,,for the unseemly sight\Nof a man toast to himself.
Dialogue: 0,0:01:51.67,0:01:52.87,Default,,0,0,0,,Your breakfast is ready.
Dialogue: 0,0:01:52.91,0:01:55.48,Default,,0,0,0,,Yes, I know.
Dialogue: 0,0:01:55.51,0:01:59.18,Default,,0,0,0,,I heard the charming clicking\Nof all\Nthe little push buttons.
Dialogue: 0,0:01:59.21,0:02:01.92,Default,,0,0,0,,You know, my dear,\Nyou don't prepare a breakfast,
Dialogue: 0,0:02:01.95,0:02:03.49,Default,,0,0,0,,you launch it\Nlike a guided missile.
Dialogue: 0,0:02:04.19,0:02:06.12,Default,,0,0,0,,Interesting comparison.
Dialogue: 0,0:02:06.15,0:02:07.92,Default,,0,0,0,,I wonder where I could\Nget a warhead.
Dialogue: 0,0:02:07.96,0:02:09.96,Default,,0,0,0,,Oh, no, I've already\Ntaken the precaution
Dialogue: 0,0:02:10.06,0:02:12.59,Default,,0,0,0,,of leaving a letter to be\Nopened by the police.
Dialogue: 0,0:02:12.63,0:02:14.20,Default,,0,0,0,,Quite unnecessary.
Dialogue: 0,0:02:14.23,0:02:16.06,Default,,0,0,0,,I'd insist on taking\Nthe credit for it.
Dialogue: 0,0:02:16.06,0:02:18.27,Default,,0,0,0,,Out of common decency,

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.36,0:00:31.49,Default,,0,0,0,,Good evening,\Nladies, gentleman,
Dialogue: 0,0:00:33.76,0:00:38.40,Default,,0,0,0,,and those of you who have\Narrived too late to classify.
Dialogue: 0,0:00:38.43,0:00:41.80,Default,,0,0,0,,I wish to welcome you\Nto {\i1}Alfred Hitchcock Presents.{\i0}
Dialogue: 0,0:00:42.47,0:00:44.94,Default,,0,0,0,,Please relax.
Dialogue: 0,0:00:44.97,0:00:49.71,Default,,0,0,0,,There is no admission charge,\Nno cover and no minimum.
Dialogue: 0,0:00:49.74,0:00:53.75,Default,,0,0,0,,This is\Na non-profit organization.
Dialogue: 0,0:00:53.78,0:00:59.02,Default,,0,0,0,,Profit being defined\Nas that which is left\Nafter I take my share.
Dialogue: 0,0:01:00.82,0:01:05.76,Default,,0,0,0,,Tonight's\Nelectronic floor show\Ntransports us to France,
Dialogue: 0,0:01:05.79,0:01:11.53,Default,,0,0,0,,the nation noted for\Nfine wines and, uh,\Nprovocative postcards.
Dialogue: 0,0:01:12.87,0:01:15.90,Default,,0,0,0,,The scene is Léon's Café\Nin Marseilles.
Dialogue: 0,0:01:44.00,0:01:46.17,Default,,0,0,0,,Fernand, go home.\NYou're drunk!
Dialogue: 0,0:01:46.20,0:01:48.14,Default,,0,0,0,,Drunk?\NOn your wine?
Dialogue: 0,0:01:48.17,0:01:49.44,Default,,0,0,0,,(SCOFFS IN FRENCH)
Dialogue: 0,0:01:50.11,0:01:52.01,Default,,0,0,0,,Léon, listen to me.
Dialogue: 0,0:01:53.24,0:01:56.88,Default,,0,0,0,,The old days we knew,\Nyou and I, they're gone.
Dialogue: 0,0:01:56.91,0:01:58.65,Default,,0,0,0,,Good.\NLéon, I'm serious.
Dialogue: 0,0:01:59.18,0:02:01.05,Default,,0,0,0,,And I'm not drunk.
Dialogue: 0,0:02:01.05,0:02:02.65,Default,,0,0,0,,Not yet tonight anyway.
Dialogue: 0,0:02:03.72,0:02:06.15,Default,,0,0,0,,Just because you\Nare Thérèse's father,
Dialogue: 0,0:02:06.19,0:02:08.92,Default,,0,0,0,,you have no right to\Nforce her into this marriage.
Dialogue: 0,0:02:08.96,0:02:10.69,Default,,0,0,0,,You keep your red nose\Nout of my business!
Dialogue: 0,0:02:10.73,0:02:12.09,Default,,0,0,0,,Now, go home!
Dialogue: 0,0:02:12.13,0:02:13.50,Default,,0,0,0,,(DOG BARKING)
Dialogue: 0,0:02:15.66,0:02:20.24,Default,,0,0,0,,As you can see,\NAlphonse and I have\Nnot yet finished our wine,
Dialogue: 0,0:02:20.27,0:02:21.77,Default,,0,0,0,,which is paid for.
Dialogue: 0,0:02:25.24,0:02:26.88,Default,,0,0,0,,(WOMAN SINGING IN FRENCH)

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.12,0:00:29.86,Default,,0,0,0,,Good evening,\Nfellow realtors and clients.
Dialogue: 0,0:00:29.89,0:00:32.86,Default,,0,0,0,,I'm very anxious to\Ncall your attention
Dialogue: 0,0:00:32.89,0:00:35.86,Default,,0,0,0,,to\Nthe investment possibilities
Dialogue: 0,0:00:35.90,0:00:38.43,Default,,0,0,0,,of our new subdivision,\NPitted Hills.
Dialogue: 0,0:00:42.44,0:00:45.64,Default,,0,0,0,,Naturally, it lacks\Ncertain other luxuries,
Dialogue: 0,0:00:45.67,0:00:49.74,Default,,0,0,0,,but this is the price one pays\Nfor getting in on\Nthe ground floor.
Dialogue: 0,0:00:49.78,0:00:52.65,Default,,0,0,0,,The sewers are not yet in.\NHowever,
Dialogue: 0,0:00:52.68,0:00:55.95,Default,,0,0,0,,there are enough\Ncraters to go around.
Dialogue: 0,0:00:55.98,0:00:58.62,Default,,0,0,0,,As for its lack of\Natmosphere and water,
Dialogue: 0,0:00:58.65,0:01:02.22,Default,,0,0,0,,I don't expect that to deter\Nthose of you with\Na real pioneer spirit.
Dialogue: 0,0:01:03.56,0:01:06.06,Default,,0,0,0,,Those of you with\Nvision can, I'm sure,
Dialogue: 0,0:01:06.09,0:01:08.93,Default,,0,0,0,,imagine the beautiful\Nsight of the moon
Dialogue: 0,0:01:08.96,0:01:14.64,Default,,0,0,0,,completely covered with the\Nwell-known\Ninexpensive Hitchcock homes,
Dialogue: 0,0:01:14.67,0:01:18.41,Default,,0,0,0,,all with picture windows\Ngiving everyone\Nan unobscured view
Dialogue: 0,0:01:18.44,0:01:21.18,Default,,0,0,0,,of his\Nneighbor's picture window.
Dialogue: 0,0:01:21.21,0:01:24.11,Default,,0,0,0,,Naturally, each home would\Nbe individualized.
Dialogue: 0,0:01:24.15,0:01:26.15,Default,,0,0,0,,There are seven\Ndifferent models
Dialogue: 0,0:01:26.18,0:01:28.28,Default,,0,0,0,,to choose from.\NSeven, mind you.
Dialogue: 0,0:01:28.32,0:01:31.62,Default,,0,0,0,,Red, green,\Nblue, orange, lemon, lime
Dialogue: 0,0:01:31.65,0:01:35.26,Default,,0,0,0,,and\Nthe ever-popular chartreuse.
Dialogue: 0,0:01:35.29,0:01:38.09,Default,,0,0,0,,For those of you\Nwho are budget-minded,
Dialogue: 0,0:01:38.13,0:01:41.10,Default,,0,0,0,,we do have cheaper\Nlots in the upper area.
Dialogue: 0,0:01:41.10,0:01:43.73,Default,,0,0,0,,Very fine, of course,\Nif you like a lot that
Dialogue: 0,0:01:43.77,0:01:47.34,Default,,0,0,0,,completely\Ndisappears at half moon.
Dialogue: 0,0:01:47.37,0:01:51.24,Default,,0,0,0,,Like our prologue,\Ntonight's story\Ntouches on real estate.
Dialogue: 0,0:01:51.27,0:01:55.51,Default,,0,0,0,,It begins immediately\Nafter this\Nbrief advertisement.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:35.40,0:00:36.26,Default,,0,0,0,,How.
Dialogue: 0,0:00:37.27,0:00:40.04,Default,,0,0,0,,And a special word\Nto all you ships at sea.
Dialogue: 0,0:00:40.97,0:00:43.34,Default,,0,0,0,,(IMITATING FOGHORN)
Dialogue: 0,0:00:45.51,0:00:50.88,Default,,0,0,0,,I've been examining this new,\Nblue, Sioux canoe for two.
Dialogue: 0,0:00:50.91,0:00:53.48,Default,,0,0,0,,It is perfect for\Nthe brave who wants to take
Dialogue: 0,0:00:53.52,0:00:55.82,Default,,0,0,0,,his wife out for\Na moonlight ride.
Dialogue: 0,0:00:56.99,0:01:00.26,Default,,0,0,0,,It tips quite easily.
Dialogue: 0,0:01:00.29,0:01:04.06,Default,,0,0,0,,Of course,\Nthis was used before\Nthe invention of sash weights,
Dialogue: 0,0:01:04.06,0:01:08.80,Default,,0,0,0,,but I'm sure American Indian\Nknowhow triumphed.
Dialogue: 0,0:01:08.83,0:01:11.57,Default,,0,0,0,,This is\Napparently a souped-up job
Dialogue: 0,0:01:11.60,0:01:14.47,Default,,0,0,0,,for I noticed this\Nhad a 1620 chassis
Dialogue: 0,0:01:14.50,0:01:17.07,Default,,0,0,0,,with 1750 paddles.
Dialogue: 0,0:01:17.07,0:01:19.34,Default,,0,0,0,,It also has bucket seats,
Dialogue: 0,0:01:19.37,0:01:24.95,Default,,0,0,0,,and naturally,\Nbeing an American vehicle,\Nyou steer it from the left.
Dialogue: 0,0:01:24.98,0:01:30.55,Default,,0,0,0,,I shall now emulate\Nthe vanishing American\Nwhile we have tonight's story,
Dialogue: 0,0:01:30.59,0:01:32.89,Default,,0,0,0,,after which I\Nshall paddle back.
Dialogue: 0,0:01:51.67,0:01:53.27,Default,,0,0,0,,(FOGHORN BLOWING)
Dialogue: 0,0:01:58.65,0:02:00.05,Default,,0,0,0,,{\i1}LUCIA: I'm dreaming.{\i0}
Dialogue: 0,0:02:00.92,0:02:03.05,Default,,0,0,0,,{\i1}I'm dreaming. I...{\i0}
Dialogue: 0,0:02:05.19,0:02:07.69,Default,,0,0,0,,{\i1}Why is it so hard{\i0}\N{\i1}to wake up this morning?{\i0}
Dialogue: 0,0:02:08.89,0:02:11.09,Default,,0,0,0,,{\i1}Why should I feel so strange?{\i0}
Dialogue: 0,0:02:13.76,0:02:16.70,Default,,0,0,0,,{\i1}It's that dream.{\i0}\N{\i1}There's nothing wrong.{\i0}
Dialogue: 0,0:02:18.27,0:02:21.87,Default,,0,0,0,,{\i1}You're the happiest girl{\i0}\N{\i1}in the world.{\i0}
Dialogue: 0,0:02:21.90,0:02:26.07,Default,,0,0,0,,{\i1}Isn't that silly? For a minute{\i0}\N{\i1}I couldn't remember who I was.{\i0}
Dialogue: 0,0:02:26.94,0:02:30.78,Default,,0,0,0,,{\i1}You're Lucia Clay, you're 26.{\i0}
Dialogue: 0,0:02:30.81,0:02:32.91,Default,,0,0,0,,{\i1}And Allen says{\i0}\N{\i1}you're very lovely.{\i0}

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:32.66,0:00:35.33,Default,,0,0,0,,Good evening, Earthlings.
Dialogue: 0,0:00:36.26,0:00:39.20,Default,,0,0,0,,Now you housewives\Nknow what to do with
Dialogue: 0,0:00:39.23,0:00:41.87,Default,,0,0,0,,your rugs when\Nthe moths eat at them.
Dialogue: 0,0:00:43.34,0:00:45.44,Default,,0,0,0,,Put the moths to work.
Dialogue: 0,0:00:45.47,0:00:50.38,Default,,0,0,0,,After all, if you\Ncan't lick them, join them.
Dialogue: 0,0:00:50.41,0:00:53.21,Default,,0,0,0,,This could be\Nthe transportation\Nof the future.
Dialogue: 0,0:00:53.25,0:00:56.92,Default,,0,0,0,,I'm certain that\Nthe day is not far off
Dialogue: 0,0:00:56.95,0:01:00.92,Default,,0,0,0,,when the two-carpet family\Nwill be quite common.
Dialogue: 0,0:01:00.96,0:01:04.29,Default,,0,0,0,,No special launching\Nplatform is needed.
Dialogue: 0,0:01:04.33,0:01:07.36,Default,,0,0,0,,The well-waxed hallway\Nof your home will do.
Dialogue: 0,0:01:10.33,0:01:14.97,Default,,0,0,0,,10,000 feet up,\Nand yet I could swear I saw\Na billboard.
Dialogue: 0,0:01:16.81,0:01:18.24,Default,,0,0,0,,Over there.
Dialogue: 0,0:02:05.12,0:02:06.52,Default,,0,0,0,,Shall we get off?
Dialogue: 0,0:02:07.06,0:02:07.92,Default,,0,0,0,,No.
Dialogue: 0,0:02:40.09,0:02:41.32,Default,,0,0,0,,I'm sorry.
Dialogue: 0,0:02:58.91,0:03:00.38,Default,,0,0,0,,I wonder if I could\Nhave one of those?
Dialogue: 0,0:03:00.41,0:03:01.38,Default,,0,0,0,,Of course.
Dialogue: 0,0:03:03.55,0:03:04.38,Default,,0,0,0,,Thanks.
Dialogue: 0,0:03:06.11,0:03:08.05,Default,,0,0,0,,I should have got\Nsome at Nairobi.
Dialogue: 0,0:03:09.48,0:03:10.55,Default,,0,0,0,,You live there?
Dialogue: 0,0:03:11.75,0:03:13.19,Default,,0,0,0,,Thank you. I was born there.
Dialogue: 0,0:03:16.79,0:03:18.49,Default,,0,0,0,,That's luck. My own brand.
Dialogue: 0,0:03:20.06,0:03:21.36,Default,,0,0,0,,I've been smoking\Nthem ever since the war.
Dialogue: 0,0:03:23.50,0:03:26.50,Default,,0,0,0,,I was a correspondent\Nduring the war.
Dialogue: 0,0:03:26.53,0:03:29.57,Default,,0,0,0,,American Wire Service.\NBizerte. El Alamein.
Dialogue: 0,0:03:29.60,0:03:31.27,Default,,0,0,0,,I was a nurse's aide.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.99,0:00:30.39,Default,,0,0,0,,Good evening, aficionados.
Dialogue: 0,0:00:31.99,0:00:36.77,Default,,0,0,0,,Tonight's story is called\N"Bull in a China Shop,"
Dialogue: 0,0:00:36.80,0:00:40.47,Default,,0,0,0,,so we decided to indulge\Nin a bit of bullfighting.
Dialogue: 0,0:00:45.14,0:00:48.41,Default,,0,0,0,,An obvious case of\Nmistaken identity.
Dialogue: 0,0:00:48.44,0:00:51.25,Default,,0,0,0,,Originally I was\Nto have appeared
Dialogue: 0,0:00:51.28,0:00:53.85,Default,,0,0,0,,in the skintight\Npants of a matador,
Dialogue: 0,0:00:54.68,0:00:56.99,Default,,0,0,0,,however, at the last moment,
Dialogue: 0,0:00:57.02,0:01:00.06,Default,,0,0,0,,it was decided that\Nthis was a sight for which
Dialogue: 0,0:01:00.06,0:01:02.86,Default,,0,0,0,,the television\Naudience was not yet ready.
Dialogue: 0,0:01:04.26,0:01:08.06,Default,,0,0,0,,Television is like\Nbullfighting in one respect.
Dialogue: 0,0:01:08.10,0:01:11.10,Default,,0,0,0,,They both have what is called\N"the moment of truth."
Dialogue: 0,0:01:13.60,0:01:19.07,Default,,0,0,0,,In bullfighting,\Nit is the moment\Nthe matador faces the bull,
Dialogue: 0,0:01:19.07,0:01:22.21,Default,,0,0,0,,before he converts\Nhim to hamburger.
Dialogue: 0,0:01:23.51,0:01:25.98,Default,,0,0,0,,Ladies and gentlemen,
Dialogue: 0,0:01:26.88,0:01:28.45,Default,,0,0,0,,the moment of truth.
Dialogue: 0,0:02:06.05,0:02:08.66,Default,,0,0,0,,Good afternoon.\NI'm Dennis O'Finn.
Dialogue: 0,0:02:12.46,0:02:15.43,Default,,0,0,0,,I'm Miss Hildy-Lou.
Dialogue: 0,0:02:15.46,0:02:17.93,Default,,0,0,0,,Welcome to 909 Lexington.
Dialogue: 0,0:02:17.97,0:02:19.07,Default,,0,0,0,,Oh, thank you.
Dialogue: 0,0:02:27.28,0:02:28.28,Default,,0,0,0,,Good afternoon, ladies.
Dialogue: 0,0:02:29.08,0:02:30.55,Default,,0,0,0,,Good afternoon.
Dialogue: 0,0:02:30.58,0:02:31.78,Default,,0,0,0,,These are my guests.
Dialogue: 0,0:02:33.25,0:02:34.42,Default,,0,0,0,,Miss Birdie.
Dialogue: 0,0:02:34.45,0:02:35.62,Default,,0,0,0,,Miss Birdie.
Dialogue: 0,0:02:35.65,0:02:37.29,Default,,0,0,0,,Miss Bessie.\NMiss Bessie.
Dialogue: 0,0:02:37.32,0:02:38.39,Default,,0,0,0,,Miss Samantha.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.59,0:00:30.49,Default,,0,0,0,,Good evening, fellow athletes.
Dialogue: 0,0:00:32.19,0:00:34.20,Default,,0,0,0,,I believe that\Neveryone owes it to
Dialogue: 0,0:00:34.23,0:00:37.77,Default,,0,0,0,,his well-being to\Nindulge in some sport.
Dialogue: 0,0:00:37.80,0:00:43.84,Default,,0,0,0,,My favorite pastime,\Nas you can see,\Nis filching loving cups.
Dialogue: 0,0:00:43.87,0:00:46.64,Default,,0,0,0,,Naturally, I never\Nsteal too much at a time
Dialogue: 0,0:00:46.68,0:00:50.41,Default,,0,0,0,,for fear of losing\Nmy amateur standing.
Dialogue: 0,0:00:50.45,0:00:55.02,Default,,0,0,0,,But the people from\Nwhom I take the cups\Ndon't mind, I'm sure.
Dialogue: 0,0:00:55.05,0:00:58.89,Default,,0,0,0,,After all,\Nit isn't who wins the cups,\Nit's how you play the game.
Dialogue: 0,0:01:00.69,0:01:03.16,Default,,0,0,0,,By the way,\NI'm inventing a device that
Dialogue: 0,0:01:03.19,0:01:05.26,Default,,0,0,0,,should make tennis\Nmuch more enjoyable.
Dialogue: 0,0:01:06.39,0:01:10.10,Default,,0,0,0,,It suddenly raises\Nthe net half a foot
Dialogue: 0,0:01:10.13,0:01:15.20,Default,,0,0,0,,just as the victor leaps over\Nto offer\Ncondolences to the loser.
Dialogue: 0,0:01:15.24,0:01:20.48,Default,,0,0,0,,Through it I hope to add\Nwhat is lacking\Nin tennis: laughs.
Dialogue: 0,0:01:20.51,0:01:23.41,Default,,0,0,0,,Before viewing\Ntonight's chronicle, we must
Dialogue: 0,0:01:23.45,0:01:27.08,Default,,0,0,0,,identify the party\Nwho is footing the bill.
Dialogue: 0,0:01:27.08,0:01:30.42,Default,,0,0,0,,I must apologize\Nfor the brevity of\Nthis announcement,
Dialogue: 0,0:01:30.45,0:01:33.09,Default,,0,0,0,,but this is one\Nof the conditions
Dialogue: 0,0:01:33.09,0:01:35.09,Default,,0,0,0,,laid down by our\Nmodest sponsor.
Dialogue: 0,0:01:50.11,0:01:51.54,Default,,0,0,0,,(PHONE RINGING)
Dialogue: 0,0:01:51.57,0:01:54.11,Default,,0,0,0,,That's $10 at cost.
Dialogue: 0,0:01:54.11,0:01:55.88,Default,,0,0,0,,All right,\Nand the first on Santa Anita.
Dialogue: 0,0:01:55.91,0:01:56.88,Default,,0,0,0,,Hi, John.
Dialogue: 0,0:01:56.91,0:01:57.98,Default,,0,0,0,,Hi.
Dialogue: 0,0:02:03.49,0:02:05.05,Default,,0,0,0,,(PHONE RINGING)
Dialogue: 0,0:02:07.09,0:02:11.36,Default,,0,0,0,,Hello. Who?\NOh, sure, Barney.
Dialogue: 0,0:02:13.33,0:02:15.43,Default,,0,0,0,,Misty Day is sixth at Hialeah.

1
00:00:38,105 --> 00:00:42,167
He gave me this ticket for blocking
an aisle during the rush hour.

2
00:00:42,776 --> 00:00:45,302
I don't understand. I was in the slow lane.

3
00:00:45,812 --> 00:00:48,577
I just stopped a moment
at the condiment shelf

4
00:00:48,649 --> 00:00:51,346
where the store's having
a "get acquainted” sale

5
00:00:51,451 --> 00:00:54,352
on Low Calorie Calories.

6
00:00:56,924 --> 00:01:00,724
Tonight's play is not unrelated
to this milieu.

7
00:01:00,961 --> 00:01:04,022
It is called Lamb to the Slaughter.

8
00:01:04,131 --> 00:01:08,898
But before we see it, the store
has asked that I direct your attention

9
00:01:09,202 --> 00:01:11,762
to their very best bargain.

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.92,0:00:29.32,Default,,0,0,0,,Good evening, tele-watchers.
Dialogue: 0,0:00:29.36,0:00:33.06,Default,,0,0,0,,I'm about to demonstrate\Nthis amazing electronic brain.
Dialogue: 0,0:00:34.03,0:00:36.10,Default,,0,0,0,,May I have the problem,\Nplease?
Dialogue: 0,0:00:40.00,0:00:41.50,Default,,0,0,0,,Figures fascinate me.
Dialogue: 0,0:00:46.37,0:00:50.95,Default,,0,0,0,,2 plus 2.\NNow we'll feed this\Nproblem into the machine
Dialogue: 0,0:00:50.98,0:00:53.05,Default,,0,0,0,,and the answer\Nwill appear there.
Dialogue: 0,0:00:57.49,0:01:00.42,Default,,0,0,0,,Perhaps we should have started\Nwith something simple.
Dialogue: 0,0:01:04.39,0:01:06.39,Default,,0,0,0,,Of course. Would you, please?
Dialogue: 0,0:01:08.63,0:01:09.93,Default,,0,0,0,,(BEEPING)
Dialogue: 0,0:01:09.96,0:01:11.17,Default,,0,0,0,,(MACHINE WOLF WHISTLES)
Dialogue: 0,0:01:13.47,0:01:17.71,Default,,0,0,0,,As you can see,\Nit's almost human.\NAnd now for the problem.
Dialogue: 0,0:01:17.74,0:01:19.47,Default,,0,0,0,,I think the answer is coming.
Dialogue: 0,0:01:22.68,0:01:26.08,Default,,0,0,0,,If this machine\Npersists in these\Ndo-it-yourself suggestions,
Dialogue: 0,0:01:26.08,0:01:29.62,Default,,0,0,0,,he may find himself\Nreplaced by a human being.
Dialogue: 0,0:01:29.65,0:01:31.95,Default,,0,0,0,,Now, while I tinker\Nwith this, suppose
Dialogue: 0,0:01:31.99,0:01:33.62,Default,,0,0,0,,you watch tonight's play,\N"Fatal Figures."
Dialogue: 0,0:02:06.32,0:02:08.82,Default,,0,0,0,,Oh,\Ndid we get some mail today?
Dialogue: 0,0:02:08.86,0:02:11.63,Default,,0,0,0,,Just your almanac.\NNo letters.
Dialogue: 0,0:02:11.66,0:02:13.26,Default,,0,0,0,,Were you expecting one?
Dialogue: 0,0:02:13.29,0:02:15.80,Default,,0,0,0,,No, but you never know\Nuntil you look.
Dialogue: 0,0:02:15.83,0:02:17.93,Default,,0,0,0,,Now, who would be writing you?
Dialogue: 0,0:02:17.97,0:02:22.54,Default,,0,0,0,,Nobody, my dear sister.\NNobody in the whole world\Nwould be writing to me.
Dialogue: 0,0:02:22.57,0:02:25.07,Default,,0,0,0,,Then you should be glad\Nthere's no mail for you.
Dialogue: 0,0:02:25.11,0:02:27.24,Default,,0,0,0,,Unexpected letters\Nusually mean bad news.
Dialogue: 0,0:02:27.28,0:02:29.44,Default,,0,0,0,,And we have enough of that\Nin the newspapers.
Dialogue: 0,0:02:29.48,0:02:32.68,Default,,0,0,0,,But that's always\Nabout other people,\Nnever us.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:29.39,0:00:31.26,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:31.29,0:00:36.36,Default,,0,0,0,,No, this is not\Nan effort on our part\Nto add sex to the program.
Dialogue: 0,0:00:36.40,0:00:41.37,Default,,0,0,0,,I'm dressed for the party,\Na come as you are party.
Dialogue: 0,0:00:41.40,0:00:46.41,Default,,0,0,0,,This is what one gets\Nfor having a telephone\Nin the bathroom.
Dialogue: 0,0:00:46.44,0:00:51.05,Default,,0,0,0,,Well, it could've been worse.\NI feel a bit like Cinderella.
Dialogue: 0,0:00:51.08,0:00:55.88,Default,,0,0,0,,I've been warned\Nthat I must positively leave\Nthe ball before low tide.
Dialogue: 0,0:00:55.92,0:00:58.52,Default,,0,0,0,,And I can't afford\Nto take chances.
Dialogue: 0,0:00:58.55,0:01:03.12,Default,,0,0,0,,After all, I was once arrested\Nfor indecent exposure
Dialogue: 0,0:01:03.16,0:01:06.43,Default,,0,0,0,,when I removed\Na Halloween mask.
Dialogue: 0,0:01:06.46,0:01:09.83,Default,,0,0,0,,All of you, of course,\Nare invited to the party.
Dialogue: 0,0:01:09.86,0:01:14.60,Default,,0,0,0,,But remember,\Ndon't drop what you're doing.\NBring it along.
Dialogue: 0,0:01:14.64,0:01:19.14,Default,,0,0,0,,But first we must greet\Nthe man who throws\Nthese weekly soirees
Dialogue: 0,0:01:19.17,0:01:23.35,Default,,0,0,0,,and who always manages\Nto spoil the fun,
Dialogue: 0,0:01:23.38,0:01:24.78,Default,,0,0,0,,our dear host.
Dialogue: 0,0:01:45.73,0:01:48.67,Default,,0,0,0,,Norm? You asleep?
Dialogue: 0,0:01:49.30,0:01:50.21,Default,,0,0,0,,No.
Dialogue: 0,0:01:51.41,0:01:52.74,Default,,0,0,0,,What's wrong?
Dialogue: 0,0:01:54.41,0:01:56.31,Default,,0,0,0,,Nothing.
Dialogue: 0,0:01:56.34,0:01:58.48,Default,,0,0,0,,You've been so moody lately.
Dialogue: 0,0:01:58.51,0:02:00.85,Default,,0,0,0,,You hardly spoke to me\Nall evening.
Dialogue: 0,0:02:00.88,0:02:02.68,Default,,0,0,0,,Have I done something?
Dialogue: 0,0:02:03.72,0:02:06.05,Default,,0,0,0,,No, it's not you, Paula.\NIt's me.
Dialogue: 0,0:02:07.86,0:02:08.82,Default,,0,0,0,,You?
Dialogue: 0,0:02:10.76,0:02:14.26,Default,,0,0,0,,I might as well tell you\Nabout it. You'll hear\Nabout it anyway.
Dialogue: 0,0:02:14.30,0:02:16.67,Default,,0,0,0,,The new housing tract\Nup on Pine Hill.
Dialogue: 0,0:02:17.97,0:02:20.30,Default,,0,0,0,,Frank Kennedy got\Nthe exclusive listing.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.26,0:00:34.56,Default,,0,0,0,,{\i1}Good evening. And thank you{\i0}\N{\i1}for allowing me to come{\i0}\N{\i1}into your living room.{\i0}
Dialogue: 0,0:00:34.60,0:00:39.03,Default,,0,0,0,,{\i1}The miracle of electronics{\i0}\N{\i1}makes many new pleasures{\i0}\N{\i1}possible.{\i0}
Dialogue: 0,0:00:40.94,0:00:43.54,Default,,0,0,0,,BOTH: I frequently\Nwatch television.
Dialogue: 0,0:00:43.57,0:00:46.17,Default,,0,0,0,,It takes my mind off my work.
Dialogue: 0,0:00:47.51,0:00:49.94,Default,,0,0,0,,You aren't interrupting,\Nhowever,
Dialogue: 0,0:00:49.98,0:00:53.92,Default,,0,0,0,,for I seldom pay\Nmuch attention\Nto this part of the program.
Dialogue: 0,0:00:53.95,0:00:56.89,Default,,0,0,0,,It's really quite superfluous.
Dialogue: 0,0:00:56.92,0:00:59.69,Default,,0,0,0,,I find I can miss it entirely
Dialogue: 0,0:00:59.72,0:01:03.09,Default,,0,0,0,,and still know what\Nthe commercial is all about.
Dialogue: 0,0:01:03.12,0:01:06.49,Default,,0,0,0,,I must say\NI sometimes find myself
Dialogue: 0,0:01:06.53,0:01:10.53,Default,,0,0,0,,fascinated by\Nthe amazing ego of this man.
Dialogue: 0,0:01:10.57,0:01:13.60,Default,,0,0,0,,He speaks as though\Nhe were certain
Dialogue: 0,0:01:13.64,0:01:17.07,Default,,0,0,0,,we were all sitting here\Nwith ears akimbo
Dialogue: 0,0:01:17.07,0:01:19.47,Default,,0,0,0,,listening to his every word.
Dialogue: 0,0:01:19.51,0:01:23.08,Default,,0,0,0,,Let's listen\Nto what he is saying now.
Dialogue: 0,0:01:23.08,0:01:27.45,Default,,0,0,0,,{\i1}But first we have{\i0}\N{\i1}an important announcement.{\i0}\N{\i1}My sponsor...{\i0}
Dialogue: 0,0:01:27.48,0:01:30.79,Default,,0,0,0,,The way he bows and scrapes\Nbefore the sponsor.
Dialogue: 0,0:01:30.82,0:01:32.72,Default,,0,0,0,,It's disgusting.
Dialogue: 0,0:01:32.75,0:01:34.76,Default,,0,0,0,,He's obviously a relative.\NShhh.
Dialogue: 0,0:01:34.79,0:01:36.42,Default,,0,0,0,,{\i1}...an expensive message.{\i0}
Dialogue: 0,0:02:38.45,0:02:39.79,Default,,0,0,0,,(DOORBELL BUZZING)
Dialogue: 0,0:02:46.83,0:02:48.23,Default,,0,0,0,,Hello, Celia.
Dialogue: 0,0:02:49.30,0:02:50.40,Default,,0,0,0,,You're late.
Dialogue: 0,0:02:50.43,0:02:53.70,Default,,0,0,0,,I'm sorry, I had\Nsome trouble on the road.
Dialogue: 0,0:02:53.74,0:02:55.64,Default,,0,0,0,,I've already finished dinner.
Dialogue: 0,0:02:55.67,0:02:57.87,Default,,0,0,0,,It doesn't matter. I stopped\Non the way and had some.

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Dialogue: 0,0:00:31.09,0:00:34.20,Default,,0,0,0,,{\i1}HITCHCOCK ON GRAMOPHONE:{\i0}\N{\i1}Good evening,{\i0}\N{\i1}ladies and gentlemen,{\i0}
Dialogue: 0,0:00:34.23,0:00:37.03,Default,,0,0,0,,{\i1}I hope you'll excuse{\i0}\N{\i1}the use of this{\i0}\N{\i1}mechanical device.{\i0}
Dialogue: 0,0:00:38.27,0:00:40.94,Default,,0,0,0,,{\i1}But I have a mild{\i0}\N{\i1}case of laryngitis{\i0}
Dialogue: 0,0:00:40.97,0:00:43.47,Default,,0,0,0,,{\i1}and I don't wish{\i0}\N{\i1}to strain my voice.{\i0}
Dialogue: 0,0:00:45.47,0:00:50.81,Default,,0,0,0,,{\i1}Tonight's story is in...{\i0}\N{\i1}Tonight's story is in...{\i0}\N{\i1}Tonight's story is in...{\i0}
Dialogue: 0,0:00:56.95,0:01:00.12,Default,,0,0,0,,{\i1}Good evening,{\i0}\N{\i1}ladies and gentlemen,{\i0}
Dialogue: 0,0:01:00.16,0:01:03.89,Default,,0,0,0,,{\i1}I hope you'll excuse{\i0}\N{\i1}this broken record.{\i0}\N{\i1}But it was improperly handled.{\i0}
Dialogue: 0,0:01:05.53,0:01:09.56,Default,,0,0,0,,{\i1}Tonight's play is called{\i0}\N{\i1}"Listen, Listen!"{\i0}
Dialogue: 0,0:01:09.60,0:01:12.07,Default,,0,0,0,,{\i1}"Listen, Listen!"...{\i0}\N{\i1}"Listen, Listen!"...{\i0}
Dialogue: 0,0:01:15.27,0:01:18.94,Default,,0,0,0,,{\i1}But, "Listen, Listen!"{\i0}\N{\i1}really is{\i0}\N{\i1}the name of the story.{\i0}
Dialogue: 0,0:01:18.97,0:01:21.84,Default,,0,0,0,,{\i1}"Listen, Listen!"...{\i0}\N{\i1}"Listen, Listen!"...{\i0}
Dialogue: 0,0:01:24.98,0:01:29.78,Default,,0,0,0,,(WHISPERING) I think we have\Nmade that point quite clear.
Dialogue: 0,0:01:29.82,0:01:35.09,Default,,0,0,0,,Now to save my voice, I think\Nwe shall indulge in\Nsome mental telepathy.
Dialogue: 0,0:01:37.46,0:01:42.46,Default,,0,0,0,,Look at\Nthe expression on my face\Nand see if you can tell
Dialogue: 0,0:01:43.47,0:01:44.87,Default,,0,0,0,,what is coming next.
Dialogue: 0,0:02:12.06,0:02:14.06,Default,,0,0,0,,Sergeant Oliver?
Dialogue: 0,0:02:16.23,0:02:17.33,Default,,0,0,0,,Good afternoon, Sergeant.
Dialogue: 0,0:02:17.37,0:02:18.27,Default,,0,0,0,,Yeah?
Dialogue: 0,0:02:20.07,0:02:22.47,Default,,0,0,0,,At last the weather\Nseems to be clearing.\NThe rain's almost over.
Dialogue: 0,0:02:22.50,0:02:24.27,Default,,0,0,0,,Uh-huh.
Dialogue: 0,0:02:24.31,0:02:27.54,Default,,0,0,0,,I was told\Noutside that you were\Nthe detective in charge.
Dialogue: 0,0:02:27.58,0:02:31.45,Default,,0,0,0,,I thought you might listen to\Nsomething that I...
Dialogue: 0,0:02:31.48,0:02:33.58,Default,,0,0,0,,Listen to what?
Dialogue: 0,0:02:33.62,0:02:36.95,Default,,0,0,0,,It's my belief...\NI have a theory that...
Dialogue: 0,0:02:36.99,0:02:40.96,Default,,0,0,0,,Have a seat. Smoke?
Dialogue: 0,0:02:40.99,0:02:44.16,Default,,0,0,0,,No, thank you.\NI've never smoked.\NNor drank, for that matter.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.82,0:00:31.73,Default,,0,0,0,,Good evening,\Nmembers of the garden club.
Dialogue: 0,0:00:31.76,0:00:36.67,Default,,0,0,0,,I have been asked to reveal\Nsome of my\Nhorticultural secrets.
Dialogue: 0,0:00:36.70,0:00:42.47,Default,,0,0,0,,First and foremost,\NI recommend\Nplenty of sunshine.
Dialogue: 0,0:00:42.50,0:00:47.68,Default,,0,0,0,,I think it is\Nshameful the way some plants\Nare allowed to loaf all night
Dialogue: 0,0:00:47.71,0:00:49.71,Default,,0,0,0,,when they could be growing.
Dialogue: 0,0:00:49.74,0:00:52.45,Default,,0,0,0,,Of course,\Nthe lamp has other uses.
Dialogue: 0,0:00:52.48,0:00:57.25,Default,,0,0,0,,It also comes with a 5'8"-inch\Nmotor-driven spit,
Dialogue: 0,0:00:57.29,0:01:02.19,Default,,0,0,0,,a basting brush\Nand a gallon of suntan lotion.
Dialogue: 0,0:01:02.22,0:01:05.13,Default,,0,0,0,,This evening's\Nentertainment well suits
Dialogue: 0,0:01:05.16,0:01:08.13,Default,,0,0,0,,this sunny and\Nbucolic atmosphere.
Dialogue: 0,0:01:08.16,0:01:11.27,Default,,0,0,0,,It is called "Post Mortem."
Dialogue: 0,0:01:11.30,0:01:13.47,Default,,0,0,0,,It begins quicker\Nthan you can say...
Dialogue: 0,0:01:48.10,0:01:50.37,Default,,0,0,0,,I could lie here all day.
Dialogue: 0,0:01:50.41,0:01:51.71,Default,,0,0,0,,I know.
Dialogue: 0,0:01:51.74,0:01:53.01,Default,,0,0,0,,You'll stay there till there's\Nno more hot water,
Dialogue: 0,0:01:53.11,0:01:54.94,Default,,0,0,0,,then you'll get\Nout and catch cold.
Dialogue: 0,0:01:54.98,0:01:56.54,Default,,0,0,0,,This'll warm up\Nthe room for you.
Dialogue: 0,0:01:56.58,0:01:59.11,Default,,0,0,0,,Oh, you're sweet, darling.
Dialogue: 0,0:01:59.15,0:02:02.38,Default,,0,0,0,,I can't help it, baby.\NYou're so beautiful\Nyou must be perishable.
Dialogue: 0,0:02:04.29,0:02:06.39,Default,,0,0,0,,We ought to\Nthink about getting
Dialogue: 0,0:02:06.42,0:02:08.26,Default,,0,0,0,,another place,\Nwith a heated bathroom.
Dialogue: 0,0:02:09.66,0:02:12.69,Default,,0,0,0,,Well, we ought to think about\Nhow we could pay the rent.
Dialogue: 0,0:02:12.73,0:02:15.76,Default,,0,0,0,,We don't want to\Ntouch our savings,\Nof course.
Dialogue: 0,0:02:15.80,0:02:18.30,Default,,0,0,0,,On the other hand,\Nif we had that money\Nworking for us,
Dialogue: 0,0:02:18.33,0:02:21.20,Default,,0,0,0,,a nice little investment,\Nthe dividends would make up\Nfor the difference.
Dialogue: 0,0:02:21.24,0:02:22.77,Default,,0,0,0,,The bank pays interest.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.52,0:00:30.59,Default,,0,0,0,,Good\Nevening.
Dialogue: 0,0:00:30.63,0:00:34.50,Default,,0,0,0,,I can tell by the rude\Nnoises you are making
Dialogue: 0,0:00:34.53,0:00:37.97,Default,,0,0,0,,that you are impatient to\Nsee our film.
Dialogue: 0,0:00:38.00,0:00:41.24,Default,,0,0,0,,However there\Nwill be a slight\Ndelay.
Dialogue: 0,0:00:41.27,0:00:44.24,Default,,0,0,0,,Is there a barber in\Nthe house?
Dialogue: 0,0:00:44.27,0:00:49.01,Default,,0,0,0,,If there is, will he\Nplease report to the\Nprojection booth?
Dialogue: 0,0:00:49.04,0:00:53.35,Default,,0,0,0,,Our projectionist seems to\Nhave caught his moustache\Nin a sprocket.
Dialogue: 0,0:00:54.45,0:00:57.15,Default,,0,0,0,,Of course, it could have\Nbeen worse.
Dialogue: 0,0:00:57.19,0:01:00.96,Default,,0,0,0,,The popcorn machine\Nmight have broken\Ndown.
Dialogue: 0,0:01:01.06,0:01:04.29,Default,,0,0,0,,As you know our theatre\Nspares no expense
Dialogue: 0,0:01:04.33,0:01:08.06,Default,,0,0,0,,to make you\Ntelevision addicts\Nfeel at home.
Dialogue: 0,0:01:08.10,0:01:12.20,Default,,0,0,0,,Our movies are the\Noldest that money can\Nbuy.
Dialogue: 0,0:01:12.23,0:01:15.37,Default,,0,0,0,,And tonight as a\Nspecial attraction
Dialogue: 0,0:01:15.40,0:01:18.84,Default,,0,0,0,,we shall present some\Ntelevision commercials.
Dialogue: 0,0:01:19.67,0:01:22.51,Default,,0,0,0,,I knew you'd like\Nthat.
Dialogue: 0,0:01:22.54,0:01:27.25,Default,,0,0,0,,They will be\Ninjected at various\Npoints during our\Npicture
Dialogue: 0,0:01:27.28,0:01:31.49,Default,,0,0,0,,to keep you from getting\Ntoo engrossed in the\Nstory.
Dialogue: 0,0:01:31.52,0:01:35.32,Default,,0,0,0,,I understand they\Nare very good at\Nrelieving tensions
Dialogue: 0,0:01:35.36,0:01:38.99,Default,,0,0,0,,and furnishing comic\Nrelief.
Dialogue: 0,0:01:39.09,0:01:44.27,Default,,0,0,0,,And now, if you will quiet\Ndown, we shall begin our\Nprogram.
Dialogue: 0,0:02:00.55,0:02:03.89,Default,,0,0,0,,{\i1}(MUSIC PLAYING ON{\i0}\N{\i1}RADIO){\i0}
Dialogue: 0,0:02:06.05,0:02:07.59,Default,,0,0,0,,{\i1}MAN ON RADIO: We are{\i0}\N{\i1}bringing you the{\i0}
Dialogue: 0,0:02:07.62,0:02:09.26,Default,,0,0,0,,{\i1}music of Ronnie Temple{\i0}\N{\i1}and his orchestra{\i0}
Dialogue: 0,0:02:09.29,0:02:13.40,Default,,0,0,0,,{\i1}directly from the{\i0}\N{\i1}ballroom of the Langdon{\i0}\N{\i1}Hotel in Bywater.{\i0}
Dialogue: 0,0:02:13.43,0:02:15.53,Default,,0,0,0,,{\i1}Ronnie and the boys will{\i0}\N{\i1}now play a little{\i0}\N{\i1}foxtrot for you.{\i0}
Dialogue: 0,0:02:15.56,0:02:16.73,Default,,0,0,0,,(HORN\NBLOWING)

1
00:00:31,665 --> 00:00:33,030
Oh, good evening.

2
00:00:33,901 --> 00:00:38,031
I am on vacation
from the rigors of television,

3
00:00:38,138 --> 00:00:41,574
and coming to you
by remote pickup.

4
00:00:41,642 --> 00:00:44,441
Our cameras are
quite ordinary,

5
00:00:44,511 --> 00:00:49,472
but they are fastened to the longest
extension chords in history.

6
00:00:49,550 --> 00:00:53,748
However, I find this vacation
quite exhausting.

7
00:00:53,820 --> 00:00:58,621
Shuffleboard simply cannot be played
from the prone position.

8
00:00:58,692 --> 00:01:02,686
Incidentally, the captain informs me
that changing channels

9

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.59,0:00:34.73,Default,,0,0,0,,Good evening,\Ninterns, patients\Nand curiosity seekers.
Dialogue: 0,0:00:34.76,0:00:39.90,Default,,0,0,0,,One of the marvels\Nof television is\Nits educational value.
Dialogue: 0,0:00:39.93,0:00:43.34,Default,,0,0,0,,A few years ago,\Nonly a handful of people
Dialogue: 0,0:00:43.37,0:00:47.71,Default,,0,0,0,,could have witnessed this rare\Nand delicate operation.
Dialogue: 0,0:00:47.74,0:00:52.08,Default,,0,0,0,,Now, because of television,\Nmillions may witness\Nthis event,
Dialogue: 0,0:00:52.11,0:00:54.98,Default,,0,0,0,,including the subject herself,
Dialogue: 0,0:00:55.02,0:00:59.92,Default,,0,0,0,,for we are going\Nto present her with a film\Nof tonight's proceedings
Dialogue: 0,0:00:59.95,0:01:02.19,Default,,0,0,0,,together with a projector,
Dialogue: 0,0:01:02.22,0:01:05.86,Default,,0,0,0,,to say nothing\Nof a beautiful charm bracelet.
Dialogue: 0,0:01:05.89,0:01:10.20,Default,,0,0,0,,Each charm to represent\Na phase of the operation
Dialogue: 0,0:01:10.23,0:01:14.14,Default,,0,0,0,,with replicas\Nof each organ removed.
Dialogue: 0,0:01:14.17,0:01:16.97,Default,,0,0,0,,Incidentally,\Nwe call our program
Dialogue: 0,0:01:17.07,0:01:20.48,Default,,0,0,0,,"This is your..."\Na sentence we don't finish
Dialogue: 0,0:01:20.51,0:01:23.58,Default,,0,0,0,,until we see\Nhow the operation turns out.
Dialogue: 0,0:01:23.61,0:01:26.72,Default,,0,0,0,,And now, gentlemen,\Nyou may make the incision.
Dialogue: 0,0:01:37.36,0:01:40.86,Default,,0,0,0,,Uh, stop.\NThis is a dramatization.
Dialogue: 0,0:01:44.87,0:01:49.74,Default,,0,0,0,,Uh, just a moment.\NUh, just a moment.\NWe forgot the anesthetic.
Dialogue: 0,0:01:49.77,0:01:53.88,Default,,0,0,0,,However, I have something here\Nthat will put anyone to sleep
Dialogue: 0,0:01:53.91,0:01:55.88,Default,,0,0,0,,in just 60 seconds.
Dialogue: 0,0:02:38.32,0:02:40.49,Default,,0,0,0,,This is a new account, Piper.
Dialogue: 0,0:02:40.52,0:02:42.56,Default,,0,0,0,,I want you to see that\Nit's given every courtesy.
Dialogue: 0,0:02:42.59,0:02:44.59,Default,,0,0,0,,Why certainly, sir.
Dialogue: 0,0:02:44.63,0:02:46.56,Default,,0,0,0,,Is everything all right?
Dialogue: 0,0:02:46.59,0:02:48.43,Default,,0,0,0,,All right, sir?
Dialogue: 0,0:02:48.46,0:02:50.90,Default,,0,0,0,,Oh, you mean in the office.\NOh, yes, sir, perfectly.
Dialogue: 0,0:02:50.93,0:02:54.24,Default,,0,0,0,,The counter business\Na little slack, but then\Nit usually is about now.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.32,0:00:31.33,Default,,0,0,0,,Good evening, ladies and...
Dialogue: 0,0:00:31.36,0:00:33.73,Default,,0,0,0,,Please don't adjust your sets.
Dialogue: 0,0:00:33.76,0:00:38.23,Default,,0,0,0,,I think the picture\Ntube needs little dusting.
Dialogue: 0,0:00:43.07,0:00:44.37,Default,,0,0,0,,(GONG SOUNDS)
Dialogue: 0,0:00:46.78,0:00:49.48,Default,,0,0,0,,What is your wish, oh, master?
Dialogue: 0,0:00:51.55,0:00:53.18,Default,,0,0,0,,Who are you?
Dialogue: 0,0:00:53.21,0:00:56.12,Default,,0,0,0,,I am Alfred,\Nthe genie of the lamp.
Dialogue: 0,0:00:56.15,0:00:58.52,Default,,0,0,0,,My name's Alfred, too.
Dialogue: 0,0:00:58.55,0:01:01.42,Default,,0,0,0,,Why is it, master,\Nthat when you can have
Dialogue: 0,0:01:01.46,0:01:04.06,Default,,0,0,0,,any wish you desire,\Nyou prefer small talk?
Dialogue: 0,0:01:05.69,0:01:07.43,Default,,0,0,0,,Any wish I desire?
Dialogue: 0,0:01:07.46,0:01:09.53,Default,,0,0,0,,{\i1}GENIE: If you want me,{\i0}\N{\i1}rub the lamp.{\i0}
Dialogue: 0,0:01:12.90,0:01:14.20,Default,,0,0,0,,(GONG SOUNDS)
Dialogue: 0,0:01:16.71,0:01:19.54,Default,,0,0,0,,How long have you\Nbeen in that tube?
Dialogue: 0,0:01:19.57,0:01:23.41,Default,,0,0,0,,Master, you have a mania\Nfor the unimportant.
Dialogue: 0,0:01:23.45,0:01:27.62,Default,,0,0,0,,I have been there for years.\NNo one ever dusts.
Dialogue: 0,0:01:27.65,0:01:31.75,Default,,0,0,0,,And who ever heard of a genie\Nconjured up by\Na vacuum cleaner?
Dialogue: 0,0:01:31.79,0:01:35.49,Default,,0,0,0,,And now, master, the wish.\NAnd remember\Nthe words of Allah.
Dialogue: 0,0:01:35.96,0:01:37.39,Default,,0,0,0,,"Think big!"
Dialogue: 0,0:01:40.30,0:01:42.36,Default,,0,0,0,,But what I want is priceless.
Dialogue: 0,0:01:42.40,0:01:45.73,Default,,0,0,0,,Nothing is too great.\NDiamonds, rubies...
Dialogue: 0,0:01:47.87,0:01:49.34,Default,,0,0,0,,This would be too much to ask.
Dialogue: 0,0:01:49.37,0:01:51.27,Default,,0,0,0,,Master, the wish, the wish.
Dialogue: 0,0:01:53.71,0:01:56.14,Default,,0,0,0,,Give me a commercial.\NGive me a commercial.
Dialogue: 0,0:02:50.33,0:02:53.10,Default,,0,0,0,,She's still at it.\NTwo Scotch and water.
Dialogue: 0,0:02:53.10,0:02:56.54,Default,,0,0,0,,Oh,\Nshe ain't no ordinary person.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.92,0:00:29.49,Default,,0,0,0,,Good evening,\Nladies and gentlemen.
Dialogue: 0,0:00:29.52,0:00:33.33,Default,,0,0,0,,I must interrupt this program\Nto make a grave announcement.
Dialogue: 0,0:00:33.36,0:00:36.90,Default,,0,0,0,,The invasion from Mars\Nis already underway.
Dialogue: 0,0:00:36.93,0:00:42.24,Default,,0,0,0,,I repeat,\Nthe invasion from Mars\Nis already underway.
Dialogue: 0,0:00:42.27,0:00:45.97,Default,,0,0,0,,Martians have actually landed\Nand are among us.
Dialogue: 0,0:00:46.01,0:00:48.11,Default,,0,0,0,,We have captured some of them
Dialogue: 0,0:00:48.14,0:00:52.91,Default,,0,0,0,,and will show them to you now\Nso that you can\Nknow your enemy.
Dialogue: 0,0:00:52.95,0:00:55.92,Default,,0,0,0,,You may have seen\Nsome of these\Ncreatures in your city.
Dialogue: 0,0:00:55.95,0:00:58.05,Default,,0,0,0,,They have rounded backs,
Dialogue: 0,0:00:58.09,0:01:00.89,Default,,0,0,0,,a body that looks\Nlike a tired balloon,
Dialogue: 0,0:01:00.92,0:01:03.56,Default,,0,0,0,,pointed red feet with no toes,
Dialogue: 0,0:01:03.59,0:01:06.16,Default,,0,0,0,,and long colored legs.
Dialogue: 0,0:01:06.19,0:01:08.56,Default,,0,0,0,,Here are the prisoners\Nwe have taken so far.
Dialogue: 0,0:01:11.53,0:01:14.44,Default,,0,0,0,,This one was captured\Nin broad daylight
Dialogue: 0,0:01:14.47,0:01:17.21,Default,,0,0,0,,at the Sans\NSouci Canasta club.
Dialogue: 0,0:01:17.24,0:01:20.08,Default,,0,0,0,,Notice the needle point heel,
Dialogue: 0,0:01:20.11,0:01:21.94,Default,,0,0,0,,probably lethal.
Dialogue: 0,0:01:21.98,0:01:24.18,Default,,0,0,0,,The uniform seems\Nto have been designed
Dialogue: 0,0:01:24.21,0:01:26.75,Default,,0,0,0,,so that we can't tell\Nwhich way this one's going.
Dialogue: 0,0:01:26.78,0:01:28.12,Default,,0,0,0,,Very deceptive.
Dialogue: 0,0:01:30.49,0:01:34.09,Default,,0,0,0,,Notice the knapsack\Nand the space\Nfor weapon storage.
Dialogue: 0,0:01:34.09,0:01:36.29,Default,,0,0,0,,And look at the shoes.
Dialogue: 0,0:01:36.32,0:01:40.26,Default,,0,0,0,,Obviously,\Nthey were never designed\Nfor the human foot.
Dialogue: 0,0:01:40.30,0:01:43.40,Default,,0,0,0,,And here we have\Nthe most dangerous type.
Dialogue: 0,0:01:43.43,0:01:47.47,Default,,0,0,0,,Notice the high oblong head\Nand the cloche helmet.
Dialogue: 0,0:01:47.50,0:01:50.57,Default,,0,0,0,,The creature can\Nat a moment's notice

[Script Info]
ScriptType: v4.00+
Collisions: Normal
PlayResX: 1440
PlayResY: 1074
Timer: 100.0
WrapStyle: 0

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:43.51,0:00:44.27,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:45.97,0:00:48.14,Default,,0,0,0,,I was just putting\Nweights in this box
Dialogue: 0,0:00:48.18,0:00:50.51,Default,,0,0,0,,of trash so it\Nwill sink quickly.
Dialogue: 0,0:00:50.55,0:00:52.71,Default,,0,0,0,,I'm about to throw\Nit into the river.
Dialogue: 0,0:00:54.08,0:00:56.99,Default,,0,0,0,,Perhaps I should\Nexplain why I'm here.
Dialogue: 0,0:00:57.02,0:00:59.92,Default,,0,0,0,,Mr. Hitchcock is\Nindisposed this evening.
Dialogue: 0,0:00:59.95,0:01:03.79,Default,,0,0,0,,As a matter of\Nfact we can't find him\Nanywhere. I'm quite worried.
Dialogue: 0,0:01:03.83,0:01:06.39,Default,,0,0,0,,I wouldn't want\Nanything to happen to him.
Dialogue: 0,0:01:06.43,0:01:08.96,Default,,0,0,0,,You see, I'm his\Nbrother and sole heir.
Dialogue: 0,0:01:09.06,0:01:11.23,Default,,0,0,0,,Of course, we mustn't let\Nbrother Alfred's absence
Dialogue: 0,0:01:11.27,0:01:13.47,Default,,0,0,0,,interfere with\Nthe evening's entertainment.
Dialogue: 0,0:01:13.50,0:01:15.77,Default,,0,0,0,,I'm sure he would\Nwant it that way.
Dialogue: 0,0:01:17.14,0:01:18.71,Default,,0,0,0,,I have his notes.
Dialogue: 0,0:01:21.08,0:01:26.48,Default,,0,0,0,,The second item on the agenda\Nis a drama entitled\N"Little White Frock."
Dialogue: 0,0:01:26.51,0:01:28.52,Default,,0,0,0,,As for the first item,\Nhe says...
Dialogue: 0,0:01:30.85,0:01:34.72,Default,,0,0,0,,I know my brother\Nthinks I'm a rather dull\Nand somewhat of a prude,
Dialogue: 0,0:01:34.76,0:01:38.59,Default,,0,0,0,,but this language is\Nmuch too frank for television.
Dialogue: 0,0:01:38.63,0:01:40.56,Default,,0,0,0,,I don't know about you\Nbut I'm very curious
Dialogue: 0,0:01:40.60,0:01:43.70,Default,,0,0,0,,about anything that would\Nprovoke such language.
Dialogue: 0,0:01:43.73,0:01:45.33,Default,,0,0,0,,Shall we have a go at it?
Dialogue: 0,0:02:01.58,0:02:04.09,Default,,0,0,0,,"We've been so\Nvery wrong, Ella.
Dialogue: 0,0:02:05.55,0:02:09.69,Default,,0,0,0,,"Remember that old song,\Nthe {\i1}Rocking Chair Blues?{\i0}
Dialogue: 0,0:02:09.72,0:02:13.19,Default,,0,0,0,,"Well,\Nthat's been us, I'm afraid,
Dialogue: 0,0:02:13.23,0:02:16.60,Default,,0,0,0,,"rocking away these\Nlast years of our lives.
Dialogue: 0,0:02:16.63,0:02:19.07,Default,,0,0,0,,"Expecting\Nthe children to pay us
Dialogue: 0,0:02:19.07,0:02:21.54,Default,,0,0,0,,"the most\Nexacting of all tributes.