Alfred Hitchcock Presents - Second Season English Subtitles

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Dialogue: 0,0:00:31.79,0:00:33.63,Default,,0,0,0,,Oh, good evening.
Dialogue: 0,0:00:33.66,0:00:35.93,Default,,0,0,0,,I'm so glad you've found me.
Dialogue: 0,0:00:35.96,0:00:38.03,Default,,0,0,0,,As you can see,
Dialogue: 0,0:00:38.07,0:00:40.94,Default,,0,0,0,,our new quarters\Nare rather modest,
Dialogue: 0,0:00:40.97,0:00:43.00,Default,,0,0,0,,but we like the location
Dialogue: 0,0:00:43.04,0:00:45.84,Default,,0,0,0,,and thought the change\Nmight do us good, also.
Dialogue: 0,0:00:45.87,0:00:48.54,Default,,0,0,0,,And now, if you don't mind,
Dialogue: 0,0:00:48.58,0:00:52.91,Default,,0,0,0,,I would like to indulge\Nin an old American custom.
Dialogue: 0,0:00:52.95,0:00:54.95,Default,,0,0,0,,No matter how busy they are
Dialogue: 0,0:00:54.98,0:00:58.15,Default,,0,0,0,,or what\Nthe surroundings may be,
Dialogue: 0,0:00:58.19,0:01:02.06,Default,,0,0,0,,Americans never omit\Nthis quaint ritual.
Dialogue: 0,0:01:02.06,0:01:04.06,Default,,0,0,0,,If you don't care to join me,
Dialogue: 0,0:01:04.09,0:01:07.06,Default,,0,0,0,,I think you'll find\Nour play is about to begin
Dialogue: 0,0:01:07.06,0:01:09.06,Default,,0,0,0,,on one of the lower shelves.
Dialogue: 0,0:01:27.88,0:01:29.45,Default,,0,0,0,,Be quiet.
Dialogue: 0,0:01:32.95,0:01:35.42,Default,,0,0,0,,They'd send her\Nto an institution\Nor they'd hang her.
Dialogue: 0,0:01:35.46,0:01:38.23,Default,,0,0,0,,We should have to\Nmove away from here.\NIt would be impossible.
Dialogue: 0,0:01:38.26,0:01:39.63,Default,,0,0,0,,(SOBBING)\NI'd kill myself!
Dialogue: 0,0:01:40.80,0:01:43.77,Default,,0,0,0,,Oh, dear.\NOh, what shall we do?
Dialogue: 0,0:01:43.80,0:01:44.80,Default,,0,0,0,,Poor Millicent.
Dialogue: 0,0:01:45.67,0:01:47.80,Default,,0,0,0,,Oh, Millicent, how could you?
Dialogue: 0,0:01:47.84,0:01:48.80,Default,,0,0,0,,(MILLICENT SOBBING)
Dialogue: 0,0:01:48.84,0:01:50.44,Default,,0,0,0,,George, come here.
Dialogue: 0,0:01:54.78,0:01:56.48,Default,,0,0,0,,Over here, you idiot!
Dialogue: 0,0:01:56.51,0:01:58.38,Default,,0,0,0,,You want me to shout\Nacross the room at you?
Dialogue: 0,0:02:04.12,0:02:05.22,Default,,0,0,0,,Now,

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:25.79,0:00:28.52,Default,,0,0,0,,Good evening,\Nfriends and others.
Dialogue: 0,0:00:29.39,0:00:31.69,Default,,0,0,0,,Tonight...
Dialogue: 0,0:00:31.73,0:00:35.50,Default,,0,0,0,,Madam, some of our audience\Nare having difficulty\Nin seeing.
Dialogue: 0,0:00:36.10,0:00:37.30,Default,,0,0,0,,Would you mind?
Dialogue: 0,0:00:41.70,0:00:43.87,Default,,0,0,0,,Thank you.
Dialogue: 0,0:00:43.91,0:00:46.37,Default,,0,0,0,,On the theory\Nthat what was good enough\Nfor Shakespeare
Dialogue: 0,0:00:46.41,0:00:49.31,Default,,0,0,0,,is good enough for us,
Dialogue: 0,0:00:49.34,0:00:55.05,Default,,0,0,0,,we plan to open tonight's play\Nwith a maid soliloquizing\Nas she dusts.
Dialogue: 0,0:00:55.08,0:00:58.85,Default,,0,0,0,,Unfortunately,\Ntonight happens to be\Nthe maid's night out.
Dialogue: 0,0:00:58.89,0:01:01.09,Default,,0,0,0,,I'm expecting\Nan important call.
Dialogue: 0,0:01:01.12,0:01:03.36,Default,,0,0,0,,(RINGING)
Dialogue: 0,0:01:03.39,0:01:05.36,Default,,0,0,0,,It must be\NScotland Yard calling.
Dialogue: 0,0:01:06.90,0:01:09.23,Default,,0,0,0,,Yes? Thank you.
Dialogue: 0,0:01:10.17,0:01:11.87,Default,,0,0,0,,It was.
Dialogue: 0,0:01:11.90,0:01:14.77,Default,,0,0,0,,They say I am being watched.
Dialogue: 0,0:01:14.80,0:01:18.87,Default,,0,0,0,,That's very gratifying\Nfor a television performer.
Dialogue: 0,0:01:18.91,0:01:22.14,Default,,0,0,0,,Tonight's play is entitled\N"Fog Closing In."
Dialogue: 0,0:01:23.08,0:01:24.85,Default,,0,0,0,,Fog.
Dialogue: 0,0:01:24.88,0:01:28.08,Default,,0,0,0,,I don't suppose any of you\Nare familiar with that word.
Dialogue: 0,0:01:28.08,0:01:30.82,Default,,0,0,0,,It's an American expression\Nmeaning...
Dialogue: 0,0:01:30.85,0:01:34.56,Default,,0,0,0,,Well, it's really hard\Nto explain to anyone\Nwho hasn't experienced it.
Dialogue: 0,0:01:34.59,0:01:37.09,Default,,0,0,0,,The word\Nhas no English equivalent.
Dialogue: 0,0:01:37.09,0:01:38.99,Default,,0,0,0,,Oh, well,\Nit isn't too important.
Dialogue: 0,0:01:39.09,0:01:40.80,Default,,0,0,0,,We'd better go on\Nwith the play.
Dialogue: 0,0:02:06.29,0:02:07.52,Default,,0,0,0,,No.
Dialogue: 0,0:02:07.56,0:02:08.76,Default,,0,0,0,,Don't worry,\Nit won't go off.

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Dialogue: 0,0:00:27.09,0:00:29.76,Default,,0,0,0,,Good evening,\Nstudents of the macabre.
Dialogue: 0,0:00:31.43,0:00:34.33,Default,,0,0,0,,This evening's lecture\Nhas as its text
Dialogue: 0,0:00:34.36,0:00:37.40,Default,,0,0,0,,the short story "De Mortuis"
Dialogue: 0,0:00:37.43,0:00:39.13,Default,,0,0,0,,translated from the Latin.
Dialogue: 0,0:00:40.20,0:00:42.64,Default,,0,0,0,,This means "about the dead."
Dialogue: 0,0:00:44.11,0:00:46.61,Default,,0,0,0,,At the risk\Nof being facetious,
Dialogue: 0,0:00:46.64,0:00:48.84,Default,,0,0,0,,I would like to point out
Dialogue: 0,0:00:48.88,0:00:51.75,Default,,0,0,0,,that Latin is a dead language.
Dialogue: 0,0:00:53.75,0:00:55.82,Default,,0,0,0,,Thank you.
Dialogue: 0,0:00:55.85,0:01:00.06,Default,,0,0,0,,It is rewarding to know\Nthat there are still\Na few students
Dialogue: 0,0:01:00.09,0:01:03.39,Default,,0,0,0,,interested in achieving\Nhigh marks.
Dialogue: 0,0:01:03.43,0:01:06.29,Default,,0,0,0,,If you can't hear me\Nin the back of the room,
Dialogue: 0,0:01:06.33,0:01:11.10,Default,,0,0,0,,please raise your hand\Nand adjust the volume control.
Dialogue: 0,0:01:11.13,0:01:14.84,Default,,0,0,0,,Regrettably, the author\Nwrote only his title in Latin,
Dialogue: 0,0:01:14.87,0:01:17.91,Default,,0,0,0,,and did the story in English.
Dialogue: 0,0:01:17.94,0:01:22.91,Default,,0,0,0,,Writers are always\Ncompromising to attain\Ncommercial success.
Dialogue: 0,0:01:22.94,0:01:25.88,Default,,0,0,0,,I shall leave it\Nto your judgment\Nas to whether or not
Dialogue: 0,0:01:25.91,0:01:28.32,Default,,0,0,0,,it would have sounded\Nbetter in Latin.
Dialogue: 0,0:02:43.09,0:02:44.29,Default,,0,0,0,,BUD: Anybody home?
Dialogue: 0,0:02:46.26,0:02:47.76,Default,,0,0,0,,Hey, Prof!
Dialogue: 0,0:02:47.80,0:02:48.73,Default,,0,0,0,,(TRAIN TOOTING IN DISTANCE)
Dialogue: 0,0:02:51.30,0:02:54.10,Default,,0,0,0,,Prof, fish are biting\Nright now. What about it?
Dialogue: 0,0:02:55.87,0:02:57.17,Default,,0,0,0,,You in here?
Dialogue: 0,0:03:00.31,0:03:02.38,Default,,0,0,0,,Guess he's not home.
Dialogue: 0,0:03:02.41,0:03:05.68,Default,,0,0,0,,Well, I told you.\NCar's not in the garage.
Dialogue: 0,0:03:05.71,0:03:07.65,Default,,0,0,0,,Coffee's percolating.\NProbably be back\Nin a minute or two.

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Dialogue: 0,0:00:28.16,0:00:29.29,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.96,0:00:34.66,Default,,0,0,0,,Television fans\Ncan be so demonstrative\Nand unpredictable.
Dialogue: 0,0:00:36.36,0:00:38.57,Default,,0,0,0,,At the time this happened,\NI was under the impression
Dialogue: 0,0:00:38.60,0:00:41.50,Default,,0,0,0,,I was being put on a pedestal.
Dialogue: 0,0:00:41.54,0:00:43.91,Default,,0,0,0,,My wife's not going to\Nlike this.
Dialogue: 0,0:00:43.94,0:00:46.61,Default,,0,0,0,,She's always telling me\Nnot to leave my ashes\Non the floor.
Dialogue: 0,0:00:59.35,0:01:03.22,Default,,0,0,0,,Tonight, we present a very\Nwarm little story called
Dialogue: 0,0:01:03.26,0:01:04.49,Default,,0,0,0,,"Kill With Kindness."
Dialogue: 0,0:01:07.36,0:01:09.36,Default,,0,0,0,,Reception seems to be\Nrather bad tonight.
Dialogue: 0,0:01:10.27,0:01:13.27,Default,,0,0,0,,Is your screen clouding up?\NMine is.
Dialogue: 0,0:01:13.30,0:01:16.20,Default,,0,0,0,,I think we better run\Na test film first.
Dialogue: 0,0:01:16.24,0:01:19.64,Default,,0,0,0,,If you have no difficulty\Nin seeing it, we will\Nshow you our story.
Dialogue: 0,0:01:38.29,0:01:39.39,Default,,0,0,0,,(IMITATING BIRD)
Dialogue: 0,0:01:40.86,0:01:42.26,Default,,0,0,0,,(BIRD TWITTERING)
Dialogue: 0,0:01:43.80,0:01:45.27,Default,,0,0,0,,(IMITATING BIRD)
Dialogue: 0,0:02:02.48,0:02:05.55,Default,,0,0,0,,Katherine.\NKatherine, look at this.
Dialogue: 0,0:02:05.59,0:02:07.39,Default,,0,0,0,,Here, dear. Here, come quick.
Dialogue: 0,0:02:07.42,0:02:08.86,Default,,0,0,0,,What is it, dear?
Dialogue: 0,0:02:08.89,0:02:09.86,Default,,0,0,0,,Look...
Dialogue: 0,0:02:12.06,0:02:15.86,Default,,0,0,0,,There. I do believe\Nit's a cedar waxwing.
Dialogue: 0,0:02:15.90,0:02:18.70,Default,,0,0,0,,Dear Fitz,\Nyou and your birds.
Dialogue: 0,0:02:18.73,0:02:20.50,Default,,0,0,0,,There he goes.
Dialogue: 0,0:02:20.54,0:02:24.14,Default,,0,0,0,,Oh, it's very seldom\Nthat you see a cedar waxwing\Nin the park.
Dialogue: 0,0:02:28.71,0:02:31.28,Default,,0,0,0,,Fitz, there's\Nthat man again.
Dialogue: 0,0:02:31.31,0:02:32.68,Default,,0,0,0,,He comes every day.
Dialogue: 0,0:02:32.71,0:02:34.32,Default,,0,0,0,,Eh?

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Dialogue: 0,0:00:28.29,0:00:30.13,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.16,0:00:34.13,Default,,0,0,0,,The entertainment industry\Nis always crying\Nfor new faces.
Dialogue: 0,0:00:34.16,0:00:37.10,Default,,0,0,0,,I've decided to give them one.
Dialogue: 0,0:00:37.13,0:00:39.40,Default,,0,0,0,,Not that there's anything\Nwrong with the old one.
Dialogue: 0,0:00:39.43,0:00:41.10,Default,,0,0,0,,In fact, I think\Nit's rather good.
Dialogue: 0,0:00:45.07,0:00:47.24,Default,,0,0,0,,Well, it could\Nhave been worse.\NWhat if I had cracked?
Dialogue: 0,0:00:48.08,0:00:49.64,Default,,0,0,0,,See, here's the one.
Dialogue: 0,0:00:58.59,0:01:00.39,Default,,0,0,0,,I've always wanted\Nto be someone else.
Dialogue: 0,0:01:05.09,0:01:06.46,Default,,0,0,0,,That won't do.
Dialogue: 0,0:01:06.49,0:01:09.06,Default,,0,0,0,,I look like\Na near-sighted hearth rug.
Dialogue: 0,0:01:09.06,0:01:11.07,Default,,0,0,0,,By an odd coincidence,
Dialogue: 0,0:01:11.07,0:01:12.63,Default,,0,0,0,,we have a story about a man
Dialogue: 0,0:01:12.67,0:01:15.44,Default,,0,0,0,,who decided to be someone\Nother than himself.
Dialogue: 0,0:01:15.47,0:01:18.41,Default,,0,0,0,,And by an equally\Nodd coincidence,
Dialogue: 0,0:01:18.44,0:01:21.14,Default,,0,0,0,,it is rehearsed\Nand ready to start.
Dialogue: 0,0:01:21.18,0:01:22.31,Default,,0,0,0,,Here it is.
Dialogue: 0,0:01:40.10,0:01:43.10,Default,,0,0,0,,SEYMOUR: {\i1}I suppose{\i0}\N{\i1}you could say it began{\i0}\N{\i1}that Easter Sunday.{\i0}
Dialogue: 0,0:01:43.10,0:01:46.63,Default,,0,0,0,,{\i1}I was spending the weekend{\i0}\N{\i1}at my Aunt Muriel's house{\i0}\N{\i1}in Norwich, Connecticut.{\i0}
Dialogue: 0,0:01:46.67,0:01:49.50,Default,,0,0,0,,{\i1}A place I was forced to spend{\i0}\N{\i1}many weekends.{\i0}
Dialogue: 0,0:01:49.54,0:01:53.01,Default,,0,0,0,,{\i1}Not that I found my aunt's{\i0}\N{\i1}company particularly{\i0}\N{\i1}congenial, far from it.{\i0}
Dialogue: 0,0:01:53.11,0:01:56.28,Default,,0,0,0,,{\i1}But the food was fair{\i0}\N{\i1}and even she{\i0}\N{\i1}didn't have the effrontery{\i0}
Dialogue: 0,0:01:56.31,0:01:58.15,Default,,0,0,0,,{\i1}to charge me for my visits.{\i0}
Dialogue: 0,0:01:58.18,0:02:00.38,Default,,0,0,0,,{\i1}Not that she wasn't capable{\i0}\N{\i1}of doing even that.{\i0}
Dialogue: 0,0:02:00.42,0:02:01.82,Default,,0,0,0,,{\i1}As a matter of fact,{\i0}
Dialogue: 0,0:02:01.85,0:02:04.82,Default,,0,0,0,,{\i1}nothing my aunt did{\i0}\N{\i1}would be too surprising.{\i0}
Dialogue: 0,0:02:04.85,0:02:07.76,Default,,0,0,0,,{\i1}But that weekend,{\i0}\N{\i1}she went too far.{\i0}

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Dialogue: 0,0:00:26.59,0:00:29.39,Default,,0,0,0,,"Double, double\Ntoil and trouble
Dialogue: 0,0:00:30.79,0:00:33.66,Default,,0,0,0,,"Fire burn\Nand cauldron bubble."
Dialogue: 0,0:00:48.84,0:00:50.41,Default,,0,0,0,,I don't know\Nwhy people do this.
Dialogue: 0,0:00:50.45,0:00:52.48,Default,,0,0,0,,It's not at all good\Nfor the cuffs.
Dialogue: 0,0:00:52.51,0:00:54.88,Default,,0,0,0,,Takes the starch\Nout of them.
Dialogue: 0,0:00:54.92,0:00:56.48,Default,,0,0,0,,I wonder if it does\Nthat to babies?
Dialogue: 0,0:00:56.52,0:00:59.19,Default,,0,0,0,,Of course,\Nthat must be the idea.
Dialogue: 0,0:00:59.22,0:01:01.32,Default,,0,0,0,,As you shall soon see,
Dialogue: 0,0:01:01.36,0:01:03.43,Default,,0,0,0,,tonight's play bears\Na relation
Dialogue: 0,0:01:03.46,0:01:06.26,Default,,0,0,0,,to the foregoing,\Nhowever slight.
Dialogue: 0,0:01:06.29,0:01:08.96,Default,,0,0,0,,It is a tragical, comical,
Dialogue: 0,0:01:09.06,0:01:11.73,Default,,0,0,0,,historical, pastoral,\Nmusical mystery
Dialogue: 0,0:01:11.77,0:01:14.74,Default,,0,0,0,,entitled "Toby."
Dialogue: 0,0:01:14.77,0:01:18.61,Default,,0,0,0,,"Toby" takes place\Nin New York in 1910
Dialogue: 0,0:01:20.08,0:01:23.11,Default,,0,0,0,,and on your television screen\Nin just a moment.
Dialogue: 0,0:01:43.00,0:01:44.00,Default,,0,0,0,,So, well,\Nthen he says
Dialogue: 0,0:01:44.10,0:01:45.73,Default,,0,0,0,,he wants new dishes\Nin the cupboards.
Dialogue: 0,0:01:45.77,0:01:47.44,Default,,0,0,0,,"New dishes,"\NI said, "Mr. Birch.
Dialogue: 0,0:01:47.47,0:01:49.00,Default,,0,0,0,,"Look, I don't put new dishes\Nin my furnished flats."
Dialogue: 0,0:01:49.10,0:01:50.64,Default,,0,0,0,,But no, he insists,
Dialogue: 0,0:01:50.67,0:01:52.74,Default,,0,0,0,,"She's got to have\Nnew dishes\Nwhen she moves in."
Dialogue: 0,0:01:52.77,0:01:53.84,Default,,0,0,0,,Some nerve.
Dialogue: 0,0:01:53.88,0:01:55.11,Default,,0,0,0,,Yeah.\N"Well," I says,
Dialogue: 0,0:01:55.14,0:01:56.41,Default,,0,0,0,,"Oh," he says,\N"I'll pay for them myself."
Dialogue: 0,0:01:56.44,0:01:57.98,Default,,0,0,0,,He says, "Get her\Nsome pretty things.
Dialogue: 0,0:01:58.01,0:01:59.48,Default,,0,0,0,,"She comes from\Na good family.

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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.15,0:00:27.26,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:27.29,0:00:28.66,Default,,0,0,0,,(SHRILL HUMMING)
Dialogue: 0,0:00:30.86,0:00:33.13,Default,,0,0,0,,Some of our late viewers\Ntuning in.
Dialogue: 0,0:00:34.33,0:00:36.97,Default,,0,0,0,,One of the commonest questions
Dialogue: 0,0:00:37.00,0:00:41.44,Default,,0,0,0,,that people ask of a producer\Nof mystery motion pictures is,
Dialogue: 0,0:00:41.47,0:00:45.41,Default,,0,0,0,,"Which is written first,\Nthe words or the music?"
Dialogue: 0,0:00:45.44,0:00:49.98,Default,,0,0,0,,In our case,\Nthe background music\Nalways comes first.
Dialogue: 0,0:00:50.01,0:00:51.45,Default,,0,0,0,,After it is written,
Dialogue: 0,0:00:51.48,0:00:55.72,Default,,0,0,0,,we sprinkle the score\Nliberally with sound effects,
Dialogue: 0,0:00:55.75,0:00:58.39,Default,,0,0,0,,and then hire an author\Nto write appropriate scenes
Dialogue: 0,0:00:58.42,0:01:00.82,Default,,0,0,0,,to accompany the music,
Dialogue: 0,0:01:00.86,0:01:04.66,Default,,0,0,0,,quiet scenes to coincide\Nwith the somber passages,
Dialogue: 0,0:01:04.69,0:01:07.10,Default,,0,0,0,,and scenes of violence\Nto synchronize
Dialogue: 0,0:01:07.13,0:01:09.06,Default,,0,0,0,,with the noisier sections.
Dialogue: 0,0:01:10.40,0:01:13.74,Default,,0,0,0,,Finally, we garnish\Nthis potpourri with a title
Dialogue: 0,0:01:13.77,0:01:17.07,Default,,0,0,0,,composed of from\None to four words,
Dialogue: 0,0:01:17.11,0:01:20.94,Default,,0,0,0,,selected because they are\Neye-catching and provocative.
Dialogue: 0,0:01:20.98,0:01:23.45,Default,,0,0,0,,And we arrange them\Nin a manner designed
Dialogue: 0,0:01:23.48,0:01:27.08,Default,,0,0,0,,to titillate and confuse.
Dialogue: 0,0:01:27.08,0:01:29.72,Default,,0,0,0,,Let me show you\Nwhat one of our stories\Nsounds like
Dialogue: 0,0:01:29.75,0:01:30.79,Default,,0,0,0,,before it is written.
Dialogue: 0,0:01:32.92,0:01:33.69,Default,,0,0,0,,(TAPPING BATON)
Dialogue: 0,0:01:35.22,0:01:36.19,Default,,0,0,0,,(WOMAN SCREAMING)
Dialogue: 0,0:01:36.22,0:01:38.66,Default,,0,0,0,,(GUN FIRING)
Dialogue: 0,0:01:38.69,0:01:40.76,Default,,0,0,0,,(ALARM RINGING)
Dialogue: 0,0:01:40.80,0:01:42.36,Default,,0,0,0,,(GUN FIRING)

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Collisions: Normal
PlayResX: 1404
PlayResY: 1074
Timer: 100.0
WrapStyle: 0

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.63,0:00:06.63,Default,,0,0,0,,(Guonod's "Funeral March\Nof a Marionette" * )
Dialogue: 0,0:00:27.06,0:00:28.26,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:29.39,0:00:33.09,Default,,0,0,0,,Tonight, we offer you\Na generous portion of mystery,
Dialogue: 0,0:00:33.13,0:00:36.03,Default,,0,0,0,,a pinch of comedy,
Dialogue: 0,0:00:36.06,0:00:38.63,Default,,0,0,0,,just a soupcon\Nof a commercial,
Dialogue: 0,0:00:38.67,0:00:44.27,Default,,0,0,0,,all seasoned by a few\Nirrelevant comments\Nfrom your host.
Dialogue: 0,0:00:44.31,0:00:47.78,Default,,0,0,0,,As you may know,\Nfood is a hobby of mine.
Dialogue: 0,0:00:47.81,0:00:50.15,Default,,0,0,0,,I don't claim to be\Nan expert cook,
Dialogue: 0,0:00:50.18,0:00:53.11,Default,,0,0,0,,but I am rather a good eater.
Dialogue: 0,0:00:53.15,0:00:55.92,Default,,0,0,0,,If you will wander\Ninto my kitchen,
Dialogue: 0,0:00:55.95,0:01:02.12,Default,,0,0,0,,I'll allow you to watch me\Nas I concoct some delicacy\Nto tempt your palate.
Dialogue: 0,0:01:02.16,0:01:05.66,Default,,0,0,0,,I cannot abide\Ncareless cookery.
Dialogue: 0,0:01:05.69,0:01:08.86,Default,,0,0,0,,Let me see. I've...
Dialogue: 0,0:01:09.76,0:01:14.10,Default,,0,0,0,,I've just added\N10 cc's of sugar.
Dialogue: 0,0:01:14.14,0:01:18.27,Default,,0,0,0,,All that is left is to add\Nthe white of one egg.
Dialogue: 0,0:01:18.31,0:01:20.61,Default,,0,0,0,,And by the white,\NI do not refer
Dialogue: 0,0:01:20.64,0:01:24.11,Default,,0,0,0,,to the clear gelatinous\Nsubstance inside.
Dialogue: 0,0:01:24.15,0:01:27.58,Default,,0,0,0,,Naturally, I mean the shell.
Dialogue: 0,0:01:27.62,0:01:31.55,Default,,0,0,0,,This is where most\Namateur cooks make\Ntheir mistakes.
Dialogue: 0,0:01:31.59,0:01:33.72,Default,,0,0,0,,While you are waiting\Nfor me to finish,
Dialogue: 0,0:01:33.76,0:01:36.52,Default,,0,0,0,,I suggest you turn\Nyour attention
Dialogue: 0,0:01:36.56,0:01:38.43,Default,,0,0,0,,to tonight's story.
Dialogue: 0,0:01:38.46,0:01:40.13,Default,,0,0,0,,It is called,
Dialogue: 0,0:01:40.16,0:01:44.47,Default,,0,0,0,,"Conversation Over A Corpse."
Dialogue: 0,0:01:44.50,0:01:48.60,Default,,0,0,0,,It sounds like perfect\Ndinner conversation.
Dialogue: 0,0:02:05.39,0:02:08.29,Default,,0,0,0,,(HUMMING A TUNE)

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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.63,0:00:09.40,Default,,0,0,0,,* [Charles Gounod:\N"Funeral March of a Marionette"]
Dialogue: 0,0:00:32.16,0:00:34.60,Default,,0,0,0,,Oh, good evening, onlookers.
Dialogue: 0,0:00:34.63,0:00:38.80,Default,,0,0,0,,I seem to be stuck.\NI don't suppose you see\Na place for a red seven.
Dialogue: 0,0:00:38.83,0:00:41.44,Default,,0,0,0,,No, of course not.\NThis program isn't in color.
Dialogue: 0,0:00:43.81,0:00:46.21,Default,,0,0,0,,That's right. You can't\Ndistinguish colors, can you?
Dialogue: 0,0:00:47.98,0:00:50.25,Default,,0,0,0,,There's nothing\Nto winning, really.
Dialogue: 0,0:00:50.28,0:00:52.91,Default,,0,0,0,,That is, if you happen\Nto be blessed with a keen eye,
Dialogue: 0,0:00:52.95,0:00:56.12,Default,,0,0,0,,an agile mind\Nand no scruples whatsoever.
Dialogue: 0,0:00:56.15,0:00:59.05,Default,,0,0,0,,Tonight's play is called\N"The Crack of Doom."
Dialogue: 0,0:00:59.09,0:01:00.72,Default,,0,0,0,,As the title suggests,
Dialogue: 0,0:01:00.76,0:01:04.53,Default,,0,0,0,,"The Crack of Doom" is a story\Nabout Mason Bridges,
Dialogue: 0,0:01:04.56,0:01:07.06,Default,,0,0,0,,his wife, Jessie,\Nhis secretary, Della,
Dialogue: 0,0:01:07.06,0:01:10.07,Default,,0,0,0,,his friends, Tom Ackley\Nand Sam Clinker.
Dialogue: 0,0:01:10.10,0:01:14.24,Default,,0,0,0,,And it begins in the club car\Nof a New York-Chicago\Nstreamliner.
Dialogue: 0,0:01:31.52,0:01:33.36,Default,,0,0,0,,(TRAIN HORN BLOWING)
Dialogue: 0,0:01:42.76,0:01:45.27,Default,,0,0,0,,Can I get you a fresh one,\NMason?
Dialogue: 0,0:01:45.30,0:01:46.50,Default,,0,0,0,,No thanks.
Dialogue: 0,0:01:47.50,0:01:49.00,Default,,0,0,0,,Pass the word, boys.\NWhat's up?
Dialogue: 0,0:01:50.24,0:01:52.37,Default,,0,0,0,,Compartment B, next car.
Dialogue: 0,0:01:52.41,0:01:54.94,Default,,0,0,0,,Anyone who can\Ntell the difference between\Nan ace and a deuce is welcome.
Dialogue: 0,0:01:54.98,0:01:57.95,Default,,0,0,0,,I'm a purist.\NFive card stud or nothing.
Dialogue: 0,0:01:57.98,0:01:59.21,Default,,0,0,0,,A lamb to the slaughter.
Dialogue: 0,0:02:00.35,0:02:04.05,Default,,0,0,0,,We'll need one more to make\Na good seven-handed game.
Dialogue: 0,0:02:04.05,0:02:05.52,Default,,0,0,0,,TOM:\NWhat do you say, Mason?
Dialogue: 0,0:02:05.55,0:02:08.82,Default,,0,0,0,,No. Thanks,\Nbut I don't play poker.
Dialogue: 0,0:02:10.83,0:02:12.53,Default,,0,0,0,,It's only a fifty cent limit.

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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.63,0:00:08.70,Default,,0,0,0,,* [Charles Gounod:\N"Funeral March of a Marionette"]
Dialogue: 0,0:00:27.59,0:00:28.62,Default,,0,0,0,,Hiya.
Dialogue: 0,0:00:29.46,0:00:31.26,Default,,0,0,0,,I'm not Hitchcock.
Dialogue: 0,0:00:31.29,0:00:34.23,Default,,0,0,0,,I'm Alfred, his stand-in.
Dialogue: 0,0:00:34.26,0:00:36.40,Default,,0,0,0,,Someone has to stand here\Nwhile the lights\Nand the cameras
Dialogue: 0,0:00:36.43,0:00:38.83,Default,,0,0,0,,are adjusted\Nand all that stuff, see?
Dialogue: 0,0:00:38.87,0:00:41.10,Default,,0,0,0,,And the old boy\Njust don't have the time.
Dialogue: 0,0:00:41.14,0:00:43.94,Default,,0,0,0,,I got the job\N'cause I look like him.
Dialogue: 0,0:00:43.97,0:00:46.11,Default,,0,0,0,,That's what they say,\Nbut not to my face.
Dialogue: 0,0:00:47.94,0:00:49.48,Default,,0,0,0,,I see they're rolling him in.
Dialogue: 0,0:00:51.05,0:00:53.08,Default,,0,0,0,,You suppose\NI'll look like that\Nwhen I'm his age?
Dialogue: 0,0:00:54.65,0:00:56.15,Default,,0,0,0,,That will be all, Alfred.
Dialogue: 0,0:00:57.02,0:00:59.59,Default,,0,0,0,,{\i1}Arrivederci,{\i0}daddy-o.
Dialogue: 0,0:01:00.52,0:01:02.56,Default,,0,0,0,,Cheeky fellow, isn't he?
Dialogue: 0,0:01:02.59,0:01:06.53,Default,,0,0,0,,Unfortunately, he may soon be\Nmore than a stand-in.
Dialogue: 0,0:01:06.56,0:01:10.13,Default,,0,0,0,,We are planning to send out\Na second company to tour\Nthe provinces,
Dialogue: 0,0:01:10.17,0:01:12.83,Default,,0,0,0,,and Alfred will play my part.
Dialogue: 0,0:01:12.87,0:01:15.80,Default,,0,0,0,,Which brings us to\Ntonight's thrilling shocker.
Dialogue: 0,0:01:15.84,0:01:17.54,Default,,0,0,0,,It is called "Jonathan".
Dialogue: 0,0:01:35.22,0:01:38.56,Default,,0,0,0,,GIL: {\i1}Everything Jonathan{\i0}\N{\i1}ever told me I remember.{\i0}
Dialogue: 0,0:01:38.59,0:01:41.73,Default,,0,0,0,,{\i1}Even what he said{\i0}\N{\i1}about the water{\i0}\N{\i1}in the boathouse.{\i0}
Dialogue: 0,0:01:41.76,0:01:47.37,Default,,0,0,0,,{\i1}Was I five or six{\i0}\N{\i1}when I asked him about Mother?{\i0}
Dialogue: 0,0:01:47.40,0:01:52.31,Default,,0,0,0,,{\i1}"The waves," he said.{\i0}\N{\i1}"Your mother's dying{\i0}\N{\i1}was like the waves.{\i0}
Dialogue: 0,0:01:52.34,0:01:54.91,Default,,0,0,0,,{\i1}"Drawn away by a tide,{\i0}
Dialogue: 0,0:01:54.94,0:01:57.35,Default,,0,0,0,,{\i1}"no longer{\i0}\N{\i1}an individual wave,{\i0}
Dialogue: 0,0:01:57.38,0:02:00.15,Default,,0,0,0,,{\i1}"but once again{\i0}\N{\i1}a part of a total surface."{\i0}

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Collisions: Normal
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Timer: 100.0
WrapStyle: 0

[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:25.52,0:00:28.59,Default,,0,0,0,,Good evening,\Nladies and gentlemen.
Dialogue: 0,0:00:28.62,0:00:31.46,Default,,0,0,0,,A special word to those of you\Nwho have been arrested
Dialogue: 0,0:00:31.49,0:00:34.66,Default,,0,0,0,,while speeding home\Nto see this show.
Dialogue: 0,0:00:34.70,0:00:37.80,Default,,0,0,0,,I can do nothing\Nto bail you out.
Dialogue: 0,0:00:37.83,0:00:42.14,Default,,0,0,0,,And I'm afraid the magistrate\Nis only slightly in my debt.
Dialogue: 0,0:00:42.17,0:00:44.17,Default,,0,0,0,,I shall, however,\Ndo everything I can
Dialogue: 0,0:00:44.21,0:00:46.68,Default,,0,0,0,,to make you\Nforget your troubles.
Dialogue: 0,0:00:46.71,0:00:49.51,Default,,0,0,0,,Tonight's narrative\Nis about gangsters.
Dialogue: 0,0:00:50.75,0:00:53.08,Default,,0,0,0,,And I thought I'd best
Dialogue: 0,0:00:53.82,0:00:55.52,Default,,0,0,0,,test some of the props.
Dialogue: 0,0:00:59.52,0:01:00.66,Default,,0,0,0,,(PIANO KEYS STRIKING)
Dialogue: 0,0:01:01.89,0:01:02.82,Default,,0,0,0,,(PIANO KEYS STRIKING)
Dialogue: 0,0:01:05.96,0:01:08.40,Default,,0,0,0,,I would like to play\N{\i1}The Flight of the Bumblebee.{\i0}
Dialogue: 0,0:01:09.93,0:01:11.37,Default,,0,0,0,,But we must get on\Nwith the show.
Dialogue: 0,0:01:45.80,0:01:46.67,Default,,0,0,0,,Uh...
Dialogue: 0,0:02:02.82,0:02:03.69,Default,,0,0,0,,King?
Dialogue: 0,0:02:04.22,0:02:05.29,Default,,0,0,0,,Yes?
Dialogue: 0,0:02:05.32,0:02:06.52,Default,,0,0,0,,Cutter's here again.
Dialogue: 0,0:02:06.55,0:02:07.89,Default,,0,0,0,,Well, have him come in.
Dialogue: 0,0:02:07.92,0:02:10.66,Default,,0,0,0,,Honest, boss, is that jerk\Nreally an eye?
Dialogue: 0,0:02:10.69,0:02:12.53,Default,,0,0,0,,He's one of the best\Nin town.
Dialogue: 0,0:02:12.56,0:02:15.60,Default,,0,0,0,,He just don't look bright\Nenough to tail anybody.
Dialogue: 0,0:02:15.63,0:02:18.27,Default,,0,0,0,,Look, if I want your ideas,\NI'll ask for them.
Dialogue: 0,0:02:18.30,0:02:20.07,Default,,0,0,0,,In the meantime,\Ntell him to come in.
Dialogue: 0,0:02:20.07,0:02:21.07,Default,,0,0,0,,Okay, boss.
Dialogue: 0,0:02:25.61,0:02:26.64,Default,,0,0,0,,BALDY: Come on in.

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[V4+ Styles]
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Style: Default,sans-serif,71,&H00FFFFFF,&H00FFFFFF,&H000F0F0F,&H000F0F0F,0,0,0,0,100,100,0,0.00,1,2,3,2,20,20,20,0

[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:39.80,0:00:43.07,Default,,0,0,0,,Oh, good evening, friends,\NRomans and countrymen.
Dialogue: 0,0:00:44.14,0:00:46.68,Default,,0,0,0,,I've just unearthed\Nsome items
Dialogue: 0,0:00:46.71,0:00:49.04,Default,,0,0,0,,which may be of vast\Narchaeological importance.
Dialogue: 0,0:00:53.01,0:00:54.22,Default,,0,0,0,,Two fig leaves.
Dialogue: 0,0:00:56.95,0:00:58.35,Default,,0,0,0,,And a half eaten apple.
Dialogue: 0,0:01:00.19,0:01:03.36,Default,,0,0,0,,Tonight's play\Nis not about fig leaves,
Dialogue: 0,0:01:03.39,0:01:06.29,Default,,0,0,0,,but it does have\Na scene in a garden.
Dialogue: 0,0:01:06.33,0:01:09.23,Default,,0,0,0,,It is called\N"The Rose Garden."
Dialogue: 0,0:01:09.26,0:01:13.34,Default,,0,0,0,,And it's concerned\Nwith two elderly sisters
Dialogue: 0,0:01:13.37,0:01:16.40,Default,,0,0,0,,in a magnolia scented house\Nin Louisiana.
Dialogue: 0,0:01:42.00,0:01:43.87,Default,,0,0,0,,You say you come\Nall the way\Nfrom New York
Dialogue: 0,0:01:43.90,0:01:46.30,Default,,0,0,0,,to see Miss Julia\Non business?
Dialogue: 0,0:01:46.33,0:01:48.64,Default,,0,0,0,,You sure\Nyou ain't got them mixed up?
Dialogue: 0,0:01:48.67,0:01:51.11,Default,,0,0,0,,You didn't come\Nto see Miss Cordelia?
Dialogue: 0,0:01:51.11,0:01:52.81,Default,,0,0,0,,No, who is Miss Cordelia?
Dialogue: 0,0:01:52.84,0:01:54.74,Default,,0,0,0,,She's Miss Julia's sister.
Dialogue: 0,0:01:54.78,0:01:57.71,Default,,0,0,0,,Why, she even tell Miss Julia\Nwhat to eat for breakfast.
Dialogue: 0,0:01:57.75,0:01:59.28,Default,,0,0,0,,That's why\NI was kind of surprised
Dialogue: 0,0:01:59.31,0:02:00.68,Default,,0,0,0,,that Miss Julia\Ngot any business
Dialogue: 0,0:02:00.72,0:02:02.38,Default,,0,0,0,,that Miss Cordelia\Nain't in charge of.
Dialogue: 0,0:02:02.42,0:02:04.09,Default,,0,0,0,,Well, Miss Julia\Nhas written a book
Dialogue: 0,0:02:04.12,0:02:05.39,Default,,0,0,0,,which my firm\Nis going to publish.
Dialogue: 0,0:02:05.42,0:02:06.65,Default,,0,0,0,,As far as I know,
Dialogue: 0,0:02:06.69,0:02:08.19,Default,,0,0,0,,it has nothing to do\Nwith Miss Cordelia.
Dialogue: 0,0:02:08.22,0:02:11.26,Default,,0,0,0,,Well, I declare.\NA book, huh?
Dialogue: 0,0:02:11.29,0:02:13.76,Default,,0,0,0,,Miss Julia never had a chance\Nto say nothing.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.06,0:00:30.13,Default,,0,0,0,,Good evening, friends.
Dialogue: 0,0:00:30.16,0:00:34.46,Default,,0,0,0,,Would you all\Nplease examine the tops\Nof your television sets,
Dialogue: 0,0:00:34.50,0:00:37.73,Default,,0,0,0,,and see if one of you\Ndoesn't find a goldfish bowl\Nwith a crack in it?
Dialogue: 0,0:00:41.00,0:00:42.70,Default,,0,0,0,,Thank you.
Dialogue: 0,0:00:42.74,0:00:46.61,Default,,0,0,0,,By the way,\NI've been asked to announce
Dialogue: 0,0:00:46.64,0:00:50.65,Default,,0,0,0,,that some of you\Nare missing this program\Nunnecessarily.
Dialogue: 0,0:00:50.68,0:00:54.32,Default,,0,0,0,,You have moved\Nand not kept us informed\Nof your address.
Dialogue: 0,0:00:54.35,0:00:56.92,Default,,0,0,0,,So we don't know\Nwhere to send the show to you.
Dialogue: 0,0:00:56.95,0:00:59.89,Default,,0,0,0,,I hope you'll take care\Nof that matter at once.
Dialogue: 0,0:00:59.92,0:01:03.83,Default,,0,0,0,,Tonight, we are presenting\Na tale of mystery\Nand intrigue,
Dialogue: 0,0:01:03.86,0:01:06.39,Default,,0,0,0,,laid in middle-class suburbia.
Dialogue: 0,0:01:06.43,0:01:10.30,Default,,0,0,0,,It is called\N"Mr. Blanchard's Secret."
Dialogue: 0,0:01:10.33,0:01:13.37,Default,,0,0,0,,I realize this doesn't\Ntell you much about the story,
Dialogue: 0,0:01:13.40,0:01:16.91,Default,,0,0,0,,but several fine actors\Nhave been hired to do that,
Dialogue: 0,0:01:16.94,0:01:19.14,Default,,0,0,0,,and I would hate to rob them\Nof the privilege.
Dialogue: 0,0:01:19.17,0:01:21.51,Default,,0,0,0,,And so, without further ado,
Dialogue: 0,0:01:21.54,0:01:24.35,Default,,0,0,0,,we reveal\NMr. Blanchard's secret.
Dialogue: 0,0:01:46.47,0:01:48.10,Default,,0,0,0,,BABS: {\i1}Poor woman.{\i0}
Dialogue: 0,0:01:48.14,0:01:50.37,Default,,0,0,0,,{\i1}It's a shame I had to{\i0}\N{\i1}kill her off that way.{\i0}
Dialogue: 0,0:01:50.41,0:01:53.44,Default,,0,0,0,,{\i1}A psychiatrist would{\i0}\N{\i1}probably say that I had{\i0}
Dialogue: 0,0:01:53.48,0:01:55.94,Default,,0,0,0,,{\i1}some hidden homicidal{\i0}\N{\i1}tendencies or something.{\i0}
Dialogue: 0,0:01:57.38,0:01:58.98,Default,,0,0,0,,{\i1}Who knows?{\i0}
Dialogue: 0,0:01:59.01,0:02:02.28,Default,,0,0,0,,{\i1}If I didn't{\i0}\N{\i1}get it off my chest{\i0}\N{\i1}by writing mystery stories,{\i0}
Dialogue: 0,0:02:02.32,0:02:05.12,Default,,0,0,0,,{\i1}I might end up by committing{\i0}\N{\i1}a few murders myself.{\i0}
Dialogue: 0,0:02:05.82,0:02:07.86,Default,,0,0,0,,{\i1}Phew!{\i0}
Dialogue: 0,0:02:07.89,0:02:09.82,Default,,0,0,0,,{\i1}I'm glad it worked out{\i0}\N{\i1}this way, of course.{\i0}

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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.30,0:00:08.14,Default,,0,0,0,,* [Charles Gounod:\N"Funeral March of a Marionette"]
Dialogue: 0,0:00:27.12,0:00:32.29,Default,,0,0,0,,Good evening, and welcome\Nto {\i1}Alfred Hitchcock Presents.{\i0}
Dialogue: 0,0:00:36.97,0:00:38.27,Default,,0,0,0,,Thank you.
Dialogue: 0,0:00:41.77,0:00:43.84,Default,,0,0,0,,See you next year.
Dialogue: 0,0:00:45.24,0:00:47.01,Default,,0,0,0,,We thought\Nyou'd like to see this.
Dialogue: 0,0:00:47.04,0:00:49.81,Default,,0,0,0,,So many of you\Nhave expressed an interest
Dialogue: 0,0:00:49.84,0:00:52.15,Default,,0,0,0,,in knowing how I was paid.
Dialogue: 0,0:00:52.18,0:00:55.28,Default,,0,0,0,,Now I can afford\Nto go back to my diet.
Dialogue: 0,0:00:55.32,0:00:58.39,Default,,0,0,0,,Tonight's play\Nis about a body.
Dialogue: 0,0:00:59.45,0:01:01.26,Default,,0,0,0,,Not mine.
Dialogue: 0,0:01:01.29,0:01:03.46,Default,,0,0,0,,However, the title is
Dialogue: 0,0:01:03.49,0:01:05.26,Default,,0,0,0,,"John Brown's Body."
Dialogue: 0,0:01:24.18,0:01:28.45,Default,,0,0,0,,In my opinion, John,\Nthis is the type of furniture\Nwe should be making.
Dialogue: 0,0:01:28.48,0:01:29.62,Default,,0,0,0,,Remarkable.
Dialogue: 0,0:01:30.62,0:01:32.32,Default,,0,0,0,,What is it?
Dialogue: 0,0:01:32.35,0:01:33.69,Default,,0,0,0,,It's a chair,
Dialogue: 0,0:01:33.72,0:01:35.36,Default,,0,0,0,,made out of\Nwrought iron and plastic.
Dialogue: 0,0:01:35.39,0:01:37.36,Default,,0,0,0,,It's the latest\Nmodern design.
Dialogue: 0,0:01:37.39,0:01:39.16,Default,,0,0,0,,And this, Harold?
Dialogue: 0,0:01:39.19,0:01:42.56,Default,,0,0,0,,That's a copy\Nof a new Swedish\Nreversible sofa.
Dialogue: 0,0:01:42.60,0:01:44.80,Default,,0,0,0,,Hmm. Does\Na set of instructions\Ngo with them?
Dialogue: 0,0:01:44.83,0:01:46.50,Default,,0,0,0,,I'd be afraid to\Nget into that thing.
Dialogue: 0,0:01:46.53,0:01:49.24,Default,,0,0,0,,Unfortunately, John,\Nour customers are not\Nquite so old-fashioned.
Dialogue: 0,0:01:49.27,0:01:51.57,Default,,0,0,0,,The public is demanding\Nmodern furniture now.
Dialogue: 0,0:01:51.61,0:01:52.77,Default,,0,0,0,,Take this sofa.
Dialogue: 0,0:01:52.81,0:01:55.58,Default,,0,0,0,,My boy,\Nthat is not a sofa.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:28.82,0:00:29.99,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:30.03,0:00:31.33,Default,,0,0,0,,MAN: {\i1}Good evening.{\i0}
Dialogue: 0,0:00:33.93,0:00:35.23,Default,,0,0,0,,(WHISPERING) Good evening.
Dialogue: 0,0:00:41.97,0:00:46.78,Default,,0,0,0,,Certain parties\Nhave been objecting\Nto my candid remarks.
Dialogue: 0,0:00:46.81,0:00:50.85,Default,,0,0,0,,So, I'm doing tonight's show\Nfrom this sealed chamber.
Dialogue: 0,0:00:50.88,0:00:53.01,Default,,0,0,0,,It's as quiet as a tomb.
Dialogue: 0,0:00:53.78,0:00:55.42,Default,,0,0,0,,Which is not surprising...
Dialogue: 0,0:00:55.45,0:00:56.99,Default,,0,0,0,,MAN: {\i1}Good evening.{\i0}
Dialogue: 0,0:00:57.02,0:00:58.75,Default,,0,0,0,,...since it was the only type\Nof structure available\Nthat suited our...
Dialogue: 0,0:00:58.79,0:01:03.06,Default,,0,0,0,,MAN: {\i1}Certain parties{\i0}\N{\i1}have been objecting{\i0}\N{\i1}to my candid remarks.{\i0}
Dialogue: 0,0:01:03.06,0:01:06.63,Default,,0,0,0,,{\i1}So, I am doing tonight's show{\i0}\N{\i1}from this sealed chamber.{\i0}
Dialogue: 0,0:01:10.07,0:01:12.07,Default,,0,0,0,,{\i1}Which is not surprising.{\i0}
Dialogue: 0,0:01:12.97,0:01:14.84,Default,,0,0,0,,Are you quite finished?
Dialogue: 0,0:01:18.07,0:01:19.77,Default,,0,0,0,,Here, in a moment,\Nis tonight's play.
Dialogue: 0,0:01:19.81,0:01:21.48,Default,,0,0,0,,It is entitled "Crackpot."
Dialogue: 0,0:01:21.51,0:01:22.84,Default,,0,0,0,,MAN: {\i1}Are you quite finished?{\i0}
Dialogue: 0,0:01:54.91,0:01:56.44,Default,,0,0,0,,(CLATTERING)
Dialogue: 0,0:01:57.58,0:01:59.88,Default,,0,0,0,,RAY: Oh, what about\Nthat, huh?
Dialogue: 0,0:01:59.91,0:02:01.62,Default,,0,0,0,,What about what?
Dialogue: 0,0:02:01.65,0:02:04.05,Default,,0,0,0,,You get a honeymoon\Nonce in your life,
Dialogue: 0,0:02:04.05,0:02:06.05,Default,,0,0,0,,and I have to get\Na flat tire.
Dialogue: 0,0:02:06.82,0:02:09.19,Default,,0,0,0,,Do you mean me, darling?
Dialogue: 0,0:02:09.22,0:02:11.76,Default,,0,0,0,,No, I'll be...\NI'm almost through, here.
Dialogue: 0,0:02:11.79,0:02:15.46,Default,,0,0,0,,You know, they say\Nyou learn a lot about people\Nwatching them under pressure.
Dialogue: 0,0:02:15.50,0:02:17.60,Default,,0,0,0,,I've had a wonderful day\Nlearning about you.
Dialogue: 0,0:02:17.63,0:02:20.27,Default,,0,0,0,,What did you learn about me\Nthat you didn't already know?

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.15,0:00:28.06,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:28.09,0:00:33.46,Default,,0,0,0,,Tonight's play is entitled,\N"Nightmare in 4-D."
Dialogue: 0,0:00:33.50,0:00:36.97,Default,,0,0,0,,It will be presented in only\Ntwo dimensions, however.
Dialogue: 0,0:00:37.00,0:00:39.27,Default,,0,0,0,,We could present it in 3-D.
Dialogue: 0,0:00:39.30,0:00:41.30,Default,,0,0,0,,In fact, we did in America,
Dialogue: 0,0:00:41.34,0:00:43.74,Default,,0,0,0,,but the viewers\Nkept getting involved
Dialogue: 0,0:00:43.77,0:00:48.58,Default,,0,0,0,,and during one of\Nthe more violent scenes,\Nwe lost half our audience.
Dialogue: 0,0:00:48.61,0:00:51.25,Default,,0,0,0,,We wouldn't want that\Nto happen here.
Dialogue: 0,0:00:51.28,0:00:55.78,Default,,0,0,0,,In this case, 4-D indicates\Nthe number of an apartment.
Dialogue: 0,0:00:55.82,0:01:01.66,Default,,0,0,0,,And "Nightmare in 4-D"\Nconcerns the goings-on\Nin that apartment.
Dialogue: 0,0:01:01.69,0:01:05.26,Default,,0,0,0,,The goings-on will begin\Ngoing on in just a moment.
Dialogue: 0,0:01:37.69,0:01:38.83,Default,,0,0,0,,Oh, darn!
Dialogue: 0,0:01:38.86,0:01:40.33,Default,,0,0,0,,Hold it! Hold it!
Dialogue: 0,0:01:41.66,0:01:43.93,Default,,0,0,0,,I got it.\NAll right. All right.
Dialogue: 0,0:01:43.97,0:01:45.90,Default,,0,0,0,,Oh, thank you.\NThank you, Mr. Parker.
Dialogue: 0,0:01:45.93,0:01:48.10,Default,,0,0,0,,You're a lifesaver.\NGive me that one.
Dialogue: 0,0:01:48.10,0:01:49.74,Default,,0,0,0,,No, no,\NI can manage this one.
Dialogue: 0,0:01:49.77,0:01:51.24,Default,,0,0,0,,Oh, that's much\Ntoo heavy for you.
Dialogue: 0,0:01:51.27,0:01:52.37,Default,,0,0,0,,Well,\Nlet me get the elevator.
Dialogue: 0,0:01:52.41,0:01:53.51,Default,,0,0,0,,No, no,\NI'll get that, too.
Dialogue: 0,0:01:55.94,0:01:57.68,Default,,0,0,0,,I don't know how you do it.
Dialogue: 0,0:01:57.71,0:01:59.95,Default,,0,0,0,,Oh, it's nothing\Nfor an old cliff dweller.
Dialogue: 0,0:02:00.05,0:02:01.58,Default,,0,0,0,,Say, Miss Elliott,
Dialogue: 0,0:02:01.62,0:02:04.15,Default,,0,0,0,,I haven't\Nseen you around lately.\NMust be two weeks now.
Dialogue: 0,0:02:04.19,0:02:05.79,Default,,0,0,0,,Well, didn't I tell you?
Dialogue: 0,0:02:05.82,0:02:08.06,Default,,0,0,0,,I got my first break,\Na Broadway musical.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.76,0:00:28.66,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:28.69,0:00:33.26,Default,,0,0,0,,I firmly believe that everyone\Nshould indulge now and then
Dialogue: 0,0:00:33.29,0:00:37.17,Default,,0,0,0,,in some form\Nof athletic sport,\Ndon't you?
Dialogue: 0,0:00:37.20,0:00:40.50,Default,,0,0,0,,Personally, I don't\Nrequire much exercise,
Dialogue: 0,0:00:40.54,0:00:44.34,Default,,0,0,0,,since I lead\Na very Spartan existence.
Dialogue: 0,0:00:44.37,0:00:48.41,Default,,0,0,0,,But when I do,\NI find my needs are\Nadequately filled
Dialogue: 0,0:00:48.44,0:00:51.35,Default,,0,0,0,,by such sports as riding
Dialogue: 0,0:00:51.38,0:00:54.38,Default,,0,0,0,,or reading\Nthe less violent portions\Nof the Sunday papers.
Dialogue: 0,0:00:56.38,0:01:00.42,Default,,0,0,0,,Of course, for a true test\Nof bodily coordination,
Dialogue: 0,0:01:00.46,0:01:05.29,Default,,0,0,0,,I think there's nothing better\Nthan lying in a hammock,
Dialogue: 0,0:01:05.33,0:01:07.93,Default,,0,0,0,,but I suppose that would\Nonly appeal to those of you
Dialogue: 0,0:01:07.96,0:01:10.27,Default,,0,0,0,,who enjoy living dangerously.
Dialogue: 0,0:01:11.40,0:01:14.40,Default,,0,0,0,,As for tonight's play,\Nit is called
Dialogue: 0,0:01:14.44,0:01:16.87,Default,,0,0,0,,"My Brother, Richard"
Dialogue: 0,0:01:16.91,0:01:18.97,Default,,0,0,0,,and it begins\Nin a country club.
Dialogue: 0,0:01:19.67,0:01:21.28,Default,,0,0,0,,By the way,
Dialogue: 0,0:01:21.31,0:01:25.08,Default,,0,0,0,,golf is one game\NI've never cared much for.
Dialogue: 0,0:01:25.91,0:01:28.75,Default,,0,0,0,,I don't like the paperwork.
Dialogue: 0,0:01:28.78,0:01:32.92,Default,,0,0,0,,I find adding up my strokes\Ntoo fatiguing.
Dialogue: 0,0:01:51.17,0:01:53.68,Default,,0,0,0,,(HUMMING)
Dialogue: 0,0:02:25.17,0:02:27.08,Default,,0,0,0,,If you keep stuffing papers\Nin that case, Martin,
Dialogue: 0,0:02:27.11,0:02:30.08,Default,,0,0,0,,you won't have room\Nfor a clean shirt.
Dialogue: 0,0:02:30.11,0:02:32.95,Default,,0,0,0,,It's just the notes\Nfor tonight's speech, hon.
Dialogue: 0,0:02:32.98,0:02:35.95,Default,,0,0,0,,You can't expect me\Nto ad-lib my way into\Nthe Governor's mansion.
Dialogue: 0,0:02:35.98,0:02:38.65,Default,,0,0,0,,Isn't that how you became\Ndistrict attorney?
Dialogue: 0,0:02:38.69,0:02:40.52,Default,,0,0,0,,A little more\Nrespect, please.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:02.30,0:00:07.07,Default,,0,0,0,,* [Charles Gounod:\N"Funeral March of a Marionette"]
Dialogue: 0,0:00:26.39,0:00:29.09,Default,,0,0,0,,Good evening,\Nladies and gentlemen
Dialogue: 0,0:00:29.12,0:00:31.69,Default,,0,0,0,,and television fans all over
Dialogue: 0,0:00:31.73,0:00:34.63,Default,,0,0,0,,the living room floor.
Dialogue: 0,0:00:34.66,0:00:37.73,Default,,0,0,0,,Tonight's drama is called\N"The Manacled,"
Dialogue: 0,0:00:37.77,0:00:43.00,Default,,0,0,0,,and features\Na pair of these attractive\Nand useful charm bracelets.
Dialogue: 0,0:00:43.04,0:00:45.01,Default,,0,0,0,,These, of course,\Nare stage handcuffs
Dialogue: 0,0:00:46.11,0:00:48.98,Default,,0,0,0,,especially made so that\None can easily get out.
Dialogue: 0,0:00:50.18,0:00:52.45,Default,,0,0,0,,Of course, as you may know,
Dialogue: 0,0:00:52.48,0:00:56.58,Default,,0,0,0,,these little trinkets\Nare not only used\Nto cuff hands,
Dialogue: 0,0:00:56.62,0:00:59.19,Default,,0,0,0,,they work very well on legs.\N{\i1}Regardez.{\i0}
Dialogue: 0,0:01:07.06,0:01:10.33,Default,,0,0,0,,While I'm getting out of this,\Nperhaps we better begin\Nour play.
Dialogue: 0,0:01:10.37,0:01:12.63,Default,,0,0,0,,Ladies and gentlemen,\N"The Manacled."
Dialogue: 0,0:01:32.75,0:01:37.13,Default,,0,0,0,,MAN ON P.A. SYSTEM:\N{\i1}Announcing the departure{\i0}\N{\i1}of northbound train 146{\i0}
Dialogue: 0,0:01:37.16,0:01:42.26,Default,,0,0,0,,{\i1}for Bakersfield, Tulare,{\i0}\N{\i1}Fresno, Merced,{\i0}
Dialogue: 0,0:01:42.30,0:01:44.60,Default,,0,0,0,,{\i1}Martinez, Richmond,{\i0}
Dialogue: 0,0:01:44.63,0:01:47.10,Default,,0,0,0,,{\i1}Berkeley and Oakland.{\i0}
Dialogue: 0,0:01:47.10,0:01:50.34,Default,,0,0,0,,{\i1}Now boarding{\i0}\N{\i1}on track number three.{\i0}
Dialogue: 0,0:01:50.37,0:01:52.27,Default,,0,0,0,,(PEOPLE CHATTERING)
Dialogue: 0,0:01:57.38,0:01:59.55,Default,,0,0,0,,Coffee now?
Dialogue: 0,0:01:59.58,0:02:01.95,Default,,0,0,0,,No rush, my dear.\NNo rush at all.\NTake your time.
Dialogue: 0,0:02:02.05,0:02:04.65,Default,,0,0,0,,Now, miss. And black.
Dialogue: 0,0:02:04.69,0:02:06.89,Default,,0,0,0,,And there, my friend,\Nyou will put your finger
Dialogue: 0,0:02:06.92,0:02:09.32,Default,,0,0,0,,on the core of\Nthe world's trouble today.
Dialogue: 0,0:02:09.36,0:02:11.63,Default,,0,0,0,,No time for cream\Nin one's coffee.
Dialogue: 0,0:02:12.73,0:02:15.06,Default,,0,0,0,,What a pity it's dark out,\Nhuh?

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:04.30,0:00:09.90,Default,,0,0,0,,* [Charles Gounod:\N"Funeral March of a Marionette"]
Dialogue: 0,0:00:29.26,0:00:31.59,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:31.63,0:00:36.16,Default,,0,0,0,,I came down here\Nbecause I understand\Nthat the current year
Dialogue: 0,0:00:36.20,0:00:38.93,Default,,0,0,0,,is a very good year for wine.
Dialogue: 0,0:00:38.97,0:00:41.00,Default,,0,0,0,,For drinking it, that is.
Dialogue: 0,0:00:41.04,0:00:43.64,Default,,0,0,0,,I'm looking for\Nsome champagne.
Dialogue: 0,0:00:47.08,0:00:51.38,Default,,0,0,0,,"Not to be taken internally."\NOh.
Dialogue: 0,0:00:51.41,0:00:54.82,Default,,0,0,0,,"For bathing only."
Dialogue: 0,0:00:54.85,0:00:58.45,Default,,0,0,0,,Fortunately, my tastes\Naren't so expensive.
Dialogue: 0,0:00:58.49,0:01:01.06,Default,,0,0,0,,I bathe in ginger beer.
Dialogue: 0,0:01:01.09,0:01:03.56,Default,,0,0,0,,That way one doesn't\Nhave to add a softener.
Dialogue: 0,0:01:04.66,0:01:08.43,Default,,0,0,0,,All this is by way of\Nintroducing tonight's play.
Dialogue: 0,0:01:08.46,0:01:12.07,Default,,0,0,0,,It is called, by\Nan extraordinary coincidence,
Dialogue: 0,0:01:12.07,0:01:15.07,Default,,0,0,0,,"A Bottle of Wine."
Dialogue: 0,0:01:55.38,0:01:56.78,Default,,0,0,0,,(CAR APPROACHING)
Dialogue: 0,0:02:02.15,0:02:03.45,Default,,0,0,0,,(CAR DOOR CLOSING)
Dialogue: 0,0:02:16.10,0:02:17.50,Default,,0,0,0,,(DOOR LATCH RATTLING)
Dialogue: 0,0:02:23.91,0:02:25.31,Default,,0,0,0,,Grace.
Dialogue: 0,0:02:32.88,0:02:34.15,Default,,0,0,0,,Hello, Judge.
Dialogue: 0,0:02:36.08,0:02:38.89,Default,,0,0,0,,I came to get my clothes.\NSo you're going.
Dialogue: 0,0:02:38.92,0:02:40.66,Default,,0,0,0,,You're really going,\Nafter all.
Dialogue: 0,0:02:41.82,0:02:44.16,Default,,0,0,0,,I won't be long upstairs.\NGrace.
Dialogue: 0,0:02:44.19,0:02:46.46,Default,,0,0,0,,Isn't there...\NNothing.
Dialogue: 0,0:02:46.49,0:02:48.60,Default,,0,0,0,,I see.
Dialogue: 0,0:02:48.63,0:02:51.87,Default,,0,0,0,,Ten years, and one word\Nseems to take care of it all.
Dialogue: 0,0:02:51.90,0:02:53.90,Default,,0,0,0,,"Nothing."\NSuch a merciless word.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.29,0:00:27.49,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:28.62,0:00:31.73,Default,,0,0,0,,Ladies and gentlemen\Nof the jury,
Dialogue: 0,0:00:31.76,0:00:35.26,Default,,0,0,0,,the first case\Non today's docket is entitled
Dialogue: 0,0:00:35.80,0:00:38.07,Default,,0,0,0,,"Malice Domestic."
Dialogue: 0,0:00:38.10,0:00:41.80,Default,,0,0,0,,I hasten to add, however,\Nthat "Malice Domestic"
Dialogue: 0,0:00:41.84,0:00:44.71,Default,,0,0,0,,is not about\Nthe servant problem,
Dialogue: 0,0:00:44.74,0:00:48.74,Default,,0,0,0,,nor is it a puff\Nfor imported wines.
Dialogue: 0,0:00:48.78,0:00:52.08,Default,,0,0,0,,It is concerned\Nwith some mysterious doings
Dialogue: 0,0:00:52.11,0:00:54.35,Default,,0,0,0,,in a family of three.
Dialogue: 0,0:00:54.38,0:00:58.12,Default,,0,0,0,,Carl Borden, his wife Annette,
Dialogue: 0,0:00:58.15,0:01:01.62,Default,,0,0,0,,and their charming dog,\NCassandra.
Dialogue: 0,0:01:01.66,0:01:05.13,Default,,0,0,0,,To give you a clearer picture\Nof exactly what happened,
Dialogue: 0,0:01:05.16,0:01:08.50,Default,,0,0,0,,we now transport you\Nto the scene of the crime
Dialogue: 0,0:01:08.53,0:01:10.23,Default,,0,0,0,,where we shall reenact it.
Dialogue: 0,0:01:28.58,0:01:30.29,Default,,0,0,0,,(BLITHE MUSIC PLAYING)
Dialogue: 0,0:01:43.30,0:01:45.30,Default,,0,0,0,,Oh. There you are,\NLorna.
Dialogue: 0,0:01:46.47,0:01:48.10,Default,,0,0,0,,Been looking\Nall over for you.
Dialogue: 0,0:01:48.10,0:01:49.54,Default,,0,0,0,,Thank you.\NThanks.
Dialogue: 0,0:01:49.57,0:01:51.37,Default,,0,0,0,,We've got to have\Na farewell drink together.
Dialogue: 0,0:01:54.38,0:01:56.24,Default,,0,0,0,,You've no idea\Nhow much\Nwe're going to miss you.
Dialogue: 0,0:01:56.28,0:01:58.18,Default,,0,0,0,,Town won't be the same\Nwithout you.
Dialogue: 0,0:01:58.21,0:02:00.55,Default,,0,0,0,,Well, I'll miss you, too.\NAll of you.
Dialogue: 0,0:02:00.58,0:02:03.62,Default,,0,0,0,,It's been wonderful\Nliving here. I've made\Nso many friends.
Dialogue: 0,0:02:03.65,0:02:06.19,Default,,0,0,0,,We're counting\Non absence making\Nthe heart grow fonder.
Dialogue: 0,0:02:06.22,0:02:08.06,Default,,0,0,0,,That's the trouble\Nwith a career.
Dialogue: 0,0:02:08.06,0:02:11.56,Default,,0,0,0,,The firm commands.\NYou can only obey.\NBut I love it.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:51.58,0:00:53.72,Default,,0,0,0,,NARRATOR:\N{\i1}This is a police lineup.{\i0}
Dialogue: 0,0:00:53.75,0:00:56.48,Default,,0,0,0,,{\i1}Here desperate criminals{\i0}\N{\i1}who have been brought to bay{\i0}
Dialogue: 0,0:00:56.52,0:00:58.29,Default,,0,0,0,,{\i1}appear before{\i0}\N{\i1}the detective force{\i0}
Dialogue: 0,0:00:58.32,0:01:00.42,Default,,0,0,0,,{\i1}and are questioned{\i0}\N{\i1}by the chief detective.{\i0}
Dialogue: 0,0:01:00.46,0:01:01.66,Default,,0,0,0,,{\i1}Listen.{\i0}
Dialogue: 0,0:01:01.69,0:01:02.56,Default,,0,0,0,,Take your hat off.
Dialogue: 0,0:01:04.23,0:01:06.16,Default,,0,0,0,,"Name,\NHitchcock, Alfred.
Dialogue: 0,0:01:06.19,0:01:08.06,Default,,0,0,0,,"Height 5'6".
Dialogue: 0,0:01:08.10,0:01:10.10,Default,,0,0,0,,"Weight, prisoner refuses\Nto make a statement."
Dialogue: 0,0:01:11.77,0:01:13.30,Default,,0,0,0,,Here's his record.
Dialogue: 0,0:01:13.34,0:01:15.07,Default,,0,0,0,,"1940, picked up\Non {\i1}Suspicion.{\i0}
Dialogue: 0,0:01:15.07,0:01:17.24,Default,,0,0,0,,"1942, {\i1}Spellbound.{\i0}
Dialogue: 0,0:01:17.27,0:01:20.91,Default,,0,0,0,,"1944, {\i1}Notorious.{\i0}\N1955, {\i1}Rear Window.{\i0}
Dialogue: 0,0:01:20.94,0:01:23.28,Default,,0,0,0,,"1956,\N{\i1}The Man Who Knew Too Much."{\i0}
Dialogue: 0,0:01:23.31,0:01:25.21,Default,,0,0,0,,Anything to say,\NHitchcock?
Dialogue: 0,0:01:25.25,0:01:27.95,Default,,0,0,0,,Well, sir, I admit\Nit ain't a good record.
Dialogue: 0,0:01:27.98,0:01:29.35,Default,,0,0,0,,But I'm trying\Nto do better.
Dialogue: 0,0:01:29.38,0:01:30.69,Default,,0,0,0,,OFFICER: Better?
Dialogue: 0,0:01:30.72,0:01:33.19,Default,,0,0,0,,You call this\Nlatest charge\N"doing better"?
Dialogue: 0,0:01:33.22,0:01:35.49,Default,,0,0,0,,Appearing\Non television!
Dialogue: 0,0:01:35.52,0:01:37.86,Default,,0,0,0,,I'm sorry, sir.\NBut my family was hungry.
Dialogue: 0,0:01:37.89,0:01:39.29,Default,,0,0,0,,Now, take him away.
Dialogue: 0,0:01:39.33,0:01:41.86,Default,,0,0,0,,Wait a minute, sir.\NYou've got the wrong man.
Dialogue: 0,0:01:41.90,0:01:44.00,Default,,0,0,0,,Didn't you want to see\Na sample of my work?
Dialogue: 0,0:01:44.10,0:01:46.87,Default,,0,0,0,,Okay. Here's what\Nwe found on him\Nwhen we picked him up.
Dialogue: 0,0:02:04.39,0:02:06.05,Default,,0,0,0,,(POLICE SIREN WAILING)

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:40.67,0:00:42.50,Default,,0,0,0,,I can't understand it.
Dialogue: 0,0:00:43.57,0:00:45.24,Default,,0,0,0,,Of course.
Dialogue: 0,0:00:45.27,0:00:47.48,Default,,0,0,0,,How stupid of me.
Dialogue: 0,0:00:47.51,0:00:51.01,Default,,0,0,0,,I forgot to put in the water.
Dialogue: 0,0:00:51.05,0:00:53.25,Default,,0,0,0,,I must do that at once,\Nif I want to catch\Nanything today.
Dialogue: 0,0:00:53.92,0:00:55.12,Default,,0,0,0,,(WATER RUNNING)
Dialogue: 0,0:00:57.39,0:01:00.52,Default,,0,0,0,,All of this is not\Nas absurdly irrelevant\Nas you think.
Dialogue: 0,0:01:01.46,0:01:04.43,Default,,0,0,0,,For if you listen\Nvery closely,
Dialogue: 0,0:01:04.46,0:01:07.36,Default,,0,0,0,,you will hear the words\N"bath tub"
Dialogue: 0,0:01:07.40,0:01:10.20,Default,,0,0,0,,mentioned in\Ntonight's script.
Dialogue: 0,0:01:10.23,0:01:12.07,Default,,0,0,0,,Of course, other topics\Nare mentioned
Dialogue: 0,0:01:12.10,0:01:14.57,Default,,0,0,0,,which we could have discussed.
Dialogue: 0,0:01:14.60,0:01:18.34,Default,,0,0,0,,For example, the story\Nis about marriage.
Dialogue: 0,0:01:18.37,0:01:22.98,Default,,0,0,0,,However, I don't feel\Nthat marriage should be\Ndiscussed on television.
Dialogue: 0,0:01:23.08,0:01:27.52,Default,,0,0,0,,It's too controversial.\NNo question about it.
Dialogue: 0,0:01:27.55,0:01:30.62,Default,,0,0,0,,We are much safer\Nwith a bathtub.
Dialogue: 0,0:01:30.65,0:01:34.46,Default,,0,0,0,,And now, in a moment,\Nhere is tonight's\N{\i1}opéra bouffe,{\i0}
Dialogue: 0,0:01:35.52,0:01:38.53,Default,,0,0,0,,"The End of Indian Summer."
Dialogue: 0,0:01:38.56,0:01:41.23,Default,,0,0,0,,Like all stories\Nabout marriage,
Dialogue: 0,0:01:41.26,0:01:43.37,Default,,0,0,0,,it has a great deal\Nof romance in it.
Dialogue: 0,0:01:45.40,0:01:47.20,Default,,0,0,0,,But watch for that bathtub.
Dialogue: 0,0:02:17.37,0:02:19.50,Default,,0,0,0,,All right. All right.\NYou don't have to shout.
Dialogue: 0,0:02:19.53,0:02:21.14,Default,,0,0,0,,There's nothing wrong\Nwith my ears.
Dialogue: 0,0:02:22.07,0:02:23.71,Default,,0,0,0,,Anyone can make a mistake.
Dialogue: 0,0:02:25.07,0:02:27.11,Default,,0,0,0,,No, I am not gonna fire him.\NNot yet.
Dialogue: 0,0:02:28.84,0:02:30.65,Default,,0,0,0,,SAM: Oh, hello, Joe.\NI'll talk to you later.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.46,0:00:29.92,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:29.96,0:00:33.93,Default,,0,0,0,,Methinks I should never have\Ncome to the colonies.
Dialogue: 0,0:00:33.96,0:00:36.73,Default,,0,0,0,,Here I am,\Nthe producer's dream,
Dialogue: 0,0:00:36.77,0:00:40.00,Default,,0,0,0,,a captive audience.
Dialogue: 0,0:00:40.04,0:00:43.30,Default,,0,0,0,,Unfortunately,\Nknowing the producer
Dialogue: 0,0:00:43.34,0:00:47.01,Default,,0,0,0,,I have already seen\Ntonight's story several times.
Dialogue: 0,0:00:47.04,0:00:51.15,Default,,0,0,0,,It is called,\N"One For The Road."
Dialogue: 0,0:00:51.18,0:00:55.12,Default,,0,0,0,,They say there are two sides\Nto every question,
Dialogue: 0,0:00:55.15,0:00:59.45,Default,,0,0,0,,but tonight's little problem\Nhas three sides.
Dialogue: 0,0:00:59.49,0:01:03.73,Default,,0,0,0,,For it is that age old bit\Nof marital geometry,
Dialogue: 0,0:01:03.76,0:01:05.89,Default,,0,0,0,,the eternal triangle.
Dialogue: 0,0:01:37.13,0:01:38.26,Default,,0,0,0,,Marcia!
Dialogue: 0,0:01:39.09,0:01:40.40,Default,,0,0,0,,I'm coming, darling.
Dialogue: 0,0:01:41.46,0:01:43.53,Default,,0,0,0,,Where are my cigarettes?
Dialogue: 0,0:01:43.57,0:01:45.10,Default,,0,0,0,,I opened a fresh package\Nfor you.
Dialogue: 0,0:01:45.10,0:01:46.17,Default,,0,0,0,,Oh?
Dialogue: 0,0:01:48.77,0:01:49.94,Default,,0,0,0,,Your bag's all packed.
Dialogue: 0,0:01:49.97,0:01:51.57,Default,,0,0,0,,Good.
Dialogue: 0,0:01:51.61,0:01:54.58,Default,,0,0,0,,I put in only three shirts\Nfor you this time.
Dialogue: 0,0:01:54.61,0:01:56.68,Default,,0,0,0,,The last few trips\Nyou haven't worn\Nthe fourth.
Dialogue: 0,0:01:56.71,0:01:58.21,Default,,0,0,0,,The weather's\Nbeen cooler.
Dialogue: 0,0:01:58.25,0:02:00.28,Default,,0,0,0,,They get so crushed,\Nthey have to be\Nlaundered anyway.
Dialogue: 0,0:02:00.32,0:02:01.85,Default,,0,0,0,,But if you think\Nyou'll need the fourth...
Dialogue: 0,0:02:01.88,0:02:04.15,Default,,0,0,0,,I'll see how it works out.
Dialogue: 0,0:02:04.19,0:02:06.05,Default,,0,0,0,,Have I got time\Nfor another piece\Nof coffee cake?
Dialogue: 0,0:02:06.09,0:02:09.26,Default,,0,0,0,,Uh-uh,\Nit's not good for you.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:52.21,0:00:53.48,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:53.52,0:00:55.82,Default,,0,0,0,,I understand it is fashionable
Dialogue: 0,0:00:55.85,0:00:59.22,Default,,0,0,0,,to introduce television plays\Nfrom a library.
Dialogue: 0,0:00:59.25,0:01:02.36,Default,,0,0,0,,And so, I thought\NI would preface\Ntonight's play,
Dialogue: 0,0:01:02.39,0:01:05.06,Default,,0,0,0,,"The Cream of the Jest,"\Nin this way.
Dialogue: 0,0:01:06.19,0:01:08.33,Default,,0,0,0,,{\i1}The Cream of the Jest{\i0}
Dialogue: 0,0:01:08.36,0:01:10.87,Default,,0,0,0,,is a play about\Nthe theatrical business.
Dialogue: 0,0:01:10.90,0:01:12.23,Default,,0,0,0,,(SHUSHING)
Dialogue: 0,0:01:15.30,0:01:18.94,Default,,0,0,0,,(SPEAKING SOFTLY)\NAnd it has as\Nits central character
Dialogue: 0,0:01:18.97,0:01:22.81,Default,,0,0,0,,a fading actor named\NCharles Hanover Gresham.
Dialogue: 0,0:01:23.88,0:01:25.35,Default,,0,0,0,,Our play will...
Dialogue: 0,0:01:25.38,0:01:26.55,Default,,0,0,0,,(ALL SHUSHING)
Dialogue: 0,0:01:27.62,0:01:29.42,Default,,0,0,0,,Our play begins\Nin just one moment.
Dialogue: 0,0:01:48.27,0:01:49.50,Default,,0,0,0,,Thank you.
Dialogue: 0,0:01:50.51,0:01:52.11,Default,,0,0,0,,Hello, Jerry.
Dialogue: 0,0:01:52.11,0:01:53.91,Default,,0,0,0,,How fresh and dewy\Nyou look!
Dialogue: 0,0:01:53.94,0:01:55.54,Default,,0,0,0,,(CHUCKLING)\NHello there, Mr. Gresham.\NHow are you today?
Dialogue: 0,0:01:55.58,0:01:57.41,Default,,0,0,0,,Splendid, Jerry,\Nsplendid.
Dialogue: 0,0:01:57.45,0:02:00.42,Default,,0,0,0,,I'll be even more so\Nwhen I've partaken\Nof that amber fluid.
Dialogue: 0,0:02:00.45,0:02:01.92,Default,,0,0,0,,The usual on the rocks,\Nplease.
Dialogue: 0,0:02:01.95,0:02:04.75,Default,,0,0,0,,Gee, Mr. Gresham,\NI'd like to,\Nbut I'm afraid I can't.
Dialogue: 0,0:02:04.79,0:02:07.06,Default,,0,0,0,,Now, you're not\Ngonna tell me\Nthe well has run dry?
Dialogue: 0,0:02:07.09,0:02:10.69,Default,,0,0,0,,Well, in a manner\Nof speaking, it has.\NFor you.
Dialogue: 0,0:02:10.73,0:02:13.40,Default,,0,0,0,,You see,\Nyour tab has run\Nawfully high and...
Dialogue: 0,0:02:13.43,0:02:16.70,Default,,0,0,0,,Well, Mr. Orsatti,\Nhe'd like to carry you,
Dialogue: 0,0:02:16.73,0:02:18.43,Default,,0,0,0,,but it's been going on\Nsuch a long time.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.72,0:00:29.32,Default,,0,0,0,,HITCHCOCK: {\i1}Good evening,{\i0}\N{\i1}ladies and gentlemen.{\i0}
Dialogue: 0,0:00:29.36,0:00:32.69,Default,,0,0,0,,{\i1}This is Alfred Hitchcock.{\i0}
Dialogue: 0,0:00:32.73,0:00:36.56,Default,,0,0,0,,{\i1}Tonight's play takes place{\i0}\N{\i1}in merry old England,{\i0}
Dialogue: 0,0:00:36.60,0:00:40.70,Default,,0,0,0,,{\i1}and is called,{\i0}\N"I Killed the Count."
Dialogue: 0,0:00:40.74,0:00:43.84,Default,,0,0,0,,When they asked me\Nto wear this, I demurred.
Dialogue: 0,0:00:43.87,0:00:47.64,Default,,0,0,0,,I didn't realize\Nit would be an invitation\Nfor automation to take over.
Dialogue: 0,0:00:50.91,0:00:53.48,Default,,0,0,0,,Empty. Now what does\Nthat imply?
Dialogue: 0,0:00:53.52,0:00:56.69,Default,,0,0,0,,Oh well! Let the play begin.
Dialogue: 0,0:01:20.68,0:01:21.84,Default,,0,0,0,,(KNOCKING ON DOOR)
Dialogue: 0,0:01:29.98,0:01:32.35,Default,,0,0,0,,Count Mattoni, your tea.
Dialogue: 0,0:01:51.27,0:01:53.51,Default,,0,0,0,,Oh, there you are!
Dialogue: 0,0:01:53.54,0:01:55.41,Default,,0,0,0,,Too drunk to make it to bed\Nthis time.
Dialogue: 0,0:01:55.44,0:01:57.98,Default,,0,0,0,,Well, I hope you slept it off.
Dialogue: 0,0:01:58.01,0:02:01.65,Default,,0,0,0,,Count Mattoni,\Nwake up, sir.
Dialogue: 0,0:02:01.68,0:02:03.79,Default,,0,0,0,,It's 8:00...
Dialogue: 0,0:02:03.82,0:02:05.12,Default,,0,0,0,,(POLLY SCREAMING)
Dialogue: 0,0:02:08.42,0:02:11.96,Default,,0,0,0,,MARTIN: It's awful!\NSimply awful, Inspector!
Dialogue: 0,0:02:12.06,0:02:15.66,Default,,0,0,0,,Having a tenant\Nshoot himself in Oxley Court.
Dialogue: 0,0:02:15.70,0:02:19.10,Default,,0,0,0,,All the publicity.\NThe notoriety.
Dialogue: 0,0:02:19.13,0:02:21.77,Default,,0,0,0,,I'm afraid\NCount Mattoni didn't shoot\Nhimself, Mr. Martin.
Dialogue: 0,0:02:21.80,0:02:22.77,Default,,0,0,0,,Someone did that\Nfor him.
Dialogue: 0,0:02:22.80,0:02:23.87,Default,,0,0,0,,What?
Dialogue: 0,0:02:25.34,0:02:28.18,Default,,0,0,0,,You mean that\Nhe was murdered?
Dialogue: 0,0:02:28.21,0:02:31.45,Default,,0,0,0,,In Oxley Court?\NHow dreadful.
Dialogue: 0,0:02:33.82,0:02:37.59,Default,,0,0,0,,DAVIDSON: Mr. Martin,\Nwill you tell us a little\Nabout your late tenant?
Dialogue: 0,0:02:37.62,0:02:42.12,Default,,0,0,0,,His previous address,\Nreferences, business habits,\Nfriends, that sort of thing?

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.62,0:00:28.39,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:28.42,0:00:32.03,Default,,0,0,0,,Tonight's play is called\N"I Killed The Count."
Dialogue: 0,0:00:32.06,0:00:34.36,Default,,0,0,0,,Now, I know\Nwhat you're thinking.
Dialogue: 0,0:00:34.40,0:00:36.33,Default,,0,0,0,,Last week's play\Nwas also called
Dialogue: 0,0:00:36.36,0:00:38.47,Default,,0,0,0,,"I Killed The Count."
Dialogue: 0,0:00:38.50,0:00:41.30,Default,,0,0,0,,And you think tonight's\Nis just a revival.
Dialogue: 0,0:00:41.34,0:00:45.27,Default,,0,0,0,,On the contrary,\Nsince we were unable\Nto finish the story last time,
Dialogue: 0,0:00:45.31,0:00:48.31,Default,,0,0,0,,we shall have\Nanother stab at it tonight.
Dialogue: 0,0:00:48.34,0:00:50.58,Default,,0,0,0,,I'd better fill in\Nsome of the details
Dialogue: 0,0:00:50.61,0:00:52.95,Default,,0,0,0,,for those of you\Nwho were careless enough
Dialogue: 0,0:00:52.98,0:00:55.52,Default,,0,0,0,,to miss the first episode.
Dialogue: 0,0:00:55.55,0:00:58.22,Default,,0,0,0,,I hope you realize the trouble\Nyou're putting us to.
Dialogue: 0,0:00:58.25,0:00:59.82,Default,,0,0,0,,Just don't let it\Nhappen again.
Dialogue: 0,0:00:59.85,0:01:01.42,Default,,0,0,0,,First of all,
Dialogue: 0,0:01:01.46,0:01:04.16,Default,,0,0,0,,Count Victor Mattoni\Nwas found quite dead
Dialogue: 0,0:01:04.19,0:01:06.63,Default,,0,0,0,,in the living room\Nof his London flat.
Dialogue: 0,0:01:06.66,0:01:09.33,Default,,0,0,0,,There was a single bullet hole\Nin his forehead.
Dialogue: 0,0:01:09.36,0:01:11.07,Default,,0,0,0,,It's my personal opinion
Dialogue: 0,0:01:11.07,0:01:13.87,Default,,0,0,0,,that this was a contributing\Nfactor to his death.
Dialogue: 0,0:01:13.90,0:01:16.77,Default,,0,0,0,,Inspector Davidson\Nand his assistant Raines,
Dialogue: 0,0:01:16.81,0:01:19.07,Default,,0,0,0,,the investigating\Ndetectives,
Dialogue: 0,0:01:19.07,0:01:20.84,Default,,0,0,0,,have uncovered\Na number of clues.
Dialogue: 0,0:01:21.61,0:01:23.24,Default,,0,0,0,,Among them, two letters.
Dialogue: 0,0:01:23.28,0:01:25.41,Default,,0,0,0,,One led them\Nto a Bernard K. Froy.
Dialogue: 0,0:01:26.85,0:01:30.72,Default,,0,0,0,,And another written\Nby Lord Sorrington,\Nan industrialist.
Dialogue: 0,0:01:30.75,0:01:34.56,Default,,0,0,0,,Before the detectives were\Nquite settled down to work,

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.22,0:00:29.26,Default,,0,0,0,,Good evening,\Nladies and gentlemen.
Dialogue: 0,0:00:29.29,0:00:32.29,Default,,0,0,0,,Those of you who have\Nbeen sitting on the edge\Nof your chairs
Dialogue: 0,0:00:32.33,0:00:35.06,Default,,0,0,0,,since last time\Nwill be glad to know
Dialogue: 0,0:00:35.10,0:00:37.87,Default,,0,0,0,,that tonight we shall\Ndefinitely present
Dialogue: 0,0:00:37.90,0:00:41.30,Default,,0,0,0,,the final chapter\Nin our story
Dialogue: 0,0:00:41.34,0:00:43.74,Default,,0,0,0,,"I Killed The Count".
Dialogue: 0,0:00:43.77,0:00:47.31,Default,,0,0,0,,For those of you\Nwho have missed\Nthe earlier installments,
Dialogue: 0,0:00:47.34,0:00:50.88,Default,,0,0,0,,or have lost\Nyour scorecards,\NI shall present a résumé.
Dialogue: 0,0:00:53.21,0:00:56.85,Default,,0,0,0,,Within a few hours after\NCount Victor Mattoni
Dialogue: 0,0:00:56.89,0:00:58.75,Default,,0,0,0,,was found dead\Nin his London flat
Dialogue: 0,0:01:00.06,0:01:02.46,Default,,0,0,0,,with a single bullet hole\Nin his head,
Dialogue: 0,0:01:02.49,0:01:05.89,Default,,0,0,0,,the detectives found\Nthemselves with three persons,
Dialogue: 0,0:01:05.93,0:01:07.93,Default,,0,0,0,,each of whom confessed
Dialogue: 0,0:01:07.96,0:01:10.97,Default,,0,0,0,,that he, and he alone,\Nkilled the Count.
Dialogue: 0,0:01:11.07,0:01:13.64,Default,,0,0,0,,They were Bernard Froy,\Nan American,
Dialogue: 0,0:01:13.67,0:01:16.07,Default,,0,0,0,,Mullet, the lift man
Dialogue: 0,0:01:16.07,0:01:20.41,Default,,0,0,0,,and Lord Sorrington,\Nan important industrialist.
Dialogue: 0,0:01:20.44,0:01:24.61,Default,,0,0,0,,In each case, there is some\Ncorroborating evidence.
Dialogue: 0,0:01:24.65,0:01:28.68,Default,,0,0,0,,Mullet obligingly left\Nhis fingerprints\Non the Count's wallet,
Dialogue: 0,0:01:30.12,0:01:33.36,Default,,0,0,0,,Froy had written\Nan incriminating letter,
Dialogue: 0,0:01:33.39,0:01:36.62,Default,,0,0,0,,and Lord Sorrington's pistol\Nwas found on the scene.
Dialogue: 0,0:01:37.93,0:01:41.13,Default,,0,0,0,,There was also\Na fourth bit of evidence.
Dialogue: 0,0:01:41.16,0:01:44.93,Default,,0,0,0,,Skin and blood under\Nthe Count's fingernails
Dialogue: 0,0:01:44.97,0:01:48.54,Default,,0,0,0,,indicated he had scratched\Nhis assailant,
Dialogue: 0,0:01:48.57,0:01:52.94,Default,,0,0,0,,yet none of the three\Nsuspects bore any scratches.
Dialogue: 0,0:01:52.97,0:01:54.28,Default,,0,0,0,,(SWOONING) Neither Froy,

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.22,0:00:27.36,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:28.96,0:00:33.40,Default,,0,0,0,,Most of you have\Ndoubtless read how\NAnne Boleyn lost her head.
Dialogue: 0,0:00:34.96,0:00:38.27,Default,,0,0,0,,King Henry VIII,\Nno longer fascinated, said,
Dialogue: 0,0:00:38.97,0:00:40.57,Default,,0,0,0,,"Let her be decapitated."
Dialogue: 0,0:00:41.90,0:00:44.87,Default,,0,0,0,,Thereupon the legend goes
Dialogue: 0,0:00:44.91,0:00:49.34,Default,,0,0,0,,her ghost roamed about\Neach night with utmost\Ndignity and charm,
Dialogue: 0,0:00:50.61,0:00:54.42,Default,,0,0,0,,with her head tucked\Nunderneath her arm.
Dialogue: 0,0:00:56.95,0:01:00.36,Default,,0,0,0,,Now with two heads\Nit occurs to me
Dialogue: 0,0:01:00.39,0:01:02.59,Default,,0,0,0,,I can think more clearly\Nthan with three.
Dialogue: 0,0:01:02.62,0:01:05.73,Default,,0,0,0,,However,\Nif the worst should come,
Dialogue: 0,0:01:06.83,0:01:08.90,Default,,0,0,0,,one head's a basic minimum.
Dialogue: 0,0:01:08.93,0:01:11.30,Default,,0,0,0,,Therefore, in my work,
Dialogue: 0,0:01:11.33,0:01:14.24,Default,,0,0,0,,I hardly dare to roam about\Nwithout one spare.
Dialogue: 0,0:01:15.67,0:01:18.21,Default,,0,0,0,,Tonight's legend\Ntells of modern life
Dialogue: 0,0:01:19.44,0:01:21.08,Default,,0,0,0,,and how to solve a problem:
Dialogue: 0,0:01:54.18,0:01:55.81,Default,,0,0,0,,(INAUDIBLE ARGUING)
Dialogue: 0,0:02:02.12,0:02:04.12,Default,,0,0,0,,(SHOUTING)
Dialogue: 0,0:02:09.62,0:02:10.83,Default,,0,0,0,,(BOTH ARGUING)
Dialogue: 0,0:03:07.05,0:03:07.78,Default,,0,0,0,,(THUDDING)
Dialogue: 0,0:06:25.18,0:06:26.68,Default,,0,0,0,,(GRUNTING)
Dialogue: 0,0:07:11.39,0:07:12.43,Default,,0,0,0,,(METALLIC CLANKING)
Dialogue: 0,0:07:38.22,0:07:39.39,Default,,0,0,0,,(METALLIC CLANKING)
Dialogue: 0,0:08:22.70,0:08:23.63,Default,,0,0,0,,(CAR ENGINE REVVING)
Dialogue: 0,0:10:13.98,0:10:15.14,Default,,0,0,0,,(POLICE SIREN WAILING)
Dialogue: 0,0:10:45.07,0:10:46.94,Default,,0,0,0,,I was only doing 35, Officer.
Dialogue: 0,0:10:46.98,0:10:49.24,Default,,0,0,0,,What I stopped you for\Nhas got nothing to do\Nwith speeding.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:27.29,0:00:31.53,Default,,0,0,0,,Good evening.\NThis is a beauty contest.
Dialogue: 0,0:00:31.56,0:00:35.90,Default,,0,0,0,,I should explain however,\Nthat I am not\None of the contestants.
Dialogue: 0,0:00:35.93,0:00:38.57,Default,,0,0,0,,At the last moment,\Nsomeone stole\Nmy bathing suit.
Dialogue: 0,0:00:39.50,0:00:40.60,Default,,0,0,0,,So, I was made a judge.
Dialogue: 0,0:00:42.04,0:00:45.01,Default,,0,0,0,,You know the, uh,
Dialogue: 0,0:00:45.04,0:00:49.48,Default,,0,0,0,,the problem of finding\Nan unobtrusive spot\Nfor a vaccination
Dialogue: 0,0:00:49.51,0:00:51.35,Default,,0,0,0,,is getting more and more\Ndifficult.
Dialogue: 0,0:00:52.31,0:00:54.38,Default,,0,0,0,,Let's see now.
Dialogue: 0,0:00:57.52,0:00:59.12,Default,,0,0,0,,This is ridiculous.
Dialogue: 0,0:00:59.15,0:01:02.66,Default,,0,0,0,,What difference does it make\Nwhich one is the tallest.
Dialogue: 0,0:01:02.69,0:01:07.06,Default,,0,0,0,,While I continue with\Nthe tiresome task of ogling\Nthese young ladies
Dialogue: 0,0:01:07.06,0:01:10.20,Default,,0,0,0,,our poor players\Nwill present tonight's story.
Dialogue: 0,0:01:10.23,0:01:13.17,Default,,0,0,0,,It is called "Vicious Circle."
Dialogue: 0,0:01:50.17,0:01:51.54,Default,,0,0,0,,(WIND HOWLING)
Dialogue: 0,0:01:51.57,0:01:52.57,Default,,0,0,0,,(WINDOW SLAMMING)
Dialogue: 0,0:02:08.52,0:02:10.26,Default,,0,0,0,,(SIGHS)
Dialogue: 0,0:02:10.29,0:02:11.86,Default,,0,0,0,,(TELEPHONE RINGING)
Dialogue: 0,0:02:23.57,0:02:24.94,Default,,0,0,0,,Hello.
Dialogue: 0,0:02:26.07,0:02:28.08,Default,,0,0,0,,Oh, hi, Dora.
Dialogue: 0,0:02:29.98,0:02:32.81,Default,,0,0,0,,Me? Out of breath? No,\Njust ran from the other room,\Nthat's all.
Dialogue: 0,0:02:32.85,0:02:34.35,Default,,0,0,0,,Hey, where's\Nthat roommate of yours?
Dialogue: 0,0:02:35.55,0:02:36.89,Default,,0,0,0,,No, she hasn't showed yet.
Dialogue: 0,0:02:38.22,0:02:41.22,Default,,0,0,0,,Oh, swell.\NThanks for letting me know.
Dialogue: 0,0:02:43.32,0:02:45.63,Default,,0,0,0,,Yeah, she's a good kid.
Dialogue: 0,0:02:47.83,0:02:48.90,Default,,0,0,0,,Okay, Dora.
Dialogue: 0,0:02:50.17,0:02:51.10,Default,,0,0,0,,Good night.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.62,0:00:30.73,Default,,0,0,0,,And then I dreamed\NI was in a huge theater
Dialogue: 0,0:00:30.76,0:00:33.26,Default,,0,0,0,,where one\Nof my motion pictures\Nwas being shown,
Dialogue: 0,0:00:34.66,0:00:37.13,Default,,0,0,0,,but the theater\Nwas absolutely empty.
Dialogue: 0,0:00:37.17,0:00:39.27,Default,,0,0,0,,Not a full seat anywhere.
Dialogue: 0,0:00:40.30,0:00:43.54,Default,,0,0,0,,On one wall\Nwas a gigantic mirror,
Dialogue: 0,0:00:43.57,0:00:46.24,Default,,0,0,0,,and when I looked into it,\NI didn't see my own face.
Dialogue: 0,0:00:47.01,0:00:49.78,Default,,0,0,0,,I saw my wife's.
Dialogue: 0,0:00:49.81,0:00:52.28,Default,,0,0,0,,I suppose\NI'd accidentally wandered\Ninto her dream.
Dialogue: 0,0:00:52.31,0:00:54.98,Default,,0,0,0,,That's not unusual.
Dialogue: 0,0:00:55.02,0:00:58.29,Default,,0,0,0,,Do you and your wife\Nsleep in a double bed\Nor in twin beds?
Dialogue: 0,0:00:59.79,0:01:02.36,Default,,0,0,0,,Both. She has a twin.
Dialogue: 0,0:01:02.39,0:01:03.93,Default,,0,0,0,,I sleep in the double bed.
Dialogue: 0,0:01:03.96,0:01:05.49,Default,,0,0,0,,Of course.
Dialogue: 0,0:01:05.53,0:01:07.76,Default,,0,0,0,,And then I dreamed...
Dialogue: 0,0:01:07.80,0:01:09.60,Default,,0,0,0,,Oh, good evening.
Dialogue: 0,0:01:09.63,0:01:13.74,Default,,0,0,0,,As you see, this week\NI'm very much pressed\Nfor time.
Dialogue: 0,0:01:13.77,0:01:17.14,Default,,0,0,0,,However, I shall be glad\Nto squeeze you in\Nfor our customary session.
Dialogue: 0,0:01:18.07,0:01:19.94,Default,,0,0,0,,Tonight's story is about a man
Dialogue: 0,0:01:19.97,0:01:23.51,Default,,0,0,0,,whose driving ambition\Nwas to become a widower.
Dialogue: 0,0:01:23.55,0:01:27.35,Default,,0,0,0,,It is called\N"The Three Dreams\Nof Mr. Findlater."
Dialogue: 0,0:01:46.13,0:01:50.77,Default,,0,0,0,,And must you play\Nthat everlasting game\Nof Patience every night?
Dialogue: 0,0:01:50.81,0:01:52.51,Default,,0,0,0,,I would think a bank manager
Dialogue: 0,0:01:52.54,0:01:55.71,Default,,0,0,0,,could find something\Nmore useful to do\Nwith his time.
Dialogue: 0,0:01:55.74,0:01:58.21,Default,,0,0,0,,Sometimes I wonder\Nwhat's got into you.
Dialogue: 0,0:02:00.45,0:02:02.68,Default,,0,0,0,,A man of your age.
Dialogue: 0,0:02:02.72,0:02:04.35,Default,,0,0,0,,And getting bald, too.

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Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.42,0:00:27.72,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:27.76,0:00:30.59,Default,,0,0,0,,I'm just completing\Na rather interesting device.
Dialogue: 0,0:00:30.63,0:00:31.79,Default,,0,0,0,,I think it will amuse you.
Dialogue: 0,0:00:35.33,0:00:37.00,Default,,0,0,0,,Tonight we are presenting\Na story...
Dialogue: 0,0:00:37.03,0:00:38.40,Default,,0,0,0,,(ELECTRIC BUZZING)
Dialogue: 0,0:00:38.43,0:00:39.87,Default,,0,0,0,,I should have explained.
Dialogue: 0,0:00:39.90,0:00:41.54,Default,,0,0,0,,You see,\Nthis is arranged
Dialogue: 0,0:00:41.57,0:00:44.34,Default,,0,0,0,,so that anyone touching\Nthe channel selector
Dialogue: 0,0:00:44.37,0:00:45.91,Default,,0,0,0,,to change programs
Dialogue: 0,0:00:45.94,0:00:48.34,Default,,0,0,0,,gets a nasty shock.
Dialogue: 0,0:00:48.38,0:00:50.91,Default,,0,0,0,,We rather hope we will improve\Nthe loyalty of our viewers.
Dialogue: 0,0:00:50.95,0:00:52.55,Default,,0,0,0,,(ELECTRIC BUZZING)
Dialogue: 0,0:00:52.58,0:00:53.85,Default,,0,0,0,,There goes another one.
Dialogue: 0,0:00:53.88,0:00:55.52,Default,,0,0,0,,It's no trifling matter.
Dialogue: 0,0:00:55.55,0:00:58.55,Default,,0,0,0,,25,000 volts.
Dialogue: 0,0:00:58.59,0:01:00.96,Default,,0,0,0,,Leaves them crisp as bacon.
Dialogue: 0,0:01:01.06,0:01:03.66,Default,,0,0,0,,Unfortunately,\Nit has one shortcoming.
Dialogue: 0,0:01:03.69,0:01:06.16,Default,,0,0,0,,It also burns out\Nthe television tube,
Dialogue: 0,0:01:06.19,0:01:08.50,Default,,0,0,0,,making it impossible\Nfor the bereaved
Dialogue: 0,0:01:08.53,0:01:09.46,Default,,0,0,0,,to watch\Nthe rest of the show.
Dialogue: 0,0:01:09.50,0:01:10.83,Default,,0,0,0,,(INHALING)
Dialogue: 0,0:01:10.87,0:01:12.27,Default,,0,0,0,,Well, nothing is perfect
Dialogue: 0,0:01:12.30,0:01:14.44,Default,,0,0,0,,and there's nothing\Nlike a good practical joke.
Dialogue: 0,0:01:14.47,0:01:16.91,Default,,0,0,0,,At least that's what\Na character\Nin tonight's play thought.
Dialogue: 0,0:01:34.42,0:01:36.26,Default,,0,0,0,,MAN 1: Well, I said to him,\N"Where you going?"
Dialogue: 0,0:01:36.29,0:01:37.56,Default,,0,0,0,,He says,\N"I don't know."

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:30.26,0:00:32.23,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:32.26,0:00:34.20,Default,,0,0,0,,I hope you'll excuse me
Dialogue: 0,0:00:34.23,0:00:35.76,Default,,0,0,0,,for not being ready\Nat show time
Dialogue: 0,0:00:35.80,0:00:38.77,Default,,0,0,0,,but my watch is slow.
Dialogue: 0,0:00:38.80,0:00:41.50,Default,,0,0,0,,As a matter of fact,\Nit hasn't even\Ngotten here yet.
Dialogue: 0,0:00:41.54,0:00:44.97,Default,,0,0,0,,First, I would like to\Nannounce a change\Nin our program.
Dialogue: 0,0:00:45.01,0:00:49.01,Default,,0,0,0,,Shakespeare's {\i1}Hamlet{\i0}\Nwill not be presented tonight.
Dialogue: 0,0:00:49.04,0:00:51.78,Default,,0,0,0,,We don't feel it suitable\Nto show in the home.
Dialogue: 0,0:00:51.81,0:00:54.18,Default,,0,0,0,,All those corpses, you know.
Dialogue: 0,0:00:54.22,0:00:57.12,Default,,0,0,0,,Instead, we're offering\Na story entitled
Dialogue: 0,0:00:57.15,0:01:00.06,Default,,0,0,0,,"The Hands of Mr. Ottermole."
Dialogue: 0,0:01:00.06,0:01:03.39,Default,,0,0,0,,Most of our stories\Nhave taken place\Nin the United States
Dialogue: 0,0:01:03.43,0:01:05.69,Default,,0,0,0,,or one of the other colonies.
Dialogue: 0,0:01:05.73,0:01:08.06,Default,,0,0,0,,But tonight we offer\Na new locale.
Dialogue: 0,0:01:08.06,0:01:09.96,Default,,0,0,0,,"The Hands of Mr. Ottermole"
Dialogue: 0,0:01:10.07,0:01:13.07,Default,,0,0,0,,is laid in a far-off land\Nof mystery and enchantment.
Dialogue: 0,0:01:13.60,0:01:15.30,Default,,0,0,0,,England.
Dialogue: 0,0:01:15.34,0:01:17.31,Default,,0,0,0,,And now suppose\Nyou continue squinting
Dialogue: 0,0:01:17.34,0:01:19.21,Default,,0,0,0,,at this little screen
Dialogue: 0,0:01:19.24,0:01:21.68,Default,,0,0,0,,while I slip into something\Nmore uncomfortable.
Dialogue: 0,0:01:55.88,0:01:57.95,Default,,0,0,0,,(PEOPLE CHATTERING)
Dialogue: 0,0:02:05.45,0:02:07.06,Default,,0,0,0,,No, thank you.
Dialogue: 0,0:02:10.49,0:02:12.13,Default,,0,0,0,,(BICYCLE BELL RINGING)
Dialogue: 0,0:02:34.72,0:02:36.32,Default,,0,0,0,,(MAN WHISTLING)
Dialogue: 0,0:02:52.97,0:02:54.84,Default,,0,0,0,,Well, here I am.
Dialogue: 0,0:02:57.24,0:02:58.81,Default,,0,0,0,,MRS. WHYBROW:\NIs that you, Herbert?

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.79,0:00:27.79,Default,,0,0,0,,Good evening.
Dialogue: 0,0:01:08.20,0:01:09.86,Default,,0,0,0,,Good heavens.
Dialogue: 0,0:01:09.90,0:01:13.70,Default,,0,0,0,,He looks like\Na toothpick holder\Non an hors d'oeuvre table.
Dialogue: 0,0:01:13.74,0:01:16.30,Default,,0,0,0,,Oh, well, I guess\NI'll just have to practice\Nsome more.
Dialogue: 0,0:01:16.34,0:01:18.54,Default,,0,0,0,,So much for the sideshow.
Dialogue: 0,0:01:18.57,0:01:21.11,Default,,0,0,0,,Now, turn your attention\Nto the center ring
Dialogue: 0,0:01:21.14,0:01:23.65,Default,,0,0,0,,where you will find\Nour main attraction.
Dialogue: 0,0:01:50.97,0:01:55.18,Default,,0,0,0,,My name is Hildegard.\NHildegard Fell.
Dialogue: 0,0:01:55.21,0:01:58.98,Default,,0,0,0,,I'm writing about\Nmy hometown,\NEssington, Massachusetts
Dialogue: 0,0:01:59.01,0:02:02.42,Default,,0,0,0,,and especially\Nabout Mr. Anderson.\NMr. John Anderson.
Dialogue: 0,0:02:03.42,0:02:05.05,Default,,0,0,0,,I'm trying to be\Nabsolutely honest
Dialogue: 0,0:02:05.09,0:02:07.59,Default,,0,0,0,,about everybody,\Nincluding myself,
Dialogue: 0,0:02:07.62,0:02:09.82,Default,,0,0,0,,and that's\Nthe hardest part of all.
Dialogue: 0,0:02:11.29,0:02:15.56,Default,,0,0,0,,My mother and father\Ndon't understand me.\NNo one does really.
Dialogue: 0,0:02:15.60,0:02:19.23,Default,,0,0,0,,My father is a minister,\Nand it's not nice\Nto criticize him,
Dialogue: 0,0:02:19.27,0:02:24.17,Default,,0,0,0,,but I think he's just the\Nteensiest bit too good-looking\Nfor a minister.
Dialogue: 0,0:02:24.21,0:02:26.88,Default,,0,0,0,,Now, my mother,\Nshe's not a bit too beautiful,
Dialogue: 0,0:02:27.54,0:02:29.38,Default,,0,0,0,,she's just right.
Dialogue: 0,0:02:29.41,0:02:31.78,Default,,0,0,0,,Someday\Nwhen my teeth grow back in,
Dialogue: 0,0:02:31.81,0:02:33.98,Default,,0,0,0,,I'll probably look\Njust like her.
Dialogue: 0,0:02:36.75,0:02:38.99,Default,,0,0,0,,I must say,\Nwhenever Hildegard\Nis this quiet,
Dialogue: 0,0:02:39.09,0:02:41.59,Default,,0,0,0,,it usually means\Nthe worst is about to happen.
Dialogue: 0,0:02:41.62,0:02:45.83,Default,,0,0,0,,Now, Richard,\Nshe's behaving beautifully.
Dialogue: 0,0:02:45.86,0:02:48.93,Default,,0,0,0,,She's probably just...\NJust doing her homework.
Dialogue: 0,0:02:48.96,0:02:51.73,Default,,0,0,0,,Homework! She's probably\Nwriting a poison-pen letter.
Dialogue: 0,0:02:51.77,0:02:52.77,Default,,0,0,0,,Richard!

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:31.73,0:00:34.50,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:34.53,0:00:38.93,Default,,0,0,0,,I've been on Mars,\Nwhere I went for the opening\Nof a new television station.
Dialogue: 0,0:00:38.97,0:00:40.97,Default,,0,0,0,,It's all part of a scheme
Dialogue: 0,0:00:41.00,0:00:44.94,Default,,0,0,0,,to take the best\Nof our cultural advances\Nto the Martians.
Dialogue: 0,0:00:44.97,0:00:48.38,Default,,0,0,0,,Or Martinis,\Nas they prefer\Nto be called.
Dialogue: 0,0:00:48.41,0:00:50.85,Default,,0,0,0,,They are highly intelligent
Dialogue: 0,0:00:50.88,0:00:54.22,Default,,0,0,0,,and my attempts\Nto educate them\Nwere quite successful.
Dialogue: 0,0:00:54.25,0:00:57.22,Default,,0,0,0,,Within a matter of minutes,\Nthey were able to spell out,
Dialogue: 0,0:00:57.25,0:00:59.92,Default,,0,0,0,,"Earthman, go home"
Dialogue: 0,0:00:59.95,0:01:03.06,Default,,0,0,0,,using my two companions\Nto form the letters.
Dialogue: 0,0:01:03.06,0:01:05.66,Default,,0,0,0,,It was very gratifying.
Dialogue: 0,0:01:05.69,0:01:08.13,Default,,0,0,0,,As you have doubtless\Nalready guessed,
Dialogue: 0,0:01:08.96,0:01:11.07,Default,,0,0,0,,tonight's play is entitled
Dialogue: 0,0:01:11.07,0:01:13.80,Default,,0,0,0,,"Martha Mason, Movie Star."
Dialogue: 0,0:01:30.52,0:01:33.09,Default,,0,0,0,,(ALARM RINGING)
Dialogue: 0,0:01:44.50,0:01:46.20,Default,,0,0,0,,Henry!
Dialogue: 0,0:01:46.23,0:01:48.27,Default,,0,0,0,,Coming right up.
Dialogue: 0,0:01:48.30,0:01:51.17,Default,,0,0,0,,Sorry, my dear. I'm afraid\NI overslept this morning.
Dialogue: 0,0:01:53.61,0:01:55.94,Default,,0,0,0,,The lodge lasted\Ntill all hours.
Dialogue: 0,0:01:55.98,0:01:58.68,Default,,0,0,0,,Reading of\Nthe treasurer's report.
Dialogue: 0,0:01:58.71,0:02:01.72,Default,,0,0,0,,It was very interesting\Nthough.
Dialogue: 0,0:02:01.75,0:02:05.05,Default,,0,0,0,,Well, that may be interesting\Nto you, but I don't\Nwant to hear about it.
Dialogue: 0,0:02:05.05,0:02:09.59,Default,,0,0,0,,You'll feel more like talking\Nwhen you've had your coffee.
Dialogue: 0,0:02:09.62,0:02:13.23,Default,,0,0,0,,I wonder how people faced life\Nevery morning before coffee\Nwas invented.
Dialogue: 0,0:02:14.33,0:02:15.63,Default,,0,0,0,,Silently.
Dialogue: 0,0:02:17.50,0:02:19.63,Default,,0,0,0,,That's pretty good.\N"Silently."

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.72,0:00:28.82,Default,,0,0,0,,Good evening,\Ntelevision watchers.
Dialogue: 0,0:00:30.19,0:00:32.56,Default,,0,0,0,,Tonight's masque is entitled,
Dialogue: 0,0:00:32.59,0:00:36.00,Default,,0,0,0,,"The West Warlock\NTime Capsule."
Dialogue: 0,0:00:36.03,0:00:39.77,Default,,0,0,0,,The tale\Nof a timid taxidermist.
Dialogue: 0,0:00:39.80,0:00:43.20,Default,,0,0,0,,This gives me the excuse\Nto exhibit this prize\Nof mine,
Dialogue: 0,0:00:43.24,0:00:46.31,Default,,0,0,0,,and to discuss taxidermy.
Dialogue: 0,0:00:46.34,0:00:49.34,Default,,0,0,0,,I feel I know quite a bit\Nabout stuffed animals.
Dialogue: 0,0:00:49.38,0:00:51.58,Default,,0,0,0,,After all,\Nit takes one to know one.
Dialogue: 0,0:00:52.25,0:00:54.88,Default,,0,0,0,,This, I shot myself.
Dialogue: 0,0:00:54.92,0:00:58.12,Default,,0,0,0,,You see, deer poaching\Nis one of my hobbies.
Dialogue: 0,0:00:58.15,0:01:00.56,Default,,0,0,0,,It took only two shots.
Dialogue: 0,0:01:00.59,0:01:03.26,Default,,0,0,0,,The first one\Nhit a bearded, old man
Dialogue: 0,0:01:03.29,0:01:05.36,Default,,0,0,0,,wearing a ridiculous red suit
Dialogue: 0,0:01:05.39,0:01:07.33,Default,,0,0,0,,and riding in a sleigh.
Dialogue: 0,0:01:07.36,0:01:10.07,Default,,0,0,0,,I'm having him stuffed, too.
Dialogue: 0,0:01:10.07,0:01:13.90,Default,,0,0,0,,It probably\Nsounds silly to you,\Nbut I'm sentimental that way.
Dialogue: 0,0:01:13.94,0:01:15.57,Default,,0,0,0,,But enough of this.
Dialogue: 0,0:01:15.60,0:01:18.71,Default,,0,0,0,,Here, in a moment, is,\N"The West Warlock\NTime Capsule."
Dialogue: 0,0:01:41.16,0:01:45.10,Default,,0,0,0,,Well, I know Harry's\Ngonna like it, George.
Dialogue: 0,0:01:45.10,0:01:47.00,Default,,0,0,0,,And when some of his friends\Ngets a look at this,
Dialogue: 0,0:01:47.10,0:01:49.00,Default,,0,0,0,,I bet you get\Ntheir business, too.
Dialogue: 0,0:01:49.10,0:01:50.87,Default,,0,0,0,,(CHUCKLING)\NIf they ever hunt\Nup this way.
Dialogue: 0,0:01:50.91,0:01:52.77,Default,,0,0,0,,Good.\NThat's what we're here for.
Dialogue: 0,0:01:52.81,0:01:55.11,Default,,0,0,0,,Now, just put it\Non the bill, George.\NSure thing.
Dialogue: 0,0:01:55.11,0:01:56.24,Default,,0,0,0,,Well, see you later.
Dialogue: 0,0:01:56.28,0:01:57.11,Default,,0,0,0,,So long.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:25.35,0:00:27.26,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:27.29,0:00:31.76,Default,,0,0,0,,Have you seen a small boy\Nwith an apple on his head?
Dialogue: 0,0:00:31.79,0:00:33.66,Default,,0,0,0,,I know he's here somewhere,
Dialogue: 0,0:00:33.70,0:00:35.76,Default,,0,0,0,,but my eyes aren't\Nwhat they used to be.
Dialogue: 0,0:00:35.80,0:00:37.57,Default,,0,0,0,,Oh, oh, there he is.
Dialogue: 0,0:00:40.30,0:00:41.57,Default,,0,0,0,,(CLUNKING)
Dialogue: 0,0:00:42.44,0:00:43.77,Default,,0,0,0,,I missed again.
Dialogue: 0,0:00:45.27,0:00:47.11,Default,,0,0,0,,I think I'd better quit.
Dialogue: 0,0:00:47.14,0:00:49.71,Default,,0,0,0,,I even missed the boy\Nthat time.
Dialogue: 0,0:00:49.74,0:00:53.85,Default,,0,0,0,,Tonight, the flickering\Nshadows on our\Nmagic lantern screen
Dialogue: 0,0:00:53.88,0:00:56.62,Default,,0,0,0,,tell a story of life\Nin the big city.
Dialogue: 0,0:00:56.65,0:00:59.55,Default,,0,0,0,,It is called,\N"Father And Son."
Dialogue: 0,0:01:35.36,0:01:36.93,Default,,0,0,0,,What's this supposed\Nto be for?
Dialogue: 0,0:01:36.96,0:01:38.63,Default,,0,0,0,,Well, you said you had\Nto have some more money.
Dialogue: 0,0:01:38.66,0:01:39.83,Default,,0,0,0,,I said a couple of quid.
Dialogue: 0,0:01:39.86,0:01:41.16,Default,,0,0,0,,Well, you ain't going\Nto get it.
Dialogue: 0,0:01:41.20,0:01:42.36,Default,,0,0,0,,I shouldn't even give you\Nthis much.
Dialogue: 0,0:01:42.40,0:01:43.93,Default,,0,0,0,,Oh, now look, Dad.
Dialogue: 0,0:01:43.97,0:01:46.27,Default,,0,0,0,,Sam, I told you\Nthe last time,
Dialogue: 0,0:01:46.30,0:01:48.47,Default,,0,0,0,,there ain't going to be\Nno more money.
Dialogue: 0,0:01:48.50,0:01:50.51,Default,,0,0,0,,I know what you told me,\NDad, but if you'd\Njust listen a minute.
Dialogue: 0,0:01:50.54,0:01:54.68,Default,,0,0,0,,I don't want to listen!\NI've heard it all before.
Dialogue: 0,0:01:54.71,0:01:58.31,Default,,0,0,0,,You, a grown man. It's time\Nyou stood on your own feet!
Dialogue: 0,0:01:58.35,0:01:59.88,Default,,0,0,0,,What's the matter?\NYou afraid\Nif you give it to me,
Dialogue: 0,0:01:59.91,0:02:01.48,Default,,0,0,0,,there won't be enough left\Nfor you to get drunk on?
Dialogue: 0,0:02:01.52,0:02:02.68,Default,,0,0,0,,Now, don't you talk\Nto me like that!

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:29.72,0:00:30.99,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:33.06,0:00:37.10,Default,,0,0,0,,Since you're allowed\Nto make yourself comfortable\Nduring our show,
Dialogue: 0,0:00:37.13,0:00:39.90,Default,,0,0,0,,I thought it only right\Nthat I be allowed to relax.
Dialogue: 0,0:00:41.20,0:00:44.11,Default,,0,0,0,,After all,\Nthe rules of television
Dialogue: 0,0:00:44.14,0:00:47.11,Default,,0,0,0,,seem weighed far too much\Nin favor of the viewer.
Dialogue: 0,0:00:48.21,0:00:50.31,Default,,0,0,0,,You can relax in your home,
Dialogue: 0,0:00:50.35,0:00:52.95,Default,,0,0,0,,while I must stay here\Nin this drafty studio.
Dialogue: 0,0:00:54.45,0:00:57.62,Default,,0,0,0,,I'm not feeling a bit well.
Dialogue: 0,0:00:57.65,0:01:01.06,Default,,0,0,0,,But the show must go on,\Nwhether you like it or not.
Dialogue: 0,0:01:01.09,0:01:04.76,Default,,0,0,0,,And tonight's show is called\N"The Indestructible\NMr. Weems."
Dialogue: 0,0:01:23.41,0:01:25.71,Default,,0,0,0,,Have any luck?\NHmm?
Dialogue: 0,0:01:25.75,0:01:28.22,Default,,0,0,0,,Oh, not bad, shot a 41\Non the front nine,\Nthen a birdie three on...
Dialogue: 0,0:01:28.25,0:01:29.75,Default,,0,0,0,,No, I mean...
Dialogue: 0,0:01:32.22,0:01:35.56,Default,,0,0,0,,Not a nibble.\NYou can't give them away.
Dialogue: 0,0:01:35.59,0:01:38.29,Default,,0,0,0,,You'd think\Nwe were stealing their money\Ninstead of doing them a favor.
Dialogue: 0,0:01:43.87,0:01:46.40,Default,,0,0,0,,ALL: We, Knights\Nof the Golden Lodge,
Dialogue: 0,0:01:46.43,0:01:48.80,Default,,0,0,0,,pledge ourselves\Nin brotherhood,
Dialogue: 0,0:01:48.84,0:01:51.57,Default,,0,0,0,,unstintingly,\Nto help our fellow members
Dialogue: 0,0:01:51.61,0:01:53.84,Default,,0,0,0,,and those less fortunate\Nthan ourselves.
Dialogue: 0,0:01:55.88,0:01:57.15,Default,,0,0,0,,The board meeting\Nof the Knights\Nof the Golden Lodge
Dialogue: 0,0:01:57.18,0:01:58.31,Default,,0,0,0,,is now in session.
Dialogue: 0,0:02:00.08,0:02:01.75,Default,,0,0,0,,It distresses me\Nto inform you
Dialogue: 0,0:02:01.78,0:02:04.09,Default,,0,0,0,,that after months\Nof hard work\Nby our sales committee,
Dialogue: 0,0:02:04.12,0:02:06.29,Default,,0,0,0,,we have yet\Nto sell our first plot.
Dialogue: 0,0:02:06.32,0:02:08.22,Default,,0,0,0,,Well, maybe\Nif we didn't\Ncall it a cemetery,
Dialogue: 0,0:02:08.26,0:02:09.96,Default,,0,0,0,,maybe if we called it\Nsomething else,

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Timer: 100.0
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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:49.14,0:00:51.51,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:51.55,0:00:55.92,Default,,0,0,0,,This is Alfred Hitchcock\Nspeaking to you from\Nthe bottom of the world.
Dialogue: 0,0:00:55.95,0:00:59.65,Default,,0,0,0,,I mention this so that\Nif snow should appear\Non your screen,
Dialogue: 0,0:00:59.69,0:01:02.06,Default,,0,0,0,,you won't waste time\Nadjusting your set.
Dialogue: 0,0:01:03.53,0:01:04.39,Default,,0,0,0,,Ah.
Dialogue: 0,0:01:05.43,0:01:08.13,Default,,0,0,0,,Man's best friend,\Nand a dog, too.
Dialogue: 0,0:01:09.36,0:01:12.07,Default,,0,0,0,,Even though I have\Nall the comforts of home,
Dialogue: 0,0:01:12.10,0:01:15.07,Default,,0,0,0,,I am afraid it is time\Nfor our play,
Dialogue: 0,0:01:15.10,0:01:17.84,Default,,0,0,0,,and I wouldn't want\Neveryone to watch this\Nstanding on his head.
Dialogue: 0,0:01:17.87,0:01:18.74,Default,,0,0,0,,(SNAPS FINGERS)
Dialogue: 0,0:01:20.74,0:01:22.98,Default,,0,0,0,,Well, we seem\Nto have lost the dog,
Dialogue: 0,0:01:23.08,0:01:26.15,Default,,0,0,0,,but it's nice to feel\Nthe blood rushing\Nto my feet again.
Dialogue: 0,0:01:26.18,0:01:29.35,Default,,0,0,0,,Ladies and gentlemen,\Nhere, proper side up,\Nis our story,
Dialogue: 0,0:01:29.38,0:01:30.62,Default,,0,0,0,,"A Little Sleep."
Dialogue: 0,0:01:47.27,0:01:50.34,Default,,0,0,0,,(JAZZ MUSIC PLAYING)
Dialogue: 0,0:02:00.05,0:02:01.35,Default,,0,0,0,,(GUESTS CLAPPING)
Dialogue: 0,0:02:55.87,0:02:57.11,Default,,0,0,0,,(ALL CHATTERING)
Dialogue: 0,0:03:27.20,0:03:29.07,Default,,0,0,0,,Lover, you dance\Nlike a gigolo.
Dialogue: 0,0:03:31.27,0:03:33.07,Default,,0,0,0,,Is that supposed\Nto be a compliment?
Dialogue: 0,0:03:35.64,0:03:38.41,Default,,0,0,0,,When it left me, it was.\NWhen it reached you, no.
Dialogue: 0,0:03:40.08,0:03:42.25,Default,,0,0,0,,A horse's neck.\NWhat?
Dialogue: 0,0:03:42.28,0:03:44.59,Default,,0,0,0,,That's what I want.\NGo mix me one, lover.
Dialogue: 0,0:03:44.62,0:03:45.65,Default,,0,0,0,,Oh, baby.
Dialogue: 0,0:03:48.09,0:03:49.19,Default,,0,0,0,,Let's dance.
Dialogue: 0,0:03:49.22,0:03:50.73,Default,,0,0,0,,After I get my drink.
Dialogue: 0,0:03:50.76,0:03:52.56,Default,,0,0,0,,You've had one\Ntoo many now.

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[Events]
Format: Layer, Start, End, Style, Actor, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:26.02,0:00:27.72,Default,,0,0,0,,Good evening.
Dialogue: 0,0:00:27.76,0:00:30.26,Default,,0,0,0,,You will excuse me\Nif I speak rapidly,
Dialogue: 0,0:00:30.29,0:00:32.09,Default,,0,0,0,,but I haven't much time.
Dialogue: 0,0:00:32.13,0:00:34.86,Default,,0,0,0,,I'm playing some\Nidiotic children's game,
Dialogue: 0,0:00:34.90,0:00:37.33,Default,,0,0,0,,and I'm supposed to stand\Nagainst this wall,
Dialogue: 0,0:00:37.37,0:00:40.64,Default,,0,0,0,,blindfolded, and with my hands\Ntied behind me.
Dialogue: 0,0:00:40.67,0:00:43.34,Default,,0,0,0,,While I'm standing here\Nwaiting for something\Nto happen,
Dialogue: 0,0:00:43.37,0:00:46.37,Default,,0,0,0,,you may watch tonight's drama,\N"The Dangerous People".
Dialogue: 0,0:00:46.41,0:00:48.11,Default,,0,0,0,,I shall join you later.
Dialogue: 0,0:00:48.14,0:00:51.41,Default,,0,0,0,,(MACHINE GUN FIRING)
Dialogue: 0,0:00:51.45,0:00:53.68,Default,,0,0,0,,Thank you. But please,\Nno more applause.
Dialogue: 0,0:01:14.60,0:01:16.24,Default,,0,0,0,,(SIREN WAILING)
Dialogue: 0,0:01:29.15,0:01:30.49,Default,,0,0,0,,Oh, hello.
Dialogue: 0,0:01:32.82,0:01:33.59,Default,,0,0,0,,Hello.
Dialogue: 0,0:01:36.62,0:01:38.39,Default,,0,0,0,,BELLEFONTAINE: {\i1}It was foolish{\i0}\N{\i1}to hurry so.{\i0}
Dialogue: 0,0:01:38.43,0:01:40.00,Default,,0,0,0,,{\i1}What's the matter{\i0}\N{\i1}with me?{\i0}
Dialogue: 0,0:01:40.10,0:01:42.36,Default,,0,0,0,,{\i1}Now I'm out of breath.{\i0}
Dialogue: 0,0:01:42.40,0:01:44.87,Default,,0,0,0,,{\i1}I'll stay here a minute{\i0}\N{\i1}to get my breath,{\i0}
Dialogue: 0,0:01:44.90,0:01:46.23,Default,,0,0,0,,{\i1}or else he'll ask{\i0}\N{\i1}what's the matter,{\i0}
Dialogue: 0,0:01:46.27,0:01:49.17,Default,,0,0,0,,{\i1}and I'll tell him it's asthma,{\i0}
Dialogue: 0,0:01:49.20,0:01:51.67,Default,,0,0,0,,{\i1}and he'll tell me{\i0}\N{\i1}about how his wife had asthma,{\i0}
Dialogue: 0,0:01:51.71,0:01:54.38,Default,,0,0,0,,{\i1}or his boss,{\i0}\N{\i1}or his cousin Wilbur.{\i0}
Dialogue: 0,0:01:54.41,0:01:55.44,Default,,0,0,0,,(SIREN WAILING)
Dialogue: 0,0:01:57.98,0:02:01.15,Default,,0,0,0,,{\i1}That thing makes me nervous,{\i0}\N{\i1}even if it is five miles.{\i0}
Dialogue: 0,0:02:13.43,0:02:14.63,Default,,0,0,0,,Getting colder out.
Dialogue: 0,0:02:17.37,0:02:19.20,Default,,0,0,0,,You waiting for\Nthe Milwaukee train?